Interview made possible by the National Endowment for the Arts Jazz Masters Oral Histories Program.
Interviewee stated in writing " My interview was not to be under the banner of the Jazz Oral History Program. My msic is "Autorphysiopsychic Music" which is a genre of African American music and that is the only banner I will accept my music under."
Restrictions:
This interview may be used on-site at the Archives Center for researcher purposes only.
Rights:
This interview may not be duplicated except for preservation purposes.
Collection Citation:
[Interviewee name] Interview, Smithsonian Jazz Oral History Program Collection, 1992-2014, Archives Center, National Museum of American History.
Sponsor:
The interviews were made for the Smithsonian Institution under the auspices of the Smithsonian Jazz Oral History Program and supported by America's Jazz Heritage, funded by the Lila Wallace-Reader's Digest Fund, the Smithsonian Institution, and the National Endowment for the Arts Jazz Masters Oral Histories Program. Additional interviews were conducted with support from the Ella Fitzgerald Charitable Foundation.
Real photo post card. (Translation: The Cake Walk danced at the new circus.) Negro children. (Rudy and Fredy Walker.) See "Rudy and Fredy Walker, c.1903 postcard series 'Le Cake-Walk' by Rainer E. Lotz, http://songbook1.wordpress.com/pp/fx/african-american-musical-theater-1896-1926/rudy-and-fredy-walker/cake-walking-babies-from-home/Handwriting in ink at lower right. Stamped on verso, sent to an address in Dijon.
Arrangement:
In Box 1, Folder Cake Walk.
Local Numbers:
AC0281-0000002-01 (AC Scan)
AC0281-0000002-02 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Hoffman/Boaz Postcard Collection, 1898-1920, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
(Translation: The Cake Walk danced at the new circus. Negro children.) Rudy and Fredy Walker dancing. See "Rudy and Fredy Walker, c.1903 postcard series 'Le Cake-Walk' by Rainer E. Lotz, http://songbook1.wordpress.com/pp/fx/african-american-musical-theater-1896-1926/rudy-and-fredy-walker/cake-walking-babies-from-home/Real photo postcard with ink inscription on lower right, referring to Dijon.
Arrangement:
In Box 1, Folder Cake Walk.
Local Numbers:
AC0281-0000004 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Hoffman/Boaz Postcard Collection, 1898-1920, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
(Translated: The Cake Walk danced at the new circus. Negro children.) Rudy and Fredy Walker dancing. See "Rudy and Fredy Walker, c.1903 postcard series 'Le Cake-Walk' by Rainer E. Lotz, http://songbook1.wordpress.com/pp/fx/african-american-musical-theater-1896-1926/rudy-and-fredy-walker/cake-walking-babies-from-home/
Arrangement:
In Box 1, Folder Cake Walk.
Local Numbers:
AC0281-0000007.tif (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Hoffman/Boaz Postcard Collection, 1898-1920, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
The Cake Walk (as) danced at the new circus. Negro children. Young girl, Rudy Walker, dancing alone. Real photo postcard. See "Rudy and Fredy Walker, c.1903 postcard series 'Le Cake-Walk' by Rainer E. Lotz, http://songbook1.wordpress.com/pp/fx/african-american-musical-theater-1896-1926/rudy-and-fredy-walker/cake-walking-babies-from-home/
Arrangement:
In Box 1, Folder Cake Walk.
Local Numbers:
AC0281-0000008 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Hoffman/Boaz Postcard Collection, 1898-1920, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
(Translation: The Cake Walk danced at the new circus. Negro children.) Rudy and Fredy Walker. See "Rudy and Fredy Walker, c.1903 postcard series 'Le Cake-Walk' by Rainer E. Lotz, http://songbook1.wordpress.com/pp/fx/african-american-musical-theater-1896-1926/rudy-and-fredy-walker/cake-walking-babies-from-home/
Arrangement:
In Box 1, Folder Cake Walk.
Local Numbers:
AC0281-0000010.tif (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Hoffman/Boaz Postcard Collection, 1898-1920, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
(Translation: The Cake Walk danced at the new circus. Negro children.) Fredy Walker dancing. See "Rudy and Fredy Walker, c.1903 postcard series 'Le Cake-Walk' by Rainer E. Lotz, http://songbook1.wordpress.com/pp/fx/african-american-musical-theater-1896-1926/rudy-and-fredy-walker/cake-walking-babies-from-home/
Arrangement:
In Box 1, Folder Cake Walk.
Local Numbers:
AC0281-0000011.tif (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Hoffman/Boaz Postcard Collection, 1898-1920, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
(Translation: The Cake Walk danced at the new circus, Negro children.) Fredy Walker dancing. See "Rudy and Fredy Walker, c.1903 postcard series 'Le Cake-Walk' by Rainer E. Lotz, http://songbook1.wordpress.com/pp/fx/african-american-musical-theater-1896-1926/rudy-and-fredy-walker/cake-walking-babies-from-home/
Arrangement:
In Box 1, Folder Cake Walk.
