Search Results

Collection Creator:

National Air and Space Museum. Archives Division.  Search this

Container:

Drawer OE, Folder 945385-01

Type:

Archival materials

Scope and Contents note:

Documents

Collection Restrictions:

The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.

See more items in:

National Air & Space Museum Technical Reference Files: Space History

National Air & Space Museum Technical Reference Files: Space History / Series O: Space History / Extraterrestrial Life

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2f2032d87-e184-45fa-a84d-b653f64b52fc

EDAN-URL:

ead_component:sova-nasm-xxxx-1183-o-ref7226

Creator:

Haviland, Opal Dorf  Search this

Dorf, Jacob Aloysius, 1879-1965 (blacksmith, businessman)  Search this

Extent:

0.15 Cubic feet

Type:

Collection descriptions

Archival materials

Advertisements

Obituaries

Correspondence

Clippings

Place:

Missouri -- 20th century

Date:

1909-1972.

Summary:

Papers relating to blacksmith and hardware store owner Jacob Aloysius Dorf of Missouri.

Scope and Contents:

Newspaper clippings and correspondence relating to Dorf's activities, particularly in the hardware business. Biographical information and obituaries are included as well as samples of his unusual advertising.

Biographical/Historical note:

Jacob A. Dorf was born in Cedar Hill, Missouri. His name was originally Blittersdorf. To Anaconda, Missouri in 1901, where he owned and operated a blacksmith shop. In 1911 he purchased a hardware store in Cuba, Missouri, which he operated for more than 49 years. Throughout his long business career he was an innovative advertiser in the local press and elsewhere, sponsoring a radio program in 1924 which stimulated letters from thirty states and Canada. Dorf was active in community affairs, particularly during the depressed 1930s. In 1933 he led an effort which saved the local bank from failing. He branched into other business lines, including real estate, and once financed the purchase of a better breed of cattle for local farmers.

Provenance:

Collection donated by Opal Dorf Haviland (daughter), 1986, January 16.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Blacksmiths  Search this

advertising -- 1930-1940 -- California  Search this

Storekeepers  Search this

Hardware stores -- 1900-1970 -- Missouri  Search this

Depressions -- 1929 -- United States  Search this

Genre/Form:

Advertisements

Obituaries

Correspondence -- 20th century

Clippings

Citation:

Jacob Aloysius Dorf Papers, Archives Center, National Museum of American History. Gift of Opal Dorf Haviland.

Identifier:

NMAH.AC.0193

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8fb8ab91d-4c98-4218-98be-55a8e670a4dc

EDAN-URL:

ead_collection:sova-nmah-ac-0193

Collector:

Whitehead, Henry P. (Prenton), 1917-2002  Search this

Extent:

156.91 Linear feet (178 boxes)

Type:

Collection descriptions

Archival materials

Pamphlets

Sound recordings

Clippings

Memorabilia

Newspapers

Photographs

Books

Brochures

Date:

1843-2010

bulk 1940-1986

Summary:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.

Scope and Contents note:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection includes the personal papers of Henry P. Whitehead, Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The collection is divided into four series.

Series I focuses on Whitehead and includes papers dating from 1843 to his death in 2011. This series includes biographical material including a large amount of appointment books, identification and membership cards, resumes, certificates, and personal and family material. There is a limited amount of correspondence, which focuses on his personal relationships with family, friends, and general correspondence relating primarily to his work as a local historian.

Also found within Whitehead's papers are countless records from his time employed by the Washington DC government. Materials include memoranda, notes, research material, handbooks, guides, manuals, affirmative action info and records, affirmative action plans, promotion recommendations, recruitment plans and summaries, personnel files (complaints), civil actions and reports related too Whitehead's 37 years of government employment. It reflects the activities of numerous departments, primarily in regards to employment and affirmative action.

There are also a number of files that document Whitehead's involvement in numerous community organizations. Among the organizations in which Whitehead was involved include U Street Festival, Lincoln Corporation, and the U Street Theater Foundation. The papers of the U Street Foundation document the production and establishment of the annual U Street Festival. The Lincoln Theater Foundation and the U Street Theater Foundation papers document the efforts to reopen the Lincoln Theater. Also included are Whitehead's research on the Lincoln as well as old Lincoln Theatre programs. Additionally found within this series are documents and clippings on the economic development within Washington DC particularly in the Shaw/U Street location.

The majority of this series consists of printed material. Printed material in this series includes books, clippings, magazines, newsletters, newspapers, press releases, sheet music, programs as well as promotional material for several Washington DC theaters and organizations. There is a large quantity of theater programs dating from 1900-1986. The majority of the clippings and magazines are theater related topics, coupled with a miscellaneous selection of clippings on topics that presumably captured Whitehead's attention.

Research, notes and writings include a large amount of scrapbooks compiled by Whitehead of mostly photocopied clippings documenting Washington DC history, African American theater history, and general African American history. Five scrapbooks were compiled by an unknown source and were previously housed in the New York Public Library collection. Two scrapbooks are about general theater history one about Frances Starr and one about Margaret Anglin. There is also one scrapbook pertaiing to Mae Hall. Also included are a large amount of research notes and notebooks along with general miscellaneous notes.

There are several photographs of African Americans in the performing arts as well as images of Washington DC and several unidentified men, women, and children.

Audio recordings include 23 cassette from the Alexandria Church of God.

The remainder of the collection consists of the papers of Tomlinson D. Todd, Elizabeth B. Delaney, and those about the Howard Theatre.

The Howard Theatre papers are arranged in Series II and include documents relating to the Washington DC historic Howard Theatre and date from 1910 to 1986. The papers in this series predominantly document the Howard Theatre Foundation's efforts to reestablish and run the Howard Theatre in which Whitehead was the vice president. Records include business correspondence, founding documents, photographs, memoranda, press releases, member lists, financial records, clippings, and scrapbooks of clippings pertaining to the organization and theatre.

The correspondence in the collection include a handful of letters from the Washington DC government along with individuals and organizations. Also included is a large amount of interoffice memoradums.

Administrative records include lawsuits, resolutions, meeting minutes, grant proposals, press releases, memoranda, member lists, studies and reports.

Financial records include check stubs, receipts, invoices, bank statements, expenses, and contribution lists. Printed material includes original and photocopied clippings relating to the history and coverage of the foundation activities. Mostly promotional material as flyers, brochures, and press releases along with programs. In particular two 1920 Howard Theatre programs.

The scrapbooks of original and photocopied clippings compiled by Whitehead chronicle the history of the theatre and coverage of the foundation activities.

There are three VHS cassette featuring Whitehead discussing the Howard Theatre. Also found in series 2 are numerous stock investment record books belonging to A.E. Lichtman one of the early managers of the Howard Theatre. In addition early correspondence between Lichtman and the Rex Amusement Company concerning operational management issues of the Howard Theatre.

The Tomlinson D. Todd papers are arranged in Series III and date from 1902-1986 they include organization files, collected printed materials, subject files, and personal papers.

The collection includes materials relating to organizations in which there was a relationship to Todd's work and in which he had an interest primarily during the 1940s and 1950s, organizations include the National Negro Congress (ca, 1946-1947); the Congress for Industrial Organizations (1943-1947); National Council of Negro Women (1947-1949); Committee for Racial Democracy in the Nation's Capital (1947-1948).

The subject files include documents from three of Todd's organizations; Institute on Race Relation, Club Internationale, and his radio program "Americans All". As well as printed material from Todd's alma mater Lincoln University.

The largest subject file is "Americans All" which includes radio scripts as well as audio recording of a few programs and public service announcements. Also found are several black and white photographs of Todd at the radio studio. Printed materials include newspapers, leaflets, convention proceedings, and flyers, There are a large amount of programs ranging from church worship to convention as well as performance. Also present is a small amount of personal papers, including resumes, certificates, admission tickets, family documents, and travel ephemera from his all expense paid trip to Nigeria.

There are a few photographs of Todd at functions and with notable individuals as well as some family, friends and travel.

Elizabeth's B. Delaney papers are arranged in Series IV and date from 1874-1973.

