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Meet Will Barnet

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2009-01-16T14:48:36.000Z
YouTube Category:
People & Blogs  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_dLaTQlwYxes

Sylvester Rosa Koehler papers, 1833-1904, bulk 1870-1890

Creator:
Koehler, S. R. (Sylvester Rosa), 1837-1900  Search this
Koehler, S. R. (Sylvester Rosa), 1837-1900  Search this
Subject:
Falconer, John Mackie  Search this
Anderson, Alexander  Search this
Juengling, Frederick  Search this
Harfin, Jean F.  Search this
Smillie, James David  Search this
Topic:
American Art Review  Search this
Prints -- 19th century  Search this
Art literature  Search this
Museum curators -- Massachusetts -- Boston  Search this
Artists -- United States  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)7082
(DSI-AAA_SIRISBib)209215
AAA_collcode_koehsylv
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209215
Online Media:

"Made in America," American Art Review

Collection Creator:
Butterfield, Jan  Search this
Container:
Box 7, Folder 4
Type:
Archival materials
Date:
1977
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 2: Writings / Articles
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref361

"Vermeer and Contemporary American Painting" (American Art Review, 1978 November)

Collection Creator:
Deem, George, 1932-2008  Search this
Container:
Box 15, Folder 48
Type:
Archival materials
Date:
circa 2013
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Deem papers, 1904-2015, bulk 1960-2008. Archives of American Art, Smithsonian Institution.
See more items in:
George Deem papers
George Deem papers / Series 7: Printed Material / Articles, Blogs, and Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-deemgeor-ref1441

"George Deem: The Art of Art History" (American Art Review, 2012 May-June)

Collection Creator:
Deem, George, 1932-2008  Search this
Container:
Box 16, Folder 31
Type:
Archival materials
Date:
circa 2013
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Deem papers, 1904-2015, bulk 1960-2008. Archives of American Art, Smithsonian Institution.
See more items in:
George Deem papers
George Deem papers / Series 7: Printed Material / Articles, Blogs, and Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-deemgeor-ref1474

Correspondence

Collection Creator:
Koehler, S. R. (Sylvester Rosa), 1837-1900  Search this
Extent:
(Box 1-6; 5.1 linear feet)
Type:
Archival materials
Date:
circa 1833-circa 1904
Scope and Contents note:
Koehler's correspondence is extensive and contains letters to and from over 300 different correspondents. For his career as curator and art critic, Koehler maintained correspondence with many American painters, including Jean F. Harfin, Edwin Howland Blashfield, Emil Carlsen, William Merritt Chase, John Robinson Tait, Samuel Colman, Thomas Wilmer Dewing, Anna Lea Merritt, and Walter Shirlaw. Also found in this series is correspondence with American engravers and illustrators, many featured in American Art Review, including John Sartain, Stephen James Ferris, William Baxter Closson, Henry Farrer, R. Swain Gifford, John M. Falconer, Frederick Juengling, Robert Hoskin, Gustav Kruell, Stephen A. Schoff, J. C. Nicoll, James D. Smillie, William Wellstood, Charles A. Platt, Peter Moran, and Stephen Parrish. Koehler also corresponded with many architects, engineers, and designers, including George Corliss, William Rotch Ware, P. B. Wight, Henry Van Brunt, Russell Sturgis, Julius Schweinfurth, and Arthur Rotch.

Koehler corresponded with art critics such as Mariana Van Rensselaer, Samuel G. W. Benjamin, Russell Sturgis, Clarence Cook, and Charles C. Perkins, historians such as Charles Henry Hart, and journalists including Ottilie Assing and George Julian Harney. Also found in this collection is correspondence with authors such as Ednah D. Cheney, educators including Kuno Francke and William Unger, and museum directors and curators such as A. Duncan Savage, W. M. R. French and William MacLeod. As a writer and editor, Koehler corresponded with several publishers, including Cassell and Company, Estes and Lauriat, and E. A. Seeman.

Also of note, is Koehler's correspondence with many prominent people working in other fields including scientists Henry C. Angell and Wilhelm von Bezold, archaeologists Luigi di Cesnola, Frederic Putnam, and Otis T. Mason, natural scientists Thomas Meehan and Edward Sylvester Morse, music scholar Waldo S. Pratt, and astronomer Edward C. Pickering.

