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Downtown Gallery records, 1824-1974, bulk 1926-1969

Creator:
Downtown Gallery (New York, N.Y.)  Search this
Subject:
Levi, Julian E. (Julian Edwin)  Search this
Storrs, John Henry Bradley  Search this
Burlin, Paul  Search this
Pattison, Abbott Lawrence  Search this
Nakian, Reuben  Search this
Zorach, Marguerite  Search this
Reynal, Kay Bell  Search this
Siegel, Adrian  Search this
Marin, John  Search this
Sunami, Soichi  Search this
Siporin, Mitchell  Search this
Zerbe, Karl  Search this
Shan, Benjamin  Search this
Karolik, Maxim  Search this
Cikovsky, Nicolai  Search this
Stieglitz, Alfred  Search this
Bry, Doris  Search this
Van Vechten, Carl  Search this
Breinin, Raymond  Search this
Levine, Jack  Search this
Doi, Isami  Search this
Garbisch, Edgar  Search this
Halpert, Edith Gregor  Search this
Osborn, Robert Chesley  Search this
Webb, Electra Havemeyer  Search this
Pollet, Joseph C.  Search this
Zorach, William  Search this
Tannahill, Robert Hudson  Search this
Valente, Alfredo  Search this
Stasack, Edward  Search this
Hart, George Overbury  Search this
Karfiol, George  Search this
Broderson, Morris Gaylord  Search this
Guglielmi, Louis  Search this
Lea, Wesley  Search this
Adams, Ansel Easton  Search this
Lawrence, Jacob  Search this
Wilde, Isabel Carleton  Search this
Crawford, Ralston  Search this
Yavno, Max  Search this
Dove, Arthur Garfield  Search this
Coleman, Glenn O.  Search this
Carlen, Robert  Search this
Pippin, Horace  Search this
Dole, William  Search this
Tseng, Yu-ho  Search this
Stella, Joseph  Search this
Steig, William  Search this
Klein, Carl  Search this
Demuth, Charles  Search this
Weber, Max  Search this
Karfiol, Bernard  Search this
Brook, Alexander  Search this
Lewandowski, Edmund  Search this
Ray, Man  Search this
Newman, Arnold  Search this
Harnett, William Michael  Search this
Hopper, Jo N. (Josephine Nivison),  Search this
Zajac, Jack  Search this
Hartley, Marsden  Search this
Morris, George L. K. (George Lovett Kingsland)  Search this
Spencer, Niles  Search this
Lane, William H.  Search this
Sheeler, Charles  Search this
Steichen, Edward  Search this
Rattner, Abraham  Search this
Halpert, Samuel  Search this
Pascin, Jules  Search this
Fredenthal, David  Search this
Bennett, Rainey  Search this
Rockefeller, Abby Aldrich  Search this
Davis, Stuart  Search this
Saklatwalla, Beram K.  Search this
Walters, Carl  Search this
O'Keeffe, Georgia  Search this
Maya, Otto  Search this
Kuniyoshi, Yasuo  Search this
Tam, Reuben  Search this
Boris Mirski (Gallery : Boston, Mass.)  Search this
Felix Landau Gallery  Search this
American Folk Art Gallery  Search this
Our Gallery (New York, N.Y.)  Search this
Type:
Video recordings
Topic:
Chalkware  Search this
Art, Modern  Search this
Art galleries, Commercial  Search this
Weather vanes  Search this
Art  Search this
Figureheads of ships  Search this
Folk art  Search this
Fraktur art  Search this
Record number:
(DSI-AAA_CollID)6293
(DSI-AAA_SIRISBib)221206
AAA_collcode_downgall
Theme:
African American
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_221206
Online Media:

5. Dennis Meadows - Perspectives on the Limits of Growth: It is too late for sustainable development

Creator:
Smithsonian Institution  Search this
Type:
Youtube videos
Uploaded:
2012-03-09T22:52:56.000Z
Youtube Category:
Education  Search this
See more by:
SmithsonianVideos
YouTube Channel:
SmithsonianVideos
Data Source:
Smithsonian Institution
EDAN-URL:
edanmdm:yt_f2oyU0RusiA

A Conversation with Kathleen McLean

Creator:
Smithsonian Education  Search this
Type:
Youtube videos
Uploaded:
2009-03-17T14:31:02.000Z
Topic:
Education  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianEducation
YouTube Channel:
SmithsonianEducation
Data Source:
Smithsonian Education
EDAN-URL:
edanmdm:yt_0tr6tsytQTY

Edward C. Green papers

Creator:
Green, Edward C. (Edward Crocker), 1944-  Search this
Extent:
8.12 Linear feet (20 boxes)
Type:
Collection descriptions
Archival materials
Place:
Mozambique
Asia
Dominican Republic
Africa
Europe, Eastern
Suriname
South America
Swaziland
Middle East
Date:
circa 1970-2016
Summary:
The papers of Edward C. Green, circa 1970-2016, document his work as an applied medical anthropologist and research consultant focusing principally on the distribution and prevention of AIDS and sexually transmitted diseases in Africa and South America. Much of Green's research and policy focus lay in understanding indigenous health belief systems and instituting locally-designed approaches to major health concerns. The collection consists of correspondence, field diaries and typed research, sound recordings, photographs, and published reports and articles, including material from his dissertation research among the Matawai Maroons of Suriname.
Scope and Contents:
The papers of Edward C. Green, circa 1970-2016, document his field research in Africa, Asia, Europe, the Middle East, and South America and his career as an applied medical anthropologist and research consultant focusing principally on the distribution and prevention of AIDS and sexually transmitted diseases. The collection consists of correspondence, field diaries and typed research, photographs, sound recordings, and published reports and articles.