The papers primarily document her involvement in four organizations, the Grand Oder of Odd Fellow of Kentucky, the Order Eastern Star Kentucky, the State Federation of Colored Women's Clubs of Kentucky and the National Association of Colored Women. There is a small amount of printed material belonging to her son primarily the Alpha Phi Alpha material and Gospel Choral Sheet Music, and books.

The Scrapbook was complied by Whitehead consisting of photocopied clipping documenting the life of Elizabeth B. Delaney.

Arrangement note:

This collection is arranged into four series:

Series 1: Henry P. Whitehead papers Series 2: Howard Theatre Series 3: Tomlinson D. Todd Series 4. Elizabeth B. Delaney

Biographical/Historical note:

Henry Preston Whitehead Jr., was a native of Columbus Ohio. A graduate of Ohio State University, where he also attended law school and was a member of the Omega Psi Phi fraternity. Mr. Whitehead discovered Washington's "Black Broadway" in 1940, when he was a soldier in town on a weekend furlough. As he served in the Army in the South Pacific during World War II. Prior to moving to Washington DC Henry P. Whitehead worked for five years as a liquor inspector. Mr. Whitehead moved to Washington D.C. in 1949 and worked for the Post Office before working for the District of Columbia government where he stayed 21 years. He led several equal employment initiatives during the 1960s and 1970s, and was last employed as associate director of the District's Office of Human Rights. In 1980 after putting in 37 years of government service Mr. Whitehead retired. Mr. Whitehead was an historian who led efforts to restore Washington's U Street cultural corridor and achieved recognition as an authority on and collector of black theatrical memorabilia. Mr. Whitehead worked to promote and preserve the city's rich African American cultural heritage.

Mr. Whitehead, served as the chairman and president for 10 years of the Howard Theater Foundation Inc., which he helped establish. There he led the effort to include Howard Theatre in the National Register of Historic Places.

Similarly he was an active member of the U Street Festival Foundation. He was an adviser to the Kennedy Center, Anacostia Museum, and other Smithsonian Institution units and contributed materials to their exhibitions. He was also a consultant to historical documentaries broadcast on public television and radio, including PBS's "Duke Ellington's Washington." His writings included "Remembering U Street," a book used for annual festivals in the historic area.

Mr. Whitehead was also the founder and board member of the Lincoln Theatre Foundation.

Henry P. Whitehead Jr. died on January 8th 2002 at the age of 84.

Provenance:

The collection was donated to the Anacostia Community Museum on September 1, 2005 by Michael A. Watkins.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Rights:

The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

Howard Theatre (Washington, D.C.)  Search this

African Americans  Search this

National Negro Congress (U.S.)  Search this

National Council of Negro Women  Search this

Radio broadcasting  Search this

African American neighborhoods  Search this

African American musicians  Search this

Genre/Form:

Pamphlets

Sound recordings

Clippings

Memorabilia -- 20th century

Newspapers

Photographs

Books

Brochures

Citation:

Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.

Identifier:

ACMA.06-042

See more items in:

Henry P. Whitehead collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa751389911-f3d5-474b-82b4-126047b9cc46

EDAN-URL:

ead_collection:sova-acma-06-042

Author:

Servais, Joseph  Search this

Collector:

Servais, Adrien-Francois, 1807-1866 (musician)  Search this

National Museum of American History (U.S.). Division of Musical Instruments  Search this

Names:

Fishoff, Joseph  Search this

Extent:

0.5 Cubic feet (1 box)

Type:

Collection descriptions

Archival materials

Correspondence

Lithographs

Photographs

Date:

1842-1884.

Summary:

Five letters of Adrien-Francois Servais, a nineteenth century cellist, pioneer in the use of the endpin in performance, and owner of the "Servais" Stradivarius cello.

Scope and Contents:

Five letters of Adrien-Francois Servais, describing his personal experiences as he traveled and gave concerts, including three from his son Joseph Servais (1850-1885), dated September 7, 1871, June 7, 1877, and December 30, 1884. Also includes a photograph of Adrien-Francois Servais with cello with an endpin and a lithograph of Francois Servais, signed and dedicated to Joseph Fishoff.

Biographical / Historical:

Adrien-Francois Servais was among the first of the nineteenth century virtuosi whose exploration of the capabilities of the cello stimulated composers to consider that instrument's capabilities. Renowned for his acrobatic technique, which dazzled audiences throughout Europe, and his expressive style and powerful tone, Servais was once described as "the Paganini of the cello."

Provenance:

Collection donated by Miss Charlotte Bergen, 1981.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Musicians -- 1830-1880  Search this

Cello  Search this

Musical instruments  Search this

Genre/Form:

Correspondence -- 19th century

Lithographs -- 19th century

Photographs -- 1850-1900

Citation:

Adrien-Francois Servais Papers, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0195

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep82b6d2562-ef41-4ac4-8d3b-f3e71a235696

EDAN-URL:

ead_collection:sova-nmah-ac-0195

Creator:

Druse, Kenneth  Search this

Extent:

18.75 Cubic feet (15 boxes, Approximately 45,000 images: 35,000 transparencies + 10,000 35mm slides.)

Type:

Collection descriptions

Archival materials

Notes

Slides (photographs)

Articles

Transparencies

Date:

1978-2005

Summary:

The Ken Druse Garden Photography Collection contains approximately 45,000 film transparency and 35mm slide images, dating from 1978 to 2005, of gardens, garden features, and flora photographed by garden writer and photographer Ken Druse. The photographic images document numerous private and public gardens throughout the United States and a few in Canada. Many have appeared in Druse's own books and articles as well as those by other writers. Approximately half of the collection is arranged according to specific garden, the other half by garden feature. A small portion of the collection consists of slide lectures given by Druse. Some images are identified with general captions and dates. Images documenting specific gardens are sometimes accompanied by handwritten notes, garden descriptions, and articles. Annotations appearing on certain images indicate the publication in which they appeared. The collection includes 'outtakes' or bracketed images that give insight into Druse's photo shooting process.

Biographical Note:

Ken Druse is a garden photographer and author of over a dozen books and numerous newspaper and magazine articles on garden-related topics. His images appear in his own books and articles as well as those by other writers. He received the Sarah Chapman Francis Medal for Literary Achievement from the Garden Club of America in 2004 for his garden writing. He highlights the work of numerous gardeners, garden designers, and horticulture experts on his website and podcast.

Druse's books include Making More Plants: The Science, Art, and Joy of Propagation; Planthropology: The Myths, Mysteries, and Miracles of My Garden Favorites; The Collector's Garden: Designing with Extraordinary Plants; and The Passion for Gardening: Inspiration for a Lifetime.

Provenance:

Ken Druse donated his collection of garden transparencies and slides to the Archives of American Gardens in 2013.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- United States  Search this

Gardens -- Canada  Search this

Genre/Form:

Notes

Slides (photographs)

Articles

Transparencies -- 20th century

Citation:

Smithsonian Institution, Archives of American Gardens, Ken Druse garden photography collection

Sponsor:

Cataloging of this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.DRU

See more items in:

Ken Druse garden photography collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6766010f8-2336-463d-b952-a88e27fd06bc

EDAN-URL:

ead_collection:sova-aag-dru

Creator:

Pittsburgh Locomotive and Car Works  Search this

Collector:

National Museum of American History (U.S.). Division of Transportation  Search this

Names:

Wightman, D.A., fl.1870s-1890s  Search this

Extent:

1.5 Cubic feet (3 boxes)

Type:

Collection descriptions

Archival materials

Place:

Allegheny City (Pa.) -- 1874-1910

Date:

1874-1910

Summary:

Records of the Pittsburgh Locomotive Works and correspondence and personal papers of General Manager Daniel A. Wightman.

Scope and Contents:

This collection consists of business correspondence 1895-1901 of the company, including correspondence of the General Manager, D.A. Wightman; personal papers of Mr. Daniel A. Wightman including a sketch book, 1874-76; Specifications for locomotives and tenders; price lists; locomotive cost estimates; tests; hauling capacities of locomotives; and conditions of apprenticeship. There are also as 311 blueprints of the company's designs or drawings for various sizes of locomotives.

