The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.
Scope and Contents:
The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.
Biographical material includes family birth, death, and marriage certificates, and passports for Cox and his wife Ethel, whom he married in 1927; professional membership cards, awards and certificates; records related to sales of furnishings from the Cox family home in Essex, Massachusetts; and an untranscribed interview of Cox by Tony Janak of NBC TV.
Cox's family correspondence is primarily with his mother, Louise Cox. Also found is correspondence with Cox's sister, Caroline Cox Lansing, and his brother Leonard Cox and Leonard's wife, Sylvia, and letters from Ethel Cox to her mother. Additional correspondence relating to the disposition of Kenyon Cox''s artwork and archives to various institutions, can also be found here.
General correspondence documents Cox's career and professional relationships with artists and architects, including John Barrington Bayley, Fabrizio Cassio, Arthur Conrad, Roscoe DeWitt, Stuart Frost, John Harbeson, Francis Keally, Adrian Lamb, Edward Laning, Charles Downing Lay, Deane Keller, Philip Trammell Shutze, and Cliff Young; art institutions and organizations including the Art Commission of the City of New York, the Art Students League, Dumbarton Oaks, the National Society of Mural Painters, and the Smithsonian Institution; federal, state and local government agencies including the American Battle Monuments Commission, the Architect of the Capitol, and the General Grant National Memorial; members of Congress including founder of the United States Capitol Historical Society, Representative Fred Schwengel; and private social clubs in which Cox was active, including the Century Association, the Cosmopolitan Club and the Cosmos Club. Correspondence documents Cox's most well known commissions including work for the George Washington Masonic National Memorial and the United States Capitol, as well as work for many private clients including banks and residences.
Also found are typescripts, manuscripts and notes for Cox's lectures, as well as Ethel Cox's diary from 1923-1936 and her diary excerpt from 1955. Ten folders of research files, consisting primarily of clippings, comprise Cox's source material. Additional printed material provides scattered documentation of Cox's career through announcements and catalogs, and magazine and newspaper articles written by him or about his work. Also found is one folder of clippings about Kenyon Cox.
Four sketchbooks and circa twenty-two loose animal, figure, architectural and landscape sketches comprise Cox's artwork, in addition to two 1943 sketches Cox entered into a War Department mural competition. Also found is an 1873 sketchbook of Kenyon Cox, with sketches of people and scenes in Ohio.
Photographs are of Cox from childhood to the 1980s; his family, including parents, siblings, and grandparents; friends including Philip Trammell Shutze and Warner Bishop; family residences; artist models; events; and artwork, including many of Cox's commissions. In addition to photographic prints, slides, and negatives, the series includes vintage formats such as an ambrotype, 8 tintypes, 2 cyanotypes, and a platinum print. Of particular note are circa 16 photos of Kenyon Cox, one taken by Pirie MacDonald and three of him teaching a class at the Art Students League, and a series of circa 1906 photos taken in a garden, of Louise and Kenyon Cox with their children and others. Also found are 10 glass plate negatives of artwork by Cox.
Arrangement:
The collection is arranged as 7 series. Glass plate negatives are housed separately and are closed to researchers.
Missing Title
Series 1: Biographical Material, 1916-1982 (0.33 linear feet; Boxes 1, 12)
Series 2: Correspondence, 1878-1982 (6.74 linear feet; Boxes 1-7, 12)
Series 3: Writings and Notes, 1919-1982 (0.58 linear feet; Boxes 7-8)
Series 4: Research Files, circa 1950s-circa 1970s (0.25 linear feet; Box 8)
Series 5: Printed Material, 1920s-1982 (0.5 linear feet; Boxes 8-9)
Series 6: Sketchbooks and Sketches, 1873-circa 1978 (0.25 linear feet; Box 9, OVs 13-14)
Series 7: Photographs, 1856-circa 1980 (2.25 linear feet; Boxes 9-12, OV 13)
Biographical / Historical:
New York, N.Y. and Washington, D.C. painter and muralist, Allyn Cox (1896-1982), was born in New York City to artists Kenyon and Louise Cox. Cox first trained as his father's assistant, serving as an apprentice to Kenyon Cox during the painting of the murals at the Wisconsin State Capitol, circa 1912. He attended the National Academy of Design from 1910-1915, and the Art Student's League with George Bridgman in 1915. In 1916 he was awarded the Prix de Rome and subsequently studied at the American Academy in Rome for 2 years before returning to New York City to begin a career in mural painting.
Cox completed numerous murals and decorative paintings for private residences, businesses, churches, and public buildings. Some of his most famous commissions included murals for the Royal Arch Room and Memorial Hall of the George Washington Masonic National Memorial in Alexandria, Virginia; the Law School at the University of Virginia, Charlottesville; and the William A. Clark Memorial Library at the University of California, Los Angeles; panels for the National City Bank, the Continental Bank, and the Guaranty Trust Company in New York; and glass mosaics and inlaid stone maps for the United States Military Cemetery in Hamm, Luxembourg.
Cox is best known for his work in the United States Capitol, beginning in 1952 when he undertook a congressional commission to restore and complete the murals in in the Capitol rotunda begun by Constantino Brumidi and Filipo Costaggini in 1878. Over the course of the next two decades Cox, now residing in Washington, D.C., restored the Frieze of American History and the Apotheosis of Washington in the Rotunda, and designed murals for three first-floor corridors in the Capitol's House wing, now known as the Cox Corridors. Assisted by Cliff Young, Cox completed painting for two of these corridors before his death. In 1958 Cox also painted a portrait of Henry Clay for the Senate Reception Room and in 1975 completed a mural depicting the 1969 moon landing in the Brumidi Corridor.
Cox taught at the Art Students League in 1940 and 1941, and was active in professional organizations throughout his career. He served as President of the American Artists Professional League and the National Society of Mural Painters, and Vice President of both the Fine Arts Federation and the New York Architectural League. He was a member of the board of the New York Municipal Art Society and served on the the New York City Art Commission.
Cox retired in March 1982 at the age of 86 and died the following September.
Related Materials:
Also found in the Archives of American Art are the Allyn Cox papers relating to U.S. Capitol murals, 1970-1974, donated by the Committee on House Administration, via Cindy Szady in 1981. Papers include a resume; a cost estimate by Cox for designing and executing mural decorations in the U.S. Capitol, 1970; a letter, 1974, from the Office of the Architect of the Capitol to the Capitol Historical Society enclosing photocopies of printed material pertinent to the unveiling and dedication of the Capitol rotunda frieze in 1954; miscellaneous printed material, 1971-1974; and 15 photographs of the murals in the Capitol.
Provenance:
The bulk of the Allyn Cox papers was donated in 1977 and 1983 by the Estate of Allyn Cox, Stephen M. Pulsifer, Exectuor, including material that had been loaned for microfiliming in 1969. Two mural sketches were donated by the Essex County Greenbelt Association in 1984.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Muralists -- New York (State) -- New York Search this
Genre/Form:
Interviews
Diaries
Sketchbooks
Sketches
Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
General correspondence documents Cox's career and professional relationships with artists and architects, art institutions and organizations, federal, state and local government agencies and members of congress; private clients including banks and residences; and private social clubs in which Cox was active.
Cox's work at the United States Capitol is well represented here through correspondence, resumes, legal documents including contracts, condition reports, congressional reports and resolutions, and photographic material. Substantial correspondence between Cox and Representative Frank Schwengel document their earliest discussions when Cox first indicated his interest in the Capitol commission, and their ongoing professional relationship as the work continued. Also found is correspondence with artists Arthur Conrad, Adrian Lamb and Deane Keller who worked under Cox in his capacity as supervising artist on the portraits for the Senate Reception Room; and correspondence with the United States Capitol Historical Society, the office of the Architect of the Capitol, the Smithsonian Institution, and various historical societies and organizations with whom Cox consulted during the research phases of the Capitol projects. Correspondence with Cox's assistant, Cliff Young, is generally filed separately.
14 folders of records including correspondence, memoranda, and contracts, document Cox's work for the George Washington Masonic National Memorial.
American Battle Monuments Commission records include correspondence and contracts with architects Francis Keally and John Harbeson, and mosaic fabricator Fabrizio Cassio. Also found is correspondence with: architects John Barrington Bayley, Charles Downing Lay, Philip Trammell Shutze, with whom Cox collaborated on a variety of private residences including the Calhoun House in Atlanta, Georgia, and Roscoe DeWitt, who worked with Cox on a commission for St. Paul's Hospital in Dallas, Texas; artists Stuart Frost, Edward Laning; historian Bernard Berenson; interior decorator Emma Romeyn; journalist Joseph C. Harsch; models, including Jay Martin; and writer Katharine Hayden Salter who wrote many letters to Cox on the subject of Kenyon Cox.
Dumbarton Oaks records include correspondence with Mildred Bliss, Venetian Art Mosaics Inc Studio, and others involved in the project to replace Cox's deteriorating exterior loggia mural of Diana and Actaeon with a glass mosaic design of the painting. Cox's work with Venetian Art Mosaics Inc. also extended to other projects, such as the mosaic panels for the General Grant National Memorial (formerly Grant's Tomb), in New York City.
Art Students League correspondence docments Cox's role as instructor at the League, 1940-1941. Art Commission of the City of New York records document Cox's service on the Art Commission.
Correspondence with Nathaniel Pulsifer, and with Essex County Greenbelt Assocation, documents matters related to the Cox Reservation, a property purchased by Allyn Cox in 1940 as a summer home with a barn which he used as his studio, and which he donated to the Essex County Greenbelt in 1974.
