Search Results

Creator:

March, Benjamin, 1899-1934  Search this

Names:

Yanjing da xue  Search this

Ferguson, John Calvin, 1866-1945  Search this

March, Benjamin, 1899-1934  Search this

Priest, Alan Reed  Search this

Rowe, Dorothy, 1898-1969  Search this

St. Denis, Ruth, 1880-1968  Search this

Collection Creator:

March, Benjamin, 1899-1934  Search this

Extent:

182 Items (typed unbound pages with solid wood covers)

Container:

Box 1, Folder 9

Type:

Archival materials

Diaries

Place:

China

Beijing (China)

China -- Description and Travel

Date:

1925-1926

Scope and Contents note:

Binding removed, 9 ½" x 6". 182 pages. First entry, 30 June 1925. Last entry, 13 March 1926. Inscribed, "The Memoirs of MA". Wood cover. In the introduction, March wrote, "Chronicles of Benjamin" had, for three years, served as a journal, notebook, and record for himself of places he visited. Said that since he's now not alone that it is fitting to rename his notes, "Memoirs of MA." (Chinese name of his family). ["Chronicles of Benjamin" may be found in Series V, subseries B, photo albums.]

Scope and Contents:

A diary typed by the young Chinese art scholar Benjamin March from June 1925 to March 1926 describing his life in China. Events include March's marriage to the author Dorothy Rowe (1898-1969) in Nanjing, their honeymoon in Hangzhou and Suzhou, and their subsequent life in Beijing. March describes hikes through scenic areas in Hangzhou and Beijing; his acquaintance with scholars such as John Calvin Ferguson and Alan Priest; attending performances by Ruth St. Denis and Mei Lanfang, and his work at Yenching University.

The Memoirs of Ma

Biographical / Historical:

East Asian art historian, curator and lecturer, Benjamin Franklin March Jr., was born in Chicago on July 4, 1899 to Benjamin and Isabel March. He studied, lectured, and wrote in the United States and China and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. March was East Asian art lecturer at the University of Michigan, and curator of Asian art at the Detroit Institute of Art. Although he lived only thirty-five years, Benjamin March was a respected and influential scholar of Asian art.

Local Numbers:

FSA A1995.10 2.3

Collection Restrictions:

Collection is open for research.

Collection Rights:

No restrictions on use.

Topic:

Art, Asian  Search this

Art, Asian -- Research  Search this

Art, Chinese  Search this

Chinese language -- Terms and phrases  Search this

Painting, Chinese  Search this

Genre/Form:

Diaries

Collection Citation:

Benjamin March Papers, FSA.A.1995.10. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Judith March Davis, 1995

Identifier:

FSA.A1995.10, File FSA A1995.10 2.3

See more items in:

Benjamin March Papers

Benjamin March Papers / Series 2: Diaries

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc36bd63e4b-4db8-4872-ac06-0002023d7c84

EDAN-URL:

ead_component:sova-fsa-a1995-10-ref40

Manufacturer:

Ping-Fan Co.  Search this

Distributor:

TAILUX Trading Corp.  Search this

Materials:

Cardboard

Ink

Dimensions:

3-D (Box): 69.5 × 35.6 × 26cm (2 ft. 3 3/8 in. × 1 ft. 2 in. × 10 1/4 in.)

Type:

MEMORABILIA-Popular Culture

Country of Origin:

Taiwan (Distributed in USA)

Credit Line:

Gift of the Luong Family

Inventory Number:

A20220322001

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9c94726d8-53a8-42fa-8ac9-f0095e8a55d5

EDAN-URL:

edanmdm:nasm_A20220322001

Manufacturer:

Ozma Records  Search this

Materials:

Paper

Ink

Ribbon

Gold Foil

Dimensions:

3-D (Record Box, Overall): 33 × 33 × 4.4cm (1 ft. 1 in. × 1 ft. 1 in. × 1 3/4 in.)

