50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Indians of North America -- Southern states Search this
Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Drawings
Date:
undated
Scope and Contents:
Number 3300: Original (?) drawings "To accompany Cushing's Zuni Lecture." Used as illustrations in 4th AR, Bureau of American Ethnology. Number 1. Tipi, water jar beside entrance (not used in AR ?) See Figure 490 ? 2. Plan of pueblo structure of lava. Figure 492. 3. Plan of pueblo structure of lava. Figure 493. 4. A typical cliff dwelling. Figure 498. 5. Gourd vessel enclosed in wicker. Figure 500. 6. (out ?) 7. Zuni earthen ware roasting tray. Figure 502. 8. Havasupai boiling basket. Figure 503. 9. Sketches illustrating the manufacture of spirally coiled basketry. Figure 504-5. 10. Ditto. Figure 506. 11. Typical basket decorations. Figures 507-8-9. 12. Terraced lozenge decoration or "double-splint-stitch forms" Figures 510-511. 13. Double splint stitch. Figures 512-513. 14. Diagonal parallel-line decoration. Figure 514. 15. Splints at neck of unfinished basket. Figure 515. 16. Corrugated decorations to repeat bsketry forms preceding. Figure (?) 17. Cooking pot of corrugated ware, showing conical projections near rim. Figure 518. 18. Ditto, showing modified projections near rim. Figure 519. 19. Wicker water bottle showing double loops for suspension. Figure 520. 20. Water bottle of corrugated ware showing double handle. Figure 521. 21. Ditto, showing plain bottom. Figure 522. 22. Food trencher of wicker work. Figure 523. 23. Ditto, inverted as used in forming food bowls of earthen ware. Figure 524. 24 to 38 (out) 39. Example of pueblo painted ornamentation. Figure 542. 40. Amazonian basket decorations. Figures 543-544. 41 to 44 (out) 45. Double lobed or hunter canteen. Figure 550. 46. Painting of deer (Figure 551); painting of sea-serpent (Figure 552). 47. The fret of basket decoration (Figure 553); The fret of pottery decoration (Figure 554); Scroll as evolved from fret in pottery decoration (Figure 555). 48 to 51 (out) 52. Rectangular type of earthen vessel. Figure 561. 53. (out). 54. Iroquois bark vessel. Figure 563.
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Date:
undated
Scope and Contents:
All copied from other Manuscripts in Bureau of American Ethnology, except for original notes in pencil in hand of Frank H. Cushing. 7 pages in Comparative Vocabulary form. Eaton vocabulary copied from Bureau of American Ethnology Number 1156-a (itself a copy); Whipple vocabulary copied from Bureau of American Ethnology Number 1153 (itself a copy); Palmer vocabulary copied from Bureau of American Ethnology Number 1155 (original).
Local Numbers:
NAA MS 1151
General:
Previously titled "Zuni vocabularies."
Topic:
Language and languages -- Documentation Search this
Citation:
Manuscript 1151, National Anthropological Archives, Smithsonian Institution
The collection consists of one (1) drawing by an unidentified Zuni artist. The drawing was made on the inside cover of McNalley's System of Geography.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Local Numbers:
NAA MS 1760
NAA INV 08654900
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Works of art
Drawings
Citation:
MS 1760 Drawing of Zuni dancers wearing masks, National Anthropological Archives, Smithsonian Institution
Also a list of clans obtained by A.S. Gatschet from Wewa, June 20, 1886; 2 pages typed transcript from Gatschet's Zuni notebook (Bureau of American Ethnology Number 1550), with added notations in hand of Gatschet and Cushing.
Local Numbers:
NAA MS 895
Local Note:
Of the 24 pages of notes on clans, 8 are in Cushing's hand, and the rest are in the same handwriting as Bureau of American Ethnology Numbers 1013 and 3917, presumably that of a clerk.
The collection consists of six (6) drawings created or collected by Frank Hamilton Cushing. Four of the drawings are cut-outs depicting animals and a kachina. Two of the drawings are on lined paper and depict the Saiyatasha kachina.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Frank Hamilton Cushing (1857-1900) was curator of the ethnological department of the United States National Museum and an ethnologist for the Bureau of American Ethnology (1876-circa 1886), best known for his work at Zuni.
