Skip to main content Smithsonian Institution

Search Results

Collections Search Center
2,639 documents - page 1 of 132

Program for "The Inaugural Trumpeter Gala"

Collection Creator:
Evans, Matilda Arabella, Dr., 1872-1935  Search this
Container:
Box 1, Folder 12
Type:
Archival materials
Text
Date:
1982
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Collection Citation:
Dr. Matilda A. Evans Collection of archival material, National Museum of African American History and Culture
See more items in:
Dr. Matilda A. Evans Collection
Dr. Matilda A. Evans Collection / Series 5: Reference Material / 5.1: Awards Ephemera
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2019-109-ref50
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Program for

Norma Merrick Sklarek Archival Collection

Creator:
Sklarek, Norma Merrick, 1926-2012  Search this
Names:
American Institute of Architects  Search this
Gruen Associates  Search this
Covington, Garnett K.  Search this
Davis, Carolyn Armenta, 1944-  Search this
Diamond, Katherine  Search this
Donaphin, Alexa Barnes  Search this
Grant, Bradford C.  Search this
Gruen, Victor, 1903-1980  Search this
Harney, Henrietta  Search this
Hermanuz, Ghislaine  Search this
Hinton-Lee, W. Chris  Search this
Hutchinson, Louise Daniel  Search this
LeGendre, Laurette  Search this
Love-Stanley, Ivenue  Search this
Mills, Marlene E.  Search this
Moseley-Olaleye, Joyce  Search this
Pelli, Cesar  Search this
Schwartz, Robert (Robert E.)  Search this
Siegel, Margot  Search this
Sklarek, Rolf  Search this
Sutton, Sharon E., 1941-  Search this
Tyler, Kathryn B.  Search this
Washington, Roberta  Search this
Williams, Paul R., 1894-1980  Search this
deJongh, Donna  Search this
Extent:
4.8 Cubic feet
Type:
Collection descriptions
Archival materials
Correspondence
Place:
Brooklyn (New York, N.Y.)
Harlem (New York, N.Y.)
Los Angeles (Calif.)
Date:
1944-2008
Scope and Contents:
The Norma Merrick Sklarek Archival Collection documents the prestigious and groundbreaking career of one of the early women architects who also broke ground for African American architects as well. The collection highlights Sklarek's journey and accomplishments as she paved the way for future women architects and architects of color. The collection is comprised of family records, resumes, business ephemera, photographs, correspondence, publications, clippings, architectural drawings, as well as her many awards and accolades.
Arrangement:
The materials in this collection have been separated into eight series. The materials have been ordered and organized based on the content and chronology. Within each series and subseries, the folders are organized as close to the collection's original order as when it was acquired.
Biographical / Historical:
Norma Merrick Sklarek was a renowned architect and a woman of firsts who broke racial and gender barriers earning her place in the male-dominated world of architecture. She was the first Black woman member and esteemed fellow of the highly respected architectural professional organization, American Institute of Architects (AIA). Norma was distinguished in her career for leading challenging assignments and managing large, complex construction projects.

Norma Merrick was born April 15, 1926 to Trinidadian immigrants, Dr. Walter Ernest Merrick, and Amelia (Amy) Willoughby in Harlem, New York City, New York. Norma's parents were a part of the first significant Caribbean immigration waves to the United States in the early 20th century. Arriving just a year before her birth, her parents saw possibility and education there. Her father, Walter attended Howard University and eventually became a physician. While her mother, Amy worked as a seamstress in a factory to make ends meet as Walter "wasn't much of a businessman" as described by Norma in an oral history interview. He practiced medicine in Harlem, New York. Norma stated that her father often served as a physician to African American celebrities such as Hazel Scott, Ethel Waters and Art Tatum. Walter was also a talented musician and carpenter that supported his daughter's love of art and math and encouraged her to pursue a career in architecture.

