Skip to main content Smithsonian Institution

Search Results

Collections Search Center
206 documents - page 1 of 11

Scurlock Studio Records, Series 1: Black and White Photographs

Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, Addison N., 1883-1964  Search this
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
106 Boxes
Type:
Collection descriptions
Archival materials
Matrices, color separation
Photographs
Dye transfer process
Color separation negatives
Studio portraits
Place:
Shaw (Washington, D.C.)
Washington (D.C.) -- Small business -- 20th century
Washington (D.C.) -- African Americans
Date:
1888-1993
Summary:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.
Scope and Contents note:
Materials are almost entirely black and white photographs, but also include job envelopes, order forms, correspondence, notes, and other photographic material types that were included in the overall order. In addition, not all photographs in this series were taken by the Scurlock Studio; there are photographs by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. The series is arranged into two subseries: Subseries 1.1: Clients, and Subseries 1.2: Subjects.
Arrangement note:
Arranged in 2 subseries.

1.1: Clients Black and white photographs

1.2: Subjects Black and white photographs
Biographical/Historical note:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
This series forms part of the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications
Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Politicians -- 20th century  Search this
Portraits -- 20th century  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
Segregation  Search this
African American photographers  Search this
African American entertainers -- 20th century  Search this
African Americans -- History -- 20th century  Search this
Genre/Form:
Matrices, color separation
Photographs -- 20th century
Dye transfer process
Color separation negatives
Studio portraits
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618.S01
See more items in:
Scurlock Studio Records, Series 1: Black and White Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0618-s01
Online Media:

Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives

Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
320 Boxes
Type:
Collection descriptions
Archival materials
Photographs
Matrices, color separation
Dye transfer process
Studio portraits
Color separation negatives
Place:
Washington (D.C.) -- Small business -- 20th century
Washington (D.C.) -- African Americans
Shaw (Washington, D.C.)
Date:
undated
Summary:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Scope and Contents:
Subseries 4.1 includes black and white silver gelatin negatives. The majority of the negatives, not all, have been scanned.
Arrangement note:
The negatives are not arranged in a clear order, and the negatives document clients and subjects. Researchers will need to look in two different box sizes for negatives of different sizes that were originally housed together in freezer boxes but are now housed separately according to size. A number of freezer boxes are missing, this is the reason for box number gaps, and contain varying numbers of negatives. The physical number of boxes was condensed during rehousing but the original freezer box numbers were retained in combination on the new boxes. The beginning and end of a freezer box are indicated inside the new box by blue dividers.
Biographical/Historical note:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
Subseries 4.1 forms part of Series 4, within the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications
Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans -- History -- 20th century  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Segregation  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
Portraits -- 20th century  Search this
Politicians -- 20th century  Search this
African American photographers  Search this
African American entertainers -- 20th century  Search this
Genre/Form:
Photographs -- 20th century
Matrices, color separation
Dye transfer process
Studio portraits
Color separation negatives
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618.S04.01
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0618-s04-01
Online Media:

Visual Journal: Harlem and D.C. in the Thirties and Forties exhibition records

Creator:
Anacostia Museum and Center for African American History and Culture  Search this
Names:
Anacostia Museum  Search this
Anacostia Museum and Center for African American History and Culture  Search this
Parks, Gordon, 1912-2006  Search this
Willis, Deborah, 1948-  Search this
Extent:
8.5 Linear feet (15 boxes)
Type:
Collection descriptions
Archival materials
Exhibition records
Photographs
Brochures
Invitations
Exhibit scripts
Correspondence
Catalogues
Photocopies
Place:
Washington (D.C.)
Virginia
New York (N.Y.)
Date:
1996
Summary:
An exhibitionn celebrating the work of five African American photographers who documented segregated black communities in Washington, D.C., rural Virginia, and New York City in the 1930s and 1940s. Curated by Deborah Willis the exhibition was held at the Smithsonian Arts & Industries Building, South Gallery from April 18, 1996 to September 29, 1996. Photographers included: Robert H. McNeil, The Scurlock Studio, Morgan and Marvin Smith, and Gordon Parks.
Scope and Contents note:
These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, exhibit scripts, administrative records, exhibit layouts, brochures, art files,invitations, inventory, project scheudle, permission forms, photocopies, and clippings.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
Museum exhibits  Search this
African American photographers  Search this
Genre/Form:
Exhibition records -- 1990-2004
Photographs
Brochures
Invitations
Exhibit scripts
Correspondence
Catalogues
Photocopies
Citation:
Visual Journal: Harlem and D.C. in the Thirties and Forties exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-025
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-03-025
Online Media:

Morgan and Marvin Smith Audiovisual Collection

Creator:
Smith, Morgan and Marvin, b. 1910  Search this
Names:
Anacostia Community Museum  Search this
Center for African American History & Culture (U.S.)  Search this
Smith, Marvin, 1910-2003  Search this
Extent:
481 Sound recordings (203 audio cassette sound recordings ; 6 vinyl sound recordings ; 272 open reel 1/4" sound recordings)
1 Floppy disc
209 Video recordings (21 16mm film prints ; 188 video recordings)
23 Linear feet (27 boxes)
Culture:
African American  Search this
Type:
Collection descriptions
Archival materials
Sound recordings
Floppy discs
Video recordings
Place:
Harlem (New York, N.Y.)
Date:
circa 1954-1990
bulk 1970-1980
Scope and Contents note:
Morgan and Marvin Smith, twin brothers who lived and worked in Harlem, NY, are regarded as the premiere photographers of the area from the 1930s-1950s. The two brothers pursued many creative outlets outside of photography, including painting, film, and
Related Archival Materials note:
Morgan and Marvin Smith's photograph collection is housed at the New York Public Library's Schomburg Center for Research in Black Culture in New York City.
Provenance:
This collection was donated to the Center for African American History and Culture, a Smithsonian Initiative which operated in the 1990s before merging with the Anacostia Museum.
Restrictions:
Use of the materials requires an appointment. Many materials in the collection are inaccessible due to their obsolete formats and fragile state. Please contact the archivist at ACMarchives@si.edu.
Occupation:
Artists  Search this
Topic:
African American photographers  Search this
Music  Search this
Genre/Form:
Video recordings
Sound recordings
Citation:
Morgan and Marvin Smith Audiovisual Collection, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.09-012
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-09-012

Benjamin Layton collection

Creator:
Layton, Benjamin  Search this
Names:
Agnew, Spiro T., 1918-1996  Search this
Ford, Gerald R., 1913-2006  Search this
Layton, Benjamin  Search this
Marshall, Thurgood, 1908-1993  Search this
Nixon, Pat, 1912-1993  Search this
Nixon, Richard M. (Richard Milhous), 1913-1994  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Washington, Booker T., 1856-1915  Search this
Wright, Richard, 1908-1960  Search this
Extent:
3.45 Linear feet (5 boxes; 1 folder)
Type:
Collection descriptions
Archival materials
Cartes-de-visite
Postage stamps
Programs
Tintypes
Correspondence
Newsletters
Cabinet photographs
Black-and-white photographs
Portraits
Photographic prints
Pamphlets
Photographs
Etchings
Copy prints
Date:
circa 1865-1977
Summary:
The Benjamin Layton collection documents the life, family history, and interests of Benjamin T. Layton. Items date from circa 1865 to 1977. The collection measures 3.45 linear feet and is composed of newsletters, clippings, pamphlets, newspapers, correspondence, certificates, photographs, memorabilia, books, stamps, etchings, and programs.
Scope and Contents:
The collection documents the life, family history, and collecting interests of World War II veteran and federal employee Benjamin T. Layton. Layton grew up in Virginia and settled in Kensington, Maryland. Notable aspects of the collection include nineteenth-century photographs of African Americans, photographs of Layton's family, 1970s political photographs, and first editions of Richard Wright's Black Boy and Booker T. Washington's Up from Slavery and Working with the Hands. Family photographs and memorabilia reflects the family's roots in Virginia and the Washington, D.C., area. Layton's historical photograph collection draws from photographers in the Mid-Atlantic and New England.

