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Agency history, 1991-

Creator:
Smithsonian Libraries and Archives Anacostia Community Museum Library Research Center  Search this
Subject:
Carr, Timothy 1955-  Search this
Bickley, Thomas  Search this
Suleiman-Stewart, Tracy-ann  Search this
Collier, Shauna  Search this
McCrutcheon, Paul  Search this
Wilder, Baasil  Search this
Smithsonian Institution Libraries Anacostia Museum Branch  Search this
Smithsonian Institution Libraries Anacostia Museum and Center for African American History and Culture Branch  Search this
Smithsonian Institution Libraries Anacostia Community Museum Library  Search this
Smithsonian Libraries Anacostia Community Museum Library  Search this
Smithsonian Libraries and Archives Anacostia Community Museum Library  Search this
Type:
Mixed archival materials
Date:
1991
1991-
Topic:
Libraries and museums  Search this
Museum libraries  Search this
Community museums  Search this
Historical museums  Search this
African Americans--History  Search this
Local number:
SIA AH00460
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_404792

Scurlock Studio Records

Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
200 Cubic feet
Type:
Collection descriptions
Archival materials
Dye transfer process
Studio portraits
Matrices, color separation
Photographs
Color separation negatives
Place:
Washington (D.C.) -- Small business -- 20th century
Shaw (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
1888-1996
Summary:
The collection includes approximately 250,000 photonegatives, photoprints, color transparencies from the photographic business founded by Addison Scurlock in Washington, DC. Collection also includes business records and ephemera.
Scope and Contents:
Photographs includes portraits of famous African-American luminaries such as Booker T. Washington, W.E.B. DuBois, and many other artists, intellectuals, educators, entertainers, etc., as well as documentation of Washington, DC, including both the African-American community and national political life, and important photographs of Howard University; also commercial photography, including color materials.

Color separation materials include sets of black-and-white color-separation negatives, sets of matrices for the Kodak Dye Transfer process (full-color Dye Transfer prints are storied in a different series).

Business records: The photography studio records and Custom Craft records are in separate series, reflecting the fact that they were operated as separate businesses.

The collection includes all forms of photographs produced by the studio, such as prints in black-and-white and color, black-and-white and color negatives, color transparencies, black-and-white dye-transfer matrices, slides, etc.; as well as business documents, studio session ledgers, appointment books, business and personal correspondence, tax documents, and books, catalogs, and other publications. This material documents not only the photographic output of the business, both commercial and artistic, as well as the personal and business side of the enterprise.

Some photographs in the collection were not created by the Scurlocks. Some black-and-white and color prints seem to derive from assignments in the Capitol School of Photography, and are therefore student work. Also Custom Craft, the professional color processing service provided by the studio, made prints for other photographers, and samples for printing reference, as well as studio decor, have been retained in the collection. Custom Craft worked for such diverse photographers as artist Robert Epstein and well-known Washington photographer Fred Maroon, for example.

The collection numbers several hundred thousand photographic negatives, prints, and transparencies made by the Scurlocks and other staff photographers of the studio in its various Washington locations. The negatives are estimated at approximately 160,000-200,000 in number, and the prints of all sizes and types at nearly 57,000. The vast majority of the photographs are portraits of individuals, family groups, and organizations, as the primary business of the studio was portrait photography. They date primarily from the 1940s to 1990s. There are also a number of images, made for commercial clients, of building interiors and exteriors, and food. A small group of photojournalistic documentation also exists. The subjects also include architectural and industrial views, scenes in and around Washington, including children and street laborers, political events, social events, and 35mm slides of President Kennedy's funeral, 1964. There are also more personal artistic images, including still lifes with plants and flowers, and a few nudes; Robert's wartime service is also documented by his photographs, including European landscape photographs.

In addition to images taken by the Scurlock studio photographers, there are some prints, especially color, of images by other photographers who were clients, such as Fred Maroon, a prominent Washington photojournalist, and Robert Epstein, a teacher at the Corcoran School of Art. A print of one of Maroon's pictures had been displayed in the studio reception room at the time the studio was closed.

A large group of manuscript items, business documents, ephemera, and office and studio supplies constitutes a separate series from the photographs. An important adjunct to the photographs, a set of ledgers recording and identifying portrait sittings, highlights this group.

Nearly all of the photographs and documents stored in the studio and auxiliary storage locations were accepted for acquisition in order to form a complete history of this family business's production and operations over the better part of a century, whereas a selection of photographic apparatus and studio equipment was acquired by the Photographic History Collection: these items have been inventoried and catalogued separately.

Studio Portraits

The majority of the surviving photographic negatives and proof prints were made in connection with the studio's portrait work for a wide variety of clients. These portraits include images of famous people, such as political figures, entertainers, and noteworthy persons in a variety of fields, including scientists, writers, intellectuals, and academics. The majority of the figures depicted among both the famous and the not so famous are black. The greatest number of studio portraits, most of which are identified and dated, depict a general clientele who visited the studio for portrait sittings. Although the individual images in this vast quantity have limited research value in the usual sense, the aggregate represents a chronology spanning almost ninety years, which may be useful for demographic and genealogical information and as visual evidence of changing styles in clothing, hair, and accessories. It constitutes a panorama of a significant percentage of Washingtonians of the period, especially the black community.

Portraits of famous personages include George Washington Carver, Dr. Martin Luther King, Jr., Duke Ellington, Marian Anderson, Archbishop Desmond Tutu, Sammy Davis, Jr., Sugar Ray Leonard, Muhammad Ali, Mayor Walter Washington, and Presidents Kennedy, Johnson, Nixon, Ford, Reagan, Bush, and Clinton, Mayor Marion Barry, DC Council members, statesmen such as Ralph Bunche, and many other noteworthy figures. Of particular interest is a signed group portrait of the US. Supreme Court with Chief Justice Berger presiding. There are also large- format portraits of Justice Thurgood Marshall and J. Edgar Hoover.

Group portraits include both formal sittings and the informal documentation of banquets, convocations, and similar events. This material includes groups at Howard University; Dunbar High School; the Post Office Clerks' Banquet; the Bishops' Meeting of the AME Church; a YMCA camp, cira 1947 1949; the 23rd annual conference of the NAACP, 1932, etc.

Howard University

Several thousand black and white negatives and prints, 1930s-1960s, depict the people, facilities, and events of Howard University, with which the Scurlocks had a long business relationship. There are various portraits, including Howard University Medical School, represented by 850 negatives and 100 prints. A group of law school and medical school images numbers some 800 negatives and 200 prints. In addition, there are class portraits, as well as images of famous guests speaking at Howard convocations, such as President Herbert Hoover.

Wedding Photography

An important aspect of any portrait studio's output is wedding photography, and the Scurlock studio was no exception. Bridal portraits, group pictures of wedding parties, and the complete documentation of weddings, in both black and white and color, constitute a significant part of the collection. African-American weddings predominate and provide important insights into this aspect of the society.

Exhibitions

The studio's work was shown in special public exhibitions over the years, and several of these are included in toto. The most important was an extensive retrospective display of 121 prints of Addison's work, both vintage and posthumous, prepared by Robert for the Corcoran Gallery of Art in 1976. Others include: (1) a set of 32 black and white images made by Robert at the Ramitelli Air Base, Italy, while he was a major in the US Air Force during World War II; (2) a group of portraits from a Black History Month exhibit at Woodward and Lothrop; and (3) a set of sixteen vintage and modern prints which Robert displayed in an interview on the "Today" television show in the 1980s.

