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Minnie the Moocher

Title:
16mm motion picture film of Minnie the Moocher
Produced by:
Fleischer Studios, Inc., American  Search this
Subject of:
Cab Calloway, American, 1907 - 1994  Search this
Owned by:
Cab Calloway, American, 1907 - 1994  Search this
Medium:
16mm Film (a): acetate film;
Reel (b): metal;
Cardboard Box (c): cardboard.
Dimensions:
Duration: 12 Minutes
Length (Film): 380 Feet
Type:
motion pictures (information artifacts)
16mm (photographic film size)
Place made:
New York City, New York, United States, North and Central America
Date:
ca. 1932
Topic:
African American  Search this
Composers (Musicians)  Search this
Conductors (Musicians)  Search this
Entertainers  Search this
Film  Search this
Instrumentalists (Musicians)  Search this
Jazz (Music)  Search this
Singers (Musicians)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Cabella Calloway Langsam
Object number:
2015.273.2.9.1abc
Restrictions & Rights:
© Fleischer Studios. Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
The Cabell “Cab” Calloway III Collection
Classification:
Media Arts-Film and Video
Archival Collections
Movement:
Harlem Renaissance (New Negro Movement)
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd520a7e288-fe1d-4619-bc4d-c2cd00eb7c91
EDAN-URL:
edanmdm:nmaahc_2015.273.2.9.1abc

A People's Convention

Title:
16mm motion picture film of A People's Convention
Owned by:
Pearl Bowser, American, born 1931  Search this
Created by:
Union Films, 1946 - 1953  Search this
Produced by:
Carl Marzani, 1912 - 1994  Search this
Directed by:
Max Glandbard, American, 1915 - 1987  Search this
Subject of:
Progressive Party, American, 1948 - 1955  Search this
Paul Robeson, American, 1898 - 1976  Search this
Henry Wallace, American, 1888 - 1965  Search this
Composed by:
Serge Hovey, American, 1920 - 1989  Search this
Medium:
acetate film
Dimensions:
Duration: 15 Minutes
Length (Film): 600 Feet
Type:
black-and-white films (visual works)
short subjects
16mm (photographic film size)
Place filmed:
Philadelphia, Pennsylvania, United States, North and Central America
Date:
1948
Topic:
African American  Search this
Film  Search this
Folk (Music)  Search this
Mass media  Search this
Politics  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
Object number:
2012.79.1.1.1a
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Pearl Bowser Collection
Classification:
Media Arts-Film and Video
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd52d70b541-e540-4d19-8a59-812b9cfeb89d
EDAN-URL:
edanmdm:nmaahc_2012.79.1.1.1a

Drug Employees Union Local 1199 Documentary

Title:
16mm motion picture film of Drug Employees Union Local 1199 Documentary
Created by:
Retail Drug Employees Union Local 1199, founded 1932  Search this
Subject of:
Retail Drug Employees Union Local 1199, founded 1932  Search this
Owned by:
Pearl Bowser, American, born 1931  Search this
Medium:
acetate film , metal and transfer paper
Dimensions:
Duration: 11 Minutes
Length (Film): 450 Feet
Type:
black-and-white films (visual works)
16mm (photographic film size)
Place filmed:
New York City, New York, United States, North and Central America
Date:
ca. 1953
Topic:
African American  Search this
Art  Search this
Business  Search this
Children  Search this
Dance  Search this
Labor  Search this
Medicine  Search this
Politics  Search this
Professional organizations  Search this
U.S. History, 1953-1961  Search this
Urban life  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
Object number:
2012.79.1.14.1a
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Pearl Bowser Collection
Classification:
Media Arts-Film and Video
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c6080dac-480e-40ed-8079-7b7776aaa224
EDAN-URL:
edanmdm:nmaahc_2012.79.1.14.1a

Count Us In

Title:
16mm motion picture film of Count Us In
Produced by:
Carl Marzani, 1912 - 1994  Search this
Union Films, 1946 - 1953  Search this
Subject of:
Henry Wallace, American, 1888 - 1965  Search this
Pete Seeger, American, 1919 - 2014  Search this
Paul Robeson, American, 1898 - 1976  Search this
Progressive Party, American, 1948 - 1955  Search this
Bob Claiborne, American, 1919 - 1990  Search this
Dr. George Jackson, American, 1929 - 1995  Search this
Composed by:
Bob Claiborne, American, 1919 - 1990  Search this
Owned by:
Pearl Bowser, American, born 1931  Search this
Tee Beveridge, American, 1923 - 1993  Search this
Medium:
acetate film and metal
Dimensions:
Duration: 9 Minutes
Length (Film): 350 Feet
Type:
sound films
black-and-white films (visual works)
short subjects
16mm (photographic film size)
Place depicted:
Philadelphia, Pennsylvania, United States, North and Central America
Date:
July 1948
Topic:
African American  Search this
Documentary films  Search this
Folk (Music)  Search this
Mass media  Search this
Political organizations  Search this
Politics  Search this
U.S. History, 1945-1953  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
Object number:
2012.79.1.7.1abc
Restrictions & Rights:
No known copyright restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Pearl Bowser Collection
Classification:
Media Arts-Film and Video
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd59ee4a272-63b7-4f54-afe9-ed9d6a2bb40a
EDAN-URL:
edanmdm:nmaahc_2012.79.1.7.1abc

New-Ark (Black Journal segment)

Title:
16mm motion picture film of New-Ark (Black Journal segment)
Directed by:
St. Clair Bourne, American, 1943 - 2007  Search this
Produced by:
William Greaves, American, 1926 - 2014  Search this
National Educational Television, American, 1954 - 1970  Search this
Subject of:
Kenneth A. Gibson, American, born 1932  Search this
Stevie Wonder, American, born 1950  Search this
Amiri Baraka, American, 1934 - 2014  Search this
Owned by:
Pearl Bowser, American, born 1931  Search this
Medium:
acetate film
Dimensions:
Duration: 9 Minutes
Length (Film): 330 Feet
Type:
motion pictures (information artifacts)
16mm (photographic film size)
Place filmed:
Newark, Essex county, New Jersey, United States, North and Central America
Date:
1970
Topic:
African American  Search this
Activism  Search this
Film  Search this
Mass media  Search this
Musicians  Search this
Politics  Search this
Race relations  Search this
U.S. History, 1969-2001  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
Object number:
2012.79.1.79.1a
Restrictions & Rights:
© National Educational Television
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Pearl Bowser Collection
Classification:
Media Arts-Film and Video
Movement:
African American - Latinx Solidarity
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd56202fb09-d79a-4e75-88d0-331fd89022a6
EDAN-URL:
edanmdm:nmaahc_2012.79.1.79.1a

