The papers document the life and work of William R. Hutton, a civil engineer during the late 1800s to the early 1900s. Materials include diaries, notebooks, correspondence, letterpress copy book, printed materials, publications, specifications, photographs, drawings, and maps that document the construction of several architectural and engineering projects during this period. Most notable are the records containing information related to the construction of the Chesapeake and Ohio Canal, Hudson River Tunnel, the Washington Aqueduct, the Kanawha River Canal, and the Washington/Harlem River Bridge. There are also several records about railroads in the state of Maryland, the District of Columbia and elsewhere, including the Western Maryland Railroad, Baltimore and Ohio Railroad, Colorado Midlands Railway, Baltimore and Drum Point Railroad, the Northern Adirondack Railroad, and the Pittsfield and Williamstown Railroad. The records can be used to track the progression of these projects, and engineering innovation during the late 1800s to the early 1900s.
Scope and Contents:
These papers document William R. Hutton's professional career as a civil engineer and his personal affairs. Although the personal materials in the collection provide insight into a man and a family that have been largely forgotten by biographers, it is the professional materials that are perhaps the most interesting to researchers. They provide a compelling narrative of the push to the West that occurred in 19th century America and the internal improvements movement typified by the American System plan proposed by Henry Clay. Perhaps best remembered for the high tariffs that accompanied it, the American System plan was also concerned with the advancement of internal improvements, such as canals, that would unite the East and West in communication, travel, and trade. The Chesapeake and Ohio Canal can be seen as one of the products of this movement (1) and was in fact initially heralded as the first great work of national improvement (2).
The papers in this collection that are related to the construction and maintenance of the Chesapeake and Ohio Canal are an invaluable documentation of efforts during this turbulent time to unite the eastern and western United States. They provide details of the canal from its initial construction to its decline with the incline at Georgetown project. The canal also serves as an example, or perhaps a warning against, federal involvement in state improvement efforts as it was the first project to be directly funded and staffed by the federal government (3). The groundbreaking ceremony was attended by then President John Quincy Adams whose toast, "to the canal: perseverance," (4) became an ironic omen, as construction of the canal took over twenty-two years to be completed. The Chesapeake and Ohio Canal materials can be used as a case study for the problems encountered during canal building (5). These problems are best typified in the collection by the papers relating to the Georgetown incline. This project was headed by Hutton and was plagued with construction problems, boating accidents, and obsolescence from the moment of its completion. Despite these issues, the Chesapeake and Ohio Canal remains a structure of historical significance in America. As the third and last effort to construct an all-water route to the West (6), the Chesapeake and Ohio Canal is an important artifact of 19th century attitudes and efforts towards commerce, trade, travel, and communication between the eastern and western United States. Other significant canals and water structures represented in the collection are the Kanawha Canal, the Washington Aqueduct, and a large collection of materials relating to the Kingston Water Supply (New York).
One of the most significant internal improvements made during this time was the railroad. The legal conflicts that arose between the canal companies and railroads is also represented in the materials relating to the Chesapeake and Ohio Canal. These materials specifically deal with the legal conflict's between the Chesapeake and Ohio Canal and the Baltimore and Ohio Railroad. The development and construction of the railroads is also represented in the materials documenting the Baltimore and Ohio Railroad, the Baltimore and Drum Point Railroad, the Northern Adirondack Railroad, the Western Maryland Railroad, the Mexican National Railroad, the Colorado Midlands Railroad, and the Columbia Railroad.
The collection also demonstrates the spirit of innovation and invention that was prevalent in the engineering field in the nineteenth century. Joseph Gies writes, "...one of the distinctive characteristics of the great nineteenth century engineering adventurers was their readiness to gamble on the translation of theory into practice" (7). In this quote, he is speaking of the civil engineer Dewitt Clinton Haskins and a project that truly encapsulates engineering invention in the nineteenth century, the Hudson River Tunnel. Responding to the increase in the population of the City of New York in the late nineteenth century from sixty thousand to three and a half million, the Hudson River Tunnel was originally devised as a way to alleviate traffic and to transport train passengers directly across the Hudson River (8). Beginning with records dating from 1881 to 1901, the Hutton papers can be used to document not only the advances in engineering during this time but also the costs of progress. Haskins' initial efforts to build the tunnel using submerged air pressurized caissons were marked by failure and in some cases fatalities. Workers on the tunnel often suffered from what came to be known as "caisson disease" or "the bends," caused by the immense forces of compression and decompression experienced while working in the tunnels (9). This problem was so prevalent that as construction progressed the rate of worker deaths caused by "the bends" rose to twenty-five percent (10). Materials in the collection document worker complaints and deaths resulting from this disease as well as providing a technical record of the construction of the tunnel. The highlight of the materials relating to the Hudson River Tunnel is an album that contains photographs of workers in the tunnel and a detailed daily report of the construction progress on the tunnel that was maintained by Hutton's assistant, Walton Aims. The first hand account in these reports provides insight not only into the construction of the tunnel, but also the problems encountered.
Another project featured in the Hutton collection that was devised in response to the population explosion in the City of New York in the nineteenth century is the Harlem River Bridge, or as it is now known, the Washington Bridge. Known as one of the longest steel arch bridges of its time, the Harlem River Bridge also represents that spirit of invention and innovation that was prevalent in the civil engineering field during the nineteenth century. The collection provides an invaluable resource for those wishing to track the construction of the bridge from early concept drawings and proposals to finalized plans. Also present are photographs of the construction and workers. Societal response to the bridge in the form of newspaper and magazine clippings help to create the narrative of the Washington Bridge, and these are supplemented by correspondence from the builders, suppliers, and planners.
This collection also includes diaries, 1866-1901; letterpress copybooks, 1858-1901; correspondence on the Chesapeake and Ohio Canal, Hudson River Tunnel, Washington Bridge over the Harlem River, and Maryland and Colorado railroads, 1861-1901, and on Hutton's financial and real estate affairs, 1835-1921; construction photographs of the Harlem River, Cairo, Poughkeepsie, Niagara bridges and the Hudson River Tunnel, Washington Aqueduct, and Capitol Dome (in the form of albumen, cyanotype, salted paper print); data and drawings; rolled land profile drawings; canal notes, 1828-1892; Hudson River Tunnel construction reports, 1889-1891; publications, drawings, and maps of railroad routes; pamphlets and reprints on hydraulic works and water supply; road, railway, bridge, and hydraulic construction specifications, 1870-1900; drawings (linen, oil cloth, and heavy drawing paper), and blueprints; account books, 1891-1899; and plans, drawings, field notebooks, and publications on American and European construction projects, especially in Maryland, New York, and France; personal correspondence detailing his role as executor for the estates of Benjamin H. Hutton, Joseph Hutton, Annie Theller, and the Countess H. De Moltke-Hvitfeldt and his relationships with his children, siblings, cousins, and colleagues, 1850-1942.
Materials are handwritten, typed, and printed.
Special note should be made that any materials dated after the year 1901 were added to the collection by another creator who is unidentified. It can be speculated that professional materials added after this date were contributed by his brother and colleague Nathanial Hutton or his son Frank Hutton. Personal materials contributed after this date may have been added by his wife, daughters, or other members of his extended family.
Series 1, Letterpress Copybooks, 1858-1901, consists of twenty seven letterpress copybooks containing correspondence between Hutton and other engineers, architects, and building suppliers. The letterpress copybooks in this series have been arranged chronologically. The books involve a process by which ink is transferred through direct contact with the original using moisture and pressure in a copy press. The majority of the correspondence is business- related. Some letterpress copybooks are devoted to specific projects such as the Washington/Harlem River Bridge, Chesapeake and Ohio Canal, Baltimore and Drum Point Railroad, Annapolis and Elk Ridge Railroad, and the Baltimore and Ohio Railroad. The letterpress copybooks provide a record of correspondence written by Hutton, which makes it distinctive from the other correspondence in the collection. Most of the other correspondence has Hutton as recipient.
The letterpress copybooks also document Hutton's various residences throughout his life and provide a glimpse into the civil engineering profession at the time by demonstrating how engineers shared ideas and comments about projects. This can be supplemented with the printed materials in the collection as many of the authors also appear in the correspondence. Other topics covered in the letterpress copybooks include business reports (specifically the report of the president and directors of the Baltimore and Drum Point Railroad), records of people and companies involved in projects, pasted in engineering sketches, engineering specifications and notes, travel expenses and estimates, construction histories and progress, legal issues with family estates, tax information, Colorado Railroad, payment certificate schedules, St. Paul Railroad, personal correspondence, title guarantees, Hudson River Tunnel, financial matters, real estate matters, insurance information, sketches and drawings, supply lists, cost estimates, the Memorial Bridge, Coffin Valve Company, engineering expenses, engineering calculations, payroll notes for Kingston Water Supply, proposals, account information, Hutton Park, reservoirs, contract drafts, French Society of Civil Engineers, inspection results (specifically Piedmont Bridge), land descriptions, damage reports, Morse Bridge, Illinois Central Railroad, North Sea Canal, moveable dams, iron works, site histories, Potomac Lock and Dock Company, Kanawha River canal (lock quantities, specifications, payroll information), Pennsylvania Canal, and bills for services.
Series 2, Professional Correspondence, 1861-1901, consists of correspondence that relates to Hutton's architectural and engineering projects. This series is further subdivided into two subseries: Project Correspondence and General Correspondence. Subseries 1, Project Correspondence, 1876-1899, correspondence is divided by project and arranged alphabetically. Subseries 2, General Correspondence, 1861-1901, is arranged chronologically. Both series contain handwritten and typed letters. Some letters are on letterpress copybook pages and are most likely copies. Some materials are in French and Spanish. Special note should be made that this series does not contain all of the professional correspondence in the collection. Some correspondence has been separated according to project and placed in Series 8, Professional Projects, 1830-1965, in order to make it easier for researchers to access materials related to those subjects.
Subseries 1, professional correspondence topics include comparisons between construction projects (specifically comparisons of the Kanawha River Canal to other canals), supply lists, location recommendations, sketches, construction plans and modifications, bills for supplies and works, leaks in the gates, cost estimates, Brooklyn Water Supply, use of lake storage (Ramapo Water Supply), water supply to states and counties, damages to water supply pipes, estimates of water quantities, responses to construction reports, legal issues related to projects, Baltimore and Ohio Railroad, and payment for services.
Subseries 2, general correspondence topics include employment opportunities, committee meetings and elections, land surveys, sketches, engineering plans and ideas, work on projects, dismissal from projects, notes on supplies, Washington Aqueduct, construction progress, land purchases, Civil War, Jones Falls, cost of water pumps, steam drills, lots divisions and prices, repairs, report of the engineering bureau, tidewater connection at Annapolis, bridge construction, construction costs, statement of vessels that entered and cleared Baltimore, technical questions from colleagues, Baltimore and Ohio Railroad, supply costs, letters of introduction, requests for reference, changes to plans and designs, survey reports, St. Andrew's lot, Canal Coal Company, publication process, American Society of Civil Engineers and its members, responses to project inquiries, Graving Dock gross revenue, job offers, specifications, trade figures, contracts, water levels, appointment dates and times, moveable dams, proposals for membership, salaries, Piedmont Coal Lands, maps, land profiles, Washington Bridge, board payments, Nicaragua Canal, Grant Coal Company, statistics, engineering notes, Hartford Bridge, water pressures, coal deposits, Colorado Coal, pipe lines, reservoirs, boat costs for canals, floods, bridges, letters of resignation, engines, Ruxton Viaduct, Colorado and Midland Railroad, Morse Bridge, share values, railroad locations, membership invitations, call for submissions, structural tests, record of accounts for room and board, appointments, water rights (Putnam County), publications, blueprints, visitation programs, cotton compresses, street trenches, pressures in dams, level tests, Portland Transportation bureau, trade information, concrete steel, Chicago drainage canal, ship canals, Augusta Cotton and Compress Company, Sooysmith case, Consolidated Gas Company, masonry, book binding, Columbia Railway Company, jetties, land grades, Chesapeake and Delaware canal, water wheels, pneumatic lock, tunnel arches, rifton power, Hutton's health, elevators, Brooklyn Bridge Terminals, girder weights, legal issues and their results, rating table for the Potomac, land profiles, transmission lines, transformers, water turbines, and water power on the Potomac River.
Correspondents for this series include the following: Captain Montgomery C. Meigs, Captain T.W. Symons, William Bryan, Ernest Flagg, John Hurd, Jake Wolfe, J.C. Saunders, J.H. Dolph, Charles J. Allen, G.H. Mendell, Virgil S. Bogue, B.A. Mounnerlyn, Edward Burr, H.G. Prout, R. William, H. Dodge, C.R. Suter, M. Mink, W.R. King, John Lyons, Alex Brown and Sons, John G. Butler, D. Condon, Bernard Carter, R.P. McCormick, D.R. Magruder, Andrew Banks, Isaac Solomon, C.J. Mayer, C.W. Kern, John Herring, James S. Mackie, D.R. Magunde, D. Rittaguide, R.S. Stevens, J.L. Raudolph (Baltimore and Ohio Railroad), J.M. Lane, W.D. Stuart, W.G.P. Palmer (Committee Church of the Ascension), C. Crozet, General W. Hughes, V.R. Maus, J.M. Hood (Western Maryland Railroad Company), Ernest Pontzen, M. Haus, William F. Craighill, Harry Hutton, John W. Pearce, Reverend James A. Harrald, William Watson, A.L. Rives, Thomas Monro, A.F. Croswan (Commander United States Navy), H.R. Garden, William McAlpine, James Forrest, Wm. Bloomsfield, Daniel Ammen, Linel Wells, A. and Otto Sibeth, Alfred Noble, Clemens Hershel, Sidney Warner, E.H. de Rheville, Theodore Cooper, William Findlay Shunk, Lewis S. Wolfe, Rufus Mead, Theodore F. Taylor, John Bogart, J. Whaler, B. Williamson, Colonel F.V. Greene, Robert H. Sayre (Lehigh Valley Railroad Company), Charles W. Pussey, Louis Q. Rissel, V.C. Bogue, H.C. Eckenberger, Melville E.G. Leston, Edwin Parson, Rudolph Hering, R.S. Hale, F.M. Turner, Thosl Martindale, Justus C. Strawbridge, William M. Ayresm, R.L. Austin, A.M. Miller, P. Livingston Dunn, T.J. Cleaver, C.S. Dutton, H.A. Carson, William Bainbridge Jaudon, H.A. Presset, Thomas H. McCann, Russel Sturgis, H.G. Prout, Alexis H. French, John K. Cowen, F.W. Williams, J. Waldorf, B.H. Byrant, B.H. Jones, M.H. Rogers, J.W. Ogden, General W. Cashing, William Longhudge, A.J. Cameron, T.L. Patterson, J.J. Hagerman, H. Wigglesworth, Charles B. Rowland, E. Bantz, W.G. Lathrop, Clarence King, George Rowland, George A. Tibbals (Continental Iron Works), George N. Vanderbilt, Eugene C. Lewis, F.P. Burt, Colonel John C. Clarke, Lieutenant Thomas Turtle, W.S.M. Scott, E. Bates Dorsey, Bernard Carter, George M. Shriver (Baltimore and Ohio Railroad), Russel Sturgis, Macmillan Publishing, James Abernethy, B. Baker, J.G.W. Fynje, A. Mallet, Jean Hersuy, L.F. Vernon Horcourt, Robert Lilley, A.J. Johnson, F.M. Colby, Henry D. Loney, A.S. Cameron, James A. Harrald, William Watson, John B. Lervis, A.L. Rives, Edwin F. Bidell, Frank H. Stockett, E. McMahon, C.F. Elgin, Enrique Budge, G. Clayton Gardiner, Dwight Porter, William A. Chapman, T.E. Sickels, Theodore Cooper, C.J. Warner, Institution of Civil Engineers, Robert Gordon, United States Coast of Geodetic Survey Office, C.P. Pattun, J.N. Putnam, Sidney B. Warner, H.D. Fisher, Union Pacific Railway Company, Lewis S. Wolle, George E. Waring Junior, The American Exhibition, G.F. Swain, American Society of Civil Engineers, N.H. Whitten, U.S. Engineer Office, Government Works Committee, J.J. Hagerman, D. Jackson, Sterling Iron and Railway Company, E.P. Alexander, E. Williamson, Central Railway Company of New Jersey, William A. Underwood, F. Collingwood, James Dun (Atchison, Topeka and Santa Fe Railroad Company), Henry F. Kilburn, Louis A. Bissell, Virgil G. Boque, H.C. Eckenberger, Melville Egleston, Charles Parson, George Swain, Continental Iron Works, Rudolph Hering, J.B. Gordon, Mayor's Office (Baltimore), Harry Robinson, Pennsylvania Railway Company, W.H. Gahagan, L. Luiggi, B.H. Bryant, T.J. Cleaver (Chesapeake and Delaware Canal Company), H.A. Carson, H.A. Presset (Department of the Interior, United States Geological Survey), John K. Cowen, Vernon H. Brown, J. Waldorf, B.H. Bryant, L.F. Root, P.W. White, Metropolitan Railroad Company, Charles F. Mayer (Consolidated Coal Company, Cumberland and Pennsylvania Railroad Company), J.M. Lane (Western Maryland Railroad), Dr. R.S. Stewart (Annapolis and Elk Ridge Railroad), Baltimore and Drum Point Railroad (John Lyons, John G. Butler, D. Candon, R.P. McCormick, Andrew Banks), Thomas F. Rowland, J.A. Bensel, Walton Aims, S.D. Coykendall, H.C. Rogers, John F. Ward, T.B. Jewell, H.A. Pressey, C.S. Armstrong, J. Nennett, V.G. Bague.
Series 3, Personal Correspondence, 1850-1942, contains correspondence with immediate and extended family, specifically the heirs to the Benjamin H. Hutton and Joseph Hutton estates and Adele Gorman. Correspondence is primarily arranged chronologically, but some files have been divided based on subject or author (the Deer Park and Adele Gorman files), or by form (the Telegrams, and Cablegrams file). Special note is made of the posthumous correspondence file, which includes correspondence both relating to Hutton's death and correspondence that was written by family members after the years of his death. The series contains both hand written and typed letters. Some correspondence is in French. The correspondence demonstrates his relationship with his children specifically Elizabeth (Bessie) Hutton, and illuminates his role in his family. This series also provides details about nineteenth century upper class society and activities. Special note should be made that this folder does not contain all of the personal correspondence contained in the collection. Some correspondence has been separated according to recipient, or subject in order to make researching these recipients or subjects easier.
Series 3 correspondence topics include: estate payments, distribution of assets, funds transfers, estate lines, conflicts with tenants, sketches, lot maintenance, real estate sales, deeds, real estate sales negotiations, congratulations wishes on new babies, family illnesses, family affairs and travels, traveling directions, personal investments, invitations for social occasions, family debts, professional interests, professional and personal appointments, family issues, requests for money, sketches, advice to children (specifically Frank Hutton), life insurance, books, letters of introduction, legal issues, funeral expenses, charity donations, advertisements, minutes from professional organizations, army enlistment, deaths of friends and family, recipes, estimates of personal expenses, renovations, stock certificates (Great Northern Railway Company, New York), food, social activities, the weather, marriages, real estate and construction plans, and loan agreements.
Correspondents include the following: Frank Hutton, Thomas B. Brookes, J.L. Marcauley, C.M. Matthews, Edward J. Hancy, John M. Wilson, H.A. Carson, William H. Wiley (of John Wiley and Sons Scientific Publishers, New York), Georgina Hutton, Pierre and Jane Casson, George McNaughlin, Henrietta Hutton, Aaron Pennington Whitehead, J.B. Wheeler, B. Williamson, Robert De Forest, Elizabeth (Bessie) Hutton, Grace Beukard, J.C. Saunders, Mary Hutton, William J. Pennington, C.S. Hurd, Henry C. Cooper, Henry J. Segers, S.F. Miller, Annie Theller, Alfred Noble, Maria Burton, Joseph Hobson, E. Lennon, F. Hulberg, Charles Gordon Hutton, Edward C. Ebert, A. William Lewin, E.R. Dunn, William P. Craighill, Theodore Cooper, P.I. Chapelle, Anita McAlpine, Clarence King, Victoria Raymond, and Adele Gorman.
Series 4, Personal Materials, 1835-1946, contains documentation about Hutton's personal finances, role as executor of the Benjamin H. Hutton, Joseph Hutton, Annie Theller, and Countess H. De Moltke-Hvitfeldt estates, Mary Augusta Hutton (wife), Mary Hutton (daughter), Frank Hutton, John Caulfield (son-in-law), and B.F. and C.H. Hutton. The series has been divided into four subseries: Financial Records, 1876-1901, Estate and Real Estate Records, 1835-1921, Other Huttons, 1876-1936, and Personal Material, 1878-1946. Subseries 2, Estate and Real Estate Records, 1835-1921, contains correspondence relating to specific family estates and family members. This correspondence was separated from Series 3, Personal Correspondence, 1850-1942, to make it easier for researchers to access all records relating to the family estates. This series includes hand written, typed, and printed materials. Some materials are in French. All material dated after 1901 has been added to the collection by other creators such as Hutton's wife and children.
Subseries 1, Financial Records, 1876-1901, includes account books, account records, correspondence related to bank accounts, bank statements, financial notes, bills and proofs of payment, rent receipts, tax bills (New York, Flatbush, Montgomery County), checks, money exchanges, receipts for tax payments, real estate receipts, stock and bond certificates, loan agreements, executor accounts, rebate calculation sheet, and tax and insurance payments.
Subseries 2, Estate and Real Estate Records, 1835-1921, includes property maps and information (rent, mortgage costs, deeds), correspondence, notes on estate distribution, estate assets, value of estate and estate payments, account records, loan agreements, receipts, proof of payments, checks, financial records, legal documents, insurance documents, tax bills, auction receipts, and wills relating to the estates of Benjamin H. Hutton, Joseph Hutton, Countess H. de Moltke-Hivtfeldt, Annie Theller, and William R. Hutton. Also included are correspondence, property maps and information, and deeds and mortgages on Hutton properties.
Subseries 2, the estate and real estate records correspondence topics include: Virginia state building codes, construction costs, construction notices, purchasing offers for property, real estate prices, receipts of payments, property lines, real estate purchases and sales, real estate sales negotiations, deeds insurance estimates and costs, loan costs, property estimates, renovation costs, mortgages, property damages and repairs, property tax payments, insurance rates and payments, rent payments, telephone installation, building permits, rental agreements, reports on property condition, contracts of sale, conflicts with tenants, changes of address, deeds, distribution of estate monies, details about the Countess' illness, estate arrangements, changes of address, problems arising out of estate distribution, payment of debts, will details, selling of mortgage shares, accounts, estate settlement, money cables and transfers, dealings with lawyers, rent on Hutton Park property, legal and accounting fees, power of attorney transfer, investments, property security, land appraisals, lists of assets, legacy taxes, mortgages transfers, property management, Flatbush property, property rent and values, and physicians bills.
Correspondents include the following: A.C. Weeks, Walter I. Green, John D. Probsh, A.G. Darwin, Thomas H. McCann, Allan Farguhar, Thomas Dawson, Potter and Crandall Real Estate and Insurance Brokers, George C. Tilyou, H.D. Olephant, F. Winston, Richard E. Calbraith, Frank P. Martin, Henry DeForest, Henry C. Cooper, Metropolitan Telephone and Telegraph Company, John Ecker, C.K. Avevill, Georgina Hutton, Edward J. Hancy, Robert Graham, W.M. Bennett, Willis E. Merriman, Nathan L. Miller, Harry Hutton, Marquise de Portes (Adele Gorman), Annie Theller, Samuel L. Theller, Mrs. R. Locke, Frank Z. Adams, John Palmer (Secretary of State, New York), J.T. Cammeyer, Frank P. Martin, Florence Theller, Francis H. Seger, Henry C. Cooper, D.W.G. Cammeyer, Campbell W. Adams, Jane Casson, Elizabeth Hutton, Rene de Portes, H.G. Atkins, Grace Beukard, Aaron Pennington Muikhead, J.E. Delapalme, T.H. Powers, Egerton L. Winthrop Junior, George B. Glover, William Jay and Robert W. Candler, B. Williamson, J.E. Knaff, Cornelius C. Vermeule, S.V. Hayden, Charles G. Landon[?], H.A. Hurlbert, F.A. Black, John L. Calwalder, the Health Department of New York, A.G. Darwin, William Laue, Frederick Frelinghuysen, Charles S. Brown, Henrietta Hutton, Edward Gelon.
Subseries 3, Other Huttons, 1874-1936, includes professional drawings and proposals, checks, insurance information, correspondence, tax information, medical information, tax bills, relating to Mary Augusta Hutton (wife), Mary Hutton (daughter), Henry and Harry Hutton, Frank Hutton (son), John Caulfield (son-in-law), B.F. Hutton, and C.H. Hutton.
Subseries 4, Personal Materials, 1878-1946, contains handwritten property notes, school notes, sermons, travel documents, menus, Christmas cards, jewelry box, postal guide, typed religious materials and flyers.
Series 5, Diaries, 1866-1901, contains twenty nine diary books that document both Hutton's personal and professional life. These diaries provide not only a record of Hutton's life, but were also used by Hutton himself as a reference tool. When working on projects he would refer to notes and observations he made in his diary (as evidenced by notes made in his diaries). The first pages of the diaries often list his height, weight and clothing sizes as they varied from year to year. A researcher could probably use the cashbooks (see Series 7) and the diaries in conjunction as both detail the purchases made by Hutton. Many of the diaries also include a short record of accounts in the back. The diaries are arranged chronologically.
Topics found in the diaries include short form accounts of daily activities and appointments, records of the weather, Chesapeake and Ohio Canal project, construction progress on projects, steam pumps, sketches and calculations, extension of Washington railroads, cost of food, work supplies, travel costs, costs of goods and food, work deadlines, home renovations, visits to family, cash accounts, accounts of household duties, produce on Woodlands property, records of deaths, debts owed, account of clearing Woodlands property, church visits, Hancock and Tonoloway Aqueduct, canals, Drum Point Railroad, Montgomery C. Meigs, Washington Aqueduct, Annapolis Water Works, telegram costs, wages for Chesapeake and Ohio Canal project, William Craighill, Morris Canal, Annapolis Railroad and Canal, professional duties (inspections), Kanawha River Canal, travel schedules, professional expenses, cash received from Chesapeake and Ohio Canal project, Baltimore and Ohio Railroad, John's Dam, cathedral construction (St. Patricks?), Piedmont Bridge, Cumberland, account of farm property belonging to Major Campbell Bruns, Cunard Pier, Marquise de Portes, rent costs, Baltimore Canal, Kingston Water Supply, Croton Orange Estate, Pierre Casson, Hudson River Tunnel, Washington/Harlem River Bridge, entertainment costs, Greenwood cemetery, train schedule, notes on illness, real estate sales, Hutton Park, Benjamin H. Hutton estate and heirs, estimates, accounts of correspondence received and sent, Central Railroad, rent on Orange properties, addresses, contracts and building supplies for projects, personal finances, Joseph Hutton property on Vanderbilt Avenue, New York, amounts paid and received, medical appointments, Ramapo Water Company, drawing progress of maps and diagrams, Harbor Board (New York), property repairs, inspection and test reports, reservoirs, lists of birthdays, Boston Tunnel, family financial issues, tax payments, and prayers.
Series 6, Notebooks, 1860-1900, document the engineering and architectural projects worked on by Hutton. The series has been divided into three subseries: Subseries 1, Engineering and Survey Field Notes, 1860-1899; Subseries 2, Notebooks, 1871-1886; and Subseries 3, Notes, 1863-1900. Subseries 1, Engineering and Survey Field Notes, 1860-1899, contains sixteen field notebooks used by Hutton. Subseries 2, Notebooks, 1871-1886, contains seven notebooks. Subseries three, Notes, 1863-1900, contains four documents.
Some notebooks correspond to specific projects such as the Kanawha River Canal (lockgate and Phoenix Waterline), Chesapeake and Ohio Canal, Buffalo Reservoir, Potomac Lock and Dock Company, Northern Adirondack Railroad account, Washington Aqueduct, Little Rock Bridge, Wilson-Adam Dock, Croten Brick Works, Hutton Park, Centennial Iron Works, Cumberland Canal, Williamsport Aqueduct, Catoctin Aqueduct, Alexandria Canal, Miller's Saw Mill, Seneca Dam, Union Tunnel, Cumberland Waterworks, Victoria Bridge, Welland Canal, North Sea Canal, Ramapo Water Company, Annapolis Water Company, Antietam Aqueduct, Interoceanic Canal, San Quentin Canal, Suez Canal, Amsterdam Canal, Harlem Bulkhead, Morris Canal, Blue Lake Canal, and Nicaragua Canal.
These notebooks should be used in conjunction with the other materials in the collection related to professional projects, as they often provide more detailed accounts of the construction and land surveys. Some of the notebooks contain entries from several different sources. The notebooks were probably shared among the engineers working on these projects. The notebooks also contain looseleaf ephemera such as hand written calculations, newspaper clippings, and blueprints. Languages found in this series are English and French.
Notebook topics include construction projects, supply needs, costs for labor, sketches (Woodland Mills, landscapes, dams, railway cars, Noland Tunnel), costs of crops, survey measurements, cost of livestock, aqueducts, inspections, canal bridges, seed prices, dams, measurements, coffer dam, canal maintenance, worker salaries, calculations, towpath sketches and measurements, shipping rates, worker accidents, water and coal used, geometrical sketches (Washington Aqueduct), locks, damage reports, interactions with other engineers (William Reading), coal shipments on the canal, travel expenses, land survey notes, drafts for correspondence, William Craighill, Victoria docks, lists of personal supplies used, construction time estimates, surveying expenses, telegram costs, sand pump, canal from Sherling to Tuxedo Bay, analysis of several artificial lakes and reservoirs, distances of reservoirs to main pipes, calculations for the Austin Wheel, engine construction, bridges, gauging water depth, results and observations of tests and performance, problems with construction, to-do lists, cost of land surrounding towpaths, Fawcett's Lock, Tarman's Lock, comparison of costs in transporting coal by water and by rail, inspection notes, iron work, drainages, leaks, cost of supplies, watergates, harbor ferries, railroad station distances, flood protection, Panama Canal via the Nicaraguan route, cost of jetties, water levels, pressure of steam, boilers, steam and water cycle, water depth, cement, Great Falls, Virginia, waterflow, soundings, time of floats, flow of currents, rain fall measurements, tunnel measurements, cost of trenching San Francisco water supply, record of livestock, cost of food, rates of sawing woods and mills, preliminary railroad line measurements, profile of final line, and railroad line profiles.
Series 7, Cash Books, 1856-1899, contains seven cashbooks which list prices for personal items purchased by Hutton. Topics include groceries, church dues, clothes, hygiene products, cigars, some short journal entries about his work (Williamstown), concerts, dinners, family addresses, cakes, meals, cars, stamps, office supplies (pencils and papers), valentines, glasses, gloves, fabric, medicine, needles, diapers, tobacco, shoes (adult and childrens), travel expenses, telegrams, candles, newspapers, liquor, coal oil, jewelry, allowances given to family members, bank deposits, monies paid and received, taxes, subscriptions, tailoring costs, deposits and payments into estate trusts, and notes about payments to Benjamin H. Hutton heirs. The cashbooks also contain some personal loose leaf ephemera such as prayers, sketches, and engineering notes collected by Hutton.
Series 8, Professional Projects, 1830-1965, contains documents about engineering and architectural projects throughout Hutton's career, including information about the professional organizations and the legal issues in which he was involved. This series has been divided into eight subseries based on project, document form, and document subject. Some materials are in French and Italian.
Series 8, Professional Projects, also includes correspondence related to specific projects, primarily the Chesapeake and Ohio Canal, the Hudson River Tunnel, the Washington/Harlem River Bridge, and the Georgetown Incline.
Topics include construction and repair to the Chesapeake and Ohio Canal, engineering and use of Chesapeake and Ohio Canal, worker contracts, supply and labor purchases, design plans and proposals, construction and repair costs, supply notes and costs of supplies, water pressure and power, shipping materials and routes (specifically the shipping of coal), inspections and their findings, condition of canal dam and locks, water supply, drainage, sketches, board proceedings, business meetings, deeds, cost comparisons to other shipping methods, hiring processes, wages, cost estimates, Hutton's consulting fees, measurements and calculations, funding issues, worker conflicts, negotiations with municipal governments, payment schedules, bills for services, air pressure in Hudson River Tunnel, permission for construction, specifications, mortality rate among workers on the Hudson River Tunnel, construction reports, outlet incline, proposals for construction, letters of introduction, railroad versus water for trade, controversy with Tiersey, construction contracts, construction schedules, construction issues, construction progress, construction damage, basis for estimates, supply requests, internal politics, changes to construction plans, contract and price adjustments, issues with suppliers, construction delays, work permits, bills, worker issues, engineering notes, construction excavations, expenses, construction instructions, Union Bridge Company, lighting installations, construction processes, hiring practices, electrical conductors, water proofing, hydraulics, cement, concrete, payment of contributors, processes of approval for construction, meeting dates of the Harlem River Bridge Commission, and contract restrictions.
Correspondents include the following: W.W.M. Kaig, Henry Dodge, E. Mulvany, John Shay, James Clarke, H.D. Whitcomb, Horace Benton, J. Rellan, J.R. Maus, W.E. Merrill, A.P. Gorman, J.H. Staats, Vernon H. Brown, Charles H. Fisher (New York Central and Hudson River Railway Company), B. Baker, John Fowler, Benjamin and John Dos Passos, Charles B. Colby, Charles B. Brush, S. Pearson, Stanford White, Horace E. Golding, R.H. Smith, Daniel Lord, A. Fteley, Herbert Hinds, J.R. Bartlett, D.M. Hirsch, M.H. Bartholomew, Thomas O. Driscoll, W.E. Porter, Thomas F. Rowland, George Edward Harding, R.H. Dames, William Watson, James B. Eads, J.D. Bright, H. Aston, Charles Suley, A.M. Maynard, W.R. Henton, G. Geddes, H.P. Gilbut, Malcolm W. Niver (Secretary of the Harlem River Bridge Commission), J.D. Patterson, George Devin (Assistant Engineer Washington/ Harlem River Bridge), J.B. Wheeler, John Bogart, Charles Burns, J. McClellon, Rob Bassee, B. Williamson, Theodore Cooper, Lewis Cass Ledyard, R.M. Hunt, John Cooper, Henry Wilson, A.A. Caille, Myles Tierney, W. Pentzen, L.B. Cantfield, George Q. Grumstaid Junior, M.J. Funton, George Pierce, W.O. Fayerweather, Noah S. Belthen, Herbert Steward, W.M. Habirsham.
Subseries 1, Chesapeake and Ohio Canal, 1828-1965, consists of plans, blueprints, land profiles, drawings, boat rates, contract forms, order forms, descriptions of the canal, design information, engineering data, sketches, cost estimates, land titles, microfilm, business papers, supply bills, patent bills, news clippings, reports, specifications, stockholder's reports, receipts, water leases, printed materials, and correspondence.
The Chesapeake and Ohio Canal project was started in 1828 and completed twenty two years later in 1850. The canal's main objective was to connect Georgetown to the coal banks above Cumberland, Maryland, providing a short and cheap trade route between the eastern and western United States. It was also hoped that the canal would provide greater communication and travel between these two regions. Plagued by natural disasters, and construction setbacks, the canal was never completed in time to be useful and became obsolete shortly after its completion. Canal trade was eventually put out of business by the increase of railroads. Although it was an important development in engineering at its inception, the Chesapeake and Ohio Canal is no longer in use and has become what locals affectionately refer to as "the old ditch." The canal was designated a National Historical Park in 1971 and consists of 184.5 miles of hiking and biking trails.
Subseries 2, Hudson River Tunnel, 1887-1901, consists of agreements for construction, certificates, contracts, and cost estimates, construction reports, engineering notebooks, engineering notes, sketches, land profiles, maps, progress profiles, plans, proposals, printed material, statements of expenses, and correspondence.
The Hudson River Tunnel project was started in 1874, and the final tubes were opened in 1910 after several construction setbacks. The tunnel connects Weehawken, New Jersey and Pennsylvania Station in Manhattan, New York City. Today the Hudson River Tunnel, known as the North River Tunnels is used by Amtrak's Northeast Corridor and New Jersey Transit rail lines.
Subseries 3, Harlem River Bridge, 1878-1982, consists of blueprints, printed materials, photographs, engineer's estimates, schedules, costs, reports, proposals, contracts, specifications, and correspondence.
The Harlem River Bridge project was started in 1885 and was completed in 1889. It spans the Harlem River in New York City, New York and connects the Washington Heights section of Manhattan with the Bronx. It was later named and is still known as the Washington Bridge and has been adapted over time to carry highway traffic. These adaptations have allowed the bridge to remain in use today.
Subseries 4, Other Projects, 1858-1832, consists of drawings, maps, blueprints, plans, proposals, cost estimates, bills, correspondence, sketches, land profiles, dimensions, engineering notes, account records, photostats, supply lists, calculations, legal documents, surveys, inspection reports, financial data, and measurements on architectural and engineering projects. Highlights of this subseries include: Western Maryland Railroad, Washington Aqueduct, Panama Canal, Ramapo Water Company, Piedmont Bridge, Northern Adirondack Railroad, Columbia Railroad, Morris Canal, Pittsfield and Williamstown Railroad, Suez Canal, St. Gothard Canal, Tansa Dam, Colorado Midland Railroad Company, Memorial Bridge, Mersey Tunnel, Little Rock Bridge, Kingston Water Supply, Kanawha River Canal, Florida Ship Canal, East Jersey Water Company, Consolidated Coal Company, Dismal Swamp Canal, Boston and Baltimore Tunnels, St. Patrick's Cathedral, Baltimore and Ohio Railroad, Annapolis Water Company, Baltimore and Drum Point Railroad Company, and the Baltimore Beltline.
Subseries 5, Unidentified Project Files, 1872-1900, consists of bills of sale, engineering forms and regulations, cement test results and methods, census bulletin, contracts, cost estimates, correspondence, notes on publications, engineering data and notes, drawings, surveys, sketches, payrolls, photographs, and reports.
Subseries 6, Specifications, 1870-1900, consists of documents related to some of Hutton's projects, including specifications for bridges, reservoirs, canals, viaducts, docks, buildings, water works, and tunnels. Some specifications are more general, and some are blank proposal/specification forms. There are also proposals for estimates and a "call" or advertisement to contractors to bid on certain projects. Many of the specifications deal with projects in New York State, but projects in Pennsylvania, the City of Baltimore, and Europe are represented. The materials are arranged alphabetically by project name. There is one folder of documentation for the Potomac River Bridge (Arlington Memorial Bridge) in Washington, D.C. The Arlington Memorial Bridge was part of the 1901 McMillan Commission's plan for restoring Pierre (Peter) Charles L'Enfant's original plan for the capital. Two decades passed before construction was initiated by the architectural firm McKim, Mead, and White. The documentation for the Memorial Bridge consists of calculations and monetary figures for materials such as granite.
Subseries 7, Legal Documents, 1886, contains documents related to a patent infringement suit for moveable dams involving Alfred Pasqueau vs. the United States. This file contains both a printed version of the case and a handwritten statement from Hutton.
Subseries 8, Professional Organizations, 1870-1902, contains documents related to professional organizations where Hutton held membership. Specific organizations represented are American Institute of Architects, American Society of Civil Engineers, Institution of Civil Engineers, Boston Society of Civil Engineers, Societe des Ingenieurs Civils de France, Librarie Polytechnique, American Agency of "Engineering" in London, Imperial Institute, League of Associated Engineers, Railroad Corporation, American Institute of Mining Engineers, and the Century Association. Material in the subseries includes correspondence, candidates for membership, membership payments, membership lists, meeting minutes, schedule of terms, professional practices, charges, articles of association, invitations for membership, and election notes. Some materials are in French.
Series 9, Printed Materials, 1850-1913, contains a variety of printed materials relating to engineering and architectural projects written by Hutton and fellow engineers. This series can be used to examine not only professional developments of the period and responses to those developments, but also to track how ideas were transferred between engineers across countries and continents. This series should be used in conjunction with the professional correspondence found in this collection, as many of the authors also appear there. Some materials are in French, German, Spanish, and Italian.
Subseries 1, Printed Materials by Hutton, 1852-1900, includes printed papers on the Missouri flood wave, the Ravine du Sud, the Potomac waterfront, the Colorado midlands, and the application of water supply machinery.
Subseries 2, Printed Materials by Others, 1826-1913, includes printed materials on the Chesapeake and Ohio Canals, Tehuantec Ship Railway, Interoceanic canals and railways, jetties, Nicaragua Canal, uses of cements, mortars, concretes, steam power, harbors, Niagara Falls, Kanawha River canal, Mississippi River, Hudson River Bridge, sewage disposal, Washington Aqueduct, specifications, construction progress reports, hydraulic experiments, water supply, drainage, road surfacing, sea walls, water-cooling apparatus, pollution reports, bridges, pipes, channels, reservoirs, irrigation, water power, and sewers.
Subseries 2 contains an issue of The North American Review in which Hutton has specifically highlighted an article entitled, "The Inter-Oceanic Canal." Please see the container list for names of authors.
Subseries 3, Printed Materials with No Author, 1852-1903, includes printed materials on harbor reports, Annapolis Water Company, Ramapo Water Company, water departments and boards, maps, engineer's reports, sea walls, preservation of structures, annual reports, Coal and Iron Railway Company, sewers, Baltimore and Drum Point Railroad, contract specifications, proposals, social club life, Croton Water Supply, law suits, water supplies, moveable dams, reservoirs, East River Bridge, Eastern Canal, water filtration, Kingston New Water Supply, water pipes, locks, docks, contracts, construction reports, Croton Water Supply, and surveys. Also included are issues of journals such as Le Correspondant, Circular of the Office of Chief Engineers, The Club, VIII Congres International de Navigation, Journal of the Association of Engineering Studies, and Journal of the Franklin Institute.
Subseries 4, Newspaper, Journals and Magazine Clippings, 1873-1900, contains clippings from a variety of newspapers such as Scientific American, andRailroad Gazette. Subjects included are the Union Tunnel opening in Baltimore, Drum Point Railroad, railroad company conflicts, Washington/Harlem River Bridge, Metropolitan Railroad, Western Maryland Railroad, crop prospects, lumber trade, North Avenue Bridge, Nicaraguan Canal, harbors, river improvements, reactions to engineering projects, Belt tunnel, city transit, Washington, D.C. flood in 1880, tunnel shields, Springfield Bridge, railroad patents, Panama Canal, jetties, Hudson Tunnel, steel boilers, composition and use of cement, and the Brooklyn Bridge.
Subseries 5, Oversized Printed Materials, 1889-1892, contains large printed materials related to the Washington Aqueduct, General Post Office Building, subway arches, cornices, Warwick's Castle, Neuschwanstein Castle, Renaissance paintings, botanical drawings, school buildings, church architecture, the Hospital for the Insane of the Army and Navy and the District of Columbia, the Panama Canal, Morningside Park, and the Mississippi Jetties. Also includes engravings of Hutton, T.N. Talfound, and F. Jeffrey and photographs of Montgomery C. Meigs, and Hutton. Some materials are in German and French.
References:
1. Ward, George Washington, "The Early Development of the Chesapeake and Ohio Canal Project," Johns Hopkins University Studies in Historical and Political Science Series XVII, no. 9-11 (1899): 8.
2. Ibid., 88.
3. Ibid., 55.
4. Ibid., 90.
5. Sanderlin, Walter S., "The Great National Project: A History of the Chesapeake and Ohio Canal," Johns Hopkins University Studies in Historical and Political Science Series LXIV, no. 1 (1946): 21.
6. Ibid., 282.
7. Gies, Joseph, Adventure Underground (Garden City, N.Y.: Doubleday and Company Inc., 1962): 134.
8. Ibid., 131-132.
9. Ibid., 135-136.
10. Ibid., 145.
Arrangement:
The collection is arranged into ten series.
Series 1: Letterpress Copybooks, 1858-1901
Series 2: Professional Correspondence, 1861-1901
Subseries 2.1: Project Correspondence, 1876-1899
Subseries 2.2: General Correspondence, 1861-1901
Series 3: Personal Correspondence, 1850-1942
Series 4: Personal Materials, 1835-1946
Subseries 4.1: Financial Records, 1876-1901
Subseries 4.2: Estate and Real Estate Records, 1835-1921
Subseries 4.3: Other Huttons, 1874-1936
Subseries 4.4: Personal Materials, 1878-1946
Series 5: Diaries, 1866-1901
Series 6: Notebooks, 1860-1900
Subseries 6.1: Engineering and Survey Field Notes, 1860-1899
Subseries 6.2: Notebooks, 1871-1886
Subseries 6.3: Notes, 1863-1900
Series 7: Cashbooks, 1856-1899
Series 8: Professional Projects, 1830-1965
Subseries 8.1: Chesapeake and Ohio Canal, 1828-1965
Not much is known about the history of William Rich Hutton outside of his role in architectural and engineering projects of the late 1800s and early 1900s. In many cases, he is spoken of only in reference to his projects, and the short biographies that have been written read more like a resume than a life story. Because of this lack of information, this note will focus on Hutton's professional accomplishments, but will attempt to make some comments on his personal life.
William Rich Hutton was born on March 21, 1826 in Washington, D.C., the eldest son of James Hutton (died 1843) and his wife, the former Salome Rich (1). He was educated at the Western Academy (Washington, D.C.) from 1837-1840 under George J. Abbot and then at Benjamin Hallowell's School in Alexandria, Virginia, where he received special training in mathematics, drawing, and surveying (2). Hutton began his professional career in California when he, along with his younger brother James, accompanied their uncle William Rich to work for the United States Army. His uncle was a paymaster for the army and Hutton became his clerk. They traveled around the new state paying the various platoons stationed there, but Hutton also occupied his time by drawing the landscapes and structures he saw in the settlements of Los Angeles, San Francisco, La Paz, Mazatlan, Santa Barbara, Monterey, San Pedro, San Diego, and Cape San Lucas (3). These drawings are now held by the Huntington Library in San Marino, California. Hutton held the position of clerk until the spring of 1849, and in July of that year he began working with Lieutenant Edward O.C. Ord and completed the first survey of Los Angeles and its surrounding pueblo lands and islands. Hutton continued surveying in California from 1850-1851. He was hired by William G. Dana to survey the Nipomo Ranch in San Luis Obispo County and also surveyed the ranches Santa Manuela and Huer-Huero, both owned by Francis Z. Branch. After his employment with Dana, he became the county surveyor for San Luis Obispo County, where he prepared the first survey and map of the region. He also continued to survey ranches for Captain John Wilson during this time. In August 1851, he resigned from his position as county surveyor and moved to Monterey where he worked as an assistant to Captain (later General) Henry W. Hallack, superintendent of the New Almaden Quicksilver Mine in Santa Clara County (4). He remained in this position until March, 1853 when he returned to Washington, D.C. by way of Mexico (5).
Hutton began his career as a civil engineer in Washington, D.C. He was first assigned to the position of assistant engineer on a survey of the projected Metropolitan Railroad in 1853, which was chartered to connect Washington, D.C. with the mainline of the Baltimore and Ohio Railroad. In 1855 he began his professional relationship with Montgomery C. Meigs when he was appointed to the position of assistant engineer on the Washington Aqueduct. He also served as division engineer on this project until construction was shut down in 1861 because of the outbreak of the Civil War. Fortunately for Hutton, the construction on the Aqueduct was resumed in 1862, and when Congress transferred the supervision of the aqueduct project from the War Department to the Department of the Interior, Hutton was made chief engineer. By the end of the Civil War, Hutton's reputation as a civil engineer was established (6).
During this decade Hutton also served as the chief engineer for the Annapolis Water Works (1866) and as chief engineer for one of his most famous projects, the Chesapeake and Ohio Canal (1869-1871). Although some historians minimize Hutton as just one of many engineers to work on the Chesapeake and Ohio Canal, he did make one major contribution to its construction: the Georgetown Canal Incline. Perhaps the final effort of the Chesapeake and Ohio Canal company to compete with the emerging and fast expanding railroad, the Georgetown Incline was designed to allow canal boats to travel through the canal with low water levels and to alleviate canal congestion. Unfortunately, by the time the incline was completed use of the canal had decreased so significantly that it was no longer needed to help control traffic (7). Despite this, Hutton continued to work as a consulting engineer for the Chesapeake and Ohio Canal Company until 1881, when he was let go because of the dwindling fortunes of the company (7).
In the 1870s and 1880s Hutton was busy with several engineering projects. During 1871-1873, he was the chief engineer in the completion of the Western Maryland Railroad to Hagerstown and Williamsport (9). He also practiced as an architect with his brother, the prominent Baltimore architect Nathanial Henry Hutton, during the years 1873-1880. He relocated to New York in 1880, serving as chief engineer for the Washington Bridge in 1888 and 1889 and the Hudson River Tunnel from 1889 to 1891. In 1886, he became the consulting engineer for the New Croton Aqueduct and served in the same position for the Colorado Midland Railway between the years of 1886-1889 (10).
As his personal and professional correspondence shows, Hutton continued to work on various engineering and architectural projects until his death on December 11, 1901. In addition to these projects, he also invented the innovative system of locks and moveable dams used in the Kanawha River Canal. He was awarded the Diplome d'Honneur for this featat the Paris Exposition in 1878 (11). His correspondence also demonstrates how Hutton was respected within his professional community. These letters refer to the accuracy of his work, his willingness to help other colleagues and supply them with reference materials and information, and, in addition to all this, his politeness. It seems that these qualities defined not only his personality but also his ideology. In one of the cashbooks in the collection, dated 1899, a hand written note contains a religious parable of "The Straw." The phrase in this parable that speaks most to Hutton's work ethic, and to the spirit of inventors everywhere, is this: "Even so however lowly may be the act, however little opportunities we may have of assisting others, we may still do something. Let us beg to fulfil our duty in this regards by making ourselves useful to others by some little act of thoughtful charity..." (12). Hutton, in his dedication to civil engineering, seems to have lived up to this virtue, and in his work he changed the landscape of Washington, D.C. and New York.
The Fairy Godfather: Hutton's Personal History
His professional records reveal a man who was fiercely dedicated to his work. His obituary references his professional life more than his personal life (13). Despite his reputation in the professional engineering community, his personal records demonstrate that Hutton was also dedicated to his family and children. In 1855, he married Montgomery County native Mary Augusta Clopper (died 1915). Together they lived on her family's estate known as the Woodlands, and had five children: Frank C. Hutton, Mary Hutton, Elizabeth Hutton (later Caulfield), Rosa Hutton, and Annie Salome Hutton (14). It is at this estate that Hutton died and was buried. The personal letters to his wife found in the Woodlands Collection held at the Montgomery County Historical Society show a man in love and willing to take time from his work to write to his wife. His letters to his children show a similar interest and compassion. In the many letters found in this collection from his daughter Elizabeth (Bessie) one can see a father who is interested in not only his daughter's activities abroad, but also in her opinion. This interest also extends to his son Frank Hutton, as their correspondence shows Hutton offering his son advice on his own engineering projects.
Hutton also served as executor to many of his extended family's estates. Many letters show the conflicts that Hutton had to mediate and the dependence of his cousins on him for advice and money. Although his family was wealthy (his cousin was Benjamin H. Hutton whose daughters married into the court of Napoleon III), they were volatile, and his records seem to indicate that he served as a mediator for many of their disputes. In addition to this, as his nickname of Fairy Godfather suggests, Hutton was always willing to lend his family either financial or moral support when needed. Unfortunately, little other documentation concerning Hutton's personal life exists outside of this collection and the one held at the Montgomery County Historical Society.
References:
1. Waters, Willard O., "Introduction," California 1847-1852 (San Marino: The Huntington Library, 1942).
2. Waters, Willard O., "Memoir," Glances at California 1847-1853 (San Marino: The Huntington Library, 1942): ix.
3. Waters, Willard O., "Introduction," California 1847-1852 (San Marino: The Huntington Library, 1942). and Waters, Willard O., "Memoir," Glances at California 1847-1853 (San Marino: The Huntington Library, 1942): x-xi.
4. Waters, Willard O., "Introduction," California 1847-1852 (San Marino: The Huntington Library, 1942).
5. Waters, Willard O., "Memoir," Glances at California 1847-1853 (San Marino: The Huntington Library, 1942): xvii.
6. Waters, Willard O., "Memoir," Glances at California 1847-1853 (San Marino: The Huntington Library, 1942): xvii-xviii.
7. Skramstad, Harold, "The Georgetown Canal Incline," Technology and Culture, Vol. 10, no. 4 (Oct. 1969): 555.
8. Business Correspondence, Chesapeake and Ohio Canal, 22 February 1881, William R. Hutton Papers, 1830-1965, Archives Center, National Museum of American History, Smithsonian Institution, box number 27, folder number 29.
9. "William Rich Hutton," The Club: A Journal of Club Life for Men and Women,(July 1894):37
12. Cashbook, 1899, William R. Hutton Papers, 1830-1965, Archives Center, National Museum of American History, Smithsonian Institution, box number 23, folder number 5.
13. The Woodlands Collection, Montgomery County Historical Society.
Related Materials:
Materials in the Archives Center
The Montgomery C. Meigs Papers, 1870-1890, (AC0987). Contains materials relating to the construction of the Washington Aqueduct including a book of drawings illustrating reservoirs, tunnels, culverts, and other structural elements, a Government Senate Document relating to construction progress, scrapbooks created by Meigs that include newspaper clippings about the Washington Aqueduct project, water supply, engineering projects, building construction, architecture and other subjects. Collection is currently unprocessed, but is available for research.
Materials in Other Organizations:
The William Rich Hutton Papers, 1840-1961, are located at the Huntington Library in California (see http://catalog.huntington.org).
The collection contains 95 drawings, 13 letters, and 39 facsimile copies of letters and manuscripts. The illustrative material includes both watercolor and pencil drawings of California (including Los Angeles, Monterey, San Francisco, the New Almaden Quicksilver Mine, and the California missions), Baja California, Mexico, and Peru. There are also five pieces in the collection related to the author María Amparo Ruiz de Burton. In 1942, the Huntington Library published Glances at California 1847--853: Diaries and Letters of William Rich Hutton, Surveyor and California 1847--852: Drawings by William Rich Hutton.
The Hutton family papers are located at the Montgomery County Historical Society, Sween Library (see http://www.montgomeryhistory.org/sites/default/files/Family_Files.pdf).
The collection contains account books from the Woodlands estate, recipe books, livestock records, records of Mary Augusta Hutton (wife), Mary and Rose Hutton (daughters), newspaper clippings (including his obituary), correspondence, record books, deeds, bills and receipts, engineering papers, religious momentos (funeral service cards), and insurance papers.
Provenance:
The collection was donated by Mr. and Mrs. James J. Madine, a relative of Hutton's and last owners of the Woodlands estate; the Department of Forests and Parks, Maryland; Louis Fischer; and Mr. and Mrs. Mayo S. Stuntz, 1965-1966, 1974.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
These papers relate to Kopp's work in visible speech technology, especially a project to develop a machine that would enable the deaf to understand the spoken voice; including biographical materials, research notes, lecture notes, spectrograms, research reports, log books, correspondence, slides and photographs, books, and documentation of grants for research projects.
Arrangement:
The collection is arranged into 6 series.
Series 1: Documents
Series 2: Books
Series 3: Photographs
Series 4: Slides
Series 5: Books
Series 6: Documents
Biographical / Historical:
Harriet Green Kopp was born on June 18, 1917 in New York City. She earned a Master of Arts fom Brooklyn College, 1939; diploma in education of deaf, Columbia University, 1939; and Doctor of Philosophy, Columbia University, 1962. Kopp was a professor in the School of Speech, Language, and Hearing Sciences at San Diego State University. She died on February 11, 2007.
Kopp Names and Organizations:
Kopp Names
Adams, George F. -- region superintendent that signed off on HGK's request for an extension of leave from Detroit Day School for the Deaf (9/29/1972). See: Retirement Papers from the Detroit Day School for the Deaf (1970)
Adkins, Millie -- ranked No. 13 among students who participated in less than 10 tests in spring 1966; Female Test Subject; 10/14/1966; Grade 4, Test 6 - Part A. See: Graphs of Students' Test Results (Spring 1966); Test Results and Charts (October 1966)
Adkins, Judy Lee -- grade 4, in Higgins's homeroom class; ranked No. 23 overall in spring 1966 tests; on list of Prospective subjects grade 4-5, marked some experience; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Adkins, Amelia -- Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Ahern, Patrick (Pat) -- ranked No. 11 among students who participated in less than 10 tests in spring 1966; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Alcord, Miss -- Maine School, Mass. Private. See: BELL LABS NOTEBOOK 2 (JAN '45)
Aler, Miss -- Motor Coordination - Visible Speech Education Evaluation Program; administered test of coordination. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Alexander, C. -- taught HGK at Teachers College - Library Research. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Altman, Silver -- in Jacobs's class; labelled Sp. See: Test Subjects (1965)
Alvarez, Jose (Joe) -- on clinic's spring and fall 1975, spring and fall 1976, spring and fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Alvarez, Christo -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Ames, Miss -- Deaf school teacher, N.J. See: BELL LABS NOTEBOOK 2 (JAN '45)
Ames, September -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Amrheim -- See: BELL LABS NOTEBOOK 1 (May '44)
Anderson, Helene -- Co-wrote report on vocal therapy with George Kopp. See: Case Report by George Kopp and Helene Anderson on Vocal Therapy for Dysphonia Plicae Ventricularis (c. 1965)
Anderson, Dr. Irving -- Associate Professor of Speech Education, U. Michigan (1947); member of Visible Speech advisory committee; attended V.S. research committee meetings on 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947. See: Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947)
Anderson, Dr. Tom -- Texas School for the Deaf. See: BELL LABS NOTEBOOK 2 (JAN '45)
Anderson, Dr. William S. -- member of the committee on Adolescent Deaf of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Anderson -- taught HGK at Teachers College - Guidance and Personnel. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Anderson, Kenneth -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Anderson, Kathy -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Angelocci, Dr. Angelo A. -- Speech and Hearing Clinician, Rehabilitation Institutes, Metropolitan Detroit; born 10/16/1926, married with 4 children; B.S., Speech and English, Michigan State College (1950); M.A., Speech and Speech Correction, University of Michigan, 1954; speech teacher in Birmingham, MI for 6 years; doctoral student, Speech Pathology and Audiology, Wayne State University (1955); Research Associate during RD-526 project; budgeted for expenditures in grant proposal for project RD-526; Held copyright along with Harriet G. Kopp and Dr. George Kopp; taught the first experimental class for the RD-526 project and prepared material for the Visible Speech Manual. See: Information on Research Projects and Proposals (1959-1960); Early Draft of Final Report of Grant No. RD-526 (1963); Visible Speech Manual (3/9/1967-12/5/1974); Final Draft: Visible Speech for the Deaf (1968); Visible Speech Manual Original - to copy; Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526); Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526)
Arnold, Joyce -- 9 years old; Group 1 of exploratory program; congenitally deaf, severely hypacaustic, part of experimental study for Visible Speech Research at Ypsilanti (3/25/1947), experiment subject in U Mich study; scored for intelligibility in experiment 1 (1947); performance in Visible Speech Experiment #2 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); Supplement to Progress Report #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Avery, Miss Charlotte -- speech teacher, translator in U Mich study; performed Visible Speech Experiment #4 at the Rackham School (March 1947); limited training in visible speech. See: BELL LABS NOTEBOOK 2 (JAN '45); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Proposed Visible Speech Program for the Rackham School (summer 1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Aviles, Irma -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Ayres -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Bachman, Mrs. Dorothy L. -- experienced teacher of the deaf, Translator Project III; taught Group 2A, Experimenter in U Mich study, no training in visible speech; performed Visible Speech experiment #3 in March 1947; terminated her employment at the Rackham School at the end of the 1947 summer session. See: Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Proposed Visible Speech Program for the Rackham School (summer 1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Baker, George H. -- Executive Administrative Assistant, Dept. of Personnel, Detroit Public Schools; wrote HGK regarding administrative aspects of her new post at the Detroit Day School of the Deaf on 7/7/1958 and 10/15/1958. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Balbach -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Baldwin, Rev. DeWitt -- See: Dialogue between Martin Buber and Carl Rogers (4/18/1957)
Banks -- taught students at Detroit Day School; students labelled Sp. See: Test Subjects (1965)
Banton, James (Jim) -- Subject #18 in 1965 tests; grade 7, Steffens's homeroom class; noted as being involved in original project; ranked No. 35 overall in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects, marked original project; Male Test Subject; 10/13/1966; Grade 9, Test 6 - Part A. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Test Results and Charts (October 1966)
Baozhong, Dr. Tu -- Deputy Secretary General and member of the Board of Trustees, Chinese Medical Association; in charge of medical education intern program. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Barberi -- new worker at Bell Labs. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Barlow, Susan -- in Jacobs's class; labelled Sp. See: Test Subjects (1965)
Barnes, Dr. -- Sweden; came for instruction and demonstration of University of Michigan study, 3/17/1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Barney, Harold L. -- worked at Bell Telephone Laboratories; sent letter 11/1/1954 to Harriet and George Kopp. See: correspondence from Harold Barney to George and Harriet Kopp (11/1/1954)
Bastiau -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Bauer, Marvin G. -- taught HGK at Brooklyn College - Advanced Discussion, Classical Rhetoric, & British and American Rhetorical Theory. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Bayones, David -- grade 4, in Higgins's homeroom class; ranked No. 30 overall in spring 1966 tests; grade 6 (1966-1967 school year); on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)
Beekman, Marvin E. -- Director of Special Education, Michigan Dept. of Education; sent congratulatory letter to HGK on the dedication of the new school building on 6/3/1970. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Behrens, Dr. Thomas R. -- member of the Chairmen of the Working Groups of the National Advisory Committee on the Education of the Deaf with HGK on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Belheimer -- Bell Labs demonstration participant 12/06/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)
Bell, Mr. -- Bell Labs demonstration 12/12/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)
Benjamin -- taught HGK at Teachers College - Fundamentals of Electricity. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Bennett, Jeffrey (Jeff) -- ranked No. 38 overall in spring 1966 tests; grade 5 (1966-1967 school year). See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Bennett -- See: BELL LABS NOTEBOOK 1 (May '44)
Benya, Jr., John J. -- salary as Research Asst. budgeted for Project No. RD-1483-S (1966). See: Research Information About Project No. RD-1483-S (1964-1966)
Bierlin, Ruth -- Observed UMich demonstrations, special class of hard of hearing children . See: How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)
Biller, Mary E. -- Newark, NJ, Bell Labs demonstration participant 03/21/1945
Bint, Linda -- ranked No. 22 overall in spring 1966 tests; 5th grade (1966-1967 school year). See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Bitter, Colleen -- grade 4, in Higgins's homeroom class; ranked No. 18 overall in spring 1966 tests; on list of Prospective subjects grade 4-5, marked some experience . See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Black, Melissa -- grade 4, in Higgins's homeroom class; HGK noted check vision on roster; ranked No. 44 overall in spring 1966 tests; grade 6 (1966-1967 school year); on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)
Blair, Miss -- Bell Labs demonstration participant 10/24/1946. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)
Bloom, Jr., Edgar -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44)
Bloomer, Dr. Harlan H. -- Director of Speech Clinic, Associate Prof. of Speech, University of Michigan (1947); discussed visible speech research program with Ralph K. Potter on 4/18/1946 and 3/13/1947; member of Visual Speech advisory committee; attended V.S. research committee meetings on 1/5/1947, 2/12/1947, 2/21/1947, 3/3/1947, 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947; George Kopp requested a clerical assistant for Harriet Green and a graduate laboratory assistant from Bloomer on 2/2/5/1947; sent George Kopp notes on a proposed article on visible speech on 6/24/1947; highlighted in News and Notes article (Oct. 1947); requested that students doing research with the sound spectrograph be encouraged to publish (Aug. 1948). See: BELL LABS NOTEBOOK 2 (JAN '45); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); News and Notes (9/22/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Bloomquist, Betty -- Other Research Participant at University of Michigan during Kopp's study; completed Master's thesis on Diadochokinetic movements of children in May 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Blost, Phyllis E. -- Evaluation section, Dept. of Management and Budget; received letter from HGK about the delay of her retirement settlement on 9/11/1981. See: Retirement Papers from the Detroit Day School for the Deaf (1970)
Bobb, David -- on clinic's fall 1975, spring and fall 1976, spring and fall 1977 lists . See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Bock, N.B. -- authored Correcting the Spoken English of Chinese and Japanese. See: Information on Phonetics and Dialects (6/6/1949-1/26/1950)
Boggs, Barbara -- grade 8, Schmitz's homeroom class; crossed off roster; on list of Prospective Subjects, marked 4 days. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Bohman, Dr. George -- Chairman, Dept of Speech, Wayne State University; associated with the George A. Kopp Memorial fund
Boldt, Jan -- on clinic's spring 1975, fall 1976, fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Boody, Barbara -- recorded spectrograms with cleft palate 4/4/1947. See: Sound Spectrograph results (1945-48)
Borst, John M. -- Some Experiments on the Perception of Synthetic Speech (Journal of the Acoustical Society of America, Vol. 24, No. 6, Nov. 1952); The Interconversion of Audible and Visible Patterns as a Basis for Research in Perception of Speech (from the proceedings of the National Academy of Sciences, Vol. 37, No. 5, May 1951). See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Boskovich, James (Jim) -- Subject #6 in 1965 tests; grade 5, in Gardiner's homeroom class; ranked Bo. 43 overall in spring 1966 tests; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Bowen, Mr. -- Holmdel. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Bowen, Miss -- Skidmore. See: BELL LABS NOTEBOOK 2 (JAN '45)
Bowman, George -- Ohio State?. See: BELL LABS NOTEBOOK 2 (JAN '45)
Boyd -- Bell Labs Notebook - lunch 12/31/1945
Bozorgi, Farid -- ranked No. 37 overall in spring 1966 tests; grade 8 (1966-1967 school year); sent thank you letter to HGK on 2/23/1971 regarding her help with his education; received letter back from her 3/10/1971. See: Graphs of Students' Test Results (Spring 1966); Detroit Day School for the Deaf (6/14/1961-2/23/1971); Information on the Visible Speech Research Project (1966)
Braboy, Gayle Lynn -- ranked No. 40 overall in spring 1966 tests; grade 5 (1966-1967 school year); Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966);Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Braswell, Shelly -- grade 4, in Higgins's homeroom class; ranked No. 26 overall in spring 1966 tests; grade 6 (1966-1967 school year); on list of Prospective subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)
Bratsch, Don -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Breading, C.M. -- representing Central Press Clipping Service, soliciting business to review public relations of the Rackham School of Special Education. See: Correspondence to George A. Kopp from C.M. Breading of the Central Press Clipping Service (9/3/1947)
Brendle, Terry -- in Banks's class; labelled Sp. See: Test Subjects (1965)
Brent, Billy -- ranked No. 12 among students who participated in less than 10 tests in spring 1966. See: Graphs of Students' Test Results (Spring 1966)
Brice, Arlene -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)
Brock, Christopher -- student at Detroit Day School shown in newspaper photograph. See: Clipping from The Detroit News (2/13/1966)
Brock, James T. -- wrote article on the Detroit Day School entitled: A War on Silence: Detroit Day School for Deaf Presents Students the Gifts of Speed, 'Hearing' . See: Clipping from The Detroit News (2/13/1966)
Broomfield, William S. -- Member of Congress, 18th District of Michigan; sent HGK a congratulatory letter on her reappointment to the National Advisory Committee on Education of the Deaf on 8/6/1970. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Brown, Richard -- replaced Loveel as engineer in charge of servicing the visible speech equipment in 1948. See: BELL LABS NOTEBOOK 1 (May '44), Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Brownell, Dr. Samuel Miller -- Superintendent of Detroit Public Schools - offered HGK job as principal for the West Side School for the Deaf on 10/3/1958; received her acceptance letter sent 10/8/1958; recognized HGK's acceptance of the principal position on 10/14/1958; later assocatiated with Yale University Institute of Social Science; offered to write HGK a recommendation letter 11/26/1969; Information on Research Projects and Proposals (1959-1960); received memo on the reorganization of the education of the deaf and hard of hearing from HGK on 6/14/1961; allowed research for project RD-526 to be conducted at the Detroit Day School for the Deaf; received letter 1/27/1960 about approval of a grant for Harriet and George Kopp's research. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970); Detroit Day School for the Deaf (6/14/1961-2/23/1971); Early draft of the final report of Grant No. RD-526 (1963); Information on Research Projects and Proposals (1959-1960)
Bruner -- taught HGK at Teachers College - Educational Foundations. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Brunstetter, Prof. Max -- asked to review manuscript by GAK on 8/13/1941. See: Original Manuscript of and comments on George A. Kopp's elementary opus (8/3/1941)
Buber, Martin -- famous German philosopher. See: Dialogue between Martin Buber and Carl Rogers (4/18/1957)
Buckley, Dr. Oliver E. -- President of Bell Telephone Laboratories; received reports from Chao on use of spectrograph for the study and teaching of Chinese; issues certificates recognizing contribution to war effort; discussed possibility of using voice print technology in crime-fighting. See: Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); Certificate WWII, BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Buckner, Jim -- grade 5, in Simmons's class, on list of students now using the machine; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Buli, Mable -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)
Bumingham, Ann -- on clinic's spring and fall 1975 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Burge, Linda -- ranked No. 52 overall in spring 1966 tests; grade 5; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Burrows, Dr. Harold -- Vice President - Administration, Parke Davis & Company; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Bush, Dr. -- OSRD - interview. See: BELL LABS NOTEBOOK 1 (May '44)
Campbell, Janet C. -- secretary to B.R. Wolfram, M.D., president of Educational Media, Inc.; sent HGK invoices for her signature on 1/27/1970. See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)
Carlson, Beverly -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Carter, C.W. -- wrote report on Chao's testing of the Chinese language with the spectrograph. See: Memo on Visible Speech testing of Chinese langauage (4/17/1944)
Caswell, Prof. Hollis L. -- asked to review manuscript by GAK on 8/13/1941. See: Original Manuscript of and comments on George A. Kopp's elementary opus (8/3/1941); BELL LABS NOTEBOOK 2 (JAN '45)
Chang, Dr. -- Director, Maternal and Ob.Gyn. Hospital (associated with China Welfare Institute), Shanghai. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Chao, Jo -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Chao, Dr. Y.R. -- professor at Harvard University; provided Chinese samples to visible speech testing. See: Memo on Visible Speech testing of Chinese langauage (4/17/1944); BELL LABS NOTEBOOK 1 (May '44); Research report by Y.R. Chao on Chinese recordings (11/21/1944-2/17/1945)
Chapman -- See: BELL LABS NOTEBOOK 1 (May '44)
Chase, Jeffrey -- on clinic's spring and fall 1975 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Chelfant?, Jerme -- on clinic's spring and fall 1975 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Cheng, Dr. -- Deputy Director, Head of Nursing Dept., Maternal and Ob.Gyn. Hospital (associated with the China Welfare Institute), Shanghai. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Cheng, Dr. -- Neurologist, Shanghai Medical College. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Chinitz, Ben S. -- Region One Superintendent, Detroit Public Schools; sent HGK a congratulatory letter on 6/1/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)
Chou, Dr. -- Shanghai Medical College. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Christensen -- rep of Michigan Bell Telephone publications dept.; 10/10/1946 conference . See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Christopher, Harold M. -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Cirker, Mr. -- See: Visible Speech Manual (3/9/1967-12/5/1974)
Clark, A.N. -- Editor, D. Van Nostrand Company, Inc.(published Visible Speech); received letter from George Kopp on 8/8/1947 expressing a need for new books in the field of speech correction. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)
Clark, Mr. -- Cleary Oral School, Bell Labs demonstration participant 03/07/1946. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Clark, Marla -- grade 5, in Gardiner's homeroom class; ranked No. 48 overall in spring 1966 tests; on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Clark, Ross -- on clinic's spring 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Cleary, Miss -- Cleary Oral School, Bell Labs demonstration participant 03/07/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)
Clement -- 6th and 9th grade teacher, Detroit Day School; 5 students in spring 1966 9th grade class. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966)
Clemente, Mr. Joseph -- left position to join Project No. RD-1483-S on 2/1/1965; worked full time until Aug. 1965; resigned due to personal problems in Sept. 1965; budgeted salary as Research Assistant for Project No. RD-1483-S (1966). See: Research Information About Project No. RD-1483-S (1964-1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Cohen, Marsha -- teacher at Detroit Day School; shown in newspaper photograph teaching 4-year-olds. See: Clipping from The Detroit News (2/13/1966)
Cole, Samantha -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Coleman, David -- Experiment subject in U Mich Study; performance in Visible Speech Experiment #4 evaluated 1948. See: How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Collins, Kenneth M. (Ken; KC) -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 2 (JAN '45)
Colpitts, Frank -- received Visible Speech Research Project Progress Report concerning plans for producting the testing-instruction materials on 10/17/1966; met with the General Film Lab., Co., Detroit about the creation of slides of spectrographic patterns; Research Associate for Visible Speech for the Deaf, worked part time starting September 1966 until the end of the project; mailed GAK the summary of the spring 1967 research study on 6/25/1968. See: Information on the Visible Speech Research Project (1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968); Correspondence from Frank Colpetts to George A. Kopp (6/26/1968)
Comover, Donald -- on clinic's spring 1975, fall 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Connor, Leo E. -- member of the Editorial Policies Committee of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Connors, Kevin -- grade 5, in Gardiner's homeroom class; ranked No. 24 overall in spring 1966 tests; on list of Prospective subjects grade 4-5; marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Conroy, Colleen -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Cooper, Dr. Franklin S. -- NDRC demo; worked at Haskins Laboratories, NY, wrote Some Instrumental Aids to Research on Speech; Some Experiments on the Perception of Synthetic Speech (Journal of the Acoustical Society of America, Vol. 24, No. 6, Nov. 1952); Guidance Devices for the Blind (Physics Today, Vol. 3, No. 7, July 1950); Spectrum Analysis (Journal of Acoustical Society of America, Vol. 22, No. 6, Nov. 1950); The Interconversion of Audible and Visible Patterns as a Basis for Research in Perception of Speech (from the proceedings of the National Academy of Sciences, Vol. 37, No. 5, May 1951). See: BELL LABS NOTEBOOK 1 (May '44); Articles and Research Materials (1950-1957)
Cooper, Eugene B. -- Executive Secretary - Sensory Study Section; Department of Health, Education, and Welfare: Vocal Rehabilitation Administration. See: Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968)
Costello -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Costello, Mary Rose -- member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)
Coulton, Thomas -- taught HGK at Brooklyn College - History of Oratory. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Cox, Admiral -- assistant Surgeon General, D.C. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Cox, Mr. -- of the Keystone Co. See: BELL LABS NOTEBOOK 1 (May '44)
Craig, Mary V. -- authored German Dialect. See: Information on Phonetics and Dialects (6/6/1949-1/26/1950)
Crile, Nick -- grade 5, in Simmons's class, on list of students now using the machine; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Cronon, Detective -- technician, Department of Research, New York Police Department; approached Dr. Buckley about using voice print identification in fighting crime. See: Voice Print Identification Procedure and Information (11/26/1943-6/10/1944)
Cross, Dwayne -- on list of Prospective Subjects. See: Information on the Visible Speech Research Project (1966)
Croushore, Dr. James -- Head, Dept. of Otolaryngology at Wayne State University medical School; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Cruickshank, Kathy (Kate) -- Subject #19 in 1965 tests; grade 7, Steffens's homeroom class; noted as being involved in original project; ranked No. 15 overall in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects, marked as original project; Female Test Subject; 10/11/1966; Grade 9B, Test 2. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Test Results and Charts (October 1966)
Curran, Kathleen -- on clinic's spring and fall 1975, spring 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Curtis, Dr. Jack F. -- Member of the staff of the Detroit Day School for the Deaf who served in the maintenance and operation of all equipment. See: Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
David, Dr. E.E. -- Director, Acoustic and Visual Research, Bell Telephone Laboratories; provided GAK and HGK technical assistance with the translator. See: Early Draft of Final Report of Grant No. RD-526 (1963)
David, Dr. -- worked at Bell Labs, referenced in letter from M.R. Schroeder as showing continued interest in Kopp's research. See: Correspondence from M.R. Schroeder to Dr. George A. Kopp (3/25/1965)
David, Dr. E.E. -- Executive Director - Research Communications Systems Divison . Developed the transistorized visible speech translator and provided and experimental model of the equipment for use in the last year of the research project for Visible Speech. See: Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Davis -- See: BELL LABS NOTEBOOK 2 (JAN '45)
De Lair, Truman -- Subject #10 in 1965 tests; grade 8, Kane's homeroom class; noted as being a child with some introduction; ranked No. 3 among students who participated in less than 10 tests in spring 1966; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Dean, M.D., C. Robert -- Director of the Rehabilitation Institute of Metropolitan Detroit; confirmed HGK's appointment as Clinical Director of Speech and Hearing on 5/18/1955. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Delattre, Pierre C. -- wrote The Physiological Interpretation of Sound Spectrograms (Publications of The Modern Language Association of America, Vol. 66, No. 5, Sept. 1951) and Some Experiments on the Perception of Synthetic Speech Sounds (Journal of the Acoustical Society of America, Vol. 24, No. 6, Nov. 1952). See: Articles and Research Materials 91950-1957)
Delikta, Donna -- Subject #21 in 1965 tests; grade 7, Steffens's homeroom class; ranked No. 12 overall in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Dellas, Nick G. -- Subject #32 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 45 overall in spring 1966 tests; grade 8 (1966-1967 school year); on list of Prospective Subjects grade 4-5, marked some experience; Male Test Subject; 10/13/1966; Grade 8, Test 6 - Part A. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966); Test Results and Charts (October 1966)
Denes, Dr. P.B. -- Head of Speech and Communication Research Department. Developed the transistorized visible speech translator and provided and experimental model of the equipment for use in the last year of the research project for Visible Speech. See: Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Densmore, G.E. -- member of Dept of Speech, U.Mich.?; asked Dean Lloyd Woodburne to reimburse George Kopp's expenses accrued when presenting at the convention of the Association of American Instructors of the Deaf on 5/29/1947. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)
Denton, Evelyn Louise -- Other Research Participant at University of Michigan during Kopp's study; completed Master's thesis on frequency range and the principal zone of energy in May 1947. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Derderian, Gary -- Subject #7 in 1965 tests; grade 5, in Gardiner's homeroom class; ranked No. 17 overall in spring 1966 tests; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Deshon -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Di Franco, Franco -- in Banks's class; labelled Sp.; noted as being involved in original project. See: Test Subjects (1965)
Dincen, Miss -- 1/25/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)
Dobler -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Doerfler, Leo G. -- member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971); Actvities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Donahue, Dr. -- Psychology Bureau; saw spectrograph demonstration on 12/12/1946. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Drachler, Dr. Norman -- Superintendent of Detroit Public Schools who continued the opportunity to conduct the research in the Detroit Day School for the Deaf. See: Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Draper, Lora -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Dreher, John J. -- Other Research Participant at University of Michigan during Kopp's study; Ph.D. thesis on differences in melody of Chinese speaking acquired English and vice versa - in progress Aug 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Drennen, Genevieve J. -- speech teacher, teacher of deaf, experimenter in U Mich study; performed Visible Speech Experiment #5 at the Rackham School in March 1947. See: Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Propsed Visible Speech Program for the Rackham School (summer 1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Dudley, Homer -- signed front of Visible Speech. See: Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Dunigan, Kathy -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Dunigan, Tanya -- grade 4, in Higgins's homeroom class; ranked No. 32 overall in spring 1966 tests; grade 6 (1966-1967 school year); on list of Prospective subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)
Dupree, Richard (Ritchie) -- on clinic's spring and fall 1975, spring and fall 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Dworkin, Doris -- served as family representative on George A. Kopp Memorial Fund advisory board; received correspondence from HGK 1/25/1971. See: George Kopp Memorial Scholarship Fund (1964-1973)
Eames, Mr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Ebbinger -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Edwards -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Eisonson, Jon -- taught HGK at Brooklyn College - Psychology of Speech. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948); Lectures and Seminar Notes(1957-1966)
Eliseou? -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Ellis, Miss -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Elsner, Todd -- on clinic's fall 1976, spring 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Elstadt -- Gallaudet, Bell Labs demonstration participant 03/08/46
Emmens -- rep of Michigan Bell Telephone publications dept.; 10/10/1946 conference . See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Enkvist, Nils Erik -- Other Research Participant at University of Michigan during Kopp's study; proposed thesis to GAK on 10/8/1947 on transitions to and from vowels i and u - approved 10/13/1947; Master's thesis completed May 1948. See: Thesis Proposals by George Kopp's Students (10/8/1947-3/1/1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Essig, Mr. Robert D. -- Technical services, hired for machine maintenance at the recommendation of Lewis Holland and Paul Geiger; found by Dr. Francis Lord to serve as electronic technician (11/24/1946); saw the translator for the first time on 1/22/1947; received memo about delayed payment from Dr. Lord on 5/19/1947; associated with spectrogram of indirect recording?. See: Sound Spectrograph results (1945-48); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)
