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Card file for Sails by Arthur Dove

Creator:
Smith, Suzanne Mullett, 1913-1989  Search this
Subject:
Dove, Arthur Garfield  Search this
Type:
Writings
Date:
circa 1957
Record number:
(DSI-AAA)19612
See more items in:
Suzanne Mullett Smith papers, 1923-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19612
Online Media:

American Art Research Council form for Sails, 1911, by Arthur Dove

Creator:
Smith, Suzanne Mullett, 1913-1989  Search this
Subject:
Dove, Arthur Garfield  Search this
American Art Research Council  Search this
Type:
Writings
Date:
1957
Record number:
(DSI-AAA)19616
See more items in:
Suzanne Mullett Smith papers, 1923-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19616
Online Media:

American Art Research Council form for Drawing, 1913 by Arthur Dove

Subject:
Dove, Arthur Garfield  Search this
American Art Research Council  Search this
Type:
Writings
Date:
circa 1935
Record number:
(DSI-AAA)19617
See more items in:
Suzanne Mullett Smith papers, 1923-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19617
Online Media:

Art museums form research council

Subject:
Force, Juliana  Search this
Goodrich, Lloyd  Search this
American Art Research Council  Search this
Type:
Printed Materials
Place:
New York, N.Y.
Date:
circa 1942
Record number:
(DSI-AAA)19749
See more items in:
American Art Research Council records, 1935-1956, bulk 1942-1947
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19749

Decorative Composition (Study for Promenade)

Artist:
Maurice Prendergast, American, b. St. John's, Newfoundland, Canada, 1858–1924  Search this
Medium:
Watercolor and pencil on paper
Dimensions:
12 3/4 × 20 7/8 in. (32.5 × 53 cm)
Type:
Painting
Date:
(1913-1915)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4128
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Impressionism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2563ab595-7e74-4a0b-bd45-8c8b63a883f2
EDAN-URL:
edanmdm:hmsg_66.4128

Charles H. Woodbury and Elizabeth Ward Perkins papers

Creator:
Perkins, Elizabeth Ward, 1873-1954  Search this
Woodbury, Charles H. (Charles Herbert), 1864-1940  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1878-1959
Scope and Contents:
The papers of Charles H. Woodbury and Elizabeth Ward Perkins measure 2.4 linear feet and date from 1878-1959. Included are correspondence, writings, exhibition files, inventories, art work, photographs and printed material.
Correspondence includes circa 340 letters from Woodbury to Perkins written from Maine, Massachusetts, and various locales; circa 40 letters from Woodbury to his mother, mostly written from Holland with notes about the letters. Other letters are to Woodbury from Edward Filene, John B. Paine, and Thomas Allen, regarding the painting Mid-Ocean; a letter from Sam Houghton regarding his purchase of a watercolor; letters to Woodbury from William Merrit Post, Charles C. Curran (of the National Academy of Design), Benjamin Kimball, Malvina Hoffman, George W. Eggers (of the Art Institute of Chicago), and Leila Mechlin (of Southern Art Projects); letters to Woodbury from Arthur Wesley Dow, John C. Pierson, Hughes Mearns, Philip R.V. Carol, Ruth E. Hutchins, Charles W. Eliot, and Vernon M. Cady regarding Woodbury's manuscripts, "The Art of Seeing and Observation: Visual Training Through Drawing"; letters to Woodbury and Elizabeth Perkins from Charles J. Connick, various institutions, and the Assistant Secretary of State regarding Woodbury's art; legal correspondence to Perkins regarding Woodbury's estate taxes and disposition of paintings; and letters to Anna Perkins, daughter of Elizabeth Perkins, from Castano Galleries.
Writings consist of notes and essays by Woodbury on the technique and philosophy of drawing, painting and etching, and a paper by Woodbury and Perkins "The Modern School and Its Sources". Exhibition files include exhibition price lists, venue lists and typescripts of reviews for Woodbury's traveling exhibition with the Federation of Arts. Inventories consist of price lists and a card file (circa 900 cards) of watercolors and oil paintings by Woodbury, 1886-1942, containing title of the work, the date painted, the size, and the disposition of the work. Artwork includes 63 drawings (one dedicated to Perkins), two etchings, and two paintings by Woodbury. Photographs are of works of art by Woodbury.
Printed material includes a scrapbook of clippings relating to Woodbury and Perkins and the Woodbury Training School in Applied Observation and their other art education endeavors; a book, "Descendants of Alexander Robinson and Angelica Peale," owned by Perkins; exhibition price lists; venue lists and typescripts of reviews for Woodbury's traveling exhibition with the Federation of Arts.Photographs are of Woodbury's artwork.
Biographical / Historical:
Elizabeth Ward Perkins (1873-1959) was an artist and art patron who studied, worked and collaborated with Charles H. Woodbury.
Provenance:
Most of the papers were in Perkins' possession at the time of Woodbury's death. The card file on reel 2788 was donated in 1957 from the American Art Research Council, Whitney Museum of American Art, which had received it from Perkins' heirs. Material on reel 268 was owned jointly by Perkins' heirs, and donated in 1957 with the assistance of Giovanni Castano (Castano Galleries, Boston, Mass.), along with Charles C. Perkins' (Elizabeth Perkins' father-in-law) diary and art works, and Samuel Gray Ward's (her grandfather) art works and photographs, each described and housed separately. The scrapbook (unmicrofilmed) probably came at the same time. The remainder of the unmicrofilmed material was donated in 1989 by Perkins' daughters, Anna W. Perkins and Mary Perkins Ryan, in 2009 by John H. Mansfield, Perkins' grandson, and in 2018 by Maria Luisa F. Mansfield, Mansfield's wife.
Also found in the Archives are the Charles H. Woodbury papers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art teachers  Search this
Painters -- Massachusetts  Search this
Topic:
Art -- Technique  Search this
Function:
Art Schools -- Maine -- Ogunquit
Genre/Form:
Scrapbooks
Identifier:
AAA.perkeliz
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-perkeliz

Lloyd Goodrich papers

Creator:
Goodrich, Lloyd, 1897-1987  Search this
Names:
American Art Research Council  Search this
American Federation of Arts  Search this
Artist Tenants Association (New York, N.Y.)  Search this
Artists Equity Association  Search this
Association of Art Museum Directors  Search this
National Council on the Arts and Government  Search this
Whitney Museum of American Art  Search this
Dows, Olin, 1904-1981  Search this
Eakins, Thomas, 1844-1916  Search this
Evergood, Philip, 1901-1973  Search this
Homer, Winslow, 1836-1910  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Newman, Elias, 1903-  Search this
Rich, Daniel Catton, 1904-1976  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
35.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Transcripts
Interviews
Scrapbooks
Date:
1884-1987
bulk 1927-1987
Summary:
The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.
Scope and Contents:
The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.

