These images depict the indigenous people of Peru, Bolivia, Suriname and Chile; the largest percentage of the images are of Panama and Guyana (British Guiana).
Scope and Contents:
The Verrill collection consists primarily of photographic materials made by Verrill in Guyana and Panama. Dating from 1917 and 1925, the Guyana photographs depict mostly Carib and Patamona but also Warao, Arecuna, Akawaio (Acawai), Akurio (Acuria), Arawak, Macushi (Macusi), Waiwai, and Taruma men and women. These are mostly informal portraits, but the photographs also document dwellings and various activities, such as weaving, spinning, fishing, and canoeing. Included in the Guyana materials are also nineteenth-century (ca. 1880?) albumen prints of portraits of Wapichana (Wapishana), Waiwai, Atorai, and Taruma men and women; Verrill most likely did not make these photographs. The Panama materials date from 1924 and 1925 and are primarily portraits of Teribe (Terraba), Ngäbe (Boorabi), Coclé Guaymi (Cocle), Guaymi, Kuna (Cuna), Emberá (Choikoi), and Sabanero men and women, but the photographs also depict dwellings, ceremonials, and canoes. Among the Panama materials are photographs depicting antiquities from Penonomé. The collection also consists of 1924 photographs of the indigenous peoples of Peru, Bolivia, and Chile and 1925 photographs of the indigenous peoples of Suriname and Peru.
Arrangement note:
Negatives Arranged by negative number (N10017-N10307, N10804-N10966, N11229-N11257, N29558, N34270, N34288-N34289, N34294, N34930-N34932, N36040-N36041, N36044, N41525)
Prints Arranged by print number (P00243-P00271, P00289-P00341, P00289-P00341, P02207-P02215, P06385-P06401, P06654-P06682, P06654-P06682, P06695-P06700, P06703, P07307, P07310-P07315, P07317, P07384-P07394, P09137-P09141, P18855)
Lantern slide Arranged by lantern slide number (L00076)
Biographical/Historical note:
Born in 1871 in New Haven, Connecticut, A. Hyatt Verrill was an illustrator, naturalist, explorer, and author of more than 105 books. From 1889 to 1928, he either explored, made ethnological expeditions to, or excavated in Bermuda, the West Indies, Guyana, Panama, Peru, Bolivia, Chile, and Surinam.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
A. Hyatt Verrill negatives, photographs and other materials, 1917-1926, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
Photographs made on Hector Acebes's expeditions in Africa and South America, mostly during the 1950s. Many of the images document people and markets in Africa (1949 and 1953), including Kikuyu, Masai, Mangbetu, Fulani, and Bassari peoples. There are also photographs made in the French Sudan, Guinea, Togo, Dahomey, Cameroon, the Congo Republic, Ruanda, Kenya, and Tanganyika. These prints were made for an exhibit.
Other sets include images of Jivaro, January, 1950; the Vaupés River and nearby tribes, September, 1950; a journey up the Orinoco to the Guaica, February, 1951; Arhuaco peoples, 1958; and Yuco peoples, 1960. Many photographs depict scenery and dwellings or are portraits (some show body and face paint). There are also images of fishing and hunting (Guaica); musical pipes (Guaica), a bridge, weaving, and bows and arrows (Arhuaco). Some photographs depict expedition members, including Acebes. The collection also includes photographs of the cover of Acebes' Orinoco Adventure, 1954, and coverage of his expeditions in Look, April 8, 1952, and Time (Latin American edition), December 24, 1951.
Biographical/Historical note:
Hector Acebes was born in 1921 in New York City and raised in Madrid and Bogota. While in college at the Massachusetts Insitute of Technology, he operated his own photo studio. After graduating from MIT in 1947 with a degree in mechanical engineering, he moved back to Bogota. Throughout the late 1940s and the 1950s, Acebes undertook expeditions in Africa and South America and started to work as a professional filmmaker and lecturer. Acebes wrote, filmed, directed, and edited each of the forty-three films his production company, Acebes Productions, released.
Local Call Number(s):
NAA Photo Lot 94-28
Location of Other Archival Materials:
Uaica photographs collected by Acebes held in the National Anthropological Archives in MS 4389.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 94-28, Hector Acebes photographs of African and South American peoples, National Anthropological Archives, Smithsonian Institution
Photographs documenting Waica people, including one image of two men smoking yapo. Dino J. Grossa made the photographs in a village or villages on the Orinoco River near Caracas, Venezuela, on May 22, 1970.
Biographical/Historical note:
Padre Dino J. Grossa was part of a UNESCO mission to Venezuela.
Local Call Number(s):
NAA Photo Lot 79-31
Location of Other Archival Materials:
Motion picture film depicting Waica people can be found in the Human Studies Film Archives in HSFA 2006.2.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 79-31, Dino J. Grossa photographs of Waica peoples, National Anthropological Archives, Smithsonian Institution
The material includes lists, texts, brief articles, clippings, vocabularies, letters, reading notes, bibliographic notes, and maps. Much of the material has to do with natural history and geography and includes material on place names and animal names. Some of the material has no direct relation to Roth's study of Guyana aborigines. For example, there are comparisons of names on maps of different periods and and lists of fauna. There are also small amounts of material on face painting, loan words (Indian in Dutch, European words in Carib), and petroglyphs. Some of the clippings concern Brazil.
Local Numbers:
NAA MS 7295
Local Note:
Xerox copies of manuscript documents and printed material