Cox's membership in private social organizations, including nomination and acceptance of new members, can be found in the the Century Association, Cosmopolitan Club, and Cosmos Club folders.
Arrangement:
Correspondence is arranged alphabetically, typically in named files for those correspondents represented with 5 or more items, and general letter files for all others.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Nixon, Richard M. (Richard Milhous), 1913-1994 Search this
Extent:
75.03 Cubic feet (168 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Publications
Correspondence
Programs
Place:
Tuskegee Army Air Field (Ala.)
Date:
1928-1990
Summary:
This collection consists of 72 linear feet of the papers of Benjamin O. Davis. Included are the following types of material: programs, invitations, certificates, correspondence, published material, and photographs.
Scope and Contents:
This collection consists of material gathered by General and Mrs. Davis over the course of their lives to 1993. The bulk of this collection consists of correspondence, newsclippings, and photographs relating to or received by the Davises, especially after General Davis retired from the Air Force. The collection is particularly rich in materials from the black press of the 1940s, documenting the response of the black community to the activities of the 99th Fighter Squadron and 332d Fighter Group during and after World War II, and contains a small amount of material related to the controversy surrounding the units' combat performance and the morale issues raised by the segregated society of the 1940s. Most of the remainder of the material from Davis' military career centers on his own activities. Davis' tenure as the Director of Public Safety in Cleveland coincides with the activities of the Black Panther movement and the term of Mayor Carl Stokes, Cleveland's first mayor of African descent; the newclippings and correspondence from this period highlight police activities and public reaction in this racially-polarized atmosphere. Much of the material from Davis' early tenure at the Department of Transportation deals with civil aviation security, initially to counter the hijacking wave of the early 1970s and later to reduce cargo theft. The material from his later years, particularly during his years as a consultant, deals primarily with attempts to reduce gasoline consumption, especially his work promoting the 55mph National Maximum Speed Limit. The largest blocks of material from Davis' private life relate to his tenure on the President's Commission on Campus Unrest (1970) and the President's Commission on Military Compensation (1977-1978); these contain, respectively, materials on student protests, including the shootings at Kent State, and on issues surrounding military pay and retirement. There is also a significant body of material relating to his association with Tuskegee Airmen, Inc. and his speaking tours to increase public knowledge of the role of black servicemen during World War II.
Materials of a personal nature, particularly correspondence between General and Mrs. Davis, were retained by the Davises and therefore do not figure in this collection. Most official documents relating to Davis' activities in the military or civil service are held by the United States National Archives and Records Administration in Record Groups 18 (Records of the Army Air Forces), 341 (Records of Headquarters United States Air Force (Air Staff)), 342 (Records of United States Air Force Commands, Activities, and Organizations), and 398 (General Records of the Department of Transportation). Official materials remaining in the collection are primarily contemporary copies given to Mrs. Davis relating to General Davis' travel or public appearances.
Some of the early material (through approximately 1948) was organized by Mrs. Davis into a series of scrapbooks, each of which contains photographs, correspondence, and newsclippings. The rest of the items in the collection were organized into envelopes by the Davises before donation, with the material generally arranged by posting (duty station) and chronology. The items in any given envelope were generally not organized and neither were the envelopes themselves grouped in any particular manner. Additionally, some military records gathered by General Davis as reference material while writing his autobiography were identified by the period of his posting, although the material itself was generally created after that period. Items relating primarily to Mrs. Davis were not separated by the Davises in any manner; during processing such material was treated in a like manner, remaining interfiled with material relating primarily to General Davis, except as noted below.
The collection as a whole has been organized into four chronological groups: Civilian and Family Life (predating Davis' admission to the US Military Academy at West Point, NY), Military Service, Private Life (post-dating Davis' retirement from the USAF), and Autobiography. The second of these (Military Service) has been organized chronologically by posting, then alphabetically by subject; the remaining groups have been organized alphabetically by broad subject areas, then chronologically.
A number of broad subject areas recur in both the civilian and military sections of this collection. In cases where such broad areas can be applied individually to Davis, Mrs. Davis, or Davis Sr., they have been grouped in that order. The subject areas are as follows:
Awards and Honors -- materials relating to medals, citations, or other awards or honors given to Davis (or other members of his family)
Newclippings -- clippings from newspapers or magazines, or complete newspapers or magazines, except when such clippings were enclosures which had remained with their associated cover letter
Official Duties -- materials relating to Davis' activities connected to his official duties (used in Series II only)
Social -- materials relating to the Davises' activities which are not obviously connected to his official duties
Travel -- materials relating to trips by the Davises which do not appear to be duty-related trips
Other subject areas are generally self-explanatory.
The collection contained two videotapes, one relating to the 50th Anniversary of the Tuskegee Airmen and the other to the 1992 Clinton Campaign, both of which have been transferred to the NASM Film Archives. Cross references to these tapes have been placed in the finding aid in the series or subseries into which they would have fallen had they been documents. A large number of three-dimensional items, particularly plaques, have been transferred to curatorial control. For access to these items, please contact the NASM Aeronautics Department. Oversized items remaining in the collection have been placed in appropriate-sized containers at the end of the document collection; reference to such items occurs in the file lists as "see oversized..." or "see also oversized..." as appropriate.
Researchers should also consult Davis' autobiography, Benjamin O. Davis, Jr., American: An Autobiography (Washington, DC: Smithsonian, 1991).
Arrangement:
Series 1: Education and Civilian Life, to June 1932
Series 2: Military Career, June 1932 to January 1970
Series 3: Civilian Life, February 1970 to 1993
Series 4: Autobiography
Biographical / Historical:
Benjamin Oliver Davis, Jr. was born in Washington, DC on December 18, 1912, the second of three children born to Benjamin Oliver (Sr.) and Elnora Dickerson Davis. At that time Davis Sr.(1) was a First Lieutenant in the United States Army, having worked his way up from an enlisted cavalry trooper. Elnora Davis died from complications after giving birth to their third child (Elnora) in 1916 and three years later Davis Sr. married Sadie Overton, an English professor at Wilberforce University. Davis and his sisters lived with relatives in Washington while Davis Sr. completed his tour of duty in the Philippines with his new bride. The family was reunited in Tuskegee, AL when Davis Sr. taught military science and tactics at the Tuskegee Institute between 1920 and 1924. In 1924 Davis Sr. was assigned as an instructor to a federalized Ohio National Guard unit and the family moved to Cleveland, OH.
Davis finished his schooling in Cleveland, graduating from Central High School in 1929. He then attended Western Reserve University (1929-1930) and the University of Chicago (1930-1932) before gaining admission to the United States Military Academy at West Point, NY. He graduated in the Class of 1936 and was commissioned a Second Lieutenant in the Infantry.(2) Upon graduation, he married Ms. Agatha Scott, whom he had met and dated while at the Academy.
After serving in the infantry for several years Davis was posted to the newly-established Tuskegee Army Air Field, AL for pilot training in 1942. He graduated in the first class from the new flying school and was officially transferred to the Army Air Corps. In August 1942 he assumed command of the 99th Fighter Squadron, leading it in combat in North Africa and Sicily. The 99th Fighter Squadron was the first unit of "Tuskegee Airmen," as black(3) units in the segregated Army Air Forces (AAF) have come to be called. Two units of Tuskegee Airmen saw combat during World War II: the 99th Fighter Squadron and the 332d Fighter Group (composed of the 100th, 301st, and 302d Fighter Squadrons). Davis, promoted to Colonel in 1944, commanded both of these units in turn, leading the 99th and 332d in combat in Europe and earning the Air Medal, Distinguished Flying Cross, Legion of Merit, and Silver Star for his own actions and a Distinguished Unit Citation for the 332d Fighter Group.
Davis returned to the United States in June 1945 to assume command of the 477th Bombardment Group (composed of the 616th, 617th, 618th, and 619th Bombardment Squadrons; later redesignated the 477th Composite Group), another segregated black unit, at Godman Field, KY. Davis was expected to prepare the unit for deployment to the Pacific Theater, although the unit's training was badly behind schedule due to racial tensions between the white staff and black operating personnel of the unit. Davis quickly brought the unit up to deployment requirements, but the war ended before the 477th left the United States. Returning elements of the 332d and 99th were merged into the 477th, which was redesignated the 332d Fighter Wing in 1947. As the only remaining black unit in the newly-established, but still segregated, United States Air Force (USAF), the 332d suffered from a surplus of qualified personnel while remaining USAF units were often under manned. The performance of the units under Davis' command had laid to rest questions regarding the abilities of the "negro race" and in 1948 the Air Force determined that the efficient use of its manpower required the integration of its units. As a result the Air Force rapidly complied with President Truman's order for the integration of the United States military. Davis acted as an advisor to the Assistant Secretary of the Air Force in relation to the integration of the armed forces. The integration procedure, however, resulted in the deactivation of Davis' command as its personnel were dispersed among the rest of the Air Force; Davis himself was assigned to attend classes at the Air War College at Maxwell AFB, AL.
After completing the course of study at the Air War College (1949-1950), Davis was posted to a variety of command and staff positions both within the United States and abroad. He served in a number of staff positions in Headquarters, USAF, at the Pentagon.(4) He held both command and staff positions abroad in Korea (5), Japan (6), Taiwan (7), Germany (8), and the Philippines.(9) His final assignment was as Deputy Commander in Chief of United States Strike Command at MacDill AFB, FL.
