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Sketch for "Two Entrances" for Odessa shopping center

Creator:
Antonakos, Stephen, 1926-2013  Search this
Antonakos, Stephen, 1926-2013  Search this
Type:
Artworks
Date:
2003
Record number:
(DSI-AAA)18657
See more items in:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18657

Oral history interview with Stephen Antonakos, 1975 May 9

Interviewee:
Antonakos, Stephen, 1926-2013  Search this
Antonakos, Stephen, 1926-2013  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Droll, Donald E.  Search this
Fischbach, Marilyn Cole  Search this
Lippard, Lucy R.  Search this
Type:
Sound recordings
Interviews
Topic:
Neon sculpture -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12023
(DSI-AAA_SIRISBib)212217
AAA_collcode_antona75
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212217
Online Media:

Stephen Antonakos papers, 1932-2014, bulk 1960-2014

Creator:
Antonakos, Stephen, 1926-2013  Search this
Antonakos, Stephen, 1926-2013  Search this
Subject:
Spector, Naomi  Search this
Bladen, Ronald  Search this
Kitagawa, Fram  Search this
Adler, Sebastian  Search this
Kokkinos, George  Search this
Marzona, Egidio  Search this
Koshalek, Richard  Search this
Allentown Art Museum  Search this
Ileana Tounta Contemporary Art Center  Search this
John Weber Gallery  Search this
Ādo furondo gyararī  Search this
Rose Art Museum  Search this
Mouseio Benakē  Search this
Galleriaforma  Search this
The Drawing Room  Search this
Galleria Bonomo  Search this
Fischbach Gallery  Search this
Savannah College of Art and Design  Search this
Kalfayan Galleries  Search this
Galerie Bernier  Search this
Konrad Fischer Gallery  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Ethniko Mouseio Synchronēs Technēs (Greece)  Search this
Lori Bookstein Fine Art  Search this
La Jolla Museum of Contemporary Art  Search this
Type:
Transcripts
Interviews
Photographs
Sketchbooks
Drawings
Blueprints
Obituaries
Topic:
Art -- Study and teaching  Search this
Neon sculpture  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)5861
(DSI-AAA_SIRISBib)208701
AAA_collcode_antostep
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208701
Online Media:

Byron Gallery records

Creator:
Byron Gallery  Search this
Names:
Galleria dell'Ariete  Search this
Antonakos, Stephen, 1926-2013  Search this
Calder, Alexander, 1898-1976  Search this
Consagra, Pietro, 1920-  Search this
Copley, Alfred L.  Search this
De Chirico, Giorgio, 1888-  Search this
Ernst, Max, 1891-1976  Search this
Friedeberg, Pedro, 1937-  Search this
Gilliam, Sam, 1933-  Search this
Goeritz, Mathias, 1915-1990  Search this
Grilo, Sarah  Search this
Matta Echaurren, Roberto Sebastián, 1911-  Search this
Meadmore, Clement  Search this
Nivola, Costantino, 1911-1988  Search this
Sleigh, Sylvia  Search this
Talman, Paul  Search this
Youngerman, Jack, 1926-2020  Search this
Extent:
16.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
circa 1950s-1991
Summary:
The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are over ten linear feet of artists and subject files, fifty-seven exhibition scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.
Scope and Content Note:
The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are extensive artists and subject files, exhibition files and scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.

Artist and subject files comprise over one-half of the records and contain business correspondence, sales information, photographs and transparencies, catalogs, and exhibit reviews for each artist either represented or sold by the gallery, or participated in an exhibition organized by the gallery. Particularly rich files are found for Alcopley, Stephen Antonakos, Alexander Calder, Pietro Consagra, Giorgio De Chirico, Max Ernst, Pedro Friedeberg, Sam Gilliam, Mathias Goeritz, Sarah Grilo, Roberto Sabastiano Matta, Clement Meadmore, Constantino Nivola, Sylvia Sleigh, Paul Talman, and Jack Youngerman.

Fifty-seven exhibition scrapbooks in binder sleeves represent a complete documentary record of Byron Gallery exhibits from 1963-1970. The scrapbook contain a wide variety of materials, including correspondence, catalogs, price lists, installation photographs and slides, printed reproductions of exhibited art work, and newspaper clippings and reviews. Additional printed materials include exhibition catalogs and invitations. There is also a near-complete run of catalogs from the Galleria Dell'Arieti, a contemporary gallery in Milan, Italy, 1961-1970.

Financial and business records are contained in a series of invoices from 1963-1971, and a card file of artwork sold or returned.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: Artist and Subject Files, circa 1950s-1991, undated (Box 1-10, 17; 10.2 linear feet)

Series 2: Exhibition Scrapbooks, 1963-1970 (Box 11-14, 17; 4.1 linear feet)

Series 3: Printed Material, 1961-1970 (Box 15; 0.5 linear foot)

Series 4: Invoices, 1963-1971 (Box 15; 0.5 linear foot)

Series 5: Card Files, circa 1960s-1970s (Box 16; 1 linear foot)
Historical Note:
The Byron Gallery was founded in 1961 by Charles Byron (b. 1918) and located on Madison Avenue in New York, New York. The gallery primarily showed Surrealist masters and up-and-coming contemporary American painters and sculptures, as well as an occasional ancient and Old Masters exhibit.