Type:

MEMORABILIA-Miscellaneous

Country of Origin:

United States of America

Credit Line:

Gift of Lawrence Azerrad

Inventory Number:

A20210673000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9ee55a0c1-8576-4cdc-b619-dc5726bcea5c

EDAN-URL:

edanmdm:nasm_A20210673000

Manufacturer:

Ping-Fan Co.  Search this

Distributor:

TAILUX Trading Corp.  Search this

Materials:

Plastic

Metal

Rubber

Glass

White Metal

Adhesive

Paint

Dimensions:

3-D (Toy, overall): 62.5 × 32.4 × 36.8cm (2 ft. 5/8 in. × 1 ft. 3/4 in. × 1 ft. 2 1/2 in.)

Type:

MEMORABILIA-Popular Culture

Country of Origin:

Taiwan (Distributed in USA)

Credit Line:

Gift of the Luong Family

Inventory Number:

A20220322000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9fa8353bb-c36a-4c0f-99d4-ff62ddc0e6be

EDAN-URL:

edanmdm:nasm_A20220322000

Creator:

National Association of Colored Women's Clubs (U.S.)  Search this

Collection Collector:

Whitehead, Henry Preston, 1917-2002  Search this

Extent:

1 Document (10 3/4 x 8 1/4 inches)

Type:

Archival materials

Documents

Bulletins

Place:

Washington (D.C.)

Date:

July 27, 1946

Collection Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Collection Rights:

The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

Anniversaries  Search this

African American women -- Societies and clubs  Search this

Genre/Form:

Bulletins

Collection Citation:

Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.

See more items in:

Henry P. Whitehead collection

Henry P. Whitehead collection / Series 3: Tomlinson D. Todd / 3.7: Subject Files / National Association of Colored Women's Club's, Inc.

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7ec568a7c-732b-4999-8fc9-e52de254b029

EDAN-URL:

ead_component:sova-acma-06-042-ref1881

Creator:

National Association of Colored Women's Clubs (U.S.)  Search this

Collection Collector:

Whitehead, Henry Preston, 1917-2002  Search this

Extent:

1 Document (10 3/4 x 8 1/4 inches)

Type:

Archival materials

Documents

Bulletins

Place:

Washington (D.C.)

Date:

December 1946

Collection Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Collection Rights:

The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

African American women -- Societies and clubs  Search this

Genre/Form:

Bulletins

Collection Citation:

Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.

See more items in:

Henry P. Whitehead collection

Henry P. Whitehead collection / Series 3: Tomlinson D. Todd / 3.7: Subject Files / National Association of Colored Women's Club's, Inc.

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7a595a75c-6dd8-42b1-9a26-c141e0aef1da

EDAN-URL:

ead_component:sova-acma-06-042-ref1882

Creator:

National Council of Negro Women  Search this

Collection Collector:

Whitehead, Henry Preston, 1917-2002  Search this

Extent:

1 Document (10 3/4 x 8 1/4 inches)

Type:

Archival materials

Documents

Workbooks

Place:

Washington (D.C.)

Date:

November 13-15, 1958

Collection Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Collection Rights:

The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

African American women  Search this

Genre/Form:

Workbooks

Collection Citation:

Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.

See more items in:

Henry P. Whitehead collection

Henry P. Whitehead collection / Series 3: Tomlinson D. Todd / 3.7: Subject Files / National Council of Negro Women

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7cca2c36f-e2c4-4a83-a9bb-94f84615543e

EDAN-URL:

ead_component:sova-acma-06-042-ref1901

Creator:

Anacostia Community Museum  Search this

Names:

Anacostia Community Museum  Search this

Anacostia Neighborhood Museum  Search this

Extent:

6 Linear feet (3 record boxes, 2 legal size clamshell boxes)

Type:

Collection descriptions

Archival materials

Exhibition catalogs

Contact sheets

Correspondence

Clippings

Photographic prints

Negatives

Exhibition records

Oral histories (document genres)

Place:

Anacostia (Washington, D.C.)