Around 1940, Norma was enrolled at the prestigious Hunter College High School for the intellectually gifted and "Ivy League-bound" young women. Excelling academically, Norma attended Barnard University, the prestigious women's college formerly administered by Columbia University. She attended Barnard initially in order to gain a year of a liberal arts education so that she could be accepted into then-known Columbia University School of Architecture. In 1947, she met and married, Dumas Flagg Ransom, law student at nearby Wagner University. She subsequently gave birth to her first son, Gregory Merrick Ransom shortly thereafter. She graduated from Columbia in 1950 with a Bachelor of Architecture (B.Arch.) degree. She was one of only two women and the only African American in her graduating class.

Despite her Columbia University pedigree, her race and gender made it predictably difficult to obtain employment. Norma easily recalls in an oral history interview later in life that she was turned down by nineteen prospective employers. It was on the twentieth interview with the Department of Public Works (DPW) that she was hired as a junior draftsperson for New York City. She passed her architecture licensing examination in 1954 becoming the first Black woman believed to be licensed to practice architecture in New York. Despite a poor recommendation from her DPW supervisor, she worked briefly at Katz, Waisman, Blumenkranz, Stein and Weber as a junior associate. She felt stifled and unchallenged and left that firm to do some rendering coloring work with notable New York architect, Bob Schwartz. In 1955, she started working at notable architectural firm, Skidmore, Owings, and Merrill (SOM) in New York City where she was given larger-scale projects. At the same time, she taught architecture courses at New York City Community College (presently called the New York City College of Technology) located in Brooklyn, NY. She was the school's first woman faculty member. It was also during her tenure at SOM that Norma joined AIA and inadvertently became the organization's first African American woman member. She was a member of the Council for the Advancement of the Negro in Architecture, a New York-based group. During all this groundbreaking work, Norma was a twice-divorced mother of two sons with the birth of her second son, David Merrick Fairweather from her union with Benjamin Fairweather. Norma depended on the assistance of her family in raising her sons while she worked and advanced her career.

In an effort to advance her career, Norma moved to Los Angeles, California to work with architectural firm, Gruen Associates in 1960. A requisite for an architect in California, Norma became the first Black woman to be a licensed architect in the state. Gruen Associates, founded by visionary Austrian architect Victor Gruen, was notable for their pioneering work with shopping malls and multi-use buildings. At Gruen, in 1965 she earned the director of architecture position where she was responsible for hiring and overseeing multiple staff members as well as serving as project manager on several high-profile projects for the firm.

Her projects included the high-rise multi-use building California Mart (1963), now known as California Market Center; skyscraper Fox Plaza (1966) in San Francisco and some of Norma's most notable work for Gruen, The Pacific Design Center (1975), a multi-use facility utilized by the California's bustling apparel and fashion industry. Norma's contributary design is affectionately known by California's locals as the "Blue Whale." Norma worked on the latter project with Gruen's lead architect at the time, Cesar Pelli, known for some of the world's tallest buildings, most notably World Finance Center (Brookfield Place) in New York City. Pelli also shared his credit with Norma for her exemplary contribution to the renovation and redesign of the San Bernardino City Hall (1972) in California as well as their work on the U.S. Embassy (1976) in Tokyo, Japan. While at Gruen, Norma married Rolf Sklarek, a fellow architect at the firm. She also taught architecture courses at the University of California Los Angeles (UCLA) and the University of Southern California (USC). At UCLA, she was the first African American member of the faculty.

In 1980, she was finally recognized for all of her trailblazing and innovative work, when she became the first African American woman elected to the AIA College of Fellows. The highest honor within the architecture profession. This prestigious award gave her assurance that she could take her career to another level. She departed Gruen for Welton Becket & Associates, a prominent California firm renowned for iconic music and cultural centers, including the iconic Capitol Records building in Los Angeles. Norma was appointed as the vice president of the firm and lead project manager on one of her most notable works, Terminal One at the Los Angeles International Airport. She was recognized for the timely completion of the project as preparation for the influx of travelers to Los Angeles the for the 1984 Olympic Games. Norma also suffered the loss of her husband, Rolf Sklarek, the same year.

