Letters, 2 diaries, a subject file, art works, printed material, and photographs primarily concern Jones' work for the WPA artist project in Alaska.
Twenty-six letters from friends and colleagues concern the exhibition of Jones' work and the WPA's activities in Alaska (1934-1953). The 2-volume diary was written during Jones' travels in Alaska (1937). A subject file on Jones' work in Alaska contains a letter from the Department of the Interior, a photograph of Jones, Vernon Smith, and Carl Saxild, a diary for June 1937, and a certificate. Other materials include 4 sales receipts (1937-1939), an annotated calendar (1954) and 26 photographs of Jones' works.
Twenty-seven drawings (1937-1976) and 31 sketchbooks (1937-1959) depict landscapes and townscapes in Alaska (1937) and Luzon Island in the Philippines (1945), among other subjects. One sketchbook contains notes on color theory and perspective (ca. 1953). Printed material consists of clippings (1933-1957), exhibition announcements and catalogs (1932-1973).
Biographical / Historical:
Painter; Boston, Massachusetts. He studied at Tufts College and participated in a WPA artist project in Alaska in 1937.
Donated 1982 by James M. Norton, a friend of Jones, and after Norton's death, by his estate via his brother, Richard P. Norton.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
An interview of Michelle Stuart, conducted 2015 November 3 and 13, and 2017 May 23 by Annette Leddy, for the Archives of American Art at Stuart's studio in New York, New York.
Stuart speaks of her Los Angeles childhood with a Swiss mother and Australian father; her paternal and maternal grandparents; her early interest in history, travel, and art; her schooling; her father's enlistment in the U.S. military during World War II and being raised during her teenage years by her mother; her fascination with Captain Cook; art classes at Chouinard Institute of Art; her work with Diego Rivera in Mexico City; her marriage to Spanish painter Joseph Bartoli and their home life in Paris, France; her return to the U.S. in the late 1950s and life in New York City's West Village; courses at the New School; early exhibitions of her work in New York City gallery group shows; her breakthrough Art Park piece; her relationship to the "Land" artists; Lucy Lippard; Eleanor Munro; the influence of Fluxus; Lawrence Alloway's early essay on her scroll pieces; how she was brought into Galerie Schmela; the founding of Heresies; site specific work in the American Southwest; the enduring impact of the Pacific Ocean on her imagination and art; her use of rocks and other natural materials; her transition to photographic collage; commissions in Sweden, Japan, Alaska, and New York City.
Biographical / Historical:
Michelle Stuart (1933- ) is a visual artist in New York, New York. Annette Leddy is a collector for the Archives of American Art.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Sound recording: ACCESS RESRICTED; use requires an appointment.
The papers of landscape painter Sanford Robinson Gifford, date from the 1840s through 1900, and circa 1960s-1970s. The bulk of the papers fall between 1855-1881; material from the circa 1960s-1970s consists of photographic copy prints for which the Archives does not have the originals. The small collection measures 0.9 linear feet of scattered documentation of Gifford's life, primarily extensive biographical accounts of his travels in the mid 1850s and late 1860s in the form of bound letters to his father. These serve as detailed journals of his impressions of Europe and the Middle East, the development of his painting, and his relationships with other artists such as Albert Bierstadt and Worthington Whittredge. The collection also contains sketches by Gifford, printed material including catalogs of Gifford's paintings, and photographs of Gifford and others.
Scope and Content Note:
The collection dates from the 1840s through 1900, and circa 1960s-1970s with the bulk of the material falling between 1855-1881. Material from circa 1960s-1970s consists of photographic copy prints of original photographs from the mid to late 1800s for which the Archives does not own the originals. The papers measure 0.9 linear feet and provide detailed documentation of the life of Hudson River School landscape painter, Sanford Robinson Gifford, during the mid 1850s and late 1860s. The papers contain extensive accounts of Gifford's travels in 3 bound volumes of typewritten letters from Gifford to his father. These letters serve as travel journals and provide extensive and vivid descriptions of Gifford's work and experiences in Europe and the Middle East, and document his relationships with a variety of other artists, including Alfred Bierstadt and Worthington Whittredge, during this period.
