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Allegorial Frontispiece

Designer:
René-Michel Slodtz, French, 1705–1764  Search this
Print Maker:
Jean Jacques Flipart, Franch, 1719–1782  Search this
Publisher:
François Blondel, French, 1681–1756  Search this
Marguerite Caillou Chéreau, French, active 1729–1755  Search this
Medium:
Engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Made in:
France
Date:
1751
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-207-23
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4778485d5-c671-4732-9511-c517f0adebfb
EDAN-URL:
edanmdm:chndm_1921-6-207-23

Char de l'Hymen.

Print Maker:
Noël Le Mire, French, 1724–1800  Search this
Publisher:
François Blondel, French, 1681–1756  Search this
Marguerite Caillou Chéreau, French, active 1729–1755  Search this
Medium:
Engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Made in:
France
Date:
1751
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-207-25
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4813f7a5a-0f9d-48ea-96a3-c3e02b7991e9
EDAN-URL:
edanmdm:chndm_1921-6-207-25
Online Media:

LES JARDINS DE BACHUS

Designer:
Antoine Watteau, (French, 1684–1721)  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Marguerite Caillou Chéreau, French, active 1729–1755  Search this
Gabriel Huquier, French, 1695–1772  Search this
Director of Production:
Jean de Jullienne, French, 1686–1766  Search this
Medium:
Etching on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Date:
1723-1735
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-224-68
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4137bd31d-5555-4411-bdf3-af9f261ea2b9
EDAN-URL:
edanmdm:chndm_1921-6-224-68

Altar Screen Finial

Originator:
Our Lady of Guadalupe Church  Search this
User:
Our Lady of Guadalupe Church  Search this
Physical Description:
wood, cedar (overall material)
gesso (overall material)
paint, tempera (overall material)
roman catholicism (overall single or multi-hued)
spanish colonial (overall style)
carved and polychromed (overall production method/technique)
Measurements:
average spatial: 17 in x 7 in x 3 in; 43.18 cm x 17.78 cm x 7.62 cm
Object Name:
Finial, Altar Screen
Date made:
1775-1799
Associated dates:
1966 10 27 / 1966 10 27
1881 01 06 / 1881 01 06, 1965 00 00 / 1965 00 00
Subject:
Christianity  Search this
Roman Catholicism  Search this
Missions  Search this
Saints  Search this
ID Number:
CL.041914
Accession number:
9899
Catalog number:
41914
See more items in:
Home and Community Life: Religion
Cultures & Communities
Religion
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a9-dade-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1145197

Dale-Patterson Family collection

Creator:
Dale, Dianne  Search this
Polk, P. H., 1898-1985  Search this
Names:
Barry, Marion, 1936-2014  Search this
Dale, Almore M., 1911-1984  Search this
Dale, Dianne  Search this
Dale, John Henry, Jr., 1888-1973  Search this
Dale, Lucille Emma Patterson, 1889-1973  Search this
Dale, Marie Howard, 1914-2011  Search this
Dale, Norman Edward, 1908-1991  Search this
Garner, Araminta Dale, 1913-1987  Search this
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Patterson, Wilhelmina Bessie, 1888-1962  Search this
Extent:
6 Linear feet (9 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Place:
Anacostia (Washington, D.C.)
Date:
1866 - 1990.
Summary:
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
Scope and Contents note:
The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.
Arrangement note:
The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files
Biographical/Historical note:
The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.
General Note:
Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883
Provenance:
The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African Americans  Search this
African American families  Search this
Genre/Form:
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Citation:
Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.
Identifier:
ACMA.06-074
See more items in:
Dale-Patterson Family collection
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885
EDAN-URL:
ead_collection:sova-acma-06-074
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Dale-Patterson Family collection digital asset number 1
Online Media:

Woman in Costume Kneeling at Altar of Mary, Inside Santa Cruz Church

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (003 in x 004 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 4
Culture:
Mexicans of the Southwest  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01600113

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
New Mexico ?
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 4
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3be7386c3-ff24-4330-8abc-95cf79eb2abf
EDAN-URL:
ead_component:sova-naa-ms4605-ref653

