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Collaborative Etching

Alternate Title:
Lucille Corcos, David Smith, Adolph Gottlieb, Edgar Levy, Dorothy Dehner and Esther Gottlieb
Artist:
Dorothy Dehner, 23 Dec 1901 - 22 Sep 1994  Search this
Lucille Corcos, 1908 - 1973  Search this
Edgar Levy, 1907 - 1975  Search this
Esther Gottlieb, 1907 - 1988  Search this
Adolph Gottlieb, 14 Mar 1903 - 4 Mar 1974  Search this
David Smith, 9 Mar 1906 - 23 May 1965  Search this
Sitter:
Lucille Corcos, 1908 - 1973  Search this
David Smith, 9 Mar 1906 - 23 May 1965  Search this
Adolph Gottlieb, 14 Mar 1903 - 4 Mar 1974  Search this
Edgar Levy, 1907 - 1975  Search this
Dorothy Dehner, 23 Dec 1901 - 22 Sep 1994  Search this
Esther Gottlieb, 1907 - 1988  Search this
Medium:
Etching on paper
Dimensions:
Image: 15cm x 20cm (5 7/8" x 7 7/8")
Sheet: 25.2cm x 29cm (9 15/16" x 11 7/16")
Type:
Print
Date:
1933
Topic:
Architecture\Building  Search this
Home Furnishings\Lighting Devices\Lamp  Search this
David Smith: Male  Search this
David Smith: Visual Arts\Artist\Sculptor  Search this
Lucille Corcos: Visual Arts\Artist  Search this
Lucille Corcos: Female  Search this
Adolph Gottlieb: Male  Search this
Adolph Gottlieb: Visual Arts\Artist\Painter  Search this
Adolph Gottlieb: Visual Arts\Artist\Abstract Expressionist  Search this
Dorothy Dehner: Visual Arts\Artist  Search this
Dorothy Dehner: Female  Search this
Esther Gottlieb: Female  Search this
Edgar Levy: Visual Arts\Artist  Search this
Edgar Levy: Male  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.92.109
Restrictions & Rights:
Usage conditions apply
Copyright:
© The Estate of David Smith / Licensed by VAGA at Artists Rights Society (ARS), NY
© The Adolph and Esther Gottlieb Foundation/Licensed by ARS, New York, NY
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm48b1503f0-50cc-4974-9c4a-44e2a1ecbb85
EDAN-URL:
edanmdm:npg_NPG.92.109

Cleve Gray papers, 1933-2005

Creator:
Gray, Cleve, 1918-2004  Search this
Subject:
Richter, Hans  Search this
Marin, John  Search this
Lipchitz, Jacques  Search this
Pollock, Jackson  Search this
Grace, Louise N.  Search this
Gray, Francine du Plessix  Search this
Duchamp, Marcel  Search this
Dillenberger, Jane  Search this
Gabo, Naum  Search this
Ernst, Jimmy  Search this
Davis, Jim  Search this
Calder, Alexander  Search this
Barzun, Jacques  Search this
Weber, Nicholas Fox  Search this
Smith, David  Search this
Villon, Jacques  Search this
Pratt Institute  Search this
Rhode Island School of Design  Search this
Neuberger Museum of Art  Search this
Jacques Seligmann & Co  Search this
Betty Parsons Gallery  Search this
Connecticut. Commission on Arts, Tourism, Culture, History and Film  Search this
Princeton University  Search this
Berry-Hill Galleries  Search this
Type:
Poems
Articles
Photographs
Reviews (documents)
Notes
Illustrations
Notebooks
Sketches
Drafts (documents)
Video recordings
Sound recordings
Interviews
Manuscripts
Paintings
Prints
Watercolors
Drawings
Lectures
Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- United States  Search this
Vietnam War, 1961-1975 -- Protest Movements -- United States  Search this
Designers  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9567
(DSI-AAA_SIRISBib)211768
AAA_collcode_grayclev
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211768
Online Media:

Meet Miriam Schapiro

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-04T15:01:42.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_IPCq8r52B4Y

Pouring sculptures like Lynda Benglis

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2020-08-10T13:47:49.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_HF38H3ilBnw

Lillian and Frederick Kiesler papers

Creator:
Kiesler, Lillian, 1910?-2001  Search this
Names:
Anthology Film Archives  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
University of Iowa, Museum of Art  Search this
Whitney Museum of American Art  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Arnaud, Leopold, 1895-1984  Search this
Bartos, Armand P., 1910-  Search this
Bultman, Fritz, 1919-1985  Search this
Buscemi, Steve, 1958-  Search this
Castelli, Leo  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne, 1906-1965  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Hawkins, Erick  Search this
Hodges, Alice  Search this
Hofmann, Hans, 1880-1966  Search this
Holtzman, Harry  Search this
Howe, George, 1886-1955  Search this
Kamler, Richard  Search this
Kiesler, Frederick  Search this
MacIver, Loren, 1909-  Search this
Meredith, Burgess, 1907-1997  Search this
Milius, Tom  Search this
Miller, Henry, 1891-  Search this
Mondrian, Piet, 1872-1944  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer, 1915-2010  Search this
Purdy, James  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
49.1 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Date:
circa 1910s-2003
bulk 1958-2000
Summary:
The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.
Scope and Content Note:
The papers of artist, performer, and arts educator Lillian Kiesler and sculptor, architect, set designer, educator, and writer Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

The collection is arranged into two series: the Lillian Kiesler Papers (Series 1) and the Frederick Kiesler Papers (Series 2). Measuring 41.1 linear feet, the Lillian Kiesler Papers (Series 1) make up the bulk of the collection and document her personal life and professional career as an artist, actor, teacher, arts benefactor and promoter of Frederick Kiesler's legacy. The series spans her lifetime, although most of the material is dated after 1965. Among her papers are biographical materials, correspondence, legal and financial records, teaching files, exhibition and performance files, artwork, subject files, printed material, monographs, papers related to Frederick Kiesler and his legacy, papers of and related to Hans Hofmann, papers of Alice Hodges, photographic material, and sound and video recordings.