Date:

1898-1988

Scope and Contents:

The records of the Evolution of a Community: 1972 Exhibition presented by the Anacostia Community Museum measure 6 linear feet and date from 1898 to 1988. Included are exhibit administrative files, lists of images, press releases for the promotion of the exhibit, oral history transcripts and permission forms, and extensive research files into the Anacostia community in southeast Washington D.C.

The Research Files series contains news clippings, publications, unpublished articles, project files, and research material for the exhibitions. Subjects include local figures and the Barry's Farm neighborhood, unpublished historical narratives, and project records related to archaeological investigations and neighborhood development programs.

The Interview series consists of transcripts of the audio collected in 1970-1971 for the "Evolution of a Community" exhibits. This series also incliudes interview notes and thank you letters from the museum to the interviewees.

Exhibit File series includes an outline for exhibit themes and proposed layouts, drafts of the exhibit scripts, lists of exhibit objects, promotional press releases, and related correspondence.

Arrangement:

Evolution of a Community: 1972 exhibition records is arranged in 4 series.

Series 1: Research Files

Series 2: Interviews

Series 3: Exhibit Files

Series 4: Audiovisual Materials

Historical Note:

Three exhibitions were done by the Anacostia Neighborhood Museum between 1972 and 1975. The first exhibition was The Evolution of a Community, Part 1: 1608-1955 and was held from February 27, 1972 – August 31, 1972. This exhibition centered on the history of Anacostia from 1608 until shortly after World War II, drawing from the 1970 oral histories interviews with longtime residents. The second exhibition was The Evolution of a Community, Part 2: 1955-Present and was held from September 1, 1972 – December 31, 1972. This exhibition showcased Anacostia's history from 1955 to 1972 and was organized into five major topics: housing, unemployment, education, crime, and drugs. The last exhibition was Anacostia Today: The Evolution of a Community, Part 2: Continued and was held from March 1, 1973 – July 31, 1973. This exhibition was the same exhibition as The Evolution of a Community, Part 2: 1955-Present but brought back for the museum's fifth anniversary and continued its focus on its five major topics.

Related Materials:

Anacostia Story: 1608-1930 Exhibition Records, M03-039.

Anacostia Oral History Project, 1975

Provenance:

Records of the Evolution of a Community: 1972 Exhibition were created by the Anacostia Community Museum.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

Museum exhibits  Search this

African American neighborhoods  Search this

African Americans  Search this

Genre/Form:

Exhibition catalogs

Contact sheets

Correspondence

Clippings

Photographic prints

Negatives

Exhibition records -- 1967-1989

Oral histories (document genres)

Citation:

Evolution of a Community: 1972 Exhibition Records, Anacostia Community Museum Archives, Smithsonian Institution.

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

Identifier:

ACMA.03-040

See more items in:

Evolution of a Community: 1972 Exhibition Records

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa75cac2f00-94cc-479a-bf58-1c9a3dd1ced4

EDAN-URL:

ead_collection:sova-acma-03-040

Names:

Anacostia Community Museum  Search this

Anacostia Neighborhood Museum  Search this

Anacostia Oral History Project  Search this

Extent:

140 Sound recordings (45 sound cassettes ; 6 sound disk CD-Rs)

6 Electronic discs (DVD) (6 data disk DVD-Rs)

2.5 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Electronic discs (dvd)

Oral history

Interviews

Place:

Anacostia (Washington, D.C.)

Date:

1974-1975

Scope and Contents note:

The Anacostia Oral History Project Collection contains 39 oral history interviews with 42 individuals who either grew up in or spent a considerable amount of time in the neighborhood. Interviewees discuss their memories of Anacostia dating back to the 1890s and points of focus include education, occupations, transportation, geographic boundaries, and recreational and community activities. The interviews were conducted and recorded on audiocassettes in 1975 through the Center for Anacostia Studies and the Anacostia Community Museum. Most of the interviews have been digitized and are accessible in the archive on CDs.

