Search Results

Author:

Conlon, William 1941-  Search this

Murdock, Robert M  Search this

André Emmerich Gallery  Search this

Subject:

Conlon, William 1941-  Search this

Physical description:

[14] p., [8] leaves of plates : col. ill. ; 21 cm

Type:

Books

Exhibitions

Date:

1984

C1984

Call number:

N40.1.C71 A5

ND237.C6767 A4 1984

N40.1.C71A5

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_312910

Creator:

André Emmerich Gallery  Search this

Names:

Galerie André Emmerich  Search this

Sotheby Parke Bernet & Co.  Search this

Sotheby's (Firm)  Search this

Caro, Anthony, 1924-  Search this

Emmerich, André  Search this

Francis, Sam, 1923-1994  Search this

Frankenthaler, Helen, 1928-2011  Search this

Greenberg, Clement, 1909-1994  Search this

Hockney, David  Search this

Hofmann, Hans, 1880-1966  Search this

Louis, Morris, 1912-1962  Search this

Noland, Kenneth, 1924-2010  Search this

Olitski, Jules, 1922-2007  Search this

Pepper, Beverly  Search this

Extent:

311.4 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Visitors' books

Sound recordings

Video recordings

Scrapbooks

Etchings

Date:

circa 1929-2009

Summary:

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. A small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

Scope and Content Note:

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich.

The records document the gallery's daily business operations, exhibitions, and relationships with artists, dealers, clients, galleries, and museums. Artists particularly well-represented throughout the collection include Anthony Caro, Sam Francis, Helen Frankenthaler, David Hockney, Hans Hofmann, Morris Louis, Kenneth Noland, Jules Olitski, and Beverly Pepper.

Records pre-dating the gallery's establishment in 1954 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of artists, an original etching, and some of André Emmerich's personal records including biographical materials, correspondence, writings, and legal and financial records. Records post-dating the gallery's closure in 1998 are primarily residual business records related to the final disposition of artwork, clippings, photographs of André Emmerich and gallery staff, biographical materials, personal correspondence, writings, legal and financial records, and condolences received by Emmerich's wife upon his death in 2007.

Correspondence is primarily with galleries, museums and clients about business matters. Correspondence files also cover topics such as appraisals, authentications, offers of sale, artists seeking representation, image requests, job applications and recommendations. Also included are the New York gallery's copies of correspondence between the New York staff and the Zurich staff.

André Emmerich's appointment books document appointments, notes, and reminders about Emmerich's business and personal activities. Four appointment books relating to the birth of Emmerich's three sons and second marriage were kept by the family. The appointment books are access restricted and require written permission to use.

Administrative files include corporate records establishing the Andre Emmerich gallery's structure, records documenting the gallery's daily operations, advertising and publicity material, and records about the Sotheby's acquisition. There are also materials related to Top Gallant Farm, from its establishment to its closure. Travel records relate to André Emmerich's business trips and vacations along with some files on the travels of a several staff members at the gallery. Files about the operations of the Galerie André Emmerich in Zurich, Switzerland are included in the series as well.

Subject files relate to Emmerich's gallery business as well as personal and political interests, such as antiquities, art fairs and exhibitions, lecture research, art associations, and sculpture parks. There are several files on the art critic Clement Greenberg and former president of Gay Men's Health Crisis, Nathan Kolodner, who was also an art dealer and director of the Andre Emmerich Gallery.

Exhibition files contain numerous exhibition catalogs and printed materials related to exhibitions held or organized by the André Emmerich Gallery in Manhattan and Galerie André Emmerich in Zurich. The files contain materials ranging such as exhibition invitations, posters, printed materials, press releases, and guest books. Photographs of exhibitions can be found in the Photographic Materials series.

Artist files include biographical materials, clippings, correspondence, mailing lists, price lists, printed materials, and occasionally lectures, writings, and audiovisual materials for many of the artists represented or shown by André Emmerich Gallery. The General Correspondence files might contain duplicates or expanded versions of some of the correspondence. Photographs of artists can be found in the Photographic Materials series.

Artist accounts comprise account statements prepared periodically by the gallery documenting each artist's expenses and sales. Ledgers and general accounting files can be found in the Other Financial and Legal Records series.

