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Childe Hassam, "Union Jack" - Allentown Art Museum, Allentown, Pennsylvania, 3/1975

Container:
Box 1 of 2
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 03-145, Hirshhorn Museum and Sculpture Garden, Office of the Registrar, Loan Records
See more items in:
Loan Records
Loan Records / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa03-145-refidd1e269

Allentown Art Museum

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 45, Folder 13
Type:
Archival materials
Date:
1960
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9106e1ae8-59d4-4837-a200-0f1bbd0caacf
EDAN-URL:
ead_component:sova-aaa-kraugall-ref3306

Allentown Art Museum and Phillip Hack

Collection Creator:
Getz, Ilse, 1917-  Search this
Container:
Box 1, Folder 16
Type:
Archival materials
Date:
circa 1974-1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Ilse Getz Papers, 1928-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Ilse Getz papers
Ilse Getz papers / Series 2: Letters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95eae3242-3206-4570-b290-1a9e336777a3
EDAN-URL:
ead_component:sova-aaa-getzilse-ref17

Paintings and Constructions Williams College Museum of Art, Williamstown, Massachusetts, and Allentown Art Museum, Allentown, Pennsylvania

Collection Creator:
Getz, Ilse, 1917-  Search this
Container:
Box 1, Folder 36
Type:
Archival materials
Date:
circa 1973
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Ilse Getz Papers, 1928-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Ilse Getz papers
Ilse Getz papers / Series 3: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw960247a40-b9cb-4db8-8f53-d257f868215a
EDAN-URL:
ead_component:sova-aaa-getzilse-ref35

Paintings and Constructions Williams College Museum of Art, Williamstown, Massachusetts, and Allentown Art Museum, Allentown, Pennsylvania from box 1, folder 36

Collection Creator:
Getz, Ilse, 1917-  Search this
Container:
Box 4, Folder 2
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Ilse Getz Papers, 1928-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Ilse Getz papers
Ilse Getz papers / Series 3: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91a5c18d1-e822-4ec4-a553-547c7ce64253
EDAN-URL:
ead_component:sova-aaa-getzilse-ref87

Allentown Art Museum

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 1, Folder 16
Type:
Archival materials
Date:
1963
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f5e1113a-b072-44a5-aeaa-514ebb325160
EDAN-URL:
ead_component:sova-aaa-andremmg-ref30

Beyond nobility, art for the private citizen in the early Renaissance : Allentown Art Museum, September 28, 1980, through January 4, 1981 / Ellen Callmann

Author:
Callmann, Ellen  Search this
Allentown Art Museum  Search this
Physical description:
xxii, 126 p., [2] leaves of plates : ill. (some col.) ; 28 cm
Type:
Exhibitions
Place:
Italy
Date:
1980
C1980
Topic:
Art, Italian  Search this
Art, Early Renaissance  Search this
Art patronage  Search this
Art--Private collections  Search this
Call number:
N6915 .C28X
N6915.C28X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_138834

Rapt at Rappaport's

Artist:
Stuart Davis, American, b. Philadelphia, Pennsylvania, 1892–1964  Search this
Medium:
Oil on canvas
Dimensions:
52 x 40 in. (132.8 x 101.4 cm)
Type:
Painting
Date:
1952
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1165
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Abstraction (Mid-Century)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2250a1435-9d26-4445-a63f-af94692812da
EDAN-URL:
edanmdm:hmsg_66.1165

Study for Portrait V

Artist:
Francis Bacon, British, b. Dublin, Ireland, 1909–1992  Search this
Medium:
Oil on canvas
Dimensions:
60 1/8 × 46 1/8 in. (152.7 × 117.1 cm)
Type:
Painting
Date:
(1953)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.183
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
School of London
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2d11141bb-0379-42d9-95ff-02e8bc80289b
EDAN-URL:
edanmdm:hmsg_66.183

Study for "Portrait of Van Gogh" V

Artist:
Francis Bacon, British, b. Dublin, Ireland, 1909–1992  Search this
Medium:
Oil and sand on canvas
Dimensions:
78 1/8 × 54 1/8 in. (198.7 × 137.5 cm)
Type:
Painting
Date:
(1957)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.187
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
School of London
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2a19d4ea5-a698-41f8-844b-99e187c82c3c
EDAN-URL:
edanmdm:hmsg_66.187

Portrait of Mrs. Karpeles (Frau K.)