Found among Lillian Kiesler's personal papers are address books, numerous calendars and appointment books, and diaries and journals. Her correspondence is extensive and contains business correspondence with John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation, and personal letters and greeting cards from friends, family, artists, scholars, and researchers, including Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. Of interest is a letter from Harry Holtzman postmarked March 13, 1935 describing his initial meeting with Mondrian, and a letter from E.B. Gordon describing Henry Miller in Paris.

Materials related to Lillian Kiesler's estate and last wishes can also be found, as well as teaching plans, student work, and writings by Lillian Kiesler's mentor and friend, New York University professor Chandler Montgomery. Various printed material, correspondence, scripts, and rehearsal schedules from Lillian Kiesler's exhibitions and performances are also found, and among the directors, artists and writers represented are Jo Andres, Steve Buscemi, Cindy Lugar, Tim Miller and James Purdy. Artwork contains photographs by Bob Del Fredici, drawings by Piero Dorazio, and notes to Frederick Kiesler from Lillian Kiesler.

Subject files about artists, friends, colleagues, performances, and organizations in which she supported, such as the Anthology Film Archives, include printed materials and research materials. Signed exhibition catalogs of Loren MacIver, Dina Ghen, Lenore Tawney, and Toshiko Takaezu, and a reprint article inscribed by Alcopley can be found, as well as numerous inscribed monographs, including books inscribed by Max Weiler and Piero Dorazio, an inscribed first edition of Henry Miller's Black Spring (1936), and a 1937 monograph by Harry Holtzman titled American Abstract Artists.

Series 1 also includes materials related to her husband Frederick Kiesler, papers of and related to Abstract Expressionist painter Hans Hofmann, and the personal papers of artist Alice Hodges. The Papers Related to Frederick Kiesler were primarily created or compiled by Lillian Kiesler and document her work on behalf of Frederick Kiesler's legacy. Of interest are letters from Frederick Kiesler to Lillian Kiesler and Alice Hodges; a bound volume of correspondence to Piero Dorazio; an inventory of objects in the Frederick Kiesler estate; photographs of artwork; an interview (sound recordings and transcript) with Lillian Kiesler about Frederick Kiesler for "Music of the Age," included on the tape is a portion of a Frederick Kiesler interview (1965); a recording of Lillian Kiesler interviewing Richard Kamler about Frederick Kiesler; and Frederick Kiesler's dialogue with Leo Castelli (undated).

Lillian Kiesler was a student of Hans Hofmann (1880-1966) in New York City and Provincetown, Massachusetts, as well as an enthusiastic volunteer promoter and assistant to The Hans Hofmann School of Fine Arts. The bulk of the papers of and related to Hans Hofmann were created or compiled by Lillian Kielser and are about Hofmann's career and legacy. However, also found are some papers of Hans Hofmann, including letters from Hofmann to Lillian Kiesler and Alice Hodges describing his artwork, life in Provincetown, and issues with The Hans Hofmann School of Fine Arts, typed and handwritten lectures given by Hofmann, Hofmann's 1941 address to the American Abstract Artists (AAA), three boxes of card files on students of the Hans Hofmann School of Fine Arts in New York City and Provincetown, and photographs of Hofmann and his house in Provincetown taken by Wilfrid Zogbaum and Tom Milius.

The artist Alice Hodges (b. unknown-1965) was a close friend of Lillian Kiesler, a former secretary to Frederick Kiesler, and a student of Hans Hofmann. Included among her personal papers is some correspondence from Hans Hofmann and Katherine Drier and numerous postcards from Hodges and Lillian Kiesler's trip to Europe in 1950, posters and printed material from her exhibitions, an oversized scrapbook chronicling Lillian Kiesler's teaching career, records from the United States Treasury War Bond Art Auction in 1945, original artwork and greeting cards made by Hodges and Lillian Kiesler, and 31 rolled negative strips in metal canisters of Frederick Kiesler sculptures, Provincetown and Hans Hofmann, Wellfleet, Empire State Music Festival (1955), and travels to Colorado and Europe, some of which may be printed and found in this subseries.

Photographs found in the Lillian Kiesler Papers are mostly black and white and color snapshots of Lillian Kiesler's friends and family at events and at home, including candid photos of Hans Hofmann, Alice Hodges, Frederick Kiesler, and Alcopley. Slides prepared by Lillian Kiesler for a lecture on Frederick Kiesler and her lecture notes on index cards are found. Sound and video recordings include recordings of productions in which Lillian Kiesler performed, and music, film, or live stage performances written, directed, or performed by friends.

Measuring 7.1 linear feet, Frederick Kiesler's personal papers (Series 2) document his professional career and date from 1923-1992. Biographical materials include his curriculum vitae, four passports, and numerous appointment books and notes from late in his life. Correspondence with architects, publishers, editors, universities, museums, galleries, manufacturers, artists and friends includes letters from L. Alcopley, Leopold Arnaud, Armand P. Bartos, Piero and Virginia Dorazio, George Howe, Kay Johnson, Jane Owen, and others. There are also photocopied letters from Katherine Dreier, Marcel Duchamp, and Piet Mondrian. Business and financial records from the 1940s to mid-1960s comprise a significant bulk of this series and are primarily tax returns and receipts and statements used to file tax returns. Materials on the publication of "Inside the Endless House" (1966), the International Theatre Exposition (in German) in 1924 and other exhibits from shortly after his death are found, as well as student artwork and papers from Kiesler's classes in the mid-1950s. A bound copy of the "Bibliography of Writings of and About Frederick Kiesler" compiled by Lillian Kiesler is found, as well as printed material about Frederick Kiesler and a handful of photographs of artwork.

Users should note that Lillian Kiesler's and Frederick Kiesler's papers contain similar types of material that often overlap in subject matter, especially among the Papers Related to Frederick Kiesler (Subseries 1.10) in Series 1 and the Frederick Kiesler Papers (Series 2). This collection contains limited material related to Lillian Kiesler prior to the 1940s and Frederick Kiesler prior to his arrival in the United States in 1926.
Arrangement:
The collection is arranged into two series. Each series is divided into several subseries, with the arrangement described in detail in the series descriptions.