Julian Bond (Black Journal segment)

Title:
16mm motion picture film of Julian Bond
Produced by:
National Educational Television, American, 1954 - 1970  Search this
Subject of:
Representative Julian Bond, American, 1940 - 2015  Search this
Paul O'Dwyer, American, 1907 - 1998  Search this
Lester Maddox, American, 1915 - 2003  Search this
Medium:
acetate film
Dimensions:
Duration: 11 Minutes
Length (Film): 420 Feet
Type:
motion pictures (information artifacts)
16mm (photographic film size)
Place filmed:
New York City, New York County, New York, United States, North and Central America
Atlanta, Fulton County, Georgia, United States, North and Central America
Scarsdale, Westchester County, New York, United States, North and Central America
Date:
1969
Topic:
African American  Search this
Activism  Search this
Civil Rights  Search this
Education  Search this
Film  Search this
Politics  Search this
Race discrimination  Search this
Race relations  Search this
Television  Search this
U.S. History, 1961-1969  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
Object number:
2012.79.1.99.1a
Restrictions & Rights:
© National Educational Television
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Pearl Bowser Collection
Portfolio/Series:
Black Journal segment
Classification:
Media Arts-Film and Video
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd55238b40d-c136-4de5-9333-e4cc622296f8
EDAN-URL:
edanmdm:nmaahc_2012.79.1.99.1a

Katharine Lane Weems papers

Creator:
Weems, Katharine Lane, 1899-  Search this
Names:
Brookgreen Gardens  Search this
World's Columbian Exposition (1893 : Chicago, Ill.) -- Photographs  Search this
Cornell, Katharine, 1893-1974  Search this
Cresson, Margaret French, 1889-1973  Search this
Gildersleeve, Basil L. (Basil Lanneau), 1831-1924  Search this
Grafly, Charles, 1862-1929  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Kroll, Leon, 1884-1974  Search this
Lane, Gardiner M., 1859-1914  Search this
Lane, Katharine Ward, 1862-1893  Search this
Manship, Paul, 1885-1966  Search this
Marans, Moissaye, 1902-1977  Search this
Monjo, Enric, 1895-1976  Search this
Putnam, Brenda, 1890-1975  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Wong, Anna May, 1905-1961  Search this
Extent:
14.8 Linear feet
3 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Sketchbooks
Video recordings
Place:
Saranac Lake N.Y. -- Photographs
Date:
1865-1989
Scope and Contents:
Biographical material, extensive diaries, correspondence, notes, writings, business records, sketchbooks and drawings, project files, scrapbooks, printed materials, photographs and slides, motion picture film, and videotape relating to Weem's education and career as a sculptor. Also included are ca. 1 foot of papers of Weems' aunt, watercolorist Katharine Ward Lane (1862-1893), including letters, diaries, sketchbooks and photographs.
REEL 724: Biographical sketch, 1974; letters from Frederic Bartlett, George Demetrios, Walker Hancock, Leon Kroll, Lee Lawrie, Moissaye Marans, Adolph Alexander Weinman, and others; four sketchbooks, 1954-1965, containing pencil drawings of animals; a scrapbook of clippings, 1924-1941; and printed material.
UNMICROFILMED: Biographical material includes sketches and documents, and biographical information on Weems grandfather, Basil Lanneau Gildersleeve, and father, Gardiner Lane. Diaries (74 v.), 1906-1983, contain entries relating to art studies and her development as a sculptor; some include clippings and photographs. Correspondence, 1898-1989, includes letters from Gifford Beal, Margaret French Cresson, Charles Grafly, John Gregory, Walker Hancock, Malvina Hoffman, Anna Hyatt-Huntington, Paul Manship, Brenda Putnam, Gurdon Tarbox, and Adolph Weinman, discussing Weems' work and participation in various sculpture organizations. There are four notebooks on art history; recipes for clay and plaster; notes on patinas for bronze; lecture notes; lists of Weems' works and exhibitions; an exhibition guest book, 1931-1957; poems, 1933-1981; invoices and receipts, 1919-1981; copyright records, 1928-1978; and art work, including 15 v. of sketchbooks, 1913-1964, drawings and tracings of animal figures. and a copper printing plate mounted on a wood block.
Fourteen project files contain letters, drawings, photographs, and printed material on: an enlarging machine, the Saltus Medal for Merit, the frieze and Rhinoceros sculpture for the Biological Laboratories at Harvard, 1930-1942, including 7 reels of 16mm motion picture film (with script transferred to VHS), the Lotta Fountain, 1939-1974, Legion of Merit Medal, 1949-1952, War Department project, 1946, Goodwin Medal, 1949-1952, Wallace Goodrich Plaque, 1954, Hospital Teaching Clinic, 1955, Boston Museum of Science, 1964-1965, "Dolphins by the Sea" for the New England Aquarium, 1969-1979, Heredities Limited, 1971-1974, and the Museum School, 1977.
Included are two scrapbooks, one of clippings about the work of other artists and one containing poems, clippings of landscapes, animals, works by others, and autographed photographs of actresses Katharine Cornell and Anna May Wong and sculptor Brenda Putnam. Printed material includes clippings, 1911-1989; exhibition announcements and catalogs, 1922-1981; bulletins, programs, brochures on artists, organizations, Brookgreen Gardens, and supplies; reproductions of art works, and the books, Odds Were Against Me (1985, Weems autobiography, and Enrique Monjo (1955), inscribed by Mongo.
Photographs and slides, 1902-1988, are of Weems, family members, artists Charles Grafly, Walker Hancock, and Anna Hyatt-Huntington, Weems' house "The Chimneys," her studio, gardens, animals, works of art by Weems and others, exhibit installations, and views of New York City, Washington, D.C., Monticello, the University of Virginia, and Brookgreen Gardens. Nine albums, 1920-1980, contain photographs of an art class, Weems in her studio, her home, her friends, scenic views, and works of art. Videos and film include a videotape (5 min., U-matic) of an interview of Weems; a film, "From Clay to Bronze," showing the creation of Weems' sculpture "Dark Warrier" (transferred to VHS); motion picture film of the making of the sculpture "Rhinoceros" (transferred to digital betacam, VHS and DVD), and a home movie of a day at the beach, circa 1935.
The papers' of Weems' aunt, Katharine "Kitty" Ward Lane (d. 1893), include Lane's letters, 1898-1893, to her brother (Weems' father) and to other family members; a travel diary from Germany, 1886; notes; financial records, 1891-1892; 10 sketchbooks; printed material; and photographs, 1865-1893, of Lane, early views of Saranac Lake, and 9 views of the Columbia Exposition, 1893.
Biographical / Historical:
Sculptor; Boston, Mass. Died 1989. Specialized in animal sculpture. Studied at the School of the Museum of Fine Arts, Boston under Charles Grafly, Anna Hyatt-Huntington, George Demetrios, and Brenda Putnam. She married F. Carrington Weems in 1947. Named after her aunt, watercolor painter Katharine Ward Lane, who died in 1893.
Provenance:
Material on reel 724 lent for microfilming by Weems, 1974. The four sketchbooks on reel 724 were subsequently donated in 1989. Unmicrofilmed papers were donated 1975 and 1982 by Weems, and in 1989 by her estate. Eighteen diaries (1961-1965, 1967-1976 [1969 not included], 1978, and 1981-1983) and an apppointment book for 1966 donated by the Schlesinger Library, Radcliffe College, 1991.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Watercolorists -- Massachusetts -- Boston  Search this
Topic:
Women sculptors -- Massachusetts -- Boston  Search this
Animal sculpture -- United States  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Sketchbooks
Video recordings
Identifier:
AAA.weemkath
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weemkath