Arrangement:

The collection is divided into ten series.

Series 1: Business Correspondence

Series 2: D.A. Wightman Personal Papers

Series 3: Specifications

Series 4: Price Lists

Series 5: Estimates for Locomotive Construction

Series 6: Locomotive Tests

Series 7: Hauling Capacities of Locomotives

Series 8: Apprenticeship

Series 9: Miscellaneous Notes

Series 10 : Locomotive Designs of the Company

Biographical / Historical:

Pittsburgh Locomotive and Car Works was founded by Andrew Carnegie and T.N. Miller in 1865. Like most other railway companies, Pittsburgh Locomotive and Car Works was involved in designing and building light locomotive engines. Its first locomotive was finished in April, 1867, two years after the Civil War.

An energetic new superintendent, Daniel A. Wightman of Allegheny, Allegheny County, joined the company soon after its founding. The date of his employment with the company is unknown, but Wightman1s sketches of locomotives appear about 1874. In 1893, Wightman applied to the Commissioner of Patents for patent rights over his invention of an improvement in compound engines.

Wightman was the company's Superintendent and General Manager between 1895 and 1900. By the following year, 1901, the company had built a total of 2,400 locomotives. That same year, Pittsburgh Locomotive merged with a new corporation, the American Locomotive Company. The American Locomotive eventually closed the Pittsburgh plant after March, 1919.

Pittsburgh Locomotive Works was one of the first to produce really huge locomotives under Daniel A. Wightman. Many of these engines were sold to other Railway Companies throughout the United States.

Provenance:

Immediate source of acquisition unknown.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Locomotives -- Design and construction -- 1874-1910  Search this

Railroads -- 1874-1910  Search this

Citation:

Pittsburgh Locomotive and Car Works Collection, 1874-1910, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0164

See more items in:

Pittsburgh Locomotive and Car Works Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep801a70874-764a-4ff1-b878-1d20c3bef8e2

EDAN-URL:

ead_collection:sova-nmah-ac-0164

Collector:

Sethi, S. Prakesh (director)  Search this

Names:

Center for the Study of Business and Government  Search this

Extent:

1 Cubic foot (1 box)

Type:

Collection descriptions

Archival materials

Posters

Slides (photographs)

Color slides

Place:

New York

Date:

1970s-early 1980s.

Summary:

Advertising materials relating to corporation self-promotion collected by Dr. S. Prakash Sethi.

Scope and Contents:

8 posters, 98 color slides, and 271 black and white slides on advocacy advertising for the 1970s and early 1980s.

Biographical / Historical:

Dr. Sethi has done extensive research on self-promotional advertisements by corporations. The slides are of advertisements by large companies like Mobil Oil and Bethlehem Steel.

Provenance:

Collection donated by S. Prakash Sethi, 1985.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

advertising  Search this

Genre/Form:

Posters

Slides (photographs)

Color slides -- 1970-1990

Citation:

S. Prakash Sethi Advocacy Advertising Collection, ca. 1970-1990, National Museum of American History.

Identifier:

NMAH.AC.0168

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8f1ff2393-c49f-4c5b-94f3-0bba6a17fb35

EDAN-URL:

ead_collection:sova-nmah-ac-0168

Artist:

Benton, Thomas Hart, 1889-1975  Search this

Collector:

Marx, Groucho (Julius Henry), 1890-1977 (comedian)  Search this

Names:

Four Nightingales  Search this

Marx Brothers  Search this

Paramount Pictures  Search this

RKO Pictures (studio)  Search this

Three Nightingales  Search this

United Artists  Search this

Warner Brothers  Search this

Marx, Chico  Search this

Marx, Harpo, 1888-1964  Search this

Palmer, Minnie  Search this

Extent:

12 Cubic feet (39 boxes)

Type:

Collection descriptions

Archival materials

Personal papers

Photographs

Motion pictures (visual works)

Photographic prints

Scrapbooks

Sheet music

Correspondence

Place:

Hollywood (Los Angeles, Calif.)

Date:

1911-1978, undated

Summary:

Papers, films, and collected materials of 20th century comedian Julius Henry "Groucho" Marx.

Scope and Contents:

Series 1: Correspondence, 1932-1977 is arranged alphabetically by correspondent. In 1965, Marx gave the Library of Congress a portion of his correspondence with well-known personages. The majority of the correspondence in this collection dates from the post World War II era (Marx's early correspondence is located at the Library of Congress.) This series includes correspondence from well-known persons, fans, admirers and friends. There is an extensive amount of correspondence with the screenwriter Nunnally Johnson. The series includes letters concerning public relations, Walt Disney caricatures of the Marx Brothers, The Grouchophile permission letters, unidentified correspondence and one letter from Chico Marx to Gummo Marx.

Series 2: Publications, Manuscripts and Print Articles by Marx, 1930-1958, undated is arranged chronologically with circa and undated material placed before the book manuscripts. This series contains written material by Groucho Marx excepting scripts and sketches. The series includes articles written by Marx for national magazines, various speeches and manuscripts for three of Marx's books.

Series 3: Scripts and Sketches, 1939-1959, undated, is arranged alphabetically with television scripts and sketches placed before full-length movie and theatre scripts. This series contains television, motion picture and theatre scripts and sketches, monologues, and related written material pertaining to works starring or featuring Marx. It also contains scripts for the one theatrical play written by Marx, A Time for Elizabeth.

Series 4: Scrapbooks, 1923-1978 is arranged chronologically and contains sixteen scrapbooks spanning Marx's career from his first Broadway success, I'll Say She Is to the year after his death. Of particular interest are the early scrapbooks for the Marx Brothers career, a scrapbook spanning the years 1934-1958 complied by Marx himself for his daughter Melinda, a photographic scrapbook compiled by the staff of Life magazine documenting a 1963 magazine layout of Marx and his then wife Eden Hartford Marx. There is also a scrapbook devoted to Chico Marx's brief career as a bandleader in the mid-late 1940s.

Series 5: Music,circa 1930-1975, undated is arranged alphabetically and includes original music manuscripts written by Marx and songs for Marx's shows and motion pictures and unidentified manuscripts perhaps written by Marx, his friends, his daughter Melinda or her music teacher. It also includes commercially produced sheet music purchased by Marx, copies of songs featured in Marx's motion pictures, music from "Minnie's Boys the theatrical production based on the Marx Brothers and their mother, an autographed copy of "Stay Down Here Where You Belong" by Irving Berlin, songs written by Marx published commercially, and Marx's copy of a collection of songs by Gilbert and Sullivan.

Series 6: Publicity, ca. 1911-1977 contains theatre programs, motion picture reviews, newspaper clippings both foreign and domestic, record album covers, a book cover and one poster of the Marx Brothers. There are items related specifically to Chico Marx. This series is arranged chronologically.

Series 7: Artwork and Photographs, 1911-1976, undatedis arranged according to subject matter and includes artwork, features cartoons and caricatures of the Marx Brothers by various artists including the Metro-Goldwyn-Mayer art department and Hirschfield, sketches of the Marx Brothers by Sheila Smith, Peggy Jacobs, Bridget Crowe and Mark E. Williams (all probably fans of the Marx Brothers), various candid photographs, publicity photographs and studio portraits of Marx, his brothers, his immediate family, correspondence and related images and photographic negatives and transparencies.

Series 8: Personal and Family Documents, 1925-1975, undated contains documents relating to Marx's personal life and his brothers Chico Marx, Harpo Marx, and his daughter Melinda. Of particular interest is Marx's copy of the transcript of his divorce deposition from Eden Hartford Marx, two proclamations from the City of Los Angeles and a portfolio cover made for him by his daughter Melinda. This series is arranged chronologically.

Series 9: Audiovisual, 1929-1970 includes home movies of Groucho, brothers Harpo and Chico, and Groucho's wife and children as well as film and kinescope copies of television programs featureing Groucho as the star or guest.

Arrangement:

The collection is organized into 9 series.