Additional records provide scattered documenation of other periods of Gifford's life. Letters refer to his travels in the American west and his Civil War service and its effect on his painting. Printed material includes clippings and exhibition catalogs, and includes a catalogue of his paintings published by the Metropolitan Museum of Art in 1881. Artwork by Gifford includes sketches by the artist and prints, engravings and paintings by various others. Original photographs date from 1856-1900 and include images of Gifford during the Civil War. Copyprints for which the Archives does not own the originals date from the circa 1960s-1970s and include two images of a family home in Hudson, New York, where Gifford had a studio in the mid 1860s, a portrait photograph of Gifford, and an image of Gifford on the Hayden expedition.
The collection is arranged as 4 series:
Series 1: Letters, 1855-1874 (Box 1; 3 volumes, 1 folder)
Series 2: Printed Material, circa 1850s-1881 (Box 2; 4 folders)
Series 3: Artwork, circa 1840s-circa 1870s (Box 2, OV 3; 4 folders)
Series 4: Photographs and Copy Prints, 1856-circa 1900, circa 1960s-1970s (Box 2, 5, OV 4; 11 folders)
Sanford Robinson Gifford was born in Greenfield, New York, in 1823. He attended Brown University from 1842-1844 and moved to New York City in 1845 where he studied drawing, perspective and anatomy under the direction of the British watercolorist and drawing-master, John R. Smith. He also studied the human figure in anatomy classes at the Crosby Street Medical college and took drawing classes at the National Academy of Design. In 1846 he visited the Berkshire Hills and the Catskill Mountains, sketching from nature. "These studies," he wrote to O. B. Frothingham in 1874, "together with the great admiration I felt for the works of Cole developed a strong interest in landscape art, and opened my eyes to a keener perception and more intelligent enjoyment of nature. Having once enjoyed the absolute freedom of the landscape painters life I was unable to return to portrait painting."
The American Art Union bought and showed some of Gifford's first pictures in 1847. In 1851 he was elected an associate, and in 1854 an academician, of the National Academy of Design.
Gifford traveled widely to sketch landscapes for future paintings, recording his experiences in letters to his father which he intended would "serve the double purpose of letter and journal, and be an economy of time." He requested that his father number the letters sequentially and keep them together.
In the summer of 1855 Gifford visited England, Scotland and Paris, where he spent the winter of 1855 transforming his English and Scottish sketches into paintings. In the fall of 1856 he rented a studio in Rome and, over the course of the winter, painted pictures that reportedly pleased him "pretty well," including Lake Nemi. During the spring of 1857, Gifford spent time with fellow artists Worthington Whittredge, William H. Beard and Albert Bierstadt before leaving Rome in May with Bierstadt for a walking tour of southern Italy, where they planned to reconnect with Whittredge and Beard. Gifford ended his European tour with a visits to Innsbruck, Munich, Vienna, Prague, Dresden, Berlin and Paris, before returning to the United States at the end of the summer.
On his return Gifford rented studio Number 19 in the Tenth Street Studio Building in New York City, which he retained until his death. Over the next few years he also made frequent summer trips to various northeastern locales including the Catskills, the Adirondacks, the Green Mountains in Vermont, the White Mountains in New Hampshire, Maine and Nova Scotia.
Gifford served in New York's Seventh Regiment when it marched to the defense of Washington in April 1861, and again in 1862 and 1863. Several paintings resulted from this experience, including Sunday Morning at Camp Cameron (1861), Bivouac of the Seventh Regiment at Arlington Heights, Virginia (1861) and Camp of the Seventh Regiment, near Frederick, Maryland, in July 1863 (1864).
In 1868 Gifford returned to Europe, again visiting London and Paris, where he met with friends Jervis McEntee and his wife. He then spent the summer visiting the Alps and Sicily before wintering in Rome. In 1869 he traveled to Egypt where he and a small party hired a boat to take them on a two-month voyage from Cairo down the Nile River. Subsequently, Gifford traveled to the Middle East with Alfred Craven via the Suez Canal, where his itinerary included Syria, Jerusalem, Samaria, Damascus, Greece and Turkey. Gifford arrived in Venice in June 1869 and sailed for the United States at the beginning of September.
In 1870 Gifford visited Colorado with Worthington Whittredge and John Frederick Kensett, and accompanied a United States Geological party under Dr. Hayden in the exploration of Wyoming, Utah, and the Colorado Territories. In the summer of 1873 he visited California, Oregon, British Columbia and Alaska.
Gifford married in 1877 but in 1880 became ill and died of malarial fever and pneumonia at the age of 58. That same year he was honored with the Metropolitan Museum of Art's first monographic retrospective and a memorial catalogue of his known pictures.