Davis was promoted to Brigadier General in October 1954 (10), after ten years as a Colonel. He was promoted to Major General in June 1959 and to Lieutenant General in April 1965. Despite persistent rumors of his impending promotion to full General (four stars), no such promotion was pending by the time of his retirement on January 31, 1970.
Throughout his military career Davis took great pains to insure good living conditions and fair treatment for the men under his command. He strove to create good relations between the US military forces and local military and civil authorities. In particular, he negotiated several Status of Forces Agreements and defused several antagonistic situations between US forces and local authorities while commanding units in Asia. In addition, he and Agatha established many personal relationships, which they maintained after their return to the United States.
After his retirement from the military, he served briefly as the Director of Public Safety for the City of Cleveland, OH (February-July 1970), leading the Cleveland Police and Fire Departments in the racially-polarized atmosphere in that city after the riots of the late 1960s. Following his resignation from Cleveland, he took a position as the Director of Civil Aviation Security for the United States Department of Transportation (November 1970-June 1971), where he was responsible for implementing measures to counter the first wave of aerial hijackings of the 1970s. In July 1971 he was appointed Assistant Secretary of Transportation for Safety and Consumer Affairs (July 1971-September 1975), serving both the Nixon and Ford Administrations in that position.
Following his retirement from the civil service, he worked as a consultant to the Department of Transportation in the Ford and Carter Administrations on a number of issues, but was particularly linked to the promotion of the 55mph National Maximum Speed Limit. He served on a number of boards and commissions, including the President's Commission on Campus Unrest, the American Battle Monuments Commission, The President's Commission on Military Compensation, and the Board of Directors of the Manhattan Life Insurance Co. He was also active in a number of clubs and organizations, particularly the Tuskegee Airmen Inc., which awarded him a lifetime membership in 1991.
In the late 1980s he began work on his autobiography, Benjamin O. Davis, Jr., American: An Autobiography (Washington, DC: Smithsonian, 1991). Following its publication, Davis pursued an active speaking career, crossing the country to talk to schools, clubs, and general audiences about his experiences. His book and
es, his contributions to the Black Wings exhibit at the National Air and Space Museum (opened 1983), and the work of Tuskegee Airmen, Inc. did much to lift the veil that had fallen over the activities of black Americans during World War II, both in the air and on the ground. For his contributions, both during and after World War II, he received many awards, including the Order of the Sword (presented by the Non-Commissioned Officers of USAF Tactical Air Command, awarded 1978), designation as an Elder Statesman of Aviation (National Aeronautic Association, awarded 1991), and the Langley Medal (Smithsonian Institution, awarded 1992), as well as numerous lifetime and distinguished achievement awards.
On December 9, 1998, Davis was promoted to General on the Retired List, receiving his fourth star from President William Clinton in a ceremony held in the Presidential Hall of the Old Executive Office Building in Washington, DC. The promotion came only after the Tuskegee Airmen approached Senator John McCain of Airzona, who agreed that the promotion was warranted by Davis' service. McCain added the necessary language to a defense-related bill, which was passed by Congress in September 1998.
Agatha died early in 2002 and General Davis, suffering from Alzheimer's Disease, followed shortly after, passing away on July 4, 2002 at Walter Reed Army Medical Center in Washington, DC.
Endnotes
1. For the sake of brevity, "Davis" refers to Benjamin O. Davis, Jr. "Davis Sr." refers to his father, Benjamin O. Davis, Sr.
2. Davis had requested a commission in the Army Air Corps, but was refused due to his race. Davis was the fourth black American to graduate from West Point and the first in the twentieth century. In keeping with his sentiments, his ethnicity will only be mentioned when it has a direct bearing upon his career. See Benjamin O. Davis, Jr., Benjamin O. Davis, Jr., American: An Autobiography (Washington: Smithsonian Institution Press, 1991).
3. At the request of General and Mrs. Davis the term "black" or "black American" is used in preference to "African-American". Patricia Williams, Memorandum for the Record, August 21, 1992, NASM Accession File 1992 0023.
4. Staff Planning Officer, Operations and Planning Division/Commands Division, Deputy Chief of Staff for Operations (DCS/O; July 1950-January 1951); Chief, Air Defense Branch/Fighter Branch, DCS/O (January 1951-July 1953); Director of Manpower and Organizations, DCS/Programs and Requirements (August 1961-February 1965); Assistant Deputy Chief of Staff for Programs and Requirements (February-May 1965).
5. Commander, 51st Fighter Interceptor Wing (November 1953-July 1954); Chief of Staff, United Nations Command/US Forces Korea (May 1965-August 1967)
6. Director of Operations and Training, Headquarters, Far East Air Force, Tokyo (July 1954-April 1957)
7. Commanding Officer, Air Task Force 13 (Provisional) and Vice Commander, Thirteenth Air Force (June 1955-April 1957)
8. Chief of Staff, Twelfth Air Force (May-December 1957); Deputy Chief of Staff for Operations, USAF Europe (December 1957-July 1961)
9. Commander, Thirteenth Air Force (August 1967-July 1968)
10. Davis was the first black American to achieve flag rank in the United States Air Force. He was the second in the armed forces, the first being his father, who was promoted to Brigadier General in the United States Army in 1940.
1912 December 18 -- Davis born in Washington, DC to First Lieutenant Benjamin O. Davis (Sr.) and Elnora Dickerson Davis
1914 September 1 -- World War I begins
1915 February -- Davis Sr. begins duties as instructor at Wilberforce University, OH
1916 February 9 -- Elnora Dickerson Davis dies
1917 April 6 -- United States declares war on Germany; direct U.S. involvement in World War I begins
1917 (Summer) -- Davis Sr. assigned to 9th Cavalry Regiment, Camp Stotsenburg, Philippine Islands
1918 November 11 -- World War I armistice signed; end of combat operations in Europe
1919 -- Davis Sr. marries Sadie Overton
1920 July -- Family moves to Tuskegee, AL (Davis Sr. instructs at Tuskegee Institute)
1924 July -- Family moves to Cleveland, OH (Davis Sr. instructs 372d Infantry Regiment, OH National Guard)
1929 -- Davis graduates from Central High School, Cleveland, OH
1929 --1930 -- Davis attends Western Reserve University, Cleveland, OH
1930 --1932 -- Davis attends University of Chicago, Chicago, IL
1931 March -- Davis appointed to United States Military Academy, West Point, NY (fails entrance exam)
1932 March -- Davis passes USMA entrance exam
1932 July 1 -- Davis reports to USMA, West Point, NY (attends July 1, 1932-June 12, 1936)
1936 June 12 -- Davis graduates from USMA, commissioned Second Lieutenant of Infantry
1936 June 20 -- Davis marries Agatha Josephine Scott
1936 September 12 -- Davis reports to Company F, 24th Infantry Regiment at Fort Benning, GA (Company Officer, September 12, 1936-August 27, 1937)
1937 July 7 -- Japanese forces invades China; World War II begins in Asia
1937 August 27 -- Davis reports to the Infantry School at Fort Benning, GA (attends normal course, August 27, 1937-June 18, 1938)
1938 June 18 -- Davis reports to Tuskegee Institute, Tuskegee, AL as Professor of Military Science (instructs June 18, 1938-February 14, 1941)
1939 June 12 -- Davis promoted to First Lieutenant
1939 September 1 -- German forces invade Poland; World War II begins in Europe
1940 October 9 -- Davis promoted to Captain (temporary promotion)
1940 October 25 -- Davis Sr. promoted to Brigadier General and placed in command of the 4th Cavalry Brigade at Fort Riley, KS
1941 February -- Davis assigned as Aide de Camp to Davis Sr. (serves February-May 1941)
1941 May 20 -- Davis reports to Flying School at Tuskegee Army Air Field, AL (student, May 20, 1941-March 7, 1942)
1941 December 7 -- Japanese aircraft attack Pearl Harbor, HI; direct U.S. involvement in World War II begins
1942 March 7 -- Davis is appointed Administrative Officer, Tuskegee AAF, AL (serves March 7-August 27, 1942)
1942 May -- Davis transferred from Infantry to Army Air Corps
1942 May 11 -- Davis promoted to Major (temporary promotion)
1942 May 21 -- Davis promoted to Lieutenant Colonel (temporary promotion)
1942 August 27 -- Davis assumes command of 99th Fighter Squadron, Tuskegee AAF, AL (Squadron Commander, August 27, 1942-October 4, 1943)
1943 April 24 -- 99th Fighter Squadron transferred to Casablanca, French Morocco
1943 April 29 -- 99th Fighter Squadron transferred to Oued N'ja, French Morocco
1943 June 7 -- 99th Fighter Squadron transferred to Fardjouna, Tunisia
1943 July 28 -- 99th Fighter Squadron transferred to Licata, Sicily
1943 September 4 -- 99th Fighter Squadron transferred to Termini, Sicily
1943 September 17 -- 99th Fighter Squadron transferred to Barcellona, Sicily
1943 September -- Davis returns to Continental United States
1943 October 8 -- Davis assumes command of 332d Fighter Group, Selfridge Field, MI (Group Commander, October 8, 1943-June 7, 1945)
1944 February 3 -- 332d Fighter Group transferred to Montecorvino, Italy
1944 April 15 -- 332d Fighter Group transferred to Capodichino, Italy
1944 May 28 -- 332d Fighter Group transferred to Ramitelli Airfield, Italy
1944 May 29 -- Davis promoted to Colonel (temporary promotion)
1945 May 4 -- 332d Fighter Group transferred to Cattolica, Italy
1945 May 7 -- Germany surrenders; World War II ends in Europe
1945 June 10 -- Davis returns to Continental United States
1945 June 21 -- Davis assumes command of 477th Composite Group (Group Commander, June 21-30, 1945)
1945 July 1 -- Davis assumes command of Godman Field, KY, and all tenant units, including 477th Composite Group (Base Commander, July 1, 1945-March 4, 1946)
1945 September 2 -- Japan surrenders; World War II ends in the Pacific
1946 March 4 -- Davis assumes command of Lockbourne AAB and all tenant units, including 477th Composite Group (Base Commander, March 4, 1946-September 15, 1947) All units at Godman Field transferred to Lockbourne Army Air Base, OH
1947 July 1 -- 477th Composite Group redesignated 332d Fighter Wing
1947 July-August -- Davis travels to Liberia with Davis Sr. as a special representative of the United States Government for the establishment of Liberian independence
1947 September 16 -- Davis assumes direct command of 332d Fighter Wing (Wing Commander, September 16, 1947-June 30, 1949)
1947 October 1 -- United States Air Force created as an independent service.
1948 July 2 -- Davis' promotion to Lieutenant Colonel made permanent.
1948 July 26 -- President Truman signs Executive Order 9981 ordering the full integration of the United States armed forces.