Scattered biographical materials include biographical sketches, an interview transcript, personal business records, documents relating to Goodrich's service on art juries, and awards and honors.

Correspondence is with friends, family, artists, museums, collectors, galleries, and arts organizations. Correspondents include The Arts Magazine, Whitney Museum of Art, Olin Dows, Philip Evergood, Yasuo Kuniyoshi, Reginald Marsh, Kenneth Hayes Miller, Elias Newman, Daniel Catton Rich, and Raphael Soyer among many others. Research related correspondence arranged here concerns work on a catalogue raisonné of Winslow Homer. This material was originally arranged in the correspondence files by Goodrich prior to the later donation that included additional research files on Homer found in Series 3. There are also condolence letters from notable figures in American art.

Writings and research files include major writings, such as books and articles, and book reviews, essays, exhibition text, catalog entries, and lectures. In addition to the writings, Goodrich's research files for the writings are arranged here and include research, notes, correspondence, photographs, illustrations, printed materials, and bibliographies. There are also book agreements. There are extensive files for Goodrich's books on Winslow Homer (see also correspondence in Series 2) and Reginald Marsh; articles, catalog entries, and other writings on Winslow Homer, Albert Pinkham Ryder, Kuniyoshi, Reginald Marsh, and American art in general; lectures and talks; research files on other artists, and notes and notebooks.

Organization and committee files document Goodrich's service on boards, commissions, committees, organizations, and associations, such as the American Federation of Arts, the Association of Art Museum Directors, the Carnegie Study in American Art, the National Council on the Arts and Government, American Art Research Council, Artists Equity Association, Artist Tenants Association, the selection committee of the American National Exhibition (1959), and others are found within organization and committee files. Agendas, correspondence, meeting minutes, and printed material are found within the files.

Exhibition files are found only for several Winslow Homer shows. Printed materials include clippings, publicity materials, and printed copies of his writings. Photographic material includes scattered photographs of Goodrich and others, and extensive negatives of works of art, likely by Homer. Also found are x-rays of paintings by Ralph Blakelock.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1946-1984 (Boxes 1; 0.4 linear feet)

Series 2: Correspondence, 1920-1987 (Boxes 1-3; 1.8 linear feet)

Series 3: Writings and Research Files, 1884-1987 (Boxes 3-17, 38; 14.5 linear feet)

Series 4: Organization and Committee files, 1933-1982 (Boxes 17-31, 37; 14.5 linear feet)

Series 5: Exhibition Files, 1944-1986 (Boxes 31-32; 0.6 linear feet)

Series 6: Printed Material, circa 1920s-1979 (Boxes 32-33; 0.8 linear feet)

Series 7: Scrapbook, 1952-1959 (Box 33; 2 folders)

Series 8: Photographic Materials, circa 1910-1987 (Boxes 33-37; 3.1 linear feet)
Biographical / Historical:
Lloyd Goodrich (1897-1987) was a prominent and influential art historian, writer, and director of the Whitney Museum of Art in New York City, New York, from 1958-1968.

Lloyd Goodrich was born in Nutley, New Jersey in 1897. He studied under Kenneth Hayes Miller at the Art Students League from 1913-1915 and also took courses at the National Academy of Design. Rather than pursue a career as an artist, however, he decided that his real talent was writing about art. He began his long and prolific writing career in 1923-24 and married Edith Havens in 1924. Inspired by the work and writings of European art scholars and a desire to address the need for a body of scholarship on American Art, Goodrich began to research and write about American artists Kenneth Hayes Miller, Winslow Homer, and Thomas Eakins.

Goodrich's first article on Winslow Homer was published in 1924 by The Arts, a magazine financed by Gertrude Vanderbilt Whitney and edited by Forbes Watson, who soon hired Goodrich as associate editor. By 1929, Goodrich was also working as assistant art critic for the New York Times while continuing work at The Arts as contributing editor. One year later, The Arts commissioned Goodrich to write a book on Kenneth Hayes Miller. And, around the same time Goodrich became interested in Thomas Eakins, and with the encouragement and financial support from his boyhood friend, artist Reginald Marsh, he began work on a monograph about Eakins.

In 1930, Goodrich joined the staff of Gertrude Vanderbilt Whitney's new American art museum in New York City, the Whitney Museum of American Art. The museum provided him with the funds he needed to research and complete his book on Thomas Eakins, which he achieved in 1933. In 1935, he became curator of the museum, and associate director in 1948. He served as director from 1958-1968. The bequest of the Edward Hopper collection to the Whitney was the result of Goodrich's reputation as a scholar of Edward Hopper. After retiring, Goodrich continued his association with the Whitney as advisory director and director emeritus.

Goodrich was instrumental in starting the American Art Research Council in 1942, a group of museums devoted to collecting scholarly records about American art. He sat on the advisory panels for the New York State Council on the Arts and the Fine Arts Advisory Committee to the White House. In 1933, he was in charge of the New York regional office of the Public Works of Art Project. He also served as chairman of the National Council on the Arts and Government from 1948 to 1954 and was a major force in the creation of the National Endowment for the Arts and Humanities. He was a member of the Artists Equity Association, Artist Tenants Association, and numerous other arts organizations and a strong advocate for the promotion and support of American art and artists.

Throughout his long and distinguished career as a writer and museum administrator, Lloyd Goodrich worked to build a body of scholarship related to the history of American art and artists. He published several important monographs, including works on Thomas Eakins, Edward Hopper, Albert Pinkham Ryder, Winslow Homer, and Reginald Marsh, and organized major exhibitions about these and many other artists during his 57-year association with the Whitney Museum of American Art. At the time of his death, Goodrich was considered a preeminent figure in the American art world, and one of the foremost authorities on Eakins, Ryder, and Homer, artists on which he kept extensive research files throughout his life.