Missing Title

Series 1: Lillian Kiesler papers, circa 1910s-2003 (Box 1-39, 47-52, OV 53-57; 41.1 linear feet, ER01; 0.001 GB)

Series 2: Frederick Kiesler papers, 1923-1992 (Box 40-46, OV 53; 7.1 linear feet)
Biographical Note:
Frederick Kiesler (1890-1965) was a sculptor, architect, set designer, educator, and writer active in New York and Connecticutt. Lillian Kiesler (1911-2001) was a performer, arts educator, and painter married to Frederick Kiesler. She was also active in the administration of the Hans Hofmann School of Fine Arts.

Frederick Kiesler was born in Romania in 1890, although he gave various other dates for his birth and regularly cited Vienna as his birthplace. He arrived in the United States with his wife Steffi in 1926 for the International Theatre Exposition at Steinway Hall in New York City. They stayed in the United States and were granted citizenship in 1936.

Kiesler secured a teaching position at Columbia University's School of Architecture in 1930, and from 1934 through 1957 he was the scenic design director at The Juilliard School of Music. He also lectured at Yale University from 1950-1952. Often labeled a Surrealist, Kiesler's work was experimental and frequently described as ahead of its time. He published, lectured, and participated in numerous exhibitions throughout his career. He is known for his theory of "coreallism;" "The Space House" (1933), a full-scale model of a single family home; an installation designed for Peggy Guggenheim's Art of This Century gallery in 1942; "The Endless House" drawings and model (1950); "The Universal Theatre" (1961) model; and the Shrine of the Book (1965), a building to exhibit the Dead Sea Scrolls in Jerusalem. He died in New York City in December 1965.

Lillian Olinsey met architect and sculptor Frederick Kiesler in 1934. After years of friendship, they were married in 1964, a year and a half before Frederick's death in 1965.

Lillian Kiesler studied art at the Art Students League, Cooper Union, and the Hans Hofmann School of Fine Arts, where she also assisted Hofmann and the school administration. She taught art to children and young adults for twenty years in New York City. From 1945 to 1955, she taught at the Greenwich House Art workshops and the Woodward School, followed by the Brooklyn Museum (1948-1958), Barnard School (1953-1963), New York University School of Education (1955-1966), and Juilliard School of Visual Arts (1963-1965). Lillian was involved in the performing arts and between the late 1970s through the 1990s she performed in New York City with numerous directors, notably Jo Andres, Steve Buscemi, Richard Foreman, John Jesurun, Cindy Lubar, and Tim Miller. She frequently performed with her close friend, painter Maryette Charlton, who was the executor of the Lillian Kiesler estate.

Lillian Kiesler tirelessly promoted Frederick Kiesler's work and legacy after his death in 1965. From the late 1980s through the 1990s, she delivered lectures about his work at universities and museums, gave interviews, corresponded with researchers, and organized his papers to donate to the Harvard Theatre Collection, Yale School of Art and Architecture, and the Archives of American Art. In 1997, she helped found the Frederick and Lillian Kiesler Foundation in Vienna, Austria. She endowed the Austrian Frederick Kiesler Prize, an award given to a notable contributor to the field of architecture. The first recipient was Frank Gehry in 1998. Lillian Kiesler passed away in 2001 in New York City.
Related Material:
The holdings of the Archives of American Art include the Hans Hofmann Papers, 1904-1978 and the Maryette Charlton Papers, 1929-1998. Additional Frederick Kiesler papers are available at the Museum of Modern Art, the Harvard Theater Collection, and the Yale School of Art and Architecture.
Separated Material:
Some of the materials related to Frederick Kiesler were initially loaned for microfilming on reels 57 and 127-128. This material is not described in the container listing of this finding aid. Most, but not all, of the loaned material was later donated and has been merged with the other accretions.
Provenance:
The collection was donated by Lillian Kiesler and Maryette Charlton, executrix of her estate, in several accessions between 1980-2002. Some of the papers related to Frederick Kiesler were originally loaned for microfilming in 1971, most of which was later donated in 1980. Additional papers related to Frederick Kiesler were donated in 1993. Papers related to Hans Hofmann were given in 1981. Lillian Kiesler's papers were donated in 2000 by Lillian Kiesler, and in 2002, by Maryette Charlton.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Set designers -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Performance artists -- New York (State) -- New York  Search this
Art patrons -- New York (State) -- New York  Search this
Topic:
Architects -- New York (State) -- New York  Search this
Exhibition designers  Search this
Women artists  Search this
Women educators  Search this
Women painters  Search this
Women performance artists  Search this
Function:
Art schools -- Massachusetts
Art Schools -- New York (State)
Genre/Form:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill
See more items in:
Lillian and Frederick Kiesler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92be035c5-5063-4d6e-8ac2-5f08c17ef915
EDAN-URL:
ead_collection:sova-aaa-kieslill
Online Media:

Stanley Twardowicz papers

Creator:
Twardowicz, Stanley, 1917-  Search this
Names:
Contemporary Arts (Gallery)  Search this
John Simon Guggenheim Memorial Foundation  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Ohio State Fair  Search this
Whitney Museum of American Art  Search this
Dodson, Lillian  Search this
Kerouac, Jack, 1922-1969  Search this
Lichtenstein, Dorothy  Search this
Lichtenstein, Roy, 1923-1997 -- Photographs  Search this
Nicosi, Gerald  Search this
Olitski, Jules, 1922-2007  Search this
Parker, Raymond, 1922- -- Photographs  Search this
Smith, David, 1906-1965 -- Photographs  Search this
Verzyl, Kim Greer  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Resumes
Drawings
Photographs
Sound recordings
Scrapbooks
Awards
Memoirs
Theses
Date:
1942-2009
Summary:
The papers of painter and photographer Stanley Twardowicz measure 1.1 linear feet and date from 1942-2009, with the bulk of the papers dating from 1942-1981. The papers contain biographical material, scrapbooks, letters, printed material, photographs, and audio and video recordings regarding the career of Stanley Twardowicz as a painter and photographer.
Scope and Content Note:
The papers of painter and photographer Stanley Twardowicz measure 1.1 linear feet and date from 1942-2009, with the bulk of the papers dating from 1942-1981. The papers contain biographical material, scrapbooks, letters, writings, printed material, photographs, and audio and video recordings regarding the career of Stanley Twardowicz as a painter and photographer.

