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Smithsonian African American Museum Groundbreaking - Rev. Calvin O. Butts, III

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2012-02-22T21:20:00.000Z
YouTube Category:
People & Blogs  Search this
See more by:
SmithsonianVideos
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianVideos
EDAN-URL:
edanmdm:yt_nyiG8d4q6Q0

Black Mosaic of Wash DC: unpacking multiple “Black” identities

Creator:
Anacostia Community Museums Collections and Research  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2015-11-19T15:23:45.000Z
YouTube Category:
Education  Search this
Topic:
African Americans  Search this
See more by:
Anacostia_Community_Museums
Data Source:
Anacostia Community Museums Collections and Research
YouTube Channel:
Anacostia_Community_Museums
EDAN-URL:
edanmdm:yt_aMCx6T_Fxos

Finding Common Ground 5 | Panel Discussion and Q & A

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2018-02-21T21:34:25.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_7SfO8hZY9cY

Maren Hassinger papers

Creator:
Hassinger, Maren  Search this
Names:
Maryland Institute, College of Art  Search this
Nengudi, Senga, 1943-  Search this
Extent:
11.3 Linear feet
4.55 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Video recordings
Diaries
Date:
1955-2018
Summary:
The papers of African American artist and educator Maren Hassinger measure 11.3 linear feet and 4.55 gigabytes, dating from 1955 to 2018. The collection contains biographical material; personal and professional correspondence; and writings; as well as project and exhibition files; material related to Hassinger's tenure at the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art (MICA); material related to other professional activities, including teaching files; photographic material; and artwork and artifacts.
Scope and Contents:
The papers of African American artist and educator Maren Hassinger measure 11.3 linear feet and 4.55 gigabytes, dating from 1955 to 2018. The collection contains biographical material including appointment and address books, education records, family and other home movie recordings, interview transcripts, and resumes; personal and professional correspondence; and writings including diaries, notebooks, notes, and writings by others. Also included are project and exhibition files, including accompanying audiovisual material and performance recordings; material related to Hassinger's tenure at the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art (MICA); material related to other professional activities, including other teaching files, panels, and grants; printed material; photographic material depicting Maren Hassinger, other individuals, and works of art, including student work; and artwork and artifacts.
Arrangement:
This collection is arranged as nine series.

Series 1: Biographical Material, 1959-2001, 2013-circa 2015 (Box 1; 0.5 linear feet, ER01; 0.001 GB)

Series 2: Correspondence, 1961-2018 (Boxes 1-2; 1 linear foot, ER02; 3.01 GB)

Series 3: Writings, 1955-2017 (Boxes 2-3; 0.7 linear feet)

Series 4: Project and Exhibition Files, 1966, 1982-2015 (Boxes 3-4, OV 12; 1.5 linear feet, ER03-ER04; 1.31 GB)

Series 5: Rinehart School of Graduate Sculpture/MICA Files, circa 1960s-2018 (Boxes 4-5; 1.4 linear feet)

Series 6: Professional Activities, circa 1969-2017 (Boxes 5-6; 0.8 linear feet, ER05; 0.006 GB)

Series 7: Printed Material, 1960-2018 (Boxes 6-9, OVs 12-15; 2.9 linear feet)

Series 8: Photographic Material, 1969-2010s (Boxes 9-10, OV 12, Box 16; 2.2 linear feet, ER06; 0.224 GB)

Series 9: Artwork and Artifacts, circa 1960s-2010s (Box 11; 0.3 linear feet)
Biographical / Historical:
Maren Hassinger (1947- ) is an African American artist in New York known for sculpture, performance, and public art in which she uses natural and industrial materials. She was also an educator and is the director emeritus of the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art in Baltimore, MD.

Born Maren Jenkins in Los Angeles, California in 1947, Hassinger studied dance and sculpture at Bennington College, earning a Bachelor of Arts in sculpture in 1969. In 1973 she completed a Master of Fine Arts in fiber structure at UCLA.