Lloyd Goodrich died March 27, 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lloyd Goodrich, 1962-1963 by Harlan Phillips for the Archives of American Art.

Additional Lloyd Goodrich papers are located at the Whitney Museum of American Art Archives, and the Philadelphia Museum of Art Archives.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4468) including a photocopy of the manuscript "Albert Pinkham Ryder: The Man and His Art," Goodrich's contribution to the book "Albert Pinkham Ryder: Painter of Dreams" co-authored with William I. Homer. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The Lloyd Goodrich papers were given to the Archives of American Art in several different acquisitions. Lloyd Goodrich first donated material in 1983. David Goodrich, Lloyd Goodrich's son, gave more material between 1988 and 2007 while additional papers were lent for microfilming by William I. Homer in 1990. Finally, the Whitney Museum of American Art donated papers in 1996, and Polly Thistlethwaite gave further material in 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Museum curators -- New York (State) -- New York  Search this
Museum administrators -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art museums -- New York (State) -- New York  Search this
Art, American  Search this
Museum directors -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Transcripts
Interviews
Scrapbooks
Citation:
Lloyd Goodrich papers, 1884-1987, bulk 1927-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goodlloy
See more items in:
Lloyd Goodrich papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goodlloy
Online Media:

Charles C. Adams papers

Creator:
Adams, Charles C. (Charles Christopher), 1873-1955  Search this
Names:
American Art Research Council  Search this
American Artists' Congress  Search this
Federal Art Project (N.Y.)  Search this
New York State Museum  Search this
United States. Works Progress Administration  Search this
Audubon, John Woodhouse, 1812-1862  Search this
Audubon, Victor Gifford, 1809-1860  Search this
Blatas, Arbit  Search this
Cahill, Holger, 1887-1960  Search this
Castador, Albert Martinez -- Photographs  Search this
Duveen, Albert  Search this
Halliday, Thomas  Search this
Henry, Edward Lamson, 1841-1919  Search this
Hine, Lewis Wickes, 1874-1940  Search this
MacNeil, Hermon Atkins, 1866-1947  Search this
McCausland, Elizabeth, 1899-1965  Search this
Pearson, Ralph M., 1883-1958  Search this
Rockefeller, Abby Aldrich  Search this
Sharp, Joseph Henry, 1859-1953 -- Photographs  Search this
Stone, Harry  Search this
Photographer:
Keyha, Dorian  Search this
Extent:
1.2 Linear feet ((partially microfilmed on 4 reels))
0.5 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Date:
1931-1948
Scope and Contents:
Records kept by Adams while Director of the New York State Museum in Albany, mainly relating to his efforts to build the museum's collections. Included are correspondence, notes, printed materials and photographs.
REELS 110-112: Included are files on: the WPA art program, American Artists Congress, and other political art organizations; the Edward Lamson Henry collection, including Elizabeth McCausland's galley sheets of her manuscript on Henry, photos of paintings, comments on her manuscript, and correspondence about other Henry paintings; the sons of John James Audubon, Victor and John Woodhouse; the acquisition of the Thomas Halliday Folk Art Collection, purchased for the Museum by Abby Aldrich Rockefeller; Berenice Abbott's photograph projects, including correspondence with Abbott; the formation of the American Art Research Council; war emergency plans; Anna Hyatt Huntington's gift of her sculpture to the museum, and letters from Lewis Hine, Ralph Pearson, Harry Stone, Albert Duveen, Hermon MacNeil and others.
REEL 1817 (fr. 279-282, 1097-1098) AND SCANNED: Three photographs of Indian painter Albert Martinez Castador (Albert Looking Elk), showing him painting, and on a horse; and one of Joseph Henry Sharp painting in his studio, ca. 1912. Photographers unknown.
REEL 1817 One copy print of a photo of Edward Lansom Henry, previously microfilmed under Photos of Artists II, and since been scanned and returned to the Adams collections.
UNMICROFILMED: Publications relating to the WPA, including: Federal Art Centers of New York; Murals for the Community; Art as a Function of Government: A Survey; The WPA Federal Art Project: A Summary of Activities and Accomplishments; Index of American Design; Five-Boro Directory, Art Teaching Division; Art in Democracy; Index of Research Projects: Volume I; and Federal Sponsored Community Art Centers. Also included are a letter from Samuel H. Friedman to Adams regarding a request for some pamphlets; a press release, December 30, 1938 from the WPA Federal Art Project; and a clipping of an article by Emily Genauer regarding the WPA, August 6, 1938.
ADDITION: Original photographs of Adams, including two taken by Berenice Abbott, 1940s, and eight by Dorian (Dorothy) Keyha, 1949; and files, clippings and correspondence, some of it to Adams' daughter, Harriet, related to Abbott.
Biographical / Historical:
Museum director, scientist (ecology). Director of the New York State Museum from 1926-1943.
Provenance:
Donated by Charles Adams' daughter Harriet Dyer Adams, 1971 and 1998. The 3 photographs on reel 1817, formerly microfilmed with AAA's Photographs of Artists Collection II, were scanned in 2004 and returned to the papers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- New York (State)  Search this
Art patrons  Search this
Museum directors  Search this
Topic:
Folk art  Search this
Photography -- New York (State)  Search this
Function:
Museums -- New York (State)
Identifier:
AAA.adamchar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-adamchar