Series 1: Correspondence,1932-1977

Series 2: Publications, Manuscripts, and Print Articles by Groucho Marx, 1930-1958, undated

Series 3: Scripts and Sketches, 1939-1959, undated

Series 4: Scrapbooks, 1923-1978

Series 5: Music, circa 1930-1975, undated

Subseries 5.1: Original Music Manuscrpts

Subseries 5.2: Commercially Produced Sheet Music and Collections

Series 6: Publicity, circa 1911-1977

Series 7: Artwork and Photographs, 1911-1976, undated

Subseries 7.1: Artwork

Subseries 7.2: Photographs

Subseries 7.3: Photographic Negatives and Transparencies

Series 8: Personal and Family Documents, 1925-1978, undated

Series 9: Audiovisual

Subseries 9.1: Moving Images

Subseries 9.2: Sound Recordings

Biographical / Historical:

One of 20th century America's most enduring comics and cultural icons was Groucho Marx. Julius Henry Marx, better known as Groucho, was born in New York City on October 2, 1890. He was the third of five sons born to Minna and Samuel Marx. Minna's brother, Al Shean, was a part of the well-known vaudeville team, Gallagher and Shean.

The Marx family consisted of five boys: Leonard (Chico), Arthur (Harpo), Julius (Groucho), Milton (Gummo) and Herbert (Zeppo). The family lived in the Yorkville section of New York City. Groucho had a high soprano singing voice and his first job was singing in the choir of an Episcopal church. He joined Gus Hall and his vaudeville troupe when he was eleven. Groucho attended P.S. 86 but never went beyond the 7th grade. Minna organized the Three Nightingales with Groucho, Gummo and a girl singer. The girl was eventually replaced by a boy tenor and Harpo joined the troupe. The name of the group was changed to The Four Nightingales. Minnie acted as the group's manager. The group became known as the Marx Brothers with everyone except Gummo taking part in the act. The family moved to Chicago ca. 1904 where their grandfather lived.

The brothers toured the South and Midwest performing a vaudeville skit called, "Fun in Hiskule". It is noted that the comedy act began in Nacogdoches, Texas. The Marx Brothers first big success came in 1919 with their vaudeville act entitled "Home Again". In 1920, they were booked into the Palace Theatre in New York City and played there for thirteen months. They were later banished from the circuit due to a contract violation - they had accepted employment without Albee's permission. Groucho married Ruth Johnson on February 4th, 1920 and divorced her in July 1942. They had one daughter, Miriam and one son, Arthur born in 1921.

In 1923, they toured with the show, "I'll Say She Is", a collection of vaudeville routines that Groucho had written in collaboration. The show ran on Broadway for thirty-eight weeks. On December 8, 1925, the brothers (using their nicknames professionally for the first time) opened on Broadway in "The Cocoanuts". The play was written expressly for them by George S. Kaufman and Morris Ryskind with music by Irving Berlin. The brothers made a silent film circa 1924 called "Humor Risk" but it was never released. "Animal Crackers" opened on October 23, 1928. It was in this show that Groucho created one of his most famous characters, Captain Spaulding, the African explorer. Groucho was by this time paired with Margaret Dumont, stooge and foil, whom Groucho claimed never, really understood the Marx Brothers comedy.

On the strength of their success in "The Cocoanuts", they were signed to a film contract. In 1929, they made the film version of "The Cocoanuts" while performing "Animal Crackers" on the stage. Their mother, Minna Marx died the same year. The following year they starred in the film version of "Animal Crackers". Both films were made in New York City. In 1931, Groucho moved to Hollywood where The Marx Brothers made thirteen films. The brothers signed with Paramount Pictures and made "Monkey Business" (1931), "Horsefeathers" (1932) and "Duck Soup" (1933) while at the studio. In 1933, Zeppo left the troupe and Samuel Marx died.

In February 1934, Groucho and Chico teamed up in a radio program called, "Flywheel, Shyster and Flywheel", about characters who were comic lawyers. In March 1934, they replaced Ethel Waters on a weekly radio series sponsored by the American Oil Company. In 1935, the brothers starred in "A Night at the Opera" for Metro-Goldwyn-Mayer, a film produced by Irving Thalberg and a sequel, "A Day at the Races" (1937). In addition to working for MGM, the brothers starred in "Room Service" (1938) for the RKO studio.

The brothers discontinued the act in September 1941 but reunited for the film "A Night in Casablanca" (1946) and "Love Happy" (1949). Groucho found work as a solo artist making films for RKO, Warner Brothers and Paramount. In March 1943, the Pabst Blue Ribbon Brewery sponsored a half-hour variety show on CBS starring Groucho. Groucho married his second wife, Catherine "Kay" Gorcey in July 1945, they had one daughter Melinda. They divorced in 1951. Groucho continued to guest on many radio shows and continued to be at his peak when ad-libbing. John Guedel created "You Bet Your Life" for Groucho in October 1947. The show aired over the ABC radio network. It moved to CBS and in 1950 it was purchased by NBC and ran on television until 1961. The show ran for a total of four years on radio and eleven years on television. Groucho won radio's Peabody Award as best comedian on radio in 1948; an Emmy award in 1951; and the Motion Picture Daily Annual TV poll from 1951-1954.

Groucho was also musical. He played the guitar, but never as part of his shows. He was also an author and a playwright. He wrote the stage play, "A Time for Elizabeth", in 1948 with Norman Krasna. The play ran for eight days on Broadway but had longer runs in summer stock. In July 1954, Groucho married his third and final wife Eden Hartford. They divorced in December of 1969. In 1967, Simon and Schuster published excerpts from letters Groucho had donated to the Library of Congress in 1965. The book was entitled The Groucho Letters. Groucho authored other books, Groucho and Me (1959) his autobiography, The Secret Word is Groucho (1976) with Hector Arce and The Grouchophile (1976).

Groucho retired in 1961 but in 1972 with the help Erin Fleming, his companion and manager since 1969, he toured in a solo act. The show entitled, "An Evening with Groucho" played Carnegie Hall in New York City in May 1972. Groucho was made a Commander of the French Order of Arts and Letters at the Cannes Film Festival in 1972. In 1974, Groucho received an honorary Academy Award (Oscar) for the contribution of the Marx Brothers to the art of film. Marx died on August 19th, 1977.

Provenance:

Collection donated by Julius H. (Groucho) Marx, through the Estate of Groucho Marx, August 5, 1987.

Restrictions:

Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Reference copies of audiovisual materials must be used. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Comedians -- 1920-1970  Search this

Entertainment  Search this

Radio comedies  Search this

Comedy  Search this

Theater  Search this

Radio programs  Search this

Vaudeville  Search this

Television programs  Search this

Genre/Form:

Personal papers

Photographs -- 20th century

Motion pictures (visual works)

Photographic prints

Scrapbooks

Sheet music

Correspondence -- 1930-1950

Citation:

Groucho Marx Collection, 1911-1978, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0269

See more items in:

Groucho Marx Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep845dd2cd0-46ee-4664-8bb1-93308c140f43

EDAN-URL:

ead_collection:sova-nmah-ac-0269

Creator:

Felton, Samuel Morse, 1809-1889 (civil engineer)  Search this

Felton, Samuel Morse, 1853-1930 (son)  Search this

Names:

American Locomotive Sales Corporation.  Search this

Louisville Southern Railway Co.  Search this

Philadelphia RR.  Search this

Philadelphia, Wilmington, and Baltimore RR.  Search this

Southern Railway and Steamship Association.  Search this

United States. Army  Search this

United States. War Department  Search this

Ames, Oliver  Search this

Atterbury, W.W.  Search this

Cooke, Jay  Search this

Davis, Robert C.  Search this

Fletcher, Andrew  Search this

Lincoln, Abraham, 1809-1865  Search this

Lomonossoff, G.  Search this

McAdoo, W.G.  Search this

Milliken, J.  Search this

Scott, Thomas A.  Search this

Smith, M.H.  Search this

Former owner:

National Museum of American History (U.S.). Division of Transportation  Search this

Extent:

0.3 Cubic feet (2 boxes)

Type:

Collection descriptions

Archival materials

Correspondence

Reports

Clippings

Place:

Pennsylvania

United States -- History -- Civil War, 1861-1865

Date:

1841-1930, undated

Summary:

Papers of Samuel Morse Felton, civil engineer and railroad president, and his family.