Commercial Work

This category includes architectural and industrial photography for commercial clients, food and still life photographs, etc. Much of this material is comparatively recent and was made in large format color, and includes transparencies and enlargements. It is possible that some of the prints represent Custom Craft work for other photographers rather than the camera work of Robert and George Scurlock. Thus far, prints by artist Robert Epstein have been identified as extra prints of his work from orders which he placed with the firm. At least one image by Fred Maroon has been identified.

A group of color prints constitutes copies of artworks, primarily in the National Portrait Gallery, for which the Scurlocks worked. Prints in 8" x 10", 11" x 14", 16" x 20" and 20" x 24" sizes are included, and undoubtedly negatives and transparencies corresponding to these subjects will be found.

Photojournalism

In addition to the formal studio portraits and pictures documenting formal events, the Scurlocks took candid photographs of the everyday life of their city, as well as extraordinary events of local and national significance, ranging from occasions such as John F. Kennedy's funeral and the 1968 riots to political rallies and demonstrations.

Capitol School of Photography

The collection includes a variety of materials, such as books and ephemera, which document the activities of the Capitol School of Photography, a sideline of the Scurlock business. Some of the photographs apparently represent student work. The most famous student of the school was Jacqueline Bouvier (later Jacqueline Kennedy Onassis), although no documentation of her association with the school has been located thus far. There are 45 photographs, circa 1950s, showing the photography lab, men retouching prints, students with cameras, etc.

Personal Photographs

A few photographs of the Scurlock family are included in the collection in various forms and formats, including enlarged portraits of Addison and Robert. A self portrait of Addison and Mamie Scurlock is included in the Corcoran Gallery of Art exhibition series. Other photographs which represent personal artistic expression, such as a few nude studies and floral and plant still lifes, are included.

Series 6 consists of photographic materials including color transparencies, slides, film, and proofs but occasionally includes notes, forms, and envelopes associated with the orders.
Series 1: Black and White Photographs:
Dates -- 1888-1993

Extent -- 105 boxes

Contents -- Series 1: Black and White Photographs: The materials are almost entirely black and white photographs, but in the subseries of clients, there may also be job envelopes, order materials, and other photographic material types that were included in the overall order. The series is arranged into two subseries, clients and subjects, and both are arranged alphabetically. The subseries clients documents the orders made by clients of the Scurlock Studio and individuals who were or could be identified but may or may not have actually placed an order at the Studio. The majority of the photographs in the clients subseries are formal portrait sittings but there are photographs of events, organizations, and businesses. The subseries subjects are photographs that were grouped into categories because no known client or individual in the image could be identified. The subjects cover a broad array of subjects but the majority of the subjects include unidentified people in formal portrait sittings and groups. In addition, not all photographs in this series were taken by the Scurlock Studio; there are photos by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. 1.1: Clients Black and white photographs1.2: Subjects Black and white photographs
Series 2: Color Photographs:
Dates -- 1930-1995

Extent -- 113 boxes

Contents -- Series 2: Color Photographs: The series color photographs consists of color photographs and hand-colored photographs, but there are also order envelopes and materials, and other photographic material types that were part of the order. The subseries are arranged as clients, subjects, weddings, and hand-colored photographs. Clients are arranged alphabetically by last name or the first word of an organization's name. Not all individuals, organizations, or businesses necessarily represent a client of the Scurlock Studio; if an individual or organization could be identified, the photograph was placed under the identified person or organization even if ther were not a known client of the Studio. The majority of the photographs are individual portrait sittings but also included are family portraits, businesses, organizations, and informal images. The subjects are arranged alphabetically, and document images of non-humans and humans that could not be connected to a known client. Weddings and hand-colored are arranged in alphabetical order with clients preceeding subjects. The were a large subject of the overall collection and the majority of weddings are color photographs but also included in the subseries are black and white and hand-colored photographs of weddings. The hand-colored photographs largely reflect the same subject matter of the subseries clients and subjects. In addition, not all photographs in this subseries were taken by the Scurlock Studio; there are photos by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. 2.1: Clients Color photographs2.2: Subjects Color photographs2.3: Weddings2.4: Hand-colored photographs
Series 3: Framed Prints:
Dates -- circa 1979

Extent -- 3 boxes

Contents -- Series 3: Framed Prints: The series framed prints includes three framed color photographs. The framed prints are arranged by the size, from smallest to largest, of the frame. The photographs are of two important political figures: Washington, D. C., Mayor Marion Barry and Senator Edward Brooke.
Series 4: Black-and-White Silver Gelatin Negatives:
Dates -- 1900-1994

Extent -- 320 boxes

Contents -- Series 4: Black-and-White Silver Gelatin Negatives: The material type of the series is black and white silver gelatin negatives. The negatives are arranged into twelve subseries. The materials document the clients and individuals whose photographs were taken by the Scurlock Studio and a wide variety of subject matters. The subjects represented are individual portrait sittings, organizations, events, businesses, commercial ventures of the Studio, and Washington, D. C. 4.1: Black and white negatives 4.2: Black and white negatives in freezers arranged by job number 4.3: Black and white negatives in freezer storage arranged by client 4.4: Black and white negatives in freezer storage arranged by subject 4.5: Black and white negatives in cold storage arranged by job number 4.6: Black and white negatives in cold storage arranged by client 4.7: Negatives in cold storage arranged by client with index cards 4.8: Negatives in cold storage arranged by subject 4.9: Black and white negatives for publication 4.10: Glass Plate Negatives 4.11: Customcraft Negatives 4.12: Banquet Negatives
Series 5: Color Negatives:
Dates -- 1964-1994

Extent -- 72 boxes

Contents -- Series 5: Color Negatives: The series color negatives primarily of color negatives but it also includes order envelopes and materials. The series is arranged into two subseries: clients and subjects. The subseries clients is arranged by job number, and the materials document the orders placed by clients of the Scurlock Studio and identified persons and organizations. The negatives depict individual portrait sittings, groups, and informal poses. The subseries subjects is arranged in alphabetical order, and the materials document negatives that could not be connected to a client of the studio. The negatives represent subjects such as art, buildings, commercial ventures of the Scurlock Studio, and unidentified people. 5.1: Color negatives arranged by client5.2: Color negatives arranged by subject
Series 6: Color Transparencies, Slides, and Other Formats:
Dates -- 1922-1994

Extent -- 40 boxes

Contents -- Series 6: Color Transparencies, Slides, and Other Formats: The series color transparencies, slides, and other formats consists of black and white and color transparencies, color slides, film, proofs, and order materials. The materials are arranged into four subseries: transparencies, slides, film, and proofs. The subseries are arranged by clients, in alphabetical order by last name, and then subjects, in alphabetical order. The materials document the orders placed at the Scurlock Studio by clients and identified individuals and organizations, and materials that could not be identified and are categorized by subjects. The subjects represented in the materials are primarily individual, family, and group portraits, and events and places. Cut but unmounted slides were typically placed in the subseries transparencies but a small number of cut but unmounted slides are included in the slides. The subseries proofs only contains a form of proof used by the Scurlock Studio that has a fugitive image, and other types of proofs printed on low quality paper or are water-marked and have a lasting image were included in the series Black and White Photographs and Color Photographs if the proof was either black and white or color. 6.1: Transparencies6.2: Slides6.3: Film6.4: Proofs
Series 7: Black-and-White Color Separation Negatives and Matrices:
Dates -- 1955-1957

