Search Results

Artist:

Formerly attributed to Emperor Huizong (1082-1135 (reigned 1101-1125))  Search this

Medium:

Ink and color on silk

Dimensions:

H x W (image): 24.2 x 23.8 cm (9 1/2 x 9 3/8 in)

Type:

Painting

Origin:

China

Date:

18th century

Period:

Qing dynasty

Topic:

bird  Search this

eagle  Search this

Qing dynasty (1644 - 1911)  Search this

China  Search this

Chinese Art  Search this

Credit Line:

Gift of Charles Lang Freer

Accession Number:

F1909.244b

Restrictions & Rights:

CC0

Related Online Resources:

Google Cultural Institute

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye39d306079-1589-46a3-8ca8-7404f6463678

EDAN-URL:

edanmdm:fsg_F1909.244b

Artist:

Russell Hoban, 4 Feb 1925 - 13 Dec 2011  Search this

Sitter:

Joan Baez, born 9 Jan 1941  Search this

Medium:

Casein on board

Dimensions:

Sight: 73.7 x 52.1cm (29 x 20 1/2")

Frame: 86.4 x 64.8cm (34 x 25 1/2")

Type:

Painting

Date:

1962

Topic:

Home Furnishings\Furniture\Seating\Chair\Armchair  Search this

Interior\Domestic  Search this

Music\Musical instrument\Guitar  Search this

Joan Baez: Female  Search this

Joan Baez: Performing Arts\Performer\Musician\Songwriter  Search this

Joan Baez: Performing Arts\Performer\Musician\Guitarist  Search this

Joan Baez: Performing Arts\Performer\Musician\Singer\Folk singer  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; gift of Time magazine

Object number:

NPG.78.TC215

Restrictions & Rights:

Usage conditions apply

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm46a778a46-d4a2-4132-9346-b1fcde971353

EDAN-URL:

edanmdm:npg_NPG.78.TC215

Artist:

Herschel Levit, 1912 - 1986  Search this

Sitter:

Harry Belafonte, 1 Mar 1927 - 25 Apr 2023  Search this

Medium:

Gelatin silver print

Dimensions:

Image/Sheet: 27.9 x 42.1 cm (11 x 16 9/16")

Mat: 55.9 x 71.1 cm (22 x 28")

Type:

Photograph

Date:

1960

Topic:

Harry Belafonte: Male  Search this

Harry Belafonte: Performing Arts\Performer\Actor\Theater  Search this

Harry Belafonte: Performing Arts\Performer\Actor\Movie  Search this

Harry Belafonte: Performing Arts\Performer\Musician\Singer\Popular  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.98.86

Restrictions & Rights:

Usage conditions apply

Copyright:

© Herschel Levit

See more items in:

National Portrait Gallery Collection

Exhibition:

20th Century Americans: 1930-1960

On View:

NPG, South Gallery 321

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4c4a8c6c1-f85e-45e3-bee4-dd60154698e5

EDAN-URL:

edanmdm:npg_NPG.98.86

Recording artist:

Lawson-Haggart Jazz Band  Search this

Manufacturer:

Decca  Search this

Physical Description:

paper (overall material)

ink (overall material)

vinyl (overall material)

Measurements:

overall: 10 in; 25.4 cm

Object Name:

sound recording

Place made:

United States: New York, New York

Release date:

1953

Related Publication:

Jazz Records 1942-1969, Vol. 4d: Kl - L

Credit Line:

Gift of Lucy C. Shain in memory of James Lewis Shain

ID Number:

1978.0670.695

Accession number:

1978.0670

Catalog number:

1978.0670.695

Maker number:

DL 5456

See more items in:

Culture and the Arts: Entertainment

Popular Entertainment

Music & Musical Instruments

Family & Social Life

Sound Recordings

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746aa-a8da-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1216039

Recording artist:

New Orleans Rhythm Kings  Search this

Manufacturer:

Brunswick  Search this

Physical Description:

shellac (overall material)

Measurements:

overall: 10 in; 25.4 cm

Object Name:

sound recording

Place made:

United States: New York, New York

Recording date:

1934

Release date:

1949

Related Publication:

Rust, Brian. Jazz Records 1897-1942, Vol. 2

Credit Line:

Gift of Lucy C. Shain in memory of James Lewis Shain

ID Number:

1978.0670.065

Accession number:

1978.0670

Maker number:

80118

Catalog number:

1978.0670.065

See more items in:

Culture and the Arts: Entertainment

Popular Entertainment

Music & Musical Instruments

Family & Social Life

Sound Recordings

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a4-bb32-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_663270

Recording artist:

Doc Evans Ensemble  Search this

Artist:

Martin, David Stone  Search this

Manufacturer:

Disc  Search this

Physical Description:

paper (overall material)

ink (overall material)

shellac (overall material)

Measurements:

overall: 10 in; 25.4 cm

Object Name:

sound recording

Place made:

United States: New York, New York

Recording date:

1947

Related Publication:

Jazz Records 1942-1967, Vol. 4a: Ell - Goo

Credit Line:

Gift of Lucy C. Shain in memory of James Lewis Shain

ID Number:

1978.0670.603

Accession number:

1978.0670

Maker number:

6071

Catalog number:

1978.0670.603

See more items in:

Culture and the Arts: Entertainment

Music & Musical Instruments

Popular Entertainment

Family & Social Life

Jazz

Sound Recordings

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746aa-9d95-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_668212

Creator:

Ryan, Anne, 1889-1954  Search this

Names:

McFadden, Elizabeth  Search this

Extent:

3.8 Linear feet

Type:

Collection descriptions

Archival materials

Travel diaries

Diaries

Drawings

Date:

circa 1905-1970

Summary:

The papers of New York-based painter, printmaker, collagist and writer Anne Ryan measure 3.8 linear feet and date from circa 1905 to 1970. The papers document her career as an artist and writer in New York, New Jersey and Spain through biographical material, correspondence, diaries and journals, writings, printed material, photographic material and artwork.

