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Lamprophis fuliginosus bedriagae

Expedition:
U.S. Eclipse Expedition, West Africa  Search this
Preparation:
Ethanol
Place:
Loanda (= Luanda), Luanda, Angola, Africa
Collection Date:
17 Dec 1889
Taxonomy:
Animalia, Chordata, Vertebrata, Reptilia, Squamata, Ophidia, Lamprophiinae
Published Name:
Lamprophis fuliginosus bedriagae
Boaedon bedriagae
Boaedon lineatus
Boaedon geometricus
Accession Number:
023272
Other Numbers:
Field Number : 383
USNM Number:
16075
See more items in:
Vertebrate Zoology
Amphibians & Reptiles
Data Source:
NMNH - Vertebrate Zoology - Herpetology Division
GUID:
http://n2t.net/ark:/65665/3d0b37813-d07e-4a5a-8e4d-459244c025b2
EDAN-URL:
edanmdm:nmnhvz_6359442

Lamprophis fuliginosus bedriagae

Preparation:
Ethanol
Place:
Loanda (= Luanda), Luanda, Angola, Africa
Taxonomy:
Animalia, Chordata, Vertebrata, Reptilia, Squamata, Ophidia, Lamprophiinae
Published Name:
Lamprophis fuliginosus bedriagae
Boaedon bedriagae
Boaedon lineatus
Accession Number:
023400
Other Numbers:
Field Number : No Field Number
USNM Number:
16246
See more items in:
Vertebrate Zoology
Amphibians & Reptiles
Data Source:
NMNH - Vertebrate Zoology - Herpetology Division
GUID:
http://n2t.net/ark:/65665/368a6f5fc-0557-4826-b8cc-6e704c5adfb2
EDAN-URL:
edanmdm:nmnhvz_6359613

The Journey to Installation: A Story of Two Signature Artifacts

Creator:
National Museum of African American History and Culture  Search this
Type:
YouTube Videos
Uploaded:
2014-05-08T15:37:25.000Z
YouTube Category:
Education  Search this
Topic:
African Americans  Search this
See more by:
WatchNMAAHC
Data Source:
National Museum of African American History and Culture
YouTube Channel:
WatchNMAAHC
EDAN-URL:
edanmdm:yt_ZDDUotEYCEA

Global Africa: Alfredo Jaar

Creator:
Smithsonian Institution  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2010-09-24T21:31:32.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianVideos
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianVideos
EDAN-URL:
edanmdm:yt_G89kO0DQpt0

Queen Ana Njinga

Creator:
National Museum of African Art  Search this
Type:
YouTube Videos
Uploaded:
2019-11-27T17:40:09.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_eXlfcikf1sY

Argyrolobium aequinoctiale Welw. ex Baker

Biogeographical Region:
26 - South Tropical Africa  Search this
Collector:
J. Gossweiler  Search this
Min. Elevation:
1000  Search this
Place:
Planalto de Malange. Kela., Malange, Angola, Africa
Collection Date:
27 Dec 1930
Taxonomy:
Plantae Dicotyledonae Fabales Fabaceae Papilionoideae
Published Name:
Argyrolobium aequinoctiale Welw. ex Baker
Barcode:
02289863
USNM Number:
1550289
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3bd296388-5118-4456-9894-4ca9e0e88725
EDAN-URL:
edanmdm:nmnhbotany_13312978

Marilyn Houlberg Nigeria collection

Photographer:
Houlberg, Marilyn  Search this
Extent:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
1,946 Slides (Color, 35 mm)
Culture:
Yoruba (African people)  Search this
Nigerians  Search this
Tuaregs  Search this
Fulani  Search this
Nuba  Search this
Igbo (African people)  Search this
Turkana  Search this
Pokot  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Documents
Slides
Color slides
Photographic prints
Photographs
Place:
Nigeria
Africa
Lagos (Nigeria)
Date:
1961-circa 2005
Summary:
The collection consists of 8,515 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2007. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.
Scope and Contents note:
This 6,567 slide collection documents Houlberg's studies in Southwestern Nigeria spanning from 1961 to circa 2005. In 2015, Houlberg donated an additional 1,948 color slides to the Eliot Elisofon Photographic Archives. These slides have been added to the EEPA 2005-002 finding aid, bringing the total to 8,515 slides.

