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Oral history interview with Liliana Wilson, 2004

Interviewee:
Wilson, Liliana, 1953-  Search this
Wilson, Liliana, 1953-  Search this
Interviewer:
Cordova, Cary  Search this
Subject:
Pinochet Ugarte, Augusto  Search this
Treviño, Jesse  Search this
Yanez, Rene  Search this
Anzaldúa, Gloria  Search this
Perez, Cynthia  Search this
Chödrön, Pema  Search this
Agosin, Marjorie  Search this
Gonzales, Mia  Search this
Wilson, Neil  Search this
Almeida, Arturo  Search this
Navarro, Mary Margaret  Search this
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Study and teaching -- Chile  Search this
Painting  Search this
Religion in art  Search this
Women painters -- Texas -- Austin -- Interviews  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13093
(DSI-AAA_SIRISBib)249046
AAA_collcode_wilson04
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249046
Online Media:

Oral history interview with Liliana Wilson

Interviewee:
Wilson, Liliana, 1953-  Search this
Interviewer:
Cordova, Cary  Search this
Creator:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Names:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Agosin, Marjorie  Search this
Almeida, Arturo  Search this
Anzaldúa, Gloria  Search this
Chödrön, Pema  Search this
Gonzales, Mia  Search this
Navarro, Mary Margaret  Search this
Perez, Cynthia  Search this
Pinochet Ugarte, Augusto  Search this
Treviño, Jesse, 1946-  Search this
Wilson, Neil  Search this
Yanez, Rene  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004, July 13-27
Scope and Contents:
An interview of Liliana Wilson conducted 2004 July 13-27, by Cary Cordova, for the Archives of American Art, in Austin, Texas.
Wilson displays a slideshow of her works and discusses Disparecidos en el Cielo; The Gatekeepers; The Immigrants; Man Running from Himself; Girl and Red Fish; Self-Portrait; Organic Barbed Wire; The Fish Tree; The Wedding; Desperate Housewife; The Lovers; The Meaning of Life; Lies; Proposition 187; Luciano; Time; Shift; El dia en que le hicieron pedazos la corona; Casi Gomez; Man and Leaf, and others. Wilson also discusses her relationship with Gloria Anzaldua; her sister's kidnapping by the Pinochet regime; experiences winning art contests at primary school; her uncommon last name; her use of Catholic imagery; her bad experience teaching; her childhood in Valparaiso, Chile; the patriarchal qualities of Chilean culture; attending architecture school and then transferring to law; her father's death and the family's resulting financial struggles; her disdain for traditional political paradigms; Santiago during the 1973 coup by Augusto Pinochet; her apartment being raided by the Army; moving to America and working as an au pair; enrolling in Austin Community College; her color choices in her paintings; moving to San Francisco; her various jobs doing commercial art; her early grant from MACLA; her anti-social nature, and how Anzaldua's nature is similar; her various residences in San Francisco; her conversion to Buddhism; moving back to Austin and her love for its community; learning to promote her own work; painting nude forms; her disdain for certain Catholic ideologies; the painters which she considers influences, such as Bosch, Kahlo, and Klee; her inability to be recognized by museums; the masculine nature of art academia; her involvement in the San Antonio arts scene; and the positive qualities of the United States. Wilson also discusses Cynthia Perez, Mia Gonzales, Jesse Treviño, Rene Yañez, Pema Chödrön, Neil Wilson, Arturo Almeida, Mary Margaret Navarro, Marjorie Agosin, and others.
Biographical / Historical:
Liliana Wilson (1953-) is a Chilean born artist in Austin, Texas. Cary Cordova (1970-) is an art historian from Austin, Texas.
General:
Originally recorded on 6 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 4 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Study and teaching -- Chile  Search this
Painting  Search this
Religion in art  Search this
Women painters -- Texas -- Austin -- Interviews  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wilson04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wilson04

Oral history interview with Graciela Sanchez, 2004 June 25-July 2

Interviewee:
Sanchez, Graciela I., 1960-  Search this
Sanchez, Graciela I., 1960-  Search this
Interviewer:
Cordova, Cary  Search this
Subject:
Wilson, Liliana  Search this
Mondini-Ruiz, Franco  Search this
Anzaldúa, Gloria  Search this
Lorde, Audre.  Search this
Calvo, Luz María  Search this
Moraga, Cherríe  Search this
Guerra, Susan  Search this
Kasterly, Amy  Search this
Diaz, Eduardo  Search this
Perez, Cynthia  Search this
Vaughn, Genevieve  Search this
Esperanza Peace & Justice Center  Search this
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Type:
Sound recordings
Interviews
Topic:
Mexican American artists  Search this
Gay artists -- Texas -- Interviews  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)12971
(DSI-AAA_SIRISBib)249047
AAA_collcode_sanche04
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249047
Online Media:

Oral history interview with Graciela Sanchez

Interviewee:
Sanchez, Graciela I.  Search this
Interviewer:
Cordova, Cary  Search this
Creator:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Names:
Esperanza Peace & Justice Center  Search this
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Anzaldúa, Gloria  Search this
Calvo, Luz María  Search this
Diaz, Eduardo  Search this
Guerra, Susan  Search this
Kasterly, Amy  Search this
Lorde, Audre.  Search this
Mondini-Ruiz, Franco, 1961-  Search this
Moraga, Cherríe  Search this
Perez, Cynthia  Search this
Vaughn, Genevieve  Search this
Wilson, Liliana, 1953-  Search this
Extent:
91 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 June 25-July 2
Scope and Contents:
An interview of Graciela Sanchez conducted 2004 June 25-July 2, by Cary Cordova, for the Archives of American Art, in San Antonio, Tex.
Sánchez speaks of her family background, her family's move to Chicago, return to San Antonio, and cultural traditions; San Antonio's Chili Queens; activism in the community; high school, attending Yale University; MEChA; Gloria Anzaldúa and This Bridge Called My Back; working for the Southwest Voter Registration Project; MALDEF, Mexican American Legal Defense; the foundation of Esperanza Peace and Justice Center with Susan Guerra and others; going to Cuba to study film; the Guadalupe Cultural Arts Center; the values of being "buena gente," "good people"; Ellas, a Latina lesbian organization; working with Amy Kastely, lawyer; Mujer Artes; her film "No Porque lo Diga Fidel Castro"; working for AIDS prevention/education; the newsletter "The Interchange" which became "La Voz de Esperanza"; Stonehaven Ranch, a retreat location; the film screenings "Other America"; the complete de-funding of Esperanza in 1997 and the four year litigation with the city of San Antonio; trying to save the building La Gloria and other endeavors taken on by the Esperanza; the Cuentos Project and recent events sponsored by the Esperanza. Sánchez also recalls Audre Lorde, Luz Calvo, Eduardo Diaz, Liliana Wilson Grez, Cherríe Moraga, Cynthia Perez, Genevieve Vaughn, Franco Mondini-Ruiz, and others.
Biographical / Historical:
Graciela Sanchez (1960- ) is an arts activist and the executive director of the Esperanza Peace and Justice Center in San Antonio, Tex. Cary Cordova (1970- ) is an art historian from Austin, Tex.
General:
Originally recorded on 5 sound discs. Duration is 5 hr., 30 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- Texas -- San Antonio -- Interviews  Search this
Topic:
Mexican American artists  Search this
Gay artists -- Texas -- Interviews  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sanche04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sanche04

Making face, making soul = Haciendo caras : creative and critical perspectives by feminists of color / edited by Gloria Anzaldúa

Author:
Anzaldúa, Gloria  Search this
Physical description:
xxviii, 402 p. ill. ; 23 cm
Type:
Books
Place:
United States
California
Date:
1990
C1990
20th century
Topic:
Feminism--Literary collections  Search this
Minority women--Literary collections  Search this
Feminism and literature  Search this
American literature--Minority authors  Search this
American literature--Women authors  Search this
American literature  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_512834

Borderlands = la frontera : the new Mestiza / Gloria Anzaldúa

Title:
Frontera
Author:
Anzaldúa, Gloria  Search this
Physical description:
203 p. ; 22 cm
Type:
Books
Place:
Mexican-American Border Region
Date:
1987
C1987
Topic:
Mexican American women--Poetry  Search this
Poetry  Search this
Civilization  Search this
Call number:
PS3551.N95 B6 1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_543384

This bridge called my back : writings by radical women of color / editors, Cherríe Moraga, Gloria Anzaldúa ; foreword, Toni Cade Bambara

Author:
Moraga, Cherríe  Search this
Anzaldúa, Gloria  Search this
Physical description:
xxvi, 261 p. : ill. ; 22 cm
Type:
Literary collections
Date:
1981
C1981
20th century
Topic:
Feminism  Search this
American literature--Women authors  Search this
American literature--Minority authors  Search this
American literature  Search this
Call number:
PS509.F44 T5X
PS509.F44T5X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_141954

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