Scope and Contents:

The papers of New York-based painter, printmaker, collagist and writer Anne Ryan measure 3.8 linear feet and date from circa 1905 to 1970. The papers document her career as an artist and writer in New York, New Jersey and Spain through biographical material, correspondence, diaries and journals, writings, printed material, photographic material and artwork.

Biographical material includes a mixture of legal and financial records as well as other personal documents. There are account books, art inventories, biographical statements, estate papers, exhibition lists, price lists, loan and consignments records, bills and receipts, banking and tax records, assorted travel documents, and other miscellaneous items.

Correspondence is with editors, museums, galleries, family and friends. Many of the letters have typed transcriptions that go along with the original handwritten correspondence. There is also correspondence with Anne Ryan's daughter, Elizabeth McFadden.

There are six diaries, journals, and travel diaries. The diaries and journals describe progress on artwork and writing, as well as daily appointments and activities.

Writings consists of notes, notebooks, poetry and manuscripts. The bulk of the series consists of handwritten and typescript drafts of books, short stories and essays. There are a few items written by others.

Printed material includes exhibition announcements, catalogs, clippings and magazines. Most of the periodicals include essays and stories written by Ryan. There are some printed materials such as postcards, travel brochures and clippings from Ryan's time in Spain.

Two family albums and photographs depict Anne Ryan, family, friends, colleagues, artwork, exhibition installations and houses.

Also found are materials Ann Ryan used to make artwork, such as engraved metal plates for prints, engraved woodcuts for woodblock prints, and handmade stencils. Some drawings are also included.

Arrangement:

The collection is arranged as seven series.

Series 1: Biographical Material, circa 1920-circa 1970 (Box 1; 0.2 linear feet)

Series 2: Correspondence, circa 1922-1968 (Box 1; 0.6 linear feet)

Series 3: Diaries and Journals, 1924-1942 (Boxes 1-2; 0.3 linear feet)

Series 4: Writings, circa 1923-circa 1954 (Boxes 2-3; 1.4 linear feet)

Series 5: Printed Material, 1925-1970 (Boxes 3-4; 0.6 linear feet)

Series 6: Photographic Material, circa 1905-circa 1954 (Boxes 4-5; 0.4 linear feet)

Series 7: Artwork, circa 1930-circa 1954 (Box 5; 0.3 linear feet)

Biographical / Historical:

Anne Ryan (1889-1954) was a painter, printmaker, collagist, graphic artist and author who primarily worked in New York City, but also in New Jersey and Spain.

Anne Ryan was born in Hoboken, New Jersey in 1889. She attended St. Elizabeth's Academy and College. She married lawyer William J. McFadden and had three children – William, Elizabeth and Thomas. They lived in Newark, New Jersey and divorced in 1923. Ryan often went to Greenwich Village in New York City and was something of a fixture in the arts and literary community. In 1925 she published a book of poetry, Lost Hills, and her novel Raquel was also published around this time.

Around 1931, Ryan moved to Spain and lived there for roughly four years, mostly in Mallorca and Ibiza, though she traveled to Paris as well. She then returned to New York City and moved into 124 West Fourth Street, which was occupied by many artists and writers. She opened a restaurant called The Hearthstone in the building's basement.

Ryan began painting around 1938. Artist Hans Hofmann lived nearby and visited her studio to provide encouragement, telling her to pursue her own course artistically and not to seek formal instruction. Ryan's first exhibition was in 1941. During this time she joined the printmaking studio Atelier 17 run by British artist William Stanley Hayter who had fled from Paris, France due to World War II. Thanks to the studio, Ryan befriended many European expatriate artists and started making woodblock prints and engravings.

In 1948, Ryan saw an exhibition of collages by Kurt Schwitters that inspired her to begin creating collages herself. During her late career, she made hundreds of collages and had multiple exhibitions at Betty Parsons Gallery in New York City. Ryan was also a prolific writer and many of her short stories and travel essays were published in magazines and periodicals. She died in 1954 in Morristown, New Jersey.

Provenance:

The Anne Ryan papers were donated to the Archives of American Art in 1971 by Elizabeth McFadden, Anne Ryan's daughter.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Occupation:

Authors -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Painters -- Spain  Search this

Printmakers -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Collagists -- Spain  Search this

Topic:

Printmakers -- Spain  Search this

Women artists  Search this

Women painters  Search this

Women printmakers  Search this

Women authors  Search this

Genre/Form:

Travel diaries

Diaries

Drawings

Citation:

Anne Ryan papers, circa 1905-1970. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.ryananne

See more items in:

Anne Ryan papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9338d8d6c-21ed-442d-ba7b-52ac24daef94

EDAN-URL:

ead_collection:sova-aaa-ryananne

Creator:

Bearden, Romare, 1911-1988  Search this

Names:

Alston, Charles Henry, 1907-1977  Search this

Holty, Carl, 1900-1973  Search this

Lawrence, Jacob, 1917-2000  Search this

Middleton, Samuel M., 1927-  Search this

Reinhardt, Ad, 1913-1967  Search this

Extent:

2.1 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Sketches

Exhibition catalogs

Maps

Photographs

Date:

1937-1982

Summary:

The papers of Romare Bearden measure 2.1 linear feet and date from 1937 to 1982. The collection includes biographical information, correspondence, writings by and about Bearden, miscellaneous legal and financial material, photographs, drawings, and printed material. Found are numerous letters referring to African-American arts movements of the 1960s and 1970s, including exhibitions, publications, associations, and scattered letters of a more personal nature.