Biographical/Historical note:

The Center for Anacostia Studies was the predecessor of the Anacostia Neighborhood Museum research department.

Related Archival Materials note:

The Anacostia Community Museum Archives also houses other oral histories of the area, including the ACM 25th Anniversary Oral History Project.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Topic:

African Americans  Search this

Genre/Form:

Oral history

Sound recordings

Interviews

Citation:

Anacostia Oral History Project, Anacostia Community Museum Archives, Smithsonian Institution

Identifier:

ACMA.09-006

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa75960751b-6c6a-4411-a135-cdcbfbe86170

EDAN-URL:

ead_collection:sova-acma-09-006

Creator:

Garden Club of America  Search this

Names:

New York Flower Show  Search this

Extent:

37000 Slides (photographs) (35mm slides)

33 Linear feet ((garden files))

3,000 Lantern slides

Type:

Collection descriptions

Archival materials

Slides (photographs)

Lantern slides

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Date:

circa 1920-present

Summary:

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

Biographical/Historical note:

The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- France  Search this

Gardens -- Italy  Search this

Gardens -- Japan  Search this

Gardens -- Mexico  Search this

Flower shows  Search this

Gardening -- United States -- societies, etc  Search this

Gardens -- England  Search this

Landscape architecture  Search this

Gardens -- United States  Search this

Gardens -- Spain  Search this

Gardens -- Scotland  Search this

Genre/Form:

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Lantern slides

Slides (photographs)

Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA

See more items in:

The Garden Club of America collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47

EDAN-URL:

ead_collection:sova-aag-gca

Collection Creator:

Marx, Harpo, 1888-1964  Search this

Container:

Box 1, Folder 4

Type:

Archival materials

Date:

1962

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Harpo Marx Papers, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Harpo Marx Papers

Harpo Marx Papers / Working Box 1

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep89bf036e9-04ba-4af7-b7ee-64f4f628c3d8

EDAN-URL:

ead_component:sova-nmah-ac-1290-ref30

Artist:

Zhao Yong 趙雍 (1291-1361)  Search this

Medium:

Ink and color on paper

Dimensions:

H x W (image): 31.5 x 73.5 cm (12 3/8 x 28 15/16 in)

Type:

Painting

Origin:

China

Date:

1347

Period:

Yuan dynasty

Topic:

horse  Search this

Yuan dynasty (1279 - 1368)  Search this

copy  Search this

China  Search this

Chinese Art  Search this

Credit Line:

Purchase — Charles Lang Freer Endowment

Accession Number:

F1945.32

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

Google Cultural Institute

Song and Yuan Dynasty Painting and Calligraphy

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye3ba3257e0-240b-4c59-beaa-96090ee75375

EDAN-URL:

edanmdm:fsg_F1945.32

Collection Creator:

Herder, Addie  Search this

Extent:

(Boxes 4-5; 4 folders)

Type:

Archival materials

Date:

1950-circa 1966

Scope and Contents note:

This series contains sketchbooks, miscellaneous sketches, and a self portrait in watercolor and pastel. Artwork created by other artists includes an anniversary greeting.

Collection Restrictions:

The collection is open for research. Use requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Adeline Herder papers, 1942-1999. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.herdadel, Series 6

See more items in:

Adeline Herder papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9262d2429-7d49-48e7-aead-ae234dc0e11e

EDAN-URL:

ead_component:sova-aaa-herdadel-ref90

Creator:

Education and Public Programs, Department of (NMAH, SI)  Search this

National Museum of American History (U.S.)  Search this

Extent:

18 Cubic feet (54 boxes)

Type:

Collection descriptions

Archival materials

Questionnaires

Date:

2002-09-08-2006-01-01, undated

Summary:

Visitors' comments collected on pre-printed cards documenting memories of the events of September 11, 2001, and their opinions on how their lives may have changed as a result of those events. Cards collected at each venue during the touring exhibit, "September 11: Bearing Witness to History".