Biographical material consists of various curriculum vitae, a list of exhibitions and awards from 1942-1954, and typed excerpts from reviews of Twardowicz's one-man shows at Contemporary Arts Gallery during 1951.

Writings include an unpublished hand-written 70 page memoir by Twardowicz entitled "A Life with No Tears" covering the artist's early life through 1970, a master's thesis "Stanley Twardowicz, Tracing the Roots of an American Modernist" by Kim Greer Verzyl written in 1978, and a 2008 writing by Gerald Nicoisa which describes his relationship with Twardowicz.

Scrapbooks are two disbound volumes organized by years. They contain the artist's collection of exhibition announcements, catalogs, and lists; press clippings; letters advising of awards and fellowships; and Ohio State Fair ribbons for excellence in fine art.

Printed materials and related items consist of chronological files that retain their original order. Found are printed materials relating to exhibitions, letters, and audio visual materials. Of particular interest is the 1956 letter advising Twardowicz that he has been awarded a John Simon Guggenheim Memorial Foundation Fellowship in creative painting.

Photographs include pictures of the artist and ones taken by Twardowicz. Twardowicz's photographs are of Roy Lichtenstein, David Smith, Jules Olitski, Roy Parker, Mike Kanemitsu, Betty Parsons, Lillian Dodson (the artist's wife), and Jack Kerouac. There also is a photograph by Dorothy Lichtenstein of Twardowicz, Parker, Dodson and Roy Lichtenstein and casual snapshots of the artist and friends and family.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: Biographical Material, 1951-2008 (Box 1; 1 folder)

Series 2: Writings, 1951-2008 (Box 1; 0.1 linear ft.)

Series 3: Scrapbooks, 1942-1951 (Box 1; 0.25 linear ft.)

Series 4: Printed Material and Related Items, 1946-2009 (Box 1; 0V 2; 0.6 linear ft.)

Series 5: Photographs, circa 1960-1979 (Box 1; 3 folders)
Biographical Note:
Stanley Twardowicz (1917-2008) was a painter, photographer and teacher. He is associated with the 1950's Abstract Expressionists of the Cedar Tavern in Greenwich Village, New York and with Beat Generation poet Jack Kerouac.

Twardowicz was born Stanley Jon Leginsky in July, 1917, but took his godfather's surname at age 20 when he married. After working at various jobs, in 1940 Twardowicz enrolled in Detroit's Meinzinger's Art School.

In 1946 Twardowicz was awarded a scholarship to the Skowhegan School of Painting and Sculpture in Maine, his first exposure to a creative arts community. There he met Yasuo Kuniyoshi, Jack Levine and Philip Guston. Through his associations at Skowhegan, Twardowicz obtained a teaching position at Ohio State University. He taught there until 1951, becoming friends with fellow instructor, Roy Lichtenstein. Twardowicz married (Ruth) Ann Mandel in 1949 and they lived in an artists' community near Guadalajara, Mexico. Twardowicz then travelled in Europe, his work edging towards an expressionist technique and mood. By 1953 Twardowicz painted in a fully abstract manner.

Upon his return to the States, Twardowicz frequented the Cedar Tavern in Greenwich Village, New York, where he met and was deeply influenced by Abstract Expressionists such as Willem de Kooning, Franz Kline and Jackson Pollock. During this time he had one-man shows and participated in group shows at the Whitney Museum of American Art, the Art Institute of Chicago, the Solomon R. Guggenheim Museum, and the Pennsylvania Academy of Fine Arts. He was represented in the Museum of Modern Art's travelling exhibition "Young American Painters."

In 1956 Twardowicz received a Guggenheim Fellowship in creative painting and moved to Northport, Long Island, where he befriended area artists Jules Olitski and George Grosz. Between 1958 and 1970 the Peridot Gallery in New York presented annual one-man shows of Twardowicz's work. Twardowicz also participated in numerous major group shows at institutions such as the Whitney Museum of American Art.

Twardowicz began his long teaching career at Hofstra University in 1964, where he met his third wife, Lillian Dodson, a fellow artist. Twardowicz's career as a photographer also prospered. Edward Streichen, then Director of Photography at the Museum of Modern Art, selected six of Twardowicz's photographs for the Museum's permanent collection. In June, 1967 Tardowicz took photographs of Jack Kerouac in his Lowell, Massachusetts home, which became the subject of an art book portfolio called Stashou and Yasho.

During the 1990's there was renewed interest in Twardowicz's work with a show at Mitchell Algus' Gallery in Soho, New York City. In 2001, the Phoenix Art Museum celebrated Twardowicz's contributions as a Color Field painter with a retrospective exhibition "Moving Color."

Twardowicz died on June 12, 2008 in Northport, Long Island.
Provenance:
The papers were donated to the Archives of American Art in 2010 by Lillian Dodson, widow of Stanley Twardowicz.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Material created by Twardowicz: The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Photographers -- New York (State)  Search this
Genre/Form:
Video recordings
Resumes
Drawings
Photographs
Sound recordings
Scrapbooks
Awards
Memoirs
Theses
Citation:
Stanley Twardowicz papers, 1942-2009, bulk 1942-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.twarstan
See more items in:
Stanley Twardowicz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9041731d9-8f44-4bf3-93e4-e3191a0777ea
EDAN-URL:
ead_collection:sova-aaa-twarstan