Users should note that a significant portion of the correspondence is in German. A few letters within the collection are neither to or from Koehler, but concern American art. It is unclear if Koehler collected these letters.
Arrangement:
The material in this series is arranged alphabetically.
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sylvester Rosa Koehler papers, 1833-1904, bulk 1870-1890. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.koehsylv, Series 1
See more items in:
Sylvester Rosa Koehler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-koehsylv-ref14

Financial Records

Collection Creator:
Koehler, S. R. (Sylvester Rosa), 1837-1900  Search this
Extent:
(Box 6; 14 folders)
Type:
Archival materials
Date:
1870-1890
Scope and Contents note:
Financial Records include Koehler's receipts, mostly dating 1885. The receipts are primarily for the purchase of books, but are also for professional services, printing, advertising, and membership dues. Also found is a handwritten estimate of costs for publishing the American Art Review.
Arrangement:
The American Art Review is at the beginning of the series, followed by the receipts which are in chronological order.
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sylvester Rosa Koehler papers, 1833-1904, bulk 1870-1890. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.koehsylv, Series 2
See more items in:
Sylvester Rosa Koehler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-koehsylv-ref376

Cost estimate for publishing American Art Review

Collection Creator:
Koehler, S. R. (Sylvester Rosa), 1837-1900  Search this
Container:
Box 6, Folder 12
Type:
Archival materials
Date:
circa 1879
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sylvester Rosa Koehler papers, 1833-1904, bulk 1870-1890. Archives of American Art, Smithsonian Institution.
See more items in:
Sylvester Rosa Koehler papers
Sylvester Rosa Koehler papers / Series 2: Financial Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-koehsylv-ref377

American Art Review

Collection Creator:
Pearlstein, Philip, 1924-  Search this
Container:
Box 2, Folder 14
Type:
Archival materials
Date:
1977
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Rights:
Audio visual material "Philip Pearlstein Draws the Artists' Model": Authorization to quote or reproduce for purposese of publication requires written permission from Pearlstein or his heirs. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Pearlstein papers, circa 1940-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Philip Pearlstein papers
Philip Pearlstein papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pearphil-ref51

Whitney Museum of American Art, Review Committee

Collection Creator:
Friedman, B. H. (Bernard Harper), 1926-2011  Search this
Container:
Box 30, Folder 2
Type:
Archival materials
Date:
1975-1977
Collection Restrictions:
The collection is ACCESS RESTRICTED; written permission is required. Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bernard Harper Friedman papers, 1926-2011, bulk 1943-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Bernard Harper Friedman papers
Bernard Harper Friedman papers / Series 6: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-friebern-ref1462

Magazine, American Art Review

Collection Creator:
Selden, Dixie, 1868-1935  Search this
Container:
Box 2, Folder 16
Type:
Archival materials
Date:
1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dixie Selden papers, 1837-1936, 1993-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Dixie Selden papers
Dixie Selden papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selddixi-ref60

"The Turn-of-the-Century America Exhibition" American Art Review

Collection Creator:
Hills, Patricia  Search this
Container:
Box 20, Folder 25
Type:
Archival materials
Date:
circa 1977-1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Patricia Hills papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Patricia Hills Papers, circa 1950s-2015, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 6: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hillspat-ref619

Sylvester Rosa Koehler papers

Topic:
American Art Review
Creator:
Koehler, S. R. (Sylvester Rosa), 1837-1900  Search this
Names:
Anderson, Alexander, 1775-1870  Search this
Falconer, John Mackie, 1820-1903  Search this
Harfin, Jean F.  Search this
Juengling, Frederick, 1846-1889  Search this
Smillie, James David, 1833-1909  Search this
Extent:
5.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1833-1904
bulk 1870-1890
Summary:
The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.
Scope and Content Note:
The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.

Correspondence includes hundreds of letters to and from Koehler. Correspondents include many prominent artists, engravers, architects, art critics, curators, historians, journalists, authors, educators, publishers, and others during the late 1800s. Also found is correspondence with family, most of which is in German. Much of the correspondence concerns Koehler's role as editor of the publication American Art Review, and his work promoting American graphic arts.

Financial Records include Koehler's receipts, primarily from 1885, and a handwritten estimate of costs for publishing the American Art Review.