1949 May 11 -- USAF issues Air Force Letter 35-3 stating that Air Force policy is equal treatment and opportunity for all persons in the Air Force regardless of race, color, religion, or national origin.
1949 June 30 -- 332d Fighter Wing deactivated
1949 July 1 -- Davis assumes command of Lockbourne AFB, OH (Base Commander, July 1-August 16, 1949)
1949 August 16 -- Lockbourne AFB, OH transferred to Ohio Air National Guard
1949 August 17 -- Davis reports to Air War College, Maxwell AFB, AL (attends course, August 17, 1949-July 4, 1950)
1950 June 25 -- North Korean forces invade South Korea; Korean War begins
1950 July 19 -- Davis reports to Pentagon to serve as Staff Planning Officer, Operations and Planning Division, Deputy Chief of Staff for Operations (DCS/O), Headquarters, United States Air Force, Washington, DC (serves July 19, 1950-January 4, 1951)
1950 July 27 -- Davis' promotion to Colonel made permanent
1950 August 8 -- Davis awarded Croix de Guerre by the French government for his actions during World War II
1950 September 12 -- Operations and Planning Division redesignated Commands Division of DCS/O
1951 January 5 -- Davis begins duty as Branch Chief, Air Defense Branch, Commands Division, DCS/O. (serves January 5, 1951-July 15, 1953)
1951 April 16 -- Air Defense Branch redesignated Fighter Branch, Control Division, DCS/O
1953 February 5 -- Davis reports to Craig AFB, AL for Jet Indoctrination Course (February 5-March 2, 1953); returns to Fighter Branch on completion of course
1953 July 16 -- Davis reports to Nellis AFB, NV for Advanced Jet Fighter Gunnery School (July 16-November 16, 1953)
1953 July 27 -- Korean War armistice signed; end of combat operations in Korea
1953 November 25 -- Davis assumes command of 51st Fighter Interceptor Wing at Suwon, Korea (Wing Commander, November 25, 1953-July 6, 1954)
1954 July 7 -- Davis reports to Headquarters, Far East Air Force, Tokyo, Japan to serve a Director of Operations and Training (serves July 7, 1954-April 1957)
1954 October 27 -- Davis is promoted to Brigadier General (temporary promotion)
1955 June -- Davis reports to Taipei, Taiwan to establish Air Task Force 13 (Provisional) (Commander, June 1955-April 1957), with simultaneous duties as Vice Commander, Thirteenth Air Force and Director of Operations and Training, FEAF
1957 March -- Davis awarded Command Pilot Rating
1957 May -- Davis assigned to Twelfth Air Force
1957 June -- Davises travel from Taiwan to Europe via United States
1957 July -- Davis reports to Headquarters, Twelfth Air Force at Ramstein, Germany (Chief of Staff, May-December 1957)
1957 December -- Davis begins duties as Deputy Chief of Staff for Operations (ADVON) at Headquarters, USAF Europe, Wiesbaden, Germany (serves December 1957-July 1961)
1959 June 30 -- Davis is promoted to Major General (temporary rank)
1960 May 16 -- Davis' promotion to Brigadier General made permanent
1961 -- US military personnel sent to South Vietnam as advisors
1961 August -- Davis reports to Pentagon to serve as Director of Manpower and Organizations, Deputy Chief of Staff for Programs and Requirements, Headquarters, USAF (serves August 1961-February 1965)
1962 January 30 -- Davis' promotion to Major General is made permanent
1965 February -- Davis begins duty as Assistant Deputy Chief of Staff for Programs and Requirements, Headquarters, USAF (serves February-May 1965)
1965 April 30 -- Davis promoted to Lieutenant General
1965 March 2 -- USAF begins "Rolling Thunder" bombing campaign over North Vietnam
1965 May 13 -- Davis reports to Seoul, Korea to begin duties as Chief of Staff to the United Nations Command and United States Forces Korea (serves May 13, 1965-August 1, 1967)
1966 October 25 -- Sadie Overton Davis dies
1967 August -- Davis assumes command of Thirteenth Air Force, Clark Air Base, Philippines (Commanding Officer, August 1967-July 1968)
1968 August 1 -- Davis reports to MacDill AFB, FL to begin duties as Deputy Commander in Chief of United States Strike Command (serves August 1, 1968-January 31, 1970)
1968 January -- Tet Offensive begins in Vietnam
1968 October 31 -- "Rolling Thunder" ends on orders from President Johnson
1969 January 20 -- Richard M. Nixon inaugurated President of the United States
1970 -- USAF begins withdrawing units from South Vietnam
1970 January 31 -- Davis retires from United States Air Force
1970 February 1 -- Davis begins work as Director of Public Safety for the Cleveland, OH (works February 1, 1970-July 27, 1970)
1970 June 13 -- Davis joins President's Commission on Campus Unrest (report issued September 27, 1971)
1970 July 27 -- Davis resigns from Cleveland position, citing lack of support from Mayor Stokes
1970 September 20 -- Davis begins work as a consultant to the United States Secretary of Transportation on air transportation security (works September 20, 1970-November 4, 1970)
1970 November 4 -- Davis begins work a Director of Civil Aviation Security for the United States Department of Transportation (works November 4, 1970-July 1, 1971)
1970 November 26 -- Benjamin O. Davis, Sr. dies
1971 July 1 -- Davis becomes Acting Assistant Secretary of Transportation for Safety and Consumer Affairs (serves July 1, 1971-August 3, 1971)
1971 July 8 -- Nixon Administration nominates Davis to be Assistant Secretary of Transportation for Safety and Consumer Affairs
1971 July 29 -- Senate confirms Davis in Assistant Secretary position
1971 August 3 -- Davis sworn in a Assistant Secretary of Transportation for Safety and Consumer Affairs (serves August 3, 1970-September 20, 1975)
1973 March 28 -- Last US Military personnel leave South Vietnam
1974 August 9 -- Nixon resigns as President of the United States. Vice President Gerald R. Ford becomes President
1975 September 20 -- Davis retires from Civil Service
1976 April -- Davis begins work as Special Assistant to the Secretary of Transportation for the National Maximum Speed Limit
1977 January 20 -- James E. Carter inaugurated President of the United States
1977 June -- Davis joins President's Commission on Military Compensation (report issued March 1978)
1981 January 20 -- Ronald W. Reagan inaugurated President of the United States Davis leaves position as Special Assistant to the Secretary of Transportation
1989 January 20 -- George H. W. Bush inaugurated President of the United States
1991 -- Davis' autobiography – Benjamin O. Davis, Jr., American: An Autobiography – is published by Smithsonian Press
1991 June 30 -- Davis awarded a Lifetime Membership by Tuskegee Airmen Inc
1993 January 20 -- William J. Clinton inaugurated President of the United States
1998 December 9 -- Davis promoted to General (Retired) in a ceremony at the Old Executive Office Building
2001 January 20 -- George W. Bush inaugurated President of the United States
2002 July 4 -- Davis dies at Walter Reed Army Medical Center, Washington, DC
2002 July 17 -- Davis buried at Arlington National Cemetery, Arlington, VA
Provenance:
Benjamin O. Davis and Agatha S. Davis, Gift, various, 1992-0023
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
The papers of New York sculptor Robert White measure 8.4 linear feet and 0.846 GB and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed and digital material; audiovisual material; artifacts; and photographs.
Scope and Content Note:
The papers of New York sculptor Robert White measure 8.4 linear feet and 0.846 GB and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed and digital material; audiovisual material; artifacts; and photographs.
Scattered biographical materials include a curriculum vitae, documentation relating to White's service in the U.S. Coast Guard, a certificate of appreciation, and a memorial card for White's daughter, Natalie Laura White.
Correspondence contains primarily incoming letters from family and friends, and from clients, galleries, museums, arts organizations, students, and university administrators. Spanning over a seventy year period, family and friends correspondence centers on daily activities, events, and work. There is extensive correspondence from Robert White's parents, Lawrence Grant White and Bessie Chanler White and from Claire Nicolas White and her family. Other correspondents include Gil Franklin, Walker Hancock, Jim Harrison, Susan Hobbes, Willard R. Huntington, Ben LaFarge, Ward Lamb, Suzannah Lessard, Peter Matthiessen, Walker O'Cain, Mark and Katja Oxman, Frank C. Platt, Laura Spencer Pope, Paul and Ellen Resika, Paul Russotto, Sidney Simon, and William Styron, among others.