Scope and Contents:

The papers of Romare Bearden measure 2.1 linear feet and date from 1937 to 1982. The collection includes biographical information, correspondence, writings by and about Bearden, miscellaneous legal and financial material, photographs, drawings, and printed material.

Correspondence is with family, friends, artists, galleries, museums, publishers, universities, arts associations, and colleagues, primarily concerning gallery space, exhibitions, sales of artwork, publishing, and arts events. Also found are numerous letters referring to African-American art movements of the 1960s and 1970s, including exhibitions, publications, associations, and scattered letters of a more personal nature. Many of the letters are illustrated with Bearden's doodlings and drawings. Although most of the letters are from galleries, museums, publishers, and arts associations, scattered letters from Charles Alston, Jacob Lawrence, Ad Reinhardt, Carl Holty, and Sam Middleton are found. In addition, there are letters from the Black Academy of Arts and Letters, and letters concerning its founding.

Writings by Bearden include lectures, speeches, talks, essays, and prose. Many are handwritten, annotated, and edited in Bearden's hand and several are illustrated with Bearden's doodlings and sketches. Included are a memorial delivered upon artist Carl Holty's death, a tribute to Zell Ingram, autobiographical essays, essays on art, and African-American art, artists, and cultural life. Also found are several handwritten examples of Bearden's prose and poetry. There are also writings by others and one folder of fragments and notes assumed to be by Bearden.

The collection houses two folders of photographs and snapshots of Bearden, family members, other unidentified artists or friends, classes and/or lectures, and works of art. Also found are several undated ink drawings, sketches in pencil and ink, and a hand-drawn and colored map with overlay of Paris. Printed material includes examples of Bearden's commissioned artwork for publications, press releases, exhibition catalogs and announcements, invitations, newspaper and magazine clippings, and miscellaneous printed materials. Although much of the printed material concerns Bearden's work, a fair portion concerns African-American art, artists, and cultural movements.

Arrangement:

The collection is arranged into seven series based on type of materials. Documents within each of the seven series have been arranged in chronological order, except for the writings which have been further subdivided by creator and are undated. Printed materials have been arranged primarily according to form of material and are in rough chronological order.

Missing Title

Series 1: Biographical, 1977, undated (Box 1; 1 folder)

Series 2: Correspondence, 1944-1981, undated (Box 1-2; 0.8 linear feet)

Series 3: Writings By and About Bearden, circa 1950s-1980s (Box 3; 6 folders)

Series 4: Legal and Financial Material, 1970-1977 (Box 3; 3 folders)

Series 5: Photographs, undated (Box 3; 2 folders)

Series 6: Drawings, undated (Box 3, OV 6; 4 folders)

Series 7: Printed Material, 1937-1982 (Box 3-5; 1 linear foot)

Biographical / Historical:

Born in Mecklenburg County, North Carolina, in 1914, Bearden's family relocated to New York City when Bearden was a toddler. Living in Harlem during the Harlem Renaissance of the 1920s, Bearden was exposed to such luminaries as writer Langston Hughes, painter Aaron Douglas, and musician Duke Ellington. While attending New York University, Bearden became interested in cartooning and became the art editor of the NYU Medley in his senior year. He received his B.S. in mathematics in 1935, initially planning to pursue medical school. Realizing that he had little interest in the other sciences however, Bearden began attending classes at the Art Students League in the evenings, studying under George Grosz.

In the mid-1930s Bearden published numerous political cartoons in journals and newspapers, including the Afro-American, but by the end of the decade, he shifted his emphasis to painting. Bearden's first paintings, on large sheets of brown paper, recalled his early memories of the South. After serving in the Army, Bearden began exhibiting more frequently, particularly in Washington, D.C. at the G Street Gallery and in New York with Samuel Kootz.

During a career lasting almost half a century, Bearden produced approximately two thousand works. Although best known for the collages of urban and southern scenes that he first experimented with in the mid-1960s, Bearden also completed paintings, drawings, monotypes, edition prints, public murals, record album jackets, magazine and book illustrations, and costume and set designs for theater and ballet. His work focused on religious subjects, African-American culture, jazz clubs and brothels, and history and literature. Not confining his abilities to the visual arts, Bearden also devoted attention to writing and song writing. Several of his collaborations were published as sheet music, among the most famous of which is "Seabreeze," recorded by Billy Eckstine. In addition, Bearden coauthored three full-length books: The Painter's Mind: A Study of the Relations of Structure and Space in Painting (1969) with painter Carl Holty; Six Black Masters of American Art (1972); and A History of African-American Artists: From 1792 to the Present (posthumously, 1993), the latter two with journalist Harry Henderson.

