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Pearl Bowser Audiovisual Collection

Names:
Andrade-Watkins, Claire  Search this
Bambara, Toni Cade  Search this
Dash, Julie  Search this
Gerima, Haile  Search this
Gunn, Bill, 1934-1989  Search this
Jafa, Arthur  Search this
Jones, Robert Earl, 1904-2006  Search this
Massiah, Louis  Search this
Micheaux, Oscar, 1884-1951  Search this
Moses, Ethel  Search this
Robeson, Paul, 1898-1976  Search this
Sanchez, Sonia, 1934- (poet, reader)  Search this
Snead, James A., 1953-1989  Search this
Spence, Louise, 1945-  Search this
Tucker, Lorenzo  Search this
Donor:
Bowser, Pearl, 1931-  Search this
Extent:
approximately 100 Motion picture films
213 Sound cassettes (7 boxes)
Type:
Collection descriptions
Archival materials
Motion picture films
Sound cassettes
Sound cassette
Oral histories (document genres)
16mm motion picture film
Vhs (videotape format)
Place:
England
Harlem (New York, N.Y.)
Roanoke (Va.)
Memphis (Tenn.)
Date:
bulk 1920-2001
Biographical / Historical:
Pearl Bowser is a filmmaker, producer, author, lecturer, and highly acclaimed scholar of African American film who is recognized as an authority on the works of Oscar Micheaux, a noted writer, director, and producer of race films from 1919 to 1948.

Born Pearl Johnson on June 25, 1931, in Sugar Hill, Harlem, New York, she was named after her mother (also Pearl Johnson), a domestic worker who had been raised in a Catholic nunnery. On occasional Saturdays, the younger Pearl would accompany her mother to work in apartments in lower Manhattan, where she would assist her by folding handkerchiefs for a small allowance. After moving to a lower part of Harlem when she was about four years old, she met Harlem entrepreneur "Bumpy" Johnson, for whom she and other children in the neighborhood did odd jobs such as counting coins or attending to his ice-cream stand. Johnson, who would sometimes give the children joy rides in his Cadillac, occasionally allowed Pearl and the other children to borrow books from his extensive library, provided that they read them and submitted to a quiz.

As a child, Bowser had several racist encounters. For example, one of her white kindergarten teachers at her elementary school wore gloves in the classroom as to not touch Black pupils. She was also occasionally teased for having a gap between her teeth but felt insulated from sustained bullying because she had several older brothers who sometimes protected her. On a separate occasion, when she was about nine years old, her mother sent her on a trip from New York to the South to visit relatives. Although her mother had purchased tickets for her to be in a Pullman car, when she changed trains in Washington, DC., she was forced to ride in the car behind the engine, which left her covered in soot.

An avid reader, Pearl excelled in elementary and high school and received a scholarship to attend Brooklyn College, where she majored in biology. She supplemented her income by recording the numbers in one of Bumpy Johnson's shops. Disappointed with the quality of the education she was receiving, Bowser withdrew from Brooklyn College, eventually landing a job at CBS where she worked on a team that analyzed Nielsen ratings.

In 1955, Pearl married fellow New Yorker LeRoy Bowser. By the mid-1960s, although Pearl and LeRoy Bowser had separate interests, they both were working simultaneously in the civil rights movement. While LeRoy was active in Brooklyn CORE (Congress of Racial Equality) and went to the South in the summer to teach for what was the beginning of HeadStart, Pearl, along with other production activists, took to the streets documenting African American culture and issues—working to bring these films to schools. Additionally, Bowser wanted to write a cookbook to earn funds for Brooklyn's CORE organization. She was approached by David Davis, the editor of Tuesday Magazine. Tuesday had distribution in the Herald Tribune across the country as a Sunday supplement. As the urban-world magazine exploded in Black communities, "Joan" Bowser's two-page pictorials on Southern cooking with a set of recipes became very popular in the five years she wrote them. Bowser retained copyrights to the articles, and easily completed her cookbook a short time later.

Bowser's colleague at ABC, Charles Hobson, found a used book written by Peter Noble about Black films and Oscar Micheaux. The volume was slim and contained what little information contained in the Museum of Modern Art (MoMA) files. Hobson and his colleagues wanted to write a book about the topic, and they assigned Bowser to begin the research. As part of the project, Bowser went to California to interview actors who may have been in early Black films or may have worked with Micheaux. What she learned began her intensive scholarship into Micheaux and his fellow filmmakers.

In 1971, she organized her first film festival, the Black Film History Series. In 1979, she organized the nation's first American women's film festival in New York City. She also presented a major retrospective, Independent Black American Cinema 1920-1980, which toured the country during 1981 and 1982. She also directed the Journey Across Three Continents film and lecture series, which toured the country from 1983-1985. Bowser also served as president of the prestigious Flaherty Film Seminar in 1987. In 1989, she, alongside Grant Munro, programmed the 35th Flaherty Film Seminar, which featured films such as Finzan, Zajota and the Boogie Spirit, Daughters of the Dust, and many more. She has also been a judge at the world-renown Pan-African Film and Television Festival of Ouagadougou (FESCPACO) in Burkina Faso (formerly known as Upper Volta).

In the 1980s Bowser was awarded an independent artists grant by the Ford Foundation to travel west and collect oral histories from individuals in Oscar Micheaux's orbit, loosely following the route he would have travelled decades earlier. Stopping in cities such as Roanoke, Virginia; Memphis, Tennessee; and Jackson, Mississippi, she collected dozens of oral histories from actors, actresses etc. that knew Oscar Micheaux. Through this research she became an eminent figure in the Black independent film industry. Working as a programmer, she travelled around the United States and the world showing films by domestic and Black filmmakers within the Diaspora.

Despite her wealth of experience working as a programmer, it wasn't until the 1990s that Bowser made her directorial debut with the documentary film Midnight Ramble. Funded by American Experience, the film looks at African Americans and Hollywood movies from 1910 through the 1950s. In 2000, she, along with Louise Spence, co-authored Writing Himself into History: Oscar Micheaux, His Silent Films and His Audiences, a book about the pioneering filmmaker. Additionally, she is founder and director of Chamba Educational Film Services, a film distribution company that specialized in distributing films by African American filmmakers. In the early 1980s, she renamed her company/collection as African Diaspora Images, a collection of historical and contemporary films documenting Black film history. She subsequently joined Third World Newsreel, where she was director of their theater department.