Inventory records include inventory cards describing artwork entering and leaving the gallery and files containing various gallery inventories. Artist inventory cards, representing artists from both the New York and Zurich galleries, list the artist, title, date, media and measurements of an artwork. The cards also indicate whether the work was ultimately sold, returned to the artist, consigned, etc., and divided into categories accordingly. Inventory files show various gallery inventories.

Sales records document gallery sales and include paid invoices, records relating to Zurich sales, general sales records such as price lists and canceled sales, and Sotheby's Parke-Bernet auction reports. There are gaps in sales invoices in 1961-1964 and 1969-1971.

Purchase records include correspondence and invoices related to purchases and offers; annotated invoices for works of art bought by the gallery; André Emmerich, Inc. related purchase records; "Non-Modern" art related purchase records.

Consignment records include correspondence and consignment agreements documenting consignments to and from the André Emmerich Gallery; consignments from other galleries to André Emmerich, Inc.; and general consignment records.

Chronological files include copies of invoices or cover letters documenting the movement of artwork into and out of the gallery through sales, consignments, loans, and approvals. Records dating January through August 1968, January through March 1969, and September 1969 through July 1971 are missing.

Financial and legal records include client and partner account statements, resale and exempt organization certificates, accounting ledgers, and legal files related to disputes involving or of interest to the gallery.

Printed materials include auction catalogs and reports, books, and clippings describing André Emmerich, the galleries in New York and Zurich, Top Gallant Farm, and the art world. Also included is a large scrapbook created by the gallery containing clippings and gallery announcements dated 1955-1958. Clippings relating to particular artists can be found in the Artists Files series.

There are two pieces of original artwork in the collection. One is a 1974 print of a 1933 composite etching by Esther Dick Gottlieb, Adolphe Gottlieb, Edgar Levy, Lucille Corcos Levy, David Smith, and Dorothy Dehner Smith. The second is a 1998 lithograph by Louise Bourgeoise, called The Face of the Critic. The artist gave the lithograph as a gift in honor of Robert Hughes and the Archives of American Art and is numbered 61 out of a series of 300.

Photographic materials include prints, slides, negatives, and transparencies. Subjects include artists, André Emmerich, gallery installations, Top Gallant Farm, events, artists' studios, gallery staff, gallery space, and artwork. Photographs which show André Emmerich are indicated as such in the finding aid.

Audiovisual materials includes videocassettes and one audiocassette related to the art world. Videocassettes related to specific artists can be found in the Artists Files series. Videocassettes related to André Emmerich can be found in the André Emmerich Personal Papers and Records series. Videocassettes related to Top Gallant Farm and Sotheby's can be found in the Administrative Files series.

Personal papers and records relating to André Emmerich include biographical materials, personal correspondence, writings and lectures, and legal and financial records. The biographical materials include an address book, interviews and identifying documents. Writings include articles, edits, dissertations, lectures, etc. There are also some miscellaneous correspondence which is organized chronologically.

The small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

Arrangement:

The collection is arranged as 19 series:

Missing Title

Series 1: General Correspondence Files, 1958-2006 (boxes 1-18, OV 314-315; 18.2 linear feet)

Series 2: André Emmerich Appointment Books, 1954-2007 (boxes 19, 325, 326; 1.7 linear feet)

Series 3: Administrative Files, 1954-2003 (boxes 20-31, 306, OV 314, OV 316-319; 11 linear feet)

Series 4: Subject Files, 1958-1967, 1971-2000 (boxes 31-32, 306, OV 318, OV 320; 2 linear feet)

Series 5: Exhibition Files, circa 1954-1998 (boxes 32-40, 306, 307, OV 318-322; 8.5 linear feet)

Series 6: Artists Files, 1929-1932, 1938-2007 (boxes 40-68, 307, 308, OV 320-323; 28 linear feet)

Series 7: Artist Accounts, 1958-1998 (boxes 68-81; 13.5 linear feet)

Series 8: Inventory Records, circa 1954-2000(boxes 82-128; 46.5 linear feet)

Series 9: Sales Records, 1959-1998 (boxes 128-168; 40 linear feet)

Series 10: Purchase Records, 1961-1966, 1972-1994 (boxes 168-170; 2 linear feet)

Series 11: Consignment Records, 1961-2002 (boxes 170-177; 7.7 linear feet)