Scope and Contents:

This collection contains comment cards from the exhibit, "September 11: Bearing Witness to History" that originated at the National Museum of American History (NMAH) Smithsonian Institution in Washington, D.C., and traveled to seven additional locations across the United States. The cards asked visitors of the exhibit one of two possible questions:

How did you witness history on September 11, 2001?

How has your life changed because of September 11, 2001?

The collection is divided into six series by location of exhibition and one additional series of additional information. Some of the comment cards were digitized previously and are available at 911digitialarchive.org.

Arrangement:

The collection is divided into six series by location of exhibition and one series of additional materials.

Series 1, National Museum of American History (Washington DC) 2002-2003

Series 2, Fort Worth Museum of Science and History (Fort Worth, Texas) 2003-2004

Series 3, East Tennessee Historical Society (Knoxville, Tennessee) 2004

Series 4, Japanese American National Museum (Los Angeles, California) 2004 July 7-2004 August 15

Series 5, Union Station (Kansas City, Missouri) undated

Series 6, National Heritage Museum (Lexington, Massachusetts) undated

Series 7, Additional Materials, undated

Biographical / Historical:

In the early spring of 2002, the National Museum of American History began production of an exhibition, "September 11: Bearing Witness to History", commemorating the one-year anniversary of the September 11 terrorist attacks. The exhibit was co-curated by curator emeritus David Allison and archivist Susan Strange. Due to the sensitive nature of the topic, delaying the exhibit's production in 2001, museum staff and partners had a 6 to 7-month period to plan and produce the exhibit. The process included not only design and research, but also reaching out to survivors and victim's families to collect personal effects and testimonies. While it proved to be a tremendous and emotionally difficult undertaking, the exhibit was ultimately completed on time.

"September 11: Bearing Witness to History" attracted over a million visitors during its ten-month run at the National Museum of American History on the Mall in Washington, DC, closing on July 6, 2003. With a goal of serving as a space of personal reflection, the exhibition included personal stories, photographs, and artifacts from the World Trade Center towers, the Pentagon, and the Flight 93 crash site in Somerset County, Pennsylvania. The exhibition also had a companion exhibit online (now defunct).

Each of the six exhibit sections were designed to have a somber impact on visitors: a narrow entrance portal featuring reactions to the attacks, a photo gallery featuring professional and amateur photography of the events, the object gallery from the three sites, a video produced by ABC News for the museum, interactive stations where guests listened to individual witness stories, and a visitor ledger where guests could reflect on the exhibit.

After its closing in Washington D.C., the exhibition was hosted at seven locations nationwide, including the Fort Worth Museum of Science and History (Fort Worth, Texas) from September 11, 2003, to January 4, 2004; the East Tennessee Historical Society (Knoxville, Tennessee) from January 30 to May 23, 2004; the Japanese American National Museum (Los Angeles, California) from July 1 to August 15, 2004; the Historical Society of Western Pennsylvania (Pittsburgh, Pennsylvania) from September 11, 2004 to January 2, 2005; the Washington State Historical Society (Tacoma, Washington) from January 30 to April 24, 2005; Union Station, Kansas City (Kansas City, Missouri) from May to August 2005; and the National Heritage Museum (Lexington, Massachusetts) from September 11, 2005 to January 1, 2006.

The exhibition featured the distribution of 5 ½ x 9 ½" comment cards where visitors could write or draw their personal experiences of the September 11 attacks. Only demographic information (age, location, gender) was also collected on these cards, and visitors had the choice of allowing their stories to be presented publicly. Two versions of the cards were used with slight differences in presented information, one that was distributed from the National Museum of American History, and the second being distributed from the host museums. Both versions informed participants that their responses would be part of the Behring Center's permanent archive responsible for preserving September 11th stories.