Local Numbers:
NAA MS 2044
Variant Title:
Drawings of human and animal figures
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Works of art
Drawings
Citation:
MS 2044 Drawings of kachinas and animal figures, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Northwest Coast of North America Search this
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Drawings
Date:
undated
Scope and Contents:
Includes draft of manuscript "Manual Concepts..."; water color and tempera drawings of Zuni dancers; ground plans of Zuni; copies of publications by Cushing, including poems entitled "Tenatsali's Leaves;" 2 photographic portraits of Cushing; and miscellaneous photographs of Alaskan Indians.
Local Numbers:
NAA MS 4780
Local Note:
Casts were referred to Anthropology Processing Lab. Among them was a face mask of the Zuni priest of the Macaw clan, Lai-iu-ah-tsai-lun-k'ai, Cushing's adoptive father.
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Newsclippings
Date:
ca. 1882-1886
Scope and Contents:
Unbound parts: Folder Number 1 "A Zuni Prayer from F.H. Cushing." Text with interlinear translation, 4 pages. English "Paraphrastic Version," 1 page (Another draft of this is pasted to back cover of the notebook.) Notes on words in the text, 9 cards. Folder Number 2 Transcript by F.H. Cushing of a letter dictated to him by the Zuni governor, with interlinear translation and other comments by Cushing. No date. 3 pages. Working copy of same by Gatschet, with additional notes in handwriting of Gatschet and Cushing. No date. 4 pages. Folder Number 3 Zuni text of the Lord's Prayer in hand of F.H. Cushing. No date. 2 pages. Working copy, transcription and interlinear translation of same in hand of A.S. Gatschet. No date. 2 pages. Folder Number 4 Dance song. Text and interlinear translation in Gatschet's hand, 1 page. Folder Number 5 Miscellaneous notes, possibly relating to one of the above items. 3 pages. Folder Number 6 Newsclipping, "Zuni Superstition Regarding Portraits," reprinted from article by "Sylvester Baxter, in Harper's Magazine for June," 1 column.
On each card, a maximum of 9 lines of information, partly in Zuni, have been entered in a consistent order, but unlabled as to subject. The apparent identifications are as follows: (1) Name of individual (2) Clan (3) Fraternity or society, e. g., Ne'-we-kwa (4) Not identified. Like (3), often not filled in for young individuals. (5) Sex (6) Age (7) Not identified. Most cards have one of three entries here: Ta'i-a, Hee-she-ta-tsi' na-kwin, or Keia'p-kwai-na-kwin. A few have two of these terms. (8) Occupation (9) Residence, consisting of a name in Zuni, followed by a number (which may have been keyed to a map, although one has not been located), sometimes followed by a location in English, such as "North side." Cards for the same residence are grouped together.
Local Numbers:
NAA MS 3915
Local Note:
Title card in Cushing's hand; all others in same handwriting as Bureau of American Ethnology Numbers 1013 and 895, presumably that of a clerk. Cf. especially Number 1013, a listing of some of the same data, arranged by clan and sex.
Citation:
Manuscript 3915, National Anthropological Archives, Smithsonian Institution
Handwritten, not Cushing's hand. Also, "Indian population of Zuni, 1618," list of clan names and number of members (?), 5 pages in same hand.
Local Numbers:
NAA MS 1013
Local Note:
Handwriting, presumably that of a clerk, is same as that in Bureau of American Ethnology Numbers 895 and 3915. Cf. the latter especially; it deals with some of the same data as 1013.
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Pages
Drawings
Maps
Date:
January 13, 1881
Scope and Contents:
Report on exploration of caves containing ceremonial paraphernalia, and request for assistance in further exploration and collecting. Refers to map and drawings which are not present with this copy. Map is in "Bureau of American Ethnology Correspondence-Letters Received 1/25/81" KTB, 1/30/85. [copy negative #83-112]. Added cover page carries title, "The Zunis." Pencil notation on cover in J.C. Pilling's hand reads, "Duplicate with drawings given Cushing, Oct. 25, '84."