The bulk of the material covers Green's field research undertaken predominantly in the Dominican Republic, Mozambique, Suriname, and Swaziland. Of note are sound recordings of interviews, songs, and rituals recorded in Suriname between 1971 and 1973. These recordings document the Matawai dialect of the Saramaccan language, an endagered creole dialect derived from Portuguese, English, and Afro-Caribbean sources. Correspondence in the collection dates from 1973 to 2015 and is a mix of personal and professional correspondence with colleagues and friends. Publications retained in the collection consist primarily of reports on healthcare policy and education, produced between 1978 and 2016 and written for state agencies and non-governmental organizations for which Green worked as a consultant. The bulk of the reports were produced with funding from the United States Agency for International Development (USAID) or one of its subsidiary funds.
Arrangement:
This collection is arranged in 3 series:

(1) Field notes, circa 1970-2016

(2) Publications, circa 1978-2016

(3) Correspondence, 1973-2015
Biographical Note:
Edward Crocker "Ted" Green is an applied medical anthropologist who has served as the director of the AIDS Prevention Research Project at the Harvard Center for Population and Development Studies (2006-2010) and as the founder and president of the New Paradigm Fund (2010-). He was born in 1944 to the Hon. Marshall Green, a United States diplomat, and Lispenard "Lisa" Crocker Green. He earned his bachelor's degree in anthropology from George Washington University (1967), his master's in anthropology from Northwestern University (1968), and his PhD in anthropology from the Catholic University of America (1974). Green produced his dissertation on the Matawai Maroons of Suriname. He served as the National Institute of Mental Health Fellow at Vanderbilt University from 1978-1979 and as the Takemi Fellow at Harvard University from 2001-2002.

Green's career focused on healthcare education and international policy surrounding sexually transmitted diseases and AIDS in addition to family planning, maternal and child health, primary health care, children impacted by war, and water and sanitation. Much of Green's research and policy focus lay in understanding indigenous health belief systems and in instituting locally-designed approaches to major health concerns. He has served with the Department of Population and Reproductive Health at Johns Hopkins University and as the Senior Research Scientist for International Health at the Harvard T.H. Chan School of Public Health. He has also served on over a dozen advisory boards or boards of directors, including the UNAIDS Steering Committee, AIDS2031 (2008-2009); the Presidential Advisory Council for HIV/AIDS (2003-2007); the Office of AIDS Research Advisory Council, National Institutes of Health (2003-2006); and the Global Initiative for Traditional Systems of Health, Oxford University (2000-). Green has also worked as a consultant and as a public health advisor to the governments of Mozambique and Swaziland.

Sources Consulted:

George Washington University Department of Anthropology. Edward Green Curriculum Vitae. Accessed December 20, 2016. https://anthropology.columbian.gwu.edu/edward-c-green

MedAnth: Medical Anthropology Wiki. "Edward C. (Ted) Green." Accessed December 20, 2016. https://medanth.wikispaces.com/Edward+C.+(Ted)+Green.

New Paradigm Fund. "Edward C. Green Bio." Accessed December 20, 2016. http://newparadigmfundorg.startlogic.com/about/leadership/dr-edward-c-green-bio/.

Chronology

1944 -- Born to the Hon. Marshall Green and Lispenard Crocker Green in Washington, D.C.

1967 -- B.A. George Washington University (Anthropology)

1968 -- M.A. Northwestern University (Anthropology)

1971-1973 -- Ethnographic field research among the Matawai Maroons of Suriname

1974 -- Ph.D. The Catholic University of America (Anthropology)

1976 -- Visiting Assistant Professor, University of Kentucky Department of Anthropology

1976-1978 -- Visiting Assistant Professor, West Virginia University Department of Anthropology and Sociology

1978-1979 -- National Institute of Mental Health Fellow, Vanderbilt University

1981-1983 -- Social Scientist, Swaziland Ministry of Health and the Academy for Educational Development

1984-1985 -- Personal Services Contractor, U.S. Agency for International Development (USAID), Swaziland

1986-1989 -- USAID SOMARC (Social Marketing for Change) Project Senior Staff, with John Short and Associates and The Futures Group

1991-1993 -- Advisor for Family Health International (FHI) and AIDS Control and Prevention Project (AIDSCAP) in South Africa and Tanzania

1994-1995 -- Advisor to the Mozambique Ministry of Health, under sponsorship of the Swiss Development Cooperation

1996-2001 -- Board Member, World Population Society

1997-1998 -- Advisor for AIDSCAP and USAID in Southeast Asia

2000- -- Advisory Board Member, Global Initiative for Traditional Systems of Health, Oxford University

2001-2002 -- Takemi Fellow, Harvard School of Public Health

2002-2006 -- Senior Research Scientist, International Health, Harvard Center for Population and Development Studies

2003-2006 -- Member, Office of AIDS Research Advisory Council, National Institutes of Health

2003-2007 -- Member, Presidential Advisory Council on HIV/AIDS

2004-2009 -- Behavior Change and Evaluation Specialist, President's Emergency Plan for AIDS Relief (PEPFAR) in Uganda, Rwanda, and Ethiopia

2006- -- Senior Consultant for W.K. Kellogg Foundation programs in southern Africa

2006-2010 -- Director, AIDS Prevention Project, Harvard T.H. Chan School of Public Health

2008-2009 -- Member, UNAIDS Steering Committee, AIDS2031

2009- -- Consultant for World Bank programs in southern Africa

2010- -- Director, New Paradigm Fund, Washington DC

2011 -- Elizabeth Eddy Visiting Professor of Anthropology, University of Florida

2011-2014 -- Research Associate, Johns Hopkins Bloomberg School of Public Health Department of Population, Family, and Reproductive Health

2014- -- Research Professor, George Washington University Department of Anthropology
Separated Materials:
1 VHS and 1 DVD ("What Happened in Uganda?"), and 1 DVD ("Miss HIV: Botswana Education Version") were tranferred to the Human Studies Film Archives (HSFA).
Provenance:
These papers were donated to the National Anthropological Archives by Edward C. Green in 2016. Additional digital material was donated by Edward Green in 2018.
Restrictions:
The Edward C. Green papers are open for research. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Digital media (including 1 computer disc of photographic slides, 1 DVD, and 3 USB flash drives) are restricted for preservation reasons.