Interior of Adobe Church Showing Altar, Religious Statues, Stations of the Cross, and Communion Rail; San Miguel Church

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (003 in x 004 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 4
Culture:
Spanish-American  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01600110

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
New Mexico -- Santa Fe
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 4
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d91a0550-e295-4795-8606-3610a9561197
EDAN-URL:
ead_component:sova-naa-ms4605-ref650

Tibetan Thangka Painting

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2020-04-15T00:18:50.000Z
YouTube Category:
People & Blogs  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_TnSqLartj0I

Did These Ancient Maltese Temples House Sacrificial Altars?

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2018-08-31T15:30:00.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_N51nca0jkbs

An Unwanted Rattlesnake Disrupts a Texas Chapel Service

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2020-05-09T15:30:05.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_kR_7OdeJPaY

Tibetan Buddhist Shrine Room

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2020-05-28T15:31:29.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_TJiR_HJTeDY

Day of the Dead: Dance of the Deer 2

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2014-11-07T17:00:18.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_he_hTwJrMu8

Music Tape #1

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
1 Sound cassette
Type:
Archival materials
Sound cassettes
Date:
1977-1978
Scope and Contents:
Taped by James C. Jones—San Ignacio de Moxos, 1977-1978 Notes provided by James C. Jones.

Side A

2. "Himno National," as played on the violin by Abelino Masapaija, Ignaciano Indian and founder of Pueblo Nuevo. Don Abelino is maestro de capilla (second only to Isidoro Teco; both learned music in the Escuela Indigenal of Padre Marchena), and as such, is well versed in related functions—such as prayer (rezador)—of the local Catholic liturgy (of Jesuit origin). November 20, 1977.

3. "Himno al Beni," as played by Abelino Masapaija on the violin. November 20, 1977.

4. Musicos of church in San Ignacio as they perform at a Christmas novenary Mass. Nine are performing tonight. The instruments: panpipes, pajarillo, drums, violins, and flute. The pajarillo is a Christmas-season instrument and is taken out only at that time. December 19, 1977.

5. Abelino Masapaija, maestro de capilla, relates how difficult it is for the Musicos to make the transition from Latin to Spanish, which Father Alfonso Elorriaga is pushing. Their canticles have by tradition been sung in Latin, and some of the Indians have even been trained to take part in responsive liturgy in Latin. November 20, 1977.

6. Macheteros perform on Christmas Day in the Belen. The composition is entitled "Taquirari Ignaciano" (the only name I'm given) and the flautist is Cirilo Yaca. December 25, 1977.

7. The bells toll, the drums roll. Such is the call to Mass in San Ignacio. Dia de la Degollacion de los Inocentes. December 28, 1977.

8. Musicians play a taquirari as Herod's soldiers dance in the Belen prior to beheading the male children. The musical instruments: 2 bajones (panpipes), 2 flutes, 2 violins, and 2 drums. December 28, 1977.

9. The Jerure perform in front of a Nino in the home of Marcelino Coseruna. The Jerure is an instrumental group of taitas. The day is January 1, 1978, or Dia de San Manuel. Members of the Jerure shout "San Manuel" at the close of the number

10. Abelino Masapaija, Chaco War veteran and founder of Pueblo Nuevo in the early 1950s, tells how he responded to efforts of the Carai (whites are called Caraiyana) Juan Ahez to block the creation of Pueblo Nuevo. Ahez was sending a Trinitario mozo to the new village site to pull up horcones which had been set for the capilla. When Abelino, leader of the founding party (which settled at Pueblo Nuevo after searching for the Loma Santa for six months), stopped the Trinitario mozo and defied Ahez, the latter had him called to San Ignacio by the authorities. This happened several times, until Abelino threatened to use force. Ahez said that the wood for the horcones belonged to him, but in reality, according to Abelino, Ahez wanted the Indians for his mozos; he did not want them to be free. November 5, 1977.

