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Marvin Harden papers, circa 1936-2005

Creator:
Harden, Marvin, 1935-  Search this
Subject:
Lerner Levine, Marion  Search this
Wilson, Willam  Search this
Ballatore-Nelson, Sandy  Search this
Chicago, Judy  Search this
Miller, Lura Harden  Search this
Stussy, Jan  Search this
Conwill, Houston  Search this
Brice, William  Search this
Riegelman, Nancy  Search this
Everts, Connor  Search this
Fine, Jud  Search this
Toon, Caroll  Search this
Plagens, Peter  Search this
Anderson, Eugene Newton  Search this
Los Angeles Institute of Contemporary Art  Search this
Los Angeles County Museum of Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
California State University, Northridge  Search this
Dobrick Gallery  Search this
Eugenia Butler Gallery  Search this
Gloria Cortella, Inc  Search this
Hank Baum Gallery  Search this
Jan Turner Gallery  Search this
Type:
Scrapbooks
Topic:
African American artists  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)13380
(DSI-AAA_SIRISBib)256376
AAA_collcode_hardmarv
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_256376
Online Media:

Marguerite Wildenhain papers, 1930-1982

Creator:
Wildenhain, Marguerite Friedlaender, 1896-1985  Search this
Subject:
Wildenhain, Frans  Search this
Eliot, T.S. (Thomas Stearns)  Search this
Anderson, Eugene Newton  Search this
Marcks, Gerhard  Search this
Type:
Scrapbooks
Video recordings
Topic:
Women artists  Search this
Artists' studios  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)5583
(DSI-AAA_SIRISBib)211569
AAA_collcode_wildmarg
Theme:
Craft
Women
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211569
Online Media:

John McLaughlin papers, 1922-1979

Creator:
McLaughlin, John, 1898-1976  Search this
Subject:
Hammersley, Frederick  Search this
Macdonald-Wright, Stanton  Search this
Anderson, Eugene Newton  Search this
McLaughlin, John  Search this
Langsner, Jules  Search this
Salz, Peter  Search this
Reinhardt, Ad  Search this
Thiel, Philip  Search this
Benjamin, Karl  Search this
Tamarind Lithography Workshop  Search this
Corcoran Gallery of Art  Search this
Pasadena Art Museum  Search this
André Emmerich Gallery  Search this
Felix Landau Gallery  Search this
Topic:
Painting, Abstract  Search this
Prints, Japanese  Search this
Art, Modern  Search this
Record number:
(DSI-AAA_CollID)7963
(DSI-AAA_SIRISBib)210131
AAA_collcode_mclajohn
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210131
Online Media:

William Theo Brown papers, 1845-1971

Creator:
Brown, William Theo, 1919-2012  Search this
Subject:
Lathwood, Jo  Search this
Masselind, Ben  Search this
Zajac, Jack  Search this
Oliveira, Nathan  Search this
Broughton, James  Search this
Stravinsky, Vera  Search this
McLaughlin, John  Search this
Lambert, Gavin  Search this
Loomis, Amy  Search this
DeFeo, Jay  Search this
Holloway, Sterling  Search this
Hindemith, Gertrud  Search this
Diebenkorn, Richard  Search this
Wonner, Paul John  Search this
Anderson, Eugene Newton  Search this
Beaton, Cecil Walter Hardy  Search this
Rukeyser, Muriel  Search this
Schrade, Leo  Search this
Shaw, Robert  Search this
Craft, Robert  Search this
Hamilton, George Heard  Search this
Thiebaud, Wayne  Search this
Golschmann, Vladimir  Search this
Johnson, Frank  Search this
Callahan, Harry M. (Harry Morey)  Search this
Simonds, Bruce  Search this
Kiesler, Lillian Olinsey  Search this
Hockney, David  Search this
Swift, Richard  Search this
Carson, Josephine  Search this
Davis, Charles H. (Charles Harold)  Search this
Poulenc, Francis  Search this
Park, David  Search this
Sarton, May  Search this
Hess, Thomas B.  Search this
Hindemith, Paul  Search this
Kiesler, Frederick  Search this
Callery, Mary  Search this
Sekula, Sonja  Search this
Bachardy, Don  Search this
Meeks, Everett  Search this
Donovan, Richard  Search this
Stone, Helen  Search this
Inge, William  Search this
Jenkins, Dorothy  Search this
Petty, Mary  Search this
Barber, Samuel  Search this
Isherwood, Christopher  Search this
Saint, Eva Marie  Search this
Stravinsky, Igor  Search this
Tardos, Anne  Search this
Barton, Betsy  Search this
De Kooning, Elaine  Search this
Howard, Bart  Search this
Coke, Van Deren  Search this
Topic:
Painting, Modern  Search this
Music  Search this
Composition (Music)  Search this
Record number:
(DSI-AAA_CollID)8956
(DSI-AAA_SIRISBib)211143
AAA_collcode_browwilt
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211143