Extent -- 7 boxes

Contents -- Series 7: Black-and-White Color Separation Negatives and Matrices: The materials in the series are black-and-white color separation negatives and a booklet about how to process black-and-white color separation negatives. The materials are arranged into three subseries: clients, subjects, and the booklet. The materials document orders placed at the Scurlock Studio by clients and individuals and organizations that could be identified but not connected to a specific order. The materials also document negatives categorized by subjects because there was no known client or identifiable individual or organization. The subjects represented are individual portrait sittings and groups, and unidentified people. 7.1: Clients Black-and-White Color Separation Negatives 7.2: Subjects Black-and-White Color Separation Negatives Booklet
Series 8: Scurlock Studio Business Records:
Dates -- 1907-1996

Extent -- 66 boxes

Contents -- Series 8: Scurlock Studio Business Records: The series Scurlock Studio Business Records contains paperwork pertaining to the administration of the business, the financial documentation of the business, the reocrds of sales, the advertising signs and promotions of hte business, the files kept on employees, and other materials kept at the Scurlock Studio. The series is arranged into six subseries: administrative file, financial, sales, advertising and marketing, employee and personnel, and office files. Each subseries is arranged differently according to the types of materials predominantly found in the subseries or in chronological order. The subjects represented in the series are mostly related to the financial records of the Scurlock Studio kept and the invoices of sales records. A wide variety of other subjects relating to the the business records of the Scurlock Studio can also be found including: session registers, construction plans, advertisements for specific holidays, and product information sent to the Studio. Some materials found in this series may be marked Scurlock Studio and Custom Craft, the color division of the Scurlock Studio, and were placed with this series because the Scurlock Studio was the primary business. Other materials with an unclear origin of either the Scurlock Studio or Custom Craft were placed in this series. 8.1: Administrative Files8.2: Financial8.3: Sales8.4: Advertising and Marketing8.5: Employee and Personnel8.6: Office Files
Series 9: Custom Craft Business Records:
Dates -- 1951-1994

Extent -- 57 boxes

Contents -- Series 9: Custom Craft Business Records: The series Custom Craft Business Records consists of paper documents relating to the administrative, financial, sales records, employee and personnel, and other files about the affairs of the Custom Craft business's day-to-day operations. The materials are arranged into five subseries: administrative, financial, sales, employee and personnel, and office files. The materials within a subseries are ordered by types of documents that consisted of a large number of materials listed first and materials with few documents following the grouped materials in chronological order. The materials document the day-to-day business of Custom Craft. The subjects represented are documents relating to the administration of the business, journals kept to document finances, the order invoices, the files kept about employees, product information, and materials accumulated in the office. Some documents may list both the Scurlock Studio and Custom Craft and were kept with the business records of Custom Craft if the materials appeared to fit the activities, color photography, of that business. Other documents relating to the business affairs of Custom Craft may be in the series Scurlock Studio Business Records because these documents did not clearly indicate which business the documents belonged to; in these cases, the materials were put in the series Scurlock Studio Business Records because the business was the primary business of the Scurlocks. There business records seem to indicate that there was not always a clear differentiation between the two businesses. 9.1: Administrative9.2: Financial9.3: Sales9.4: Employee and Personnel9.5: Office files
Series 10: Capitol School of Photography:
Dates -- 1948-1954

Extent -- 4 boxes

Contents -- Series 10: Capitol School of Photography: The series Capitol School of Photography consists of paper documents, photographs, and transparencies. The materials are arranged in chronological order and document the administration of the Capitol School of Photography and the students. The subjects represented are administrative documents, student files, photographs by students, photographs of students and the space used for the School, and transparencies of the same subjects.
Series 11: Washington Stock:
Dates -- 1981-1994

Extent -- 2 boxes

Contents -- Series 11: Washington Stock: The series Washington Stock consists of order materials, orders, and published materials. The materials are arranged chronologically and document the orders placed for Washington Stock and how the materials were used and published. The subjects represented are orders, standard forms used by Washington Stock, and published materials.
Series 12: Background Materials and Publications:
Dates -- 1902-1995

Extent -- 18 boxes

Contents -- Series 12: Background Materials and Publications: The series Background Materials and Publications is composed of paper documents, published materials, and materials from exhibitions. The materials are arranged into four subseries: historical and background information, Scurlock images, reference materials, and exhibition materials. The materials document the Scurlocks, published Scurlock images, published materials lacking Scurlock images, exhibitions of Scurlock images, and other exhibitions of related material. The subjects represented are largely materials related to the Scurlocks' photography and personal interests. Images were placed in the subseries Scurlock images if the photograph was credited to the Scurlocks or was a photograph known to have been taken by the Scurlocks; it is possible that uncredited and less well known images taken by the Scurlocks are present in the subseries reference materials. 12.1: Historical and Background Information12.2: Scurlock Images12.3: Reference Materials12.4: Exhibition Materials
Arrangement:
The collection is divided into 12 series.

This collection was processed with numerous changes in arrangement and numbering of boxes. Original box numbers have been retained in this finding aid for cross-reference purposes and to assist anyone with a record of photographs according to the original box numbers.
Biographical / Historical:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994).

The turn of the twentieth century saw a mass exodus of African Americans from the South to northern cities in search of better employment opportunities and fairer racial treatment. Although many considered Washington to be the northern-most southern city, it still offered opportunities for African Americans leaving seasonal agricultural work and racial oppression in the South. In Washington, African Americans found stable employment with the U.S. government. In addition, Howard University offered African Americans teaching opportunities, college education, and professional training as doctors, dentists, nurses, lawyers, and ministers. By 1900 a substantial African-American middle class existed in Washington. Despite the fact that Washington was a historically and legally segregated city (and would remain so into the 1960s), this middle class population continued to grow and prosper.

After graduation from high school, Addison Scurlock moved from Fayetteville, North Carolina, to Washington, D.C., with his family in 1900. With a keen interest in photography, he sought out an apprenticeship at the white-owned Moses Rice Studio on Pennsylvania Avenue. The Rice brothers (Amos and Moses) had been in Washington working as photographers since the 1860s and had one of the more prominent and better studios in the city. There Addison learned portrait and general photography. In 1904, he left Rice and began his photographic career at his parents' home. By 1911, when he opened the Scurlock Studio, he had already captured the likeness of Booker T. Washington (1910; see Appendix B), most likely his most well-known portrait. Scurlock quickly identified his market: a self-sufficient African-American community which included students, graduates, and educators affiliated with Howard University; poets; writers; intellectuals; musicians and entertainers; politicians; socialites; fraternal and religious organizations and their leaders. The Scurlock Studio, located at 900 U Street, N.W., became a fixture in the midst of the thriving African-American business community. As with his white counterparts on Pennsylvania Avenue and F Street, N.W., Addison Scurlock inspired passers-by with window displays of his photographs of national leaders and local personalities.