In 2012, Pearl Bowser donated her extensive collection of books, sound cassettes, films, film memorabilia, and papers to the Smithsonian National Museum of African American History and Culture.

Sources:

1940 United States Federal Census; New York, New York, New York, population schedule, p. 61B, house number 1486, family 195, Pearl Bowser; Ancestry.com. 1940 United States Federal Census [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2012 accessed: 10 Sept 2022); citing National Archives and Records Administration microfilm: m-t0627-02665

Bowser, Pearl. Pearl Bowser Oral History. Interview by Tuliza Fleming and Jennifer Lyon, July 21, 2011.
Provenance:
Acquired as a donation from Pearl Bowser in 2012.
Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Occupation:
Filmmakers  Search this
Actors -- Interviews  Search this
Topic:
Documentary films  Search this
Film festivals  Search this
African American actors  Search this
African American actresses  Search this
African diaspora  Search this
Race films  Search this
African American motion picture producers and directors  Search this
African American women authors  Search this
Meetings  Search this
Conferences  Search this
Lectures and lecturing  Search this
Amateur films  Search this
Motion picture soundtracks  Search this
Oral history  Search this
Radio broadcasts  Search this
Genre/Form:
Sound cassette
Oral histories (document genres)
16mm motion picture film
VHS (videotape format)
Citation:
Pearl Bowser Collection, National Museum of African American History and Culture
Identifier:
NMAAHC.A2012.79.AV
See more items in:
Pearl Bowser Audiovisual Collection
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3209e9c6d-3045-4a0a-941e-6519385b18d5
EDAN-URL:
ead_collection:sova-nmaahc-a2012-79-av

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
American Federation of Teachers  Search this
Department of Defense, Comprehensive Review Working Group  Search this
Gay Officers Action League. GOAL  Search this
Gay, Lesbian, Bisexual and Transgender Community Center of Baltimore and Central Maryland  Search this
ONE National Gay and Lesbian Archives  Search this
San Diego LGBT Pride  Search this
Servicemembers Legal Defense Network  Search this
Smith College  Search this
University of Connecticut  Search this
William Way Community Center  Search this
Biren, Joan E.  Search this
Bushnell, Megan  Search this
Davidson, James, Dr.  Search this
Dietrich, Joe  Search this
Exline, Gregory  Search this
Florence, Laura  Search this
Huebner, David  Search this
Jain, Shawn  Search this
Karazsia, Amy  Search this
Karazsia, William G.  Search this
Lombardi, Angela  Search this
Lynch, Patsy  Search this
Meinke, Mark  Search this
Nitz, Ryan  Search this
Reichard, Bradley  Search this
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Ros, Silvia  Search this
Sabatino, Michael  Search this
Shannon, Michael A.  Search this
Sheets, Justin  Search this
Snodgrass, Adam  Search this
Voorheis, Robert  Search this
Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Other:
Larson, Gordon P., 1910-1988 -- 20th century  Search this
Names:
McWaine, Dwayne, Dr.  Search this
Extent:
66 Cubic feet (198 boxes, 21 map-folders)
64.2 Cubic feet (193 boxes, 21 map-folders)
Type:
Collection descriptions
Archival materials
Passports
Postcards
Photographs
Posters
Videocassettes
Advertising
Dvds
Songbooks
Periodicals
Place:
Canada -- Description and Travel
Germany -- description and travel
Amsterdam (Netherlands)
Washington, D.C. -- history
Los Angeles (Calif.)
New York, New York
Date:
1825-2023, undated
bulk 1960-2022
Summary:
This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.
Scope and Contents:
The Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection contains periodicals, ephemera, posters, postcards, advertisements, photographs, organizational records, publications, correspondence, and other materials related to all aspects of the LGBT community and the civil rights issues pertaining thereto. The collection was created by the Archives Center to bring together materials specifically pertaining to the LGBT community. This collection contains material from communities and individuals throughout the United States. The collection is currently strongest in periodicals, newspapers and ephemera and very strong in material from California and New York. The collection continues to add new items and the researcher would be wise to take a broad view in targeting their research topics in the collection.
Arrangement:
The collection is divided into twenty-five series.

Series 1: Periodicals, 1937-2021

Series 2: Agencies, Associations, and Organizations, 1965-2023, undated

Series 3: Community Life and Subject Files, 1825-2022, undated

Subseries 3.1: Photographs and Slides, 1870-2009, undated

Subseries 3.2: Ephemera and Buttons, 1969-2022, undated

Subseries 3.3: Posters and Prints, 1825-2018, undated

Subseries 3.4: Subject Files, 1958-2019, undated

Subseries 3.5: Pride, 1976-2022, undated

Subseries 3.6: HIV and AIDS, 1987-2020, undated

Subseries 3.7: Gay Games, 1982-2018

Series 4: Advertising, Business, and Publications, 1970-2021, undated

Subseries 4.1: Advertising, 1970-2018, undated

Subseries 4.2: Business, 1986-2021, undated

Subseries 4.3: Television, Theater, and Motion Pictures, 1978-2022, undated

Subseries 4.4: Bar ephemera and advertisement, 1979-2018, undated

Subseries 4.5: Publications, 1976-2019, undated

Series 5: Biren, Joan E. (JEB), 195-2018, undated

Subseries 5.1: Xerographic Copies of Photoprints, 1971-1995, undated.