Al Celley Collection of Duke Ellington Materials

Creator:
Celley, Al  Search this
Ellington, Duke, 1899-1974  Search this
Extent:
2.5 Cubic feet (7 boxes, 1 oversize folder)
Type:
Collection descriptions
Archival materials
Contracts
Business records
Correspondence
Financial records
78 rpm records
Orchestrations
16mm motion picture film
Signatures (names)
Handbills
Passports
Notes
Tickets
Writings
Photographs
Date:
1943 - 1989
Summary:
A diverse collection of papers assembled by Duke Ellington's road manager, Al Celley. The collection includes correspondence, photographs of Ellington and his orchestra at various times and locations; concert ephemera; handwritten notes; business and financial documents, primarily receipts; and travel ephemera.
Scope and Contents:
The collection was assembled by Duke Ellington's road manager, Al Celley and includes correspondence, photographs of Ellington and his orchestra at various times and locations; concert ephemera; handwritten notes; business and financial documents, primarily receipts; and travel ephemera.
Arrangement:
The collection is arranged into six series.

Series 1: Personal Materials, 1943-1962

Subseries 1.1: Al Celley, 1943-1962

Subseries 1.2: Duke Ellington, 1948

Series 2: Correspondence, 1945-1963

Subseries 2.1: Chronological, 1945-1963

Subseries 2.2: Alphabetical, 1949-1961

Series 3: Subject Files, 1948-1963

Series 4: Financial Materials, 1944-1964

Subseries 4.1: Payroll/Salary Ledgers, 1944-1962

Subseries 4.2: Expense Notebooks, 1946, 1959

Subseries 4.3: Receipts and Bills, 1945-1964

Series 5: Photographs, 1947-1967

Series 6: Audio Visual Materials, 1945-1957

Subseries 6.1: Moving Image, 1957

Subseries 6.2: Audio Discs, 1945-1946
Biographical / Historical:
Albert "Al" Joseph Celley (1909-1994) was Duke Ellington's road manager from 1942 to 1964. Celley handled the band's business affairs, such as concert bookings, logistics, staging shows, and organizing tours. Celley also handled the weekly payroll, contracts, collecting money from promoters, paying road expenses, and sending weekly reports to Bill Mittler, an accountant.
Related Materials:
Materials in the Archives Center, National Museum of American History

Duke Ellington Collection (AC0301)

Duke Ellington Oral History Project (AC0368)

This project includes an interview with Al Celley, July 12, 1989.
Provenance:
Purchased at auction by the Archives Center, National Museum of American History, May 2011.
Restrictions:
Collection is open for research.

Reference copies for audio discs and moving image do not exist. Use of these materials requires special arrangement with the Archives Center staff. Gloves must be worn when handling unprotected photographs and negatives.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musicians  Search this
Music  Search this
Music trade  Search this
Jazz -- 20th century -- United States  Search this
Jazz musicians  Search this
Big bands  Search this
African Americans  Search this
Genre/Form:
Contracts
Business records
Correspondence
Financial records
78 rpm records
Orchestrations
16mm motion picture film
Signatures (names)
Handbills
Passports
Notes
Tickets
Writings
Photographs
Citation:
Al Celley Collection of Duke Ellington Materials, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1240
See more items in:
Al Celley Collection of Duke Ellington Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1240

Albert Kahn papers

Creator:
Kahn, Albert, 1869-1942  Search this
Names:
Bacon, Henry, 1839-1912  Search this
Barlow, Myron, 1873-1937  Search this
Kahlo, Frida  Search this
Kahn, Ernestine Krolik  Search this
Mason, George D.  Search this
Milles, Carl, 1875-1955  Search this
Rivera, Diego, 1886-1957  Search this
Stoughton, Arthur A.  Search this
Toscanini, Arturo, 1867-1957  Search this
Trowbridge, Alexander Buell, 1868-1950  Search this
Extent:
7.02 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Watercolors
Scrapbooks
Renderings
Lithographs
Photographs
Motion pictures (visual works)
Notebooks
Drawings
Sound recordings
Awards
Sketchbooks
Etchings
Notes
Typescripts
Lectures
Date:
1875-1970
Summary:
The papers of architect Albert Kahn date from 1875-1970, bulk 1875-1945, and measure 7.02 linear feet. Found within the papers is biographical material, correspondence, personal business records, nine sketchbooks, art work, notes and writings, two scrapbooks, printed material, photographs and photograph albums, artifacts, and motion picture film.
Scope and Content Note:
The papers of architect Albert Kahn date from 1875-1970, bulk 1875-1945, and measure 7.02 linear feet. Found within the papers are biographical material, correspondence, personal business records, nine sketchbooks, art work, notes and writings, two scrapbooks, printed material, photographs and photograph albums, artifacts, a sound recording and motion picture film.