General correspondence mostly concerns White's commissions, teaching appointments, and his activities in professional organizations. Also included are letters from family members, friends, and colleagues. Frequent correspondents include: the American Academy in Rome, Amyas Ames, the Augustus Saint Gaudens Memorial, Century Association, Theodore Cremer, Davis Galleries, Patricia Fleischmann, Hugh Fosburgh, Rebekah Harkness Kean, David Garrard Lowe, National Academy of Design, Parsons School of Design, S. Dillon Ripley, the State University of New York at Stony Brook, Steuben Glass, and the Suffolk Museum and Carriage House.
Project files contain materials on Robert White's exhibitions and his commissioned projects. Materials include letters, lists of artwork, notes, price lists, receipts, exhibition schedules, contracts, and loan agreements. Files document White's exhibits at the Davis Galleries, Elaine Benson Gallery, Graham Gallery, Graham Modern, Heckscher Museum, and the State University of New York at Stony Brook. Included are extensive files on White's commissions for the American Battle Monuments Commission, Peabody Museum, and Steuben Glass.
Personal business records include files on Robert White's association with the Augustus Saint Gaudens Memorial and the National Academy of Design; his teaching appointments at the Parsons School of Design, the State University of New York at Stony Brook, and the Skowhegan School of Painting and Sculpture; and his dealings with foundries. There are scattered files on the Whites' St. James, New York property and residence.
Notes and writings contain Robert White's diaries, artist's statements, notebooks, essays on art, lectures, and scattered notes. Also found are writings by Clare White and others.
Sketchbooks and loose sketches contain preliminary studies by Robert White and scattered sketches by others. Printed material houses newspaper clippings and periodicals; exhibition announcements, catalogs, brochures, and posters; press releases and newsletters; and miscellaneous printed material.
Artifacts include two printing blocks: a portrait sculpture of Stephanie White and a landscape image. Audiovisual material consists of a digital audio recording of a classroom lecture by Robert White at an unidentified venue.
Photographs house images of Robert White; his studio; and snapshots of family and friends, many unidentified. Also included are photographs and slides of artwork.
Arrangement:
The collection is arranged into ten series:
Missing Title
Series 1: Biographical Material, 1939-2002 (Box 1; 0.1 linear feet)
Series 2: Correspondence, 1923-2002 (Boxes 1-4; 3.8 linear feet)
Series 3: Project Files, 1952-2003 (Boxes 4-5, OV 10; 1.2 linear feet)
Series 4: Personal Business Records, 1889, 1946-2003 (Boxes 5-6, OV 10; 1.3 linear feet)
Series 5: Notes and Writings, 1915, circa 1946-2002 (Boxes 6-7; 0.6 linear feet)
Series 6: Sketchbooks and Sketches, circa 1965-1972 (Boxes 7, 9; 0.3 linear feet
Series 7: Printed Material, 1937-2003 (Boxes 7, 9; 0.5 linear feet)
Series 8: Audiovisual Material, 1973 (ER01; 0.846 GB)
Series 9: Artifacts, circa 1965 (Box 7; 0.1 linear feet)
Series 10: Photographs, circa 1940s-2001 (Box 8; 0.5 linear feet)
Biographical Note:
Robert Winthrop White (1921-2002) lived and worked in St. James, New York and was primarily known as a sculptor and educator.
He was the son of the architect, Lawrence Grant White (1887-1956) and Bessie Chanler White. Stanford White (1853-1906), Robert's grandfather, was one of the founding partners in the prominent New York City architectural firm, McKim, White, and Mead.
As a youth, Robert White traveled to Munich, Germany to study woodcarving, sculpture, and painting. In 1935, he entered Portsmouth Priory School in Rhode Island. From 1938-1942, he was enrolled in the Rhode Island School of Design, where his mentors were Walter Raemisch in sculpture and John Howard Benson in calligraphy. In World War II, White served as chief boatswain's mate in the United States Coast Guard and later worked in the Office of Strategic Services (OSS). At the end of the war, White continued his training in sculpture and painting. In 1947, Robert White married Clare Nicolas, daughter of the painter and stained glass master, Joep Nicolas and the sculptor, Suzanne Nicolas.
Robert White, influenced by the classical techniques of the Renaissance artists, worked in various media, such as bronze, stone, plaster, terra-cotta, and wood. His subjects included portrait, figure, and life studies; animals; and dancers. Robert White also was an illustrator. He illustrated works by Laura Spencer Pope, William Styron, and others. White also illustrated two collections of his own poems, Casques and Dust and Palace: The Story of A Friendship that were privately published before his death in 2002.
Robert White held teaching positions at several universities and schools, including the Suffolk Museum of Art, the Parsons School of Design, and the Skowhegan School of Painting and Sculpture. From 1967-1987, White was an associate professor at the State University of New York at Stony Brook.
White exhibited his work in museums and galleries in the United States and abroad, including Artists Choice Museum, Artist's Gallery, Benson Gallery, Boston Athenaeum, Gallery North, Hartwick College Museum, Nassau County Museum of Fine Art, Patricia Fleischmann Gallery, Rijksakademie Van Beeldende, State University of New York at Stony Brook, and the Suffolk Museum and Carriage House, among others. Robert White was represented by the Davis Gallery, Graham Gallery, and Graham Modern in New York City.
Robert White's private and public commissions included works for the American Battle Monuments Commission, Amyas Ames, Theodore Cremer, John Marquand, Peabody Museum, State University of New York, William Styron, and Xerox Corporation. His work can be viewed in the collections of the Boston Athenaeum, Brooklyn Museum, Civici Musei 3 Gallerie di Storia e Arte, Heckscher Museum, and the Rhode Island School of Design. Robert White was the recipient of the Laurel Gallery's "New Talent" exhibition prize, 1948; American Academy's Rome Prize, 1952-1954; and the Proctor Memorial Prize at the National Academy of Design, 1962, 1982. He was also awarded grants from the Tiffany Foundation, 1950 and the Fairfield Foundation, 1968. From 1952-1955, White was a fellow of the American Academy in Rome, where he also served as an artist-in-residence from 1969-1970. Robert White was a member of the American Academy in Rome, the Augustus Saint Gaudens Memorial, Century Association, and the National Academy of Design.
Robert White continued to work on the family estate in St. James, New York until his death in 2002.
Provenance:
The Robert W. White Papers were donated in 2003 by Claire Nicolas White, widow of Robert White.
Restrictions:
Use of the original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Educators -- New York (State) -- New York Search this
This series consists of letters exchanged between Lazzari, family members, and colleagues. Over one hundred letters from the Federal Works Agency and the Treasury Department Section of Painting and Sculpture concern post office murals for towns in Florida, New Jersey, and North Carolina. Five letters from the National Aeronautics and Space Administration contain 23 photographs of astronauts Eugene A. Cernan, Ronald E. Evans, and Harrison H. Schmitt preparing for an Apollo 17 mission to the moon. Lazzari also received at least one letter each from Jacqueline Kennedy, Duncan Phillips, Eleanor Roosevelt, industrialist John Rust, and socialist Norman Thomas.
See Appendix for a list of selected correspondents in Series 2.
Arrangement note:
Correspondence is arranged chronologically.