Five sketchbooks were loaned by Vassar College in 1966 and the originals were returned to the donor after microfilming on reel D254.
The Archives of American Art also holds microfilm of material lent for microfilming (reels D254 and 688) including twenty-one sketchbooks, photographs, passports and certificates, an 1888 European travel diary of Mary Louise Willard, wife of Gifford's nephew, Harold, and a 1966 letter. Loaned materials were returned to the lender and are not described in the collection container inventory.
Edith Wilkinson first donated the Sanford Robinson Gifford papers in 1955 and 1957. James C. Gifford donated copy prints of photographs in 1964. Five sketchbooks were lent for microfilming by the Vassar College Art Library in 1966 and George and Frances Gifford Cummings donated additional material in 1973. In 1974, sixteen sketchbooks, photographs, and other materials were lent for microfilming by Dr. Sanford Gifford, Gifford's great-nephew.
The collection has been digitized and is available online via AAA's website.
The Sanford Robinson Gifford papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Four letters between Charles D. Walcott and others. Included are three 1908 letters from Herbert Adams to Charles Walcott, from Walcott to J. Scott Hartley, Secretary of the National Sculpture Society and from Hartley to Walcott, relating to the election of Herbert Adams as the representative of the National Sculpture Society to the Advisory Committee of the National Gallery of Art; and one letter from Frederick Dellenbaugh to Walcott, 1913, in which Dellenbaugh inquires if the Smithsonian Institution would be interested in purchasing oil sketches he painted during the Harriman Expedition to Alaska in 1899.
Biographical / Historical:
Charles D. Walcott (1850-1927) was an art administrator and geologist in Washington, D.C. Walcott served as the fourth Secretary of the Smithsonian Institution from 1907 until his death in 1927.
Transferred 1981 and 2015 from the Smithsonian American Art Museum/ Portrait Gallery Library.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
1,500 Prints (circa, silver gelatin (some in photo albums))
1,000 Items (circa 1000 copy color prints (made from slides))
India -- description and travel
Japan -- Description and Travel
Singapore -- Description and Travel
Serbia -- description and travel
Scotland -- description and travel
Russia -- Description and Travel
Sri Lanka -- Description and Travel
Spain -- description and travel
South Africa -- Description and Travel
Chile -- description and travel
Somalia -- description and travel
Palestine -- description and travel
Peru -- Description and Travel
Nepal -- Description and Travel
Norway -- description and travel
Egypt -- description and travel
Portugal -- description and travel
Romania -- description and travel
Philippines -- Description and Travel
Poland -- description and travel
Kenya -- Description and Travel
Israel -- Description and Travel
China -- Description and Travel
Morocco -- description and travel
Mozambique -- description and travel
Mexico -- description and travel
Montenegro -- description and travel
Croatia -- description and travel
Denmark -- description and travel
Czech Republic -- Description and Travel
Burma -- Description and Travel
Bulgaria -- description and travel
Canada -- Description and Travel
Austria -- description and travel
Brazil -- Description and Travel
Borneo -- description and travel
England -- description and travel
France -- description and travel
Ecuador -- Description and Travel
Holland -- Description and Travel
Guatemala -- Description and Travel
Greece -- description and travel
Germany -- description and travel
Ireland -- description and travel
Iran -- Description and Travel
Italy -- description and travel
Hungary -- description and travel
United States -- description and travel
Thailand -- description and travel
Taiwan -- description and travel
Switzerland -- description and travel
Yugoslavia -- description and travel
Yucatan -- Description and Travel
Scope and Contents note:
Photographs made by Robert and Elizabeth Webb in numerous locations across the world, including Asia (China, Japan, Taiwan, Philippines, Borneo, Singapore, Thailand, Burma, Nepal, India, Sri Lanka, and Russia); the Balkans (Czech Republic, Croatia, Yugoslavia, Montenegro, Serbia, Bulgaria, Romania, Hungary, and Poland); Europe (Spain, England, France, Italy, Greece, Switzerland, Austria, Denmark, Holland, Norway, Germany, Ireland, Scotland, and Portugal); the Middle East (Egypt, Iran, Israel, and Palestine); Africa (Kenya, Morocco, Somalia, Mozambique, and South Africa); South America (Mexico, Ecuador, Peru, Chile, Brazil, Yucatan, and Guatemala); and North America (Canada, Florida, Washington state, Alaska, Hawaii, California, Arizona, New Mexico, and Utah). The photographs largely document architecture and art, including historical sites, though there are additional images of parades, transportation, cities, villages, markets, waterways, and people.