Artist:
Oskar Kokoschka, British, b. Pochlarn, Austria, 1886–1980  Search this
Medium:
Oil on canvas
Dimensions:
39 1/4 × 29 1/4 in. (99.7 × 74.3 cm)
Type:
Painting
Date:
(1912)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.2775
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py26e9845af-6318-4e98-aa2a-c4cb8e118b0e
EDAN-URL:
edanmdm:hmsg_66.2775

Allentown Art Museum

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 1, Folder 13
Type:
Archival materials
Date:
1961-1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Louis Pomerantz papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9269eaf65-9eed-4a64-9ed9-89ebb1ea8aa7
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref22

Allentown Art Museum

Collection Creator:
Barnet, Will, 1911-2012  Search this
Container:
Box 3, Folder 3
Type:
Archival materials
Date:
1973-1990
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Will Barnet papers
Will Barnet papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fda13103-c124-47fc-b707-4bde4f84ba59
EDAN-URL:
ead_component:sova-aaa-barnwill-ref75

Chester Dale papers

Creator:
Dale, Chester, b. 1883  Search this
Names:
Allentown Art Museum  Search this
Amherst College  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Parrish Art Museum  Search this
Batigne, Claire  Search this
Batigne, Renee  Search this
Braque, Georges, 1882-1963  Search this
Burkhardt, Rudy  Search this
Cantor, Irving  Search this
Cassatt, Mary, 1844-1926  Search this
Cooper, Maria  Search this
Cooper, Veronica  Search this
Cézanne, Paul, 1839-1906  Search this
Dale, Mary Towar Bullard, 1892-1984  Search this
Dale, Maud, 1875-1953  Search this
Dallas Museum of Art  Search this
Dalí, Gala  Search this
Dalí, Salvador, 1904-1989  Search this
Dmitri, Ivan, 1900-1968  Search this
Dufy, Raoul, 1877-1953  Search this
Elizabeth, Queen of Great Britain, II, 1926-  Search this
Frost, Robert, 1874-1963  Search this
Hamilton, Edith, 1867-1963  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Kahlo, Frida  Search this
Kessel, Dmitri  Search this
MacNeil, Neil  Search this
Mayes, Herbert R., 1900-1987 (Herbert Raymond)  Search this
Mellon, Paul  Search this
Mellon, Timothy  Search this
Orozco, José Clemente, 1883-1949  Search this
Picasso, Pablo, 1881-1973  Search this
Rivera, Diego, 1886-1957  Search this
Salles, Georges  Search this
Wyeth, Andrew, 1917-2009  Search this
Wyeth, Jamie, 1946-  Search this
Wyeth, Nicholas  Search this
Extent:
8.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Sound recordings
Travel diaries
Place:
Europe -- description and travel
Date:
circa 1883-2003
bulk 1920-1970
Summary:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.
Scope and Contents:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

Biographical material comprises brief genealogical and biographical notes on Dale's father's side of the family; four pieces of miscellaneous artwork; several certificates, membership cards, and programs; circa six unidentified dictaphone recordings; and a home movie of an unidentified social event.

Correspondence provides scattered documentation of Dale's activities as a collector and benefactor, including correspondence relating to gifts to various museums such as the Dallas Museum of Fine Arts and the Metropolitan Museum of Art, as well as posthumous gifts to the Allentown Art Museum and Amherst College. Also documented is Dale's election as president of the National Gallery of Art in 1955. There are several letters to and from Salvador and Gala Dali, copies of two letters from Diego Rivera, and letters from other friends and business associates, including historian Georges Salles. Over one third of the correspondence consists of condolence telegrams and letters sent to Mary Dale following Dale's death. Other correspondence documents Mary Dale's work as exhibition chairman for the Parrish Museum of Art, and includes letters from Andrew, Jamie, and Nicholas Wyeth.

Writings include typed drafts of Dale's memoirs which recall the beginning of his career in banking, and include stories of his early experiences in buying art. Dale credits the highly discerning and influential eye of his first wife, Maud Dale, for guiding him in his early selections, and his memoirs recall his unconventionally direct way of doing business with the Paris art dealers. Two travel diaries record a 1904 trip to Europe, and five trips to Europe and the Caribbean between 1949 and 1953. Writings by others include several essays on Dale by various authors, several essays on art by Maud Dale, and a typed draft of a manuscript on Dale's life by Neil MacNeil.

Extensive inventories, estate appraisals, and will disbursement records document the contents of the Chester Dale collection in Series 4. Also found here are receipts for specific purchases of works by Cezanne, Cassatt, Dali, Dufy, Picasso, and others.

Printed material includes catalogs for auction sales annotated with sales prices and other purchase information; catalogs of Dale's collection; and exhibition catalogs and announcements for the Parrish Museum of Art during Mary Dale's tenure as exhibition chairman. Some of the catalogs include essays by Maud Dale. News clippings and magazine articles document press coverage of Dale's activities at home and abroad.

