The papers of this collection are those of Herbert William Krieger (b. 1889), archaeologist and curator of the Division of Ethnology for the former United States National Museum of the Smithsonian Institution. Included are correspondence, field notebooks, notes, administrative material, manuscripts of writings, printed matter, sketches, maps, photographs and other documents.
Scope and Contents:
These papers reflect the professional life of Herbert William Krieger (b. 1889), archaeologist and curator of the Division of Ethnology for the former United States National Museum of the Smithsonian Institution. Included are correspondence, field notebooks, notes, administrative material, manuscripts of writings, printed matter, sketches, maps, photographs and other documents that cover the period from 1925 to 1957.
The bulk of the material concerns Krieger's archaeological work in the West Indies, primarily the Dominican Republic, where he researched intermittently from 1938 to 1953. There is also material in the collection on Krieger's work in Southeastern and Central Alaska where he was involved with the restoration and reconstruction of the Kansaan National Monument from 1926 to 1927. Material concerning the salvage archaeology performed on the Columbia River in Washington and Oregon, particularly in the area of the construction site of the Bonneville Dam, is included in the collection. Also included is work on two War Background Studies publications, one on the peoples of the Philippines, the other on the islands of the Western Pacific. The collection additionally contains Krieger's office files and collected correspondence of scholars and informants used for reference purposes.
Not represented in the collection is any phase of Krieger's personal life, nor is there any material reflecting his life prior to or since his association with the Museum.
Among correspondents whose letters are included are Franz BOAS, C. U. CLARK, John COLLIER, L. S. CRESSMAN, Frances DENSMORE, Philip DRUCKER, John EWERS, Jesse W. FEWKES, Melville HERSKOVITS, William H. HOLMES, Walter HOUGH, Neil M. JUDD, A. L. KROEBER, Otis MASON, Frank M. SETZLER, Herbert J. SPINDEN, T. D. STEWART, Matthew STIRLING, William Duncan STRONG, T. T. WATERMAN, Waldo WEDEL, Alexander WETMORE, and Clark WISSLER.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
OUTGOING LETTERS, 1925-1955: Box 1
INCOMING LETTERS, 1925-1957: Boxes 2, 3
COLLECTED CORRESPONDENCE USED AS REFERENCES, 1892-1957: Box 3
OFFICE FILE, 1929-1957: Boxes 4, 5, 6, 7
MATERIAL RELATING TO SOUTHEAST AND CENTRAL ALASKA, 1926-1927: Box 8
MATERIAL CONCERNING THE COLUMBIA RIVER REGION, 1927-1955: Boxes 8, 9
MANUSCRIPTS AND NOTES ON THE ISLANDS OF THE WESTERN PACIFIC, 1943: Boxes 10, 11, 12, 13
MATERIALS RELATING TO THE PHILIPPINE ISLANDS, 1942: Box 14
MATERIAL CONCERNING THE WEST INDIES, 1938-1953: Boxes 15, 16, 17, 18, 19
MISCELLANY, 1925-1957: Boxes 20, 21
PRINTED, PROCESSED AND EXTRACTED MATERIAL, 1884-1957: Boxes 22, 23, 24
Herbert William Krieger joined the staff of the United States National Museum's Department of Anthropology as assistant curator of ethnology in 1924, and he became curator of ethnology in 1925. In spite of his position, much of his field work was carried out in archaeology. In 1927, for the Bureau of American Ethnology, he examined the feasibility of restoring Old Kasaan on Prince of Wales Island, Alaska, and carried out archaeological reconnaissance along the Columbia River. In the following year, he continued reconnaissance work, first along the middle Yukon River and then, again, along the Columbia. In the former area, he also collected a few random notes on living Athapascan Indians and in both areas he carried out several excavations.
In 1934, for the Bureau of Indian Affairs and the Public Works Administration, he carried out salvage archaeological work near Bonneville, Oregon. As a pastime, during the 1930s, he carried out reconnaissance along the lower Potomac River. Krieger's major work, however, lay to the south among the problems of Caribbean archeology. Between 1928 and 1937 and from 1947 to 1952, he concerned himself with sites visited by Columbus and attempts to plot areas previously occupied by the Arawak, Carib, and other tribes.