Among the artists represented by the gallery were Alcopley, Herbert Bayer, Albert Kotin, Clement Meadmore, Richard Merkin, Constantino Nivola, Brian O'Doherty, and Hans Richter. Additional artists handled by the gallery or given shows were Max Ernst, Sam Gilliam, Robert Sebastian Matta, Renee Magritte, Sylvia Sleigh, and Jack Youngerman. The gallery also sold work by artists represented by other galleries, or from the secondary market.

Several prescient group shows were organized by the gallery, including the Box Show in 1965, featuring the work of over 100 artists, including Arakawa, Lee Bontecou, Chryssa, Joseph Cornell, Alcopley, Walter De Maria, Dan Flavin, Donald Judd, Edward Kienholz, Sol Lewitt, Louise Nevelson, Constantino Nivola, Robert Rauschenberg, Michell Stuart, and Andy Warhol. The Paris Review show in 1965 was another stellar event, with contributions from Richard Anuszkiewicz, Allan D'Arcangelo, Jim Dine, Helen Frankenthaler, Robert Indiana, Alex Katz, Ellsworth Kelly, Lindner, Richard Robert Motherwell, Louise Nevelson, Estaban Vicente, and Andy Warhol. In 1964, the gallery also organized an exhibition of over 40 American landscape artists, American Landscapes. The gallery also exhibited two shows based on Pre-Columbian objects, and, in the late 1960s, held two major exhibitions, 400 Years of Italian Art: Florentine Relief Fund Art Show (1967) and Greek Gold Exhibition (1967-1968).
Provenance:
The Byron Gallery papers were donated to the Archives of American Art by gallery owner Charles Byron in 1999.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Surrealism  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Scrapbooks
Citation:
Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.byrogall
See more items in:
Byron Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bd7a7571-1027-4885-9bdb-30c575a99764
EDAN-URL:
ead_collection:sova-aaa-byrogall
Online Media:

Brooklyn Museum interviews of artists

Creator:
Brooklyn Museum  Search this
Names:
Listening to pictures (1968-1973: Brooklyn Museum)  Search this
Anderson, Lennart, 1928-  Search this
Antonakos, Stephen, 1926-2013  Search this
Arisman, Marshall  Search this
Barker, Walter  Search this
Baskin, Leonard, 1922-2000  Search this
Bauermeister, Mary, 1934-  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bishop, Isabel, 1902-1988  Search this
Brackman, Robert, 1898-  Search this
Butchkes, Sydney, 1922-  Search this
Casarella, Edmond, 1920-1996  Search this
Constant, George  Search this
Dash, Robert  Search this
De Creeft, José, 1884-1982  Search this
Dombek, Blanche, 1914-  Search this
Doyle, Tom, 1928-  Search this
Ernst, Jimmy, 1920-1984  Search this
Estern, Neil, 1926-  Search this
Evergood, Philip, 1901-1973  Search this
Frankenthaler, Helen, 1928-2011  Search this
Freilicher, Jane, 1924-  Search this
Goldin, Leon, 1923-  Search this
Goodman, Sidney  Search this
Graziani, Sante, 1920-  Search this
Greene, Balcomb, 1904-1990  Search this
Grillo, John, 1917-  Search this
Gropper, William, 1897-1977  Search this
Gross, Chaim, 1904-1991  Search this
Gussow, Roy, 1918-2011  Search this
Gwathmey, Robert, 1903-1988  Search this
Hartigan, Grace  Search this
Hopper, Edward, 1882-1967  Search this
Jaffe, Nora  Search this
Jenkins, Paul, 1923-2012  Search this
Kawabata, Minoru, 1911-  Search this
Kienbusch, William, 1914-1980  Search this
Knaths, Karl, 1891-1971  Search this
Koch, John, 1909-1978  Search this
Kosama, Yayoi  Search this
Lam, Jennett, 1911-  Search this
Lang, Steven, 1944-1971  Search this
Laurent, Robert, 1890-1970  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lipton, Seymour, 1903-1986  Search this
Margo, Boris, 1902-1995  Search this
Meyer, Ursula, 1915-  Search this
Moller, Hans, 1905-  Search this
Murch, Walter  Search this
Nevelson, Louise, 1899-1988  Search this
Odate, Toshio  Search this
Offner, Elliot  Search this
Ohlson, Douglas Dean, 1936-  Search this
Okada, Kenzo, 1902-1982  Search this
Palmer, Amanda, 1931-  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Peterdi, Gabor  Search this
Reinhardt, Ad, 1913-1967  Search this
Richards, Bill, 1936-  Search this
Rivers, Larry, 1925-2002  Search this
Sanchez, Emilio, 1921-1999  Search this
Schrag, Karl  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Sopher, Aaron, 1905-1972  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Thon, William, 1906-2000  Search this
Weinberg, Albert  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Interviewer:
Jacobowitz, Arlene  Search this
Extent:
7 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Date:
1965-1968
Summary:
Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.
Scope and Content Note:
Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation.