Subseries 5.2: Posters and Oversize Advertisement, 1973-2018, undated

Series 6: Dietrich, Joseph A., 1992-2010

Series 7: Mattachine Society Records, 1942-1996, undated

Subseries 7.1: Correspondence, 1952-1991, undated

Subseries 7.2: Board of Directors Minutes, 1954-1974, undated

Subseries 7.3: Organizational Information, 1942-1993, undated

Subseries 7.4: Councils, Chapters, and Committees, 1953-1965, undated

Subseries 7.5: Conventions, 1953-1960, undated

Subseries 7.6: Publications, 1944-1996, undated

Series 8: Rainbow History Community Pioneers, 2003-2012, undated

Series 9: Strub, Sean O., addendum, 1987-2011, undated

Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB, 1990-2014, undated

Series 11: Ros, Silvia, 2009-2011

Series 12: Huebner, David, 2009-2014

Series 13: St. George, Philip, 1945-1955, undated

Series 14: Will & Grace, 1995-2006

Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York, 1910-2014, undated

Subseries 15.1: Photographs, Photographic Negatives, and Slides, 1985-2010, undated

Subseries 15.2: Heritage of Pride (HOP), 1984-2014, undated

Subseries 15.3: Barna, Joseph T., 1910-2013, undated,

Series 16: Becker, John M., 1999-2014, undated

Series 17: Rohrbaugh, Richard, 1972-1986, undated

Series 18: Guest, Michael E., 2001-2009

Series 19: The Fosters, 2013

Series 20: Pride at Work, 1990-2015

Series 21: Sabatino, Michael and Voorheis, Robert, 1980-2016, undated

Subseries 21.1: Archilla, Gustavo A. and Lokkins, Elmer T., 1916-2014, undated

Series 22: Gay Officers Action League (GOAL), 1982-2016, undated

Series 23: Brown, Adele "Del" and Herizon's Bar, 1985-1991, undated

Subseries 1: Changing Herizons, and Herizons Newsletter, 1983-1991

Series 24: Universal Fellowship Metropolitan Community Churches (UFMCC), 1957-2019, undated

Series 25: The Christmas House, Crown Media Family Networks, 2020-2021
Historical Note:
While the quest for equal rights has been pursued by generations, it is generally acknowledged that the modern day Lesbian, Gay, Bisexual, and Transgender (LGBT) civil rights movement began in New York City in June 1969 with the Stonewall Riots. Prior to this time a number of activists, individuals, and organizations such as The Mattachine Society, Daughters of Bilitis and others, fought to bring recognition of LGBT civil rights to the forefront of American society. While the movement was primarily, and most visably, centered in New York City and San Francisco, periodicals, guide books, and ephemeral material interconnected the larger LGBT community throughout the United States. The increased visibility of the LGBT movement inspired affinity groups at odds with the LGBT community's new found visibility and quest for broader civil rights. The challenge to what was termed "traditional" values encouraged these counter-LGBT groups to define and solidfy their constituency and also become more pro-active. This collection comprises material that is generated by individuals and organizations promoting both points of view.
Related Materials:
Materials in the Archives Center

Michio and Aveline Kushi Macro-Biotics Collection (AC0619)

The Shamrock Bar: Photographs and Interviews (AC0857)

John-Manuel Andriote Victory Deferred Collection (AC1128)

Archives Center Wedding Documentation Collection (AC1131 )

Division of Science, Medicine, and Society HIV/AIDS Reference Collection (AC1134)

John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)

Joan E. Biren (JEB) Queer Film Museum Collection (AC1216)

World AIDS Institute (WAI) Collection (AC1266)

Servicemembers Legal Defense Network (SLDN) Records (AC1282)

Helping Persons with AIDS (HPA) Records (AC1283)

DC Cowboys Dance Company Records (AC1312)

Bil Browning and Jerame Davis Papers (AC1334)

David Hadley Rockwell New York Disco Ephemera Collection (AC1342)

Leonard P. Hirsch Federal Globe Records (AC1357)

Corbett Reynolds Papers (AC1390)

Mark Segal Papers (AC1422)

The Mattachine Society of Washington "Love in Action" Collection (AC1428)

Academy of Washington Records (AC1458)

Matthew Shepard Papers (AC1463)

I'm From Driftwood Records (AC1503)

The Division of Political History holds artifacts related to gay activist Franklin Kameny and a variety of political buttons. They also hold LGBT related artifacts from Joan E. Biren (JEB).

The Division of Medical and Science holds objects donated from Dr. Renee Richards, Sean O. Strub, and Leonard Hirsch.

The Division of Entertainment and the Arts holds objects donated by The Fosters, Will & Grace, and The Christmas House.
Provenance:
This collection was assembled by the Archives Center, National Museum of American History, Smithsonian, beginning in 2004.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women's music  Search this
Transgender people -- Identity  Search this
Sexual orientation  Search this
Political activists  Search this
Lesbianism  Search this
Lesbian and gay experience  Search this
Gay activists  Search this
Homosexuality  Search this
HIV and AIDS  Search this
Feminism  Search this
Bisexuality  Search this
Bars (Drinking establishments)  Search this
Gay Pride  Search this
Genre/Form:
Passports
Postcards
Photographs -- 2000-2010
Posters
Videocassettes
Advertising
DVDs
Photographs -- 20th century
Songbooks
Periodicals
Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80327b53b-2daa-47d1-8c11-89a7b3f4e1bd
EDAN-URL:
ead_collection:sova-nmah-ac-1146
Online Media:

Artist Carlee Fernandez in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2014-12-18T15:29:27.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_7tZah-bIxpk

Artist Michael Vasquez in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2014-11-24T20:26:06.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_FfAIo5lDoAU

Artist David Antonio Cruz in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2015-02-18T16:12:44.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_IoDVgwfqeNE

Artist María Martínez-Cañas in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2015-04-09T15:30:24.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_JxOu9DuXuYM

Artist Rachelle Mozman in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2014-12-18T15:29:51.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_PcnWFJjUIjw

Artist Karen Miranda Rivadeneira in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2015-03-25T16:56:24.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_UFTnyt_xhCw

Fred Karger Papers

Creator:
Karger, Fred, 1950-  Search this
Extent:
5 Cubic feet (15 boxes, 2 map folders)
Type:
Collection descriptions
Archival materials
Brochures
Magazines (periodicals)
Newsletters
Newspaper clippings
Posters
Television scripts
Place:
California -- Motion pictures
Date:
1950-2015, undated
Summary:
Papers documenting Fred Karger's acting career, his activism for marriage equality, preservation of the Boom Boom Room (Laguna Beach, California) and other LGBT concerns, Karger's political consulting, and his candidacy for United States President, 2012, as the first openly gay candidate of a major political party.
Content Description:
The Fred Karger Papers consist mostly of secondary materials, film scripts, newspapers, periodicals, and clippings documenting activist and former presidential candidate Fred Karger's brief film and television acting career, his activism for preservation of the Boom Boom Room (originally the South Seas) at the Coast Inn, "Save the Boom", and material from his candidacy for president in 2012. The papers contain material related to Karger's activism for marriage equality and other LGBT concerns.