It was her work from the Los Angeles Airport project that empowered Norma to break yet another barrier. 1985 proved to be significant year as she became first African American woman to found and co-own a woman-owned architectural firm. Norma collaborated with fellow veteran architects Margot Siegal and Katherine Diamond to create Siegel-Sklarek-Diamond (SSD). SSD was one of the largest woman-owned architecture firms at the time. Their largest project was the Tarzana Promenade, a 90,000 sq. ft. medical and retail center, and the remodel and renovation of the Lawndale Civic Center; both located in California. Norma also designed work for the proposed Marva Collins Preparatory School in Compton, CA. The school was named after seminal educator, Marva Collins that had revolutionized education for low-income students in a crime-ridden area in Chicago, Ill. The hope was the replicate Collins' important work for children in Compton.

Being a new firm amidst the prevalence of racism and sexism within the profession left SSD at a disadvantage. Their projects were mainly residential and smaller commercial projects that didn't bring the income and accompanying challenges like larger scaled projects. Sklarek left SSD in 1989 for Jerde Partnership, an established innovator in the design and construction of shopping malls around the world. Norma was hired as the principal on the project management for the design and construction of the Mall of America. Located in Bloomington, Minnesota, it is considered to be the largest shopping mall in United States.

In 1992, Norma retired from the profession but did not resign herself to stop working. Norma became an active advocate in broadening the profession to include more women and people of color. She focused her work on teaching, lecturing, and mentoring. Over the years, she served as faculty and lecturer at several universities including UCLA, USC, University of Iowa, Kansas State University, California Polytechnic as well as her alma mater Columbia University. In an effort to inspire Black architects, Norma regularly lectured at HBCUs including Howard University, Hampton University, Tuskegee University, and Southern University.

Sklarek's work was recorded and recognized by the black press and publishers, such as her being included in Ebony magazine as early as 1958, in their article on "Successful Young Architects." In 2008, the AIA awarded her with the Whitney M. Young, Jr. Award that recognizes architects who represented the profession's responsibility to address social issues. She also served on multiple professional boards and committees, such as the California Architects Board, Professional Qualifications Committee, California State Board of Architectural Examiners, the AIA National Ethics Council and many more.

On February 6, 2012, Sklarek died in the Pacific Palisades, California at the age of 85. She was survived by her husband Cornelius Welch, whom she married in 1985; her son, David Merrick Fairweather, stepdaughter Susan Welch as well as three grandchildren. She was predeceased by her son Gregory Merrick Ransom in 2006.

Historical Timeline

1926 -- Norma Merrick was born to Amy Willoughby and Walter Merrick in Harlem, New York.

1944 -- Graduated from Hunter College High School, New York, NY

1944-1945 -- Attended Barnard College, New York, NY

1945-1950 -- Attended Columbia University in New York City earning a bachelor's degree in architecture (B.Arch.).

1947 -- Married Dumas Flagg Ransom and had son, Gregory Merrick Ransom. They later divorced.

1950 -- Married Elwyn (Benjamin) Fairweather and had son, David Merrick Fairweather. They later divorced.

1950-1955 -- Worked at the Department of Public Works, New York, NY

1954 -- Licensed in the state of New York; believed to be the first black woman architect licensed in New York

1959 -- First African American woman member of the American Institute of Architects (AIA).

1955-1960 -- Worked at Skidmore, Owings, and Merrill in New York, NY

1957-1960 -- Architecture faculty member at New York City Community College, Brooklyn, NY

1960 -- Married Francis "Harry" Pena in New York, NY. Moved to California and began working at Gruen Associates and served as the Director of Architecture until 1980.

1962 -- First African American woman architect licensed in California

1963 -- Sklarek coordinated the design and construction of the California Mart, Los Angeles, CA.

1966 -- Sklarek coordinated the design and construction Fox Plaza in San Francisco, CA.