The artists interviewed are: Lennart Anderson, Stephen B. Antonakos, Marshall Arisman, Walter Barker, Leonard Baskin, Mary Bauermeister, Thomas Hart Benton, Isabel Bishop, Robert Brackman, Sydney Butchkes, Edmund Casarella, George Constant, Robert Warren Dash, Jose DeCreeft, Blanche Dombek, Tom Doyle, Jimmy Ernst, Neil Estern, Philip Evergood, Helen Frankenthaler, Jane Freilicher, Leon Goldin, Sidney Goodman, Sante Graziani, Balcomb Greene, John Grillo, William Gropper, Chaim Gross, Roy Gussow, Robert Gwathmey, Grace Hartigan, Edward Hopper, Nora Jaffe, Paul Jenkins, Minoru Kawabata, William Kienbusch, Karl Knaths, John Koch, Yayoi Kosama, Jennett Lam, Steven Lang, Robert Laurent, Jacob Lawrence, Jack Levine, Jacques Lipchitz, Seymour Lipton, Boris Margo, Ursula Meyer, Hans Moller, Walter Murch, Louise Nevelson, Toshio Odate, Elliot Offner, Douglas Ohlson, Kenzo Okada, Amanda Palmer, Irene Rice Pereira, Gabor Peterdi, Ad Reinhardt, Bill Richards, Larry Rivers, Emilio Sanchez, Karl Schrag, Ben Shahn, Charles Sheeler, Aaron Sopher, Moses Soyer, Raphael Soyer, William Thon, Albert Weinberg, and William and Marguerite Zorach.
Arrangement:
The collection is arranged as a single series:

Missing Title

Series 1: Interviews, 1965-1968 (Box 1-7; 7 lin. ft.)
Historical Note:
The interview program at the Brooklyn Museum was begun by Arlene Jacobowitz in the spring of 1965 with artists whose works were on exhibition at the Brooklyn Museum. In 1968, excerpts from the interviews were incorporated into an exhibition entitled "Listening to Pictures," in which visitors could access the sound recordings using headphones while standing before the painting being discussed. The exhibition opened April 28, 1968, and was gradually disassembled, 1971-1973.
Related Material:
The Brooklyn Museum Archives houses the records of the Departments of European Painting and Sculpture, American Painting and Sculpture, Contemporary Art (1897-2005), which contain records relating to the work of Arlene Jacobowitz.
Provenance:
This collection was donated to the Archives of American Art by Dierdre Lawrence of the Brooklyn Museum in 1989.
Restrictions:
Use of original papers requires an appointment. Researchers may view the original reels for the archival notations on them, but original reels are not available for playback due to fragility.
Rights:
Authorization to quote or reproduce for purposes of publication requires written permission from the interviewee. Citations must read:"Interview between [artist's name] and [interviewer's name] from the "Listening to Pictures" program of the Brooklyn Museum. Archives of American Art. Gift of the Brooklyn Museum." Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Interviews  Search this
Art, American -- Exhibitions  Search this
Genre/Form:
Transcripts
Interviews
Citation:
Interview between [artist's name] and [interviewer's name] from the "Listening to Pictures" program of the Brooklyn Museum. Gift of the Brooklyn Museum. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.broomuse
See more items in:
Brooklyn Museum interviews of artists
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bdcd26e1-568c-4c81-8ba1-e07f5afbdfad
EDAN-URL:
ead_collection:sova-aaa-broomuse

Oral history interview with Stephen Antonakos

Interviewee:
Antonakos, Stephen, 1926-2013  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Droll, Donald E.  Search this
Fischbach, Marilyn Cole, 1931?-2003  Search this
Lippard, Lucy R.  Search this
Extent:
125 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 May 9
Scope and Contents:
An interview of Stephen Antonakos conducted 1975 May 9, by Paul Cummings, for the Archives of American Art.
Antonakos speaks of his family and educational background; his work as a commercial artist; the influence of Ben Shahn and David Martin; his association with the Allan Stone Gallery, Fischbach Gallery, and John Weber Gallery; and his collages, pillow assemblages and mail art projects. He discusses his neon sculpture, including electrical wiring and timing devices, selection of colors, glass tubing, installation problems and the cost of electricity. He discusses the aesthetic and conceptual development of his work with neon and mail art. He recalls Donald E. Droll, Marilyn Cole Fischbach and Lucy Lippard.
Biographical / Historical:
Stephen Antonakos (1926-) is a sculptor from New York, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 3 hrs., 30 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Neon sculpture -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.antona75
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95bbc35e1-37e4-4cb4-9df4-6c2e2fefd376
EDAN-URL:
ead_collection:sova-aaa-antona75
Online Media:

Oral history interview with Larry Aldrich

Interviewee:
Aldrich, Larry  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Virginia Museum of Fine Arts  Search this
Antonakos, Stephen, 1926-2013  Search this
Baker, Richard Brown  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Castelli, Leo  Search this
Hartigan, Grace  Search this
Hopkins, Budd, 1931-2011  Search this
Indiana, Robert, 1928-  Search this
Johns, Jasper, 1930-  Search this
Lieberman, William Slattery, 1924-  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Myers, John Bernard  Search this
Rauschenberg, Robert, 1925-2008  Search this
Smithson, Robert  Search this
Stella, Frank  Search this
Extent:
9 Sound tape reels (Sound recording, 5 in.)
385 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1972 April 25-June 10
Scope and Contents:
Interview of Larry Aldrich conducted 1972 April 25-June 10, by Paul Cummings, for the Archives of American Art. Aldrich speaks of his acquisitions and his program for selling art at Christmas and praises William S. Lieberman as "the curator of collectors". He discusses funds given to museums by the Larry Aldrich Foundation; visits to artists' studios; exhibiting a portion of his collection for the first time at the Virginia Museum of Fine Arts in Richmond, Virginia, exhibitions at the Aldrich Museum of Contemporary Art; Robert Indiana's "Love Series"; and modern movements including "Lyrical Abstraction" and "Cool Art." He recalls Stephen Antonakos, Richard Brown Baker, Alfred H. Barr, Jr., Leo Castelli, Grace Hartigan, Budd Hopkins, Jasper Johns, John Myers, Dorothy Miller, Robert Rauschenberg, Frank Stella, Robert Smithson, and others.
Biographical / Historical:
Larry Aldrich (1906-2001) was an art collector from New York, New York.
General:
Originally recorded on 9 sound tape reels. Reformatted in 2010 as 18 digital wav files. Duration is 17 hrs., 11 minutes.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.aldric72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ec7e519e-a013-41aa-9add-fe37fd60dcc7
EDAN-URL:
ead_collection:sova-aaa-aldric72
Online Media:

Connie Lembark papers

Creator:
Lembark, Connie W., 1934-  Search this
Names:
Antonakos, Stephen, 1926-2013  Search this
Bertoia, Harry  Search this
Francis, Sam, 1923-1994  Search this
Hanson, Duane  Search this
Mitchell, Joan, 1926-1992  Search this
Rickey, George  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1967-1999
Scope and Contents:
Letters to Lembark, a receipt, photographs and slides, printed material, and a video.
Letters are to Lembark from sculptors George Rickey (1 letter and 4 cards, 1972-1997), and Duane Hanson (7 letters and 3 postcards, 1988-1997); and a receipt for the purchase of a work by Harry Bertoia. The correspondence relates to work in progress and invitations to exhibitions. Also found are 6 folders about Sam Francis which include his obituaries, printed material (articles and exhibition announcements), reviews and articles of Lembark's book "The Prints of Sam Francis: a Catalogue Raisonne, 1960-1990," book catalogues for the book, price list of Francis' prints, and press releases about the book; 3 rolls of negatives with contact sheets taken in the studios of Francis and Joan Mitchell; printed material and slides on Rickey, Arthur Gibson, and Stephen Antonakos; and a video tape "Eric Orr: Prime Matter."
Biographical / Historical:
Art consultant, author; Nashville, Tenn.
Provenance:
Donated 1998 and 2000 by Connie Lembark.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Sculptors -- United States  Search this
Identifier:
AAA.lembconn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98645ee97-397d-4d9e-846b-c0506f22a05d
EDAN-URL:
ead_collection:sova-aaa-lembconn

Dorothy and Herbert Vogel papers

Creator:
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Names:
Kunsthalle Bielefeld  Search this
Andre, Carl, 1935-  Search this
Antonakos, Stephen, 1926-2013  Search this
Artschwager, Richard, 1923-  Search this
Aycock, Alice  Search this
Barnet, Will, 1911-2012  Search this
Bochner, Mel, 1940-  Search this
Cadere, André, 1934-1978  Search this
Chernow, Ann, 1936-  Search this
Christo, 1935-  Search this
Cyphers, Peggy, 1954-  Search this
DeMonte, Claudia, 1947-  Search this
Francisco, Richard, 1942-  Search this
Graham, Dan, 1942-  Search this
Groth, Jan, 1938-  Search this
Hazlitt, Don, 1948-  Search this
Highstein, Jene, 1942-2013  Search this
Jean-Claude, Martha, 1919-2001  Search this
Kawara, On  Search this
LeWitt, Sol, 1928-2007  Search this
Mangold, Robert, 1937-  Search this
Mangold, Sylvia Plimack, 1938-  Search this
Pozzi, Lucio, 1935-  Search this
Renouf, Edda  Search this
Ryman, Robert, 1930-  Search this
Schultz, Barbara  Search this
Seawright, Sandy  Search this
Tabler, Bernadine  Search this
Taschler, Lori, 1959-  Search this
Tuttle, Richard, 1941-  Search this
Umlauf, Lynn  Search this
Extent:
47.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1960s-2009
Summary:
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.
Scope and Contents:
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.