Bearden was also active in the African-American arts movement of the period, serving as art director of the Harlem Cultural Council, a founding member of the Black Academy of Arts and Letters, and organizer of exhibitions, such as the Metropolitan Museum's "Harlem on My Mind" (1968). Romare Bearden died in 1988.

Related Materials:

Within the Archives holdings are two oral history interviews with Romare Bearden. One was conducted in 1968 by Henri Ghent and another in 1980 by Avis Berman.

Separated Materials:

The Archives of American Art also holds microfilm of material lent for microfilming (reel N68-87) including correspondence, a scrapbook, photographs, catalogs, clippings, and writings. Except for the correspondence, loaned materials were returned to the donor and are not described in the collection container inventory.

Provenance:

Romare Bearden lent material for microfilming to the Archives of American Art in 1968, donating the correspondence. Bearden also gave additional papers between 1977 and 1983.

Restrictions:

The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

African American artists  Search this

Works of art  Search this

Painting  Search this

Genre/Form:

Drawings

Sketches

Exhibition catalogs

Maps -- Paris (France)

Photographs

Citation:

Romare Bearden papers, 1937-1982. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.bearroma

See more items in:

Romare Bearden papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ed3f5b60-2e93-4f30-af75-dbd95d060a90

EDAN-URL:

ead_collection:sova-aaa-bearroma

Creator:

Yunkers, Adja, 1900-1983  Search this

Names:

Alice Simsar Gallery  Search this

Impressions Gallery of Photography  Search this

Smith Andersen Gallery  Search this

Bjornstjerna, Mikael  Search this

Grossman, Morton, 1926-  Search this

Haley, Donna  Search this

Olsen, Cheryl  Search this

Wood, Denis  Search this

Extent:

2.32 Linear feet ((partially microfilmed on 3 reels))

Type:

Collection descriptions

Archival materials

Date:

1939-1983

Scope and Contents:

REEL N70-16: A typescript (42 p.) address delivered at the Corcoran Museum of Art, 1967, by Yunkers describing his student years in Russia, and later years in Germany, France, and Mexico, ca. 1917-1928, and relating political, social, and cultural events to the development of modern art. He describes Russia before and during the Revolution and Germany during the Weimar Republic. Also included are a resume; a critical bibliography of Yunkers work; typescripts of 2 articles; and clippings.

REEL D251: Printed material, 1941-1965, including newspaper clippings, magazine articles, reviews, exhibition catalogs and announcements, and press releases.

REEL 1023: "Prints in the Desert: New Mexico," 1950, a limited edition book of prints and poetry produced by a collaboration of artists under the leadership of Yunkers.

UNMICROFILMED: Biographical material, including naturalization papers and a passport; files of letters from Mikael Bjornstjerna (1977-1983), Cheryl Bowers (1978-1983), Morton and Chris Grossman (1979-1982), Donna Haley (1982-1983), Denis Wood (1978-1983), Yunker's daughters, including Nina (1979-1983); business and personal correspondence, 1960-1983; files on galleries handling Yunkers' work, including Smith Andersen Gallery (Palo Alto, Calif.), Alice Simsar Gallery (Ann Arbor, Mich.), and Impressions Gallery (Boston, Mass.) containing correspondence, price lists and receipts; a few sketches and a collage; 2 portfolios, "Creation" (1941) and "Ars: Tidskrift for Konst Litterature Och Veteskap" (1942) containing original prints and collages by Yunkers; 2 appointment books, 1980-1983; notes and writings; photographs of Yunkers, Yunkers at work, his family, friends, studio, and art work; photograph albums, including 2 of Yunkers' studios in Stockholm, Sweden, New Mexico, and New York City (1942-1980) and one of exhibition installations, undated; photographs by Denis Hare of the making of Octavio Paz's book BLANCO, illustrated by Yunkers, and slides of prints included in BLANCO; and printed material, including exhibition announcements, clippings and miscellany.

Biographical / Historical:

Abstract painter and printmaker, collagist, and art instructor; New York, N.Y. Died 1983. Born in Riga, Latvia. Studied in Leningrad, Paris, Berlin, and London. He moved to the United States in 1947. Faculty member of the New School for Social Research, 1947-1956; Cooper Union, 1956-1967.

Related Materials:

Adja Yunker papers also at Syracuse University.

Provenance:

Materials on reels D251, N70-16, and 1023 donated by Adja Yunkers, 1966-1970, and transferred to NMAA-NPG Library vertical files after microfilming, except "Prints in the Desert: New Mexico" (REEL 1023). Unmicrofilmed material donated 1984 by Marina and Alexandra Yunkers, Yunkers' daughters.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.

Unmicrofilmed: ACCESS RESTRICTED; written permission required.