1967 -- Sklarek divorced Pena and married Rolf Sklarek, a fellow architect at Gruen Associates.

1970 -- Sklarek coordinated the design and construction of the Park Center Commercial Complex in San Jose, CA .

1972-1973 -- Sklarek coordinated the design and construction of the San Bernardino, City Hall in San Bernardino, CA.

1973 -- Sklarek coordinated the design and construction of Commons-Courthouse Center in Columbus, IN.

1973-1978 -- Served as faculty member in the UCLA School of Architecture and Urban Planning

1976 -- Sklarek coordinated the design and construction of the U. S. Embassy in Tokyo, Japan.

1978 -- Sklarek coordinated the design and construction of Pacific Design Center in Los Angeles, CA.

1980 -- First African American woman fellow of the AIA

1980-1985 -- Worked as VP and project manager at Welton Becket & Associates in Santa Monica, CA

1984 -- Sklarek working with Welton Becket Associates coordinated the design and construction of Terminal One at the Los Angeles International Airport, Los Angeles, CA. Rolf Sklarek died in February.

1985 -- Sklarek along with Margot Siegal and Katherine Diamond formed their own firm, Siegel- Sklarek-Diamond. Sklarek married Dr. Cornelius Welch.

1989 -- Left the Siegel-Sklarek-Diamond and joined The Jerde Partnership, in Venice, CA, as the principal project manager.

1989-1992 -- Sklarek coordinated the design and construction of the Mall of America in Minneapolis, MN.

1992 -- Retired from The Jerde Partnership

2003-2007 -- Served as commissioner on the California State Board of Architectural Examiners

2008 -- Awarded American Institute of Architects' Whitney M. Young Jr. Award

2012 -- Norma Merrick Sklarek died in the Pacific Palisades, California at the age of 85.
Provenance:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of David Merrick Fairweather and Yvonne Goff
Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Rights:
The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Topic:
Architecture  Search this
Photographs  Search this
Business  Search this
Design  Search this
Women  Search this
Japan -- Tokyo  Search this
Entrepreneurship  Search this
African diaspora  Search this
Education  Search this
Gender  Search this
Identity  Search this
Genre/Form:
Correspondence
Citation:
Norma Merrick Sklarek Archival Collection, 1944-2008. National Museum of African American History and Culture, Smithsonian Institution.
Identifier:
NMAAHC.A2018.23
See more items in:
Norma Merrick Sklarek Archival Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_collection:sova-nmaahc-a2018-23