During the 1930s, Addison Scurlock's two sons Robert and George apprenticed in the studio. In addition to portrait and general photography, the sons learned the techniques of retouching negatives and photographic prints, hand-coloring, hand-tinting, and mat decoration. George concentrated on the commercial side of the business while Robert concentrated on the portrait side. The Scurlocks' work changed with the times. From the early 1900s until Addison's death in 1964, the Scurlock Studio was the official photographer of Howard University. In the 1930s the studio began a press service and prepared newsreels on African American current events for the Lichtman Theater chain, which offered some of the few non-segregated venues in the city. Their press service supplied the African-American press with newsworthy photographs of current events, personalities, and social, political, and religious life. Clients included the Norfolk Journal and Guide, Amsterdam News, Pittsburgh Courier, Cleveland Call and Post and the Washington Tribune and Afro-American. George and Robert ran the Capitol School of Photography from 1948 to 1952. Included among their students were African-American veterans under the G.I. Bill, Ellsworth Davis, who later worked as a Washington Post photographer and Bernie Boston of the Los Angeles Times. Perhaps their best-known student was the young Jacqueline Bouvier.

In 1952 Robert opened Washington's first custom color lab. Capitalizing on his knowledge of color processing, Robert was asked to take color portraits of both noted and ordinary individuals. In addition, the studio offered color views of important Washington landmarks and monuments. By the 1960s, Robert added magazine photography to his list of talents, publishing images in Life, Look, and Ebony. Robert continued photographing Washingtonians at his studio until his death in 1994.

According to George Scurlock, the Scurlock studio never had substantial competition in the African American community. Some Washington residents remember it differently, however. Dr. Theodore Hudson, a retired Howard University professor, recalled two other black photographers: Sam Courtney and a man named Sorrell. He said Courtney photographed events in the African American community...?

The collection represents the most comprehensive record of any long-lived, let alone African-American, photography studio, in a public institution. Other twentieth century studio collections exist, such as Robinson Studio, Grand Rapids; Hughes Company, Baltimore, Md. Among African American studio collections in public institutions are James Van Der Zee (New York City, 1912-80s), P.H. Polk (Tuskegee), and the Hooks Brothers (Memphis, Tenn., 1910-1975). The Scurlock Collection covers a greater time period and provides greater depth of coverage of African-American events and personages.

A number of articles have been written about the Scurlock family. Jane Freundel Levey, editor of Washington History magazine, believes that the family went beyond the artful use of light, shadow, and composition. She wrote, "Perhaps the most distinctive hallmark of the Scurlock photograph is the dignity, the uplifting quality of the demeanor of every person captured by photographs who clearly saw each subject as above the ordinary."

Constance McLaughlin Green, one of the leading historians of Washington, D.C., talks about African-American Washington as "the Secret City," a separate world with institutions of its own that remained virtually unknown to the white majority. Addison Scurlock and his sons captured that world on film and in doing so, documented that world in the course of running his business and perfecting his art. Steven C. Newsome, director of the Maryland Commission on Afro-American History and Culture stated that The Scurlocks' photograph "Gave us connections. They tell stories. They let us remember."

The collection includes photographs of the nationally famous Booker T. Washington, W.E.B. DuBois, Paul Laurence Dunbar, Mary McLeod Bethune, Mary Church Terrell, Marian Anderson; the locally or regionally important: P.B.S. Pinchback, Judge Miflin Gibbs, Col. Jim Lewis, Ernest Just, Anna J. Cooper; and actors, artists, vaudevillians, and musicians such as Fredi Washington, Madame Lilian Evanti, Oakley & Oakley, and Duke Ellington.

Sources

George Scurlock. Interview conducted by David Haberstich and intern Lora Koehler at Mr. Scurlock's apartment, Aug. 2003.

Theodore Hudson, conversation with David Haberstich in the Archives Center, 2 February 2004.

Jane Freundel Levey, "The Scurlock Studio," Washington History, 1989, p. 44.

Robert S. Scurlock, "An Appreciation of Addison N. Scurlock's Photographic Achievements," The Historic Photographs of Addison N. Scurlock. Washington, D.C.: The Charles Sumner School Museum and Archives, 1986 (exhibition catalog).
Materials at Other Organizations:
The Historical Society of Washington, DC holds Scurlock-related materials.

The Charles Sumner School Museumn and Archives holds Scurlock-related materials.
Materials in the National Museum of American History:
Cameras and other photographic apparatus, studio furniture, and miscellaneous ephemera from the Scurlock studio are in the History of Photography Collection (now Division of Work and Industry). An adding machine from the studio is in the Museum's mathematics collection. See accessions 1997.0293 and 2010.0157.
Provenance:
The Museum purchased the Scurlock Studio Records from the Estate of Robert S. Scurlock, through Judge Marjorie Lawson in 1997. During the period of negotiation between the museum and Robert Scurlock's heirs, his widow Vivian and brother George, the collection was on loan to the Museum and was housed primarily in a closed exhibition area on the second floor. Staff of the Archives Center took physical possession of the collection long before the transfer to the Museum was final. The studio records and photographs were housed principally in the 18th Street studio and in two rental storage facilities. The primary move of the collection to the Museum occurred in September 1995. An additional pickup occurred on February 12, 1996 (on tags). There was probably one additional pickup from the studio by David Haberstich and Caleb Fey on an unrecorded date.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits -- 20th century  Search this
Politicians -- 20th century  Search this
Segregation  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
African Americans -- History -- 20th century  Search this
African American entertainers -- 20th century  Search this
African American photographers  Search this
Genre/Form:
Dye transfer process
Studio portraits
Matrices, color separation
Photographs -- 20th century
Color separation negatives
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep852403536-424e-4026-9305-7c0938436f63
EDAN-URL:
ead_collection:sova-nmah-ac-0618
Online Media:

Footsteps from North Brentwood Sound Bites

Creator:
North Brentwood Historical Society (North Brentwood, Md.)  Search this
Anacostia Museum and Center for African American History and Culture  Search this
Howard University  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Brentwood A.M.E. Zion Church (North Brentwood, Md.)  Search this
First Baptist Church (North Brentwood, Md.)  Search this
North Brentwood Elementary School (North Brentwood, Md.)  Search this
Beverly, Lillian K.  Search this
Dock, Arthur J.  Search this
Fitzhugh, Marion Patricia Hawkins  Search this
Fleming, Elsie Johnson  Search this
Green, Delores  Search this
Hobbs, Addison  Search this
Hodge, Thelma  Search this
Jennings, Georgie L.  Search this
Palmer, William  Search this
Randall, Henry  Search this
Randall, Peter  Search this
Thomas, James Curtis  Search this
Thomas, William Hammond  Search this
Vaden, Lillie  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
North Brentwood Historical Society (North Brentwood, Md.)  Search this
Extent:
1 Sound recording (open reel, 1/4 inch)
Culture:
Segregation  Search this
Type:
Archival materials
Sound recordings
Interviews
Place:
North Brentwood (Md.)
Prince George's County (Md.)
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1993
Scope and Contents:
Former and present residents of North Brentwood speak about growing up and raising their families in North Brentwood. They discuss education, schools, churches, family histories, incorporation of the town, desegregation, and community as a family. They reminiscence about a time when the area was rural, everyone knew everyone, and neighbors disciplined each other's children.
Interview clips. Part of Footsteps from North Brentwood Audiovisual Records. Undated.
Biographical / Historical:
The exhibition, Footsteps from North Brentwood, included an oral, pictorial and artifact collection of life in North Brentwood from the 1900s to 1930. It was developed by the North Brentwood Historical Society and the Smithsonian Institution's Anacostia Museum; and on display at the Anacostia Museum from April 1996 through December 1996, North Brentwood Community Center from February 1997 through May 1997, and Lowe House of Delegates in Annapolis, Maryland from June 1997 through December 1997. The exhibition used pictures, documents, and artifacts to document the history of the first black incorporated town in Prince George's County. The oral histories describe North Brentwood's social history as told by 23 families who were either residents or descendants of residents who lived there during the 1920 U.S. Manuscript Census; they were collected by students in Dr. Elizabeth-Clark Lewis' public history class at Howard University between November 10, 1993 and November 29, 1993.
General:
Title created by ACMA staff from transcription on physical asset and title of related exhibition.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Communities  Search this
Neighborhoods  Search this
African American neighborhoods  Search this
African American churches  Search this
African American families  Search this
Education  Search this
Schools  Search this
Social history  Search this
Museum exhibits  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Footsteps from North Brentwood Sound Bites, Exhibition Records AV03-019, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-019, Item ACMA AV000925
See more items in:
Footsteps from North Brentwood exhibition records
Footsteps from North Brentwood exhibition records / Series ACMA AV03-019: Footsteps from North Brentwood audiovisual records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7bdc5d604-16f0-4f7d-a1e0-59a5e0dfb46b
EDAN-URL:
ead_component:sova-acma-03-019-ref194