The collection primarily includes photos of people, including the Ogboni, Pokot, Yoruba, Turkana and Igbo, shrines, festivals and rituals, art objects, and artists. A particular strength of the collection are photos of Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg mostly photographed in Ilishan, Ikenne, Ilara, Shagamu, Lagos, Ijebu-Ode, and Egbe.

Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art, wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Several Yoruba art forms, including photography, scarification tattoos, and textiles (both cloth and dress), are represented in the collection. Additionally, there are numerous slides of Yoruba hairstyles, many of which she published in her article, Social Hair: Tradition and Change in Yoruba Hairstyles in Southwestern Nigeria.

Yoruba ritual specialists, such as Ife-olu Solaru, Olufunke, and Yesufu Ejigboye, appear frequently throughout the collection. Houlberg documented her many stays with these individuals over the years.

There is also one binder of manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles.
Arrangement note:
The collection is organized into 29 series according to subject. The series descriptions correspond with particular subjects used in Houlberg's teaching and lectures, and based on donor's notes. All slides were kept in the order in which they were donated.

Series 1: African Hairstyles, circa 1973-1994 (Binder 1; 212 slides)

Series 2: Egungun Festival, 1961-circa 1988 (Binder 1; 362 slides)

Series 3: Gelede, circa 1969-circa 1989 (Binder 2; 301 slides)

Series 4: Ibeji Twins, circa 1969-circa 1990 (Binders 2-3; 854 slides)

Series 5: Ogboni Art Objects and Shrines, circa 1969-circa 1982 (Binder 4; 92 slides)

Series 6: Art Objects Depicting Ogun, circa 1969-circa 1983 (Binder 4; 56 slides)

Series 7: Olojufoforo Art and Festivities, circa 1968-circa 1975 (Binder 4; 21 slides)

Series 8: Yoruba People, Architecture, and Art, circa 1969-circa 1985 (Binder 4; 260 slides)

Series 9: Carving, Art Objects and Artists, and Scenes of Daily Life, circa 1973-circa 1988 (Binder 4; 201 slides)

Series 10: Yoruba Art, circa 1971-circa 1983 (Binder 5; 49 slides)

Series 11: Yoruba Textiles, circa 1973-circa 1983 (Binder 5; 84 slides)

Series 12: Yoruba, Miscellaneous, circa 1967-circa 1989 (Binder 5; 251 slides)

Series 13: African Art, Textiles People, and Dwellings, circa 1963-circa 1983 (Binder 6; 58 slides)

Series 14: Ibo Mbari and Igbo Peoples and Artwork, circa 1967-circa 1985 (Binder 6; 212 slides)

Series 15: Art and Ceremonies, circa 1967-circa 1991 (Binder 6; 493 slides)

Series 16: Body Arts, Nuba People (Sudan) and Fulani and Bororo People (Niger), circa 1973-circa 1979 (Binder 7; 64 slides)

Series 17: People, Scenic Views and Animals of Kenya, Sudan, Angola, and Ghana, circa 1972-circa 1985 (Binder 7; 168 slides)

Series 18: Peoples and Arts of Ghana, Mali, and the Ivory Coast, circa 1966-circa 1992 (Binder 7; 406 slides)

Series 19: Published Maps and Photos, circa 1968-circa 1985 (Binder 8; 70 slides)

Series 20: Nigerian Masks and Art Objects, circa 1967-circa 1978 (Binder 8; 396 slides)

Series 21: Yoruba Festivals, People, and Art in Nigeria, circa 1967-circa 1988 (Binders 8-9; 128 slides)

Series 22: Yoruba Photography and Textiles, circa 1975-circa 1983 (Binder 9; 54 slides)

Series 23: Ife-Olu, Ilishan, circa 1980-circa 1988 (Binder 9; 87 slides)

Series 24: Yoruba Festivals, People, Hairstyles, Ibeji Objects, Eshu Figures, and Oya and Orishala Priests, Priestesses, and Shrines, circa 1966-circa 1988 (Binder 9; 168 slides)