Scattered general correspondence is with friends, acquaintances, and corporate entities.

Files for artists represented in the Vogel Collection include Carl Andre, Stephen Antonakos, Richard Artschwager, Alice Aycock, Will Barnet, Mel Bochner, Andre Cadere, Ann Chernow, Christo and Jeanne-Claude, Peggy Cyphers, Claudia DeMonte, Richard Francisco, Dan Graham, Jan Groth, Don Hazlitt, Jene Highstein, On Kawara, Sol Lewitt, Sylvia and Robert Mangold, Lucio Pozzi, Edda Renouf, Robert Ryman, Barbara Schultz, Lori Taschler, Richard Tuttle, and Lynn Umlauf among many others. Materials within artists' files may include printed material, correspondence, writings and notes, and scattered business records.

Subject files are found for Dorothy and Herbert Vogel's friends and colleagues within the art world including art historians, writers, gallerists, dealers, and collectors. Extensive letters are from Sandy Seawright and Bernadine Tabler. Exhibition related materials are found among the files.

Scattered business records of the Vogel Collection document exhibitions of the collection at U.S. institutions and at the Kunsthalle Bielefeld Museum in Germany.

Printed materials include clippings, posters, and exhibition catalogs and announcements.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: Correspondence, 1971-1987 (0.3 linear feet; Box 1)

Series 2: Artists' Files, 1963-2009 (30.4 linear feet; Boxes 1-31)

Series 3: Subject Files, 1969-2008 (9.8 linear feet; Boxes 31-41)

Series 4: Vogel Collection Business Records, 1974-1988 (0.3 linear feet; Box 41)

Series 5: Printed Material, 1960s-2000s (6.7 linear feet; Boxes 41-47, OV48-58)
Biographical / Historical:
Dorothy (1935- ) and Herbert Vogel (1922-2012) were contemporary art collectors in New York City, New York. The middle-class couple bought and collected art for forty-five years and amassed an extensive collection.

A life-long New Yorker, Herbert Vogel was born in 1922 and dropped out of school to work in a garment factory. After joining the U.S. Army, Vogel became a postal clerk and began to frequent Greenwich Village's Cedar Bar, a popular bar of the arts crowd. Vogel developed a deep appreciation for art and for the artists themselves.

In 1960, he met librarian Dorothy Faye Hoffman and they quickly fell in love. During their honeymoon, they visited the National Gallery of Art in Washington, D.C. Dorothy and Herb's first purchase was a sculpture by John Chamberlain. On their civil servant salary, the Vogels continued to collect and purchase art, beginning with young artists of the 1960s and 1970s while bypassing the dealer system of the New York City art scene. The result was a collection of 5,000 pieces which had to fit in their one-bedroom apartment.

In 1992, the Vogels donated the bulk of their collection to the National Gallery of Art, with fifty pieces intended to go to a museum or institution in each of the United States. Herbert Vogel died in 2012 in Manhattan and is survived by Dorothy.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel 2435) including three notebooks containing clippings, articles, press releases, exhibition catalogs and announcements. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Dorothy and Herbert Vogel donated their papers in several accretions from 1980 to 2009 and lent three notebooks for microfilming in 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century -- Collectors and collecting -- New York (State) -- New York  Search this
Women art dealers  Search this
Citation:
Dorothy and Herbert Vogel papers, 1960s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vogedoro
See more items in:
Dorothy and Herbert Vogel papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c7c1f7cf-7464-4427-b5f2-c93ec076f7ab
EDAN-URL:
ead_collection:sova-aaa-vogedoro
Online Media:

Fischbach Gallery records

Creator:
Fischbach Gallery  Search this
Names:
Thiabaut Galley  Search this
Altoon, John, 1925-  Search this
Antonakos, Stephen, 1926-2013  Search this
Bladen, Ronald, 1918-1988  Search this
Chamberlain, Wynn  Search this
D'Arcangelo, Allan, 1930-  Search this
Davis, Gene, 1920-1985  Search this
Dunn, Anne  Search this
Gilardi, Piero, 1942-  Search this
Hesse, Eva, 1936-1970  Search this
Katz, Alex, 1927-  Search this
Krushenick, Nicholas, 1929-1999  Search this
Levine, Les, 1935-  Search this
Mangold, Robert, 1937-  Search this
Ohlson, Douglas Dean, 1936-  Search this
Ryan, Anne, 1889-1954  Search this
Ryman, Robert, 1930-  Search this
Slavin, Arlene, 1942-  Search this
Smith, Tony, 1912-  Search this
Sugarman, George, 1912-1999  Search this
Swain, Robert, 1940-  Search this
Extent:
39.5 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Photographs
Date:
1937-2015
bulk 1963-1977
Summary:
The records of New York City Fischbach Gallery measure 39.5 linear feet and date from 1937 to 2015, with the bulk of materials dating from 1963 to 1977. The majority of the collection consists of artists files containing a wide variety of materials documenting the gallery's relationship with its stable of modern and avant garde artists, as well as gallery exhibitions. Files include biographical materials, correspondence, printed materials, and photographs. Gallery records also include general business correspondence, access-restricted financial records; and additional printed materials. The 2015 addition of 14 linear feet consists of inventory and client sales records in the form of card indexes. The 2019 addition consists of material related to Marilyn Fischbach's art collection.
Scope and Content Note:
The records of New York City Fischbach Gallery measure 39.5 linear feet and date from 1937 to 2015, with the bulk of materials dating from 1963 to 1977. The majority of the collection consists of artists files containing a wide variety of materials documenting the gallery's relationship with its stable of modern and avant garde artists, as well as gallery exhibitions. Files include biographical materials, correspondence, printed materials, and photographs. Gallery records also include general business correspondence, access-restricted financial records; and additional printed materials.

Artists and Exhibition Files contain information on over one hundred Fischbach Gallery artists and measure 18 linear feet. The contents of each file varies, but typically may include biographical information; correspondence between the artist, museums, and other galleries; scattered consignment information; printed materials including articles, clippings, exhibition announcements and catalogs, and press releases; photographs of the artist, installations, constructions, and works of art; and negatives, slides, and transparencies. Substantial files are found for John Altoon, Stephen Antonakos, Ronald Bladen, Wynn Chamberlain, Allan D'Arcangelo, Gene Davis, Anne Dunn, Piero Gilardi, Eva Hesse, Alex Katz, Nicholas Krushenick, Les Levine, Robert Mangold, Doug Ohlson, Anne Ryan, Robert Ryman, Arlene Slavin, Tony Smith, George Sugarman, and Robert Swain, among others. Also included are files pertaining to group exhibitions including "According to the Letter" (1963), "Hard Center" (1963), "Six Women" (1965), "Game Without Rules" (1966), "Direct Representation" (1969), and "Eccentric Abstraction" (1966) which was organized by Lucy Lippard.

General gallery correspondence is business correspondence between the gallery and companies, individuals, museums, galleries, dealers, new or non-Fischbach artists, and institutions. Additional business records consist of an address book, lists of Fischbach artists, gallery plans, a notebook, as well as guest lists, mailing lists, and press lists.

Financial records are access restricted and require written permission from the donor's representative for use. The files document financial transactions for many of the artists represented in the artists files and includes sales records, invoices, artists' payments, and correspondence about sales and possible sales. The alphabetical financial files document routine gallery business, such as framing, shipping, insurance, messenger, publicity, etc. and are organized by name of business. General financial files consist of accounting ledgers, banking documents, insurance claims, and travel accounts.

Printed materials consist of various business cards, clippings concerning the Fischbach Gallery, and a pamphlet by Ron Williams as a guide to New York galleries. The bulk of printed materials are found in the Artists and Exhibition Files.

A small series of photographs include those from the Thiabaut Gallery, and unidentified photos of landscapes. It is likely that Fischbach Gallery occupied the space previously used by the Thiabaut Gallery and some materials were included in the collection for that reason. The bulk of photographic materials are found in the Artists and Exhibition Files.

In 2015, 14 feet of records were added to the collection. The addition consists of inventory and client sales records in the form of card indexes. The addition is access-restricted until 2065.

A 2019 addition of 0.2 linear feet, consisting of material related to Marilyn Fischbach's art collection, was processed in 2020.
Arrangement:
The collection is arranged as 9 series.

Missing Title

Series 1: Artists and Exhibitions Files, 1937-1977 (Boxes 1-18, 28; 18 linear feet)

Series 2: Gallery Correspondence, 1962-1974 (Boxes 18-19; 1.75 linear feet)

Series 3: Business Records, 1969-1971 (Box 27; 0.3 linear feet)

Series 4: Financial Records, 1963-1975 (Boxes 20-25; 4.5 linear feet)

Series 5: Printed Material, 1963-1972 (Box 26; 6 folders)

Series 6: Photographs, circa 1960s (Box 26; 2 folders)

Series 7: Inventory Card Indexes, circa 1960s-2015 (12.1 linear feet; Box 29-41)

Series 8: Client Sales Card Index, circa 1970s-2000s (1.9 linear feet; Box 41-42)

Series 9: Marilyn Fischbach Collection Records, circa 1975-2000 (0.2 linear feet; Box 43)
Historical Note:
The Fischbach Gallery was founded in 1960 by Marilyn Cole Fischbach at 799 Madison Avenue in New York City. The gallery was noted for its stable of minimalist young artists in the 1960s, and the work of the painterly realists in the 1970s. The gallery remains open today.