Items date from circa 1865 to 1977. The collection measures 3.45 linear feet and is composed of newsletters, clippings, pamphlets, newspapers, correspondence, certificates, photographs, memorabilia, books, stamps, etchings, and programs. It has been arranged in three series: Series I: Biographical Files, 1913-1977, Series II: Photographs, circa 1865-1977, and Series III: Printed Material, 1901-circa 1976. Some items in Series II and Series III are oversized.
Biographical / Historical:
Benjamin Thomas Layton was born on December 24, 1917, in Hanover, Virginia, to a prominent Virginia family. His maternal great-grandfather, Ballard Trent Edwards, was a freeborn African American man who opened a school for formerly enslaved people and served for eight years in the Virginia House of Delegates. His father, William Brown Layton, was the superintendent of the Negro Reformatory of Virginia (later the Virginia Manual Labor School), a reform school for African American boys located in Hanover County.

Layton was an athlete and scholar, playing varsity tennis and attending Virginia Union University in Richmond, Virginia. He did graduate work in social sciences at the University of Chicago and Howard University, but his studies were interrupted by the draft in 1941.

Layton served with distinction in the U.S. Army during World War II, leading truck convoys carrying soldiers, supplies, weapons, and prisoners of war during the Battle of the Bulge. He also worked in military intelligence. His last active duty assignment was commanding a military detachment in Baumholder, Germany. His decorations included the Bronze Star, which he was awarded in 1977. He attained the rank of lieutenant colonel before retiring from the Army in 1963.

From 1963 to 1966 he worked in Europe, then returned to the United States in 1966, where he was an ROTC instructor at Chamberlain Vocational High School in Washington, D.C. He left in 1967 to become an equal-opportunity specialist at the United States Department of Agriculture, from which he retired in 1985. His brother William W. Layton also lived and worked in the Washington, D.C., area.

Layton had a passion for collecting and donated coins, paper money, and military artifacts to the Smithsonian National Museum of American History. He also donated objects relating to clubs and fraternities to the Anacostia Community Museum. He was a member of numerous organizations, including the Retired Officers Association, the Reserve Officers Association of the United States, the American Legion, the Prince Hall Masons, the Kiwanis Club of Wheaton, and the Federation Nationale des Anciens Combattants, a French veterans group.

Layton was married twice, his first marriage to Irma Goode ending in divorce. He lived in Kensington, Maryland, with his second wife Marguerite, with whom he had two daughters. He died on February 15, 2001, at age 83 and is buried at Arlington National Cemetery.
Related Materials:
The Anacostia Community Museum houses more items in the Benjamin Layton Collection, including buttons, fraternity paddles, lapel pins, and medals.

Order to Report for Induction, 1941. 1993.3172.04. The Price of Freedom: Americans at War, National Museum of American History.

Notice to Appear for Physical Exam, 1940. 1993.3172.03. The Price of Freedom: Americans at War, National Museum of American History.

Layton Family Collection, 228 THL, Stewart Bell Jr. Archives, Handley Regional Library, Winchester, VA, USA.
Provenance:
The Benjamin Layton collection was donated to the Anacostia Community Museum in two accretions in 1976 and 1978 by Benjamin Layton.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
The Benjamin Layton collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
John F. Kennedy Center for the Performing Arts (U.S.)  Search this
African American newspapers  Search this
African American veterans  Search this
African American soldiers  Search this
Bronze Star Medal (U.S.)  Search this
African American families  Search this
Politicians -- United States  Search this
Genre/Form:
Cartes-de-visite
Postage stamps
Programs
Tintypes
Correspondence
Newsletters
Cabinet photographs
Black-and-white photographs
Portraits
Photographic prints
Pamphlets
Photographs
Etchings
Copy prints
Citation:
Benjamin Layton collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Benjamin Layton.
Identifier:
ACMA.06-031
See more items in:
Benjamin Layton collection
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-06-031
Online Media:

Oral history interview with Gordon Parks

Creator:
Parks, Gordon, 1912-2006  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
Doud, Richard Keith  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration  Search this
Stryker, Roy Emerson, 1893-1975  Search this
Extent:
19 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Dec. 30
Scope and Contents:
An interview of Gordon Parks conducted 1964 Dec. 30, by Richard Doud, for the Archives of American Art, in New York, N.Y.
Parks speaks of his background; his early interest in photography; influences on him; his early career as a fashion photographer; joining the Farm Security Administration; his early impressions of the FSA; Roy Stryker's influence and guidance; how being Black and the experience of racism influenced his ability to relate to his subjects; memorable people he met during the FSA years; his post-FSA career, including his novels and his work for LIFE; and his opinions about the FSA's impact on people and on photography.
Biographical / Historical:
Gordon Parks (1912-2006) was a filmmaker, author, photographer, and composer from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 1 hr., 1 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Photographers -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Composers -- New York (State) -- New York  Search this
Topic:
Art and race  Search this
Documentary photography  Search this
Photography  Search this
African American artists  Search this
African American photographers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.parks64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parks64

Oral history interview with Anthony Barboza

Interviewee:
Barboza, Anthony, 1944-  Search this
Interviewer:
Shumard, Ann M.  Search this
Extent:
109 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 November 18-19
Scope and Contents:
An interview of Anthony Barboza conducted 2009 November 18 and 19, by Ann Shumard, for the Archives of American Art, at the Jolly Madison Towers hotel, in New York, New York.
Biographical / Historical:
Anthony Barboza (1944- ) is an American photographer and historian in Westbury, New York.
General:
Originally recorded 6 memory cards. Reformatted in 2010 as 6 digital wav files. Duration is 5 hr., 12 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Photographers -- New York (State) -- New York  Search this
Historians -- New York (State) -- New York  Search this
Topic:
African American photographers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.barboz09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-barboz09

Oral history interview with Don Camp

Interviewee:
Camp, Donald Eugene, 1940-  Search this
Interviewer:
Hunter, Anne S.  Search this
Names:
Tyler School of Art  Search this
Extent:
166 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1991 June 6
Scope and Contents:
An interview of Don Camp conducted 1991 June 6, by Anne Schuster Hunter, for the Archives of American Art Philadelphia Project.
Camp discusses his family, childhood and education; serving in the military; teaching himself photography; interest in the work of Eugene Smith and Roy de Carava; working for the Philadelphia "Bulletin"; the importance of the Bahai religion; graduate work at Temple University's Tyler School of Art; the development of his photographic style; racism and multiculturalism; and the artists' group Recherché.
Biographical / Historical:
Donald Eugene Camp (1940- ) is a photographer from Philadelphia, Pennsylvania.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 13 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Patrons must use microfilm copy.
Occupation:
Photographers -- Pennsylvania -- Philadelphia  Search this
Topic:
Photography, Artistic -- United States  Search this
Recherch√© (Group)  Search this
African American artists  Search this
African American photographers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.camp91
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-camp91

Scurlock Studio Records, Series 4: Black-and-White Silver Gelatin Negatives

Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Custom Craft  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, Addison N., 1883-1964  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
320 Boxes
The material type of the series is black and white silver gelatin negatives.
Type:
Collection descriptions
Archival materials
Photographs
Dye transfer process
Color separation negatives
Matrices, color separation
Studio portraits
Place:
Washington (D.C.) -- Small business -- 20th century
Washington (D.C.) -- African Americans
Shaw (Washington, D.C.)
Date:
1900-1994
Summary:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 4 materials document the clients and individuals whose photographs were taken by the Scurlock Studio and a wide variety of subject matters. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Scope and Contents note:
The materials document the clients and individuals whose photographs were taken by the Scurlock Studio and a wide variety of subject matters. The subjects represented are individual portrait sittings, organizations, events, businesses, commercial ventures of the studio, and Washington, D. C.
Arrangement:
Arranged in 12 subseries.