The collection includes material relating to his childhood education, such as school photographs; his acting career, scripts from television shows and motion pictures he appeared in; and brochures and flyers from his political activism, including boycotts of businesses supporting Proposition 8 (protecting "traditional marriage") in California. The bulk of material relates to Karger's efforts to save the Boom Boom Room (Laguna Beach, California) credited with being the oldest gay bar in West of the Mississippi. The collection includes protest posters, some hand made; columns, articles, clippings and magazines containing articles by and about Karger, some gay-oriented, others not. Material from his presidential campaign is also included such as yard signs, posters, and posters from the 2014 documentary, Fred. There is also a framed letter from Richard M. Nixon.

There are also vintage magazines and newspaper articles covering major events, such as President John F. Kennedy's assassination and the attack on 9/11.
Arrangement:
These papers are arranged into four series.

Series 1: Activism and Presidential Campaign, 1988-2014, undated

Series 2: Theatrical Scripts, 1971-1976

Series 3: Newspapers and Magazines, 1963-2025

Series 4: Photographs and Ephemera, 1950-2010, undated
Biographical / Historical:
Portions of this biography were supplied by the donor, Fred Karger.

Fred S. Karger was born on Januray 31, 1950 in Glencoe, Illinois, the son of Richard (1911-1998) and Jean Foreman Karger (1918-2003). He attended primary and secondary schools in Glencoe. In the mid-1970s Karger pursued an acting career in Los Angeles, California. He later pursued a career in political consulting.

"Fred Karger is an American political consultant, LGBTQ rights activist, author, political pundit, writer, public speaker, former actor and 2012 presidential candidate for the Republican nomination for President. Karger has worked on ten presidential campaigns and served as a senior consultant during the campaigns of President's Ronald Reagan, George H. W. Bush and Gerald Ford.

Karger was a partner in the Dolphin Group, a California based political consulting firm for 27 years. He retired in 2004 and has since worked as an LGBTQ activist. He began in 2006 trying to save a Laguna Beach, California landmark gay bar, the Boom Boom Room.

In 2008 he founded Californians Against Hate, now Rights Equal Rights and led boycotts of four of the biggest donors to California's Proposition 8. He successfully settled three of those boycotts. Immediately after Prop 8 passed, Fred called for the State of California to investigate The Church of Jesus Christ of Latter-Day Saints (Mormon Church) and later the states of Maine, Iowa, Hawaii and California to investigate the rabidly anti-gay National Organization for Marriage (NOM). In the summer of 2012, he launched the ongoing global Boycott of Amway after its owners, the DeVos family, contributed $750,000 to NOM.

Fred's running for the Republican nomination for president in 2012 made him the first openly gay presidential candidate from a major political party in American history, helping to pave the way for Mayor Pete Buttigieg's run in 2020." [Fred Karger Biography, AC/NMAH Control File, AC1439]

During his presidential campaign Karger appeared on six ballots; New Hampshire, Michigan, Puerto Rico, Maryland, California, and Utah. He campaigned in over 30 states and received, "widespread praise for paving the way for future LGBT candidates." Karger has been interviewed on many local, national, and international television, radio, and webcast programs. His autobiography, Fred Who? was published in 2011.
Provenance:
Donated to the Archives Center, National Museum of American History, Smithsonian Institution by Fred Karger in November 2017.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Gay activists  Search this
Homosexuality  Search this
Lesbian and gay experience  Search this
LGBT  Search this
Political activists  Search this
Political campaigns  Search this
Presidential campaigns  Search this
Presidential candidates  Search this
Protest  Search this
Genre/Form:
Brochures
Magazines (periodicals)
Newsletters
Newspaper clippings
Posters
Television scripts
Citation:
Fred Karger Papers, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.1439
See more items in:
Fred Karger Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep83a324618-1842-4d58-891e-d85129e19037
EDAN-URL:
ead_collection:sova-nmah-ac-1439

Jane Teller papers

Creator:
Teller, Jane  Search this
Names:
Albright-Knox Art Gallery  Search this
Montclair Art Museum  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Council on the Aging  Search this
Newark Museum  Search this
Noyes Museum  Search this
Parma Gallery (New York, N.Y.)  Search this
Princeton Gallery of Fine Art  Search this
Squibb Gallery (Princeton, N.J.)  Search this
Whitney Museum of American Art  Search this
Brodsky, Judith K.  Search this
Caparn, Rhys, 1909-1997  Search this
Dehner, Dorothy, 1901-1994  Search this
Fuller, Sue, 1914-  Search this
Gatch, Lee, 1902-1968  Search this
Johnson, Margaret K. (Margaret Kennard)  Search this
Kadish, Reuben, 1913-1992  Search this
Lamis, Leroy, 1925-  Search this
Lassaw, Ibram, 1913-2003  Search this
Siskind, Aaron  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Interviews
Prints
Sketchbooks
Slides (photographs)
Motion pictures (visual works)
Sketches
Scrapbooks
Photographs
Sound recordings
Date:
1911-1991
Summary:
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.
Scope and Content Note:
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.

Biographical material includes a birth certificate, school work, and passports. General correspondence includes letters from several artists including Rhys Caparn, Sue Fuller and Lee Gatch, and from art galleries, including the Museum of Modern Art, Albright-Knox Art Gallery and the Whitney Museum of American Art. Additional correspondence is found in the Subject Files.

Business records include an account book, lists of expenses and prices of art works, and sales records. Notes and writings include Teller's notes about art and travel, artists' statements, autobiographical writings, and a compilation of many artists' statements regarding "The Nine Bean Question."

Artwork includes three sketchbooks, 30 sketches and three prints primarily depicting nature and sculpture designs.

Five scrapbooks contain clippings, exbition announcements and catalogs. Additional printed material includes magazines, exhibition announcements and catalogs, a booklet by Teller entitled Art, Age and the River, published posthumously by her husband, and a manuscript of Poems or Poetic Expressions of Sculptors, collected by L. Lamis.