Suzanne Mullett Smith papers

Creator:
Smith, Suzanne Mullett  Search this
Names:
American Art Research Council  Search this
American University (Washington, D.C.). Fine Arts Dept. -- Faculty  Search this
Alan, Charles, 1908?-1975  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Jewell, Edward Alden, 1888-1947  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Phillips, Duncan, 1886-1966  Search this
Stieglitz, Alfred, 1864-1946  Search this
Extent:
3 Linear feet ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1923-1989
Scope and Contents:
Primarily research material compiled by Smith for her MA Thesis on Arthur Dove (1944, American University), and for the American Art Research Council, and papers relating to Smith's personal life and career as a painter.
REEL 1043: Photocopies of 19 letters and 2 telegrams from Dove and his wife Helen ("Reds") to Smith, 1943-1944 (originals donated in 1992); a card catalog of Dove's paintings; and a typescript of the 1976 revised edition of Smith's master's thesis, "Arthur G. Dove: A Study in Contemporary Art."
REELS 2425-2426: Provenance records for ca. 700 of Dove's paintings and sketches, compiled by Smith under the auspices of the American Art Research Council, containing information about title, ownership, medium, special markings on picture and frame, condition, date of work, and exhibition of work.
UNMICROFILMED: Personal papers relating to Smith's career and civic and social activities in the Washington, D.C. area, 1923-1988, including correspondence, letters to her husband, Gordon H. Smith, while he was an army musician stationed in California in 1944; class notes from her studies at American University; annotated sketchbooks; Smith's wedding album; printed material; and photographs of Smith, relatives and friends, including artist Peter Hurd.
Also included are materials on Dove, 1936-1989, including letters concerning Dove from Georgia O'Keeffe, Alfred Stieglitz, Edward Alden Jewell, Duncan Phillips,and Charles Alan; Smith's 1944 edition of her master's thesis; research notes on Dove, including transcribed Dove writings and correspondence; printed material; slides of Dove's work; and 4 microfilm reels of material collected during her research, portions contained in her papers.
Biographical / Historical:
Art historian, author, painter (1913-1989) of Washington, D.C.
Provenance:
Material on reels 2425-2426 donated 1972 by Nathaly Baum. Material on reel 1043 lent for microfilming 1976 by Smith, and except for the 1976 revised thesis, was subsequently donated along with the unmicrofilmed material 1992 by Daisy Mullet Smith, Smith's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians -- Washington (D.C.)  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Painting, American  Search this
Identifier:
AAA.smitsuza
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smitsuza

Whitney Museum of American Art artists' files and records

Creator:
Whitney Museum of American Art  Search this
Names:
Whitney Studio Club  Search this
Whitney Studio Galleries  Search this
Baziotes, William, 1912-1963  Search this
Bellows, George, 1882-1925  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bloom, Hyman, 1913-  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Burlin, Paul, 1886-1969  Search this
Cadmus, Paul, 1904-1999  Search this
Cassatt, Mary, 1844-1926  Search this
Curry, John Steuart, 1897-1946  Search this
Davis, Stuart, 1892-1964  Search this
De Creeft, José, 1884-1982  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Evergood, Philip, 1901-1973  Search this
Feininger, Lyonel, 1871-1956  Search this
Gatch, Lee, 1902-1968  Search this
Glackens, William J., 1870-1938  Search this
Gorky, Arshile, 1904-1948  Search this
Graves, Morris, 1910-  Search this
Gross, Chaim, 1904-1991  Search this
Grosz, George, 1893-1959  Search this
Harnett, William Michael, 1848-1892  Search this
Hartley, Marsden, 1877-1943  Search this
Henri, Robert, 1865-1929  Search this
Hofmann, Hans, 1880-1966  Search this
Hopper, Edward, 1882-1967  Search this
Inness, George, 1825-1894  Search this
Karfiol, Bernard, 1886-1952  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lachaise, Gaston, 1882-1935  Search this
Lawson, Ernest, 1873-1939  Search this
MacIver, Loren, 1909-1998  Search this
Marin, John, 1870-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Motherwell, Robert  Search this
Mount, William Sidney, 1807-1868  Search this
Nevelson, Louise, 1899-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Pollock, Jackson, 1912-1956  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Pène Du Bois, Guy , 1884-1958  Search this
Reder, Bernard, 1897-1963  Search this
Rimmer, William, 1816-1879  Search this
Rivers, Larry, 1925-2002  Search this
Rothko, Mark, 1903-1970  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sheeler, Charles, 1883-1965  Search this
Sloan, John, 1871-1951  Search this
Smith, David, 1906-1965  Search this
Stella, Joseph, 1877-1946  Search this
Tobey, Mark  Search this
Twachtman, John Henry, 1853-1902  Search this
Tworkov, Jack  Search this
Walkowitz, Abraham, 1880-1965  Search this
Weber, Max, 1881-1961  Search this
Wyant, A. H. (Alexander Helwig), 1836-1892  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Zorach, William, 1887-1966  Search this
Extent:
78 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1914-1966
Scope and Contents:
REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.
REELS N599-N604: Notebooks of Edwin W. Dickinson; photographs and provenance information for works by Philip Evergood; a catalog of information and some photographs of Chinese ink drawings and other works by Reginald Marsh; and photographs and information on Bernard Reder, Jack Tworkov, Max Weber (portions also microfilmed on reel NY59-8 (fr. 497-658), reel NY59-9 (fr. 1-51), and William Zorach.
REELS N604-N609: Exhibition catalogs, 1946-1966, for artists and groups shows at the Museum, including Robert Feke, William Rimmer, Ralph Blakelock, Albert Maurer, Albert Pinkham Ryder, Yasuo Kuniyoshi, Thomas Cole, Max Weber, Arshile Gorky, Mark Tobey, John Sloan, Loren MacIver, I. Rice Pereira, George Grosz, Reginald Marsh, Charles Burchfield, Morris Graves, Theodore Roszak, John Marin, Hans Hofmann, Bradley Tomlin, Stuart Davis, Milton Avery, Lee Gatch, Jose De Creeft, Maurice Prendergast, Edward Hopper, Hyman Bloom, Robert E. Jones, Balcomb Greene, Karl Zerbe, Arthur G. Dove, William Zorach, Philip Evergood, Bernard Reder, Herbert Feber, Oliver O'Connor Barrett,Arthur B. Davies, Jose De Rivera, Paul Burlin, Joseph Stella, Jack Tworkov, Ivan Albright, Stuart Davis, Edwin Dickinson, John Quidor, and Niles Spencer.
REELS N646-N694: Artists' files on: Oliver O'Connor Barrett,William Baziotes, George Bellows, Thomas Hart Benton, Peter Blume, James Brooks, Patrick Henry Bruce, Charles Burchfield, Paul Burlin, David Burliuk, Paul Cadmus, Mary Cassatt, Thomas Cole, Glenn Coleman, Jon Corbino, John Steuart Curry, Jo Davidson, Arthur B. Davies, Jose DeCreeft, Charles Demuth, Jose De Rivera, Arthur Dove, Guy Pène du Bois, Stuart Davis, Frank Duveneck, Ralph Earl, Eastman Johnson, The Eight, Philip Evergood, Robert Feke, Lyonel Feininger, Ernest Fiene, George Fuller, Lee Gatch, William Glackens, Arshile Gorky, Balcomb Greene, Chaim Gross, George Grosz, William Harnett, Marsden Hartley, Childe Hassam, John Heliker, Robert Henri, Hans Hofmann, George Inness, Leon Kelly, Franz Kline, Karl Knaths, Leon Kroll, Walt Kuhn, Yasuo Kuniyoshi, Gaston Lachaise, Robert Laurent, Ernest Lawson, Jack Levine, Seymour Lipton, George B. Luks,
Stanton Macdonald-Wright, Loren MacIver, John Marin, Reginald Marsh, Alfred Maurer, K. H. Miller, Robert Motherwell, William Mount, Jerome Myers, Louise Nevelson, Georgia O'Keeffe (portions also microfilmed on reels NY59-13 (fr. 98-115, 406-424, 586-685), reel NY59-14 (entire), and reel NY59-15 (fr. 1-140, 145-153), I. Rice Pereira, Bernard Perlin, Joseph Pollett, Jackson Pollock, Reginald Pollack, Henry V. Poor, Richard Pousette-Dart, Maurice Prendergast, Abraham Rattner, Bernard Reder, Ad Reinhardt, William Rimmer, Larry Rivers, Hugo Robus, Theodore Roszak, Mark Rothko, Concetta Scarvaglione, Henry Schnakenberg, Ben Shahn, John Sloan, David Smith, Eugene Speicher, Theodoros Stamos, Joseph Stella, Maurice Sterne, Mark Tobey, Bradley Tomlin,Trajan, Allen Tucker, John Twachtman, Jack Tworkov, Abraham Walkowitz (also on reel NY/59-15) , Max Weber, James M. Whistler, Gertrude Whitney, Grant Wood, Alexander Wyant, Mahonri Young, and William Zorach.
REELS NWH 1-NWH 7: Artist files on Charles Sheeler, Bernard Karfiol, Louis Eilshemius; scatterred records of the Whitney Studio Club and Museum, 1914-1945, including minutes, Oct. 15, 1930, and Whitney Studio ledgers, 1928-1931; catalogs of one-man shows, 1932-1945; catalogs of annual painting exhibitions, 1932-1940, sculpture, watercolor and drawing exhibitions, 1933-1945, and group exhibitions, 1932-1945; and clippings, Oct. 1935-1936.
REELS NY59/8 (fr. 256-end)-NY59/10: Files on Max Weber, including biographical material, lists of work, and miscellany. Also found (NY59/8 frames 354-383) are ca.20 letters from Weber to Abraham Walkowitz, 1907-1924.
Biographical / Historical:
Whitney Museum of American Art is an American art museum in New York, New York. Founded by Gertrude Vanderbilt Whitney and formally opened in 1931. Previous to its opening as a museum it was known as the Whitney Studio Club (1914-28) and Whitney Studio Galleries (1928-30).
Provenance:
The Weber files on reels NY59/8-10 were lent for microfilming 1959 by the Whitney Museum of American Art; the remainder was lent 1964-1967; additional material from the Museum was lent at the same time, and subsequently donated, including the papers of Lloyd Goodrich, Juliana Force, Thomas B. Clarke, the American Art Research Council, and Gertrude Vanderbilt Whitney; these have each been cataloged separately. Portions of Weber, and O'Keeffe material that was microfilmed in 1959 were refilmed in 1967.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, Modern -- 20th century -- United States  Search this
Artists -- Exhibitions -- New York (State) -- New York  Search this
Art, American  Search this
Function:
Art museums -- New York (State) -- New York
Identifier:
AAA.whitmuse
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whitmuse