Bernard Harper Friedman papers

Creator:
Friedman, B. H. (Bernard Harper), 1926-2011  Search this
Names:
Provincetown Fine Arts Work Center  Search this
Whitney Museum of American Art  Search this
Asher, Elise, 1914-  Search this
Baur, John I. H. (John Ireland Howe), 1909-1987  Search this
Bertoia, Harry  Search this
Biddle, Flora Miller  Search this
Bluhm, Norman, 1921-1999  Search this
Brooks, James, 1906-1992  Search this
Bultman, Fritz, 1919-1985  Search this
Castelli, Leo  Search this
Copley, William Nelson, 1919-1996  Search this
Dine, Jim, 1935-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gill, Brendan, 1914-1997  Search this
Goodnough, Robert, 1917-  Search this
Gray, Cleve  Search this
Gray, Francine du Plessix  Search this
Hall, Joellen  Search this
Huebler, Douglas  Search this
Kanovitz, Howard  Search this
Knowlton, Grace, 1932-  Search this
Krasner, Lee, 1908-1984  Search this
Kunitz, Stanley, 1905-2006  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Matter, Mercedes  Search this
McDarrah, Fred W., 1926-2007  Search this
McEwen, Rory, 1932-  Search this
Motherwell, Robert  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Barnett, 1905-1970  Search this
Norman, Dorothy, 1905-1997  Search this
Ossorio, Alfonso, 1916-1990  Search this
Pollock, Jackson, 1912-1956  Search this
Richenburg, Robert  Search this
Rosset, Barney  Search this
Roth, Philip  Search this
Rothschild, Judith  Search this
Salvesen, Magda  Search this
Sandler, Irving, 1925-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Schueler, Jon, 1916-  Search this
Simon, Sidney, 1917-1997  Search this
Slivka, David, 1913-  Search this
Still, Clyfford, 1904-1980  Search this
Stout, Myron, 1908-1987  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Correspondent:
Leary, Timothy Francis, 1920-  Search this
Extent:
30.6 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Transcripts
Sound recordings
Photographs
Scrapbooks
Date:
1926-2011
bulk 1943-2010
Summary:
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, printed material, 5 scrapbooks and photographs.
Scope and Contents:
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, 5 scrapbooks, and photographs.

Biographical materials include educational records, documentation of Friedman's World War II service in the U.S. Navy, and birth, marriage, and death certificates.

Correspondence is with friends, family, artists, art world figures and institutions, writers, publishers, and literary agents. Among the correspondents are: John I. H. Baur, Harry Bertoia, Flora Biddle, Norman Bluhm, James Brooks, Fritz Bultman, Leo Castelli, William N. Copley, Jim Dine, Helen Frankenthaler, Brendan Gill, Robert Goodnough, Cleve and Francine Gray, Howard Kanovitz, Grace Knowlton, Stanley Kunitz, Conrad Marca-Relli, Mercedes Matter, Fred W. McDarrah, Rory McEwen, Robert Motherwell, Arnold Newman, Barnett Newman, Dorothy Norman, Alfonso Ossorio, Provincetown Fine Arts Work Center, Robert Richenburg, Barney Rosset, Philip Roth, Judith Rothschild, Irving Sandler, Salvatore Scarpitta, Jon Schueler, Sidney Simon, David Slivka, Clyfford Still, Myron Stout, Calvin Tompkins, and David Windham.

There are transcripts of interviews with B. H. Friedman, his daughter and wife conducted by the Yale University School of Medicine's "Adult Development Study," and 2 recordings of interviews with Friedman for radio broadcast.

Writings by Friedman include manuscripts of novels, short stories, plays, articles, monographs, and art criticism, some published versions of his work, and a variety of notes. Also found are recordings of lectures by B. H. Friedman and panel discussions in which he participated. Other authors represented are John Cage, W. B. Henry, and Jon Schueler. Friedman's diaries, 1948-1993 (41 volumes) record activities, thoughts, and events.

Subject files compiled by Friedman reflect professional and personal interests, activities, and projects. Many concern publicity for published writings or efforts to find publishers. Especially well documented is his interest in Jackson Pollock, Timothy Leary, and Alfonso Ossorio, and his affiliation with the Whitney Museum of American Art.

The majority of printed material is about or mentions Friedman. Five scrapbooks consist mainly of printed material.

Most photographs are of B. H. and Abby Friedman, their family, and friends. Among the individuals pictured are: Elise Asher, Cary and Norman Bluhm, Sandy Friedman, Joellen Hall, Doug Huebler, Howard Kanowitz, Stanley Kunitz, Lee Krasner, Sheridan Lloyd, Barnett and Annalee Newman, Alfonso Ossorio, Magda Salvesen, Salvatore Scarpitta, John Schueler, and Myron Stout. A photograph album records scenes from a 1979 performance of Whispers, a stage adaptation by Alan Wynroth from Friedman's novel of the same title.
Arrangement:
This collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, 1926-2011 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1946-2011 (Boxes 1-15; 14.7 linear feet)

Series 3: Interviews, 1969-2001 (Box 15; 0.2 linear feet)

Series 4: Writings, 1940s-2010 (Boxes 16-23; 8 linear feet)

Series 5: Diaries, 1948-1993 (Boxes 24-25; 1.75 linear feet)

Series 6: Subject Files, 1940-2010 (Boxes 25-30; 4.45 linear feet)

Series 7: Printed Material, 1954-2010 (Box 30-31; 0.2 linear feet)

Series 8: Scrapbooks, 1960-2006 (Boxes 30-32; 0.8 lilnear feet)

Series 9: Photographs, circa 1950s-2008 (Box 30; 0.4 linear feet)
Biographical / Historical:
Bernard Harper Friedman (1926-2011), a writer best known as the author of the first biography of Jackson Pollock, was also an art critic and art collector involved in the cultural life of New York City.

Bernard Harper Friedman, known professionally as B. H. Friedman, was called Bob by family and friends. After interrupting his studies at Cornell University to serve in the U.S. Navy during World War II, he graduated in 1948 with a degree in English. Friedman and his new bride, fellow student Abby G. Noselson (1926-2003), returned home to New York City and he began a real estate career in his uncles' firm, Uris Buildings Corporation. While a businessman, Friedman spent much of his spare time writing. He produced fiction, plays, and criticism; Friedman's articles on art, literature and music appeared in a wide variety of periodicals. During this period, Friedman also pursued his interests in jazz, collecting abstract art, and psychedelic drug experiences with Timothy Leary.