Etkie, Dorothy -- ranked No. 6 overall in spring 1966 tests. See: Graphs of Students' Test Results (Spring 1966)
Evans, Miss -- Scranton School for Deaf. See: BELL LABS NOTEBOOK 2 (JAN '45)
Evendon -- taught HGK at Teachers College - Professional Education of Teachers. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Everingham, Patti -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Fairbanks -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Fairbanks, Grant -- Speech Research Laboratory, University of Illinois, Urbana; wrote Test of Phonemic Differentiation: The Rhyme Test (Journal of the Acoustical Society of America, Vol. 30, No. 7, Jul. 1958). See: Article in the Journal of the Acoustical Society of America on Rhyme Testing (July 1958)
Falk, Dr. Mervyn -- Director of the Speech and Hearing Center, Wayne State University; Head of Communication Disorders and Sciences, Wayne State University; chosen to serve on the George A. Kopp Memorial Fund advisory board; wrote HGK concerning fund details on 7/26/1973. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970); George Kopp Memorial Scholarship Fund (1964-1973)
Featherstone, Richard K. -- planned photographs for Birmingham Plan of Testing Hearing and Vision pamphlet. See: The Birmingham Plan of Testing Hearing and Vision (1951)
Fein, Miss Judith G. -- representative of the Dept. of Health, Education, and Welfare to the Working Groups of the National Advisory Council on the Education of the Deaf on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Fellendorf, George W. -- member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)
Felne? -- See: BELL LABS NOTEBOOK 1 (May '44)
Fernandez, Mr. -- Spanish Teacher. See: BELL LABS NOTEBOOK 2 (JAN '45)
Findlay -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Fischer, Leonard (Len) -- President, Trax Softworks, Inc., Culver City, CA; showed interest in borrowing Visible Speech Manual from her; sent HGK a pre-addressed Federal Express airbill for use in sending the Visible Speech Manual to him 10/29/1991. See: Correspondence between Harriet Kopp and Len Fischer (10/29/1991)
Flanagan, Dr. J.L. -- Head of Acoustics Research Department of the Bell Telephone Laboratories, Murray Hill, New Jersey. Developed the transistorized visible speech translator and provided and experimental model of the equipment for use in the last year of the research project for Visible Speech. See: Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Fleets -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Fletcher -- See: BELL LABS NOTEBOOK 1 (May '44)
Forsythe, Mrs. Patria G. -- Executive Secretary, National Advisory Committee on Education of the Deaf; representative of the Dept. of Health, Education, and Welfare to the Working Groups of the NACED on 7/24/1969; thanked HGK on her participation in the Invitational Conference on Personnel Education in the Area of the Deaf on 10/27/1969; member of the Committee on the Adolescent Deaf of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Fowler, Dr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Frampton -- taught HGK at Teachers College - Survey, education of handicapped. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Freese, Mrs. Gertrude -- NY Telephone, Bell Labs demonstration participant 01/24/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)
French, Norman G. -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Frisina, Dr. -- discussed Farid Bozorgi and his future at the National Technical Institute with HGK. See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)
Fry -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Gaeth, Dr. John H. -- Prof. of Audiology, Director of Audiology, Wayne State University; Professor of Audiology; Director of Hearing Clinic; B.S. Midland College and University of Nebraska (1940); M.A. University of Nebraska (1942); Ph.D. Northwestern University (1948); married with 2 children; specialization: teaching audiology, training teachers of the deaf, administration and research in audiology; Chairman of the American Speech and Hearing Association Committee on Standards in Hearing; Advanced Certification in Hearing in ASHACSH; budgeted for expenditures in grant proposal for project RD-526; Grad Asst, University of Nebraska (Sept 1942-Feb 1944); Officer, U.S.N.R. (1944-1946); Grad Asst, Northwestern University (1946-1948); Asst. Professor, University of Denver (1948-1949); Assoc. Prof. Northwestern University (1949-1957); Professor of Audiology, Wayne State University (1957-?); wrote HGK a letter about RD-526 funding on 10/26/1959; salary as consultant budgeted for Project No. RD-1483-S (1963, 1966); member of the Advisory Board for the Detroit Day School for the Deaf. See: Information on Research Projects and Proposals (1959-1960); Research Information About Project No. RD-1483-S (1964-1966); Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Gallagher -- PS 47, Bell Labs demonstration participant 02/14/1946
Galloway, Victor H. -- member of the Chairmen of the Working Groups of the National Advisory Committee on the Education of the Deaf with HGK on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Gamache, Keith -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Garcia, Danny -- on clinic's fall 1976, spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Gardella, Bonnie -- on clinic's fall 1976, spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Gardiner, Ray -- 5th grade teacher, Detroit Day School; 9 students in spring 1966 class; Member of the staff for the Detroit Day School for the Deaf, taught experimental classes with the translator from 1966-1968. See: Test Subjects (1965); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Garrett, James F. -- Assistant Commissioner of Research and Training, Dept of Health, Education, and Welfare - Vocational Rehabilitation Adminstration; Assistant Director - informed Thomas & Kopp about receipt of grant on 10/20/1959; contacted Van Buskirk about continuation of grant for Visible Speech for the Deaf on 5/31/1966. See: Information on Research Projects and Proposals (1959-1960); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)
Garwood, V.P. -- Other Research Participant at University of Michigan during Kopp's study; proposed thesis to GAK on visula discrimination of amplitude variations on sound spectrograms; completed Master's thesis May, 1948. See: Thesis Proposals by George Kopp's Students (10/8/1947-3/1/1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Gates, Miss -- Motor Coordination - Visible Speech Education Evaluation Program. See: How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)
Gawlik, Rev. Rudolph E. -- served as an interpreter for the Working Groups of the National Advisory Committee on the Education of the Deaf on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Gayda, Tonia -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Geiger, Dr. Paul -- recommended Robert Essig for employment. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Geles -- See: BELL LABS NOTEBOOK 1 (May '44)
Gelnak, Barbara -- Subject #16 in 1965 tests; grade 8, Kane's homeroom class; noted as being involved in original project; ranked No. 14 overall in spring 1966 tests; on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Gerstman, Louis J. -- Some Experiments on the Perception of Synthetic Speech (Journal of the Acoustical Society of America, Vol. 24, No. 6, Nov. 1952). See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Gertz -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Gibson -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Glover, Evelyn -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Goddu -- member of Editorial Committee of NACED that submitted recommendations on 10/16/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Gore, Sue -- Subject #28 in 1965 tests; grade 4, in Higgins's homeroom class; ranked No. 13 overall in spring 1966 tests; grade 6 (1966-1967 school year); on list of Prospective subjects grade 4-5; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966);Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Gorman -- See: BELL LABS NOTEBOOK 1 (May '44)
Gosen, John -- on clinic's spring and fall 1975, spring 1976, fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Graber -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Graham, Dr. A. Bruce -- Senior Audiologist, Henry Ford Hospital; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Graham, Craig -- ranked No. 47 overall in spring 1966 tests; grade 5 (1966-1967 school year); Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Grant, Margaret J. -- member of the committee on Adolescent Deaf of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Gray, Mr. Charles H.G. (CHG) -- signed front of Visible Speech; received information on voiceprint method of identifying individuals. See: BELL LABS NOTEBOOK 2 (JAN '45); Research Report by Y.R. Chao on Chinese recordings (11/21/1944-2/17/1945); Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944)
Green (Kopp), Harriet Clara (HCG) -- B.A. Brooklyn College (1937); M.A. Brooklyn College (1938); Ph.D. Columbia University (?); Assistant and Instructor at Brooklyn College (1936-1939); Teacher at Lexington School for the Deaf (1939-1940); Instructor at Indiana University (1940-1941); Grad. Asst. Teachers College, Columbia University (1941-1943); Member of Technical Staff, Bell Telephone Laboratories (1943-1946); Assistant Professor, University of Michigan (1943-46); Assoc. Prof. of Special Education, Michigan State Normal College (1947) and Research Assistant, University of Michigan (1947); performed Visible Speech Experiments #2, 6, 7 at the Rackham School for Special Education (associated with U.Mich.) (March 1947); mentioned in article in News and Notes (Oct. 1947); Public School Speech Correctionalist, Birmingham, MI (1948-1956); taught Visible Speech Program at Rackham School, summer 1948; Director, Speech and Hearing Division, Rehabilitation Institute of Metropolitan Detroit (1956-1959); specialties: teacher training, administration and research; Associate Editor of the Journal of Speech and Hearing Disorders; holder of Advanced Certification in Hearing in the American Speech and Hearing Association; Associate Professor of Special Education - Michigan State Normal College, Research Assistant - U. Mich.; carried out experimental training program of visible speech; co-wrote article on visible speech for educators of the deaf, c. 1947; attended meetings of the visible speech research committee on 1/8/1947, 2/12/1947, 2/21/1947, 3/3/1947, 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947; co-wrote report on Visible Speech Educational Research Program, 6/7/1947; wrote text for Birmingham Plan of Testing Hearing and Vision pamphlet; budgeted for expenditures in grant proposal for project RD-526; received letter from John H. Gaeth on 10/26/1959; Director of Speech and Hearing at the Rehabilitation Institute of Metropolitan Detroit; wrote S.M. Brownell on 1/27/1960 about the approval of a grant for research using the cathode ray tube translator; Project Co-Director of Grant RD-526, evaluating usefulness of the visible speech cathode ray tube translator as a supplement to the oral method of teaching speech to deaf and severly deafened children (1963); prepared Progress Report for Project No. RD-1483-S in Feb. 1965, 3/1/1965, and Feb. 1966; salary as consultant budgeted for Project No. RD-1483-S (1963, 1966); member of the Chairmen of the Working Groups of the National Advisory Committee on the Education of the Deaf with HGK on 7/24/1969; Retirement Papers form the Detroit Day School for the Deaf (1970); Chairman of the committees on adolescent deaf and editorial policies of the Alexander Graham Bell Association for the Deaf, Inc. (3/1/1970); applied for extension of leave of absence from Detroit Day School for the Deaf (1972); Professor in the Dept. of Speech Pathology and Audiology, San Diego State College; Acting Dean of the College of Human Services at San Diego State University (7/6/1982); ; Chairman, Dept. of Speech Pathology, Audiology and Education of the Deaf, SDSC (9/4/1974); charted with female subjects. See: Visual Telephony Conferences (10/14/1943-2/23/1944); Voiceprint Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); transcript from Teachers College, Columbia University (3/15/1946); Spectrograms and Charted Results (11/17/1943); Research Report by Y.R. Chao on Chinese recordings (11/21/1944-2/17/1945); University of Michigan Project (July 1945-1948); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Progress Report Presented at American Speech Correction Conference, Chicago - U.Mich. (12/31/1946); Article on Visible Speech for Educators of the Deaf by George A. Kopp and Harriet C. Green - U.Mich. (c. 1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); Supplement to Progress Reports #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); Report on Visible Speech Educational Research Program by George A. Kopp and Harriet C. Green - U.Mich. (6/7/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Newspaper clipping: Visible Speech: Teaching Deaf Children to Hear (July 1947); Advance Advertisement for Visible Speech (5/28/1947); News and Notes (9/22/1947); Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948); Papers and Charts on Frequency Ranges and Principle Zones of Energy (Feb. 1948); Proposed Visible Speech Program for the Rackham School (summer 1948); Final Report of Visible Speech Educational Evaluation Research Program (8/13/1948); Information on Phonetics and Dialects (6/6/1949-1/26/1950); The Birmingham Plan of Testing Hearing and Vision (1951); Harriet Kopp's personal correspondence (11/4/1949-6/3/1970); Information on Research Projects and Proposals (1959-1960); Detroit Day School for the Deaf (6/14/1961-2/23/1971); early Draft of Final Report of Grant No. RD-526 (1963); Description of Detroit School for the Deaf (2/26/1963); Rough Draft - Visible Speech Report (3/13/1963); Research Information About Project No. RD-1483-S (1964-1965); George Kopp Memorial Scholarship Fund (1964-1973); Information on Research Projects and Proposals (1959-1960); Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968); Visible Speech Manual (3/9/1967-12/5/1974); Final Draft: Visible Speech for the Deaf (1968); Manuscript for Visible Speech for the Deaf (1968); Rough Draft (hand-written) - Visible Speech for the Deaf (1968); Correspondence to George and Harriet Kopp from C.Van Riper (9/11/1968-9/26/1968); Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970); Retirement Papers from the Detroit Day School for the Deaf (1970); Correspondence between Harriet Hopp and Bernard O'Donnell (7/6/1982); Correspondence between Mara Mills and H. Kopp (1/4/2006); Visible Speech Manual Original - to copy; Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526); charts and spectrograph results (female test subjects)
Grindem, Mark -- grade 4, in Higgins's homeroom class; ranked No. 42 overall in spring 1966 tests; list on Prospective subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Groht -- Bell Labs demonstration participant 11/29/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)
Gruenz, Jr., Otto O. -- attended conference about the translator on 12/31/1945; signed front of Visible Speech; member of Bell Telephone Laboratories, came to Detroit to fix the Translator after its move to the Detroit Day School from Wayne State University. See: Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526); BELL LABS NOTEBOOK 2 (JAN '45)
Hafer, Sarah -- on clinic's fall 1976 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Hall, Dr. Roy M. -- Assistant Commissioner for Research with Cooperative Research Division of the US Office of Education. See: Information on Research Projects and Proposals (1959-1960)
Hamilton, Mr. -- Saskatechewan Deaf school, Bell Labs demonstration participant 02/21/1946 . See: BELL LABS NOTEBOOK 2 (JAN '45)
Hammond, Richard -- Subject #5 in 1965 tests; grade 8, Kane's homeroom class; noted as being involved in original project; ranked No. 4 overall in spring 1966 tests; on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Hardy, Miriam Pauls -- member of the Editorial Policies Committee of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Harlan, Tom -- Subject #34 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 11 overall in spring 1966 tests; grade 8 (1966-1967 school year); on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)
Harnish, Mike -- Subject #33 in 1965 tests; grade 6, in Clement's homeroom class; noted as being involved in original project; ranked No. 8 overall in spring 1966 tests; grade 8 (1966-1967 school year); on list of Prospective Subjects grade 4-5, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)
Harrington, Dr. -- Winnetka Schools; came for instruction and demonstration of U Mich Study, 11/10/1947. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Harris -- Bell Labs demonstration participant 11/29/1945, Comparative Linguistics 12/11/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)
Harris, Chris -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Hartin, Frank -- Employee of Customer Service - Dover Press; New York, NY. See: Visible Speech Manual (3/9/1967-12/5/1974)
Hartley -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Hasbrouck -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Hatchett, Jeanette -- in Jacobs's class; labelled Sp. See: Test Subjects (1965)
Hazelwood, Cheryl -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Hedstrom, Mr. -- copied on announcement of grant continuation for Visible Speech for the Deaf (5/31/1966). See: Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)
Heggie, Don -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965)
Heggie, Patricia (Pat) -- Subject #26 in 1965 tests; grade 8, Schmitz's homeroom class; ranked No.2 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Heinrichs -- See: BELL LABS NOTEBOOK 1 (May '44)
Henselmeier, Cindy -- on clinic's fall 1975, spring and fall 1976, spring and fall 1977 lists . See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Herkimer, Katherine -- 14 years old; Group 1 of exploratory program; congenitally deaf, severly hypacaustic, part of experimental study for Visible Speech Research at Ypsilanti (3/25/1947), experiment subject in U Mich study; scored for intelligibility in experiment 1 (1947); performance in Visible Speech Experiment #2 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Supplement to Progress Report #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Herold, Timothy (Tim) -- Subject #20 in 1965 tests; grade 7, Steffens's homeroom class; ranked No. 1 among students who participated in less than 10 tests in spring 1966; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Hertz, Dr. Richard C. -- Temple Beth El. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Hesson, Gary -- Proposed Experiment subject in Ypsilanti Study; scored for intelligibility in experiment 3 (1947); subject in experimental U. Michigan study with the Rackham School (3/25/1947), aged 10 yrs, 8 months; congenitally deaf and severely hypacusic. See: Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Intelligibility Scores and Graphs (April-Dec. 1947)
Hester, Mrs. -- Functional test of vision- telebinocular. See: How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)
Hewitt, Barnard -- taught HGK at Brooklyn College - History of Modern Theatre, History of Ancient Theatre, & Studies in Play Production
Hewittson, Dr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Hibbit, George -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Hicks, (William) Billy -- grade 5, in Gardiner's homeroom class; HGK noted get to wear glasses on roster; ranked No. 53 overall in spring 1966 tests; on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Higgins -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Higgins -- 4th grade teacher, Detroit day School; 9 students in Spring 1966 class . See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966)
Hill, James E. -- Ed.D. degree; permanent replacement for J. Clemente in work for the RD-1483-S project; hired due to a background of training and experience in both electrical engineering and speech; salary as a consultant budgeted for Project No. RD-1483-S (1963, 1966); informally met with Mr. Powles of the General Film Lab., Co. concerning the creation of slides of spectrographic patterns (10/17/1966); assistant to GAK at Wayne State University; Background in speech and electrical engineering. Worked on Visible Speech project until 1966. See: Research Information About Project No. RD-1483-S (1964-1966); Information on the Visible Speech Research Project (1966); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Hoe, Dr. -- staff, Steel Complex Hospital, Nanking area. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Hoekstra, Dr. Marvin -- Wayne State University Electrical Engineering Dept. staff member; added to the RD-1483-S project staff on 1/27/1966 as a consultant in equipment maintenance; salary as Research Asst & Electronic Technician budgeted for Project No. RD-1483-S (1966); Employee of the Wayne State University Electrical Engineering Department. In January 1966 was appointed as a consultant in maintenance of equipment. Assisted Dr. Jack Curtis of the Speech and Hearing Center until the termination of the contract. See: Research Information About Project No. RD-1483-S (1964-1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Hoemann, Rev. Harry W. -- served as an interpreter for the Working Groups of the National Advisory Committee on the Education of the Deaf on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Hoerr, III, Chris R. -- member of the Editorial Policies Committee of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Hograth -- See: BELL LABS NOTEBOOK 1 (May '44)
Hoit-Dalgaard, Jeannette -- co-authored Voice Onset Time Production and Perception in Apraxic Subjects with HGK in Brain and Language (Vol. 20, 1983, p. 329-339); affiliated with VA Medical Center, San Diego. See: Correspondence between Mara Mills and H. Kopp (1/4/2006)
Holbrook, Dr. Anthony -- specialties: training teachers of speech correction and research in Speech Science; Asst. Prof. of Speech, Wayne State University Speech and Hearing Clinic; married with 3 children; B.S. Speech Correction, University of California Santa Barabara (1951); M.A. Speech Pathology, University of Hawaii (1953); Ph.D. in Speech Science, Correction and Audiology, University of Illinois (1958); served as technical assistant in the maintenance and operation of equipment during research for project RD-526. See: Information on Research Projects and Proposals (1959-1960); Early Draft of Final Report of Grant No. RD-526 (1963); Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526)
Holland, David -- test subjects, Translator Project I, 8 years old; Group 2A of exploratory program; congenitally deaf with slight residual hearing, Experiment subject in U Mich Study with Rackham School; scored for intelligibility in experiment 1 & 3 (1947); performance in Visible Speech Experiment #4 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Holland, Prof. Lewis -- recommended Robert Essig for employment. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)
Honamen -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Hoth -- See: BELL LABS NOTEBOOK 1 (May '44)
Howell, Louise -- worker at Cleveland State Hospital; George Kopp responded to her query about the visible speech research on 8/8/1947. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)
Howell, Jay -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Huang, Mr. -- staff, Steel Complex Hospital, Nanking area. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Hudgins, Dr. Clarence V. -- Director of Research, Experimental Phonetics, Clarke School for the Deaf, Northampton, Mass.; worked on rhythm and stress; colleagues with Dr. G.E. Peterson at Harvard University during World War II; Special Consultant to the Visible Speech Advisory project (1947); attended a meeting of the Visible SPeech Research Committee on 5/1/1947; submitted report to the Advisory Committe of the Visible Speech Research Project, Institute for Human Adjustment, U.Mich. on 6/10/1947; the Alexander Graham Bell Association for the Deaf, Inc. Editorial Policies Committee discussed publishing his articles and papers on 3/1/1970. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948); Detroit Day School for the Deaf (6/14/1961-2/23/1971)
Hudson, Richard (Dick) -- 10 years old; Group 1 of exploratory program; congenitally deaf, severly hypacaustic, part of experimental study for Visible Speech Research at Ypsilanti (3/25/1947), experiment subject in U Mich study; scored for intelligibility in experiment 1 (1947); performance in Visible Speech Experiment #2 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); ;Supplement to Progress Report #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Humes, Larry E. -- co-authored Recognition of Synthetic Speech by Hearing-Impaired Elderly Listeners in the Journal of Speech and Hearing Research (vol. 34, Oct. 1991, p. 1180-84). See: Excerpt from the Journal of Speech and Hearing Research (Oct. 1991)
Hurst, Marlene -- Employee of Xerox- University Microfilms catalogs of Wayne State University Press. See: Visible Speech Manual (3/9/1967-12/5/1974)
Hutchkins -- See: BELL LABS NOTEBOOK 1 (May '44)
Hyde, Timothy -- on clinic's spring and fall 1975, spring 1976, spring 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Hykes, John -- member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)
Ickes, James (Jim) -- Subject #31 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 34 overall in spring 1966 tests; grade 8 (1966-1967 school year); on list of Prospective Subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)
Ireland, Dwight B. -- Superintendant of Birmingham, MI public schools; wrote HGK a congratulatory letter on her new post at the Rehabilitation Institute on 11/6/1958. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Irwin, David -- test subjects, Translator Project I, 8 years old; Group 2A of exploratory program; congenitally deaf with slight residual hearing, Experiment subject in U Mich Study with Rackham School; scored for intelligibility in experiment 1 & 3 (1947); performance in Visible Speech Experiment #4 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Jackson -- Comparative linguistics 12/11/945. See: BELL LABS NOTEBOOK 2 (JAN '45)
Jacobs -- See: Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Jacobs -- taught students at Detroit Day School; students labelled Sp. See: Test Subjects (1965)
Jacobs, Henry -- in Banks's class; labelled Sp. See: Test Subjects (1965)
Jeffries, Charles -- in Banks's class; labelled Sp. See: Test Subjects (1965)
Jersild, A. -- taught HGK at Teachers College - Child Psychology. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Johnson, Miss -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Johnson, Dr. Kenneth O. -- Executive Secretary at the American Speech and Hearing Association; sent material from the Dept. of Health, Education, and Welfare in the Office of Education to encourage increased activity with the Cooperative Research Division on 1/4/1959. See: Information on Research Projects and Proposals (1959-1960)
Johnson, T. Earle -- authored Southern Dialects. See: Information on Phonetics and Dialects (6/6/1949-1/26/1950)
Johnson, Michael (Mike) -- Subject #1 in 1965 tests; grade 8, Schmitz's homeroom class; noted as being involved in original project; ranked No. 2 among students who participated in less than 10 tests in spring 1966; on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Jones, Lloyd -- taught HGK at Teachers College - Guidance and Personnel. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Jones, Miss -- Teacher, Bell Labs demonstration participant 03/21/45. See: BELL LABS NOTEBOOK 2 (JAN '45)
Jones, Michael (Mike) -- Subject #35 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 9 overall in spring 1966 tests; on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Joos, Prof. -- professor at U.Mich. at the Linguistic Institute; received permission from Harlan Bloomer to use the spectrograph for linguistics research on 2/26/1947 . See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)
Kaczerowski, Janet -- marked off of clinic's fall 1976 list; on spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Kandel -- taught HGK at Teachers College - Educational Foundations. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Kane, Mr. Ronald -- 7th and 8th grade teacher, Detroit Day School; 7 students in spring 1966 7th grade class; realeased half time to work on Project No. RD-1483-S in Oct. 1964; salary as Research Asst. in budget for Project No. RD-1483-S (1966); received Visible Speech Research Project Progress Report concerning plans for producting the testing-instruction materials on 10/17/1966; Member of the staff of the Detroit Day School for the Deaf, taught experimental classes with the translator from 1965-1967. See: Research Information About Project No. RD-1483-S (1964-1966); Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Karpel, Miss -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Kavosi, Janice -- Subject #13 in 1965 tests; grade 7, Steffens's homeroom class; ranked No. 16 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Ke Ju, Dr. Cheng -- from Capital Med. Corp.; of the Chinese Medical Association. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Keilman, Joanne -- severly hypacaustic, experiment subject in U Mich study. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Keitz, Christine -- grade 5, in Simmons's class, on list of students now using the machine; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); ; Information on the Visible Speech Research Project (1966)
Keller, Miss -- Bell labs demonstration participant 10/24/1946. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)
Kelley -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Kelly, Joe (Joey) -- on clinic's spring and fall 1975, spring and fall 1976, spring and fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Kennedy, Miss Rosemary J. -- Bell Labs secretary; signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Kennedy, Louise -- taught HGK at Brooklyn College - Speech Pathology. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Kerps -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Kersta, Mr. -- U Mich Study; serviced sound spectrograph equipment 7/16/1948. See: Sound Spectrograph results (1945-48); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Kester, Miss -- audited V.S. training course part time
King, Mr. -- Bell labs demonstration 12/12/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)
Kinney, Richard -- Production Manager and Associate Director of Wayne State University Press . See: Visible Speech Manual (3/9/1967-12/5/1974)
Knott, John -- University of Iowa; saw demonstration of spectrograph on 6/12/1946. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Koeing, Jr., Wallace -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Kohr, Margaret -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)
Kolbusz, Gerald (Gerry) -- Grade 4, in Simmons's class, on list of students now using the machine; ranked No. 4 among students who participated in less than 10 tests in spring 1966; crossed off grade 8 list (1966-1967 school year); on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)
Kopp, George A. (GAK) -- specialities: training teachers in speech pathology and audiology, research in speech science, correction, audiology, and administration; Presidnet of American Speech and Hearing Association; held Advanced Certification in Speech in the ASHA; consultant on the staff of Sinai Hospital and the Rehabilitation Institute of Metropolitan Detroit; B.A. from Monmouth College, Manmouth, IL (1926); M.S. Speech Correction, University of Wisconsin (1930); Ph.D. Speech Pathology and Medical Science, University of Wisconsin (1933); Chairman, Dept. of Speech, Jamestown College, Jamestown ND (1926-1928); Instructor in Speech, University of Wisconsin (1928-1931); Asst. Prof. of Speech, University of Wisconsin (1931-1936); Asst. Prof. of Speech, Director of Speech and Hearing Clinic, Columbia University (1939-1943); taught course on Sppech Correction at Columbia in 1941; Associate Prof. of Speech at Teachers College, Columbia University; Consultant to Bell Labs on technical speech problems(Member of Technical Staff Bell Telephone Laboratories, NY (1943-1946)); Research Associate, U.Mich. (c. 1947); presented with John Steinberg at the 1945 American Speech Correction Conference, Columbus, OH, on the development of Visible Speech; presented a progress report at the American Speech Correction Conference, Chicago on 12/31/1946; wrote report on Visible Speech Educational Research Program with Harriet Green, 6/7/1947; co-wrote Article on Visible Speech for Educators of the Deaf, c. 1947; attended meetings of the Visible Speech research committee on 1/8/1947, 2/12/1947, 2/21/1947, 3/3/1947, 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947; requested clerical assistant for Harriet Green and graduate laboratory assistant from Harlan Bloomer on 2/25/1947; received comments on a proposed article on visible speech in the Volta Review from Clark Tibbitts on 5/31/1947 and Harlan Bloomer on 6/24/1947; Research in visible speech: Associate Professor of Speech and Research Associate, University of Michigan and Director of Visible Speech Research (1946-1948); sent letter to A.N. Clark on 8/8/1947 expressing a need for new books in the speech correction field; highlighted in an article in News and Notes (Oct. 1947); Prof. of Speech, Director, Speech and Hearing Clinic, Wayne State University (1948-?); director of 5-year cooperative research project with Bell Telephone Laboratories, University of Michigan, and Michigan State Normal College; responsible for phonetic organization of visible speech; taught HGK at Teachers College - Voice Science, Psychology of Speech, Research in Speech Education, Speech Pathology; signed front of Visible Speech; filled out Application for Research or Demonstration Grant with the Department of Health, Education, and Welfare on 8/19/1959; salary as Director budgeted in grant proposal for project RD-526 (1959, 1963, 1966); Project Co-Director of Grant RD-526, evaluating usefulness of the visible speech cathode ray tube translator as a supplement to the oral method of teaching speech to deaf and severly deafened children (1963). Social Security No. 127-05-4264; copied on announcement of grant continuation for Visible Speech for the Deaf; prepared Progress Report for Project No. RD-1483-S in Feb. 1965, 3/1/1965, and Feb. 1966; part of application for the continuation of grant for Project No. RD-1483-S (9/26/1963; 2/10/1966); received Visible Speech Research Project Progress Report concerning plans for producting the testing-instruction materials on 10/17/1966; member of Editorial Committee of NACED that submitted recommendations on 10/16/1969; wrote Meeting Speech Needs of Elementary School Children while an assoc. prof. at Columbia. See: Syllabus for Speech Correction - Education 261K, Teachers College, Columbia University (1941); Original Manuscript of and comments on George A. Kopp's elementary opus (8/3/1941); Visual Telephony Conferences (10/14/1943-2/23/1944); Voiceprint Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); Research report by Y.R. Chao on Chinese recordings (11/21/1944-2/17/1945); University of Michigan Project (July 1945-1948); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Progress Report Presented at American Speech Correction Conference, Chicago - U.Mich. (12/31/1946); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); Correspondence form Adrian Leon y Marquez to George Kopp (3/14/1947); Newspaper clipping: Visible Speech: Teaching Deaf Children to Hear (July 1947); Correspondence to George A. Kopp from C.M. Breading of the Central Press Clipping Service (9/3/1947); News and Notes (9/22/1947); Advance Advertisement for Visible Speech (c. 1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Article on Visible Speech for Educators of the Deaf by George A. Kopp and Harriet C. Green - U.Mich. (c. 1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); Supplement to Progress Reports #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); Report on Visible Speech Educational Research Program by George A. Kopp and Harriet C. Green - U.Mich. (6/7/1947); Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948); Papers and Charts on Frequency Ranges and Principle Zones of Energy (Feb. 1948); Final Report of Visible SPeech Educational Evaluation Research Program (8/13/1948); Lectures and Seminar Notes(1957-1966); Information on Research Projects and Proposals (1959-1960); early Draft of Final Report of Grant No. RD-526 (1963); Description of Detroit School for the Deaf (2/26/1963); Rough Draft - Visible Speech Report (3/13/1963); Research Information About Project No. RD-1483-S (1964-1966); George Kopp Memorial Scholarship Fund (1964-1973); Case Report by George Kopp and Helene Anderson on Vocal Therapy for Dysphonia Plicae Ventricularis (c. 1965); Correspondence from M.R. Schroeder to Dr. George A. Kopp (3/25/1965); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966); Information on the Visible Speech Research Project (1966); Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968); Visible Speech Manual (3/9/1967-12/5/1974); Final Draft: Visible Speech for the Deaf (1968); Manuscript for Visible Speech for the Deaf (1968); Rough Draft (hand-written) - Visible Speech for the Deaf (1968); Correspondence to George and Harriet Kopp from C.Van Riper (9/11/1968-9/26/1968); Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970); Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963); Notes from Medical Study Trip to China (4/18/1980-4/28/1980); Visible Speech Manual Original - to copy; Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526); Manuscript of Meeting Speech Needs of Elementary School Children by George A. Kopp; How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Seminar Notes of George A. Kopp - Speech 337
Kopp, Dr. Joseph B. -- George Kopp's son; designated to serve on the George A. Kopp Memorial Fund advisory board. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Koren, Mr. Norman -- appointed to temporarily replace J. Clemente in work on Project No. RD-1483-S from Sept to Jan, 1965; Temporary worker on the Visible Speech project ending December 1965. See: Research Information About Project No. RD-1483-S; Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Kornacki, Kathryn -- 4-year-old student at Detroit Day School; shown in newspaper photograph . See: Clipping from The Detroit News (2/13/1966)
Koskos -- [n/a]
Kosztowny, Alan -- Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Kovack, Joanne -- test subject - class 3B, age 10. See: Lip Reading Study (10/5/1943); Students' Spectrograms (fall 1943)
Kower? -- See: BELL LABS NOTEBOOK 1 (May '44)
Kramer, Magalene -- taught HGK at Teachers College - Research in Speech Education; Chairman of the Department of the Teaching of Speech at Columbia University, noted in the acknowledgements page of Harriet Kopp's doctoral dissertation for her interest and help. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948); Harriet Kopp's Doctoral Dissertation (1962)
Kramer -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Krieger, Connie -- produced sound spectrograms with cleft palate on 4/4/1947. See: Sound Spectrograph results (1945-48)
Kroll, Geraldine -- ranked No. 10 among students who participated in less than 10 tests in spring 1966. See: Graphs of Students' Test Results (Spring 1966)
Kroll, Gary -- Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Krug -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Kubitsky, Eleanor -- age 10 (1947); Substitute for J. Keilman in U Mich study ; performance in Visible Speech Experiment #5 evaluated 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Kuplicki, Paul -- grade 4, in Higgins's homeroom class; ranked No. 36 overall in spring 1966 tests; grade 6 (1966-67 school year); on list of Prospective subjects grade 4-5, marked some experience; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Kurath, Prof. Hans -- Director of the Linguistic Institute, University of Michigan; received memo from Harland Bloomer on 2/26/1947 about use of the spectrograph during the summer of 1947 for linguistic research; recorded spectrograms in German 5/15/1947. See: Sound Spectrograph results (1945-48); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)
Kuzda -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Kuzela, Mr. -- See: BELL LABS NOTEBOOK 1 (May '44)
Lacey, Wendy -- on clinic's spring and fall 1975, fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Lage, Larry -- severly hypacaustic, experiment subject in U Mich study. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Lahera, Omar -- on clinic's spring 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Lassman, Frank M. -- member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971); Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Le Clerc, Sherry -- Subject #23 in 1965 tests; grade 7, Steffens's homeroom class; noted as being involved in original project; ranked No. 29 overall in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Lee, John J. -- Distinguished Professor Emeritus, Department of Special Education and Vocational Rehabilitation, Wayne State University; wrote HGK a congratulatory letter on her new post at the Detroit Day School on 11/4/1958; Chairman, Special Education, Wayne State University (1963); member of the Advisory Board for the Detroit Day School for the Deaf; wrote HGK a recommendation letter 7/31/1969
Lee, Mike -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Leon y Marquez, Adrian -- suggested Spanish words for Visible Speech tracings. See: Correspondence form Adrian Leon y Marquez to George Kopp (3/14/1947)
Leone, Berta -- drew illustrations for Birmingham Plan of Testing Hearing and Vision pamphlet. See: The Birmingham Plan of Testing Hearing and Vision (1951)
Lepre, Michael -- on clinic's spring and fall 1975, spring and fall 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Levine, Mrs. -- Bell Labs secretary, Bell Labs demonstration participant 11/29/1945. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Lewis, Mrs. E. -- Associate Editor Tide Magazine. See: BELL LABS NOTEBOOK 2 (JAN '45)
Leyland -- Bell Labs secretary. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Liberman, Alvin M. -- worked at Haskins Laboratories, NY, and University of Connecticut, Storrs; wrote Some Experiments on the Perception of Synthetic Speech (Journal of the Acoustical Society of America, Vol. 24, No. 6, Nov. 1952); Some Results of Research on Speech Perception (Journal of the Acoustical Society of America, Vol. 29, No. 1, Jan. 1957); The Interconversion of Audible and Visible Patterns as a Basis for Research in Perception of Speech (from the proceedings of the National Academy of Sciences, Vol. 37, No. 5, May 1951) . See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Loertet, C.M. -- taught HGK at Indiana University - Psychological Testing. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Lorbaugh, Dr. -- NYU. See: BELL LABS NOTEBOOK 2 (JAN '45)
Lord, Dr. Francis E. -- Director of Rackam School of Special Education and Professor of Speech and Special Education, Michigan State Normal College; worked in conjunction with Clark Tibbitts on the visible speech research project at U.Mich.; received letter from Tibbitts about the research program on 11/27/1946; attended meetings of the Visible Speech Research committee on 1/8/1947, 2/12/1947, 2/21/1947, 3/3/1947, 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947; send Robert Essig a memo about delayed payment on 5/19/1947; mentioned in article in News and Notes, Oct. 1947. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); News and Notes (9/22/1947)
Lorge, Irving -- Noted in the acknowledgements page of Harriet Kopp's doctoral dissertation for her interest and help in the project. See: Harriet Kopp's Doctoral Dissertation (1962)
Lovato, Joseph -- on clinic's spring 1975 list
Lovell, James -- student engineer in charge of servicing equipment in U Mich study; worked on sound spectrograph on Jan 13-15, 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Lowell, Edgar L. -- member of the Editorial Policies Committee of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Lynch, Jennifer -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Lyons -- Western Electric. See: BELL LABS NOTEBOOK 2 (JAN '45)
MacGinitie, Walter H. -- Member of Harriet Kopp's dissertation committee at Columbia University . See: Harriet Kopp's Doctoral Dissertation (1962)
Macoule, Mrs. -- Mentioned in a letter from Frank to Dr. Kopp regarding the index on 1/23/1968. See: Correspondence between Frank and George Kopp re. index of Visible Speech Research Materials (1/23/1968)
Madden, Shannon -- Subject #22 in 1965 tests; grade 7, Steffens's homeroom class; ranked No. 25 overall in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Madson, Miss -- recorded spectrograms on 11/12/1946 of phrase This is the house that Jack built. See: Sound Spectrograph results (1945-1948)
MaGee, Harley W. -- Assistant to the Editor of Science Illustrated; requested pictures to go along with an up-coming Visible Speech story. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)
Magill, Dorothy -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)
Mahoney, Danny -- test subjects, Translator Project I, 12 years old; Group 1 of exploratory program; congenitally deaf, severly hypacaustic, part of experimental study for Visible Speech Research at Ypsilanti (3/25/1947); experiment subject in U Mich study; scored for intelligibility in experiment 1 (1947); performance in Visible Speech Experiment #2 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Supplement to Progress Report #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Majerowski, Michael (Mike) -- Subject #9 in 1965 tests; grade 8, Kane's homeroom class; noted as being a child with some introduction; ranked No. 7 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Mallory -- Bell Labs demonstration participant 12/21/1945
Manning, Dr. J.J. -- physicist, Research Department of New York Police Department; approached Dr. Buckley about using voice print identification in fighting crime. See: Voice Print Identification Procedure and Information (11/26/1943-6/10/1944)
Mao, Mrs. -- HGK interviewed her about the commune primary school. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Marcus, Robert -- Subject #11 in 1965 tests; grade 8, Kane's homeroom class; noted as being a child with some introduction; ranked No. 21 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Marge, Michael -- Coordinator Unit on Speech and Hearing Programs, Division of Training Programs, Bureau of Education for the Handicapped; Department of Health, Education, and Welfare- Office of Education. See: Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968)
Markel, Norman N. -- co-authored Judging Personality from Voice Quality in Journal of Abnormal and Social Psychology (Vol. 64, No. 4, Oct. 1964). See: Markel and Meisels - Judging Personality from Voice Quality (Oct. 1964) [large sleeve]
Marrison -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Marshall, Steve -- ranked No. 8 among students who participated in less than 10 tests in spring 1966; Male Test Subject; 12/13/1966; Grade 4, Test S-D. See: Graphs of Students' Test Results (Spring 1966); Test Results and Charts (October 1966)
Martimer, Dr. Edgar -- Chief of Pediatrics, Harper Hospital; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Martin, Miss -- Manhasset Public School, Bell Labs demonstration participant 03/07/46
Martin, Fred -- Official from Detroit Public Schools who signed off on HGK's application for an extension of leave (9/29/1972). See: Retirement Papers from the Detroit Day School for the Deaf (1970)
Martin, Paul -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Martinez, Alfredo -- on list of Prospective Subjects, marked 5 exp. See: Information on the Visible Speech Research Project (1966)
Martyka, Emilia -- staff member at the Detroit Day School for the Deaf; taught experimental classes with the Translator from 1964-1968; taught 9th grade students at the Detroit Day School already using the machine; 7 students in spring 1966 class. See: Early Draft of Final Report of Grant No. RD-526 (1963); Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Final Draft: Visible Speech for the Deaf (1968): Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Mase, Darrel -- Teachers College, Newark, NJ; 10/28/1946 demonstration. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)
Matthes -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Matthews, Mrs. M.G. -- Principal, Kennedy School; sent complimentary letter to HGK on 5/14/1970 . See: Retirement Papers from the Detroit Day School for the Deaf (1970)
May, Merri (Merrie) -- on clinic's fall 1976, spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Mayes, Thomas A. -- director of the Regional Conference for Coordinating Rehabilitation and Education Services for the Deaf on Oct 26-28, 1970; sent HGK an invitation to the conference on 10/12/1970
McCarthy, Julia M. -- Deputy Superintendent, Detroit Public Schools; sent HGK a congratulatory letter on 6/1/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)
McCrystal -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
McDonald, Henry S. -- member of Bell Telephone Labs engineering staff, came to Detroit to fix Translator after its move to the Detroit Day School from Wayne State University. See: Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526)
McGrew, Professor J. Fred -- Fresno State College. See: University of Michigan Project (July 1945-1948)
McManus, Kathy -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Mealy -- (Meaghly)
Meisels, Murray -- co-authored Judging Personality from Voice Quality in Journal of Abnormal and Social Psychology (Vol. 64, No. 4, Oct. 1964). See: Markel and Meisels - Judging Personality from Voice Quality (Oct. 1964) [large sleeve]
Melby, Dean -- Dean of NYU. See: BELL LABS NOTEBOOK 2 (JAN '45)
Merrill, Jr., Edward C. -- President of Gallaudet College; offered HGK a a position as Dean of Pre-College Programs and Directory of the Model Secondary School for the Deaf, 3/14/1970; HGK turned down this position 4/15/1970. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Meyer, Dr. John Stirling -- Head, Dept. of Neurology, Wayne State University Medical School; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Meyerson, Dr. Lee -- Vassar College; came for Instruction and Demonstration in U Mich Study, 9/22/1947. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Miguel, David -- on clinic's fall 1975, spring 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Miller, Ed.D., June -- President, Alexander Graham Bell Association for the Deaf, Inc.; asked HGK to continue serving as Chairman of the Editorial Policies on 9/10/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)
Milligan, Tony -- on clinic's spring 1976 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Mills, Mara -- Ph.D. Candidate at Harvard University; Instructor at Brown University; contacted HGK on 1/4/2006 to request an interview for more information on her research. See: Correspondence between Mara Mills and H. Kopp (1/4/2006)
Mock, Terri -- on clinic's spring 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Mohan, Mr. -- teacher from Rackham School of Education; training for Visual Speech. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Monroe, Thomas -- Superintendent of Region Two, Detroit Public Schools; wrote HGK informing her of his resignation 7/3/1969; wrote HGK a recommendation letter 8/6/1969 . See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Moore, Anthony -- ranked No. 7 among students who participated in less than 10 tests in spring 1966. See: Graphs of Students' Test Results (Spring 1966)
Moore, Paul -- co-authored Comments on Physiology of Hoarseness in Archives of Otolaryngology (Vol. 81, Jan. 1965). See: Moore and Thompson - Comments on Physiology of Hoarseness (Jan. 1965) [large sleeve]
Moore, Tony Loviece -- Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Morison, Dr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Morley, D.E. -- Other Research Participant at University of Michigan during Kopp's study; Ph.D. thesis on comparative study of visible speech patterns as transmitted by several hearing aids - in progress, Aug. 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Morris, Dr. -- Psychology Bureau; conference. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Morrisett -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Moss, Arnold -- taught HGK at Brooklyn College - Comparative Phonetics. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Mulgrave, Dr. Dorothy -- NYU, Bell Labs demonstration participant 01/24/1946
Mulholland, K. -- taught HGK at Brooklyn College - Theories of Oral Reading. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Munson, Mr. -- President, Michigan State Normal College; came for instruction and demonstration of U Mich study, 3/10/1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Murry, Thomas -- co-authored Voice Onset Time Production and Perception in Apraxic Subjects with HGK in Brain and Language (Vol. 20, 1983, p. 329-339); affiliated with VA Medical Center, San Diego. See: Correspondence between Mara Mills and H. Kopp (1/4/2006)
Mysak, Edward D. -- Member of Harriet Kopp's dissertation committee at Columbia University . See: Harriet Kopp's Doctoral Dissertation (1962)
Nace, Dr. John G. -- member of the Chairmen of the Working Groups of the National Advisory Committee on the Education of the Deaf with HGK on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Nakaji, Daniel (Danny) -- on clinic's fall 1975, spring and fall 1976, spring and fall 1977 lists . See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Nelson, Kathleen J. -- co-authored Recognition of Synthetic Speech by Hearing-Impaired Elderly Listeners in the Journal of Speech and Hearing Research (vol. 34, Oct. 1991, p. 1180-84). See: Excerpt from the Journal of Speech and Hearing Research (Oct. 1991)
Nelson, Max -- Other Research Participant at University of Michigan during Kopp's study; proposed thesis to GAK on 3/4/1947 on articulatory constancy - approved 3/6/1947; Master's thesis on articulatory constancy in May 1947. See: Thesis Proposals by George Kopp's Students (10/8/1947-3/1/1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
New -- Bell Labs demonstration participant 11/29/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)
Nicholls, Dorren -- age 13 (1947); severly hypacaustic, experiment subject in U Mich study; performance in Visible Speech Experiment #5 evaluated 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Nio, Dr. -- pediatrician, Maternal and Ob.Gyn Hosptial (attached to the China Welfare Institute), Shanghai. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Norton -- taught HGK at Teachers College - Educational Foundations. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Norvoine -- 1/22/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)
Nouhan, Eleanor -- Subject #8 in 1965 tests; grade 8, Schmitz's homeroom class; ranked No. 5 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Nuccio, Philip -- grade 5, in Gardiner's homeroom class; ranked No. 19 overall in spring 1966 tests; on list of Prospective subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Nyquist -- See: BELL LABS NOTEBOOK 1 (May '44)
O'Connor, A. -- Bell Labs secretary, Bell Labs demonstration participant 11/29/1945. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
O'Connor, C.D. -- taught HGK at Teachers College - Special methods in Teaching the Deaf & Practice Teaching Deaf. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
O'Connor, Mary New -- taught HGK at Teachers College - Teaching Speech to Deaf. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
O'Dell, Barbara -- on list of Prospective Students. See: Information on the Visible Speech Research Project (1966)
O'Donnell, Bernard -- Director, ERIC (Educational Resources Information Center) Clearinghouse on Reading and Communication Skills; sent a letter to HGK concerning the inclusion of one of her documents in the ERIC system (7/6/1982). See: Correspondence between Harriet Kopp and Bernard O'Donnell (7/6/1982)
Olds, Mrs. -- administered test of visual acuity. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947)
Olinger, Kenneth -- on clinic's spring and fall 1975 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
O'Neil -- Bell Labs demonstration participant 12/21/1945
O'Neill, James M. -- taught HGK at Brooklyn College - Seminar in Speech & Current Trends in Speech. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Ostrow, Dr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Overall, Natalie -- Subject #27 in 1965 tests; grade 5, in Gardiner's homeroom class; ranked No. 41 overall in spring 1966 tests; on list of Prospective Subjects grade 4-5; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Paloheimo, Lily -- recorded spectrograms on 5/2/1947; charted with other female subjects. See: Spectrograms for Lily Paloheimo (5/2/1947); Charts and Spectrograph Results (female test subjects)
Parral, Ricky -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Pate, Aaron -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Patterson, W. Calvin -- Vice President, Public Relations, Michigan Bell Telephone Company; public relations to maintain interest in the program; member of the Advisory Board for the Detroit Day School for the Deaf. See: How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Newspaper clipping: Visible Speech: Teaching Deaf Children to Hear (July 1947); Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Pauls -- Navy, Philadelphia Hospital. See: BELL LABS NOTEBOOK 2 (JAN '45)
Pease, Gloria -- test subject - class 3B, age 10. See: Lip Reading Study (10/5/1943); Students' Spectrograms (fall 1943)
Peckham, Mr. Ralf A. -- authorized state agency official representing the Dept. of Health, Education, and Welfare in George A. Kopp's grant application; copied on announcement of grant continuation for Visible Speech for the Deaf (5/31/1966); acknowledged receipt of application for continuation of grant RD-1483-S. See: Information on Research Projects and Proposals (1959-1960); Research Information About Project No. RD-1483-S (1964-1966); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)
Peet, Miss Martha -- speech teacher, instructor in U Mich Study; performed Visible Speech Experiment #6 on congenitally deaf nursery school children at the Rackham School, March 1947; teacher, Visible Speech Program at the Rackham School, summer 1948. See: Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Proposed Visible Speech Program for the Rackham School (summer 1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Pegram -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Penn, John -- authored Scandinavian Dialect. See: Information on Phonetics and Dialects (6/6/1949-1/26/1950)
Peterson, Dr. Gordon E. -- staffer at Bell Telephone Laboratories; sent by Potter to Ypsilanti with a modified Sound Mirror the week of 4/28/1947; worked in speech correction; colleagues with Clarence Hudgins at Harvard University during World War II; sat in at conference at U.Mich. on 4/28/1947; Evaluation program, serviced spectrograph in U Mich study on Jan. 10-11, 1948; signed front of Visible Speech. See: BELL LABS NOTEBOOK 2 (JAN '45); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Peterson, Christine -- on clinic's spring and fall 1975, spring 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Petrie, Prof. -- from Lansing; at lab for cleft palate research 2/16/1947; produced spectrograms of phrase buy me one shoe. See: Sound Spectrograph results (1945-1948)
Piel, Ordway F. -- Other Research Participant at University of Michigan during Kopp's study; proposed thesis to GAK on 3/1/1948 on visible speech reference patterns of 9- and 10-year-old boys - approved 3/9/1948; Master's thesis completed May 1948. See: Thesis Proposals by George Kopp's Students (10/8/1947-3/1/1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Pierce, Nancy -- in Jacobs's class; labelled Sp. See: Test Subjects (1965)
Pike, Professor -- University of Michigan; came for instruction and demonstration of U Mich study, 2/6/1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Pintner -- taught HGK at Teachers College - Psychology of Handicapped. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Pisoni, David B. -- co-authored Recognition of Synthetic Speech by Hearing-Impaired Elderly Listeners in the Journal of Speech and Hearing Research (vol. 34, Oct. 1991, p. 1180-84). See: Excerpt from the Journal of Speech and Hearing Research (Oct. 1991)
Pittman -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Poleski, Olivia -- aided in the preparation for the publication of the Visible Speech Manual . See: Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526)
Pompeo, Harry -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Poparad, Gayle -- on clinic's fall 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Popp, Kimberly (Kim) Marie -- ranked No. 39 overall in spring 1966 tests; grade 5 (1966-1967 school year); Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Potter, Dr. Ralph K -- Director of Transmission Research, Bell Telephone Laboratories; Approved 5 year research program at U. Mich; wrote Visible Patterns of Sound in Science magazine; received Y.R. Chao's report on using the sound spectrograh with Chinese recordings; originated visible speech and supervised its development; signed front of Visible Speech; Special Consultant to Visible Speech Research project (1947); discussed visible speech research program at the University of Michigan with Dr. Harlan Bloomer on 4/18/1946 and 3/13/1947; discussed visible speech research project with Clark Tibbitts on 4/17/1947; decided on Feb. 26-27, 1948 to send the sound spectrograph back to Bell Labs for servicing. See: Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); BELL LABS NOTEBOOK 1 (May '44); Science Magazine with Ralph Potter article (Visible Patterns of Sound) (11/9/1945); Research Report by Y.R. Chao on Chinese recordings (11/21/1944-2/17/1945); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Advance Advertisement for Visible Speech (c. 1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948); Visible Speech Manual (3/9/1967-12/5/1974); Final Draft: Visible Speech for the Deaf (1968); Visible Speech Manual Original - to copy; Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526)
Powles, Edward -- President and General Manager of General Film Laboratory, Inc.; also related administratively to the Dynamic Film Co.; provided quote to GAK for the production of 13/35mm black and white single frame filmstrips; contact person for the project. See: Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966); Information on the Visible Speech Research Project (1966)
Proctor, Wanda Jean -- ranked No. 20 overall in spring 1966 tests; Female Test Subject; 10/17/1966; Grade 7, Test 6 - Part A. See: Graphs of Students' Test Results (Spring 1966); Test Results and Charts (October 1966)
Provenzano, Vincent -- on clinic's fall 1975, spring 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Pry, Jamie -- ranked No. 9 among students who participated in less than 10 tests in spring 1966. See: Graphs of Students' Test Results (Spring 1966)
Purnell, Mrs. Catherine C. -- representative of the Dept. of Health, Education, and Welfare at the Working Groups of the National Advisory on the Education of the Deaf on 7/24/1969; member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Quigley, Dr. Stephen P. -- member of the Chairmen of the Working Groups of the National Advisory Committee on the Education of the Deaf with HGK on 7/24/1969; served as committee chairman. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Raedler, Miss -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Rambeau, Jeremy -- on clinic's spring and fall 1975, spring 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Raubicheck, Lettitia -- NYC, Bell Labs demonstration participant 01/24/46
Reed, L. Deno -- Executive Secretary - Sensory Study Section; Department of Health, Education, and Welfare: Social and Rehabilitation Service. See: Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968)
Reese -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Reissner -- taught HGK at Teachers College - Educational Foundations. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Reuther, Roy -- Director of Citizenship Dept., U.A.W.; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Reynolds, William -- Bell Labs demonstration participant 03/18/1946
Richardson, Elliot Lee -- Secretary of Health, Education, and Welfare; on 8/5/1970, invited HGK to serve on the NACED from 7/1/1970 to 6/31/1974. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Richardson, Eugene -- Consultant for Higher Education and Certification for Michigan Dept. of Public Instruction; contacted HGK regarding the status of her elementary and secondary permanent certificates on 3/20/1951. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Riddell, Wendy -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Riesz, Dr. Robert R. (Bob) -- Bell Telephone Labs employee; installed spectrograph equipment at the Speech Clinic, Institute of Human Adjustment, U.Michigan on 9/24/1946 and repaired in on10/30/1946; signed front of Visible Speech; sent George Kopp bulletins to be attached to the cathode ray translator maintenance notes (2/20/1947) delivered a replacement transformer for the spectrograph during the U.Mich. Study (Oct. 31, 1947). See: BELL LABS NOTEBOOK 2 (JAN '45); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Robbins, Dr. -- NATS
Robertson, Scott -- on clinic's fall 1976, spring 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Robinson, Luther D. -- member of the committee on Adolescent Deaf of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Robinson, Cindy -- on clinic's spring and fall 1975, spring 1976, fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Rogers, Carl -- professor of psychology and Executive Secretary of the Counseling Center, University of Chicago. See: Dialogue between Martin Buber and Carl Rogers (4/18/1957)
Rondut -- Bell Labs demonstration participant 12/06/1945
Rooney -- PS 47, Bell Labs demonstration participant 02/14/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)
Rosario, Bill -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Rosenstein, Dr. Joseph -- representative of the Dept. of Health, Education, and Welfare at the Working Groups of the National Advisory on the Education of the Deaf on 7/24/1969; member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971); Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Rowell, Sartorious -- taught HGK at Teachers College - Guidance of Handicapped. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Ruppel, Alfred E. -- signed front of Visible Speech. See: Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Rutland, Darryl -- on clinic's spring and fall 1975 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Saenz, Raul -- grade 4, in Higgins's homeroom class; HGK noted slow on roster; on list of Prospective subjects grade 4-5. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Samuelson -- taught HGK at Teachers College - Teaching Lip Reading. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Samuelson, Miss Estelle -- Bell Labs demonstration participant 02/21/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)
Sandlin, R. -- Author of An Analysis of the Intelligibility of Twenty-Six Selected Sentences Spoken by Four Deaf Individuals Before and After a Period of Instruction Using the Visible Speech Translator. M.A. Thesis, Wayne State University Speech and Hearing Clinic (1953). See: Final Draft: Visible Speech for the Deaf (1968)
Saunders, M.D., William H -- author of The Larynx pamphlet. See: William H. Saunders, M.D. - The Larynx (1964) [large sleeve]
Sawyer, Dean -- Dean, University of Michigan graduate school; 11/26/1946 demonstration . See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947)
Schiappacasse, Ed -- Subject #14 in 1965 tests; grade 8, Kane's homeroom class; noted as being a child with some introduction; ranked No. 28 overall in spring 1966 tests; on list of Prospective subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Schlagter, Charles -- on clinic's spring and fall 1975, spring 1976, spring and fall 1977 lists . See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Schmitz -- 6th and 8th grade teacher, Detroit Day School; 9 students in spring 1966 6th grade class. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966)
Schott, Dr. Lionel -- worked in Bell Labs; installed spectrograph equipment at the Speech Clinic, Institute of Human Adjustment, U.Michigan on 9/24/1946; wrote report on Chao's testing of the Chinese language with the spectrograph; signed front of Visible Speech. See: Memo on Visible Speech testing of Chinese langauage (4/17/1944); BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Schroeder, M.R. -- Director, Acoustics, Speech and Mechanics Research Laboratory at Bell Telephone Labs; offered a new transistorized translator for Kopp's research . See: Correspondence from M.R. Schroeder to Dr. George A. Kopp (3/25/1965)
Scott, Jean -- Subject #2 in 1965 tests; grade 8, Schmitz's homeroom class; HGK noted check for glasses on roster; noted as being involved in original project; ranked No. 31 overall in spring 1966 tests; on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Scott, Pam -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Scouten, Edward L. -- Prinicipal of the Florida School for the Deaf and Blind; sent an article entitled A.G. Bell, a friend of deaf people to Mrs. Ester M. Stoval on 12/9/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Searcella, Vera -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Seater -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Seawell, Miss -- re: Visible Speech 01/10/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)
Secord -- Bell Labs demonstration participant 12/21/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)
Shaffer, Laurance F. -- Chairman of the dissertation committee for Harriet Kopp's doctoral dissertation, submitted to Columbia University in 1962. See: Harriet Kopp's Doctoral Dissertation (1962)
Sharkey, Dixie -- on list of Prospective Subjects. See: Information on the Visible Speech Research Project (1966)
Sheridan, Miss -- Teacher, Bell Labs demonstration participant 03/21/45
Sheridan -- Western Electric. See: BELL LABS NOTEBOOK 2 (JAN '45)
Shi, Mrs. -- Directress of Workers Commune (Workers New Liang Quarters). See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Shirk, Richard -- Executed Photographs for Birmingham Plan of Testing Hearing and Vision pamphlet. See: The Birmingham Plan of Testing Hearing and Vision (1951)
Shohara, Dr. Hide -- Dept. of Languages; made some japanese spectograms; 12/13/1946 conference . See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Siegenthaler, Bruce -- Other Research Participant at University of Michigan during Kopp's study; completed Master's thesis on relationship between measured hearing loss and the intelligibility of selected words in May 1948; first student to research with sound spectrograph to submit his study for publication. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Silverman, S. Richard (Dick) -- Director, Central Institute for the Deaf, St. Louis, MO; sent HGK congratulatory letter on 11/3/1958 about new post; Chairman of the Working Groups of the National Advisory Committee on the Education of the Deaf on 7/24/1969; member of Editorial Committee of NACED that submitted recommendations on 10/16/1969; agreed to write a recommendation letter for HGK on 11/24/1969. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970); Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Silverstein, Miss -- NAPTSD Publicity Agent, Bell Labs demonstration participant 03/08/1946
Simmons, Michael -- staff member at the Detroit Day School for the Deaf; taught experimental classes with the Translator. See: Early Draft of Final Report of Grant No. RD-526 (1963)
Simmons -- teacher of 4th and 5th grade students at the Detroit Day School already using the machine. See: Test Subjects (1965)
Simon, Mr. Frank -- photographer with the Dynamic Film Co., Detroit; making slides of spectrographic patterns (10/17/1966). See: Information on the Visible Speech Research Project (1966)
Simpson, Ruth -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)
Simson, Dr. Clyde B. -- Chief of Children's Services, Lafayette Clinic; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Sirois, Steve -- Grade 4, in Simmons's class, on list of students now using the machine; ranked No. 5 among students who participated in less than 10 tests in spring 1966; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Slater -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Smartwood, Miss -- audited V.S. training course part time
Smith, Mrs. -- recorded sound spectrograph in Jackson, MI on 12/9/1947. See: Sound Spectrograph results (1945-48)
Smith, M. -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Smith, M. -- taught HGK at Teachers College - Research in Speech Education. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Snodgrass -- Western Electric. See: BELL LABS NOTEBOOK 2 (JAN '45)
Sonnenstrahl, Alfred -- test subject - class 3B, age 10. See: Lip Reading Study (10/5/1943); Students' Spectrograms (fall 1943)
Sperling -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)
Spishak, Joel -- Subject #29 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 1 in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects grade 4-5, marked some experience. See: Test Subjects (1965); Pictographic Tests; Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)
Spriestersbach, D -- Author of An Exploratory Study of the Motility of the Peripheral Oral Structures in Relation to Defective and Superior Consonant Articulation, Mentioned in Harriet Kopp's Doctoral Dissertation. See: Harriet Kopp's Doctoral Dissertation (1962)
Star, Miss -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Stark, Miss -- From Coronet, interview 01/28/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)
Steffen, Bonnie -- on list of Prospective Subjects. See: Information on the Visible Speech Research Project (1966)
Steffens -- 7th and 8th grade teacher, Detroit Day School; 7 students in spring 1966 8th grade class. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966)
Steinberg, Dr. John C. -- U Mich Study, Supervisor in Transmission Research, Bell Telephone Laboratories; signed front of Visible Speech; presented with George Kopp at the 1945 American Speech Correction Conference in Columbus, Ohio on the development of visible speech; Special Consultant to the Visible Speech Research Project (1947); attended meetings of the Visible Speech Research Committee on 5/1/1947, 6/28/1947; planned to sit in at conference at the Institute of Human Adjustment, U.Mich., on 4/28/1947; decided on Feb 26-27, 1948 to send the sound spectrograph back to Bell Labs for servicing. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45) Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Progress Report Presented at American Speech Correction Conference, Chicago - U.Mich. (12/31/1946); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Final Report of Visible Speech Educational Evalution Research Program (8/13/1948)
Steinberg, Naomi -- test subject - class 6; age 13. See: Lip Reading Study (10/5/1943); Students' Spectrograms (fall 1943)
Steris, David -- made recording, station WPAG of all the children in the visible speech research program. See: Supplement to Progress Report #1: Visible Speech Research Program - U.Mich. (4/21/1947)
Stewart, Mr. -- See: Information on Research Projects and Proposals (1959-1960)
Stewart, Glen -- Subject #4 in 1965 tests; grade 8, Schmitz's homeroom class; ranked No. 52 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Stockbold, Mrs. -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Stocker, Dr. Harold -- employed part-time on Project RD-1483-S to carry out satistical evaluations as data was compiled; Appointed in September 1966 to work part time for the Visible Speech project. See: Research Information About Project No. RD-1483-S (1964-1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Stoval(l), Esther M. -- worked for the Volta Bureau, Washington, DC; received letter from Ed Scouten on 12/9/1969; member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)
Strang -- taught HGK at Teachers College - Guidance and Personnel. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Subrezi -- mechanic?. See: BELL LABS NOTEBOOK 1 (May '44)
Sumwolt, Dina -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Sunday, Richard -- Director, Detroit's Multi-Faceted Special Education Project in Detroit Public Schools; sent HGK a congratulatory letter 6/9/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)
Tactile -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Tapley, Terry -- Subject #30 in 1965 tests; grade 6, in Clement's homeroom class; on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Taylor -- Bell Labs demonstration participant 11/29/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)
Temple -- Bell Labs demonstration participant 12/21/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)
Tenny, Dr. John -- Bell Labs demonstration participant 10/24/1946; associated with the George A. Kopp Memorial Fund. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)
Tepoorton, Randy -- Other Research Participant at University of Michigan during Kopp's study; Master's thesis on degrees of nasality - in progress in Aug 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Thayer -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Therman, Miss -- University publications department; 12/19/1946 conference. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Thomas, Dr. Olin E. -- Vice President and Treasurer, Wayne State University; filled out Application for Research or Demonstration Grant with the Department of Health, Education, and Welfare on 8/19/1959; received letter from James F. Garrett on 10/20/1959 about the receipt of a grant for research with the cathode ray tube translator; copied on announcement of grant continuation for Visible Speech for the Deaf (5/31/1966); part of an application for the continuation of the grant for Project No. RD-1483-S (9/25/1963, 2/10/1966) . See: Information on Research Projects and Proposals (1959-1960); Research Information About Project No. RD-14-83-S (1964-1966); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)
Thompson -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Thompson, Carl L. -- co-authored Comments on Physiology of Hoarseness in Archives of Otolaryngology (Vol. 81, Jan. 1965). See: Moore and Thompson - Comments on Physiology of Hoarseness (Jan. 1965) [large sleeve]
Thompson, Richard E. -- member of the committee on Adolescent Deaf of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Thompson, Robert H. -- Business Manager - Wayne State University Press. See: Visible Speech Manual (3/9/1967-12/5/1974)
Thorndike -- taught HGK at Teachers College - Descriptive Statistics. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Thorpe, Leonard -- Subject #25 in 1965 tests; grade 5, in Gardiner's homeroom class; ranked No. 50 overall in spring 1966 tests; on list of Prospective subjects grade 4-5; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Thoubboron -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Tibbitts, Mr. Clark -- Director of University of Michigan Institute of Human Adjustment; worked in conjunction with Dr. Francis Lord of the Rackham School of Special Education on the visible speech research project; sent Dr. Lord letter 11/27/1946; called meeting of the visible speech committee on 1/8/1947; attended meetings of the Visible Speech research committee on 1/8/1947, 2/12/1947, 2/21/1947, 3/3/1947, 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947; discussed visible speech research project with Ralph K. Potter on 4/17/1947; sent George Kopp comments on a proposed visible speech article on 5/31/1947 . See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947)
Tiffany, Bernard -- severly hypacaustic, experiment subject in U Mich study. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Tiffin, Jos. -- taught HGK at Brooklyn College - Experimental Phonetics. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Toliver, Linda -- Grade 4, in Simmons's class, on list of students now using the machine; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Toppin, Terrence (Terry) -- Subject #3 in 1965 tests; grade 8, Kane's homeroom class; noted as being involved in original project; ranked No.3 overall in spring 1966 tests; on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Trabman, Bernice -- staff member at the Detroit Day School for the Deaf; taught experimental classes with the Translator from 1964-1965. See: Early Draft of Final Report of Grant No. RD-526 (1963); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)
Trayner, Larry -- ranked No. 6 among students who participated in less than 10 tests in spring 1966; Male Test Subject; 10/14/1966; Grade 4, Test 6 - Part 6; Student that completed an answer sheet for VRA Project# RD-1483-S, Visible Speech for the Deaf; Test# 1 on 6/18/1968; Male Test Subject; 12/13/1966; Grade 4, Test S-D; Student that completed an answer sheet for VRA Project# RD-1483-S, Visible Speech for the Deaf; Test Film Strip #1on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Test Results and Charts (October 1966); Mean Scores for Tests #1-10-VRA Provect #RD-1483-S (June 1968)
Truex -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Tuarter? -- See: BELL LABS NOTEBOOK 1 (May '44)
Turner, Jimmy -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Tweet, Cathy (Kathy) -- on clinic's spring and fall 1975, spring and fall 1976, spring and fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Twiner, James -- on clinic's fall 1976 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Upham, Jennifer -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Usdane, William M. -- Chief, Division of Research and Demonstrations: Department of Health, Education, and Welfare - Social and Rehabilitation Service. See: Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968)
Vadersen, Charles W. -- learn to use recorder 04/11/1946; signed front of Visible Speech. See: BELL LABS NOTEBOOK 2 (JAN '45)
Van Adestine, Elizabeth -- first principal of Detroit Day School for the Deaf in 1898. See: Description of Detroit School for the Deaf (2/26/1963)
Van Adestine, Dr. Gertrude -- principal of Detroit Day School for the Deaf in 1924
Van Brie -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Van Buskirk, Mr. Clifford M. -- Grant and Contract Officer, Wayne State University; contacted about the grant continutation for Visible Speech for the Deaf on 5/31/1966; signed Application for Continuation of Grant for Project No. RD-1483-S (9/25/1963, 2/10/1966); worked on the George A. Kopp Memorial Fund in Dept. of Grants and Contracts, Wayne State University; received letter from HGK concerning the advisory board on 11/3/1969 and one from George Bohman on 11/17/1969 . See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970); Research Information About Project No. RD-1483-S (1964-1966); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)
Van Horn -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Van Riper, C. -- worked in the Western Michigan University Dept. of Speech Pathology and Audiology; contacted GAK about his research in stuttering on 9/11/1968; sent condolences on the death of George to HGK on 9/26/1968. See: Correspondence to George and Harriet Kopp from C.Van Riper (9/11/1968-9/26/1968)
Velazquez, Carlos -- Subject #12 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 27 overall in spring 1966 tests; grade 8 (1966-1967 school year); on list of Prospective Subjects grade 4-5; Male Test Subject; 10/12/1966; Grade 8B, Test 2. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966); Test Results and Charts (October 1966)
Vollmer, Alice -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)
Waisenen, Eva -- severly hypacaustic, experiment subject in U Mich study. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Walker, Alice -- taught HGK at Teachers College - Statistics of Inference. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)
Walker, Elizabeth Prescott -- Junior League of Detroit; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Walker, Ginger -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Wallace. Jr., R.L. -- Worker at Bell labs starting 03/20/1945; signed front of Visible Speech . See: BELL LABS NOTEBOOK 2 (JAN '45)
Ward, Iva -- London, England; came for instruction and demonstration on U Mich study, 2/6/1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Washington -- See: BELL LABS NOTEBOOK 1 (May '44)
Watkins, Stanley -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Weare, Christopher (Chris) -- on clinic's spring 1975 last; marked as dropped on fall 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Weaver -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)
Webber, Ernie -- charted with female test subjects. See: Charts and Spectrograph Results (female test subjects)
Wedal, Norm -- in Wayne State University's accounting department; send memo to GAK regarding balance of Account 303-2911 (VRA grant) on 6/10/1966. See: Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)
Weekes -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Weill, Hannah W. -- Secretary for Harriet Green Kopp, Chairman, Department of Speech Pathology, Audiology & Education of the Deaf. See: Visible Speech Manual (3/9/1967-12/5/1974)
Weinberg, Dr. Sal -- Philadelphia. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Weinberger, Caspar W. -- invited HGK to serve on the National Advisory Committee on the Handicapped of the Office of Education for a term lasting Oct 1973-June 1974. See: Correspondence from Caspar W. Weinberger to Harriet Kopp (10/11/1973)
Weiner, Milton -- Director, ACSW, Dept. of School Social Work; sent congratulatory letter to HGK on 5/26/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)
Wertzel, Mike -- on clinic's spring 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
Westerman, Mr. S. -- District Supervisor, Office of Vocational Rehabilitation; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Westerwick, Robyn -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)
White, Marian L. -- Author of Mental Age Norms for Vocabulary Scores in the 1937 Stanford-Binet - The Psychological Record Vol. 5, No. 5. Pamphlet included in Harriet Kopp's Masters Thesis. See: Harriet Kopp's Masters Thesis (April 1940)
Whitton, Harold -- Headmaster, Royal Schools for the Deaf (Manchester); sent a note HGK on 3/30/1969 thanking her for her hospitality in showing him her school and sharing her home. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)
Wildgen, Tommy -- severly hypacaustic, experiment subject in U Mich study. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Williams, Miss E. -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Williams, T.W. -- Asst. Pres of NY Telephone Bell Labs, demonstration participant 1/24/1946
Williams, Maureen -- ranked No. 14 among students who participated in less than 10 tests in spring 1966. See: Graphs of Students' Test Results (Spring 1966)
Williams, Pat -- Subject #24 in 1965 tests; grade 5, in Gardiner's homeroom class; on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)
Williams, Maureen -- Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)
Williams -- rep of Michigan Bell Telephone publications dept.; 10/10/1946 conference . See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)
Wilson -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Win -- Columbia Institute Deaf - Washington, DC. See: BELL LABS NOTEBOOK 2 (JAN '45)
Wishart, Dr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Witts -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Wojnarowski, Janice -- Subject #15 in 1965 tests; grade 8, Kane's homeroom class; noted as being a child with some introduction; ranked No. 10 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Wojnarowski, Joanne -- Subject #17 in 1965 tests; grade 8, Schmitz's homeroom class; ranked No. 49 overall in spring 1966 tests; on list of Prospetive Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Wolfe, Charles J. -- Executive Deputy Superintendent, Detroit Public Schools; sent HGK a congratulatory letter on 5/26/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)
Wolfram, Dr. B.R. -- president of Educational Media, Inc. See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)
Woodburne, Dr. Lloyd S -- Associate Dean, College of Literature, Science, and the Arts, University of Michigan; asked by G.E. Densmore on 5/29/1947 to defray costs to reimburse George Kopp's expenses accrued by presenting to a convention of the Association of American Instructors of the Deaf. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)
Wooden, Dr. -- 10/24/1946 demonstration. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947)
Wunsch, Ernest -- University of Detroit Law School Faculty; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)
Xu(a), Dr. Ma (Shuh) -- President, Peking/Beijing Medical College. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Yates -- See: BELL LABS NOTEBOOK 2 (JAN '45)
Yost, Janet -- age 16 (1947); severly hypacaustic, experiment subject in U Mich study; performance in Visible Speech Experiment #5 evaluated 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)
Zeilauf, Donald (Don) -- test subject - class 3B, age 10. See: Lip Reading Study (10/5/1943); Students' Spectrograms (fall 1943)
Zhoc, Dr. Gian -- Deputy Director of Foreign Relations, Assoc. Professor of Surgery, Beiging Medical College. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)
Zimmerman, Jane Dorsay -- Noted in the acknowledgements page of Harriet Kopp's doctoral dissertation for her interest and help in the project. See: Harriet Kopp's Doctoral Dissertation (1962)
Zisler, Janice -- ranked No. 33 overall in spring 1966 tests; grade 5 (1966-1967 school year). See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Zulczyk, Martin -- ranked No. 46 overall in spring 1966 tests; grade 5 (1966-1967 school year). See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)
Kopp Organizations
American Association of University Women -- Important Demonstration in U Mich Study, 11/18/1947. See: Bell Laboratories Notebook 1 (Box 2, Folder 8), Visible Speech Research Program (Box 3, Folder 11)
American Speech Correction Conference, Chicago -- 12/31/46 progress report. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)
ASH of H Convention -- See: Bell Laboratories Notebook 1 (Box 2, Folder 8)
Bruce School for the Deaf -- See: Bell Laboratories Notebook 2 (Box 2, Folder 11)
Hallowel Central Institute -- See: Bell Laboratories Notebook 2 (Box 2, Folder 11)
Horace H. Rackham School of Special Education -- University of Michigan Study Site. See: Proposed Visible Speech Program for the Rackham School (Box 3, Folder 18)
Lansing teachers -- 10/30/46 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)
University of Michigan Hospital Group -- Important Demonstration in University of Michigan Study (10/15/1947). See: How Funding Continued the Project at Ypsilanti (Box 3, Folder 1)
Michigan State School of the Deaf -- demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)
National Association for the Deaf -- Austin, TX. See: Bell Laboratories Notebook 2 (Box 2, Folder 11)
Pi Lamda Theta -- 12/11/46 illustrated talk. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)
Royal Canadian Commission of Education -- 1/22/47 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13), How Funding Continued the Program at Ypsilanti (Box 3, Folder 1)
St. Joseph's School of Nursing -- 10/24/46 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13), How Funding Continued the Program at Ypsilanti (Box 3, Folder 1)
St. Oln -- See: Bell Laboratories Notebook 1 (Box 2, Folder 8)
University of Michigan School of Nursing -- 11/20/46 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)
University of Michigan Speech Staff -- 12/6/46 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)
Empire State Association of the Deaf -- See: Bell Laboratories Notebook 2 (Box 2, Folder 11)
Union League of the Deaf -- 711 Eighth Avenue. See: Bell Laboratories Notebook 2 (Box 2, Folder 11)
Wayne County Health Guild -- 11/7/46 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13), How Funding Continued the Program at Ypsilanti (Box 3, Folder 1)
Women's Research Club -- University of Michigan; 1/6/47 illustrated talk. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13), How Funding Continued the Program at Ypsilanti (Box 3, Folder 1)
Ypsilanti -- See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13), How Funding Continued the Program at Ypsilanti (Box 3, Folder 1)
D. Van Nostrand Co. -- New York - Publisher of Visible Speech. See: Bell Laboratories Notebook 2 (Box 2, Folder 11)
Rackham School of Special Education at Michigan Normal -- housed spectrograph at the University Institute of Human Relations' speech clinic. See: Proposed Visible Speech Program for the Rackham School (Box 3, Folder 18)
Office of Vocational Rehabilitation, Dept. of Health, Education, and Welfare -- grant that supported RD-526 research. See: Progress Report for Grant #RD-526 (Box 3, Folder 30)
Provenance:
The collection was donated by Kathy Green and Philip Green in 2008.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.