Scope and Contents:

This collection contains biographical material on both Feltons; a handwritten bound report by Felton on the construction of the Norfolk Co. Railroad, 1847 1849; correspondence, 1861 1927, to and from both Feltons; various reports on military railroads during the World War years; and news clippings and articles on the Feltons, 1889-1930.

Arrangement:

Collection divided into five series.

Series 1: Biographical, 1841-1921

Series 2: Correspondence, 1861-1927

Series 3: Reports, 1847-1919

Series 4:History of Transportation Department, undated

Series 5: News clippings, 1889-1930

Biographical / Historical:

Samuel Morse Felton (1809 1889), civil engineer, became Superintendent and engineer of the Fitchburg Railroad in 1843 and left in 1851 to become President of the Philadelphia, Wilmington and Baltimore Railroad (PWBRR). Under Felton's able management this unsuccessful and financially failing railroad was rebuilt, restored and prospered. The road was of great strategic importance during the Civil War and performed a great service by transporting troops and supplies for the Union. In 1857, he installed the locomotive engine "Daniel Webster" in service on the PWBRR. It was probably the first really successful coal burning passenger engine in regular service upon any RR in the U.S. In 1865 he left the PWBRR to become President of the Pennsylvania Steel Company. This was the first attempt in the United States to manufacture steel rails as a commercial enterprise. During this period he also served as director of many railroads including the Philadelphia, Wilmington & BRR, the Lehigh Coal & Navigation Co., the Northern Pacific, the Ogdensburg & Lake Champlain and several others. He was director for ten years of the Pennsylvania RR. In 1869 he was appointed by President Grant as a Commissioner to inspect Pacific Railroads.

His son, Samuel Morse Felton (1853 1930), followed in this father's footsteps. He graduated from MIT in 1873 and began a life long career in American railroading. In 1889 he became President of the Chicago and Alton Railroad, later assumed the Presidency of the Mexican Central Railroad, and became President of the Chicago Great Western Railroad in 1909. During WWI he was appointed Director General of Military Railways and in that capacity had charge of the organization and dispatch to France of all American railway forces and supplies. He continued in that position during the World War years. By 1928 he was Chairman of the Board of the Chicago Great Western Railroad, President of the Western Railroad Association, and Chairman of the Western Association of Railway Executives, to name only a few of his positions. At his death he was an advisor and associate of the Central Trust Company of Illinois.

Provenance:

Immediate source of acquisition unknown.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Railroads  Search this

Business records -- 1840-1930  Search this

Civil engineers  Search this

Transportation  Search this

Slavery -- United States  Search this

Genre/Form:

Correspondence -- 1840-1930

Reports

Clippings -- 1840-1940

Citation:

Samuel Morse Felton Family Papers, 1841-1930, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0170

See more items in:

Samuel Morse Felton Family Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep86f82b383-0368-41d7-9d80-399c9605479f

EDAN-URL:

ead_collection:sova-nmah-ac-0170

Creator:

Baltimore and Ohio Railroad Company  Search this

Garrett, John W. (John Work), 1820-1884  Search this

Former owner:

National Museum of American History (U.S.). Division of Transportation  Search this

Extent:

0.6 Cubic feet (2 boxes)

Type:

Collection descriptions

Archival materials

Business records

Place:

Baltimore (Md.)

Ohio River

United States -- History -- Civil War, 1861-1865

Date:

1850-1880.

Summary:

Collection is now part of AC1086, Baltimore and Ohio Railroad Records.

Scope and Contents note:

Includes lists of rail accidents, production and distribution of locomotives, and engine repair costs; reports on locomotive power, cost and performance, and purchases of locomotives and cars; and correspondence relating to these and other matters, all 1850-1880. Most correspondence is to Garrett from railroad supervisory staff. Includes a history of the operation of the railroad during the Civil War and additional correspondence concerning Ohio River bridges, trestles, and tunnels.

Arrangement:

Chronological arrangement.

Biographical/Historical note:

Garrett, president of the Baltimore and Ohio Railroad, 1858-1884, was born in Baltimore, Maryland July 31, 1820. After working for his father's financially successful commission business, during which time he invested heavily in the B. & O. Railroad, he was elected a director in 1855 and president in 1858. Under his leadership the railroad made history during the Civil War by carrying out the first military rail transport. During peacetime the railroad prospered with Garrett as president. He died September 26, 1884.

Provenance:

Gift of the Baltimore & Ohio Railroad Co. through Lawrence W. Sagle, Public Relations Representative, in 1997.

Restrictions:

This collection has been combined with the Baltimore and Ohio Railroad Collection (NMAH.AC.1086)

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Railroads  Search this

Repairing  Search this

Railroads -- Buildings and structures  Search this

Genre/Form:

Business records -- 19th century

Citation:

John W. Garrett Collection, 1850-1880, Archives Center, National Museum of American History. Gift of the Baltimore & Ohio Railroad Company.

Identifier:

NMAH.AC.0171

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8f7881f12-5fea-408f-ba6a-3d8d16d261de

EDAN-URL:

ead_collection:sova-nmah-ac-0171

Creator:

Pelton, Agnes, 1881-1961  Search this

Names:

Annixter, Jane  Search this

Extent:

2.1 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Sketches

Sketchbooks

Scrapbooks

Date:

1885-1989

Summary:

The papers of painter Agnes Pelton measure 2.1 linear feet and date from 1885-1989. Found within the papers are biographical materials; business and personal correspondence, many addressed to Jane Levington Comfort; writings; printed material; 3 mixed media scrapbooks; one studio guestbook, signed by visitors to Agnes Pelton's studio; artwork, including loose sketches and 9 sketchbooks; and photographs of Pelton, her family and friends, and her work.

Scope and Contents:

The papers of painter Agnes Pelton measure 2.1 linear feet and date from 1885-1989. Found within the papers are biographical materials; business and personal correspondence, many addressed to Jane Levington Comfort; writings; printed material; 3 mixed media scrapbooks; one studio guestbook signed by visitors to Agnes Pelton's studio; artwork, including loose sketches and 9 sketchbooks; and photographs of Pelton, her family and friends, and her work.

Arrangement:

The collection is arranged as 7 series.

Missing Title

Series 1: Biographical Materials, 1898-1989 (2 folders; Box 1)

Series 2: Correspondence, 1930-1980 (0.4 linear feet; Box 1)

Series 3: Writings, 1913-1956 (8 folders; Box 1)

Series 4: Printed Material, 1913-1955 (6 folders; Box 1)

Series 5: Scrapbooks and Guestbook, 1911-1955 (0.7 linear feet; Boxes 1, 4)

Series 6: Artwork, 1885-1957 (0.5 linear feet; Boxes 2-3)

Series 7: Photographic Material, 1886-1955 (0.4 linear feet; Box 3)

Biographical / Historical:

Painter Agnes Pelton (1881-1961) lived and worked in Long Island, New York, and Cathedral City, California, and is known for her desert landscapes, portraits, and abstract paintings.

Born in Stuttgart, Germany to William and Florence Pelton, Pelton and her mother relocated to New York after her father's death in 1890. Her mother, who had studied music at the Stuttgart Conservatory, opened the Pelton School of Music in Brooklyn, which remained in operation for 30 years. Pelton began her art studies at the Pratt Institute in 1895 and continued working with one of her instructors, Arthur Dow, at his summer school in Ipswich, Massachusetts, after her graduation in 1900. She later worked with William Langson Lathrop and Hamilton Field, and traveled abroad to attend the British Academy in Rome in 1910 and 1911.

In 1912, after seeing her work in an exhibition in Hamilton Field's studio in Ogunquit, Maine, Walt Kuhn invited Pelton to participate in the 1913 Armory Show. During her early career, Pelton created works that were primarily influenced by Davies's philosophy on the effect of natural light, and which she termed "Imaginative Paintings." After a visit to New Mexico in 1919, Pelton began shifting to another style of painting, focusing on Southwestern landscapes and figurative portraits, which she continued from her studios in New York City and Long Island. In 1932, Pelton moved to Cathedral City, California and began painting abstract works in a new stylistic phase, which were visual explorations of her growing interest in spirituality and philosophy. In 1938, she became a founding member of the Transcendental Painting Group, which included Raymond Jonson and Emil Bisttram. Pelton died in Cathedral City in 1961.