Biographical material includes a biographical account, marriage certificate, architect's licenses, calling cards for the Kahns, passports, identification cards, letters of introduction, award certificates and medals, membership cards and certificates, a sound recording concerning Albert Kahn's life, and an address book.

Correspondence consists of letters between Albert Kahn, family members, and colleagues including Myron Barlow, George D. Mason, Carl Milles and Arthur A. Stoughton. There is one letter each from Henry Bacon and Alexander Trowbridge, and condolence letters to Kahn's widow.

Personal business records include records of stocks and income, lists of expenses and receipts for construction, property records, price lists for paintings by others, and miscellaneous receipts.

Art work includes nine sketchbooks and drawings by Albert Kahn, a paper silhouette portrait of Kahn, and drawings, watercolors, etchings, lithographs, and a sketchbook of Cornwall by others.

Notes and writings include Ernestine Kahn's diary, notebooks, guest registers and records concerning Albert Kahn's funeral, and typescripts of speeches and lectures.

Two scrapbooks contain clippings, small drawings, photographs of architecture, and letters of tribute.

Printed material includes clippings, exhibition catalogs for others, programs, booklets, books, reproductions of art work, travel brochures, picture postcards, and miscellaneous printed material.

Photographs are of Albert Kahn, members of his family, and colleagues including Myron Barlow, Frida Kahlo, Diego Rivera, Arturo Toscanini, residences, and travel scenes. Moving images include five reels of 16mm motion picture film of the Kahn family at the farm and at various family gatherings.

Artifacts primarily consist of the tools used by Albert Kahn during his career including t-squares and portable tripod supports for drawing boards used on construction sites.
Arrangement:
The collection is arranged as 9 series. Glass plate negative housed separately and closed to researchers.

Series 1: Biographical Material, 1896-1945 (Box 1, 6, OV 10; 19 folders)

Series 2: Correspondence, 1891-1970 (Box 1-3, 6; 3.3 linear feet)

Series 3: Personal Business Records, 1891-1943 (Box 3; 7 folders)

Series 4: Art Work, 1890-1936 (Box 3, 6, OV 11-12; 20 folders)

Series 5: Notes and Writings, 1899-1943 (Box 3-4; 29 folders)

Series 6: Scrapbooks, 1890-1942 (Box 7; 0.3 linear feet)

Series 7: Printed Material, 1897-1968 (Box 4-6, OV 10; 0.8 linear feet)

Series 8: Photographs and Moving Images, 1875-1944 (Box 5-6, 8, FC 13-17, MGP 2; 1.5 linear feet)

Series 9: Artifacts, circa 1942 (Box 5, 9; 0.4 linear feet)
Biographical Note:
Albert Kahn (1869-1942) of Detroit, Michigan, was an architect, primarily known for designing industrial buildings with the pioneering use of reinforced concrete that allowed large unobstructed interiors.

Albert Kahn was born on March 21, 1869 in Rhaunen, Rhineland-Palatinate, Germany, the oldest son of rabbi Joseph Kahn and Rosalie Cohn Kahn. The family immigrated to the United States in 1881 and settled in Detroit, Michigan.

Albert Kahn worked as an office boy in an architect's office and studied drawing in Sunday classes conducted by sculptor Julius Melchers. Melchers found Kahn a position in the architectural offices of Mason and Rice where he worked for several years. In 1890, Kahn won a scholarship to travel in Europe to study architecture and in 1895 he opened his own architectural office, Albert Kahn Associates, hiring his younger brothers, Louis, Moritz, and Felix. In the following year, Kahn married Ernestine Krolik.

In 1903, Kahn was awarded his first two important commissions: to design the University of Michigan's engineering building and the Palm Apartments in Detroit, built with the early use of reinforced concrete. In the following year, he built the first reinforced concrete factory for the Packard Motor Company. Because of the industrial growth in Detroit at that time, Kahn was in demand to design various automobile factories including the General Motors Building, textile, business machine, and chemical plants. He became an authority on concrete construction and by the beginning of the First World War, his firm provided construction for the military aviation section of the Army.

Kahn later moved from using concrete to steel and glass. In 1927, his company finished a large building for the Fisher Brothers of Detroit for which he was awarded a medal by the Architectural League of New York for the year's outstanding contribution to architecture. In the following year his firm was given full charge of the entire heavy industrial building program of Russia's first five-year plan, and they constructed an estimated two billion dollars worth of factories in Russia.

During World War II, Kahn's firm was constantly busy constructing naval air bases, airplane engine plants, tank arsenals including the Detroit Arsenal Tank Plant, and other government defense projects. In June 1942 Kahn was given the honorary degree of Doctor of Fine Arts by Syracuse University.