Access to the Edward C. Green papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Maroons -- Suriname  Search this
HIV infections -- Prevention  Search this
Saramaccan language  Search this
AIDS (Disease) -- Prevention  Search this
Public health  Search this
Medical policy  Search this
AIDS (Disease)  Search this
Medical anthropology  Search this
Applied anthropology  Search this
Sexually transmitted diseases  Search this
Traditional medicine  Search this
Language and languages -- Documentation  Search this
Citation:
Edward C. Green papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2016-31
See more items in:
Edward C. Green papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2016-31
Online Media:

Donald J. Ortner Papers

Creator:
Ortner, Donald J.  Search this
Names:
Paleopathology Association  Search this
Smithsonian Institution Department of Anthroplogy  Search this
University of Bradford  Search this
Frohlich, Bruno, 1945-  Search this
Putschar, Walter G. J., 1904-1987  Search this
Extent:
44.37 Linear feet (96 boxes, 3 map-folders)
Type:
Collection descriptions
Archival materials
Maps
Photographs
Slides (photographs)
Negatives (photographic)
Manuscripts
Sound recordings
Correspondence
Place:
Virginia
England
Jordan
Peru
Date:
1963-2013
Summary:
The Donald J. Ortner Papers, dated 1963 to 2013, document his research and professional activities while working in the Division of Physical Anthropology in the Department of Anthropology at the Smithsonian Institution National Museum of Natural History. They primarily deal with his contributions to the field of paleopathology and his work with specimens from Bab edh-Dhra, Jordan and Chichester, England. The bulk of this collection consists of correspondence, files related to Ortner's publications, specimen observations and analysis, and photographs.
Scope and Contents:
The Donald J. Ortner Papers primarily document his projects, research, and correspondence working as a biological anthropologist in the Division of Physical Anthropology of the Department of Anthropology from 1963 until his death in 2012. The bulk of the projects represented relate to his work in paleopathology, such as the Near Eastern skeletal biology program in Jordan and the medieval skeletal disease project in England. The collection consists of notes, research materials, correspondence, data and data analysis, transcripts of specimen observations, maps, blueprints, artwork, negatives, slides, photographs, CD-Roms, floppy discs, and sound cassettes.
Arrangement:
This collection is arranged in 8 series: Series 1. Correspondence, 1966-2012; Series 2. Subject files, 1965-2013, undated; Series 3. Near Eastern Skeletal Biology Program, 1977-2010, undated; Series 4. Medieval Skeletal Disease Project, 1988-2006, undated; Series 5. Other publications, projects, and research, 1963-2011, undated; Series 6. Professional activities, 1971-2007, undated; Series 7. Biographical and office files, 1963-2011, undated; Series 8. Artwork, 1978, undated
Biographical Note:
Donald J. Ortner was a biological anthropologist in the Department of Anthropology at the Smithsonian National Museum of Natural History (NMNH). By the time of his death, Ortner had served in many positions at the Museum, including Acting Director (1994-1996). His areas of expertise included human paleopathology, human health in medieval England, bioarcheology of the ancient Near East, and the history and evoluton of human infectious diseases. Ortner was a founding member of the Paleopathology Association.

Ortner was born in 1938 in Stoneham, Massachusetts and arrived at the NMNH in 1963, working primarily with J. Lawrence Angel who had recently started as Curator in the Division of Physical Anthropology. While working at the Museum, Ortner completed his Master's in Anthropology in 1967 and received his Ph.D. from the University of Kansas in 1970. His doctoral dissertation was on The Effects of Aging and Disease on the Micromorphology of Human Compact Bone.

Ortner worked with Walter G. J. Putschar, a pathologist based at Massachusetts General Hospital in Boston, on a series of short-courses (1971-1974) on paleopathology at the Smithsonian. During the summer of 1974, Putschar and Ortner traveled to Europe (London, Edinburgh, Zurich, Strasbourg, Vienna, Prague) studying and photographing examples of skeletal pathology in museums and other repositories. The result of this research was the book Identification of Pathological Conditions in Human Skeletal Remains published in 1981, with later editions in 1985 and 2003.

In 1977, Ortner joined the Expedition to the Dead Sea Plain directed by archaeologists Walter E. Rast and R. Thomas Schaub, focusing on the site of Bab edh-Dhra. Ortner studied the tombs and skeletons for data indicating cultural and biological changes, especially urbanization and connection to the development of other "Western civilizations." Ortner participated in two more field seasons in Bab edh-Dhra in 1979 and 1981. From his research at Bab-edh-Dhra, Ortner published many scholarly articles and recreated two tombs for the Hall of Western Civilization at NMNH.

In 1988, Ortner began his collaboration with the University of Bradford in Bradford, England, teaching short-courses on paleopathology. While a Visiting Professor at the University, he also participated in a project on human health and disease in Medieval England. The project focused on leprosy and syphilis in skeletons from St. James Hospital's leprosarium cemetery in Chichester, Wharram Perry, and Magistrates' Court in Kingston-upon-Hull. He received an Honorary Doctorate of Science from the University in 1995.

Donald J. Ortner died on April 29th, 2012 in Maryland.

Sources consulted:

Ubelaker, D. H. "Obituary: Donald J. Ortner (1938–2012)." American Journal of Physical Anthropology, 149 (2012): 155–156.

Arnoldi, Mary Jo and Ann Kaupp. "Donald J. Ortner, Sr. (1939-2012)." Anthropolog: Newsletter of the Department of Anthropology, Spring 2012: 1-3.

Chronology

1938 -- Born on August 23 in Stoneham, Massachusetts.

1960 -- Received B.A. in Zoology from Columbia Union College in Takoma Park, Maryland.

1963 -- Began working at the Smithsonian Institution.

1967 -- Received M.A. in Anthropology from Syracuse University.

1969 -- Promoted to Assistant Curator.

1970 -- Received Ph.D. from the University of Kansas.

1971 -- Promoted to Associate Curator.

1971-1975 -- Taught part-time at the University of Maryland.

1974 -- Spent summer with Dr. Walter G. J. Putschar studying pathological specimens in Europe.

1976 -- Promoted to Curator in the Anthropology Department, National Museum of Natural History.

1977 -- First field season at Bab edh-Dhra cemetery site in Jordan.