Series 12: Chronological File of Incoming and Outgoing Artwork, 1968-1998 (boxes 178-185; 8 linear feet)

Series 13: Other Financial and Legal Records, 1956-1999 (boxes 186-202; 16.5 linear feet)

Series 14: Printed Materials, 1955-1960, 1965-2008 (boxes 202-204, 308, 309; 3 linear feet)

Series 15: Original Artwork, 1933, 1974, 1998 (box 205, 310; 0.7 linear feet (2 folders))

Series 16: Photographic Materials, circa 1930-1935, 1941-1998, circa 2005 (Boxes 205-296, 311-313, OV 324; 92.8 linear feet)

Series 17: General Audio and Video Recordings, 1985, 1990-1995 (Boxes 297-298; 1.3 linear feet)

Series 18: André Emmerich Personal Papers and Records, 1937-1940, 1946-2008 (Boxes 298-305, OV 321, OV 323; 7.7 linear feet)

Series 19: Addition to the The André Emmerich Gallery records and André Emmerich papers, 1956-2009 (Boxes 328-329, OV 330; 2.1 linear feet)

Historical Note:

André Emmerich (1924-2007) was one of America's most noted contemporary art dealers and opened the André Emmerich Gallery in New York in 1954. The gallery showcased contemporary art, particularly Color Field painting and monumental sculpture.

André Emmerich was born on October 11, 1924 in Frankfurt, Germany. From age 7 he was raised in Amsterdam before emigrating with his family to New York City in 1940. He studied at Oberlin College and developed an interest in pre-Columbian art and antiquities. After graduation, he spent ten years in Paris working as a writer and editor before returning to New York. He married Constance Emmerich and the couple had three sons, Adam, Noah, and Toby.

In 1954 Emmerich opened the André Emmerich Gallery at 18 East 77th Street and initially specialized in contemporary American and European art and pre-Columbian antiquities. In 1956, the gallery moved to 17 East 64th Street, and in 1959 to the Fuller Building at 41 East 57th Street. Emmerich wrote two books about pre-Columbian art, Art Before Columbus in 1963 and Sweat of the Sun, Tears of the Moon: Gold and Silver in Pre-Columbian Art in 1965.

In 1961, Emmerich learned that French and Company, a gallery advised by art critic Clement Greenberg, was closing its department of contemporary art. French and Company had represented Color Field painters Morris Louis, Kenneth Noland, and Jules Olitski. Emmerich immediately invited Louis and Noland to be represented by his gallery. In 1966 he extended the invitation to Olitski as well, and Helen Frankenthaler joined soon after. The gallery's reputation as one of the earliest and most important promoters of Color Field painters was launched.

In addition to Color Field painters, the gallery represented, among others, Pierre Alechinsky, Karel Appel, Milton Avery, Herbert Ferber, Sam Francis, John Graham, Al Held, David Hockney, Hans Hofmann, John Hoyland, Judy Pfaff, Miriam Schapiro, and Anne Truitt.

Until January 1983, sales of pre-Columbian art primarily went through an entity called André Emmerich Inc. (AE Inc.), while sales of contemporary went through the André Emmerich Gallery Inc. (AEG). In 1983, the two entities were merged and operated under the name André Emmerich Gallery Inc.

In 1971, Emmerich began operating a downtown gallery at 420 West Broadway, in SoHo, in space shared with Leo Castelli, Virginia Dwan, and Ileana Sonnabend. In 1972, Emmerich opened a branch of his gallery in Zurich. He incorporated the Galerie André Emmerich Gmbh primarily for the purpose of leasing gallery space in Zurich. Until February 1974, sales of Pre-Columbian art in Zurich were made by an entity called André Emmerich Gallery Inc., New York Filiale Zurich. The Galerie André Emmerich Gmbh was officially liquidated in May 1982. The Filiale was formally closed in October 1996. Galerie André Emmerich also enjoyed a short-lived joint venture with Gimpel & Hanover.

André Emmerich served as president of the Art Dealers Association of America from 1972-1974 and again from 1991-1994.