His first published novel, Circles, about the Abstract Expressionist milieu, appeared in 1962. A year later, B. H. Friedman became a full-time writer. For nearly 20 years, he divided his time between New York City and Provincetown, Massachusetts, where he was affiliated with the Fine Arts Work Center as a director and consultant. During this period, he published several novels and two biographies: Jackson Pollock: Energy Made Visible and Gertrude Vanderbilt Whitney, written with Flora Biddle. More novels and short story collections were published, and staged readings of seven plays were presented between 1987 and 2007. Tripping, a memoir of using psychedlics with Timothy Leary, appeared in 2006.

A founding member of Fiction Collective, a nonprofit publishing group run by and for writers, Friedman was also a member of several national writers' organizations. He served as a trustee of the Whitney Musuem of American Art, 1961-1968, and then as honorary trustee. B. H. Friedman died from complications of pneumonia on January 4, 2011 in New York City.
Related Materials:
Also available is an oral history interview with Bernard Harper Friedman, 1972 November 10, conducted by Paul Cummings for the Archives of American Art.
Provenance:
The Bernard Harper Friedman papers were donated to the Archives of American Art in 2012 by his daughter, Daisy Friedman.
Restrictions:
The collection is ACCESS RESTRICTED; written permission is required. Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Interviews  Search this
Genre/Form:
Diaries
Transcripts
Sound recordings
Photographs
Scrapbooks
Citation:
Bernard Harper Friedman papers, 1926-2011, bulk 1943-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.friebern
See more items in:
Bernard Harper Friedman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a7e6f48-cdda-41ab-921f-8919151a0609
EDAN-URL:
ead_collection:sova-aaa-friebern

Ed Clark papers

Creator:
Clark, Edward, 1926-2019  Search this
Names:
Cinque Gallery  Search this
Gentry, Herbert, 1919-2003  Search this
Hutson, Bill, 1936-  Search this
Joans, Ted  Search this
Extent:
8.9 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1923-2017
Summary:
The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.
Scope and Contents:
The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.
Arrangement:
The collection is arranged as eight series.

Series 1: Biographical Material, 1943-2016 (Boxes 1, 10; 0.5 linear feet)

Series 2: Correspondence, 1926, circa 1943-2016 (Boxes 1-3; 2.1 linear feet)

Series 3: Writings, 1955, 1980-2006, 2015, undated (Boxes 3-4, 10; 0.7 linear feet)

Series 4: Personal Business Records, 1953, 1966-2015 (Boxes 4, 10; 0.9 linear feet)

Series 5: Professional Activities, circa 1954-2016 (Boxes 4-5, 10; 0.7 linear feet)

Series 6: Printed Material, 1923-1926, 1950-2017, undated (Boxes 5-8, 10, OV 11-14; 3.3 linear feet)

Series 7: Photographic Material, 1928, 1952-2014, undated (Boxes 8-9, 10; 0.6 linear feet)

Series 8: Artwork, 1977-1997, undated (Boxes 9-10, OV 14; 0.1 linear feet)
Biographical / Historical:
Ed Clark (1926- ) is an abstract expressionist painter who worked in Paris, France and New York. Clark was born in New Orleans, Louisiana in 1926. He studied at the Art Institute of Chicago from 1946 to 1951 and enrolled at the Académie de la Grande Chaumièré in Paris after his arrival there in 1952. After his return to the United States, Clark became a charter member of the Brata Gallery. In 1957 he premiered his shaped canvas at the Brata Gallery Christmas group show. This shaped canvas is generally considered to be the first of its kind. In 1958, he began using a push broom to apply broad strokes of color to canvases on his studio floor.

Ed Clark has received multiple awards and honors including the National Endowment for the Arts' Master Award (1972), the United States Congressional Achievement Award (1994), and the Art Institute of Chicago's Legends and Legacy Award (2013). He has exhibited widely and his work is held in many collections including the Art Institute of Chicago, the California Afro-American Museum, the Centro de Arté Moderno in Guadalajara, Mexico, the Detroit Institute of the Arts, Louisiana State University, the Smithsonian National Museum of African American History and Culture, and the New York Public Library Schomburg Center.
Related Materials:
A 30-minute documentary recording, Ed Clark: a brush with success (2007) produced by Mark Hammond and Charles Martin is available at the Anacostia Community Museum Library.
Provenance:
The Ed Clark papers were donated to the Archives of American Art by Melanca Clark, Ed Clark's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Occupation:
Painters -- New York (State) -- New York  Search this
Painters -- France -- Paris  Search this
Topic:
African American artists  Search this
Abstract expressionism  Search this
Painting, Abstract  Search this
Shaped canvas  Search this
Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clarked
See more items in:
Ed Clark papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9591c8e79-7501-4649-aca7-b2703a3f44ce
EDAN-URL:
ead_collection:sova-aaa-clarked
Online Media:

Ed Clark Writings and Statements

Collection Creator:
Clark, Edward, 1926-2019  Search this
Container:
Box 3, Folder 36
Type:
Archival materials
Date:
circa 1996-2003
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Ed Clark papers
Ed Clark papers / Series 3: Writings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw991fcd895-4a47-4e4f-b7e5-1aaa7b50e0d0
EDAN-URL:
ead_component:sova-aaa-clarked-ref104
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Ed Clark Writings and Statements digital asset number 1

Ed Clark and the Abstract Shaped Canvas: A Memoir by Anita Feldman

Collection Creator:
Clark, Edward, 1926-2019  Search this
Container:
Box 3, Folder 45
Type:
Archival materials
Date:
circa 1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Ed Clark papers
Ed Clark papers / Series 3: Writings / Edward Clark: For the Sake of the Search
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d03fac81-f986-4b51-ae98-d0e042ddc24f
EDAN-URL:
ead_component:sova-aaa-clarked-ref114
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Ed Clark and the Abstract Shaped Canvas: A Memoir by Anita Feldman digital asset number 1
  • View Ed Clark and the Abstract Shaped Canvas: A Memoir by Anita Feldman digital asset number 2