Arrangement:
(Some of the titles are tentative). Papers relating to Alaska/Northwest Coast, including (1) Aleut; (2) Tlingit/Eyak; (3) Northern Athapascan (Beaver, Carrier, Chipewyan, Sarsi, Sekani, Cree); (4) Nicola/Thompson; (5) Lummi/Nespelem; (6) Duwamish; (7) Chimakum/Clallam; (8) Makah/Quileute; (9) Quinault/Chehalis/Cowlit; (10) Chinook/Chinook Jargon; (11) "Kwalhioqua-Tlatskanai"; (12) Tillamook, (13) Alsea/Siuslaw/Coos; (14) Southwest Oregon Athapascan (Chasta Costa, Chetco, Upper Coquille, "Gold Beach", Smith River, Tolowa, Tutini, Upper Umpqua), (14) Galice/Applegate; (15) Takelma, general and miscellaneous;
(16) Klamath; (17) Wiyot/Yurok/Mattole; (18) Coast Yuki/Northern and Central Pomo/Kato; (19) Coast Miwok; (20) Lake and Coast Miwok/Southeastern Pomo/Wappo; (21) Nisenan/Northern Sierra Miwok; (22) Southern Pomo/Central Sierra Miwok; (23) Karok/Shasta/Konomihu; (24) Chimariko/Hupo; (25) Achomawi/Atsugewi/Wintu/Yana; (26) Chamariko/Achomawi/Atsugewi/Wintu/Yana; (27) Costanoan (Chocheno, Mutsun, Tumsen); (28) Salinan (Antoinano, Migueleno); (29) Yokuts (Chunut, Tachi, Wikchamni, Yawdanchi, Yawelmani, Koyeti); (30) general and miscellaneous; papers relating to southern California and the Basin area,
including (31) Chumash (Barbareno, Cruzeno, Ineseno, Obispeno, Purisimeno, Ventureno); (32) Chauilla; (33) Chemehuevi; (34) Gabrielino; (35) Juaneno; (36) Kitanemuk; (37) Luiseno; (38) Serrano; (39) Tubatulabal; (40) Diegueno; (41) Mohave/Yuma; (42) general and miscellaneous; papers relating to the Southwest, including (43) Apache; (44) Hopi; (45) Jemez; (46) Acoma/Laguna; (47) Cochiti; (48) Navaho; (49) Pima/Papago; (50) Illeta; (51) Taos; (52) Picuris; (53) Tewa; (54) Zuni; (55) general and miscellaneous; papers relating to the Plains, including (56) Comanche; (57) Caddo/Pawnee/Wichita; (58) Dakota/Lakota; (59) Hidatso/Mandan/Crow;
(92) general and miscellaneous; notes and writings on special linguistic studies, including (93) correspondence; (94) financial records; (95) personal records; (96) poetry; (97) newspaper clippings; (98) printed material/reprints/photostats/microfilm; (99) maps; (100) photographs (101) sound recordings; (102) botanical specimens
Joseph S. Danner, Edward S. Davis, Ella C. Deloria, Frances Densmore, Paul Desiardins, Lydia Dornherr, Harry W. Dorsey, Frederick Huntington Douglas, David C. Dozi, Edward P. Dozi, Robert Drak Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucrlson Fenton, Jesse Walter Fewkes, Reginald G. Fisher, Barbara Freire-Marreco (see also Barbara Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, Ja Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, James A Geary, Otto William Geist,
Richard H. Geoghegan, Harold S. Gladwin, Pliny Earle Goddard, T. R. Goodwin, Howard W. Gorman, Blanche C. Grant, George Grasty, Louis H. Gray, Alexander Grigolia, Alexandra Gromoff, F. A. Gross, Ruther Gruber, Erwin G. Gudde, Grace Guest, Ralph Gustafson, Berard Haile, Alfred Irving Hallowell, Howard M. Hamblin, Lucile Hamner, Adelaide Harrington, Arthur Harrington, Awona Harrington, Edmund Ross Harrington, Elliot Harrington, Mark Raymond Harrington, Robert Fleming Heizer, Marta Herrera (Orozoco), Melville Jean Herskovits, Edgar Lee Hewett, George Gustave Heye,
Thomas Willing Hicks, Willard Williams Hill, William B. Hill, Philip K. Hitti, Hulda R. Hobbs (Heidel), Frederick Webb Hodge, Robert Hofsinde, W. C. Holden, Nils Homer, R. B. Horsefield, James Hovey, Grace Hudson, John W. Hudson, William Hughes, Edward P. Hunt, George Hunt, Wayne Henry (Wolf Robe) Hunt, Arnold J. Jacobins, Jean Allard Jge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf, uis Kroeber, Benjamin T. Kurtz, Walter and Hilda Kurze, Oliver LaFarge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf,
Boas Long, Ivan Alexis Lopatin, Robert Harry Lowie, Charles F. Lummis, Phoebe Maddux, Frank Marashulo, Frank Marr, John Marr, Edna P. Marsh, Gordon H. Marsh, William B. Marye, Elizabeth Mason, John Alden Mason, Anna P. Mattinger, Wayne L. Mauzy, William Ralph Maxon, Parker McKenzie, F. Romero Mendez, Clinton Hart Merriam, E. Vigo Mestres, Truman Michelson, Harry E. Miller, Ralph L. Milliken, William S. Mills, Willie Miranda, Albert Mohr, Dionisia Mondragon, Manuel Mondragon, Lucy Montgomery, Harriet Moore, Mildred C. Moore, R. E. Moore, Rosalind Moore, Carlos Morales, Marion Moreno, Sylvanus Griswold Morley, Philip A. Munz, O. J. Murie,
Roy Nash, Mrs. W. J. Nichols, Eugene A. Nida, Frans M. Olbrechts, Cornelius Osgood, Asbjorn P. Ousdal, Charles F. Outland, Henry E. Parmenter, Elsie Clews Parsons, A. W. Payne, Ellen Peace, Elizabeth Wells Pearce, Arthur B. Perkins, Mrs. Rodolphe Petter, Kenneth L. Pike, Arnold R. Pilling, Nellie B. Pipes, I. J. Pitman, J. O. Prescott, Erik Kellerman Reed, Nathaniel Julius Reich, Jane Richardson, Arthur Stanley Riggs, Frank Harold Hanna Roberts, Jr., Helen H. Roberts, Clarence M. Ruth, Everett Sanders, Edward Sapir, Charles F. Saunders, F. H. Saville, Paul Schumacher, Donald Scott, Blanche Seeley, Ettie Seeley, Elizabeth Shepley Sergeant,
A. W. Setychell, Jessie Shaw, Anna O. Shepard, Frank T. Siebert, Rita Siedenberg, Albion M. Sitton, Nich Sivonen, H. D. Skinner, Mrs. N. P. Sloan, Clement Smith, Stella Smith, Jack Snow, Maria Soto, Frank Gouldsmith Speck, Robert F. Spencer, Marjorie Spinks, Waldo C. Spraque, Winifred Stamm, Moses Steinberg Marian Stirling, Matthew Williams Stirling, William Duncan Strong, Edgar Howard Sturtevant, Georgianna Barbara Such, John R. Swanton, Turkey Tayac, Douglass Taylor, Lincoln Thompson, Morjorie L. Tichy, Janet Tietjins, Bennie Tilden, J. R. R. Tolkien, W. Cameron Townsend, George L. Trager, Lovell B. Triggs, Edwin H. Tuttle,
Ruth Underhill, Richard Fowler Van Valkenburgh, Rosendo Vargas, Charles Frederick Voegelin, Paul Vogenitz, James W. Waldo, Paul A. F. Walter, Althea Warren, Fred Washington, Thomas Talbot Waterman, Edith White, Joseph J. White, Leslie A. White, Grace T. Whiting, Robert B. Whitsett, Benjamin Lee Whorf, H. E. Williams, William L. Wonderly, Arthur Woodward, Robert W. Young, and Father Zephyrin of the Santa Barbara Mission.
Restrictions:
The John Peabody Harrington papers are open for research.
Access to the John Peabody Harrington papers requires an appointment.
Language and languages -- Documentation Search this
Genre/Form:
Sound recordings
Maps
Stats (copies)
Newspaper clippings
Printed material
Photographs
Botanical specimens
Field notes
Correspondence -- 1930-1950
Financial records
Personal records
Poetry
Writings
Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.
However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
The 19 scrapbooks in this series are the collection's main source of Macbeth Gallery exhibition catalogs and related news clippings. Although incomplete, the scrapbooks provide fairly comprehensive coverage of the gallery's history and include material on day-to-day events at the gallery as well as important occasions such as the gallery's fortieth, fiftieth and sixtieth anniversaries, news of the art world in general and some photographs. Some of the scrapbooks also contain printed material related to art, exhibitions and events elsewhere. Many of the exhibition catalogs found here are annotated with prices and other notes. Notably missing is the catalog for the 1908 exhibition, The Eight.
See Appendix for a list of Macbeth Gallery exhibitions documented in Series 5: Scrapbooks.
Arrangement:
As some of the dates of the scrapbooks overlap, they were numbered 1-19 for clarity. The scrapbook cover for #3 is housed in Box 120, and the contents are housed in Box 122.
Appendix: Macbeth Gallery Exhibitions Documented in Scrapbooks:
This chronological list of Macbeth Gallery exhibitions is extensive, but incomplete. While an attempt has been made to establish the accuracy of the information provided here, dates and titles of exhibitions are not guaranteed to be accurate. Most of the exhibitions listed here are documented in the scrapbooks through exhibition catalogs and/or invitations, lists of artwork and news clippings. The list is annotated with AAA microfilm reel and frame numbers to assist researchers in locating material on specific exhibitions.
Scrapbook 1, 1892-1901
Dec. 7-21, 1892 -- Water Colors by American Artists (NMc1: 273-275)
Jan.23-Feb.11, 1893 -- Landscapes in Oil (NMc1: 276-277)
Feb. 27-Mar. 18, 1893 -- Landscapes in Oil by William Keith (NMc1: 278-279)
Mar. 20-Apr. 8, 1893 -- Watercolors by Dutch Artists (NMc1: 281-282)
Nov. 8-29, 1893 -- Second Annual Exhibition of Watercolors by American Artists (NMc1: 283-285)
Dec. 2-16, 1893 -- Drawings in Watercolors and in Black and White by C. R. Grant and Wilson De Meza (NMc1: 287-290)
Jan. 20-Feb. 3, 1894 -- Pictures and Sketches by Anton Mauve (NMc1: 291-292, 311-313)
Feb. 6-17, 1894 -- Paintings by Henry W. Ranger (NMc1: 295-296)
Jan. 21-Feb. 2, 1901 -- Pictures and Portraits by Wilbur A. Reaser (NMc1: 385)
Feb. 25-Mar. 9, 1901 -- Frederick Ballard Williams (NMc1: 394-395)
Feb. 4-16, 1901 -- Landscapes by Alexander H. Wyant and George Inness (NMc1: 390-391)
May 9-31, 1901 -- Paintings by Arthur B. Davies (NMc1: 400-402)
Nov. 29-Dec. 14, 1901 -- Watercolors, Color Prints from Wood Blocks and Etchings Printed in Color by Helen Hyde (NMc1: 405-406)
Scrapbook 2, 1893-1898
Primarily news clippings.
Scrapbook 3, 1902-1910
Feb. 3-15, 1902 -- Private Collection of American Pictures (NMc1: 2-5)
Mar. 17-29, 1902 -- Some Phases of London When the Lamps Are Lighted, Done in Pastel by Fernand Lungren (NMc1: 10-13)
Mar. 31-Apr. 5, 1902 -- Group of Pictures by Sidney Starr (NMc1: 13)
Apr. 1-12, 1902 -- Pictures by Robert Henri (NMc1: 15-16)
Apr. 14-26, 1902 -- Drawings by Jane Erin Emmet (NMc1: 21-22)
Apr. 28-May 11, 1902 -- Landscapes by W. L. Lathrop (NMc1: 20)
Jan 19-31, 1903 -- Drawings and Sketches by Homer D. Martin, 1836-1897 (NMc1: 27)
Jan. 27-Feb. 11, 1905 -- Pictures by William Sartain (NMc1: 37-39)
Feb. 23-Mar. 8, 1905 -- Paintings by Arthur B. Davies (NMc1: 62-64)
May 1-6, 1905 -- Oil Paintings by American Artists from the Macbeth Gallery (at the Galleries of George D. Brodhead, Rochester, NY) (NMc1: 69-72)
Jan 29-Feb. 10, 1906 -- Abbot H. Thayer and Gladys Thayer (NMc1: 77-78)
Feb. 19-Mar. 3, 1906 -- Pictures by Charles H. Davis (NMc1: 79-80)
Mar. 10-24, 1906 -- Stephen Parrish (NMc1: 81-82)
Nov. 9-24, 1906 -- A Group of American Paintings (NMc1: 91-92)
Jan. 11-26, 1907 -- Paintings by William Sartain (NMc1: 100-101)
Feb. 1-16, 1907 -- Paintings by Paul Dougherty (NMc1: 105-106)
Feb. 23-Mar. 9, 1907 -- Paintings by Charles H. Davis (NMc1: 107-108)
Mar. 11-23, 1907 -- Portraits by Ellen Emmet (NMc1: 112-113)
Mar. 28-Apr. 3, 1907 -- Paintings by William Keith (NMc1: 115-117)
Nov. 11-23, 1907 -- Paintings by Augustus Vincent Tack (NMc1: 124-125)
Nov. 27-Dec. 12, 1907 -- Paintings by John La Farge (NMc1: 127-131)
Jan. 6-18, 1908 -- Paintings by Jerome Myers (NMc1: 133-134)
Jan. 20-Feb. 1, 1908 -- Paintings by Paul Dougherty (NMc1: 137-138)
Feb. 3-15, 1908 -- Exhibition of Paintings by Arthur B. Davies, William J. Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice B. Prendergast, Everett Shinn, John Sloan (NMc:142-143 Catalog missing from scrapbook)
Feb. 19-Mar. 7. 1908 -- Forty Selected Paintings by Living American Artists (NMc1: 147-149)
Mar. 11-24, 1908 -- Paintings by a Group of American Artists (Deceased), Copley to Whistler (NMc1: 151-152)
1908 -- Kwaunon Meditating on Life by John La Farge (NMc1: 155)
Nov. 10-25, 1908 -- Paintings by Howard Pyle (NMc1: 158-159)
Nov. 27-Dec. 10, 1908 -- Paintings by Charles Melville Dewey (NMc1: 161-162)
Dec. 15-31, 1908 -- Bronzes by a Group of American Artists (NMc1: 165-166)
Jan. 7-21, 1909 -- Forty Selected Paintings by Living American Artists (NMc1: 168-169)
Jan. 22-Feb. 4, 1909 -- Paintings by Henry W. Ranger (NMc1: 171-172)
Feb. 5-18, 1909 -- Paintings by Paul Dougherty (NMc1: 176
Feb. 19-Mar. 4, 1909 -- Arthur B. Davies (NMc1: 178)
Mar. 5-Mar. 18, 1909 -- Paintings by Charles H. Davis, N.A. (NMc1: 183-184)
Mar. 19-Apr. 1, 1909 -- A Group of Figure Subjects by Blendon Campbell, Charles W. Hawthorne, Robert Henri, George Luks, Kenneth Miller (NMc1: 186-187)
Apr. 2-15, 1909 -- Paintings by Louis Loeb (NMc1: 188-189)
Apr. 16-29, 1909 -- Paintings by a Group of Boston Artists (NMc1: 191-192)
May 10-22, 1909 -- Paintings by American Artists from the Macbeth Galleries, New York [at Findlay Art Co., Kansas City, MO] (NMc1: 195-197)
Nov. 18-Dec. 4, 1909 -- Paintings by Albert P. Lucas (NMc1: 203-205)
Dec. 7-24, 1909 -- Watercolors and Pastels by American Artists (NMc1: 207-210)
Dec 7-24, 1909 -- Second Annual Exhibition of Bronzes by American Sculptors (NMc1: 211-212)
Jan. 6-19, 1910 -- Sixteen Paintings of the Cornish Coast by Paul Dougherty (NMc1: 213-215)
Jan. 20-Feb. 2, 1910 -- Paintings by Mary Curtis Richardson of San Francisco (NMc1: 218-220)
Jan. 20-Feb. 2, 1910 -- First Exhibition of Paintings by Ben Foster (NMc1: 216-218)
Feb 3-16, 1910 -- Landscapes and Figures by Frederick Ballard Williams (NMc1: 227-229)
Feb. 3-16, 1910 -- Spanish Paintings by F. Luis Mora (NMc1: 225-227)
Feb. 17-Mar. 2, 1910 -- The Fur Jacket by J. McNeill Whistler (NMc1: 231-232)
Feb. 17-Mar. 2, 1910 -- Paintings by William Sartain (NMc1: 233-235)
Mar. 3-16, 1910 -- Fourteen Landscapes by Charles H. Davis (NMc1: 237-239)
Mar. 3-16, 1910 -- Recent Portraits by Cecilia Beaux (NMc1: 239-240)
Mar. 17-30, 1910 -- Paintings by Hermann Dudley Murphy (NMc1: 244-246)
Mar. 17-30, 1910 -- Figure Paintings by Charles W. Hawthorne (NMc1: 242-244)
Mar. 31-Apr. 13, 1910 -- Paintings of Baily's Island by Frederick J. Waugh (NMc1: 249-251)
Mar. 31-Apr. 13, 1910 -- Nineteen Landscapes by Chaucey F. Ryder (NMc1: 247-249)
Apr. 14-27, 1910 -- George B. Luks (NMc1: 253-255)
Apr. 30-May 14, 1910 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc1: 259-262)
Scrapbook 4, 1907-1913
Primarily news clippings.
Scrapbook 5, 1910-1915
Nov. 3-16, 1910 -- Recent Paintings by Charles W. Hawthorne (NMc2: 1-2)
Nov. 17-30, 1910 -- The Navajo Country in Watercolors by Frederick J. McComas (NMc2: 4-6)
Dec. 6-24, 1910 -- Watercolors, Pastels and Small Bronzes (NMc2: 7-14)
Jan. 5-18, 1911 -- Portraits by Ellen Emmet (NMc2: 15-16)
Jan. 19-Feb. 1, 1911 -- Paintings by Henry B. Snell (NMc2: 17-24)
Feb. 2-22, 1911 -- A Group of Thirty Selected Paintings (NMc2: 25-28)
Feb. 23-Mar. 8, 1911 -- A Group of Forty Selected Paintings (NMc2: 29-32)
Mar. 9-22, 1911 -- Paintings by Charles H. Davis, Paul Dougherty, Daniel Garber, William Sartain, F. Ballard Williams (NMc2: 33-35)
Mar. 23-Apr. 5, 1911 -- A Group of Paintings by Ben Foster, Albert L. Groll, Leonard Ochtman, Chauncey F. Ryder, Gardner Symons (NMc2: 36-38)
Apr. 8-22, 1911 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc2: 39-42)
Nov. 16-29, 1911 -- Landscapes, Marines and Wood Interiors by Robert Henri (NMc2: 45-48)
Dec. 6-30, 1911 -- Small Bronzes by American Sculptors (NMc2: 49-52)
Dec. 2-15, 1913 -- Second Exhibition by the Society of Men Who Paint the Far West (NMc2: 172-176)
Jan. 1914 -- Drawings of Game Birds by Frank W. Benson (NMc2: 179-180)
Jan. 6-19, 1914 -- Paintings by Emil Carlsen, Paul Dougherty, Frederick C. Frieseke, Childe Hassam, Willard L. Metcalf, Kenneth H. Miller, J. Alden Weir (NMc2: 179, 181-183)
Feb. 10-Mar. 2, 1925 -- Water Colors of Egypt and Jerusalem by Taber Sears (NMc3: 126, 129-130)
Feb. 10-Mar.2, 1925 -- The New England Year in Paintings by Charles H. Davis (NMc3: 126-128)
Mar. 3-23, 1925 -- Paintings by E. W. Redfield (NMc3: 131-133)
Mar. 24-Apr. 13, 1925 -- Paintings by Daniel Garber (NMc3: 135-138)
Apr. 14-May 4, 1925 -- Recent Paintings by Robert Henri (NMc3: 140-143)
Apr. 14-May 4, 1925 -- C. W. Hawthorne: Watercolors of Bermuda (NMc3: 139)
Oct. 13-26, 1925 -- Collection of American Masters Loaned for Exhibition (NMc3: 152-154)
Oct. 27-Nov. 16, 1925 -- Memorial Exhibition of Paintings by the Late William Sartain (NMc3: 155-158)
Nov. 7-23, 1925 -- Paintings by Contemporary American Artists Loaned by the Macbeth Galleries, New York, Engaged by the Muncie Art Students' League, Muncie, Indiana (NMc3: 147-148)
Nov. 17-Dec. 7, 1925 -- Paintings by DeWitt and Douglass Parshall (NMc3: 159-162)
Dec. 4-31, 1925 -- Easel Paintings by American Artists, Loaned by Macbeth Galleries to the Springfield Art Association (NMc3: 205, 207)
Dec. 8-Jan. 4, 1926 -- Watercolors by Distinguished American Artists (NMc3: 163-166)
Jan. 5-25, 1926 -- Recent American Portraits (NMc3: 168, 172-173)
Jan. 5-18, 1926 -- American Society of Miniature Painters, 27th Annual Exhibition (NMc3: 168-171)
Jan. 26-Feb. 15, 1926 -- Paintings by Jonas Lie (NMc3: 176-179)
Jan. 26-Feb. 15, 1926 -- First Exhibition of Paintings by John Huffington (NMc3: 176, 180-181)
Feb. 7-Mar. 17, 1926 -- Exhibition of Oil Paintings by American Artists Lent by the Macbeth Galleries to the Utica Public Library Art Gallery (NMc3: 205-206)
Feb. 16-Mar. 8, 1926 -- New Paintings by Charles W. Hawthorne (NMc3: 186-189)
Feb. 16-Mar. 8, 1926 -- Chauncey F. Ryder (NMc3: 184)
Jan. 18-31, 1927 -- Watercolors by John Lavalle of Boston (NMc3: 253-255)
Jan. 22-Feb. 7, 1927 -- Crapo Gallery Opening Exhibition: Thirty Paintings by Thirty Artists assembled by Macbeth Gallery at Swain School, New Bedford, Mass. (NMc3: 245-249)
Feb. 1-14, 1927 -- Recent Paintings by Frank W. Benson (NMc3: 259-262)
Feb. 2-14, 1927 -- American Society of Miniature Painters, 28th Annual Exhibition (NMc3: 253, 256-258)
Feb. 8-26, 1927 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc. at Anderson Galleries (Macbeth Gallery one of nine participants (NMc3: 263, 265-271)
Feb. 15-28, 1927 -- New Paintings by Chauncey F. Ryder (NMc3: 278-281)
Mar. 1-14, 1927 -- Watercolors by Aiden L. Ripley (NMc3: 282, 286)
Mar. 1-14, 1927 -- Paintings by a Group of Members of the Guild of Boston Artists (NMc3: 282-285)
Mar. 15-28, 1927 -- Paintings by Malcolm Parcell (NMc3: 287-290)
Mar. 15-28, 1927 -- Recent Pastels of Chartres by Carl Schmidt (NMc3: 287)
Mar. 29-Apr. 18, 1927 -- Thirty-fifty Anniversary Exhibition, Retrospect and Prospective (NMc3: 291-294)
Apr. 19-May 9, 1927 -- Frank A. Brown, Watercolors (NMc3: 296, 302-303)
Aug. 22-Sept. 5, 1927 -- American Art Exhibition arranged for Eastern Long Island by the Macbeth Gallery at Southampton, NY (NMc3: 297-301)
Oct. 18-29, 1927 -- American Art Exhibition, Art League of Fort Worth, Assembeled by the Macbeth Gallery (NMc3: 304, 306-311)
Oct. 18-31, 1927 -- Etchings by Walter Raymond Duff (NMc3: 313-315)
Oct. 18-31, 1927 -- Paintings by Max Bohm (NMc3: 313-315)
Nov. 1-14, 1927 -- Yankee Whalers by Clifford W. Ashley (NMc3: 316-317)
Scrapbook 11, November 1927-June 1930
Nov. 15-28, 1927 -- Paintings of Mallorca by Bernhard Gutmann (NMc3: 319-320)
Nov. 15-28, 1927 -- Paintings of Flowers by Carle J. Blenner (NMc3: 319, 321)
Nov. 29-Dec. 12, 1927 -- The Bathers , Paintings by William S. Horton (NMc3: 322-325)
Nov. 29-Dec. 12, 1927 -- Sidewalks of New York, Chalk Drawings by H. Devitt Welsh (NMc3: 326-327)
Dec. 13-31, 1927 -- Joint Exhibition of Paintings by Daniel Garber and Stanley Woodward (NMc3: 328)
Jan. 3-23, 1928 -- Recent Paintings by Jonas Lie (NMc3: 329-330)
Jan. 24-Feb. 13, 1928 -- Watercolors by John Lavalle (NMc3: 332-334)
Jan. 24-Feb. 13, 1928 -- Walter Ufer: Pictures from Taos (NMc3: 332, 334)
Jan. 24-Feb. 6, 1928 -- American Society of Miniature Painters, 29th Annual Exhibition (NMc3: 337-340)
Feb. 7-21, 1928 -- Small Pictures of Mountain and Sea by Jay Connaway (NMc3: 342)
Feb. 14-27, 1928 -- The Canadian Rockies by Belmore Brown (NMc3: 342-343)
Feb. 14-27, 1928 -- Sculpture by Gleb Derujinsky (NMc3: 342-344)
Feb. 21-Mar. 5, 1928 -- Watercolors of Venice, Spain and Brittany by Frank A. Brown (NMc3: 351-356)
Feb. 21-Mar. 10, 1928 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc., at Anderson Galleries; Macbeth Gallery one of sixteen participants (NMc3: 346-352)
Feb. 25-Mar. 17, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at Grand Rapids Art Gallery (NMc3: 385-387)
Feb. 28-Mar. 12, 1928 -- Paintings by Frank L. Schenk, 1856-1927 (NMc3: 357-358)
Mar. 20-Apr. 2, 1928 -- Lanscapes of Italy by A. Sheldon Pennoyer (NMc3: 366, 368)
Mar. 20-Apr. 9, 1928 -- Recent Landscapes, Switzerland and Other Subjects by Carl Lawless (NMc3: 366-367)
Apr. 2-15, 1928 -- Water Colors by Earl Winslow (NMc3: 355)
Apr. 10-30, 1928 -- St. Ives by Hayley Lever (NMc3: 369)
Apr. 29-May 20, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at the University of Wyoming (NMc3: 385-386)
Spring, 1928 -- American Painting for Home Decoration (NMc3: 370-377)
Oct. 16-29, 1928 -- The Canadian Rockies in Watercolors by J. Olaf Olson (NMc3: 389-392)
Nov. 7-24, 1928 -- Etchings by Sears Gallagher (NMc3: 393)
Nov. 13-26, 1928 -- Sand Dunes and Flowers by Frederick Lowell (NMc3: 393-394)
Nov. 26-Dec. 17, 1928 -- Etchings by Carlton T. Chapman (NMc3: 395)
Nov. 27-Dec. 10, 1928 -- Portraits by Ernest L. Ipsen (NMc3: 396-397)
Dec. 4-31, 1928 -- Etchings by Margery A. Ryerson (NMc3: 395)
Dec. 11-24, 1928 -- Landscapes in Watercolor and Gouache by H. Anthony Dyer and Character Studies in Watercolor and Pastel by Nancy Dyer (NMc3: 398-400)
Jan. 2-14, 1929 -- Figures and Landscapes by the Late J. Alden Weir, 1852-1929 (NMc3: 401-402)
Jan. 15-28, 1929 -- Paintings by H. Dudley Murphy; Watercolors by Nellie Littlehale Murphy (NMc3: 404-405)
Jan. 15-28, 1929 -- Portraits by William James (NMc3: 406-407)
Feb. 4-18, 1929 -- Twenty-five Etchings by Harold Denison (NMc3: 410, 416-417)
Feb. 5-18, 1929 -- Paintings by Emil Carlsen and Dines Carlsen (NMc3: 408-409)
Mar. 5-18, 1929 -- Marine Paintings by Stanley W. Woodward (NMc3: 419-423)
Mar. 19-Apr. 1, 1929 -- Watercolors by Frederick C. Frieseke (NMc3: 424-425)
Mar. 19-Apr. 1, 1929 -- Pastels of Louisiana by Will H. Stevens (NMc3: 424)
Apr. 1929 -- Paintings by Childe Hassam (NMc3: 433-438)
Apr. 2-15, 1929 -- Paintings by Arthur Meltzer (NMc3: 431)
Apr. 2-15, 1929 -- Watercolors by Earle B. Winslow (NMc3: 431)
June, 1929 -- Old Mill Afternoon by Childe Hassam, Ainslie Galleries, Inc., Detroit in collaboration with Macbeth Gallery (NMc3: 465-467)
Oct. 1-14, 1929 -- Portraits in Oil and Pastel by Paul Swan (NMc3: 472-473)
Oct. 15-28, 1929 -- Exhibitions from the Summer Colonies: No. 1, Lyme (NMc3: 476-477)
Oct. 19-29, 1929 -- Milch-Macbeth Exhibition of Prints and Paintings by American Artists at the High Museum under the auspices of the Atlanta Art Association (NMc3: 462)
Oct. 20-Nov. 11, 1929 -- Memorial Exhibition of Paintings by John Huffington (NMc3: 476-479)
Nov. 12-25, 1929 -- Exhibition from the Summer colonies: No. 2, Selections from the North Shore Arts Association of Gloucester (NMc3: 480-481)
Nov. 26-Dec. 3, 1929 -- Recent Landscapes by Charles H. Davis (NMc3: 482-483)
Dec. 10-Dec. 23, 1929 -- Watercolors by J. Olaf Olson (NMc3: 484-486)
Dec. 24-Jan. 6, 1930 -- Exhibitions from the Summer Colonies: No. 3, Mystic (NMc3: 487-488)
Jan. 7-20, 1930 -- Paintings of Wyoming Days and Nights by Ogden N. Pleissner (NMc3: 490, 492)
Jan. 21-Feb. 3, 1930 -- Landscapes by Aldro T. Hibbard (NMc3: 490-491)
Feb. 8-21, 1938 -- Vermont in Watercolors by Stanford Stevens (NMc4: 541-542)
Feb. 8-21, 1938 -- Modern American Interior: Prizewinning Design and Selected Drawings from a Competition Sponsored by James H. Blauvet and Associates, Interior Designers (NMc4: 543)
Feb. 23-Mar. 7, 1938 -- Herbert Dickens Ryman (NMc4: 546)
Mar. 1-14, 1938 -- Paintings and Watercolors by Anne Goldthwaite (NMc4: 546-547)
Mar. 8-21, 1938 -- Recent Watercolors of Woodstock, Charleston, New England by John W. Taylor (NMc4: 548-549)
Mar. 22-Apr. 11, 1938 -- Jon Corbino (NMc4: 554-561)
Apr. 12-25, 1938 -- Paintings by Ohio Artists (NMc4: 580-571)
Apr. 26-May 9, 1938 -- Paintings by Furman Joseph Finck (NMc4: 572-573)
May-June 1938 -- Winslow Homer: Watercolors and Early Oils from the Estate of Mrs. Charles S. Homer and Other Sources (NMc4: 574-579)
Oct. 4-28, 1938 -- Opening Exhibition (NMc4: 581)
Nov. 1-23, 1938 -- Dale Nichols, Watercolors and Tempera of Alaskan Subjects (NMc4: 582-583)
Nov. 29-Dec. 19, 1938 -- Sea Island Country Watercolors by Horace Day (NMc4: 584)
Jan. 10-30, 1939 -- Herbert Meyer (NMc4: 588-589)
Feb. 7-27, 1939 -- American Watercolors Past and Present (NMc4: 592-597
Mar. 7-Apr. 3, 1939 -- Monhegan by Jay Connaway (NMc4: 602-603)
Apr. 5-24, 1919 -- Oils and Watercolors by Ogden M. Pleissner (NMc4: 606-607)
May 2-22, 1939 -- Paintings by Francis Chapin, Antonio P. Matino, and Moses Soyer and Drawings by Jon Corbino (NMc4: 609-611)
Fragile original scrapbooks are closed to researchers. For more information, please contact Reference Services.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Grant Program. Digitization of the scrapbooks was supported by a grant from the Smithsonian Institution Women's Committee. Correspondence, financial and shipping records, inventory records, and printed material were digitized with funding provided by the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, the Terra Foundation for American Art and The Walton Family Foundation.
A tropical rain forest a study of irradiation and ecology at El Verde, Puerto Rico Howard T. Odum, editor and project director ; Robert F. Pigeon, associate editor
Author:
Odum, Howard T (Howard Thomas) 1924-2002 Search this
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program. Funding for the digitization of two motion picture films was provided by the Smithsonian Women's Committee, and for the remaining sound and video recordings from the Smithsonian's Collection Care Pool Fund. Funding for the digitization of the collection, not including audiovisual materials, was provided by The Walton Family Foundation and the Terra Foundation for American Art.
The papers of Joseph Cornell (1903-1972) measure approximately 24.9 linear feet and date from 1804 to 1986 with the bulk of the material dating from 1939-1972. The collection documents the life, work, interests, and creative activities of the self-taught artist, who was best known for his shadow box constructions, assemblages, and collages. Papers include correspondence, diaries, source material, notes, writings, photographs, printed material, two- and three-dimensional ephemera, art works, and books, as well as a limited amount of legal and financial records, and some miscellaneous personal and family papers. The collection also includes the papers of his sister, Betty Cornell Benton, relating to the handling of Cornell's estate and the personal papers of his brother, Robert Cornell.
Scope and Content Note:
The Joseph Cornell papers measure approximately 24.9 linear feet and date from 1804 to 1986, with the bulk of the material dating from 1939-1972. The collection documents the life, work, interests, and creative activities of the self-taught artist, who was best known for his shadow box constructions, assemblages, and collages. Papers include correspondence, diaries, source material, notes, writings, photographs, printed material, two- and three-dimensional ephemera, art works, and books, as well as a limited amount of legal and financial records, and some miscellaneous personal and family papers (which comprise a series of biographical material). The collection also includes the papers of his sister, Betty Cornell Benton, relating to the handling of Cornell's estate and the personal papers of his brother, Robert Cornell.
Cornell's correspondence is typically with family, friends, artists, dealers, collectors, galleries, museums, admirers, individuals whom he admired, "helpers," and various charitable institutions. Correspondence generally concerns the creation, exhibition, sale, and reception of Cornell's art work; his "explorations" and other research and collecting activities; his preoccupations with certain individuals and motifs; his usual practices of giving gifts of art work to those he liked or admired and making donations to charities in aid of those less fortunate; and his relationships and shared interests with family, friends, and colleagues. Also found is correspondence between and amongst various other members of the Cornell family, including, most notably, Robert Cornell's letters to his sisters, Elizabeth (typically addressed as Nell) and Helen.
Dating from 1941 to 1972, Cornell's diaries span almost the entirety of his career as an artist, which began in earnest when he left his job at the Traphagen textile studio in 1940 to pursue art full-time and ended with his death in 1972. The diaries record his day-to-day experiences (usually comprising his thoughts, feelings, impressions, and ideas); and reflect on his various art projects (boxes, films, and collages) and creative activities ("explorations," and various other research, collecting, and publishing ventures). They also explore many of the themes and underlying concerns of his art work; and document his intense preoccupations with certain individuals, his wide-ranging interests, and the interconnectedness of his ideas and activities. Cornell's style of writing in the diaries tends to be stream-of-conscious with entries being composed of phrases, rather than complete sentences and with the progression of passages being more poetic and associative than either logical or narrative. He tended to compose by hand, occasionally typing up his notes into more formal entries, and also to use abbreviations for oft-repeated words and initials for individuals. At times, his handwriting can be difficult to read, and his references can be difficult to decipher. It was also common practice for him to review or revisit previous entries at various points in time, often making revisions or comments on them with dated annotations in the margins or on the reverse side of a page.
Cornell's source material is largely comprised of files of newspaper and magazine clippings, cutouts, notes, writings, book excerpts, photostats (or stats), prints, postcards, art reproductions, and other printed material. Some files are devoted to people (ballerinas, actresses, singers, artists, and writers) and topics (astronomy, romantic and modern ballet, birds, films, literature, music, plants, and science, among others). Other files relate to specific art works, "explorations," publishing projects, and exhibitions. Source material documents Cornell's preoccupation with certain individuals (past and present), events, subjects, and motifs; the development of some of his major "explorations" and their influence on his various artistic and commercial projects; and his work on certain box constructions and collages, publishing ventures, and exhibition catalogues. Source material also sheds light on Cornell's efforts to gain access to the past; his interest in the symbolism of images and objects; the linkages he found between seemingly unrelated things; and the connections between his many creative endeavors.
Ephemera and artifacts include various objects, mementos, and items of memorabilia, some of which were accumulated by Cornell (in much the same way that he collected his source material) and some of which are of uncertain origin. For Cornell, items such as these were not merely inanimate objects, but were instead evocative of past worlds and capable of bringing the past into the present (an idea which he often expressed in his diaries as the "metaphysique d'ephemera"). He seems to have used some of these items in a layout he designed for Good Housekeeping. Other items may have been used as source material for some of his box constructions.
The collection also houses photographs of Cornell, his family, art work, other artists, and friends, as well as photographs taken by various individuals and publicity photographs from the New York City Ballet. Also found are scattered works of art, including collage fragments and Rorschachs (or ink blot drawings) by Cornell, collages by Cornell's sister, Betty Cornell Benton, on which he collaborated, and a box by Christine Kaufman, which was a gift to Cornell. The books in the collection most likely comprise the remainder of Cornell's library, which was transferred to the Joseph Cornell Study Center, and include some that seem to have belonged to his sister, Betty. Printed material includes various publications and clippings collected by Cornell apart from that which he collected as source material. Writings about Cornell include an article by the poet, Mina Loy, and copies of various theses, presentations, and articles by graduate students in art history received by Benton (who assisted them in their research).
The Joseph Cornell Estate Papers consist of correspondence relating to Betty Cornell Benton's administration of the part of Cornell's estate for which she was responsible and legal documents relating to her various legal disputes with the executors of the estate, as well as a limited amount of printed material, some of which was originally accumulated by Cornell and subsequently shared with Benton, and miscellaneous papers belonging to Benton and their mother, Helen S. Cornell. Estate Papers provide insight on the exhibition and sale of Cornell art works after his death; the disposition of his belongings (including art work, papers, books, records, and source material); and Benton's efforts to foster and safeguard the memory and legacy of Cornell. The Robert Cornell Papers include correspondence, writings, art works, photographs, printed material, and scattered financial and personal records, documenting the full and creative life Robert led despite being confined to a wheelchair. Their inclusion in the collection suggests the family's effort to foster Robert's memory.
Arrangement:
The collection is arranged into eleven series:
Missing Title
Series 1: Biographical Material, 1918-1972, 1975 (Box 1; 0.8 linear feet)
Series 2: Correspondence, 1909-1982 (Boxes 1-5, OV 31; 4.3 linear feet)
Series 3: Diaries, 1941-1973 (Boxes 6-10; 5 linear feet)
Series 4: Source Material, 1804-1972 (Boxes 11-18, 25-28, OV 29; 8.5 linear feet)
Series 5: Ephemera and Artifacts, 1858-1946 (Boxes 18, 23; 0.8 linear feet)
Series 6: Photographs, circa 1905-1972 (Boxes 18, 28, OV 30; 0.3 linear feet)
Series 7: Art Works, circa 1966-1971 (Boxes 19, 23; 0.2 linear feet)
Series 8: Books and Printed Material, 1806-1968 (Boxes 19, 23; 0.5 linear feet)
Series 9: Writings about Cornell, 1950, circa 1975-1980 (Box 19; 0.3 linear feet)
Series 10: Joseph Cornell Estate Papers, circa 1911, 1944-1986 (Boxes 19-22; 3.5 linear feet)
Series 11: Robert Cornell Papers, 1924-1965 (Boxes 24, 28; 0.4 linear feet)
Biographical Note:
Joseph Cornell, assemblagist, collagist, and filmmaker, was born on December 24, 1903 in Nyack, New York. He was the oldest son of Joseph I. Cornell, a textile salesman and designer, and Helen Storms Cornell, and had two younger sisters, Elizabeth (b. 1905), nicknamed Nell and later Betty, and Helen (b. 1906), and a younger brother, Robert (b. 1910), who suffered from cerebral palsy. Cornell shared close relationships with his siblings, and was especially attached to his brother whom he took care of as an adult. His fondest childhood memories included family Christmas celebrations, outings to Manhattan where he saw vaudeville shows and strolled around Times Square, and trips to Coney Island where he encountered penny arcade machines. These childhood memories, among others, inspired some of the themes later explored in his art work.
After his father's death in 1917, Cornell was sent to study at the Phillips Academy in Andover, Massachusetts. He remained there for four years, but left without receiving a diploma. During this time, the family moved from Nyack to Bayside, Queens, where they lived in a series of rented houses. Cornell rejoined his family in 1921, at which time he went to work as a salesman in the Manhattan office of a textile wholesaler, the William Whitman Company. He joined the Christian Science church in the mid-1920s, and in 1929, the family bought a house at 37-08 Utopia Parkway in Flushing, where he resided for the rest of his life, living there with his mother and brother after both his sisters married and moved away.
During the 1920s, Cornell developed his passion for walking the city streets and taking in their sights, sounds, and impressions; browsing in the secondhand bookshops along Fourth Avenue; and collecting material such as books, prints, postcards, and printed and three-dimensional ephemera. He cultivated his growing interest in culture and the arts by attending opera and ballet performances, seeing plays (the 1922 play Rain, which starred Jeanne Eagels, was among his favorites), visiting galleries and museums, reading, and going to the movies.
In 1931, Cornell began to frequent the Julien Levy Gallery, where he encountered Surrealist art for perhaps the first time. Around this time, he created his first works of art - a series of black-and-white collages composed from cutouts of nineteenth-century engravings - inspired by Max Ernst's collages, in particular his collage-novel, La Femme 100 tetes (1929). Cornell went on to create three-dimensional works of art such as pill boxes and a glass bell series (consisting of objects arranged under a bell jar). His work, including several collages and a glass bell, was first exhibited as part of the groundbreaking "Surrealisme" show at the Levy Gallery in January 1932. He also designed the cover of the show announcement. His first one-man show at the gallery, "The Objects of Joseph Cornell," followed in the fall of 1932. (It was seven years before his next solo show.) By this time, Cornell had been laid off from his job at Whitman's. He was out of work for several years before getting a job as a textile designer at the Traphagen Commercial Textile Studio in 1934. During the next several years, he continued to work on his art at night.
Around this time, Cornell began collecting movies and movie stills, and embarked upon various film-related projects. In 1933, he wrote a scenario for a silent movie, Monsieur Phot. A few years later, he made his first film, Rose Hobart (1936), comprised of re-edited footage from the B-movie, East of Borneo (1931), which starred the actress, Rose Hobart. And he began work on a trilogy of collage-films - The Children's Party, Cotillion, and The Midnight Party (circa 1937). He then took a break from making films until the mid-1950s, but continued to collect film-related material, which he began to incorporate into his other art work.
In 1936, Cornell constructed his first glass-fronted shadow box, Untitled (Soap Bubble Set), which was included that same year in the "Fantastic Art, Dada and Surrealism" exhibition at the Museum of Modern Art, along with a cabinet box and several glass bells. In creating some of his other early boxes, he began the practice of using photo reproductions of images which he located in books and magazines, or in the Picture Collection at the New York Public Library, among other places. In his tribute boxes to actresses (1930s), he made use of publicity shots, and in the box, Dressing Room for Gilles (1939), he employed a photostat (or stat) of a reproduction of Jean-Antoine Watteau's painting, Gilles (1718).
Over the years, Cornell came into contact with various figures of the art, dance, and literary worlds. In the 1930s and 1940s, he met the artists, Max Ernst, Marcel Duchamp, and Salvador Dali, and befriended the artists, Lee Miller and Dorothea Tanning. His formative friendships during 1940s were with the artist, Pavel Tchelitchew, the writers, Charles Henri Ford (founder of the avant-garde periodical, View), Parker Tyler, and Donald Windham, and the balletomane, Lincoln Kirstein (founder of Dance Index). His other friends included the artists, Roberto Matta Echaurren and Robert Motherwell, the dancer and actress, Tilly Losch, and the poets, Mina Loy and Marianne Moore. In the 1950s, he associated with artists from the Abstract Expressionist movement, including Willem de Kooning, Jack Tworkov, and Mark Rothko. Beginning in the mid-1950s, he befriended many young artists, including Lee Bontecou and Carolee Schneeman, and young actresses, including Lois Smith, Gwen Van Dam, and Suzanne Miller, whom he sought to appear in his films. And in the early 1960s, he met the Pop artists, Robert Indiana, James Rosenquist, and Andy Warhol.
Beginning in 1940, Cornell developed a keen interest in dance, particularly ballet. Ballerinas from the Romantic era, such as Marie Taglioni and Fanny Cerrito, especially captured his imagination, inspiring such works as the box, Taglioni's Jewel Casket (1940), and the Portrait of Ondine "exploration," which comprised a portfolio of material relating to Cerrito and her famous role in the ballet, Ondine. Cornell was also fascinated with the modern counterparts of the Romantic ballerinas. In 1940, he befriended the Russian ballet dancer, Tamara Toumanova, and over the years produced many works in homage to her, including swan boxes (inspired by her role in Swan Lake), boxes made with scraps from her costumes, and scrapbooks of clippings, stats, and memorabilia. In 1949, he became enamored of the French dancer, Renee "Zizi" Jeanmarie, after seeing her perform in Carmen and meeting her backstage, and he created several dance-related boxes in her honor. In 1957, he met the ballerina, Allegra Kent. After meeting again in 1964, they became friends, and she served as the subject of several works based on images reproduced from a Parmigianino painting.
In December 1940, Cornell left his job at the Traphagen textile studio to pursue art full-time. He set up a workshop in the basement of the house on Utopia Parkway, which served as a combination studio and storage space. While he spent most days at home, he continued to make regular trips into Manhattan to wander around the city, visit with friends, and hunt for material. Around this time, he began to keep a diary, recording his day-to-day experiences (usually comprising his thoughts, feelings, impressions, ideas) on scraps of paper (including used envelopes, paper bags, napkins, and ticket stubs, among other fragments). He would then type up some of these notes into more formal diary entries, but most of them remained, in his word, "scribblings." Diary keeping eventually became one of his primary activities, along with box construction, collage, research, and collecting.
By this time, his art work was beginning to sell, yet he was not able to live from these sales alone. During the 1940s, he primarily supported himself by doing freelance work for magazines such as Vogue, Harper's Bazaar, and Good Housekeeping, supplying illustrations from his picture collection and designing covers and layouts. He also regularly contributed pieces to View and Dance Index. His notable contributions to View included "Enchanted Wanderer: Excerpt from a Journey Album for Hedy Lamarr" (December 1941), "Story Without a Name - for Max Ernst" (April 1942), and "The Crystal Cage [portrait of Berenice]" (January 1943). His projects for Dance Index included various collage-covers, essays, and thematic issues, such as the Summer 1944 issue, which comprised a 22-page tribute to the Romantic ballerinas, Taglioni, Carlotta Grisi, Cerrito, and Fanny Elssler. To supplement his income, Cornell also held brief positions at an electronics plant, the Allied Control Company, Inc. (in 1943), and at a nursery, the Garden Centre (in 1944).
In 1942, Cornell created one of his more memorable works, Medici Slot Machine, embarking upon a large series of Medici boxes in which he utilized reproductions of portraits by Italian Renaissance artists, such as Sofonisba Anguissola and Pinturicchio. His other boxes from this time period explored themes ranging from ballet, as in A Pantry Ballet (for Jacques Offenbach) (1942), to doomed love, as in Paolo and Francesca (1943-48), to nature, as in the Sand Boxes (1940s) and Sand Fountains (1950s). Cornell often created boxes in series, producing variations on a theme with variants that differed significantly or only slightly. Over the years, series included: Pink Palaces, Pharmacies, Habitats, Aviaries, Dovecotes, Hotels, Observatories, and Night Skies, among others.
In late 1945, Cornell joined the Hugo Gallery, which was run by Alexander Iolas, and a year later mounted the show, "Romantic Museum at the Hugo Gallery: Portraits of Women by Joseph Cornell" (December 1946). He designed the exhibition catalog for this show, which consisted of portraits - box constructions, objects, and "dossiers" - of the opera singers, Giuditta Pasta and Maria Malibran, the ballerinas, Taglioni and Cerrito, and the actresses, Eleanora Duse, Jeanne Eagels, Greta Garbo, and Jennifer Jones, and which also featured one of his most famous boxes, Untitled (Penny Arcade Portrait of Lauren Bacall) (1945-46).
In 1949, Cornell joined the Egan Gallery, which was run by Charles Egan. Around this time, he began creating his series of Aviary boxes, which explored the symbolism of birds and birdcages. He showed twenty-six of these box constructions in his first exhibition at the Egan Gallery, "Aviary by Joseph Cornell" (December 1949-January 1950). He created other series of whitewashed boxes, including the Dovecote series and a small group relating to the poet, Emily Dickinson. He then went on to explore the themes of astronomy and celestial navigation in the Observatory, Night Skies, and Hotel series. Works from these series were featured in his two remaining shows at the Egan Gallery, "Night Songs and Other Work" (December 1950-January 1951) and "Night Voyage" (February-March 1953). In the fall of 1953, sparked by seeing the painting, Figure Seated in a Cafe (1914), Cornell embarked upon a major series of bird constructions dedicated to the Cubist artist, Juan Gris. Notably, these were the only boxes he explicitly dedicated to another artist.
Over the next couple of years, Cornell's work was exhibited across the country. In 1955, he joined the Stable Gallery, which was run by Eleanor Ward. His first one-man show there, in the winter of 1955-56, was "Winter Night Skies," which featured various box constructions based on constellations. During the mid-1950s, he embarked upon a series of Sand Fountains (vertical standing boxes featuring a broken glass and sand that flowed through it when turned upside down), elaborating upon his earlier Sand Boxes (1940s). These boxes along with some of his other latest works, including the Bleriot boxes and the Space Object boxes (which comprised his final box series), were exhibited in his second and last show at the Stable Gallery, "Selected Works" (December 1957).
After leaving the Stable Gallery, Cornell had several dealers handle his work rather than allowing any one to assume too much control. Dealers included Richard Feigen (in Chicago and then in New York) and Irving Blum (in California), among others. Throughout his career, Cornell never liked selling his boxes. He was always reluctant to let his work go and became increasingly uneasy about the growing status of his work as a commodity. He preferred instead to make gifts of his art work to friends and individuals he admired (especially female ones).
In the mid-1950s, Cornell returned to making films. Rather than just splicing together found images as he had in his films of the 1930s, he began to collaborate with others to shoot original footage. He worked with the experimental filmmaker, Stan Brakhage, on two films, one about the Third Ave El which was about to be torn down ( Wonder Ring or Gnir Rednow) and the other about an old house in Cornell's neighborhood that was slated for demolition ( Centuries of June). Cornell then went on to make nine films with the filmmaker, Rudy Burckhardt, including Aviary, A Legend for Fountains, and Nymphlight, among others. In the late 1960s, he enlisted the help of Larry Jordan, who was also a filmmaker, in completing the trilogy of collage-films that he had begun in the 1930s.
Along with creating works of art and making films, Cornell was involved in a host of other creative endeavors throughout his career as an artist. These included: keeping a diary, which was for him another medium for exploring and expressing the themes, ideas, and concerns recurrent in his art work; carrying out "explorations," which typically involved conducting research, collecting material, and compiling files on persons or topics of interest to him; and other projects, such as publishing pamphlets (or brochures) dedicated to the nineteenth-century opera singers, Malibran and Giulia Grisi. Cornell's "explorations" clearly informed his artwork, but they were also works of art in and of themselves. He continually sought to share this work with an audience and twice had the opportunity to do so, when he exhibited versions of his Portrait of Ondine "exploration" at the Museum of Modern Art in 1945 and at the Wittenborn Bookstore in 1956.
Around the mid-1950s, Cornell returned to making collages as independent works of art. Unlike his earlier ones, which were composed from cutouts of black-and-white engravings, his latest collages were made with color images cut out of contemporary magazines and books. In these collages, he explored many of the same themes and preoccupations of his box constructions, including birds, as in Couleur de Peche (1967) and Untitled (Vierge Vivace) (1970), children's games, as in the Penny Arcade series (1960s), and actresses, as in The Sister Shades (1956). Towards the end of his career, collage became his principal medium.
By this time, Cornell was taking fewer trips into Manhattan. Instead, he spent more time at home or traveled only so far as downtown Flushing, where he frequented the public library, hunted for material in stores, such as Woolworth's, and passed time in the coffee-shops on Main Street. From this time on, he kept his diary with increasing regularity, taking down notations with more frequency and creating entries of greater length.
In 1961, fourteen of Cornell's boxes, including Medici Slot Machine, were exhibited as part of the "The Art of Assemblage" show at the Museum of Modern Art. As his biographer notes, Cornell came to view this show "as a turning point in his creative life," marking the "[fall] off in his work" that took place in the sixties (Solomon 271-2). He continued to work on boxes that he had begun long before, but, after this time, rarely if ever constructed new ones. Instead, he focused on making collages and became increasingly concerned with other projects, such as organizing his basement workshop, for which he hired various "helpers" or assistants (mostly young women) over the years. He also became more and more prone to obsessions (or preoccupations, as he called them) with various young women that he encountered both in fantasy (actresses on stage or in films) and in real life (working girls in the city, "teeners" on Main Street, or his female visitors and "helpers" at home). These preoccupations infused his diary writings, and inspired the keeping of "dossiers" on particular individuals and the creation of various collages dedicated to others, including most notably the Penny Arcade series dedicated to Joyce Hunter (or "Tina," as he referred to her in his writings).
After Robert's death in February 1965, Cornell created a series of collages in his memory, many of which incorporated his brother's drawings of animal characters. In January 1966, he exhibited some of these collages, alongside a selection of Robert's drawings, in a show at the Robert Schoelkopf Gallery, "Robert Cornell: Memorial Exhibition." In 1967, there were two retrospective exhibitions of Cornell's work, "An Exhibition of Works by Joseph Cornell" at the Pasadena Art Museum and "Joseph Cornell" at the Guggenheim Museum. By now, Cornell was receiving considerable public recognition for his work. He had received his first profile (by Howard Griffin) in the December 1957 issue of Art News and, ten years later, was treated to a 12-page spread (by David Bourdon) in the December 1967 issue of Life magazine. He was also the recipient of various prizes for his art work, including the M.V Kohnstamm Prize at the Art Institute of Chicago's "62nd American Exhibition of Painting and Sculpture" in 1957 and the winning prize in India's first Triennale of Contemporary World Art in 1968.
In the last years of his life (especially from the time of his mother's death in the fall of 1966), Cornell suffered from severe depression and loneliness, and withdrew even further from the outside world. However, he still maintained relationships with various young friends and artists, who frequently visited Utopia Parkway and/or served as one of his assistants. He became more and more interested in sharing his work with a younger audience and his last two exhibitions in 1972 were expressly for children, "A Joseph Cornell Exhibition for Children" at the Cooper Union School of Art and Architecture and "Joseph Cornell - Collages and Boxes" at the Albright-Knox Art Gallery in Buffalo, New York.
Cornell continued to work until the end of his life, "refurbishing" earlier boxes and creating memorial collages. Following prostate surgery in June 1972, he spent several months recuperating with family in Westhampton before returning to Utopia Parkway in November. He died of heart failure at home on December 29, 1972.
The biographical note draws heavily from Deborah Solomon's biography, Utopia Parkway: The Life and Work of Joseph Cornell (New York: Farrar, Strauss, and Giroux, 1997), and Diane Waldman's book, Joseph Cornell: Master of Dreams (New York: Harry N. Abrams, Inc., 2002).
Related Material:
The Archives holds several collections of different provenance that relate to Joseph Cornell, including the small collections of Allison Delarue (comprised of two letters from Cornell, available on reel 2803), Muriel Streeter Schwartz (comprised of two letters from Cornell, available on reel 4283), Wayne Andrews (comprised of letters from Cornell and printed material), and Marion Netter (comprised of items received from Cornell). In addition, photographs of Cornell can be found amongst the Hans Namuth photographs and papers. Also found within the Archives is a transcribed interview of Cornell's sister, Elizabeth Cornell Benton, conducted on April 21, 1976 as part of the oral history program.
Separated Material:
The bulk of Cornell's source material resides in the Joseph Cornell Study Center, Smithsonian American Art Museum, along with his library and record collection. Cornell's sister, Betty Cornell Benton, donated a portion of this material directly to SAAM (then known as the National Museum of American Art), occasioning the creation of the Study Center circa 1978. The bulk of the source material and library that she donated to AAA, including approximately 66 linear feet of three-dimensional and non-textual source material and 50 linear feet of books, was transferred to the Study Center in 1994 and 1995.
Originals of loaned material returned to the donor after microfilming include: some unidentified and miscellaneous correspondence; significant correspondence between Joseph Cornell and Helen S. Cornell; significant correspondence between Helen S. Cornell, family members and others; and some of Joseph Cornell's family correspondence and general correspondence from the Robert Cornell papers. The loaned material is available on microfilm reels 1055-1058 but is not described further in the Series Descriptions/Container Listing of this finding aid.
Provenance:
The Joseph Cornell papers were donated and microfilmed in several installments from 1974 to 1989 by Joseph Cornell's sister, Betty Cornell Benton. Most, but not all, of the correspondence, which was loaned for microfilming in 1974, was subsequently donated in 1989. Additional material was donated in 2004 by the Joseph and Robert Cornell Memorial Foundation.
Restrictions:
Use of the original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.
Scope and Content Note:
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.
The earliest documentation from 1895 to 1909 concerns the organization's history and founding and is located in Series 1: Board of Trustees. Also found in this series are meeting minutes, 1909-1963 and 1968. Interfiled with the board meeting minutes are minutes of the executive committee and other special and ad hoc committees, reports to the board, financial statements and reports, and lists of committee appointments and board membership. This series also contains the scattered correspondence and subject files of various officers. Although not a complete set of officers' files, Presidents' Frederick Allen. Whiting (1931-1936), Lawrence M.C. Smith (1948-1952), Thomas Brown Rudd (1952-1954), Daniel Longwell (1954-1956), James S. Schramm (1956-1958), and Roy R. Neuberger (1958-1961) are represented. Leila Mechlin served on AFA's board as secretary from its founding to 1929, and her files are a particularly rich resource for AFA's activities during its early years. Lawrence M.C. Smith's files documenting his years as board treasurer are also arranged in this series. Additional officers' correspondence is interspersed throughout the Alphabetical Files and other series.
General information about the scope of AFA's programs, affiliations, founding, functions, and proceedings are arranged in Series 2: Administrative Records. The first subseries, Alphabetical Files, houses a wide variety of subject files that contain memoranda, correspondence, printed materials, lists, reports, and other papers. These files document the AFA's general history and founding, organizational affiliations, buildings and moves, grants, federal and state government art programs, auctions and other fund-raising efforts, publicity and public relations, publications, and fiftieth anniversary celebration. The subject headings by which these files are arranged are, for the most part, the ones designated by the AFA. The second subseries, Staff Records, houses the scattered files of AFA's director, assistant director, registrar, and special state representative, Robert Luck.
During its most active period, the AFA sponsored or participated in several special programs and Series 3: Special Programs houses the files that document many of them. The first subseries consists of the files for the Artists in Residence program that was funded by the Ford Foundation. Awarded in 1963, the grant sponsored short-term teaching residencies for artists in museums throughout the United States. The host museums were encouraged to hold exhibitions of the artists' works. This subseries contains both the general files of the program, as well as individual files on the participating artists. During the late 1950s and early 1960s, the AFA and the Ford Foundation also sponsored additional programs for artists, including Grants in Aid, Purchase Awards, and the Retrospective Exhibitions Program. The files documenting these three programs are also arranged in Series 3, under the subseries Ford Foundation Program for Visual Artists. In the late 1950s, the AFA implemented the Museum Donor Program with benefactors and philanthropists Audrey Bruce Currier and Stephen Richard Currier. Through the administration of the AFA, the Curriers donated funds to selected institutions specifically for the purchase of contemporary American art. The Curriers preferred to remain anonymous throughout the program. Files documenting this program include correspondence, applications from the accepted institutions, rejections, a summary report, and clippings about the untimely deaths of Mr. and Mrs. Currier in 1967.
Also found in Series 3 are the files documenting AFAs working relationship with the first state arts council, the New York State Council on the Arts (NYSCA). In 1961, AFA and NYSCA implemented a traveling exhibition program in New York State. Found here are files for possible itineraries, proposals, publicity, loans, budgets, and the actual exhibition files. Additional AFA special programs documented in Series 3 include the Picture of the Month program of the mid-1950s and the Jean Tennyson Foundation Color Slide Lecture Program.
AFA Annual Convention files constitute Series 4. Beginning with the Third Annual Convention in 1912 and continuing through the 1963 Annual Convention, the files contain official proceedings, speeches, programs, clippings, correspondence, and press releases. Files are missing for 1913, 1915, 1918, 1922, 1923, 1925, 1926, 1931, 1936-1949, 1952, 1956, 1958, 1960, and 1962. There are also audio recordings in the form of reel-to-reel tapes for the 1951 Annual Convention.
Series 5: Exhibition Files forms the bulk of the collection at circa 62 linear feet and is arranged into twenty subseries. The first subseries, Exhibitions, General, houses primarily the records of the Board of Trustees Exhibition Committee and documents the AFA's earliest involvement with traveling exhibitions. These files contain reports, budgets, correspondence, memoranda, scattered exhibition catalogs, and photographs. They are primarily the files of the chair of the Exhibition Committee and include the files of Juliana R. Force, Eloise Spaeth, and Mrs. John Pope. Also found in this series is a subseries of Mrs. John Pope's records documenting circulating exhibitions from 1934 to 1955, arranged by state.
The remaining nineteen subseries of the Exhibition Files reflect either specific exhibition programs, many of which have unique numbers assigned by AFA to individual exhibitions, or other exhibition-related files, such rejected, canceled, and suggested exhibitions and miscellaneous installation photographs. The Annual Exhibitions files constitute the largest of the subseries and are numbered according to the system assigned by AFA, following a typical chronological order. Although the documentation for each exhibition varies widely by both type and amount, most of the files contain contracts and legal agreements, correspondence, memoranda, itinerary information, condition reports, publicity materials, catalogs, announcements, price lists, and other such information arranged into one or more files. The files were labeled "documentation files," "dispersal files," "report form files," "loan agreement files," and "publicity files" according to the filing system devised by AFA. Many of the files also house a significant amount of correspondence with museum officials, lenders, and artists.
Additional subseries document AFA's exhibition venues and partnerships with the Metropolitan Museum of Art, the Virginia Museum of Fine Arts, the New York State Council on the [UNK] Life magazine, and Addison Gallery. A complete list of all of the subseries, including specific exhibition programs, follows in the Series Outline.
The final three series of the collection are small: Printed Material, Miscellaneous Files, and Oversized Material. The printed material was donated much later to the Archives and dates from 1990 to 1993. Found here are scattered press releases, annual reports, and an exhibition program. Miscellaneous Files contain scattered records, 1926-1962, of the Architectural League of New York relating to national award programs. It is not clear why this small group of Architectural League records was found mixed with the AFA records but perhaps the collaboration between the two organizations on several special projects provides an explanation. Also found in Miscellaneous Files is a group of black and white lantern slides from a lecture series, "New Horizons in America." Oversized Material includes a portfolio, a work of art, and posters.
See Appendix for a list of artists exhibiting with the American Federation of Arts
Arrangement:
The collection is arranged into eight primary series based primarily on administrative units or program areas. Several of the series are further subdivided into subseries. While processing, it became clear that the two filing systems were redundant and overlapped in both subject area and type of material. Most of these files were subsequently merged into the now broader Alphabetical Files or into separate series. Oversized material may be found at the end of the collection arranged in a separate series.
In most cases, files related to one another by subseries or subject areas (in the case of the Alphabetical Files) or by individual name (in the case of officers and staff files) are arranged in chronological order. The entire subseries of Alphabetical Files in Series 2 is arranged by subject heading, as assigned by the AFA, or individual name. The Alphabetical Files originally formed two broad filing systems as established by the AFA: one for general correspondence arranged by subject; and one for director's and other staff correspondence, also arranged by subject.
Series 1: Board of Trustees, circa 1895-1968 (Boxes 1-3)
Series 2: Administrative Records, 1910-1966 (Boxes 4-8)
Series 3: Special Programs, 1950-1967 (Boxes 9-13)
Series 4: Annual Conventions, 1912-1963 (Boxes 14-16)
Series 5: Exhibition Files, 1934-1969 (Boxes 17-78)
Series 6: Printed Material, 1990-1993 (Box 78)
Series 7: Miscellaneous Files, 1926-1962, undated (Box 79)
Series 8: Oversized Materials, 1890, undated (Boxes 80-85)
Historical Note:
Founded in 1909 by Elihu Root, the American Federation of Arts (AFA) exists today as a national nonprofit museum service organization striving to unite American art institutions, collectors, artists, and museums. Elihu Root, then secretary of state in the administration of Theodore Roosevelt, spoke of his idea at the first meeting of the AFA held in New York at the National Academy of Arts. He envisioned an organization that would promote American art most often seen only by the elite in the major cities of the East and upper Midwest by sending "exhibitions of original works of art on tour through the hinterlands across the United States."
The American Academy in Rome, Corcoran Gallery of Art, Art Institute of Chicago, and Metropolitan Museum of Art were influential organizing member institutions. Individual members included such notables as William Merritt Chase, Charles L. Freer, Daniel C. French, Charles L. Hutchinson, Henry Cabot Lodge, J.P. Morgan, and Henry Walters. The founding of the AFA provided the American art world with a forum for communication and participation among artists, cultural institutions, patrons of the arts, and the public.
To accomplish its mission, the AFA established volunteer committees for membership, exhibitions, and publications. During its first year, the AFA began publishing Art and Progress (later changed to Magazine of Art) and the American Art Annual (now the American Art Directory). In 1909, the AFA also organized its first traveling exhibition, Paintings by Prominent American Artists, which was shown at museums in Fort Worth, New Orleans, Minneapolis, and New Ulm, Minnesota.
By the end of the first year, the headquarters of the organization moved to Washington, D.C., to facilitate lobbying the federal government for favorable art legislation. In 1913, the AFA lobbied successfully for the removal of the tariff on foreign art entering the United States. In 1916, the Federation met with the Interstate Commerce Commission to protest prohibitively high interstate taxes on traveling art exhibitions.
Throughout the next fifteen years, the AFA continued to grow in membership and influence. By 1919, membership included 438 institutions and 2,900 individuals. The AFA's annual conventions were held in major national art centers and were attended by members, chapter delegates, and the public. At the conventions, scholars, patrons, and curators lectured on and discussed subjects of national interest, thereby fostering an exchange of ideas. The AFA also sponsored periodic regional conferences to promote institutional cooperation and to discuss mutual problems and needs. To facilitate exhibition venues west of the Mississippi River, in 1921 the AFA opened regional offices at the University of Nebraska and at Stanford University. The AFA produced and circulated slide programs and lecture series to museums and educational institutions that fostered art education. By 1929, the Federation had developed forty-six slide-lecture programs that covered American mural painting, European and American contemporary art, and textiles.
During the 1930s, the Federation expanded its services by providing schools with teaching guides, student workbooks, slides, and films about art. In 1935, the AFA began publishing Who's Who in American Art, later publishing The Official Directory of Illustrators and Advertising Artists and Films on Art reference guides. To reach an even larger audience, the AFA began collaborating with the Metropolitan Museum of Art in New York to organize national circulating exhibitions to "bring the museum to the people."
One of AFA's priorities was to make American art more visible abroad. The Federation focused on encouraging the representation of American artists in foreign exhibitions, and in 1924 it lobbied successfully for additional American participation in the Venice Biennale. The AFA's focus on exhibiting American art abroad continued to expand, particularly following World War II. In 1950, recognizing that the AFA could assist in promoting American culture, the State Department awarded the AFA a grant for a German "re-orientation program" consisting of educational exhibitions shown in German museums. Additional government funding further enabled the AFA to organize American participation in exhibitions in India, Japan, Paris, Switzerland, and Rotterdam between 1950 and 1970. Later, the AFA collaborated with the United States Information Agency (USIA) to create the Overseas Museum Donor Program which permitted donations of American art to foreign institutions on a restriction-free, tax-deductible basis. During the 1950s, the AFA was a very active member of the Committee on Government and Art, a national committee with members from across the art and museum world concerned with government sponsorship of and legislation affecting art sales, commissions, and trade.
In 1952, the headquarters of the AFA returned to New York, sparking a period of innovation and expanded of programs. Throughout the 1950s, the AFA distributed films about art and co-sponsored the Films on Art Festival in Woodstock, New York. The AFA also introduced its Picture of the Month Program in 1954, renting original works of art to small American art and educational institutions. In 1956, the AFA organized the Art Collectors Club of America to provide fellowship for art collectors through meetings and activities. The club disbanded in the 1970s.
The Federation's exhibition programs continued to flourish during the 1950s and 1960s. Private and public financial support allowed the AFA to achieve many of its goals. In 1958, the Ford Foundation awarded an important grant to organize a series of traveling one-person shows and a series of monographs devoted to contemporary American artists. Milton Avery, Andrew Dasburg, José DeCreeft, Lee Gatch, Walter Quirt, Abraham Rattner, and others were among the artists who participated. Private foundation support for the AFA's Museum Donor Program provided an annual allowance that was distributed to regional museums for the pourchase of contemporary American art. Cooperative programs and joint venues also became popular during this period. For example, public support from the New York State Council on the Arts allowed the AFA to circulate exhibitions to small New York State communities, and the Virginia Museum of Fine Arts provided the AFA with five exhibitions for national tours.
Throughout its history, the American Federation of Arts has concentrated on its founding principle of broadening the audience for contemporary American art. Through its numerous exhibition and film programs, the AFA has succeeded in "breaking down barriers of distance and language to broaden the knowledge and appreciation of art." Annual exhibitions such as New Talent in the USA and Art Schools USA, organized by the AFA, brought before the public the most contemporary American artists and craftspeople, genres, and artistic forms of experimentation, exposing viewers to new ways of thinking and expression. In 1965, AFA produced The Curriculum in Visual Education, a series of films created to heighten the aesthetic awareness of children.
A vital part of American art history, the AFA was one of the first organizations to develop successfully the concept of traveling art exhibitions on a national and international level. The AFA was instrumental in assisting museums with circulating important juried exhibitions of contemporary art, such as the Whitney Annual and Corcoran Biennial. The AFA also recognized the importance of the exchange of cultural ideas, and it brought exhibitions of the European masters to the American public as well as exhibitions focusing on foreign contempoorary art, photography, and architecture. Many organizations and museums have followed the AFA's precedent, and traveling national and international venues are now commonplace.
Since 1909, women have served as officers and members of the Board of Trustees. Leila Mechlin was a founding participant and served as secretary from 1909 to 1933. Juliana R. Force and Eloise Spaeth both chaired the Exhibition Committee in the late 1940s. Women and artists of diverse backgrounds and nationalities were widely represented in the AFA's exhibition programs, most notably during the 1960s. In 1960, the AFA organized, with financial support from the Ford Foundation, a major Jacob Lawrence retrospective. Additional culturally diverse exhibitions included Contemporary Jewish Ceremonial Art (1961), The Heart of India (1962), 1,000 Years of American Indian Art (1963), and Ten Negro Artists from the United States (1966).
The AFA also had an impact on patronage in the arts. AFA exhibitions of contemporary art provided collectors with knowledge of new artists and avant-garde art forms, creating a broader demand and market for this type of work. Museums and collectors began purchasing work by new or obscure American artists whom they learned about through AFA exhibitions and programs.
The historical records of the American Federation of Arts offer the researcher a unique opportunity to study the development of American art and artists in the twentieth century as well as providing insight into trends in American culture.
Missing Title
1909 -- Founded in New York City. Began publishing Art and Progress (later retitled Magazine of Art) and the American Art Annual.
1910 -- Moved headquarters to Washington, D.C.
1913 -- Lobbied successfully for the removal of the tariff on art entering the United States.
1915-1916 -- Lobbied successfully against the Cummins Amendment and the Interstate Commerce Commission's prohibitively high interstate tax on traveling art.
1920 -- Organized a lobbying campaign for the development of a national gallery of art at its national convention.
1921 -- Opened two new offices at the University of Nebraska and at Stanford University.
1924 -- Arranged American participation in the Venice Biennale exhibition.
1927 -- Closed office at Stanford University.
1929 -- Organized American participation in exhibitions in France and Germany.
1933 -- Closed office at the University of Nebraska.
1935 -- Began publishing Who's Who in American Art.
1948 -- Published The Official Directory of Illustrators and Advertising Artists.
1949 -- Collaborated with the Metropolitan Museum of Art to circulate exhibitions from its collections.
1950 -- Participated in the U.S. government's German re-orientation program.
1951 -- Joined forces with the United States Information Agency (USIA) to create the Overseas Museum Donor Program. Published the reference guide Films on Art. Co-sponsored the Films on Art Festival in Woodstock, New York, through 1957.
1952 -- Moved headquarters to New York City.
1953 -- Magazine of Art liquidated.
1954 -- Introduced the Picture of the Month Program.
1956 -- Founded the Art Collectors Club of America.
1958 -- Received a Ford Foundation grant to finance a series of one-person shows of contemporary American artists.
1960 -- Created the Museum Donor Program.
1961 -- Received a grant from the New York State Council on the Arts to circulate exhibitions to small New York state communities.
1963 -- Received a grant from the Ford Foundation for the Artists in Residence program.
1964 -- Introduced the List Art Poster Program.
1965 -- Produced The Curriculum in Visual Education, a series of films that attempted to heighten the aesthetic awareness of children.
Appendix: List of Artists Exhibiting with American Federation of Arts:
The following is an alphabetical list of artists who exhibited with the American Federation of Arts; many are obscure. The alpha-numeric codes and numbers appearing with the artist's name represent specific AFA exhibition programs and, most often, AFA's exhibition numbering system. In cases where the AFA did not assign an exhibition number, Archives' staff have done so.
The primary reference source for the names and name variants is the American Federation of Arts Records. The names are documented in handwritten notes and lists, typed lists, and exhibition catalogs and announcements. The Archives of American Art name authority file was also consulted in questionable cases. The majority of names, however, were not found in either the AAA name authority file or standard bibliographic resources, and only in the AFA records.
Examples:
55-1: AFA annual exhibitions program
AD-1: Addison Gallery exhibitions
L-1: Life Magazine Exhibitions
ME-1: Misceallaneous exhibitions (numbers assigned by AAA staff)
NMA-1: Metropolitan Museum of Art exhibitions
NE-96: Contemporary Color Lithography
NY-1: New York State Council on the Arts exhibitions
VA-1: Virginia Museum of Fine Arts exhibitions
Missing Title
A. Quincy Jones, Frederick E. Emmons & Assoc: 62-34
The records of the American Federation of Arts (AFA) were donated to the Archives of American Art (AAA) over a thirteen-year period, with the bulk of the material arriving between 1964 and 1966. In 1979, Preston Bolton donated his letters and those from John de Menil, Ann Drevet, Lee Malone, and others regarding planning for the 1957 AFA annual convention held in Houston, Texas; convention committee minutes from 1956; and AFA newsletters. This material, as well as a 1979 gift from Louise Ferrari of transcripts from a panel discussion from the 1957 AFA convention in Houston, was microfilmed on AAA Reel 1780. All material previously microfilmed on Reel 1780 has been fully integrated into the collection and arranged within proper series and subseries. The provenance of the 1990-1993 printed material is unknown.
Restrictions:
Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.
Scope and Contents:
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard University and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.
The papers have been divided into three general categories: the papers of Alice Cunningham Fletcher, the papers of Francis La Flesche, and the ethnographic research of Fletcher and La Flesche. The first two categories represent personal and professional materials of Fletcher and La Flesche. The third section holds the majority of the ethnographic material in the collection.
Of primary concern are Fletcher and La Flesche's ethnological investigations conducted among the Plains Indians, particularly the Omaha and Osage. Fletcher's Pawnee field research and her allotment work for the Bureau of Indian Affairs among the Omaha, Nez Perce, and Winnebago are represented in the collection. A substantial portion of the ethnographic material reflects Fletcher and La Flesche's studies of Native American music. Much of the correspondence in the papers of Fletcher and La Flesche is rich with information about the situation of Omaha peoples in the late nineteenth and early twentieth centuries.
Also included in the collection are documents related to Fletcher's work with the Archaeological Institute of America and the School for American Archaeology. Additionally, substantial amounts of Fletcher's early anthropological and historical research are found among her correspondence, lectures, anthropological notes, and early field diaries. La Flesche's literary efforts are also generously represented.
Arrangement:
The collection is divided into the following 3 series: 1) Alice Cunningham Fletcher papers, 1873-1925; 2) Francis La Flesche papers, 1881-1930; 3) Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche, 1877-1939.
Series 1: Alice Cunningham Fletcher papers is divided into the following 10 subseries: 1.1) Incoming correspondence, 1874-1923 (bulk 1882-1923); 1.2) Outgoing correspondence, 1873-1921; 1.3) Correspondence on specific subjects, 1881-1925; 1.4) Correspondence between Fletcher and La Flesche, 1895-1922; 1.5) Publications, 1882-1920; 1.6) Organizational records, 1904-1921; 1.7) General anthropological notes, undated; 1.8) Lectures, circa 1878-1910; 1.9) Diaries, 1881-1922; 1.10) Biography and memorabilia, 1878-1925.
Series 2: Francis La Flesche papers is divided into the following 6 subseries: 2.11) General correspondence, 1890-1929; 2.12) Correspondence on specific subjects, 1881-1930; 2.13) Publications, 1900-1927; 2.14) Literary efforts, undated; 2.15) Personal diaries, 1883-1924; 2.16) Biography and memorabilia, 1886-1930.
Series 3: Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche is divided into the following 12 subseries: 3.17) Alaska, 1886-1887; 3.18) Earth lodges, 1882, 1898-1899; 3.19) Music, 1888-1918; 3.20) Nez Perce, 1889-1909; 3.21) Omaha, 1882-1922; 3.22) Osage, 1896-1939; 3.23) Pawnee, 1897-1910; 3.24) Pipes, undated; 3.25) Sioux, 1877-1896; 3.26) Other tribes, 1882-1922; 3.27) Publications collected, 1884-1905, undated; 3.28) Photographs, undated.
Biographical / Historical:
Alice Cunningham Fletcher (1838-1923) was an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology. Francis La Flesche (1856-1923) was an anthropologist with the Bureau of American Ethnology.
Chronology of the Life of Alice Cunningham Fletcher
1838 March 15 -- Born in Havana, Cuba
1873-1876 -- Secretary, American Association for Advancement of Women
1879 -- Informal student of anthropology, Peabody Museum, Harvard University
1881 -- Field trip to Omaha and Rosebud Agencies
1882 -- Assistant in ethnology, Peabody Museum, Harvard University
1882 -- Helped secure land in severalty to Omaha Indians
1882-1883 -- Begins collaboration with Francis La Flesche on the Peabody Museum's collection of Omaha and Sioux artifacts
1883-1884 -- Special Agent, Bureau of Indian Affairs, Omaha Agency
1886 -- Bureau of Education investigation of Alaskan native education
1887-1888 -- Special Disbursing Agent, Bureau of Indian Affairs, Winnebago Agency
1889-1892 -- Special Agent for allotment, Bureau of Indian Affairs, Nez Perce Agency
1890-1899 -- President, Women's Anthropological Society of America
1891-1923 -- Mary Copley Thaw Fellow, Peabody Museum, Harvard University
1892-1893 -- Department of Interior consultant, World's Columbian Exposition
1896 -- Vice-President, Section H, American Association for the Advancement of Science
1897 -- Collaborator, Bureau of American Ethnology
1899-1916 -- Editorial board, American Anthropologist
1900 -- Published Indian Story and Song from North America
1901-1902 -- Advisory committee, Anthropology Department, University of California at Berkeley
1903 -- President, Anthropological Society of Washington
1904 -- Published The Hako: A Pawnee Ceremony with James Murie
1908-1913 -- Chair, Managing Committee of School of American Archaeology
1911 -- Honorary Vice-President, Section H, British Association for Advancement of Science
1911 -- Published The Omaha Tribe with Francis La Flesche
1913 -- Chair Emeritus, Managing Committee of School of American Archaeology
1915 -- Published Indian Games and Dances with Native Songs Arranged from American Indian Ceremonials and Sports
1923 April 6 -- Died in Washington, D.C.
Chronology of the Life of Francis La Flesche
1857 December 25 -- Born on Omaha Reservation near Macy, Nebraska
1879 -- Lecture tour, Ponca chief Standing Bear
1881 -- Interpreter, Senate Committee on Indian Affairs
1881-1910 -- Clerk, Bureau of Indian Affairs
1891 -- Informally adopted as Fletcher's son
1892 -- LL.B., National University Law School
1893 -- LL.M., National University Law School
1900 -- Published The Middle Five: Indian Boys at School
1906-1908 -- Marriage to Rosa Bourassa
1910-1929 -- Ethnologist, Bureau of American Ethnology
1911 -- Published The Omaha Tribe with Alice Fletcher
1921 -- Published The Osage Tribe, Part One
1922 -- Member, National Academy of Sciences
1922-1923 -- President, Anthropological Society of Washington
1925 -- Published The Osage Tribe, Part Two
1926 -- Honorary Doctor of Letters, University of Nebraska
1928 -- Published The Osage Tribe, Part Three
1932 -- Published Dictionary of the Osage Language
1932 September 5 -- Died in Thurston County, Nebraska
1939 -- Posthumous publication of War Ceremony and Peace Ceremony of the Osage Indians
Related Materials:
Additional material related to the professional work of Fletcher and La Flesche in the National Anthropological Archives may be found among the correspondence of the Bureau of American Ethnology (BAE) and the records of the Anthropological Society of Washington.
Sound recordings made by Fletcher and La Flesche can be found at the Library of Congress. The National Archives Records Administration hold the Records of the Bureau of Indian Affairs (BIA), including those relating to allotments in severalty for the Nez Perce by Alice Fletcher. The Nebraska Historical Society has diaries, letters and clippings regarding the La Flesche family, including correspondence of Francis La Flesche and Fletcher. The Radcliffe College Archives holds a manuscript account of Alice Fletcher's four summers with the Nez Perce (1889-1892). Correspondence between Fletcher and F. W. Putnam is also located at the Peabody Museum Archives of Harvard University.
Separated Materials:
Ethnographic photographs from the collection have been catalogued by tribe in Photo Lot 24.
Glass plate negatives from the collection have been catalogued by tribe in the BAE glass negatives collection (Negative Numbers 4439-4515).
Provenance:
The papers of Alice Cunningham Fletcher and Francis La Flesche have been received from an undocumented number of sources. Portions of Fletcher's ethnographic papers were donated to the archives by Mrs. G. David Pearlman in memory of her husband in 1959.
Restrictions:
The Alice Cunningham Fletcher and Francis La Flesche papers are open for research.
Access to the Alice Cunningham Fletcher and Francis La Flesche papers requires an appointment.
Washington (D.C.) -- Small business -- 20th century
Shaw (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
1888-1996
Summary:
The collection includes approximately 250,000 photonegatives, photoprints, color transparencies from the photographic business founded by Addison Scurlock in Washington, DC. Collection also includes business records and ephemera.
Scope and Contents:
Photographs includes portraits of famous African-American luminaries such as Booker T. Washington, W.E.B. DuBois, and many other artists, intellectuals, educators, entertainers, etc., as well as documentation of Washington, DC, including both the African-American community and national political life, and important photographs of Howard University; also commercial photography, including color materials.
Color separation materials include sets of black-and-white color-separation negatives, sets of matrices for the Kodak Dye Transfer process (full-color Dye Transfer prints are storied in a different series).
Business records: The photography studio records and Custom Craft records are in separate series, reflecting the fact that they were operated as separate businesses.
The collection includes all forms of photographs produced by the studio, such as prints in black-and-white and color, black-and-white and color negatives, color transparencies, black-and-white dye-transfer matrices, slides, etc.; as well as business documents, studio session ledgers, appointment books, business and personal correspondence, tax documents, and books, catalogs, and other publications. This material documents not only the photographic output of the business, both commercial and artistic, as well as the personal and business side of the enterprise.