The comment cards were made available in the exhibition hall in every venue for visitors to record their comments. Some cards were sent back to the museum via mail from abroad or other states. Other submitted cards indicated forethought on part of their creator, with attached memorabilia such as photographs, drawings, flyers, poems, medals and pins, and patches.

Although the exhibition was featured at a total of eight locations, only cards from six of the locations are represented in this collection. The two locations that are not featured are the Historical Society of Western Pennsylvania and the Washington State Historical Society. It is not known if these locations participated in the comment card project.

Numbering perhaps in the tens of thousands, the comment cards capture a vivid, collective memory across all demographics and will serve as an important historic primary source reservoir of early attitudes from the American and global consciousness in the aftermath of the attacks.

Provenance:

Immediate source of acquisition unknown.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Exhibitions -- (creator) -- Washington (D.C.)  Search this

Museum visitors  Search this

September 11 Terrorist Attacks, 2001  Search this

Genre/Form:

Questionnaires

Citation:

September 11 Exhibit Comment Cards, 2002-2006, undated, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0848

See more items in:

September 11 Exhibit Comment Cards

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep87db31da3-031e-4832-8dac-391a61585931

EDAN-URL:

ead_collection:sova-nmah-ac-0848

Creator:

Chickering, Jonas, 1798-1853  Search this

Names:

Chickering & Sons Piano Company  Search this

Wurlitzer Company  Search this

McKay, John, Captain  Search this

Stewart, James  Search this

Former owner:

National Museum of American History (U.S.). Division of Musical History  Search this

Extent:

16 Cubic feet (37 boxes)

Type:

Collection descriptions

Archival materials

Microfilms

Trade literature

Photographic prints

Papers

Place:

Boston (Mass.)

Date:

1864 - 1985

Scope and Contents:

This collection consists of 51 volumes of Chickering & Sons piano registers, documenting piano production (May 1823-September 1985); correspondence related to the hundredth anniversary of Jonas Chickering's presidency of the Handel and Hayden Society; publications on the history of the Company and sales literature (1854-1984); newspapers articles about the company (1847-1876); photographs (1926-1966); advertising and management forms (1938-1968); and a copy of a letter by Jonas Chickering to his father dated January 27, 1838. There are also ten documents related to the construction, mortgaging and insurance of Chickering Hall in New York City (1876-1886). Chickering Hall opened with great acclaim in 1875 and was an important musical center in New York City in the last quarter of the 19th Century. Some grand pianos from turn of the century onward are not listed in the ledgers. It is thought that Chickering may have had a duplicate set of serial numbers for grand pianos but this collection lacks that volume.

Arrangement:

This collection organized into seven series.

Series 1: Correspondence, 1950

Series 2: Publications, 1854-1884

Series 3: Company history and records, 1838-1940

Series 4: Newspapers, 1847-1876

Series 5: Photographs, 1924-1966

Series 6: Management forms and material, 1938-1968

Series 7: Microfilm of ledger books, 1823-1985

Biographical / Historical:

Chickering & Sons pianos are an old line that came into being in April 1823 in Boston. Jonas Chickering, the founder, was a youthful cabinet maker. He learned piano making from John Osborn, a true master of the trade. The division of labor in Osborn's shop was not very extensive and Chickering was compelled to study every part of the instrument and to make himself acquainted with all the details. This exposure to the full range of tasks would served him well when he became a master in his own right. During his four years with Osborn, he became acquainted with Osborn's partner, James Stewart, who was awarded a patent for a "detached" soundingboard that was incorporated in the partners' pianos.

When Osborn and Stewart severed their business relationship, Stewart and his new partner, Chickering, opened a small shop on Tremont Street near King's Chapel on February 15, 1823. The partnership lasted three years until Stewart withdrew and left for London. At the age of 28, Chickering became the sole owner of the small but prosperous manufactory. The firm's annual output climbed over the next three years and reached 47 instruments in 1829.