His studies involved examinations of both historic and prehistoric Spanish and Indian settlements in Haiti, Cuba, the Dominican Republic, the Virgin Islands, and the Bahamas. Based on these, he published several articles and books, including Archeological and Historical Investigations in Samana, Dominican Republic, United States National Museum Bulletin 156, 1931, and Aboriginal Indian Pottery of the Dominican Republic, United States National Museum Bulletin 156, 1931. He was also a participant in several conferences concerned with the archaeology, ethnology, and history of the Caribbean area.
In addition to his field work and administrative duties as head of the Division of Ethnology, Krieger worked with the Museum's ethnological collections and published several articles based on them. He also became involved in the renovation of the division's public areas so that "the antiquated and overcrowed exhibits should be replaced by modern exhibits in which art and science are blended". Much of the effort for this was carried out by Krieger's associate curator John Canfield Ewers.
Having a special interest in the Philippines and western Oceania that grew from his early service as a teacher in Manila, Krieger also produced studies of the people of the Philippines and the islands of the western Pacific for the Smithsonian's War Backgroud Studies series during World War II. He also worked on a volume "The Islands of New Japan, " but it was never published.
December 8, 1889 -- Born in Burlington, Iowa
1907 -- Bachelor of Arts, Wartburg College, Clinton, Iowa
1908 -- Master of Arts, State University of Iowa, in German and Philosophy
1909-10 -- Fellow, University of Illinois
1911-14 -- Instructor of economics and commercial geography at the School of Commerce, Bureau of Education, Manila, Philippine Islands
1914-20 -- Bank cashier and ranch owner, Granada, Minnesota
1922-24 -- Instructor of Anthropology, University of Minnesota
1924 -- Assistant Curator, Division of Ethnology, U. S. National Museum
1925 -- Curator, Division of Ethnology, U. S. National Museum
1926-27 -- On an expedition to southeast and central Alaska, engaged in the reconstruction and restoration at the Old Kansaan National Monument
1927-35 -- Salvage archaeology along the Columbia River, primarily in the area surrounding the Bonneville Dam prior to its construction for the Department of the Interior
1938-53 -- Investigations in the Caribbean area, primarily the island of Hispaniola, Dominican Republic
1957 -- Retired from the staff of the United States National Museum and made Honorary Research Associate, U. S. N. M.
July 1, 1970 -- Died, Buried in Columbia Gardens Cemetery, Arlington, Virginia
Related Materials:
Additional material in the National Anthropological Archives that relates to Herbert Krieger can be found in the United States National Museum Manuscript and Pamphlet File, as well as among the correspondence files of the Bureau of American Ethnology.
Topic:
Houses -- North America -- Africa -- Asia -- South America Search this
2,000 Items (circa 2000 paintings, drawings, and photographs)
Type:
Collection descriptions
Archival materials
Drawings
Paintings
Photographs
Illustrations
Date:
circa 1879-1929
Scope and Contents note:
Artwork and some photographs used to illustrate articles published in the annual reports and bulletins of the Bureau of American Ethnology and the United States National Museum. The material includes artwork by Mary Beth Chapman, Mary Wright Gill, Mary M. Hildebrant, Spencer Baird Nichols, and Antonio Zeno Shindler. Also included are unidentified illustrations of Near Eastern costumes, prayer positions and Mexican funerary vessels, perhaps sketched by Walter Hough, and a drawing, signed "J. T. G.", of a memorial to the daughter of Chief Spotted Tail.
Local Call Number(s):
NAA Photo Lot 133
Location of Other Archival Materials:
Additional illustrations are held in National Anthropological Archives Photo Lot 78-51, the records of the Bureau of American Ethnology, and the Manuscript and Pamphlet File in the Department of Anthropology records.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Drawings
Paintings
Photographs
Illustrations
Citation:
Photo lot 133, Illustrations used in Bureau of American Ethnology and United States National Museum publications, National Anthropological Archives, Smithsonian Institution
Egyptian art : the Walters Art Museum ;Regine Schulz and Matthias Seidel ; with contributions by Betsy Bryan and Christianne Henry ; photography by Susan Tobin
Microfilm of the Benjamin Stone collection of photographs relating to Britain and Europe, North America, South America, Africa, India, and Australasia. Prints made from the microfilm are mostly of portraits of American Indians and some field images relating to delegations, expeditions, dwellings, and the 1862 Sioux uprising in Minnesota. They include depictions of Arikara, Ojibwa, Miniconjou, Dakota, Pawnee, Winnebago, Iroquois, Ute, Blackfoot, Cree, Crow, Salish, and Kootenai Indians. There are also images of buildings, boats, railroads, and scenic views from around America, as well as the Smithsonian Castle in 1871 and Chicago after the Great Fire. Photographers represented include B. H. Gurnsey, Joel Emmons Whitney, and Adrian J. Ebell.