Emmerich opened a private 150 acre sculpture park, Top Gallant Farm, on his estate in Pawling, New York, in 1982, where he stored and exhibited monumental sculptures by artists his gallery represented including Anthony Caro, Beverly Pepper, Alexander Liberman, Alexander Calder, Mark di Suvero, George Rickey, and Keith Haring. David Hockney painted waves onto floor of the property's swimming pool in 1986. Emmerich operated the sculpture park until 1996.

Emmerich sold his gallery to Sotheby's in 1996. He continued to be affiliated with the gallery until Sotheby's closed the gallery in 1998. Emmerich then began work on his memoir, My Life With Art, excerpts of which have been published in Art News, the Wall Street Journal, and The New Criterion.

Andre Emmerich died in New York 2007 and is survived by his second wife, Susanne Emmerich.

Related Material:

Among the holdings of the Archives of American Art is an oral history interview with André Emmerich conducted by Mona Hadler on January 18, 1993.

Provenance:

The André Emmerich Gallery records and André Emmerich papers were donated to the Archives of American Art by André Emmerich in eight accretions between 1999 and 2002. Two additional accretions were donated by Emmerich's wife Susanne in 2008 and 2009; and by James Yohe, executive director (1990-1999), in 2009 and 2014.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Sculpture, Abstract  Search this

Color-field painting  Search this

Art -- Economic aspects  Search this

Artists' studios -- Photographs  Search this

Function:

Art galleries, Commercial -- New York (State)

Art galleries, Commercial -- Switzerland

Genre/Form:

Photographs

Visitors' books

Sound recordings

Video recordings

Scrapbooks

Etchings

Citation:

André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Leon Levy Foundation.

Identifier:

AAA.andremmg

See more items in:

André Emmerich Gallery Records and André Emmerich Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw995f3b4aa-1b0f-46f4-8b5d-e0bf1191a740

EDAN-URL:

ead_collection:sova-aaa-andremmg

Collection Creator:

André Emmerich Gallery  Search this

Container:

Box 215, Folder 11

Type:

Archival materials

Date:

1973

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Leon Levy Foundation.

See more items in:

André Emmerich Gallery Records and André Emmerich Papers

André Emmerich Gallery Records and André Emmerich Papers / Series 16: Photographic Materials / 16.3: Installations

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98ae6d713-7bb5-4232-8652-51656ea5cfbe

EDAN-URL:

ead_component:sova-aaa-andremmg-ref7364

Container:

Box 27 of 87

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 11-001, Warren M. Robbins Papers

See more items in:

Warren M. Robbins Papers

Warren M. Robbins Papers / Series 5: Subject and Information Files, 1927-2005 / Box 27

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa11-001-refidd1e12754

Artist:

Helen Frankenthaler, American, b. New York City, 1928–2011  Search this

Medium:

Acrylic on canvas

Dimensions:

94 × 62 3/4 in. (238.8 × 159.4 cm)

Type:

Painting

Date:

1965

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number:

86.1880

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

Abstract Expressionism (Second Generation)/Formalist Abstraction

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py2e3c7c6c9-8830-49c1-a607-619d3ecf86a1

EDAN-URL:

edanmdm:hmsg_86.1880

Creator:

André Emmerich Gallery  Search this

Subject:

Frankenthaler, Helen  Search this

Francis, Sam  Search this

Emmerich, André  Search this

Caro, Anthony  Search this

Olitski, Jules  Search this

Pepper, Beverly  Search this

Louis, Morris  Search this

Noland, Kenneth  Search this

Hockney, David  Search this

Hofmann, Hans  Search this

Greenberg, Clement  Search this

Sotheby Parke Bernet & Co.  Search this

Sotheby's (Firm)  Search this

Galerie André Emmerich  Search this

Type:

Photographs

Visitors' books

Sound recordings

Video recordings

Scrapbooks

Etchings

Citation:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Topic:

Sculpture, Abstract  Search this

Color-field painting  Search this

Art -- Economic aspects  Search this

Artists' studios -- Photographs  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)6275

(DSI-AAA_SIRISBib)216620

AAA_collcode_andremmg

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216620

Subject:

Caro, Anthony  Search this

Type:

Videorecording

Date:

198-?