In early 1830, Chickering made Captain John McKay, an experienced, aggressive, and successful merchandiser a partner in Chickering & Company. Captain Mackay made frequent trips to South American ports with ships laden with pianos. Returning home, the hold was filled with fragrant rosewood and richly grained mahogany. Chickering's first invention was patented in 1837 the first practical casting of a modern iron frame built to sustain the great tension of the strings of the piano so that it would stay in tune for a considerable period. In 1845, another important patent was secured, representing the first practical method of overstringing for square pianos, and in 1849 he applied the same principle to uprights. These contributions and others have become standard with all piano manufacturers.

The Chickering firm made pianos in a new way, employing production strategies that paralleled developments in other trades undergoing industrialization. "When he first commenced business for himself about 15 instruments a year were turned out while in the later years Mr. Chickering's business finished between fifteen and sixteen hundred instruments a year and at least one grand piano worth about a thousand dollars every week." (Richard G. Parker, A Tribute To The Life and Character of Jonas Chickering "By one who knew him well" (Boston: William P. Tewksbury, 1854.)

He was a long time President of the Handel & Hayden Society of Boston, this Country's oldest oratorio, founded in 1815.

On December 1, 1853, a fire swept through the Washington Street factory. Rather than rebuild on Washington Street, plans were made to erect a new factory on Tremont Street in the South End of Boston. Chickering, however, never saw the new plant in operation as he suffered a stroke and died December 8, 1853. The large Chickering factory built in 1853 was described at that time as the largest building in the United States outside the U.S. Capitol, and as "... the most perfect and extensive pianoforte estblishment in the world."

Chickering's death in 1853 left the business in the hands of his sons. In 1867, Emperor Napoleon III of France bestowed the Imperial Cross of the Legion of Honor on Frank Chickering at the Paris World's Fair that year.

With the passing of C. Frank Chickering in 1891, the company lost headway; and it was purchased by the American Piano Company in 1908 (Chickering Brothers pianos, which were made for several years following 1892 were in no way related to Chickering & Sons, though this family of boys was trained in the Chickering & Sons Boston factory).

From 1905 to 1911, the firm alone among American builders supported the revival of early instruments by hiring the English musician and craftsman Arnold Dolmetsch to build harpsichords, clavichords, and violas.

Chickering & Sons continued manufacturing pianos in Boston until 1927, when the plant and its personnel were relocated to East Rochester, New York. The Chickering was the foremost piano of the time Longfellow had one and there was one on the stage at Ford's Theater in Washington, D.C. the night Lincoln was assassinated. In 1932 the Company became part of the Aeolian American Corporation.

William Knabe of Kreutzburg, Germany, trained as a piano manufacturer, established his business in Baltimore, Maryland in 1837, and controlled the market in the Southern states by 1860. The Civil War and economic pressures may have contributed to the death of Knabe in 1864. The Company was eventually purchased by the American Piano Company in 1908, shortly after Chickering became a part of the organization.

The Wurlitzer Company, a major musical instrument manufacturer, acquired the Chickering firm in 1985 and continued to produce instruments with the Chickering name. The Wurlitzer Company was later purchased by the Baldwin Piano Company; Baldwin was subsequently purchased by Wurltech, Inc., of Houston, Texas.

Provenance:

This collection was donated by the Wurlitzer Company, May 17, 1987.