During its early years, the gallery was among the first to focus on 1960s avant-garde and minimalist artists. Marilyn possessed a talent for discovering young artists and for helping them advance their careers. Many of these young artists became well-known, including Ronald Bladen, Eva Hesse, and Alex Katz. Other artists represented by the gallery include Allan D'Arcangelo, Les Levine, Robert Mangold, Robert Ryman, George Sugarman, and Robert Swain.

The gallery also had an active exhibition schedule and organized and hosted group exhibitions of modern art, including "According to the Letter" (1963), "Hard Center" (1963), and "Direct Representation" (1969). Additionally, the Fishbach Gallery hosted "Eccentric Abstraction" in 1966, an exhibition organized by Lucy Lippard.

Later, the gallery moved to W. 57th Street in Manhattan. Fischbach hired A. Aladar Marberger as director of the gallery. Under his direction, the Fischbach Gallery shifted from the avant-garde to contemporary American realism and minimalist sculpture. In the 1980s, Marilyn Fischbach brought three investors into the gallery. She remined a co-owner, but lived in Paris, France for many years prior to her death at the age of seventy-two. The Fischbach Gallery remains open at 210 West 11th Street at 25th Street in New York City.
Provenance:
Gallery founder Marilyn C. Fischbach and director A. Aladar Marberger donated the majority of the Fischbach Gallery records in 1978. Additional records were donated in 2001 by Maureen Dawley on behalf of the Carnegie Mellon University and in 2015 and in 2019 by John Fischbach, Marilyn C. Fischbach's son.
Restrictions:
Use of original papers requires an appointment. Written permission from the donor is also required to view the series of financial records and the 2015 addition of card indexes. Contact the Reference Services Department for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Minimal art -- United States  Search this
Artists -- United States  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Gallery records
Photographs
Citation:
The Fischbach Gallery records, 1937-2015, bulk 1963-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fiscgall
See more items in:
Fischbach Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9250bd192-6986-4fdd-bec0-08a93a98e4ed
EDAN-URL:
ead_collection:sova-aaa-fiscgall
Online Media:

Tom Doyle papers

Creator:
Doyle, Tom, 1928-  Search this
Names:
United States. General Services Administration  Search this
Antonakos, Stephen, 1926-2013  Search this
Breckenridge, Bruce  Search this
Breckenridge, Sarah  Search this
Fane, Lawrence, 1933-2008  Search this
Gionakos, Christos  Search this
Jensen, Alfred, 1903-1981  Search this
Klimko, Andrew Frank, 1928-  Search this
Shestack, Melvin  Search this
Troy, Jack, 1938-  Search this
Extent:
5.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sketches
Date:
1956-2014
Summary:
The papers of sculptor and educator Tom Doyle measure 5.2 linear feet and date from 1956-2014. The collection contains biographical material, correspondence, commission files, printed material, and four sketchbooks.
Scope and Contents:
The papers of sculptor and educator Tom Doyle measure 5.2 linear feet and date from 1956-2014. The collection contains biographical material, correspondence, commission files, printed material, and four sketchbooks.

Biographical material dates from 1966-circa 1980s and includes an address book, scattered notes, and receipts. Correspondence dates from 1959-2013 and is both personal and professional in nature. There are letters, postcards, holiday cards, greeting cards, invitations, and printed material from friends and family. Noteworthy artists represented in the correspondence include Stephen Antonakos, Lawrence Fane, Bruce and Sarah Breckenridge, Andy F. Klimko, Alfred Jensen, Mel Shestack, Jack Troy, and Christos Gionakos. Professional correspondence is with galleries, museums, and other arts organizations regarding exhibitions, commissions, and other projects. Commission files date from 1978 to 1985 and detail Doyle's sculpture Map of Alaska, commissioned by the General Services Administration for the Federal Building and Courthouse in Fairbanks, Alaska. Printed material dates from 1956-2014 and includes articles and clippings, a book, booklets, brochures, exhibition announcements and catalogs, journals, magazines, bulletins, press releases, and price lists. Four sketchbooks date from circa 1960s-1974. Sketches are completed in pen, pencil, colored pencil, and marker, and appear to be studies and preliminary drawings for sculptures.
Arrangement:
The collection is arranged as five series

Missing Title

Series 1: Biographical Material, 1966-circa 1980s (0.1 linear foot; Box 1)

Series 2: Correspondence, 1959-2013 (2.7 linear feet; Box 1-3)

Series 3: Commission Files, 1978-1985 (0.3 linear feet; Box 3-4)

Series 4: Printed Material, 1956-2014 (1.9 linear feet; Box 4-5, OV 6-7)

Series 5: Sketchbooks, circa 1960-1974 (0.2 linear feet; Box 5)
Biographical / Historical:
Tom Doyle (1928- ) is a sculptor and educator currently residing in Roxbury, Connecticut. Previously, he lived and worked in New York City and Three Springs, Pennsylvania.