Citation:

Installation of Anthony Caro sculpture in gallery, 198-?. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)11116

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_11116

Creator:

Hockney, David, 1937-  Search this

Emmerich, Andre, 1924-2007  Search this

Type:

Videorecording

Date:

1986 May

Citation:

David Hockney and Andre Emmerich. David Hockney paints Andre Emmerich's swimming pool, 1986 May. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)11117

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_11117

Subject:

Emmerich, Andre  Search this

Hockney, David  Search this

Type:

Photographs

Date:

199-

Citation:

David Hockney and André Emmerich on a boat, 199-. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)1135

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_1135

Photographer:

Emmerich, Andre, 1924-2007  Search this

Subject:

Noland, Kenneth  Search this

Type:

Photographs

Date:

1965

Citation:

Andre Emmerich. Kenneth Noland in his studio, 1965. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Topic:

Artists at or with their work  Search this

Artists' studios  Search this

Painters  Search this

Record number:

(DSI-AAA)1136

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_1136

Subject:

Emmerich, Andre  Search this

Hockney, David  Search this

Type:

Photographs

Date:

1986 May

Citation:

Andre Emmerich watching David Hockney painting the interior of Emmerich's swimming pool, 1986 May. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)11535

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_11535

Subject:

Emmerich, Andre  Search this

Greenberg, Clement  Search this

Type:

Photographs

Date:

1994 Jan. 16

Citation:

André Emmerich seated with Clement Greenberg on Greenberg's 85th birthday, 1994 Jan. 16. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)11536

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_11536

Subject:

André Emmerich Gallery  Search this

Top Gallant Farm  Search this

Type:

Videorecording

Date:

198-?

Citation:

Footage of artworks installed in the Andre Emmerich gallery and outdoor sculptures, 198-?. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)11561

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_11561

Creator:

André Emmerich Gallery  Search this

Subject:

Top Gallant Farm  Search this

Type:

Videorecording

Date:

198-?

Citation:

André Emmerich Gallery. The Andre Emmerich Gallery presents Top Gallant Farm, 198-?. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Topic:

Outdoor sculpture  Search this

Record number:

(DSI-AAA)11562

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_11562

Photographer:

Emmerich, Andre, 1924-2007  Search this

Subject:

Frankenthaler, Helen  Search this

Type:

Photographs

Date:

1961

Citation:

Andre Emmerich. Helen Frankenthaler in her studio, 1961. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Topic:

Artists at or with their work  Search this

Artists' studios  Search this

Record number:

(DSI-AAA)1160

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_1160

Subject:

Frankenthaler, Helen  Search this

Type:

Photographs

Date:

195-

Citation:

Helen Frankenthaler seated outdoors, 195-. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)14927

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_14927

Photographer:

Burckhardt, Rudy  Search this

Subject:

Frankenthaler, Helen  Search this

Tibor de Nagy Gallery  Search this

Type:

Photographs

Date:

1957

Citation:

Rudy Burckhardt. Installation view of Helen Frankenthaler's fifth show at the Tibor de Nagy Gallery, 1957. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Topic:

Exhibitions  Search this

Record number:

(DSI-AAA)14928

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_14928

Photographer:

Burckhardt, Rudy  Search this

Subject:

Frankenthaler, Helen  Search this

André Emmerich Gallery  Search this

Type:

Photographs

Date:

1959

Citation:

Rudy Burckhardt. Installation view of Helen Frankenthaler's first show at the André Emmerich Gallery, 1959. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Topic:

Exhibitions  Search this

Record number:

(DSI-AAA)14929

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_14929

Photographer:

Burckhardt, Rudy  Search this

Subject:

Frankenthaler, Helen  Search this

André Emmerich Gallery  Search this

Type:

Photographs

Date:

1959

Citation:

Rudy Burckhardt. Installation view of Helen Frankenthaler's first show at the André Emmerich Gallery, 1959. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Topic:

Exhibitions  Search this

Record number:

(DSI-AAA)14930

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_14930

Photographer:

Burckhardt, Rudy  Search this

Subject:

Frankenthaler, Helen  Search this

André Emmerich Gallery  Search this

Type:

Photographs

Date:

1959

Citation:

Rudy Burckhardt. Installation view of Helen Frankenthaler's first show at the André Emmerich Gallery, 1959. André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Topic:

Exhibitions  Search this

Record number:

(DSI-AAA)14931

See more items in:

André Emmerich Gallery Records and André Emmerich Papers, circa 1929-2009

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_14931