Marguerite Wildenhain papers

Creator:
Wildenhain, Marguerite  Search this
Names:
Anderson, Eugene Newton  Search this
Eliot, T. S. (Thomas Stearns), 1888-1965  Search this
Marcks, Gerhard  Search this
Wildenhain, Frans, 1905-1980  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Motion pictures (visual works)
Designs
Video recordings
Date:
1930-1982
Summary:
The papers of California ceramicist and educator Marguerite Wildenhain measure 3.3 linear feet and date from 1930 to 1982. Found within the papers are biographical sketches; correspondence with patrons, students, and colleagues, including Eugene Anderson, T. S. Eliot, and Gerhard Marcks; writings by Wildenhain and others; designs for pottery and other artwork; one scrapbook; news clippings, exhibition catalogs, and scattered printed material. Also found are photographs of Marguerite and Frans Wildenhain, Pond Farm, workshops, exhibitions,and artwork, as well as two film reels depicting Wildenhain lecturing and in her studio.
Scope and Content Note:
The papers of California ceramicist and educator Marguerite Wildenhain measure 3.3 linear feet and date from 1930 to 1982. Found within the papers are biographical sketches; correspondence with patrons, students, and colleagues, including Eugene Anderson, T. S. Eliot, and Gerhard Marcks; writings by Wildenhain and others; designs for pottery and other artwork; one scrapbook; news clippings, exhibition catalogs, and scattered printed material. Also found are photographs of Marguerite and Frans Wildenhain, Pond Farm, workshops, exhibitions,and artwork, as well as two film reels depicting Wildenhain lecturing and in her studio.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1943 (Box 1; 1 folder)

Series 2: Correspondence, 1940-1981 (Box 1; 0.4 linear feet)

Series 3: Writings, circa 1940-1980 (Box 1-2; 1.0 linear foot)

Series 4: Artwork, circa 1961-1969, 1975 (Box 2, OV 5; 4 folders)

Series 5: Scrapbooks, 1934-1963 (Box 2; 3 folders)

Series 6: Printed Material, circa 1932-1982 (Box 2, OV 5; 0.2 linear feet)

Series 7: Photographs, 1930-1976 (Box 2-3, OV 4; 1.2 linear feet)

Series 8: Audio-Visual Recordings, 1954, circa 1965 (Box 3, FC 6-7; 0.2 linear feet)
Biographical Note:
Marguerite Wildenhain (1896-1985) was a ceramicist and educator in Guerneville, California. Born Marguerite Friedlaender in Lyon, France, Wildenhain received training in sculpture at the Berlin School of Applied Arts. She later worked as a designer for the Royal Berlin Porcelain Factory, leaving in 1919 to apprentice in pottery at the Bauhaus, under Max Krehan and Gerhard Marcks. After receiving her degree as master-potter, she was employed at the Municipal School for Arts and Crafts in Halle Saale, Germany. Fleeing the Nazis in 1933, she and her husband, potter Frans Wildenhain, operated a workshop in Holland before immigrating to the United States in 1940. In 1942 she settled near Guerneville, California, and established an artist colony known as Pond Farm. Following her divorce, she remained at Pond Farm and operated a summer school which lasted until 1980, training approximately 25 students each summer.
Related Material:
Also found at the Archives of American Art are the Marguerite Wildenhain exhibition records, 1977-1981, donated by the Herbert F. Johnson Museum of Art; an oral history interview of Marguerite Wildenhain conducted 1982 Mar. 14, by Hazel Bray; and the Frans Wildenhain papers, 1890-1986. Additional Marguerite Wildenhain letters to Gerhard Marcks are located at the Archiv fur Buldende Kunst of the Germanisches Museum, Nurnberg, Germany.
Provenance:
The collection was donated by Marguerite Wildenhain in 1973-1981.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Marguerite Wildenhain papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Women artists  Search this
Ceramicists -- California  Search this
Artists' studios -- California -- Photographs  Search this
Art -- Study and teaching -- California  Search this
Genre/Form:
Scrapbooks
Photographs
Motion pictures (visual works)
Designs
Video recordings
Citation:
Marguerite Wildenhain papers, 1930-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wildmarg
See more items in:
Marguerite Wildenhain papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wildmarg
Online Media:

John McLaughlin papers

Creator:
McLaughlin, John, 1898-  Search this
Names:
André Emmerich Gallery  Search this
Corcoran Gallery of Art  Search this
Pasadena Art Museum  Search this
Tamarind Lithography Workshop  Search this
Anderson, Eugene Newton  Search this
Benjamin, Karl  Search this
Felix Landau Gallery  Search this
Hammersley, Frederick, 1919-2009  Search this
Langsner, Jules, 1911-1967  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
McLaughlin, John, 1898- -- Photographs  Search this
Reinhardt, Ad, 1913-1967  Search this
Salz, Peter  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Paintings
Sketches
Collages
Photographs
Date:
1922-1979
bulk 1936-1976
Summary:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.4 linear feet and date from 1922 to 1979. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, artwork, and photographic material.
Scope and Contents:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.4 linear feet and date from 1922 to 1979. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, artwork, and photographic material.

Biographical material includes McLaughlin's military service records, art awards, and resumes. Correspondence is with friends, artists, museums, and galleries. Notable correspondents include Eugene Anderson, Karl Benjamin, Frederick Hammersley, Jules Langsner, Stanton Macdonald-Wright, Ad Reinhardt, and others. Writings and notes include several artist statements, lectures, notes, and lists and descriptions of paintings, some in the form of hand drawn sketches. Users will find McLaughlin's ideas about his work and aesthetics are referenced in much of the correspondence and writings. Some of the letters also document the evolution of the 1959 "Four Abstract Classicists" exhibition, particularly correspondence with Karl Benjamin, Peter Selz, and Jules Langsner. There are also writings about McLaughlin by others, including Jules Langsner. The Tamarind Lithography fellowship files consists of the letter of appointment, printed material, and profiles for fellow artists at the workshop.

Personal business records include assorted legal and financial papers, such as contracts with galleries, art loan agreements, consignment records, and art shipment expenses. There are business papers about McLaughlin's Japanese print gallery, The Tokaido, Inc. Printed material consists of exhibition catalogs for McLaughlin's shows at the Andre Emmerich Gallery, Felix Landau Gallery, a retrospective at the Corcoran Gallery of Art in 1968, and the seminal 1959 "Four Abstract Classicists" in Los Angeles, among others. Also found are exhibition announcements, news clippings, and press releases. Artwork includes a few paintings and collages. Photographs, negatives, and slides are of McLaughlin, including one portrait by John Waggaman), artwork, and exhibition installations. There is one album of photographs from a 1963 retrospective exhibition at the Pasadena Art Museum.
Arrangement:
This collection is arranged as 8 series.

Series 1: Biographical Material, 1942-circa 1969 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1936-1976 (0.7 linear feet; Box 1)

Series 3: Writings and Notes, circa 1934-1976 (0.7 linear feet; Box 1-2)

Series 4: Tamarind Lithography Fellowship Files, 1958-1970 (0.2 linear feet; Box 2)

Series 5: Personal Business Records, circa 1938-1974 (0.2 linear feet; Box 2)

Series 6: Printed Material, 1932-1979 (1.5 linear feet; Box 2-4)

Series 7: Artwork, circa 1958 (0.2 linear feet; Box 3-5)

Series 8: Photographic Material, 1922-1979 (0.2 linear feet; Box 3)
Biographical / Historical:
John Dwyer McLaughlin (1898-1976) was best known as one of the leading Los Angeles "hard-edge" geometric abstractionist painters and one of the artists featured in the seminal 1959 exhibition "Four Abstract Classicists" curated by Jules Langsner. McLaughlin was also a dealer of Japanese art prints.

