Whitney, Gertrude Vanderbilt, 1875-1942 Search this
Extent:
6.8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1891-1977
Summary:
The Morgan Russell papers, 1891-1977, present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence, biographical material, transcripts of lectures given by Russell, illustrated notebooks and sketches, printed material and photographs.
Scope and Content Note:
The Morgan Russell papers present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence with many prominent individuals who played a role in Russell's artistic development; biographical material primarily documenting his activities in Europe; transcripts of lectures given by Russell; illustrated notebooks and sketches documenting his interest in, and development of, color theory, music and Synchromism; printed material such as exhibition announcements, catalogs and clippings; and photographs of Russell, his wife, friends and artwork.
Arrangement:
The collection is arranged as 7 series according to record type and reflecting the lender's arrangement. With the exception of Series 1: Correspondence, all series are arranged chronologically.
Missing Title
Series 1: Correspondence, 1909-1964 (Reels 4524-4527)
Series 2: Biographical Material, 1925-1941 (Reel 4527)
Series 3: Business Records, 1911-1946 (Reel 4527)
Series 4: Writings, 1931-1953 (Reel 4527)
Series 5: Unbound Notes and Sketches, 1891-1977 (Reels 4528-4538)
Series 6: Printed Material, 1908-1963 (Reels 4539-4541)
Series 7: Photographs, 1908-1948 (Reel 4542)
Biographical Note:
Painter and sculptor Morgan Russell was born in New York City. He studied at the Art Students League and the New York School of Art with James Earle Fraser, Andrew Dasburg and Robert Henri from 1906 to 1907, before settling in Paris in 1909 where he remained for almost forty years. After meeting Stanton Macdonald-Wright in 1911, he became interested in Synchromism and studied with Canadian color theorist Ernest Tudor-Hart. In 1913 Russell produced the first abstract Synchromies and in 1917 developed a series of Synchromies entitled EIDOS. He visited California in the early 1930s, teaching at the Chouinard School of Art in Los Angeles from 1931-1932, in addition to lecturing at museums in Los Angeles and San Francisco. Russell left France permanently in 1946 and died in Pennsylvania in 1953.
Provenance:
The Morgan Russell papers were lent to the Archives of American Art for microfilming by the Montclair Art Museum in 1991. The material was returned to the lender in 1992.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Ca. 800 index cards containing information on works of art by George Bellows, preparatory to Moure's planned catalog raissone; a 28 p. transcript of an interview with watercolor painter Lee Blair, April 13, 1991; a 12 p. transcript of an interview with printmaker Richard Horton Campbell, Nov. 20, 1991, used as background for Moure's "Essay on Richard Campbell" in the catalog for his show at Baylor Studios, Pacific Palisades, California; material relating to Moure's work on primitive painter and gallery owner Al Kramer, including 14 photographs of his paintings; a list of paintings; notes; an article by Moure, "The California Primitives of Albert Kramer," published in the L.A. Art Show catalog; 6 photographs of Zama Vanessa Helder and one of Mabel Alvarez, artists and friends of Kramer who he handled at his gallery, La Cienega; 17 color photos of paintings by Helder, and 79 by Alvarez; and a list of Alvarez paintings in Kramer's collection, March 1990, compiled by Moure.
Biographical / Historical:
Art historian, art consultant, writer; Los Angeles, Calif. Former assistant curator of American art for the L.A. County Museum of Art.
Provenance:
Donated 1979-1992 by Nancy Moure. Moure received the photos of Alvarez and Helder from Al Kramer.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
The Mabel Alvarez papers measure 2.3 linear feet and date from 1898 to 1987. The papers include scattered biographical information, scattered letters, unpublished prose, printed materials, sketchbooks, expense books, notebooks, diaries and journals, address books, photographs, and scrapbooks documenting the life and career of Los Angeles painter Mabel Alvarez.
Scope and Content Note:
The papers of Mabel Alvarez (1898-1985) measure 2.3 linear feet and date from 1898-1987. The collection documents both her painting career as well as her personal life through correspondence, original writings, sketches, printed material, diaries and journals, financial records, and scrapbooks.
Arrangement:
The collection is arranged into eleven series based primarily on document type and chronological order.
Series 11: Scrapbooks, 1898-1984 (Box 3; 2 scrapbooks; reel 5675)
Biographical Note:
Mabel Alvarez (1891-1985) established her career as a portrait painter in California. Born in Hawaii, she moved to Los Angeles as a child and later studied with Stanton Macdonald Wright. Her early work was characterized by interests in Symbolism and Art Nouveau as well as the influences of Impressionism. Alvarez also studied with William Cahill at the School for Illustration and Painting which Cahill founded with John Hubbard Rich in 1914.
As a young woman, Alvarez was influenced by the philosophical writings of Will Levington Comfort, who espoused the principles of Theosophy and Eastern mysticism. She attended lectures and meditation sessions at Comfort's Highland Park home, experiences which fostered artistic experimentation and departure. Alvarez became part of the "Group of Eight" in 1922, a forward thinking artists collective which veered away from the predictable standards of the California Art Club. The members of the group were Henri de Kruif, Luvena and Edouard Vysekal, Donna Schuster, Roscoe Shrader, Clarence Hinkle and her former teacher, John Hubbard Rich.
Her work took a decisive turn when she met the painter Morgan Russel in 1927. At this time her paintings became more figurative rather than decorative or ambiguous, with delicate choices of color, a skill she mastered by the end of her career. Mabel Alvarez continued to paint through her sixties and seventies, and to exhibit regularly, including with the Women Painters West organization. She is noted for her important role in the emergence of Southern California Modernism and is remembered for her contribution to California Impressionism as well as to figure, still life and portrait painting.
Mabel Alvarez died on March 13, 1985 at the age of 93.
Provenance:
The Mabel Alvarez papers were donated to the Archives of American Art in 1988 by Glenn Basset, art dealer and friend of Mabel Alvarez.
Restrictions:
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Portrait painters -- California -- Los Angeles Search this
Biographical material includes passports, a copy of a birth certificate, handwritten genealogy of the Alvarez family, list of art awards received between 1943 and 1969, and a high school report card from Berkeley High School dated 1907.
Collection Restrictions:
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
Found are personal letters, including one from Mabel's father, Luis F. Alvarez, as well as letters from art institutions regarding art exhibitions. Institutions include the University of California, Los Angeles, the Los Angeles Museum, Honolulu Academy of Arts, the Otis Art Institute, and the San Joaquin Pioneer Museum.
Collection Restrictions:
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
Found are original and unpublished writings by Alvarez such as poetry and short stories.
Collection Restrictions:
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
Found are exhibition catalogs of Alvarez's solo or group exhibitions including a catalog for the exhibition, Painting and Sculpture from 16 American Cities from the 1933 exhibition at the Museum of Modern Art in New York. Publications such as The American Magazine of Art, Art in America, Art Forum, and Art News are also found. Newspaper clippings feature articles on the professional lives of Alvarez's brother and nephew and also critical reviews of Alvarez's exhibitions.
Collection Restrictions:
The collection is open for research. Use of microfilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