During her time in Los Angeles, Hassinger began to collaborate with Senga Nengudi — a collaborative relationship that has continued throughout their careers. She also participated in the Studio Z collective with Nengudi, Ulysses Jenkins, David Hammons, and Houston Conwill.

Hassinger taught at the State University of New York, Stony Brook from 1992 to 1997 and was the director of the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art from 1997 to 2018. Throughout her career, she has been awarded numerous residencies, awards, and grants. Her work is held in many collections including the Baltimore Museum of Art, the California African American Museum, the Hammer Museum, and the Studio Museum in Harlem.
Provenance:
The Maren Hassinger papers were donated to the Archives of American Art in 2018 by Maren Hassinger.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Educators -- Maryland -- Baltimore  Search this
Performance artists -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Video recordings
Diaries
Citation:
Maren Hassinger papers, 1955-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hassmare
See more items in:
Maren Hassinger papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hassmare

How Los Angeles Plans to Preserve the City's Black Cultural Heritage

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Thu, 08 Apr 2021 10:30:00 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_16cac4d7b2acc6a1af1f79ffa922de60

Kudos Affiliates!! January 2021

Creator:
Smithsonian Affiliates  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 26 Jan 2021 14:24:41 +0000
Topic:
Exhibition  Search this
See more posts:
Smithsonian Affiliations
Data Source:
Smithsonian Affiliates
EDAN-URL:
edanmdm:posts_bba5e483523a0d41a408d26fc42dfe09

Kudos Affiliates!! October 2020

Creator:
Smithsonian Affiliates  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Thu, 24 Sep 2020 15:44:03 +0000
Topic:
Exhibition  Search this
See more posts:
Smithsonian Affiliations
Data Source:
Smithsonian Affiliates
EDAN-URL:
edanmdm:posts_c45d60a503217b772860dfaaabb7031e

PBS Newshour interview with Lonnie Bunch, African American Museum director

Creator:
Smithsonian Insider  Search this
Type:
Blog posts
Smithsonian staff publications
Interviews
Blog posts
Published Date:
Thu, 22 Sep 2016 12:22:57 +0000
Topic:
Science  Search this
See more posts:
Smithsonian Insider
Data Source:
Smithsonian Insider
EDAN-URL:
edanmdm:posts_514d39144aaff15609620ca0803c3b9e

Building a grand photography collection for the new African American museum

Creator:
Smithsonian Insider  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 21 Sep 2016 17:41:42 +0000
Topic:
Science  Search this
See more posts:
Smithsonian Insider
Data Source:
Smithsonian Insider
EDAN-URL:
edanmdm:posts_c1ca88cc71312aa0e98109c116850685

Fiber mask

Object Name:
bede
Maker:
Dogon artist  Search this
Medium:
Fiber, cowrie shells, plastic beads, metal, cloth
Dimensions:
H x W x D: 58.0 x 17.7 x 36.2 cm (22 13/16 x 6 15/16 x 14 1/4 in.)
Type:
Mask
Geography:
Songu, Mali
Date:
ca. 1968
Topic:
foreigner  Search this
male  Search this
female  Search this
Credit Line:
Gift of Dr. William H. Stewart
Object number:
84-9-1
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7d8a7dd54-cc6a-4983-8add-cdd41246cdde
EDAN-URL:
edanmdm:nmafa_84-9-1

Comb

Maker:
Baule artist  Search this
Medium:
Wood, gold leaf, thread
Dimensions:
H x W x D: 15.6 x 4.1 x 1.5 cm (6 1/8 x 1 5/8 x 9/16 in.)
Type:
Sculpture
Geography:
Côte d'Ivoire
Date:
Early to mid-20th century
Topic:
bird  Search this
Adornment  Search this
geometric motif  Search this
male  Search this
Credit Line:
Gift of Judith Timyan
Object number:
94-3-1
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys789f4cc7f-95dc-482d-bba7-87d0e162bc70
EDAN-URL:
edanmdm:nmafa_94-3-1

Comb

Maker:
Baule artist  Search this
Medium:
Wood, gold leaf, thread
Dimensions:
H x W x D: 10.1 x 4.7 x 2.9 cm (4 x 1 7/8 x 1 1/8 in.)
Type:
Sculpture
Geography:
Côte d'Ivoire
Date:
Early to mid-20th century
Topic:
bird  Search this
Adornment  Search this
geometric motif  Search this
male  Search this
Credit Line:
Gift of Judith Timyan
Object number:
94-3-2
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys79b4c1863-9617-42cb-adb6-29d7e993ac14
EDAN-URL:
edanmdm:nmafa_94-3-2

Pinback button stating "The National African American Museum is coming..."