Local Numbers:
AC0281-0000012 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Hoffman/Boaz Postcard Collection, 1898-1920, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
(Translation: The Cake Walk danced at the new circus.) Negro children. Rudy and Fredy Walker dancing together. See "Rudy and Fredy Walker, c.1903 postcard series 'Le Cake-Walk' by Rainer E. Lotz, http://songbook1.wordpress.com/pp/fx/african-american-musical-theater-1896-1926/rudy-and-fredy-walker/cake-walking-babies-from-home/
Arrangement:
In Box 1, Folder Cake Walk.
Local Numbers:
AC0281-0000013.tif (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Hoffman/Boaz Postcard Collection, 1898-1920, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Hoffman/Boaz Postcard Collection, 1898-1920, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Container:
Box 52
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
1960 May
Scope and Contents:
Subject/Sitter: faculty talent show
Three men playing musical instruments (horn, piano, and string) for a stage performance. No ink on negative.No visible edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., [4" x 5"].)
Container:
Box 56
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
1963 January
Scope and Contents:
Subject/Sitter: Coleman (Miss) instructing in music
A woman seated at a piano with three women standing around her. There is a blackboard behind them with musical notation drawn on it. No ink on negative. Ink on envelope: caption and "8 glossy". "KODAK - SAFETY -- FILM" edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American college students -- 1960-1970. Search this
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., [4x5].)
Container:
Box 34
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1940 -- Photographs
Date:
1940
Scope and Contents:
Subject/Sitter: women's dinner
African American women singing in small choir while seated audience observe. No ink on negative. Eastman-Safety-Kodak edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Container:
Box 45
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
1955 March
Scope and Contents:
Subject/Sitter: Glee Club
African American Choir director seated at piano in front African American choral group. No ink on negative. Kodak Safety Film edge imprint. No Scurlock number.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American college students -- 1950-1960 Search this
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., [4" x 5"].)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Retouching
New coccine (or crocein scarlet) dye
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
February 1960
Scope and Contents:
Drama group practicing scene. Four girls are seated on chairs. One girl is laying on a bed with her eyes shut and an arm outstretched, another is seated on the bed with a hand to her face, whilst another kneels beside the bed and is comforted by a woman bending down to her. A poster on the wall reads, "Enroll your child and inspire youth to seek a life of value - Dramatic Classes - Speech - Poise - Mental Discipline - Self Assurance - Self Expression - Creativeness - Qualified Instructors - Register Now". There are framed photographs from films and plays on the wall. No ink on negative. Ink on envelope: caption. "KODAK -- SAFETY -- FILM" edge imprint. Retouching on faces and arms with New Coccine.
Biographical / Historical:
Gregoria Fraser Goins founded the Corda Club in Washington, D.C. and was a piano teacher at the Washington Conservatory of Music and School of Expression. However it is not known if the Goins referred to in this caption is Gregoria Fraser Goins. (Information taken from "New Perspectives on Music: Essays in Honor of Eileen Southern", Review author[s]: Marsha J. Reisser, American Music, 1993, University of Illinois Press).
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Retouching -- Dye
New Coccine (or Crocein Scarlet) dye
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
February 1960
Scope and Contents:
Location identified March 2012 as Muisc Arts Studio by Ms. Elsie Goins. Man (Goins?) seated at a piano, facing eleven young children. All have their hands raised. No ink on negative, no Scurlock number. Ink on envelope: caption. "KODAK -- SAFETY - FILM" edge imprint
Biographical / Historical:
Gregoria Fraser Goins founded the Corda Club in Washington, D.C. and was a piano teacher at the Washington Conservatory of Music and School of Expression. However it is not known if the Goins referred to in this caption is Gregoria Fraser Goins. (Information taken from "New Perspectives on Music: Essays in Honor of Eileen Southern", Review author[s]: Marsha J. Reisser, American Music, 1993, University of Illinois Press).
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
February 1960
Scope and Contents:
Location identified March 2012 as Muisc Arts Studio by Ms. Elsie Goins. Girl playing violin, boy pointing at sheet music on a music stand. No ink on negative, no Scurlock number. Ink on envelope: caption. "KODAK -- SAFETY -- FILM" edge imprint.
Biographical / Historical:
Gregoria Fraser Goins founded the Corda Club in Washington, D.C. and was a piano teacher at the Washington Conservatory of Music and School of Expression. However it is not known if the Goins referred to in this caption is Gregoria Fraser Goins. (Information taken from "New Perspectives on Music: Essays in Honor of Eileen Southern", Review author[s]: Marsha J. Reisser, American Music, 1993, University of Illinois Press).
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