Subject files are arranged by name or subject and may contain letters, photographs, and printed material. Many of the files focus on galleries and museums, including the Montclair Art Museum, the Newark Museum, Noyes Museum, Parma Gallery, the Princeton Gallery of Fine Art and the Squibb Gallery. There are also subject files for associations, travel, projects, and colleagues including Margaret K. Johnson, Reuben Kadish, Ibram Lassaw, Aaron Siskind and Dorothy Dehner.

Photographs and slides depict Teller, her friends, works, gallery installations, and travels. Also included are photographs of trees, bark, and other natural formations used by Teller in her work.

The audio-visual materials include several sound recordings, videocassettes and 16 mm motion picture films. The videocassettes include television programs in which Teller, printmaker Judith Brodsky and actor Harry Hamlin are interviewed, a retrospective at Skidmore College and a film featuring Teller speaking for the National Council on Aging. Sound recordings include two interviews and a "Talk on Malta" by Teller and Joan Needham. The 16 mm films are black and white footage of Teller's first Parma Gallery show.
Arrangement:
The collection is arranged as 11 series. Records are generally arranged by material type and chronologically thereafter.

Missing Title

Series 1: Biographical Material, 1911-1985 (Box 1; 4 folders)

Series 2: Correspondence, 1956-1991 (Box 1; 0.3 linear feet)

Series 3: Business Records, 1961-1990 (Box 1; 5 folders)

Series 4: Notes, 1960-1987 (Box 1; 13 folders)

Series 5: Writings, 1960-1989 (Boxes 1 and 9; 5 folders)

Series 6: Artwork, circa 1950s (Boxes 1 and 9; 6 folders)

Series 7: Scrapbooks, 1948-1990 (Boxes 1-2; 0.7 linear feet)

Series 8: Printed Material, 1957-1991 (Boxes 2-3 and 9; 0.6 linear feet)

Series 9: Subject Files, 1951-1990 (Boxes 3-5; 2.5 linear feet)

Series 10: Photographs, 1934-1985 (Boxes 5-9; 2.5 linear feet)

Series 11: Audio-Visual Materials, 1961-1989 (Box 8, FC 10-12; 0.6 linear feet)
Biographical Note:
Jane Teller (1911-1990) worked as a printmaker and sculptor primarily in New Jersey. She specialized in working with wood and studied at the Rochester Institute of Technology, Skidmore College, and Barnard College. She also attended Federal Works Progress Administration (W.P.A.) classes in New York City, studying sculpture with Aaron J. Goodelman and wood carving with Karl Nielson. She later studied welding in the studio of Ibram Lassaw. She was also a lifelong friend of photographer Aaron Siskind. In 1960, she was awarded the Mary and Gustave Kellner Prize at the National Association of Women Artists Annual Exhibition at the National Academy of Design in New York, and in 1966 the Sculpture Prize at the Fiftieth Anniversary Exhibition, Philadelphia Art Alliance in Philadelphia. She exhibited mainly in New York and New Jersey and was married to author and editor Walter Teller.
Provenance:
The Jane Teller papers were donated by Jane Teller in 1990 and in 1991 by Walter Teller, widower of Jane Teller.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- New Jersey  Search this
Sculptors -- New Jersey  Search this
Topic:
Printmakers -- New Jersey  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Genre/Form:
Video recordings
Interviews
Prints
Sketchbooks
Slides (photographs)
Motion pictures (visual works)
Sketches
Scrapbooks
Photographs
Sound recordings
Citation:
Jane Teller papers, 1911-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.telljane
See more items in:
Jane Teller papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c6d3902-ef80-4ea1-ba58-b2abe402072c
EDAN-URL:
ead_collection:sova-aaa-telljane

Lillian and Frederick Kiesler papers

Creator:
Kiesler, Lillian, 1910?-2001  Search this
Names:
Anthology Film Archives  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
University of Iowa, Museum of Art  Search this
Whitney Museum of American Art  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Arnaud, Leopold, 1895-1984  Search this
Bartos, Armand P., 1910-  Search this
Bultman, Fritz, 1919-1985  Search this
Buscemi, Steve, 1958-  Search this
Castelli, Leo  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne, 1906-1965  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Hawkins, Erick  Search this
Hodges, Alice  Search this
Hofmann, Hans, 1880-1966  Search this
Holtzman, Harry  Search this
Howe, George, 1886-1955  Search this
Kamler, Richard  Search this
Kiesler, Frederick  Search this
MacIver, Loren, 1909-  Search this
Meredith, Burgess, 1907-1997  Search this
Milius, Tom  Search this
Miller, Henry, 1891-  Search this
Mondrian, Piet, 1872-1944  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer, 1915-2010  Search this
Purdy, James  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
49.1 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Date:
circa 1910s-2003
bulk 1958-2000
Summary:
The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.
Scope and Content Note:
The papers of artist, performer, and arts educator Lillian Kiesler and sculptor, architect, set designer, educator, and writer Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

The collection is arranged into two series: the Lillian Kiesler Papers (Series 1) and the Frederick Kiesler Papers (Series 2). Measuring 41.1 linear feet, the Lillian Kiesler Papers (Series 1) make up the bulk of the collection and document her personal life and professional career as an artist, actor, teacher, arts benefactor and promoter of Frederick Kiesler's legacy. The series spans her lifetime, although most of the material is dated after 1965. Among her papers are biographical materials, correspondence, legal and financial records, teaching files, exhibition and performance files, artwork, subject files, printed material, monographs, papers related to Frederick Kiesler and his legacy, papers of and related to Hans Hofmann, papers of Alice Hodges, photographic material, and sound and video recordings.

Found among Lillian Kiesler's personal papers are address books, numerous calendars and appointment books, and diaries and journals. Her correspondence is extensive and contains business correspondence with John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation, and personal letters and greeting cards from friends, family, artists, scholars, and researchers, including Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. Of interest is a letter from Harry Holtzman postmarked March 13, 1935 describing his initial meeting with Mondrian, and a letter from E.B. Gordon describing Henry Miller in Paris.

Materials related to Lillian Kiesler's estate and last wishes can also be found, as well as teaching plans, student work, and writings by Lillian Kiesler's mentor and friend, New York University professor Chandler Montgomery. Various printed material, correspondence, scripts, and rehearsal schedules from Lillian Kiesler's exhibitions and performances are also found, and among the directors, artists and writers represented are Jo Andres, Steve Buscemi, Cindy Lugar, Tim Miller and James Purdy. Artwork contains photographs by Bob Del Fredici, drawings by Piero Dorazio, and notes to Frederick Kiesler from Lillian Kiesler.