Miscellany includes biographical information on the wood engraver, Alexander Anderson, various notes by unidentified authors, news clippings, programs and handwritten song texts for music performances.
Arrangement:
The collection is arranged into 3 series:

Series 1: Correspondence, circa 1833- circa 1904 (Box 1-6; 5.1 linear feet)

Series 2: Financial Records, circa 1870-circa 1890 (Box 6; 14 folders)

Series 3: Miscellany, circa 1859-circa 1896 (Box 6; 11 folders)
Biographical Note:
Art historian and curator Sylvester Rosa Koehler was born in Leipsic, Germany in 1837. He came to the United States with his family in 1849 and settled in Roxbury, Massachusetts. In 1868 he became the Technical Manager of Louis Prang and Company, a lithograph publisher. Koehler was the founding editor of the American Art Review, which commissioned artists for original etchings, and ran from 1879-1881. Through this publication, as well as his work as writer and exhibition curator, Koehler encouraged an American etching revival in the 1880s. Koehler also published many books on American art and was the first Curator of Prints at the Museum of Fine Arts, Boston. From 1886 to 1900 he served as the first Curator of Graphic Arts at the United States National Museum, part of the Smithsonian Institution. While there, he created a permanent and traveling exhibition of graphic arts. His knowlege of the art world and his extensive personal contacts brought many important collections to the museum. Koehler died in Littleton, New Hampshire in 1900.
Related Material:
Additional correspondence can be found at the Library of Congress, which houses the Papers of S. R. Koehler, 1868-1904, and includes approximately 3,500 letters. Syracuse University Library houses S. R. Koehler Correspondence, 1879-1896, and includes 107 items.
Provenance:
The collection was purchased from Argosy Book Stores, Inc, in 1959. A letter from John Sartain and eleven letters from William Merritt Chase were donated by Charles E. Feinberg, 1955-1962. Two postcards were donated in 2009 by William A. Turnbaugh, an autograph collector. In 2017, John F. McGuigan Jr. and Mary K. McGuigan donated sixty-nine letters from A. Barry, Truman Howe Bartlett, William Merritt Chase, Timothy Cole, Edward Henry Clement, Cyrus Edwin Dallin, Robert Swain Gifford, George Inness, Anna Lea Merritt, Stephen Parrish, John Sartain, Francis Hopkinson Smith, and Frederic Porter Vinton.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- Massachusetts -- Boston  Search this
Topic:
Prints -- 19th century  Search this
Art literature  Search this
Museum curators -- Massachusetts -- Boston  Search this
Artists -- United States  Search this
Citation:
Sylvester Rosa Koehler papers, 1833-1904, bulk 1870-1890. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.koehsylv
See more items in:
Sylvester Rosa Koehler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-koehsylv
Online Media:

Peter A. Juley & Son collection

Photographer:
Ward, De Witt  Search this
Peter A. Juley & Son  Search this
Juley, Peter A., 1862-1937  Search this
Juley, Paul, 1890-1975  Search this
Extent:
700 Linear feet ((approx. 127,000 negatives, with black-and-white study prints))
Type:
Collection descriptions
Archival materials
Photographs
Negatives
Date:
circa 1896-1975
Summary:
The Peter A. Juley & Son Collection is comprised of approximately 127,000 photographic negatives documenting the work of more than 11,000 American artists. Included in the collection are 4,700 photographic portraits of artists.
Scope and Contents:
This collection is comprised of 127,000 negatives from the Peter A. Juley & Son firm documenting the American art scene from 1896 up until 1975.

The Juleys photographed the work of turn-of-the-century painters such as Childe Hassam, Thomas Eakins, and Albert Pinkham Ryder; ash can school artists such as Robert Henri and John Sloan; the avant-garde group associated with Alfred Stieglitz; regionalists of the 1930 and 1940s such as Thomas Hart Benton and Grant Wood; abstract expressionists such as Hans Hoffman and Robert Motherwell; and sculptors such as Daniel Chester French and William Zorach.

The Juley collection also holds some 4,700 photographic portraits of artists. These images capture some of the best-known artists of the twentieth century, including Thomas Hart Benton, Alexander Calder, Stuart Davis, Edward Hopper, Frida Kahlo, Jacob Lawrence, Barnett Newman, Diego Rivera, and Grant Wood. Many of the portraits depict artists at work in their studios or at home with their families and offer glimpses into the artistic and social climate of the period.

Group photography by the Juley firm records the histories of the National Academy of Design and Art Students League and documents important summer art colonies at Provincetown, Massachusetts; Woodstock, New York; Old Lyme, Connecticut; and Ogunquit, Maine.

In addition to the negatives produced by the Juley's, the firm also acquired valuable negatives from other fine arts photographers, including Myra Albert, A. B. Bogart, George C. Cox, Walter Russell, A. E. Sproul, and De Witt Ward, to broaden its holdings.
Arrangement:
The collection is arranged in two series:

Series I: Photographs of art works, arranged alphabetically by artist, then by assigned negative number (673 linear feet)

Series II: Photographical portraits, arranged alphabetically by sitter name (26 linear feet)
Biographical / Historical:
Peter A. Juley (1862-1937) came to the United States in 1888 from the small German town of Alf, on the Mosel, where he was a telegrapher for the post office. How he first became interested in photography and fine arts is not known, but around 1896 he opened a small portrait studio in Cold Spring, New York, where he also worked as a staff news photographer for Harper's Weekly between 1901 and 1906. His assignments included photographing the funeral of President William McKinley and President Theodore Roosevelt's national tours. Around 1907 Juley moved the business to New York, where his son Paul P. Juley (1890-1975) joined him. A few years later they hired an assistant, Carlton Thorpe, who remained for the life of the firm.