Some photographs in the collection were not created by the Scurlocks. Some black-and-white and color prints seem to derive from assignments in the Capitol School of Photography, and are therefore student work. Also Custom Craft, the professional color processing service provided by the studio, made prints for other photographers, and samples for printing reference, as well as studio decor, have been retained in the collection. Custom Craft worked for such diverse photographers as artist Robert Epstein and well-known Washington photographer Fred Maroon, for example.
The collection numbers several hundred thousand photographic negatives, prints, and transparencies made by the Scurlocks and other staff photographers of the studio in its various Washington locations. The negatives are estimated at approximately 160,000-200,000 in number, and the prints of all sizes and types at nearly 57,000. The vast majority of the photographs are portraits of individuals, family groups, and organizations, as the primary business of the studio was portrait photography. They date primarily from the 1940s to 1990s. There are also a number of images, made for commercial clients, of building interiors and exteriors, and food. A small group of photojournalistic documentation also exists. The subjects also include architectural and industrial views, scenes in and around Washington, including children and street laborers, political events, social events, and 35mm slides of President Kennedy's funeral, 1964. There are also more personal artistic images, including still lifes with plants and flowers, and a few nudes; Robert's wartime service is also documented by his photographs, including European landscape photographs.
In addition to images taken by the Scurlock studio photographers, there are some prints, especially color, of images by other photographers who were clients, such as Fred Maroon, a prominent Washington photojournalist, and Robert Epstein, a teacher at the Corcoran School of Art. A print of one of Maroon's pictures had been displayed in the studio reception room at the time the studio was closed.
A large group of manuscript items, business documents, ephemera, and office and studio supplies constitutes a separate series from the photographs. An important adjunct to the photographs, a set of ledgers recording and identifying portrait sittings, highlights this group.
Nearly all of the photographs and documents stored in the studio and auxiliary storage locations were accepted for acquisition in order to form a complete history of this family business's production and operations over the better part of a century, whereas a selection of photographic apparatus and studio equipment was acquired by the Photographic History Collection: these items have been inventoried and catalogued separately.
Studio Portraits
The majority of the surviving photographic negatives and proof prints were made in connection with the studio's portrait work for a wide variety of clients. These portraits include images of famous people, such as political figures, entertainers, and noteworthy persons in a variety of fields, including scientists, writers, intellectuals, and academics. The majority of the figures depicted among both the famous and the not so famous are black. The greatest number of studio portraits, most of which are identified and dated, depict a general clientele who visited the studio for portrait sittings. Although the individual images in this vast quantity have limited research value in the usual sense, the aggregate represents a chronology spanning almost ninety years, which may be useful for demographic and genealogical information and as visual evidence of changing styles in clothing, hair, and accessories. It constitutes a panorama of a significant percentage of Washingtonians of the period, especially the black community.
Portraits of famous personages include George Washington Carver, Dr. Martin Luther King, Jr., Duke Ellington, Marian Anderson, Archbishop Desmond Tutu, Sammy Davis, Jr., Sugar Ray Leonard, Muhammad Ali, Mayor Walter Washington, and Presidents Kennedy, Johnson, Nixon, Ford, Reagan, Bush, and Clinton, Mayor Marion Barry, DC Council members, statesmen such as Ralph Bunche, and many other noteworthy figures. Of particular interest is a signed group portrait of the US. Supreme Court with Chief Justice Berger presiding. There are also large- format portraits of Justice Thurgood Marshall and J. Edgar Hoover.
Group portraits include both formal sittings and the informal documentation of banquets, convocations, and similar events. This material includes groups at Howard University; Dunbar High School; the Post Office Clerks' Banquet; the Bishops' Meeting of the AME Church; a YMCA camp, cira 1947 1949; the 23rd annual conference of the NAACP, 1932, etc.
Howard University
Several thousand black and white negatives and prints, 1930s-1960s, depict the people, facilities, and events of Howard University, with which the Scurlocks had a long business relationship. There are various portraits, including Howard University Medical School, represented by 850 negatives and 100 prints. A group of law school and medical school images numbers some 800 negatives and 200 prints. In addition, there are class portraits, as well as images of famous guests speaking at Howard convocations, such as President Herbert Hoover.
Wedding Photography
An important aspect of any portrait studio's output is wedding photography, and the Scurlock studio was no exception. Bridal portraits, group pictures of wedding parties, and the complete documentation of weddings, in both black and white and color, constitute a significant part of the collection. African-American weddings predominate and provide important insights into this aspect of the society.
Exhibitions
The studio's work was shown in special public exhibitions over the years, and several of these are included in toto. The most important was an extensive retrospective display of 121 prints of Addison's work, both vintage and posthumous, prepared by Robert for the Corcoran Gallery of Art in 1976. Others include: (1) a set of 32 black and white images made by Robert at the Ramitelli Air Base, Italy, while he was a major in the US Air Force during World War II; (2) a group of portraits from a Black History Month exhibit at Woodward and Lothrop; and (3) a set of sixteen vintage and modern prints which Robert displayed in an interview on the "Today" television show in the 1980s.
Commercial Work
This category includes architectural and industrial photography for commercial clients, food and still life photographs, etc. Much of this material is comparatively recent and was made in large format color, and includes transparencies and enlargements. It is possible that some of the prints represent Custom Craft work for other photographers rather than the camera work of Robert and George Scurlock. Thus far, prints by artist Robert Epstein have been identified as extra prints of his work from orders which he placed with the firm. At least one image by Fred Maroon has been identified.
A group of color prints constitutes copies of artworks, primarily in the National Portrait Gallery, for which the Scurlocks worked. Prints in 8" x 10", 11" x 14", 16" x 20" and 20" x 24" sizes are included, and undoubtedly negatives and transparencies corresponding to these subjects will be found.
Photojournalism
In addition to the formal studio portraits and pictures documenting formal events, the Scurlocks took candid photographs of the everyday life of their city, as well as extraordinary events of local and national significance, ranging from occasions such as John F. Kennedy's funeral and the 1968 riots to political rallies and demonstrations.
Capitol School of Photography
The collection includes a variety of materials, such as books and ephemera, which document the activities of the Capitol School of Photography, a sideline of the Scurlock business. Some of the photographs apparently represent student work. The most famous student of the school was Jacqueline Bouvier (later Jacqueline Kennedy Onassis), although no documentation of her association with the school has been located thus far. There are 45 photographs, circa 1950s, showing the photography lab, men retouching prints, students with cameras, etc.
Personal Photographs
A few photographs of the Scurlock family are included in the collection in various forms and formats, including enlarged portraits of Addison and Robert. A self portrait of Addison and Mamie Scurlock is included in the Corcoran Gallery of Art exhibition series. Other photographs which represent personal artistic expression, such as a few nude studies and floral and plant still lifes, are included.
Series 6 consists of photographic materials including color transparencies, slides, film, and proofs but occasionally includes notes, forms, and envelopes associated with the orders.
Series 1: Black and White Photographs:
Dates -- 1888-1993
Extent -- 105 boxes
Contents -- Series 1: Black and White Photographs: The materials are almost entirely black and white photographs, but in the subseries of clients, there may also be job envelopes, order materials, and other photographic material types that were included in the overall order. The series is arranged into two subseries, clients and subjects, and both are arranged alphabetically. The subseries clients documents the orders made by clients of the Scurlock Studio and individuals who were or could be identified but may or may not have actually placed an order at the Studio. The majority of the photographs in the clients subseries are formal portrait sittings but there are photographs of events, organizations, and businesses. The subseries subjects are photographs that were grouped into categories because no known client or individual in the image could be identified. The subjects cover a broad array of subjects but the majority of the subjects include unidentified people in formal portrait sittings and groups. In addition, not all photographs in this series were taken by the Scurlock Studio; there are photos by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. 1.1: Clients Black and white photographs1.2: Subjects Black and white photographs
Series 2: Color Photographs:
Dates -- 1930-1995
Extent -- 113 boxes
Contents -- Series 2: Color Photographs: The series color photographs consists of color photographs and hand-colored photographs, but there are also order envelopes and materials, and other photographic material types that were part of the order. The subseries are arranged as clients, subjects, weddings, and hand-colored photographs. Clients are arranged alphabetically by last name or the first word of an organization's name. Not all individuals, organizations, or businesses necessarily represent a client of the Scurlock Studio; if an individual or organization could be identified, the photograph was placed under the identified person or organization even if ther were not a known client of the Studio. The majority of the photographs are individual portrait sittings but also included are family portraits, businesses, organizations, and informal images. The subjects are arranged alphabetically, and document images of non-humans and humans that could not be connected to a known client. Weddings and hand-colored are arranged in alphabetical order with clients preceeding subjects. The were a large subject of the overall collection and the majority of weddings are color photographs but also included in the subseries are black and white and hand-colored photographs of weddings. The hand-colored photographs largely reflect the same subject matter of the subseries clients and subjects. In addition, not all photographs in this subseries were taken by the Scurlock Studio; there are photos by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. 2.1: Clients Color photographs2.2: Subjects Color photographs2.3: Weddings2.4: Hand-colored photographs
Series 3: Framed Prints:
Dates -- circa 1979
Extent -- 3 boxes
Contents -- Series 3: Framed Prints: The series framed prints includes three framed color photographs. The framed prints are arranged by the size, from smallest to largest, of the frame. The photographs are of two important political figures: Washington, D. C., Mayor Marion Barry and Senator Edward Brooke.
Series 4: Black-and-White Silver Gelatin Negatives:
Dates -- 1900-1994
Extent -- 320 boxes
Contents -- Series 4: Black-and-White Silver Gelatin Negatives: The material type of the series is black and white silver gelatin negatives. The negatives are arranged into twelve subseries. The materials document the clients and individuals whose photographs were taken by the Scurlock Studio and a wide variety of subject matters. The subjects represented are individual portrait sittings, organizations, events, businesses, commercial ventures of the Studio, and Washington, D. C. 4.1: Black and white negatives 4.2: Black and white negatives in freezers arranged by job number 4.3: Black and white negatives in freezer storage arranged by client 4.4: Black and white negatives in freezer storage arranged by subject 4.5: Black and white negatives in cold storage arranged by job number 4.6: Black and white negatives in cold storage arranged by client 4.7: Negatives in cold storage arranged by client with index cards 4.8: Negatives in cold storage arranged by subject 4.9: Black and white negatives for publication 4.10: Glass Plate Negatives 4.11: Customcraft Negatives 4.12: Banquet Negatives
Series 5: Color Negatives:
Dates -- 1964-1994
Extent -- 72 boxes
Contents -- Series 5: Color Negatives: The series color negatives primarily of color negatives but it also includes order envelopes and materials. The series is arranged into two subseries: clients and subjects. The subseries clients is arranged by job number, and the materials document the orders placed by clients of the Scurlock Studio and identified persons and organizations. The negatives depict individual portrait sittings, groups, and informal poses. The subseries subjects is arranged in alphabetical order, and the materials document negatives that could not be connected to a client of the studio. The negatives represent subjects such as art, buildings, commercial ventures of the Scurlock Studio, and unidentified people. 5.1: Color negatives arranged by client5.2: Color negatives arranged by subject
Series 6: Color Transparencies, Slides, and Other Formats:
Dates -- 1922-1994
Extent -- 40 boxes
Contents -- Series 6: Color Transparencies, Slides, and Other Formats: The series color transparencies, slides, and other formats consists of black and white and color transparencies, color slides, film, proofs, and order materials. The materials are arranged into four subseries: transparencies, slides, film, and proofs. The subseries are arranged by clients, in alphabetical order by last name, and then subjects, in alphabetical order. The materials document the orders placed at the Scurlock Studio by clients and identified individuals and organizations, and materials that could not be identified and are categorized by subjects. The subjects represented in the materials are primarily individual, family, and group portraits, and events and places. Cut but unmounted slides were typically placed in the subseries transparencies but a small number of cut but unmounted slides are included in the slides. The subseries proofs only contains a form of proof used by the Scurlock Studio that has a fugitive image, and other types of proofs printed on low quality paper or are water-marked and have a lasting image were included in the series Black and White Photographs and Color Photographs if the proof was either black and white or color. 6.1: Transparencies6.2: Slides6.3: Film6.4: Proofs
Series 7: Black-and-White Color Separation Negatives and Matrices:
Dates -- 1955-1957
Extent -- 7 boxes
Contents -- Series 7: Black-and-White Color Separation Negatives and Matrices: The materials in the series are black-and-white color separation negatives and a booklet about how to process black-and-white color separation negatives. The materials are arranged into three subseries: clients, subjects, and the booklet. The materials document orders placed at the Scurlock Studio by clients and individuals and organizations that could be identified but not connected to a specific order. The materials also document negatives categorized by subjects because there was no known client or identifiable individual or organization. The subjects represented are individual portrait sittings and groups, and unidentified people. 7.1: Clients Black-and-White Color Separation Negatives 7.2: Subjects Black-and-White Color Separation Negatives Booklet
Series 8: Scurlock Studio Business Records:
Dates -- 1907-1996
Extent -- 66 boxes
Contents -- Series 8: Scurlock Studio Business Records: The series Scurlock Studio Business Records contains paperwork pertaining to the administration of the business, the financial documentation of the business, the reocrds of sales, the advertising signs and promotions of hte business, the files kept on employees, and other materials kept at the Scurlock Studio. The series is arranged into six subseries: administrative file, financial, sales, advertising and marketing, employee and personnel, and office files. Each subseries is arranged differently according to the types of materials predominantly found in the subseries or in chronological order. The subjects represented in the series are mostly related to the financial records of the Scurlock Studio kept and the invoices of sales records. A wide variety of other subjects relating to the the business records of the Scurlock Studio can also be found including: session registers, construction plans, advertisements for specific holidays, and product information sent to the Studio. Some materials found in this series may be marked Scurlock Studio and Custom Craft, the color division of the Scurlock Studio, and were placed with this series because the Scurlock Studio was the primary business. Other materials with an unclear origin of either the Scurlock Studio or Custom Craft were placed in this series. 8.1: Administrative Files8.2: Financial8.3: Sales8.4: Advertising and Marketing8.5: Employee and Personnel8.6: Office Files
Series 9: Custom Craft Business Records:
Dates -- 1951-1994
Extent -- 57 boxes
Contents -- Series 9: Custom Craft Business Records: The series Custom Craft Business Records consists of paper documents relating to the administrative, financial, sales records, employee and personnel, and other files about the affairs of the Custom Craft business's day-to-day operations. The materials are arranged into five subseries: administrative, financial, sales, employee and personnel, and office files. The materials within a subseries are ordered by types of documents that consisted of a large number of materials listed first and materials with few documents following the grouped materials in chronological order. The materials document the day-to-day business of Custom Craft. The subjects represented are documents relating to the administration of the business, journals kept to document finances, the order invoices, the files kept about employees, product information, and materials accumulated in the office. Some documents may list both the Scurlock Studio and Custom Craft and were kept with the business records of Custom Craft if the materials appeared to fit the activities, color photography, of that business. Other documents relating to the business affairs of Custom Craft may be in the series Scurlock Studio Business Records because these documents did not clearly indicate which business the documents belonged to; in these cases, the materials were put in the series Scurlock Studio Business Records because the business was the primary business of the Scurlocks. There business records seem to indicate that there was not always a clear differentiation between the two businesses. 9.1: Administrative9.2: Financial9.3: Sales9.4: Employee and Personnel9.5: Office files
Series 10: Capitol School of Photography:
Dates -- 1948-1954
Extent -- 4 boxes
Contents -- Series 10: Capitol School of Photography: The series Capitol School of Photography consists of paper documents, photographs, and transparencies. The materials are arranged in chronological order and document the administration of the Capitol School of Photography and the students. The subjects represented are administrative documents, student files, photographs by students, photographs of students and the space used for the School, and transparencies of the same subjects.
Series 11: Washington Stock:
Dates -- 1981-1994
Extent -- 2 boxes
Contents -- Series 11: Washington Stock: The series Washington Stock consists of order materials, orders, and published materials. The materials are arranged chronologically and document the orders placed for Washington Stock and how the materials were used and published. The subjects represented are orders, standard forms used by Washington Stock, and published materials.
Series 12: Background Materials and Publications:
Dates -- 1902-1995
Extent -- 18 boxes
Contents -- Series 12: Background Materials and Publications: The series Background Materials and Publications is composed of paper documents, published materials, and materials from exhibitions. The materials are arranged into four subseries: historical and background information, Scurlock images, reference materials, and exhibition materials. The materials document the Scurlocks, published Scurlock images, published materials lacking Scurlock images, exhibitions of Scurlock images, and other exhibitions of related material. The subjects represented are largely materials related to the Scurlocks' photography and personal interests. Images were placed in the subseries Scurlock images if the photograph was credited to the Scurlocks or was a photograph known to have been taken by the Scurlocks; it is possible that uncredited and less well known images taken by the Scurlocks are present in the subseries reference materials. 12.1: Historical and Background Information12.2: Scurlock Images12.3: Reference Materials12.4: Exhibition Materials
Arrangement:
The collection is divided into 12 series.
This collection was processed with numerous changes in arrangement and numbering of boxes. Original box numbers have been retained in this finding aid for cross-reference purposes and to assist anyone with a record of photographs according to the original box numbers.
Biographical / Historical:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994).
The turn of the twentieth century saw a mass exodus of African Americans from the South to northern cities in search of better employment opportunities and fairer racial treatment. Although many considered Washington to be the northern-most southern city, it still offered opportunities for African Americans leaving seasonal agricultural work and racial oppression in the South. In Washington, African Americans found stable employment with the U.S. government. In addition, Howard University offered African Americans teaching opportunities, college education, and professional training as doctors, dentists, nurses, lawyers, and ministers. By 1900 a substantial African-American middle class existed in Washington. Despite the fact that Washington was a historically and legally segregated city (and would remain so into the 1960s), this middle class population continued to grow and prosper.
After graduation from high school, Addison Scurlock moved from Fayetteville, North Carolina, to Washington, D.C., with his family in 1900. With a keen interest in photography, he sought out an apprenticeship at the white-owned Moses Rice Studio on Pennsylvania Avenue. The Rice brothers (Amos and Moses) had been in Washington working as photographers since the 1860s and had one of the more prominent and better studios in the city. There Addison learned portrait and general photography. In 1904, he left Rice and began his photographic career at his parents' home. By 1911, when he opened the Scurlock Studio, he had already captured the likeness of Booker T. Washington (1910; see Appendix B), most likely his most well-known portrait. Scurlock quickly identified his market: a self-sufficient African-American community which included students, graduates, and educators affiliated with Howard University; poets; writers; intellectuals; musicians and entertainers; politicians; socialites; fraternal and religious organizations and their leaders. The Scurlock Studio, located at 900 U Street, N.W., became a fixture in the midst of the thriving African-American business community. As with his white counterparts on Pennsylvania Avenue and F Street, N.W., Addison Scurlock inspired passers-by with window displays of his photographs of national leaders and local personalities.
During the 1930s, Addison Scurlock's two sons Robert and George apprenticed in the studio. In addition to portrait and general photography, the sons learned the techniques of retouching negatives and photographic prints, hand-coloring, hand-tinting, and mat decoration. George concentrated on the commercial side of the business while Robert concentrated on the portrait side. The Scurlocks' work changed with the times. From the early 1900s until Addison's death in 1964, the Scurlock Studio was the official photographer of Howard University. In the 1930s the studio began a press service and prepared newsreels on African American current events for the Lichtman Theater chain, which offered some of the few non-segregated venues in the city. Their press service supplied the African-American press with newsworthy photographs of current events, personalities, and social, political, and religious life. Clients included the Norfolk Journal and Guide, Amsterdam News, Pittsburgh Courier, Cleveland Call and Post and the Washington Tribune and Afro-American. George and Robert ran the Capitol School of Photography from 1948 to 1952. Included among their students were African-American veterans under the G.I. Bill, Ellsworth Davis, who later worked as a Washington Post photographer and Bernie Boston of the Los Angeles Times. Perhaps their best-known student was the young Jacqueline Bouvier.
In 1952 Robert opened Washington's first custom color lab. Capitalizing on his knowledge of color processing, Robert was asked to take color portraits of both noted and ordinary individuals. In addition, the studio offered color views of important Washington landmarks and monuments. By the 1960s, Robert added magazine photography to his list of talents, publishing images in Life, Look, and Ebony. Robert continued photographing Washingtonians at his studio until his death in 1994.
According to George Scurlock, the Scurlock studio never had substantial competition in the African American community. Some Washington residents remember it differently, however. Dr. Theodore Hudson, a retired Howard University professor, recalled two other black photographers: Sam Courtney and a man named Sorrell. He said Courtney photographed events in the African American community...?
The collection represents the most comprehensive record of any long-lived, let alone African-American, photography studio, in a public institution. Other twentieth century studio collections exist, such as Robinson Studio, Grand Rapids; Hughes Company, Baltimore, Md. Among African American studio collections in public institutions are James Van Der Zee (New York City, 1912-80s), P.H. Polk (Tuskegee), and the Hooks Brothers (Memphis, Tenn., 1910-1975). The Scurlock Collection covers a greater time period and provides greater depth of coverage of African-American events and personages.
A number of articles have been written about the Scurlock family. Jane Freundel Levey, editor of Washington History magazine, believes that the family went beyond the artful use of light, shadow, and composition. She wrote, "Perhaps the most distinctive hallmark of the Scurlock photograph is the dignity, the uplifting quality of the demeanor of every person captured by photographs who clearly saw each subject as above the ordinary."
Constance McLaughlin Green, one of the leading historians of Washington, D.C., talks about African-American Washington as "the Secret City," a separate world with institutions of its own that remained virtually unknown to the white majority. Addison Scurlock and his sons captured that world on film and in doing so, documented that world in the course of running his business and perfecting his art. Steven C. Newsome, director of the Maryland Commission on Afro-American History and Culture stated that The Scurlocks' photograph "Gave us connections. They tell stories. They let us remember."
The collection includes photographs of the nationally famous Booker T. Washington, W.E.B. DuBois, Paul Laurence Dunbar, Mary McLeod Bethune, Mary Church Terrell, Marian Anderson; the locally or regionally important: P.B.S. Pinchback, Judge Miflin Gibbs, Col. Jim Lewis, Ernest Just, Anna J. Cooper; and actors, artists, vaudevillians, and musicians such as Fredi Washington, Madame Lilian Evanti, Oakley & Oakley, and Duke Ellington.
Sources
George Scurlock. Interview conducted by David Haberstich and intern Lora Koehler at Mr. Scurlock's apartment, Aug. 2003.
Theodore Hudson, conversation with David Haberstich in the Archives Center, 2 February 2004.
Jane Freundel Levey, "The Scurlock Studio," Washington History, 1989, p. 44.
Robert S. Scurlock, "An Appreciation of Addison N. Scurlock's Photographic Achievements," The Historic Photographs of Addison N. Scurlock. Washington, D.C.: The Charles Sumner School Museum and Archives, 1986 (exhibition catalog).
Materials at Other Organizations:
The Historical Society of Washington, DC holds Scurlock-related materials.
The Charles Sumner School Museumn and Archives holds Scurlock-related materials.
Materials in the National Museum of American History:
Cameras and other photographic apparatus, studio furniture, and miscellaneous ephemera from the Scurlock studio are in the History of Photography Collection (now Division of Work and Industry). An adding machine from the studio is in the Museum's mathematics collection. See accessions 1997.0293 and 2010.0157.
Provenance:
The Museum purchased the Scurlock Studio Records from the Estate of Robert S. Scurlock, through Judge Marjorie Lawson in 1997. During the period of negotiation between the museum and Robert Scurlock's heirs, his widow Vivian and brother George, the collection was on loan to the Museum and was housed primarily in a closed exhibition area on the second floor. Staff of the Archives Center took physical possession of the collection long before the transfer to the Museum was final. The studio records and photographs were housed principally in the 18th Street studio and in two rental storage facilities. The primary move of the collection to the Museum occurred in September 1995. An additional pickup occurred on February 12, 1996 (on tags). There was probably one additional pickup from the studio by David Haberstich and Caleb Fey on an unrecorded date.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Identifier:
NMAH.AC.0618
Archival Repository:
Archives Center, National Museum of American History
3 Video recordings (published videos or video series)
99 Linear feet (714,405 feet (332 hours) 16mm film, 435 hours video tape, 309 hours audio tape, 21 published film and video titles, 29 unpublished film and video titles, 14 linear feet paper records)
The John Marshall Ju/'hoan Bushman Film and Video Collection contains full film and video projects (outtake material), film production elements and edited films and videos, audio tapes, still photographs, negatives, transparencies, slides, published and unpublished writing by John Marshall and others, study guides for edited films, Nyae Nyae Development Foundation and Advocacy files, maps, and production files that include letters, shot logs, translations, transcriptions, editing logs, treatments, and proposals spanning from 1950-2000. This material comprises Marshall's long-term documentary record of the Ju/'hoansi of the Nyae Nyae region of the Kalahari Desert in northeastern Namibia. A great deal of the film and video footage focuses on one particular extended family, that of Toma Tsamko, whose ancestral home is at /Gautcha, an area with a large salt pan and a permanent waterhole. The life stories of some family members are captured in the footage; appearing as children in the 1950's, middle-aged parents in the 1980's, and pensioners in the final years of visual documentation. The Marshall Collection also documents other Ju/'hoansi living in Nyae Nyae and elsewhere, their relationships with neighboring ethnic groups, and national politics that affected Ju/'hoansi. Marshall also documented the local political body (the Nyae Nyae Farmers' Cooperative, or NNFC), the foundation he started (the Nyae Nyae Development Foundation of Namibia, or NNDFN), and the ways in which both groups worked with and were affected by international development organizations and foreign aid during the 1990's.
Scope and Contents:
The John Marshall Ju/'hoan Bushman Film and Video Collection contains full film and
video projects (outtake material), film production elements and edited films and videos,
audio tapes, still photographs, negatives, transparencies, slides, published and
unpublished writing by John Marshall and others, study guides for edited films, Nyae
Nyae Development Foundation and Advocacy files, maps, and production files that
include letters, shot logs, translations, transcriptions, editing logs, treatments, and
proposals spanning from 1950-2000.
This material comprises Marshall's long-term documentary record of the Ju/'hoansi of
the Nyae Nyae region of the Kalahari Desert in northeastern Namibia. A great deal of the
film and video footage focuses on one particular extended family, that of Toma Tsamko,
whose ancestral home is at /Gautcha, an area with a large salt pan and a permanent
waterhole. The life stories of some family members are captured in the footage;
appearing as children in the 1950's, middle-aged parents in the 1980's, and pensioners in
the final years of visual documentation. Beginning in 1978, Marshall often conducted
lengthy and in depth interviews with many family members, in which they reflect on past,
present, and future, and often comment on specific film footage from earlier years which
was shown to them during the interviews. The collection is not limited to the /Gautcha
family, however; it also documents other Ju/'hoansi living in Nyae Nyae and elsewhere,
their relationships with neighboring ethnic groups, and national politics that affected
Ju/'hoansi. Marshall also documented the local political body (the Nyae Nyae Farmers'
Cooperative, or NNFC), the foundation he started (the Nyae Nyae Development
Foundation of Namibia, or NNDFN), and the ways in which both groups worked with
and were affected by international development organizations and foreign aid during the
1990's. The collection also documents changes to the landscape and wildlife of the Nyae
Nyae region.
Arrangement:
This collection is arranged in 13 series: (1) Unedited Film and Video Projects, 1950-1978, 1981-2003; (2) Published Films and Videos, 1952-2002; (3) Unpublished Films and Videos, 1959-1962, circa 1965; (4) Audio, 1950s, 1978-1990; (5) Field Notes, Shot Logs, Translations, 1951-2000; (6) Production Files, 1952-2004; (7) Correspondence, 1968-2003 [bulk 1993-2000]; (8) Nyae Nyae Development Foundation & Advocacy Files, 1975-2003 [bulk 1984-2003]; (9) Published and Unpublished Writing, 1957-1958, 1980-1999, 2007; (10) Study Guides, 1974, 1982; (11) Writings by Others & Press, 1952-1953, 1965-2005; (12) Photographs, 1930s, 1946-2003; (13) Maps, 1872, 1879, 1914, 1933-1989.
Biographical / Historical:
John Marshall, filmmaker and activist, was born on November 12, 1932 in Boston, Massachusetts. He grew up in Cambridge, Massachusetts and on his family's farm in Peterborough, New Hampshire. Marshall first picked up a camera in 1950, at the age of 18, during the first of several expeditions to the Kalahari organized by his father, Laurence Marshall, the founding president of the Raytheon Corporation. The whole Marshall family - including John's mother, Lorna, and sister, Elizabeth Marshall Thomas - became engaged in a multi-disciplinary study of the Ju/'hoansi. Marshall's father assigned him the task of making a documentary film record of Ju/'hoan life and culture. Between 1950 and 1958, he shot over 300,000 feet of 16mm film (157 hours).
Marshall formed a close bond with many of his Ju/'hoan subjects, particularly with Toma "Stumpy" Tsamko, leader of the /Gautcha band. Amongst Ju/'hoansi, Marshall was known as Toma Xhosi, Toma "Longface". Probably because of this close relationship, he was forced to leave South West Africa in 1958 after his visa expired, and was not allowed back for twenty years.
During the 1960's and 1970's, Marshall became well-established as a cinema vérité filmmaker. After leaving the Film Study Center at Harvard, which he had co-directed with Robert Gardner, he worked briefly with Robert Drew and D.A. Pennebaker, and later collaborated with Fredrick Wiseman on Titicut Follies (1967). He forged friendships with leading documentary and ethnographic filmmakers, including Timothy Asch, Ricky Leacock, and Jean Rouch.
Throughout these years, Marshall continued to work with his extensive footage of Ju/'hoansi. He completed 15 short films, as well as the award-winning Bitter Melons. In 1968, Marshall partnered with Tim Asch to found Documentary Educational Resources (DER), to distribute and support the creation of ethnographic and educational film.
In 1978 Marshall was allowed to return to Nyae Nyae to shoot N!ai, the Story of a !Kung Woman. Finding his Ju/'hoan friends beset by illness, poverty, and growing social ills, John turned his attentions to development and advocacy work. Virtually abandoning his filmmaking career, Marshall started a foundation to assist Ju/'hoansi and spent most of the 1980's helping them establish water access, subsistence farming, and a local government. He began using film as an advocacy tool, and released several urgent, issuefocused videos to raise awareness of the Ju/'hoan struggle for self-determination.
Marshall continued his documentary record of Ju/'hoansi, directing his final shoot in 2000. A Kalahari Family (2002), his epic six-hour series, tells the story of the Ju/'hoansi from 1950-2000 and charts Marshall 's evolution from filmmaker to activist. He made his final visit to Nyae Nyae in 2004, and continued his advocacy work right up to his final days. John Marshall died due to complications from lung cancer on April 22, 2005.
John Marshall Chronology
1932 -- Born in Boston, Massachusetts
1950-1958 -- Marshall Family expeditions to study the Ju/'hoansi of Nyae Nyae
1957 -- Awarded B.A. in Anthropology from Harvard University The Hunters released
1958-1960 -- Associate Director (with Robert Gardner) of the Film Study Center, Peabody Museum, Harvard University
1960 -- Awarded G.S.A.S. in Anthropology from Yale University
1960-1963 -- Director, Bushmen Film Unit, Harvard University
1962 -- Sha//ge Curing Ceremony (early version of A Curing Ceremony), A Group of Women and Joking Relationship screened at Flaherty Seminar
1964-1965 -- Cameraman for NBC covering civil war in Cyprus
1966 -- Awarded M.A. in Anthropology from Harvard University
1967 -- Cameraman and Co-Director of Fredrick Wiseman's Titicut Follies
1968 -- Founded Documentary Educational Resources (DER) with Timothy Asch (first known as CDA, Center for Documentary Anthropology)
1968-1969 -- Cameraman and Director of film shoots for the Pittsburgh Police series, produced through the Center for Violence Studies at Brandeis University
1970-1974 -- Edited and released numerous short films, from both Ju/'hoan (!Kung) and Pittsburgh Police series
1972 -- Collaborated with Nicholas England (musicologist) on a film project documenting a family of drummers in Ghana (this film was never completed)
1972-1973 -- Travel to Botswana to film National Geographic's Bushmen of the Kalahari, produced by Wolper Productions
1974 -- If It Fits, documentary on failing shoe industry in Haverhill, MA, released
1976 -- Director and cameraman of film shoots for Smithsonian Festival of American Folklife
1978 -- Film shoot in Nyae Nyae for N!ai, The Story of a !Kung Woman
1980 -- N!ai, The Story of a !Kung Woman released and broadcast on PBS as partof the Odyssey series
1980-1982 -- Conducted genealogical survey in Nyae Nyae with Claire Ritchie
1982 -- Founded the Ju/wa Cattle Fund (later known as the Nyae Nyae Development Foundation of Namibia)
1985 -- Pull Ourselves Up or Die Out, Marshall's first "field report" edited on video, released
1989 -- Returns to Boston after Namibian independence
1991 -- To Hold Our Ground, another "field report" is aired on Namibian television shortly before a national Land Rights Conference
1993 -- The Cinema of John Marshall published
1995 -- Awarded Honorary M.F.A. from Rhode Island School of Design
2000 -- Final video shoot in Nyae Nyae
2002 -- A Kalahari Family premieres at the Margaret Mead Film Festival in New York City; released for general distribution in 2003
2004 -- Makes final visit to Nyae Nyae; presents proposal for water point protections
2005 -- Dies in Boston, Massachusetts
Orthography Note:
Ju/'hoansi are the speakers of the Ju/'hoan language. Various cultural descriptors used
over the years include !Kung which is a language group containing three dialect groups,
one of which is the Ju/'hoansi; San, which is now regarded by the Ju/'hoansi to have
negative connotations; and Bushman, which ironically (given the derogatory history of
this term) is now preferred by the Ju/'hoansi as a term of dignity. (Orthography
information provided by Dr. Polly Wiessner, University of Utah anthropologist and longtime
field worker among and researcher of the Ju/'hoansi.)
The orthography of the Ju/'hoan language has changed many times, though an official
orthography was agreed upon and accepted by the Namibian government in 1991. The
finding aid, cataloging records, and shot logs for the Marshall collection at Human Studies Film Archives
continue to use the orthography used by the Marshall family beginning in 1950. These
spellings are usually anglicized versions of the official orthography. For example, the
name ≠Oma was usually rendered by the Marshalls as Toma; the place name /Aotcha as
/Gautcha or Gautscha.
The majority of the footage was shot in a region of Namibia (formerly South West
Africa) known as Nyae Nyae. In the 1960's, a portion of the Nyae Nyae area was
officially established as a homeland for Ju/'hoansi by the South West African
administration. This area, once called Eastern Bushmanland, is now known as Eastern
Otjozondjupa, however it is still referred to as Nyae Nyae by Ju/'hoansi and others. The
Nyae Nyae Conservancy, which encompasses a large portion of Eastern Otjozondjupa,
was established in 1996.
Filmography:
JU/'HOAN BUSHMAN FILM SERIES
1952 -- First Film [also known as !Kung Bushmen of the Kalahari] (by Lorna Marshall)
1957 -- The Hunters
1959 -- A Curing Ceremony
1961 -- A Group Of Women
1962 -- A Joking Relationship
1966 -- !Kung Bushmen Hunting Equipment (directed by Lorna Marshall)
1969 -- N/um Tchai: The Ceremonial Dance of the !Kung Bushmen
1969 -- An Argument About A Marriage
1970 -- The Lion Game
1970 -- The Melon Tossing Game
1971 -- Bitter Melons
1972 -- Debe's Tantrum
1972 -- Men Bathing
1972 -- Playing With Scorpions
1972 -- A Rite of Passage
1972 -- The Wasp Nest
1974 -- Baobab Play
1974 -- Children Throw Toy Assegais
1974 -- The Meat Fight
1974 -- Tug-Of-War
1980 -- N!ai, the Story of a !Kung Woman
1985 -- Pull Ourselves Up Or Die Out
1990 -- To Hold Our Ground: A Field Report
1991 -- Peabody Museum !Kung San Exhibit Video
2002 -- A Kalahari Family
In addition to Marshall's many published films on the Ju/'hoansi, he was also involved in a variety of other film projects. He shot and co-directed Titicut Follies, a film by Fredrick Wiseman. Working in association with the Lemburg Center for Violence Studies at Brandeis University, he shot and directed a series of short films about a police squad in Pittsburgh, PA, known as the Pittsburgh Police series. He also shot and directed If It Fits, a film about the failing shoe industry in Haverhill, MA. Marshall was also the subject of two television programs: Bushmen of the Kalahari, a National Geographic special which aired in the United States, and a Japanese program called Forty Years in the Kalahari, part of the television series, Our Wonderful World. All of these, as well as Marshall's Ju/'hoan films, are included in this filmography.
PITTSBURGH POLICE SERIES
1970 -- Inside/Outside Station 9
1971 -- Three Domestics
1971 -- Vagrant Woman
1972 -- 901/904
1972 -- Investigation of a Hit and Run
1973 -- After the Game
1973 -- The 4th, 5th, & Exclusionary Rule
1973 -- A Forty Dollar Misunderstanding
1973 -- Henry Is Drunk
1973 -- The Informant
1973 -- A Legal Discussion of a Hit and Run
1973 -- Manifold Controversy
1973 -- Nothing Hurt But My Pride
1973 -- Two Brothers
1973 -- $21 or 21 Days
1973 -- Wrong Kid
1973 -- You Wasn't Loitering
OTHER FILMS
1967 -- Titicut Follies (Co-Director, Cinematographer; film by Fredrick Wiseman)
1972 -- Ghana Drumming (uncompleted; collaboration with Nicholas England)
1974 -- Bushmen of the Kalahari (by Wolper Productions for National Geographic)
1975 -- Vermont Kids (series of short films; released in 2007)
1976 -- Festival of American Folklife (uncompleted; shot for Smithsonian Institution)
1978 -- If It Fits
1988 -- Our Wonderful World: Forty Years in the Kalahari (by Nippon A-V Productions)
Related Materials:
The Human Studies Film Archives holds several related collections, including:
• The Nicholas England Collection, which consists of audio recordings from 1951-1961. This collection contains both originals and duplicates of audio tapes recorded during the Marshall Expeditions. (2005.9)
• The Journal of Robert Gesteland, kept during the Marshall !Kung Expedition VI, 1957-58. (2007.17)
• Master copies of the full film record of Bushmen of the Kalahari (1974), a television
program featuring John Marshall's 1973 visit to the /Gwi San of Botswana, produced by Wolper Productions for National Geographic. (2008.12)
• Reference copies of the full video record of Our Wonderful World: Forty Years in the
Desert, Nippon A-V's 1988 Japanese television program about John Marshall and the Ju/Wa Bushman Development Foundation. (2009.2.1)
• Master copies of the videotape "library" kept by John Marshall for reference and stock footage purposes. Compiled from various sources, the videos include news programs, documentaries, and raw footage of Ju/'hoansi and other San peoples from the 1920's --1990's, as well as interviews with John Marshall and his mother, Lorna
Marshall. (2009.2)
• Additional audio recordings, including interviews with Ju/'hoansi made by John Marshall and others. (2009.3)
• Full film record of [Ghana Drumming, 1972], an uncompleted project undertaken by John Marshall and Nicholas England, which documents a family of musicians. (2008.11)
The Papers of Timothy Asch, held at the National Anthropological Archives, contain
information on Asch's work with John Marshall at Harvard University from 1959-1963,
their collaboration in founding DER, and details on the use of Marshall's Ju/'hoan
footage in the development of MACOS (Man, A Course of Study).
There are also several closely related collections held at the Peabody Museum of
Archaeology and Ethnology, Harvard University. These collections relate to the 1950's
Marshall Expeditions and include: Expeditionary Notebooks and Journals of Lorna and
Laurence Marshall; Journal of Elizabeth Marshall Thomas; the Marshall Family
Photograph Collection; and the Records of the South West Africa Expeditions, 1950-
1959. The Harvard Film Archive, Harvard University, holds film prints of several of
Marshall's published films on the Ju/'hoansi, including The Hunters.
Provenance:
The John Marshall Ju/'hoan Bushman Film and Video Collection was received over several years of accessioning from different parties.
Restrictions:
The John Marshall Ju/'hoan Bushman Film and Video Collection is open for research. Please contact the Archives for availabilty of access copies of audio visual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Materials relating to Series 6 Production Files are restricted and not available for research until 2048, 2063, 2072. Kinship diagrams in Series 13 are restricted due to privacy concerns. Various copyrights and restrictions on commercial use apply to the reproduction or publication of film, video, audio, photographs, and maps.
Rights:
Contact the repository for terms of use. Information on reproduction and fees available from repository.
An extensive collection of oral histories conducted by Lu Ann Jones throughout the southern United States between 1985-1991. A few oral histories were conducted by Pete Daniel in the early 1980s. Subjects include all facets of agriculture in the south.
Scope and Contents note:
The collection is divided into four series. Series 1: Oral History Transcripts, 1982-1991 are transcribed versions of the oral interviews. Correspondence and/or notes pertaining to the interviewed individual collected or written by the interviewer are filed in this series following the transcription. The majority of the oral histories were done by Lu Ann Jones between1985-1991. There are a few interviews done by Pete Daniel in the early 1980s and some reference copies of oral histories done elsewhere.
This series is divided into eight sub-series: Sub-series 1.1: Arkansas, Sub-series 1.2: Georgia, Sub-series 1.3: Louisiana, Sub-series 1.4: Mississippi, Sub-series 1.5: North Carolina (including transcripts of the Mexican Workers Project in English and Spanish), Sub-series 1.6: South Carolina, Sub-series 1.7: Tennessee, and Sub-series 1.8: Virginia. Files are arranged alphabetically by state and there under by name; within the file materials are arranged chronologically. Interview files may contain transcribed copies of the oral history interviews and subsequent draft copies with corrections by the interviewer or subject. The file also may contain distillations or edited versions of the interview done by the researcher for possible publication. Correspondence and notes files may include Life History Forms, correspondence, newspaper articles, interviewer's notes, business cards, and paper copies of photographs. Signed releases are on file in the registrar's office, NMAH, with copies in the control file of the Archives Center.
Series 2: Project Files and Reference Materials, 1928-2004 contain notes and correspondence kept by Jones in support of the oral history project. This series is divided into four sub-series: Sub-series 2.1: State Files, Sub-series 2.2: Project and Reference Files, 1985-1991, Sub-series 2.3: Reference Publications, Pamphlets and Articles, 1928-2004 and Sub-series 2d: Computer Floppy Disks, 1985 and undated. This series include bills, receipts, photo orders, travel brochures, reference materials, articles, correspondence, fundraising proposals and materials, USDA Extension Service bulletins, product cookbooks, and ephemera. These materials are valuable in documenting the methodology of the oral history project. They are also valuable in detailing the funding and maintenance of the project over its five-year lifespan. There is also a great deal of information on black farmers. This series is arranged alphabetically by state and county or by article/publication title and within the file chronologically.
Series 3: Photographic Prints and Slides, 1987-1991 documenting the individuals interviewed, their homes and businesses, and geographic locations that were studied as part of the oral history project. The series is arranged numerically then chronologically by year. This series is followed by detailed photographic descriptions arranged alphabetically by state then subject. Photograph files contain photographs taken by a Smithsonian photographer or Jones and any copies of photographs supplied by the subject. Most of the photographs are black and white.
Series 4: Original Interview Tapes and Reference Compact Discs (CD), 1986-1991 are the original tapes of the individual interviews conducted by Jones. This series is divided into eight sub-series. Reference numbers for CDs matching the original tapes are noted after the tapes. CDs 495-497 are for the Smithsonian Photographer's Show: Sub-series 4.1: Arkansas, Sub-series 4.2: Georgia, Sub-series 4.3: Louisiana, Sub-series 4.4: Mississippi, Sub-series 4.5: North Carolina (within this sub-series are the transcripts of the Mexican Workers Project there may be an English language transcription as well as one in Spanish), Sub-series 4.6: South Carolina, Sub-series 4.7: Tennessee and Sub-series 4.8: Virginia and Sub-series 4.9: Miscellaneous and Duplicates, within the sub-series tapes are arranged alphabetically by subject.
Arrangement:
The collection is divided into four series:
Series 1, Oral History Transcript
Series 2, Project Files
Series 3, Photographic Prints and Slides
Series 4, Original Oral History Interview Tapes and Reference Compact Discs (CDs) are the original interview tapes and the accompanying reference copy cds.
History:
The history of the American South is intricately entwined with the history of agriculture in North America. Until very recently, post 1950, the South was predominately rural and agricultural in both its production and culture. By the 1980s American agriculture, and particularly agriculture in the south, was under attack on various fronts especially cultural, financial, and technological. This assault threatened the very existence of the small and family farm. Many small farming operations went bankrupt and the face of American agriculture was becoming more corporate. It was amidst these troubling times that the Agricultural Division of the Smithsonian's National Museum of American History undertook a massive project to document southern agriculture through oral history.
Through the efforts of NMAH staff, Pete Daniel, curator and project director, LuAnn Jones, researcher, and with countless support from staff photographers and personnel, Jones conducted approximately 159 interviews of individual persons, couples and sometimes small groups, in eight southern states over a five year period, 1986-1991. The project was funded by a series of grants from various sources. Not only were oral histories taken but also substantial documentary photographs and slides of the many interviewees. The interviews ranged from individual farmers to individuals at companies and corporations involved with agriculture. The range of crops discussed included tobacco, cotton and rice. The project interviewed a wide range of subjects: male, female, black, white, and Mexican. The project has contributed to at least two books, Mama Learned Us to Work: Farm Women in the New South by LuAnn Jones and Like a Family: The Making of a Southern Cotton Mill World by Jacquelyn Dowd Hall and others of which Jones was a contributing author.
Related Collections:
Materials in the Archives Center
Warshaw Collection of Business Americana (NMAH.AC.0060)
Kulp Collection of Account Books, 1755-1904 (NMAH.AC.0149)
Robinson and Via Family Papers (NMAH.AC.0475)
William C. Kost Farm Records (NMAH.AC.0481)
Timothy B. Bladen, Southern Maryland Photoprints (NMAH.AC.0767)
Provenance:
A transfer from the Division of History of Technology (Agriculture), NMAH, July 2001
Restrictions:
Collection is open for research. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
5.3 Linear feet (Boxes 1-6, OV 47; Reels 5708-5717)
Type:
Archival materials
Date:
1923-1986
Scope and Contents note:
Correspondents in this series include a wide range of international architects, designers, and artists who interacted with Breuer. The letters discuss his training and the execution of his hundreds of architectural projects and designs for furnishings. Researchers will find the letters between Breuer and his Bauhaus colleagues, including Josef Albers, Herbert Bayer, Walter Gropius, and László Moholy-Nagy, of particular interest.
Appendix A: List of Notable Correspondents from Series 2: Correspondence
Arrangement note:
The files are arranged chronologically, with the undated letters arranged alphabetically according to the correspondents' surnames.
Appendix A: List of Notable Correspondents from Series 2: Correspondence:
Missing Title
Aalto, Alvar, 1964 (1 invitation): to reception honoring Aalto
Abercrombie, Stan (architect), 1964-1977 (8 letters)
Abramovitz, Max (Harrison & Abramovitz, Architects), 1947 (3 letters) and 1963 invitation from Brandeis University in honor of Abramovitz
Harry N. Abrams, Inc., 1975 (2 letters): from Breuer's office Académie d'Architecture, 1976-1979 (4 letters)
Acme Laboratory Equipment Company, 1950 (1 letter): from Breuer's office ács, Gábor and Anikó, 1956 (1 letter)
Agel, Jerome B. (Agel & Friend), 1959 (1 letter): includes press release
Agostini, Edward (Becker and Becker Associates), 1969 (1 letter): from Breuer's office
Airflow Refrigeration, 1954: (1 letter): from Breuer's office
Alabama Polytechnic Institute, 1947 (1 letter)
Albers, Josef ("Juppy") and Anni (Black Mountain College), 1933-1958 (11 letters): a 1956 letter includes miscellaneous typescripts by Albers and clippings; a 1965 letter to the Phoenix Art Museum from William A. Leonard of the Contemporary Arts Center concerns an Albers exhibition and includes a list of works; a 1967 letter from Breuer to National Institute of Arts and Letters includes a typescript concerning Albers
Alexander, H. J. W. (Architectural Association), 1957-1958 (4 letters)
Alpern, Robert, 1964 (letter from Breuer)
B. Altman & Company, 1951 (1 letter)
Aluminum Company of America (ALCOA), 1946-1964 (2 letters)
Aluminum Import Corporation, 1946 (2 letters)
Alvarez, Raúl J., 1968 (1 letter)
American Academy in Rome, 1947-1961 (4 letters): request recommendations for Frederic S. Coolidge, Arthur Myhrum, and Thomas B. Simmons
American Academy of Arts and Letters, 1965-1978 (10 letters): a letter 1967 is a nomination by Walter Gropius for Sigfried Giedion's honorary membership in American Academy of Arts and Letters and National Institute of Arts and Letters; see National Institute of Arts and Letters
American Academy of Arts and Sciences, 1977 (1 letter)
American Academy of Political and Social Science, 1946 (1 letter)
American Arbitration Association, 1960-1968 (52 letters)
American Church in Paris, 1966 (1 letter): from Robert F. Gatje
American Council for Emigres in the Professions, Inc., undated: letter introduces Viola Kondor
American Craftsmen's Council (Mrs. Vanderbilt Webb), 1967 (1 letter)
American Designer's Institute, 1947 (convention schedule)
American Export and Isbrandtsen Lines, 1963 (1 letter)
American Federation of Arts, 1958-1967 (8 letters)
American Field Service, 1956 (1 ): letter from Breuer on behalf of Danielle Eyquem
American Fork & Hoe Company, 1944 (1 letter)
American Hungarian Studies Foundation (August J. Molnár), 1964-1968 (10 letters): a 1967 invitation is to George Washington Awards Dinner in honor of Breuer, Watson Kirkconnel, and Hans Selye
American Institute of Architects, 1946-1976 (45 letters): membership applications for Edward Larrabee Barnes, Landis Gores, John MacL. Johansen, George Sherman Lewis, A. McVoy McIntyre, Robert Hays Rosenberg, Bernard Rudofsky); a 1963 letter from Breuer's office concerns a Skyscraper Architecture survey team from Japan; a 1968 letter concerns the Comité Organizador de Los Juegos de la XIX Olimpiada
American Institute of Architects, College of Fellows, 1976 (1 letter): from Breuer's office
American Institute of Architects, Jury of Fellows, 1960 (3 letters): from Breuer
American Institute of Architects, Library Buildings Award Program, 1967 (1 letter): from Breuer's office
American Institute of Architects, New York Chapter, 1945-1963 (16 letters)
American Institute of Decorators (Richard F. Bach), 1956 (1 letter)
American Institute of Interior Design in Switzerland (Charles D. Gandy and Susan Zimmermann), 1977-1978 (2 letters)
American-Jewish Congress: see Commission on Community Interrelations (CCI)
American Library Association, 1951-1968 (2 letters)
American Planning and Civic Association, undated: membership notice
American Press Institute, 1974-1975 (5 letters): from Breuer
American Radiator and Standard Sanitary Corporation, 1947 (1 letter): from Breuer
American Shakespeare Festival, 1954 (1 letter): from Breuer's office
American Society for Church Architecture, 1965-1966 (4 letters)
American Society for Friendship with Switzerland, 1969 (1 letter)
American Society of Interior Decorators, 1976 (1 letter): from Breuer's office
American Society of Planners and Architects (ASPA), 1945-1947 (12 letters)
Anderson, Lawrence B., 1945-1965 (2 letters): see American Society of Planners and Architects (ASPA)
András, Ivánka, 1957 (1 letter)
Andrews, Robert, 1956 (1 letter)
Aoyagi, Nobuo, 1964 (1 letter)
Aoyagi, Tetsu, 1965 (1 letter)
Arbelaez, Carlos, 1952 (1 letter): from Breuer)
Architects & Engineers Institute, 1959 (1 letter)
Architects' Collaborative, 1946-1959 (3 letters): see McMillan, Louis and Peggy
Architectural Association, London, 1965-1969 (7 letters): see project file for UNESCO for correspondence with Edward J. Carter Architectural Design, 1960 (1 letter): from Ernesto Fuenmayor and Manuel Sayago of Centro Profesional del Este)
Architectural Forum, 1960 (1 letter): from Leonard J. Currie
Architectural Group, (W. D. Wilson), 1947 (1 letter)
Architectural League of New York, 1947-1975: (26 letters and minutes from 6 meetings): see Ketchum, Morris
Architectural Record, 1946-1959 (9 letters)
Architectural Students Association, 1958 (1 letter)
Architecture Formes Fonctions, 1971 (3 letters): includes a typescript "Design Research in Concrete" for July 1971 magazine
Architektur + Wohnwelt, 1975 (3 letters)
Argan, Giulio Carlo, 1955-1957 (6 letters)
Arizona, University of, 1974 (1 letter): from Breuer's office
Bergen County Cut Stone Company, 1967 (1 letter): from Breuer's office
Bergen, Emiel, 1956 (1 letter)
Berger, Donald (North Dakota Agricultural College), 1953 (1 letter)
Berger, George, 1950 (1 letter)
Berger, Otti, undated and 1934-1937 (7 letters)
Berger, Sanford and Helen (architects), 1945 (1 letter): from
Breuer to László Moholy-Nagy and Ludwig Mies Van der Rohe introducing the Bergers
Berger, Stephen E., 1959 (1 letter)
Berizzi, Sergio, 1959 (4 letters): letters of introduction
Berko, Franz, 1946-1947 (5 letters): including one from László Moholy-Nagy
Berlin Interbau, (International Building Exhibition), 1957 (1 letter): from mayor of Berlin
Berndt, Marianne, 1933 (1 letter)
Berti, Vincent, 1974 (1 letter): from Breuer's office
Better-Philadelphia Exhibition (Richard A. Protheroe, Harry
B. Nason, Hugh B. Sutherland), 1947 (1 letter)
Bevington, Alistair M., 1959 (1 letter): includes résumé
Bevington, Mariette (stained-glass designer), 1967 (1 letter): to Herbert Beckhart
Bharadwaj, Ajaya, 1955 (2 letters)
Biasini, E. J. (French prime minister), 1972 (1 letter)
Biddle, Mrs. Francis, 1962-1968 (3 letters): includes a funeral announcement for her husband)
Biddle, George, 1965 (4 letters): 3 from Breuer
Bier, Justus (University of Louisville), 1938 (3 letters)
Bigeleisen, Jacob (University of Rochester), 1970 (1 letter) Ronald S. Biggins and Associates, 1958 (1 letter)
Bijenkorfbeheer N.V., Amsterdam, 1967-1974 (2 letters): from Breuer
Bill, Alexander H., Jr., undated (1 calling card)
Blake, Peter (architect), undated and 1950-1976 (41 letters): a 1958 letter from Breuer is illustrated with a hand-drawn map by
Blake of Easthampton property
Blanton, John A., 1951 (1 letter)
Blaustein, Morton K., 1963-1965 (2 letters)
Bliss, Douglas P. (Glasgow School of Art), 1947 (1 letter): from Breuer
Bloeme, Sidney, 1963 (1 memorandum): from James S. Plaut
Blum, Kurt (photographer), 1974 (1 letter): from Breuer's office
Bode, Paul (architect), 1956 (1 letter)
Bodri, Ferenc, 1967-1975 (3 letters): 2 1975 letters from Breuer
Boehringer Ingelheim, Ltd., 1975 (1 letter): from Breuer
Bogner, Walter, 1938-1960 (4 letters): see Project File for UNESCO
Boissonnas, Eric and Sylvie, undated and 1960-1978 (20 letters)
Bollingen Foundation, 1964 (1 invitation): to reception in honor of Sigfried Giedion
Bonaparte, Mrs. Robert L., 1955 (1 letter)
Bonomi, Maria, undated and 1958 (2 letters)
Bookman, Mrs. John, 1964 (1 letter)
Borbíró, Virgil (Hungarian architect), 1945-1956 (2 letters): includes Borbíró's obituary
Borglum, Paul, 1950 (1 letter): see Project File for UNESCO
Born, Karl, 1968 (1 letter): from Breuer
Borsódy, István ("Stephen"; historian; Hungarian Legation) and Zsóka, 1946-1965 (5 letters): 1951 letter includes a biographical sketch of Borsódy by Aladár Szegedy-Maszák
Bortfeldt, Hermann (Büro Willy Brandt), 1963 (1 letter)
Bosch, Robert, 1934 (2 letters)
Bosserman, Joseph Norwood, 1963-1967 (2 letters)
Bosshard, J., 1956 (1 letter)
Boston Architectural Center, 1968 (1 letter)
Boston Redevelopment Authority, 1970 (1 letter)
Boston Society of Architects, 1946 (1 letter): from Breuer to John R. Abbott
Botond, Stephen G. ("Pista"; architect), 1958-1960 (2 letters): includes wedding announcement for Botond and Patricia Potter Luce
Bouchet, Maxime, 1953 (5 letters)
Bourget, Inc., 1955 (2 letters): from Breuer's office
Bower, John, 1954 (1 letter)
Bozzola, Vittorio, 1964 (2 letters)
Bradford, Carol (Mrs. Amory H. Bradford), 1951 (1 letter): from Breuer
Brandon-Jones, John, 1958 (1 letter)
Brandstätter, Elsbeth, 1936-1937 (2 letters)
Brassaï, Gyula Halász (Romanian photographer), undated (1 calling card): no signature
Peter Bratti Associates, 1974-1975 (2 letters): from Breuer
Bratti, Peter (A. Tozzini Tile Works, Inc.), 1958 (1 letter)
Braun, Wolfgang, 1968 (1 letter): from Breuer
Braziller, George, 1966 (1 letter)
Bremer, Paul and Nina, 1975 (2 letters)
Breuer, Constance (née Leighton), 1947-1982 (22 letters): from Breuer and Breuer's office; a 1967 letter, 1967, from French filmmaker Gerard Calisti is routed from Robert Osborn; an invitation from M. Knoedler and Company concerns reception for Lina Kandinsky
Breuer, Francesca, undated and 1966-1973 (3 letters): includes a letter of recommendation from Tician Papachristou
Breuer, Hermina, 1950 (1 telegram): from Breuer
Brewer-Cantelmo Company, Inc., 1966 (3 letters): from Breuer's office
Brewer, Joseph, 1965 (1 letter)
Brewster, George W. W., Jr., undated and 1946 (2 letters)
Brey, David M. (architect), 1950 (1 letter)
Breydert, Katherine, 1946 (1 letter)
Brickel/Eppinger, Inc., 1963 (3 letters)
Brigham, Richard C., 1954 (1 letter)
Brion, Maud (secretary to Eric Cercler), 1966-1972 (10 letters)
Brissenden, Norine (Mrs. P. R. Brissenden), 1947 (1 letter)
British Chair Company, 1954 (1 letter): from Breuer's office
General Electric Appliances, Inc., 1947 (1 letter)
General Electric Company, 1943-1950 (6 letters)
General Fireproofing Company, 1943-1946 (4 letters)
Georges, Alexandre (photographer), 1974-1976 (2 letters): from Breuer's office
Geraghty, Margaret, 1960 (1 letter): from Breuer's office
Gerbman, Joyce, 1968 (1 letter): from Breuer
Giedion-Welcker, Sigfried and Carola, undated and 1932-1976 (62 letters): see Congrès Internationaux d'Architecture Moderne (CIAM; Chapter for Relief and Post-War Planning)
Grimball, Henry G. (Harvard University), 1950 (1 letter)
Gropius, Walter ("Pius") and Ise ("Pia"), undated and 1933-1969 (120 letters): see Harvard University, Graduate School of Design; Project File for UNESCO
Grosse Pointe Public Library, 1960 (1 letter)
Grossi, Olindo (Architectural League of New York), 1957 (4 letters): see Pratt Institute; see Project File for UNESCO
Grosswirth, M. (New York University, College of Engineering), 1958 (1 letter)
Gröte, Dr. Andreas and Laura, 1961-1967 (3 letters)
Gröte, Ludwig and Gertrud Maud, 1956-1967 (5 letters)
Groupe Espace, 1952-1954 (5 letters)
Gruber, Gerd, 1965-1967 (2 letters)
Gruber, Richard D. (Independent Oil Company of Connecticut, Inc.), 1970 (1 letter)
Gruzen, Barney Sumner, 1956 (1 letter): from Breuer
Gstrein, Kassian, 1936 (1 letter)
Guenther, Carl Frederic, 1958 (1 letter)
Guerrero, Pedro E. (photographer), 1955 (1 letter): from Breuer
Solomon R. Guggenheim Museum, 1964 (1 letter): concerns the loan from Breuer of an Alexander Calder work
Guilford Leather Company, 1950 (1 letter): from Breuer
Gumbel, Robert W., 1950 (1 letter)
Gutheim, Polly (Mrs. Frederick A. Gutheim), 1946 (1 letter)
Haas, Robert (Ram Press), 1954-1957 (8 letters): from Breuer's office
Hächler, W. (architect), 1956 (1 letter): from Breuer
Hack, Lynda, 1968 (1 letter): from Breuer
Hackett, Gabriel D. (photographer), 1963 (1 letter)
Hackley Art Museum, 1977 (3 letters)
Hagenbach, Marguerite: see Arp, Hans Jean
Hagerty, Francis (Hagerty Company), 1945 (2 letters)
Hagerty, John, 1958 (1 letter)
Haggerty, Brian (Sacred Heart Seminary), 1964 (1 letter)
Hagmann, John S. (and Robert A. M. Stern), undated (1 letter)
Hagood, M. Lindsey (Virginia Polytechnic Institute, Architectural Speakers Committee), 1952 (3 letters)
Hahn, Alexander, 1957-1958 (2 letters)
Halász, Dezso (International Union of Local Authorities), 1957-1959 (3 letters)
Halász, Ferenc, 1959 (2 letters)
Halborg, Rev. John E. (Evangelical Lutheran Church of the Advent), 1968 (1 letter)
Hall, John Hughes (Nardin & Radoczy), 1956-1957 (2 letters)
Halprin, Lawrence, 1966-1970 (2 letters)
Halverson, Marvin (National Council of the Churches of Christ in the USA), 1955-1956 (4 letters)
Halvorson, Roy E., 1956-1971 (4 letters)
Hambuechen, Dr. Eva-Dorothee, 1937 (1 letter)
Hamer, R. D. (Aluminium Laboratories Ltd.), 1946 (1 letter)
Hammett, Ralph W., 1975 (1 letter): from Breuer's office
Hancy, L., 1975 (1 letter): from Breuer's office
Hansen, Thomas L. (University of Colorado, Boulder), 1956 (1 letter)
Hanson, B. (Mrs. John Hanson), 1955-1967 (3 letters)
Haraszty, Eszter, undated and 1956 (2 letters)
Harbert, Guido, 1950 (1 letter)
Hardoy, Jorge Ferrari (architect), 1965 (1 letter)
Hendry, Charles E. ("Chick"; University of Tornoto), 1950 (2 letters): see Commission on Community Interrelations (CCI) of the American Jewish Congress
Henin, Mme. S., 1956 (2 letters)
Henze, Wilfried, 1964 (1 letter)
Herbe, Paul (architect), 1963 (1 letter)
Herford, Julius G., 1945 (1 letter)
Herman, Harold M., undated (1 letter)
Hermanson, Ray T. (Trynor & Hermanson, Architects), 1957 (1 letter)
Herrera, Alberto Rodriguez (El Recreo, Centro Profesional del Este), 1960 (1 letter): from Breuer's office
Herrey, Hermann (architect), 1946-1947 (3 letters)
Herter, Susan and Chris, undated (1 letter)
Hertner, W. (architect), 1939 (1 letter)
Hertzell, Tage (Meningsblad for Unge Arkitekter), 1956 (1 letter)
Hervé, Lucien, 1960 (4 letters): see Project File for UNESCO
Herz, Alexandra, 1965-1967 (2 letters)
Hess, Orvan W., 1976 (1 letter)
Hester, James M. (New York University, Washington Square), 1963-1970 (2 letters)
Hetényi, George, 1954 (1 letter)
Heyer, Paul O., 1965-1970 (11 letters)
Heyman, Marla, undated (1 letter)
Heywood-Wakefield Company (Mr. Greenwood, Mr. Paul Posser), 1944 (6 letters)
Higgins, Ambrose S. (architect), 1947 (1 letter)
Hill, Albert Henry, 1950-1951 (2 letters)
Hill and Knowlton, Inc., 1974 (1 letter): from Breuer's office
Hill, Henry and Heather, 1950-1964 (7 letters): see Project File for UNESCO
Hirschfeld, Ludwig, undated and 1935-1963 (18 letters)
Hirshhorn Museum and Sculpture Garden, 1975 (2 letters): from Breuer
Hudnut, Joseph ("Vi"; Harvard University) and Claire, undated and 1946-1947 (3 letters): see American Society of Planners and Architects (ASPA); Congrès Internationaux d'Architecture Moderne (CIAM), Chapter for Relief and Post-War Planning; Harvard University, Graduate School of Design
Hug, Hattula Moholy-Nagy (daughter of László Moholy-Nagy), 1976 (1 letter)
Hungarian Alumni Association, undated (1 letter): includes a hand-drawn map, 8 photographs of Hungarian cityscapes, 4 photographs of city views, and a drawing of the facade of a building
Hunter, Louise, 1947 (1 letter)
Hurley, Jane C., 1947 (1 letter): from Breuer
Hurwitz, Joe, 1968 (1 letter): from Breuer
Hutchhausen, Walther, 1937 (1 letter)
Hutchins, John Jay (Law Offices of S. G. Archibald), 1963-1969 (14 letters): see Project File for UNESCO
Hutton: E. F. Hutton Company, 1946-1951 (7 letters)
Huygens, W., 1957 (1 letter)
Ichban [?], Hans ("Zero"), undated and 1939 (2 letters)
Ikuta, Tsutomu, 1951 (1 letter)
Illinois, University of, Chapter of AIA, 1959 (2 letters)
Illinois, University of, Urbana, 1957-1964 (4 letters)
Ilmanen, J. William, 1955-1956 (2 letters)
Immanuel, M., 1946 (2 letters)
India, ambassador from, 1965 (1 invitation): to Nehru
N.V. Induventa, 1935 (1 letter)
Ingrand, Max, undated (2 letters)
Institute der Schwestern, Baldegg, Switzerland, 1970-1975 (5 letters): 4 from Breuer
Institute for Advanced Study, Princeton University, 1970 (1 letter)
Institute of Contemporary Art, 1954-1956 (3 letters): see Project File for UNESCO
Institute of Contemporary Art, Department of Design in Industry, 1951 (3 notices of meetings)
Institute of Design, Illinois Institute of Technology, 1953-1959 (6 letters)
Institute of International Education, 1960-1961 (4 letters)
Instituto Internazionale di Arte Liturgica, 1970 (1 letter)
Interiors Incorporated, 1975 (1 letter): from Breuer
Interiors International, 1963 (4 letters)
Interiors magazine, 1950 (1 letter)
International Bank for Reconstruction and Development, 1975 (1 letter): from Breuer
International Business Machines Corporation (IBM), 1963-1974 (4 letters): 2 from Breuer
International Business Machines (IBM) Deutschland, 1970 (1 letter)
International Congress for Engineering Education, 1947 (2 letters)
International Congress for Modern Architecture: see Congrès Internationaux d'Architecture Moderne (CIAM)
International Contract Furnishings, Inc., 1975 (1 letter): from Breuer
International Design Conference, Aspen, Colorado, 1953-1955 (4 letters)
International Lighting Review, 1961 (1 letter)
International Rescue Committee, Inc., undated (1 letter)
Iowa State College, 1960 (1 letter): see Myers, John S.
Iran, empress of, 1975 (1 letter): from Breuer
Irving & Casson/A. H. Davenport Company, 1945 (1 letter): see Commission on Community Interrelations (CCI)
Irving, Michael H. (Irving and Jacob), undated and 1968-1971 (4 letters)
Kennedy, John Fitzgerald, 1961-1963 (3 letters): from the White House
Kennedy, Robert Woods (first architect in Gropius-Breuer office, Cambridge, Massachusetts), undated and 1950 (3 letters): see American Society of Planners and Architects (ASPA)
Kennerly, Albert (Kennerly Construction Company, Inc.), 1947 (1 letter)
Keogh, Eugene J. (Halpin, Keogh & St. John), 1970 (1 letter)
Kepes, György (architect) and Juliet, undated and 1924-1978 (29 letters)
Maas, Carl ("Happy"/"Hap"; editor, House Beautiful), 1937-1946 (6 letters)
Maas, Walter, 1947 (1 letter): from Breuer
Macomber, George A. (Cambridge Trust Company), 1947 (2 letters)
Madison, Bob, 1951 (1 letter)
I. Magnin, San Francisco, 1961 (1 letter): from Breuer's office
Magyar Album, 1956 (1 letter)
Magyar épitomuvészek Szövetsége magazine, 1956-1977 (4 letters)
Maki, Fumihiko (Harvard University), 1963 (1 letter) George E. Mallison Importing Company, 1950-1955 (2 letters)
Manders, Dave, 1968 (1 letter): from Breuer
Mandl, Zoltán, 1939 (1 letter)
Manfred, Ernest F., 1966 (1 letter)
Mang, Karl (architect), 1967 (1 letter)
Manitoba, University of, Students' Architectural Society, 1953 (1 letter)
Mantel, H. J., 1951 (1 letter)
Manton, Mr. and Mrs. John, 1967 (1 letter): from Breuer's office
Marbleloid, Inc., 1946 (1 letter)
Marine-Air-Research Corporation, 1946 (1 letter): from Breuer
Maroy, Jean-Paul, 1981 (1 letter): from Robert F. Gatje William L. Marshall, Ltd., 1944-1947 (8 letters)
Marson, Bernard A. (architect), 1968 (1 letter)
Marston, Natalie (Institute of Contemporary Art), 1951 (1 letter)
Martens, Michel (Hedendaagse Kerkelijke Kunst), 1956-1957 (2 letters)
Martignetti, Antonio, 1956 (1 letter)
Martin, J. L. (architect), 1938 (1 letter)
Martin, Leslie and Sadie, undated and 1954 (3 letters)
Mary College and the Annunciation Priory, 1963-1976 (6 letters)
Massachusetts Institute of Technology, Art Committee, 1968 (1 letter)
Massachusetts Institute of Technology, Office of the President, 1961-1965 (2 letters)
Massachusetts Institute of Technology Press, 1975 (1 letter): from Breuer's office
Massachusetts Institute of Technology, School of Architecture and Planning, 1958-1960 (4 letters)
Massachusetts, University of, Amherst, 1968 (1 letter)
Massenot, J. P. (éditions Techniques), 1974 (1 letter): from Breuer's office Master, Dipak C. (Master Sathe and Kothari, Architects), 1968 (1 letter): from Breuer
Mathews, Joseph F., 1956 (1 letter)
Maucher, Helmut, 1976 (1 letter): from Breuer's office
Maurer, Laurie, undated (3 letters)
Mauser Kommandit-Gesellschaft, 1966 (1 letter)
Mayekawa, Kunio, 1963 (1 letter)
McClean-Smith, Betty, 1940 (1 letter)
McComb, Peter K. and Karen, 1954-1956 (4 letters)
McGarry, Ann M., 1947 (1 letter)
McGill University, Montreal, 1967 (1 letter)
McGlynn Associates, Inc., 1956 (1 letter)
McGrath, Raymond (Office of Public Works, Dublin, Ireland), 1937-1969 (9 letters)
McGraw-Hill Publications, 1967 (1 letter)
McGuinness, William J. (Pratt Institute), 1951 (1 letter)
McIntyre, A. McVoy, 1950-1951 (2 letters)
McLaughlin, Peter, 1959 (1 letter)
McMillan, Louis and Peggy (Architects' Collaborative), 1945-1946 (2 letters)
McVitty, John D., 1946 (1 letter)
John O. Meadows Associates, Ltd., 1984-1985 (2 letters)
Medical Economics, 1960 (1 letter)
Meier, Richard Alan, undated and 1957-1967 (5 letters)
Meldrum, Andrew, 1956 (1 letter): from Breuer
Meller, Herbert, 1969-1970 (4 letters)
Mellon, Mary, 1938 (1 letter)
Meng, John J. (Hunter College), 1963 (1 letter)
Menken, Julian (Julian Menken and Associates), 1964 (1 letter)
Merit Studios, Inc., 1965 (1 letter): from Breuer's office
Merle, André (André Merle Associates, Architectural Engineers), 1946 (1 letter)
Merrill and Holmbren, Architects, 1954 (1 letter): concerns Campbell Building Company
Merrill, Ruth P., 1950-1964 (2 letters)
Metropolitan Milwaukee War Memorial, Inc., 1945 (4 letters): 1 to Walter Gropius
Metropolitan Museum of Art, 1944-1975 (8 letters)
Metropolitan Structures, Inc., 1974 (2 letters): from Breuer's office
Metropolitan Washington Board of Trade, 1969 (2 letters)
Meunier, John, 1957 (1 letter)
México, Consulado Honorario de, 1938 (2 letters)
Meyer-Bohe, Walter, 1975 (1 letter): from Breuer's office
Michaëlis, Lorenz S. (Swiss doctor), undated (1 letter)
Michel, John (General American Transportation Corporation), 1947-1948 (2 letters)
Michelson, Val (architect), 1970 (1 letter)
Michigan, University of, Ann Arbor, 1957-1963 (19 letters)
Middelhauve, Dr. F. G., 1963 (1 letter)
Mies Van der Rohe, Ludwig, 1945 (1 letter): from Breuer introducing Sanford L. and Helen Berger, architects
Mihályfy, Károlyné, 1966 (1 letter)
Millar, L. R., 1935 (1 letter)
Millard, Charles W., 1957 (1 letter)
Miller Company, 1945-1947 (2 letters)
Miller, Flora W. (Mrs. G. MacCulloch Miller), undated (1 letter)
Miller, H. Wisner, 1968-1969 (2 letters)
Herman Miller Furniture Company, 1951-1954 (4 letters): from Breuer
Miller, Rev. John (St. Charles Seminary), 1975 (1 letter): from Breuer
Miller, Richard J., 1955 (1 letter)
Miller, Steve, 1968 (1 letter): from Breuer
Milliken, W. H. (Binney & Smith Company), 1951 (1 letter)
Mills, Mrs. Edward E., 1954 (1 letter): from William W. Landsberg
Mills, Willis N. (Sherwood, Mills and Smith, Architects), 1960-1969 (2 letters)
Ministre d'état Chargé des Affaires Culturelles, 1963 (1 letter): from Breuer
Minnesota Society of Architects, 1958 (1 letter)
Minnesota, State of, Board of Registration, 1954 (2 letters)
Minnesota, University of, 1953 (1 letter)
Miró, Joan, 1959-1963 (2 letters): 1 from Breuer
Mitchell and Ritchey, 1947 (2 letters)
Mitchell, Mary, 1954 (1 letter): from Breuer's office
Miya & Company, 1956 (1 letter): from Breuer's office
Modern Industry, 1947 (1 letter)
Modern Master Tapestries, Inc., 1974-1975 (4 letters): from Breuer's office
Moffett, Toby, 1974 (1 letter)
Moholy, Lucia, 1957-1958 (5 letters)
Moholy-Nagy, László ("Lakci") and Sibyl, 1934-1955 (40 letters): includes a 1946 exhibition catalog for a Walter Gropius exhibition at the School of Design, Chicago; see also Hug, Hattula Moholy-Nagy
Moldcast Products, Inc., 1950 (1 letter): from Breuer's office
Molitor, Joseph W. (photographer), 1955-1975 (5 letters): 4 from Breuer
Molnár, Farkas (Hungarian architect), undated and 1933-1940 (25 letters)
Mongan, Agnes, 1938 (1 letter)
Montague, Harvey, 1968 (1 letter): from Breuer
Montgomery, Elizabeth (Mrs. Wilmot), 1950 (1 letter)
Moore, Henry, 1946-1962 (13 letters): 6 from Breuer
Moore, Joe A., 1945 (2 letters)
Moore, Paul S. (architect), 1966-1967 (3 letters)
Morassutti, Mangiarotti, 1961 (1 letter)
Moretti, Bruno, 1936 (1 letter)
Morgan, Alice, 1939 (1 letter)
Morgan, Sherley W. (Princeton University), 1952 (3 letters)
Móricz, Miklós, 1947 (1 letter)
Morrell, Mrs. Ben, 1965 (1 letter): from Breuer's office
Sydney Morrell & Company, Inc., 1973-1976 (4 letters)
Morris, Walter (Fuller & Smith & Ross, Inc.), 1950 (1 letter)
Morrow, Margot, 1950 (1 letter): from Breuer's office
Mory, Bob, 1968 (1 letter): from Breuer
Moschette, Angela, 1950 (1 letter)
Motherwell, Robert, 1968 (1 letter)
Muguruza Otaño, José María (architect), 1935-1967 (3 letters)
Mulford, Edwin H., 1966 (1 letter): from Breuer's office
Murray, J. A. (University of Toronto School of Architecture), 1947-1956 (3 letters)
Murrow, Mrs. Edward R., 1961 (1 letter)
Musée des Arts Décoratifs, 1969 (2 letters)
Museu de Arte Moderna do Rio de Janeiro, 1954 (1 letter)
Museu de Arte Moderna do São Paulo, 1956 (1 letter concerning IV Bienal de S. Paulo)
Museum of Contemporary Crafts, 1967 (7 letters)
Museum of Modern Art, New York, 1941-1976 (49 letters)
Museum of Science and Industry, Chicago, 1967 (3 letters)
Museum of the City of New York, 1959 (2 letters)
Muskat, Irving E., 1968 (2 letters)
Mutsu, Masako, 1964-1965 (2 letters): from Breuer
Myers, John S. and Shirlee, 1955-1959 (4 letters)
Myers, Ralph E., 1958 (2 letters)
Myers, Robert L., 1950 (1 letter)
Nadeau, Eleanor Saxe, 1950 (1 letter)
Nader, Fouzieh, 1972 (2 letters)
Nagare, Masayuki, 1963-1965 (6 letters): 5 letters from Breuer
Nagel, Chester (architect), 1968 (1 letter)
Nagy Iván, Dr. Vitéz (Ministry Secretary), undated (1 letter)
Najibullah, Yousof, 1968 (1 letter): from Breuer
Napier, Frieda (Mrs. Ian Napier), undated and 1937 (7 letters)
Nathan, Carl H. (Suncraft), 1945 (1 letter)
National Academy of Sciences/National Research Council, undated (1 letter)
National Citizens for Johnson and Humphrey, 1964 (1 letter)
National Committee of Arts, Letters and Sciences for John F. Kennedy for President, 1960 (2 letters)
National Concrete Masonry Association, 1958-1959 (7 letters)
National Council of American Soviet Friendship, Inc., Architects' Committee, 1944-1945 (13 letters)
National Council of American Soviet Friendship, Inc., Building Industry Committee, 1946 (6 letters)
National Council of Architectural Registration Boards, 1946-1959 (5 letters): request recommendations for Jean Bodman Fletcher, I. M. Pei, and Richard G. Stein
National Council of Churches, 1955 (1 letter)
National Council on Schoolhouse Construction, 1951 (1 letter)
National Institute of Arts and Letters, 1965-1968 (47 letters): 1967 letter from Breuer includes typescripts concerning Josef Albers and Constantino Nivola; 1968 encloses a letter from Philip Johnson; see American Academy of Arts and Letters National Society of Interior Designers, Inc., 1958 (1 letter) National Terrazzo & Mosaic Association, 1955 (1 letter from Murray S. Emslie)
National Trust for Historic Preservation, 1975 (2 letters): from Breuer's office
Pack, Nancy (Mrs. Howard Meade Pack), undated and 1953 (2 letters)
Paine Furniture Company, 1946 (1 letter)
Pajor, Zoltán, 1938-1947 (7 letters)
Palestrant, Stephen, 1963 (1 letter)
Palmer Physical Laboratory, Princeton, New Jersey, 1945 (1 letter)
Papachristou, Tician and Judy, undated and 1967-1974 (6 letters)
Papadaki, Stamo, 1945-1951 (14 letters): see Commission on Community Interrelations (CCI) of the American-Jewish Congress; Congrès Internationaux d'Architecture Moderne (CIAM), Chapter for Relief and Post-War Planning
Praeger, Frederick A. (Frederick A. Praeger, Inc.), 1959-1969 (19 letters): includes a 1959 transcript of Praeger's conversation with Breuer concerning the publication of a book on Breuer's life work
Pratt Institute, 1953-1969 (11 letters)
Présentè, G. M., 1954 (1 letter): see Project File for UNESCO
Prestressed Concrete Institute, 1970 (1 letter)
Price, Thomas M., 1946 (1 letter)
Prichard, Theodore J. (University of Idaho), 1946-1950 (3 letters)
Schawinsky, Xanti and Irene, undated and 1934-1964 (14 letters)
Schecter, Jack H. (architect), 1950 (1 letter)
Schendell, Hal, 1947 (2 letters): to Eliot Noyes
Schickel, William J., 1964 (1 letter)
Schillinger, Emilio F., 1964 (1 letter)
Schleifer, Fritz, 1934 (1 letter)
Schlemmer, Tut (Mrs. Oscar Schlemmer), 1960-1965 (3 letters)
Schlesinger, Alajos, undated (1 letter)
Schmalenbach, Werner (Kunstsammlung Nordrhein-Westfalen), 1976 (2 letters)
Schmid, Elsa, 1950 (1 card): sent jointly with J. B. Neumann
Schmidt, Benno C. (J. H. Whitney & Company), 1970 (1 letter)
Schmidt-Gellerau, Karl, 1934 (3 letters)
Schmieg & Kotzian, 1945 (1 letter)
Architekturbüro Joachim Schmitz, 1974 (1 letter): from Breuer's office
Schnall, Ben (photographer), undated (2 letters) vSchneck, Adolf G. (architect), 1947-1950 (2 letters)
Schneider-Manzell, Toni (Biennale Christlicher Kunst der Gegenwart Salzburg), 1964 (2 letters)
Robert Schoelkopf Gallery, undated (1 invitation): to meet Walker Evans
Schoendorff, Ellen G., 1937 (1 letter)
Schömer, Ervin (architect), 1974-1975 (6 letters)
Schorer, Mark, 1960 (1 letter): from Breuer
Schultz, Lili, 1964 (1 letter)
F. Schumacher & Company, 1954-1964 (2 letters): from Breuer's office
Schuster, Mathias and Gerda (Schuster & Geiger), 1950-1964 (3 letters)
Schweighofer, Dr. Fritz, 1960 (1 letter)
Science Illustrated, 1955 (1 letter): from Breuer
Scitorszky, Hanna, 1966 (1 letter)
Scott, Stuart N. (Dewey, Gallantine, Bushby, Palmer & Wood), 1958 (1 letter)
Seagram-Distillers Corporation: see Kessler-Gallacher & Burton
Sears, Roebuck and Company (Arthur M. Wood), 1974 (1 letter): from Breuer concerning luncheon for Alexander Calder
Segal, Georgette, 1954 (1 letter): from Breuer's office
Seghers, Pierre, 1963 (1 letter)
Segner, Marvin H., and John C. R. O'Neill (consulting engineers), undated (1 letter)
Segre, Mr., 1959 (2 letters): from Breuer
Seidel, Bert (architect), 1955 (2 letters)
Seidler, Harry (architect, Black Mountain College), 1946-1978 (24 letters)
Sekey, Sue, 1968 (1 letter): from Breuer
Selinger, Hans, 1956 (1 letter)
Selwood, Christopher, 1958-1959 (2 letters): see also Gardner-Medwin, R. J.