Explorations in the City of Light: African-American Artists in Paris, 1945-1965 (1996-1997) Touring Exhibition and Symposium - Correspondence

Collection Creator:
Clark, Edward, 1926-2019  Search this
Extent:
Includes one sound cassette containing a recorded interview.
Container:
Box 5, Folder 13
Type:
Archival materials
Date:
1995-1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Ed Clark papers
Ed Clark papers / Series 5: Professional Activities / Projects and Exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw980fb0f62-55f4-43c8-b30d-e057d57bd0d3
EDAN-URL:
ead_component:sova-aaa-clarked-ref150

Whitney Museum of Art

Collection Creator:
Clark, Edward, 1926-2019  Search this
Container:
Box 3, Folder 30
Type:
Archival materials
Date:
1972-1980
1996
2010
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Ed Clark papers
Ed Clark papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9002f665d-02d5-4e39-aa28-fcb837081535
EDAN-URL:
ead_component:sova-aaa-clarked-ref99

Will You Forget Me?

Artist:
Emma Amos, 156 Mar 1937 - 20 May 2020  Search this
Sitter:
Emma Amos, 156 Mar 1937 - 20 May 2020  Search this
Medium:
Acrylic on canvas with fabric collage and African fabric borders
Dimensions:
Stretcher: 165.1 × 114.3 cm (65 × 45")
Type:
Painting
Place:
United States\New York\Kings\New York
Date:
1991
Topic:
Nature & Environment\Clouds  Search this
Exterior\Sky  Search this
Artwork\Photograph  Search this
Imaginary  Search this
Self-portrait  Search this
Emma Amos: Visual Arts\Artist  Search this
Emma Amos: Female  Search this
Emma Amos: Society and Social Change\Reformer\Activist  Search this
Emma Amos: Visual Arts\Artist\Abstract Expressionist  Search this
Emma Amos: Crafts and Trades\Textile worker  Search this
Portrait  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture and National Portrait Gallery, Museum Purchase through the American Women’s History Initiative Acquisitions Pool administered by the Smithsonian American Women’s History Initiative and generously supported by American Express
Object number:
NPG.2022.97
Restrictions & Rights:
Usage conditions apply
Copyright:
© 1991 Emma Amos and courtesy of Ryan Lee Gallery, New York
See more items in:
National Portrait Gallery Collection
Exhibition:
20th Century Americans: 2000 to Present
On View:
NPG, South Gallery 341
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm49e138143-b498-4e82-be7b-695a0123a243
EDAN-URL:
edanmdm:npg_NPG.2022.97

Arshile Gorky

Artist:
Raphael Soyer, 25 Dec 1899 - 4 Nov 1987  Search this
Sitter:
Arshile Gorky, 15 Apr 1904 - 21 Jul 1948  Search this
Medium:
Watercolor, chalk and pencil on paper
Dimensions:
Sheet: 20.3 × 22.9 cm (8 × 9")
Type:
Drawing
Date:
c. 1940
Topic:
Costume\Headgear\Hat\Cap  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Equipment\Smoking Implements\Cigarette  Search this
Arshile Gorky: Male  Search this
Arshile Gorky: Visual Arts\Artist\Abstract Expressionist  Search this
Arshile Gorky: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the artist
Object number:
NPG.73.13
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Raphael Soyer, courtesy of Forum Gallery, New York
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm48a73e2b9-e9fc-4d03-80f4-8edf9a87a621
EDAN-URL:
edanmdm:npg_NPG.73.13

Matsumi Kanemitsu papers, circa 1947-1998

Creator:
Kanemitsu, Matsumi, 1922-1992  Search this
Citation:
Matsumi Kanemitsu papers, circa 1947-1998. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Asian American artists  Search this
Japanese American artists  Search this
Asian American painters  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Theme:
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6482
(DSI-AAA_SIRISBib)215669
AAA_collcode_kanemats
Theme:
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215669

Elaine de Kooning: Portraits Exhibition

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2015-03-09T13:43:35.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_YaPfddq5QpA

Abstract Expressionists Show (1980)

Collection Creator:
Zabriskie Gallery  Search this
Container:
Box 95, Folder 14-17
Type:
Archival materials
Date:
1979-1981
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zabriskie Gallery Records, 1905-2011. Archives of American Art, Smithsonian Institution.
See more items in:
Zabriskie Gallery records
Zabriskie Gallery records / Series 8: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b3501304-fe8f-42ca-ba6b-5953c21e05af
EDAN-URL:
ead_component:sova-aaa-zabrgall-ref3889

Matsumi Kanemitsu papers

Creator:
Kanemitsu, Matsumi  Search this
Extent:
3.1 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1947-1998
Summary:
The papers of Matsumi Kanemitsu measure 3.1 linear feet and date from 1947-1998. The papers document Kanemitsu's career through biographical material; correspondence with friends, family, artists, universities, and galleries; professional files such as teaching files and work on juried shows; personal and business financial records; printed materials, photographs, and artwork.
Scope and Contents:
The papers of Matsumi Kanemitsu measure 3.1 linear feet and date from 1947-1998. The papers document Kanemitsu's career through biographical material; correspondence with friends, family, artists, universities, and galleries; professional files such as teaching files and work on juried shows; personal and business financial records; printed materials, photographs, and artwork. Biographical material includes resumes, contact and business cards, assorted notes written by Kanemitsu in English and Japanese, and National Geographic membership certificates. Correspondence consist of a mix of personal letters with family and friends, many of which were other artists, as well as professional letters with galleries, museums and colleagues in both English and Japanese. Noteable correspondence include the Akron Art museum, Harold Rosenberg, Harriet and Esteban Vicente, MOMA, Paul Jenkins, Peter Pollack, William De Kooning and others. Professional files document Kanemitsu's academic appoitments, roles serving on the exhibition jury for the Utah '88: Painting and Sculpture exhibition and as a Friends of Little Tokyo Arts (FOLTA) member, commission work and an application for the John Simon Guggenheim Memorial Foundation Fellowship. Personal business records include sale, consignment and loan recipets, shipping records, gallery correspondence and other documents related to the creation, commission and sale of Kanemitu's work such as artwork inventory lists, gallery consignment records and commission invoices. This series also includes records pertaining to Kanemitu's travel and buisness expenses, personal finances and art collecting. Printed Material includes exhibition announcements, invitations and catalogs, magazines, posters, a posthumous retrospective exhibition catalog written in English and Japanese, clippings in English and Japanese and other miscellaneous materials. Photographic Material primarily include photographs of Kanemitsu, his children and friends. Also found are photographs of artwork, miscellaneous photographs of a winter landscape, a house and street in Japan and two slides of artwork titled Phil. The artwork series consists of two small paintings by Kanemitsu as well as a childhood drawing by his daughter Patia Valazquez.
Arrangement:
The collection is arranged as seven series