Commercial slides in the collection are by Swiss-Foto, E. Djupdraet, Herz-Color-Dias, Hong Kong Color Slide Service, SK Slide Co., Lehnert & Landrock, Douglas Whiteside, Vacation Films, Arctic Circle Enterprise, HI-FI Color Slides, Pana-Vue Slides, CP Inc., Jordan's Colour Lab, Hawaii Chrome, Syon House, John Decopoulos, La Goelette, and Zerkowitz. Notes by Robert Webb and original photograph albums are also available with the collection.
Robert Watkins Webb (1906-1998) graduated from Southern Methodist University and received his medical degree from Tulane University in 1933. Before starting his psychiatry practice in Dallas, Webb traveled around the world, returning on the SS Normandie to New York (1938). An amateur photographer, Webb documented this and subsequent foreign trips, later submitting some of his photographs to the Dallas Museum of Art. He served four years in the Army during World War II,stationed primarily in Port Moresby, New Guinea. He later became chief psychiatrist of the Veterans Administration clinic in Washington, DC, from 1946-1950. In 1952, he married Elizabeth Nutting, a psychiatric social worker, while cruising the Mediterranean.
Local Call Number(s):
NAA Photo Lot 98-9
Location of Other Archival Materials:
The DeGolyer Library of Southern Methodist University holds Robert W. Webb photographs.
Photographs made by Hamilton Wright Jr. in Egypt, South Africa, India, Lebanon, Taiwan, the Philippines, Korea, Hong Kong, Holland, Italy, Mexico, Venezuela, Ecuador, Chile, Bolivia, Haiti, the Virgin Islands, Canada, Alaska, Colorado, and New Hampshire. They include images of modern and ancient structures and monuments, artifacts, industries, cities, markets, caves, festivals, beaches, scenery, and sporting events. Most appear to have been made for the Hamilton Wright Organization, an international agency that made films and photographs to support public relations campaigns of foreign governments. Also included are some early lantern slides depicting historical sites in Egypt, directed by Hamilton Wright, Sr., and one-sheets for motion picture films produced by the Hamilton Wright Organization. Additional material includes slide narration for a lecture and short news stories relating to the images in the collection.
In 1908, Hamilton Wright Sr. founded the Hamilton Wright Organization, a public relations firm that specialized in making travelog and newsreel film and distributing it to motion picture houses around the world, often on behalf of domestic and foreign governments. Wright's son, Hamilton Wright Jr., managed the company after his father and expanded it's work. In 1963, a Senate committee criticized the Hamilton Wright Organization for hosting press junkets and distributing its photographs, newsreels, and stories in American news media without reporting its sources. The Hamilton Wright Organization was closed by Hamilton Wright Jr.'s son in the late 1960s.
Local Call Number(s):
NAA Photo Lot 76-35
Location of Other Archival Materials:
Films by the Hamilton Wright Organization can be found in the Human Studies Film Archive in HSFA 94.19.
The Film and Television Archive at the University of California at Los Angeles holds the motion picture film and related material of the Hamilton Wright Organization.
Alaskan geological and geophysical transect : Valdez to Coldfoot, Alaska, June 24-July 5, 1989 / editors, Warren J. Nokleberg and Michael A. Fisher ; leaders: Ruth A.M. Schmidt, Warren J. Nokleberg, and Robert A. Page
Puteshestvi̐e Kapitana Billingsa chrez Chukotskuiu zemliu ot Beringova proliva de Nizhnekolymskago ostroga i plavani̐e Kapitana Galla na sudnie Chërnom Orlie po Soverovostochnomu okeanu v 1791 godu. S prilozheni̐em slovaria drenadtsati nariechii̐ dikikh narodov, nabliudeni̐ia nad stuzheiu v Verkhnekolymskom ostrogie, i nastarleni̐a dannago Kapitanu Billingsu iz Gosudartsvennoi̐ admiraltei̐str-kollegi̐ Garrilom Sarychem
Voyage autour du monde : exécuté par ordre de Sa Majesté l'empereur Nicolas 1er, sur la corvette le Séniavine, dans les années 1826, 1827, 1828 et 1829. Partie historique / par Frédéric Lütké ... commandant de l'expédition
Litke, F. P (Fedor Petrovich) graf 1797-1882 Search this