Tom Doyle was born in Jerry City, Ohio in 1928 and received his BFA in 1952 and MFA in 1953 from Ohio State University, where he studied with Roy Lichtenstein. In 1957, he moved to New York City and in 1960 was included in a group exhibition at the Martha Jackson Gallery.

In 1961 Doyle met and married Eva Hesse, but they separated in 1965 after spending a year in Germany together. He later married Jane Doyle, his current wife. Doyle was a member of and exhibited at 55 Mercer, a cooperative gallery in SoHo established in 1969. Doyle and Jane shared a studio with a number of other artists at 135 Bowery.

Although Doyle primarily creates sculptures from wood, he also uses metals, and experimented with synthetic materials in the 1960s. Franz Kline, Henry Moore, and Alexander Calder are among his influences.

Doyle taught at the Brooklyn Museum Art School from 1960-1968, the New School from 1961-1968, the School for Visual Arts in 1969, and at Queens College from 1970-1992. His work has been shown extensively throughout the United States and Europe, and he is the recipient of NEA and Guggenheim fellowships.
Provenance:
Donated to the Archives of American Art in 1982, 1983, and 2014 by Tom Doyle.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- Connecticut  Search this
Sculptors -- Connecticut  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
Genre/Form:
Sketchbooks
Sketches
Citation:
Tom Doyle papers, 1956-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.doyltom
See more items in:
Tom Doyle papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95b13ff04-cd53-4a37-8229-ea575775ba42
EDAN-URL:
ead_collection:sova-aaa-doyltom

The Magic Theater (1968), Nelson Gallery of Art and Atkins Museum

Collection Creator:
Antonakos, Stephen, 1926-2013  Search this
Container:
Box 16, Folder 24-25
Type:
Archival materials
Date:
1968-1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Stephen Antonakos papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Stephen Antonakos papers
Stephen Antonakos papers / Series 5: Exhibition Files / 5.2: Group Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-antostep-ref10

Atlanta Airport Art Collection, Other Works (1980), The Third Floor

Collection Creator:
Antonakos, Stephen, 1926-2013  Search this
Container:
Box 17, Folder 15
Type:
Archival materials
Date:
1980
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Stephen Antonakos papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Stephen Antonakos papers
Stephen Antonakos papers / Series 5: Exhibition Files / 5.2: Group Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-antostep-ref100

Oversized Neons from Box 11, Folder 38

Collection Creator:
Antonakos, Stephen, 1926-2013  Search this
Container:
Box OV 41
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Stephen Antonakos papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Stephen Antonakos papers
Stephen Antonakos papers / Series 5: Exhibition Files / 5.1: Solo Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-antostep-ref1000

Oversized Stephen Antonakos: Incomplete Square Neons, Incomplete Circle Neons from Box 11, Folder 34

Collection Creator:
Antonakos, Stephen, 1926-2013  Search this
Container:
Box OV 41
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Stephen Antonakos papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Stephen Antonakos papers
Stephen Antonakos papers / Series 5: Exhibition Files / 5.1: Solo Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-antostep-ref1001

Oversized Incomplete Neon Circles from Box 11, Folder 42

Collection Creator:
Antonakos, Stephen, 1926-2013  Search this
Container:
Box OV 41
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Stephen Antonakos papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Stephen Antonakos papers
Stephen Antonakos papers / Series 5: Exhibition Files / 5.1: Solo Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-antostep-ref1002

Oversized Stephen Antonakos: Neons/Athens/1977 from Box 11, Folder 43-44

Collection Creator:
Antonakos, Stephen, 1926-2013  Search this
Container:
Box 24, Folder 9
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Stephen Antonakos papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Stephen Antonakos papers
Stephen Antonakos papers / Series 5: Exhibition Files / 5.1: Solo Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-antostep-ref1003

Oversized Stephen Antonakos: Neons/Athens/1977 from Box 11, Folder 47

Collection Creator:
Antonakos, Stephen, 1926-2013  Search this
Container:
Box 24, Folder 9
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Stephen Antonakos papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Stephen Antonakos papers
Stephen Antonakos papers / Series 5: Exhibition Files / 5.1: Solo Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-antostep-ref1004

Oversized Antonakos: Neons For the University of Massachusetts from Box 11, Folders 49-51

Collection Creator:
Antonakos, Stephen, 1926-2013  Search this
Container:
Box OV 41
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Stephen Antonakos papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Stephen Antonakos papers
Stephen Antonakos papers / Series 5: Exhibition Files / 5.1: Solo Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-antostep-ref1005

Oversized Stephen Antonakos: Neons-Drawings-Collages/Munchen/1980 from Box 12, Folder 6

Collection Creator:
Antonakos, Stephen, 1926-2013  Search this
Container:
Box 24, Folder 9
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Stephen Antonakos papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Stephen Antonakos papers
Stephen Antonakos papers / Series 5: Exhibition Files / 5.1: Solo Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-antostep-ref1007

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