Elizabeth McCausland papers

Topic:
Springfield Republican
Creator:
McCausland, Elizabeth, 1899-1965  Search this
Names:
American Art Research Council  Search this
Barnard College -- Faculty  Search this
Federal Art Project (U.S.)  Search this
United States. Farm Security Administration  Search this
Abbott, Berenice, 1898-1991  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Hartley, Marsden, 1877-1943  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Henri, Robert, 1865-1929  Search this
Henry, Edward Lamson, 1841-1919  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Inness, George, 1825-1894  Search this
Kleinholz, Frank, 1901-  Search this
Lawrence, Jacob, 1917-2000  Search this
Maurer, Alfred Henry, 1868-1932  Search this
Morgan, Barbara Brooks, 1900-1992  Search this
Stieglitz, Alfred, 1864-1946  Search this
Weegee, 1899-1968  Search this
Weston, Edward, 1886-1958  Search this
Extent:
45 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Prints
Drawings
Photographs
Watercolors
Place:
New York N.Y. -- Pictorial works -- Photographs
Date:
1838-1995
bulk 1920-1960
Summary:
The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.
Scope and Content Note:
The papers of art critic, writer, and historian Elizabeth McCausland measure approximately 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1995. The collection provides a vast accumulation of data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

McCausland's personal papers consist of appointment books and engagement calendars, scrapbooks, student papers, works printed on her private press, financial records, biographical material, and scattered memorabilia, which together document other aspects of her life apart from her work. Correspondence includes incoming and outgoing letters along with enclosures, dating from McCausland's time as a journalist for The Springfield Republican in the 1920s and 1930s to her time as a freelance writer, art critic, and historian (1940s-1960s) and mostly concerning professional matters. Also included is a substantial amount of correspondence with artists, particularly Arthur Dove and Alfred Stieglitz, and some personal correspondence with her mother. General writings consists primarily of copies of McCausland's speeches and lectures on various art topics in addition to her early poems (dating from the 1930s) and scattered essays and articles.