Selye, Hans, 1967 (1 invitation): to George Washington Awards Dinner in honor of Breuer, Selye, and Watson Kirkconnell
Semrad, Peter H., 1957 (1 letter)
Senix Aerial (Don Preuss), 1947 (1 letter)
Sert, José Luis (architect) and Moncha, 1945-1970 (7 letters): see National Council of American Soviet Friendship, Inc., Architects' Committee; Project File for UNESCO
Setzer, H. O. (Spartan Tire & Recapping Company), 1947 (3 letters)
Sevely, Marvin, 1951 (1 letter): from Breuer's office
Seyton, Mrs., 1954 (1 letter)
Shackleton, Edwin, 1951 (1 letter)
Shand, James (Art and Technics, Ltd.), 1950 (1 letter)
Shankland, Graeme, 1939 (1 letter)
Shannon, Edgar Finley (University of Virginia), 1967 (1 invitation): to Founder's Day Exercises
Sharon Forest Service Company, Inc., 1950 (5 letters)
Shattuck, George, 1946 (1 letter): from Breuer
Shelton Roofing Company, Inc., 1956 (1 letter): from Breuer's office
Vitrum magazine (Centro Informazioni e Studi per le Applicazioni del Vetro nell'Edilizia e nell'Arredamento; C.I.S.A.V.), 1955 (1 letter)
Vogel, George S. (Temple Israel, Cortlandt), 1951 (1 letter)
Voigt, James D. (Voigt and Fourré, Architects), 1958 (4 letters)
Volante, Julio C., 1955-1963 (2 letters)
von Debschitz, Irene, 1935 (1 letter)
von Erffa, H., 1951-1968 (2 letters)
von Meyerburg, Henrietta [?], undated (1 letter)
von Moltke, Wilhelm Viggo, 1946-1958 (4 letters)
von Segesser, Beat and Francisca, 1968-1975 (1 letter, plus 4 from Breuer)
Wachsmann, Konrad (architect/designer, General Panel Corporation), 1945-1965 (8 letters): see National Council of American Soviet Friendship, Inc., Architects' Committee
Wadsworth, Suzanne G., 1975 (1 letter): from Breuer's office
Wagner, Martin (Harvard University), 1946 (2 letters)
Senator Wagner Memorial Dinner, 1965 (1 invitation): from mayor of New York
Walker and Company, 1966-1967 (2 letters): includes a typescript about Breuer; see also Heyer, Paul O.
Walker Art Center, Center Arts Council, 1959-1962 (12 letters)
Walker, H. E. L. (Universal Moulded Products Company, Ltd.), 1943 (1 letter)
Walker, Ralph (AIA), 1951 (1 letter): from Walter Gropius
Walker, Vicki, 1968 (1 letter): from Breuer
Ward, Ernest and Priscilla (Sprague Electric Company), 1946 (2 letters)
Washington University, St. Louis, Missouri, 1975 (1 letter): from Breuer
Watson, Arthur K. (U.S. Embassy, Paris), 1970-1972 (2 letters)
Watson, Thomas, 1970 (1 letter)
Wattjes, Professor J. G., 1935 (1 letter)
Webb & Knapp (Canada), Ltd., 1963 (3 letters)
Weidler, Charlotte (Bauhaus Ausstellung), 1968 (1 letter)
Weidlinger, Paul, 1946: see Project File for UNESCO
Weidlinger Associates, 1983-1984 (2 letters)
Weiner, Paul L., 1950-1966 (2 letters)
Weinstein, Jerry, 1945 (1 letter)
William H. Weintraub & Company, Inc., 1943-1947 (3 letters)
Weiz [?], Tiberio, 1939 (1 letter)
Weizenblatt, Sprinza, 1946-1963 (20 letters)
Wenzler, William P. (architect), 1965-1968 (4 letters)
Weren, Edward C., 1946 (1 letter)
Werner, Ingrid, 1963 (3 letters)
Wertz, Mr. (Der Finanzminister des Landes Nordrhein-Westfalen), 1974 (1 letter): from Breuer
West China Development Corporation, 1947 (1 letter)
West Coast Stained Shingle Company, 1950 (1 letter): from Breuer
Westcott and Mapes, Inc. (architects and engineers), 1970 (1 letter)
Western Arts Association, 1959 (4 letters)
Western Reserve University, 1958 (5 letters)
Westport Public Library, 1975 (1 letter): from Breuer
Zahedi, H. E. Ardeshir (ambassador of Iran), 1974-1975 (4 letters): from Breuer
Zanuso, Marco (architect; Olivetti), 1957 (1 letter): from Breuer
Zechlin, Hans Josef, 1950 (1 letter)
Ziegler, Barbara, 1947 (1 letter)
Ziegler, Frank, 1974 (1 letter): from Breuer
Ziegler, Richard, undated (1 letter)
Zwick, Virgil J., 1959 (1 letter)
Collection Restrictions:
The microfilm for this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcel Breuer papers, 1920-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the microfilming of this collection was provided by the Gerta Charitable Trust. Funding for the digitization of the microfilm was provided by the Terra Foundation for American Art.
Correspondence found in this series is with both family members and business colleagues, reflecting both aspects of Cunningham's life.
See Appendix for a list of notable correspondents from Series 2.
Arrangement note:
Correspondence is arranged chronologically with undated correspondence at the beginning of the series, followed by dated correspondence.
Appendix: Notable Correspondents from Series 2:
The following provides a list of notable correspondents from Series 2: Correspondence, showing dates of correspondence. Entries marked with an asterisk (*) indicate letters written by Imogen Cunningham.
Missing Title
Al: Apr 21, 1969*
Al and Phil: Jul 07, 1968*; Jan 02, 1969*; Nov 29, 1969*
Alfred: Dec 28, 1968*; Jul 12, 1969*
Arvilla: Feb 22, 1953
Barbara and Dave: Jul 09, 1968*; May 19, 1971*
Becky: undated
Bess: Mar 19, 1969*
Betsey: Dec 05, 1954*
Betty: Nov 17, 1970*
Beverley: Jan 24, 1966*
Bill: May 08, 1973*
Boris: Aug 28, 1957*
Caroline: Apr 05, 1971*; Jun 28, 1971
Cathy: Jan 06, 1969*
Charis: May 10, 1976
David and Laura: Dec 28, 1974*
Dick: May 29, 1970*; Oct 16, 1970
Dick and Perry: Apr 05, 1975*
Dory and Paul: Sep 14, 1964*
Ed: Nov 19, 1968*; Mar 12, 1969*
Ellen: Dec 16, 1965*; Oct 30, 1974*
Elsa and Joe: undated
Ethel and Willard: Dec 01, 1953*
Evelyn: May 02, 1970
Florence: Mar 10, 1969
Frances: undated; Jul 12, 1966*
Frank: May 15, 1965*
Gael: Sep 02, 1971*
Helen: May 08, 1963*; Jun 02, 1965*; Dec 31, 1973*
Jan: Aug 03, 1974*
Jane and Steve: Jul 07, 1974*
Jean: Jan 06, 1969*; mentioned in letter dated Feb 07, 1969*
Jei?: May 03, 1961
Jim: May 29, 1974
John: Dec 25, 1971*; May 05, 1974
Jose: Jul 06, 1968*
Lato: Feb 17, 1965
Lilli ann: Nov 02, 1971*
Liz: Jan 08, 1965*;
Liz and Louis: Jan 12, 1972*
Liz and Peter: Dec 1951
Maggie: Jan 04, 1971
Margaret: Sep 06, 1964*; Feb 28, 1966*; Mar 04, 1966; Nov 12, 1968*; Feb 11, 1972*; Sep 12, 1973*
Mary: Apr 04, 1967*; Apr 15, 1967; Jun 19, 1967*; Nov 25, 1969; Apr 12, 1970; Aug 31, 1970*; Nov 08, 1970*; Apr 23, 1974; Jan 31, 1976
Mia: Oct 08, 1958*
Midge: Jun 14, 1967*
Mildred: Nov 12, 1965
Nancy: Oct 22, 1966*; Apr 03, 1971*
Neil: Feb 18, 1961*: Nov 17, 1960*; Apr 27, 1962*
Otto and Virika?: Jun 18, 1976
Pat (Goucher College): undated; May 15, 1956; Feb 06, 1964*
Patience: Nov 24, 1959*
Paul: Jun 06, 1970
Peg: Feb 15, 1966
Peggy: Aug 30, 1970*
Phil: Oct 07, 1961
Ruth: Mar 20, 1955*
Ruth (jewelry maker): Aug 10, 1967
Samuel: Aug 12, 1968*
Thur: Dec 15, 1956
Tina (Cunningham relative): Feb 08, 1974; Feb 19, 1974*
Trevor, Thomas, Allen and Stan: Apr 09, 1970*; Mar 28, 1974*
Trisha: [Dec 1973]
831 Photographic Gallery: Jan 15, 1971; Jan 26, 1971*; Apr 10, 1971; Apr 17, 1971*; Apr 11, 1972; May 02, 1972; May 22, 1972*; Jun 07, 1972*; Jul 05, 1972; Jul 11, 1972*; Feb 21, 1974; Mar 06, 1974*
Aalto, Alvar: Jun 08, 1962; Jun 16, 1962*; Jul 02, 1962; Aug 03, 1963*; Sep 9, 1963
Adams, Ansel and Virginia: mentioned in [undated] letter from Cunningham to an unidentified correspondent; undated; Mar 01, 1941; Aug 03, 1949; Mar 28, 1951; Apr 02, 1951 (letter from Minor White); Aug 04, 1952; Jan 10, 1963; Apr 04, 1963; Dec 22, 1963; Jan 03, 1964; Jan 22, 1964*; Jan 23, 1964; Jan 28, 1964*; Feb 07, 1964; Feb 10, 1964*; Feb 12, 1964; Mar 09, 1964*; Mar 18, 1964*; Mar 22, 1964; Mar 26, 1964; Mar 28, 1964*; Apr 09, 1964*; May 21, 1964; Sep 17, 1964*; Sep 18, 1964; Dec 09, 1964; Feb 12, 1965; Jan 12, 1966; Jan 24, 1967; [Apr 12, 1966]; Feb 09, 1967*; Feb 13, 1967; May 22, 1967; May 24, 1967; May 25, 1967; Jun 14, 1967; Aug 14, 1967*; May 05, 1968; Jun 10, 1968*; Jun 14, 1968; Jan 25, 1969; Mar 10, 1969; Jun 04, 1969; Jul 16, 1969*; Jul 19, 1969; Aug 12, 1969*; Aug 13, 1969; Aug 21, 1969*; Dec 09, 1969*; Feb 06, 1970*; Feb 11, 1970; Apr 10, 1970; Jun 15, 1970*; Jul 05, 1970*; Jul 12, 1970; Sep 15, 1970; Dec 14, 1970; Feb 15, 1971; Apr 23, 1971*; Aug 05, 1971; Mar 26, 1972*; Aug 18, 1972; Apr 11, 1973; Jun 30, 1973*; Jul 02, 1973; Dec 13, 1973*; Dec 16, 1973; Feb 20, 1975*; Feb 21, 1975; May 19, 1975*; Feb 22, 1976 (2)
Adams: Ansel Adams Gallery (manager, Bill Turnage): Jul 06, 1973; Jul 13, 1973*; Oct 10, 1973; Oct 21, 1973; Feb 20, 1974*; Mar 19, 1974; Mar 28, 1974*; (workshop director, Norman Locks) Aug 13, 1974; Aug 25, 1974*; Oct 22, 1974*; Oct 23, 1974; Oct 30, 1974; Feb 24, 1975; Sep 01, 1975
AFRO: Aug 26, 1958*
After Dark: Jul 24, 1974
Afterimage: Jul 20, 1973
Ainsworth, Mr.: Oct 16, 1967*
Airame, Jacqueline: Jul 13, 1972; Jul 19, 1972*
Akin, Mrs.: Feb 18, 1965*
Alai, Heshmat: Mar 26, 1939
Album: Dec 12, 1969; Dec 17, 1969*; Jan 01, 1970; Feb 23, 1970; Mar 04, 1970*; Mar 11, 1970*; Mar 20, 1970*; Apr 21, 1970; Jun 24, 1970; Jul 05, 1970*; Sep 02, 1970*; Sep 07, 1970; Sep 14, 1970*; Oct 25, 1970*
Alexander, Jesse: Nov 25, 1974; Dec 03, 1974*
Alinders: Jul 22, 1968*
Allan, Fran: [Dec 24, 1972]; Dec 24, 1972*
Allen, Mary: Mar 11, 1971; Mar 26, 1971*; Aug 02, 1971; Aug 19, 1971*; Nov 02, 1971*; Nov 05, 1971
Allied Arts: Feb 03, 1974*
Alston, Elizabeth: see -- Look
Ameri, Victor: see Batten, Barton, Durstine & Osborn
American Academy of Arts and Sciences: May 10, 1967; Jun 18, 1967*; Mar 19, 1970; Feb 07, 1973*; Oct 15, 1974; Dec 02, 1974*; Feb 14, 1975; May 22, 1975*
American Broadcasting Company, San Francisco: Feb 12, 1965; Feb 19, 1965*
American Film Institute: Feb 19, 1971
American Foundation for the Blind, Inc.: Jan 15, 1965*; mentioned in letter dated Jan 05, 1974 from Witkin Gallery; Jan 18, 1974*; Feb 25, 1974
American Society of Magazine Photographers: Sep 18, 1958; Oct 17, 1963; Jul 14, 1965; Jul 16, 1965 (2); Sep 01, 1965; Sep 10, 1965*; Sep 14, 1965*; Sep 19, 1965*; Oct 12, 1965*; Oct 15, 1965; Nov 28, 1966*; Jan 04, 1967; also see -- Infinity
American West Publishing Company: May 03, 1973; May 07, 1973
American Women in the Arts: Sep 24, 1974; Oct 01, 1974*
Ampliaciones y Reproducciones Mas: Aug 02, 1968 (in Spanish); Sep 23, 1968 (in Spanish); Nov 18, 1968 (in Spanish); Nov 29, 1968 (in Spanish); Dec 22, 1968*; Jan 04, 1969 (in Spanish); Jun 06, 1969 (in Spanish); Aug 11, 1969*
Amthor Imports, Inc.: Jun 26, 1967
Anderson, Arnold: Mar 22, 1967; Mar 29, 1967*
Anderson, Michael and Karen: Oct 08, 1969 (photograph of their new baby)
Anderson, Ruth: Jan 06, 1957*
Anderson, Laura, and Polly Blank: Sep 29, 1956 (2); Dec 26, 1956*; Jan 06, 1957; Feb 08, [1957]; Feb 12, 1957*; [Jul 03, 1957]; Jul 10, 1957*; Jan 30, 1958*; Nov 17, 1959*; Mar 1966; Jan 21, 1967; Feb 04, 1967*; Feb 13, 1967; Jul 17, 1967*; Jul 26, 1968*; May 16, 1970*; Jan 01, 1972; Jun 25, 1974; Dec 18, 1974*; Apr 11, 1976*; May 31, 1976 (2); Jun 29, 1976
Andrews, Alice: see Eastman: George Eastman House
Angel Island Publications, Inc.: Jul 24, 1962; Aug 22, 1962*; Nov 19, 1962; Dec 15, 1962*
Angiulo, Anton: Jul 24, 1974 (including a photograph of Cunningham)
Anglim, Paule: Sep 30, 1974
Aperture: Jan 05, 1958; Jan 15, 1958; Feb 23, 1958; Sep 13, 1958; Dec 28, 1959; Feb 25, 1961; Feb 23, 1964; Dec 08, 1964; Dec 30, 1964*; Jan 18, 1965*; Feb 02, 1965; Mar 12, 1965*; Sep 20, 1965; Jan 17, 1966*; Feb 08, 1967; Nov 01, 1968*; Jan 16, 1970; Jan 16, 1970*; Jun 12, 1970; Dec 05, 1970; Dec 05, 1970*
Aphra: Feb 12, 1971*; Mar 11, 1971; Nov 16, 1971*; Apr 24, 1972; May 10, 1972*
Arizona State University: Feb 18, 1962; Apr 14, 1962*
Arizona: University of Arizona: Aug 06, 1975; Mar 1976; Apr 08, 1976; May 14, 1976; May 27, 1976
Armitage, Merle: Oct 1955; Aug 22, 1966*
Arnold, Mary: Dec 07, 1960*; Mar 22, 1962*
Arrow: Apr 10, 1970*; Jul 07, 1970*
Art Commission, City and County of San Francisco: see San Francisco: Art Commission
Artibus Asiae -- (Switzerland): Jun 03, 1958
Art Institute of Chicago: Oct 17, 1963; Nov 08, 1963*; Apr 15, 1964*; Apr 25, 1964; Apr 29, 1964; Apr 29, 1964*; May 12, 1964*; May 14, 1964; May 20, 1964*; Jul 17, 1964; Jul 21, 1964; Jul 28, 1964*; Aug 24, 1964*; Sep 23, 1964; Oct 02, 1964; Oct 17, 1964; Dec 09, 1964*
Artweek: Jun 05, 1974; Jun 07, 1974*
Asawa, Ruth: Nov 30, 1956*; Dec 24, 1959*; Sep 15, 1965; Sep 19, 1965*; Nov 27, 1971* (letter of recommendation); Mar 28, 1973*; also see San Francisco: Art Commission, City and County of San Francisco
Aspen Institute for Humanistic Studies: Dec 10, 1951; Apr 22, 1952*
Association du Salon National de la Photographie: Nov 16, 1960; Nov 16, 1961
Atherton, Mrs.: Oct 29, 1967*
Atkins, Carol: see Writings
Aurelius, Vagadu and Robin: [Jan 1968]; Dec 25, 1968; Mar 13, 1971*
Austin, Sin_____ W.: Nov 02, 1967
Axvall, Lydia Strong: Jan 21, 1966*; Feb 01, 1966; Dec 22, 1968*; Mar 07, 1969; Mar 10, 1969*; Apr 16, 1969; Apr 19, 1969
B., H.: Oct 14, 1944
Baar, Betty: Oct 09, [1962]*; May 01, 1963; May 07, 1963*; Jul 09, 1963; Jul 25, 1963*; Aug 02, 1963*; Mar 31, 1964; Apr 09, 1964*; Jan 08, 1965*; Nov 02, 1974
Bacigalupi, Elkus & Salinger: Dec 02, 1959 (re Partridge vs. City and County of San Francisco); Dec 06, 1959*
Baer, Frances and Morley: Mar 07, 1965
Baer, Nancy: see American Women in the Arts
Baliken, L.: Jun 08, 1963
Ballinger, Jinny: Jul 20, 1966
Barcelon-Burger Management Corp.: Aug 01, 1975
Barchfield, Agnes and John: [Apr 11, 1976]
Barnabas, Father: see Mount Angel Abbey Library
Barnes, Marion and Eric: Nov 09, 1973
Bartlett, Lincoln: Dec 12, 1967*; Mar 31, 1970; Jun 20, 1970*; Dec 23, 1972*; Apr 15, 1973; Jun 13, 1973; Jul 09, 1973*; Dec 05, 1973*; Apr 18, 1975; Apr 08, 1976
Bathhouse Gallery: Oct 18, 1971; Jan 07, 1972 (including exhibition announcement); Feb 03, 1972; Mar 09, 1972*; Mar 10, 1972; Mar 14, 1972*; Mar 23, 1972; Mar 26, 1972; Apr 11, 1972*; Jun 09, 1972
Batten, Barton, Durstine & Osborn: Jun 21, 1967* (2); Aug 05, 1967*
Bayard, Edward: Mar 07, 1975*
Bay Area Funeral Society, Inc.: Aug 23, 1973
Bay Area Photographers: Oct 02, 1959; Oct 18, 1959*
Baylis, Douglas: Nov 28, 1971 (death announcement)
Beal, June: May 12, 1973*; Jun 23, 1973*
Beckham, Alicemarie: Mar 01, [1968]; Dec 17, [1969]
Bender: Albert M. Bender & Co., Inc.: Nov 06, 1970*
Bender: Albert M. Bender Memorial Trust: Jun 14, 1951; Mar 22, 1960; Apr 19, 1960
Benjamin, Evelyn: Jun 10, 1963
Bennett, Gordon: Jan 18, 1974
Bennett, Judith: Dec 01, 1966; Dec 12, 1966*
Benvenuto, Elio: Mar 28, 1973*; also see San Francisco: Art Commission, City and County of San Francisco
Bernstein, David: Aug 31, 1971; Sep 05, 1971*
Berriault, Gina: Nov 13, 1966; Nov 28, 1966*; Dec 05, 1966
Bertanelmer: see Hader, Berta and Elmer
Best, Signe (Mrs. Charles Best): Oct 06, 1957; Oct 08, 1974*
Bez, J. Nicholas: Feb 02, 1970; Mar 13, 1970; Nov 12, 1970*; Nov 12, 1970*; Sep 05, 1971*; also see West Coast Airlines
Bibliotheque Nationale: Oct 12, 1959*; Jun 11, 1969; Nov 08, 1969; Dec 11, 1969; Dec 29, 1969*; Jan 09, 1970; Apr 01, 1970*; Apr 28, 1970; Jul 22, 1970*; Aug 06, 1970; Jun 23, 1973; Jul 06, 1973*; Jul 28, 1973; Sep 07, 1973*; Sep 15, 1973; Oct 10, 1973*; Oct 23, 1973; Nov 03, 1973*
Biod, Karin: [Sep 1964]
Biod, Sigrid: Sep 1964
Bishop, G. Paul: Jan 14, 1971; Jan 09, 1973*
Bissantz, Betty: see Goodwin, Betty
Bissantz, Edgar and Jean: undated (5); May 30, 1948*; Mar 29, 1959; Jul 03, 1959; Nov 17, 1959; Dec 10, 1959; Dec 16, 1959*; Jan 05, 1960*; Jan 17, 1960*; Jan 21, 1960; Feb 12, 1960; Nov 21, 1960; Feb 22, 1961; Aug 05, 1961; Dec 18, 1961; May 21, 1962 (including a photograph of Joan); May 28, 1962*; Feb 05, 1963*; Feb 06, 1963*; Feb 20, 1963; Mar 20, 1963; Mar 27, 1963*; Apr 13, 1963*; Apr 25, 1963; May 14, 1963; May 27, 1963; Jun 13, 1963; Jun 17, 1963*; Jul 09, 1963*; Sep 24, 1963*; Sep 28, 1963*; Oct 26, 1963 (2); Nov 09, 1963*; Nov 20, 1963; Nov 28, 1963; Dec 01, 1963*; Dec 19, 1963; Dec 25, 1963 (photo card of Edgar); Jan 21, 1964* (including a blueprint of a house facade); Jan 27, 1964; Feb 17, 1965*; Jul 03, 1964*; Jul 19, 1964*; Sep 22, 1964*; Oct 27, 1964*; Dec 21, 1964*; Feb 01, 1965*; Feb 26, 1965; Mar 01, 1965*; Mar 14, 1965; Apr 16, 1965*; Apr 22, 1965; May 18, 1965; May 27, 1965; Jun 02, 1965*; Jun 17, 1965*; Jun 30, 1965*; Aug 14, 1965*; Aug 16, 1965; Aug 20, 1965*; Dec 08, 1965; Jan 09, 1966*; Jan 16, 1966*; Feb 28, 1966*; Mar 07, 1966*; Oct 02, 1966*; Nov 27, 1966; Jan 20, 1967; Jan 26, 1967*; [Feb 1967]*; Feb 06, 1967*; Mar 17, 1967*; Apr 16, 1967; Jun 19, 1967*; Jul 21, 1967*; Oct 10, 1967; Oct 12, 1967*; Oct 24, 1967; Oct 29, 1967*; Apr 15, 1968; Apr 22, 1968*; May 20, 1968*; Sep 12, 1968; Nov 10, 1968; Nov 21, 1968*; Dec 16, 1968; May 19, 1969; Jul 05, 1969*; Jul 21, 1969; Nov 16, 1969*; Nov 27, 1969 (including photograph); Jan 24, 1970; Aug 06, 1970*; Nov 04, 1970*; Dec 19, 1970; Jan 08, 1971*; May 16, 1971; Aug 05, 1971; Nov 02, 1971*; Nov 19, 1971*; Nov 22, 1971*; Feb 16, 1972*; Sep 06, 1972*; Jan 23, 1973; Feb 12, 1973; Apr 25, 1973*; Aug 23, 1973; Nov 13, 1973; Aug 24, 1974
Blackmarr, Philip M.: [1972] (resume)
Blank, Polly: see Andreson, Laura
Bobtoy (Chin): Aug 18, 1974
Boguszewski, Christina: Apr 04, 1949
Bookworks, The: Dec 20, 1974; Dec 28, 1974*
Boston Arts Festival: Apr 14, 1964; Aug 05, 1964
Bourke-White, Margaret: Dec 20, 1958*; Jun 24, 1971
Bourne, Frank: Sep 17, 1964*
Boyd, Collin: [Aug 23, 1974]; Aug 23, 1974*
Boyd, Nicholas: undated
Brandt, Bill: Dec 15, 1962*
Bransten, John: Jan 18, 1971; May 21, 1974*; May 31, 1974; Nov 12, 1974
Brassai family: Mar 18, 1974*
Breitenbach, Edgar and Margaret: Sep 05, 1962; Jan 11, 1963; Aug 30, 1963; Sep 07, 1963*; Sep 11, 1963; Nov 09, 1963*; Nov 18, 1963; May 25, 1965*; Jun 16, 1965; Jun 30, 1965*; May 03, 1968*; also see Library of Congress
Breitenbach, Margaret and Joseph: Dec 13, 1951; Dec 30, 1956*; Jul 19, 1958*
Breuer, Penelope: Mar 28, [1964]; May 13, 1964*; Apr 26, 1965*; May 15, 1965
Bristol, Bobbie (Horace Bristol, Jr.): Feb 09, 1957*; Feb 12, 1957; Feb 17, 1957*; Apr 09, 1958; Apr 14, 1958*; Apr 18, 1958*; Jul 10, 1958; Jan 26, 1960*; Jan 28, 1960; Jul 15, 1971*; May 27, 1972*
Bristol, Horace and Virginia: Jan 06, 1947; Nov 25, 1947; Feb 11, 1948; Feb 20, 1948; Feb 22, 1948*; Mar 11, 1948; May 03, 1948; Jun 22, 1948; Aug 14, 1948; Oct 03, 1948; Dec 06, 1949*; Dec 15, 1949; Jan 23, 1950; Jan 31, 1950*; May 17, 1950; Jun 05, 1950*; Oct 27, 1950; Nov 12, 1950*; Dec 03, 1950*; Jan 30, 1951*; Feb 08, 1951*; Mar 03, 1951; Apr 22, 1951; Sep 16, 1951*; Nov 11, 1951; Nov 24, 1951*; Jun 26, 1952*; Jul 08, 1952*; Dec 01, 1952; Aug 14, 1953; Sep 20, 1953*; Jul 11, 1956 (notification of Virginia's death); Dec 05, 1956; Dec 09, 1956*; Dec 20, 1956; Jan 08, 1957; Jan 20, 1957; Feb 26, 1957*; Mar 05, 1957 (marriage to Masako); Mar 13, 1957; Mar 19, 1957; Jun 18, 1957*; Nov 29, 1957; Dec 05, 1957*; Jul 04, 1958*; Jan 08, 1959*; Oct 13, 1959*; Sep 14, 1960; Nov 23, 1960; Nov 25, 1960*; Dec 02, 1960; Feb 21, 1961; Feb 25, 1961*; Mar 03, 1961; Mar 11, 1961*; Aug 11, 1961; Feb 23, 1962; Sep 22, 1962*; Jan 25, 1963; Mar 08, 1963*; Mar 22, 1963; May 26, 1963; Jun 12, 1963*; Jul 08, 1963; Oct 22, 1963; Dec 02, 1963; Dec 05, 1963*; Dec 12, 1963; Mar 09, 1964; Mar 27, 1964; Mar 29, 1964; Jul 03, 1964*; Sep 11, 1965*; Jan 18, 1967; Jan 24, 1967* (letter about Bristol); Apr 23, 1971*; May 03, 1971; Sep 02, 1971; Sep 08, 1971*; Mar 29, 1972*; Sep 10, 1972; Oct 01, 1972*
Britton, E. S.: Nov 16, 1947
Broadwater, Mr.: Jan 01, 1960*
Broadway High School Alumni Association: Dec 01, 1972*; Dec 09, 1972; Sep 06, 1974; Sep 08, 1974
Brooks Institute: Jun 02, 1975*
Brooks Institute Alumni Association: May 08, 1975
Brooks, Verena: Sep 28, 1974; Dec 20, 1974
Broughton, Irv: Oct 25, 1974*
Broughton, James, and Suzanna Hart: undated; Dec 08, 1952 (wedding announcement); Feb 18, 1965; Feb 14, 1969; Jun 20, 1970; Jul 25, 1970; Nov 22, 1970; Nov 26, 1970*; Dec 18, 1970* (2 receipts); [Dec 31,] 1970
Broun, Elizabeth: Jan 21, 1970; Nov 19, 1973; Nov 25, 1973*; Nov 30, 1973; Dec 05, 1973*; also see Kansas: University of Kansas
Brown, Emily: Oct 02, 1974; Oct 19, 1974*
Bruton, Esther: undated; Jan 11, 1974; Jan 17, 1974*
Bruton, Margaret and Helen: undated*; undated; Apr 09, 1970; Jan 22, 1971; Mar 21, 1971*; Jun 18, 1971*
Bry, Michael: Oct 04, 1974 (in German)
Buck, K. Robert: Sep 16, 1974; Oct 25, 1974*; Oct 30, 1974
Bullen, Reese: Apr 22, 1966; Dec 16, 1968
Bullock, Wynn and Edna: Nov 09, 1965; Nov 10, 1965*; Aug 07, 1973*; Apr 29, 1974*; May 24, 1974; Mar 23, 1976 (2); Jun 28, 1976
Bunnell, Peter: May 28, 1960; Sep 18, 1960; Oct 12, 1960*; Oct 21, 1960; Feb 13, 1961; Feb 18, 1961*; Feb 23, 1961; Aug 30, 1961; Jan 08, 1962; Feb 03, 1962; Apr 01, 1962*; Apr 09, 1962; Aug 08, 1962*; Aug 16, 1962; Sept 24, 1962; Sep 26, 1962; Nov 29, 1962; Dec 21, 1962; Jan 16, 1963; Mar 22, 1968*; Sep 29, 1968*; Jul 14, 1969*; Sep 27, 1970*; Mar 11, 1971*; also see Museum of Modern Art
Burlingame, Paul: Aug 03, 1970*; Aug 04, 1970 (with photograph); Aug 06, 1970; Aug 10, 1970*; Dec 03, 1970 (including 2 photographs); Jan 26, 1971; Mar 04, 1971; Mar 18, 1971
Burns, Robert: Jul 10, 1967*
Burstein, Beth: Mar 09, 1969*; Nov 19, 1970; Jun 24, 1976
Butler, Catherine: see Johnson, Catherine
Butler, John: undated (6); Dec 10, 1919; Nov 04, 1920 (including a photograph of Butler); Oct 05, 1946*; Oct 15, 1946; Oct 21, 1946*; Oct 24, 1946; Oct 31, 1946*; Aug 23, 1949; Mar 24, 1950; Aug 31, 1950; Oct 05, 1951*; Oct 12, 1951; Dec 14, 1951*; Jan 18, 1953; Nov 12, 1956*; Jun 21, 1957*; May 13, 1958*; Aug 03, 1958*; Dec 07, 1958*; Jan 07, 1959*; Jun 19, 1959*; Sep 23, 1959*; Jan 13, 1960; Jan 15, 1960*; Dec 19, 1960; Dec 25, 1960*; May 17, 1962*; Oct 12, 1962*; Feb 07, 1963*; Feb 19, 1963; May 08, 1963*; Dec 28, 1963*; Mar 08, 1965; Mar 08, 1965*; Jul 09, 1965*; Jul 28, 1965*; Nov 10, 1965*; Nov 09, 1966*; Dec 29, 1966*; Jul 05, 1968*; Jan 12, 1969*; Feb 03, 1969*; Mar 17, 1969; Jul 24, 1969*; Jul 05, 1970*; Aug 30, 1970*; Sep 19, 1973*
Butler, Richard and Carol: Sep 02, 1972 (wedding announcement)
Byers, Horace: Jan 10, 1929
Byron, Jim: Dec 06, 1965 (2)
C., Jack: undated
Caen, Herb: undated (2); Aug 17, 1962; Feb 02, [1964]; Aug 28, 1966*; Oct 16, 1967*; Apr 15, 1970*; May 1970; Sep 23, 1971; Jan 06, 1973*; Jan 24, 1973; also see -- San Francisco Chronicle
California Academy of Sciences: Apr 27, 1976; Feb 10, 1983
California Arts Commission: Feb 09, 1971 (including a booklet of clippings about a University of Santa Clara exhibition)
California Association of Women Deans and Vice-Principals: Mar 12, 1965
California College of Arts and Crafts: Nov 13, 1967; Nov 05, 1970; Nov 17, 1970*; Nov 20, 1970; Apr 23, 1971; Jun 29, 1971; Apr 07, 1972; Apr 16, 1972*; May 10, 1972; May 18, 1972; Jul 19, 1972*; Aug 22, 1972; Dec 07, 1972; Jan 1973; Jan 11, 1973; Feb 12, 1973
California Institute of the Arts: Feb 28, 1972; Mar 09, 1972*; Nov 01, 1972; Nov 07, 1972*
California League for American Indians: Mar 1961 (form letter)
California Living: Jul 05, 1972*
California Physicians' Service: Mar 16, 1966
California State University: Nov 12, 1972
California: University of California at Berkeley: Dec 11, 1956; Mar 14, 1961; Jan 05, 1962; Feb 15, 1962; May 22, 1962; May 24, 1962*; May 29, 1962; Jun 15, 1962; May 14, 1967; Jul 07, 1967; Jun 28, 1968; Jul 23, 1969; Aug 08, 1969 (2); Aug 10, 1969*; Sep 02, 1969*; Sep 04, 1969; Sep 24, 1969; Sep 24, 1969*; Sep 25, 1969; Sep 25, 1969*; Apr 24, 1970; Jul 23, 1970; Sep 07, 1972; Apr 10, 1973; Jun 01, 1973; Jun 07, 1973*; Jun 12, 1973; Jan 24, 1974; Feb 03, 1974*; Jan 27, 1976; Aug 27, 1982
California: University of California at Los Angeles: Apr 28, 1958*; May 13, 1958; May 20, 1958; Mar 09, 1960; Mar 28, 1960; Sep 07, 1960; Oct 14, 1960*; Dec 01, 1960; Apr 25, 1961; Jun 01, 1974*; Jun 21, 1974; Sep 17, 1974; Nov 20, 1974*
California: University of California at San Diego: Aug 31, 1970; Sep 14, 1970*
California: University of California at San Francisco: Apr 13, 1973* (2)
California: University of California at Santa Cruz: May 05, 1970; Aug 27, 1974
California: University of California Extension at Irvine: Nov 15, 1974; Nov 23, 1974*
California: University of California Extension at Santa Cruz: Dec 08, 1970; Dec 16, 1970*
California: University of California Extension Center, San Francisco: Jul 14, 1967*; Sep 13, 1973; Sep 15, 1973
California: University of California Press: Mar 30, 1956; Apr 20, 1956*
Call, Hughes: Jul 16, 1969*; Jul 02, 1976 (letter of condolence to Gryffyd Partridge)
Callahan, Harry: May 19, 1949
Camera: Apr 21, 1973 (letter to Witkin Gallery); Mar 07, 1974*; Jun 03, 1974*; Nov 17, 1974*; Jun 07, 1975*
Campbell, Jack: Aug 10, 1965*; Nov 27, 1971* (letter of recommendation); Jul 30, 1973; May 03, 1974*
Carr, Steve: also see Writings
Carter, William: May 01, 1975; May 20, 1975*; May 22, 1975
Case, Charles Albert: Feb 08, 1956; Feb 17, 1956; Jan 10, 1957; Jun 27, 1958; Jul 15, 1958*; Apr 04, 1959*; Feb 27, 1961*
Casebeer, Vern: Mar 04, 1971; Mar 14, 1971; Mar 26, 1971*
Casler, Chris: Jan 11, 1973
CBS News: Jun 18, 1975; Mar 30, 1976; Jun 04, 1976
Center for Creative Photography: see Arizona: University of Arizona
Center for Humanities, Inc.: Jun 05, 1974; Jun 07, 1974*
Center for Visual Studies: Jan 16, 1973*
Center of the Eye, Inc.: Mar 23, 1970; Mar 24, 1970; Jun 20, 1970*
Chaney, Verne: Dec 13, 1971; Jan 03, 1972; Feb 08, 1972*; Dec 28, 1974*
Chappell, Walter: Dec 01, 1972* (recommendation by Cunningham to Guggenheim Foundation); also see Eastman: George Eastman House
Cheney, Hal: Sep 23, 1972*
Chilberg, Mabel: Dec 22, 1966; Aug 03, 1970*; Aug 08, 1970
Chin, Bobtoy: see Bobtoy
Chinn, Benjamin: undated
Chipp, Herschel: May 05, 1967
Christian Science Monitor: May 29, 1959; Jun 01, 1959; Jun 11, 1959*; Aug 10, 1959; Aug 14, 1959*
Christy, George: May 28, 1974; Jul 30, 1974*
Ciabattari, Jane: see -- Aphra
Cincinnati Art Museum: Mar 07, 1960
Citizens' Vigilance Committee: Aug 14, 1962; Sep 08, 1962* (letter to Board of Supervisors, San Francisco); Sep 08, 1962* (letter to Recreation and Park Commission, San Francisco)
Clayden, Marian: Dec 22, 1974*; May 12, 1976
Cleaver, Virginia: Jul 08, 1974*
Clergue, Lucien: Oct 31, 1972 (6 photographs of Cunningham by Clergue); Apr 04, 1973*; Sep 07, 1973*; Jan 15, 1974*; mentioned in letter dated Feb 01, 1974; Feb 16, 1974
Close-Up: see Polaroid Corporation
Coates, L. D.: Jan 15, 1968
Coburn, Alvin Langdon: Apr 14, 1913; Feb 19, 1953*; Jun 02, 1960; [Jan] 1964; Sep 10, 1964
Coe, Gertrude: Mar 20, 1960; Feb 21, 1966; Feb 28, 1966*; Dec 10, 1966; May 12, 1967*
Coe, Lucy Campbell: Jun 07, [1966]; Sep 13, 1966*; Dec 11, 1966*; Dec 23, 1966; May 30, 1967*; Jun 19, 1967*; Jun 18, 1973 (including a photograph of Elsa Walsh by Cunningham)
Coelen, Leslie: Mar 13, 1971*
Cohan, Mr.: Apr 16, 1965*
Coke, Van Deren: Feb 27, 1969* (including resume)
Cole, Howard: Mar 09, 1967; Mar 17, 1967*; Mar 17, 1967*; May 26, 1967; May 29, 1967*; Jul 06, 1967; Aug 30, 1973
College of Marin: Nov 06, 1967; Nov 11, 1967*; Jan 02, 1968; Jan 05, 1968*; Jan 19, 1968*
Colum, Padraic: Apr 20, 1956*
Colwell, Larry: Dec 03, 1958; Jun 01, 1959*; Apr 12, 1960; Jan 09, 1961*; Jan 18, 1961; Feb 15, 1961*; Apr 20, 1961*; May 02, 1961; Aug 25, 1961; Dec 08, 1964; Feb 14, 1965*; Oct 13, 1965*; Sep 09, 1966; Sep 23, 1966; Oct 02, 1966*; Nov 09, 1966; Dec 21, 1966*; Jan 17, 1967; May 02, 1967*; May 02, 1968*; Nov 10, 1968; Dec 29, 1969*
Comer, Deirdre and Tony: undated (2); Nov 17, 1960*; Feb 07, 1966*; Apr 29, 1969*
Comer, Molly and Fred: undated (2; including a photograph of their view of the river); Jan 29, 1944 (2); Dec 1949 (including 2 photographs of their house); Jun 02, 1951*; Jan 24, 1952*; Jul 18, 1952*; Aug 04, 1952; Dec 02, 1952*; Feb 13, 1953*; Nov 11, 1953*; Nov 27, 1953; Nov 18, 1954; Jan 05, 1955; Nov 19, 1955
Conde Nast Publications, Ltd.: May 12, 1961
Connelly & Associates: Jul 16, 1964*
Connor, Linda: Dec 15, 1973 (including photograph by Connor)
Conrad, Barnaby: Mar 19, 1976
Constantine, Mildred: Oct 13, 1974*
Cook: Thomas Cook & Son: Jan 21, 1960 (re voyage on the BERLIN)
Cooper, Thomas: Sep 20, 1970; Sep 20, 1970*; Nov 09, 1971; Nov 12, 1971*; Nov 16, 1972; Dec 03, 1972*; Sep 20, 1973; Feb 26, 1975
Cooper Union for the Advancement of Science and Art: Jul 16, 1956
Corbett, A.: Jun 04, 1970
Costello, Allison: undated
Couchman, Bea: Feb 26, [1967]; Jan 05, 1968; Jan 10, 1968*; Jan 26, 1970*; Aug 18, 1970*; May 27, 1971; Aug 06, [1973];
Cowll, Sidney: Mar 24, 1974*
Cranbrook Academy of Art: Apr 22, 1976
Crane, Barbara: Feb 11, 1971; Jun 04, 1971*; Nov 24, 1971* (letter of recommendation); Nov 27, 1971* (letter of recommendation); [Apr 1973]*; May 26, 1973
Craven, George and Rachel: Mar 20, 1960; Oct 12, 1960*; Oct 21, 1960; Nov 16, 1960*; Apr 20, 1962*; Apr 26, 1962; [Dec 1963]; Mar 13, 1964*; Apr 09, 1964*; Jun 30, 1964*; Oct 03, 1964; Mar 07, 1966; Mar 10, 1966*; Mar 24, 1966*; Mar 25, 1966; May 02, 1966; May 04, 1966*; Oct 05, 1966*; Dec 21, 1969; Sep 07, 1972 (booklet ?The Group f/64 Controversy" by Craven enclosed in letter to Cunningham from University of California at Berkeley)
Crawford & Conover, Inc.: Aug 06, 1965
Crawford, Earl: Feb 17, 1975; Mar 24, 1975*
Creative and Extraordinary Person Project: Sep 01, 1974
Creative Camera: Feb 10, 1971; Jun 16, 1971; Jun 29, 1971*; Jul 08, 1971*
Crispino, Miss: Jul 06, 1968*
Crockett, Candace: Feb 11, 1974; Feb 17, 1974*
Crouch, Steve: Jan 25, 1960*; Jun 06, 1968; Jun 18, 1968*
Crowder, Katherine Kerr: Jun 21, 1965; Jun 27, 1965*
Crowell: Thomas Y. Crowell Company: Feb 12, 1962; Feb 26, 1962; Mar 02, 1962; Mar 06, 1962
Crowninshield, Frank: May 09, 1935; Jun 10, 1935*; Jun 13, 1935
Cunningham: Imogen Cunningham Trust: Mar 01, 1976; also see Morrison & Foerster; also see entry under Financial Material
Cunningham, John: May 24, 1974*
Cunningham, June and Alan: Jun 27, 1976
Cunningham, Lynn: Jan 07, 1972; Feb 09, 1972*; Aug 11, 1972*; May 02, 1973; May 16, 1973*
Cunningham?, Min: 1910*
Cunningham, Pearl: 1909 (3)*; 1910 (6, including a photograph of a woman drinking beer while holding a cigarette)
Cunningham Press: Jan 12, 1974*
Cunningham, Roger and Doris: Dec 25, 1967 (including photo Christmas card); Feb 15, 1968; Jul 15, 1968*; Aug 08, 1968; Dec 06, 1968; Dec 07, 1968 (including photo Christmas card); Apr 27, 1969*; May 11, 1969; Dec 13, 1969 (including photo Christmas card); Feb 25, 1970; Mar 03, 1970*; May 21, 1970; May 27, 1970 (including obituary for Nellie Cunningham); Jun 11, 1970; Apr 16, 1971*; Jan 11, 1972; [Apr 29, 1974]; May 08, 1974*; May 16, 1974; May 23, 1974*; Mar 31, 1975*; Apr 21, 1976*; Apr 27, 1976; Nov 30, 1979; Nov 30, 1979
Cunningham, Mr. and Mrs. T. N.: Mar 31, 1975*
Cushing, Nancy: undated; Jun 30, 1976 (letter of condolence to Gryffyd Partridge)
Dadd, Mary: see McEwan, Mary
Dafoe, Dottie and Leslie: Apr 07, 1970; Nov 12, 1970*; Nov 12, 1970*; Dec 11, 1973
Dahl, Arthur L.: Nov 20, 1970*
Daily Express: Jul 07, 1960
Dallas Museum for Contemporary Arts: Dec 11, 1967
Daniel, Edna: Aug 24, 1961; Feb 20, 1963; Feb 26, 1969*; also see California: University of California at Berkeley
Danieli, Fidel: Aug 09, 1974; Oct 28, 1974*
Dater, Judy: Nov 27, 1971* (letter of recommendation); July 1973; Dec 04, 1974* (letter of recommendation); Oct 28, 1979
Daveney, Paula: Sep 07, 1943*; Feb 03, 1948; Jul 10, 1956 (letter from Berta Hader); Mar 02, 1971*; Oct 19, 1973*; Mar 11, 1974*; Sep 14, 1974*; Mar 10, 1975 (filing of Daveney's will); see Personal business records
David: Peter M. David Gallery: Nov 18, 1974; Nov 22, 1974*
Davidos, Rajan and Kimiko: Jan 05, 1969*; Apr 09, 1969; Apr 13, 1969*; also see Photographs
Davies, Louise: undated (3); Mar 04, 1971*; May 16, 1973*
Davies, Ralph: Sep 20, 1970*
Davis, Phil: May 20, 1974; May 25, 1974*; Jun 18, 1974; Aug 20, 1974*
DAY AT NIGHT (television program): Apr 25, 1974; May 03, 1974*
Dearborn, Betty: Apr 10, 1967; Jun 19, 1967*
Dearborn-Massar: see Massar, Phyllis
Dearborn Stove Company: Apr 21, 1965*
DeCordova and Dana Museum and Park: Nov 15, 1961; Mar 07, 1968*
DeGoff, Sidney: Oct 19, 1974*
Deitch, Donna: Jan 07, 1972; Jan 19, 1972*; Feb 24, 1975*; Mar 23, 1976; Apr 01, 1976*
Denny, Grace: Feb 06, 1967; May 06, 1967; Aug 24, 1967
Desmarais, Charles: Oct 11, 1974
Detroit Free Press: Sep 15, 1965; Sep 21, 1965; Oct 25, 1965
Deutsch, Barbara: Feb 18, 1974
De Young Museum: Nov 21, 1970 (letter from Janet Partridge)
De Young Museum Society: Jun 24, 1970
Dhaemers, Mrs.: Mar 04, 1966*
Diablo Valley College: Aug 15, 1972; Nov 15, 1972
Diamond, Martin: Oct 02, 1974; Feb 24, 1975*
Dickinson-Chetham, Helen: Dec 10, 1960*; Aug 28, 1962 (letter to Dorothy MacDonald); Jun 03, 1963
Dinsdale, Elizabeth: Sep 02, 1968; also see Cunningham, Roger
Dixon, Constance (daughter of Maynard Dixon): Jun 30, 1976 (letter of condolence to Gryffyd Partridge)
Dixon, Edith: Nov 1946 (re death of Maynard Dixon)
Dmitri, Ivan: see Photography in the Fine Arts
Dommeyer, Frederick C.: Oct 01, 1965; Jun 21, 1966
Doniach, Sarah: Mar 03, 1970; Mar 12, 1970*
Donnelley, Adelaide: [Mar 29, 1972]; Mar 29, 1972*; Jun 10, 1972*; Jun 28, 1972
Donoho, David: undated (2); Sep 30, 1963; Feb 15, 1965; Mar 01, 1966; Mar 03, 1966*; Dec 12, 1966; Jan 02, 1967; Jan 04, 1967*; Mar 08, 1967; Apr 03, 1967; Apr 11, 1967; May 11, 1967; May 17, 1967; May 24, 1967; May 30, 1967*; Jun 02, 1967; Jul 27, 1967; Aug 01, 1967; Aug 07, 1967; Sep 17, 1967; Sep 29, 1967*; Oct 07, 1967*; Nov 05, 1967; Jul 03, 1968; Jul 08, 1968*; Jul 11, 1968; Sep 27, 1968*; Sep 29, 1968; Oct 13, 1968; Nov 12, 1968; Dec 03, 1968; Dec 24, 1968; Mar 12, 1969*; Mar 16, 1969; May 20, 1970; Mar 23, 1971; Mar 27, 1971*; Apr 20, 1972*; May 21, 1974; Jun 05, 1975; Jun 29, 1975; also see San Jose State College
Dooley: Thomas A. Dooley Foundation, Inc.: see Chaney, Verne
Doubleday & Company, Inc.: Nov 12, 1970; Nov 26, 1970*
Dowling, Ed and Muriel Peterson: Jul 18, 1958*; Aug 29, 1965*
Doyle, Kathleen: undated
Dresden, Maud: May 31, 1910 (2) (a postcard with a photograph of Dresden and Cunningham; and a postcard with a photograph of Dresden and Omer Foisie)
Dreyfus, Emile: Sep 26, 1955 (including 2 photographs of ?old fogies" playing card game)
Drummond, Katherine: Apr 20, 1961*; Oct 07, 1961; Dec 29, 1963*; Jan 27, 1964; Jan 03, 1967; Sep 22, 1968*
Duarte, Carlota: Apr 28, 1976
Ducasse, Mabel and Curt (Brown University): Sep 17, 1956; Dec 25, 1956; Jan 10, 1959*; Dec 07, 1960; Dec 14, 1960*; Dec 29, 1963*; Jan 10, 1964; Jan 20, 1964*; Feb 22, 1964*; Oct 07, 1964; [Jan 1965]; Feb 05, 1966; Feb 12, 1966; Feb 14, 1966*; Feb 26, 1966; Mar 01, 1966*; Mar 25, 1966; Apr 05, 1966*; Oct 16, 1966; Nov 10, 1966*; Dec 27, 1966; Apr 26, 1967*; Apr 29, 1967; May 23, 1967*; May 24, 1967; May 26, 1967*; Jun 07, 1967; Jun 08, 1967; Jun 18, 1967*; Jun 27, 1967; Aug 14, 1967*; Nov 26, 1967*; Dec 15, 1968*; Jan 06, 1969*; Dec 14, 1969; Dec 29, 1969*; Jan 08, 1970; Feb 02, 1970; Mar 08, 1970*; Mar 17, 1970; May 25, 1970; Jun 12, 1970*; mentioned in letter dated Sep 27, 1975
Dunham, Dorothea: Apr 08, [1976]
Duskin, Mr.: undated*
E., Charline: Feb 14, 1967*; Apr 04, 1968; Apr 10, 1968*; Mar 17, 1970
E., W.?: Jul 08, 1960
Eakins Press: Apr 30, 1976*
Eastman: George Eastman House: Jun 25, 1958; Nov 27, 1958*; Feb 05, 1959*; Apr 21, 1959; Jun 23, 1959; Jul 06, 1959*; Jul 16, 1959; Aug 10, 1959; Aug 18, 1959; Sep 04, 1959*; Nov 17, 1959*; Nov 23, 1959; Dec 20, 1959*; Jan 01, 1960*; Feb 12, 1960*; May 12, 1960; Jul 15, 1960; Sep 21, 1960; Oct 14, 1960; Nov 02, 1960; Dec 23, 1960; Dec 30, 1960; Mar 21, 1961*; Apr 06, 1961*; Apr 03, 1962; May 18, 1962*; May 24, 1962; Jun 05, 1962*; Jul 10, 1962; Aug 03, 1962; Nov 28, 1962*; Jan 11, 1963; Jan 17, 1963*; Nov 20, 1963*; [Dec 1963]; Apr 25, 1964*; Jun 08, 1964*; Jul 08, 1964; Jul 28, 1965*; Jun 29, 1967*; Apr 04, 1968*; Aug 14, 1969*; Sep 17, 1969*; Sep 30, 1969; Jul 07, 1970*; Aug 25, 1970; Sep 04, 1970*; Sep 21, 1970; Sep 28, 1970*; Oct 08, 1970; Oct 16, 1970*; Oct 20, 1970; Aug 04, 1971*; Dec 20, 1971; Jan 22, 1972*; Apr 26, 1972*; mentioned in letter dated Feb 18, 1976; also see International Museum of Photography; also see White, Minor
East Shoreline Charter Service: May 04, 1968
Eastwood, Alice: see Printed Material
Eckbo, Royston and Williams: Feb 10, 1947 (including notes and blueprints for landscaping Cunningham's yard in Green Street); Jun 09, 1947*; Sep 21, 1947*
Ecko, Evans: Apr 10, 1976
Edison Street Gallery: Mar 03, 1975; Apr 04, 1975*
Edwal Scientific Products Corp.: Mar 14, 1961*
Edwards, Norman: Aug 08, 1962*; Sep 20, 1962
Eitner, Lorenz: see Stanford University
Elkus, Jonathan, Marilyn and Ian: Dec 14, 1965*; May 1973
Ellegood, Donald: see Washington: University of Washington Press
Elliot, Ralph: Mar 21, 1962*
Embarcadero Center: Sep 20, 1972; Sep 29, 1972*
Emerson, Donna: undated (including a photograph of Emerson)
Emmons, Donn: Nov 12, 1974
Encyclopaedia Britannica: Jun 04, 1965; Jun 15, 1965*; Mar 17, 1971; Mar 22, 1971*; Apr 06, 1971; Apr 16, 1971*; Nov 10, 1971; Nov 23, 1971*; Jan 14, 1972; Jan 21, 1972*; Jan 25, 1972; Jan 28, 1972*; Feb 02, 1971; Feb 10, 1972; Feb 19, 1972*
English, Christopher: Jul 06, 1973; Jul 13, 1973*
Eng-Skell Company: Jan 05, 1959
Epstein, Ellen: Jan 09, 1968*
Epstein, Mrs. Jacob: Nov 21, 1963*
Erceg, Don and Jo (Joseph): Mar 01, 1965; Oct 18, 1965; Jun 21, 1966*; Sep 20, [1966]; Sep 26, 1966*; Nov 09, 1966*; Nov 13, 1966; Nov 25, 1966*; Jan 06, 1967; Jan 25, 1967*; Jun 21, 1967*; Jul 04, 1967; Jul 19, 1967*; Nov 07, 1967; Jul 05, 1968*; Jan 24, 1970*; May 03, 1971*; also see Lynch: Douglas Lynch Associates
Erpen, Gustave: Feb 06, 1966*
Esalen Institute: Apr 20, 1964; Apr 23, 1964*
Ets-Hokins, Jeremy: Sep 18, 1974*
Everyday Art Quarterly: Feb 13, 1948
Exchange National Bank of Chicago: Jan 24, 1968
f/64, Group: Sep 07, 1972 (booklet ?The Group f/64 Controversy" by George M. Craven enclosed in letter from University of California at Berkeley)
Faber and Faber, Ltd.: Jan 26, 1970; Jan 31, 1970* (2); Feb 17, 1970
Falkner von Sonnenburg, Erwin: undated (in German); Jan 03, 1955 (in German); Aug 28, 1967*; Sep 23, 1968 (in German); Oct 19, 1968*; Dec 15, 1968*; Jan 12, 1969*; Jan 28, 1969 (in German); Feb 04, 1969*; Mar 11, 1969 (in German); Apr 16, 1969 (in German); Apr 23, 1969; Nov 28, 1970*; Jun 23, 1971*; Dec 13, 1971 (in German); Dec 25, 1971*; Apr 07, 1972 (in German); Feb 14, 1973 (in German); Jul 26, 1973*; Aug 21, 1973 (in German); Aug 01, 1974 (in German)
Falkner von Sonnenburg, Helene: May 1952 (in German); Jul 10, 1952; Aug 07, 1952; Sep 14, 1952*; Oct 15, 1952*; Nov 10, 1952*; Jan 05, 1953*; Jan 19, 1953*; Jan 27, 1953; Feb 02, 1953*; Feb 09, 1953*; Feb 25, 1953*; Apr 10, 1953*; May 19, 1953*; Jul 10, 1953*; Aug 20, 1953*; Oct 15, 1953 (death notice); mentioned in letters dated Dec 01, 1953*; Mar 19, 1954; May 14, 1954; May 24, 1954
The Family Circle: May 27, 1954*; Jun 07, 1954*; Jun 11, 1954; Jul 21, 1954; Jul 24, 1954*; Jan 25, 1955*; Jan 31, 1955; Jul 19, 1955; Jul 29, 1955; Aug 10, 1955; Sep 12, 1955*
Farley, Mr. and Mrs. William: Sep 22, 1948
Fascioni, Anna: Mar 23, 1971
Feininger, Andreas: Sep 19, 1937
Feininger, Lyonel and Julia: mentioned in [undated] letter from unidentified correspondent; Dec 14, 1951*; Feb 12, 1952*; Mar 18, 1952 (2); Mar 20, 1960
Feminist History Research Project: Jan 03, 1973
Fenno, J. (Jake?): May 27, 1968; May 30, 1968*
Ferry, Frances: Jan 30, 1966; [Mar 1969]; Apr 14, 1969*; Apr 19, 1969*; Jun 22, 1969*; Jul 11, 1969*; Sep 02, 1971*; Oct 16, 1975
Film Dynamics: May 21, 1973*
Finley, Mr. and Mrs. R. W.: Mar 31, 1975*
Finnegan, Josephine: Jul 05, 1972*; Jul 09, 1972
Fisher, Lois: mentioned in letter dated Mar 10, 1955
Focus Gallery: Nov 16, 1966; May 13, 1970; May 18, 1970*; May 30, 1970 (receipt for works); Apr 30, 1973; May 16, 1973; May 21, 1974; Apr 19, 1975; Jun 26, 1979; Jun 03, 1980
Foisie, Omer: see Dresden, Maud
Folger, Mr.: Feb 24, 1966*
Forbes, John D.: Jun 14, 1967*; Jun 17, 1967
Ford, Mr.: Nov 27, 1967*; May 21, 1968*
Forth, Robert: Jan 18, 1973*
Fortune: Mar 27, 1946
Fort Worth Art Center: Feb 27, 1956
Foster, Eve: Nov 13, 1957*; May 17, 1959*; Jan 18, 1960; Dec 10, 1960*
Foster (Zlatovski), Jane: undated; Oct 30, 1952; Dec 19, 1956; Jul 09, 1957* (including clippings about her indictment); see Notes for Foster's excerpts from -- My Ten Years as a Counterspy -- by Boris Morros, 1959
Foster, W. E.: Aug 14, 1957 (including clippings about Jane and George Foster's indictments)
FR Corporation: Feb 09, 1960
Franke & Heidecke: Apr 13, 1959; Jun 05, 1959*; Jun 18, 1959
Frankel, Peg: undated; Nov 28, 1983
Frankenstein, Alfred: see -- San Francisco Chronicle
Freed, Arthur: Aug 17, 1970
Freehe, Clifford: photograph of Freehe contained in letter from Dick Muffley dated May 19, 1974; also see Washington: University of Washington, Seattle
Freemesser, Bernard: Apr 09, 1969; Sep 24, 1973; Oct 27, 1973*; also see Oregon: University of Oregon
Friedman, Marian: [Apr 11, 1976]; May 07, 1976*
Friedman, Mickey: Apr 03, 1975; Jan 12, 1976; Jan 21, 1976; Mar 17, 1976*; Sep 22, 1976 (letter of condolence to Gryffyd Partridge)
Friends of Photography (gallery): Oct 12, 1971*; [May 31, 1973]; Jun 19, 1973; Feb 02, 1974*; May 14, 1974
Friends of the San Francisco Public Library: see San Francisco Public Library
Fuller, Pat: Apr 27, 1974; May 05, 1974*
Fuller, R. Buckminster: Mar 31, 1965
G., P. K.: Jul 05, 1968*
Gaelen, Leslie H.: May 16, 1961*; Nov 21, 1969; Nov 26, 1969*; Apr 29, 1970; Mar 20, 1971; Mar 26, 1971; Mar 31, 1971; May 11, 1971*; May 14, 1971*; Mun 03, 1971; Jun 09, 1971*
Galen, William: Mar 04, 1965; Aug 16, 1965
Gardner, Chrissie: Feb 18, 1968*; Aug 18, 1974*
Gardner, Juanita: Oct 16, 1972
Garnett, William: Dec 04, 1969*; May 09, 1970
Garrod, Richard: Feb 25, 1971
GAUSE (Western Managers of World Personalities): Mar 10, 1955; Mar 13, 1955*
Geddes, Norman Bel: Jun 27, 1932; Jul 07, 1932
Geen, Elizabeth: Mar 30, 1969*
Geldermann, Jessie and Arturo: Jun 12, 1958; Feb 02, 1959*; Feb 06, 1966*
General Foods Corp.: Nov 08, 1966*
Geske, Norman: see Nebraska: University of Nebraska
Gibbons, Mrs.: Jan 13, 1969*
Gichner, Lawrence: May 14, 1970; May 27, 1970*; Sep 14, 1970*
Gilbert, Arnold: Dec 02, 1969; Dec 15, 1969*; Dec 22, 1969; Feb 10, 1970*; Feb 16, 1970; Feb 19, 1970*
Gilbert, Jeffrey: Feb 05, 1976
Gill, Anne and Elwood: Oct 15, 1968; Oct 19, 1968*
Gillet, Anne: Feb 25, 1976 (including a term paper about Cunningham and 2 photographs of details on Cunningham's house)
Gilpin, Laura: May 31, 1959; Jun 04, 1959*; Feb 21, 1976*; Apr 17, 1976
Gisbon, Helen: Jan 28, 1958*
Glaezer, Rabbi: Oct 30, 1966
Glaser, Leslie: Jul 09, 1974*
Glenn: Jack Glenn Gallery: Mar 25, 1974; Apr 05, 1974; May 02, 1974; May 08, 1974*; May 09, 1974; Aug 23, 1974; Oct 04, 1974*
Golden Gate Magazine: May 08, 1961
Goldschmidt, Lisa: [Feb 07, 1969]; Feb 07, 1969*
Goldsmith, David: Jan 22, 1974*; Jan 19, 1975
Goldsmith, John: Oct 17, 1974
Goldsmith, T.: Nov 21, 1973
Goldstein, Virginia (Vagadu Aurelius' mother): Feb 07, 1971; Feb 27, 1971*
Goldstine, Daniel: Jul 05, 1964*
Goldstine, Edgar N.: undated; Jul 10, 1976 (letter of condolence to Gryffyd Partridge)
Goodger-Hill, G.: see Writings
Goodhue, Dr.: Sep 04, 1959* (2); Dec 07, 1972*
Goodwin, Betty: Nov 01, 1974
Goodwin, David: Dec 25, 1969 (photo Christmas card); Jul 22, 1970*; Jun 03, 1970; Dec 25, 1973; Apr 11, 1976
Gordon, Richard: Oct 11, 1974
Gorsline, Jerry: Sep 03, 1968
Grady, Jim: Nov 26, 1956*
Graham: Martha Graham Dance Co.: Apr 29, 1976*
Grant, Cary: Oct 24, 1970*
Grant, Verne: undated; Oct 24, [1974]; Nov 20, 1974
Graves, Morris: Apr 13, 1969*; Feb 23, 1972*; Jun 11, 1973*; Jun 30, 1973; Jul 05, 1973*; Jul 30, 1973; Aug 17, 1973*; Sep 03, 1973*; Dec 21, 1973
Graves, Wallace: Nov 12, 1972
Gray, Burt: Oct 11, 1974*
Grey, Abby and Benjamin: Jan 24, 1965; Feb 10, 1965*
Grieve, Ginger: Feb 04, 1976 (including a photograph of Grieve)
Grotch, Stanley: Nov 16, 1971*; Jan 08, 1971*
Grover, Oliver D.: Jun 26, 1912
Grubb, Erica: see Washington: University of Washington Press
Guggenheim: John Simon Guggenheim Memorial Foundation: undated* (2; one re Gini Dodge Leonard); Nov 30, 1956* (re Ruth Asawa Lanier); Nov 03, 1959 (recommendation for Cunningham from Theodore Roethke); Nov 16, 1959*; Feb 10, 1960; Nov 22, 1966; Dec 21, 1966* (re Thomas Knight); Jan 30, 1967*; Nov 22, 1967; Dec 07, 1968*; Aug 28, 1969; Sep 15, 1969*; Feb 20, 1970; Mar 20, 1970 (2); Mar 23, 1970 (telegram awarding fellowship); Apr 02, 1970; Apr 04, 1970*; Apr 08, 1970; Apr 09, 1970; Apr 21, 1970 (2); Apr 27, 1970 (2); Apr 30, 1970*; May 14, 1970; Jun 01, 1970*; Jun 08, 1970; Jul 26, 1970*; Jul 29, 1970; Sep 11, 1970; Oct 28, 1970*; Nov 18, 1970*; Dec 04, 1970; Dec 11, 1970; Dec 18, 1970*; Dec 22, 1970; Jan 11, 1971*; Jan 15, 1971; Jan 27, 1971; Jan 30, 1971*; Feb 22, 1971*; Mar 03, 1971; Mar 07, 1971*; Mar 11, 1971; Mar 14, 1971*; Apr 07, 1971; Apr 26, 1971; May 02, 1971*; May 11, 1971; Aug 04, 1971*; Aug 06, 1971; Aug 13, 1971; Dec 02, 1971*; Dec 06, 1971; Dec 09, 1971; Dec 25, 1971*; Feb 24, 1972; Feb 29, 1972*; Jun 10, 1972*; Jun 13, 1972; Nov 21, 1972; Dec 01, 1972* (including recommendations by Cunningham for Bill Heick and Walter Chappel); May 03, 1973*; Oct 30, 1974*; Nov 20, 1974; Dec 04, 1974* (letter of recommendation for Judy Dater); Dec 10, 1974
Guillumette: Paul Guillumette, Inc.: Jul 17, 1953
Gustafson, Egil: mentioned in letter dated Nov 02, 1974
Gustaitis, Rasa (Rasa Gustaitis Moss): Dec 24, 1969
Gustin, Paul and Ina: Aug 19, 1965*; Oct 07, 1965
Guthrie, Helen: see MacDonald, Dorothy and Helen
Gutman, Judith Mara: Apr 25, 1971
Haberstitch, David: see Smithsonian Institution; see Writings
Hader, Berta and Elmer: undated; Jul 10, 1956; Aug 22, 1956; Sep 11, 1965*; Jul 22, 1968*; May 01, 1969; Dec 28, 1969; Apr 20, 1971*; Jun 21, 1973; mentioned in letter Oct 19, 1973*; Feb 21, 1974*; Feb 25, 1974; Feb 25, 1975*
Hagan, R. A.: Apr 12, 1975 (poem by Hagan)
Hagberg, Jochen: see Writings
Hagel, Hansel, and Otto: Feb 24, 1965; Apr 22, 1968*; Oct 26, 1973
Hagen, Charles: see -- Afterimage
Hall, James Baker: Mar 14, 1976
Hall, Norman: Dec 09, 1960*,Dec 17, 1960; May 12, 1961; Oct 07, 1962*; May 05, 1963*; Nov 21, 1963*; Dec 30, 1963; Feb 22, 1964*; Jun 11, 1965*; Sep 22, 1968*; Oct 07, 1968; Oct 11, 1968*; Jul 22, 1969*; Nov 25, 1969*; also see -- London Times; -- also see -- Photography
Halprin, Ann: Nov 1970
Hammid, Hella: Apr 25, 1964*; Jan 22, 1967*; Oct 07, 1968*; Aug 27, 1969*; Apr 25, 1972 (letter of recommendation)
Handbook Co.: Mar 28, 1972*
Hansen family: Dec 25, 1968 (including photograph)
Harcourt Brace Jovanovich, Inc.: Feb 07, 1973; Feb 14, 1973; Feb 18, 1973*
Harmon family: Dec 25, 1962
Harnden, Betsey: Jan 20, 1973*
Harootian, Koren Der: Dec 28, 1956
Harper's Bazaar: Jan 07, 1963*; Nov 07, 1970*; Jan 1971 (2)
Harrington, La Mar: see Henry Gallery
Harris, Eugenia: May 11, 1975*
Harrison, Halstead: undated
Harrison, Lynne: Oct 27, 1965; Nov 02, 1965*; Dec 26, 1965; Apr 05, 1966; Oct 16, 1966; Nov 03, 1966*; Mar 08, 1967*; Mar 25, 1967; Feb 08, 1968; Feb 11, 1968*; Aug 09, 1968*; Oct 05, 1973; Jan 23, 1974; Mar 27, 1974*; Apr 23, 1974*; Sep 30, 1974; Oct 02, 1974*
Hartman, Louis: Dec 29, 1967*
Hauberg, John: Mar 28, 1972; Apr 17, 1972*
Haupt, Hanna: Feb 09, 1961 (in German)
Haupt, Peter and Dorle: Jan 25, 1959*; Nov 29, 1960*; Sep 07, 1961 (in German); Dec 14, 1965*; Jul 27, 1967; Aug 28, 1967*; Jul 06, 1968*; Sep 23, 1968*; Nov 24, 1968; Dec 08, 1968*; Jan 10, 1969; Aug 29, 1969*; Jan 03, 1969; May 24, 1971*; Sep 16, 1972; Oct 04, 1972; Jun 09, 1973; Oct 06, 1973; Dec 03, 1974*
Haupt, Otto: Aug 08, 1960 (in German)
Haven, Tom: [Jul 25, 1973]; Jul 25, 1973*
Haynes, Bruce and Joan (Partridge): Aug 30, 1967; Sep 26, 1967*; Dec 29, 1967*; Jan 17, 1968; Jan 31, 1968; Apr 04, 1968*; Jan 05, 1969*; Feb 02, 1969; Feb 05, 1969*; Apr 13, 1969*; Feb 29, 1972*; Jun 07, 1974*; Nov 18, 1974*
Healey, Myrtle: undated calling card
Heick, Bill: undated; mentioned in letter dated Dec 01, 1972*
Heick, Helen: Oct 09, 1958 (including a typescript of Heick's ?On a Freighter to Japan" and a reprint of her "A Panacea Called Haramaki"); Dec 16, 1960*
Heinecken, Robert: see California: University of California at Los Angeles
Heino, Vivica: Mar 25, 1971*; May 05, 1972*
Hellman, Lillian: Dec 02, 1973*; Dec 26, 1973
Helps, Bob: [Jan 31, 1974]; Jan 31, 1974*
Henod Textiles: undated
Henry Gallery (University of Washington, Seattle): May 05, 1958; May 15, 1958*; Jul 27, 1960 (2); Aug 03, 1960 (letter from Gryffyd Partridge); Aug 23, 1960*; Mar 26, 1961*; Mar 17, 1964; Mar 19, 1964*; Mar 30, 1964; Apr 16, 1964*; Apr 20, 1964 (2); Apr 24, 1964*; Aug 30, 1964*; Sep 16, 1964; Sep 27, 1964*; Oct 15, 1964; Dec 10, 1964; Dec 30, 1964*; Jan 12, 1965; Jan 18, 1965*; Mar 30, 1965; Mar 31, 1965; Apr 01, 1965*; Apr 21, 1965*; Jun 04, 1965; Jun 17, 1965; Jun 20, 1965; Jun 23, 1965*; Jun 27, 1965*; Jul 20, 1965; Aug 05, 1965*; Nov 10, 1965*; Jan 03, 1966; Jan 14, 1966; Jan 21, 1966*; Jan 24, 1966; Jan 30, 1966*; Feb 11, 1966; Apr 06, 1966; Jun 20, 1966*; Jun 21, 1966; Jul 04, 1966*; Aug 03, 1966; Aug 09, 1966*; Sep 14, 1966; Oct 21, 1966*; Dec 02, 1966; Dec 11, 1966*; Dec 21, 1966; Feb 02, 1967*; Jun 18, 1967*; Oct 31, 1967; Nov 09, 1967*; Sep 15, 1970*; Sep 28, 1970; Nov 07, 1970*; Nov 24, 1970; Jan 16, 1971*; Jan 26, 1971; Feb 24, 1971; Mar 03, 1971*; Apr 26, 1971; Jun 09, 1971; Jun 16, 1971*; May 08, 1972; Jul 11, 1972; Mar 01, 1973; Mar 28, 1973*; Apr 10, 1973; May 07, 1973*; Oct 17, 1973*; Dec 18, 1973; Jan 18, 1974*; Jan 21, 1974; Feb 06, 1974; Feb 07, 1974*; Feb 12, 1974; Feb 20, 1974; Mar 05, 1974*; Mar 20, 1974; Mar 27, 1974*; Mar 28, 1974; Apr 21, 1974; Apr 26, 1974*; May 05, 1974*; May 06, 1974*; May 10, 1974 (including 5 installation photographs from Cunningham's exhibition); Jun 04, 1974
Heron, Edith: Mar 07, 1974
Herrick, Mariam and Francis: Apr 14, 1971; Dec 1973; Dec 26, 1974; May 30, 1975*
Herring, Frances: Apr 15, 1970
Hershey, Ann: see KPIX 5
Heyman, Therese: undated (2); Feb 26, 1965*; Dec 20, 1965; Apr 25, 1969; Apr 13, 1970; Feb 22, 1971*; Apr 29, 1971; Mar 09, 1974*; Feb 11, 1975 (letter from Cunningham's lawyers, Morrison & Foerster); also see Oakland Museum
Hiatt, Mary: Apr 30, 1970; Jul 12, 1976 (letter of condolence to Gryffyd Partridge)
High, Dennis: mentioned in letter dated May 10, 1976
Higman, Harry W.: Apr 25, 1953; Jun 08, 1965*; Jun 08, 1965*
Himelfarb, Harvey: Mar 27, 1971
Hoffman, Lee: Jun 09, 1972; Jun 15, 1972*; Dec 19, 1972; Jan 06, 1973*
Hoffman, Michael E.: see -- Aperture
Holder, Preston: Mar 21, 1966; Apr 12, 1966*; Sep 12, 1966; Sep 13, 1966*; Sep 18, 1966; Oct 11, 1966; Oct 30, 1966*; Jan 23, 1967; Nov 18, 1968; Nov 19, 1968*
Holger, Zelda: Feb 28, 1976
Holt, Rinehart & Winston, Inc.: Sep 26, 1972*; Oct 11, 1972; Oct 16, 1972*; Oct 18, 1972
Holub, Leo: Aug 20, 1969*; Aug 24, 1969; Dec 25, 1973; Jan 1975; Jun 21, 1976
Homestead Productions: Jan 07, 1971
Hooykaas, Else Madelon: Jan 02, 1971; Jun 09, 1971*; Jun 16, 1971; Jan 12, 1972
Hoover, Herbert (the office of Herbert Hoover): May 21, 1935*; Jun 4, 1935; Oct 05, 1935; Oct 09, 1935*; Feb 25, 1936; Feb 28, 1936*; Apr 22, 1936; Apr 29, 1936*; May 06, 1936; May 13, 1936*
Hosoe, Eikoh: Dec 25, 1974
Howell, Thekla and Robinson: [Jan 1966]; Dec 25, 1968; Feb 08, 1969*
Humboldt State College: Jan 21, 1965 (2); Jan 10, 1966; Jan 13, 1966*; Jan 30, 1966*; Feb 22, 1966; Mar 01, 1966*; Jul 01, 1966*; Sep 24, 1966*; Sep 30, 1966; Oct 05, 1966*; Mar 04, 1968*; Apr 05, 1968; Jul 04, 1968*; Feb 06, 1970*
Hume, Portia Bell: Mar 16, 1942; Mar 20, 1942*; May 03, 1942; May 24, 1942*
Hunt Institute for Botanical Documentation: Mar 01, 1974; May 24, 1975*
Huppe: Sep 07, 1973*
Hurd, Mrs.: Aug 09, 1968*
Illinois: University of Illinois: Jan 14, 1965; Feb 01, 1965*; Mar 17, 1965; Mar 26, 1965*; Apr 09, 1965
Imada, Kinji: Jul 07, 1968*; Dec 25, 1971*
Image Circle: Apr 05, 1971*
Indiana University: Oct 31, 1958; Dec 02, 1958
Infinity: Oct 23, 1965*; Nov 07, 1965*; Jan 26, 1966*; Jun 03, 1966*; Jun 20, 1966*; Oct 04, 1966; Oct 14, 1966*; Oct 19, 1966*; May 24, 1967*; also see American Society of Magazine Photographers
Ingalls, David: Feb 22, 1972
Inokuma, Geniciro: Nov 25, 1955
Institute of International Education: Jan 10, 1965*; Mar 26, 1965*; May 03, 1971
International Invitational of Photography: see Volunteer Service Photographers
International Museum of Photography: Feb 10, 1972; May 03, 1972; Jun 16, 1972*; Nov 10, 1974*; also see Eastman: George Eastman House
Iowa: University of Iowa: Nov 14, 1967; Nov 22, 1967*; Nov 24, 1967*; Dec 04, 1967; Jan 04, 1968; Jan 04, 1968; Jan 13, 1968*; Mar 04, 1968*; Oct 29, 1968; Nov 10, 1968*; Nov 16, 1968; Apr 08, 1969; May 26, 1971
Irwin, Clare: undated; Oct 08, 1960*; Nov 04, 1968*; Jan 10, 1969; Feb 25, 1969*; Mar 11, 1969*; Aug 30, 1970*; Sep 11, 1970; Dec 15, 1970; Mar 26, 1971*; Mar 31, 1971; Apr 02, 1971*; Apr 10, 1971; Dec 15, 1971*; May 10, 1972*; May 26, 1972; Jun 08, 1972*; Oct 05, 1972; Oct 19, 1972*; Sep 18, 1973; Nov 30, 1973*; Jan 24, 1974*; Apr 09, 1974; May 23, 1974*; Feb 26, 1976; Mar 06, 1976*; Oct 20, 1976
Irwin? family: Jul 19, 1967 (in German)
Irwin, Melanie: Sep 24, 1971
Iselin, Leni: Aug 25, 1961; Sep 19, 1961; Sep 23, 1961; Oct 17, 1961; Mar 02, 1962; Apr 29, 1962*; May 19, 1962; May 25, 1962*; Jun 12, 1962*; Oct 23, 1962*; Jan 08, 1963*; Mar 29, 1963*; Jul 18, 1963*; Nov 26, 1963*; Jan 03, 1964*; Jun 02, 1964*; Aug 07, 1964*; Nov 17, 1964*; Jun 18, 1967*; Jul 10, 1967*
Istituto Editoriale Domus: Aug 11, 1958; Aug 17, 1958*; Aug 26, 1958
Jackson, Herbet: Oct 16, 1967
Jacobs, Ken: May 21, 1973*
Jameson, Catherine E.: see Marple, Warren
Janis: Sidney Janis Gallery: Feb 23, 1976
Jay, Bill: see -- Album
Jobert, Muriel: Jan 12, 1960*; Jul 19, 1960; Dec 11, 1960*; Nov 20, 1962; Feb 05, 1964*; Sep 17, 1964*; Dec 12, 1966*; Jan 12, 1967; Feb 04, 1967*; Jun 19, 1967*
Johnson, Catherine: Jan 20, 1968
Johnson, Lyndon B.: Jun 14, 1965 (invitation to reception at the White House)
Johnson, Tom: see College of Marin
Jones, George: Sep 07, 1971; Nov 10, 1971
Jones, Laura: undated
Jourdan, Alda: Jan 15, 1956
Jourdan, Erven: Feb 27, 1976
Junior League of Oakland: Oct 19, 1967
Junior League of San Francisco: Nov 15, 1951; Aug 05, 1965
Ka_____, Kay: [Feb 1973]
Kalamazoo Institute of Arts: Mar 16, 1961; May 22, 1961*; May 24, 1961; Jan 05, 1962
Kalina, Judith: Oct 1972; Mar 14, 1975; May 30, 1975*; Aug 31, 1975
Kalkman, Robert Rodgers: Jan 23, 1973
Kanaga, Consuelo: undated; Mar 05, 1961; Mar 12, 1961*; Jan 06, 1962; May 02, 1968*; May 08, 1968; Feb 25, 1969*; mentioned in letter dated Oct 1972
Kansas: University of Kansas: Mar 05, 1974
Kantor, Jayne: Oct 07, 1974; Oct 13, 1974*; Oct 18, 1974; Jan 15, 1975
Kelly, Dorothea: Jan 04, 1964, (including photograph of a painting in a stairway)
Kelly, Jain: see Witkin Gallery
Kemp, Edward: see Oregon: University of Oregon
Kennedy, Lawton: Feb 16, 1966*
Kent State University Press: Jun 24, 1970
Kewell, Jeanne: Jun 07, 1954; Jun 17, 1954*; Jun 26, 1954; Jul 20, 1954*
Khounta, Penelope: Apr 18, 1973
Kier, Mary Alice: Apr 19, 1971
Kilgore, Don: May 12, 1974; May 25, 1974*; May 25, 1975
Kim-Le, Richard: Apr 01, 1976*
Kingston, Rodger: Dec 22, 1974
Kirkman, Tom: Apr 24, 1972; Jun 24, 1972*; Jun 27, 1972
Kismaric, Carole: see Snyder: Norman Snyder Studios, Inc.