1979 -- Second field season at Bab edh-Dhra cemetery site in Jordan.

1981 -- Third field season at Bab edh-Dhra cemetery site in Jordan.

1988 -- Began association with the University of Bradford in Bradford, England.

1988-1992 -- Chairman of the Department of Anthropology, National Museum of Natural History.

1994-1996 -- Acting Director of the National Museum of Natural History.

1995 -- Awarded an Honorary Doctorate of Science degree from the University of Bradford.

1999-2001 -- President of the Paleopathology Association.

2005 -- Received Eve Cockburn Award from the Paleopathology Association in recognition of his contributions in the field of paleopathology.

2012 -- Died on April 29 in Maryland.
Related Materials:
The following photo lots depicting Donald J. Ortner can be found at the NAA:

Photo Lot 7D: Photograph of attendees after American Anthropological Association annual meeting, 1965

Photo Lot 7A: Portraits made at the annual meeting of the American Association of Physical Anthropologists, 1970

Photo Lot 77-45: Photograph of Smithsonian Institution physical anthropologists, circa 1977

Photo Lot 4822: Division of Physical Anthropology collection of photographs of physical anthropologists, undated

Sound recordings of Donald J. Ortner at the NAA:

John Lawrence Angel Papers, Sound Recordings, "How Humans Adapt: A Biocultural Odyssey," November 9, 1981

Other collections at the NAA in which Donald J. Ortner is a correspondent or creator of material:

Records of the Department of Anthropology, 1877-1980

Department of Anthropology Annual Reports, 1920-1983

John Lawrence Angel Papers, 1930s-1980s

Three films that document Ortner's work in Bab edh-Dhra are located in the Human Studies Film Archives (HSFA):

Film number 2000.9.1, The Bones of Bab edh-Dhra, ca. 1970s

Film number 2000.9.3, Bab edh-Dhra Film Project, 1970-1980

Film number 2014.3, City of the Dead, 1978

The Smithsonian Institution Archives holds the original City of the Dead in Accession 05-282, Office of Telecommunications, Productions.
Provenance:
These papers were transferred to the NAA from the Department of Anthropology in 2014.
Restrictions:
The Donald J. Ortner Papers are open for research.

Access to the Donald J. Ortner Papers requires an appointment.

Requests to view forensic files are subject to review by the NAA. Forensic files can only be viewed in the National Anthropological Archives reading room. No copies are permitted unless permission is granted by the agency the report was written for.

Electronic records are unavailable for research. Please contact the reference archivist for additional information.

Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Contact the repository for terms of use.
Topic:
Anthropologists -- United States  Search this
Archaeology  Search this
Human remains (Archaeology)  Search this
Excavations (Archaeology) -- Middle East  Search this
Scurvy  Search this
Leprosy -- Research  Search this
Physical anthropology  Search this
Bāb edh-Dhrā Site (Jordan)  Search this
Excavations (Archaeology) -- England  Search this
Forensic anthropology  Search this
Paleopathology  Search this
Bronze age  Search this
Chichester (England)  Search this
Diseases  Search this
Genre/Form:
Maps
Photographs
Slides (photographs)
Negatives (photographic)
Manuscripts
Sound recordings
Correspondence
Citation:
Donald J. Ortner Papers, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.2014-07
See more items in:
Donald J. Ortner Papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2014-07

William Duncan Strong papers

Creator:
Strong, William Duncan, 1899-1962  Search this
Names:
Columbia University  Search this
Institute of Andean Research Viru Valley Project  Search this
Rawson-MacMillan Subarctic Expedition  Search this
Extent:
64.88 Linear feet (87 boxes; 16 map folders; and 14 boxes of nitrate negatives, which are not included in the linear feet extent measurement)
Culture:
Eskimos  Search this
Arikara Indians  Search this
Naskapi Indians  Search this
Indians of North America -- California  Search this
Type:
Collection descriptions
Archival materials
Place:
North Dakota -- Archeology
South Dakota -- Archeology
Great Plains
Honduras -- Archeology
Labrador (N.L.)
Nebraska -- Archeology
Columbia River Valley
Date:
1902-1965
bulk 1927-1955
Summary:
William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.
Scope and Contents:
Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.

Strong's papers reflect his professional life, but there is little personal material. Except for the Rawson-MacMillan Labrador Expedition, there is little information from Strong's years at the Field Museum of Natural History in Chicago. Other than information on field work expenses, there is little light shed on Strong's personal financial situation. There is no personal correspondence with either of his wives and little correspondence with family members, except for his brother, Ronald. Some correspondence from the late 1930s to the early 1940s is not present and its whereabouts is not known. Of special interest is a collection of drawings by Naskapi Indian children collected while Strong was on the Labrador expedition in 1928. Strong collected obituaries, vitae, news articles, and writings on and by other anthropologists. He was an inveterate doodler, and his fascinating creations appear throughout the papers.

Strong also collected materials from other researchers, including Loren Eiseley's 1931 field notes from the Morrill Expedition, Maurice Kirby's 1932 notes on the Signal Butte excavations, notes and drawings from the 1936 Honduras expedition by Alfred V. Kidder II, and the field notebooks kept by Clifford Evans for the 1946 Virú Valley expedition in Peru. Contributed photographs from field expeditions are from A.T. Hill, Waldo Wedel, and John Champe.
Arrangement:
The collection is arranged in 12 series: (1) Miscellaneous personal papers, 1914-1963; (2) Correspondence, 1922-1965; (3) Materials relating to field work, 1921-1963; (4) Miscellaneous research notes, 1917-1960, most undated; (5) Maps and charts, 1902-1949; (6) Drawings by Naskapi Indians and Eskimos, 1910, 1928; (7) Manuscripts of writings, 1922-1962, undated; (8) Writings by other authors, 1902-1961; (9) Papers relating to organizations, 1926-1961; (10) Teaching materials and course work, 1909, 1928-1961; (11) Miscellany, 1902-1961, most undated; (12) Photographs, 1913-1950.
Biographical Note:
William Duncan Strong (1899-1962) was a major figure in American anthropology. His accomplishments were as a field worker in archaeology and ethnology, archaeological theorist, writer, and teacher. He was, furthermore, a leader in anthropological organizations. In 1954, his position in the field was recognized by the award of the Viking Fund Medal for his contributions to archaeology.