Biographical note:
Sir John Benjamin Stone (1838-1914) was born in Birmingham, England, to a glass-making family, a profession he briefly joined before starting a career in politics. He was elected representative of the Duddlestone Ward on the Birmingham Town Coucil in 1869, later becoming Mayor Cutton (1886-1891) and Member of Parliament for East Birmingham (1895-1910). Inspired by a love of antiquities, Stone began to collect and then make photographs during his international travels to East Asia, the West Indies, Africa, and North and South America. As the first president of the Birmingham Photographic Society, he encouraged the development of the Warwickshire Photographic Survey. Additionally, he helped found the National Photographic Record Association, and served as President of the organization. During his time in Parliament, Stone made a photographic survey of the Palace of Westminster and was official photographer for the Coronation of King Geroge V in 1910. His photographs were published in the two-volume Sir Benjamin Stone's Pictures (1905).
Local Call Number(s):
NAA Photo Lot R4859
Reproduction Note:
Prints made by the Smithsonian Institution, 1969.
Location of Other Archival Materials:
Some photographs have been separated into Photo Lot 24. These photographs are represented by item-level descriptions linked to this record.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Copy prints of photographs in the Birmingham Public Library in Birmngham, England. Reference copies can be made for Smithsonian Institution staff only. Permission to publish and other prints can be obtained from the Birmingham Public Library.
Photographs originally made or collected by Jesse Walter Fewkes, the bulk of which relate to the American Southwest, including images of Native Americans of the Southwest, archeological sites and artifacts, and landscapes. The collection also includes some images of the West Indies and Mexico, coral islands and atoll formations, and archeological sites in Egypt, China, and other "Old World" regions. There are also photographs of artifacts now in the Department of Anthropology collections, including a broken ladle (ANTHRO CAT 155,771) and cooking pot (ANTHRO CAT 315, 806) from Sityatki and a stone axe from Awatobi (ANTHRO CAT 156,062). Lantern slides, which make up the bulk of the collection, were mostly made from photographs, drawings, and maps, probably for use in Fewkes's lectures. Some photographs may have been made by Fewkes, but most appear to be by other photographers, including C. B. Waite.
Biographical/Historical note:
Jesse Walter Fewkes (1850‐1930) was a naturalist, anthropologist, and archeologist who served as chief of the Bureau of American Ethnology from 1918 to his death in 1928. Fewkes received a Ph.D. in marine zoology from Harvard in 1877, and was curator of lower invertebrates at the Museum of Comparative Zoology until 1887. He became deeply interested in the culture and history of Puebloan peoples while on a collecting trip in the western United States. In 1891, he served as director of the Hemenway Southwestern Archaeological Expedition and editor of the Journal of American Archeology and Ethnology. In 1895 he embarked on various archeological explorations for the Bureau of American Ethnology, during which he conducted excavations in the Southwest, the West Indies, and Florida.
Local Call Number(s):
NAA Photo Lot 1
Varying Form of Title:
E. Kenneth Stabler collection of J. W. Fewkes photographs
Location of Other Archival Materials:
The National Anthropological Archives also holds Fewkes's field notes (MS 4408).
Additional Fewkes photographs held in National Anthropological Archives Photo Lot 4321, Photo Lot 30, and Photo Lot 86 (his negatives).
Correspondence from Fewkes held in the National Anthropological Archives in the George L. Beam papers (MS 4517), the Henry Bascom Collins, Jr. papers, the Anthropological Society of Washington records (MS 4821), the Herbert William Krieger papers, the J.C. Pilling papers, the Walter Hough Papers (in the records of the Department of Anthropology), and the records of the Bureau of American Ethnology.
See others in:
Jesse Walter Fewkes photograph collection donated by E. Kenneth Stabler n.d.
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
6.1 Linear feet (Boxes 60-63, 131-138, OV 143-144)
Type:
Archival materials
Date:
1845-2010
Scope and Contents:
Photographic material includes a wide variety of formats and processes including 19th and 20th photographic prints, glass plate negatives, copy prints, contact sheets, slides, and 35mm negatives. Subjects include artists and others associated with the National Academy of Design, the school, exhibitions and events, Academy buildings, artwork, and reference photographs. Many 19th century photographs contain descriptive annotations. Supplementary inventories and guides prepared by Academy archivists are scattered throughout.