The most extensive part of the collection is comprised of McCausland's research and writing files pertaining to large research and curatorial projects, such as ones on the artists Alfred H. Maurer and Marsden Hartley (which was begun by the American Art Research Council and subsequently taken over by McCausland), and one for the American Processional exhibition at the Corcoran Gallery in 1950. A wide variety of smaller projects are also well-documented in the series Other Research and Writing Files, including ones on E. L. Henry, Lewis Hine, George Inness, her collaborative work with Berenice Abbott on the Changing New York book and series of photographs. Numerous other artists and art topics are covered as well, such as Arthur Dove, Robert Henri, Jacob Lawrence, Charles Hawthorne, film, and photography. Files for her book Careers in Art (1950), her many speaking and lecture engagements, and editing work are also found in this series. Files consist primarily of correspondence, notes, research material, manuscripts, bibliographies, photographs of works of art, completed research forms for works of art, card index files, and printed material.

Also found are subject files containing printed material, scattered notes and correspondence, and photographs, which may have been used for reference and/or collected in the course of McCausland's research activities; files relating to various exhibitions organized by McCausland from 1939 to 1944, including ones of silk screen prints and modern photography; files relating to courses on art history taught by McCausland, especially the one she taught at Barnard College in 1956; and files stemming from her participation in various art organizations and committees, especially during the time period just before and during the Second World War.

Printed material consists primarily of clippings and tear sheets of McCausland's newspaper articles and columns, which document her contributions to The Springfield Republican from 1923 to 1946, in addition to scattered exhibition catalogs, announcements, books, and miscellaneous publications. Photographs include ones of various artists and works of art, ones from the Farm Security Administration, and ones by photographers, such as Berenice Abbott (including ones from the Federal Art Project book, Changing New York), Barbara Morgan, Weegee, and Edward Weston, among others. Photographs, sometimes annotated or including notes, are scattered throughout her research files. Also included are photographs of McCausland, dating from her childhood. Art work found in the collection includes drawings, prints, and watercolors that were either given to McCausland by the artist or collected by her in the course of her work as an art critic and historian.

Additional material belonging to Elizabeth McCausland and donated by the estate of Berenice Abbott includes biographical material; business and personal correspondence; professional project files and writings, including drafts and research materials related to the book projects Art in America, Conversations with March, and Frank Kleinholz; and printed materials, including reprints of critical essays and articles by McCausland.
Arrangement:
The collection is arranged as 15 series:

Series 1: Personal Papers, 1838, 1920-1951 (Boxes 1-2, 34; 1.5 linear feet)

Series 2: Correspondence, 1923-1960 (Boxes 2-5; 2.9 linear feet)

Series 3: General Writings, circa 1930-1954 (Boxes 5-6; 0.9 linear feet)

Series 4: Alfred H. Maurer, 1851-1951, bulk 1948-1950 (Boxes 6-9; 3.7 linear feet)

Series 5: American Processional, 1949-1951 (Boxes 10-11; 1.8 linear feet)

Series 6: Marsden Hartley, 1900-1964, bulk 1944-1964 (Boxes 11-21, OV 37; 10 linear feet)

Series 7: Other Research and Writing Files, 1896, 1926-1958 (Boxes 21-25, 31; 4.6 linear feet)

Series 8: Subject Files, 1927-1954 (Boxes 25-26; 1.0 linear feet)

Series 9: Other Exhibition Files, 1939-1941, 1944 (Box 26; 0.1 linear feet)

Series 10: Teaching Files, 1939-1965 (Box 27; 0.5 linear feet)

Series 11: Committee Files, 1936-1960 (Box 27; 0.5 linear feet)

Series 12: Printed Material, 1923-1953 (Boxes 28-32, 34, OV 38, BV 44-47; 4.6 linear feet)

Series 13: Photographs, circa 1905-1950 (Boxes 32-36, OV 37; 1.4 linear feet)

Series 14: Art Work, 1887-1942 (Boxes 33-34, OV 39-43; 0.7 linear feet)

Series 15: Elizabeth McCausland Material from the Estate of Berenice Abbott, 1920-1995 (Boxes 48-53; 5.4 linear feet)
Biographical Note:
Elizabeth McCausland, the art critic and writer, was born in Wichita, Kansas in 1899. She attended Smith College, receiving her Bachelor's degree in 1920 and her Master's in 1922. Beginning in 1923, she worked as a general reporter for The Springfield Republican (Springfield, Massachusetts). After several years, she began to review art exhibitions and soon became an established art critic. In the course of her work, she began to develop friendships with artists, such as Alfred Stieglitz and Arthur Dove. During these early years, she also wrote poetry and designed and printed limited edition publications on her private press.

McCausland moved to New York in 1935, but continued to contribute a weekly art column to The Springfield Republican until it suspended publication in 1946. From the mid-1930s on, she worked primarily as a freelance writer and art critic, contributing articles to publications such as Parnassas, The New Republic, and Magazine of Art. In the latter part of her career, her writings focused more on art history and special studies on artists.

In the late-1930s, McCausland collaborated with the photographer Berenice Abbott on the Federal Art Project book, Changing New York, for which she provided the text to Abbott's now-famous photographs of New York City neighborhoods, architecture, and street scenes. She studied and wrote about photography, including numerous articles on the photographer Lewis Hine (of whose work she organized a retrospective exhibition at the Riverside Museum in 1939), and was appointed to the Advisory Committee of the Museum of Modern Art's Department of Photography in 1944.

McCausland went on to organize other exhibitions, including a show of contemporary work, "The World of Today" (Berkshire Museum, 1939), shows of silk screen prints (Springfield Museum of Fine Arts, March 1940 and New York State Museum, Summer 1940), and a photography show, "Photography Today" (A.C.A. Gallery, 1944). In the late 1930s, she embarked upon a study of "the status of the artist in America from colonial times to the present, with especial attention to the relation between art and patronage," which continued over twenty years (and was never completed) and for which she received a Guggenheim fellowship in 1943.

In addition to her other writing, during the 1940s, McCausland carried out studies on the artists, E. L. Henry and George Inness, which resulted in exhibitions at the New York State Museum in 1942 and the George Walter Vincent Smith Art Museum in 1946, respectively and publications (a report on Henry and a book on Inness). From 1948 to 1949, she carried out an extensive study of the painter, Alfred H. Maurer, organizing an exhibition, "A. H. Maurer: 1868-1932," which showed at the Walker Art Center and the Whitney Museum of American Art in 1949, and publishing the biography, A. H. Maurer, in 1951. In 1950, she worked as a special consultant on the American Processional exhibition at the Corcoran Gallery and as editor of the accompanying book. Shortly thereafter, she began a study of Marsden Hartley for a monograph, which was published in 1952, and she helped organize the Hartley exhibition at the University of Minnesota that same year. She continued the Hartley study on larger scale for a planned biography and catalogue raisonne; although she continued to work on it off and on for the next decade, the project was never completed.

