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Documentary Photographer Mary Ellen Mark

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2013-11-08T14:13:29.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_Mwtw_YYv99Q

Alan and Elaine Levitt Advertisement Collection

Topic:
Coca-Cola (Trademark)
Kodak (Brand name)
Collector:
Levitt, Alan  Search this
Medical Sciences, Division of, NMAH, SI.  Search this
Levitt, Elaine  Search this
Medical Sciences, Division of, NMAH, SI.  Search this
Names:
Eastman Kodak Co.  Search this
Sherman Pharmacy (Sherman, N.Y.)  Search this
Extent:
5 Cubic feet (5 boxes, 3 oversized folders)
Type:
Collection descriptions
Archival materials
Business records
Booklets
Advertisements
Place:
Chautauqua County (N.Y.) -- 1920-1970
Date:
1920 - 1960s.
Summary:
Advertising materials relating to pharmaceutical and other supplies as part of the stock of retail pharmacies from 1920 to the early 1960s, mostly advertisements for cigars, cigarettes, Coca-Cola, Kodak, veterinary supplies, and patent medicines.
Scope and Contents:
The collection consists primarily of advertising materials related to pharmaceutical and other supplies part of the stock of retail pharmacies during the period from the 1920s to the 1960s. Much of it was in the store when the Levitts purchased the Sherman Pharmacy.

The majority is advertisements for such items as cigars, cigarettes, Coca Cola, Kodak products, veterinary supplies, and patent medicines. There are a few photographs of local (Sherman) interest and a few booklets and pamphlets, including a high school yearbook.

The material is in excellent condition. It has been left in the boxes and folders in which it was received from the Division of Medical Sciences.
Arrangement:
The collection is arranged into two series.

Series 1: Organizational Files, 1922-1995

Subseries 1.1: Administration, 1923-1994

Subseries 1.2: Affiliates and Offices, 1922-1964

Series 2: Subject Files, 1851-1990
Biographical / Historical:
Alan Levitt, who owned and operated a pharmacy in Sherman (Chautauqua County), New York, and his wife Elaine, gave to the National Museum of American History a number of pharmaceutically related objects and a collection of archival graphic materials, primarily advertising in nature. The pharmacy from which the materials came was known as Sherman Pharmacy and was located at 105 West Main Street, Sherman, New York. It was opened by James Tuft on May 9, 1895. The Levitts' decision to sell and leave Sherman was made in 1983 after about ten years of operating the store. The correspondence with respect to making the gift to the Smithsonian indicates the move was related to a desire to be part of the Jewish culture in a larger community than Sherman, which has no synagogue, for example. The Levitts had one small child and a second was on the way. By early January 1986, the Levitts had sold the pharmacy and bought a house at 2551 East 26th Street, Brooklyn, New York, 11235. Mr. Levitt was employed as a pharmacist in a state institution in Manhattan.
Provenance:
The materials were given by Alan and Elaine Levitt, September 1984.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Patent medicines  Search this
Cigarettes -- advertising -- 1920-1970  Search this
advertising -- History -- 1920-1970  Search this
advertising -- Photography -- Apparatus and supplies -- 1920-1970  Search this
Cigars  Search this
Pharmaceutical industry -- 1920-1970  Search this
Pharmacology -- 1920-1970  Search this
Photography -- Apparatus and supplies  Search this
Pharmacists -- 1920-1970  Search this
Drugstores  Search this
Veterinary supplies industry -- 1920-1970  Search this
Genre/Form:
Business records -- 20th century
Booklets -- 1920-1970
Advertisements
Citation:
Alan and Elaine Levitt Advertisement Collection, 1920-early 1960s, National Museum of American History.
Identifier:
NMAH.AC.0303
See more items in:
Alan and Elaine Levitt Advertisement Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0303

Air War College (general) (see also oversized, Box 167)

Collection Creator:
Davis, Benjamin O., Jr., 1912-  Search this
Container:
Box 7, Folder 10
Type:
Archival materials
Date:
undated
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
See more items in:
Benjamin O. Davis Jr. Collection
Benjamin O. Davis Jr. Collection / Series 2: Military Career / 2.3: Materials Arranged by Posting / 2.3.10: Air War College (Maxwell AFB, AL), Student
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1992-0023-ref1849
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  • View Air War College (general) (see also oversized, Box 167) digital asset number 1