Appendix: Selected Correspondents in Series 2:
Aguilera, Francisco: undated (1 letter)
Albergo Saturnia, Rome: 1928 (1 letter)
Alberts: Russell Alberts-Laura Langdon Antiques: undated (1 letter)
Alexander Gallery: undated (1 letter)
Allied Publications, Inc.: 1965 (1 letter)
Alterman, Selma: undated (1 letter)
Ambasciata d'Italia: 1950-1973 (3 letters)
Ambasciatore d'Italia: undated and 1971 (2 letters)
America-Italy Society: 1956 (1 letter)
American Academy in Rome: 1955 (2 letters)
American Artists Professional League: 1949-1955 (3 letters)
American Battle Monuments Commission: 1959 (1 letter)
American Commission for Cultural Exchange with Italy (Fulbright grant): 1950-1954 (2 letters)
American Federation of Arts: 1951-1956 (2 letters)
American Red Cross: 1943-1945 (6 letters)
American University: 1947-1967 (5 letters)
Amici, Alfredo: 1948-1959 (6 letters)
Amministrazione Erdi M.se Saverio Patrizi: 1969 (2 letters)
Andori, Adolfo: 1913-1916 (3 letters)
Anderson, Wayne V.: 1956 (1 letter)
Andrade, Victor: undated (1 letter)
Angelelli, Augusta: 1972 (1 letter)
Angiolillo, Giuseppe: 1967-1972 (9 letters)
Anson, Cherrill: 1998 (1 letter)
Appleby, J. Scott: 1952-1961 (9 letters); see Life Insurance Company of Georgia
Aquil, Preta: 1921 (1 letter)
Architectural League of New York: 1955 (3 letters)
Aristide, Zio (?): 1926 (1 letter)
Arndal, Kersten: 1970-1977 (2 letters)
Art Direction -- magazine: 1956 (1 letter)
Art in Federal Buildings, Inc.: 1943 (1 letter)
Art Institute of Chicago: 1944-1956 (11 letters)
Artists Equity Association: undated and 1949-1972 (7 letters)
Artists for Victory: 1942-1943 (7 letters including a prospectus for "America in the War" exhibition)
Conant, Howard (New York University): 1956 (1 letter)
Connolley, Robert Emmet: 1947-1950 (8 letters)
Console Generale d'Italia: 1965 (1 letter)
Constantino, C.: 1967 (1 letter)
Cook, Elizabeth: [1946] (1 letter)
Cooke: Hereward Lester Cooke Foundation: 1974-1975 (3 letters); see National Aeronautics and Space Administration; see National Gallery of Art
Cooper, Alice J.: 1927 (1 letter)
Corcoran Gallery of Art: undated and 1951-1981 (37 letters)
Corsi, Emma and W. Edward: 1928 (1 letter)
Cosgrove, Jessica (Mrs. John O'Hara Cosgrove): 1928-1930 (22 letters)
Cosgrove, John O'Hara (editor of -- New York World): -- undated and 1927-1929 (7 letters)
Costintin, Celestino and Emilia: 1916-1971 (6 letters)
Cotzia, Pasquale: 1966-1968 (2 letters)
Coughlin, Clarence John: 1948 (1 letter)
Crimi: undated (1 letter)
Crosby, Caresse (Crosby Gallery of Modern Art): undated and 1945-1969 (14 letters)
Crossley, Kay A.: 1966 (1 letter)
Cullen, Amelia: undated (1 letter)
Cusumono, Stefano: 1947-1951 (3 letters)
Daloni, Edith B.: 1928 (1 letter)
Damer, Veffarghi: 1919 (1 letter)
Damiani, Angelo: 1921 (1 letter)
Dane, C. K.: 1965 (1 letter)
Dean, Edward: 1940 (1 letter)
Debs: Eugene V. Debs Foundation: 1965-1966 (3 letters including 6 photographs with Norman Thomas); see United Auto Workers
de Chetelat, Mr.: mentioned in letter dated 1928
de Chirico, Giorgio: mentioned in undated invitation from Ambasciatore d'Italia
DeLano, Agnes: undated (1 letter)
De Medio, Americo: 1963-1976 (32 letters)
De Medio, Vincenzo: undated and 1970-1977 (3 letters)
Demiddi, Alberto: undated and 1972 (3 letters)
De Mont, Nany and Eugene: undated (1 letter)
Dernay, Eugene: 1945-1959 (4 letters)
Design in Steel Award Program: 1972 (1 letter)
Dictionary of International Biography: 1974 (1 letter)
Diller, Burgoyne: see Federal Art Project
Dipanfilo, Pio: 1949-1968 (10 letters)
Di Raimondo, Vicenzo: 1920-1928 (7 letters)
District of Columbia Board of Commissioners: 1959 (1 letter)
District of Columbia Department of Public Welfare: 1958 (1 letter)
District of Columbia Juvenile Court: 1964 (1 letter)
District of Columbia Recreation Board: 1963 (1 letter)
Dole (?), Louis: 1923 (1 letter)
Dollinger, Josef: undated (1 letter)
Donaldson, Leota L.: undated (2 letters)
Donaldson, Renee: undated (1 letter)
Douglas, Paul F.: 1951 (1 letter)
Dretzin, S. C.: 1950 (1 letter)
Draper, Warren A.: 1944 (1 letter)
Dumbarton College: 1949-1951 (3 letters)
Duncan and Duncan Chinese Shop: 1964 (1 letter)
Dunham, Dr. G. C.: 1944 (1 letter re: portrait of Dr. Sawyer)
Duproix, Eunice: 1928 (1 letter)
Durbin, Jack: 1960 (1 letter)
Editions du Griffon, Neuchatel, Suisse: 1964 (3 letters)
Edsor, Mary: 1928 (1 letter)
Elenbrock, Gretel: 1927 (3 letters)
Elkins: Stella Elkins Tyler School of Fine Arts of Temple University: 1956 (1 letter)
Eng, Ernest: 1959 (1 letter)
Ernesto Desideri: 1915 (3 letters)
Evening Star -- newspaper, Washington, D.C.: 1957 (1 letter)
Farmers Educational and Cooperative Union: 1944 (1 letter)
Fasola, Roberto: 1948-1949 (2 letters)
Federal Art Project: 1938-1939 (4 letters)
Federal Works Agency, Public Buildings Administration: 1940-1947 (70 letters re: murals for the Brevard, N.C. post office, the North Bergen, N.J. post office, and the Jasper, Florida post office, including a contract, 2 photographs, and 2 sketches for a mural)
Federal Works Agency, Work Projects Administration: 1941-1942 (2 letters)
Fellowship of Reconciliation and War Resisters League: [1945] (1 letter)
Ferargil Gallery: 1941 (1 letter)
Ferreri, Elena: 1938 (1 letter)
Figoullo, Adriano: 1912 (1 letter)
Fiore, Ilario and Titta: 1966-1967 (5 letters)
Fitzwater, Aldace: 1950 (1 letter)
Florentine Gallery: 1956 (4 letters)
Fogle, Bruce: 1927 (1 letter)
Food and Agriculture Organization of the United Nations: 1956 (1 letter)
Force, Mrs.: undated (1 letter)
Foreign Service of the United States of America: 1950 (3 letters)
Foresti, Arnaldo: 1948-1949 (2 letters)
Fortas, Abe: 1956 (1 letter)
Fortune -- magazine: 1944-1956 (2 letters)
Francis, Emily A.: 1951 (3 letters)
Franco, Johan: 1966 (2 letters)
Frankel, Samuel: undated (1 letter)
Freeman: Carl M. Freeman Associates, Inc.: 1963 (1 letter)
Frisine, Robert: 1967 (1 letter)
Frost, Phillip: 1981 (1 letter)
Fujita, Mr.: 1957 (1 letter)
Fulbright grant: see American Commission for Cultural Exchange with Italy
Fuller, Eve Alsman (Miami, Fl. post office): 1938 (1 letter)
Gabetti: undated (1 letter)
Galarza, Ernesto and Mae: (National Farm Labor Union; National Agricultural Workers Union): undated and 1944-1978 (27 letters); see Landon School for Boys; see Perkins, Milo
Galerie Internationale: 1965 (1 letter)
Galerie Schindler: undated and 1965-1972 (12 letters)
Gallaudet College: 1963-1970 (14 letters, including a contract)
Gallenga: 1951 (1 letter)
Gaspari, Mario P.: 1966 (1 letter)
Georgetown University Fine Arts Club: 1960 (1 letter)
George Washington University: 1965 (1 letter)
Giovannetti, Alberto: 1966 (1 letter)
Giovanni, Sebastiani: 1921 (1 letter)
Giricosnelli, Emilio: 1918 (1 letter)
Gobbi, Adolfo: 1928 (1 letter)
Goldberg, Dorothy and Arthur: 1964-1965 (3 letters)
Goldsmith, Alberto R.: 1947-1968 (3 letters)
Gonzales, Angelino: 1951-1975 (11 letters)
Gotham Book Mart: 1968 (1 letter)
Graham, John: 1948 (1 letter)
Granati, Pasquale: 1918 (1 letter)
Grand Central Art Galleries: 1956 (1 letter)
Grant, Blanche C.: undated (1 letter)
Grebanier, Barnard: 1961 (1 letter)
Greene, Hope Margaret: 1926-[1927] (2 letters)
Gualdi, Luigi: 1947-1949 (11 letters)
Guarino, A.: undated letters to Mabel McMahon and Guiolitta Sartori
Guggenheim: John Simon Guggenheim Memorial Foundation: 1937-1971 (5 letters)
Guggenheim: Solomon R. Guggenheim Museum: 1956-1960 (3 letters)
Gutheim, Frederick: 1956 (1 letter)
Haarlem House, Inc.: 1926 (1 letter)
Hahn, Rosemarie E.: 1961 (1 letter)
Halle, Kay: 1972 (1 letter)
Hammerle, Brooke: 1966 (1 letter)
Hansen, Jane: 1954 (1 letter)
Hardman, Virginia: undated (1 letter)
Harrison & Abramovitz, Architects: 1956 (1 letter)
Harrison, Charles H.: 1949 (1 letter)
Hart, Earl: mentioned in an undated letter
Hartley, Bettina: undated (1 letter)
Hartman Galleries, Inc.: 1973 (1 letter)
Hayward: City of Hayward, California: 1965 (1 letter)
Health, Education, and Welfare Employees' Association: 1962 (1 letter)
Hechinger, June: undated (1 letter)
Heilbron, Edna: 1972 (1 letter)
Heinemann, Mark: undated (1 letter)
Herzbrunn, Josef: 1949 (1 letter)
Heywood, Carmen: 1948 (1 letter)
Hollander, Cornelia: undated (1 letter)
Holvey, Sam: undated (1 letter)
Holy See: Permanent Observer of the Holy See: 1966 (1 letter)
Hom Gallery: 1972 (1 letter)
Horrocks, E. Joan: 1971 (1 letter)
Hotel Beau Site, Rome: 1928 (1 letter)
Hotel de la Ville, Rome: 1928 (1 letter)
Hotel Hassler, Rome: 1928 (1 letter)
Hotel Pension Alexandra, Rome: 1928 (1 letter)
Hotel Windsor, Rome: 1928 (1 letter)
Hough, Edith Louise: 1952 (1 letter)
Illinois State Historical Library: 1965 (1 letter)
Il Messaggero: 1928 (1 letter)
Immigration and Naturalization Service: 1976 (1 letter)
Institute for International Education: 1963 (1 letter)
Institute for the Arts of the Archdiocese of Washington: 1978 (2 letters)
Institute of Contemporary Art: 1956 (2 letters)
Institute of Gerontology: 1970 (1 letter)
International Directory of Arts: 1982 (1 letter)
Isherwood, Christopher: undated (1 letter)
Istituzione Maddalena Aulina: 1966 (1 letter)
Jacometti, Nesto: 1972 (1 letter)
Jaffe, Norman: 1964 (1 letter)
Janus, Virginia: 1929 (2 letters)
Jelleff: Frank R. Jelleff, Inc.: 1949 (1 letter)
Jennoff?, Peter L.: undated (1 letter)
Jewish Social Service Agency: 1967 (1 letter)
Johnston, L. R.: 1932 (2 letters)
Jones, Dorothea and Stuart E.: 1955 (3 letters)
Jones, George Lewis: 1961 (1 letter)
Jopp, Fred Gilman: 1936 (1 letter)
Josephy, Diane ( -- Time): -- 1968 (1 letter)
Junior Council of the Museum of Modern Art: 1956-1960 (2 letters)
Jurin, Benjamin M.: undated (1 letter)
Kagy, Virginia and Sheffield: 1948 (1 letter)
Kahles, Jessie: 1940-1948 (3 letters)
Kennedy, Jacqueline: May 19, 1960
Letters from White House Social Secretary: 1961-1963 (5 letters)
Kerensky, Alexander: 1965 (1 letter)
King Features Syndicate, Inc.: 1943 (1 letter)
King, Marion: 1952 (1 letter)
King, Rufus: 1975 (1 letter)
Kneifel, Mr.: 1956 (1 letter from Lazzari)
Kramer, Herbert (Congregazione del Preziosissimo Sangue): 1950 (1 letter)
Krishnamurti, Jack: 1959 (1 letter)
Kurzland, Toby: 1991 (1 letter)
La Follia: 1926 (1 letter)
La Galleria: 1972 (1 letter)
Landon School for Boys: 1944 (1 letter re: Ernesto Galarza)
Landu, Consuelo: 1948 (1 letter)
Lanier, Fanita: see Ruffiner, Willis E.