Exhibition of Works by Floyd Coleman (1999)

Collection Creator:
Parish Gallery  Search this
Container:
Box 3, Folder 15
Type:
Archival materials
Date:
1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of electronic records with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Parish Gallery records, 1940-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Parish Gallery records
Parish Gallery records / Series 1: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92e1c2fca-fb1e-4cab-a4e3-ba2fa0397751
EDAN-URL:
ead_component:sova-aaa-parigall-ref101
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
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Ellis B. Haizlip Papers

Producer:
Haizlip, Ellis B., 1929-1991  Search this
Musician:
Asford & Simpson. Asford, Nickolas. Simpson, Valerie, 1946  Search this
Monk, Thelonious  Search this
Author:
Baldwin, James, 1924-1987  Search this
Giovanni, Nikki  Search this
Extent:
63.64 Linear feet (82 boxes)
Type:
Collection descriptions
Archival materials
Date:
circa 1945-1991
bulk 1965-1990
Summary:
The Ellis B. Haizlip papers, which date from circa 1945 --1991 (bulk dates 1965-1990) and measure 63.64 linear feets, are the personal papers of Ellis B. Haizlip, a television, theatre, and event producer most noted for his work on Soul! and Watch your Mouth! The collection is comprised of correspondence, scripts, financial and business documents, printed material, objects, photographs, slides, and videotapes.
Scope and Contents n ote:
This collection, consisting of materials which date from 1945 --1991 (bulk dates 1965-1990), contains personal and business documents accrued by Ellis B. Haizlip over the course of his adult life. The papers do not include many documents relating to Haizlip's family or childhood. Included are instances of personal and business correspondence, paperwork and notes relating to the productions with which Haizlip was involved, and documentation of his political, community, and artistic activist work. Also included are photographs and slides both personal and event-related, and videotapes of various television and film projects, including Soul! and Watch Your Mouth!
Arrangement note:
The collection is divided into 7 series.

Series 1: Biographical, 1941-1990; undated

Series 2: Career, 1950-1990; undated

Series 3: Organizations, 1948-1990; undated

Series 4: Scripts, 1942-1988; undated

Series 5: Printed Materials, 1950-1990; undated

Series 6: Photographs, undated

Series 7: Videotapes, undated
Biographical/Historical note:
Born September 21, 1929 in Washington, D.C., Ellis Benjamin Haizlip was the son of Ellis M. and Sarah Corbett Haizlip. Haizlip began his production career during his days at Howard University, where he produced the Howard Players in addition to majoring in sociology and economics. He moved to New York after graduation and began his involvement in professional production, including both productions at the Harlem YMCA of plays such as Dark of the Moon and international tours of James Baldwin's The Amen Corner and the dance show Black New World. Haizlip is best known for the television series Soul!, a program that aired on public television WNET during the late 1960s and early 1970s, then resurfaced in the early 1980s. Soul! was a variety show focused on African-American experience, featuring music, dance, poetry, and interviews by and with black performers. Haizlip produced and occasionally hosted the program. He also created the educational series Watch Your Mouth!, a sitcom-style program featuring a diverse cast of characters who all struggled with Standard English. In addition to his career, Haizlip was involved with a plethora of organizations of all sorts, from political campaigns to arts organizations to a variety of African American groups such as Black Convention, Inc. and the Delta Sigma Theta sorority. Haizlip had a complex relationship with these organizations, serving as a board member on some, a hired event producer on others, and in some cases playing multiple roles within a single organization, such as the Alvin Ailey American Dance Theater. Haizlip was openly gay, and was active in several LGBT rights groups during his life. His personal life was filled with a social circle of devoted and notable friends, among them Betty Shabazz, Novella Nelson, and Nikki Giovanni. Haizlip died of lung cancer on January 25, 1991. He was 61 years old.
Related Materials:
This collection contains artifacts catalogued in theACM Ojects collection.
Provenance:
The Ellis B. Haizlip papers were donated to the Anacostia Museum and Center for African American History and Culture on November 12, 1995, by Doris (Haizlip) Sanders.
Restrictions:
The collection is open for research. Medical documents, financial materials and some correspondence in Career series are restricted. Use requires an appointment.
Rights:
The Ellis B. Haizlip papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African American celebrities  Search this
African Americans on television  Search this
Television producers and directors  Search this
African American dance  Search this
African American theater  Search this
Citation:
Ellis B. Haizlip papers, Anacostia Communityh Museum Archives, Smithsonian Institution, gift of Doris Sanders.
Identifier:
ACMA.06-005
See more items in:
Ellis B. Haizlip Papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa75522bb2c-e821-4966-ae45-21ae9bce2b62
EDAN-URL:
ead_collection:sova-acma-06-005
Online Media:

Juneteenth Celebration

Creator:
Anacostia Museum  Search this
Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Collection Creator:
Anacostia Museum  Search this
Anacostia Community Museum  Search this
Extent:
1 Video recording (VHS, 1/2")
Type:
Archival materials
Video recordings
Place:
Anacostia (Washington, D.C.)
United States
Date:
1991
Scope and Contents:
On June 22, 1991, the Anacostia Museum and Center for African American History and Culture's Juneteenth Celebration was held at the Anacostia Museum. Mayor Sharon Pratt Dixon and Congresswoman Eleanor Holmes Norton greeted guests with remarks. Musical and dance performances included West African dance troupe Kan Kouran; bell ringers The Templeton Chimers; a capella group In Process; go-go band Junkyard Band; blues band Sonny Forriest; doo-wop singers The Orioles; Afro-pop group Liziba; St. Teresa of Avila Young Adult Choir; and jazz duo Yvonne and Phyllis. Arts and crafts demonstrations included hair braiding, kente weaving, wood carving, cartooning, wool spinning by Mirma Jones, and quilting by Daughter of Dorcas. The day also included games for children, Myklar the Magician, the 54th Massachusetts Infantry Reenactment Group, and screenings of 'Roots of Resistance: A Story of the Underground Railroad' and 'Gift of the Black Folk.' The theme for the Juneteenth Celebration 1991 was Freedom Revisited.
Celebration - festival. Part of Juneteenth Programs. Dated 1991.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans  Search this
Juneteenth  Search this
Celebrations  Search this
Museums and community  Search this
Genre/Form:
Video recordings
Citation:
Juneteenth Program Records 1989-1998, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.01-007.13, Item ACMA AV002093
See more items in:
Juneteenth Program Records, 1989-1998
Juneteenth Program Records, 1989-1998 / Series 2: Audiovisual Recordings
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa72dcf356b-f149-4e4d-9f65-7f03f0afb8b4
EDAN-URL:
ead_component:sova-acma-01-007-13-ref3