4.1: Black-and-White negatives

4.2: Black and white negatives in freezers arranged by job number

4.3: Black and white negatives in freezer storage arranged by client

4.4: Black and white negatives in freezer storage arranged by subject

4.5: Black and white negatives in cold storage arranged by job number

4.6: Black and white negatives in cold storage arranged by client

4.7: Negatives in cold storage arranged by client with index cards

4.8: Negatives in cold storage arranged by subject

4.9: Black and white negatives for publication

4.10: Glass Plate Negatives

4.11: Customcraft Negatives

4.12: Banquet Negatives
Biographical/Historical note:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
This series forms part of the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications
Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American entertainers -- 20th century  Search this
African American photographers  Search this
African Americans -- History -- 20th century  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Segregation  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
Politicians -- 20th century  Search this
Portraits -- 20th century  Search this
Genre/Form:
Photographs -- 20th century
Dye transfer process
Color separation negatives
Matrices, color separation
Studio portraits
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618.S04
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0618-s04

Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client

Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock Studio (Washington, D.C.)  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Note:
Cold Storage
Type:
Collection descriptions
Archival materials
Color separation negatives
Matrices, color separation
Studio portraits
Dye transfer process
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- Small business -- 20th century
Shaw (Washington, D.C.)
Date:
1929-1989
Summary:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Scope and Contents note:
The negatives document the orders of the clients of the Scurlock Studio. The majority of the negatives are of portrait sittings but there are also negatives depicting children, couples, and groups.
Arrangement note:
The arrangement of the negatives is unclear; the arrangement will be in alphabetical order before it will start completely over again.
Biographical/Historical note:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
Subseries 4.6 forms part of Series 4, within the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications
Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Segregation  Search this
Portraits -- 20th century  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
Politicians -- 20th century  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
African Americans -- History -- 20th century  Search this
African American entertainers -- 20th century  Search this
African American photographers  Search this
Genre/Form:
Color separation negatives
Matrices, color separation
Studio portraits
Dye transfer process
Photographs -- 20th century
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618.S04.06
See more items in:
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0618-s04-06
Online Media:

National Bookkeeping Machine

Maker:
National Cash Register Company. Manufacturing Division  Search this
Physical Description:
plastic (overall material)
rubber (overall material)
paper (overall material)
metal (overall material)
glass (overall material)
Measurements:
overall: 30 cm x 58 cm x 45 cm; 11 13/16 in x 22 27/32 in x 17 23/32 in
Object Name:
bookkeeping machine
Place made:
United States: New York, Ithaca
Date made:
1957
Subject:
Mathematics  Search this
Business  Search this
ID Number:
1997.0368.01
Maker number:
552366
Catalog number:
1997.0368.01
Accession number:
1997.0368
See more items in:
Medicine and Science: Mathematics
Science & Mathematics
Bookkeeping Machines
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-10d1-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_694108
Online Media:

Interview with Roy de Carava

Creator:
DeCarava, Roy, 1919-2009  Search this
Rolick, Esther G., 1922-2008  Search this
Type:
Sound Recording
Date:
1971 January 14
Topic:
African American photographers  Search this
Record number:
(DSI-AAA)12364
See more items in:
Esther G. Rolick papers, 1940-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12364

[Robert Scurlock in front of Capitol with Speed Graphic camera : aetate film photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 54
Type:
Archival materials
Photographs
Date:
[ca. 1940s.]
Scope and Contents:
Profile view. Subject wears hat and trenchcoat. "Ansco Safety Film" imprint on edge.
Exhibitions Note:
Image reproduced in companion book to following exhibit: "The Scurlock Studio and Black Washington: Picturing the Promise," NMAAHC Gallery, NMAH, January 30 - November 15, 2009.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cameras -- 1940-1950  Search this
Portraits -- 1940-1950  Search this
African American photographers  Search this
Photographers  Search this
Genre/Form:
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref1659