Provenance:

The Agnes Pelton papers were assembled by Cornelia and Irving Sussman for a biography of Agnes Pelton. They were donated to the Archives by gallery director Jan Rindfleisch on behalf of the Sussmans, in 1984. In 1997, circa 162 letters from Agnes Pelton to Jane Levington Comfort, that are now part of this collection, were bequeathed to Cornelia and Irving Sussman by Jane Levington Comfort through Joan Crisci, the executor of Comfort's estate, and donated to the Archives. An additional studio guestbook was donated in 2021 by Kay Hillery, whose in-laws were neighbors and friends with Agnes Pelton. Both the letters from Agnes Pelton to Jane Levington Comfort and the studio guestbook donations were facilitated by Michael Kelley.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California  Search this

Topic:

Women artists  Search this

Women painters  Search this

Genre/Form:

Photographs

Sketches

Sketchbooks

Scrapbooks

Citation:

Agnes Pelton papers, 1885-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.peltagne

See more items in:

Agnes Pelton papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a289c7ce-c51e-4e37-86a3-724f74143e4a

EDAN-URL:

ead_collection:sova-aaa-peltagne

Collection Creator:

Pelton, Agnes, 1881-1961  Search this

Container:

Box 1, Folder 18

Type:

Archival materials

Date:

circa 1930-1940

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Agnes Pelton papers, 1885-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art.

See more items in:

Agnes Pelton papers

Agnes Pelton papers / Series 3: Writings

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a0afc0af-21b7-4b44-a3df-73a95648e4d1

EDAN-URL:

ead_component:sova-aaa-peltagne-ref29

Collection Creator:

Pelton, Agnes, 1881-1961  Search this

Container:

Box 3, Folder 8

Type:

Archival materials

Date:

circa 1940-1955

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Agnes Pelton papers, 1885-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art.

See more items in:

Agnes Pelton papers

Agnes Pelton papers / Series 7: Photographic Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92fe7701b-c828-4c65-ada1-13dcea05d522

EDAN-URL:

ead_component:sova-aaa-peltagne-ref58

Collection Creator:

Pelton, Agnes, 1881-1961  Search this

Extent:

0.5 Linear feet (Boxes 2-3)

Type:

Archival materials

Date:

1885-1957

Scope and Contents:

Artwork consists of loose sketches of figures and abstract forms. The 9 sketchbooks are of childhood drawings, landscapes, figures, and flowers. Annotated notebook/sketchbooks include notes, thoughts, and dated entries with some accompanying illustrations and sketches.

Arrangement:

Materials are arranged chronologically by document type.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Agnes Pelton papers, 1885-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.peltagne, Series 6

See more items in:

Agnes Pelton papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f5710bed-b335-4098-b510-2f8ad85f556b

EDAN-URL:

ead_component:sova-aaa-peltagne-ref6

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Business records

Correspondence

Memorandums

Sound recordings

Audiocassettes

Contracts

Negatives

Video recordings

Slides (photographs)

Plans (drawings)

Videotapes

Audiotapes

Digital images

Notes

Photographic prints

Place:

Caribbean Area

Trinidad and Tobago

Puerto Rico

Date:

June 23-July 4, 1988

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1988 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 6 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: American Folklore Society Centennial

Series 3: Festival Music Stage

Series 4: Ingenuity and Tradition: The Common Wealth of Massachusetts

Series 5: Migration to Metropolitan Washington: Making a New Place Home

Series 6: Music from the Peoples of the Soviet Union

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1988 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

The 1988 Festival celebrated the centennial of the American Folklore Society, founded one hundred years earlier because of the need to document and study cultures that were seen as disappearing. Much of the Society's attention today, however, is engaged in the documentation and interpretation of emerging traditions and cultural expressions. Folklorists work in inner cities, conduct research on occupational groups, analyze processes of traditionalization and cooperate with other professionals in devising natural conservation and historical preservation strategies, which also promote cultural continuity, equity and integrity. Visitors to the 1988 Festival could learn about what it is that folklorists do and what impacts they have on the communities with which they work.

The other living exhibitions that made up this year's Festival also provided ample illustrations of this same view of the traditional. The Massachusetts program told a paradigmatic American story. Gay Head Wampanoag, Yankee settlers, Afro American migrants, and immigrants from Italy, Greece, Poland, the Cape Verde Islands, Puerto Rico, and Southeast Asia have not only preserved their traditions; through ingenious acts of individual and community creativity they have adapted them and endowed them with new meanings, as circumstances have changed. The Metropolitan Washington program pointed to the heightened consciousness of cultural issues associated with the migration experience. The program asked how immigrants from El Salvador, Ethiopia, China, Trinidad and Tobago, as well as domestic Anglo and Afro American groups historically migrating from nearby states, discard, reinvent, and reconstitute their traditions as they actively make a new place home. A varied contingent of musicians and performers from several republics of the Soviet Union demonstrated how truly ancient traditions nurtured in various pastoral, tribal, and religious environments have not merely survived but actually flourished in contemporary Soviet life. Also at the Festival were American musicians who, as part of a groundbreaking cultural exchange with the Soviet Union, would later travel to Moscow to participate in the International Folklore Festival in August 1988 and be reunited with the Soviet musicians participating in the Smithsonian's Festival.

The 1988 Festival took place for two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The 1988 Program Book included schedules and participant lists for each program; the Program Book essays provided a larger context for the Festival presentations, extending beyond the traditions actually presented at the 1988 Festival.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.

Office of Folklife Programs

Richard Kurin, Acting Director; Diana Parker, Festival Director; Anthony Seeger, Curator, Folkways Records; Thomas Vennum, Jr., Senior Ethnomusicologist; Peter Seitel, Senior Folklorist; Marjorie Hunt, Phyllis M. May-Machunda, Heliana Portes de Roux, Frank Proschan, Nicholas R. Spitzer, Folklorists; Jeffrey Place, Assistant Archivist

National Park Service

William Penn Mott, Jr., Director; Manus J. Fish, Jr., Regional Director, National Capital Region

Forms Part Of:

Smithsonian Folklife Festival records: 1988 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Rights:

Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.

Topic:

World music  Search this

Food habits  Search this

Folk art  Search this

arts and crafts  Search this

Folk festivals  Search this

Folk music  Search this

Folklore  Search this

Genre/Form:

Business records

Correspondence

Memorandums

Sound recordings

Audiocassettes

Contracts

Negatives

Video recordings

Slides (photographs)

Plans (drawings)

Videotapes

Audiotapes

Digital images

Notes

Photographic prints

Citation:

Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1988

See more items in:

Smithsonian Folklife Festival records: 1988 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk59e9f3773-cd55-493f-94e0-c53650d914c4

EDAN-URL:

ead_collection:sova-cfch-sff-1988

Collector:

Jackler, Robert K.  Search this

Extent:

20 Cubic feet (40 boxes, 1 map-folder)

Type:

Collection descriptions

Archival materials

Date:

circa 1898-2017

undated

Summary:

The collection documents the history of tobacco advertising in America through print advertisements (magazine and newspaper), emphasizing the deceptive advertising practices employed by the tobacco industry to lure and keep smokers. Many of the advertisements contain images of celebrities, athletes, and other notable persons who endorsed tobacco products as well as ethinic imagery.

Scope and Contents:

The collection consists of advertisements collected by Dr. Robert Jackler for his "Not a Cough in a Carload: Images from the Tobacco Industry Campaign to Hide the Hazards of Smoking" exhibition. The heart of the collection consists of paper advertisements from national magazines and newspapers dating from 1898-2017. The bulk of these materials are for cigarettes but also include cigars and tobacco. A smaller amount of material are advertisements for holders, lighters and matches, pipes, smokers' drops, and toothpaste. Included among these materials are also some point of purchase displays and ephemera from major tobacco companies.