McCausland published other books, including Careers in the Arts (1951), and undertook other research and consulting projects, such as photo-editing Carl Sandburg's Poems of the Midwest (1946), conducting surveys of art and advertising for an article in Magazine of Art and of art education for Cooper Union Art School, and contributing yearly articles on art to various encyclopedias. At different times throughout her career, she supplemented her income by taking teaching positions. She taught courses on art history at Sarah Lawrence College from 1942 to 1944 and at Barnard College in 1956, as well as courses at the Design Laboratory (1939) and the New School for Social Research (1946). She also gave numerous lectures and speeches on various art topics, and regularly participated in conferences and symposiums. Towards the end of her career, she was publishing less, but was still involved in many projects, most notably the Hartley study.

McCausland was a tireless promoter of the arts, and often an advocate for artists. Even though her work was well-known among certain art circles, she never received the recognition as a writer that she deserved. Nor was she ever able to free herself from the pressure of writing for a living. Continually suffering from poor health, she died on May 14, 1965.
Related Material:
Related material found in the Archives includes a sound recording from a symposium on Marsden Hartley, of which McCausland was a participant, held at the Portland Museum of Art in 1961. The Frank Kleinholz papers contain a recorded interview of McCausland done in 1944-1945 for radio station WNYC. Some of McCausland's correspondence is found in the G. Alan Chidsey papers; Chidsey served as a trustee of the Marsden Hartley estate.
Separated Material:
Material separated from the collection includes some issues of Camera Work (Vol. 30, 47, 49/50), which were combined with other issues in an artificial collection created by the Archives at some earlier point.
Provenance:
Elizabeth McCausland donated the bulk of her papers in several installments from 1956 to 1961. An unknown donor, perhaps her literary executor, donated additional papers sometime after her death in 1965. It appears that McCausland originally donated her research files on Marsden Hartley, measuring 10 linear feet, to the Whitney Museum, who then lent them to the Archives for microfilming in 1966, and donated them sometime thereafter. McCausland originally donated files of newspaper clippings and offprints of her articles to the The New York Public Library, who gave them to the Archives in 1968. Additional McCausland material from the estate of Berenice Abbott was donated to the Archives in 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Federal aid to the arts  Search this
Art criticism -- United States  Search this
Documentary photography -- United States  Search this
Authors -- New York (State) -- New York  Search this
Art -- Exhibitions -- United States  Search this
Art -- History -- Study and teaching  Search this
Art, Modern -- 20th century -- United States  Search this
Art -- Societies, etc. -- United States  Search this
Modernism (Art)  Search this
Art, American  Search this
Genre/Form:
Scrapbooks
Prints
Drawings
Photographs
Watercolors
Citation:
Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccaeliz
See more items in:
Elizabeth McCausland papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mccaeliz
Online Media:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Creator:
McCausland, Elizabeth, 1899-1965  Search this
Subject:
Hartley, Marsden  Search this
Abbott, Berenice  Search this
Hawthorne, Charles Webster  Search this
Henri, Robert  Search this
Henry, Edward Lamson  Search this
Dove, Arthur Garfield  Search this
Kleinholz, Frank  Search this
Morgan, Barbara Brooks  Search this
Stieglitz, Alfred  Search this
Weegee  Search this
Hine, Lewis Wickes  Search this
Inness, George  Search this
Lawrence, Jacob  Search this
Maurer, Alfred Henry  Search this
Weston, Edward  Search this
American Art Research Council  Search this
Federal Art Project (U.S.)  Search this
United States  Search this
Barnard College  Search this
Type:
Scrapbooks
Prints
Drawings
Photographs
Watercolors
Place:
New York N.Y. -- Pictorial works -- photographs
Topic:
Springfield Republican  Search this
Federal aid to the arts  Search this
Art criticism -- United States  Search this
Documentary photography -- United States  Search this
Authors -- New York (State) -- New York  Search this
Art -- Exhibitions -- United States  Search this
Art -- History -- Study and teaching  Search this
Art, Modern -- 20th century -- United States  Search this
Art -- Societies, etc. -- United States  Search this
Modernism (Art)  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)7839
(DSI-AAA_SIRISBib)210006
AAA_collcode_mccaeliz
Theme:
Diaries
Art Theory and Historiography
Photography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210006
Online Media:

Charles C. Adams papers, 1931-1948

Creator:
Adams, Charles C. (Charles Christopher), 1873-1955  Search this
Subject:
Blatas, Arbit  Search this
Audubon, John Woodhouse  Search this
Audubon, Victor Gifford  Search this
Castador, Albert Martinez  Search this
Sharp, Joseph Henry  Search this
Halliday, Thomas  Search this
Cahill, Holger  Search this
Keyha, Dorian  Search this
Duveen, Albert  Search this
Henry, Edward Lamson  Search this
Hine, Lewis Wickes  Search this
McCausland, Elizabeth  Search this
MacNeil, Hermon Atkins  Search this
Pearson, Ralph M.  Search this
Rockefeller, Abby Aldrich  Search this
Stone, Harry  Search this
American Art Research Council  Search this
New York State Museum  Search this
United States  Search this
Federal Art Project (N.Y.)  Search this
American Artists' Congress  Search this
Topic:
Folk art  Search this
Photography -- New York (State)  Search this
Record number:
(DSI-AAA_CollID)9515
(DSI-AAA_SIRISBib)211713
AAA_collcode_adamchar
Theme:
Art Theory and Historiography
Lives of American Artists
Government Sponsorship of the Arts
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211713

American Art Research Council

Collection Creator:
Weber, Max, 1881-1961  Search this
Container:
Box 1, Folder 50
Type:
Archival materials
Date:
1943
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Max Weber papers, 1902-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Max Weber papers
Max Weber papers / Series 2: Correspondence / 2.1: Max Weber Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-webemax-ref38

Unfinished Business (American Art Research Council)