William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World, including Labrador, southern California, Honduras, and Peru. Strong was the first professionally trained archaeologist to focus on the Great Plains, and it was there that he applied the so-called direct historical method, working from known history in interpreting archaeological sites. His work in all these areas are represented by notebooks, diaries, specimen catalogues, maps, and photographs.

Strong spent the majority of his professional life affiliated with various universities and taught many anthropologists who became influential in their own right. His students included Loren Eiseley, Waldo R. Wedel, Joseph Jablow, Oscar Lewis, John Landgraf, Dorothy Keur, David Stout, Charles Wagley, Eleanor Leacock, John Champe, Albert C. Spaulding, Victor Barnouw, John M. Corbett, Walter Fairservis, and Richard B. Woodbury. Strong preserved the student papers by some of these anthropologists as well as their correspondence with him.

Strong influenced American anthropology by his service in professional societies. He served as president of the American Ethnological Society, the Institute of Andean Research, and the Society for American Archaeology. He was the director of the Ethnogeographic Board (his journal from his tenure as director is in the papers) and chairman of the Committee on Basic Needs of American Archaeology. In this latter capacity, Strong was involved in establishing a program to salvage archaeological sites before they were destroyed by public works. Strong served as the anthropological consultant to the Bureau of Indian Affairs during Franklin Roosevelt's administration and advised on new directions to be taken in Indian Service policy.

Strong died suddenly on January 29, 1962.

Chronology

1899 -- Born January 30 in Portland, Oregon

1917 April-1919 January -- In the United States Navy aboard the U.S.S. South Dakota on convoy duty in the Atlantic Ocean

1922 -- Collected faunal specimens in the Canadian Rockies, Skeena River district, for the University of California Museum of Vertebrate Zoology

1923 -- A.B., University of California Studied Max Uhle's Peruvian archaeological collection Collected faunal specimens, Columbia River, Washington

Winter, 1923-1924 -- Archaeological investigations in the southern San Joaquin Valley, California under the direction of Edwin Winslow Gifford

1924-1925 -- Expedition to study Shoshonean tribes (the Serrano, Cahuilla, Cupeño, and Luiseño) of Southern California (Riverside and San Diego counties) under Alfred Louis Kroeber Archaeological surveys and excavations of three months each in the middle Columbia River Valley in Oregon and Washington

1925 -- Archaeological expedition and collection of faunal specimens in the San Pedro Martir Mountains, Baja California under W. Egbert Schenk

1925-1926 -- Research Assistant, Department of Anthropology, University of California

1926 -- PhD, Anthropology, University of California

1926 July-1929 August -- Assistant Curator of North American Ethnology and Archaeology, Field Museum of Natural History, Chicago

1927 -- An Analysis of Southwestern Society (doctoral dissertation)

1927 June-1928 September -- Anthropologist on the Rawson-MacMillan September, 1928 Subarctic Expedition of the Field Museum Studied Naskapi and Eskimos in Labrador and on Baffin Island

1929 -- Married Jean Stevens

1929 August-1931 July -- Professor of Anthropology, University of Nebraska

1929 -- Published The Aboriginal Society of Southern California

1929-1931 -- Director, Archaeological Survey of Nebraska, University of Nebraska

1930 June 11-September 6 -- Excavated at Rock Bluff cemetery site

1931 -- Helped organize the First Plains Conference (held August 31-September 2)

1931-1932 -- Morrill Expedition, central and western Nebraska and North and South Dakota: ethnological investigations of Arikaras at Nishu, North Dakota; excavation at Signal Butte, Nebraska; and excavation at Leavenworth and Rygh village sites in South Dakota

1931 July-1937 August -- Senior Anthropologist, Bureau of American Ethnology, Smithsonian Institution

1932 -- Archaeological survey of northeastern Honduras along the Mosquito Coast and the Patuca River, archaeological work on the Bay Islands, and ethnological investigation of Sumu Indians

1933-1934 -- Two Civilian Works Administration archaeological expeditions (five months each) in California in southern San Joaquin Valley, Kern County, at Tulamniu (a Yokuts village) and eastern Chumash area

1934-1937 -- Trustee, Laboratory of Anthropology, Sante Fe

1935 -- Anthropological consultant to the Bureau of Indian Affairs Assistant editor, American Antiquity Published Archeological Investigations in the Bay islands, Spanish Honduras and An Introduction to Nebraska Archeology

1935-1937 -- Member, Committee on State Archeological Surveys, National Research Council

1936 -- Smithsonian Institution-Harvard expedition to northwestern Honduras to the valleys of the Chamelecon and the Ulua Rivers, Naco and other sites

1937-1962 -- Professor, later Chairman, Department of Anthropology, Columbia University

1937-1938 -- Vice-President, American Anthropological Association

1938 -- Fort Abraham Lincoln (Slant Mandan village) site and Sheyenne-Cheyenne village site excavations in North Dakota

1939 -- Chairman, National Research Council's Committee on Basic Needs in American Archaeology Excavated at Arzberger site in South Dakota and the area between the Chamberlain and Cheyenne Rivers

1940 -- Member, National Research Council's Committee on War Services of Anthropology Expeditions to western Florida and southwestern United States, especially New Mexico Peruvian archaeological survey

1941 -- Chairman, Section H, American Association for the Advancement of Science

1941-1942 -- President, American Ethnological Society Peruvian excavations at Pachacamac in the Chancay Valley and the Ancon-Supe excavations

1942? -- Peruvian excavations in the Naxca and Ica Valleys

1942-1944 -- Director, Ethnogeographic Board

1943 -- Published Cross Sections of New World Prehistory Appointed to Loubat Professorship at Columbia University

1945 -- Married Helen Richardson

1946 -- Peruvian excavations, Virú Valley Project National Research Council liaison member of the Committee for the Recovery of Archaeological Remains President, Institute of Andean Research

1948-1949 -- Chairman, Anthropology Section of New York Academy of Sciences

1949 July-August -- Peru-Mexico trip

1950 -- Talking Crow site expedition Excavated at Signal Butte

1952-1953 -- Peruvian expeditions, Nazca and Ica Valleys

1954 -- Awarded the Viking Fund Medal Trip to western United States

1955-1956 -- President, Society for American Archaeology

1962 -- Died January 29

Selected Bibliography

1929 -- Strong, William Duncan. Aboriginal Society of Southern California. Vol. 26, University of California Publications in American Archaeology and Ethnology. Berkeley: University of California Press, 1929.