Series 1: Biographical Material, circa 1947-1992 (0.4 Linear feet: Box 1)

Series 2: Correspondence, circa 1947-1992 (1.3 Linear feet: Box 1-2)

Series 3: Professional Files, circa 1961-1990 (0.3 Linear feet: Box 2)

Series 4: Personal Business , circa 1959-1991 (0.4 Linear feet: Box 3)

Series 5: Printed Material, 1961-1998 (0.5 Linear feet: Box 3, OV 1)

Series 6: Photographic Material, circa 1960-1992 (0.2 Linear feet: Box 3)

Series 7: Artwork, circa 1970s (2 Folders: Box 3)
Biographical / Historical:
Matsumi Kanemitsu (1922-1992), also known as Mike Kanemistu was a Japanese American painter based in both New York City, New York and Los Angeles, California. Although born in Utah, Kanemitsu lived in Japan until he was eighteen. In 1940 he returned to the United States, joining the Army in 1941. But after the attack on Pearl Harbor, he was arrested and sent to a series of Army detention camps. With art supplies provided by the American Red Cross, he began to draw with pen and ink and pastels. Eventually, he was released and volunteered for overseas duty as a hospital assistant in Europe. His Army tour ended in 1946. After the war, he studied with Fernand Leger in Paris; with Kuniyoshi, Sternberg, and others at the Art Student's League in New York; and with sculptor Karl Metzler in Baltimore. A highly recognized second generation Abstract Expressionist in New York, Kanemitsu came to live permanently in Los Angeles after recieving a Ford Foundation Fellowship in 1961 to work at the Tamarind Lithography Workshop where he created a series of prints that translated sumi painting techniques into lithography. He exhibited widely throughout the United States, as well as Japan, and is work is owned by a number of public institutions in the United States and Japan. In addition to his practice, Kanemitsu also held professorial positions at a number of universities and art institutions including the University of California Berkely, the Chouinard Art Institute, amd the Otis Art Institute.
Provenance:
Donated 1994 and 1998 by Nancy Uyemura, Kanemitsu's former student, friend, and executor.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Abstract expressionism  Search this
Asian American artists  Search this
Japanese American artists  Search this
Asian American painters  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Citation:
Matsumi Kanemitsu papers, circa 1947-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kanemats
See more items in:
Matsumi Kanemitsu papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ce28e72-1191-423f-affd-528ac9f1cc1d
EDAN-URL:
ead_collection:sova-aaa-kanemats

Interview with Laura Owens, Interview with Leonard Lauder and Interview about about Matthew Barney with Chelsea Romersa

Creator:
Owens, Laura, 1970-  Search this
Kazanjian, Dodie, 1952-  Search this
Subject:
Barney, Matthew  Search this
Lauder, Leonard A.  Search this
Romersa, Chelsea  Search this
Type:
Sound Recording
Date:
2002 December 20-2003 January 22
Citation:
Laura Owens and Dodie Kazanjian. Interview with Laura Owens, Interview with Leonard Lauder and Interview about about Matthew Barney with Chelsea Romersa, 2002 December 20-2003 January 22. Dodie Kazanjian papers, 1949-2017. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)23978
See more items in:
Dodie Kazanjian papers, 1949-2017, bulk 1980-2017
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_23978

Jackson Pollock and Lee Krasner papers, circa 1914-1984, bulk 1942-1984

Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-  Search this
Subject:
Greenberg, Clement  Search this
Cavaliere, Barbara  Search this
Davis, Bill  Search this
De Kooning, Willem  Search this
Dehner, Dorothy  Search this
Pollock, Jackson  Search this
Eames, Ray  Search this
Forge, Andrew  Search this
Friedman, B. H. (Bernard Harper)  Search this
Glaser, Jane R.  Search this
Benton, Thomas Hart  Search this
Brooks, James  Search this
Burkhardt, Rudy  Search this
Rouche, Burton  Search this
Rose, Barbara  Search this
Namuth, Hans  Search this
Motherwell, Robert  Search this
Pollock, Charles C.  Search this
Ossorio, Alfonso  Search this
Zogbaum, Wilfrid  Search this
Wright, William  Search this
Still, Clyfford  Search this
Smith, Tony  Search this
Wasserman, Tamara E.  Search this
Valliere, James  Search this
Isaacs, Reginald R.  Search this
Janis, Sidney  Search this
Johnson, Philip  Search this
Kadish, Reuben  Search this
Gray, Cleve  Search this
Gruen, John  Search this
Holmes, Doloris  Search this
Matter, Mercedes  Search this
McCoy, Sanford, Mrs.  Search this
Miller, Daniel  Search this
Miller, Robert  Search this
Maddox, Charles  Search this
Betty Parsons Gallery  Search this
Martha Jackson Gallery  Search this
Type:
Motion pictures (visual works)
Video recordings
Photographs
Interviews
Sound recordings
Scrapbooks
Sketchbooks
Transcripts
Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984, bulk 1942-1984. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Economic aspects  Search this
Abstract expressionism  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8943
(DSI-AAA_SIRISBib)211129
AAA_collcode_polljack
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211129
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