Subject files about artists, friends, colleagues, performances, and organizations in which she supported, such as the Anthology Film Archives, include printed materials and research materials. Signed exhibition catalogs of Loren MacIver, Dina Ghen, Lenore Tawney, and Toshiko Takaezu, and a reprint article inscribed by Alcopley can be found, as well as numerous inscribed monographs, including books inscribed by Max Weiler and Piero Dorazio, an inscribed first edition of Henry Miller's Black Spring (1936), and a 1937 monograph by Harry Holtzman titled American Abstract Artists.

Series 1 also includes materials related to her husband Frederick Kiesler, papers of and related to Abstract Expressionist painter Hans Hofmann, and the personal papers of artist Alice Hodges. The Papers Related to Frederick Kiesler were primarily created or compiled by Lillian Kiesler and document her work on behalf of Frederick Kiesler's legacy. Of interest are letters from Frederick Kiesler to Lillian Kiesler and Alice Hodges; a bound volume of correspondence to Piero Dorazio; an inventory of objects in the Frederick Kiesler estate; photographs of artwork; an interview (sound recordings and transcript) with Lillian Kiesler about Frederick Kiesler for "Music of the Age," included on the tape is a portion of a Frederick Kiesler interview (1965); a recording of Lillian Kiesler interviewing Richard Kamler about Frederick Kiesler; and Frederick Kiesler's dialogue with Leo Castelli (undated).

Lillian Kiesler was a student of Hans Hofmann (1880-1966) in New York City and Provincetown, Massachusetts, as well as an enthusiastic volunteer promoter and assistant to The Hans Hofmann School of Fine Arts. The bulk of the papers of and related to Hans Hofmann were created or compiled by Lillian Kielser and are about Hofmann's career and legacy. However, also found are some papers of Hans Hofmann, including letters from Hofmann to Lillian Kiesler and Alice Hodges describing his artwork, life in Provincetown, and issues with The Hans Hofmann School of Fine Arts, typed and handwritten lectures given by Hofmann, Hofmann's 1941 address to the American Abstract Artists (AAA), three boxes of card files on students of the Hans Hofmann School of Fine Arts in New York City and Provincetown, and photographs of Hofmann and his house in Provincetown taken by Wilfrid Zogbaum and Tom Milius.

The artist Alice Hodges (b. unknown-1965) was a close friend of Lillian Kiesler, a former secretary to Frederick Kiesler, and a student of Hans Hofmann. Included among her personal papers is some correspondence from Hans Hofmann and Katherine Drier and numerous postcards from Hodges and Lillian Kiesler's trip to Europe in 1950, posters and printed material from her exhibitions, an oversized scrapbook chronicling Lillian Kiesler's teaching career, records from the United States Treasury War Bond Art Auction in 1945, original artwork and greeting cards made by Hodges and Lillian Kiesler, and 31 rolled negative strips in metal canisters of Frederick Kiesler sculptures, Provincetown and Hans Hofmann, Wellfleet, Empire State Music Festival (1955), and travels to Colorado and Europe, some of which may be printed and found in this subseries.

Photographs found in the Lillian Kiesler Papers are mostly black and white and color snapshots of Lillian Kiesler's friends and family at events and at home, including candid photos of Hans Hofmann, Alice Hodges, Frederick Kiesler, and Alcopley. Slides prepared by Lillian Kiesler for a lecture on Frederick Kiesler and her lecture notes on index cards are found. Sound and video recordings include recordings of productions in which Lillian Kiesler performed, and music, film, or live stage performances written, directed, or performed by friends.

Measuring 7.1 linear feet, Frederick Kiesler's personal papers (Series 2) document his professional career and date from 1923-1992. Biographical materials include his curriculum vitae, four passports, and numerous appointment books and notes from late in his life. Correspondence with architects, publishers, editors, universities, museums, galleries, manufacturers, artists and friends includes letters from L. Alcopley, Leopold Arnaud, Armand P. Bartos, Piero and Virginia Dorazio, George Howe, Kay Johnson, Jane Owen, and others. There are also photocopied letters from Katherine Dreier, Marcel Duchamp, and Piet Mondrian. Business and financial records from the 1940s to mid-1960s comprise a significant bulk of this series and are primarily tax returns and receipts and statements used to file tax returns. Materials on the publication of "Inside the Endless House" (1966), the International Theatre Exposition (in German) in 1924 and other exhibits from shortly after his death are found, as well as student artwork and papers from Kiesler's classes in the mid-1950s. A bound copy of the "Bibliography of Writings of and About Frederick Kiesler" compiled by Lillian Kiesler is found, as well as printed material about Frederick Kiesler and a handful of photographs of artwork.

Users should note that Lillian Kiesler's and Frederick Kiesler's papers contain similar types of material that often overlap in subject matter, especially among the Papers Related to Frederick Kiesler (Subseries 1.10) in Series 1 and the Frederick Kiesler Papers (Series 2). This collection contains limited material related to Lillian Kiesler prior to the 1940s and Frederick Kiesler prior to his arrival in the United States in 1926.
Arrangement:
The collection is arranged into two series. Each series is divided into several subseries, with the arrangement described in detail in the series descriptions.

Missing Title

Series 1: Lillian Kiesler papers, circa 1910s-2003 (Box 1-39, 47-52, OV 53-57; 41.1 linear feet, ER01; 0.001 GB)

Series 2: Frederick Kiesler papers, 1923-1992 (Box 40-46, OV 53; 7.1 linear feet)
Biographical Note:
Frederick Kiesler (1890-1965) was a sculptor, architect, set designer, educator, and writer active in New York and Connecticutt. Lillian Kiesler (1911-2001) was a performer, arts educator, and painter married to Frederick Kiesler. She was also active in the administration of the Hans Hofmann School of Fine Arts.

Frederick Kiesler was born in Romania in 1890, although he gave various other dates for his birth and regularly cited Vienna as his birthplace. He arrived in the United States with his wife Steffi in 1926 for the International Theatre Exposition at Steinway Hall in New York City. They stayed in the United States and were granted citizenship in 1936.