1935 -- Strong, William Duncan. Archeological Investigations in the Bay islands, Spanish Honduras. Washington: The Smithsonian Institution, 1935. Strong, William Duncan. An Introduction to Nebraska Archeology. Vol. 93, no. 10, Smithsonian Miscellaneous Collections. Washington: The Smithsonian Institution, 1935.

1938 -- Strong, William Duncan, Alfred Kidder, II, and A.J. Drexel Pail, Jr. Preliminary Report on the Smithsonian Institution-Harvard University Archeological Expedition to Northwestern Honduras, 1936. Vol. 97, no. 1, Smithsonian Miscellaneous Collections. Washington: The Smithsonian Institution, 1938.

1943 -- Strong, William Duncan. Cross Sections of New World Prehistory: a Brief Report on the Work of the Institute of Andean Research, 1941-1942. Vol. 104, no. 2, Smithsonian Miscellaneous Collections. Washington: The Smithsonian Institution, 1943. Strong, William Duncan. Archeological Studies in Peru, 1941-1942. New York: Columbia University Press, 1943.

1948 -- "The Archeology of Honduras." In The Circum-Caribbean Tribes Vol. 4, Handbook of South American Indians, edited by Julian H. Steward, 71-120. Bureau of American Ethnology, Bulletin No. 143. Washington: U.S. Government Print Office, 1948.

1952 -- Strong, William Duncan, and Clifford Evans. Cultural Stratigraphy in the Virú Valley, Northern Peru. New York: Columbia University Press, 1952.

For a complete bibliography of Strong's works, see Solecki, Ralph, and Charles Wagley. "William Duncan Strong, 1899-1962," American Anthropologist 65, no. 5 (October 1963): 1102-1111. https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1525/aa.1963.65.5.02a00080
Related Materials:
Additional materials in the National Anthropological Archives relating to William Duncan Strong can be found in the records of the American Anthropological Association, Bureau of American Ethnology, Handbook of South American Indians, Institute of Social Anthropology, River Basin Surveys, the Society for American Archaeology, and Tulamniu Project (1933-1934); the papers of Ralph Leon Beals, John Peabody Harrington, Frederick Johnson, Frank Maryl Setzler, Ruth Schlossberg Landes, Albert Clanton Spaulding (including information on the Arzberger site), and Waldo Rudolph and Mildred Mott Wedel; Photographic Lot 14, Bureau of American Ethnology Subject and Geographic File; Photographic Lot 24, Bureau of American Ethnology-United States National Museum Photographs of American Indians; Photographic Lot 77-80, Portraits of Smithsonian Anthropologists; Photographic Lot 92-35, Ralph S. Solecki Photographs of Anthropologists; Numbered Collections, MS 4821 (records of the Anthropological Society of Washington), MS 4261 (photographs made on a site survey in the Santa Barbara Mountains, California, 1934), MS 4302 (journal covering the 1936 expedition to Honduras), MS 4846 (correspondence between BAE authors and the BAE editor's office), and MS 7200 (original field catalog of Honduran artifacts, 1936); and in the non-archival reference file. There are also materials in the Smithsonian Institution Archives in record units 87 (Ethnogeographic Board), 9528 (Henry Bascom Collins interviews), and 1050102 (papers of T. Wayland Vaughan). In the Human Studies Film Archives there is material on Strong in the video dialogues of Charles Wagley, 1983.
Provenance:
The Strong papers were donated to the archives by Strong's widow, Mrs. Helen Richardson Strong. Most of the arrangements were handled by Ralph S. Solecki, then of Columbia University. He sent the papers to the archives between 1974 and 1979, and there have been small accretions since that time. These accretions came through Richard G. Forbis, Department of Anthropology, University of Calgary; Mildred Mott Wedel and Waldo R. Wedel, Department of Anthropology; and Nan A. Rothschild, Department of Anthropology, Barnard College. Mrs. Strong donated the rights in the unpublished material in the collection to the Department of Anthropology, Smithsonian Institution.
Restrictions:
The William Duncan Strong papers are open for research.

Access to the William Duncan Strong papers requires and appointment.
Rights:
Contact the repository for terms of use.
Topic:
Excavations (Archaeology) -- California  Search this
Excavations (Archaeology) -- Peru  Search this
Archaeology  Search this
Anthropology  Search this
Ethnology  Search this
Citation:
William Duncan Strong papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1974-28
See more items in:
William Duncan Strong papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-1974-28
Online Media:

Tomás Ybarra-Frausto research material

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Names:
Mexican Museum  Search this
Royal Chicano Air Force  Search this
Studio 24 (San Francisco, Calif.)  Search this
Goldman, Shifra M., 1926-2011  Search this
Lomas Garza, Carmen  Search this
Mesa-Bains, Amalia  Search this
Extent:
33.1 Linear feet
1.27 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Date:
1965-2004
Summary:
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Scope and Content Note:
The research material of Tomás Ybarra-Frausto, amassed throughout his long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States. As community leader and scholar, Ybarra-Frausto played dual roles of active participant and historian in the Chicano movement, chronicling this unique political and artistic movement from its inception in the 1960s to the present day.

Deeply rooted in American history, "El Movimiento," the Chicano movement, evolved from Mexican-Americans' struggle for self-determination during the civil rights era of the 1960s. It began as a grassroots community effort that enlisted the arts in the creation of a united political and cultural constituency. Chicano artists, intellectuals, and political activists were instrumental in mobilizing the Mexican-American community for the cause of social justice, and the movement was shaped by the affirmation of a cultural identity that embraced a shared heritage with Mexico and the United States.

