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Artist:

Tony Berlant, born New York City 1941  Search this

Medium:

sheet metal, wood, steel brads

Dimensions:

28 x 28 x 28 in. (71.1 x 71.1 x 71.1 cm)

Type:

Sculpture

Date:

1984-1986

Topic:

Landscape  Search this

Object\furniture\chair  Search this

Credit Line:

Smithsonian American Art Museum, Gift of Gerald and Kathleen Peters

Object number:

2008.29

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk74a095a8b-f769-416e-921c-190bc0151f26

EDAN-URL:

edanmdm:saam_2008.29

Film producer:

Romero, Victor  Search this

Film director:

Romero, Christine Solinski  Search this

Names:

United States. Department of the Interior  Search this

Houser, Allan, 1914-1994  Search this

Extent:

6 Film reels (16mm)

3 Sound tape reels (1/4 inch)

5 Videocassettes (Betacam)

0.25 Linear feet

Culture:

Warm Springs Chiricahua Apache (New Mexico)  Search this

Zia Pueblo  Search this

Diné (Navajo)  Search this

Potawatomi  Search this

Type:

Collection descriptions

Archival materials

Film reels

Sound tape reels

Videocassettes (betacam)

Date:

May 12, 1992

Summary:

This collection contains an unpublished documentary film shot on May 12, 1992 that depicts an interview with artist Allan Houser [Warm Springs Chiricahua Apache (New Mexico)] discussing his remembrances of painting murals at the U.S. Department of the Interior headquarters in Washington, DC in 1939-1940. The film was shot by Victor Romero (Isleta Pueblo) and Christine Romero.

Scope and Contents:

This collection contains an unpublished documentary film that was shot by filmmakers Victor Romero (Isleta Pueblo) and Christine Romero, which depicts an interview with artist Allan Houser [Warm Springs Chiricahua Apache (New Mexico)]. The footage was shot on May 12, 1992 in the Department of the Interior penthouse in Washington, DC with Houser providing remembrances of his life and his perspective of painting murals there in 1939-1940 as part of the Treasury Department's Section of Painting and Sculpture public art program. In the documentary, Houser views the murals for the first time since he painted them 50 years before and recalls his experiences with fellow artists- Velino Shije Herrera (Zia Pueblo), Gerald Nailor [Diné (Navajo)], and Woody Crumbo (Potawatomi)- who were painting their own murals in the penthouse at the same time. At the time of filming, the penthouse was closed and off-limits and the murals were about to undergo restoration.

The materials in this collection include six 16mm processed film reels; three 1/4" sound reels; three BetacamSP transfers of reels 1 through 6; a BetacamSP master of a 2:30 promo edit; a BetacamSP transfer of music by David Spotted Eagle licensed for the promo; an interview transcript; a log of avid bins; a disc of avid bins; and other textual documents.

Victor E. Romero served as the Producer, Christine Solinski Romero as Director, Gary Geboy as Cinematographer, and Haven McKinney as the Audio Recordist. Unfortunately, the Kodak film stock they used was defective and the footage turned out grainy, while the audio of the interview turned out clear. Subsequently, the intended documentary about the restoration of the murals was not completed other than a short demo reel.

Arrangement:

Materials are arranged by media.

Allan Houser and the Department of the Interior Murals:

Allan Houser is considered one of the most renown Native American painters and sculptors of the 20th century. Born Allan Capron Houser (originally Haozous) on June 30, 1914 near Apache, Oklahoma, Houser was a member of the Warm Springs Chiricahua Apache tribe.

He left Oklahoma in 1934 to study painting with Dorothy Dunn at her Santa Fe Indian School and remained a student there until 1938. In addition to painting murals at the Department of the Interior in Washington, D.C. in 1939, he also painted murals for the Golden Gate Exposition in San Francisco and the New York World's Fair.

In 1940, Houser studied with Swedish artist Olle Nordmark at the Fort Sill Indian School art program and was encouraged to take up sculpture. Eight years later, the Haskell Institute in Lawrence, Kansas commissioned his first sculpture, Comrades in the Mourning. Houser taught art at Intermountain Indian School in Brigham City, Utah beginning in 1952 and left in 1962 to teach sculpture at the Institute of American Indian Arts in Santa Fe, New Mexico. He retired from academic life in 1975. Allan Houser died in Santa Fe in 1994.

The murals that are depicted in this documentary were commissioned by the Treasury Department's Section of Painting and Sculpture public art program, which was often referred to as the "Section." Created in 1934 during the Great Depression by President Franklin D. Roosevelt's administration, the program was designed to increase employment for artists. The Section artists were commissioned to create art to decorate public buildings often in the form of murals or reliefs. At the Department of the Interior headquarters in Washington, DC, six artists were commissioned from five tribes including artists Velino Shije Herrera (Ma Pe Wi [Red Bird]), Zia Pueblo, 1902-1973; Gerald Nailor (To Yah), Diné (Navajo), 1917-1952; and Woody Crumbo (Woodrow Wilson Crumbo), Potawatomi [Oklahoma], 1912-1989. The Section program was discontinued in 1943.

Victor and Christine Romero:

Victor Eugene Romero (Pueblo of Isleta) is a graduate of New Mexico State University (BA, Journalism and Mass Communications, 1976). Following a stint as an independent video producer, Victor transitioned to a career at the U.S. Census Bureau, including varied service as manager of video/photo/radio production, and team leader for promotions and branding initiatives. His high-level contributions feature extensive work on Census 1990, 2000, 2010, 2020.

Christine Solinski Romero is a graduate of the University of Texas at Austin (BS, Radio-TV-Film, 1976). Her extensive documentary production credits as Producer, Director, Editor include programs for PBS, National Geographic Television, Discovery Channel, Smithsonian Channel, and an award-winning independent documentary feature, Besa: The Promise, the story of Albanians Muslims who protected refugee Jews during the Holocaust. In 2012, Christine transitioned to a career as a Yoga Instructor and Therapist.

Provenance:

Gift of Victor and Christine Romero, 2019.

Restrictions:

Access to the media materials in this collection are closed until the materials have been digitized. Textual materials are available to view for reference purposes only. Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu.

Topic:

American Indian art and culture  Search this

Mural painting and decoration  Search this

Citation:

Identification of specific item; Date (if known); Victor and Christine Romero film of Allan Houser, box # and folder #, NMAI.AC.401; National Museum of the American Indian Archives Center, Smithsonian Institution.

Identifier:

NMAI.AC.401

See more items in:

Victor and Christine Romero film of Allan Houser

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv49c2f9762-9fdd-45b6-a52b-c55bbc347328

EDAN-URL:

ead_collection:sova-nmai-ac-401

Author:

Powell, Peter J. 1928-  Search this

Merritt, Ann S  Search this

Foundation for the Preservation of American Indian Art and Culture  Search this

Subject:

Gallatin, Goelet -1962 Ethnological collections  Search this

Gallatin, Edith Post -1944 Ethnological collections  Search this

Gallatin, Edith Post -1944 (OCoLC)fst01819719  Search this

Gallatin, Goelet -1962 (OCoLC)fst01819720  Search this

Foundation for the Preservation of American Indian Art and Culture  Search this

Physical description:

48 pages : illustrations (some color) ; 28 cm

Type:

Exhibitions

Exhibition catalogs

Place:

Great Plains

Date:

1988

©1988

Topic:

Crow art  Search this

Material culture  Search this

Indian art  Search this

Anthropology--Private collections  Search this

Crow Indians--Material culture  Search this

Call number:

E99.C92 T62 1988

E99.C92T62 1988

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_337604