Kiesler secured a teaching position at Columbia University's School of Architecture in 1930, and from 1934 through 1957 he was the scenic design director at The Juilliard School of Music. He also lectured at Yale University from 1950-1952. Often labeled a Surrealist, Kiesler's work was experimental and frequently described as ahead of its time. He published, lectured, and participated in numerous exhibitions throughout his career. He is known for his theory of "coreallism;" "The Space House" (1933), a full-scale model of a single family home; an installation designed for Peggy Guggenheim's Art of This Century gallery in 1942; "The Endless House" drawings and model (1950); "The Universal Theatre" (1961) model; and the Shrine of the Book (1965), a building to exhibit the Dead Sea Scrolls in Jerusalem. He died in New York City in December 1965.

Lillian Olinsey met architect and sculptor Frederick Kiesler in 1934. After years of friendship, they were married in 1964, a year and a half before Frederick's death in 1965.

Lillian Kiesler studied art at the Art Students League, Cooper Union, and the Hans Hofmann School of Fine Arts, where she also assisted Hofmann and the school administration. She taught art to children and young adults for twenty years in New York City. From 1945 to 1955, she taught at the Greenwich House Art workshops and the Woodward School, followed by the Brooklyn Museum (1948-1958), Barnard School (1953-1963), New York University School of Education (1955-1966), and Juilliard School of Visual Arts (1963-1965). Lillian was involved in the performing arts and between the late 1970s through the 1990s she performed in New York City with numerous directors, notably Jo Andres, Steve Buscemi, Richard Foreman, John Jesurun, Cindy Lubar, and Tim Miller. She frequently performed with her close friend, painter Maryette Charlton, who was the executor of the Lillian Kiesler estate.

Lillian Kiesler tirelessly promoted Frederick Kiesler's work and legacy after his death in 1965. From the late 1980s through the 1990s, she delivered lectures about his work at universities and museums, gave interviews, corresponded with researchers, and organized his papers to donate to the Harvard Theatre Collection, Yale School of Art and Architecture, and the Archives of American Art. In 1997, she helped found the Frederick and Lillian Kiesler Foundation in Vienna, Austria. She endowed the Austrian Frederick Kiesler Prize, an award given to a notable contributor to the field of architecture. The first recipient was Frank Gehry in 1998. Lillian Kiesler passed away in 2001 in New York City.
Related Material:
The holdings of the Archives of American Art include the Hans Hofmann Papers, 1904-1978 and the Maryette Charlton Papers, 1929-1998. Additional Frederick Kiesler papers are available at the Museum of Modern Art, the Harvard Theater Collection, and the Yale School of Art and Architecture.
Separated Material:
Some of the materials related to Frederick Kiesler were initially loaned for microfilming on reels 57 and 127-128. This material is not described in the container listing of this finding aid. Most, but not all, of the loaned material was later donated and has been merged with the other accretions.
Provenance:
The collection was donated by Lillian Kiesler and Maryette Charlton, executrix of her estate, in several accessions between 1980-2002. Some of the papers related to Frederick Kiesler were originally loaned for microfilming in 1971, most of which was later donated in 1980. Additional papers related to Frederick Kiesler were donated in 1993. Papers related to Hans Hofmann were given in 1981. Lillian Kiesler's papers were donated in 2000 by Lillian Kiesler, and in 2002, by Maryette Charlton.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Set designers -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Performance artists -- New York (State) -- New York  Search this
Art patrons -- New York (State) -- New York  Search this
Topic:
Architects -- New York (State) -- New York  Search this
Exhibition designers  Search this
Women artists  Search this
Women educators  Search this
Women painters  Search this
Women performance artists  Search this
Function:
Art schools -- Massachusetts
Art Schools -- New York (State)
Genre/Form:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill
See more items in:
Lillian and Frederick Kiesler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92be035c5-5063-4d6e-8ac2-5f08c17ef915
EDAN-URL:
ead_collection:sova-aaa-kieslill
Online Media:

Alison Bechdel

Artist:
Riva Lehrer, born 1958  Search this
Sitter:
Alison Bechdel, born 10 Nov 1960  Search this
Helen Augusta Fontana Bechdel, 26 Jul 1933 - 14 May 2013  Search this
Medium:
Charcoal, graphite, opaque paint, and black wire with collage of paperboard on wove paper
Dimensions:
Sheet: 76.2 × 111.8 cm (30 × 44")
Mount: 81.2 × 116.8 cm (31 15/16 × 46")
Frame: 86.7 × 121.9 × 5.4 cm (34 1/8 × 48 × 2 1/8")
Type:
Drawing
Date:
2011
Topic:
Interior  Search this
Equipment\Smoking Implements\Cigarette  Search this
Home Furnishings\Mirror  Search this
Container\Inkwell  Search this
Collage  Search this
Alison Bechdel: Female  Search this
Alison Bechdel: Visual Arts\Artist\Cartoonist  Search this
Alison Bechdel: Literature\Writer\Novelist  Search this
Alison Bechdel: Literature\Writer\Memoirist  Search this
Helen Augusta Fontana Bechdel: Female  Search this
Helen Augusta Fontana Bechdel: Education and Scholarship\Educator  Search this
Helen Augusta Fontana Bechdel: Performing Arts\Performer\Actor  Search this
Helen Augusta Fontana Bechdel: Journalism and Media\Journalist  Search this
Helen Augusta Fontana Bechdel: Performing Arts\Costume designer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2019.101
Restrictions & Rights:
Usage conditions apply
Copyright:
© 2011 Riva Lehrer
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4cbf4c869-177a-4922-8e53-6460daaa603e
EDAN-URL:
edanmdm:npg_NPG.2019.101

Via, Ida Virgina

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Type:
Archival materials
Date:
1928-2010, undated
Scope and Contents:
This subseries contains material and ephemera of Ida Virginia Woods Via (1914-2010). She was the daughter of Jesse Lee Woods and Donna Mae Barker of Frederick County, Maryland. She married Robert M. Via in 1932. The series consists of personal and business papers, correspondence, diaries, and estate papers for her grandfather William M. Barker (1870-1948), and her funeral ephemera. There is a transcript of an oral history interview with Virginia conducted by Claudia Kidwell of the NMAH Costume Division in 1992. The original tapes are also housed in this collection.
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0475, Subseries 5.3
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 5: Via Family
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep894d915dd-fa53-4fb9-a989-90a79e7a6fe2
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref251