Local Numbers:
NAA MS 1149
Topic:
Archeology -- United States -- New Mexico Search this
Genre/Form:
Drawings
Maps
Citation:
Manuscript 1149, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
November 22, 1882
Scope and Contents:
Copies of Thomas's letter with attached letter of Frank Hamilton Cushing to Major Galen Eastman, October 11, 1882. The exchanges concern Cushing, in his capacity of First War Chief of the Zuni, firing into a herd of Navaho horses.
Local Numbers:
NAA MS 7384
Citation:
Manuscript 7384, National Anthropological Archives, Smithsonian Institution
Lantern slides depicting the people and landscape of the American Southwest. Images include those of Puebloan people, dwellings, churches, dances and ceremonies, archaeological excavations (including Pueblo Bonito and Neil M. Judd with his excavation party), pictographs, and landscapes. Tribes represented include Acoma, White Mountain Apache, Hopi (Mishongnovi), Laguna, Navajo, Taos, and Santa Clara. The slides were largely commercially distributed by the George W. Bond, Chicago Slide Company, Chicago Transparency Company (for the Santa Fe Railroad), Detroit Slide Company, Edward H. Kemp, National Geographic Society, and United States Bureau of Reclamation. The collection was listed as the "Casey collection" by Father John Montgomery Cooper when it was brought to the museum.
Local Call Number(s):
NAA Photo Lot 32, USNM ACC 211312
Location of Other Archival Materials:
Artifacts donated by the Department of Anthropology, Catholic University of America in accession 211312 held in the anthropology collections of the National Museum of Natural History. Additional photographs donated by Catholic University of America can be found in Photo Lot 20 in the National Anthropological Archives.
Indians of North America -- Great Basin Search this
Type:
Collection descriptions
Archival materials
Albums
Photographs
Date:
circa 1877
Scope and Contents note:
Albums probably assembled by William Henry Jackson, mostly containing portraits of Native American delegates in Washington, D.C. and photographs made on US Geological Surveys (including the Hayden and Powell surveys). Photographs from the field include John K. Hillers' photographs of the Southwest, photographs of Fort Laramie (possibly by Alexander Gardner), Orloff R. Westmann's photographs of Taos Pueblo, and Jackson's photographs of Crow, Shoshoni, Pawnee, and Nez Perce Tribes and related sites. Most of the photographs were made circa 1860s-1870s.
The albums were probably by Jackson while working under Ferdinand V. Hayden for the United States Geological Survey of the Territories. The reason for their creation is uncertain, though it may have been a project set up by Hayden or a continuation of William Henry Blackmore's tradition of publishing albums. Some of the albums include captions pasted from Jackson's Descriptive Catalogue of Photographs of North American Indians (1877) while others have handwritten captions.
Biographical/Historical note:
William Henry Jackson (1843-1942) was an American painter, photographer and explorer. Born in New York, he sold drawings and retouched photographs from an early age. After serving in the Civil War, he opened a photography studio in Omaha, Nebraska, with his brother Edward. As photographer for the US Geological and Geographical Surveys (1870-1878), he documented the American west and published the first photographs of Yellowstone. When the surveys lost funding in 1879, Jackson opened a studio in Denver, Colorado, and also worked for various railroad companies. Many of Jackson's photographs were displayed at the World's Columbian Exhibition in Chicago (1893), for which he was the official photographer.
Local Call Number(s):
NAA Photo Lot 4420
Location of Other Archival Materials:
Original negatives for many of the photographs in this collection can be found in the National Anthropological Archives in the BAE historical negatives.
The National Museum of the American Indian Archives holds William Henry Jackson photographs and negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 4605, MS 4801, Photo Lot 14, Photo Lot 24, Photo Lot 29, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo lot 143, Photo Lot 87-2P, Photo Lot 87-20, and Photo Lot 90-1.
Correspondence from Jackson held in the National Anthropological Archives in MS 4517, MS 4881, MS 4821, and collections of personal papers.
Indians of North America -- Southern states Search this
Genre/Form:
Photographs
Citation:
Photo Lot 4420, William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians, National Anthropological Archives, Smithsonian Institution