11. Sounds of the tropical night: sapos (ranas mainly) sing after a night and day of heavy rain. January 16, 1978 (behind the house of Ignacito Rivero).

12. Cantos en Idioma (Ignaciano), on a Friday afternoon of the Lenten season. Four or five male Cantores lead the cantos, with the Abadesas singing only what seems to be a chorus. Only the Cantores and Abadesas are present; all are seated toward the front of the church near the altar. February 24, 1978.

Side B

2. A speech made in the Belen by Horacio Semani, Corregidor Indigenal, Abelino Masapaija, Maestro de Capilia; and Salvador Chapi. The occasion is Chapi's retirement after 30 years as a teacher All these men are Indian, though Chapi has not taken part in the Indian culture since he returned from the Chaco War; it is significant that Chapi speaks in Spanish rather than in Ignaciano. March 5, 1978. In the Belen. [Chapi, though born among the Indians and educated in Father Marchena's Escuela Indigenal, takes a superior attitude toward them, an attitude which they much resent. They refer to him pejoratively as Carai, or "white." He seems to be more proud of having escaped his Indian past than of the past itself. There is much tension between him and the other Indians, and I was surprised that this event occurred; I do not know who arranged it—but probably Chapi did ]

3. A song "ofalegrla" in Ignaciano, sung by Manuel Inchu. He tells me the song can be sung on any festive occasion, though I recorded this at a velorio. March 20, 1978.

4. This song is sung mainly by the parents of a bride and groom during a marriage feast, after everybody has had lots of chicha Horacio Semani sings. March 20, 1978.

5. This song, music and lyrics, was composed by Manuel Inchu to commemorate the departure of Ignacianos from San Ignacio in 1959, led by a Guarayu, in search of the Loma Santa. He says the song expresses the tragedy of the event, the great suffering experienced by the "parientes" on this occasion He calls the song La Loma Santa. March 20, 1978.

6. Several songs are here sung by Benedicta Guayacuma de Caiti (wife of Jose Caiti).

7. Chaco War veteran Horacio Semani (ne 1910) talks generally about the Chaco War and contrasts the perseverance and strength of the youth of his time with those of today. He talks about how malnourished the youth of today are, of how they no longer consume dairy products. March 8, 1978.

8. Chaco War veteran Horacio Semani compares Kollas with Cambas (the Kolla Indian with the Camba Indian), noting how dense (or torpid) the Kollas are as compared to the Cambas, even though both are Indios. March 10, 1978.

9. Horacio Semani contrasts the current economic conditions of Ignacianos with those he knew as a child March 14, 1978.

10. Juan Bautista Savala contrasts life before the arrival of the Caraiyana with the misery of today. March 25, 1978.

11. Juan Bautista Savala talks of consequences of Reforma Agraria (though he does not call it that) for Ignacianos. March 25, 1978.

12. Horacio Semani, Corregidor Indigenal, tells of how youth of today no longer want to dance in the fiestas; of how they no longer speak Ignaciano; of how costumbres are being lost; and of how population increase and the commercialization of skins and pelts have affected Ignacianos—everybody now is a cazador. Tremendous changes since his youth. March 15, 1978.

13. Selections from velorio of Virgen de Carmen (July 16, velorio held on night of July 15th) held in home of Felipe Apace. First on the tape are the Ovejitos (a song-and-dance group), then the "salves" are sung by don Felipe and a rezador (a compadre of Felipe Apace). The rezador has a sheet on which are written the words of the salves. Toward the last, the Toritos (another song-and-dance group) arrive and are heard; Daniel Yuco (my good friend) plays the flute. July 15, 1978.

14. Jerure play in the Belen on evening of July 29 (antevispera of the Fiesta de San Ignacio) just before doing a turn of the plaza to announce the fiesta season. July 29, 1978.