Throughout the firm's long history from 1896 to 1975, Peter A. Juley and Son became the largest and most respected fine-art photography studio in New York, serving museums, galleries, art dealers, private collectors, corporations, conservators and many prominent artists. As members of New York's Salmagundi Club of artists, the Juleys served as official photographers for the National Academy of Design, the New York Public Library, and the Society of American Artists. In the summers, when many artists left the city to teach at colonies in Woodstock, New York, Old Lyme and Mystic, Connecticut, and Gloucester, Massachusetts, the Juleys joined them to take photographs. Combining business with pleasure, they even traveled to the West Coast, where they recorded Diego Rivera completing the murals of the San Francisco Stock Exchange, and on one of their trips they photographed artists of New Mexico's Taos and Santa Fe colonies.

When Peter died in 1937, Paul moved the studio to 225 West 57th Street, a few doors down from the Art Students League and across the street from Carnegie Hall, where many artists had studios. Throughout the 1950s and 1960s, Paul continued photographing the works of art associated with the Art Students League and the National Academy of Design. He retired in 1975, at the age of eighty-five.
Provenance:
Purchased from Paul Juley, 1966.
Restrictions:
Researchers may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Rights:
Copyright to photographs from the Juley Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Topic:
Artists -- United States -- Portraits  Search this
Portrait photography  Search this
Art, American -- Photographs  Search this
Genre/Form:
Photographs
Negatives
Citation:
Peter A. Juley & Son Collection, Smithsonian American Art Museum.
Identifier:
SAAM.Photo.JUL
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_collection:sova-saam-photo-jul
Online Media:

American Art Review

Collection Creator::
Hirshhorn Museum and Sculpture Garden. Department of Public Programs/Curatorial Division  Search this
Container:
Box 3 of 7
Type:
Archival materials
Collection Restrictions:
Box 2 contains materials restricted indefinitely; see finding aid; Transferring office; 8/8/1984 memorandum, Massa to Geoffray; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 98-013, Hirshhorn Museum and Sculpture Garden. Department of Public Programs/Curatorial Division, Records
See more items in:
Records
Records / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa98-013-refidd1e2340

Armory Show Article-American Art Review 2001

Collection Creator::
Zilczer, Judith  Search this
Container:
Box 8 of 8
Type:
Archival materials
Collection Rights:
Restricted for 25 years from the latest date of records. See deed of gift for additional information regarding restrictions, until Jan-01-2029; Transferring office; 12/1/2003 Deed of Gift; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 04-028, Judith K. Zilczer Papers
See more items in:
Judith K. Zilczer Papers
Judith K. Zilczer Papers / Box 8
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa04-028-refidd1e8113

"James McNeill Whistler and Japan," American Art Review, 1995

Collection Creator::
Freer Gallery of Art and Arthur M. Sackler Gallery. Curatorial - American Art  Search this
Container:
Box 3 of 6
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 02-056, Freer Gallery of Art and Arthur M. Sackler Gallery. Curatorial - American Art, Curatorial Records
See more items in:
Curatorial Records
Curatorial Records / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa02-056-refidd1e1450

American Art Review, 1975-1976

Collection Creator::
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture  Search this
Container:
Box 8 of 35
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 469, Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture, Curatorial Records
See more items in:
Curatorial Records
Curatorial Records / Box 8
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0469-refidd1e3890

Folder 3 American Art Review, 1975

Collection Creator::
National Museum of American Art. Office of the Director  Search this
Container:
Box 47 of 97
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 322, National Museum of American Art. Office of the Director, Records
See more items in:
Records
Records / Series 6: ALPHABETICAL SUBJECT FILES (1969-1981). / Box 47
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0322-refidd1e5883

Publicity: American Art Review, "Thomas Cole in Retrospect"

Collection Creator::
National Museum of American Art. Curatorial Department  Search this
Container:
Box 2 of 3
Type:
Archival materials
Collection Restrictions:
Box 2 contains materials restricted indefinitely; see finding aid; Transferring office; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 95-123, National Museum of American Art. Curatorial Department, Exhibition Records
See more items in:
Exhibition Records
Exhibition Records / Box 2
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa95-123-refidd1e928

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