Series 25: Shango, circa 1970-circa 1983 (Binder 10, 162 slides)

Series 26: Ara Festival, 1975 (Binder 10; 174 slides)

Series 27: Ceremonies and Festivals, Portraits, Art and Ceremonial Objects, Domestic and Market Scenes, circa 1969-circa 2005 (Binders 10-11; 759 slides)

Series 28: Yoruba Art Objects, and Domestic, Work, and Festival Scenes, circa 1971-circa 1983 (Binder 11; 104 slides)

Series 29: Manuscript and Printed Materials, 1973-circa 2005 (Binder 12)
Biographical/Historical note:
Artist, anthropologist, and art historian Dr. Marilyn Hammersley Houlberg was born in Chicago, Illinois, in 1939. Houlberg received an Associate of Arts degree from Wright Junior College (1959) and a BFA from the University of Chicago (1963). After graduating, she traveled to North Africa and explored Morocco, Algeria, Tunisia, Libya, and Egypt. In 1964, Houlberg researched Haitian art, religion, and indigenous photography in Haiti and in 1965 was awarded a scholarship for graduate study from the University of Chicago. There she completed her MAT in Art History in 1967. Following graduation, Houlberg worked at the Nigerian Museum in Lagos, where she documented Yoruba sculpture, masquerades, religion, body art, and indigenous photography.

She began her teaching career at the University of Chicago as a lecturer on African art and African civilization, working there from 1971 to 1973. At the University of London, Houlberg earned a Masters in Anthropology, producing the thesis Yoruba Twin Sculpture and Ritual (1973). She also extensively photographed her travels abroad in Yorubaland. Between 1974 and 1990, Houlberg taught at the University of Chicago, Columbia College, Kalamazoo College, and Northwestern University. From 1974 to 2008 she continued teaching at The School of the Art Institute of Chicago, lecturing on Yoruba art and ritual in West Africa and the New World, and the art and ritual of Vodou in Haiti.

Houlberg has lectured worldwide at numerous museums and symposiums since 1972, including in Lagos, Nigeria; Jacmel, Haiti; Toronto, Canada; Salvador, Bahia, Brazil; and Cologne, Germany. Her essays have been published in several issues of African Arts. Some of Houlberg's significant publications include Arts of the Water Spirits of Haitian Vodou, in Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora (2008) and Water Spirits of Haitian Vodou: Lasiren, Queen of Mermaids, in Mami-Wata: Arts for Water Spirits in Africa and the African-Atlantic World (2008). The exhibition Mami-Wata at the Smithsonian National Museum of African Art (2009) featured her photographs.
Provenance:
Marilyn Houlberg, 733 West 18th St., Chicago, IL 60616, Donation, 20050320, 2005-0002
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Occupation:
Weavers  Search this
Artists  Search this
Topic:
Shrines  Search this
Masks  Search this
Domestic scenes  Search this
Egúngún (Cult)  Search this
Ethnology -- Nigeria  Search this
Gelede (Yoruba rite)  Search this
Hairstyles -- Africa  Search this
Rites and ceremonies -- Africa  Search this
Clothing and dress -- Africa  Search this
Marketplaces  Search this
Masquerades  Search this
Ere ibeji  Search this
Works of art in situ  Search this
Art, African  Search this
Vernacular architecture  Search this
Festivals  Search this
Genre/Form:
Color slides
Photographic prints
Photographs
Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2005-002
See more items in:
Marilyn Houlberg Nigeria collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo729173a75-b645-455f-b66b-ae08d0d2102e
EDAN-URL:
ead_collection:sova-eepa-2005-002

Arts & Community Engagement from Bahia to D.C.