Restrictions:

The collection is open for research use.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

advertising  Search this

Keyboard instruments  Search this

Business -- History  Search this

Musical instruments -- 1860-1990  Search this

Musical instrument manufacturing  Search this

Piano makers  Search this

Genre/Form:

Microfilms

Trade literature

Photographic prints

Papers

Citation:

Chickering and Sons Piano Company Collection, 1864-1985, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0264

See more items in:

Chickering & Sons Piano Company Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep886f1c94d-ee6e-4c1c-bc11-97884ec73a13

EDAN-URL:

ead_collection:sova-nmah-ac-0264

Creator:

National Museum of American History (U.S.)  Search this

Bunch, Lonnie G.  Search this

United States. Department of Agriculture  Search this

National Association of State Universities and Land-Grant Colleges.  Search this

Names:

Go Forth and Serve: Black Land Grant Colleges (Exhibition) (Washington, D.C.: 1990)  Search this

Howard University  Search this

Former owner:

National Museum of American History (U.S.). Division of Cultural History  Search this

Extent:

1 Cubic foot

18 Videocassettes (VHS)

15 Cassette tapes

38 Videocassettes (Video 8)

Type:

Collection descriptions

Archival materials

Videocassettes (vhs)

Cassette tapes

Videocassettes (video 8)

Videotapes

Oral history

Interviews

Audiotapes

Date:

1992-1993

Summary:

An oral history project that grew out of the exhibit "Go Forth and Serve" which commemorated the 100th anniversary of the drafting of the second Morrill Act, which provided funds for the founding of land grant schools of higher education for black students.

Scope and Contents:

Oral history interviews, on film and audio, on the subject of African American land grant colleges, conducted in conjunction with the exhibition "Go Forth and Serve" at the National Museum of American History in 1990.

Arrangement:

The collection is organized into one series. It is organized alphabetically by the name of college or university that is the subject of the interview.

Biographical / Historical:

"Go Forth and Serve", an exhibition curated by Lonnie Bunch and Spencer Crew, opened in March 1990 at the National Museum of American History to commemorate the 100th anniversary of the drafting of the second Morrill Act, which provided funds for the founding of land grant schools of higher education for black students. The exhibition was co-sponsored by the Department of Agriculture and the National Association of State Universities and Land-Grant Colleges. There was a subsequent newsletter, and oral interviews were conducted.

Provenance:

Collection made by the Smithsonian Institution Division of Cultural History, National Museum of American History.

Restrictions:

Collection is open for research. Reference copies must be used. Access and use of audiovisual materials available in the Archives Center reading room.

Rights:

Reproduction may be limited due to intellectual property rights. No releases exist.

Topic:

Alcorn State University  Search this

Tennessee State University  Search this

Fort Valley State University  Search this

South Carolina State University  Search this

Delaware State University  Search this

Prairie View A & M University  Search this

West Virginia State University  Search this

Langston University  Search this

Lincoln University (Jefferson City, Mo.)  Search this

University of Maryland Eastern Shore  Search this

Kentucky State University  Search this

State universities and colleges  Search this

Genre/Form:

Videotapes -- 1990-2000

Oral history -- 1950-2000

Interviews -- 1950-2000

Audiotapes -- 1950-2000

Citation:

Go Forth and Serve: African American Land Grant Colleges Audiovisual Collection, 1992-1993, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0614

See more items in:

Go Forth and Serve: African American Land Grant Colleges Audiovisual Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8ba9d0324-51aa-4f0c-8584-230fd86526d1

EDAN-URL:

ead_collection:sova-nmah-ac-0614

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2021-03-05T01:04:07.000Z

YouTube Category:

Entertainment  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolklife

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolklife

EDAN-URL:

edanmdm:yt_1UvKOyCy4qE

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2019-09-27T18:58:25.000Z

YouTube Category:

People & Blogs  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolklife

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolklife

EDAN-URL:

edanmdm:yt_4UczXbvzY1k

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2017-09-15T18:47:32.000Z

YouTube Category:

Travel & Events  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolklife

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolklife

EDAN-URL:

edanmdm:yt_P09crl-ptZE

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2018-08-02T14:42:24.000Z

YouTube Category:

Travel & Events  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolklife

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolklife

EDAN-URL:

edanmdm:yt_VnAX-_Ona-g