Occupation:

Art teachers -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Printmakers -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Abstract expressionism  Search this

Painting, Abstract -- New York (State) -- New York  Search this

Prints, Abstract -- New York (State) -- New York  Search this

Artists' illustrated books  Search this

Prints -- 20th century  Search this

Identifier:

AAA.yunkadja

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ddbf2fbb-ff0e-4910-8bf2-70c282edc073

EDAN-URL:

ead_collection:sova-aaa-yunkadja

Creator:

Yoshida, Ray  Search this

Names:

Art Institute of Chicago. School -- Faculty  Search this

Phyllis Kind Gallery  Search this

Berdich, Vera, 1915-2003  Search this

Blackshear, Kathleen, 1897-1988  Search this

Brown, Roger, 1941-1997  Search this

Ito, Miyoko, 1918-1983  Search this

Kapsalis, Thomas Harry, 1925-  Search this

Kim, Jin Soo, 1950-  Search this

Nilsson, Gladys, 1940-  Search this

Nutt, Jim, 1938-  Search this

Ramberg, Christina  Search this

Rossi, Barbara, 1940-  Search this

Spears, Ethel, 1903-1974  Search this

Wirsum, Karl, 1939-  Search this

Extent:

10 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Sketchbooks

Scrapbooks

Collages

Drawings

Interviews

Prints

Sketches

Transcripts

Video recordings

Date:

circa 1895-2010

bulk 1950-2005

Summary:

The papers of Chicago artist and educator Ray Yoshida measure 10 linear feet and date from circa 1895 to 2010, with the bulk of the material dating from 1950 to 2005. Yoshida's career as a painter and collagist as well as his long tenure as a professor at the School of the Art Institute of Chicago are documented through biographical material, personal correspondence, notebooks and writings, teaching records, personal business records, printed material, source material, photographs, sketchbooks, artwork by Yoshida and others, and scrapbooks. Items within the collection also document Yoshida's personal interest in collecting folk art and artifacts.

Scope and Contents:

The papers of Chicago artist and educator Ray Yoshida measure 10 linear feet and date from circa 1895 to 2010, with the bulk of the material dating from 1950 to 2005. Yoshida's career as a painter and collagist as well as his long tenure as a professor at the School of the Art Institute of Chicago are documented through biographical material, personal correspondence, notebooks and writings, teaching records, personal business records, printed material, source material, photographs, sketchbooks, artwork by Yoshida and others, and scrapbooks. Items within the collection also document Yoshida's personal interest in collecting folk art and artifacts.

Biographical material about Ray Yoshida includes award certificates, identification records, student records, and interview transcripts. Also found is one video recording of a documentary short about Yoshida's art and object collection at his Chicago home.

Correspondence includes letters, postcards, and greeting cards from friends, colleagues, and artists, including Roger Brown, Jim Nutt, Gladys Nilsson, Christina Ramberg, Karl Wirsum, Miyoko Ito, Jin Soo Kim, Barbara Rossi, Vera Berdich, and Tom Kapsalis.

Notebooks contain notes on art history, art technique, Japanese language, travel, and other subjects. Many of the notebooks include sketches and contain loose items.

Writings by Yoshida consist of college papers, fragments of writings on art and other subjects, and notes. Writings by others include essays by Yoshida's students, exhibition essay drafts, and poetry.

Teaching records primarily document Yoshida's tenure as a professor at the School of the Art Institute of Chicago, though a few records of guest professorships at other schools are included. These records include course evaluations, employment records, teaching notes, and letters of recommendation for students. Miscellaneous teaching records include department memos, course summaries, correspondence, and notes.

Personal business records consists of documentation regarding the sale, exhibition, and loan of artwork by Ray Yoshida, including his business dealings with the Phyllis Kind Gallery. Additionally there are several files regarding the estate of artist Roger Brown.

Printed material includes exhibition catalogs, announcements, news clippings, newsletters and press releases documenting Yoshida's career and other subjects.

Source material consists of material that Yoshida gathered and intended to use for his art. Collected printed material includes postcards, comics and comic books, mail order catalogs, magazines, product labels, and advertisements. Also found are many small clippings from comics collected for collages.

Photographs depict Ray Yoshida, friends, students, travel, and artwork. Also found are a few photographs of Karl Wirsum's studio, as well as photographs of various subjects collected by Yoshida. Additionally, there is one photograph album from the early 1910s of an unidentified family.

Sketchbooks include pencil and ink sketches of various subjects.

Artwork by Ray Yoshida includes collages on paper, pencil sketches, and ink drawings. Artworks by others include numerous prints by Kathleen Blackshear, Ethel Spears, and Vivian Mayers, and collages, drawings, and prints given to Yoshida by students and friends. Some work by unidentified artists is included as well. Other artwork, such as handmade picture and alphabet books, appears to have been created by children and collected by Yoshida.

Scrapbooks include volumes that were created by Yoshida as well as books created by others. Three of the scrapbooks containing source images, clippings, and comics appear to have been created by Yoshida. Additional scrapbooks were created by others and collected by Yoshida.

Arrangement:

The collection is arranged as 12 series.

Missing Title

Series 1: Biographical Material, 1950-2005 (0.5 Linear feet; Box 1)

Series 2: Correspondence, 1952-2009 (2 Linear feet; Boxes 1-3, 11, 15)

Series 3: Notebooks, circa 1956-circa 2000 (0.3 Linear feet; Box 3)

Series 4: Writings, circa 1950-2003 (0.3 Linear feet; Box 3)

Series 5: Teaching Records, circa 1960-2003 (0.6 Linear feet; Boxes 3-4)

Series 6: Personal Business Records, circa 1960-2010 (0.4 Linear feet; Box 4)

Series 7: Printed Material, 1906-2010 (1.8 Linear feet; Boxes 4-6, 11, OV 14)

Series 8: Source Material, circa 1940-circa 2005 (0.7 Linear Feet; Boxes 6-7, 11)

Series 9: Photographs, circa 1910-circa 2005 (0.5 Linear feet; Box 7)

Series 10: Sketchbooks, circa 1960-circa 2000 (1.1 Linear feet; Boxes 7-8, 11-13)

Series 11: Artwork, 1903-2009 (0.7 Linear feet; Boxes 8, 13)

Series 12: Scrapbooks, circa 1895-circa 2005 (1 Linear feet; Boxes 8-10, 13)

Biographical / Historical:

Ray Yoshida (1930-2009) was a Japanese American painter, collagist, and educator based in Chicago, Illinois.