Just as "El Movimiento" aimed to instruct and inspire through the recollection and conservation of culture, Ybarra-Frausto's own career as scholar and historian helped to shape the intellectual discourse of the Chicano art. As a leading historian and theoretician in the field of Chicano Studies, he has written extensively on the subject, and has been instrumental in defining the canons of Chicano art. His papers are accordingly rich and varied, and they will be of great use to future scholars.

His research material, dating from 1965 to 1996, are arranged in subject files containing original writings, notes, bibliographies compiled by Ybarra-Frausto and others, exhibition catalogues, announcements, newspaper clippings and other printed material, as well as slides and photographs. Many of these files also include interview transcripts and correspondence with prominent figures in the movement. While this research collection contextualizes Chicano art within the larger framework of Latino and Latin-American culture, the bulk of the files relates specifically to Chicano visual culture. The collection also contains pertinent documentation of the Chicano civil rights movement, material on Chicano poets and writers, and research files on the wider Hispanic community, but these also appear within the context of Chicano culture in general.

Prominent among the bibliographies are the many notes and drafts related to the publication of A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981 (University of California, Berkeley, 1985), which Ybarra-Frausto co-authored with Shifra Goldman. Ybarra-Frausto's files on Goldman, like other files in the collection, document his close associations and collaborations with scholars.

Art historians have traditionally found the categorization of Chicano art a difficult task. Unsure whether to classify the work as "American" or "Latin American," critics often ignored the work altogether. An outgrowth of this dilemma was the proliferation of artists, curators, and critics within the Chicano community, and the papers contain many original writings by Chicano artists about Chicano art, found in extensive files on artists that will be of particular significance to researchers. These often contain exhibition essays, dissertation proposals, and course outlines authored by the artists, along with the standard biographies, exhibition records, and reviews. Some of the files contain rare interviews conducted and transcribed by Ybarra-Frausto. Highlights include conversations with Carmen Lomas Garza, Amalia Mesa-Bains, and members of the Royal Chicano Air Force artist cooperative.

As a member of several Chicano art organizations and institutions, Ybarra-Frausto kept active records of their operation. The extensive files on the Mexican Museum and Galerie de la Raza/Studio 24, both in San Francisco, not only chronicle the history of Chicano art through the records of exhibitions and programming, but also offer case studies on the development of non-profit art institutions. The files on artist cooperatives, organizations, and exhibition spaces cover several regions of the United States, but focus on California, Texas and New York.

Two notable events in the development of Chicano art were the 1982 Califas: Chicano Art and Culture in California seminar at the University of California at Santa Cruz, and the 1990 traveling exhibition Chicano Art: Resistance and Affirmation, 1965-1985 (CARA), of which Ybarra-Frausto served as organizer and catalogue essayist. His records document the planning and development of these seminal events. Ybarra-Frausto's files on folk art, altars, posters, murals, performance art, border art, Chicana feminist art, and Southwestern and Mexican imagery (both urban and rural expressions) mirror the diverse forms and subject matter of Chicano art.

Spanning almost four decades of American culture from a Chicano perspective, these files have a unique historical value. The legacy of Chicano art and its contribution to the cultural landscape of this country, kept alive in Ybarra-Frausto's files, attests to the richness and diversity of American art.

Henry C. Estrada

Research Fellow, 1997.
Arrangement:
The collection is arranged as a single series of subject files. The general contents of each folder have been listed. The subject files are arranged in alphabetical order. While no two files are alike, they may contain résumés, printed and digital material, letters, draft writings, and photographs. Unless otherwise noted, each listing represents one file folder. The abbreviation TYF was used to refer to the name Tomá Ybarra-Frausto throughtout the Series Description.
Autobiographical Note:
Papelitos (little bits of paper), whether rent receipts, paid bills, or piles of personal letters, can become layered bundles of personal history. I have always been a pepenador (a scavenger) and saver of paper scraps. Diary notes, scribbled annotations, and first drafts are often useful indicators of ideas and gestation. Papelitos are the fragments of every-day life that gain expanded meaning integrated into the larger historical events of a period.

In the decade of the 1960s, I started saving ephemeral material--exhibition announcements, clippings of individual artists and of organizations fomenting a Chicano art movement. The social scenarios of the period such as marches, strikes, sit-ins, and mobilizations for social justice all spawned manifestos, posters, leaflets, and other forms of printed material. I somehow managed to assemble and protect the evanescent printed information that recorded the birth and development of Chicano art.

As I started to research and write about Chicano art and artists of the period, I continued to clip, photocopy, and preserve material given me by Mexican-American artists from throughout the nation. My idea was to form an archive that would be comprehensive rather than selective. I knew that it was the offbeat, singular piece of paper with a missing link of information that would attract the scholar.

Today, several decades after the flowering of Chicano art, there is still a lamentable paucity of research and information about this significant component of American art.

It is my fervent hope that this compendium of information will function as a resonant print and image bank for investigators of Chicano culture. Perhaps contained within the archive are the facts that will inspire new visions or revisions of Chicano art and culture--this is my fondest dream.

Dr. Tomás Ybarra-Frausto

New York City, 1998
Provenance:
The collection was donated to the Archives of American Art by Tomás Ybarra-Frausto in 1997, and in 2004.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Tomás Ybarra-Frausto research material is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Santos (Art)  Search this
Hispanic American art -- Sources  Search this
Mexican American artists -- Sources  Search this
Hispanic American artists -- Sources  Search this
Household shrines -- Mexico  Search this
Mexican American arts -- Sources  Search this
Genre/Form:
Photographs
Slides (photographs)
Interviews
Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ybartoma
See more items in:
Tomás Ybarra-Frausto research material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ybartoma
Online Media:

Jacques Seligmann & Co. records

Creator:
Jacques Seligmann & Co.  Search this
Names:
De Hauke & Co., Inc.  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
MM. Jacques Seligmann & fils  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Hauke, Cesar M. de (Cesar Mange), d. 1965  Search this
Parker, Theresa D.  Search this
Seligman, Germain  Search this
Seligmann, Arnold, 1870-1932  Search this
Seligmann, Jacques, 1858-1923  Search this
Seligmann, René  Search this
Trevor, Clyfford  Search this
Waegen, Rolf Hans  Search this
Extent:
203.1 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Date:
1904-1978
bulk 1913-1974
Summary:
The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.
Scope and Contents note:
The Jacques Seligmann & Co., Inc., records measure approximately 203.1 linear feet and date from between 1904 and 1978, with bulk dates of 1913-1974. The records include extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies, including de Hauke & Co., Inc., and Modern Paintings, Inc.