Klemmer, Ruth: Dec 21, 1973 (including 2 photos circa 1916)
Klingenberg, Grace: Jan 07, 1963
Knight, Tom and Katy: Dec 21, 1966* (letter to Guggenheim re Thomas Knight); Jan 21, 1974; Jan 25, 1974*; also see Humboldt State College
Knopf: Alfred A. Knopf, Inc.: Mar 04, 1976; Mar 09, 1976*
Kolbrener, Bob: Dec 02, 1974
Kolisch, Marian Wood (granddaughter of Charles Erskine Scott Wood): Sep 28, 1974
Korty, John: May 21, 1970 (2); Jun 04, 1970*; Jul 20, 1970 (letter from Museum of Modern Art); Jan 24, 1972; Mar 07, 1973; Jan 1974 (3); Feb 09, 1974*; Mar 06, 1976
Koryhut, Wanda: Aug 21, 1957; Aug 30, 1957
Kosmak, Evelyn and George: Jun 19, 1964; Sep 24, 1970
Kouns, John: Nov 27, 1971* (letter of recommendation)
KPIX 5: Apr 07, 1971; Jun 03, 1975 (2); Jun 03, [1975] (2)
KQED: undated; May 12, 1965; Feb 15, 1966; Jun 14, 1971; Aug 07, 1971; Dec 15, 1971*; May 04, 1972; Jun 14, 1972; May 02, 1974; May 01, 1975
Kraft, Jim: undated
Kralka, Ania: Feb 05, 1966; Feb 13, 1967*; May 12, 1967*; Nov 08, 1970*; Jan 1976
Krannert Art Museum: see Illinois: University of Illinois
Krasnow, Peter: May 27, 1976
Krotki, K. J. and Ania: Apr 01, 1961; Dec 25, 1962 (photo Christmas card); Dec 25, 1963 (photo Christmas card); Mar 16, 1970; Jan 18, 1972
Krotta, Krysia: Feb 10, 1959*; Jun 24, 1959; Aug 21, 1959*; Dec 12, 1959*; Nov 25, 1960*; Feb 21, 1961*; Mar 03, 1961*; Mar 09, 1961; Mar 26, 1961*; Apr 13, 1976*
Lane, William and Saundra: Nov 12, 1968*; Jan 31, 1969*; Feb 27, 1969*; mentioned in letter dated Mar 12, 1969*; Apr 14, 1969*; Apr 18, 1969; Apr 29, 1969*; Jul 30, 1969*; Sep 17, 1969*; Nov 15, 1969; Dec 11, 1969*; Dec 17, 1969; Jan 13, 1970*; Mar 04, 1970*; Aug 24, 1970; Sep 25, 1970*; Oct 20, 1970*; Nov 16, 1970*; Dec 08, 1970; Jul 23, 1971* (2)
Lange, Dorothea: undated; Apr 24, 1958*; Apr 18, 1963*; May 17, 1971 (Dorothea Lange Purchase Award given to Cunningham)
Lanier, Addie Laurie: undated*
Lanier, Eiko: Feb 10, 1963*; Feb 22, 1964*; also see Photographs
Lanier, Ruth Asawa: see Asawa, Ruth
La Paz Pottery: Jun 13, 1973*
Larson, Jerry: see Mount Angel Abbey Library
Laszlo, Ernie: see Writings
Latent Image (Gallery): Mar 19, 1971
Laub, Randolph (Ohio Silver [gallery]): May 14, 1973*; Jun 28, 1973; Jul 24, 1973*
Laughlin, Clarence John: Jan 06, 1952
Laurel, Stan: mentioned in letter dated Feb 22, 1976
Lavenson, Alma: Aug 19, 1953*; Jun 25, 1954*; Dec 07, 1959*; Apr 12, [1968]; Jul 31, 1968*
Lee, Alan W. S.: Jan 11, 1913 (including 14 photographs of China); Apr 17, 1916; Oct 26, 1917; Jan 05, 1918; Mar 1918; Aug 21, 1918 (including 8 photographs of Japanese ceramics); Jan 07, 1919; May 09, 1919; Jun 11, 1919; Jan 14, [1920]; Mar 23, 1920; Apr 14, 1920; May 13, 1920; Jul 17, 1920; Sep 13, 1920; Oct 17, 1920; Dec 01, 1920; Feb 03, 1921; Feb 13, 1921; May 29, 1921; Sep 20, 1921 (including a photograph of the Thames River and Tower Bridge, 4 of Peking, one of a Nagasaki fountain, and one of Poyang Lake); Nov 25, 1921; Jan 09, 1922; Feb 09, 1922; Apr 05, 1922; Aug 24, 1922; Nov 28, 1922; Jan 19, 1923; Aug 31, 1923; Feb 09, 1924; Aug 13, 1924; Mar 23, 1926; Dec 01, 1926; Jan 28, 1927; Jun 02, 1927; Aug 26, 1932; Feb 22, 1934; Oct 18, 1934; Jan 04, 1937 (including 3 photographs of Diplomatic Corps ceremony); Jul 12, 1938; Aug 11, 1939; Aug 31, 1939; Jan 19, 1940
Lee, Hannah Simms: Jan 19, 1957; Feb 12, 1957*; Jun 11, 1965*; Mar 03, 1971*; Mar 13, 1971*
Leefe, Miriam: May 31, 1963*; [Jun 1963]; Aug 07, 1963*; Sep 27, 1963*; Nov 23, 1963*
Lemkin, Mari: Aug 02, 1962; Aug 06, 1962*
Lentz, Bernard: Mar 13, 1958; Nov 23, 1958; Jan 02, 1960; Feb 07, 1960
Leonard, Gini Dodge: Nov 12, 1971; also see undated letter from Cunningham to the Guggenheim Foundation
Leonard, Joanne: Jun 16, 1974
Leone, Anna: Feb 07, 1969*
Leslie, Caird: May 05, 1956*; Dec 10, 1961
Levi Strauss and Company: mentioned in letters dated Sep 20, 1972 and Sep 29, 1972*
Lewis, Carol: Sep 17, 1975
Library of Congress: mentioned in [undated] letter from Cunningham to unidentified correspondent; Jul 14, 1949; Nov 16, 1949; Sep 05, 1962; Dec 03, 1962; Mar 18, 1963; Mar 27, 1963*; May 07, 1963; May 20, 1963*; Jul 08, 1963*; Jul 17, 1963; Jul 30, 1963; Nov 14, 1963; Nov 20, 1963*; Dec 30, 1963*; Feb 18, 1964; Mar 19, 1964*; Mar 26, 1964; Apr 07, 1964*; Apr 15, 1964; Apr 24, 1964*; Jun 04, 1964; Oct 08, 1964
Life: Dec 29, 1959*; Sep 19, 1969*; Oct 02, 1969; Oct 27, 1969; Mar 13, 1970 (2); May 06, 1970; Jan 14, 1972*; Aug 31, 1972; Oct 03, 1972; Oct 09, 1972*; Nov 03, 1972*; Nov 06, 1972*; Dec 29, 1972*; Jan 05, 1973; Jan 26, 1973
LIMELIGHT (exhibitions): Sep 17, 1954; Oct 06, 1954*; Oct 21, 1954*; Jan 10, 1955; Jan 21, 1955*; Mar 08, 1955; Apr 01, 1955*; Apr 25, 1955; Sep 14, 1955; Oct 03, 1955*; Nov 10, 1955*; Feb 24, 1956; Mar 25, 1956*
Linenthal, Alice Adams: Jul 23, 1966
Liston, Mrs. J. Glen: see Western Association of Art Museums
Littlejohn, David: Jun 05, 1970*
Locks, Norman: see Adams: Ansel Adams Gallery
Logan: Reva and David Logan Foundation: Feb 17, 1970; Apr 13, 1970*; Sep 13, 1971*; Nov 16, 1971*; Aug 03, 1973; Mar 25, 1974; Jun 05, 1975
London Times: Dec 30, 1963
Look: Dec 05, 1969; Dec 09, 1969*; Dec 24, 1969*; Jan 09, 1970; May 12, 1970*; May 25, 1970; Mar 13, 1971*; Mar 20, 1971*; Feb 1973; Mar 28, 1973*
Lovatt?, Bill: Jan 06, 1961*
Loveless family: Mar 09, 1971*
Ludington, Wright: Feb 13, 1953
Lushington, Beatrice: Jul 19, 1976
Luther, Dr. R. and Ida: Sep 28, 1923 (in German); Aug 01, 1927 (in German)
Lynch: Douglas Lynch Associates Graphic Design: Sep 20, [1966]
Lyons, Nathan: Nov 20, 1963; Jun 29, 1967*
MacCormack, Robert: Dec 04, 1956*
MacDonald, Dorothy and Helen (Helen MacDonald Guthrie): undated; Mar 09, 1961; Aug 28, 1962 (letter from Helen Dickinson-Chetham); Jun 30, 1965*; Aug 31, 1965*; Jan 24, 1966*; Jul 02, 1966*; Sep 01, 1966*; Jan 03, 1967*; May 29, 1967*; Jul 31, 1967*; Aug 02, 1967; Aug 14, 1967*; Oct 29, 1967*; [Jan 1968]*; Jan 01, 1968 (letter from Joan and Bruce Haynes); Mar 20, 1968*; Mar 27, 1968; Jun 10, 1968*; Jul 05, 1968*; Jul 19, 1968*; Apr 15, 1969*; Apr 20, 1970*; Apr 30, 1970; [Jul 1970]; Jul 19, 1970*; Nov 18, 1970*; [Nov 21, 1970]; Jan 16, 1971*; Jan 30, 1971*; Jul 26, 1971*; Oct 07, 1972*; [Dec 25, 1973]; Feb 14, 1974; [Feb 14, 1974]; Feb 20, 1974*; Mar 26, 1974*; May 16, 1974; Jun 24, 1974 (letter to Gryffyd Partridge); Oct 03, 1974*; Nov 21, 1974*; Dec 28, 1974*; Jun 25, 1976 (letter of condolence to Gryffyd Partridge)
Macfadden Publications, Inc.: Jul 22, 1942
MacGalliard, Wally: Jun 03, 1972; Jun 07, 1972*
MacKay, Alastair: Jun 05, 1972*; Jul 30, 1973*; Aug 11, 1973; Aug 27, 1973*
Mackland, Ray: Feb 10, 1960*
Macmillan Company: Jun 23, 1936; Aug 08, 1939; Aug 31, 1939*
Maddox, Miss (of Atrium): Jun 01, 1966*
Madison Art Center: May 25, 1973; Jun 28, 1973; Jan 15, 1974; May 07, 1974*
Maimone, Paul: Jul 10, 1974; Nov 08, 1974*
Malanga, Gerard: Mar 21, 1973
Malarkey, Mr.: Jul 08, 1965*
Malcolm, Ida Parton: Jul 23, 1967*
Mandel, Mike: Aug 22, 1975 (including 3 postcards designed by Mandel and a baseball card picturing Cunningham holding a ball and glove); Nov 13, 1975
Mann, Margery: undated (3); Jan 08, 1966; Oct 04, 1966 (letter to -- Infinity -- including a typescript "Imogen Cunningham" by Mann); Sep 25, 1967 (letter to Don Ellegood); Aug 09, 1968*; Oct 10, 1968 (letter from Ellegood); Oct 14, 1968*; mentioned in letter dated Apr 29, 1969; Aug 10, 1969; Apr 1970; May 18, 1970 (letter from Washington Press); Feb 08, 1971*; Mar 03, 1971*; Nov 16, 1972; Mar 30, 1973*; Sep 08, 1973*; Feb 06, 1974*; Apr 24, 1974; Aug 21, 1974 (letter from Cunningham's lawyers, Morrison, Foerster, Holloway, Clinton & Clark); Aug 27, 1974 (2); also see Writings
Manning, Harvey: see Washington: University of Washington, Seattle
Manself Press: Oct 26, 1974
Marcus, Lynn: undated
Maring: Dennis E. Maring & Co.: Nov 13, 1975
Marks, Milton (State Senator, Wash.): Nov 24, 1970; Nov 26, 1970*
Marple, Warren, Lorna, and Elliot: Jun 25, 1965; August 1966*; Apr 15, 1974 (2); May 18, 1974; May 21, 1974*; Dec 21, 1974
Martinez, Caroline, Zoura, and Al: Apr 24, 1974; Feb 25, 1975*; Jun 29, 1976
Masclet, Daniel: [Dec 1960] (in French); Dec 06, 1960*; Nov 16, 1961; Jun 13, 1963*
Massachusetts Institute of Technology: Jan 10, 1968; Jan 29, 1968; Feb 25, 1968; Mar 25, 1968; Apr 11, 1968; May 20, 1968; Jun 05, 1969; May 25, 1970; also see White, Minor
Massar, Phyllis: undated (2); Dec 20, 1963; Oct 01, 1969; Oct 08, 1969*; Apr 11, 1970; Aug 08, 1970; Aug 14, 1970*; Sep 03, 1970; Sep 10, 1970*; Sep 14, 1970; Sep 15, 1970*; Oct 01, 1970; Oct 05, 1970*; Oct 17, 1970; Nov 08, 1970; Nov 12, 1970*; Dec 11, 1970; Feb 22, 1971*; Feb 28, 1971; Mar 05, 1971; Mar 12, 1971; Jan 05, 1973; Jan 08, 1973*; Mar 07, 1973; Mar 19, 1973*; Mar 29, 1973; Apr 09, 1973; Apr 25, 1973; Mar 27, 1974*; Jun 23, 1974; Jul 23, 1974; Dec 15, 1974
Mathias, Mr.: Dec 12, 1967*
Mattison, Ethel and Jack: Nov 09, 1947; Dec 25, 1966; Jan 24, 1967*; Oct 12, 1968*
Maugham, W. Somerset: mentioned in letter dated Jun 10, 1936
Mayer, Grace M.: see Museum of Modern Art
Mayer, Helene: see Falkner von Sonnenburg, Helene
Mayer, Ida: Jan 03, 1955 (in German)
Mayes, Elaine: Nov 27, 1971* (letter of recommendation)
Mazzeo family: Dec 31, 1959*
McBride, Mary Margaret: Jan 10, 1961; May 06, 1969; Oct 24, 1970*
McCabe, Darlene: Jan 26, 1976
McCann-Erickson, Inc.: Dec 22, 1970; Dec 30, 1970*; Feb 04, 1971*; Feb 12, 1971*; Mar 05, 1971
McCarthy: Oct 14, 1959*
McCarthy, Jane: Nov 07, 1970
McClatchy, Phebe: Nov 26, 1951
McDougal, Littell & Company: Feb 11, 1970
McEwan, Mary: undated (4); Oct 11, 1954*; Nov 18, 1954*; Dec 26, 1954*; Jan 02, 1955; Jan 14, 1955*; Feb 02, 1955; Feb 25, 1955*; Feb 28, 1955*; Mar 14, 1955*; Mar 27, 1955; Apr 20, 1955; May 11, 1955; May 29, 1955*; Jun 23, 1955; Jul 14, 1955*; Aug 03, 1955; Aug 30, 1955; Sep 22, 1955; Oct 03, 1955*; Oct 12, 1955; Oct 21, 1955 (2); Nov 22, 1955; Dec 11, 1955*; Jan 06, 1956; Jan 16, 1956*; Jan 10, 1956*; Apr 22, 1956 (married to Rex Dadd); Jun 06, 1958; Jun 27, 1958*; Dec 1958; Mar 16, 1959; May 04, 1959; Sep 27, 1959*; Jan 01, 1960*; Feb 13, 1960*; Nov 29, 1960*; Feb 13, 1961; Feb 26, 1961*; May 16, 1961*
McGraw, Dick: Dec 25, 1966; Jun 15, 1967*; Mar 08, 1968*
McGraw-Hill Book Company, Inc.: Mar 29, 1961
McHugh, Vincent: Mar 11, 1970; May 15, 1970; May 21, 1970*
McIntosh, Jenny: Dec 19, 1947
McKee, Tasheira & Wahrhaftig: May 11, 1939 (divorce decree)
McLeod, James: Jun 11, 1970 (letter from Beatrice Roethke); Jul 05, 1970*; Jul 11, 1970*
McLuhan, Teri: see Outerbridge & Dienstfrey
McMinn, Helen: Jan 28, 1972
Mees, Kenneth: Jul 19, 1957*; Jul 26, 1957; Feb 05, 1958*; Jun 01, 1958*; Aug 26, 1958*
Melchert, Ralph (Ramel): Sep 19, 1973
Meltzer, Milton: Jan 27, 1976
Menapace, John: Mar 06, 1969; May 31, 1970*; Jun 10, 1970; Jun 18, 1970*
Mendocino Art Center: Feb 15, 1971; Feb 22, 1971*
Mendocino Historical Research, Inc.: Mar 04, 1976
Menninger, Edwin: undated
Merrill, Forrest: Oct 21, 1974*
Mesaros, Ron: Oct 02, 1970; Oct 11, 1970*
Metcalf: Addison M. Metcalf Collection of Gertrude Steiniana: Mar 23, 1955; Sep 22, 1955*; Sep 26, 1955; Oct 11, 1955
Metropolitan Museum of Art: Jul 12, 1969*; Jul 21, 1969; Aug 11, 1969*; Aug 13, 1969; Aug 16, 1969*; Dec 16, 1969; Dec 21, 1969*; Jan 14, 1970; Feb 22, 1970*; Apr 30, 1970; May 07, 1970*; May 14, 1970; May 31, 1970*; Jun 16, 1970; Nov 30, 1970; Mar 11, 1971; Mar 17, 1971; Mar 22, 1971*; Apr 14, 1971; Feb 20, 1973; Mar 02, 1973*; Mar 08, 1973; Mar 17, 1973* (2); May 15, 1973*; May 31, 1973; Jul 17, 1973
Metzker, Ray: Sep 14, 1960; Dec 06, 1960*; Feb 12, 1962; Apr 27, 1962*
Miles, Josephine: Apr 02, 1973
Miller, Barbara J.: undated
Mills College: Mar 19, 1954; May 14, 1954; May 24, 1954; Jan 27, 1956; Feb 27, 1956*; Apr 11, 1956; Apr 14, 1956*; May 29, 1958; Feb 22, 1965; Apr 08, 1970*; Sep 06, 1973; Sep 08, 1973*; Feb 11, 1975; Feb 25, 1975; Apr 04, 1975*; May 13, 1975*
Minard, F.: Dec 29, 1966
Mind's Eye (gallery): Oct 25, 1973
Minneapolis Institute of Arts: Mar 29, 1957
Mocy?, Robert: Apr 04, 1965
Model, Lisette: May 21, 1970; Jun 11, 1971
Modern Photography: Dec 12, 1950 (typescript of "A Passion for the Medium" by Christina); Feb 27, 1951; Aug 11, 1953; Jul 06, 1954*; Apr 14, 1955; Jan 13, 1956*; Aug 23, 1957*; Feb 01, 1968; Aug 08, 1968; Apr 18, 1972
Moholy-Nagy, L.: Jan 04, 1941
Monk, Heidi: Apr 02, 1969; Apr 14, 1970
Monterey Peninsula College: Jan 21, 1970; Jan 26, 1970*; Jan 27, 1970; Mar 03, 1970; Mar 04, 1970; Mar 11, 1970*; Apr 15, 1970*
Moon, Orrin C.: see Mendocino Art Center
Moore, Richard: May 22, 1975
Morais, Ka: Feb 10, 1976
Morais, Ken: mentioned in letter dated May 10, 1976
Morgan, Barbara and Willard: Jan 09, 1967; Apr 10, 1968*; Dec 26, 1969*; Nov 29, 1970; Dec 03, 1970*
Morgan, Edith: Oct 14, 1953; Jan 03, 1955*; Jun 30, 1957*
Morgan Guaranty Trust Co.: Aug 16, 1969*
Morley, S. Griswold: Oct 09, 1961; Jul 14, [1962]; Jul 08, 1968*; Aug 09, 1968*; also see Printed Material
Morris, Mark: Apr 09, 1974
Morrison, Foerster, Holloway, Clinton & Clark: Aug 21, 1974 (letter to Marjorie Mann); Aug 21, 1974 (letter to Gryffyd Partridge); Sep 11, 1974; Feb 11, 1975 (letter to Theresa Heyman); Feb 18, 1975 (letter to Gryffyd Partridge and Adrian Wilson); Feb 27, 1975; Mar 17, 1975
Morros, Boris: see Notes for Jane Foster's excerpts from -- My Ten Years as a Counterspy -- by Morros, 1959
Mount Angel Abbey Library: Apr 03, 1970; Aug 30, 1971; Sep 06, 1971*; Sep 24, 1971*; Oct 07, 1971; Oct 17, 1971*; Nov 07, 1971*; Nov 08, 1971; Nov 26, 1971; Dec 02, 1971*; Dec 17, 1971; Jan 07, 1972*; Feb 14, 1972; Mar 16, 1974*; also see Photographs
Mozesson, Phiz: mentioned in letter dated Dec 16, 1970*
Mozley, Anita: Apr 08, 1973*; Jun 09, 1973; Jun 15, 1973*
Ms.: Nov 25, 1974; Apr 26, 1975*
Muffley, Dick: Jul 06, 1968*; May 04, 1973 (including a photograph of himself, 2 of his house, and 4 of an atom smasher); May 19, 1973*; May 17, 1974*; May 19, 1974 (including 3 vacation photographs and a photograph of Cliff Freehe)
Munson-Williams-Proctor Institute: Jan 09, 1957; Feb 16, 1957*; Feb 19, 1957*; Feb 21, 1957; Feb 28, 1957
Museum of Fine Arts, Springfield, Mass.: Jun 03, [1974]; Aug 13, 1974; Aug 16, 1974*
Museum of Modern Art: undated; Apr 02, 1937; Sep 17, 1941; Sep 25, 1941*; Oct 22, 1946; Oct 28, 1946; Jan 01, 1960*; Mar 01, 1960; Mar 14, 1960; Apr 08, 1960; Apr 12, 1960; Jun 02, 1960; Nov 03, 1960; Dec 30, 1960; Jan 10, 1961*; Jan 16, 1961; Feb 01, 1961*; Feb 03, 1961; Feb 07, 1961*; May 19, 1961; Apr 04, 1962; May 29, 1962; May 30, 1962; Mar 26, 1963; Apr 05, 1963*; May 03, 1963; May 20, 1963; May 30, 1963*; Jun 04, 1963; Jun 16, 1963*; Jul 02, 1963; Jul 04, 1963*; Jul 08, 1963*; Jul 22, 1963; Aug 07, 1963*; Aug 12, 1963; Oct 16, 1963*; Oct 28, 1963; Oct 31, 1963; Nov 08, 1963*; Dec 12, 1963; Jan 25, 1964*; Jan 29, 1964; Apr 13, 1964; Apr 21, 1964; Jun 01, 1964; Jun 08, 1964; Sep 21, 1964*; Sep 29, 1964; Jan 02, 1965*; Jan 06, 1965; Jul 15, 1965 (2); Jul 28, 1965* (2); Sep 30, 1965; Oct 12, 1965*; Oct 20, 1965; Nov 14, 1965; Jul 28, 1966*; Jul 31, 1966; Aug 11, 1966; Sep 01, 1966*; Sep 06, 1966; Nov 09, 1966*; Dec 01, 1966; Dec 07, 1966; Jan 25, 1967 (2); Apr 03, 1967; Apr 07, 1967*; Apr 10, 1967*; May 23, 1967; Jun 17, 1967; Dec 09, 1967; Feb 13, 1968; May 15, 1968; Jun 13, 1968; Jul 11, 1968; Sep 12, 1968*; Oct 09, 1968; Oct 21, 1968; May 10, 1969; Jul 14, 1969*; Sep 05, 1969; Sep 08, 1969; Apr 09, 1970; Apr 21, 1970; Jul 20, 1970 (letter to John Korty); Nov 18, 1970; Mar 08, 1971; Aug 04, 1971*; Sep 07, 1971*; Feb 16, 1972; Apr 10, 1973*; Dec 18, 1974; Dec 24, 1974*; Jun 09, 1975; also see Steichen, Edward
Myers, Evelyn: Jan 29, 1958*
Nathan, Joan: Jul 07, 1969*
National Council on the Aging, Inc.: Jan 23, 1973 (including booklet "Older Americans and the Arts: A Human Equation")
National Institute of Arts and Letters: Jan 05, 1961*
National Organization for Women: Jun 18, 1974
NBC: see TONIGHT SHOW
Nebraska: University of Nebraska: Nov 03, 1965; Nov 20, 1965*; Mar 17, 1966; Apr 04, 1966*; Apr 25, 1966; Jun 02, 1966*; Jun 14, 1966; Jul 19, 1966; Jul 25, 1966*; Jul 28, 1966; Aug 26, 1966*; Sep 06, 1966; Sep 12, 1966*; Nov 01, 1966; Nov 10, 1966*; Nov 16, 1966; Dec 21, 1966*; Mar 17, 1967*; Mar 23, 1967
Neevel, Paul: see Writings
Nesbit, Norman: Mar 30, 1969*
Neumann, J. B.: see New Art Circle
Neumeyer, Fred (Alfred): Apr 15, 1970
New American Library: Jul 08, 1966*; Jul 10, 1967; Jul 19, 1967*
New Art Circle (J. B. Neumann, Dir.): Oct 22, 1937
Newberry, James H.: Sep 13, 1969
New Directions: Apr 01, 1963*; Jan 22, 1964*
Newhall, Beaumont and Nancy: mentioned in [undated] letter from Cunningham to unidentified correspondent; Aug 26, 1957; Aug 05, 1967*; Aug 09, 1967; Aug 12, 1967*; Jan 24, 1968; Feb 02, 1968*; May 03, 1968*; Sep 17, 1969; Sep 23, 1969; Mar 03, 1971 (including resume for Beaumont Newhall); Mar 09, 1971*; Jul 17, 1974; Jul 24, 1974*; Aug 15, 1974; also see Eastman: George Eastman House; also see Writings
Newman, Arnold: Sep 02, 1969*; Dec 31, 1969; Jan 06, 1970*; Jan 16, 1970*; Apr 17, 1970; Aug 03, 1970*
New York Graphic Society, Ltd.: Sep 25, 1974; Oct 01, 1974*; Oct 16, 1974; Feb 25, 1976; Mar 09, 1976*; Mar 12, 1976
New York Times: May 02, 1973; May 06, 1973*
New York Times Book Review: Oct 31, 1966*; Nov 03, 1966
Nicastro, Peter: see Writings
Nord, Ina: Dec 10, 1950
Nordberg, Rod: Feb 06, 1975; Feb 19, 1975*
Norman, Dorothy: Oct 28, 1959*; Nov 02, 1959; Nov 05, 1959
Norman, Mrs. P.: Oct 08, 1973*; Jun 07, 1974*; Oct 15, 1974*; Nov 21, 1974*
Norris University Center: see Northwestern University
Northwestern University: Apr 22, 1975
Norton: W. W. Norton & Company, Inc. Katherine Barnard): Jan 08, 1957; Jan 18, 1957*; Jan 21, 1957; Feb 02, 1957*
Noskowiak, Sonya: Jan 08, 1974*; Dec 25, 1974
Novack, Ellen: Aug 27, 1967; Apr 22, 1973
Noyes, Pat and Dick: Feb 06, 1966*; Jan 25, 1967; Feb 06, 1967*; Jul 31, 1967*; Sep 26, 1967*; Oct 12, 1967; Oct 29, 1967*; Jun 02, 1968; Sep 13, 1968*; Jan 04, 1969*; Jan 11, 1969; Apr 28, 1969; Jul 15, 1969; Jul 25, 1969*; Dec 12, 1969*; Dec 29, 1969*; May 16, 1970; Jan 24, 1971; Apr 01, 1971*; Nov 16, 1971*; May 24, 1972; Jun 08, 1972*; [May 1973] (including a photograph of a mountain range; Oct 24, 1973; Nov 30, 1973*; [Dec 02, 1973]; Dec 02, 1974; Jan 27, 1975*; Jul 22, 1976 (letter of condolence to Gryffyd Partridge)
Oakland Art Museum: Mar 11, 1963; Mar 14, 1963*; Mar 19, 1963; Jul 07, 1967; Oct 14, 1968; Dec 27, 1973; Mar 11, 1974; Mar 28, 1974; Aug 27, 1974; Oct 23, 1974; Jan 08, 1974; Jan 16, 1975*; Jan 22, 1975*; Feb 25, 1975; Mar 18, 1975; Apr 14, 1976; Jun 03, 1976; also see Heyman, Therese
Oakland Museum Association: Dec 20, 1965; Apr 25, 1969
Oakland Public Museum: Nov 15, 1957; Nov 25, 1957; May 17, 1971
Oka, Jane: Jun 30, 1976 (letter of condolence to Gryffyd Partridge)
O'Keeffe, Georgia: undated Christmas card; Feb 08, 1971*; Feb 16, 1971; May 02, 1971; Jan 31, 1972; Feb 04, 1974*; Feb 11, 1974; Jan 31, 1975; Mar 16, 1976; Mar 24, 1976*; Apr 02, 1976
Oklahoma: University of Oklahoma Press: Dec 16, 1957; Jan 03, 1958*; Jan 24, 1958; Jan 17, 1958*; Jan 31, 1958; Feb 25, 1958; Mar 07, 1958*
Olsen, Cynthia: Sep 29, 1970; Oct 24, 1970*
Oregon: University of Oregon: Sep 23, 1965; Feb 23, 1966; Feb 28, 1966*; Mar 07, 1966; Apr 11, 1966; Apr 12, 1966*; Nov 16, 1966; Nov 25, 1966*; Dec 14, 1966; Feb 03, 1967; Feb 06, 1967*; Feb 20, 1967; [Mar 1967]; Apr 17, 1967; Apr 24, 1967; May 01, 1967; May 25, 1967; Jun 21, 1967*; Jun 23, 1967; Jul 27, 1967; Jul 28, 1967*; Aug 02, 1967*; Aug 31, 1967; Sep 05, 1967; Sep 06, 1967; Sep 17, 1967*; Sep 26, 1967; Oct 06, 1967*; Oct 07, 1967*; Oct 11, 1967; Oct 13, 1967*; Apr 09, 1968; Apr 17, 1968*; Apr 19, 1968*; May 17, 1968; Mar 16, 1969; Mar 30, 1969*; Apr 25, 1973; Nov 16, 1974; Dec 02, 1974*
Orion Service & Trading Co., Inc.: Aug 08, 1958; Aug 17, 1958*
Orpet, Mildred: Feb 03, 1958; Feb 06, 1958*
Oskar, Keri: Sep 14, 1972; Sep 19, 1972*
Ostroff, Eugene: see Smithsonian Institution
Otis, Norman: Apr 08, 1949
Outerbridge & Dienstfrey: Mar 10, 1972
Owings, Margaret Wentworth: undated (4)
Ozenfant, Amedee: Oct 05, 1939; Nov 25, 1939; [1940]; Feb 26, 1940
P., J.: Feb 26, 1975
Pacific Telephone and Telegraph Company: Jan 16, 1952; Jan 20, 1952*; Oct 29, 1968*; Nov 07, 1968; May 01, 1969*
, Christina: Dec 12, 1950 (typescript of "A Passion for the Medium" by for -- Modern Photography)
Palfi, Marion: Apr 13, 1976
Palmer, Jon: undated
Palmer, Phil: Dec 01, 1965
Parasol Press: Jan 15, 1974*
Park, David: mentioned in letter dated Dec 26, 1961 from United States Information Agency
Park, Henry (Susan Park's son): May 10, 1970; Dec 07, 1972
Park, Susan: May 05, [1968]; Oct 31, 1968; Jul 24, 1969*; Aug 21, 1969*; Nov 21, 1969*; Nov 30, 1969; Dec 06, 1969*; Jan 03, 1972; Dec 07, 1972; Jan 17, 1973*; Dec 04, 1973
Parker, Elizabeth: May 20, 1960 (including a Cunningham photograph of Parker, circa 1906)
Parker, Fred: see Pasadena Art Museum
Parkin, John: May 08, 1974*; Apr 08, 1976; Jul 14, 1976 (letter of condolence to Gryffyd Partridge)
Parrish, Martha Cunningham: Feb 15, 1968; Jul 19, 1968*
Partridge, Bruce: Jun 07, 1966; Jan 03, 1974
Partridge, Gryffyd, Janet, Rym, and Loren: undated (3); Mar 30, 1943; Sep 03, 1943*; [1944]; Jul 14, 1946*; Feb 28, 1954; Jun 19, 1958; Nov 05, 1958*; Nov 05, 1958 (2); Oct 11, 1959*; Apr 14, 1960*; Apr 18, 1960; Apr 18, 1960; Apr 21, 1960*; Apr 30, 1960*; May 08, 1960*; May 18, 1960*; May 26, 1960; May 28, 1960*; Jun 04, 1960*; Jun 07, 1960*; Aug 03, 1960 (letter to Henry Gallery); Aug 05, 1960*; Feb 27, 1961; Apr 03, 1961; Jun 22, 1961; Aug 31, 1961; Sep 05, 1961; Sep 09, 1961*; Sep 13, 1961; Sep 18, 1961; Sep 21, 1961; Sep 29, 1961; Oct 08, 1961; Oct 19, 1961; Nov 10, 1961; Nov 13, 1961; Nov 21, 1961; Nov 27, 1961; Nov 27, 1961*; Dec 01, 1961; Jan 01, 1962; Apr 18, 1963*; Mar 12, 1965*; Apr 18, 1965*; Nov 27, 1966 (announcement of Loren's wedding to Frank Tose); Apr 19, 1967; Jun 01, 1968*; Jun 27, 1968*; Jul 04, 1968*; Jul 05, 1968; Jul 11, 1968*; Jul 22, 1968; Jul 27, 1968*; Aug 07, 1968*; Aug 09, 1968*; Aug 11, 1968*; Jan 24, 1970*; Nov 21, 1970 (2); Jun 21, 1971*; Aug 19, 1971; Feb 03, 1973*; Apr 30, 1974 (letter from Padraic); Jun 24, 1974 (letter from Dorothy MacDonald); Aug 21, 1974 (letter from Cunningham's lawyers, Morrison, Foerster, Holloway, Clinton & Clark); Aug 27, 1974; Sep 20, 1974; Feb 18, 1975 (letter from Cunningham's lawyers, Morrison & Foerster); also see Partridge, Loren
Partridge, Loren: Oct 04, 1968*; Oct 05, 1968; Oct 11, 1968*; Oct 17, 1968; Oct 31, 1968*; Nov 12, 1968*; Nov 21, 1968*; Dec 05, 1968*; Dec 08, 1968; Dec 14, 1968*; Jan 25, 1969*; Mar 03, 1969*; May 03, 1969*; Jun 04, 1969*; Jun 16, 1969*; Jun 21, 1969; Jul 19, 1969; Jul 22, 1969*; Jul 23, 1969*; Aug 09, 1969; Aug 09, 1969*; Sep 03, 1969; Oct 08, 1969*; Aug 02, 1971; Jan 27, 1974*; Feb 25, 1974*
Partridge, Padraic, Marjorie, and Kayla: undated (27); Aug 24, 1942; Sep 14, 1942; Jun 12, 1947; Sep 10, 1947; Nov 03, 1947; Dec 18, 1947; Jan 16, 1950; Sep 11, 1951 (Kayla's birth announcement); Jun 24, 1960; Sep 16, 1960; Jan 14, 1961*; May 09, 1961; Jan 10, 1962; May 20, 1962*; Jun 09, 1962*; Jul 23, 1962; Sep 10, 1962*; Dec 31, 1962; Sep 05, 1964*; Jan 18, 1965*; Mar 07, 1965*; Mar 25, 1965 (including 4 poems by Kayla); Apr 18, 1965* (2); Aug 11, 1965*; Aug 11, 1965; Aug 14, 1965*; Jan 12, 1966*; Feb 01, 1966*; May 08, 1966*; Aug 07, 1966; Aug 10, 1966*; Oct 04, 1966*; Nov 13, 1966*; Dec 1966; Dec 05, 1966*; Jan 04, 1967*; May 18, 1967; May 22, 1967*; Sep 22, 1967*; Oct 04, 1967*; Dec 03, 1967*; Feb 14, 1968*; Apr 10, 1968*; May 23, 1968*; Jul 07, 1968*; Sep 27, 1968*; Nov 30, 1968*; Jan 15, 1969; Mar 12, 1969*; Jul 23, 1969*; Dec 12, 1969*; Apr 01, 1972; Jan 11, 1973; Jan 12, 1974*; Jan 23, 1974; Jan 24, 1974*; Jan 26, 1974; Jan 29, 1974; Jan 31, 1974*; Feb 12, 1974*; Mar 08, 1974*; Apr 05, 1974*; Apr 16, 1974*; Apr 30, 1974 (letter to Gryffyd); May 12, 1974; May 27, 1974*; Jun 08, 1974*; Aug 13, 1974*; [Sep 11], 1974; Sep 14, 1974*; Sep 15, 1974*; Sep 28, 1974; Oct 02, 1974*; Nov 07, 1974; Nov 07, 1974; Dec 01, 1974*; Dec 24, 1974*; Dec 26, 1974*; Dec 27, 1974*; Feb 22, 1975*; Feb 28, 1975*; Mar 17, 1975; also see Photographs
Partridge, Roi and May Ellen: undated (6); Jun 16, 1958; Sep 13, 1958; Nov 07, 1958; Nov 12, 1958; Apr 15, 1960*; Dec 16, 1961; Sep 01, 1964; Mar 03, 1965; Apr 07, 1967; Apr 22, 1967; Apr 24, 1967*; Jan 06, 1968*; Apr 12, 1968; May 23, 1968; Nov 29, 1968*; Dec 27, 1968; Jul 23, 1969; Aug 12, 1969*; Aug 19, 1970; Dec 22, 1971*; Apr 1972 (poem to Rym); Sep 21, 1973; May 09, 1974; May 22, 1974*; May 22, 1974* (2); Apr 05, 1975; Jan 01, 1976; Jan 21, 1976; Feb 10, 1976; Feb 14, 1976; Apr 19, 1976; Jun 30, 1976 (letter to Gryffyd Partridge)
Partridge, Rondal, Elizabeth, Joan, Joshua, Aaron, Betsy, and Meg: undated (5); Jul 07, 1940; Sep 27, 1953*; Jan 04, 1959; Jan 03, 1960; Jul 24, 1960; Oct 14, 1961; Dec 17, 1961; Sep 29, 1962; Dec 26, 1962; Feb 08, 1965*; Apr 08, 1965*; May 04, 1965*; Apr 18, 1965*; May 10, 1965; Jun 07, 1965*; Jun 20, 1965*; Jul 03, 1965; Jul 07, 1965*; Jul 08, 1965*; Aug 04, 1965*; Aug 26, 1967 (announcement of Joan's wedding to Bruce Haynes); Jul 14, 1968*; Jul 31, 1968*; Aug 23, 1968*; Oct 14, 1968*; Dec 29, 1973; Jan 17, 1974*; Nov 29, 1974*
Pasadena Art Museum: Sep 29, 1969; Nov 19, 1969*; Oct 20, 1970; May 14, 1974
Pascal, Naomi: undated
Patkowska, Marja (Maryla): Nov 06, 1963; Sep 10, 1964; Sep 11, 1965*; Sep 25, 1965; Aug 06, 1967*; Dec 08, 1968*; Feb 08, 1973*Feb 10, 1973*
Pattee, Hilary: Oct 03, 1967; Oct 10, 1967*; Feb 02, 1968
Penick: S. B.Penick & Company (botanical products): Jul 14, 1950
Penington, Ruth: undated; Apr 04, 1974*; May 18, 1974*; May 22, 1974; May 28, 1974*; Apr 02, 1975*; Jun 10, 1975*; Aug 05, 1975 (2)
Percival, Willa: Sep 05, 1968; Feb 09, 1969*
Perry, Mrs.: May 04, 1957*
Phillips, Michael: May 25, 1972*
Phoenix College: Aug 10, 1969; Aug 28, 1969*; Sep 11, 1969; Dec 02, 1969; Dec 09, 1969*; Apr 04, 1975*
Photographer's Gallery: Nov 28, 1973*; May 22, 1974; May 29, 1974*
Photographer's Place: [Mar 31,] 1976
Photographic Society of China: Nov 27, 1962
Photography: Mar 29, 1954; Jan 31, 1955; Feb 15, 1955*; Apr 30, 1955*; Aug 30, 1955; Oct 06, 1955; Feb 02, 1956*; Oct 13, 1957*; Oct 17, 1957; Nov 12, 1958*; Jan 28, 1959*; Feb 03, 1959; Apr 29, 1959; Oct 21, 1959*; Nov 24, 1959*; Jan 01, 1960*; Feb 19, 1960; Oct 16, 1960; Feb 03, 1961; Mar 10, 1961*; Mar 24, 1961*; Apr 07, 1961; May 05, 1961*; May 09, 1961*; Oct 17, 1961; May 04, 1962; Jul 20, 1962; Aug 01, 1962; Aug 10, 1962*; Oct 07, 1962*; Jun 04, 1963; Jun 07, 1963*; May 10, 1965*
Photography in the Fine Arts: Apr 03, 1961; Feb 08, 1963*; Jun 21, 1966; Jun 22, 1966*; Jul 07, 1966; Jul 08, 1966*; Jul 12, 1966*; Jul 26, 1966; Oct 19, 1966 (2); Oct 28, 1966; Nov 04, 1966; Nov 09, 1966*; Dec 09, 1966; Dec 12, 1966*
Photography of the World: Oct 30, 1956
Photography Publishing Corp.: Sep 16, 1953
Photography Year Book: see -- Photography
Piaskowski, Nata: Jul 14, 1976 (letter of condolence to Gryffyd Partridge)
Pi Beta Phi Fraternity: undated; May 03, 1961; Nov 28, 1969*; Apr 05, 1970; May 1970; May 30, 1973; May 17, 1974*; Mar 18, 1991
Polaroid Corporation: Mar 09, 1965*; Feb 03, 1966*; May 01, 1973; May 04, 1973*
Polish Embassy: Mar 03, 1961*
Pond-Smith, David: Oct 26, 1974
Poon, Irene: mentioned in letter dated Dec 07, 1968; May 03, 1976; May 04, 1976*
Porter, Allan: see -- Camera
Porter, Bern: undated (2); May 24, 1960; Feb 05, 1964*
Posner, Irina: May 20, 1976
Powell, Jim: Feb 14, 1975
Prism: Apr 12, 1974
Professional Photographers of Northern California, Inc.: Dec 18, 1962; Jan 04, 1963*
Protze, Jens: Jun 06, 1972*
Publications Photo-Cinema Paul Montel: Nov 07, 1962 (in French)
Purcell, Victor: Dec 29, 1960; Jan 31, 1961*; Feb 28, 1961; Jun 04, 1961
Pynchon, Peter: [Sep 1965]; Apr 11, 1966
Quaker, Anna: Jul 07, 1959*
Quivira Bookshop and Photograph Gallery: Mar 28, 1972
Rado, Charles: see Guillumette: Paul Guillumette, Inc.
Raffner, Jim: [Dec 1973]*
Rags: Jul 17, 1970*; Aug 11, 1970*; Aug 24, 1970; Aug 27, 1970*
Ramsing, Roy: Aug 17, 1969
Randlett, Mary: Feb 18, 1971; Feb 27, 1971*
Random House, Inc.: Feb 01, 1971; Feb 15, 1971*; Jan 18, 1972; Jan 21, 1972*; Apr 15, 1976; Apr 17, 1976*
Rasmussen, Karen, Margarete, and Steendeiler?: [Dec 1960]; Mar 30, 1961*; Dec 25, 1961; Feb 07, 1966*
Ratcliffe, M. S.: Jan 01, 1973
Ray, Man: mentioned in letter dated Oct 17, 1961; Jan 12, 1969*
Reed, Gervais: see Henry Gallery
Reed, Robert: Oct 31, 1967
Reese, Lynn: [Dec 31, 1971]; Jul 22, 1974; also see Writings
Reimers, Margaret (Peggy): Feb 01, 1965*; Jan 13, 1969*; Mar 16, 1974*
Reynard, Jessica: Jan 27, 1967; Feb 15, 1967*
Reynoso, Louise: Jun 02, 1966*; Feb 16, 1967
Rhodes, Daniel: Jul 09, 1968*; [Jan 1969]; Jun 15, 1970; Aug 04, 1970*; Jun 09, 1971*
Richmond Art Center: Feb 10, 1967
Riordan, Dan: Sep 18, 1962 (including a calling card and a photograph of a stunt rider and horse)
Rioux, Seggei John: May 21, 1975*
Rivera, Diego: mentioned in letter dated Feb 22, 1931
Roberts, Jackie Paul: Jun 19, [1962]; Jul 01, 1962*
Robertson, Clark: Nov 06, 1967; Dec 28, 1969*
Rochester Institute of Technology: Jan 09, 1970; Feb 18, 1970*
Rockford College: Mar 15, 1967
Roerich: Nicholas Roerich Museum: Feb 24, 1960
Roethke, Beatrice and Theodore: Aug 22, 1959; Oct 29, 1959*; Nov 03, 1959 (recommendation to Guggenheim for Cunningham from Theodore Roethke); Nov 11, 1959; Dec 08, 1961; mentioned in letter dated Sep 15, 1965; Oct 21, 1968; Oct 30, 1968*; Jun 11, 1970 (letter to James McLeod); Sep 12, 1971; [Sep 12, 1971]*; May 05, 1972*; May 17, 1972; Oct 14, 1972
Rusk, Virginia Foisie: Jan 06, 1969*; Dec 02, 1971*
Russell, Elizabeth H.: Sep 08, 1954
Rustin, Arnold and Jean: Apr 05, 1965; Apr 24, 1965; Apr 28, 1965; May 04, 1965*; Jun 07, 1965*; Jun 16, 1965; Jun 21, 1965*; Aug 09, 1965*; Mar 05, 1967; Mar 09, 1967*; Sep 16, 1967*; Nov 26, 1967*; Feb 17, 1969*; Sep 20, 1970*; Dec 23, 1971*
Rustin, Debbie: undated*; Dec 10, 1961; Apr 22, 1968; Apr 30, 1968*; May 05, 1968; May 25, 1968; May 30, 1968*; Aug 12, 1968; Sep 03, 1968; Sep 10, 1968 (including photograph); Sep 10, 1968*; Sep 17, 1968; Sep 29, 1968*; Oct 28, 1968; Nov 04, 1968; Nov 23, 1968*; Nov 29, 1968; Jan 31, 1969; Feb 03, 1969*; Dec 02, 1970*; Jan 30, 1971; Mar 03, 1971*; Apr 13, 1971; May 11, 1971*; May 10, 1974; Jul 27, 1974
Ryan, Elaine: Nov 22, 1971
S., B.: Aug 23, 1963*; Sep 30, 1963*; Oct 08, 1968*
S., Thomas: Feb 22, 1931
St. Petersburg: Museum of Fine Arts: Apr 07, 1972
Sandahl, Margaret: [May 1965]; May 13, 1965*
Sands, Don: mentioned in letter dated Mar 06, 1969
San Francisco: Art Commission, City and County of San Francisco: Mar 08, 1973; Mar 28, 1973*; Apr 14, 1973; Sep 10, 1973; Sep 12, 1973*
San Francisco Art Institute: Oct 21, 1970; Jun 21, 1971; Jun 24, 1971*; Apr 17, 1973
San Francisco Chronicle: Feb 23, 1965*; Feb 26, 1965*; Nov 20, 1970*; Sep 23, 1971
San Francisco Examiner: Oct 27, 1969; Nov 09, 1969*
San Francisco International Film Festival: Dec 11, 1966*
San Francisco Museum of Art: Jun 18, 1952; Dec 04, 1964; Mar 19, 1965 (letter to John Humphrey from Phil Palmer); Jul 09, 1965; Sep 23, 1969; Feb 25, 1971; Apr 12, 1973; Feb 19, 1975; Apr 15, 1975
San Francisco Psychoanalytic Institute: Apr 14, 1959; Apr 15, 1959*
San Francisco Public Library: Apr 12, 1973; Apr 16, 1973; Feb 20, 1975; Apr 30, 1975
San Francisco State College: Mar 19, 1964; Mar 20, 1964*; Mar 09, 1965*; Apr 09, 1965*; Jan 14, 1969; Jan 28, 1969 (2); Feb 10, 1969; May 14, 1971
San Francisco Women Artists: Apr 13, 1970 (2); Apr 18, 1970*
San Jose State College: Sep 07, 1965; Mar 22, 1967; Mar 29, 1967*; Apr 03, 1967; Jul 03, 1968; Nov 12, 1968; Jun 01, 1971; also see Donoho, David
Santa Barbara Museum of Art: Apr 03, 1972; Aug 24, 1972*; Nov 21, 1972; Jan 09, 1973*; Mar 29, 1973; Apr 26, 1973*; May 07, 1973; Sep 07, 1973*; Nov 06, 1973; Nov 16, 1973*; Nov 27, 1973; Mar 28, 1974*; Apr 03, 1974; May 03, 1974*; Oct 28, 1974*; Nov 18, 1974; Nov 25, 1974
Santa Clara: University of Santa Clara: May 20, 1966; Feb 09, 1971 (including a booklet of clippings about a University of Santa Clara exhibition)
Santa Rosa-Sonoma County Free Public Library: Feb 24, 1971
Saturday Evening Post: May 24, 1962*; Jul 25, 1962*
Savage, Naomi: Sep 03, 1970; Sep 10, 1970*; Dec 06, 1970; Jun 06, 1971*
Sawahata, Alfred: [1943]; Feb 17, 1943; Mar 08, 1943; Apr 07, 1943; Aug 27, 1944; Jan 26, 1945; Feb 21, 1945; Apr 08, 1945; Mar 19, 1946; Dec 27, 1949; Nov 19, 1950*; Jun 27, 1976 (letter of condolence to Gryffyd Partridge)
Saxton (U.C. Medical School): Jun 07, 1940
Schaefer, Nance: Oct 09, 1973; Oct 29, 1973*
Schaeffer: Rudolph Schaeffer School of Design: Jan 08, 1967; Nov 05, 1974; Jul 06, 1976
Schappert, Liz: Mar 11, 1969*; Jan 07, 1974*
Scherbatsky, Serge and Phoenix: Feb 26, 1969*; Sep 18, 1973; Nov 14, 1973; Oct 19, 1974*; Mar 24, 1975; May 28, 1975*
Schoener, Allon T.: Dec 02, 1955; Dec 07, 1955*; Feb 05, 1956; Feb 15, 1956*; Feb 27, 1956*; Sep 02, 1956; Dec 02, 1956; Dec 09, 1956*; Jan 01, 1957; Jan 30, 1957*; Feb 18, 1957*; Feb 24, 1957; Feb 26, 1957*; Mar 10, 1957; Apr 06, 1957*; May 19, 1957; Jun 18, 1957*; Nov 08, 1957*; Dec 04, 1957; Dec 26, 1957; Jan 07, 1958*; Mar 10, 1958*; Dec 20, 1958*; Oct 03, 1960; Jan 09, 1973*; Feb 03, 1973*; May 02, 1973*; [Dec 25, 1973]; Jan 07, 1975*; Jan 20, 1975
Schoener, Ida and Harry: Jan 06, 1957; Jan 24, 1957*; Oct 03, 1960
Schoener, Jason and Virginia: Dec 08, 1964; Jun 11, 1965*
Schott-Hawks, Susan: Nov 12, 1973
Schultz, Carl: [Apr 05, 1971*]; Apr 05, 1971
Sculthorp, Esther: Apr 05, 1969*
Seagram: Joseph E. Seagram & Sons, Inc.: Jun 06, 1974; Jun 07, 1974*; Jul 11, 1974
Seattle Art Museum: Jun 30, 1957; Jul 16, 1957; Jan 28, 1959*; Feb 02, 1959; Jun 12, 1959 (letter from Gerdes, Montgomery & Miller re photo of Alfred Salmony); Oct 03, 1964; Dec 08, 1970; Dec 23, 1970*; Jan 22, 1971*; Jan 25, 1971; Jan 26, 1971; Jan 28, 1971*; Feb 08, 1971; May 11, 1971; May 14, 1971*; Jul 04, 1971*
Seattle: Office of Public Services: May 06, 1974*
Seaver, Keven: Aug 02, 1974
Seiberling (Steinberg), Dorothy: see -- Life
Selz, Peter: see California: University of California at Berkeley:
Semanco, Al and Bill Sonnenstahl: Apr 18, 1973
Shad's Gallery (Shedrich Williams, director): Feb 20, 1974*; Oct 12, 1974; [Oct 11, 1974]; Jan 20, 1975*; Mar 19, 1975*
Shaftel, Stanley: Aug 05, 1974
Shapiro, Norman: Oct 17, 1966; Dec 11, 1966*
Shartsis, Arthur: Mar 30, 1975*; Jun 13, 1975*; Aug 19, 1975; Sep 11, 1975; Sep 12, 1975; Sep 22, 1975; Sep 25, 1975; Nov 21, 1975; Jan 20, 1976; Feb 18, 1976; Mar 02, 1976; Mar 29, 1976; Jun 02, 1976
Sheeler, Charles: Feb 17, 1956
Shelton, Sybil: Sep 29, 1973
Shen Yao: Mar 31, 1955; Dec 11, 1955*; Oct 07, 1965*; Oct 12, 1965; May 07, 1968; Jun 12, 1970; Jan 05, 1971; Jun 21, 1971; Jan 26, 1972; Dec 30, 1972*; May 31, 1973; Jun 12, 1973*; Dec 21, 1973*; Mar 07, 1974; Mar 15, 1974*; Nov 15, 1974*; Jan 10, 1975; Jan 13, 1975*; Jul 31, 1975; Feb 23, 1976; Mar 29, 1976; Apr 23, 1976
Siegel, Arthur: undated
Siembab: Carl Siembab Gallery: Jun 10, 1968; Sep 13, 1968; Sep 17, 1968*; Sep 19, 1968; Oct 04, 1968*; Nov 04, 1968*; Nov 18, 1968; Nov 30, 1968*; Dec 27, 1968*; Mar 10, 1969*; Apr 24, 1969*; Apr 24, 1969; Jul 11, 1969*
Silverman, Jan Edward: Oct 23, 1974; Oct 28, 1974*
Sinel, Jo: Jun 25, 1942; Sep 30, 1964*; Jan 08, 1967
Siskind, Aaron: undated (see Siegel, Arthur); Feb 03, 1968*; Feb 26, 1968
Sivertz, Victorian: Oct 14, 1974; Oct 22, 1974*
Slack, Charles: May 18, 1971; May 24, 1971*
Slattery, Paul: Jan 27, 1940
Smit, R. H.: Jul 25, 1971*
Smith, Ethel Sabin: May 20, 1970 (2); Sep 21, 1970*; Jul 30, 1973*; Aug 27, 1973*
Smith, Henry Holmes: Jun 13, 1970; Jul 20, 1970*; Oct 09, 1970; Feb 02, 1971*
Smith, W. Eugene: Apr 13, 1975
Smithsonian Institution: Jul 11, 1968; Jul 23, 1968; Aug 01, 1968*; Aug 12, 1968; Sep 06, 1968; Oct 14, 1968*; Dec 28, 1968*; Jan 05, 1969*; Jan 13, 1969; Jan 13, 1969*; Jan 26, 1969; Feb 03, 1969*; Feb 08, 1969*; Mar 08, 1969*; Jul 14, 1969*; May 18, 1970; Jun 03, 1971*; Jun 09, 1971*; Jul 08, 1971*; May 29, 1974; Sep 05, 1974*; Jul 09, 1976 (letter of condolence to Gryffyd Partridge); also see Writings; also see Photographs
Snowden, Earl of: Dec 06, 1965 (letter signed by his secretary)
Snyder: Norman Snyder Studios, Inc.: Mar 04, 1976; Mar 19, 1976*
Sobel, Dr.: Mar 10, 1966*
Society for the Engouragement of Contemporary Arts: May 13, 1974
Society for Photographic Education: Apr 09, 1969
Solari, Paolo: see Photographs for gallery installations
Solem, Arnie: Jul 20, 1967
Sonnenburg: see Falkner von Sonnenburg, Erwin
Sonnenstahl, Bill: see Semanco, Al
Sonoma League for Historic Preservation: Dec 16, 1970
Sooy, Francis: see California: University of California at San Francisco
Southern Pacific Company: Dec 06, 1941; Dec 08, 1941*; Dec 23, 1941
Spear, Ann: Jul 27, 1957
Spencer, Paul: Aug 20, 1971
Spink & Gaborc, Inc.: Feb 12, 1965
Staempfli Gallery, Inc.: Jan 24, 1962
Stahlman, George: Oct 01, 1974; Oct 08, 1974*; Oct 19, 1974
Stammer, Ron: Jul 17, 1969*
Standard Pyroxoloid Corp.: Mar 12, 1969*; May 20, 1970*
Stanford University: Jan 23, 1967*; Feb 01, 1967; Feb 04, 1967; Feb 08, 1967; Feb 09, 1967; May 30, 1967*; Aug 20, 1969*; Sep 12, 1969; Jul 03, 1972; Jul 19, 1972*; Jul 27, 1972
State: U.S. Department of State: Jun 08, 1971; Jun 14, 1971*
Stauffacher, Jack Werner: Feb 17, 1965
Steichen, Edward: May 06, 1950*; May 22, 1950; Nov 17, 1959*; Jul 14, 1965; Jul 19, 1965*; Mar 17, 1969 (invitation)
Stein, B. F.: Jun 13, 1975*
Stein, Gertrude: see Metcalf: Addison M. Metcalf Collection of Gertrude Steiniana
Steinberg, Stefanie: Jan 07, 1973; Dec 25, 1973
Steinert, Otto: Dec 30, 1972*; mentioned in letter dated Jan 07, 1973 from Stafanie Steinberg; mentioned in letter dated Feb 01, 1974; Feb 07, 1974*; Feb 17, 1974*; Feb 28, 1974 (in German); Mar 01, 1974* (in German); Mar 25, 1974 (in German); Jun 03, 1974*
Stettner, Mr.: Jun 22, 1966*
Stewart, Mrs.: Jul 16, 1965*
Stieglitz: Alfred Stieglitz Archives, Yale University Library: Aug 30, 1961; Jan 08, 1962; Feb 03, 1962; Apr 09, 1962; Sep 26, 1962; Nov 29, 1962; Dec 21, 1962; Jan 16, 1963; also see Bunnell, Peter
Stieglitz, Jean (Alfred's niece): Feb 05, 1967; Feb 02, 1969; Feb 05, 1969*; Apr 19, 1969*; Apr 24, 1969; Apr 28, 1969*
Strand, Paul and Hazel: mentioned in [undated] letter from Cunningham to unidentified correspondent; Mar 18, 1960*; Mar 24, 1960; May 06, 1960; Jan 09, 1971*; Feb 23, 1971; Mar 26, 1971*; Jan 1973 (including photos of a house and 2 landscapes); Apr 14, 1973
Stratford, Hugh: Dec 19, 1966; Jan 06, 1967*
Straub, Bernice, and Maple Young: undated
Streeta, H. V. (Associated Press): Feb 04, 1967
Strother, John: Sep 23, 1971
Struss, Karl: Jan 25, 1919; Jan 1959; Jun 02, 1975; Jun 08, 1975*; Jun 21, 1975; Sep 15, 1975; Oct 11, 1975
Tatlock, Hugh: Dec 20, 1964*; Jan 07, 1965; Apr 21, 1965*; Jan 19, 1967; Jul 31, 1967*; May 28, 1971; Jun 23, 1971*; Jan 12, 1972; Nov 08, 1972*; Nov 13, 1972
Taussig, Arthur: Jul 20, 1973; Oct 13, 1973; Oct 20, 1973*
Taylor, Adrian: Apr 07, 1972; Apr 12, 1972*
Teatro Municipale: Feb 10, 1983
TeeJay Publications: Oct 31, 1974; Nov 23, 1974*
Telford, John: see Edison Street Gallery
Thomas, Michael: Jun 23, 1973*; Sep 26, 1974; Oct 03, 1974*
Thomas, Randy: see Mind's Eye
Thompson, Carol: see California: University of California at Berkeley
Thomson, Kristyne: May 13, 1974*
Tice, George: May 23, 1970; Mar 24, 1975*
Tice, Opal: Apr 21, 1967*
Time, Inc.: Dec 09, 1969*; Oct 13, 1975
Time-Life Books: Oct 11, 1969*; Dec 04, 1969; Dec 10, 1969; Dec 15, 1969; Feb 03, 1970; Feb 10, 1970; Feb 12, 1970*; Apr 13, 1970*; May 28, 1970*; Jul 19, 1970*; Aug 29, 1970*; Apr 30, 1971*; Jun 30, 1971*; Nov 16, 1971; Nov 19, 1971*; Nov 29, 1974*
Toklas, Alice B.: Dec 22, 1952*; Jan 07, 1953; Oct 21, 1954*; Nov 07, 1954; Jun 12, 1960; Sep 06, 1964*
Tomoko, Bobby: Jan 02, 1965
TONIGHT SHOW: Mar 24, 1976*; Apr 13, 1976; Apr 21, 1976*; also see Photographs
Toth, Dr. Tas: Nov 04, 1966; Jan 25, 1967*
Troeller, Linda: Jul 10, 1973
Trumbull, Harlan and Dorothy: Apr 27, 1965; Jul 09, 1965*; Jul 19, 1965; Apr 05, 1968; May 13, 1974*; May 17, 1974
Tucker, Anne: Jan 24, 1974
Tucker, Kay: Nov 14, [1968]; Nov 17, 1968; Sep 18, 1973 (including a photograph of Yankee Beach)
Turnage, Bill: Oct 22, 1974*; Oct 30, 1974; also see Adams: Ansel Adams Gallery
Tuttle, Lyle: undated
Tynan, Kenneth ( -- The New Yorker): -- Jan 29, 1960
Ulman, Elinor: undated (5); Apr 10, 1968*; Jan 26, 1971*; Mar 17, 1972*; [Apr 05, 1974]; Apr 05, 1974*; Sep 07, 1974*; Sep 27, 1974; Nov 17, 1974*; Feb 29, 1975
Ulrich, David: Sep 07, 1972; Sep 26, 1972*
U.S. Camera -- magazine (Tom Maloney): Apr 05, 1940*; Aug 25, 1941; Sep 02, 1941*; Feb 10, 1954; Mar 29, 1954; Apr 08, 1955*; Apr 30, 1956*; Jun 29, 1957*; Jan 12, 1959; Jan 19, 1959*; Jan 1969; Feb 27, 1969*; Oct 12, 1969* (2); also see Vestal, David
United States Information Agency: Jan 14, 1961*; Apr 04, 1961; Dec 26, 1961; Jun 06, 1971*;
Unte_____, Liesel: Jul 08, 1968*
Unteutsch, Liesel: May 1, 1969* (in German)
Untitled (gallery): May 04, 1976; May 13, 1976*; Jul 19, 1976 (letter of condolence to Gryffyd Partridge)
Valeska, Lette: Sep 20, 1973; Oct 20, 1973*
Valvo, Ninfa: see Stanford University
Vanasse, Sally: Apr 30, 1969
Van der Zee, John: May 27, 1972*; also see International Museum of Photography
Van Dyke, Milton: Dec 23, 1969 (photo Christmas card)
Van Dyke, Willard: Jul 28, 1947*; Apr 28, 1957*; Nov 05, 1960; Dec 15, 1960; Sep 14, 1965; Dec 01, 1966; May 14, 1967*; Jun 11, 1967; Feb 02, 1968*; Feb 17, 1968; May 15, 1968; May 19, 1968*; Jul 05, 1968*; Jul 11, 1968; Mar 16, 1970*; Apr 13, 1970*; Feb 07, 1972*; Dec 07, 1972*; May 03, 1973; [Feb 06, 1974]*; Feb 06, 1974*; Nov 25, 1974; May 11, 1975*; Jun 28, 1976 (letter of condolence to Gryffyd Partridge); also see Museum of Modern Art
Vanity Fair: May 09, 1935; Jun 10, 1935*; Jun 13, 1935
Van Meter, Bruce and Barbie: undated (2); Mar 04, 1968*; Feb 17, 1969*; Sep 19, 1969; Dec 25, 1969; Dec 29, 1969*; Mar 08, 1971; Mar 11, 1971*; Jul 25, 1971*; Aug 03, 1971; Dec 05, 1971*; Apr 29, 1976*
Vaughan, Carolyn H.: May 21, 1971; Dec 10, 1971; Dec 15, 1971*; Jan 17, 1972; Jan 21, 1972*; Feb 03, 1974* (letter of recommendation)
Vera (the designer): Mar 21, 1961*
Vestal, David: Apr 23, 1969*; Dec 08, 1969
Vignes, Michelle: Sep 30, 1974
Viking Press: Dec 13, 1956*; Jan 07, 1957
Virginia Slims Books of Days: May 22, 1973; Jun 07, 1973*
Visual Dialogue Foundation: Mar 16, 1970*
Vodman, Mary Ann: Aug 25, 1973; Mar 28, 1974*
Voelckers, Frau: Jul 31, 1947*; Jun 28, 1948; Jul 02, 1949*; Aug 14, 1949*; Feb 27, 1950*; Nov 27, 1950*; Aug 01, 1952*; Jan 09, 1953*; Dec 08, 1954*; Jan 14, 1955; Dec 26, 1955*
Voelckers, Renate: Dec 24, 1969*
Volckers, Maria Therese: Dec 20, 1958; Jan 11, 1959*; Jul 13, 1961 (in German); Jun 10, 1965*
Volunteer Service Photographers: Dec 1974
Vondras, Radek: undated
von Probpsoc.?, Jan: Aug 06, 1969*
von Sonnenburg: see Falkner von Sonnenburg, Erwin
Voyages: [Aug 12, 1968]; Dec 23, 1968*; Dec 31, 1968; Jan 06, 1969*; Jan 08, 1969; Mar 12, 1969*; Mar 26, 1969
Voystock, Thomas: May 1973
Wagstaff, Samuel: Apr 11, 1975; Apr 16, 1975*
Wahrhaftig, Alma: Jun 20, 1976
Wahrhaftig, Clyde: Jun 09, 1957; Aug 20, 1957
Waite, Esther: Jul 22, 1976
Walkinshaw, Jean: undated
Walsh, Elsa: Aug 12, 1960; Aug 30, 1965; Oct 06, 1965*; Jan 19, 1971; Oct 06, 1972*; Oct 10, 1972*; mentioned in letter dated Jun 18, 1973; Jun 25, 1973*; Jun 30, 1973; May 27, 1975*; Jul 06, 1976 (letter of condolence to Gryffyd Partridge)
Warden, J. E.: Aug 07, 1947
Warnecke: John Carl Warnecke and Associates: May 16, 1961; Dec 01, 1961; Dec 01, 1961*; Apr 25, 1962*; Jul 19, 1962; Jul 08, 1963*
Washington: University of Washington, Seattle: Jan 20, 1965; Feb 02, 1965; Mar 03, 1965; Mar 09, 1965*; Mar 12, 1965; Mar 19, 1965*; May 14, 1965; Mar 19, 1965*; Jul 28, 1965; Jun 21, 1967*; Jan 22, 1970*; Mar 14, 1974; Mar 26, 1974*; Apr 24, 1974; May 17, 1974*; Jun 03, 1974; Jun 21, 1974; Jun 25, 1974; also see Henry Gallery; also see Photographs
Washington: University of Washington Alumni Association: Feb 27, 1974; Mar 01, 1974*; Apr 04, 1974; Apr 29, 1974; May 05, 1974*; May 06, 1974*; May 10, 1974; May 14, 1974*; Jun 05, 1974*; Jul 25, 1974; Aug 03, 1974*
Washington: University of Washington Libraries: May 06, 1976
Washington: University of Washington Press: Jul 12, 1965; Jul 24, 1965*; Jul 26, 1965; Jul 29, 1965*; Jul 30, 1965; Sep 21, 1965; Oct 23, 1965*; Mar 16, 1966; Apr 04, 1966*; May 10, 1967; Sep 25, 1967; Sep 29, 1967; Apr 30, 1968; May 09, 1968*; Sep 29, 1968*; Oct 10, 1968; Nov 04, 1968*; Feb 26, 1969*; Apr 16, 1969; Apr 29, 1969; Apr 30, 1969*; Jun 19, 1969 (including contract); Jul 14, 1969*; Jul 18, 1969; Sep 15, 1969*; Sep 17, 1969*; Sep 22, 1969; Oct 08, 1969*; Oct 27, 1969; Nov 21, 1969; Nov 25, 1969*; Dec 09, 1969; Dec 23, 1969*; Jan 02, 1970; Jan 22, 1970*; Jan 27, 1970; Apr 09, 1970; Apr 26, 1970*; Apr 30, 1970; May 16, 1970*; May 18, 1970; Jun 17, 1970*; Jul 05, 1970*; Jul 28, 1970*; Aug 04, 1970; Aug 11, 1970*; Aug 14, 1970; Sep 14, 1970*; Sep 22, 1970; Sep 22, 1970*; Sep 30, 1970*; Oct 07, 1970; Oct 11, 1970*; Oct 14, 1970; Oct 15, 1970; Oct 16, 1970*; Oct 30, 1970; Nov 06, 1970*; Nov 16, 1970; Nov 17, 1970; Nov 20, 1970; Nov 26, 1970; Dec 07, 1970*; Dec 11, 1970; Dec 23, 1970*; Dec 28, 1970; Jan 05, 1971; Jan 16, 1971*; Jan 19, 1971; Feb 08, 1971*; Feb 10, 1971 (2); Feb 16, 1971*; Feb 23, 1971; Mar 11, 1971*; Mar 17, 1971; Mar 15, 1971*; Mar 29, 1971; May 02, 1971*; May 04, 1971; Jun 01, 1971; Jun 09, 1971*; Jun 16, 1971; Jun 22, 1971; Jun 27, 1971*; Jul 01, 1971; [Jul 01, 1971]*; Sep 13, 1971*; Sep 17, 1971; Feb 29, 1972*; Mar 02, 1973; Mar 28, 1973*; Apr 04, 1973; Oct 01, 1973; Nov 26, 1973; Dec 31, 1973*; Jan 10, 1974; Jan 21, 1974*; Jan 27, 1974 (including contract); Feb 05, 1974; Feb 09, 1974*; Feb 20, 1974; Mar 07, 1974*; Mar 13, 1974; Mar 30, 1974*; Apr 01, 1974; Apr 18, 1974; May 05, 1974*; May 07, 1974; May 24, 1974*; May 29, 1974 (2); Jun 03, 1974*; Sep 22, 1974*; Oct 25, 1974*; Oct 29, 1974; Oct 31, 1974; Dec 22, 1974*; Dec 26, 1974; Jan 07, 1975; Jan 27, 1975; Feb 02, 1975*; May 12, 1975; May 29, 1975*; Oct 16, 1975; Jan 09, 1976; Jan 14, 1976; Feb 27, 1976; Mar 17, 1976; Mar 23, 1976; Apr 19, 1976*; May 20, 1976; Jun 04, 1976; Jun 24, 1976
Watkins, Malcolm and Joan: Mar 13, 1969; Apr 14, 1969*; Sep 10, 1970*; Oct 24, 1970; Oct 25, 1970*; Oct 26, 1970*; Feb 15, 1971*
Watterston, Henning: Dec 11, 1948*; Feb 10, 1949*; Feb 21, 1949*; Mar 18, 1949*; Aug 01, 1949*; Nov 19, 1949*; May 22, 1950*; Dec 04, 1951*; Jan 12, 1954*; Jan 03, 1956*; Feb 22, 1971; Feb 26, 1971*
Weaver, Gay: Jun 01, 1974
Webb, Lucille and Todd: Dec 11, 1971 (including photograph of the Webbs)
Weber, Al: Apr 12, 1971
Wehr, Wesley: Feb 06, 1974
Welpott, Jack: Nov 27, 1971* (letter of recommendation); mentioned in letter dated May 15, 1974
Werling, Bob: Mar 12, 1972*; May 29, 1972*; Mar 29, 1974*; Sep 04, 1974; Apr 28, 1975*; May 22, 1975*; Jan 1976; Apr 16, 1976*
Wessels, Glenn: Jan 05, 1968
West Coast Airlines: Jun 07, 1966; Jun 11, 1966*; Jun 14, 1966; Jun 20, 1966*; Jun 21, 1966; Jul 01, 1966; Nov 09, 1966*; Nov 14, 1966; Nov 30, 1966; Dec 08, 1966*; Dec 11, 1966*; Jan 26, 1967*; Jul 26, 1967; Jan 04, 1968; Jan 09, 1968*
Western Association of Art Museums: Feb 02, 1967*; Feb 22, 1967; Feb 25, 1967*; Mar 02, 1967; Mar 17, 1967*; Feb 19, 1976 (2)
Western Family: Oct 1955
Weston, Edward: Jan 12, 1928 (photocopy)
Wheat, Beth: undated
Whistler Productions: May 02, 1974*
White House Cultural Affairs Office: Dec 06, 1969
White, Maynard (Clarence White's nephew): Jun 28, 1974
White, Minor: undated; Apr 02, 1951; Jul 20, 1951 (including a typescript re the Albert M. Bender Trust); Mar 08, 1954*; Mar 25, 1954; Jul 07, 1954*; Jul 16, 1954; Jul 28, 1954*; Aug 03, 1954; Aug 09, 1954*; Sep 07, 1954; Oct 21, 1954*; Oct 25, 1954; Nov 12, 1954*; Feb 10, 1955*; Feb 22, 1955; Aug 10, 1955; Aug 21, 1955*; Aug 26, 1955; Jan 23, 1956; Mar 01, 1956*; Mar 02, 1956; Mar 18, 1956*; Mar 22, 1956; Jan 23, 1957; Mar 11, 1957*; Mar 13, 1957; Mar 20, 1957; Mar 28, 1957*; Apr 02, 1957*; Apr 03, 1957; Apr 10, 1957; Apr 29, 1957*; May 10, 1957; May 14, 1957*; Jun 24, 1957*; Sep 12, 1957*; Jan 05, 1958; Jan 15, 1958; Feb 12, 1958*; Feb 23, 1958; Apr 06, 1958*; Sep 07, 1958*; Sep 13, 1958; Jun 01, 1959*; Oct 23, 1959; Nov 20, 1959*; Dec 12, 1959; Dec 20, 1959*; Dec 28, 1959; Feb 25, 1961; Mar 10, 1961*; Apr 1961; Dec 26, 1962; Feb 28, 1963*; Apr 02, 1963 (2); May 07, 1963; Nov 12, 1963; Feb 23, 1964; Mar 19, 1964; Mar 24, 1964; Mar 28, 1964*; Apr 01, 1964; Apr 04, 1964; Apr 21, 1964; Apr 30, 1964*; May 20, 1964*; Jun 11, 1964; Aug 10, 1964*; Sep 27, 1964*; Nov 26, 1964*; Dec 08, 1964; Dec 20, 1964*; Feb 13, 1965; Jun 11, 1965*; Jun 23, 1965*; Jul 13, 1965; Dec 08, 1966*; Jan 09, 1967; Jan 20, 1967*; Feb 22, 1967*; May 26, 1967*; Jan 10, 1968; Jan 26, 1968; Jan 29, 1968; Feb 02, 1968*; Feb 14, 1968*; Feb 15, 1968; Feb 25, 1968; Mar 25, 1968; Apr 02, 1968* (2); Apr 11, 1968; May 20, 1968; Aug 09, 1968*; Jan 01, 1969; May 03, 1969*; Jan 13, 1970*; Jan 16, 1970; May 07, 1970* (2); Aug 30, 1970*; Sep 27, 1970*; Oct 05, 1970; Oct 09, 1970*; Nov 05, 1970*; Nov 17, 1970; Aug 09, 1971*; Oct 07, 1971; Feb 29, 1972*; Mar 21, 1972; Dec 04, 1973; Dec 23, 1973*; Jan 07, 1974; Jan 17, 1974; Jan 13, 1975*; mentioned in letter dated Mar 14, 1976; Apr 10, 1976; also see Massachusetts Institute of Technology
Whitney Museum of American Art: Mar 11, 1959; Mar 14, 1959*; Jun 01, 1973; Jun 13, 1973*; Jul 23, 1973; Sep 21, 1973; Nov 13, 1973; Mar 20, 1974; Apr 22, 1974*; May 07, 1974; Nov 26, 1974; Feb 19, 1975; Feb 24, 1975
Wilcox, Jeduthan: Oct 16, 1971; Nov 08, 1971*; Nov 24, 1971; Nov 26, 1971*
Wildenhain, Marguerite: Feb 08, 1955; Feb 28, 1955*
Willard, Marian: Nov 23, 1956
Williams, Jonathan: Jan 20, 1971; Apr 10, 1971
Williams, Shedrick: see Shad's Gallery
Williams, Tina: Jun 25, 1963*
Williamson, Irene: Jan 08, 1971*; Mar 22, 1971*; Aug 22, 1977
Willis, Elizabeth Bayley: Nov 10, 1970
Wilson, Adrian and Joyce Lancaster: Dec 26, 1965; Feb 18, 1975 (letter from Cunningham's lawyers, Morrison & Foerster)
Wilson, Nicholas: Dec 19, 1973 (including 23 picture postcards)
Winkler, John (Wink): Jan 05, 1952; Jul 26, 1958; Jan 28, 1959; May 08, 1961; Sep 18, 1963; Jun 06, 1964; May 20, 1971; Jun 09, 1971*
Winlaw, Joseph: undated
Winningham, Geoff: Dec 10, 1968; Dec 12, 1968*; Dec 20, 1968; Dec 28, 1968*; also see Latent Image (Gallery)
Winokur?, Paula and Bob: Nov 05, 1963
Wisdom: Dec 12, 1956; Dec 24, 1956*
Wiseman, Diane: Apr 12, 1975; May 21, 1975*
Witkin Gallery (Lee Witkin, director): undated; Jan 13, 1969*; Jan 16, 1969; Aug 10, 1969; Sep 26, 1969*; Oct 16, 1969; Oct 18, 1969*; Jan 19, 1970; Apr 22, 1970; May 27, 1970; Jul 31, 1970; Aug 03, 1970*; Aug 08, 1970; Sep 07, 1970*; Sep 12, 1970; Sep 29, 1970; Oct 08, 1970*; Oct 24, 1970*; Oct 27, 1970; Nov 05, 1970*; Nov 06, 1970*; Nov 14, 1970; Nov 22, 1970; Dec 03, 1970*; Dec 08, 1970*; Feb 03, 1971; Feb 10, 1971*; Feb 13, 1971; Mar 27, 1971*; Apr 08, 1971; Apr 26, 1971*; May 02, 1971; Aug 04, 1971; Aug 07, 1971; Nov 09, 1971; Nov 18, 1971; Dec 15, 1971; Dec 17, 1971; Jan 23, 1972; Jan 28, 1972*; Mar 18, 1972; Mar 26, 1972*; Apr 17, 1972; Apr 24, 1972; May 15, 1972*; Dec 06, 1972; Mar 03, 1973; Mar 19, 1973*; Mar 26, 1973*; Mar 29, 1973; Apr 12, 1973; Apr 21, 1973; Apr 23, 1973*; May 09, 1973; May 10, 1973; May 17, 1973*; May 31, 1973; Jun 28, 1973*; Jun 30, 1973; Jul 25, 1973; Sep 05, 1973*; Sep 08, 1973; Sep 19, 1973*; Sep 28, 1973; Oct 17, 1973; Nov 07, 1973*; Nov 11, 1973; Nov 23, 1973; Nov 29, 1973*; Jan 05, 1974 (including letter dated Aug 08, 1973 from the American Foundation for the Blind); Jan 11, 1974*; Feb 07, 1974*; Mar 06, 1974*; Mar 13, 1974*; Mar 20, 1974; Mar 30, 1974; Apr 05, 1974*; Apr 11, 1974; Apr 18, 1974*; Jun 01, 1974*; Sep 07, 1974; Sep 11, 1974*; Oct 15, 1974*; Feb 01, 1975*; Feb 27, 1975*; Apr 12, 1975; Apr 25, 1975; Apr 30, 1975*; May 14, 1975*; Jan 16, 1976; Feb 28, 1976; Mar 29, 1976*; Apr 14, 1976; May 05, 1976*; May 18, 1976; May 27, 1976
Witt, Doreen: Dec 12, 1974
Witt-Diamont, Ruth: Nov 17, 1959*; Nov 30, 1970
Wolman, Baron: [Aug 1972]; Aug 02, 1972*
Wood, Charles Erskine Scott: see Kolisch, Marian Wood
Woods, Gurdon: undated; May 1970; Feb 15, 1971*
Wornum, Michael: Feb 08, 1966*
Worth, Courtia: undated
Worth, Don: Oct 31, 1968; mentioned in letter dated Dec 17, 1970*
Wright, Evelyn: Jan 08, 1973*
Wurlitzer, Pauline: Sep 11, 1958; Sep 11, 1958*; Sep 24, 1958; Nov 05, 1958*; Oct 31, 1960
Wurster, William (Bill): Jun 07, 1967; Jul 15, 1967*; Jul 28, 1967*; Jun 04, 1968*; Jul 04, 1968*; Jan 31, 1969*; Feb 03, 1969; Feb 25, 1969*; Apr 08, 1969; Apr 22, 1969; Apr 15, 1970
Yale University Library: see Stieglitz Archives
Yale University School of Art: Mar 12, 1976; Mar 19, 1976*; Apr 26, 1976
Yamamoto, Norito: Jul 01, 1959*; Sep 24, 1959*
Yao, Shen: see Shen Yao
Yick Contractors: Dec 21, 1966*; Jan 25, 1967*; Feb 25, 1967*
Young, Maple: see Straub, Bernice
Zane, Marjorie: Dec 14, 1967*
Zapton, Steve: see Untitled (gallery)
Zeldin, Karen Dash: undated
Zins, Ronald: Jun 25, 1970; Jun 29, 1970*
Zinszer, Mary Lemoyne: Oct 10, 1947*; Jan 31, 1969*; May 03, 1969*; Aug 07, 1969*; Oct 01, 1969; Nov 14, 1969*; Dec 09, 1969*; Jan 08, 1970*; Dec 23, 1971*
Zlatovski, Jane: see Foster, Jane
Zorach, William: Jan 15, 1960
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Imogen Cunningham papers, 1903-1991. Archives of American Art, Smithsonian Institution.