Manufactured by:
Unidentified  Search this
Subject of:
Smithsonian Institution, American, founded 1846  Search this
Medium:
ink on paper with metal and plastic
Dimensions:
H x W: 2 1/8 × 2 1/8 × 3/8 in. (5.4 × 5.4 × 1 cm)
Type:
buttons (information artifacts)
Place depicted:
Washington, District of Columbia, United States, North and Central America
Date:
ca. 1995
Topic:
African American  Search this
Associations and institutions  Search this
Local and regional  Search this
Museums  Search this
Politics  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Lonnie G. Bunch III
Object number:
2016.124
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Exhibition:
A Century in the Making
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse, C X06
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd534098c02-0f57-43d8-be67-192a64e87d89
EDAN-URL:
edanmdm:nmaahc_2016.124

Hats off to Mae! event announcement

Printed by:
Unidentified  Search this
Subject of:
Mae Reeves, American, 1912 - 2016  Search this
National Museum of African American History and Culture, American, founded 2003  Search this
African American Museum in Philadelphia, American, founded 1976  Search this
Medium:
ink on paper, adhesive, Fome-Cor (TM)
Dimensions:
H x W x D: 36 1/16 x 17 15/16 x 1/4 in. (91.6 x 45.6 x 0.6 cm)
Type:
advertisements
Place used:
Philadelphia, Pennsylvania, United States, North and Central America
Date:
2010
Topic:
African American  Search this
Business  Search this
Fashion  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Donna Limerick
Object number:
2016.48.45
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Mae's Millinery Shop Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd58fa5db96-481c-4d58-8ebe-3f50518ff780
EDAN-URL:
edanmdm:nmaahc_2016.48.45

Mae Reeves Hat Designs presentation board

Created by:
Unidentified  Search this
Subject of:
Mae Reeves, American, 1912 - 2016  Search this
National Museum of African American History and Culture, American, founded 2003  Search this
African American Museum in Philadelphia, American, founded 1976  Search this
Manufactured by:
Elmer's Products, American, founded 1947  Search this
Medium:
ink on paper, adhesive, corrugated board
Dimensions:
H x W x D (Flat): 28 1/16 x 40 3/16 x 1/8 in. (71.3 x 102.1 x 0.3 cm)
H x W x D (Standing): 28 1/16 x 27 x 10 in. (71.3 x 68.6 x 25.4 cm)
Type:
posters
Place used:
Philadelphia, Pennsylvania, United States, North and Central America
Date:
2010
Topic:
African American  Search this
Business  Search this
Fashion  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Donna Limerick
Object number:
2016.48.46
Restrictions & Rights:
Various. Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Mae's Millinery Shop Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd56e8d0570-187e-40e2-92eb-1fbb58c7b382
EDAN-URL:
edanmdm:nmaahc_2016.48.46

Pinback button promoting the arrival of the National African American Museum

Manufactured by:
Unidentified  Search this
Subject of:
Smithsonian Institution, American, founded 1846  Search this
Owned by:
Jan Bailey, American, 1942 - 2010  Search this
Medium:
ink on paper with metal and plastic
Dimensions:
H x W: 2 1/8 × 2 1/8 × 3/8 in. (5.4 × 5.4 × 1 cm)
Type:
buttons (information artifacts)
Place depicted:
Washington, District of Columbia, United States, North and Central America
Date:
ca.1995
Topic:
African American  Search this
Associations and institutions  Search this
Local and regional  Search this
Politics  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2013.201.1.54
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd534eabf8c-1a7c-4c03-8d50-67f2ddfe7a96
EDAN-URL:
edanmdm:nmaahc_2013.201.1.54