15. A sample of dance number played by flautist and drummers from Macheteros in home of First Cacique of Macheteros during a private fiesta The Macheteros are performing before the home altar August 3, 1978.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
See more items in:
James C. Jones collection from Bolivia
James C. Jones collection from Bolivia / Series 2: Recordings of Bolivian Music
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv44646ad1d-9d65-4639-808c-e6cc9f22d24c
EDAN-URL:
ead_component:sova-nmai-ac-110-ref3

Music Tape #2

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
1 Sound cassette
Type:
Archival materials
Sound cassettes
Date:
1978-1979
Scope and Contents:
Taped by James C. Jones—San Ignacio de Moxos, 1978-1979 Notes provided by James C. Jones.

Side A

2. Macheteros play in house of Ignacito Rivero on August 6, 1978 (Independence Day in Bolivia). Instruments: 1 side flute (Cirilo Yaca playing); 2 drums; and ankle rattles (made of nuts) on each of the dancers. Cirilo tells me that the tune they here play is Taquirari de los Macheteros, that it has no other name. San Ignacio de Moxos.

3. Same as #1 (August 6, 1978).

4. Jerure does a turn of the plaza in San Ignacio at 10:00 of the evening, announcing the Fiesta del Nino. December 23 1978 [see field-note card 53(43) for details]

5. Toque al Nino, as Abelino Masapaija describes this number (the title seems to be Picaflor) December 24, 1978. In choir loft of church in San Ignacio de Moxos. 5—Toque al Niho. December 24, 1978 (Noche Buena). Choir plays in church in San Ignacio de Moxos.

6. Toque al Niho (?), alternating with rezos. Choir in church in San Ignacio. December 24, 1978.

7. Second repique for Mass on morning of Reyes, January 6, 1979. Instruments: 3 campanas, 3 cajeros (drummers), 4 Macheteros (1 flautero, 3 drummers, with each drum a different size). San Ignacio de Moxos.

8. Procesion de los Curas, at noon on Reyes (January 6, 1979). In the procession: Cirilo Yaca plays the flute; two Macheteros with their ankle rattles (very audible); Cajeros of the church, and Musicos of Coro. San Ignacio de Moxos.

9. Section of the Coro plays a tune in the Belen (where the Indian Cabildo meets, part of the church complex) for bailadores of entourages of the Three Kings January 6, 1979. Bailadores perform before the altar in the Belen. Instruments of the several musicians: 1 side flute (which carries the melody), 2 bajones largos, 1 violin, and 2 drums (a large one and a small one)
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
See more items in:
James C. Jones collection from Bolivia
James C. Jones collection from Bolivia / Series 2: Recordings of Bolivian Music
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv440b4bf27-ba01-4387-b01a-727029e33ae4
EDAN-URL:
ead_component:sova-nmai-ac-110-ref4

Stone Circular Sacrificial Altar with Carvings, Outside Masonry Building; Group in Costume Nearby

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (003 in x 003 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 14
Culture:
Mexicans  Search this
Aztec (archaeological culture)  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01600610

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
Mexico -- Distrito Federal -- Mexico City
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 14
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3f9fa47b5-7d79-45b4-b73e-bc10aac8e2c7
EDAN-URL:
ead_component:sova-naa-ms4605-ref738

Outdoor Eshu altar

Creator:
Houlberg, Marilyn  Search this
Collection Photographer:
Houlberg, Marilyn  Search this
Extent:
1 Slides (photographs) (Color, 35 mm.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides (photographs)
Date:
1989-04-29
Scope and Contents:
Original text on slide reads, "Outdoor Eshu altar in Oyotunji Village during festival"
General:
Slide No. R1-21
Restrictions:
Access by appointment only. To make a research appointment, contact Archives staff at elisofonarchives@si.edu.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. For terms of use, contact Archives staff at elisofonarchives@si.edu.
Topic:
Shrines  Search this
Collection Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2005-002, Item EEPA 2015-015-1856
See more items in:
Marilyn Houlberg Nigeria collection
Marilyn Houlberg Nigeria collection / Oyotunji Village, Sheldon, South Carolina
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7a2902ef8-d319-422e-804f-3693a9d9b7da
EDAN-URL:
ead_component:sova-eepa-2005-002-ref3507