Raymond Kakuo Yoshida was born in Kapaa, Hawaii, in 1930. He attended the University of Hawaii for two years and completed a B.A. in Arts Education at the Art Institute of Chicago in 1953. He also served in the U.S. Army for two years during the Korean War. In 1957 he recieved his M.F.A from Syracuse University and became a faculty member at the School of the Art Institute of Chicago in 1959. He was named Frank Harold Sellers Professor in the Department of Painting and Drawing in 1971, retired as professor emeritus in 1998, and continued to teach until 2003.

Yoshida was a member of the Chicago Imagists, a loose and informal group of representational artists from the late 1960s to early 1970s who were influenced by Surrealism and connected to the School of the Art Institute of Chicago. Yoshida's friends and contemporaries among this group include but are not limited to Roger Brown, Ed Paschke, Christina Ramberg, and Barbara Rossi. Yoshida was an inspiring teacher and he mentored many of the later Chicago Imagists such as Gladys Nilsson, Jim Nutt, and Karl Wirsum.

Yoshida's paintings and collages were strongly influenced by comics as well as his own collection of folk and outsider art. He regularly exhibited at Phyllis Kind Gallery in Chicago from 1975 to 1996, and a major retrospective of his work was organized by the Contemporary Museum of Honolulu in 1998. He retired to Hawaii in 2005 where he lived until his death in 2009 due to cancer. The School of the Art Institute of Chicago's Sullivan Galleries held a posthumous retrospective exhibition of Yoshida's work from 2010-2011 and the John Michael Kohler Art Center had an exhibition of Yoshida's personal collection of art and artifacts in 2013.

Provenance:

The collection was donated in 2012 by Ray Yoshida via Terri Yoho of the Kohler Foundation, representing Yoshida's estate, and in 2013 and 2015-2016 by Jennifer Sabas and Shayle Miller, estate executors.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate copy requires advance notice. One box of letters from Jim Nutt are ACCESS RESTRICTED; use requires written permission.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Educators -- Illinois -- Chicago  Search this

Painters -- Illinois -- Chicago  Search this

Collagists -- Illinois -- Chicago  Search this

Topic:

Folk art -- Collectors and collecting  Search this

Art -- Study and teaching  Search this

Art -- History  Search this

Art -- Technique  Search this

Artists' studios -- Photographs  Search this

Asian American art  Search this

Asian American artists  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American painters  Search this

Asian American educators  Search this

Genre/Form:

Photographs

Sketchbooks

Scrapbooks

Collages

Drawings

Interviews

Prints

Sketches

Transcripts

Video recordings

Citation:

Ray Yoshida papers, circa 1895-2010, bulk 1950-2005. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing and digitization of the Ray Yoshida papers received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.

Identifier:

AAA.yoshray

See more items in:

Ray Yoshida papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw993d0cce5-3340-4d85-adeb-cb1711fd67e8

EDAN-URL:

ead_collection:sova-aaa-yoshray

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Container:

Box 2, Folder 3

Type:

Archival materials

Date:

1958-1959

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 2: Diaries

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw988a5aaf4-ec17-4efa-8973-09e13d3ee4d8

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref40

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Container:

Box 2, Folder 4

Type:

Archival materials

Date:

1960-1961

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 2: Diaries

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a2ea3a10-9103-4332-b546-0186860d812d

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref41

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Container:

Box 2, Folder 6

Type:

Archival materials

Date:

1962

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 2: Diaries

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9006f28ba-0d5c-455f-a80c-8061d5098f52

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref43

Creator:

Little Chief, Daniel, d. 1906.  Search this

Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Extent:

1 Item (disbound volume (65 pages) of 29 drawings and 34 pages of typescript.)

Culture:

Northern Tsitsistas (Northern Cheyenne)  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Indians of North America -- Great Plains  Search this

Type:

Collection descriptions

Archival materials

Ledger drawings

Date:

1891 February

Scope and Contents:

29 drawings and 34 pages of typed explanatory text, formerly bound together, now disbound, plus an identifying title page handwritten by Albert Gatschet and one drawing on ruled paper. The explanatory text was transcribed from Gatschet's notebook, No. 2016-b, with corrections by Gatschet. T.p. inscribed: "Crayon Pictures of Cheyenne Ceremonial Customs and Implements. Drawn by Wuxpais or Daniel Littlechief, son of the present headchief of the Cheyenne Indians of South Dakota, at the Pine Ridge Agency. Explained by notes obtained from the same Indian by Albert S. Gatschet." The last drawing in the volume is signed "T.D. Little Chief," but cannot be identified as a drawing by Daniel Little Chief. Subjects include ceremonial items, name glyphs, painted tipis, and illustrations of Cheyenne customs. A nearly identical set of drawings by Daniel Little Chief is located at the Newberry Library in Chicago. Information provided by Candace Greene.