Pinback button for the Afro-American Historical and Cultural Museum

Manufactured by:
Unidentified  Search this
Subject of:
African American Museum in Philadelphia, American, founded 1976  Search this
Medium:
ink on paper with metal and plastic
Dimensions:
H x W x D: 2 1/4 × 2 1/4 × 1/4 in. (5.7 × 5.7 × 0.6 cm)
Type:
buttons (information artifacts)
Place depicted:
Philadelphia, Pennsylvania, United States, North and Central America
Date:
after 1976
Topic:
African American  Search this
Africa  Search this
African diaspora  Search this
Art  Search this
Communities  Search this
Identity  Search this
Museums  Search this
Urban life  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of T. Rasul Murray
Object number:
2013.68.89
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd50b5f1e4a-ed57-45db-bf25-84bc1b1b983a
EDAN-URL:
edanmdm:nmaahc_2013.68.89
Online Media:

John W. Rhoden papers, 1940-1968

Creator:
Rhoden, John, 1918-  Search this
Topic:
African American artists  Search this
Record number:
(DSI-AAA_CollID)8347
(DSI-AAA_SIRISBib)210519
AAA_collcode_rhodjohn
Theme:
Lives of American Artists
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210519

Afro-American Historical and Cultural Museum artists' files, 1968-1985

Creator:
Afro-American Historical and Cultural Museum (Philadelphia, Pa.)  Search this
Subject:
Ayers, Roland  Search this
Bearden, Romare  Search this
Bullock, Barbara Jane  Search this
Chandler, Dana  Search this
Dowell, John  Search this
Harris, John T. (John Taylor)  Search this
Hendricks, Barkley L.  Search this
Liggeons, Mary  Search this
Lindsay, Arturo  Search this
Topic:
African American artists  Search this
Record number:
(DSI-AAA_CollID)10132
(DSI-AAA_SIRISBib)213039
AAA_collcode_afrohist
Theme:
African American
Lives of American Artists
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213039

John Outterbridge papers

Creator:
Outterbridge, John, 1933-2020  Search this
Names:
Watts Towers Art Center  Search this
Angelou, Maya  Search this
Bradley, Tom, 1917-  Search this
Hines, Gregory  Search this
Marley, Bob  Search this
Otis, Johnny, 1921-  Search this
Simone, Nina, 1933-2003  Search this
White, Charles, 1918-1979  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Transcripts
Scrapbooks
Photographs
Interviews
Video recordings
Motion pictures (visual works)
Place:
Watts (Los Angeles, Calif.) -- Buildings, structures, etc
Date:
1953-1997
Summary:
The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.
Scope and Contents:
The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.

Biographical material includes life documents, awards, interview transcripts, a few sketches, teaching certificates, and a motion picture film reel entitled John Outterbridge: Black Artist.

The bulk of the correspondence consists of letters to John Outterbridge from family, artists, colleagues, museums, and universities. Notable correspondents include Maya Angelou, Johnny Otis, and Charles White.

Writings include teaching notes, an artist statement, nine typescript essays by Outterbridge, as well as papers written by students, and poems by various artists.

Professional and project files document Outterbridge's involvement in conferences, symposiums, membership records, and fellowships. There are grant and job applications, contracts, correspondence, project plans, and administrative records. There is documentation of the Metro Art for Rail Transit project and of his work as director of the Communicative Arts Academy. Outterbridge's directorship of the Watts Towers Arts Center (WTAC) are arranged in a separate series; files document administration, annual programs and events, and special projects.

Exhibition files are found for several exhibitions in which Outterbridge participated in the mid-1990s. Printed material includes clippings about John Outterbridge and the Watts Towers Arts Center, exhibition catalogs, announcements, books, and magazines.

There is one scrapbook that contains clippings, award certificates, and photographs of the Watts Towers Arts Center events. There are photographs of Johnny Otis, Nina Simone, and L.A. Mayor Tom Bradley.