Juneteenth Celebration

Creator:
Anacostia Museum  Search this
Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Anacostia Museum  Search this
Anacostia Community Museum  Search this
Extent:
2 Video recordings (VHS, 1/2")
Type:
Archival materials
Video recordings
Place:
Anacostia (Washington, D.C.)
United States
Date:
1992
Scope and Contents:
On June 20, 1992, the Anacostia Museum and Center for African American History and Culture's Juneteenth Celebration was held at the Anacostia Museum. Museum Director Steven Newsome, Mayor Sharon Pratt Kelly, and other civic leaders greeted guests with speeches. Musical and dance performances included a capella groups In Process and REVERB; go-go bands Junkyard Band and Chuck Brown/Soul Searchers; doo-wop singers The Orioles; reggae band Third Eye; Melvin Deal West African Dancers; and St. Teresa of Avila Choir. Children's activities included games, such as balloon toss and sack race. Storytellers Rita Cox and Jamal Koram, puppeteer Schroeder Cherry, and Happy the Clown also performed. Arts and crafts demonstrations included hair braiding, kente weaving, tie dyeing, jewelry making, doll making, cartooning, and quilting by Daughter of Dorcas. The day also included a Harriet Tubman and the Underground Railroad Reenactment by Kwelismith and a poetry reading 'The Spoken Word.'
Celebration - festival. Part of Juneteenth Programs. AV002086: 19920620. AV002092: dated 1992.
Local Numbers:
ACMA AV002092
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans  Search this
Juneteenth  Search this
Celebrations  Search this
Museums and community  Search this
Genre/Form:
Video recordings
Citation:
Juneteenth Program Records, 1989-1998, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.01-007.13, Item ACMA AV002086
See more items in:
Juneteenth Program Records, 1989-1998
Juneteenth Program Records, 1989-1998 / Series 2: Audiovisual Recordings
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa76b3974d4-22cc-4145-9931-690d2f781644
EDAN-URL:
ead_component:sova-acma-01-007-13-ref4

Juneteenth Celebration

Creator:
Anacostia Museum  Search this
Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Anacostia Museum  Search this
Anacostia Community Museum  Search this
Extent:
1 Video recording (VHS, 1/2")
Type:
Archival materials
Video recordings
Place:
Anacostia (Washington, D.C.)
United States
Date:
1993
Scope and Contents:
On June 12, 1993, the Anacostia Museum and Center for African American History and Culture's Juneteenth Celebration was held at the Anacostia Museum. Museum Director Steven Newsome and civic leaders greeted guests with speeches. Musical and dance performances included Universal Messengers of Music, Pennvisions Dance Company, New World Percussion Ensemble, Zulu Nation Hip Hop Dancers, Frankie Addison and the Front Line Jazz Ensemble, Andrew Cacho African Drummers and Dancers, and Nap Turner. Children's activities included storyteller Joy Love, Happy the Clown, and games, such as balloon toss and sack race. Arts and crafts demonstrations included hair braiding, tie dyeing, jewelry making, papier mache, African drumming and dancing, and quilting by Daughter of Dorcas. Author Jill Nelson read from her book, Volunteer Slavery: My Authentic Negro Experience. The theme for the Juneteenth Celebration 1993 was Music and Motion. In addition to performances during the celebration, the recording includes footage of celebration preparations, and interviews with Steven Newsome and Zora Martin-Felton about the importance of the Anacostia Museum hosting a Juneteenth Celebration.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans  Search this
Juneteenth  Search this
Celebrations  Search this
Museums and community  Search this
Genre/Form:
Video recordings
Citation:
Juneteenth Program Records, 1989-1998, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.01-007.13, Item ACMA AV002103
See more items in:
Juneteenth Program Records, 1989-1998
Juneteenth Program Records, 1989-1998 / Series 2: Audiovisual Recordings
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa73307495d-f899-4935-baa1-0d3d1758bb0f
EDAN-URL:
ead_component:sova-acma-01-007-13-ref5

Juneteenth Celebration

Creator:
Anacostia Museum  Search this
Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Collection Creator:
Anacostia Museum  Search this
Anacostia Community Museum  Search this
Extent:
1 Video recording (VHS, 1/2")
Type:
Archival materials
Video recordings
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1997
Scope and Contents:
On June 14, 1997, the Anacostia Museum and Center for African American History and Culture's Juneteenth Celebration was held at Anacostia Park. Performances included hip-hop dance by Apocalyptic Future; jazz band Jerry Gonzalez and the Fort Apache Band; percussion group Drums of Fire with Barnett Williams and Baba Ngoma; Danny Dread; the Anointed Souls; storytellers Shindana Cooper and Bill Grimmette; and Nap Turner's rendition of 'Hughes Views of the Blues.' The day also included activities for children and families, and arts and crafts demonstrations.
Celebration - festival. Part of Juneteenth Programs. Dated 1997.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans  Search this
Juneteenth  Search this
Storytelling  Search this
Music  Search this
Celebrations  Search this
Museums and community  Search this
Genre/Form:
Video recordings
Citation:
Juneteenth Program Records 1989-1998, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.01-007.13, Item ACMA AV002228
See more items in:
Juneteenth Program Records, 1989-1998
Juneteenth Program Records, 1989-1998 / Series 2: Audiovisual Recordings
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa713e0f50e-a0a1-4fa7-b16a-0c6bdedfab36
EDAN-URL:
ead_component:sova-acma-01-007-13-ref7

Scooter Magruder Show: Interview on Beverly Lindsay

Creator:
Anacostia Museum and Center for African American History and Culture  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Kendall Productions  Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Place:
Washington (D.C.)
United States
Date:
2000
Scope and Contents:
Scooter Magruder interviewed Beverly Lindsay, who spoke of her film 'Swing, Bop & Hand Dance' and her current project about Teenarama, including information about the hand dance reenactment necessary for the documentary production.
Radio program. Part of the Teenarama Collection. Dated 20000312.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Dance  Search this
D.C. hand dance  Search this
Teenagers  Search this
Television programs  Search this
African Americans on television  Search this
Genre/Form:
Sound recordings
Citation:
Scooter Magruder Show: Interview on Beverly Lindsay, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-055, Item ACMA AV005300
See more items in:
Kendall Productions Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7c9f57af7-3123-4d6c-9eb6-db6b75a66ff4
EDAN-URL:
ead_component:sova-acma-06-055-ref320