Nickolas Muray papers, 1910-1992

Creator:
Muray, Nickolas, 1892-1965  Search this
Subject:
Kahlo, Frida  Search this
New York University  Search this
Type:
Photographs
Topic:
Photography -- Study and teaching  Search this
Photographers -- United States  Search this
Portrait photography  Search this
Record number:
(DSI-AAA_CollID)5512
(DSI-AAA_SIRISBib)212736
AAA_collcode_muranick
Theme:
Latino and Latin American
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212736
Online Media:

Marlboro Oral History and Documentation Project

Topic:
Marlboro (cigarette brand)
Creator:
Ellsworth, Scott, Dr.  Search this
Zinn, Manfredo  Search this
Marx, Dick  Search this
Nunez, Raul  Search this
Winfield, Darrel  Search this
Kwan, William  Search this
Kwong, Goddard  Search this
Adams, Hall  Search this
Landry, Jack  Search this
Arguelles, Rafael  Search this
Fockler, Knut  Search this
Philip Morris, Inc.  Search this
Gil, Felipe  Search this
Jarrard, Tom  Search this
Names:
Leo Burnett, Inc.  Search this
Extent:
17.4 Cubic feet (86 boxes)
Type:
Collection descriptions
Archival materials
Color slides
Commercials
Audiotapes
Videotapes
Posters
Proofs (printed matter)
Newsletters
Articles
Slides (photographs)
Place:
Brazil -- advertising
Argentina -- advertising
China -- advertising
Hong Kong -- advertising
Switzerland -- advertising
West Germany -- advertising
Dominican Republic -- advertising
Date:
1926-1988
Scope and Contents:
The Marlboro Oral History and Documentation Project is the result of a two-year effort supported in part by a gift from Philip Morris, Inc. Sixty oral history interviews and a variety of television commercials, print advertising, promotional materials, packaging, and industry publications were gathered to document Marlboro cigarette advertising. The bulk of the collection focuses on the period between 1954 and 1986, and examines the "Marlboro man", "Settle Back" and "Marlboro Country" campaigns. The collection is a rich source of information for researchers interested in advertising and marketing history, issues of smoking and health, and the export of both tobacco and American cultural symbols abroad. The core of the collection is a series of interviews conducted during 1985-1987 by Dr. Scott Ellsworth, an independent scholar and oral historian. The broad range of interviewees included executives of Philip Morris, advertising agency personnel from Leo Burnett, photographers, production staff, sales and marketing personnel, and Marlboro cowboys. Twenty-seven interviews were conducted overseas, in Argentina, Brazil, the Dominican Republic, Hong Kong, Switzerland, and West Germany. Conducted primarily with Marlboro licensee and affiliate staff, the interviews focus on the marketing and advertising history of Marlboro in the six nations. These interviews and others conducted with executives of Philip Morris International in New York City also address the history of Marlboro advertising in Africa, the Middle East, China, Eastern Europe and elsewhere in Europe and Latin America. The interviews cover events from the 1930s through the 1980s. They focus on the theory and development of Marlboro advertising, its content and creation, and its modifications over the years. The foreign interviews also discuss the structure of the local cigarette marketplace, marketing and advertising techniques, and the use and modification of Marlboro advertising for different cultures. Finding aids to the oral histories include abstracts of each interview indicating the major topic discussed, a cumulative index to personal names and topics in the interviews, and brief biographical and scope notes.
Arrangement:
Dthe collection is divided into seven series.