Scrapbooks contain additional printed material, primarily news clippings, documenting press coverage of Chester Dale's life from the 1920s until his death. One of the scrapbooks includes multiple photographs of Dale and others, including a photo of Frida Kahlo and Jose Orozco. An additional scrapbook of photographs and clippings documents Mary Dale's life before and after her marriage to Dale.

Photographs are of Dale, Mary Dale, Maud Dale, family, friends, and colleagues. There are photographs of Dale and Mary Dale with artists including George Braques, Salvador and Gala Dali, Diego Rivera and Frida Kahlo, and Jamie and Nicholas Wyeth; and friends and associates Renee and Claire Batigne, Veronica "Rocky" Cooper and Maria Cooper, Robert Sturgis Ingersoll, Edith Hamilton with Robert Frost, Neil MacNeil, Herbert Mayes, and Paul and Timothy Mellon. There are individual photos and three photograph albums of Dale's various residences and his collection, including photographs taken shortly before his death at his Plaza Hotel apartment showing some of his favorite pictures. Photographers include Rudolph Burkhardt, Irving Cantor, Ivan Dmitri, and Dmitri Kessel. There are also many photographs of exhibition openings and museum events, especially events at the National Gallery of Art, including the presentation of Dale's gift of Dali's The Sacrament of the Last Supper to the museum in 1956, and the occasion of Queen Elizabeth II of England's visit to the museum in 1957. Photographs also include photographs of artwork in Dale's collection.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Material, circa 1897-circa 1960, 2003 (Boxes 1, 7-8; FC 20; 0.45 linear feet)

Series 2: Correspondence, 1911-1984 (Box 1; 0.9 linear feet)

Series 3: Writings, 1904-1963 (Boxes 2, 8; 0.55 linear feet)

Series 4: Chester Dale Collection, circa 1930-1968 (Boxes 2-3; 1 linear foot)

Series 5: Printed Material, 1925-circa 1972 (Boxes 3-4, 8, OV 9; 1.2 linear feet)

Series 6: Scrapbooks, circa 1920s-1963 (Box 4, BVs 10-14; 1.2 linear feet)

Series 7: Photographs, circa 1883-1972 (Boxes 4-6, 19, BVs 15-17, OV 18; 3.3 linear feet)
Biographical / Historical:
New York art patron and collector of French and American art Chester Dale (1883-1962), made his fortune as a banker who pioneered the sale of public utility securities. He began purchasing French paintings in the mid-1920s and retired from the investment security business in 1935 in order to focus full time on the acquisition of art.

Dale was encouraged to begin collecting art by his first wife, Maud Dale, who was an artist, a writer, and a former chairman of the Exhibition Committee of the Museum of French Art. With the benefit of his wife's knowledge, passion, and perception, Dale began to lay the foundation of his collection in 1926, and amassed circa seven hundred pictures within ten years. His collection is considered to be one of the most complete collections of nineteenth and twentieth century French art in the world, and includes some of the finest examples of works by Braque, Corot, Delacroix, Degas, Derain, Dufy, Leger, Matisse, and Renoir, as well as by artists representative of the French tradition in art including Modigliani, Picasso, Rivera, and Van Gogh.

Although primarily interested in French art, Dale also collected and encouraged American artists. He was a patron of George Bellows and Salvador Dali, and had his portrait painted by both artists. Dale presented the Metropolitan Museum of Art and the National Gallery of Art with their first Dali paintings, the latter being The Sacrament of the Last Supper. Dale also purchased works by Mary Cassatt, representative works by "the Eight," and examples of eighteenth century American portraitists John Smibert, Gilbert Stuart and Thomas Sully. In the early 1940s he visited Diego Rivera and Frida Kahlo in Mexico, and Rivera subsequently completed a portrait of Dale in 1945.

Dale served as a trustee to the Metropolitan Museum of Art, the Chicago Art Institute, and the Philadelphia Museum of Art. He made the first of a series of gifts to the National Gallery of Art when it opened in 1941. In 1955 he was elected president of the museum, by which time his collection occupied ten of its galleries. Dale bequeathed the bulk of his remaining collection to the National Gallery in his will. This final gift included eighty of his favorite pictures, which had been located in his Manhattan apartment at the Plaza Hotel up until his death.