La Revue Moderne: 1961 (3 letters)
La Rocca, Principessa de: 1968 (1 letter)
Latif, Bilkeer: undated (1 letter)
Law, L. S.: 1932 (2 letters of recommendation for Lazzari)
Lawton, Thomas: 1974 (1 letter)
Lazzari, Attilio: 1922 (1 letter)
Lazzari, (Grace) Elizabeth Paine: undated and 1920-1951 (69 letters)
Letters from Pietro to Elizabeth: 1928-1929 (52 letters)
Lazzari, Evelyn Cohen: undated and 1948-1965 (6 letters)
Letters from Pietro to Evelyn: undated and 1932-1966 (49 letters, including one with a photograph of friends)
Lazzari, Fernanda (sister) and Vittoria: 1915-1949 (11 letters)
Lazzari, Leno: 1918-1929 (2 letters)
Lebanon: Embassy of Lebanon, Washington: 1956 (1 letter)
Lee, Amy: Nov 01, 1974 (letter from Lazzari); 1975 (1 letter)
Lee, Dal: 1954 (1 letter)
Lee, Pearl: undated (1 letter)
Levy, Sid A.: undated (1 letter)
Library of Congress: undated and 1965-1982 (6 letters)
Licciardi, Pietro: undated (1 letter)
Licinio Cappelli: 1949 (1 letter)
Life Insurance Company of Georgia: 1954 (2 letters)
Little Gallery: see Carolan, Anna B.
Lobatini, G.: undated (1 letter)
Loccatelli, Giulio: 1956-1958 (2 letters)
Lombaro (?), Patricia: 1961 (1 letter)
Loughlin, Dr. John J.: 1936-1940 (2 letters)
Lousine, L.: undated (1 letter)
Luccia, Enrico: undated and 1928-1977 (19 letters)
Lucibello, Luigi: Jan 12, 1965
Lucifero, Alfonso: Jan 13, 1912 (letter from Ministero delle Finanze)
McAfee, Don: 1955-1969 (3 letters); see Watergate Construction Corp.
McGinnis, Paul: 1988 (1 letter)
McIlhenny, Henry P.: 1949 (1 letter)
McIntyre, W. A.: undated (1 letter)
McKeogh, Elsie: 1954 (1 letter)
McKonish, Margaret: 1949 (1 letter)
McMahon, Mabel: undated (1 letter from A. Guarino)
Meert, Margaret Mullin: 1948 (2 letters)
Meeting House Gallery: 1972 (1 letter)
Meguin, A.: undated (1 letter)
Menard, G.: 1928 (1 letter)
Men of Achievement: 1974-1975 (2 letters)
Mensh, Elizabeth: 1978 (1 letter)
Merritt, Polly: undated (1 letter)
Messina, Joseph R.: 1971 (1 letter)
Metropolitan Museum of Art: 1951 (1 letter)
Miami Museum of Modern Art: 1965-1968 (7 letters)
Miki, Suizan: undated (1 letter)
Mills, Harrington: 1933 (1 letter)
Ming, Wang (National Art & Frame Co.): 1968 (1 letter)
Mitchell, Austin: 1946 (1 letter)
Montgomery County Art Association: 1961 (1 letter)
Moore, Norman Perry: 1927-1928 (2 letters)
Moore, Paul: 1970 (1 letter)
Morey, Mr.: [1950] (1 letter)
Morott, Aristodemi: 1918 (1 letter)
Morrison, Lillian: 1971 (1 letter)
Mortot, Virgilio: undated and 1962-1964 (4 letters)
Morvidi, Maria: 1918 (1 letter)
Moskin, Ruth: undated (1 letter)
Mullins, Mrs.: undated (1 letter)
Museum of Fine Arts, Boston: undated and 1955 (2 letters)
Museum of Fine Arts, Houston: 1964 (2 letters)
Museum of Modern Art: 1949-1973 (3 letters); see Junior Council of the Museum of Modern Art
Myers, Eugene Ekander: 1976 (1 letter)
National Academy of Design: [1939] (1 letter)
National Aeronautics and Space Administration: 1962-1973 (5 letters including 4 photographs of artwork and 23 photographs of astronauts Eugene A. Cernan, Ronald E. Evans, and Harrison H. Schmitt preparing for an Apollo 17 mission to the moon; an Apollo translunar/transearth trajectory plotting chart; an Apollo lunar orbit chart; and an Apollo earth orbit chart); see Cooke: Hereward Lester Cooke Foundation
National Cyclopedia of American Biography: 1979 (1 letter)
National Gallery of Art: undated and 1956-1974 (7 letters)
National Housing Center: 1961 (2 letters)
National Investigations Committee on Aerian Phenomena: 1957 (1 letter)
National Society of Arts and Letters: 1952 (1 letter)
National Society of Mural Painters: 1940-1963 (3 letters)
National Student Art Tour: 1949 (1 letter)
National Sugar Refining Company: 1938 (1 letter)
Neale, Rosamund: 1961 (1 letter)
Neilson, Robert Hude: 1928 (1 letter)
Nelson, Helen Ewing: undated (1 letter)
New American Library: 1953 (1 letter)
Newlin, Ben: 1979 (1 letter)
New Society for Art and Literature: 1947 (1 letter)
Nichol, Jean: 1926 (2 letters)
Nichol, Nella: 1929 (1 letter)
Nilsen, Laila: 1946 (1 letter)
Nobili, A.: undated letter written on reverse of photograph of Nobili painting
Nuova Critica Europea: 1969 (1 letter)
O'Connor, Don: 1960 (1 letter)
O'Connor, FrancisV.: 1968 (1 letter)
Oggi: 1967 (1 letter)
Okamoto, Yoichi R.: undated (1 letter)
Oklahoma Art Center: 1969 (1 letter)
Oklahoma Museum of Art: 1988 (1 letter)
Olson: Charles Olson Archives, University of Connecticut: 1975-1976 (3 letters)
Oregon State Library: 1957 (1 letter)
Orlando, Teresa: undated and 1949-1971 (3 letters)
Ottiani, Giuseppe: 1909 (1 letter)
Palmieri, Renato: 1928 (1 letter)
Park, Marlene: 1979 (1 letter)
Pavia, Dagoberto: 1959 (1 letter)
Pavia, Goffredo: 1921-1924 (7 letters)
Palmieri, Renato: 1957 (1 letter)
Palombi, Angelo: 1921 (1 letter)
Pan American Union: 1944-1945 (2 letters)
Parsons, Betty (Betty Parsons Gallery): undated and 1949-1973 (9 letters)
Passedoit Gallery: 1956 (1 letter)
Pensione Boos, Rome: 1928 (1 letter)
Pensione Girardet, Rome: 1928 (1 letter)
Perentine, Giuseppe (Nino): 1927-1950 (3 letters)
Peresson, I.: 1971 (1 letter)
Peretti, Luigi: undated (1 letter)
Perkins, Milo: 1944 (1 letter re: Ernesto Galarza)
Perna, Giorgio: undated (1 letter)
Peterson, Esther: 1978 (1 letter)
Philadelphia Department of Public Property: 1960 (1 letter)
Philadelphia Museum of Art: 1965-1966 (3 letters)
Phillips, Duncan: 1954 (1 letter)
Pirucchini, Maria: 1927 (1 letter)
Pope Paul VI: mentioned in 7 letters dated 1966, including 2 photographs of Lazzari with bust of the Pope; see Fiore, Ilario; see Giovannetti, Alberto; see Institute for the Arts of the Archdiocese of Washington
Preissler, Audrey: 1970 (1 letter)
Print Collector's Quarterly: 1949 (1 letter)
Print Council of America: 1963 (1 letter)
Prospersin, Eugenio: 1941 (1 letter)
Pyramid Club: 1956 (1 letter)
Quick, Robert B.: 1972 (1 letter)
Quinzi, Amerigo: 1920-1925 (2 letters)
Rady, Cabell: 1958 (1 letter)
Rahill, William Allen: 1954 (1 letter from Lazzari)
Rassegna Nazionale di Arti Figurative: 1948 (1 letter)
Rattu, Salvatore: undated and 1926-1966 (13 letters)
Reeves, Rosser: 1947 (1 letter)
The Reporter -- magazine: 1956 (1 letter)
Reuther, Victor: see United Auto Workers
Reynolds, D.: 1939 (1 letter from Lazzari)
Rhine, J. B.: 1949 (1 letter)
Ricca, Roberta: undated (1 letter)
Rieder (?), Baronessa: 1934 (1 letter)
Rioffo, Angela: 1959-1962 (2 letters including 2 photographs of friends)
River Road Gallery, Louisville, Ky.: 1941-1943 (4 letters)
Rivoi, Swami: undated (1 letter)
Robson, John: 1958 (1 letter)
