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Rich Field Flyer

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 7, Folder 2
Type:
Archival materials
Date:
1919
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 5: George "Buck" Weaver materials
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg293474a28-91ac-42ba-9e3b-2a796e7908f6
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref169
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Adams, George H. & Son, Map and book publishers, New York

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1879 and 1881
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Maps, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Maps
Warshaw Collection of Business Americana Subject Categories: Maps / 1: Companies
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8d44a41f4-5151-4594-90da-b4b1f5990353
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-maps-ref532

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 7
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 8
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 9
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 10
Online Media:

Family Folklore Interviews: Dubin, Adams, Beatley, Somers

Creator:
Smithsonian Institution. Office of Folklife Programs. Family Folklore Project  Search this
Field worker:
Zeitlin, Steven J.  Search this
Artist:
Dubin, Barbara  Search this
Adams, George  Search this
Performer:
Dubin, Barbara  Search this
Adams, George  Search this
Beatley, Katie  Search this
Somers, Deidre  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Russian Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Date:
1976 July 9
1976
General note:
Other number FP-1976-CT-0484
Local Numbers:
FP-1976-CT-0484

FLP.114381
Publication, Distribution, Etc. (Imprint):
United States 1976
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 9, 1976.
General:
469-1/3-76
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
Expressions  Search this
Grandparents  Search this
History  Search this
Fiction  Search this
Parents  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1976, Item FP-1976-CT-3486
See more items in:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
Smithsonian Folklife Festival records: 1976 Festival of American Folklife / Series 4: Family Folklore / FP-1974-CT-0758: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5128d3189-9238-4700-89fd-c5cd314c35ad
EDAN-URL:
ead_component:sova-cfch-sff-1976-ref11977

The Honorable George Adams

Artist:
Unidentified Artist  Search this
Sitter:
George Adams, 1781 - 1844  Search this
Medium:
Oil on canvas
Dimensions:
121.9 × 96.5cm (48 × 38")
Type:
Painting
Date:
c. 1836-39
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Personal Attribute\Facial Hair\Goatee  Search this
George Adams: Male  Search this
George Adams: Law and Law Enforcement\Lawyer  Search this
George Adams: Law and Law Enforcement\Judge  Search this
George Adams: Politics and Government\US Attorney  Search this
George Adams: Politics and Government\State Attorney General\Mississippi  Search this
Portrait  Search this
Credit Line:
Owner: Mr. & Mrs. Robert James Young
Object number:
MS990017
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4c5111d3c-2fee-462a-93dd-b1775fb53c10
EDAN-URL:
edanmdm:npg_MS990017

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-2007  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-2018  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Topic:
Art, American  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c4de66ef-397b-4e6e-9fde-d6deca12fa3a
EDAN-URL:
ead_collection:sova-aaa-artitalk
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Online Media:

Oral history interview with Beverly Mayeri, 2007 September 15-October 3

Interviewee:
Mayeri, Beverly, 1944-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Adams, George  Search this
Argüelles, Jose  Search this
Arneson, Robert  Search this
Bohn, Diana  Search this
Breschi, Karen  Search this
Chen-Ting, Mimi  Search this
De Staebler, Stephen  Search this
Frumkin, Allan  Search this
Goldstein, David  Search this
Gruber, Wendy  Search this
Marler, Peter  Search this
Styles, Marilyn  Search this
Turkel, Marni  Search this
Van Dyke, Gail  Search this
San Francisco State University  Search this
Sausalito Art Center  Search this
University of California, Berkeley  Search this
Dorothy Weiss Gallery  Search this
Susan Cummins Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Beverly Mayeri, 2007 September 15-October 3. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Women artists  Search this
Women ceramicists  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13658
(DSI-AAA_SIRISBib)273508
AAA_collcode_mayeri07
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_273508
Online Media:

Oral history interview with Beverly Mayeri

Interviewee:
Mayeri, Beverly, 1944-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Dorothy Weiss Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
San Francisco State University -- Students  Search this
Sausalito Art Center  Search this
Susan Cummins Gallery  Search this
University of California, Berkeley -- Students  Search this
Adams, George  Search this
Argüelles, Jose  Search this
Arneson, Robert, 1930-1992  Search this
Bohn, Diana  Search this
Breschi, Karen  Search this
Chen-Ting, Mimi  Search this
De Staebler, Stephen, 1933-2011  Search this
Frumkin, Allan  Search this
Goldstein, David  Search this
Gruber, Wendy  Search this
Marler, Peter  Search this
Styles, Marilyn  Search this
Turkel, Marni  Search this
Van Dyke, Gail  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2007 September 15-October 3
Scope and Contents:
An interview of Beverly Mayeri conducted 2007 September 15 and October 3, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Mayeri's studio, in Sausalito, California.
An interview of Beverly Mayeri, conducted by Mija Riedel for the Archives of American Art, at the artist's studio in Mill Valley, California, on September 15, 2007 and October 3, 2007. Mayeri speaks of her childhood in New Jersey; the artistic and creative activities of her parents; her mother, who was a watercolorist; her father, who was an inventor, woodworker, and artist; enjoying setting up and conducting biology experiments in high school; working as an intern marine biologist between senior year of high school and freshman year of college; attending the University of California, Berkeley and receiving her degree in zoology; becoming interested in clay during her senior year at Berkeley; her marriage, daughter, and time spent in New York City where she was unable to focus on ceramics; participating in classes and workshops at the Sausalito Art Center upon her return to California; her early functional, production work; being inspired by Karen Breschi's work, which led to the Mother series; working from her garage; attending graduate school at San Francisco State University; reading Erich Neumann's "The Great Mother" and becoming interested in the psychological world within individuals and expressing that through art; the development of the checkerboard theme in her work; expressing a personal truth that others will recognize in themselves; the prevalence of faces, animals, patterns, and texture in her work; portraiture and anatomy; working with dark clay; exploring environmental themes; the connection between expressing both human and environmental frailty; the cyclical nature of her work in returning to previous themes; conveying stillness versus gesture; her experience with galleries, including Susan Cummins Gallery, Dorothy Weiss Gallery, and Ivory Kimpton Gallery; the freedom of working with acrylic paint as opposed to glaze; and becoming more involved in environmental activism. Mayeri also recalls Peter Marler, Marni Turkel, Diana Bohn, Marilyn Stiles, Steven De Staebler, Robert Arneson, José Argüelles, Wendy Gruber, Mimi Chen-Ting, Gail Van Dyke, Daniel Goldstein, Allan Frumkin, George Adams, and others.
Biographical / Historical:
Beverly Mayeri (1944- ) is a ceramist in Mill Valley, California. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 4 hrs., 34 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Ceramicists -- California  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Women ceramicists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mayeri07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw997377c09-3baf-4233-99db-da26ed7261ee
EDAN-URL:
ead_collection:sova-aaa-mayeri07
Online Media:

Adams, George

Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Container:
Box 28
Type:
Archival materials
Scope and Contents note:
Job Number: 23455
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number / Scurlock client negatives: A - Azzarone
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f294126e-97fb-44f0-b69f-6ea493001756
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-05-ref305

Adams, George, (Doctor)

Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Container:
Box 43
Type:
Archival materials
Scope and Contents note:
Job Number: 41228
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number / Scurlock client negatives: A - Azzarone
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c8134c22-df6b-4911-b37d-d0c79ae3e961
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-05-ref307

Howard University Medical School

Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Container:
Box 313
Type:
Archival materials
Date:
undated
Scope and Contents note:
Job Number: 22850
Subject/Sitter: [Adams], George L.
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number / Scurlock client negatives: H - Hztech
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8cb276381-33a8-4108-b0d0-db3c4f9fffa1
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-05-ref33866

Leo Baekeland Diary Volume 14

Author:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Collection Creator:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Extent:
1 Item (6.0" x 3.5".)
Container:
Box 19, Folder 2
Type:
Archival materials
Biographies
Diaries
Place:
Yonkers (N.Y.) -- 1900-1910
Date:
1913 July 1-1914 March 11
Scope and Contents:
Inscription on flyleaf: "I / Journal of / Dr. L.H. Baekeland / Yonkers, NY [sic] / July 1, 1913 / to March 11, 1914." The diary details Baekeland's daily activities. He writes often of his visits and discussions, and the subjects of correspondence he has written and received. It sheds light on the use and distance of travel by automobile in the early twentieth century. In the notes, Baekeland explains increasing time spent in the laboratory at the end of 1913 into 1914.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Laboratories  Search this
Automobiles -- 1900-1910  Search this
Tourism  Search this
Family -- 20th century  Search this
Genre/Form:
Biographies
Diaries -- 20th century
Collection Citation:
Leo Baekeland Papers, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Leo H. Baekeland Papers
Leo H. Baekeland Papers / Series 4: Diaries
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a2597d93-80ac-404d-8a04-452ffb6bf868
EDAN-URL:
ead_component:sova-nmah-ac-0005-ref303
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  • View Leo Baekeland Diary Volume 14 digital asset number 1

Seward, C. A.