Sproul Observatory Astronomers Photoprints

Collector:
Swarthmore College. Sproul Observatory (Swarthmore, Pennsylvania: 1916)  Search this
National Museum of American History (U.S.). Division of Physical Sciences  Search this
National Museum of American History (U.S.). Division of Physical Sciences  Search this
Creator:
Gaustad, John E. (Director, Sproul Observatory)  Search this
Names:
American Astronomical Society (1916-1975)  Search this
Cincinnati Observatory (Cincinnati, Ohio)  Search this
Columbia University  Search this
Dartmouth College (Hanover, New Hampshire)  Search this
Northwestern University. Dearborn Observatory (Evanston, Illinois)  Search this
Swarthmore College. Sproul Observatory (Swarthmore, Pennsylvania: 1916)  Search this
Yerkes Observatory (Williams Bay, Wisconsin)  Search this
Delaplaine, Roy W. (astronomer)  Search this
Extent:
1 Boxe
Type:
Collection descriptions
Archival materials
Panoramas
Place:
New York (N.Y.)
Oaxtepec (Mex.)
Berkeley (Calif.)
Cincinnati (Ohio)
Pasadena (Calif.)
Evanston (Ill.)
Williams Bay (Wis.)
Hanover (N.H.)
Date:
1916-1975
Summary:
Collection of group portraits donated by Sproul Observatory. Group portraits include participants at American Astronomical Society and I.A.U. [International Astronomical Union] meetings, as well as several other taken at Johns Hopkins University, Swarthmore College, and an autographed photo of Roy W. Delaplaine at a 24-inch refractor telescope.The photographs were accumulated in the files of the Sproul Observatory, Swarthmore College, over a period of years. They form a visual record of astronomers and attendees at astronomical meetings from 1916 to 1975.
Scope and Contents:
The collection contains seventeen silver gelatin photoprints and one key diagram identifying most of the persons shown in a group photograph. Most of the pictures are group portraits of participants at American Astronomical Society and I.A.U. (International Astronomical Union?); also, group photographs taken at the Johns Hopkins University and Swarthmore College, and an autographed photoprint of "Roy M. Delaplaine at 24 inch refractor [telescope]..." Most of the group portraits were probably intended as records of the astronomical association meetings for the use of the organizations and participants.
Arrangement:
This collection is arranged in one series chronologically.
Biographical / Historical:
The donor did not supply background information with this collection, but apparently these photographs were accumulated and housed in the files of the Sproul Observatory at Swarthmore College over a period of years. They constitute a visual record of astronomers and attendees at astronomical association meetings from 1916 to 1975.
Provenance:
Donated by John E. Gaustad, Director of Sproul Observator at Swarthmore College, in 1987.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Astronomy -- 20th century  Search this
Telescope -- 20th century  Search this
Portraits, Group -- African Americans  Search this
Astronomers  Search this
Observatories  Search this
Genre/Form:
Panoramas
Citation:
Sproul Observatory Astronomers Photoprints, 1917-1975, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0251
See more items in:
Sproul Observatory Astronomers Photoprints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0251

The Journey to Installation: A Story of Two Signature Artifacts

Creator:
National Museum of African American History and Culture  Search this
Type:
YouTube Videos
Uploaded:
2014-05-08T15:37:25.000Z
YouTube Category:
Education  Search this
Topic:
African Americans  Search this
See more by:
WatchNMAAHC
Data Source:
National Museum of African American History and Culture
YouTube Channel:
WatchNMAAHC
EDAN-URL:
edanmdm:yt_ZDDUotEYCEA

Joe and Odell Thompson - "Old Corn Liquor" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2009-04-06T17:58:14.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_1iqElV1bw0c

Dink Roberts - "John Hardy" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2009-04-06T17:45:31.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_7cdEyY3_Dh8

Dink Roberts - "High Sheriff" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2009-04-06T17:38:07.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_I7UsXKciznc

John Snipes - "Old Rattler (Fox Chase)" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2009-04-06T17:23:33.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_Kdko_gOQ30Q

Paul Robeson - "Didn't My Lord Deliver Daniel?" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2009-03-26T19:02:54.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_bcHT6XVFtRo

Dink Roberts - "Georgia Buck" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2009-04-06T17:31:48.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_js6y2oBpLck

Dink Roberts - "Garfield" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2009-04-06T17:52:17.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_kPg4y-T1mak

John Snipes - "The Coo Coo (Coo Coo Bird)" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2009-04-06T17:11:36.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_xXjEX76hrW0

Paul Robeson - "On My Journey: Mount Zion" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2009-03-26T18:47:43.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_ySxtFeLwIYE

Mascots, Myths, Monuments, and Memory 10 — Andrew Demshuk

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2018-03-10T15:47:41.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_ZLjPtsdXNdE