WPFW 89.3: Interview with Arthur Crier

Creator:
WPFW (Radio station : Washington, D.C.)  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Museum and Center for African American History and Culture  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Kendall Productions  Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Place:
New York (N.Y.)
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1998
Scope and Contents:
Arthur Crier talked about the upcoming event 'Salute to the Pioneers of Rhythm and Blues, and Doo-Wop Presentation at the Schomburg Center for Research in Black Culture in Harlem' in which Doo-Wop and Rhythm and Blues artists from 1940s and early 60s will pose for a historical photograph in New York City. The photograph donated to Schomburg Center and Smithsonian Center for African American History and Culture. Crier also talked about Doo-Wop music; and Doo-Wop music was played throughout the program.
Radio Program. Part of the Teenarama Collection. Dated 19981109.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Musicians  Search this
African American musicians  Search this
Doo-wop (Music)  Search this
Rhythm and blues music  Search this
Genre/Form:
Sound recordings
Citation:
WPFW 89.3: Interview with Arthur Crier, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-055, Item ACMA AV005302_B
See more items in:
Kendall Productions Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7f043bb73-a522-4df5-8f27-5497300a76ae
EDAN-URL:
ead_component:sova-acma-06-055-ref387

Mercer Film

Creator:
Anacostia Museum and Center for African American History and Culture  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Kendall Productions  Search this
Extent:
2 Video recordings (BetaSP)
Type:
Archival materials
Video recordings
Place:
Washington (D.C.)
United States
Date:
circa 1995
Scope and Contents:
Footage of a gathering of African Americans, presumably a family, playing and conversing in a yard; landscapes while walking through a city and traveling on a train; football, basketball, and volleyball games in a park or similar area (water nearby); and a gathering for a picnic at a park or similar area.
Home movie footage. 8mm film to Beta transfer (poor quality transfer). Sound of film projector and 2 people talking about Teenarama over images. Part of the Teenarama Collection. Undated.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Local Numbers:
ACMA AV005287
General:
Title transcribed from physical asset.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Family  Search this
Recreation  Search this
Leisure  Search this
Genre/Form:
Video recordings
Citation:
Mercer Film, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-055, Item ACMA AV005286
See more items in:
Kendall Productions Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7493bd111-2d8e-4603-a1da-ff68678b6f69
EDAN-URL:
ead_component:sova-acma-06-055-ref409

Teenarama Reunion Committee Meeting

Creator:
Anacostia Museum and Center for African American History and Culture  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Kendall Productions  Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Place:
Washington (D.C.)
United States
Date:
1998
Scope and Contents:
On April 2, 1998, the Teenarama Reunion Committee held a production meeting for the planning of the Teenarama reunion as well as the documentary. Discussion included locating information about how WOOK radio and WOOK TV were perceived; the challenges involved in locating any information about WOOK; interviews to be conducted by humanities scholar Katrina Hazzard-Donald, Ph.D. to understand the events of the United States during the Teenarama era; and finding out if white teenagers wanted to be on the Teenarama show and why. One of the members stated a list of events which occurred during the Teenarama era; and there was discussion about segregation in the Washington, D.C. metropolitan area in the 1960s, the Civil Rights Movement, Washington, D.C. as a community sheltered from the activism which occurred in cities, and how white people were different in Washington, D.C. in comparison to other cities. The committee also talked about music of the time and the Ed Sullivan show; various types of dances on Teenarama; D.C. hand dancing compared to hand dancing in other cities; and watching dancers at the Eclipse.
Meeting. Poor audio quality. Part of the Teenarama Collection. Dated 19980402.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Local Numbers:
ACMA AV005290_B
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Dance  Search this
D.C. hand dance  Search this
Teenagers  Search this
Television programs  Search this
African Americans on television  Search this
Segregation  Search this
Genre/Form:
Sound recordings
Citation:
Teenarama Reunion Committee Meeting, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-055, Item ACMA AV005290_A
See more items in:
Kendall Productions Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa760abccc5-5bc6-48ef-92e3-07f319430b02
EDAN-URL:
ead_component:sova-acma-06-055-ref711

The Teenarama Dance Party 35th Anniversary Reunion Gala

Creator:
Anacostia Museum and Center for African American History and Culture  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Kendall Productions  Search this
Extent:
1 Video recording (VHS)
Type:
Archival materials
Video recordings
Place:
Washington (D.C.)
United States
Date:
1998
Scope and Contents:
The Teenarama Dance Party 35th Anniversary Reunion Gala was held on October 10, 1998 at the Eclipse Nightclub. The gala consisted of music from the Teenarama era, performances by the Teenarama Dance Party regulars, a reenactment of the Teenarama television program, and a dance party. The proceeds from the gala benefited the making of the Teenarama documentary.
Celebration - dance and music. Part of the Teenarama Collection. Timecode burnt into image. Dated 19981010.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Dance  Search this
D.C. hand dance  Search this
Teenagers  Search this
Television programs  Search this
African Americans on television  Search this
Segregation  Search this
Genre/Form:
Video recordings
Citation:
The Teenarama Dance Party 35th Anniversary Reunion Gala, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-055, Item ACMA AV005284
See more items in:
Kendall Productions Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa78bb14821-e8a9-4fed-9c7d-93cb10a04458
EDAN-URL:
ead_component:sova-acma-06-055-ref712

Teenarama: Interviews with Donald Thoms and Arlene Kozak

Creator:
Anacostia Museum and Center for African American History and Culture  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Kendall Productions  Search this
Extent:
1 Video recording (VHS)
Type:
Archival materials
Video recordings
Place:
Baltimore (Md.)
Washington (D.C.)
United States
Date:
circa 1998
Scope and Contents:
Donald Thoms, a former performer on 'The Buddy Dean Show,' explained how he became a teenage dancer on the show; how people in his school and neighborhood reacted to his participation in the show; and his feelings about the segregation practices of the show. Arlene Kozak spoke about Buddy Dean, 'The Buddy Dean Show,' and her role as a producer for the show. She explained how the teenagers were selected for the show, the segregation of the show, and the social interaction between white teens and black teens. Additionally, she discussed television station's (WJZ-Baltimore) reaction to the possibility of integrating 'The Buddy Dean Show.' The interviews were part of the research for the documentary 'Dance Party: The Teenarama Story.' After the interviews, there is footage of production materials related to the film 'Hairspray' and exterior shots of The Senator in Baltimore, Maryland.
Interviews and b-roll footage. Part of the Teenarama Collection. Timecode burnt into image. Undated.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Dance  Search this
D.C. hand dance  Search this
Teenagers  Search this
Television programs  Search this
African Americans on television  Search this
Segregation  Search this
Genre/Form:
Video recordings
Citation:
Teenarama: Interviews with Donald Thoms and Arlene Kozak, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-055, Item ACMA AV005285
See more items in:
Kendall Productions Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7e35a0c17-a3e7-4b27-a9e7-e6a2498b8e08
EDAN-URL:
ead_component:sova-acma-06-055-ref713

Teenarama: Interview with Mike and Donna Leake

Creator:
Anacostia Museum and Center for African American History and Culture  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Kendall Productions  Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Place:
Washington (D.C.)
United States
Date:
1999
Scope and Contents:
Mike and Donna Leake talked about their experience as performers on 'The Teenarama Dance Party.' The couple discussed how they gained access to the show; why they were a part of the show; how they met; how long they have been married; and whether or not they reminsce about their days performing on the Teenarama television show. The interviews were part of the research for the documentary 'Dance Party: The Teenarama Story.'
Interviews. Part of the Teenarama Collection. Physical asset: undated. Contents of recording: dated 19990203.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Local Numbers:
ACMA AV005298_B
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Dance  Search this
D.C. hand dance  Search this
Teenagers  Search this
Television programs  Search this
African Americans on television  Search this
Segregation  Search this
Genre/Form:
Sound recordings
Citation:
Teenarama: Interviews with Mike and Donna Leake, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-055, Item ACMA AV005298_A
See more items in:
Kendall Productions Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa76798426b-6e2c-4009-9c57-0d1f23824436
EDAN-URL:
ead_component:sova-acma-06-055-ref714