Albert Kahn died on December 8, 1942 in Detroit, Michigan.
Provenance:
The Albert Kahn papers were donated by Kahn's children, Mrs. Lydia Winston Malbin, Mrs. Rosalie Butzel, and Dr. Edgar A. Kahn, in 1974.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Albert Kahn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Architecture, American  Search this
Architects -- Michigan -- Detroit  Search this
Genre/Form:
Diaries
Watercolors
Scrapbooks
Renderings
Lithographs
Photographs
Motion pictures (visual works)
Notebooks
Drawings
Sound recordings
Awards
Sketchbooks
Etchings
Notes
Typescripts
Lectures
Citation:
Albert Kahn papers, 1875-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kahnalbp
See more items in:
Albert Kahn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kahnalbp
Online Media:

Joe's Bed Stuy Barbershop: We Cut Heads

Title:
16mm motion picture film of Joe's Bed Stuy Barbershop: We Cut Heads
Created by:
Spike Lee, American, born 1957  Search this
Subject of:
Monty Ross, American, born 1957  Search this
Tommie Redmond Hicks, American  Search this
Owned by:
D.C. Public Library, American, founded 1896  Search this
Medium:
16mm Film (a): acetate film
Dimensions:
Duration: 53 Minutes
Length (Film): 1900 Feet
Type:
motion pictures (information artifacts)
16mm (photographic film size)
Place depicted:
Bedford-Stuyvesant, New York City, New York, United States, North and Central America
Date:
1983
Topic:
African American  Search this
Barbershops  Search this
Business  Search this
Caricature and cartoons  Search this
Communities  Search this
Film  Search this
Urban life  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2017.55.22.1a
Restrictions & Rights:
© Spike Lee. Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
DC Public Library Film Collection
Classification:
Media Arts-Film and Video
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5cb220618-fd91-467d-abf5-17578b37f64d
EDAN-URL:
edanmdm:nmaahc_2017.55.22.1a

James Baldwin: The Price of the Ticket

Title:
16mm motion picture film of James Baldwin: The Price of the Ticket
Directed by:
Karen Thorsen, American  Search this
Subject of:
James Baldwin, American, 1924 - 1987  Search this
Amiri Baraka, American, 1934 - 2014  Search this
Maya Angelou, American, 1928 - 2014  Search this
Bobby Short, American, 1924 - 2005  Search this
David Adams Leeming, American  Search this
William Styron, American, 1925 - 2006  Search this
Ishmael Reed, American, born 1938  Search this
Lucien Happersberger, Swiss, 1932 - 2010  Search this
Owned by:
D.C. Public Library, American, founded 1896  Search this
Medium:
16mm Film (a): acetate film;
16mm Film (b): acetate film
Dimensions:
Duration (Reel 1): 50 Minutes
Length (Film): 1800 Feet
Duration (Reel 2): 24 Minutes
Length (Film): 850 Feet
Type:
motion pictures (information artifacts)
16mm (photographic film size)
Place depicted:
Harlem, New York City, New York, United States, North and Central America
Istanbul, Turkey, Middle East, Asia
Switzerland, Europe
Paris, Île-de-France, France, Europe
Date:
1989
Topic:
African American  Search this
Activism  Search this
Caricature and cartoons  Search this
Civil Rights  Search this
Film  Search this
Gender  Search this
LGBTQ  Search this
Literature  Search this
Sexuality  Search this
Spirituality  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2017.55.23.1ab
Restrictions & Rights:
© Karen Thorsen (Nobody Knows Productions). Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
DC Public Library Film Collection
Classification:
Media Arts-Film and Video
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd574f1a239-a28e-43aa-8216-2a68ae372bdb
EDAN-URL:
edanmdm:nmaahc_2017.55.23.1ab

Machito: A Latin Jazz Legacy

Title:
16mm motion picture film of Machito: A Latin Jazz Legacy
Created by:
Carlos Ortiz, Puerto Rican American, 1947 - 2008  Search this
Subject of:
Machito, Cuban American, 1908 - 1984  Search this
Tito Puente, American, 1923 - 2000  Search this
Ray Barretto, American, 1929 - 2006  Search this
Dizzy Gillespie, American, 1917 - 1993  Search this
Dexter Gordon, American, 1923 - 1990  Search this
Medium:
polyester film
Dimensions:
Duration (Reel 1): 24 Minutes
Length (Film): 850 Feet
Duration (Reel 2): 28 Minutes
Length (Film): 1000 Feet
Type:
motion pictures (information artifacts)
16mm (photographic film size)
Cultural Place:
Cuba, Caribbean, Latin America, North and Central America
Place depicted:
New York City, New York, New York, North and Central America
Date:
1987
Topic:
African American  Search this
Caricature and cartoons  Search this
Composers (Musicians)  Search this
Conductors (Musicians)  Search this
Film  Search this
Instrumentalists (Musicians)  Search this
Jazz (Music)  Search this
Latin jazz (Music)  Search this
Musical films  Search this
Salsa (Music)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2017.55.67.1ab
Restrictions & Rights:
Icarus Films, ©1987. Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
DC Public Library Film Collection
Classification:
Media Arts-Film and Video
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd58c746c65-fca6-4707-b69c-8f0265e83960
EDAN-URL:
edanmdm:nmaahc_2017.55.67.1ab

Robert Laurent home movies

Creator:
Archives of American Art  Search this
Type:
YouTube Videos
Uploaded:
2014-09-30T18:12:07.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
SmithsonianAAA
Data Source:
Archives of American Art
YouTube Channel:
SmithsonianAAA
EDAN-URL:
edanmdm:yt_2pHwnFfS7Wc

José de Rivera papers

Creator:
De Rivera, José Ruiz, 1904-1985  Search this
Names:
American Iron and Steel Institute  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
New York World's Fair (1964-1965)  Search this
Smithsonian Institution  Search this
Ashton, Dore  Search this
Goldsmith, Howard  Search this
Marter, Joan M.  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Collages
Sketchbooks
Interviews
Transcripts
Sketches
Motion pictures (visual works)
Blueprints
Photographs
Date:
1930-1991
Summary:
The papers of sculptor José de Rivera date from 1930 to 1991 and measure 5.6 linear feet. Found within the papers are biographical materials, letters, scattered personal business records, commission files, art work including four sketchbooks, printed material, and photographs. One of the commission files includes a motion picture film.
Scope and Content Note:
The papers of sculptor José de Rivera date from 1930 to 1991 and measure 5.6 linear feet. Found within the papers are biographical materials, letters, scattered personal business records, commission files, art work including four sketchbooks, printed material, and photographs. One of the commission files includes a motion picture film.

Biographical material consists of a biographical account, resumé, military service records, an interview transcript, certificates, addresses, and miscellaneous notes and writings.

Twenty-nine folders of letters are primarily from de Rivera's patron, attorney Howard Goldsmith, but also include single letters from Marcel Breuer, John Canaday, Emlen Etting, Dag Hammarskjold, and G. Vantongerloo.

Scattered personal business records include rental records, sculpture inventories, a contract, receipts, and miscellaneous records.