Rocca Sinibalda: 1920 (1 letter)
Rockefeller, Nelson A.: 1946 (1 letter)
Rodman, Selden: undated (1 letter)
Rollins College: 1933-1942 (4 letters)
Roosevelt, Eleanor: Nov 09, 1945 and a letter dated 1964 concerns a viewing of the Roosevelt portrait bust); see White House; see Roosevelt Library
Roosevelt: Franklin D. Roosevelt Library at Hyde Park: 1963-1965 (8 letters, including typescripts of speeches); see United Auto Workers
Ross, Fred: 1949 (1 letter)
Rosso, Giulio: undated letter of recommendation by Lazzari
Roth, Maurice: 1993 (1 letter including 2 photographs of Lazzari's work)
Rothschild, Anselm A.: undated (1 letter)
Rowan, Edward: see Federal Works Agency
Rowan, Leata: undated (1 letter)
Rowantrees Pavilion: see Thompson, Lin
Rowin, Fran: 1976 (2 letters)
Rowland, Creelman: undated (1 letter)
Ruffner, Willis E. (lawyer for Fanita Lanier): 1944 (1 letter)
Russell, N. F. S.: 1932 (1 letter)
Rust, John and Thelma: 1952-1954 (38 letters, including an application from Lazzari for a grant from the John Rust Foundation, including a clipping about Rust and 3 photographs of cotton pickers); see West Tennessee Historical Society
St. Louis, Bertha: undated (1 letter)
Sanderson, W. A. (Calouste Gulbenkian Foundation): 1958 (1 letter)
San Francisco Museum of Art: 1967 (1 letter)
Sartori, Guiolitta: undated letter from A. Guarino
Satterlee & Smith, Architects: 1962 (1 letter)
Savini, Renata: 1965-1967 (3 letters)
Scheetz, June Rice: undated (1 letter)
Schoenberg, Rose: 1967 (1 letter)
Schurmer, Zaira E.: 1947 (2 letters)
Schwarz -- magazine: 1957 (1 letter)
Scigliano, Peppino Cosenza: 1910 (2 letters)
Sebastiani, G.: undated (1 letter)
Selmi, Gabriella: undated (1 letter)
Sevareid, Eric: 1956 (1 letter)
Sheen, Rev. Fulton J.: 1970 (1 letter)
Simotti, Aristide (friend who was prisoner of war): 1911-1925 (62 letters)
Sinisca: undated (1 letter)
Sirony, Simone: 1955-1964 (8 letters)
Smart: David and Alfred Smart Museum of Art: 1991-1996 (4 letters)
Smith, George: 1926-1927 (2 letters)
Smithsonian Institution: undated and 1947-1976 (8 letters)
Snyder, Nell H.: 1969 (1 letter)
Society of American Etchers: 1944 (1 letter)
Society of American Graphic Artists: 1956 (2 letters)
Society of Washington Artists: 1960-1961 (2letters)
Society of Washington Printmakers: 1976 (2 letters)
Sound View Press: 1991 (1 letter)
Spiral Group: see Strantin, Wally
Stevenson, Adlai: see White House
Stewart, George: 1932 (1 letter)
Strantin, Wally and Edward: 1950-1951 (2 letters)
Stroppoghetti, Arturo: 1923 (1 letter)
Stubbs, Kenneth: [1948] (1 letter)
Studer, Alfredo and Clara: 1947-1976 (15 letters)
Sweeney, James Johnson: 1949 (1 letter)
Syracuse University: 1964 (1 letter)
Taylor, Prentiss: 1972 (1 letter)
Teller, Douglas H.: 1963 (1 letter)
Terenz, Don Umberto: 1960 (1 letter)
Thames and Hudson, Ltd.: 1974 (1 letter)
Thomas, Norman: 1963-1965 (2 letters)
Thomen, Luis Francisco (Ambassador from Dominican Republic): undated (1 letter)
Thompson, Lin: 1950-1951 (3 letters)
Thurston, Charles D.: 1927-1928 (4 letters)
Tibet Society: 1975 (1 letter)
Timpenado, Cesare: 1927 (1 letter)
Tirrocelli (?), A.: 1917 (1 letter)
Toledo Museum of Art: 1957 (1 letter)
Toscanini, Arturo: mentioned in 2 letters dated 1928
Tosello, Alfredo: 1947-1949 (2 letters)
Tosi, Elisa: 1929 (1 letter)
Treasury Department, Section of Painting and Sculpture: 1936-1939 (53 letters concerning the Arlington, N.J. post office, the Sanford, N.C. post office, and the New York World's Fair Sculpture Competition)
Truman: Harry S Truman Library at Independence, Mo.: 1963 (1 letter)
Turkish Embassy, Washington, D.C.: 1958-1959 (4 letters including a photograph of Lazzari)
Tyler, Richard O.: 1958 (1 letter)
Ugolini, Luigi: 1969 (1 letter)
Ungar, Harold and Mildred: 1965 (1 letter)
United Auto Workers (U.A.W.): 1963-1971 (9 letters); see Debs: Eugene V. Debs Foundation
United Scenic Artists of America: [1939] (1 letter)
United States Civil Service Commission: 1944 (2 letters)
United States Department of Agriculture: 1945-1967 (10 letters)
United States Department of Labor: undated (1 letter)
United States Information Agency: 1959 (1 letter)
United States Information Service: Jul 09, 1964
University Settlement: 1946 (2 letters)
Upham, Elizabeth: 1948 (1 letter)
Van De Bries, Enri: 1973 (1 letter)
Vangell?, Raphaele: undated (1 letter)
Van Smith, Anne: 1949 (1 letter)
Venice Biennale: 1948-1954 (3 letters)
Vermont Marble Company: 1955 (1 letter)
Veschi, Signora: undated (1 letter)
Vickery, Ruth Bacon: 1929 (1 letter)
Victoria Hotel, Rome: 1928 (2 letters)
Virginia Museum of Fine Arts: 1956 (1 letter)
Visher, John: 1956 (1 letter)
Vosseller, Harold: 1948 (1 letter)
Wagner, Edward A. (Dell Publishing Co.) and Julia: 1954-1976 (5 letters)
Waldo, M. V.: 1945 (1 letter)
Warren, Susan and Louise: undated (1 letter)
Washington Gallery of Modern Art: undated (1 letter)
Washington is Wonderful: see Jones, Dorothea and Stuart E.
Washington-Lee High School: 1961 (1 letter)
Washington, Walter E. (Mayor of Washington, D.C.): 1976 (1 letter); Oct 19, 1976 (1 letter from Franz Bader)
Washington Water Color Association: undated and 1961 (3 letters)
Watergate Construction Corp.: 1968-1969 (4 letters); see Don McAfee
Watson, Ernest W. (editor, -- Art Instruction -- and -- American Artist -- ): 1939-1949 (3 letters)
Watson, Forbes: see Art in Federal Buildings, Inc.
Weil, Frank L.: 1926-1936 (2 letters)
Weinmann, Eric: 1980 (1 letter including a photograph of artwork)
Wells, John K. (Equitable Life Assurance Society): undated (1 letter)
West Tennessee Historical Society: 1952 (3 letters); see Rust, John
Weyhe: E. Weyhe Gallery: 1949 (1 letter)
White, Sarah: 1929 (1 letter)
Whitney Museum of American Art: 1939-1980 (11 letters)
Whyte Gallery: 1944-1950 (2 letters)
Widdemer, Kenneth D.: 1928 (1 letter)
White House: 1965-1968 (4 letters concerning the presentations of the busts of Eleanor Roosevelt and Adlai Stevenson)
Whittemore, Manvel: 1936 (1 letter enclosing poems)
Who's Who in America: 1979-1980 (2 letters)
Works Progress Administration: 1937-1938 (4 letters)
Workshop Center of the Arts: 1953 (1 letter); see Berkowitz, Ida and Leon
WRC Radio: 1966 (1 letter including a photograph of Lazzari)
WRC-TV: 1967 (1 letter)
Young, June: undated (1 letter)
Young, Louis Butler: 1971 (1 letter)
Zerega, Andrea: 1972-1976 (4 letters, including a résumé)
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Pietro Lazzari papers, 1878-1998. Archives of American Art, Smithsonian Institution.
Sponsor:
Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