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2020-06-26T05:34:07.000Z
YouTube Category:
Entertainment  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_yyWinSlHBaI

Bobgunnia madagascarensis (Desv.) J.H. Kirkbr. & Wiersema

Biogeographical Region:
26 - South Tropical Africa  Search this
Collector:
J. Gossweiler  Search this
Max. Elevation:
750  Search this
Min. Elevation:
750  Search this
Place:
Dundo; "Companhia de Diamantes de Angola", Lunda Norte, Angola, Africa
Collection Date:
26 Sep 1946
Taxonomy:
Plantae Dicotyledonae Fabales Fabaceae Papilionoideae
Published Name:
Bobgunnia madagascarensis (Desv.) J.H. Kirkbr. & Wiersema
Barcode:
00459134
USNM Number:
2074141
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/366679ac8-0bfe-45bd-8ea3-8a4b13952896
EDAN-URL:
edanmdm:nmnhbotany_2493299

Travel guide published by the Afro-American

Published by:
The Afro-American, American, founded 1892  Search this
Distributed by:
Allen Hotel, American  Search this
Medium:
ink on paper
Dimensions:
H x W: 9 x 4 1/4 in. (22.9 x 10.8 cm)
Type:
travel guidebooks
Place made:
Baltimore, Maryland, United States, North and Central America
Place used:
Louisville, Jefferson County, Kentucky, United States, North and Central America
Date:
1940s
Topic:
African American  Search this
Advertising  Search this
Black Press  Search this
Business  Search this
Recreation  Search this
Segregation  Search this
Travel  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Stephanie Capparell, author of The Real Pepsi Challenge
Object number:
2011.35.2.50
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e496b5f0-700d-4c4f-bc4b-3443e8d7f3a5
EDAN-URL:
edanmdm:nmaahc_2011.35.2.50
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Travel guide published by the Afro-American digital asset number 1

Leila Lopes

Creator:
National Museum of African Art  Search this
Type:
YouTube Videos
Uploaded:
2019-11-04T20:39:00.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_nZh6ZioCNcY

Angola tribes Peter Voss, photography

Photograper:
Voss, Peter (Photographer)  Search this
Physical description:
approximately 240 unnumbered pages numerous color photos 38 cm
Type:
Pictorial works
Place:
Angola
Date:
2022
Topic:
Portrait photography  Search this
Documentary photography  Search this
Indigenous peoples  Search this
Angolans  Search this
Ethnology  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155673

Marine bivalves of tropical West Africa from Rio de Oro to southern Angola Rudo von Cosel and Serge Gofas

Author:
Cosel, Rudo von  Search this
Gofas, Serge  Search this
Physical description:
1102 pages illustrations (chiefly color), distribution maps 25 cm
Type:
Identification
Classification
Field guides
Guides d'identification
Place:
Africa, West
Afrique occidentale
West Africa
Date:
2019
Topic:
Bivalves  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1158893

Paredon Records audio recordings

Creator:
Paredon Records  Search this
Silber, Irwin, 1925-2010  Search this
Dane, Barbara  Search this
Names:
Paredon Records  Search this
Extent:
8.85 Cubic feet
1 Cubic foot (Phonograph records)
6.6 Cubic feet (Audiotapes)
1.25 Cubic feet (Business records)
Type:
Collection descriptions
Archival materials
Contracts
Audiotapes
Correspondence
Business records
Articles
Phonograph records
Photographs
Date:
1969-2007
Summary:
The Paredon Records audiorecordings consist of all 50 of the recordings released by Paredon, along with the master audiotapes. Many of the recordings have a file containing business records relating to their production. These business records include artist contracts, recording reports, various notes on records produced, photographs of artists, news articles both about and by Barbara Dane, Irwin Silber, and Paredon Records, correspondence by Barbara Dane, Irwin Silber and Paredon Records, and other miscellany. Many contracts are signed by both Paredon Records and the artist. Correspondence is primarily between business associates. A complete inventory of the business records is available.
Scope and Contents:
There are two main components of the Paredon Records audiorecordings: the master recordings and corresponding commercial records themselves and the paper files relating to these recordings.

Series 1: Papers is primarily made up of "production files"--files containing materials related to specific albums. These production files can include artist contracts, recording reports, photographs of artists, clippings, royalty statements, licenses, album cover proofs, and correspondence between Paredon Records and the recording artists. news articles both about and by Barbara Dane, Irwin Silber, and Paredon Records. Many contracts are signed by both Paredon Records and the artist. Also included in this series are articles by Barbara Dane and Irwin Silber, a transcript of Daniel Sheehy's oral history interview with Barbara Dane, as well as miscellaneous ephemera.