Commission files contain letters, contracts, receipts, clippings, blueprints, miscellaneous printed material, and photographs concerning several of de Rivera's commissions, including Brussels Construction for the Brussels Universal and International Exhibition, his sculpture for the 1964 New York World's Fair, and Infinity, commissioned for the Smithsonian. A file for Construction #73 completed for the American Iron and Steel Institute also contains a reel of 16mm motion picture film.

Art work consists of four sketchbooks, drawings, and geometric collages including detached cut out shapes.

Printed material includes primarily clippings and exhibition announcements and catalogs. There is also a copy of the book José de Rivera Constructions by Dore Ashton and Joan M. Marter. Photographs are of de Rivera, miscellaneous art-related events, his studio, his art works, and of miscellaneous exhibition installations. Commission files also contain photographs.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, 1942-1984 (Box 1; 11 folders)

Series 2: Letters, 1938-1988 (Box 1; 29 folders)

Series 3: Personal Business Records, 1947-1984 (Box 1; 11 folders)

Series 4: Commission Files, 1955-1977 (Box 1-2, 6-7, OV 10, FC 13; 1.1 linear feet)

Series 5: Art Work, 1960-1984 (Box 2, 6, OV 8; 0.9 linear feet)

Series 6: Printed Material, 1931-1991 (Box 2-4, 6; 1.5 linear feet)

Series 7: Photographs, 1930-1985 (Box 4-7, OV 9-OV 10; 1.7 linear feet)
Biographical Note:
José de Rivera (1904-1985) worked primarily in New York as an abstract expressionist sculptor known for twisting steel or bronze bands into space-defining three-dimensional shapes.

José A. Ruiz was born on September 18, 1904 in West Baton Rouge, Louisiana, the son of Joseph and Honorine Montamat Ruiz. He would later take the surname of his maternal grandmother, de Rivera. Early in his life his family moved to New Orleans where his father was a sugar mill engineer on a plantation. De Rivera became adept at repairing machinery and doing blacksmith work with his father. Shortly after completing high school in 1922, de Rivera moved to Chicago where he was employed in foundries and machine shops as a pipe fitter and tool and die maker. His 1926 marriage to Rose Covelli ended in divorce.

Beginning in 1928 de Rivera attended night drawing classes conducted at the Studio School by painter John W. Norton. De Rivera was impressed by the Egyptian collections at the Field Museum. The work of Mondrian, Brancusi, and Georges Vantongerloo also exerted a strong influence on him. In 1932, he traveled through southern Europe and North Africa visiting Spain, Italy, France, Greece, and Egypt. Upon his return to the United States he decided to become a sculptor.

From 1937-1938, de Rivera was employed by the Works Progress Administration-Federal Art Project and created the sculpture Flight for the Newark, New Jersey airport. During World War II, he first served in the U.S. Army Corps from 1942 to 1943. For the following three years, he designed and constructed ship models used as training aids in the U. S. Navy.

De Rivera's first solo exhibition was in 1946 in New York at the Mortimer Levitt Gallery. In 1953, de Rivera taught sculpture at Brooklyn College. For the following three years, he was a critic in sculpture at Yale University and taught at the School of Design at North Carolina State College from 1957 to 1960. De Rivera married Lita Jeronimo in 1955.

In 1961 de Rivera was given a retrospective exhibition at the Whitney Museum of American Art. One of his most notable works Infinity was commissioned by the Smithsonian Institution for the front of its newly built Museum of History and Technology in 1963.

José de Rivera died on March 19, 1985 in New York City.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reel N70-32) including biographical material, correspondence, writings, drawings, printed material, and photographs. Loaned material was returned to the lender and are not described in the collection container inventory.
Provenance:
In 1970, José de Rivera loaned the Archives of Amrican Art material for microfilming. The artist and the Grace Borgenicht Gallery donated additional papers in 1982 and De Rivera's son, Joseph A. Ruiz II, gave more material in 1998.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The José de Rivera papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Hispanic American artists  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, American -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Drawings
Collages
Sketchbooks
Interviews
Transcripts
Sketches
Motion pictures (visual works)
Blueprints
Photographs
Citation:
José de Rivera papers, 1930-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.derijose
See more items in:
José de Rivera papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-derijose

