The folder includes a worksheet and a photocopy of an American Association of Museums directory entry about the museum.
General:
Since 1932 the Garden Club of Houston has been involved with the development and maintenance of the gardens at The Museum of Fine Arts, Houston. In that year the original landscape plan drawn by Ruth London was given to the museum and executed, and the club's commitment to the gardens has remained to this day. The plantings are changed seasonally.
Persons associated with the property include Ruth London (landscape designer).
Related Materials:
The Museum of Fine Arts, Houston related holdings consist of 1 folder (8 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Business correspondence and administrative records regarding Freudenheim's involvment as director, trustee, secretary, chairman and consultant for a variety of museums, art associations and foundations. Included are files on the Baltimore Museum of Art, the Worcester Art Museum, the American Federation of Arts, the museum program at the National Endowment for the Arts, the American Association of Museums, the American Association of Museum Directors, the American Arts Alliance, Washington Project for the Arts, the Hand Hollow Foundation and the Textile Museum.
Biographical / Historical:
Museum director; consultant; New York, N.Y. Freudenheim is a trustee of the American Federation of Arts and was Director of the Worcester Art Museum, 1982-1986, Director of the National Endowment for the Arts,1979-1982, Director of the Baltimore Museum of Art, 1971-1978, Founder and board member of the American Arts Alliance, 1976, 1984-1986, and Secretary and Chairman of the Association of Museum Directors, 1976-1977 and 1983-1986. He held numerous other prestigous positions not found within the papers.
Provenance:
Donated 2007 by Tom L. Freudenheim.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Arts administrators -- Washington (D.C.) Search this
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Livingston L. Biddle, Jr. papers, circa 1940-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund
Numerous files documenting Wittmann's professional work with the Toledo Musuem of Art, consulting work with the Owens-Illinois and Owens Corning Fiberglas Company, and his many professional affliations with organizations are found here. The files contain a wide variety of documents, including correspondence, printed materials, and receipts. Files are found for the American Association of Museums, American Society of the French Legion of Honor, Art Advisory Panel of the Commission of Internal Revenue, Art Dealers Association of America, Association of Art Museum Directors, The Century Association, College Art Association, International Council of Museums, The Museums Association of Great Britain, National Collection of Fine Arts Commission, National Council on the Arts, National Endowment for the Arts, National Endowment for the Humanities, and the National Foundation on the Arts and Humanities.
Arrangement note:
These files reflect the creator's original order and folder titles. They are arranged primarily by name of organization or corporation.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Otto Wittmann papers, 1932-1996. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Samuel H. Kress Foundation.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Otto Wittmann papers, 1932-1996. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Samuel H. Kress Foundation.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Otto Wittmann papers, 1932-1996. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Samuel H. Kress Foundation.
Panelists John Kinard of ANM, Marian Moore of Museum of African American History in Detroit, and Clifton Johnson of the Amistad Research Center in New Orleans discussed collecting artifacts of African and African American heritage. Specifically, they focused on the problems of collecting such artifacts, how the problems vary from institution to institution, and ideas to solve the problems. The panel discussion was part of the American Association of Museums (AAM) Conference in New Orleans in 1989.
Panel discussion. Audio only. Dated 1989.
Local Numbers:
ACMA AV001125_B
General:
Title transcribed from physical asset.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Baxter Art Gallery records, 1962-1997. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the 2019 addition to the collection was provided by Gerald and Bente Buck.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are closed to researchers,
Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Institute of Contemporary Arts (Washington, D.C.) Search this
Container:
Box 13, Folder 34
Type:
Archival materials
Date:
1958-1963
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collection Care Preservation Fund.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Paul E. Garber Collection, Acc. NASM.1991.0063, National Air and Space Museum, Smithsonian Institution.