McLaughlin was born and educated in Massachusetts. He served in the United States Navy during World War I from 1917-1921 and married Florence Emerson in 1928. McLaughlin began painting around 1932 with no formal training. In 1935, the couple moved to Japan and lived for several years before moving back to Boston, where they opened The Tokaido, Inc., a Japanese art print gallery. From this time up to the beginning of World War II, McLaughlin worked primarily as a print dealer, without huge success. During World War II, he served as a language intelligence officer in the Marines, primarily because of his knowledge of Japanese.

After the war, McLaughlin and his wife settled in Dana Point, California, where he began painting in earnest, gaining some early local successes. His painting, Hope Deferred was awarded first prize for oil painting in the 1948 San Diego Art Guild Annual. He became associated with the Felix Landau Gallery in Los Angeles and was one of four painters included in the historic 1959 "Four Abstract Classicists" exhibition at the Los Angeles County Museum of Art organized by critic Jules Langsner which also featured the work of Frederick Hammersley, Lorser Feitelson, and Karl Benjamin. The phrase "hard-edge painting" was first used in association with this exhibition as a description of a unique California style of geometric abstractionist painting.

Throughout the 1960s and 1970s McLaughlin exhibited widely and became a mentor for many younger Los Angeles area reductive painters. He was widely admired for his integrity and independent position regarding the art market. John McLaughlin died in Dana Point, California in 1976 at the age of 77.
Related Materials:
The Archives of American Art also holds an oral history interview of John D. McLaughlin conducted July 23, 1974, by Paul J. Karlstrom.
Provenance:
The John McLaughlin papers were donated to the Archives of American Art in multiple installments. John McLaughlin donated material in 1973 and his widow Florence McLaughlin donated material in 1976. Additional papers were donated by the artist's nephew John McLaughlin in 1998 and 1999. A painting was donated 2015 by Stephne' Hesen estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The John McLaughlin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art dealers -- California  Search this
Topic:
Art, Modern -- California -- Los Angeles  Search this
Painting, Abstract -- California -- Exhibitions  Search this
Painters -- California  Search this
Prints, Japanese  Search this
Genre/Form:
Paintings
Sketches
Collages
Photographs
Citation:
John McLaughlin papers, 1922-1979, bulk 1936-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mclajohn
See more items in:
John McLaughlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mclajohn

Marvin Harden papers

Creator:
Harden, Marvin, 1935-  Search this
Names:
California State University, Northridge -- Faculty  Search this
Dobrick Gallery  Search this
Eugenia Butler Gallery  Search this
Gloria Cortella, Inc.  Search this
Hank Baum Gallery  Search this
Jan Turner Gallery  Search this
Los Angeles County Museum of Art  Search this
Los Angeles Institute of Contemporary Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Anderson, Eugene Newton  Search this
Ballatore-Nelson, Sandy  Search this
Brice, William, 1921-2008  Search this
Chicago, Judy, 1939-  Search this
Conwill, Houston, 1947-2016  Search this
Everts, Connor  Search this
Fine, Jud  Search this
Lerner Levine, Marion  Search this
Miller, Lura Harden  Search this
Plagens, Peter  Search this
Riegelman, Nancy  Search this
Stussy, Jan, 1921-  Search this
Toon, Caroll  Search this
Wilson, Willam, 1934-2013  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Etchings
Scrapbooks
Sketches
Visitors' books
Photographs
Date:
circa 1936-2005
Summary:
The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Correspondents include Joyce Tremain, Judy Chicago, Marion Lerner Levine, Jud Fine, Houston Conwill, Sandy Ballatore-Nelson, Nancy Lee Riegelmen, Eugene Anderson, Connor Everts, Pleter Plagens, Jan Stussy, Caroll Toon, William Wilson, and others. Artwork includes a book of etchings Natural Selections (1991).
Scope and Contents:
The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Artwork includes a book of etchings Natural Selections (1991).

Biographical material includes papers pertaining to Harden's education and family history, including an essay written by his sister Lura Harden Miller.