Series 1: Research Files, 1943-1987

Series 2, Interviewee Files, 1986

Series 3; Oral History Interviews, 1986

Series 4: Advertising Materials, 1926-1986

Series 5: Promotional items and packaging, 1926-1986

Series 6: Publications and Research Material, 1960-1988

Series 7: Travel Slides Generated by Project Team, 1926-1986
Biographical / Historical:
The history of Marlboro cigarettes offers insight into one of the great advertising and marketing success stories of the 20th century. Marlboro cigarettes were marketed from the Victorian era through the first half of this century as a women's cigarette, with tag-lines that aimed to appeal to female smokers, such as "Marlboro - Mild As May." In 1955, two transformations occurred which would affect both profitability and brand recognition: the addition of an integrated filter and the re-invention of the market through the debut of the "Marlboro Man" advertising campaign. The original Marlboro Man campaign featured close-up images of all kinds of men using the product -- the cowboy was one, along with lifeguards, sailors, drill sergeants, construction workers, gamblers and other types suggestive of a masculine spirit and rugged independence. By 1963, the "Marlboro Country" campaign began. This campaign focused on the cowboy and his symbolic canon: boots, hats, horses, and western landscapes. By the mid-1980s, Marlboro was the best-selling brand in the United States and the world, and the Marlboro cowboy was among the most widely recognized of American cultural symbols. Sold in over 180 nations, both the cigarettes and the ad campaign had become a global phenomena.
Provenance:
The collection was donated to the Archives Center by Philip Morris, Inc. in 1986.
Restrictions:
The materials in the Marlboro Collection are made available for research according to the established practices and principles of the Archives Center and the National Museum of American History.
Rights:
In making these materials available for research, the Smithsonian Institution makes no claims of ownership of the copyrights or related rights. All responsibility for infringement of legal authorship rights and or copyright is assumed by the user of the materials. In addition, the user indemnifies and holds harmless the Smithsonian Institution for all claims, actions, damages, judgments and expenses that may result from use of these materials. In addition, the donor has imposed restrictions on reproduction or broadcast of collection materials by third parties. The reproduction or broadcast of print ads and television commercials in the collection is subject to prior written consent from: Nancy Lund, Vice President, Marketing,Philip Morris International, 120 Park Avenue, New York, NY 10017;(917) 663-5000
Occupation:
Cinematographers  Search this
Topic:
T.V. commercial producers  Search this
Photographers  Search this
Accountants  Search this
advertising -- Cigarettes -- 20th century  Search this
Cowboys -- 20th century  Search this
Advertising, Newspaper -- 20th century  Search this
Smoking -- 1940-1990  Search this
Travel photography -- 1940-1990  Search this
Photography, Advertising -- 20th century  Search this
Advertising photography  Search this
Advertising campaigns -- 20th century  Search this
Cigarette industry -- 20th century  Search this
Cigarettes -- advertising -- 20th century  Search this
Advertising agencies -- 20th century  Search this
Television advertising -- Cigarettes -- 1940-1990  Search this
Advertising, magazine -- 20th century  Search this
Art directors  Search this
Copy writers  Search this
Genre/Form:
Color slides -- 1960-1990
Commercials
Audiotapes -- 1980-1990
Videotapes
Posters
Proofs (printed matter)
Newsletters
Articles
Slides (photographs) -- 1950-2000
Citation:
Marlboro Oral History and Documentation Project, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0198
See more items in:
Marlboro Oral History and Documentation Project
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0198
Online Media:

Cleaned by American occupation--O'Reilly, an important shopping street (W.). [Caption No. 6505 : stereoscopic interpositive.]

Topic:
CUBA/HAVANA
Publisher:
Underwood & Underwood  Search this
Names:
Eastman Kodak Company  Search this
Suarez & Lychenheim  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8".)
Type:
Archival materials
Interpositives
Stereoscopic photographs
Place:
Cuba -- 1890-1920
Havana (Cuba). -- 1890-1920
O'Reilly (street, Havana, Cuba) -- 1890-1920
Local Numbers:
RSN 21293

AC0143-0021293.tif (AC scan number)
General:
Currently stored in box 3.2.15 [27].
Covered horse-drawn vehicle coming down narrow street toward viewer, with passers-by on sidewalks. Signs stretched across street include Kodak advertisement in English, with image of folding camera, for "Suarez & Lychenheim, / Opticians and Dealers in Photographic Supplies / Agents for Eastman Kodak Co." The Suarez & Lychenheim shop, at no.106, appears at left.
Collection Restrictions:
The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Horses -- Cuba  Search this
Carriages and carts -- 1890-1920 -- Cuba  Search this
Streets -- Cuba  Search this
Cameras -- 1890-1920 -- Cuba  Search this
Signs and signboards -- 1890-1920 -- Cuba  Search this
Photography -- Apparatus and supplies -- 1890-1920 -- Cuba  Search this
Opticians -- 1890-1920 -- Cuba  Search this
advertising -- Photography--Apparatus and supplies -- 1890-1920 -- Cuba  Search this
Horse-drawn vehicles -- 1890-1920 -- Cuba  Search this
Genre/Form:
Interpositives
Stereoscopic photographs -- 1890-1920
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 21212-21312
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref27570