Artists and others associated with the Academy (subseries 17.1) consists of portraits of artists and groups of people—including members, juries, and council officers—at exhibitions, dinners, council meetings, and other gatherings. There are several folders of photographs of Henry Ward Ranger over three decades, some with Academy colleagues. One folder contains photographs belonging to Academy member Francis Lathrop, depicting a workshop, believed to belong to William Morris (includes supplemental correspondence, 1968-1986). One civil war photograph was sent to the president of the Academy by Joseph Jackson, depicting union soldiers and thanking the Academy for its inspiring work.
Photographs of the Academy school (subseries 17.2) depict teachers, students, classrooms, models, and instruction. Some classes are identified, such as George W. Maynard's class, and James Carroll Beckwith's "antiques class". Also included are photographs of student artworks, exhibitions, critiques, scholarship winners, and extracurricular activities. Student artwork includes predominantly figurative paintings, sculptures, and murals.
Exhibition and event photographs (subseries 17.3) include the Academy centennial exhibition, exhibitions not held at the Academy, ceremonies, galas, and the 175th anniversary celebration.
Building photographs (subseries 17.4) include copy prints of illustrations and renderings of proposed building sites, floor plans, and interior and exterior views of many of the Academy's buildings.
Artwork photographs (subseries 17.5) depict work by Daniel Huntington and George W. Maynard (many with annotations), murals by John Holmer and Gifford Beal, as well as medals, portrait paintings, figurative sculpture, sculptural relief, and religious murals.
Reference photographs (subseries 17.6) include figure studies, landscapes, and locations abroad including Egypt, Italy, the Middle East, Northern Europe, and Spain.
Arrangement:
The series is arranged as six subseries.
17.1: Artists and People, 1854-2009
17.2: School, 1845-2010
17.3: Exhibitions and Events, 1889-2007
17.4: Building, 1850-2002
17.5: Artwork, 1845-1975
17.6: Reference, 1890-1979
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
Oldman, W. O. (William Ockleford), 1879-1949 Search this
Extent:
899 Digital images
Type:
Archival materials
Digital images
Date:
1902-1916
Collection Restrictions:
Digital access only. For physical access see the Museum of New Zealand Te Papa Tongarewa website. https://collections.tepapa.govt.nz/agent/4913
Collection Rights:
Copyright in the business records is owned by the Estate of W. O. Oldman represented by the Museum of New Zealand Te Papa Tongarewa, permission for commercial use of the digital images may be requested from the Museum of New Zealand Te Papa Tongarewa, Media Licensing, at: mediasalesandlicensing@tepapa.govt.nz.
For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changedand the source of the image is identified as the Museum of New Zealand Te Papa Tongarewa/National Museum of the American Indian, Smithsonian Institution.
Collection Citation:
William Ockleford Oldman Archive research materials, Museum of New Zealand Te Papa Tongarewa and the National Museum of the American Indian, Smithsonian Institution.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Customs declarations and inventories of purchases made by Charles Freer while in Egypt between December 6th, 1906 and January 22nd, 1907. Also includes letters of instruction sent to Freer's secretary in Detroit, John M. Kennedy. Purchases include ancient Egyptian artifacts, as well as early Christian manuscripts purchased from Ali Arabi in Cairo.
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Comprehensive index of Charles Lang Freer's library, mostly relating to art and Asian culture. Headings include authors, countries, and topical subjects. Sections include locations in Freer's original Detroit home; an index of all books transferred to the Smithsonian; a list of collections and collectors catalogues of American and Near and Far Eastern art; sales catalogues, and books in Chinese language.
Arrangement:
Organized in the original manner by the creator.
Local Numbers:
FSA A.01 05.22
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Asian -- Collectors and collecting Search this
Art, American -- Collectors and collecting Search this
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Purchase vouchers, notes and price relating to purchases made by Charles Freer while in Egypt, Syria, Palestine, Lebanon, Turkey and Paris between May and August, 1908. Purchases were primarily Syrian and Persian pottery and tiles, but also included ancient Egyptian artifacts, manuscripts, and a mortuary bust from Palmyra. Dealers included Maurice Nahman, Cairo; Marcopoli & Co., Aleppo; Murad Barody, Beirut; N. Ohan, Jerusalem; Tabbagh Freres & Co., Paris, and Dikran Kelekian, Paris. Documents also include travel itinerary notes and a reciept for a donation for relief of the poor of Aleppo.
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