Series 2: Master Audiorecordings includes all Paredon master tapes. Their corresponding commercial recordings are not described in this finding aid.
Arrangement:
Series 1: Papers (1970-2007, bulk 1970-1980)

Series 2: Master Audiorecordings (1969-1985, bulk 1970-1980)
Biographical / Historical:
Paredon Records was founded in 1969 in New York by Barbara Dane and Irwin Silber, and its first recordings were released in 1970. Paredon released four records at a time. Barbara Dane, a singer/songwriter herself, produced the albums and recruited the musicians, artists who worked on the covers, and volunteers who translated foreign language material and contributed stories for the record booklets. Irwin Silber, a writer and editor for The Guardian newspaper, assisted Dane in all aspects of production. Irwin worked on business aspects of the label, such as distribution, orders, and editing and printing the record supplemental materials. Dane and Silber traveled to almost all of the countries mentioned in these records, as part of their work as activists and personally knew the musicians and artists.

According to the interview with Barbara Dane, "Paredon" means "a big wall" in Spanish. Paredon represents "a wall of culture defending us [listeners] against this 'sleazy' culture that's out there on the other side of the wall." The mission of Paredon Records was to use music as a tool to spread culture: the stories and experiences of those involved in protest and revolution movements all over the world, in order to increase dialogue among similar movements and peoples. Dane and Silber hoped these records would promote social and political activism, and that the uplifting power of music would inspire people to be agents of social change. The records reflect the most important socialist or liberation movements in world politics as well as domestic issues in the United States of the late twentieth century.

The 50 Paredon record albums constitute a unique historical documentation of the political protest and revolutionary currents in the world over the course of three decades. 31 of the 50 albums come from national liberation movements in Asia, Africa and Latin America. These include music, song, poetry and speech from Angola, Argentina, Chile, China, Cuba, The Dominican Republic, Ecuador, El Salvador, Haiti, Mexico, Nicaragua, Palestine, Philippines, Puerto Rico, Thailand, Uruguay, and Vietnam. Another five albums come out of the European oppositional political movements from; Greece, Italy, North Ireland and the United Kingdom. In all cases, the materials are performed and/or presented by the participants in these movements. A number of world renowned artists are among the performers, including Mikis Theodorakis (Greece), Marcel Khalife (Lebanon), Quilapayún (Chile) and Silvio Rodriguez (Cuba). Several important world political figures — Fidel Castro, Ho Chi Minh, Don Albizu Campos and Che Guevara — also appear on these records delivering seminal speeches. Not all of the political figures deliver their speeches, such as the Ho Chi Minh album, but were read by someone else. The other 14 record albums document political and social protest movements in the U.S. during this same period. The songs reflect currents in the civil rights, women's, and labor movements. Two albums document GI opposition to the Vietnam War. These recordings include a broad array of singers and songs associated with the political protest of the times. Albums by the band "The Men of No Property" and others were obtained clandestinely, as the movements often became dangerous. Smithsonian Folkways Director Daniel Sheehy interviewed Barbara Dane in 2007, the transcript of which is contained in the Supporting Materials folder in Series 1: Papers.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Provenance:
The Ralph Rinzler Folklife Archives and Collections acquired the Paredon Records audiorecordings in December, 1991, when Barbara Dane and Irwin Silber donated their record company papers to the Center for Folklife and Cultural Heritage. The Center for Folklife and Cultural Heritage agreed to keep the record titles available for purchase, and to accession and store the Paredon Records Collection in the archives.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Revolutions and socialism  Search this
Protest songs  Search this
Folk music  Search this
Genre/Form:
Contracts
Audiotapes
Correspondence
Business records
Articles
Phonograph records
Photographs
Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.PARE
See more items in:
Paredon Records audio recordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk55d94d923-1c22-49b1-b0d6-2de506c90f31
EDAN-URL:
ead_collection:sova-cfch-pare
Online Media:

Entophysalis deusta

Biogeographical Region:
26 - South Tropical Africa  Search this
Collector:
John D. Mitchell  Search this
George William Lawson  Search this
J. H. Price  Search this
Place:
North of Punta Fasol [interpreted] and coast of Moçâmedes ., Angola, Africa
Collection Date:
23 Jan 1974
Taxonomy:
Eubacteria Cyanobacteria Chroococcales Entophysalidaceae
Published Name:
Entophysalis deusta
Barcode:
04103287
USNM Number:
104387
See more items in:
Botany
Algae
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3811561dc-ef94-4f50-8505-facfbb1f4483
EDAN-URL:
edanmdm:nmnhbotany_16750763

Entophysalis deusta

Biogeographical Region:
26 - South Tropical Africa  Search this
Collector:
John D. Mitchell  Search this
George William Lawson  Search this
J. H. Price  Search this
Place:
Praia Azul., Angola, Africa
Collection Date:
23 Jan 1974
Taxonomy:
Eubacteria Cyanobacteria Chroococcales Entophysalidaceae
Published Name:
Entophysalis deusta
Barcode:
04103286
USNM Number:
104386
See more items in:
Botany
Algae
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3748a0802-bb54-41a7-822e-ea8fe74881e3
EDAN-URL:
edanmdm:nmnhbotany_16750983

Entophysalis deusta

Biogeographical Region:
26 - South Tropical Africa  Search this
Collector:
John D. Mitchell  Search this
George William Lawson  Search this
J. H. Price  Search this
Place:
Porto Amboim., Angola, Africa
Collection Date:
3 Feb 1974
Taxonomy:
Eubacteria Cyanobacteria Chroococcales Entophysalidaceae
Published Name:
Entophysalis deusta
Barcode:
04103288
USNM Number:
104388
See more items in:
Botany
Algae
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/39159d5a0-71e9-472f-816b-555e80cb585f
EDAN-URL:
edanmdm:nmnhbotany_16751052

Vigna pubigera var. gossweileri Baker f.

Biogeographical Region:
26 - South Tropical Africa  Search this
Collector:
J. Gossweiler  Search this
Type Citation:
Baker, E. G. 1928. J. Bot. 66, suppl. 1: 116.
Type Status:
Isotype
Place:
Sumba, Peco., Cabinda, Angola, Africa
Collection Date:
-- May ----
Taxonomy:
Plantae Dicotyledonae Fabales Fabaceae Papilionoideae
Published Name:
Vigna pubigera var. gossweileri Baker f.
Barcode:
00004738
Other Numbers:
fiche number : 0433/E02
USNM Number:
1373591
See more items in:
Botany
Flowering plants and ferns
Type Register
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/31d64349e-8573-4e3a-8a74-6fe3e2bad255
EDAN-URL:
edanmdm:nmnhbotany_2113595

Vigna subterranea (L.) Verdc.

Biogeographical Region:
26 - South Tropical Africa  Search this
Collector:
-- Gossweiler  Search this
Min. Elevation:
20  Search this
Place:
Angolensium [unsure placement], Distrito do Congo Portugues, Peco-Sumba, cult., Angola, Africa
Collection Date:
Dec 1922
Taxonomy:
Plantae Dicotyledonae Fabales Fabaceae Papilionoideae
Published Name:
Vigna subterranea (L.) Verdc.
Barcode:
02354340
USNM Number:
1239615
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/33631b8c2-ca6d-4224-a83e-e62ceb0bc163
EDAN-URL:
edanmdm:nmnhbotany_13733335

Albizia versicolor Welw. ex Oliv.

Biogeographical Region:
27 - Southern Africa  Search this
Collector:
R. J. Rodin  Search this
Place:
South West Africa, Bordering Angola near Oshikango, Ovamboland, Namibia, Africa
Collection Date:
17 Nov 1947
Taxonomy:
Plantae Dicotyledonae Fabales Fabaceae Caesalpinioideae
Published Name:
Albizia versicolor Welw. ex Oliv.
Barcode:
02195397
USNM Number:
2062789
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/343373bec-3f00-4228-bb15-2c222841007b
EDAN-URL:
edanmdm:nmnhbotany_13160966

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