A year after the death of Maud Dale in 1953, Dale married Mary Towar Bullard, whom he had employed as his secretary for twenty-five years. Mary Dale oversaw the disbursement of her husband's estate, following Dale's death from a heart attack in 1962.
Related Materials:
Holdings at the Archives of American Art also include the Chester Dale papers concerning George Bellows, 1919-1956, comprising correspondence, a photograph, and invoices relating to Chester Dale's relationship with George Bellows and Dale's interest in artwork by Bellows; and the Chester Dale eulogy, consisting of one 35 minute, 9 second sound tape reel of a eulogy delivered by an unidentified speaker.
Provenance:
The collection was donated in 1972 by Mary Dale, Chester Dale's second wife, and in 1985 by Mary Dale's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C., Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- France -- Paris  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, French--19th century  Search this
Art, French--20th century  Search this
Art, Modern -- 20th century -- Collectors and collecting  Search this
Art, Modern--19th century--Collectors and collecting  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Travel diaries
Citation:
Chester Dale papers, circa 1883-2003, bulk 1920-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.daleches
See more items in:
Chester Dale papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97b399200-a24e-48c3-83e9-5cfd2ec5892c
EDAN-URL:
ead_collection:sova-aaa-daleches
Online Media:

Toshiko Takaezu: Four Decades, Allentown Art Museum and Toshiko Takaezu: 1989-1990, Bristol-Meyer Squibb Gallery

Collection Creator:
Takaezu, Toshiko  Search this
Extent:
1 Videocassettes (VHS)
Container:
Box 10, Folder 2
Type:
Archival materials
Videocassettes (vhs)
Date:
circa 1990-circa 2000
Collection Restrictions:
The glaze recipes in the studio practice files are access restricted; written permission is required to view these documents. Contact Reference Services for more information.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Toshiko Takaezu papers, circa 1925-circa 2010. Archives of American Art, Smithsonian Institution.
See more items in:
Toshiko Takaezu papers
Toshiko Takaezu papers / Series 3: Interviews and Documentaries / Exhibition Recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw976795001-ec6f-4841-930f-58ac09a86e3f
EDAN-URL:
ead_component:sova-aaa-takatosh-ref384

Allentown Art Museum

Collection Creator:
Takaezu, Toshiko  Search this
Container:
Box 12, Folder 4
Type:
Archival materials
Date:
1983-2003
Collection Restrictions:
The glaze recipes in the studio practice files are access restricted; written permission is required to view these documents. Contact Reference Services for more information.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Toshiko Takaezu papers, circa 1925-circa 2010. Archives of American Art, Smithsonian Institution.
See more items in:
Toshiko Takaezu papers
Toshiko Takaezu papers / Series 5: Organization Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c0fbfecf-4713-4737-8822-c7724d6d4ba7
EDAN-URL:
ead_component:sova-aaa-takatosh-ref460

Allentown Art Museum

Collection Creator:
Takaezu, Toshiko  Search this
Container:
Box 12, Folder 5
Type:
Archival materials
Date:
2004-2008
Collection Restrictions:
The glaze recipes in the studio practice files are access restricted; written permission is required to view these documents. Contact Reference Services for more information.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Toshiko Takaezu papers, circa 1925-circa 2010. Archives of American Art, Smithsonian Institution.
See more items in:
Toshiko Takaezu papers
Toshiko Takaezu papers / Series 5: Organization Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a4abd13f-ab0f-44cb-aaea-4204b64f01f5
EDAN-URL:
ead_component:sova-aaa-takatosh-ref461

Allentown Art Museum

Collection Creator:
Waddell Gallery  Search this
Container:
Box 1, Folder 17
Type:
Archival materials
Date:
1964-1967
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Waddell Gallery records, 1961-1978. Archives of American Art, Smithsonian Institution.
See more items in:
Waddell Gallery records
Waddell Gallery records / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw940028113-1bfc-4542-8a28-16e611ba1b18
EDAN-URL:
ead_component:sova-aaa-waddgall-ref28

Allentown Art Museum, Art History Course Taught by Rubin

Collection Creator:
Rubin, David S., 1949-  Search this
Container:
Box 23, Folder 5
Type:
Archival materials
Date:
1990
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David S. Rubin papers, 1960-2017. Archives of American Art, Smithsonian Institution.
See more items in:
David S. Rubin papers
David S. Rubin papers / Series 7: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99493a84e-31c2-470a-add9-fd643c614b69
EDAN-URL:
ead_component:sova-aaa-rubidavi-ref883

Saint-Gaudens Lecture, Allentown Art Museum

Collection Creator:
Flack, Audrey  Search this
Container:
Box 10, Folder 16
Type:
Archival materials
Date:
2003
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audrey Flack papers, 1950-2022. Archives of American Art, Smithsonian Institution.
See more items in:
Audrey Flack papers
Audrey Flack papers / Series 5: Project Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw918c7c970-24b2-441b-a5e8-19cb4f0fb9e6
EDAN-URL:
ead_component:sova-aaa-flacaudr-ref214

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