Pauline B. and Myron S. Falk, Jr. Papers

Creator:
Falk, Johnny, 1906-1992  Search this
Falk, Pauline  Search this
Names:
American Jewish Joint Distribution Committee  Search this
Asia House Gallery  Search this
Bennington College  Search this
Brooklyn Museum  Search this
Chinese Art Society of America  Search this
Columbia University. Teachers College. Lincoln School  Search this
Federation of Jewish Philanthropies of New York  Search this
Japan Society (New York, N.Y.)  Search this
Jewish Board of Family and Children's Services (New York, N.Y.)  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Refugee Service (U.S.)  Search this
Pan American World Airways, Inc.  Search this
Baerwald, Paul, 1871-1961  Search this
David, Percival, Sir, 1892-1964  Search this
Lawton, Thomas, 1931-  Search this
Pope, John Alexander, 1906-1982  Search this
Salmony, Alfred, 1890-1958  Search this
Sickman, L. C. S. (Laurence C. S.)  Search this
Stern, Harold P.  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Extent:
24 Linear feet
Type:
Collection descriptions
Archival materials
Correspondence
Photographs
Diaries
Maps
Place:
China -- Description and Travel
China
USA -- New York -- New York
Date:
1904-1998
bulk 1935-1980
Scope and Contents:
Papers of art collectors Pauline Baerwald Falk (1910-2000) and Myron (Johnny) Falk Jr. (1906-1992), 1904-1998. Created and collected by the Falks, this collection includes: biographical data; black-and-white and color prints of art objects and people; photo albums of art objects in the Falk's art collection; symposium papers, scholarly reviews, and newspaper articles on Chinese art; Professor Alfred Salmony's lecture notes, Metropolitan Museum; purchase invoices for Chinese art, Japanese art, and Korean art; photographs, receipts, itineraries, one seal, atlases, and journals relating to the Falk's various trips to Asia and Europe, personal correspondence and correspondence with art dealers; guest books from 17 East 66th Street, New York and 888 Park Ave., New York, signed by guests from 1949-1997; committee papers; exhibition loan forms, Mr. Falk's notes about the collection and sale results from property consigned for sale; and four reels 16mm motion picture film taken during the Falk's 1937 trip to Asia.
Arrangement:
The collection is organized into five series. 1. Correspondence; 2. Personal papers; 3. Professional papers; 4. Travel related materials; 5. Falk art collection related materials.
Biographical / Historical:
Myron S. (Johnny) Falk Jr., and his wife Pauline Baerwald Falk were active philanthropists, prominent Asian art collectors and were both active in the Jewish and Art communities.
The purchase that started their collection happened while on their 1935 honeymoon in the English countryside where they came upon two blue-and-white Ming Dynasty porcelain dishes. Later, taking one of the inaugural Pan Am Clipper flights to China in 1937, their collecting began in earnest. There are home movies in the collection taken by Johnny that document their trip to a largely untouched China. However, because China was closed to the West starting in 1950, they were unable to return until 1979.
As collectors, the Falks made a good team. Due to his engineering background from school, Johnny became an expert on firing techniques and glazes; while Pauline was known as the ''eye.'' Their fervent and long-term involvement in the Asian art community led them to become close friends with the biggest dealers in America and Europe.
Johnny and Pauline collected wares of the Song dynasty, archaic bronzes, jades, stone sculptures, several fine Ming and Qing porcelains, Korean ceramics, and nearly 100 Japanese paintings. After more than fifty years collecting their art work totaled over 700 items.
Johnny and Pauline lent their artworks to museums, advised art institutions in the United States and abroad, and fostered the training of a new generation of curators, scholars and other professionals in the Asian art field.
Johnny was an investment banker, philanthropist and prominent collector of Asian art. He was a longtime trustee of the Asia Society and helped found the Oriental Art Council, Roebling Society of the Brooklyn Museum and Japan Society Gallery. He also served as a director of the New York Foundation and Hebrew Technical Institute, a board member of the Federation of Jewish Philanthropies and chairman of the Bennington College board of trustees.
Pauline was a philanthropist, collector of Asian art, president of the Jewish Board of Family and Children Services, and founder of the New Lincoln School in Manhattan. She worked with displaced Jewish refugees before and during World War II. She was active in the American Jewish Joint Distribution Committee and became a founding member of the National Refugee Service, the Council for Jewish Women and the Jewish Social Service Association.
Together they were strong supporters of the Asia Society, the Chinese Art Society, they helped establish the Friends of Asia House Gallery in 1971, and founded the Friends of the China Institute in America Gallery. They also established the "Archives of Chinese Art" in 1945 an important scholarly journal that is published today by The Asia Society as the "Archives of Asian Art," and are among the founding members of the Friends of the Far Eastern Art at the Metropolitan Museum of Art and the Friends of Asian Art at the Brooklyn Museum.
Local Numbers:
FSA A2002.03
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
World War, 1939-1945  Search this
Bronzes, Chinese  Search this
Ceramics -- China  Search this
Art, Asian -- Collectors and collecting  Search this
Genre/Form:
Correspondence
Photographs
Diaries -- 20th century
Maps -- 20th century
Identifier:
FSA.A2002.03
See more items in:
Pauline B. and Myron S. Falk, Jr. Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a2002-03
Online Media:

Norman and Sally Coe Scopitone Film Collection

Donor:
Coe, Norman  Search this
Musician:
Alpert, Herb  Search this
Singer:
Anka, Paul  Search this
Bach, Vivi  Search this
Carr, Vikki  Search this
Damone, Vic  Search this
Eckstine, Billy  Search this
Ennis, Ethel  Search this
Greco, Buddy  Search this
Hallyday, Johnny, 1943 -  Search this
Lansing, Joi, 1934-1972  Search this
McNair, Barbara  Search this
Morgan, Jane, 1920 -  Search this
Rawls, Lou  Search this
Reese, Della  Search this
Reynolds, Debbie  Search this
Riley, Billy Lee, 1933-  Search this
Rydell, Bobby  Search this
Sedaka, Neil  Search this
Sinatra, Frank, Jr., 1944-  Search this
Starr, Kay  Search this
Vee, Bobby  Search this
Warwick, Dionne  Search this
Vocalist:
Darren, James  Search this
Gore, Lesley, 1946-  Search this
Composer:
Legrand, Michel, 1932 -  Search this
Extent:
141 Film reels
Type:
Collection descriptions
Archival materials
Film reels
Music
16mm motion picture film
Date:
circa 1962-1970
Summary:
Scopitones are three minute long 16mm films that were viewed on a Scopitone machine, a jukebox-like player. A precursor to music videos, Scopitones -- both the films and the machines -- were popular in the United States from around 1962 to 1968. The films featured sets, costumes, and dancers in support of well-known performers singing a single song. The collection includes Scopitone films from the United States and Europe.
Scope and Contents:
The collection comprises approximately one hundred and forty 16mm color composite magnetic track motion picture prints produced to be played on a Scopitone juke box. These films were produced in Europe and the United States.
Arrangement:
The collection is organized into one series. The order follows the original catalogue/distribution numbers.