Revision Path: Episode 300; Hannah Beachler

Produced by:
Maurice Cherry, American  Search this
Interview of:
Hannah Beachler, American, born 1970  Search this
Subject of:
Ryan Kyle Coogler, American, born 1986  Search this
Beyoncé, American, born 1981  Search this
National Museum of African American History and Culture, American, founded 2003  Search this
Medium:
digital
Dimensions:
Duration: 1 hr., 48 min., 54 sec.
Type:
sound recordings
digital media - born digital
Place made:
United States, North and Central America
Place depicted:
North Korea, Asia
Jamaica, Caribbean, North and Central America
Africa
South Africa, Africa
Ohio, United States, North and Central America
Place captured:
Oakland, Alameda County, California, United States, North and Central America
Date:
June 24, 2019
Topic:
African American  Search this
Actors  Search this
Africa  Search this
Architecture  Search this
Art  Search this
Design  Search this
Fashion  Search this
Graphic design  Search this
Hollywood (Film)  Search this
Music  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Maurice Cherry and Glitch, Inc.
Object number:
2019.47.11.1
Restrictions & Rights:
© Maurice Cherry and Glitch, Inc.
See more items in:
National Museum of African American History and Culture Collection
Portfolio/Series:
Revision Path
Classification:
Media Arts-Audio Recordings
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5716badde-c8d9-479e-b605-8080a2930438
EDAN-URL:
edanmdm:nmaahc_2019.47.11.1

Revision Path: Bonus Episode; The Design of Black Panther

Produced by:
Maurice Cherry, American  Search this
Interview of:
Jordan Green, American  Search this
Regine Gilbert, American  Search this
Paul Anthony Webb, American, born 1988  Search this
Subject of:
Hannah Beachler, American, born 1970  Search this
Ryan Kyle Coogler, American, born 1986  Search this
Lupita Amondi Nyong'o, Mexican Kenyan, born 1983  Search this
Medium:
digital
Dimensions:
Duration: 1 hr., 2 min., 29 sec.
Type:
sound recordings
digital media - born digital
Place made:
United States, North and Central America
Place depicted:
South Korea, Asia
Africa
Date:
February 22, 2018
Topic:
African American  Search this
Actors  Search this
Africa  Search this
Architecture  Search this
Beauty culture  Search this
Clothing and dress  Search this
Comics and graphic novels  Search this
Costume  Search this
Design  Search this
Fashion  Search this
Hair  Search this
Hip-hop (Music)  Search this
Hollywood (Film)  Search this
Music  Search this
Technology  Search this
Typography  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Maurice Cherry and Glitch, Inc.
Object number:
2019.47.9.1
Restrictions & Rights:
© Maurice Cherry and Glitch, Inc.
See more items in:
National Museum of African American History and Culture Collection
Portfolio/Series:
Revision Path
Classification:
Media Arts-Audio Recordings
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5d7aa7727-6178-4202-a070-ab1a3b6b31d6
EDAN-URL:
edanmdm:nmaahc_2019.47.9.1

Chip Taylor Discusses 'Golden Kids Rules' at Smithsonian Folklife Festival 2011 [Interview Video]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2011-09-28T16:44:11.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_gO3P-ktn7PI

Oath taking and the transnationalism of silence among Edo female sex workers in Italy Cynthia Aghunotse Olufade

Author:
Olufade, Cynthia Aghunotse  Search this
Physical description:
114 pages illustrations 24 cm
Type:
Books
Place:
Italy
Nigeria
Italie
Date:
2020
Topic:
Nigerians--Social conditions  Search this
Women, Black--Social conditions  Search this
Prostitutes  Search this
Sex workers  Search this
Immigrants  Search this
Prostitution  Search this
Human trafficking  Search this
Nigérians--Conditions sociales  Search this
Femmes noires--Conditions sociales  Search this
Prostituées  Search this
Traite des êtres humains  Search this
Emigration and immigration  Search this
Call number:
JV9022 .O48 2020
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1154717

Black magic what Black leaders learned from trauma and triumph Chad Sanders

Author:
Sanders, Chad  Search this
Physical description:
1 online resource
Type:
Electronic resources
Autobiography
Biography
Interview
Essay
Electronic books
Interviews
Essays
Biographies
Autobiographies
History
Essais
Place:
United States
Date:
2021
21st century
Topic:
African Americans--Interviews  Search this
African American leadership  Search this
Leadership noir américain  Search this
BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs  Search this
BIOGRAPHY & AUTOBIOGRAPHY / Cultural, Ethnic & Regional / African American & Black  Search this
SOCIAL SCIENCE / Race & Ethnic Relations  Search this
African Americans  Search this
Race relations  Search this
History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1156964

Harris, Edna Mae

Extent:
2 Sound cassettes
Container:
Box 3, Cassette 5
Box 3, Cassette 8
Type:
Archival materials
Audio
Sound cassettes
Date:
1988 June 16
Object ID #:
2012.79.3.74.1a, 2012.79.3.77.1a
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Citation:
Pearl Bowser Collection, National Museum of African American History and Culture
See more items in:
Pearl Bowser Audiovisual Collection
Pearl Bowser Audiovisual Collection / Series 3: Audio Tape / 3.2: Oral Histories / Museum of the Moving Image Oral History Project
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3f08be86a-50b6-4f6c-8edc-d30d6ab6145b
EDAN-URL:
ead_component:sova-nmaahc-a2012-79-av-ref23
Online Media:

Howard, Shingzie

Extent:
1 Sound cassette
Container:
Box 4, Cassette 4
Type:
Archival materials
Audio
Sound cassettes
Date:
undated
Object ID #:
2012.79.3.110.1a
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Citation:
Pearl Bowser Collection, National Museum of African American History and Culture
See more items in:
Pearl Bowser Audiovisual Collection
Pearl Bowser Audiovisual Collection / Series 3: Audio Tape / 3.2: Oral Histories / Museum of the Moving Image Oral History Project
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io37de17167-786f-4d2c-8a50-e3227a30123d
EDAN-URL:
ead_component:sova-nmaahc-a2012-79-av-ref26
Online Media:

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