[Addison and Mamie Scurlock : acetate film photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Mamie Estelle  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 54
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
[ca. 1950s.]
Scope and Contents:
Addison and Mamie Scurlock in the reception area of the studio; he is wearing a three-piece suit and sits on the edge of the desk. "Kodak Safety" imprint on edge.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits, Group -- 1940-1960 -- Washington (D.C.).  Search this
African American photographers  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref1719

[Robert Scurlock in front of Capitol with Speed Graphic camera : acetate film photonegative,]]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
United States Capitol (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 56
Type:
Archival materials
Photographs
Date:
[ca. 1940s.]
Scope and Contents:
Subject wears hat and trenchcoat. "Ansco Safety Film" imprint on edge.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cameras -- 1940-1950  Search this
Portraits -- 1940-1950  Search this
African American photographers  Search this
Photographers  Search this
Genre/Form:
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref1837

[Robert Scurlock in front of U.S. Capitol, holding Speed Graphic camera : acetate film photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
United States Capitol (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 56
Type:
Archival materials
Portraits
Photographs
Date:
[ca. 1940s.]
Scope and Contents:
Subject wears hat and trenchcoat. "Ansco Safety Film" imprint on edge.
General:
In an interview, Aug. 11, 2003, George Scurlock was unable to identify the photographer of this image, but was reasonably certain that it was neither his father nor himself.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cameras -- 1940-1950  Search this
African American photographers  Search this
Photographers  Search this
Genre/Form:
Portraits -- African American men
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref1851

[Addison N. Scurlock inspecting some of his portraits : acetate film photonegative and prints]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
Scurlock, Addison N., 1883-1964  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 56
Type:
Archival materials
Portraits
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
1955
Scope and Contents:
Subject is shown with his photographs of Booker T. Washington, W. E. B. DuBois, and three other prints. "Kodak Safety" imprint on edge.
General:
This record describes the original negative and several prints made from it.
Exhibitions Note:
Print from this negative exhibited in "The Scurlock Studio and Black Washington: Picturing the Promise," NMAAHC Gallery, NMAH, January 30 - November 15, 2009.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Photographers  Search this
African American photographers  Search this
Genre/Form:
Portraits -- African American men
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref1853

Addison and Mamie Scurlock [acetate film photonegative]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Mamie Estelle  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 56
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
1955
Scope and Contents:
Addison wears three-piece suit and sits on the edge of the desk in the studio reception area. "Kodak Safety" imprint on edge.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits, Group -- 1940-1960 -- Washington (D.C.).  Search this
African American photographers  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref1855

[Student camera shots?] [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Ansco (film manufacturer)  Search this
Names:
Capitol School of Photography  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 72
Culture:
African Americans  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
undated
Scope and Contents:
Young man holding Crown Graphic (?) press camera and flashgun. No ink on negative, no Scurlock number. Portrait taken by Capitol School of Photography student, left half of sheet unexposed. "7 ANSCO SAFETY FILM" edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American photographers  Search this
Photographers  Search this
Photography, Flash-light  Search this
Genre/Form:
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2339
Online Media:

[Student camera shots ?] [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Capitol School of Photography  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 72
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
[ca. 1948-1952]
undated
Scope and Contents:
Young African American man holding Crown Graphic (?) camera and flashgun on table. No ink on negative, no Scurlock number. Portrait taken by Capitol School of Photography student. "2 ANSCO SAFETY FILM" edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American photographers  Search this
Photographers  Search this
Photography, Flash-light  Search this
Genre/Form:
Photographs -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2341
Online Media:

Modify Your Search







or


Narrow By