Periodical articles

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 7, Folder 8
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 5: George "Buck" Weaver materials
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref175
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  • View Periodical articles digital asset number 1

Advertising-Photography schools

Subseries Creator:
Scurlock, George H. (Hardison), 1919-2005  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock Studio (Washington, D.C.)  Search this
Container:
Box 9
Type:
Archival materials
Date:
1955
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.8: Negatives in cold storage arranged by subject
Scurlock Studio Records, Subseries 4.8: Negatives in cold storage arranged by subject / 4.8: Negatives in cold storage arranged by subject
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-08-ref256

Nickolas Muray papers

Creator:
Muray, Nickolas, 1892-1965  Search this
Names:
New York University -- Faculty  Search this
Kahlo, Frida  Search this
Extent:
1.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1910-1992
Summary:
The papers of photographer Nickolas Muray measure 1.5 linear feet and date from 1910 to 1978. Found within the papers are biographical materials; business and personal correspondence, including a handful of letters from Frida Kahlo; writings; teaching files, primarily of photography courses taught at New York University; printed material; artwork; and photographic materials of Muray, his family and friends, and his work.

There is a 0.6 linear feet Unprocessed Addition which includes biographical material, correspondence, photographs, research notes and a diary about Africa, and a subject file on the book The Revealing Eye, Personalities of the 1920s, written by Paul Gallico with photographs taken by Muray, 1967.
Scope and Contents:
The papers of photographer Nickolas Muray measure 1.5 linear feet and date from 1910 to 1992. Found within the papers are biographical materials; business and personal correspondence, including a handful of letters from Frida Kahlo; writings; teaching files, primarily of photography courses taught at New York University; printed material; artwork; and photographic materials of Muray, his family and friends, and his work.

There is a 0.6 linear feet Unprocessed Addition which includes biographical material, correspondence, photographs, research notes and a diary about Africa, and a subject file on the book The Revealing Eye, Personalities of the 1920s, written by Paul Gallico with photographs taken by Muray, 1967.
Arrangement:
The collection is arranged as 2 series.

Series 1: Nickolas Muray papers, 1910-1978 (0.9 linear feet; Boxes 1-2, OV 3)

Series 2: Unprocessed Addition, 1927-1992 (0.6 linear feet; Boxes 4-5)
Biographical / Historical:
Photographer Nickolas Muray (1892-1965) lived and worked in New York, New York and was known for his portrait, fashion, and advertising photography and for his mastery of the carbro color printing process.

Born in Szeged, Hungary, Muray spent time in Budapest as an engraver's apprentice and moved to Germany at the age of 16 to expand his technical knowledge of photo-engraving and photography. In 1913, Muray immigrated to America where he worked as a photo engraver at Stockinger Engraving Co. and eventually opened his own photography studio in 1920. After successfully completing a commission to photograph Broadway star Florence Reed, Muray continued to build his portfolio with regular commissions for Harper's Bazaar and Vanity Fair to photograph movie stars, artists, musicians, artists, and models. In the 1930s, Muray mastered the carbro printing process and established one of the first color labs in America. His color fashion and advertising work continued to appear regularly in Vogue, Ladies' Home Journal, Woman's Home Companion, McCall's and other periodicals.

In addition to his professional work, Muray wrote reviews for Dance magazine and represented the United States in 1928 and 1932 as a member of the Olympic fencing team. He maintained a long distance affair with artist Frida Kahlo throughout the 1930s, eventually ending the relationship but remaining friends until her death in 1954. In 1942, Muray married his fourth wife, Margaret (Peggy) Schwab, with whom he had a daughter, Mimi. Muray died of a heart attack in 1965.
Provenance:
The papers were donated in 1988 and 2019 by Muray's daughter, Mimi Murray.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Nickolas Muray papers are owned by the Archives of American Art, Smithsonian Instituion. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collelction is subject to all copyright laws.
Topic:
Photography -- Study and teaching  Search this
Photographers -- United States  Search this
Portrait photography  Search this
Genre/Form:
Photographs
Citation:
Nickolas Muray papers, 1910-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.muranick
See more items in:
Nickolas Muray papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-muranick
Online Media:

Fred Wiseman Scrapbook

Creator:
Wiseman, Fred, 1875-1961  Search this
Names:
Early Birds of Aviation (Organization).  Search this
Wiseman-Peters (Fred Wiseman and J. W. Peters) (Aircraft manufacturer)  Search this
Extent:
0.59 Cubic feet (1 flatbox)
Type:
Collection descriptions
Archival materials
Photographs
Tickets
Correspondence
Clippings
Date:
1909-1968
bulk [ca. 1910s, 1950s]
Summary:
Fred Wiseman, along with J. W. Peters and D.C. Prentiss, built a biplane named the Wiseman-Peters. During July 1910, both Peters and Wiseman flew the Wiseman-Peters and the following year Wiseman entered the 1911 Aviation Meet at Selfridge Field, Michigan. On February 17, 1911, Wiseman made the first airplane-carried mail flight officially sanctioned by any local U.S. post office and made available to the public when he carried mail, a bundle of newspapers and a sack of groceries from Petaluma, CA, to Santa Rosa, CA. After the 1911 season, Wiseman gave up flying.

This collection consists of a large scrapbook. Inside the scrapbook are newspaper clippings, correspondence, 1st Day Covers, race tickets, and photographs chronicling both Wiseman's automobile and aviation careers.
Scope and Contents:
This collection consists of a large scrapbook. Inside the scrapbook are newspaper clippings, correspondence, 1st Day Covers, race tickets, and photographs chronicling both Wiseman's automobile and aviation careers.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.
Arrangement:
Materials are in the order the donor attached them to the scrapbook. Correspondence is often located within the envelope that is attached to the scrapbook. Some materials are loose and have been left in the arrangement in which they were found, unless a portion of a newspaper article could be matched to its other parts.
Biographical / Historical:
Fred Wiseman (1875-1961) was born in Santa Rosa, California, and after attending local schools he engaged in both the bicycle and automotive businesses. Wiseman won considerable fame racing Stoddard-Dayton cars on the West Coast as well as in the Chicago area. He became interested in aviation after attending the Wright brothers' homecoming celebration in 1909 and the first Los Angeles aviation meet at Dominguez Field in 1910.

After these two events, Wiseman was convinced he wanted to learn to fly and so he returned to his home in Santa Rosa and persuaded Ben Noonan to put up $10,000 to build a plane. Wiseman, along with J. W. Peters and D.C. Prentiss, built a biplane named the Wiseman-Peters. During July 1910, both Peters and Wiseman flew the Wiseman-Peters and the following year Wiseman entered the 1911 Aviation Meet at Selfridge Field, Michigan.

On February 17, 1911, Wiseman made the first airplane-carried mail flight officially sanctioned by any local U.S. post office and made available to the public when he carried mail, a bundle of newspapers and a sack of groceries from Petaluma, CA, to Santa Rosa, CA. (The first air mail flight sanctioned by the U.S. Post Office in Washington, D.C., took place on September 23, 1911, when Earle Ovington carried mail from Garden City, Long Island, to Mineola; and the first continuously scheduled U.S. air mail service began on May 15, 1918, with routes between Washington, Philadelphia, and New York.)

During 1911, Wiseman had an active season of exhibition work, including flying for one week at the California State Fair. However, after this season Wiseman gave up flying because he thought there was no future in it. He sold his plane and returned to the automobile business. He later worked for Standard Oil Company of California. Wiseman was a member of the Early Birds of Aviation, an organization of pilots who flew solo in an aircraft prior to December 17, 1916.

Weldon Cooke, another pioneer aviator from California, bought and modified the Wiseman-Peters aircraft, renaming it the Wiseman-Cooke. Cooke flew the Wiseman-Cooke for exhibition and air mail flights. The Wiseman-Cooke aircraft is currently part of the Smithsonian Institution's collections.
Provenance:
No donor information, Gift?, unknown, XXXX-0618, unknown
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Automobile racing  Search this
Air mail service  Search this
Aeronautics, Commercial  Search this
Aeronautics -- Exhibitions  Search this
Airplane racing  Search this
Aeronautics -- Competitions  Search this
Aeronautics -- 1903-1916  Search this
Aeronautics  Search this
Air pilots  Search this
Wiseman-Peters #2 Biplane (1910)  Search this
Genre/Form:
Photographs
Tickets
Correspondence
Clippings
Citation:
Fred Wiseman Scrapbook, Acc. NASM.XXXX.0618, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0618
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-xxxx-0618
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Fred Wiseman Scrapbook digital asset number 1
Online Media:

American photography : a century of images / by Vicki Goldberg and Robert Silberman

Author:
Goldberg, Vicki  Search this
Silberman, Robert B (Robert Bruce) 1950-  Search this
Physical description:
232 pages : illustrations ; 31 cm
Type:
Books
History
Place:
United States
États-Unis
Date:
1999
©1999
20th century
20e siècle
Topic:
Photography--History  Search this
Photography  Search this
Fotografie  Search this
Photographie--Histoire  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_592922

Art, type, printing, advertising, photography : graphic design coming of age / the First Symposium on the History of Graphic Design

Author:
Symposium on the History of Graphic Design (1st : 1983 : Rochester Institute of Technology)  Search this
Rochester Institute of Technology  Search this
Physical description:
54, 4, 15 leaves : ill. ; 28 cm
Type:
Congresses
Date:
1983
1983]
Topic:
Graphic arts--History  Search this
Commercial art--History  Search this
Call number:
NC997.A2 S98a 1983
NC997.A2S98a 1983
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_295054

PDN : Photo district news

Title:
Photo district news
Physical description:
v. : ill. (some col.) ; 29-35 cm
Type:
Periodicals
Date:
1995
1995-
Topic:
Commercial photography  Search this
Advertising photography  Search this
Call number:
TR690 .P363
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_452589

Advertising photography is more than a thousand words: Al Rendon remembers a photography session with Selena

Creator:
National Museum of American History  Search this
Type:
Blog posts
Smithsonian staff publications
Interviews
Blog posts
Published Date:
Fri, 20 Oct 2017 18:42:31 +0000
Topic:
American History  Search this
See more posts:
Blog Feed
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:posts_1f21eb30d5d98d53b439b7fe40813f57

The Short Rise and Fall of the Crazy-for-Cocoa-Trade Cards Craze

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 13 Feb 2015 14:51:35 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_6ec7df1f6df3ac0851b918580934e164

Between ad and allegory : marketing portraits of Gerard Reve / Hinde Haest

Author:
Haest, Hinde 1987-  Search this
Subject:
Reve, Gerard 1923-2006  Search this
Physical description:
55 pages : illustrations (some color), portraits ; 27 cm
Type:
Exhibitions
Portraits
Exhibition catalogs
Date:
2013
Topic:
Portrait photography  Search this
Advertising photography  Search this
Photography, Artistic  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1067695

Doris Quarella Fotografin : 1944-1998

Author:
Quarella, Doris 1944-  Search this
Subject:
Quarella, Doris 1944-  Search this
Physical description:
60 p. : ill. ; 28 cm
Type:
Books
Place:
Germany
Date:
2001
2001]
Topic:
Portrait photography  Search this
Advertising photography  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_815272

Advertising photography in Japan / Japan Advertising Photographers' Association

Author:
Nihon Kōkoku Shashinka Kyōkai  Search this
Physical description:
v. : ill. ; 35 cm
Type:
Books
Place:
Japan
Date:
1982
1982-
Topic:
Advertising photography  Search this
Call number:
TR690.4 .A37 1982
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_868514

Image ethics in the digital age / Larry Gross, John Stuart Katz, and Jay Ruby, editors

Author:
Gross, Larry P. 1942-  Search this
Katz, John Stuart  Search this
Ruby, Jay  Search this
Physical description:
xxv, 370 p. : ill. ; 26 cm
Type:
Books
Date:
2003
C2003
Topic:
Photojournalism--Moral and ethical aspects  Search this
Photography--Moral and ethical aspects  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_762295

Colorama : the world's largest photographs from Kodak and the George Eastman House Collection / essays by Alison Nordström and Peggy Roalf

Author:
Nordström, Alison Devine  Search this
Roalf, Peggy  Search this
International Museum of Photography at George Eastman House  Search this
Eastman Kodak Company  Search this
Subject:
Eastman Kodak Company  Search this
Physical description:
79 p. : chiefly col. ill. ; 15 x 25 cm
Type:
Books
Pictorial works
Place:
United States
Date:
2004
C2004
20th century
Topic:
Advertising photography  Search this
Color photography--History  Search this
Social life and customs  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_771643

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