Series 1, Original Films, 1962-1970
Biographical / Historical:
Referring to both the films and the machines that played them, a Scopitone is song-length film viewed on a juke-box like machine with a screen. Introduced in the late 1950s in France, and based on technology developed during World War Two, the Scopitone machine offered a selection of up to thirty-six titles. Patrons would insert coins (twnty-five cents per play in the United States), press the button for the film desired, and the film would appear on a small screen that formed the top of the machine. The Scopitone films were three minute-long 16mm composite magnetic track prints that featured performers singing popular songs of the time. Like their predecessor, Soundies, and paving the way for music videos, Scopitones included basic sets, costumes, and choreography. Scopitones were made in France, Great Britain, and Germany. Scopitones (both the machines and the films) were most popular in France. Consequently, a large number of the films are in French and star performers well-known in France. One of the major producers of American Scopitone films was Harman-ee Productions, a company owned by Debbie Reynolds. In the United States, Scopitone machines could be found in bars, restaurants, and lounges. Performers as varied as Debbie Reynolds, Neil Sedaka, and Ethel Ennis appeared in American Scopitones. In many of the films the stars sang the songs while surrounded by scantily-clad dancers. On occasion the production numbers told the "story" of the song. More often, the sets, dance moves, and costumes appeared superfluous. The "look" of the films reflected the times with choreography influenced by the Twist and other contemporary dances and clothing and hair-dos straight from a mid-1960s teen fashion magazine. Scopitones flourished in the United States for a very short period of time. First introduced around 1962, interest in producing and viewing Scopitones had ended by 1968. Most American machines and films were tossed in the trash. Collectors acquired the remaining machines and films. Scopitone films, once a mostly forgotten genre, are now easily viewed on Youtube, introducing this short-lived cultural phenomenon to new generations of viewers. The donor, Norman Coe, became involved with Scopitone as a business in 1964 when he purchased ten machines from the Scopitone division of Tel-A-Sign, Inc. of Chicago, Illinois. Coe placed his machines and the films in bars and restaurants around the Albany, New York area. He left the business in the late 1960s, selling all but one of his machines and several cartons of Scopitone films. He donated his remaining machine and films to the National Museum of American History in 2011.
Related Materials:
Materials in the National Museum of American History

The Division of Culture and the Arts acquired a Scopitone machine as part of the same donation. Accession #: 2011.0056
Provenance:
Scopitone machine and films donated by Norman and Sally Coe in 2011.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Music
16mm motion picture film
Citation:
[Title], Norman and Sally Coe Scopitone Film Collection, circa 1964-1970, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1230
See more items in:
Norman and Sally Coe Scopitone Film Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1230

Smithsonian Underwater Archaeology Film Collection

Creator:
Armed Forces History, Division of (NMAH, SI).  Search this
Names:
Explorers' Guild  Search this
Peterson, Mendel  Search this
Extent:
4 Cubic feet
Type:
Collection descriptions
Archival materials
Date:
circa 1960s
Scope and Contents:
Approximately 50 reels of 16mm motion picture film in various lengths, some are in cans. Includes the negative and completed film, narrated by Mendel Peterson for the Explorers' Guild film, and two short color films show Peterson and another man doing carpentry work in an outdoor setting, then straining a liquid into a bottle.
Biographical / Historical:
Most of the film in the collection was made in the 1960s by or under Mendel Peterson, then curator of underwater archaeology in the Division of Armed Forces History. Some footage was made for a project sponsored by the Explorers' Guild, according to information supplied by Joe Young.
Provenance:
Immediate source of acquisition unknown.
Restrictions:
This collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Underwater archaeology -- 1960's  Search this
Citation:
Smithsonian Underwater Archaeology Film Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0262
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0262

Ben and Ruth Liman Jazz Films Collection

Performer:
Carmichael, Hoagy  Search this
Arnaz, Desi, 1917-1986  Search this
Calloway, Cab, 1907-  Search this
Waller, Fats, 1904-1943  Search this
James, Harry  Search this
Horne, Lena  Search this
Clooney, Rosemary  Search this
Singer:
Mills Brothers.  Search this
Donor:
Liman, Ruth  Search this
Liman, Ben  Search this
Extent:
1 Cubic foot
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Date:
1930s-1940s.
Summary:
16mm motion picture films, produced in the 1930s and 1940s by various film production companies, documenting performances by jazz and popular music performers, including Cab Calloway, Fats Waller, Lena Horne, the Mills Brothers, and Rosemary Clooney, and others listed below.
Scope and Contents:
Five (5) reels of 16mm motion picture film created in the 1940s by various commercial film production companies, featuring performances by jazz and popular music performers. Individual titles have been assembled into compilation reels by the donor.
Arrangement:
1 series.
Related Materials:
Materials in the Archives Center

Ernie Smith Jazz Film Collection (NMAH.AC.0491)

Smithsonian Jazz Oral History Program Collection (NMAH.AC.0808)
Provenance:
The Ben and Ruth Liman Jazz Film Collection was donated to the Archives Center in 2001.
Restrictions:
No reference copies exist. If their condition allow the films may be viewed.
Rights:
Copyright and related intellectual property rights issues may restrict reproduction.
Topic:
Jazz -- 20th century -- United States  Search this
Genre/Form:
Motion pictures (visual works)
Citation:
Ben and Ruth Liman Jazz Film Collection, 1930s-1940s, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0775
See more items in:
Ben and Ruth Liman Jazz Films Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0775

John Marshall papers

Creator:
Marshall, John, 1936-  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Syracuse University -- Faculty  Search this
University of Washington -- Faculty  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Video recordings
Date:
1963-2003
Scope and Contents:
Resumes; scattered correspondence; drawings; photographs; slides of work and of Marshall at work; transparencies; a 16mm motion picture film; a VHS video recording; and printed material.
Biographical / Historical:
Metalsmith, educator; Edmonds, Wash.
Provenance:
Donated 2004 by John Marshall as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Silversmiths -- Washington (State)  Search this
Genre/Form:
Drawings
Video recordings
Identifier:
AAA.marsjohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marsjohn

16mm motion picture film of Cab Calloway in Haiti home movie

Created by:
Cab Calloway, American, 1907 - 1994  Search this
Subject of:
Presidential Palace, Haitian  Search this
Holy Trinity Cathedral, Haitian, founded 1924  Search this
Medium:
acetate film , metal and cardboard
Dimensions:
Length: 122 Feet
Duration (digital file): 4 min., 6 sec.
Type:
silent films
home movies
16mm (photographic film size)
Place filmed:
Port-au-Prince, Ouest, Haiti, Caribbean, Latin America, North and Central America
Date:
1951
Topic:
African American  Search this
Actors  Search this
Conductors (Musicians)  Search this
Singers (Musicians)  Search this
Travel  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Cabella Calloway Langsam
Object number:
2013.237.20.1abc
Restrictions & Rights:
© Cabella Calloway Langsam
See more items in:
National Museum of African American History and Culture Collection
Collection title:
The Cabell “Cab” Calloway III Collection
Classification:
Media Arts-Film and Video
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c5e044bf-26f1-41be-a86b-ab1621c2c71a
EDAN-URL:
edanmdm:nmaahc_2013.237.20.1abc

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