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 88, Folder 15
Type:
Archival materials
Date:
1934-1935
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9030cca64-1fa1-469b-be1d-c33d5bc2b786
EDAN-URL:
ead_component:sova-aaa-jacqself-ref11222
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  • View Seward, C. A. digital asset number 1

Adam, Georges

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 7, Folder 18
Type:
Archival materials
Date:
1950-1951
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f8cfacd7-63f3-4326-b558-516598db6567
EDAN-URL:
ead_component:sova-aaa-jacqself-ref8778

Adams, George--Rangbhavan, Madras

Collection Creator:
Contractor, Navroze  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1984
Collection Restrictions:
The collection is open for research. Gloves required with unprotected photographs.
Collection Rights:
Copyright restrictions; contact staff for information.
Collection Citation:
Navroze Contractor Photographs, 1978-1995, Archives Center, National Museum of American History.
See more items in:
Navroze Contractor Photographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8361d9510-3f17-4e2c-b0ad-2cde0754d4fa
EDAN-URL:
ead_component:sova-nmah-ac-0569-ref512

Gilbert Stuart's drawing instruments

Maker:
George Adams Jr., active c. 1780  Search this
Associated Person:
Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this
Medium:
Brass, steel, ivory, ebony and mahogany
Dimensions:
Case, lid closed: 10.5 x 43.5 x 29 cm. (4 1/8 x 17 1/8 x 11 7/16")
Type:
Art Implement
Date:
c. 1780
Topic:
Artist's effects\Brush  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the family of the late Lester Hoadley Sellers
Object number:
AD/NPG.96.5
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm47507097d-121f-49c6-9a74-ed7e072e8412
EDAN-URL:
edanmdm:npg_AD_NPG.96.5

George Adams

Artist:
Unidentified Artist  Search this
Sitter:
George Adams, born 1792  Search this
Medium:
Oil
Dimensions:
61 × 50.8cm (24 × 20")
Type:
Painting
Date:
c. 1830
Topic:
Costume\Dress Accessory\Stock  Search this
George Adams: Male  Search this
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
NJ990086
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm48198b164-07fc-4861-be83-201eb49f5d21
EDAN-URL:
edanmdm:npg_NJ990086

Cutlery

Artist:
George W. Adams, English, n.d.  Search this
Medium:
enamel and metal
Dimensions:
length: 8 3/4 in. (22.3 cm)
Type:
Decorative Arts
Date:
1840-1860
Credit Line:
Smithsonian American Art Museum, Gift of John Gellatly
Object number:
1929.8.246.1
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Decorative Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7596bef59-ac41-4bf8-849e-736feee5156b
EDAN-URL:
edanmdm:saam_1929.8.246.1

Cutlery

Artist:
George W. Adams, English, n.d.  Search this
Medium:
enamel and metal
Dimensions:
length: 8 3/4 in. (22.3 cm)
Type:
Decorative Arts
Credit Line:
Smithsonian American Art Museum, Gift of John Gellatly
Object number:
1929.8.246.10
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Decorative Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk74ba2b7be-365b-4383-aa77-a4941f5d05f8
EDAN-URL:
edanmdm:saam_1929.8.246.10

Cutlery

Artist:
George W. Adams, English, n.d.  Search this
Medium:
enamel and metal
Dimensions:
length: 8 3/4 in. (22.3 cm)
Type:
Decorative Arts
Credit Line:
Smithsonian American Art Museum, Gift of John Gellatly
Object number:
1929.8.246.11
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Decorative Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk74cba8f32-aecb-4e53-9fc2-13e55e72ed2e
EDAN-URL:
edanmdm:saam_1929.8.246.11

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