Correspondence is with artists, colleagues, and organizations, including Eugene Anderson, Sandy Ballatore-Nelson, William Brice, Judy Chicago, Houston Conwill, Connor Everts, Jud Fine, Marion Lerner Levine, Pleter Plagens, Nancy Lee Riegelmen, Jan Stussy, Caroll Toon, William Wilson, Dobrick Gallery, Eugenia Butler Gallery, Gloria Cortella, Inc., Hank Baum Gallery, Jan Turner Gallery, Los Angeles County Museum of Art, and the Museum of Modern Art, among others.

Teaching files primarily document Harden's career as an art educator at California State University, Northridge. Materials include teaching awards, assignments, course outlines, notes, and miscellaneous writings by Harden about his teaching philosophy. The files also contain correspondence and photographs with students, a student exhibition guest register, committee notes, memorandums, and evidence pertaining to an employment-related grievance with the university.

Exhibition files include announcements, correspondence, exhibition catalogs, floor plans, insurance documents, loan agreements, photographs, press releases, and price lists.

Printed material consists of announcements and invitations, exhibition catalogs, and a loose clippings scrapbook with articles and reviews about Harden's artwork and exhibitions. Also found is a copy of the first volume of the Journal published by the Los Angeles Institute of Contemporary Art, which includes a photograph of Harden and references to his involvement in developing the organization.

Artwork includes two sketches and an artists' book entitled natural selections which contains 12 aquatint etchings by Marvin Harden.

Among the black and white and color photographs are portraits and snapshots of Marvin Harden, family members, and colleagues, as well as Harden's home, studio, and land at Inwardness Ranch located near Cambria, California.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Material, 1950-1991 (Box 1; 5 folders)

Series 2: Correspondence, 1964-2005 (Box 1; 0.6 linear feet)

Series 3: Teaching Files, circa 1964-2003 (Box 1; 0.4 linear feet)

Series 4: Exhibition Files, 1966-2004 (Boxes 1-2; 0.6 linear feet)

Series 5: Printed Material, circa 1964-2003 (Box 2; 0.6 linear feet)

Series 6: Artwork, 1989-2000 (Box 2; 2 folders)

Series 7: Photographs, circa 1936-2001 (Box 2; 7 folders)
Biographical / Historical:
Marvin Harden (1935- ) is an African American painter, printmaker, and educator living and working in California. Harden received a Master of Fine Arts from the University of California, Los Angeles (UCLA) in 1963. While there, Harden studied under John Paul Jones, Jan Stussy, and William Brice. He also became friends with UCLA classmate and feminist artist, Judy Chicago.

Harden's first solo exhibition was in 1964 at Ceeje Galleries in Los Angeles, California. His drawings, paintings, and prints have been exhibited widely in museums, galleries, and universities in southern California, and also in New Mexico, New York, and Texas, among other locations. Harden has also been the recipient of artists' fellowships awarded by the National Endowment for the Arts, John Simon Guggenheim Memorial Foundation, and Southeastern Center for Contemporary Art.

Harden became a Professor of Art at California State University, Northridge (CSUN) in 1968, and in 1984 he received a Distinguished Teaching Award and Exceptional Merit Service Award. During his career at CSUN, Harden established the art department's graduate teaching assistant program.
Provenance:
The Marvin Harden papers were donated to the Archives of American Art by Marvin Harden in 2005.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Marvin Harden papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Printmakers -- California  Search this
Painters -- California  Search this
African American artists  Search this
Art -- Study and teaching  Search this
Art -- Study and teaching -- Philosophy  Search this
Educators -- California  Search this
Genre/Form:
Etchings
Scrapbooks
Sketches
Visitors' books
Photographs
Citation:
Marvin Harden papers, circa 1936-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hardmarv
See more items in:
Marvin Harden papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hardmarv

John Paul Jones, by Eugene N. Anderson. [Published on the occasion of a one-man exhibition by John Paul Jones at the Felix Landau Gallery, Los Angeles, Calif., December 1967

Author:
Anderson, Eugene Newton  Search this
Felix Landau Gallery  Search this
Subject:
Jones, John Paul Nov. 18, 1924-  Search this
Physical description:
[36] p. (chiefly illus.) 16 x 16 cm
Type:
Books
Date:
1967
1967]
Call number:
ND237.J755 A84
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_644394

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