Project, or "Job," files provide documentation of contracts for approximately 250 locations held by Burnham Studios throughout the United States and in Bellau, France, from the 1920s-1980s. Files typically include correspondence with clients, architects and builders, contracts, purchase orders, building plans, sketches, scattered photographs and some printed material. Found at the beginning of the series are some files relating to projects in general, including correspondence and job orders with metal window specialists, Chas. Haas Company; 2 sets of index cards listing project numbers and materials used; records of repair contracts; and a set of completed contracts for the firm Reynolds, Francis & Rohnstock from 1920s-1960s.
The series contains significant documentation for the following projects in particular: New York's Cathedral of Saint John the Divine, Saint Mary's Cathedral in Peoria, Illinois, Saint Martin's Church in Providence, Rhode Island, and the Washington National Cathedral in Washington D. C.
See Appendix for a list of numbered contracts in Series 6.
Arrangement note:
Arrangement of this series reflects the studio's main system for organizing project files alphabetically by name of the town in which the job site was located. It can be assumed that all folder titles containing references to letters elsewhere in the collection (e.g. "Repairs, A-C, E,") also follow that system of arrangement. Beginning in the 1920s Burnham Studios began assigning numbers to contracts and several copies of a list of contracts by number were found in the collection. That list is provided below and allows for cross-referencing (albeit incomplete) of the projects arranged by location in this series with the design studies found in Series 10: Artwork and Sketchbooks. The list was transcribed from hand-written records which were incomplete and sometimes illegible.
Appendix: List of Numbered Contracts in Series 6:
1. Pitsburgh, E. Liberty Presbyterian Church, 3 figure windows
2. Pittsburgh, E. Liberty Presbyterian Church
3. Sample, Liturgical Arts Exhibition
4. New York, Cath. St. John Divine, Missionary sample
5. Chevy Chase, Shrine Most Blessed Sacrament
6. Boston, Old South, repair corridor windows
7. Boston, Old South, 30 clerestory windows
8. Sample, duplicate Liturgial Arts #3
9. Boston, Old South rose
10. Worcester, All Saints Church, chancel
11. Boston, N. E. Mutual
12. Fall River, St. Mark's Church
14. Albany, St. Andrew's
15. Worcester, All Saints Church (Thompson) duplicate (restored after fire)
16. Buffalo, Westminster Presbyterian
17. Transparencies, Dusky Dancer
18. Quincy, Mausoleum, Long & Saunders
19. Worcester, All Saints Church, aisle, St. Martin of Tours
20. Greenwood, Union Church
21. Illegible
22. New York, Cath. St. John Divine, Lawyers
23. Worcester, All Saints Church, Sample Mr. Robb
24. Waban, Union Church
25. New York, Cath. St. John Divine, Ecclesiastical
26. Worcester, All Saints Church aisle, St. Elizabeth of Hungary
27. New York, Cath. St. John Divine, clerestory (Lawyers Bay-St. Paul; Ecclesiastical Bay-Moses)
28. New York, Cath. St. John Divine, clerestory (St. Augustine, St. Aidan)
468. Norfolk, Va.-Our Lady of Victory Chape (3 narthex, 1 transom, 2 door panels. Utilize 4 discarded medallions and make into 2 sacistry win. and 2 choir win. re-install 3 win. now in place)
469. Pascoag, R.I., Calvary Church
470. Albany, N. Y., St. Andrew's
471. Leominster, Pilgrim Congregational
472. Norfolk, VA., Our Lady of Victory Chapel (revision of rose, 4 nave windows)
473. Attleboro, All Saints
474. Bookplate-Stokes
475. Springfield-Hope Congregational
476. Boston-Holy Cross Cathedral
477. Waban-Union Church
478. Worcester-All Saints
479. Colorado Springs, CO, Grace Ch.
480. Boston-Greek Cathedral (461, 589)
481. Boston-Catholic Boys' Club
482. Providence Museum (repair)
483. Plymouth-St. Peter's (repair)
484. Providence, R.I.-St. Martin's
485. New York City-Mrs. Smith's panels
486. Easthampton-St. Philip's Ch.
487. Samples of glass (movie-Mrs. Taylor)
488. New York-Calvary Church, 5 apse
489. Washington Cathedral-Physician's window
490. Worcester-Sacred Heart
491. St. Paul, Minn.-House of Hope Ch. 7 chapel
492. Boston-Boston Univ., Mt. Chcorua
493. Milton-Milton Academy
494. Newton-St. Paul's
495. Holyoke-Mother House (see 554)
496. Waban-Union Church
497. Plymouth-St. Peter's
498. Boston-Trinity Ch. repair
499. Transparency-Bambino
500. Greenwood-Catholic Church
501. Plymouth-St. Peter's Church
502. Greenwood-Union Church
503. Waban-Union Ch., clerestory
504. Albany, N.Y.-St. Peter's
505. Boston-St. Clement's Church
506. Bronxville, N.Y.-Christ Church
507. Charlton City-St. Joseph's Church
508. Transparency-Small Christ Child
509. Waterbury, Conn.-Bunker Hill Cong. Ch.
510. Winchester-Unitarian Church (3 chapel)
511. Boston (Shaw)
512. Boston (Swift)
513. Montgomery, AL-St. John's (repair)
514. New York-St. John the Divine (St. Col. Chap.)
515. Ipswich-Ascension Memorial Church
516. Washington, D.C.-Rock Creek Parish (Brent)
517. St. Paul, MN-House of Hope, 2 narthex
518. Dedham-Ch. of Good Shepherd, clerestory
519. Granite Falls, MN, St. Paul's Luth. (cross)
520. Jamaica Plain-Blessed Sacrament
521. Briston, R.I.-Christ Church
522. West Roxbury-Jewish Cemetery (inscription)
523. Lonsdale, R. I.-Our Christ Church
524. Newton Center-Our Lady's (repair)
525. Manchester, NH-Grace Ch., 2 lancets
526. Newton-Vachon, 4 lights
527. Winchester-Congregational Ch., Sir Galahad
528. Winchester-Unitarian, Red Cross windows cloister
529. Central Falls, R.I.
530. Worcester-All Saints, 2 Baptistry
531. Boston-Kennedy Residence
532. Newton-Our Lady's, 2 lights
533. Brookline-Temple Israel, repair
534. Boston-St. Anthony's Shrine
535. Boston-St. Anthony's Shrine, 14 Stations
536. Boston-St. Anthony's Shrine, 2 murals
537. Colorado Springs, Grace Ch., 2 narthex
538. Colorado Springs-Grace Ch., Ascension
539. Brookline-Temple Israel, inscriptions
540. Brookline-Temple Israel, repair
541. New York-Calvary, 6 quatrefoils
542. New York-Calvary, 4 single lancets
543. New York-Calvary, 3 lancets
544. Boston-St. Anthony Shrine, 10 doorlights
545. Melrose-Trinity Church, 2 aisle
546. Burlington, Vt.-Cath. Immac. Conception
547. Greenwood-Union Church
548A. Washington Cath.-Choir, Civilizations
548B. Washington Cath.-Choir, Jacob
549. Providence-St. Martin's, 3 aisle
550. Watertown-Methodist, repair
551. Dorchester-St. Mark's
552. North Saugus-Union Church
553. Worcester-All Saints, repair
554. Holyoke-Mother House, 2 confessional
555. Milton-Reed, repair doorlight
556. St. Augustine, Fla-Trinity Ch., Vaill Mem. window
782. Staten Island, NY, Chapel Daughters of St. Paul Convent
783. Melrose, 1st Congregational Church
784. Appleton, Wisconsin, Aid Association for Lutherans, A=Chapel, B=Ornamental Windows
785. Worcester-Chestnut Street Congregational Church
786. S. Weymouth, Church of Holy Nativity
787. East Falmouth, MA, Grace Chapel
788. East Greenwich, RI, St. Lukes
789. Westford, MA, Hoffmire Residence
790. Bengtz, T? 61 Clifton Park, Melrose (Finland)
791. West Hartford, St, John's clerestory
792. Bell
793. [Quincy]
794. Rot? Transparency
795. Temple Israel
796. Me? Cong.
797. [Masonic em?] (WHB)
798. Provincetown-Church of the Holy Virgin
799. Queen of Hearts
800. King of Hearts
801. Lantern
802?
803?
804. Peace Dale
805. St. Pauls, Cambridge, Relief medallion
806. Tivoli, NY
807. Zodiac symbols
808. Transparency-child and lamb
809. Transparency-child and lamb
810. Transparency-Madonna and child
811. Transparency-[Penguin]
812. Peace symbol-3 made
813. Pisces-2 made
814. Worcester-Higgins estate
815. 4 door lights-Winthrop
816. WHB
817. Newfoundland
818. Small Taurus
819. Small Capricorn
820. Houston
821. Worcester-?
822. Small Gemini
823. Small Aries
824. Small Virgo
825. ?
826. Sylvester Cape Cod
827. [Cut one]
828. ?
829. Hamilton-Christ Church
830. 4 Door ?
831. Sample with Bro? ?
832. Reading
833. [Haywood Wakefield] Samples
834. Sample with B? Christian
835. Haywood Wakefield, colonial 9x20.5
836. Haywood Wakefield, colonial 9x20.5
837. Haywood Wakefield, colonial 10x24.5
838. 9x9 samples Haywood Wakefield
839. Marlboro-First Congr. Church
840. Beverly-Hospital Chapel
841. Belmont P? Park Congr.
842. Heywood-6x26.5
843. {Cab door lights (4)]
844. Cleveland Church of the Saviour
845. Sample Mirror-Heywood, Wakefield-6x31.5
846. C? Wakefield
847. Flowers transparency
848. T? Repair
849. Calami? (2 doors)
850. F? 4 windows (house)
851. Arlington ?
852. Rounds-Wilmington
854. Alley
856. Providence-St. Stephens
857. Q?-Salem Lutheran
858. N. ? ? church
858R. N. ? ? church repair
859R. St. Steohen's Providence (repair)
860. B?
861. Newport
862. Temple Israel B?
864. McRuff?
865. Lancaster, PA-Reformed Church
866. Mr. Reese?
867. England
868. Daughter of St. Pauls
870. 12 Christian Angels
871. Rubiyat
872. St. Paul's School Seal
873. Lamp-?
874. Old N. Church
875. Old N. Church Silhouette
876. ?-Silhouette
878. England
879. Rudeman
880. [Hamilton-St. Pauls]
881. [Beth Shalom Peabody]
882. [Samples] Heyward Clear 9" x 38"
883. [Samples] Heyward Clear 8" x 38"
884. [Samples] Heyward Clear 13" x 38"
885. Breckenridge House
886. Concord, NH 4 chapel
887. St. Georges School-Newport RI
888. [Naffei]
889-835. Blue and ? white
890-837. Blue and ? white
891-835. Window glass
892-835. Window gladd
893-835. ?, blue, window glass
894-837. ?, blue, window glass
895. ? repair
896. Woods Hole repair
897. Charlotte, Providence ?
898. Bu???
899. Still River, [MA]
900. Belmont Payson Park
901. Woods Hole Chancel repair
902. ?
903. Rogers-Portrait
904. ?
905. Choate seal for stars
907. ? 6 doors
908. ? [tulips]
910R. St. ? ? window
911. [Stella court Co.]
912. Repair, Winchester Congr.
913. Chattanooga 7 ?
914. Milton Academy, seal
915R. [Ewing Peabody]
916R. Everett repair
917. M?
918R. Dr. Hard?
919R. Pelegrine?
920R. Schwartz repair
924. ? St. Pauls
925. Wakefield Baptist
926R. T? repair
927. ? St.
928R. R? museum
929R. Wilmington
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Wilbur H. Burnham Studios records, circa 1901-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
Scope and Content Note:
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938 to 2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
Biographical material pertains to the artist's family, military service, education and teaching experience and representing galleries and publishers and includes artist biographies, awards, distinctions, and membership information.
Correspondence includes personal and business correspondence as well as collections of cards and literature on other artists, Neiman's notes and jottings, art work by children, and office records.
Project files document specific projects or art events in which Neiman was involved, including commissions, promotions, collaborations, serigraph printings, and publications.
Printed material includes newspapers, magazines, catalogs, fliers, invitations, brochures, press releases, film scripts and small posters.
Artifacts include three-dimensional items, clothing, souvenirs and LeRoy Neiman paraphernalia.
Arrangement:
The collection is arranged as 5 series:
Missing Title
Series 1: Biographical Material, 1938-2004, undated (Boxes 1-3, 77; 3.3 linear feet)
Series 2: Correspondence, circa 1960s-2004, undated (Boxes 3-19)
Series 3: Project Files, 1949-2005, undated (Boxes 20-39, 78-81)
Series 4: Printed Material, circa 1940s-circa 2005, undated (Boxes 40-61, 82-83, OV 85)
Series 5: Artifacts, 1953-2002, undated (Boxes 69-76, 84)
Biographical Note:
LeRoy Neiman has been described as the most popular living painter in America. While strikingly original, his work reflects the varied influences of Toulouse-Lautrec, Dufy, the New York Social Realists, and the Abstract Expressionists. Probably best known as a portrayer of sporting and social events, he virtually invented the modern genre of sports art and remains its most accomplished and acclaimed practitioner.
Among many other accomplishments, he was the first and only on-camera official artist for ABC-TV at the Olympics in Munich, 1972 and Montreal, 1976, and covered several other winter and summer Olympiads as an official artist. He was the first artist to create live, on-camera computer art while covering the 1978 Super Bowl in New Orleans for CBS-TV. In 1997 he was selected as the first official artist of the Kentucky Derby. But Neiman's interests range far and wide. As a painter, printmaker, and author, his subjects have included Parisian cafés, African safaris, famous bars, five-star restaurants, urban street scenes, the opera, political figures, jazz musicians, entertainers, stage and screen stars, gambling casinos, portraits, international stock exchanges, and much more.
For the past quarter-century, Neiman has created limited-edition serigraphs (silk-screen prints). Published and distributed exclusively by Knoedler Publishing, they are sold in selected galleries throughout the United States. By one estimate, the more than 150,000 Neiman prints that have been purchased to date have an estimated market value exceeding $400 million. Neiman is the author of twelve books: Horses, LeRoy Neiman Posters, Winners, which was also published in Japanese, Big Time Golf, LeRoy Neiman: An American in Paris, LeRoy Neiman on Safari, and LeRoy Neiman: Five Decades, all published by Harry N. Abrams, as well as Art and Life Style, Carnaval, Monte Carlo Chase, Casey at the Bat, and the newly-released limited edition LeRoy Neiman Sketchbook: Liston vs. Clay 1964/ Ali vs. Liston 1965, 2004. Knoedler Publishing has published The Prints of LeRoy Neiman, Volumes I-III, a catalogue raisonnes on Neiman's limited edition prints.
Over the years the artist has donated scores of his artworks to dozens of charitable causes and organizations. Through his work with the Good Tidings Foundation, two LeRoy Neiman Art Centers for Youth have been built in elementary schools in California. In 1995, he gave the School of the Arts at Columbia University in New York City an endowment of $6 million to create the LeRoy Neiman Center for Print Studies, dedicated to the study of fine art printmaking and the development of new methods of printmaking, and including a scholarship program. A 1998 donation led to the creation of the LeRoy Neiman Center for the Study of American Culture and Society at UCLA.
Neiman's work is represented in the Art Institute of Chicago, the Whitney Museum, the Minneapolis Museum of Art, the Hermitage of St. Petersburg and numerous other museums and public and private collections worldwide. A past member of the New York City Advisory Commission for Cultural Affairs, Neiman has received five honorary degrees and, among other honors, an Award of Merit from the American Athletic Union, a Gold Plate Award from the American Academy of Achievement, and a Lifetime Achievement Award from the Muscular Dystrophy Association, in addition to being named Boxing Artist of 1966 by Lonsdale, London.
Missing Title
1921 -- Born June 8 in St. Paul, Minnesota.
1942-46 -- Leaves high school to enlist in the army; serves four years in Europe.
1946 -- Studies at the St. Paul Gallery and School of Art with Clement Haupers.
1946-50 -- Student at the School of the Art Institute of Chicago; studies with Boris Anisfeld; studies liberal arts at University of Illinois and De Paul University, Chicago.
1950-60 -- Member of the Faculty, School of the Art Institute of Chicago, teaching figure drawing and fashion drawing.
1952 -- Exhibits in Twin City Show at Minneapolis Institute of Arts; wins Chicago Art Directors Award.
1953 -- Begins using enamel house paints; develops interest in drawing horse racing at Arlington Park; wins First Prize for painting "Idle Boats", a purchase prize, at Twin City Show, Minneapolis Institute of Art.
1954 -- Begins association with Playboy magazine illustrating Charles Beaumont story, which wins Chicago Art Directors Award; exhibits for first time in Chicago Artists and Vicinity Show, where he continues to show for next six years; wins Second Prize, Minnesota State Show; exhibits at Philadelphia Art Alliance.
1955 -- Instructor of painting at Elmwood Park Art League and North Shore Art League; exhibits at the Carnegie Pittsburgh International Exhibition of Contemporary Painting; creates the "Femlin" symbolic character which appears in Playboy for next 47 years; wins New York Art Directors Award.
1956 -- Included in "New Talent in America in 1956", published in Art in America, February 1956; delves deeper into Chicago sports scene, draws Chicago Bears, Blackhawks and boxing.
1957 -- Exhibits in Corcoran Gallery of Art "American 25th Biennial Exhibition", Washington, D.C.; awarded most popular prize out of 3,000 entries as well as the juried Clark Memorial Prize and Vicinity Show; first television appearance on Art Institute of Chicago TV show, "Artist's Choice"; painting instructor at School of the Art Institute of Chicago Summer Session and for two years at Ox-Bow Summer School, Saugatuck, Michigan teaching landscape painting; marries art student Janet Byrne.
1958 -- Exhibits at the "Society of Contemporary American Art Exhibition", Art Institute of Chicago, for three years; begins extensive travels for Playboy magazine, creating a feature on the high life called "Man at His Leisure", which appears regularly for the next 15 years; wins Municipal Art Award at "Chicago Artist and Vicinity Show", and Hamilton & Graham Cash Prize, Ball State Teachers College Drawing Show, Muncie, Indiana.
1959 -- Holds one-man show of racing scenes at Arlington Park Race Track, Chicago; shows in "Jazz Exhibition" and "Social Observation and Comment in Art Show" in Chicago.
1960 -- Paints at Squaw Valley Winter Olympic Games; travels six months through Europe covering sporting and social events, the Grand National Steeplechase, Epsom Derby, Ascot, and the Oxford-Cambridge boat race in England, Maxim's Tour d'Argent, the Lido and Folies Bergere in Paris, the Cannes Film Festival and St. Tropez, Fiesta de San Isidro bullfights in Madrid, the Grand Prix in Monaco auto race.
1960-1970 -- Executes over one hundred paintings and two murals for eighteen Playboy Clubs.
1961 -- Takes studio in Paris; does studies of Deauville social season and sketches the great restaurants of France; sketches Dublin Horse Show and cricket at Lord's in London; wins gold medal for oil painting at the "Salon d'Art Moderne", Paris.
1962 -- Sketches Bordeaux wine country, Paris fashion shows, racing at Longchamp, and Giraglia Yacht Race on Riviera; paints Regatta of the Gondoliers in Venice; does studies of Fellini directing "8 ½" and sketches at Cine Citta studios in Rome; visits U.S. to work on commission for 12 paintings of the Indianapolis 500.
1963 -- Returns from Paris; establishes a studio in New York; teaches painting at Arts and Crafts, Inc., Winston-Salem, North Carolina; holds first one-man exhibition in New York at Hammer Galleries; travels to Mexico with Shel Silverstein; sketches in Mexico City and Acapulco.
1964 -- Starts series of Muhammad Ali sketches and paintings which spans the next 15 years; sketches America's Cup Challenge at Newport, Rhode Island; returns to England to sketch London night life and Prince Phillip playing polo at Windsor; paints the Tour de France in Paris.
1965 -- Commemorates Sugar Ray Robinson with 8' x 6' portrait "Farewell to Boxing" unveiled at Madison Square Garden ceremony; paints portrait of Mae West and poet Marianne Moore.
1966 -- Sketches Kentucky Derby; in London paints personalities and scenes including the Beatles and Carnaby Street, Kenneth Tynan, Sir Ralph Richardson; paints surfing in California; executes mural for Swedish-Lloyd Ship, S. S. Patricia; creates art for film "Casino Royale"; sketches indoor polo for opening of Houston Astrodome.
1967 -- Sketches and paints leading figures in the arts, sports and entertainment world, including Leonard Bernstein, Joe Louis, Frank Sinatra, Brigitte Bardot and ballerina Suzanne Farrell; paints "24 Hours of LeMans", nudist scenes on the Dalmatian Coast of Yugoslavia, the Fiesta at Pamplona, the dolce vita of Rome.
1968 -- Paints the Kirov and Bolshoi ballets in Russia; is named artist-in-residence from the bench of the New York Jets football team; executes critical sketches of the 1968 Democratic National Convention in Chicago; paints Bobby Hull for Time magazine cover; contributed drawings for Harpers magazine articles on Cassius Clay and on Bobby Kennedy and race relations; initiates art class for Atlanta Poverty Program.
1969 -- Sketches civil rights figures and teaches art in Atlanta Poverty Program; creates poster for Kurt Weill Off-Broadway show and program cover for Oh! Calcutta; sketches New York City Ballet; appears regularly on TV as New York Jets artist-in-residence; collaborates with Dave Anderson on book, Countdown to Super Bowl; covers horse racing at Ascot and Longchamp, camel racing in Morocco.
1970 -- Paints backdrop for Broadway play Borstal Boy and does album cover for Fifth Dimension; exhibits in the Time magazine "Covers Show" at the National Portrait Gallery of the Smithsonian Institution, Washington D.C.; sketches sporting and social events in Dublin, and holds one-man show at the Abbey Theatre; travels with Hugh Hefner in Europe, Greece and Africa; sketches wildlife on safari in Africa; creates poster for Ali-Quarry fight, Ali's return to the ring in Atlanta; paints $100,000 baseball players for book, This Great Game; paints New York Stock Exchange.
1971 -- Has one-man exhibition at Museo de Bellas Artes in Caracas; travels to Monte Carlo, London, Paris and Switzerland; develops interest in printmaking; creates two-part TV program on the art of lithography and produces etchings and lithographs at Atelier Weber in Zurich; creates official poster and draws pre-fight sketches of Ali-Frazier Super Fight I at Madison Square Garden for The New York Times Magazine cover and post-fight sketches for ABC-TV; illustrates Jose Torres' book on Ali, Sting Like a Bee.
1972 -- Covers Fischer-Spasky world champion chess tournament at Reykjavik, Iceland and Munich Olympic Games, both on camera for ABC-TV; covers World Series for NBC-TV; creates serigraph of Knicks-Lakers championship game; paints Super Bowl for Time magazine cover; and cover for Golf Digest.
1973 -- Creates Super Bowl art for CBS-TV; sketches the Masters Golf Tournament for Golf Digest magazine; paints commission for Museum of Jazz; creates serigraph of Triple Crown winner Secretariat; sketches Foreman-Frazier fight in Jamaica; travels on multi-city tour and exhibit of Olympic serigraphs; nineteen serigraphs chosen by the Hermitage Museum, St. Petersburg, for its permanent collection.
1974 -- Has exhibition in Tokyo and sketches sumo, baseball and horse racing for Japanese TV; covers Stanley Cup hockey playoffs for NBC-TV; creates poster for Newport Jazz Festival and for next 5 years; creates poster for Ali-Foreman fight in Kinshasa, Zaire, and for Frank Sinatra concert at Carnegie Hall; Art and Lifestyle is published.
1975 -- Creates official St. Paul Bicentennial poster; given major retrospective at the Minnesota Museum of Art; creates official program cover for World Series; creates poster for Ali-Frazier III and paints cockfights in Manila; creates first of four annual posters for Robert F. Kennedy Pro-Celebrity Tennis Tournament; book The Artist's Limited Edition of Moby Dick is published.
1976 -- Paints mural on camera as ABC-TV Official Artist at Olympic Games, Montreal; paints on French Riviera; holds one-man show at Knoedler Gallery in London; exhibits in national invitational "Watercolor USA Show" at Springfield Art Museum, Missouri, and "Drawings USA Show" at the Minnesota Museum of Art; paints Harlem scene for Jazzmobile poster; paints Chris Evert for Saturday Evening Post cover.
1977 -- Holds one-man shows in Stockholm and Helsinki; works in Paris; paints NBA All-Star game; creates poster for Lacrosse USA.
1978 -- Performs first live execution of computer art for CBS-TV coverage of Super Bowl, New Orleans; creates poster for Bill Bradley senatorial campaign; creates poster for Ali-Spinks II match in New Orleans.
1979 -- Appointed Grand Marshal with Jesse Owens at The Drake Relays in Des Moines, Iowa; paints the Ginza, Kamakura Buddha, Mount Fuji in Japan, Royal Ascot in London, and Pan-Am Games in Puerto Rico, for CBS-TV; book Horses is published.
1980 -- Appointed Official Artist of the 1980 Lake Placid Winter Olympic Games and Official Artist of the Democratic National Convention, New York; paints commission for Caesar's Palace, Las Vegas; sketches Carnaval in Rio de Janeiro; presents painting commemorating signing of Arab-Israeli peace treaty at Camp David to President Carter at the White House; book Posters is published.
1981 -- Holds two-man exhibition with Andy Warhol at Los Angeles Institute of Contemporary Art, California; executes 24' x 16' portrait of Sylvester Stallone for Rocky film; creates art and appears as ring announcer in Rocky films II, III, IV and V; book Carnaval is published.
1982 -- Has one-man exhibition at Harrod's, and paints the "The Stock Exchange, London"; creates poster for Kool Jazz Festival; paints and exhibits in Tokyo.
1983 -- Has one-man exhibitions in Los Angeles, San Francisco and New Orleans; executes billboard, television commercial and program for Lido show at the Tropicana, Las Vegas; book Winners is published.
1984 -- Appointed Official Artist, Winter Olympics, Sarajevo, Yugoslavia and Summer Olympics, Los Angeles.
1985 -- Returns to Brazil to paint Gavea Golf and Country Club in Rio de Janeiro and stock exchange in Sao Paulo; named Honorary Marshal at St. Paul Winter Carnival; Japanese version of Winners is published.
1986 -- Appointed Official Artist, Goodwill Games in Moscow for Turner Broadcasting Network; paints America's Cup commission for the New York Yacht Club.
1987 -- Paints and makes video documentaries of Old St. Andrews in Scotland and the Riviera in France; paints Indianapolis 500 auto race commission; presents "Minute Man" poster to President Reagan at the White House.
1988 -- Holds one-man exhibitions in Japan and Moscow; executes mural for Golden Nugget, Las Vegas; paints commission for the Caribbean Classic at Caliente Racetrack in Tijuana, Mexico; paints and makes video documentary of "Napoleon at Waterloo"; book Monte Carlo Chase is published.
1989 -- Paints Frank Sinatra, Liza Minelli and Sammy Davis, Jr. at Royal Albert Hall, London; sketches the World Series at Candlestick Park in San Francisco during earthquake; does sketches and paintings and video documentary of New York's Central Park, and holds exhibition at the boathouse in the park.
1990 -- Executes commemorative painting for 100th anniversary of Los Angeles Dodgers; holds one-man exhibition for inaugural Grand Prix auto race in Denver; paints the Masters Golf Tournament in Augusta, Georgia; travels and sketches in Rome, Paris and Hong Kong.
1991 -- Executes commissioned paintings for 25th anniversary of Spectrum Stadium, Philadelphia, and 10th anniversary of Miami Grand Prix and of Joe Morgan and Jim Palmer for Baseball Hall of Fame induction; travels to Japan to paint geishas, the Ginza and golf; creates Michael Jordan serigraph and poster; works on sketchbooks and paintings in Paris and Berlin.
1992 -- Paints Tom Seaver for Baseball Hall of Fame induction; paints suite of four famous golf courses in conjunction with publication of Big-Time Golf; works on sketchbooks and paintings in Venice, Milan and Rome; honored by the Art Institute of Chicago as an outstanding alumnus; commissioned to paint Bobby Orr by Polaroid.
1993 -- Paints Reggie Jackson for Baseball Hall of Fame induction, Larry Bird for Boston Garden, and Iroquois Steeplechase, Nashville; creates poster for CBS-TV film Call of the Wild; holds one-man exhibition at the Kentucky Derby Museum; paints Frank Sinatra for cover of "Duets" album.
1994 -- Paints Pebble Beach Golf Clubhouse; creates poster for CBS-TV film The Yearling, attends and paints Super Bowl XXVIII in Atlanta; paints in Monte Carlo and Venice; goes on to paint safari in Kenya; sketches Luciano Pavarotti at Metropolitan Opera; paints Frank Sinatra for "Duets II" album; book An American in Paris is published.
1995 -- Paints Babe Ruth for the Baseball Hall of Fame, U.S. Open at Shinnecock Golf Course, and Rockefeller Center; creates 40-foot mural on Broadway theater for Tommy Tune's musical, Busker Alley; gives 30-year retrospective exhibition at the Kentucky Derby Museum; appointed a member of the New York City Advisory Commission for Cultural Affairs; honored by Playboy for the 40th anniversary of the Femlin character.
1996 -- Commissioned by United Nations to create six postage stamps for the Centennial Olympic Games in Atlanta; paints Super Bowl XXX in Phoenix, Arizona; honored by Boxing Writers and England's Lonsdale Boxing Club; paints "Hall of Famer" for the Baseball Hall of Fame's permanent art exhibition; creates serigraph of "The 3 Tenors", Placido Domingo, Jose Carreras, Luciano Pavarotti.
1997 -- Inauguration of the LeRoy Neiman Center for Print Studies at Columbia University, New York; introduction of LeRoy Neiman Selection Cigar; narrates and appears in film documentary on Cuba and cigars, Rhythm and Smoke; creates poster commemorating 50th anniversary of Jackie Robinson's breaking of racial barrier in Major League Baseball; creates first official Kentucky Derby poster; travels to South Africa to present commissioned portrait of President Nelson Mandela; book LeRoy Neiman on Safari is published.
1998 -- Inaugurates LeRoy Neiman Center for Study of American Culture and Society, UCLA, Los Angeles; unveils baccarat painting for Desert Inn, Las Vegas; exhibits and participates in seminar on Frank Sinatra at Hofstra University; paints and creates serigraph of Joe DiMaggio; creates label for Duval-Leroy champagne; creates official poster for Breeders' Cup, Louisville; cover art for Good Will Games New York official program, and for article in The Nation; honored at Ox-Bow Gala at the Art Institute of Chicago, and by Sportscasters.
1999 -- Creates art for Givenchy perfumes; presents portrait of Mark McGwire and creates serigraph edition commemorating record home run hitter. Paints John Elway and creates serigraph celebrating retirement from football; releases serigraph of Mickey Mantle; participates in Olympic Games seminar on Queen Elizabeth II ocean liner crossing; gambling prints installed in Salle Privée at Paris Casino in Las Vegas; creates poster for Taxicab Chronicles Off-Broadway play; visits Havana to sketch Cuban rhythms. Sketches Army-Navy game in Philadelphia for West Point commission.
2000 -- Creates boxing painting for use as poster for Heavyweight Explosion cable TV program; book The Prints of LeRoy Neiman 1991-2000 is published; releases serigraphs of Mike Piazza and Cal Ripken, Jr.; the first LeRoy Neiman Art Center for Youth is opened in San Francisco; commissioned to create artwork for 125th Preakness Stakes and 2000 PGA Championship Tournament at Valhalla Golf Course.
2001 -- Salutes Muhammad Ali as "Athlete of the Century" with oversized portrait and limited edition serigraphs. Commissioned to paint Mardi Gras official poster for 2002; commissioned to paint Phoenix Suns star Charles Barkley on retirement of uniform number; commissioned to paint UCLA basketball coach John Wooden; holds retrospective drawing exhibition at the Fairfield Public Gallery, Sturgeon Bay, Wisconsin; creates poster for 2001 All-Star Jockey Championship; attends 25th year reunion of ABC-TV coverage of 1976 Munich Olympics. Commissioned by New York City Fire Department to commemorate September 11 terrorist attack for benefit of NYFD Widows and Orphans Fund; creates image of NYFD fireman's helmet and for the first time allows an image to be used and sold on t-shirts; also donates original painting to auction for Widows and Orphans Fund. Honorary Chairman at the annual Bare Walls event at the School of the Art Institute of Chicago; the second LeRoy Neiman Art Center for Youth is opened in Watsonville, California; the largest serigraph yet by artist, "Circus", having image size of 43 ¾" x 65", is completed after 2 years work.
2002 -- Commissioned to paint Wayne Gretzky, Gold Medal winning coach of the Canadian Olympic Hockey Team; commissioned to create official tournament poster for the first U.S. Open to be held at a public golf course, Bethpage on Long Island, New York; illustrates "Casey at the Bat", published as a trade edition by Ecco Press, with Foreword by New York Yankees manager Joe Torre; creates the Tyson/Lewis poster for the boxing heavyweight championship fight in Memphis; creates the official poster and program cover for the Oscar de la Hoya/Fernando Valenzuela championship boxing match in Las Vegas; honored with a tribute dinner at the Friar's Club in New York City; painting of Earvin "Magic" Johnson and Larry Bird is unveiled during Johnson's induction ceremonies at the Basketball Hall of Fame; Gallagher's Steak House in New York City unveils a permanent collection of Neiman artwork portraying the city's greatest athletes; receives Lifetime Achievement Award for contributions to golf and sport art at the Art of Golf Festival at Pinehurst Resort in North Carolina; inducted into the New Jersey Boxing Hall of Fame.
2003 -- Unveiled commissioned painting of the racehorse Funnycide at Saratoga; opens exhibition "LeRoy Neiman on Safari" at the Wildlife Experience museum in Denver, CO; S.T. Dupont releases special edition LeRoy Neiman Golf pen and lighter set; mounts exhibition "LeRoy Neiman in Cuba" at the Pratt Institute; paints the Breeders Cup at Santa Anita; publishes book LeRoy Neiman: Five Decades with Harry N. Abrams.
2004 -- Commissioned to paint poster design for the 2005 Special Olympics in Nagano; paints portrait of Secretariat for the Secretariat Museum; paints program cover design for the Newport Jazz Festival and participates in a group exhibition at the festival; receives Medal of Honor at Ellis Island from NECO; paints portraits of Oscar De La Hoya and Bernard Hopkins for their fight program and presents the paintings to the fighters; completes a set of seven jazz lithographs at Columbia's Neiman Center for Print Studies; films a cameo appearance for Sylvester Stallone's television show "The Contender"; produces a set of five limited edition prints of Martha Graham for the Martha Graham Dance Company; publishes limited edition artist's book LeRoy Neiman Sketchbook: Liston vs. Clay 1964/Ali vs. Liston 1965 with powerHouse Books and Meridian Printing.
Appendices:
Appendix A: Notable Correspondents from Series 2: Correspondence
This appendix is an alphabetical listing of notable correspondents primarily from Series 2, but may include references to other series. The numbers following the entry indicate the series number, subseries number if appropriate, and date where the material is filed. For example: Abrams, Judith Ann - 2.1: 1983, 1991 indicates that the correspondence for that person is found in Series 2.1 in the 1983 and 1991 folders.
Addison, Bob and Ruth (Betsy) - 2.1: 1978, 1990, 2004
Affronti, Judge Frank - 2.2: Judge Frank Affronti 1990-1999
Ali, Muhammad - 2.1: 1977
Allyson Louis Gallery - 2.1: 1988, 3.1: Morton's of Chicago 1982-present, 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988
Alzado, Lyle - 2.1: 1984
American Diabetes Association - 2.1: 2001
Andrews, Benny - 2.3
Appel, Marty - 3.1: Thurman Munson 1977-2002
Aretsky, Ken - 2.1: 1989
Arledge, Roone - 2.2: ABC
Arledge, Roone Jr. - 2.1: 2004
Art Aid - 2.1: 1986
Art Institute of Chicago - 2.1: 1990
Ashwood, Donald - 2.1: 1977, 1978, 1979, 1980, 1983
Association du Salon d'Automne - 2.2: Association du Salon d'Automne 1992-99
Athletic Role Model Educational Institute, Inc. - 2.1: 1992
Australia - 2.1: 1981, 1984, 1985
Avers, Jeffrey - 2.1: 2002
BBC Television (British Broadcasting Corporation) - 2.1: 1989
Bailey, Pearl - 2.1: 1990
Baker, Jean -Claude - 3.2.11
Bank of New York - 2.1: 2002
Barletta, Joseph - 2.1: 1993
Baumgartner, Bruce - 2.1: 2001
Baylos, Gene - 2.1: 1991
Behm, Kenneth - 2.1: 1989
Bennet, Chef John - 2.2: Chef John Bennett
Berman, Len - 2.1: Undated 1990s
Bigelow, Vaughn - 2.1: 1984, 1988, see also Chabot Galleries
Bingham, Howard - 2.1: 1993
Binns, James - 2.1: 1989, 2001
Blair, Buckingham - 2.1: undated
Blatnik, Sonny - 2.1: 1986
Blecker, Tom - 2.2: Tom Blecker 1989-99
Bollinger, Lee - 3.1: Columbia University 1995-present
Bowles, Franklin - 1.2: Franklin Bowles Galleries
Boykin - 1.1: Awards, Boxing Writers Association Marvin Kohn "Good Guy Award," 1996
Bradley, Bill - 3.1: Bill Bradley Political Campaigns 1978-2000, 3.2. -- Winners -- , Harry N. Abrams, 1983, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Brown, Keith Henry - 2.1: 2004
Brown, Sally - 2.1: 1997
Buchwald, Art - 3.2: -- Horses -- , 1979, Harry N. Abrams, Correspondence
Bugatti, Charles and Stephanie - 2.1: 1991
Burger King - 2.1: 1976
Bush, President George H. W. and Barbara - 2.1: 1989, 1990
Bush, President George W. - 2.1: 2003, 3.2. 13
Butler Institute of American Art - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991
Byrne, Mayor Jane M. - 2.1: 1981
CBS -TV - see Wolf, Warner
CBS Sports - 2.2: CBS Sports
Caine, Michael - 2.1: 1981
Camber Porter, Melinda - 2.3
Carnesale, Chancellor Albert - 3.2.15
Carousel of Hope - 3.1: Carousel Ball 1982-2002
Carter, President Jimmy and Rosalynn, and family - 2.1: 1989, 3.1: Peace Treaty, 1980
Cass, Hilary Volkman - 2.1: 1992
Chabot Galleries - 2.1: 1983, 1989
Chapin, Dwight ( -- San Francisco Examiner -- ) - 2.1: 1991
Chase, Bob - 3.2. -- Big Time Golf -- , 1992
Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank
The Chicago Board of Trade - 2.1: 1977
Cirillo, John - 1.1: Awards d. Lonsdale International Sporting Club 1996, 2.1: 2001
Cirrincione, Wanda Hightower - 2.1: 1994
Clark, Ed and Jane Forbes - 2.1: 2000
Clinton, Bill - 2.1: 1993, 3.2: -- Big Time Golf -- , 1992
Clough, Charles - 2.1: 1997
Clough, Susan - 3.2. -- Horses -- , 1979, Harry N. Abrams
Cohen, Jason - 2.1: 2004
Conner, Bart - 2.1: 1981
Cooke, Jack Kent - 2.1: 1986
Cooney, Gerry - 2.1: 2000
Cooper, Pat - 2.1: 1992
Cosell, Howard and Mary Edith - 2.1: 1991
Creative Communications - 2.1: 1976
Cremins, Bobby - 2.1: 1990
Culinary Institute of America - 2.1: 2000
Cunningham, Jeffrey - 2.1: 1994
D., E. (unnamed WWII buddy?) - 2.1: 1997
Dahlgren, Doug - 2.1: 1999
Daley, Robert - 2.1: 1999
Daub, Mayor Hal - 2.1: 1997
Davis, Altavise (wife of Sammy) - 2.1: 1989
Davis, Barbara and Marvin - 2.1: 1985, 2001, 3.1: Carousel Ball 1982-present
Davis, Patty - 2.1: 1983
Dawkins, Peter and Judi - 3.1: Senatorial Candidate Pete Dawkins Poster 1988
Dean Day Gallery - 2.1: 1982, 1983, 1989
Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991
Garvey, Steve and Cyndi - 2.1: 1979, 1981, 1983, 1986, 1989, 3.2. -- Winners -- , 1983, Harry N. Abrams
Gavea Golf Club - 2.1: 1985
Gere-Suson, Gary - 2.1: 1999
Gilbert, Patti - 2.1: 1992
Giorgio Beverly Hills - 2.1: 1985
Gore, Al - 2.1: 1987, 1993, 3.2: -- Big Time Golf -- , 1992
Gottlieb, Paul - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Graham, Martha - 2.1: 1989
Graime, Arlene (US Olympic Committee) - 2.1: 1996
Grasso, Richard - 2.1: 1996
Gray, Joel - 2.1: 2003
Green Hills Farm - 2.1: 1987
Green, Tammie - 2.1: 1993
Greentree Stud, Inc. - 2.1: undated
Greenwich Workshop Gallery - 2.1: 1983
Gregory, Jack - 2.2: Jack Gregory 1993-98
Grenon, Robert - 2.2: Franklin Bowles Galleries
Guest, C. Z. - 2.1: 2003
Gwynne Gallery - 2.1: 1975, 1978
Hackett, Buddy and Sherry - 2.1: 1985, 1989, 1996, 1998
Halvorsen, Robert - 2.1: 1994
Hammer, Armand - 3.2. -- Winners -- , 1983, Harry N. Abrams, 1.2: Knoedler & Hammer Correspondence
Hammer, Michael - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 3.2. -- Casey at the Bat -- , 2000, 1.2: Knoedler & Hammer Correspondence, see also Hammer, Armand Hammer, Victor - see Hammer, Armand
Hanson Art Galleries - 2.2: Hanson Art Galleries 1983-1991, 3.1: Hanson Art Galleries Solo Exhibition, New Orleans 1997, see also exhibitions: Hanson Art Galleries in index for more file references
Harden, Richard - 2.1: 1978, 3.1: Peace Treaty, 1980
Harriman, Ambassador Pamela - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Hartman, David - 2.1: 1981
Harvey, Paul - 2.1: 1987
Haskell, Nikki - 2.1: 1997, 2001, 2002
Harris, Earl - 2.1: 1987
Harris, Franco - 2.1: 1990
Hatton, Pat - 2.1: 1993
Hawkins, Tommy - 3.1: Dodgers Centennial 1990
Healy, Katherine - 2.1: 1986
Hedgecock, Mayor Roger - 3.2. -- Winners -- , 1983, Harry N. Abrams
Hefner, Christie - 2.2: Playboy Enterprises 1980s, 3.1: Playboy's LeRoy Neiman Selection Cigars by Don Diego 1997
Hefner, Hugh - 2.1: 1983, 2.2: Playboy Enterprises, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Safir, Police Commissioner Howard - 3.1: New York City Marathon 1984-2001
Saltman, Sheldon - 2.1: 1976
San Francisco 49ers - 2.1: 1995, 2.2: DeBartolo Corporation and Associated Institutions 1989-1991
Santaniello, Carmine - 2.3
Sassi, Etienne - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
Scaffidi, Marie - 2.1: 1980s Undated
Scarpa, William and Cathy - 2.2: William and Cathy Scarpa 1991-99
Schmidt, Mike - 2.1: 1980
Schulberg, Budd - 2.1: 1997, 1999, 2000, 2004
Schuman, Rhoda - 2.1: 1992
Schumsky, Felicie - see Felicie, Inc.
Schuster, Gary and family - 2.1: 2000
Scully, Vin - 2.1: 1990, 2000
Schwartz, Louis O. - 1.1: Boxing Writers Association Marvin Kohn "Good Guy Award," 1996
Schwartz, Richard - 2.1: 2000
Schwarzenegger, Arnold - 2.1: 1990
Segal, Erich - 2.1: 1973
Seidman, Jay - 2.1: 2001
Seitz, Nick - 3.2. -- Big Time Golf -- , 1992
Serline, Ollie - 1.1: Family (Neiman Studio Archive only), 2.1: 1970s
Sharp Electronics Corporation - 2.1: 1988
Sherman, Allie - 2.1: 2002
Shula, Coach Donald - 2.1: 1991
Siering, David - 2.1: 1987
Sigmond, Aaron - 2.1: 1994, 1995, 1997
Silverstein, Shel - 2.2: Shel Silverstein
Sinatra, Barbara - 2.2: Sinatra family
Sinatra, Frank - 2.2: Sinatra family, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Sinatra, Nancy - 2.2: Sinatra family
Skelton, Red - 2.1: 1985
Snyder, Jimmy "the Greek" - 2.1: 1982
Solomone, Mickey - 2.1: 1989
Sony - 2.1: 1978
Sorenson, Jackie - 2.1: 1981
Spectrum, Philadephia - 2.1: 1991
Spectrum Fine Art - 2.1: 1978, 1983
Spitz, Mark - 2.1: 1986
Stack, Edward - 2.1: 1996
Staebler, Tom - 2.2: Playboy Enterprises
Stanley, Melvin - 2.1: 1993
Steffens, John L. - 2.1: 1996
Stein, Bill - 2.1: 1982
Steinbrenner, George - 2.1: 2004
Sterling, Donald - 2.1: 1997, 1998
Sugar, Bert - 2.1: 1977
Swoboda, Ron - 2.1: 2002
Symphony for United Nations - 2.1: 1991
TV Guide -- Magazine - 2.1: 1975, 1990, 1993
Talese, Gay - 2.1: 1992
Tate, Evelyn - 2.1: 1976, 1987
Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98
Tenenbaum, Harold and Judy - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum
Tiefel, William R. - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Tiger Tops Pvt. Ltd. - 2.1: 1982
Tigrett, John and Pat Kerr - 2.1: 1993, 1999, 3.1: Blues Ball 1997 -2001
Torrenzano, Richard - 3.1: Lady Liberty, 1985
Torykian, Richard - 2.1: 1997
Touvell, Audra - 2.1: 2002
Trenchard, Peter - 2.1: 2001
Trovato, Liz - 2.1: 1994
Trump, Donald - 2.2: Trump 1987-96, see also Trump in Index
Twentieth Century Fox Film Corportation - 2.1: 1976
United States Department of State - 2.1: 1984
United States Olympic Committee - 2.1: 1985
Universal Pictures - 2.1: 1991
University of Oklahoma - 2.1: 1982
Upstairs Gallery - 2.2: The Upstairs Gallery 1980-89
Valentine, Bobby and Mary - 2.1: 2002
Vorhaus, Louis - 2.1: 1992
war buddy (unnamed) - 2.1: 1997
Ward, Katherine Lecube - 2.1: 1984, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Warner Brothers Television - 2.1: 1990
Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80
Webster, Jack - 2.1: 1979, 1983, 1990, 1992, 1994, 1995
Wein, George - 2.1: 1991, 1993, 1995, 2000
Weiner, Claire - 2.1: 1970s, 1985, 1987
Weisman, Maria - 2.1: 2002
Welch, Herb and Lisa - 2.1: 1989, 1992
Welzer, Irv - 2.1: 1977
Wenzel, Lee - 2.1: 1985
Whitaker, Jack - 2.1: 1996
The White House - see Harden, Richard or Clough, Susan, or search by name of President
White, Willye - 2.1: 1989
Williams, Ted - 3.1: Williams at Bat, 1980-91
Wilson, Senator Pete - 3.2. -- Winners -- , 1983, Harry N. Abrams
Winer, Jessica - 2.3
Wirin, R. Michael - 2.1: 1998
Wolf, Warner and Sue - 2.1: 2003
Wood, Jan - 2.1: 1997, 1998
Wrather Corporation (the Lone Ranger), Jack and Bonita G. Wrather - 2.1: 1977, 1988
Yarger, Timothy - 2.2: Franklin Bowles
Yellin, Lou - 2.1: 1991, 1992, 1998
Youngman, Henry - 2.1: 1992
Zabrin, Michael - 2.1: 1989, 1991
Zelaya, Jose - 2.1: 1972, 1976, 1977
Zeran, Ken - 2.1: 1990, 1991
Zimmer, Don (Coach, New York Yankees) and Soot - 2.1: 1997
Appendix B: History of LeRoy Neiman's Representation: Felicie Schumsky, Hammer Galleries, and Knoedler & Co.
Hammer Galleries, New York, had its first show of LeRoy Neiman works in 1963 and has represented him ever since.
Armand Hammer was the proprietor of Hammer Galleries, which he founded in 1929 upon returning from the Soviet Union with a load of Czarist art. His brother Victor was in charge of running the gallery.
Armand became the chairman of the Occidental Petroleum Corporation in 1957.
Maury Leibowitz became a partner with the Hammers at the gallery around the same time they began representing Mr. Neiman.
Hammer and O.P.C. bought the respected M.K. Knoedler & Co. gallery in New York in 1971 with Leibowitz as a partner. Knoedler merged with Modarco, a Swiss investment firm, during the 1970s after its purchase by O.P.C.
Knoedler-Modarco now has three divisions: M. Knoedler & Co. (founded in 1846), Knoedler Publishing (created for the sole business of publishing and distributing the prints and posters of LeRoy Neiman), and Hammer Galleries.
Felicie Schumsky was LeRoy Neiman's publisher and distributor before Knoedler. Felicie, Inc. is named alone in advertising until 1973, when ads appear naming FKH Editions as publisher (presumably 'Felicie Knoedler Hammer') and Hammer Galleries as gallery/distributor. This continues until 1975, when ads begin naming Knoedler as publisher and Hammer as gallery.
Hammer Graphics Gallery, a part of Hammer Galleries, was started in 1979 for the sole purpose of distributing and exhibiting the graphic work of LeRoy Neiman.
Victor Hammer died in July 1985, and Armand Hammer died in 1990 at age 92 (less than a year after losing his wife Frances), leaving his son Michael Hammer as the chairman and president of The Armand Hammer Foundation. Maury Leibowitz died in 1992.
Appendix C: A Listing of Major Public Collections of LeRoy Neiman WorksAnchorage Historical and Fine Arts Museum, Anchorage, Alaska
Art Institute of Chicago, Chicago, Illinois
Baltimore Museum of Fine Art, Baltimore, Maryland
Baseball Hall of Fame, Cooperstown, New York
Brooks Memorial Art Gallery, Memphis, Tennessee
Colorado Springs Fine Arts Center, Colorado Springs, Colorado
Delaware Art Museum, Wilmington, Delaware
Duke University Museum of Art, Durham, North Carolina
Eiteljorg Museum of American Indian and Western Art, Indianapolis, Indiana
Football Hall of Fame, Canton, Ohio
Grunwald Center, University of California, Los Angeles, Los Angeles, California
Armand Hammer Collection, Los Angeles, California
Harding Museum, Chicago, Illinois
Hayward Museum, Hayward, California
Hermitage Museum, Leningrad, USSR
Illinois State Museum, Springfield, Illinois
Indianapolis Museum of Art, Indianapolis, Indiana
Joslyn Museum, Omaha, Nebraska
Memorial Art Gallery, Rochester, New York
Meridian Museum of Art, Meridian, Mississippi
Michigan State University, Kesage Art Center Gallery, East Lansing, Michigan
Minneapolis Institute of Arts, Minneapolis, Minnesota
Minnesota Historical Society
Minnesota Museum of Art, St. Paul, Minnesota
Mobile Art Gallery and Museum, Mobile, Alabama
Museo de Bellas Artes, Caracas, Venezuela
National Museum of Sport in Art, New York, New York
Niagara University, Niagara, New York
Portland Museum of Art, Portland, Maine
Springfield Museum of Art, Springfield, Massachusetts
Tennis Hall of Fame, Newport, Rhode Island
Tucson Museum of Art, Tucson, Arizona
Tweed Museum of Art, University of Minnesota, Duluth, Minnesota
University Art Gallery, Binghamton, New York
University of California at Los Angeles, Los Angeles, California
University of Illinois, Champaign, Illinois
University of Oklahoma, Norman, Oklahoma
University of Oregon, Eugene, Oregon
University of South Florida, Tampa, Florida
University of Texas, Austin, Texas
Utah Museum of Fine Arts, University of Utah, Salt Lake City, Utah
Vanderbilt University, Nashville, Tennessee
Wichita State University, Wichita, Kansas
Whitney Museum. New York, New York
Wodham College, Oxford, England
Yuma Fine Arts Association, Yuma, Arizona
Appendix D: A Listing of LeRoy Neiman Serigraph Releases
This list corresponds to newspaper and magazine ads in files 3.3: Felicie Inc. - Advertising and 3.3: Knoedler & Co. - Advertising. This is not a complete inventory.
DateSerigraphUnknown -- Bar '21' (offset lithograph)
Unknown -- Delacroix Tiger
Unknown -- Elephant Family
Unknown -- Gorilla Family
Unknown -- Kenya Leopard
Unknown -- Lion Pride (offset lithograph)
Unknown -- Lion Couple
Unknown -- Polar Bears
Unknown -- Serengeti Leopard
Unknown -- Zebra Family
Unknown -- The Plaza Square
Unknown -- Stock Market (offset lithograph)
Unknown -- Neiman Montreal '76 (offset lithograph)
Unknown -- Winter Olympic Skier, Lake Placid 1980
Unknown -- P.J. Clark's
Unknown -- Olympic Slalom
Unknown -- Dublin Bar
Unknown -- Le Grand Cuisine
Unknown -- Little Hitter
Unknown -- Little Fielder
1975 -- Le Grand Escalier de l'Opera, 1969
1975 -- Toots Shor Bar
1975 -- Club House Turn
1975 -- Black Panther
1976 -- Sun Serve
1976 -- Satchmo
1976 -- High Seas Sailing
1976 -- Vegas Blackjack
1976 -- Golf Landscape
1976 -- Elephant Stampede
1976 -- Nadia
1976 -- America's Cup
1977 -- Marlin!
1977 -- High Altitude Skiing
1977 -- Basketball Superstars
1977 -- Café aux Deux Magots
1977 -- The Mallet Men
1977 -- Bengal Tiger
1977 -- Giraffe Family
1977 -- Show Jumper
1977 -- Outrigger Canoe Race
1978 -- Metropolitan Opera
1978 -- Moby Dick Portfolio
1978 -- Bucking Bronc
1978 -- The Wildcats
1979 -- Kentucky Derby
1979 -- Chateau Hunt
1979 -- Stretch Stampede
1979 -- Aegean Sailing
1979 -- American Bald Eagle
1980 -- Lake Placid, Eighty, 1980
1981 -- Stenmark
1981 -- The Race of the Year
1981 -- Tour de France
1981 -- Before the Race
1984 -- Rush Street Bar
1984 -- Regents Park
1984 -- Elephant Nocturne
1985 -- Six Golfers, 1984
1985 -- Lady Skier
1985 -- Harry's Wall Street Bar
1986 -- Nob Hill
1986 -- Buena Vista Bar
1986 -- America's Cup, Australia
1987 -- Great Dane
1987 -- Giants - Broncos Classic
1987 -- 24 Hours of Le Mans
1987 -- Bistro Garden
1987 -- Left Bank Café
1988 -- Diamond Head, Hawaii
1988 -- Napoleon at Waterloo
1988 -- Piazza del Popolo - Rome
1988 -- Monte Carlo Suite
1988 -- Harbor at Monaco
1988 -- Salle Prive - Monte Carlo
1988 -- Borzoi
1988 -- In the Pocket
1988 -- Magic (Johnson)
1988 -- Clubhouse at Old St. Andrew's
1989 -- Polo Lounge
1989 -- Superplay
1989 -- President's Birthday Party
1989 -- Chicago Key Club Bar
1990 -- Secretariat II
1990 -- Chicago Options
1990 -- April at Augusta
1990 -- Gaming Table
1990 -- The '21' Club
1991 -- Homage to Ali
1991 -- Ted Williams
1991 -- Café Rive Gauche
1991 -- Cougar
1991 -- The Bordello
1992 -- Hunt Rendezvous
1992 -- Kilimanjaro Bulls
1992 -- Paddock at Chantilly
1993 -- The Maulers
1993 -- Fouquets
Appendix F: A Listing of "Man at His Leisure" Features in Playboy MagazineDateSubject/Pages1958 April -- Painter of the Urban Scene, p. 49-51
1958 December -- The Pump Room, Ambassadors East, Chicago, p. 60-61
1959 January -- Le Café Chambord, p. 52-53
1959 June -- Romanoff's, p. 62-63
1959 December -- Moore County Hounds (Southern Pines), p. 68-72
1960 February -- Hialeah Race Course, p. 52-54
1960 June -- The Colony, p. 74-75
1960 August -- Forest Hills, p. 76-77
1961 January -- Squaw Valley, p. 84-87
1961 March -- Ernie's, p. 94-95
1961 June -- The S.S. United States, p. 60-61
1961 July -- Longchamp - Auteuil, p. 82-85
1961 September -- La Plaza de Toros, p. 109-111
1961 December -- Maxim's, p. 130-131
1962 January -- The French Riviera, p. 103-105
1962 March -- The Grand National Steeplechase, p. 94-95
1962 May -- The Cambridge-Oxford Boat Race, p. 96-97
1962 August -- Las Vegas, p. 86-89
1963 May -- Monte Carlo, p. 122-125
1963 July -- Air France, p. 102-103
1963 September -- Sardi's, World Billiard Championship, p. 150-151
1963 December -- Madison Square Garden, p. 169-171
1964 April -- Epsom Derby, p. 120-121
1964 August -- St. Tropez, p. 62-65
1964 October -- Chantilly, p. 144-147
1964 December -- The Lido, p. 159-193
1965 March -- The New York Playboy Club, p.116-117
1965 August -- The Girallia Yacht Race, p. 110-111
1965 December -- The Plaza, Manhattan, p. ?
1966 July -- The Royal Ascot, p. 110-113
1966 September -- The America's Cup, p. 168-169
1967 January -- Discotheques, p. 180-181
1967 June -- Surfing, p. 112-115
1967 November -- National Horse Show, p. 143-145
1967 Winter -- VIP Magazine, Assignment London
1968 January -- Rosati's, Via Venito, p.?
1969 January -- The Bolshoi Ballet, p. 199-201
1969 June -- Le Mans, p. 124-125
1969 August -- Yugoslavia, p. 126-129
1970 January -- Morocco, p. 203-207
1970 November -- Can-Am Race, p. 179-181
1971 January -- Jamaica, p. 191-193
1972 January -- Sotheby's Auction Room, p. 171-173
1973 January -- Super Bowl, p. 187-189
1973 July -- Summer of '72 - The Hamptons, p. 152-157
Playboy Magazine's "Neiman Sketchbook" Features
DateSubject/Pages1979 December -- Teofilo Stevenson, p. 221
1980 January -- Senator Ted Kennedy, p. 137
1980 February -- Roller Skating, p. 166 -167
1980 March -- Charles Mingus, p. 179
Appendix E: Exhibitions
Below is a chronological list of Neiman exhibitions. See the index for an alphabetical list of exhibitions (listed by name of venue under the item "exhibitions") and reference to locations of pertinent archive files.
DateSolo ExhibitionsOct. 9-Nov. 6, 1959 -- F. Oehlschlaeger Gallery, Chicago
March 3-31, 1961 -- F. Oehlschlaeger Gallery, Chicago
Feb. 9-March 9, 1962 -- F. Oehlschlaeger Gallery, Chicago
March 1962 -- O'Hana Gallery, London
Nov. 27-Dec. 11, 1962 -- Galerie O. Bosc, Paris
Oct. 8-19, 1963 -- Hammer Galleries, New York
January-February, 1965 -- "Vie de France," Astor Tower French Center, Chicago
Nov. 23-Dec. 4, 1965 -- Hammer Galleries, New York
March 5-25, 1966 -- Gallery Richelle, St. Louis
1976 -- "LeRoy Neiman Retrospective 1949-75," Minnesota Museum of Art, St. Paul
Nov. 1967 -- Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art, New York
Sept. 26-Oct. 7, 1967 -- Hammer Galleries, New York
Dec. 26-31, 1968 -- New York Jets Sketches, Hammer Galleries, New York
May 1-June 10, 1969 -- "LeRoy Neiman: Paintings and Drawings," Choate School, Wallingford, CT
May 1969 -- "LeRoy Neiman: Impressions of Atlanta," Heath Gallery, Atlanta, GA
Jan. 20-31, 1970 -- Hammer Galleries, New York
Oct. 19-Nov. 2, 1971 -- "Recent Graphics and Drawings", The Far Gallery, New York
April-May, 1972 -- Museo de Bellas Artes, Caracas
Dec. 1972 -- Circle Gallery, Chicago
Oct. 31-Nov. 11, 1972 -- Hammer Galleries, New York
Nov. 22, 1972-Jan. 7, 1973 -- "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art
Jan.-Feb. 1973 -- Circle Gallery, Los Angeles
1973 -- Circle Gallery, Dallas
March 24, 1973 -- The Hang -Up Gallery Open House
April-May 1973 -- Circle Gallery, New York
June 2-23, 1973 -- Brentano's Gallery, New York
Jan. 24-Feb. 5, 1974 -- "Ali - Frazier," Circle Gallery, New York
Feb. 3-March 17, 1974 -- Springfield Museum of Art
1974 -- Windsor Gallery, Los Angeles
April 30-May 11, 1974 -- Hammer Galleries, New York
June 22-July 6, 1974 -- Gallery Hawaii, International Market Place, Honolulu
Sept. 1974 -- Abercrombie & Fitch
1974 -- Tobu Gallery, Tokyo
Nov. 1974 -- Gilbert Gallery, San Francisco
Nov. 1974 -- Windsor Gallery, New York
Feb. 1975 -- Carol Condit Galleries, White Plains, NY
March 1975 -- Art Gallery -Studio 53 Ltd., New York
April 1975 -- "The Wide World of LeRoy Neiman," Windsor Gallery, Los Angeles
June-July 1975 -- Moby Dick Traveling Exhibition, Peter Foulger Museum, Nantucket
Aug. 1975 -- Moby Dick Traveling Exhibition, Sag Harbor, Long Island
Sept. 1975 -- Moby Dick Traveling Exhibition, Pittsfield, MA
July 1975 -- Waller's Gallery, Tampa, FL
Sept. 1975 -- Hess's Gallery, Allentown, PA
Nov. 1975 -- Meredith Long & Co., Houston
Dec. 4-26, 1975 -- Thomas Ward Galleries, St. Paul
Dec. 4, 1975-Jan. 24, 1976 -- Minnesota Museum of Art, St. Paul
Dec. 10, 1975-Jan. 10, 1976 -- Hammer Galleries, New York
Jan. 21-March 10, 1976 -- Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank
Feb.-May 1976 -- Emerald Art Galleries, Coronado, CA
March 14-28, 1976 -- Jewish Community Center, Bridgeport, CT
June 1976 -- M. Knoedler & Co., London
Aug. 1976 -- Frank Oehlschlaeger Gallery, Chicago
Aug. 28-Sept. 27, 1976 -- Gallery Hawaii, Hyatt Recency
Sept. 12-Oct. 6, 1976 -- Niagara Art Center, Niagara Falls
1976 -- Art Gallery-Studio 53 Ltd., New York
Oct. 1976 -- Heit Galleries, Phoenix, AZ
Nov. 16-Dec. 4, 1976 -- "The Olympic Ring," Hammer Galleries, New York
Dec. 12-19, 1976 -- Fahlnaes Konstsalong, Sweden
March 1977 -- Gallery 100, Mishawaka, IN
March 1977 -- Upstairs Gallery, Beverly Hills
March 1977 -- Galerie Marc, San Francisco
Aug. 31-Sept. 11, 1977 -- Galerie Renee & Victor, Stockholm, Sweden
Sept. 1977 -- Bowles/Hopkins Gallery, San Francisco
Sept. 2-23, 1977 -- Casa Grafica, Helsinki, Finland
Oct.-Nov. 1977 -- St. Lawrence National Bank, Ogdensburg NY
April-May 1988 -- "Neiman's World" Touring Exhibition, Japan
April-May 1988 -- In the Pocket Superbowl XXII painting premier, Allyson Louis Gallery, Bethesda, MD
May 1988 -- "Monte Carlo Chase," Minotaur Galleries, Las Vegas
Sept. 27-Oct. 4, 1988 -- "Monte Carlo Chase," L'art et l'automobile gallery, New York
1988 -- Tretyakov Museum, Moscow
Oct. 1988 -- Merrill Chase Galleries, Chicago
Nov. 19-Dec. 10, 1988 -- "LeRoy Neiman: Monte Carlo," Bowles/Sorokko Galleries, San Francisco
Jan. 1989 -- Backstage Gallery, Osaka, Japan
Feb. 1989 -- Surf Club, New York
April 1989 -- "Soft Paintings," Hammer Galleries, New York
April 30-May 15, 1989 -- Polo Lounge Debut, Bowles/Sorokko Galleries, Beverly Hills
May-June 1989 -- "Select Works by LeRoy Neiman," Midwest Museum of Art, Elkhart, IN
June-July 1989 -- Steiner & Young Fine Arts Gallery, Atlanta, GA
June 6-Sept. 9, 1989 -- L'art et l'automobile gallery, New York
Sept. 1989 -- Hotrod Vintage Car Museum and Dance Club, New York
Aug. 1989 -- Baja, New York
Sept. 26-Oct. 14, 1989 -- "A Salute to Central Park," Hammer Galleries, New York
Nov. 1989 -- Galerie 224, Laguna Beach, CA
May 1989-Feb. 1990 -- "The Playboy Collection," Dyansen Gallery Traveling Exhibition, New York, Beverly Hills, Atlantic City, San Francisco, Boston, SoHo
April 1990 -- Exhibition at "The Art Spirit" Event, Butler Institute of American Art
May 1990 -- Merv Griffin Resorts Casino Hotel, Atlantic City
May 12-31, 1990 -- Bay Area Baseball Debut, Bowles/Sorokko Galleries, San Francisco
July-Aug. 1990 -- "LeRoy Neiman: A Series of Sport Serigraphs," Springfield Art Association, Springfield, IL
Arledge, Roone - 2.2: ABC Correspondence, 3.1: Olympics Munich 1972, 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971, 3.1: Olympics, Montreal 1976 Roone Arledge, 1972 drawing - 4.1: 2003
Arliss - 4.1: 1996
Armory Art Fair, Washington DC - 4.1: 1977
Armstrong, Louis - see jazz
Army, U.S., service in - 1.1: Military Service
Army vs. Navy 1946, 2000 - 4.1: 2001
Arnstein, Vera Daphne - 4.1: 1990
Arrow shirts - see promotions
Art Aid - 4.1: 1986
L'art et l'automobile - 3.1: LeRoy Neiman Corvette 1984, 4.1: 1988, 2002, see also exhibitions
Art Brokerage Inc. - see Rose, Donna
Art Collection House Co., Ltd., Japan - 2.1: 1994, 1995
Art Directors Club of Oklahoma City - 4.1: 1967, VII
Art Expo - 4.1: Undated
Art for Education - 4.1: 1998
The Art of Gaming Through the Ages, by Arthur Flowers and Anthony Curtis, foreword by LeRoy Neiman - 3.1: The Art of Gaming Through the Ages, Huntington Press, 2000
Art Institute of Boston - 1.1: Honorary Degrees, 2.1: 1975, 4.1: 1975
Art Institute of Chicago - 1.1: Education and Teaching, 2.1: 1987, 1989, 1996, 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992, 4.1: 1978 ov, 2001, 2002, see also exhibitions
Auxiliary Board - 2.1: 1990
Barewalls, 2001 - 3.1: Art Institute of Chicago Reunion 2001
Art and Lifestyle, 1974 - see LeRoy Neiman: Art and LifeStyle, 1974, 3.2.1
ArtExpo New York - 2.1: 1989, 4.1: 1987, 1998, 2001
Art-o-gram: News of the art world for art dealers only - 4.1: 1977
Arthur Andersen & Co. - 4.1: 1981
Les Arts de France - 2.1: 1988
Arum, Bob and Lovee - 2.1: 1996, 1998, 4.1: 1996
Ascent, 1961 - 4.1: 1961
Ashford, Evelyn - see running
Aspen, CO - 4.1: 1993, 1994
Association for the Help of Retarded Children (AHRC) - 3.1: Thurman Munson and Thurman Munson Awards Dinner 1977-present
Astaire, Fred
Fred Astaire - 3.1: Good Tidings Foundation 1998 -, 4.1: 1985
Athens International Festival - 4.1: 1993
Atlanta, GA - 3.1: Economic Opportunity Atlanta 1968
Atlanta International Film Festival - 4.1: 1974 and ov, V: 1974
Atlanta Magazine - 4.1: 1969, 1975, 1996
Atlanta's Poor People Art School - 4.1: 1969
Atlantic City, New Jersey - see also casinos, promotions, 3.1: Tour de Trump 1989
attorney - see Shaw, Robert
auction - 4.1: 1978, 1997, 1998, 1999
Augusta National Golf Club, The 16th at Augusta, 1992 - 4.1: 1994
auto racing -- - 4.1: 1982, 1983, 1989, 1999
Andretti, Mario - 4.1: 1975, 1992
Andretti, Michael - 4.1: 1992
Brayton, Scott - 4.1: 1996
Beni Hana Grand Prix - 2.1: 1978
Caesar's Palace Grand Prix, 1981 - 3.1: Caesar's Palace Grand Prix 1981-83
Caesar's Palace Grand Prix, 1982 - 3.1: Caesar's Palace Grand Prix 1981-83
Caesar's Palace Grand Prix, 1983 - 3.1: Caesar's Palace Grand Prix 1981-83
Can-Am Race - 4.2: -- Playboy -- 1970, see Appendix E
Dallas Grand Prix, 1984 - 2.2: Neiman-Marcus 1983-88, 3.1: Dallas Grand Prix 1984
Denver Grand Prix, 1990 - 3.1: Denver Grand Prix 1990-1991
Denver Grand Prix, 1991 - 3.1: Denver Grand Prix 1990-1991
Grand Prix Heart Ball - 3.1: Denver Grand Prix 1990-91
Grand Prix de Monaco - 2.1: 1986, 2.2: Playboy Enterprises Inc. 1980s, 4.2: Playboy Ephemera 1980, Press and Paraphernalia
Grand Prix de Monaco, 1976 - 4.1: 1993, 4.2: Playboy Ephemera 1980, Press and Paraphernalia
Indianapolis 500 - 3.1: Indy 500, 1985-87
Pits at Indy, 1968 - 2.1: 1976
Le Mans - 3.2. -- Winners -- , 1983, Harry N. Abrams Notes on Auto Racing and Basketball, 4.2: -- Playboy -- 1969, 4.2: Playboy Ephemera 2000s, see Appendix E
Miami Grand Prix - 3.1: Miami Grand Prix 1991-92
Toyota Grand Prix of Miami, 1991 (for 1992 race) - 3.1: Miami Grand Prix 1991-92
National Baseball Hall of Fame and Museum, Cooperstown, NY - 2.1: 1978, 1996, 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 3.1: Casey Stengel 1996, 4.1: 1990, 1993 (yearbook), 1994, 1995
New York Giants - 3.1: The Shot Heard 'Round the World, 1991
boats - see sailing, or Showboats International; The Cambridge-Oxford Boat Race - 4.2: -- Playboy -- 1962, see Appendix E
Bochette, Liston - 2.1: 1981, 1984, 1985
bodybuilding -- - 4.1: 1977, 1982, 1990
Everson, Cory - 4.1: 1990
Schwarzenegger, Arnold - see Schwarzenegger, Arnold
Boek, Louis - 1.1: Military Service
Boggs, Bill - 4.1: 2002 ov., 2004
Bonaventure - see St. Bonaventure University
Bond, Julian - 4.1: 1969
Bonds, Barry - Barry Bonds, 2003 pastel - 3.1: Good Tidings Foundation, 1998-present book jacket illustrations - 3.1: folder 1, 3.1: Charlotte Chandler 1978-84, 4.1: 1973, 1982, 1988-89
Book of the Month Club - 3.2.5, 3.2. -- Winners -- , 1983, Harry N. Abrams , Text Drafts
books
by Mr. Neiman - see Publications files in Series 3.2
by others, containing Mr. Neiman's works - see Licensing Art and Design by Cynthia Revelli, Skip Singleton tennis books, see also book jacket illustrations
bookstores - see Publications files in series 3.2 for information on book signings at bookstores
Borg, Bjorn - see tennis
Borstal Boy - 2.1: 1984, 3.1: Borstal Boy 1970
Bosley, Thad - see Skoal Pinch Hitter
Bourgeois, Louise - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
Bourne, Bob - 4.1: 1983
Bowe, Riddick - see boxing
Bowlers Journal - see bowling
Bowles, Franklin - see Bowles Galleries
Bowles Galleries - 1.2: Bowles Galleries, see exhibitions, see also Timothy Yarger Fine Art
bowling -- - 2.1: 1976
Anthony, Earl - 3.1: Million Dollar Strike, 1982
Carter, Don - 3.1: Million Dollar Strike, 1982
Esposito, Frank - 2.1: 1986, 1996, 3.1: Million Dollar Strike, 1982
Million Dollar Strike, 1982 - 3.1: Million Dollar Strike, 1982
Varipapa, Andy - 3.1: Million Dollar Strike, 1982
boxing -- - 3.1: Ali vs. Frazier I, 1971, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 3.1: Ali vs. Spinks 1978, 3.1: Sportsman's Ball 1978, 3.1: Ali vs. Holmes 1980, 3.1: Duran vs. Leonard I, II, III 1980-89, 3.1: Hearns vs. Leonard 1981, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 3.1: Holmes vs. Cooney 1982, 3.1: Hagler vs. Hearns 1985, 3.1: Mike Tyson Portraits 1986-1990s, 3.1: Tyson vs. Spinks 1988, 3.1: McGirt vs. Whitaker 1993, 3.1: Tyson vs. Holyfield 1991-1996, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1971, 1999, 3.1: Lewis vs. Tyson 2002, 3.1: De La Hoya vs. Vargas 2002, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1972, 1976, 1977, 1978, 1979, 1981, 1982, 1983, 1984, 1985, 1987, 1988, 1989, undated 1990s, 1990, 1991, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002
Ali, Muhammad - see Ali vs. Frazier, 3.1: Lewis vs. Tyson 2002, .2.1: 2001, 3.1: GOAT (Greatest of All Time - A Tribute to Muhammad Ali) Book by Taschen, 2004, 3.2.1, 3.2.16, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1974, 1976, 1977, 1978, 1980, 1985 1991, 1994, 1995, 1997, 1998, 1999, 2000, 2001, 4.2: Playboy Ephemera 1960s, 4.2: The Ring Magazine as artist - 2.1: 1979, 4.1: 1966, 1967, 1970 ov, 1979
Muhammad Ali - Athlete of the Century, 2000 - 3.1: Muhammad Ali - Athlete of the Century, 2000-2002
Muhammad Ali - The Greatest Collector's Edition Magazine, 2002 - 4.1: 2002
Ali vs. Foreman, Zaire poster, 1974 - 4.1: 1974, 2000, 2002
Ali vs. Frazier
Ali vs. Frazier I, 1971 - 3.1: Ali vs. Frazier I, 1971
Ali vs. Frazier I, 1971, 1999 - 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 2000
Ali vs. Frazier II etchings, 1974 - 3.1: Ali vs. Frazier I, 1971, 3.1: Circle Gallery 1972, 3.1: Ali vs. Frazier II, 1974, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 1990
Fight of the Century poster, 1971 - 3.1: Ali vs. Frazier I, 1971
Thrilla in Manila poster, 1975 - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 2000
Ali vs. Holmes, 1980 - 3.1: Ali -Holmes 1980, 4.1: 2000
Ali vs. Spinks, 1978 - 3.1: Ali vs. Spinks 1978, 4.1: 2000
Bobrick - 4.1: 1977
Bowe, Riddick - 4.1: 1993, 1995, 1996, 4.2: The Ring Magazine
Boxers Ball - 4.1: 1997
Boxing Beat Magazine - 4.1: 1988
Boxing Illustrated - 4.1: 1993
Boxing at the Ritz - 4.1: 1993
Boxing Writers Association of America - 1.1: Awards, 4.1: 1967, 1985, 2004
Brenner, Teddy - 2.1: 1978, 1979, 4.1: 1978, 4.2: The Ring Magazine
Camacho, Hector - 4.1: 1986, 1997
Chavez, Julio Cesar - 4.1: 1993, 1996
Julio Cesar Chavez, pastel - 4.1: 1996
Julio Cesar Chavez, 1996 drawing - 4.1: 1996
Clay, Cassius - see Muhammad Ali
Coetzee - 4.1: 1984
Cooney, Gerry - see Holmes vs. Cooney, 2.1: 1989, 2000, 4.1: 1981, 1987, 2001, 4.2: The Ring Magazine
De La Hoya, Oscar - 3.1: The Fight of the Millennium, 1999, 3.1: De La Hoya vs. Vargas 2002, 3.1: De La Hoya vs. Hopkins 2004, 4.1: 1995, 1997
Oscar De La Hoya, 1995 - 4.1: 1997
De La Hoya vs. Mosely poster 2000 - 3.1: De La Hoya vs. Mosley 2000
De La Hoya vs. Whitaker, 1997 - 4.1: 1997
Dundee, Angelo - 3.1: Angelo Dundee Tribute 2002
Duran, Roberto - 3.1: Duran vs. Leonard I, II, III 1980 -1989, 4.1: 1980, 1983, 1984, 1994, 1995, 4.2: The Ring Magazine
Ellis, Jimmy - 4.1: 1973 ov
F.I.S.T. - 2.1: 2000, 4.1: 2000, 2001
film, documentary - see Win a Few, Lose a Few, 1972
Foreman, George - see Ali vs. Foreman, 2.1: 1989, 4.1: undated, 1973, 1974, 1976, 1993, 1995, 1999, 4.2: The Ring Magazine
Foreman Frazier Fight - 4.1: undated
Foreman vs. Holmes, 1999 - 4.1: 1999
Frazier, Joe - see Ali vs. Frazier, 2.1: 1975, 4.1: undated, 1969 ov, 1971, 1972, 1973, 1976, 1981, 1992, 1998, 4.2: The Ring Magazine
Golden Gloves Championships - 4.1: 2000, 2001
Golota, Andrew - 4.1: 1996
Grant, Michael - see Lewis vs. Grant, 4.2: The Ring Magazine, 4.1: 2001
Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000
Holmes, Larry - see Ali vs. Holmes, Holmes vs. Cooney, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.1: 1984, 1999, 2001, 4.2: The Ring Magazine
Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000
Holmes vs. Shavers poster, 1979 - 4.1: 1979, 2000
Holmes vs. Spinks, 1985 poster - 4.1: 1985
Holyfield, Evander - see Tyson vs. Holyfield, 3.1: Holyfield-Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 1996, 2003
Hopkins, Bernard - Bernard Hopkins, 2004 - 3.1: De La Hoya vs. Hopkins 2004 Introduction of the Champions of the Ring, 1964-65 (or Ringside Madison Square Garden) - 4.1: 1965, 1983
Jones, Jr., Roy - 4.1: 1994, 1995, 1996, 2000; Roy Jones, Jr. - 4.1: 2000
King, Don - 4.1: 1977, 2003
Latin Legends - 4.1: 1992
Leonard, Sugar Ray - 3.1: Hearns vs. Leonard 1981, 3.1: Duran vs. Leonard I, II, III 1980-89, 4.1: 1980 ov, 1997, 4.2: The Ring Magazine
Lewis, Lennox - see Lewis vs. Grant, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 2001
Lewis vs. Grant poster, 2000 - 4.1: 2000 and ov
Lewis vs. Tyson poster, 2002 - 3.1: Lewis vs. Tyson 2002
Louis, Joe - 3.1: Tribute to Joe Louis (Holmes vs. Spinks fight) 1981
Joe Louis, 1983 - 3.1: Kayo Joe Louis Boxing Card 1991, 4.1: 1991
Malave, Chu Chu - 4.1: 1973
Mathis, Buster - 4.1: 1971
The Maulers 1993 lithograph - 4.1: 1993
Mayweather, Floyd - 4.1: 2000
McGirt, James "Buddy" - 3.1: McGirt vs. Whitaker 1993
Morrison, Tommy - 4.1: 1993, 1995
Mosely, Shane - see De La Hoya vs. Mosely
North American Boxing Federation - 4.1: 2000
Norton, Ken - 4.1: 1976, 1981, 4.2: The Ring Magazine
New Jersey Boxing Hall of Fame - 1.1: Awards - Inductions, 4.1: 2000
Olympic boxing - see Olympics
Patterson, Floyd - 4.1: 1972
Quarry, Jerry - 4.1: 1969 ov, 1970, 4.2: The Ring Magazine
Red Boxers, 1973 - 4.1: 1973
Reid, David
David Reid, 1998 - 4.1: 1998
Ring Magazine - 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1966, 4.2: The Ring Magazine
Ringside and Training Principles, by Goodman and Homansky 2001 - 3.1: Ringside and Training Principles by Goodman and Homansky 2001
Robinson, Sugar Ray - 2.1: 1989, 4.1: 1989, 1994; Sugar Ray Robinson, 1969 - 4.1: 1969, 1998
Rocky - see Rocky films
Salute to Boxing Greats Award - 1.1: Awards
Shavers, Earnie - see Holmes vs. Shavers, 4.1: 1973 ov, 1977, 4.2: The Ring Magazine Spinks, Leon - see Ali vs. Spinks, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.2: The Ring Magazine
Spinks, Michael - 3.1: Tyson vs. Spinks 1988, 4.1: 1987, 4.2: The Ring Magazine
Sting Like a Bee by Jose Torres and Bert Sugar - 2.1: 1972
Thornton, Wayne - 4.1: 1966
Toney, James - 4.1: 2003, James Toney, 1994 - 4.1: 2004
Torres, Jose - 4.1: 1966
Trinidad, Felix - 2.1: 1999, 3.1: The Fight of the Millennium, 1999
Tyson, Mike - 3.1: Mike Tyson portraits 1986-90s, 3.1: Tyson vs. Spinks 1988, 3.1: Lewis vs. Tyson 2002, 4.1: 1986, 1988, 1989, 1995, 1996, 1999 portraits - 4.2: The Ring Magazine, 4.1: 1999, 2001
Tyson vs. Holyfield, 1996 - 3.1: Tyson vs. Holyfield 1991-1996
Vargas, Fernando - 3.1: De La Hoya vs. Vargas 2002
World Boxing Association Annual Awards Dinner - 4.1: 1994, 1995, 1996, 1997, 1998, 2000
World Boxing League - 4.1: Undated 2000s
Boy Scouts of America - 2.1: 1989, 4.1: 1989 ov
Boys' Athletic League - 4.1: 1974
Boys and Girls Clubs of America - 4.1: 1977, All Sports Hall of Fame Dinner - 4.1: undated 1970s, 1996, 1997, Legends & Fans Dinner - 4.1: 1990
Boys Town of Italy - 4.1: 1987, 1988, 1992
Bradley, Bill - 3.1: Bill Bradley 1978 -2000, 3.1: Women's Basketball Hall of Fame, 1993, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 4.1: 1981, 1999
Branca, Ralph - 3.1: The Shot Heard 'Round the World, 1991, 2.1: 1994, 4.1: 1994
Brayton, Scott - see auto racing
Brazil Stock Exchange, 1985 - 2.1: 1985
Brenner, Teddy - see boxing
Brett, George - 4.1: 1990; George Brett, 1992 - 4.1: 1992
Brice, Bobbie - 4.1: 1982
Bride's Magazine -- - 3.1: Early Fashion Illustration 1949-57
Broadway - see musicals or Times Square, 2001
Brooklyn Bridge, 1995 - 1.1: Honorary Degrees - Saint Francis College, 3.1: Brooklyn Bridge, 1995, 4.1: 1995, 1998
Bush, President George H.W. and Barbara - 1.1: Honorary Degrees c., 2.1: 1989
Bush, President George W. - 2.1: 2003
Bushkin, Joe - 4.1: 1997
Busker Alley - 3.1: "Busker Alley," 1995
Byrams, Gina - 3.1: Hammer Galleries Solo Exhibition 1970
Byrne, Janet - see Neiman, Janet
C
CBS Sports television - 2.1: 1979, 2.2: CBS Sports, 4.1: 1978, 1985
CD ROM - VII
Caesar's Palace - see casinos
Cahill, Very Reverend Joseph - 1.1: Honorary Degrees, St. John's University, Honorary Doctorate, 1980, St. John's University, Gold Medal of Honor, 1985
Caine, Michael - 2.1: 1981
Calder, Alexander - 4.1: 1973 (see exhibitions, two-person)
calendars - 4.1: 1974 ov, 1976, 3.1: Wild Animals and Art of Sport Calendars 1992-94 and ov, 3.1: Golf Courses Calendar 1996
California Cuisine (The Lark Creek Inn), 198? - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 2004
Call of the Wild -- , by Jack London - 3.1: -- Call of the Wild -- 1993
Camacho, Hector - see boxing
Camp David Peace Accords, 1998 - see Carter, President Jimmy
Campbell, Earl - 2.1: 1982
Campbell's Soup - 4.1: 2004
Cannes Film Festival - 3.1: Beauty, the Beach, and the Bizarre 1984
Cape Town, South Africa - 4.1: 1997
Capone, Al, Al Capone - 3.1: Circle Gallery 1972, 4.1: 1972, 1992, 1995
Cappy Productions - 2.1: 2000
Caracas, Venezuela - 2.1: 1972, 1976, 1977, 1980, see exhibitions: Museo de Bellas Artes
"Caring is Fashionable" - 4.1: 1981
Carlson, Bill - see "Neiman's Cuba"
Carnaval, 1981 - 3.2.6, 3.2 ov., see Haskell, Nikki
Carousel, 1958 - 4.1: 1950s
The Carousel of Hope - see also Appendix A, 3.1: Carousel Ball 1982-present
Trump Taj Mahal, Atlantic City - see Trump, Donald
Vegas Blackjack - 4.1: 1984, 1996
catalogue raisonnes - 3.2.5, 3.2.9, 3.2.14
Cavett, Dick - 2.1: 1999
"Celebration 2000" Exhibition - 3.2.14
Celebrity Night at Spago, 1993 - 3.1: Celebrity Night at Spago, 1993
Centaur Galleries, Las Vegas - see exhibitions
Center Art Galleries, Hawaii - 3.1: Center Art Galleries Exhibition, Hawaii 1985, 4.1: 1984, 1987
Central Park Boathouse - see restaurants
cereal box - see Wheaties
Chabot Galleries - 2.1: 1989
Chamberlain, Wilt - see 3.1: Basketball Superstars, 1975 -76, 3.1: Kareem Abdul -Jabbar, 1984, 3.1: Wilt Chamberlain 2000, 4.1: 1981
champagne - 3.1: Duval LeRoy Champagne 1999-2001
Champagne Taittinger - 3.1: 1993
Champagne...Uncorked! by Rosemary Zraly - 3.1: Saks Fifth Avenue 1994-1999, 3.1: Champagne...Uncorked! by Rosemary Zraly 1996
Champions vs. MS - 2.1: 1977
Champs-Elysses
Le Champs- Elysses, 1992 - 4.1: 1996
The Champs-Elysees, la Voie Triomphale, 1994 - 4.1: 1997
Chandler, Charlotte - 3.1: Charlotte Chandler 1978-84, 3.1: March of Dimes' Gourmet Gala 1985
Channel Thirteen, New York - 2.1: 1984, 4.1: 1983
Charismatic - 4.1: 1999
charity - 2.1: Charities (all files), see also AIMS (Committee to Aid Multiple Sclerosis), American Cancer Society, American Diabetes Association, American Heart Association, Association for the Help of Retarded Children (AHRC), Boys & Girls Clubs of America, Boys Town of Italy, Carousel of Hope (Children's Diabetes Foundation), Champions vs. MS, Children's Hearing Institute, Citymeals-on-Wheels, Concern's Charity of Champions, Cystic Fibrosis Foundation, Doodle for Hunger, Good Tidings Foundation, Hope House Ministries, Hospital Relief Fund of the Caribbean, International Heart Foundation, International Sephardic Education Foundation, Jackie Robinson Foundation (under Robinson, Jackie), Jimmy Fund, Juvenile Diabetes Foundation, Leukemia Society of America, Make-a-Wish Foundation, Monmouth Park Charity Ball, Muscular Dystrophy Association, Myasthenia Gravis Foundation, National Multiple Sclerosis Society, North Shore Child and Family Guidance Association, Race to Erase MS, Rock for the Cure, Ronald McDonald House, Special Olympics, United Cerebral Palsy Association, United Way, 4.1: 1981, 1992, 1999; see also animals: rescue
Charlie Cosmetics - see promotions
Chavez, Julio Cesar - see boxing
chef - 3.1: James Beard 1985-87, see also Bennett, Chef John; Clark, Chef Patrick; Kopf, Stefan; Lomonaco, Chef Michael; food; restaurants; Soltner, Chef Andre
Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank, VII: Box 3
Cher - 4.1: 1981
chess - see Fischer, Bobby
Chicago Board of Trade, 1974-75 - 2.1: 1977, 1989, 4.1: 1977
Chicago Public Library - 4.1: 1955-59
Chicago Serigraphic Workshop - 2.1: 1977
children, artwork by - 2.2: Artwork from Children
children, letters from - 2.2: Mrs. Vladimir's Class 1975-85, 2.2: Hutchinson KS, Elementary Schools, 1976-78, 2.2: Mr. Silver's Class 1978-81, see also various letters in 2.1 Fan Mail files
Children at Heart - 4.1: 1996
Childrens Diabetes Foundation - 3.1: Carousel Ball 1982-present
Children's Hearing Institute - 4.1: 1994
China - 2.1: 1983
Chinaglia, Georgio - see soccer
Choate School - 4.1: 1969
Christie's - 4.1: 1978
Christina Galice Gallery - 2.1: 1990
churches -- - 4.1: 1964, 1965; The Organ at St. Paul the Apostle, 1965 - 4.1: 1965
Components of Fire by (Aaron Sigmond or Jim Mauro) with Foreword by LeRoy Neiman - 2.1: 1997
Playboy's LeRoy Neiman Selection by Don Diego - 3.1: Playboy's LeRoy Neiman Selection by Don Diego, 1997
Puro Cigar Company - see Sigmond, Aaron
Rhythm and Smoke Cigar Video - 3.1: Rhythm and Smoke Cigar Industry Video 1997-1998
Wine, Women and Cigar, 1996 - 3.1: Playboy's LeRoy Neiman Selection Cigars 1996, 4.1: 1999, 4.2: -- Bartender -- Magazine Cincotti, Peter - 4.1: 2002 ov.