The material emphasizes the deceptive advertising practices intended to convince people that tobacco use was safe, and the use of doctors, dentists, athletes, opera singers, actors, and others to endorse them. Actresses and actors that appeard in some of these advertisements included Lucille Ball, Madge Bellamy, Constance Bennett, Sam Bernard, Billie Burke, Eddie Cantor, Richard Carle, Sue Carol, Madeleine Carroll, Boake Carter, Charlie Chan, Charlie Chaplin, Ina Claire, George M. Cohan, Claudette Colbert, June Collyer, Betty Compson, Gary Cooper, Clifton Crawford, Myrna J. Darby, Marlene Dietrich, Dolores Del Rio, Sally Eilers, Clifton Fadiman, Douglas Fairbanks, William Faversham, W.C. Fields, Muriel Finley, Sidney Fox, Kay Francis, Janet Gaynor, Bill Haines, Jean Harlow, Miriam Hopkins, Jack Holt, Leslie Howard, Edmund Lowe, Al Jolson, Harry Lauder, Carole Lombard, Myrna Loy, Dorothy Mackaill, Herbert Marshall, Groucho Marx, Norina Matchabella, Philip Merivale, Robert Montgomery, Catherine Moylan, Ramon Novarro, Maureen O'Sullivan, Barbara Stanwyck, Margaret Sullavan, Norma Talmadge, Lawrence Tibbett, William T. Tilden, Spencer Tracy, Helen Twelvetrees, Lenore Ulric, Lupe Velez and David Warfield. Some of the athletes that endorsed tobacco products included Ty Cobb, James J. Corbett, Johnny Farrell, Lou Gehrig, Walter Hagen, Willie Hoppe, Matt McGrath, Vincent Richards, Damon Runyon, Babe Ruth, Earl Sande, Martin Sheridan, Fred Spencer, Jr., Gaston Strobino and Ted Williams. Musicians that appeared in some of the advertisements included Frances Alda, Carl Gantvoort, George Gershwin, Dinh Gilly, Nanette Guilford, Jack Henderson, Helen Jepson, Karl Jörn, Lauritz Melchior, Dick Powell, John Philip Sousa, and Leo Slezak. Other note worthy celebrities included Robert Lee, Amelia Earhart, Georges Fontana, Rube Goldberg, Martin Johnson, Alice Roosevelt Longworth, Marjorie Moss, Robert Taylor, Rudy Vallée, Amy Vanderbilt, King Vidor, George White, Florenz Ziegfeld, and Elsie de Wolfe.

To appeal to even wider audiences, advertisements incorporated iconic images such as Mount Rushmore, the American flag, the Statue of Liberty, and Santa Claus. Other advertisements used images of happy times and personal milestones, such as weddings, graduation day, Father's Day, etc., which smokers were told were incomplete without the aid of a cigarette.

Dr. Jackler later donated additional material which includes updated advertisements on modern themes, such as the economy (advertising touting bargain prices); technological changes (hard pack, improved filter, "light" cigarettes); and include more images of minorities. The initial donation had a series of advertisements with images of African Americans, but these additional ads allow researchers access to an even larger and more diverse set of examples of how tobacco was marketed to minorities. Dr. Jackler also expanded his research into much older magazines and newspapers. The addendum features advertisements from defunct, obscure, and short lived brands, in addition to the most popular and familiar ones. This enables researchers to study such themes as why the more successful companies' advertisements succeeded. These materials were integrated with the rest of the collection.

The collection is arranged into twelve series. Series one is cigarette advertisements dating from 1903-2017 and is divided by the media where it appeared in. Series two, contains advertisements for cigars dating from 1901-2017 and is also divided by media. Series three is chewing tobacco advertisements dating from 1898-2010 and is arranged into two subseries magazines and newspapers. Series four through series nine are advertisements marketing non-tobacco products and accessories for smokers. In addition, series ten contains point of purchase displays. Series eleven is born digital content. And finally, series twelve contains other forms of advertising and ephemera created by tobacco companies to assist in the sale of their products.

Arrangement:

The collection is arranged into twelve series.

Series 1, Cigarette Advertisements, 1903-2017, undated

Subseries 1.1, Magazine Advertisements, 1910-2017, undated

Subseries 1.2, Newspaper Advertisements, 1903-2004, undated

Series 2, Cigar Advertisements, 1901-2017, undated

Subseries 2.1, Magazine Advertisements, 1910-2017, undated

Subseries 2.2, Newspaper Advertisements, 1901-1958, undated

Series 3, Chewing Tobacco Advertisements, 1898-2010, undated

Subseries 3.1, Magazine Advertisements, 1898-2010, undated

Subseries 3.2, Newspaper Advertisements, 1907-1981, undated

Series 4, Holder Advertisements, 1923-1957, undated

Series 5, Lighters and Accessories Advertisements, 1934-1977, undated

Series 6, Matches Advertisements, 1949, undated

Series 7, Pipes Advertisements, 1920-1971, undated

Series 8, Smokers' Drops Advertisements, 1958

Series 9, Toothpaste Advertisements, 1920, undated

Series 10, Point of Purchase Displays, undated

Series 11, Born Digital Content, undated

Series 12, Ephemera, 1960-2013, undated

Series 13: 2017 Addenda

Biographical / Historical:

Dr. Robert K. Jackler was born on January 29, 1954 to Dr. Jacob Marlowe Jackler and Marilyn Epstein. He was raised in Waterville, Maine, and attended college and medical school in Boston, Massachusetts. He moved to California for a residency in Otolaryngology-Head and Neck Surgery. In 1985, Dr. Jackler accepted a Neuroethology fellowship at the House Ear Clinic and joined the faculty at the University of California, San Francisco where he remained until 2003. Later that year he became the Sewall Professor and Chair of the Department at OHNS and professor in the Ddepartments of Neurosurgery and Surgery at the Stanford University School of Medicine.

Dr. Jackler's medical work exposed him to numerous patients suffering from tobacco-related health problems. In addition, his mother, Marilyn Jackler, died of cancer in 2007. That year he and his wife Laurie founded the research group SRITA (Stanford Research into the Impact of Tobacco Advertising). The purpose of SRITA was to use an interdisciplinary approach to examine the ways in which the tobacco industry targeted minority groups. SRITA also wanted to examine how the industry marketed new products. During this time Dr. Jackler and his wife also began to amass a collection of advertisements and artifacts relating to tobacco products. These effors cumulated in an exhibition of advertising imagery tracing how tobacco companies used deceptive and often patently false claims in an effort to reassure the public of the safety of their products. "Not a Cough in a Carload: Images from the Tobacco Industry Campaign to Hide the Hazards of Smoking" was dedicated to his mother, Marilyn Jackler, who started smoking as a young woman because "it was the sophisticated thing to do" and later was unable to quit. Dr. Jackler received support from Stanford's Lane Medical Library, where the exhibit opened with an accompanying website (http://lane.stanford.edu/tobacco/index.html). Dr. Jackler has authored numerous papers, textbook chapters, editorials, and books in addition to his teaching, medical practice, and collecting.

Related Materials:

There are several collections relating to the advertising and marketing of tobacco in the Archives Center. The Warshaw collection's series on "Tobacco Trade" consists of nine cubic feet of business ephemera, circa 1850-1950. The N W Ayer Advertising Agency Records contain complete advertising campaigns for over 130 tobacco brands, 1899-1951, for companies such as Fatima, Murad, Pall Mall, Philip Morris, and R.J. Reynolds. The Marlboro Oral History and Documentation Collection documents the development of the Marlboro Man advertising campaign, 1940-1986. The Virgil Johnson Collection of Cigarette Packages, circa 1890-1997, contains over six thousand packages arranged into albums. The Cornelius and Horne Collection of Cigarette Packages consists of seventy three labels collected by a United States Navy captain in the Pacific theatre in 1945.

Provenance:

The collection was donated by Robert K. Jackler in 2011.

Restrictions:

The collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Citation:

Marilyn E. Jackler Memorial Collection of Tobacco Advertisements circa 1890-2013, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.1224

See more items in:

Marilyn E. Jackler Memorial Collection of Tobacco Advertisements

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep830b9ab52-e44e-4a1a-907b-d4f1f35e47a2

EDAN-URL:

ead_collection:sova-nmah-ac-1224

Names:

Hastie, William, 1904-1976  Search this

Extent:

1.67 Linear feet (1 oversize box)

Type:

Collection descriptions

Archival materials

Place:

Washington (D.C.)