Folk art model of a slave ship on stand

Created by:
Unidentified  Search this
Medium:
wood and ivory
Dimensions:
H x W x D (abc): 6 1/8 × 21 × 6 in. (15.6 × 53.3 × 15.2 cm)
H x W x D (a): 5 3/8 × 21 × 6 in. (13.7 × 53.3 × 15.2 cm)
H x W x D (b): 1 1/4 × 15 1/2 × 5 1/16 in. (3.2 × 39.4 × 12.9 cm)
H x W x D (c): 2 5/8 × 8 3/8 × 4 1/2 in. (6.7 × 21.3 × 11.4 cm)
Type:
models (representations)
Date:
1890-1950
Topic:
African American  Search this
Africa  Search this
African diaspora  Search this
Craftsmanship  Search this
Middle Passage  Search this
Slavery  Search this
Trans Atlantic slave trade  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2013.196.1abc
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Slavery and Freedom Objects
Decorative Arts, Craft, and Design
Exhibition:
Slavery and Freedom
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse 3, C3 053
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd54ca4e926-2a35-4f89-a357-5b87bf5e399d
EDAN-URL:
edanmdm:nmaahc_2013.196.1abc
Online Media:

Interview: John Dale, Listing of Anacostia Residents [Part 2]

Creator:
Anacostia Community Museums Collections and Research  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2014-03-27T13:37:33.000Z
YouTube Category:
People & Blogs  Search this
Topic:
African Americans  Search this
See more by:
Anacostia_Community_Museums
Data Source:
Anacostia Community Museums Collections and Research
YouTube Channel:
Anacostia_Community_Museums
EDAN-URL:
edanmdm:yt_0YHpbG7vatk

Interview: John Dale [Part 1]

Creator:
Anacostia Community Museums Collections and Research  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2014-03-27T13:40:39.000Z
YouTube Category:
People & Blogs  Search this
Topic:
African Americans  Search this
See more by:
Anacostia_Community_Museums
Data Source:
Anacostia Community Museums Collections and Research
YouTube Channel:
Anacostia_Community_Museums
EDAN-URL:
edanmdm:yt_ZOVCpWSFZwM

Interview: John Dale [Part 3]

Creator:
Anacostia Community Museums Collections and Research  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2014-03-27T13:33:02.000Z
YouTube Category:
People & Blogs  Search this
Topic:
African Americans  Search this
See more by:
Anacostia_Community_Museums
Data Source:
Anacostia Community Museums Collections and Research
YouTube Channel:
Anacostia_Community_Museums
EDAN-URL:
edanmdm:yt__wJgaluegU4

Oral history interview with John W. Rhoden, 1968 July 21

Interviewee:
Rhoden, John, 1918-  Search this
Rhoden, John, 1918-  Search this
Interviewer:
Ghent, Henri, 1926-  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Sculpture, Modern -- 20th century -- History -- New York (State) -- New York  Search this
African American artists  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)11469
(DSI-AAA_SIRISBib)213047
AAA_collcode_rhoden68
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213047

Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives

Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
320 Boxes
Type:
Collection descriptions
Archival materials
Photographs
Matrices, color separation
Dye transfer process
Studio portraits
Color separation negatives
Place:
Washington (D.C.) -- Small business -- 20th century
Washington (D.C.) -- African Americans
Shaw (Washington, D.C.)
Date:
undated
Summary:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Scope and Contents:
Subseries 4.1 includes black and white silver gelatin negatives. The majority of the negatives, not all, have been scanned.
Arrangement note:
The negatives are not arranged in a clear order, and the negatives document clients and subjects. Researchers will need to look in two different box sizes for negatives of different sizes that were originally housed together in freezer boxes but are now housed separately according to size. A number of freezer boxes are missing, this is the reason for box number gaps, and contain varying numbers of negatives. The physical number of boxes was condensed during rehousing but the original freezer box numbers were retained in combination on the new boxes. The beginning and end of a freezer box are indicated inside the new box by blue dividers.
Biographical/Historical note:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
Subseries 4.1 forms part of Series 4, within the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications
Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans -- History -- 20th century  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Segregation  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
Portraits -- 20th century  Search this
Politicians -- 20th century  Search this
African American photographers  Search this
African American entertainers -- 20th century  Search this
Genre/Form:
Photographs -- 20th century
Matrices, color separation
Dye transfer process
Studio portraits
Color separation negatives
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618.S04.01
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0618-s04-01
Online Media:

Modify Your Search







or


Narrow By