Photographs are of John Outterbridge and his artwork, studio, family, friends, and events. Among those depicted in the photographs are Bob Marley and Gregory Hines.
Arrangement:
This collection is arranged as 9 series.

Series 1: Biographical Material, 1953-1997 (0.7 linear feet; Box 1, OV 6, FC 9)

Series 2: Correspondence, 1970-1997 (1.1 linear feet; Boxes 1-2, OV 7)

Series 3: Writings, circa 1980-1996 (0.2 linear feet; Box 2)

Series 4: Professional and Project Files, circa 1970-1997 (0.5 linear feet; Boxes 2-3, OV 8)

Series 5: Watts Towers Arts Center, 1976-1997 (0.4 linear feet; Box 3)

Series 6: Exhibition Files, 1992-1996 (0.2 linear feet; Box 3)

Series 7: Printed Materials, 1968-1997 (1.1 linear feet; Boxes 3-4)

Series 8: Scrapbook, 1968-1997 (0.5 linear feet; Box 5)

Series 9: Photographs, 1953-1995 (0.2 linear feet; Box 4-5)
Biographical / Historical:
John Outterbridge is an African American painter, sculptor and arts administrator in Los Angeles, California.

John Wilfred Outterbridge was born in Greenville, North Carolina in 1933. He attended Agricultural and Technical University in Greensboro, North Carolina and studied engineering for one year before joining the U.S. Army in 1953. He served two years in Europe where he started painting street scenes in his spare time. His paintings were liked and his Captain found a studio space for him, where he painted murals and artwork in offices, clubs, and American schools.

Outterbridge decided that he needed a formal education in art and after his discharge from the Army in 1955, he relocated to Chicago and enrolled first in the Chicago Academy of Art, and later in the American Academy of Art. He became active in the Chicago art scene and opened a gallery with artists John Pinkney, Elliot Hunter, and Jose Williams. While attending school, he also worked for a graphic arts firm running errands and as a Chicago Transit Authority bus driver.

Outterbridge married his wife Beverly in 1960 and they moved to Los Angeles in 1963. He worked at a production studio for a while and got an offer from another studio to become its art director. After a few years, Outterbridge took two years off and began experimenting with with other medium, such as found objects and sculpture.

Outterbridge then took a job in the art installation department of the Pasadena Art Museum where he met artists such as Peter Alexander, Richard Serra, Robert Rauschenberg, and Andy Warhol while helping with their exhibits. In addition to working on installations, Outterbridge taught sculpture classes at the museum and at several colleges such as Pasadena City College, Claremont College, Cal State Dominguez Hills, and University of California at Irvine.

From 1969-1975, Outterbridge was the director of the Compton Communicative Arts Academy. From 1975-1993, Outterbridge was the director of the Watts Towers Arts Center, a focal point in Los Angesle for African American visual and theatrical arts and the sponsor of the Watts Towers Jazz Festival and Day of the Drum Festival. He retired in 1993 to dedicate more time to his art.

Outterbridge's art can be found at the California African American Museum and the Los Angeles County Museum of Art. He has received awards throughout his career including fellowships from the Fulbright Foundation, Getty Foundation, and the National Endowment for the Arts. He received an honorary doctorate from Otis College of Art and Design in 1994.
Related Materials:
The Archives of American Art also has an oral history interview with John Outterbridge conducted by Allen Bassing in 1973.

A copy of the film John Outterbridge: Black Artist is available in the Samella Lewis papers, in the Rose Library at Emory University.
Provenance:
The John Outterbridge papers were donated to the Archives of American Art by John Outterbridge in 1997.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Arts administrators -- California -- Los Angeles  Search this
Topic:
Sculptors -- California -- Los Angeles  Search this
Artists' studios -- Photographs  Search this
Towers -- California -- Los Angeles  Search this
African American artists  Search this
Genre/Form:
Sketches
Transcripts
Scrapbooks
Photographs
Interviews
Video recordings
Motion pictures (visual works)
Citation:
John Outterbridge papers, 1953-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.outtjohn
See more items in:
John Outterbridge papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-outtjohn
Online Media:

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