Collection Creator:
McCausland, Elizabeth, 1899-1965  Search this
Container:
Box 19, Folder 18
Type:
Archival materials
Date:
1945-1950, 1958
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Elizabeth McCausland papers
Elizabeth McCausland papers / Series 6: Marsden Hartley / 6.5: Other Research Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccaeliz-ref2664

Marsden Hartley

Collection Creator:
McCausland, Elizabeth, 1899-1965  Search this
Extent:
10 Linear feet (Boxes 11-21, OV 37)
Type:
Archival materials
Date:
1900-1964
bulk 1944-1964
Scope and Contents note:
Series consists of extensive files relating to a major research project on the artist Marsden Hartley begun by the American Art Research Council around 1944 and turned over to McCausland by Hudson Walker in the early 1950s. The project involved a planned critical biography, envisaged as a companion volume to McCausland's biography of Maurer, and a projected catalogue raisonne of Hartley's paintings, neither of which was ever completed. Related projects included an introductory monograph on Hartley written by McCausland, focusing on the Hudson D. Walker collection of more than 150 Hartleys on long-term loan to the University of Minnesota, which was published in 1952; and a traveling exibition, organized by the Stedelijk Museum Amsterdam and American Federation of Arts, which took place from 1960 to 1962 and for which McCausland did the catalog.

Some material may have been created and collected by the American Art Research Council, particularly portions of the catalogue raisonne files and other research files. McCausland seems to have incorporated this material into her own files and/or used and reorganized it as necessary in conjunction with creating and collecting material in her own files.
Arrangement note:
The series is arranged as 6 subseries:

6.1: Critical Biography Files, 1911-1964, bulk 1953-1964

6.2: Catalogue Raisonne Files, circa 1946-1964

6.3: Card Files, circa 1944-1964

6.4: Correspondence and General Files, 1900-1964, bulk 1950-1964

6.5: Other Research Files, 1921-1962, bulk 1944-1962

6.6: Interviews, 1959-1960

6.7: Auction Catalogs, 1905-1963, bulk 1905-1929
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccaeliz, Series 6
See more items in:
Elizabeth McCausland papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccaeliz-ref346

Catalogue Raisonne Files

Collection Creator:
McCausland, Elizabeth, 1899-1965  Search this
Type:
Archival materials
Date:
circa 1944-1964
Scope and Contents note:
Subseries consists of extensive files relating to the planned published catalogue raisonne of Hartley paintings. Files were probably started circa 1944 by the American Art Research Council and were eventually taken over, used, and added to by McCausland up until the time before her death. Files consist of photographs of and research forms for individual Hartley paintings, as well as some scattered notes and printed material.
Arrangement note:
Files are arranged chronologically according to the year of execution of the artwork, and then according to subject type and/or technique of painting. The dates specified in the brackets represent the probable creation or collation date of the file.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccaeliz, Subseries 6.2
See more items in:
Elizabeth McCausland papers
Elizabeth McCausland papers / Series 6: Marsden Hartley
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccaeliz-ref395

Correspondence and General Files

Collection Creator:
McCausland, Elizabeth, 1899-1965  Search this
Type:
Archival materials
Date:
1900-1964
bulk 1950-1964
Scope and Contents note:
Subseries consists of correspondence and other files concerning more technical or business-related aspects of McCausland's research, including requests for information, business arrangements with University of Minnesota, permissions, etc. Correspondence also concerns research on Hartley's time in Garmisch-Partenkirchen and aspects of his life and work (including his relationship and correspondence with Rebecca S. James); the Hartley exhibition organized by the Stedelijk Museum Amsterdam and American Federation of Arts (1960-1962); the Life Magazine article on Hartley, as well as several articles by McCausland (including a reprint of a speech on Hartley published in Art in America and a piece entitled, "A Field Trip in Hartley Country," for which she sought a publisher); and McCausland's consulting on Hartley forgeries. Files also include original letters from Hartley to Richard Tweedy, 1900-1901 (which were given to the American Art Research Council at the Whitney Museum of American Art in 1945, and subsequently turned over to Elizabeth McCausland), Hudson Walker, 1937-1943, and Johann Langaard, 1939; typescripts of Hartley's letters to Mathilde Rice, Hudson Walker, and Ione Walker; and typescript excerpts of Hartley's letters to unidentified recipients.
Arrangement note:
Related correspondence can also be found amongst general correspondence. Files are arranged in alphabetical order.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccaeliz, Subseries 6.4
See more items in:
Elizabeth McCausland papers
Elizabeth McCausland papers / Series 6: Marsden Hartley
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccaeliz-ref605

Unfinished Business (American Art Research Council)

Collection Creator:
McCausland, Elizabeth, 1899-1965  Search this
Container:
Box 19, Folder 17
Type:
Archival materials
Date:
1945-1950, 1958
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Elizabeth McCausland papers
Elizabeth McCausland papers / Series 6: Marsden Hartley / 6.5: Other Research Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccaeliz-ref733

Subject Files

Collection Creator:
Mangravite, Peppino, 1896-  Search this
Extent:
(Box 2; 0.25 linear ft.; Reels 5880-5881)
Type:
Archival materials
Date:
1940-1960, undated
Scope and Contents note:
Subject files, arranged alphabetically, represent committees, organizations, and conferences in which Mangravite participated as a committee member or speaker. They contain printed matter, minutes, and notes. The file for the American Art Research Council contains painting registration forms completed by Mangravite. The file of printed matter concerning art courses in France and Italy probably was assembled for his daughter, Denise, who studied in Rome during the summer of 1955. Of particular interest is the file titled "Committee for the Study of the Practice of Art Courses, sponsored by College Art Association," which investigated how art was being taught and reported on its findings. Because the members of the committee - George Biddle, Jean Charlot, Bartlett H. Hayes, J. Ward Lockwood, Peppino Mangravite (chairman), Daniel Catton Rich, Boardman Robinson, Edward W. Root, and Franklin C. Watkins - were unable to gather as a body, the work of the committee, including preparation and editing of its final report, was conducted by correspondence.
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peppino Mangravite papers, 1918-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mangpepp, Series 2
See more items in:
Peppino Mangravite papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mangpepp-ref18

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