Teenarama: Interview with Reginald 'Lucky' Luckett

Creator:
Anacostia Museum and Center for African American History and Culture  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Kendall Productions  Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Place:
Washington (D.C.)
United States
Date:
1998
Scope and Contents:
Reginald 'Lucky' Luckett, also known as Reggie, and Beverly Lindsay-Johnson discussed line dance, particularly as related to African culture and religion; song writers as prophets of their day; and how girls and boys, and women and men related to each other in the 1960s and the 1990s in regards to dancing and dating. Luckett spoke about how he developed social skills as a result of being a part of Teenarama, his fascination with and learning about the production of the show, his leadership role of screening the teenagers before they entered the studio prior to the taping of the show, the regular dancers on the show, and working with host Bob King. The interview was part of the research for the documentary 'Dance Party: The Teenarama Story.'
Interviews. Poor audio quality. Part of the Teenarama Collection. Dated 19980520.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Local Numbers:
ACMA AV005299_B
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Dance  Search this
D.C. hand dance  Search this
Teenagers  Search this
Television programs  Search this
African Americans on television  Search this
Segregation  Search this
Genre/Form:
Sound recordings
Citation:
Teenarama: Interviews with Reginald 'Lucky' Luckett, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-055, Item ACMA AV005299_A
See more items in:
Kendall Productions Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa760bb7fb5-20fc-4012-b516-5395295910eb
EDAN-URL:
ead_component:sova-acma-06-055-ref715

Teenarama: Interview with Gene Chandler

Creator:
Anacostia Museum and Center for African American History and Culture  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Kendall Productions  Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Place:
Washington (D.C.)
United States
Date:
1998
Scope and Contents:
During an interview with Beverly Lindsay-Johnson, singer and songwriter Gene Chandler, also known as 'The Duke of Earl' or 'The Duke,' spoke about the importance of the 1960 teenage dance shows to the beginning of his career and exposing his music to a wider audience, particularly nationally on American Bandstand; the differences when performing at Howard Theater, the Apollo Theater, and the Regal Theater; and his views on race and opportunity. The interview was part of the research for the documentary 'Dance Party: The Teenarama Story.'
Interview. Audio only. Poor audio quality. Part of the Teenarama Collection. Dated 19980523.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Dance  Search this
D.C. hand dance  Search this
Teenagers  Search this
Television programs  Search this
African Americans on television  Search this
Segregation  Search this
Genre/Form:
Sound recordings
Citation:
Teenarama: Interview with Gene Chandler, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-055, Item ACMA AV005292_A
See more items in:
Kendall Productions Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa79dd2f853-d8bd-4d42-b4ee-d55da2395278
EDAN-URL:
ead_component:sova-acma-06-055-ref716

Teenarama: Interview with Joe King

Creator:
Anacostia Museum and Center for African American History and Culture  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Kendall Productions  Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1998
Scope and Contents:
During an interview with Beverly Lindsay-Johnson, Joe King, born and raised in southeast Washington, D.C., talked about his experiences growing up in a working class, ethnically mixed neighborhood in southeast Washington, D.C. where 'there was no complete segregation.' King explained when and how he learned to dance, specifically hand dancing; his experience attending ethnically mixed parties hosted by blacks and whites; and the differences in the way people danced based on where they lived. He also spoke of his experience dancing on the Milt Grant Show; his thoughts about The Teenarama Dance Party as a viewer at home; and dance competitions. The interview was part of the research for the documentary 'Dance Party: The Teenarama Story.'
Interviews. Poor audio quality. Part of the Teenarama Collection. Dated 19980618.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Local Numbers:
ACMA AV005295_B
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Dance  Search this
D.C. hand dance  Search this
Teenagers  Search this
Television programs  Search this
African Americans on television  Search this
Segregation  Search this
Genre/Form:
Sound recordings
Citation:
Teenarama: Interview with Joe King, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-055, Item ACMA AV005295_A
See more items in:
Kendall Productions Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7e9c801a4-bb2c-4412-bddc-ed63b2a9bc22
EDAN-URL:
ead_component:sova-acma-06-055-ref717

Teenarama: Interview with Al Jefferson, Bobby Lane, and Charles 'Chaz' Hall

Creator:
Anacostia Museum and Center for African American History and Culture  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Kendall Productions  Search this
Extent:
2 Sound recordings (audio cassette)
Type:
Archival materials
Sound recordings
Place:
Washington (D.C.)
United States
Date:
1998
Scope and Contents:
Al Jefferson, Bobby Lane, and Charles 'Chaz' Hall discussed the Teenarama radio program and how it evolved into the Teenarama dance program. Jefferson explained his role in the development of WOOK radio and the radio station's history, including a description of the radio station's programming and other on-air personalities. Jefferson and Lane talked about Richard Eaton - his personality, business sense, his relationship with the community, his family - and the program he hosted titled 'Unity Viewpoint.' They also talked about students' roles in the programming of Teenarama; the recruitment of the students; and recording of shows in the fishbowl at Waxie Maxie's record store. Hall described how he started at WOOK when he was in high school; how his interest evolved into learning more and more about the business side of broadcasting; and the various shows he worked on for WOOK. Lane, Hall, and Jefferson talked about Tex Daners and their relationship with him as well as the opening of the dance hall for teenagers called Casino Ball. They also talked about Bob King and 'Teenarama,' the television program. The interview was part of the research for the documentary 'Dance Party: The Teenarama Story.'
Interviews. Audio only. Part of the Teenarama Collection. Dated 19980927.
Biographical / Historical:
The documentary 'Dance Party: The Teenarama Story' examined the popularity of 1950s and 1960s teen dance television shows, including 'The Teenarama Dance Party,' 'American Bandstand,' 'The Buddy Dean Show,' and 'The Milt Grant Show.' 'The Teenarama Dance Party' was an all-black teen dance show produced and broadcasted in Washington, D.C. The show aired from March 7, 1963 to November 20, 1970 on WOOK-TV Channel 14, which was the nation's first Black TV station. The show was produced live six days a week; and hosted first by Bob King and later by a rotation of hosts. In addition to being a dance show, 'The Teenarama Dance Party' was a training ground for teens. Production staff mentored the teenagers in the art of broadcast production. The teens trained as camera operators, floor directors, and technical engineers; and served as production assistants.
Local Numbers:
ACMA AV005296_B

ACMA AV005274_A

ACMA AV005274_B
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Dance  Search this
D.C. hand dance  Search this
Teenagers  Search this
Television programs  Search this
African Americans on television  Search this
Segregation  Search this
Genre/Form:
Sound recordings
Citation:
Teenarama: Interview with Al Jefferson, Bobby Lane, and Charles 'Chaz' Hall, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-055, Item ACMA AV005296_A
See more items in:
Kendall Productions Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7f2c3762c-3048-4283-8d13-a219edf8404b
EDAN-URL:
ead_component:sova-acma-06-055-ref718

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