Date:

1933-1935

Summary:

This collection of New NegroOpinion newspapers spans from December 16, 1933 to April 18, 1935, and measures 1.67 linear feet. The Washington, DC-based paper was published weekly by the New Negro Alliance, which was established in 1933 by John Aubrey Davis, Belford V. Lawson, and M. Franklin Thorne to protest discrimination in employment practices in stores doing business in black neighborhoods. William H. Hastie, the first African American federal judge served as the assistant editor and a columnist for the weekly.

Arrangement:

The collection is arranged into two series.

Series 1: December 1933 - December 1934

Series 2: January 1935-April 1935

Biographical / Historical:

John Aubrey Davis, Belford V. Lawson, and M. Franklin Thorne established the New Negro Alliance in 1933 to protest discrimination in employment practices in stores doing business in black neighborhoods. On August 28th of that year, the manager of the Hamburger Grill on U Street in the District of Columbia fired his all black staff and replaced them with whites. Black customers, led by Washingtonian John Aubrey Davis maintain a boycott and picketed until the manager relented and brought the black workers back—with an increase in pay and a reduction in hours.

After the Hamburger Grill, their campaigns targeted the A&P grocery stores, the High Ice Cream Company, Peoples Drug Store, Kaufman's Department Store, and finally, the Sanitary Grocery Company (later Safeway grocery stores)—which led them all the way to the Supreme Court. Mary Church Terrell, Mary McLeod Bethune, and many other prominent black Washingtonians joined the picket lines. Walter E. Washington, later the first black mayor of the city, Eugene Davidson (later head of the D.C. NAACP), Howard University professor N. Naylor Fitzhugh, John Aubrey Davis, attorney Belford V. Lawson, Jr., M. Franklin Thorne (later manager of Langston Terrace housing project), R. Grayson McGuire (owner of the McGuire family funeral homes), and Robert C. Weaver were among the leaders of the New Negro Alliance.

The organization's tactics were unique. The Alliance conducted survey research in the neighborhoods surrounding a retail store that did not hire black employees. They then shared their research findings with the store managers, and requested that hiring policies be changed to hire the same percentage of black employees as there were customers. If the store refused, the Alliance would begin a community education campaign, distributing literature that explained their demands. Finally, if the store still refused to meet their demands they would organize a picket line and a boycott of the store by all those who supported an end to the exclusion of black employees.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist at ACMarchives@si.edu

Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

African American newspapers  Search this

African Americans -- Employment  Search this

Civil rights -- United States  Search this

Citation:

Anacostia Community Museum Archives, Smithsonian Institution.

Identifier:

ACMA.10-012.3

See more items in:

New Negro Opinion newspaper

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa73f0e8f94-2e36-4f0b-abdd-a62b7b23eb6a

EDAN-URL:

ead_collection:sova-acma-10-012-3

Creator:

Hudson, Ruth Marie.  Search this

Extent:

9 Negatives (photographic)

19 Photographic prints

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Photographic prints

Black-and-white negatives

Black-and-white photographs

Place:

Eustis (Fla.)

Date:

circa 1930

Summary:

This collection, which dates from circa 1930, contains 19 black-and-white photographic prints and 9 black-and-white negatives depicting the family of Mrs. Ruth Marie Hudson, as well as the black community in Eustis, Florida. The images portray African American men, women and children.

Biographical/Historical note:

The city of Eustis is located in Lake County, Florida. Traditionally African-American neighborhoods in the city include Egypt and East Town. In 2009, the City of Eustis received a grant from the Florida Division of Historical Resources to complete a historical and architectural survey of the two neighborhoods.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Topic:

African Americans  Search this

Genre/Form:

Photographic prints

Black-and-white negatives

Black-and-white photographs

Citation:

Ruth Marie Hudson photographic prints, Anacostia Community Museum Archives, Smithsonian Institution, gift of Patricia N. George.

Identifier:

ACMA.06-036

See more items in:

Ruth Marie Hudson Photograph Collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa778be3dd6-00ff-4119-9bf0-52258e4b4991

EDAN-URL:

ead_collection:sova-acma-06-036

Creator:

Garden Club of America  Search this

Names:

New York Flower Show  Search this

Extent:

37,000 Slides (35mm slides)

33 Linear feet ((garden files))

3,000 Lantern slides

Type:

Collection descriptions

Archival materials

Slides

Lantern slides

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Slides (photographs)

Date:

circa 1920-present

Summary:

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

Biographical/Historical note:

The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- France  Search this

Gardens -- Italy  Search this

Gardens -- Japan  Search this

Gardens -- Mexico  Search this

Flower shows  Search this

Gardening -- United States -- societies, etc  Search this

Gardens -- England  Search this

Landscape architecture  Search this

Gardens -- United States  Search this

Gardens -- Spain  Search this

Gardens -- Scotland  Search this

Genre/Form:

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Lantern slides

Slides (photographs)

Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA

See more items in:

The Garden Club of America collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47

EDAN-URL:

ead_collection:sova-aag-gca

Former owner:

Stockton, Gilchrist Admiral  Search this

Blount, Margaret Stockton Mrs  Search this

Landscape architect:

Manning, Wayne O.  Search this

Provenance:

Late Bloomers Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Haskell Gardens (Jacksonville, Florida)

United States of America -- Florida -- Duval -- Jacksonville

Scope and Contents:

The folder includes worksheets, site plans, and additional information.

General:

Two vacant suburban parcels comprising three riverfront acres were assembled by the owners in the 1970s, and construction of the contemporary style residence and initial landscape planting were completed in 1978. Originally, the land was virtually devoid of trees or plants, whereas now lush and comprehensive landscaping reflects 37 years of careful and continuous design and planting. Today the property's landscape is best described as comprehensive and highly informal. Nearly half of the acreage consists of medium density woods at the north and south precincts of the property, comprising live oaks, magnolias and screening shrubbery such as viburnum, elaeagnus, holly, anise and ligustrum. The buildings and grounds are entirely screened from road view (west) by a continuous multi-layered tall hedge whose foreground planting includes azalea, sago palm and holly fern. The east lawn is generally open to the St. John's River. Inside the property, informally curving hedges of varying height define the boundaries of the woods, again using holly, eleagnus, viburnum, azalea and ligustrum, as well as aspidistra, pittosporum and podocarpus. A tennis court pavilion is arbored in jasmine, which also blankets the court fence. Certain walls of the residence are espaliered with jasmine and podocarpus, and ground cover in the oak-shaded areas includes liriope, juniper, mondo and jasmine. The more open areas are punctuated by specimen oaks, clusters of ilex, sago palm, Indian hawthorn, philodendron and flowering annuals.

The contemporary art collection extends from within the residence onto the grounds in the form of fourteen large outdoor sculptures. These vary in form and medium, but all are quite abstract and - most importantly - carefully integrated into the landscape.Nearly every sculpture occupies a curved, embracing niche giving its own partially enclosed space and creating a unique relationship between art and landscaping. Indeed, this integration of the sculpture collection with the planting is the most distinctive aspect of the gardens. The sculptors whose work has been installed are Arthur Gibbons, Tom Raye, Beverly Pepper, Charles O. Perry, Alexander Liberman, Amolldo Pomodoro, George Sherwood, Doris Leper, Ed Hallgeuik, and Kenneth Snelson.

Persons associated with the property include Admiral Gilchrist Stockton (former owner, 1935?-1972); Mrs. Margaret Stockton Blount (former owner, 1935?-1972); Wayne O. Manning, Jr. (landscape architect, 1970s).

Related Materials:

Haskell Gardens related holdings consist of 2 folders (24 digital images)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Florida -- Jacksonville  Search this

Sculpture gardens  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File FL169

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Florida

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6112f7cc8-6fdd-4f0a-a70d-66adb808f092

EDAN-URL:

ead_component:sova-aag-gca-ref11963