Outdoor Eshu altar, Chicago, Illinois, United States of America

Creator:
Houlberg, Marilyn  Search this
Collection Photographer:
Houlberg, Marilyn  Search this
Extent:
1 Slides (photographs) (Color, 35 mm.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides (photographs)
Date:
1989-04-29
Scope and Contents:
Original text on slide reads, "Outdoor Eshu altar in Oyotunji Village during festival"
General:
Slide No. R1-22
Restrictions:
Access by appointment only. To make a research appointment, contact Archives staff at elisofonarchives@si.edu.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. For terms of use, contact Archives staff at elisofonarchives@si.edu.
Topic:
Shrines  Search this
Collection Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2005-002, Item EEPA 2015-015-1857
See more items in:
Marilyn Houlberg Nigeria collection
Marilyn Houlberg Nigeria collection / Oyotunji Village, Sheldon, South Carolina
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo758ca5058-8e17-4df5-b554-f462872680c3
EDAN-URL:
ead_component:sova-eepa-2005-002-ref3508

Outdoor Eshu altar, Chicago, Illinois, United States of America

Creator:
Houlberg, Marilyn  Search this
Collection Photographer:
Houlberg, Marilyn  Search this
Extent:
1 Slides (photographs) (Color, 35 mm.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides (photographs)
Date:
1989-04-29
Scope and Contents:
Original text on slide reads, "Outdoor Eshu altar in Oyotunji Village during festival"
General:
Slide No. R1-23
Restrictions:
Access by appointment only. To make a research appointment, contact Archives staff at elisofonarchives@si.edu.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. For terms of use, contact Archives staff at elisofonarchives@si.edu.
Topic:
Shrines  Search this
Collection Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2005-002, Item EEPA 2015-015-1858
See more items in:
Marilyn Houlberg Nigeria collection
Marilyn Houlberg Nigeria collection / Oyotunji Village, Sheldon, South Carolina
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo741cf6441-ee9f-4679-858b-b88f8a5b8d9c
EDAN-URL:
ead_component:sova-eepa-2005-002-ref3509

Mami Wata Table Detail, Sheldon, South Carolina, United States of America

Creator:
Houlberg, Marilyn  Search this
Collection Photographer:
Houlberg, Marilyn  Search this
Extent:
1 Slides (photographs) (Color, 35 mm.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides (photographs)
Date:
2005-06-11
Scope and Contents:
Original text on slide reads, "Mami Wata Table Detail. DM Stapleton"
Restrictions:
Access by appointment only. To make a research appointment, contact Archives staff at elisofonarchives@si.edu.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. For terms of use, contact Archives staff at elisofonarchives@si.edu.
Topic:
Altars  Search this
Collection Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2005-002, Item EEPA 2015-015-1927
See more items in:
Marilyn Houlberg Nigeria collection
Marilyn Houlberg Nigeria collection / Iroko trees and shrines, Oke-Ode
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo777127e64-f658-4a0e-941d-c216850f8766
EDAN-URL:
ead_component:sova-eepa-2005-002-ref3583

Small tree next to cement building, Ikenne, Nigeria

Creator:
Houlberg, Marilyn  Search this
Collection Photographer:
Houlberg, Marilyn  Search this
Extent:
1 Slides (photographs) (Color, 35 mm.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides (photographs)
Date:
1988-07
Scope and Contents:
Original text on slide reads, "Small tree with asen altar next to cement building"
General:
Slide No. R4-16
Restrictions:
Access by appointment only. To make a research appointment, contact Archives staff at elisofonarchives@si.edu.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. For terms of use, contact Archives staff at elisofonarchives@si.edu.
Topic:
Trees  Search this
Collection Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2005-002, Item EEPA 2015-015-1574
See more items in:
Marilyn Houlberg Nigeria collection
Marilyn Houlberg Nigeria collection / Egbe Society, drum-making, and home of Ife-Olu Solaru in Ilishan / Ife-Olu Solaru and daughter being initiated
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo767341357-f7fe-4072-a860-759e095c70cc
EDAN-URL:
ead_component:sova-eepa-2005-002-ref3214

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