Circle Galleries, Chicago and New York - 2.1: 1979, 1989, 4.1: 1973, 1981, 1989, 1.2: Felicie Correspondence, see exhibitions, solo: Circle Galleries and "Ali-Frazier"
Circus, 2000 - 3.1: Circus 2000, 4.1: 2001
Cirker - Hayes Warehouse - IID: Inventory of Prints Stored in Warehouse 1970s-80s
Cities in Schools - 3.1: Cities in Schools and Harlem Streets, 1981, 4.2: Arts Magazine
City by the Bay, 1993 - see San Francisco
City By The Bay, by Charles Fracchia, cover illustration by LeRoy Neiman - 3.1: San Francisco Series 1991-93
Clinton, President Bill - 3.2. -- Big Time Golf -- , 1992, 4.1: 1992
clothing - VII
clothing stores - see Marshall Fields, Neiman Marcus, Pallack, Rick, and Saks Fifth Avenue, 4.1: 1958
Clough, Charles - 4.1: 1986
Club El Morocco - 4.1: 1979
Clubhouse Turn, 1975 - see horse racing
Coalition for the Homeless - 4.1: 1986
Coca-Cola Company - 2.1: 1994
Coetzee - see boxing
Coghlan, Eamon - see running
Cohen, Mouli - 3.1: Soft Paintings 1989
collectibles - see promotions
collectors - 4.1: 1969, 1980, 1981, see Wolfson
college sports - see basketball, football
Columbia Space Shuttle - 4.1: Undated ov
Columbia University - School of the Arts - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present; School of General Studies - 2.1: 1977
Comaneci, Nadia - see gymnastics
Comedia dell' Arte - 3.1: Royal Doulton collectible plates 1974-78
comic strips - see -- Doonesbury
commercials - see Promotions
Commodities Magazine - see The Chicago Board of Trade, 1974-75
Concern Foundation
Concern's Charity of Champions - 4.1: 1983
conductors - see Bernstein, Leonard; Slatkin, Leonard
Contemporary University - 4.1: 1980
Cooney, Gerry - see boxing
computer art - 4.1: 1975
Conner, Bart - see gymnastics
Converse - 2.1: 1982
Bill Corum Award - 1.1: Awards
Corvette, Limited Edition Neiman - 3.1: Corvette 1984, V: 1980s, Rendezvous a la Corvette, 1984 - 3.1: Corvette 1984
Cosby, Bill - 4.1: 1991, 1997
Cosell, Howard - 4.1: 1987, 1995, V: 1991
cosmetics - see promotions
Cotton Club - 4.1: undated
Countdown to Superbowl, by Dave Anderson - 3.1: Countdown to Superbowl by Dave Anderson 1969
Country Rambler -- Magazine - 2.1: 1976, 4.1: 1976 ov
Couples - 4.1: 1976
Cow Parade, NYC - 3.1: Cow Parade NYC, 2000
cowboys - see The Lone Ranger, National Cowboy Hall of Fame, rodeo
Creative Communications - 2.1: 1976
cricket - 4.1: 1961
Crosby, Bing - 3.1: 43rd Crosby National Pro-Am, 1984
Csonka, Larry - 4.1: 1973, 1974; Larry Csonka - 4.1: 1972
Cuba - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003, 4.1: 1979
Cuban Dancers, 1997 - 3.1: Rhythm and Smoke Cigar Video 1997-98
The Culinary Arts exhibition - 3.1: The Culinary Arts exhibition 1998
Culinary Institute of America - 4.1: 2000
Cunningham, Merce - see dance
Current Biography - 4.1: 1996
Curtis, Mike - 3.1: Gridiron Football News 1971-1973
Curtis, Tony - 2.1: 1988
cycling
3.1: Tour de Trump
Boul Mich Bike Rally, 1978 - 2.1: 1983, 4.1: 1978 ov
Indoor Cycling - 4.1: 2000, 2002
Tour de France - 4.1: 1984
Cystic Fibrosis Foundation - 4.1: 1996
D
Daily Double - see Fran Joswick Therapeutic Riding Center
Dalai Lama - 2.1: 2003
Daley, Robert - 4.1: 1966
Daley, Mayor Richard - 4.1: 1968
Dali, Salvador - 4.1: 1977, 1986, 1991, 2002 (mentioned throughout 1980s and 1990s)
Dan's Papers - 2.1: 1998, 1999, 4.1: 1997 ov
dance -- - see also ballet
Cunningham, Merce
Merce Cunningham Studio - 4.1: 2004
"Fringe TOMAR 2000" Festival Internacional de Danca Contemporanea, 2000 - VII
Graham, Martha - 2.1: 1989
Jacki Sorenson, 1981 - 4.1: 1981
Davidson Gallery - 4.1: 1986
Davis, Marvin and Barbara - 2.1: 1985, 3.1: Carousel Ball 1982-present
Davis, Jr. , Sammy - 3.1: Frank Sinatra at Royal Albert Hall 1989, 4.1: 1964, 1981, 1982, 1984, 1991, V: early 1960s, Bojangles, 1984 - 4.1: 1986
Dawkins, Peter - 2.1: 1980, 3.1: Peter Dawkins Poster 1988
De la Hoya, Oscar - see boxing
De La Vega, James - 4.1: 1999
Dean Day Gallery - 2.1: 1982, 1983, 1989, see also exhibitions
Dear Muffo, by Harold Conrad - 4.1: 1982
Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-91
DeBusschere, Dave - 4.1: 1974
The Dedication - 4.1: 1969
Deer Path Art League - 4.1: 1950s
Defiant, 1987 - see sculpture
Degregorio, Ernie - 2.1: 1976
Dekker, Mary - V: 1980s
Del Coronado Petit Galop, 1976 - 4.1: 1976
Del Greco, Maria -2.3: Letters from Artists, 4.1: undated, 1996
Delacroix's Tiger - see animals
Delligatti, Ralph - 4.1: 1992
Denver, CO - see auto racing
Denver, John - 4.1: 1994
Derek, Bo and John - 2.1: 1998, 4.1: 1985
Des Moines, Iowa
Des Moines Ballet - 3.1: Des Moines Ballet Commissions 1983-1986
Des Moines Symphony - 4.1: 1979
Desert Inn, Las Vegas - see casinos: Caesar's
Desert Symphony - see music: classical
designers - 4.1: 1997
Dewar's - 4.1: 1971
Dial-A-Dinner - 4.1: 1994
Diamond, Neil - 4.1: 1984
El Diario la Prensa - 2.1: 1987
A Dictionary of Sporting Artists, by Mary Ann Wingfield - 4.1: 1992
Dill, Bob - 2.1: 1997, 1999
Diller, Phyllis - 2.1: 1995, 1996, 1999
DiMaggio, Joe - 4.1: 1992
Joe DiMaggio: Yankee Clipper, 1998 - 3.1: Joe DiMaggio 1998-1999, 4.1:1998 Joe DiMaggio: Study for "Yankee Clipper", 1998 - 3.1: Joe DiMaggio 1998-1999
DiPietro, Marylou - 2.1: 1979, 3.2.3
diving - see swimming and diving
Dixon, Rod - see running
dog - see animals
Dokes, Michael - 4.1: 1993
Domingo, Placido - 3.1: The Three Tenors, 1996
Doodle for Hunger - 3.1: Doodle for Hunger I, II, III, IV, V, 2000-2004
Doonesbury -- - 4.1: 1981
Door County - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001
Dorfman, Fred - see Fred Dorfman, Inc.
Dorset, Tony - 2.1: 1982
Doubletake Gallery - 4.1: 1999
Douglas, Kirk, Kirk Douglas, 1984 - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985
dreams - 3.1: Folies Bergere, Tropicana, Las Vegas 1983
Drinhaus, Helmut - 2.2: Helmut Drinhaus 1988-2000
Driscoll, John (President of Iona College) - 1.1: Honorary Degrees, Iona College, Honorary Doctorate, 1985
Dubai - 2.1: 1988
Dublin Bar "The Stag's Head" - see The Stag's Head Bar, 1961
Dufresne, Isabelle - 4.1: 1988
Duguay, Ron - 4.1: 1982
Dundee, Angelo - see boxing
Duneier, Clyde - 4.1: 1993
Dupont, Andre - 4.1: 1974
Dupont pens - see promotions
Duran, Roberto - see boxing
Durocher, Leo - 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 4.1: 1968, Leo Durocher - 3.1: Leo Durocher 1974-94
Duval LeRoy, Carol - 3.1: Duval LeRoy Champagne, 1999
Einstein, Albert - Albert Einstein, 1992 drawing - 2.1: 1991
Eiteljorg, Harrison and Sonja - 2.2: Harrison and Sonja Eiteljorg, 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73, 4.1: undated, 1963, 1986, 1994
Elayne Galleries - 2.1: 1979, 1989, 3.1: Elayne Galleries and P.J. Clarke's, 1978, 3.1: Stadium Tennis Billboard, 1981, 4.1: 2001, see also exhibitions
elephant paintings - see animals
Elkins Entertainment - 3.1: Rhythm and Smoke Cigar Video, 1997
Elles & Eux -- Magazine - 4.1: 1961
Ellington, Duke - see jazz
Ellis, Jimmy - 4.1: 1971
Ellis Island Medal of Honor - 1.1: Awards
Elway, John - 3.1: John Elway, 1999
Emerald Art Gallery - 2.1: 1977, 3.1: Emerald Art Gallery Solo Exhibition 1976
English, John - 1.1: Military Service
equestrian - see horses
Erte -- - 4.1: 1990, 1980s and 1990s (mentioned throughout)
Erving, Julius - see Basketball Superstars, 1975-76, Julius Erving, 1975 - 3.1: Julius Erving 1975-76
etchings - 2.1: 1977, 3.1: Malletmen etching Certificate, 1977, 1.2: Bowles Galleries Correspondence 1970s, see also boxing: Ali vs. Frazier II etchings, 1974, and soccer: Soccer, 1989 etching, The Etchings of LeRoy Neiman, 1976 Knoedler booklet - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov)
Eve Models, Ltd. - 4.1: 1971, 1974
Everson, Cory - see bodybuilding
Evert, Chris - see tennis
Ewbank, Weeb - 3.1: Gridiron Football News 1971-1973, 4.1: 1978
exhibitions -- - Note: Solo and group exhibitions are listed alphabetically by the venue name
American Fine Art Editions, Inc., "Superbowl XXX," Jan 1996 - 3.1: Superbowl XXX Exhibition 1996
American Fletcher National Bank - see Indianapolis Museum of Art
l'art et l'automobile gallery, "Monte Carlo Chase," New York 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions
l'art et l'automobile gallery, New York, 1989 - no materials
The Art Exchange, Creve Coeur, MO, 1978 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79
The Art Exchange, Creve Coeur, MO, 1979 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79
Art Gallery-Studio 53 Ltd., New York 1975 - 4.1: 1975
Art Gallery-Studio 53 Ltd., New York 1976 - 4.1: 1976
Astor Tower French Center, Chicago, "Vie de France," 1965 - 3.1: "Vie de France" Solo Exhibition, Astor Tower, Chicago 1965
Backstage Gallery, Osaka, Japan - 4.1: 1989
Baja - 4.1: 1989
Base Art Collection, 1990 - 4.1: 1990
Bowles/Hopkins Gallery, San Francisco, 1977 - 3.1: Bowles Hopkins Solo Exhibition, San Francisco, 1977
Bowles/Hopkins Gallery, San Francisco, 1980 - 2.1: 1980, 4.1: 1980
Bowles/Hopkins Gallery, San Francisco 1981 - 4.1: 1981
Bowles/Hopkins Gallery show celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams
Bowles/Hopkins Gallery, "The Olympic Spirit," San Francisco, 1984 - 3.1: 1984 Olympics
Bowles/Hopkins Gallery show celebrating the Superbowl, 1985 - 4.1: 1985
Bowles/Hopkins Gallery, February 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986
Bowles/Hopkins Gallery, October 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986
Bowles/Sorokko Galleries, "Neiman's Neimans: A Retrospective," San Francisco, 1987 - 3.1: Bowles/Sorokko Galleries Solo Exhibitions, San Francisco ("Neiman's Neimans") and Beverly Hills 1987
Bowles/Sorokko Galleries, "LeRoy Neiman: Monte Carlo," San Francisco 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions
Bowles/Sorokko Galleries, Polo Lounge Debut, Beverly Hills, April 1989 - 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Beverly Hills 1989
Bowles/Sorokko Galleries, San Francisco, May 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990
Bowles/Sorokko, Beverly Hills, October 1990 - 4.1: 1990
Bowles/Sorokko Galleries, "The Prints of LeRoy Neiman 1980 -1990," Beverly Hills, 1991 - 3.2. The Prints of LeRoy Neiman, 1980-1990, 1991
Bowles/Sorokko Galleries, "LeRoy Neiman's San Francisco," San Francisco 1991 - 3.1: San Francisco Series 1991-93
Bowles/Sorokko Galleries, "LeRoy Neiman: Downtown," New York 1992 - 4.1: 1992
Bowles/Sorokko Galleries, "Big Time Golf," Beverly Hills, San Francisco, and New York, 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions
Bowles/Sorokko Galleries, City by the Bay Debut, San Francisco, 1993 - 3.1: San Francisco Series, 1991-1993
Bowles/Sorokko Galleries, "An American in Paris," Beverly Hills, San Francisco, and New York, 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions
Bowles/Sorokko Galleries, San Francisco, 1995 - 4.1: 1995
Bowles/Sorokko/Yarger Galleries, "Portraits of Our Times 1946-1996", Beverly Hills and San Francisco 1996 - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996
Brentano's Gallery, New York, 1973 - 4.1: 1973
Brentano's Gallery, New York, 1979 - 2.1: 1979, 4.1: 1979
Brentano's Gallery, New York, 1980 - 4.1: 1980
Butler Institute of American Art, Exhibition at "The Art Spirit" Event, April 1990 - 4.1: 1990
Carol Condit Galleries, White Plains, 1975 - 4.1: 1975
Casa Grafica, Helsinki, Finland, 1977 - 3.1: Casa Grafica Solo Exhibition, Helsinki, Finland, 1977
"Celebration 2000," 2000 - 3.2. -- The Prints of LeRoy Neiman -- , 1991-2000, 2001
Centaur Galleries, Las Vegas, 2000 - 4.1: 2000
Centaur Sculpture Galleries, "The Safari Suite," Las Vegas 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions
Center Art Galleries, Honolulu, Hawaii, 1985 - 3.1: Center Art Galleries Exhibition, Hawaii, 1985
Dyansen Gallery, Trump Taj Mahal, 1992 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City, and The Beatles serigraph 1992
Elayne Galleries, Minneapolis, MN, 1978 - 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978
Emerald Art Gallery, Coronado, CA, 1976 - 3.1: Emerald Art Gallery Solo Exhibition, Coronado, CA 1976
Fairfield Gallery, "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," 2001 - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001
Fahlnaes Konstsalong, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77
Famous-Barr, St. Louis, MO, 1980 - 3.1: Famous-Barr Olympic Benefit Solo Exhibition, St. Louis 1980
The Far Gallery, "Recent Graphics and Drawings", 1971 - 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971
Franklin Bowles Galleries, "Animals: The Wild and the Tame", 1998 - 3.1: "Animals: The Wild and the Tame" Solo Exhibition, Franklin Bowles Gallery, San Francisco, October 1998
Franklin Bowles Galleries, "LeRoy Neiman: Master Printmaker," 2001 - 3.1: "LeRoy Neiman: Master Printmaker," Franklin Bowles Gallery, San Francisco 2001
Frankin Bowles Galleries, "LeRoy Neiman: Thirty Years in San Francisco," 2002 - 3.1: "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco 2002
Franklin Bowles Galleries, "Looking Back: The Life & Times of America's Artist", Fisherman's Wharf, San Francisco, February 2004 - 4.1: 2004
Franklin Bowles Galleries, "LeRoy Neiman: The Art of Boxing," San Francisco, February 2005 - 3.1: "LeRoy Neiman: The Art of Boxing," Franklin Bowles Galleries 2005
Friars Club, 1987 - see exhibitions: New York Friars Club
Galerie 224, 1989 - 4.1: 1989
Galerie Borjeson, Malmo, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77
Galerie O. Bosc, Paris 1962 - 4.1: 1962
Galerie Marc, San Francisco, 1977 - 4.1: 1977
Galerie Marcel Bernheim, "Un Américain à Paris," Paris 1993 - 3.1: "Un Américain à Paris," Solo Exhibition, Galerie Marcel Bernheim, Paris 1993
Galerie Renee & Victor, Stockholm, Sweden, 1977 - 3.1: Sweden Exhibitions 1976-77
La Galleria d'Arte, Newport Beach, CA, 1993 - 2.2: La Galleria d'Arte, 4.1: 1993, V: 1993
La Galleria d'Arte, "An American in Paris," Newport Beach, CA, 1994 - 2.2: La Galleria d'Arte, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions
La Galleria d'Arte, "LeRoy Neiman On Safari," Newport Beach, CA 1996 - 2.2: La Galleria d'Arte, 3.2. LeRoy Neiman On Safari, 1996, Related Exhibitions
Gallery One American Design, Aurora, Colorado, August 1990 - 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990
Gallery One of Writer Square, Denver, August 1990 - 3.1: Emerson Fittipaldi, 1989, 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990
Gallery 36, New York, 1973 - 4.1: 1973
Gallery 100, Mishawaka, IN, 1977 - 4.1: 1977
Gallery Hawaii, International Market Place, 1974 - 3.1: Hawaii and Japan 1974
Gallery of Modern Art, Frank Sinatra drawings, New York, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967
Gallery Richelle, 1966 - 4.1: 1966
Gateway Gallery, Vail, CO, 1994 - 4.1: 1994
Gilbert Gallery, San Francisco, 1974 - 4.1: 1974
Grigsby Gallery, Scottsdale, AZ, 1982 - 4.1: 1982
Hammer Galleries, 1963 - 3.1: Hammer Galleries Solo Exhibition 1963
Hammer Galleries, 1965 - 3.1: Hammer Galleries Solo Exhibition 1965
Hammer Galleries, 1967 - 3.1: Hammer Galleries Solo Exhibition 1967
Hammer Galleries Exhibition of New York Jets Drawings, 1968 - 3.1: Hammer Galleries Exhibition of NY Jets Drawings, 1968
Hammer Galleries, 1970 - 3.1: Hammer Galleries Solo Exhibition 1970
Hammer Galleries, 1972 - 3.1: Hammer Galleries Solo Exhibition 1972
Hammer Galleries, 1974 - 4.1: 1974
Hammer Galleries, "LeRoy Neiman: Works on Paper," 1975-76 - 3.1: Hammer Galleries Solo Exhibition 1975-76
Hammer Galleries, "The Olympic Ring," 1976 - 3.1: 1976 Olympics, Montreal
Hammer Galleries, "Horses," 1979-80 - 3.2. Horses, 1979, Harry N. Abrams, Publicity, Reviews, and Related Exhibitions
Hammer Galleries, "Drawings: A Retrospective," 1981 - 3.1: "Drawings" A Retrospective" Solo Exhibition, Hammer Galleries 1981
Hammer Galleries, 1982 - 4.1: 1982
Hammer Galleries, "LeRoy Neiman: Winners," 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions; Photos, Proofs, and BLAD
Hammer Galleries, "The Olympics, Past and Present," 1984 - 3.1: 1984 Olympics, Los Angeles
Hammer Galleries, "The LeRoy Neiman Collection," 1985 - 3.1: "The LeRoy Neiman Collection" Exhibition, Hammer Galleries, 1985
Hammer Galleries, "LeRoy Neiman in Moscow," April 1987 - 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987
Hammer Galleries, "LeRoy Neiman: A Salute to Central Park," September 1989 - 3.1: "A Salute to Central Park" Solo Exhibition, Hammer Galleries 1989
Hammer Galleries, "Big Time Golf," 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions
Hammer Galleries, "An American in Paris," 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions
Hammer Galleries, "LeRoy Neiman On Safari," New York, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions
Hammer Galleries, "A View from the Table," Solo Exhibition, New York, 2003 - 3.1: "A View from the Table" Solo Exhibition, Hammer Galleries, New York, 2003
Hilliard Gallery, Kansas City, October 1989 - V: 1989
Hilliard Gallery, "The Safari Suite," Kansas City, MO, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions
Horizon Gallery, Kuhio Mall, Waikiki Beach 1980 - 4.1: 1980 and ov
Hotrod Vintage Car Museum and Dance Club, 1989 - 4.1: 1989
Indianapolis Museum of Art, "Sketches of the XXth Olympiad," Miliken Gallery, 1972-73 - 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73
Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank, 1976 - 2.1: 1976, 3.1: Indianapolis Museum of Art Solo Exhibition 1976
Japan - see exhibitions: Backstage Gallery, exhibitions: Hanae Mori Building and exhibitions: Tobu Gallery
Jewish Community Center, Bridgeport, CT, 1976 - 4.1: 1976
JoAnn Perse Gallery, Little Rock, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams
JoAnn Perse Gallery, "Monte Carlo Chase," Little Rock 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions
John Miller Gallery, Carmel, CA 1982 - 4.1: 1982
Kentucky Derby Museum, "An Exhibition of Equine Art," 1993 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95
Kentucky Derby Museum, "A Racing Retrospective," 1995 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95
Kentucky Derby Museum, "The Art of Sport," 1997 - 3.1: 123rd Kentucky Derby and Derby Day Paddock 1997
M. Knoedler & Co., Ltd., London, 1976 - 3.1: Knoedler London Solo Exhibition 1976 Krannert School of Management, 1986 - no materials
Lawrence Ross Galleries, Beverly Hills, 1985 - 3.1: Lawrence Ross Galleries 1985-88
Lawrence Ross Galleries, Beverly Hills, 1986 - 3.1: Lawrence Ross Galleries 1985-88
Minotaur Galleries, Las Vegas 1988 - 2.2: Minotaur Galleries 1984 -1994, 3.2. -- Monte Carlo Chase -- , 1988, Related Exhibitions, Van Der Marck Editions, Ltd., 4.1: 1988
Minotaur Galleries, "Big Time Golf," Las Vegas 1992 - 3.2. Big Time Golf, 1992, Publicity and Related Exhibitions
Minotaur's Forum Gallery, Las Vegas 1993 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1993
Museo de Bellas Artes, Caracas, 1972 - 2.1: 1972, 4.1: 1972, V: 1970s
Peter Foulger Museum, Nantucket, 1975 - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition
Playboy offices, "LeRoy Neiman: Man at his Leisure" 1991 - V: 1991
Pratt Institute, "LeRoy Neiman in Cuba," 2003 - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003
"Profiles: Six Decades of Work" 1996 - 3.1: "Profiles" Exhibition 1996
Purdue University, 1986 - 4.1: 1986
Quinn-Pollak Gallery, "Monte Carlo Chase," San Diego 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions
Richelle Gallery, St. Louis, 1966 - see Gallery Richelle
Rosenbaum Galleries, Palm Beach, 1976 - 2.1: 1976, 4.1: 1976
St. Lawrence National Bank, 1977 - 3.1: St. Lawrence National Bank Solo Exhibition, Ogdensburg, NY, 1977
Sher Gallery, Florida, 1986 - 4.1: 1986
Springfield Art Association, "LeRoy Neiman: A Series of Sport Serigraphs," Springfield, IL, 1990 - 4.1: 1990
Springfield College - 3.1: LeRoy Neiman Centennial Art Exhibition, Springfield, MA, 1984
Springfield Museum of Art, 1974 - 4.1: 1974
State National Bank, El Paso, 1981 - 4.1: 1981
Steiner & Young Fine Arts Galleries, 1989 - 3.1: Steiner & Young Galleries Exhib 1989, 3.1: Soft Paintings 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions
Surf Club, 1989 - 4.1: 1989
Thomas Ward Galleries, St. Paul, 1975 - 4.1: 1975
Timothy Yarger Fine Art, "The Culinary Arts" 1998 - 3.1: "The Culinary Arts" Solo Exhibition, Timothy Yarger Fine Art, Beverly Hills 1998
Timothy Yarger Fine Art, "A Thirty-Year Retrospective Exhibition" - 3.1: Timothy Yarger Fine Art, "A Thirty -Year Retrospective" Exhibition 2000
Timothy Yarger Fine Art, "LeRoy Neiman: A Fifty-Year Retrospective", Beverly Hills, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003
The Toy Store, Hartford, CT, 1985 and 1986 - 3.1: The Toy Store 1985-86
Tobu Gallery, Tokyo, 1974 - 3.1: Hawaii and Japan 1974
Tretyakov Museum, Moscow 1988 - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988
Trump Plaza, Atlantic City, 1996 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence
Turnbery Isle Yacht and Racquet Club Exhibition, 1981, 1982, 1983 - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1981-83
Edwin A. Ulrich Museum of Art, Wichita State University, 1981 - 2.1: 1981
University of Charleston, West Virginia, Art Gallery, 1992 - 4.1: 1992
Upstairs Gallery, Beverly Hills, 1977 - 4.1: 1977
Upstairs Gallery, Beverly Hills, 1981 - 4.1: 1981
Upstairs Gallery, Beverly Hills, Exhibition celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions
Upstairs Gallery, Beverly Hills, 1986 - 4.1: 1986
Upstairs Gallery, Beverly Hills, 1987 - 4.1: 1987
Upstairs Gallery, Beverly Hills, 1988 - 4.1: 1988
Waller's Gallery, Tampa, 1975 - 4.1: 1975
Wichita State University Ulrich Museum of Art Exhibition 1981 - 4.1: 1981
The Wildlife Experience, "LeRoy Neiman on Safari," 2003 - 3.1: "LeRoy Neiman on Safari" Solo Exhibition, The Wildlife Experience, Parker, CO, 2003
Windsor Gallery, Los Angeles, 1974 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75
Windsor Gallery, "The Wide World of LeRoy Neiman," Los Angeles, 1975 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75
two-person exhibitions
LeRoy Neiman and Robert Addison, Art Institute of Chicago, 1978 - 4.1: 1978 and ov
Alexander Calder and LeRoy Neiman, Nassau Gallery, Baldwin, NY 1973 - 4.1: 1973
"The Mustache Show", Salvador Dali and LeRoy Neiman, Tunnel Club, New York, 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89
LeRoy Neiman/Andy Warhol, LAICA, Los Angeles 1981 - 3.1: Neiman/ Warhol Exhibition 1981
group exhibitions
Amherst College, "When They Were Very Young," Amherst, MA 1982 - 4.1: 1982
Amnesty International Exhibition and Sale, New York, 1990 - 4.1: 1990
Anna Werbe Gallery, Chicago Artists, Detroit 1958 - 4.1: 1950s
Anshe Emet Cinema Arts Festival, 1960 - 4.1: 1960
Aqueduct Art Gallery, New York, 1966 - 4.1: 1966
Area, "Art," New York, 1985 - 3.1: "Art", Group Exhibition at Area, 1985
L'art et L'automobile, automotive artists group exhibition, 1988 - 4.1: 1988
L'art et l'automobile, Ferrari Collection exhibition, 1989 - 4.1: 1989
Art Directors Club of Chicago, Exhibition of Advertising and Editorial Art, 1955 - 4.1: 1950s
Art Expo - 4.1: Undated
Art Institute of Chicago, Student Exhibition, 1950 - 4.1: 1950s
Art Institute of Chicago, Student Exhibition, 1951 - 4.1: 1950s
Art Institute of Chicago, "Artists of Chicago and Vicinity," 1953 - 4.1: 1950s
Art Institute of Chicago, Instructors Exhibition, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955
Art Institute of Chicago, "Artists of Chicago and Vicinity," 1956 - 4.1: 1950s
Art Institute of Chicago, American Painting and Sculpture, 1957 - 4.1: 1950s
Art Institute of Chicago, Instructors Exhibition, 1957 - 4.1: 1950s
Art Institute of Chicago, "Artists of Chicago and Vicinity," 1961 - 4.1: 1961
Art Institute of Chicago, "Drawing New Conclusions," 1992 - 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992
Baja Club, "Art's As Good An Investment as Bonds," New York, 1989 - 3.1: Baird Jones' Group Exhibitions 1988-89
Bal Tabarin Room, Sherman Hotel, Chicago 1959 - 4.1: 1950s
Bank One, "Athletes and Heroes," Youngstown, Ohio, 1987 - 4.1: 1987
"Beyond Illustration - The Art of Playboy," Traveling Exhibition, 1971-74 - 4.2: Playboy Ephemera 1970s
Blumhelman Gallery and Germans van Eck Gallery, "Artists for Amnesty," New York, 1990 - 4.1: 1990
Butler Institute of American Art, "The Artist at Ringside," 1990 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1990
Calgary Inn, "Fall Portfolio of International Artists," Calgary, Alberta, Canada 1980 - 4.1: 1980
Carnegie Institute of Arts, International Exhibition, Pittsburgh, 1955 - 4.1: 1950s
Chicago Navy Pier, Chicago Artists, 1957 - 4.1: 1957
Chicago Public Library, 1958 - 4.1: 1955-59
China Club, "The Famous Show," New York, 1988 - 4.1: 1988
Cig Art
"Cig Art," National Arts Club, New York, 1996 - 4.1: 1996
"Cig Art 2: The Smoke Continues", National Arts Club, New York, 1997 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
"Cig Art 4: Where There's Smoke", Art Museum of Southern Texas, 2000 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
Collectors Club Exhibition, 1957 - no materials
Corcoran Gallery of Art, Biennial Exhibition of Contemporary American Oil Paintings, Washington, DC, 1957 - 4.1: 1950s
Deer Path Art League Annual Fine Arts Fair, 1957 - 4.1: 1950s
El Paso Museum of Art, 1987 - 4.1: 1987
Foster Harmon Galleries of American Art, "Grand Opening Group Exhibition," Sarasota, 1980 - 4.1: 1980
Foster Harmon Galleries of American Art, "American Masters Exhibition," Sarasota, FL, annual - 4.1: 1981, 1987
Gimbel's, "Playboy's Art of Fashion Exhibition," Milwaukee, Wisconsin, 1979 - 4.2: Grand Palais, "Salon d'Automne," Paris, 1993 - 2.2: Association du Salon d'Automne 1992-99, 4.1: 1993
Hammer Galleries, "Group Show of FKH Artists," 1974 - 4.1: 1974
Hammer Galleries, Holiday Exhibitions, New York, 1974 - 4.1: 1974
Hammer Galleries, "Hammer Galleries Graphics," New York, 1975 - 4.1: 1975
Hammer Galleries, "Master Prints of the 19th -20th Century," 1987 - 4.1: 1987, V: 1987
Hanson Art Galleries, San Diego, CA - 4.1: 1987
Harmon Gallery, "20th Century American Masters," Naples, FL, 1979 - 4.1: 1979
Illini Union Art Gallery, Illinois 1973 - 4.1: 1973
International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1977 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78
International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1978 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78
Los Angeles County Fair - see group exhibitions: Millard Sheets Gallery
Marshall Field & Co. Gallery, "Brotherhood in Art," 1958 - 4.1: 1950s
Mickey Mantle's, New York - 4.1: 1988
Midwest Museum of American Art, "Panorama of American Art," Elkhart, IN, 1979 - 4.1: 1979
Millard Sheets Gallery, Fairplex, "Art and the Athlete," Los Angeles County Fair, 1996 - 3.1: "Art and the Athlete" Group Exhibition, Los Angeles County Fair 1996
Minneapolis Institute of Arts, Local Artists' Exhibition, 1952 - 4.1: 1950s
Minneapolis Institute of Arts, Local Artists' Exhibition, 1953 - 4.1: 1950s
Minneapolis Institute of Arts, Local Artists' Exhibition, 1954 - 4.1: 1950s
Minnesota Museum of Art, "TIME Portraits of American Newsmakers," 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969
Minnesota Museum of Art, "Drawings USA 75," St. Paul, 1975 - 4.1: 1975
Minnesota State Fair, 1954 - 4.1: 1950s
Minnesota State Fair, 1955 - 4.1: 1950s
The Monmouth Museum, "The Horse: Man's Noble Companion," Lincroft, NJ 1987 - 4.1: 1987
Museum of the City of New York, "Showstoppers: Great Moments of the American Musical," 1983 - 3.1: Showstoppers Group Exhibition, MCNY 1983
Mystic Seaport Museum, "Archives of American Yachting and Boating," 1985 - 4.1: 1985 National Art Museum of Sport, 1969 - 4.1: 1969
National Portrait Gallery, "TIME Portraits of American Newsmakers," Washington, DC, 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969
Navy Pier Art Show, 1957 - 4.1: 1950s
New Orleans Museum of Art, "Louis Armstrong: A Cultural Legacy," 1994-95 - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995
North Mississippi Valley Exhibition, 1964 - 4.1: 1964
North Shore Art League, Chicago Area Show, 1956 - 4.1: 1950s
North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1958 - 4.1: 1950s
North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1959 - 4.1: 1950s ov
Northampton County Area Community College Foundation, 1982 - 4.1: 1982
Odyssey House Art Gallery, New York, 1972 - 4.1: 1972
F. Oehlschlaeger Gallery, Chicago, 1958 - 4.1: 1950s
F. Oehlschlaeger Gallery, Chicago, 1959 - 4.1: 1950s
F. Oehlschlaeger Gallery, Chicago, 1965 - 4.1: 1965
F. Oehlschlaeger Gallery, "Twentieth Anniversary Show," Chicago 1969 - 4.1: 1969
F. Oehlschlaeger Gallery, "American Masters of the 1940s, 50s, and 60s," 1985 - 3.1: "American Masters of the 40s, 50s, and 60s", Frank Oehlschlaeger Gallery, 1985
F.X. McRory's Whiskey Bar, Seattle, 1980 - see bars
Fairfield Gallery - see exhibitions
Fairmont Hotel - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986
Falstaff, opera by Verdi - 3.1: Falstaff Opera 1993, 4.1: 2002
fan auction - 4.1: 1992
Far Gallery, New York - 3.1: "Recent Graphics and Drawings", The Far Gallery Solo Exhibition 1971
fashion - 3.1: Early Fashion Illustration 1949-57, 3.1: Fashion Illustration for The Domino Catalog 1950s -60s, 3.1: Fashion Illustration for Marshall Field 1957-59 (Oversize only), 4.1: 1958, 1971, undated 1990s
F.D.N.Y. (Fire Department of New York)
F.D.N.Y. Painting - 3.1: F.D.N.Y. Painting 2002
F.D.N.Y Pipes and Drums - 2.1: 1984
Felicie, Inc. - IID: Price Lists 1970s, 1.2
Felt, Irving Mitchell and Elaine - 2.1: 1977, 3.1: Bill Bradley 1978-2000, see Madison Square Garden
Femlin - see Playboy
Festival Internacioal de Danca Contemporanea - 4.1: 2000
Fields, Edward - see tapestry
The Fifth Dimension - 3.1: Fifth Dimension Album Art 1970-1982
Fight of the Century - see boxing
figure skating -- - 3.1: 1982 U.S. Figure Skating National Championships, V: 1980s, see also Olympic Games
Healey, Kathy - V: Kathy Healey, 1981
Superskates - 2.1: 1981, 4.1: 1981, V: 1980s
United States Figure Skating Association - 2.1: 1984, 3.1: 1982 U.S. Figure Skating National Championships
film -- - 3.1: Beauty, the Beach, and the Bizarre 1984, 3.1: Houston Film Fest 1990, 3.1: Wine Country Film Fest 1990, 4.1: 1972, 1990, see also Screen Actors Guild
Halas, George - 3.1: Gridiron Football News 1971-73, George Halas, Jr. Sports Center - 4.1: 1979
Hall, Jim - 4.1: 1997
Hall of Famer, 1996 - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1998
Halle, David - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present; A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer - IC: A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer, 1990
Halmi, Robert - 3.2.12 and 4.1: undated ov
Hammer Galleries - see exhibitions, and Knoedler & Co.
Hammer, Armand - 1.2: Knoedler & Co. and Hammer Galleries, 3.1: New York City Marathon 1984-2001, 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988, 3.1: Tokyo exhibition 1988
Hammer, Michael - 1.2: Knoedler & Co. and Hammer Galleries
Hammer, Victor - 1.2: Knoedler & Co. and Hammer Galleries
Hammond, IN - see Mercantile Bank
Hampton, Kym - 4.1: 2000
The Hamptons, New York - 3.1: Hamptons notes 1972, 4.2: -- Playboy -- 1973, see Appendix E handball - see Jacobs, Jim
Hanson Gallery, New Orleans - see exhibitions, 3.1: Rex Proclamation Mardi Gras Painting 2002, 4.1: 1984, 1986, 1998, 2000, 2001, 2002, 2004
Hanson Gallery, San Diego - 4.1: 1987
Harbor Boat House, 1955 - 4.1: 1950s
Hardy, Joseph A. - 1.1: Collectors
Harlem Streets, 1981 - 3.1: Cities in Schools and Harlem Streets, 1981
harlequin
Harlequin, lithograph - 3.1: Circle Gallery 1972, 4.1: 1989
Harlequin and a Nude, 1971 - 4.1: 1991
Harlequin with Sword, lithograph - 3.1: Circle Gallery 1972
Harlequin's Entry into Venice, 1971 mural - 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90
Haring, Keith - 4.1: 1997
Harmon Galleries - see Foster Harmon Galleries
Harper's -- Magazine - 4.1: 1964, 1968
Harrod's, London - 4.1: 1982
Harry, Deborah - 2.1: 1978
Harry's Wall Street Bar - see bars
Hartack, Bill - 2.1: 1977
Harvard University - 4.2: Playboy Parodies - Harvard and Yale
Japan - 2.1: 1986, 1987, 2.2: CBS Sports Correspondence, 3.1: Hawaii and Japan 1974, 3.1: Japan Trip 1977, 3.1: Tokyo Exhibition 1983, 3.1: Tokyo Exhibition 1988, 3.2. -- Winners -- , 1983, Correspondence, Harry N. Abrams, 4.1: 1984
jazz
Armstrong, Louis - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995, 4.1: undated 1990s
Louis Armstrong, 1963 - 4.1: 1965
Louis Armstrong, 1981 - 4.1: 1981
Louis Armstrong, 1976 - 3.1: Newport Jazz Festival 1975 -2004, 3.1: Kool Jazz Festival 1976, 4.1: 1979
Lazar, Irving "Swifty" - 3.1: Celebrity Night at Spago, 1993
Leahy, Pat - 4.1: 1992
Learning Annex - 2.1: 1989, 4.1: 1989
Lebow, Fred - 3.1: New York City Marathon 1984-2001
lectures - 2.2: Royce Carlton Lecture Agents 1978-86, 4.1: 1989, see also Learning Annex
Leibowitz, Maury - 1.2: Knoedler & Co. and Hammer Galleries
Leifer, Neil - 3.1: Circle Gallery 1972, 3.1: '21' Club, 1990 (photo), 4.1: 2003
Leija, James - 4.1: 1995
LeMieux, Mario, Mario LeMieux, 1989 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91
Lendl, Ivan - see tennis
Lennon, John - 2.1: 1999, 2000, see also The Beatles, and Ono, Yoko
John Lennon, pre 1982 drawing - 4.1: 1982
John Lennon, 1990 etching - 2.2: JoAnn Perse Gallery 1984-98, 3.1: John Lennon Etching 1990, 4.1: 1990, 1992
Leonard, Sugar Ray - see boxing
LeRoy, Minnesota - 4.1: 1978 and ov, V: 1970s
LeRoy Neiman: An American in Paris -- , 1994 - 3.1: Superbowl XXVIII 1994, 3.1: Saks Fifth Avenue 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994
LeRoy Neiman: Art and Lifestyle, 1974 - 3.2. -- LeRoy Neiman Art and Lifestyle -- , 1974, Felicie, 1.2: Felicie, Inc. Advertising, 1.2: Lawsuit Against Felicie, Inc.
LeRoy Neiman Center for Print Studies, Columbia University - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present
LeRoy Neiman Center for the Study of American Society and Culture, University of California at Los Angeles - 3.1: UCLA, 1998-present
LeRoy Neiman: Five Decades, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003
LeRoy Neiman Museum of Art, St. Paul, Minnesota - 3.1: LeRoy Neiman Museum of Art, St. Paul, 1997, 4.1: 1997 (ov), 1998
LeRoy Neiman On Safari, 1996 - 1.2: Bowles Galleries 1997-present, 3.2. -- LeRoy Neiman On Safari -- , 1996
LeRoy, Warner - 2.1: 1998, 1999, V: 1991, see also Tavern on the Green
Let's Celebrate - 4.1: undated
Leukemia Society of America - 4.1: 1992
Levin, Meyer - 4.1: 1955-59
Lewis, Carl - see track and field
Lewis, Jerry Lee - 3.1: Blues Ball 1997-2004, The Killer - 3.1: Blues Ball 1997-2004
Lewis, Lennox - see boxing
Liberace - 4.1: 1988
Licensing Art and Design, by Cynthia Revelli - 2.1: 1995
Lido - 4.2: -- Playboy -- 1964, see Appendix E
Lifeline Inc. (fitness equipment) - 2.2: Bobby Hinds 1990-2000
London, England - 3.1: O'Hana Gallery Solo Exhibition, London 1962, 3.1: Knoedler London Exhibition 1976, 4.1: 1960 ov, 1961, 1962, 1966, see also Liverpool
The Lone Ranger, 1977 - 2.1: 1988, 3.1: The Lone Ranger, 1977
Long, Captain Elgen, The Adventurer, between 1971 and 1977 - 2.2: Gallery Mack 1975 -87, 4.1: 1982
Lonsdale International Sporting Club - 1.1: Awards
Los Angeles Institute of Contemporary Art (LAICA) - 3.1: Neiman/Warhol Exhibition at LAICA 1981-82
Louganis, Greg - see swimming and diving
Louis, Allyson - see Allyson Louis Gallery
Louis, Joe - see boxing
Lowery, Nick
Nick Lowery, 1992 - 4.1: 1992, 1997
Lubel, William - 2.1: 1973
Lynch, David - 3.1: "Cig Art" Benefit Exhibitions 1996-2000
M
Maccioni, Sirio - 4.1: 2004
Mack, Barbara - see Gallery Mack
Madison Square Garden - 2.1: 1981, 4.1: 1966, 1967, 1968, 1969, 1971, 1987, 1992, 1994, 1999, 4.2: -- Playboy -- 1963, see Appendix E
Madison Square Garden (silkscreen) - 4.1: 1978
Madrid, Spain - 4.1: 1960 ov
A Magic Moment, 1990 - see Orlando Magic under "baseball"
magical creatures - see animals: unicorn
Mahoney, James - 2.1: 1983, 3.1: Pebble Beach Golf 1982-1995
Mailer, Norman - 4.1: 1982
Maitland, Vic - 2.2: NFL Alumni
Make-a-Wish Foundation - 4.1: 2000
Maki, Mary Ann - 2.1: 1993, 1995, 1997
Malave, Chu Chu - see boxing
Malinowski, Mark "Scoop" - 4.1: 2000
Malletmen, 1977 etching - see polo
Manager of the Year, 1992 - see LaRussa, Tony
Mandalay Bay - 3.1: De La Hoya vs. Vargas 2002
Mandela, Nelson - 3.1: Nelson Mandela Tribute 1997
Mangione, Chuck - 4.1: 2004
Manhattan Bride -- Magazine - 4.1: 1999
Manhattan Concert Club - 4.1: 2004
Manhattan Magazine - 1.1: Awards, 2.1: 1989, 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995 - present, 4.1: 1984, 1990, 1997, 1998, 1999 Manila, Phillipines - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975
Manufacturers Hanover Trust Company - 2.1: 1978, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: New York City Marathon 1984-2001, 3.1: Millrose Games 1986-1995, see also Chemical Bank and McCabe, Charles
marathon - see running
March of Dimes - 2.1: 1981, 1982, 3.1: March of Dimes' Gourmet Gala 1985, 4.1: 1974, 1981, 1983, 1985
Mazzilli, Lee, Lee Mazzilli, 1979 - 2.1: 1979, 2001 4.1: 2001, Lee Mazzilli Celebrity Golf and Tennis Classic - 2.1: 2001, 4.1: 1992, 1994, 1995, 1996, 1997, 2001
McCabe, Charles - 2.1: 1995, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: Iona College Trustee Awards Dinner Dances 1984-95, 4.1: 1987, 1997, see also Chemical Bank
McCormack, Mark H. - see The Wonderful World of Professional Golf by Mark H. McCormack under golf
McDonald, Kitt - 4.1: 1986
McDougal, Little & Company - 2.1: 1985
McEneaney, Eamon - 4.1: 2001, 2005
McEnroe, John - see tennis
McFagan, Helen - 2.1: 1993
McGirt, James "Buddy" - see boxing
McGraw-Hill Publishers - 2.1: 1999
McGuire, Al - 4.1: 1980
McGwire, Mark, Mark McGwire, 1998 - 3.1: Mark McGwire 1998-99, 4.2: -- Bartender Magazine -- 1997-2002, 3.1: Good Tidings Foundation, 1998-2002
McHale, Kevin - see Johnson, Earvin "Magic": Magic
McNeely, Peter - 4.1: 1995
McNichol, Kristy - 2.1: 1980
Mead, Margaret, Margaret Mead, 1972 drawing - 4.1: 1977 ov
Meigs, Kris - 2.1: 1981
Melville, Herman - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition
Memphis Blues Ball - 4.1: 1998
Men, Boats, and the Sea, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955
menus - 4.1: 1977, 1993, 1994, 1995, 1997, 1999, see also food, restaurants
medical - see The Open Heart, 1982
Mercantile Bank, Chicago and Hammond, IN - 3.1: Mercantile Bank Murals 1966
merchandise - see promotions, product and service, and collectible merchandise
Merrill Chase Galleries, Chicago - 2.2: Merrill Chase Galleries 1974-89, 4.1: 1973, 1976, 1980, 1981, 1982 see exhibitions
Metropolitan Museum of Art - 2.1: 1981
Metropolitan Opera - see opera
Mexico - 3.1: Caliente Race Track Exhibition and Painting 1989
MGM Grand Gallery - 4.1: 1999
Miami Sound Machine - see Estefan, Emilio and Gloria
Michael Zabrin Fine Art - 2.1: 1989
Michaels, Walt - 2.1: 1980, see also football: New York Jets
Midwest Museum of American Art - 4.1: 1979, 1989, see also exhibitions
Monroe, Earl, Earl "The Pearl" Monroe, 1976 - 4.1: 1976
Montana, Joe, Joe Montana, 1982 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1982, 1990
Montanez, Willie - 4.1: 1979
Monte Carlo, Monaco - 4.2: -- Playboy -- 1963, see Appendix E, see auto racing, Monaco
Monte Carlo, 1994 - 4.1: 1999
Monte Carlo Chase, 1988 - 2.2: Neiman -Marcus 1983-88, 3.1: Steiner & Young Galleries Solo Exhibition 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
Japanese Edition - 2.2: Joe Hideo Morita 1988-90
Moore, Wayland - 2.3: Imitations and Forgeries
Moorer, Michael - 4.1: 1994
Morbelli, Jean - 2.1: 1988
Moreno, Linda "Eva" - 2.2: Linda Moreno
Morgan, Joe, Joe Morgan, 1990 - 4.1: 1990
Morita, Joe Hideo - 2.2: Joe Hideo Morita 1988-90
Morley, Malcolm - 4.1: 1984
Morocco - 4.2: -- Playboy -- 1970, see Appendix E
Morrel Wines - 4.1: 1984
Morris, Gary and Elizabeth - 2.1: 1996, 3.1: Iroquois Steeplechase, Nashville, TN, 1993
Morrison, Tommy - see boxing
Morton's of Chicago - see restaurants
Moscow - 3.1: Goodwill Games Moscow 1986, 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987, V: 1960s
Tretyakov Museum - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988
Mosley, Shane - see boxing
Mount Pleasant Animal Shelter - 4.1: 2000
Mozartfest - 4.1: 1998
Mthembu, Nomusa - 2.1: 1992
Mulloy, Gardner - 4.1: 1998
multiple sclerosis - see National Multiple Sclerosis Society, or Race to Erase MS
Munich, Germany - see Olympic Games
Municipal Art League of Chicago Award - 1.1: Awards
The Organ at St. Paul the Apostle, 1965 - 4.1: 1965, 1967
Symphantasy - 3.1: Symphantasy 1988
Symphony for United Nations, 1991 - 2.1: 1991, 4.1: 1991
country - 4.1: 1994, see Tennessee
jazz - see jazz
opera - see opera
popular - 3.1: Fifth Dimension Album Art 1970-82, 3.1: Billboard Magazine First Annual Billie Awards 1993, 4.1: 1993, see The Beatles; Bennet, Tony; Blues Ball; Davis, Sammy; Iglesias, Julio; Jackson, Michael; Lennon, John; Paul, Les; Sinatra, Frank
musicals - see Times Square, 2001
Angels on Horseback - 4.1: undated 1980s
Golden Boy - 4.1: 1964
My Fair Lady - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983
Oh! Calcutta - 4.1: 1967
Porgy and Bess - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983
West Side Story - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983
Mustang Ranch - 3.1: Mustang Ranch Brothel 1989
Myasthenia Gravis Foundation - 4.1: 1978
Myers, Farlan - 2.1: 1986
Mystic Seaport, CT - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition
Mystic Rock, 1995 - 4.1: 1997
N
NAMTA - 4.1: 1984
NBC - see television
NECO (National Ethnic Coalition of Organizations) - 1.1: Awards, Citations and Miscellaneous Prizes
Nabisco - see promotions
Nahan, Kenneth - 4.1: undated
Naismith Memorial Basketball Hall of Fame - see basketball
Namath, Joe - 3.1: New York Jets 1966-, 4.1: 1968, 1972, 1973, 1982
Napoleon at Waterloo, 1988 serigraph - 4.1: 1988
Nash, Beau - 3.1: The Ambassadors, 1960s
The Nation -- Magazine - 2.1: 1998, 4.1: 1998
National Art Museum of Sport (NAMOS) - 2.1: 1972, 1979, 4.1: 1980, 2003 see also exhibitions
National Arts Club - 4.1: 1994
National Baseball Hall of Fame and Museum, Cooperstown, NY - see baseball
National Bowling Hall of Fame and Museum - see bowling - Million Dollar Strike, 1982
National Cowboy Hall of Fame - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985
National Fitness Classic - 4.1: 1982, 1983
National Multiple Sclerosis Society - 4.1: 1969, 1976, 1980, 1988
National Sports Collectors Convention - 4.1: 1992 ov.
Neiman, Earl - 1.1: Family (Neiman Studio Archive only)
Neiman, Janet - 1.1: Family, 3.1: Art Institute of Chicago Instructors Exhibition 1955, 4.1: 1985
Neiman News - 3.1: Neiman News 1977-1985
Neiman-Marcus - 2.2: Neiman-Marcus 1983-88, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1983, 1984
Neiman, Robert B - 2.3: Imitations and Forgeries
"Neiman's Cuba" film project - 2.1: 1979, 1982
Neiman's Restaurant & Lounge - see restaurants and bars
Nepal - 2.1: 1982
Nevada County Arts Council - 4.1: 1982
New Jersey State Opera Ball - see opera
New Milford Hospital - 4.1: 1991
New Orleans, Louisiana - 2.1: 1993, 1997, 1998, see also Hanson Art Galleries and Mardi Gras
New School for Social Research, NY - 4.1: 1978
New Times Magazine - 2.1: 1978
New Year's Eve, 1997 - 4.1: 1997 and ov
New York City Marathon - see running
New York Friars Club - 4.1: 1999
New York Giants - see Football
New York and Los Angeles: Politics, Society, and Culture by David Halle - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present
New York Public Library - 4.1: 2002
New York State Governor's Arts Awards - 4.1: 2000
New York Times Magazine -- - 4.1: 1971
The New Yorker -- Magazine - 4.1: 1994, 1999
Newman, Eric - V: 1975
Newman, Paul - 3.1: Celebrity Night at Spago, 1993, see also -- The Hustler
Newport Jazz Festival - 3.1: Newport Jazz Festival 1975-2004
Newsweek -- Magazine - 4.1: 1972, 1992
Newton, Wayne - 4.1: 1988
NFL - see football
NHL - see hockey
Niarchos, Stavros
Stavros Niarchos, 1969 drawing - 4.1: 1969 ov.
Nicholson, Jack - 3.1: Tyson vs. Spinks 1988
Nicklaus, Jack - see golf
Nitschke, Ray - 4.1: 1988
Noah, Yannick - see tennis
Nob Hill, 1986 serigraph - 3.1: Nob Hill and Bowles Hopkins Gallery 1986
Norman, Greg, Greg Norman - 2.1: 1990
North Shore Art League - 1.1: Education and Teaching, Miscellaneous, undated
North Shore Child and Family Guidance Association - 4.1: 1986, 1987
Northern Indiana Art Association - 2.1: 1989, 4.1: 1989
Northwest Orient Magazine - 4.1: 1986
Northwest Paper Company - 3.1: 1972 Olympics
Northwestern University - 2.1: 1978
Norton, Ken - see boxing
Norton Herrick Fine Arts Group - 3.1: LeRoy Neiman Website 1997-present
Playboy -- Magazine and Man at His Leisure - see Appendix E, 2.2: Playboy Enterprises Inc. 1980s, 3.1: 1984 Olympics, Los Angeles, 4.1: 1959, 1966, 1999, 4.2: -- Playboy -- Magazine, V: Playboy Clubs 1961-63
The Plaza Hotel, New York - 4.2: -- Playboy -- 1965, see Appendix E
The Plaza Square, 1985 - 4.1: 1985, 1986
tapestry - 2.1: 1990
Poland - 2.1: 1976, 1987
Plunkett, Sherman - 4.1: 1967
Police Athletic League - 2.1: 1981
politics - 3.1: Bill Bradley 1978-2000, 3.1: Peace Treaty, 1980, 3.1: Peter Dawkins Poster 1988, 3.1: Rudy Giulianni and Commission on Cultural Affairs 1994-2001, 3.1: Nelson Mandela Tribute 1997, 4.1: 1960, 1968, 1988, 1989, 1992, see also Thurmond, Strom, and The White House
Polo Lounge, 1988 - 2.1: 1989, 3.1: Advertising Layouts 1980s, 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Bev Hills 1989, 4.1: 1990, 1995, 1996, 4.2: -- Bartender Magazine -- 1997-2002
The Pope Flies Over New York, detail - 4.1: 1981
Pope, Kerig - 2.2: Playboy Enterprises Inc. 1980s
Porgy and Bess - see musicals
Porter, David - 3.1: Blues Ball 1997-2004
Portola Valley Classic Equestrian Festival - 4.1: 1999
Portrait of the Lion, 2002 - see animals
portraits -- - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996
of LeRoy Neiman, by other artists - 2.1: 1978, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 4.1: 1986 ov
by LeRoy Neiman - search by name of subject
Posner Gallery - 2.1: 1989
posters - 3.2. -- Posters -- , 1980, Harry N. Abrams, 4.1: 1981, 1993
Posters, 1980 - 3.2. -- Posters -- , 1980, Harry N. Abrams, 3.2 ov.
Pratt Institute, New York - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003
Preakness Stakes - see horse racing
Prentice - Hall Publishers - 2.1: 1978
President of the United States - see politics, or search by name of President (Carter, Reagan, Bush, Clinton)
President's Council on Physical Fitness and Sports - 2.1: 1990, 4.1: 1982, 1983
Presley, Elvis - 3.1: Blues Ball 1997-2004, 4.2: -- Playboy -- 1978 (July)
price lists - IID: Price Lists
Prince Charles, 1984 - 4.1: 1984
prints - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov), see also The Prints of LeRoy Neiman below
The Prints of LeRoy Neiman, 1980 - 3.2. -- The Prints of LeRoy Neiman -- , 1980, Knoedler Publishing
The Prints of LeRoy Neiman 1980-1990, 1991 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City 1992, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991
The Prints of LeRoy Neiman 1991-2000, 2001 - 3.2.14
Professional Picture Framers Association - 4.1: 1984
promotions, product and service, and collectible merchandise
Schultz, Charles - 2.2: Playboy Enterprises Inc. 1970s
Schultz, Dave (hockey player) - 4.1: 1974
Schultz, Dave (wrestler) - see wrestling
Schumsky, Felicie - V: 1970s, see also Felicie, Inc.
Screiber, Al - 4.1: 1994
Schwarzenegger, Arnold - 2.1: 1990, 3.1: LongTerm Projects: American Sportscasters Association Hall of Fame Awards Dinners, 4.1: 1977, 1981, Arnold Schwarzenegger, 1977-78, 4.1: 1977, 1985, 2005
The Scooter, 1994 - see Rizzuto, Phil
Scott Foresman & Company Publishers - 2.1: 1985
Screen Actors Guild - 1.1: Name Tags and ID Cards, 3.1: Rocky films 1980-1990, see also American Federation of Television and Radio Artists
sculpture
Horse Racing Suite, 1977 - 3.1: Sculpture 1977-1987, 4.1: 1978
Sinatra, Frank -- - 1.1: New York Friars Club, 2.2: Sinatra Family Correspondence, 3.1: Hammer Galleries Solo Exhibition 1967, 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967, 3.1: Leo Durocher 1974-94, 3.1: Frank Sinatra Portraits for Duets and Duets II Albums 1993-1995, 3.1: Hofstra Univ. Frank Sinatra Conference and Exhibition 1998, 3.1: Frank Sinatra Classic Duets Album Cover 2002, 4.1: 1979, 1983, 1989, 1998, see also golf, 4.2: Playboy Ephemera 1960s
Frank at Rao's, 2005 serigraph - 4.1: 2005
Frank Sinatra, 1993 - 3.1: Frank Sinatra Duets and Duets II Album Covers 1993-1995
Frank Sinatra at Carnegie Hall, 1974 - 3.1: Frank Sinatra at Carnegie Hall Poster 1974
Frank Sinatra as the Detective, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967
Frank Sinatra at Madison Square Garden, 1974 drawing for poster - 4.1: 1974
Frank Sinatra at Royal Albert Hall, 1989 - 3.1: Frank Sinatra at Royal Albert Hall 1989
Singleton, Isaiah - 2.1: 1996
Singleton, Skip - see tennis: Intelligent Doubles and Intelligent Tennis
skating - see figure skating
skiing -- - 4.1: 1983, 1995, see also Olympics: skiing
Lady Skier - 4.1: 1998
Little Skier - 4.1: 1974
The Skier, serigraph - 3.1: Circle Gallery 1972
Skiing, etchings - 3.1: Circle Gallery 1972
Slalom, serigraph - 3.1: Circle Gallery 1972, 4.1: 1973
Squaw Valley - 4.2: -- Playboy -- 1961, V: 1960s, see Appendix E
Vail Race to Erase MS painting, 1994 - 4.1: 1995
Skoal Pinch Hitter of the Year Award - 3.1: Skoal Pinch Hitter 1985-1987
Slatkin, Leonard, Leonard Slatkin, 1980? - 4.1: 1980
Special Olympics -3.1: Special Olympics Nagano Japan 2005, 4.1: 1986, 1996, Mississippi Special Olympics - 2.1: 1977
The Spectrum, Philadelphia, PA - 2.1: 1991, 1996, 3.1: Philadelphia Spectrum Painting 1991, 4.1: 1992, V: Photographs
Spectrum Fine Art, New York - 3.1: "Ball, Bat, and Glove", Spectrum Fine Art, 1977, 4.1: 1978
Spelling, Aaron - 2.1: 1985
Spinks, Leon - see boxing
Spinks, Michael - see boxing
Spirit Foundation - 2.1: 1999
Spitz, Mark - see swimming and diving
The Sporting Life - 4.1: undated
The Sporting News - 3.1: Iona College Trustee Awards Dinner Dances 1984-95
sports - listed alphabetically by name of sport (i.e. "baseball," "soccer"), with teams listed under heading of appropriate; in some cases college and professional sports are indexed separately. Also search for names of specific athletes.
sports arenas - see Madison Square Garden, Philadelphia Spectrum
sports cards - see trading cards
Sports Collectors Digest - 4.1: 1997
Sports Commemorative Decanters - see promotions and collectibles
sportscasters - see also Cosell, Howard, and Rooney, Art
American Sportscasters Association - 1.1: Awards
Sportsman's Ball - 3.1: Sportsman's Ball 1978
Sportsman's Park, Chicago - 3.1: Sportsman's Park Mural, Chicago 1976
SportsWise Magazine - 2.1: 1980
Springfield Art Association, Illinois - 2.1: 1990
Stadium Tennis, 1981 - see tennis
The Stag's Head Bar, Dublin, 1961 - see bars
Stallone, Sylvester - see Rocky, 4.1: 1987
stamps - 4.1: 1974
"Health in Sports" stamps, 1988 - 3.1: United Nations "Health in Sports" Stamps 1988
"Sport and the Environment" stamps, 1996 - 3.1: United Nations "Sport and the Environment" Stamps 1996
"Superbowl History" Stamps, 1988 - 3.1: U.S. Postal Service Superbowl Stamps 1988
Taylor, Elizabeth - 3.1: Celebrity Night at Spago, 1993
Taylor, Lawrence - 4.1: 1996
television - 2.1: 1970, 1978, 4.1: 1972, 1974, 1975, 1977, 1979, 1980, 1985, 1994, 1995, 3.1: Call of the Wild 1993, see also ABC, CBS, American Federation of Television and Radio Artists, The Lone Ranger
ABC Sports - 2.2: ABC Sports
Ampex Video Art - 3.1: Superbowl XII, 1978, 4.1: 1980
Arlene Herson Show - 4.1: 1989
The Black Stallion television show - 2.1: 1990
CBS Sports - 2.2: CBS Sports, 3.1: Superbowl XII, 1978
Shukan T.V. Guide, Japan - 2.1: 1996, 3.1: 1984 Olympics, Los Angeles
TV Food Network - 2.1: 1993
TV Gallery with Ron Parris - 2.1: 1979, 4.1: 1979
T.V. Guide - 2.1: 1975
T.V. Guide Japan - 2.1: 1996, 4.1: 1984
TV Shopper - 2.1: 1979, 4.1: 1973, 1980
Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98
Today Show - 3.1: WNBC Traffic Helicopter 1981-93
WGBH TV Boston - 2.1: Charities 1994, Charities 1996
Wonderama TV Show - 4.1: undated 1970s
The Year of the Runner TV series, LeRoy Neiman host - 4.1: 1979
Tenenbaum, Judy and Harold - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum
Tennessee - 3.1: Women's Basketball Hall of Fame, 1993, 3.1: Iroquois Steeplechase, Nashville, TN, 1993, 3.1: Blues Ball 1997 -2004, see also Gregory, Jack; Morris, Gary and Elizabeth; Murphy, Libby; Perkins, Carl; Rudy, Jeanette Cantrell; Tigrett, John and Pat Kerr
tennis -- - 3.1: Nelson Mandela Tribute 1997, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1975, 1980, 1985, 1988-89, 1997, 1999
University of California at Los Angeles - see UCLA
University of Chicago - 1.1: Education and Teaching, Miscellaneous, undated
University of Denver - 2.1: 1979
University of Oklahoma - 2.1: 1982
University of San Francisco - 4.1: 1988
University of Southern California - 3.1: Los Angeles Olympics 1984
University of Texas at Austin - 4.1: 1994
Upstairs Gallery - 2.2: Upstairs Gallery 1980-89, 4.1: 1973, 1985, 1989, see also exhibitions
V
Vail, CO - see skiing
Van Der Marck Editions - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.
vandalism - 4.1: 1978, see also theft, forgery
Vanity Fair Magazine - 4.1: 1996
Varga, Alberto - see -- Playboy -- Magazine
Vargas, Fernando - see boxing
Variety Clubs International Distinguished Artist Award - 1.1: Awards
Varipapa, Andy - see bowling
Venice, Italy - 2.2: Helmut Drinhaus 1988-2000
Ventura, Jesse - see wrestling
Vernon, Jackie - 3.1: Economic Opportunity Atlanta 1968 ov.
Versace, Gianni - 4.1: 2001
Via Video - 2.1: 1983
Viagem E Tourismo Magazine - 3.1: Brooklyn Bridge, 1995
Victor Awards - 3.1: Victor Awards 1981-1985, 4.1: 2003
Video Magazine - 2.1: undated
Vienna, Austria - 2.1: 1996
Village Nursing Home - 4.1: 1982
W
WNBC - see helicopter
Wajima - 3.1: Hawaii and Japan 1974
Walker, Doug - 3.1: Soft Paintings 1989
Wall Street Journal -- - 4.1: 1969 ov
Walsh, Coach Bill, Bill Walsh, 1993 - 3.1: Bill Walsh, 1993, 4.1: 1993
Ward, Laura - 4.1: 2004, see also Merce Cunningham Studio under "dance"
Warhol, Andy - 3.1: Neiman/Warhol 1981, 3.1: "Art", Group Exhibition at Area, 1985, 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: undated 1980s, 1986, 1987, 1988
Warwick Hotel - see Players Hotel
Washington, Malivai - see tennis
watch - see Classic Moments Watches or Universal Geneve Timepieces
Watergate hearings - 2.1: 1973
Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80, 4.1: 1979
The Splendid Splinter - 3.1: Williams at Bat, 1980-1991, 4.1: 1993, 2002
Williams at Bat, 1980 painting and 1991 serigraph - 3.1: Williams at Bat, 1980-1991, 4.1: 1981, 1991, 2002
Win a Few, Lose a Few, 1972 boxing documentary film - 4.1: 1972
Windsor Gallery - 4.1: undated 1970s
wine -- - 4.1: 1997, see also champagne
labels - 3.1: David Frost Wines 2001, 4.1: 1992, 1996, see also golf: Atlanta National Golf Club California Merlot
Wine Country Film Festival - 3.1: Wine Country Film Festival 1990
Wine, Women, and Cigar, 1996 - see cigars
Winged Foot - see golf
Wingmead - 2.2: JoAnn Perse Gallery 1983-02
Winners, 1983 - 2.2: ABC Correspondence, 2.2: Neiman-Marcus 1983-88, 2.2: Sterling/Winters Company 1983-84, 3.1: Hanson Galleries New Orleans and Carmel, 1983-84, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.2: The Ring Magazine
Wisconsin - 2.2: Bobby Hinds 1990-2000
Wittnauer International - see Universal Geneve
Wolf, Martin B. - 4.1: 1964
Wolfberg, Lee - 4.1: undated 1980s
Wolfson, Mr. and Mrs. Robert L. - 4.1: 1967, 1980
Women of Excellence - 2.1: 1985
Women's Basketball Hall of Fame - 3.1: Women's Basketball Hall of Fame, 1993
zoo - 3.2. -- LeRoy Neiman On Safari -- , 1996, Zoo Tour correspondence
Provenance:
The papers of artist LeRoy Neiman were donated to the Archives of American Art in 2005 by LeRoy Neiman.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility. This collection is publication restricted by the donor.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.