Biographical / Historical:

Daniel Little Chief, a.k.a. Wuxpais (?-1906), was a Northern Cheyenne warrior whose band of Cheyenne were sent south to the Cheyenne-Arapaho Reservation in Indian Territory after their surrender, traveling there between 1878-1879. In 1881 this band moved north to the Pine Ridge Agency in South Dakota. In 1891 Daniel Littlechief inherited the role of head chief from his father and remained in South Dakota until his death in 1906. For more information see "American Indian Painters: A Biographical Dictionary" by Jeanne Snodgrass 1968, New York: Museum of the American Indian.

Albert S. Gatschet (1832-1907) was educated in his native Switzerland and in Germany (University of Bern [Ph.D., 1892]); University of Berlin. Early in his career, he pursued antiquarian research in European museums and wrote scientific articles. Among his interests was the etymology of Swiss place names. After coming to the United States in 1869, he worked on the American Indian vocabularies collected by Oscar Loew, of the United States Geological Survey West of the 100th Meridian (Wheeler Survey). Eventually John Wesley Powell employed him as an ethnologist with the United States Geographical and Geological Survey of the Rocky Mountain Regions. When it was founded in 1879, he joined the staff of the Bureau of American Ethnology and continued there until he retired in 1905. For the Powell Survey, Gatschet researched the ethnography of the Klamath in Oregon and the Modoc in Oklahoma. He also collected Native American material objects and investigated special problems for Powell's classification of the American Indian languages north of Mexico, working on languages of the Southeast, including groups forcibly settled in the southern Plains. He not only visited well known tribes but also searched out small groups, including the Biloxi and Tunica. He also worked with the Natchez, Tonkawa, Chitimacha, and Atakapa in the United States and Comecrudo and several other small groups in northern Mexico. Through library research, he studied the Timucua, Karankara, and the Beothuk. During the later part of his career, Gatschet was assigned comparative work on all the Algonquian languages. Although the project was never completed, he collected much about many of the languages, especially Peoria, Miami, and Shawnee. In addition, he worked with members of diverse tribes of the eastern United States. For more information, see NAA finding aid located at http://www.nmnh.si.edu/naa/guide/_g1.htm#jrg575

Local Numbers:

NAA MS 2016-a

Varying Form of Title:

Crayon pictures of Cheyenne ceremonial customs and implements / drawn by Wuxpais or Daniel Littlechief ... ; explained by notes from the same Indian by Albert S. Gatschet

Place:

United States South Dakota Pine Ridge Agency.

United States South Dakota Pine Ridge Indian Reservation.

Album Information:

MS 2016a 001

Topic:

Habitations -- Cheyenne  Search this

Sweatbaths -- Cheyenne  Search this

Music -- Cheyenne  Search this

Married people's tipi -- Cheyenne  Search this

Weapons -- Cheyenne  Search this

Pipe -- Cheyenne  Search this

Amulets and fetishes -- Cheyenne  Search this

Medicine -- Cheyenne  Search this

Mortuary customs -- Cheyenne  Search this

Names, Personal -- Cheyenne  Search this

Medicine tent -- Cheyenne  Search this

Sun Dance -- Cheyenne  Search this

Language and languages -- Documentation  Search this

Genre/Form:

Ledger drawings

Citation:

Manuscript 2016-a, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS2016A

See more items in:

MS 2016-a Daniel Little Chief drawings of Cheyenne ceremonial customs and implements, with explanations by Albert Gatschet

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw332099240-dc44-442c-9890-3771ef107586

EDAN-URL:

ead_collection:sova-naa-ms2016a

Creator:

Little Chief, Daniel, d. 1906.  Search this

Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Collection Creator:

Little Chief, Daniel, d. 1906.  Search this

Collection Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Extent:

3 Leaves (graphite and colored pencil drawing, with ink and typescript on paper, 22 x 29 cm.)

Culture:

Tsitsistas/Suhtai (Cheyenne)  Search this

Indians of North America -- Great Plains  Search this

Type:

Archival materials

Leaves

Ledger drawings

Date:

1891 February

Local Numbers:

NAA INV 08657200

NAA MS 2016-a

Varying Form of Title:

Caption title from descriptive text: Cheyenne "medicine-tent"

Album Information:

MS 2016a 002

Topic:

Language and languages -- Documentation  Search this

Genre/Form:

Ledger drawings

Collection Citation:

Manuscript 2016-a, National Anthropological Archives, Smithsonian Institution

See more items in:

MS 2016-a Daniel Little Chief drawings of Cheyenne ceremonial customs and implements, with explanations by Albert Gatschet

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw31c24ba30-84e6-4034-b6af-880aa8a6b43b

EDAN-URL:

ead_component:sova-naa-ms2016a-ref1

Creator:

Little Chief, Daniel, d. 1906.  Search this

Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Collection Creator:

Little Chief, Daniel, d. 1906.  Search this

Collection Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Extent:

2 Leaves (graphite and colored pencil drawing, with ink and typescript on paper, 22 x 29 cm.)

Culture:

Tsitsistas/Suhtai (Cheyenne)  Search this

Indians of North America -- Great Plains  Search this

Type:

Archival materials

Leaves

Ledger drawings

Date:

1891 February

Local Numbers:

NAA INV 08658100

NAA MS 2016-a

Varying Form of Title:

Caption title from descriptive text, leaf 1: War-arrow exhibit = Ihú-ustansts mahúts

Album Information:

MS 2016a 011

Topic:

Language and languages -- Documentation  Search this

Genre/Form:

Ledger drawings

Collection Citation:

Manuscript 2016-a, National Anthropological Archives, Smithsonian Institution

See more items in:

MS 2016-a Daniel Little Chief drawings of Cheyenne ceremonial customs and implements, with explanations by Albert Gatschet

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3dba0cc74-e0d3-4631-840c-a9be0cf47596

EDAN-URL:

ead_component:sova-naa-ms2016a-ref10

Creator:

Little Chief, Daniel, d. 1906.  Search this

Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Depicted:

Yellow Nose, 1848-1910  Search this

Collection Creator:

Little Chief, Daniel, d. 1906.  Search this

Collection Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Extent:

2 Leaves (graphite and colored pencil drawing, with ink and typescript on paper, 22 x 29 cm.)

Culture:

Tsitsistas/Suhtai (Cheyenne)  Search this

Indians of North America -- Great Plains  Search this

Type:

Archival materials

Leaves

Ledger drawings

Date:

1891 February

Local Numbers:

NAA INV 08658200

NAA MS 2016-a

OPPS NEG 45493

Varying Form of Title:

Caption title from descriptive text, leaf 1: Cheyenne medicine man = Tsits'histats mahéyu hitán

Album Information:

MS 2016a 012

Topic:

Language and languages -- Documentation  Search this

Genre/Form:

Ledger drawings

Collection Citation:

Manuscript 2016-a, National Anthropological Archives, Smithsonian Institution

See more items in:

MS 2016-a Daniel Little Chief drawings of Cheyenne ceremonial customs and implements, with explanations by Albert Gatschet

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3eb34fb8b-5640-4ee6-b2c8-52cda2413370

EDAN-URL:

ead_component:sova-naa-ms2016a-ref11

Creator:

Little Chief, Daniel, d. 1906.  Search this

Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Collection Creator:

Little Chief, Daniel, d. 1906.  Search this

Collection Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Extent:

3 Leaves (graphite and colored pencil drawing, with ink and typescript on paper, 22 x 29 cm.)

Culture:

Tsitsistas/Suhtai (Cheyenne)  Search this

Indians of North America -- Great Plains  Search this

Type:

Archival materials

Leaves

Ledger drawings

Date:

1891 February

Local Numbers:

NAA INV 08658300

NAA MS 2016-a

Varying Form of Title:

Caption title from descriptive text, leaf 1: Sun dance medicine tent = Huxíhuyum, or, ho'hwéheyum ...

Local Note:

Graphite and colored pencil drawing, with ink and typescript on paper.

Album Information:

MS 2016a 013

Topic:

Language and languages -- Documentation  Search this

Genre/Form:

Ledger drawings

Collection Citation:

Manuscript 2016-a, National Anthropological Archives, Smithsonian Institution

See more items in:

MS 2016-a Daniel Little Chief drawings of Cheyenne ceremonial customs and implements, with explanations by Albert Gatschet

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3f3071264-6294-4385-b4b4-3e19c07cbad7

EDAN-URL:

ead_component:sova-naa-ms2016a-ref12

Creator:

Little Chief, Daniel, d. 1906.  Search this

Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Collection Creator:

Little Chief, Daniel, d. 1906.  Search this

Collection Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Extent:

2 Leaves (graphite and colored pencil drawing, with ink and typescript on paper, 22 x 29 cm.)

Culture:

Tsitsistas/Suhtai (Cheyenne)  Search this

Indians of North America -- Great Plains  Search this

Type:

Archival materials

Leaves

Ledger drawings

Date:

1891 February

Local Numbers:

NAA INV 08658400

NAA MS 2016-a

Varying Form of Title:

Caption title from descriptive text, leaf 1: Scent-stone = maheyúnu huná ...

Album Information:

MS 2016a 014

Topic:

Language and languages -- Documentation  Search this

Genre/Form:

Ledger drawings

Collection Citation:

Manuscript 2016-a, National Anthropological Archives, Smithsonian Institution

See more items in:

MS 2016-a Daniel Little Chief drawings of Cheyenne ceremonial customs and implements, with explanations by Albert Gatschet

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw33a56fa0e-60aa-4408-b71e-e6f386d8343f

EDAN-URL:

ead_component:sova-naa-ms2016a-ref13

Creator:

Little Chief, Daniel, d. 1906.  Search this

Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Collection Creator:

Little Chief, Daniel, d. 1906.  Search this

Collection Annotator:

Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this

Extent:

2 Leaves (graphite and colored pencil drawing, with ink and typescript on paper, 22 x 29 cm.)

Culture:

Tsitsistas/Suhtai (Cheyenne)  Search this

Indians of North America -- Great Plains  Search this

Type:

Archival materials

Leaves

Ledger drawings

Date:

1891 February

Local Numbers:

NAA INV 08658500

NAA MS 2016-a

Varying Form of Title:

Caption title from descriptive text, leaf 1: Stone-cup = hohoná kiwítuxk

Album Information:

MS 2016a 015

Topic:

Language and languages -- Documentation  Search this

Genre/Form:

Ledger drawings

Collection Citation:

Manuscript 2016-a, National Anthropological Archives, Smithsonian Institution

See more items in:

MS 2016-a Daniel Little Chief drawings of Cheyenne ceremonial customs and implements, with explanations by Albert Gatschet

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw373ca1125-c32f-45b8-b8df-714099ef42f8

EDAN-URL:

ead_component:sova-naa-ms2016a-ref14