Historians and researchers will find the collection an invaluable resource in tracing the provenance of particular works of art. Although in the early 1940s many records in the Paris office were destroyed by Seligmann staff to keep them from falling into the hands of the occupying German military forces, many records survive, as much of the firm's business had previously come to center in the New York office. In all, the remaining records provide a comprehensive view of the activities and transactions of collectors and art dealers in the years leading up to and following World War II.

Correspondence (Series 1) is the largest series of the collection (80 linear feet) and is comprised of extensive correspondence files, primarily between Germain Seligman and his New York office staff with domestic and foreign private clients, collectors, dealers, individuals representing public museums and collections, and international scholars. The New York Office Correspondence (Series 1.1) concerns a wide variety of topics, including routine business matters, but focuses primarily on potential and realized sales and purchases and provenance documentation. Also found is detailed information on financial transactions, commissions, stock inventory, and the travel of Germain Seligman and other staff. Paris Office Correspondence (Series 1.2) is separated into a small subseries and contains correspondence written primarily by Jacques Seligmann from Paris. The subseries General Correspondence (Series 1.3) is the largest subsection of the Correspondence series and contains letters written to and received from clients and other business associates concerning business transactions and inquiries. The subseries Museum Correspondence (Series 1.4) contains letters between the firm and art institutions and museums. The subseries Germain Seligman's Correspondence (Series 1.5), contains not only personal letters but a wealth of information concerning the affairs of the firm. Much personal correspondence was marked "private."

Also of note in the Correspondence series are the Legal Correspondence Files (Series 1.6) and the Inter-Office Correspondence (Series 1.9) and Inter-Office Memoranda (Series 1.13). The Legal Correspondence Files subseries houses correspondence with both U.S. and Paris attorneys and concerns legal affairs and specific lawsuits. Of particular interest are Germain Seligman's attempts to recover Seligmann family and Paris gallery artwork and other assets stolen or confiscated by the Germans in World War II. This small subseries also contains limited information on the stock and inventory holdings of several of the firm's and Germain Seligman's subsidiary corporations, family legal affairs and lawsuits, and other related legal matters. The subseries Inter-Office Correspondence and Inter-Office Memoranda (called fiches by Seligmann staff) include memos between Germain Seligman and his staff about clients, collectors, sales, acquisitions, and other matters. These offer interesting commentary clearly intended to be read by staff only.

Also prominent is Collectors Files (Series 2), which contains numerous reference files documenting the collections of existing and potential clients with whom Seligmann & Co. maintained contacts. The files are arranged by either individual name or institution and reflect the wide scope of collector references maintained by the firm throughout its operating years. The files contain a variety of reference materials, such as photographs, provenance notes, and sales, purchase, and inventory information in cases where the collector purchased from the firm or the firm purchased from the collector. Researchers will find that many of the private and public names that appear in General Correspondence (Series 1.3) appear in the Collectors Files as well. Also found in this series are specific files relating to the Duc d'Arenberg Collection, the Clarence H. Mackay Collection, the Mortimer L. Schiff Collection, and the Prince of Liechtenstein Collection. The firm either handled substantial estate sales for these collections or purchased and sold important pieces from these collections.

Auction Files (Series 3) and Exhibition files (Series 4) trace the sales and exhibition activities undertaken by Jacques Seligmann & Co., Inc. In the Auction files, researchers will find documentation of auctions of individual works of art owned by the firm and handled by Christie's, Parke-Bernet, and other auction houses. Of particular interest is the 1948-1949 Parke-Bernet auction of the C. S. Wadsworth Trust, a "dummy" trust set up by the firm to dispose of a portion of its unsold inventory. The Exhibition Files house a variety of documentation, such as catalogs and correspondence, concerning the firm's active exhibition history. Many of the exhibitions featured works of art recently acquired by the firm, such as the 1937 exhibition, Twenty Years in the Evolution of Picasso, which included a number of Picassos the firm acquired from Madame Jacques Doucet that year.

Reference Files (Series 5) includes a card catalog to books and catalogs in the library maintained by Jacques Seligmann & Co., Inc., and a photograph reference index of works of art. Inventory and Stock Files (Series 6) tracks the firm's inventory through a series of stock books and supporting documentation that include sales and provenance information.

Financial Files and Shipping Records (Series 7) consists primarily of records of the New York office, but some Paris office documents can be found scattered throughout. Found in this series is a wide variety of financial records including purchase receipt files, credit notes, invoices, consignment invoices and books, invoices, consular invoices, sales and purchase account books, ledgers, and tax records. The records appear to be quite complete and date from 1910 to 1977. Of particular interest are the purchase receipts and credit notes and memoranda that contain detailed documentation on acquisitions and sales. The consignment invoices provide information about works of art sold on behalf of other galleries and dealers, as well as which galleries and dealers were handling works of art for Jacques Seligmann & Co., Inc. Although quite large and complex, the financial records offer a comprehensive overview of the firm's business and financial transactions.

The records of subsidiary companies that were part of Jacques Seligmann & Co., Inc., such as Contemporary American Department, de Hauke & Co., Inc., Modern Paintings, Inc., and Gersel Corp. are arranged in their own series. In 1935, the firm established the Contemporary American Department to represent young American artists. Under the direction of Theresa D. Parker, a longtime gallery employee, the department initiated an exhibition and loan program. Contemporary American Department (Series 8) includes mostly correspondence files and exhibition files.

The largest subsidiary company to operate under Jacques Seligmann & Co., Inc., was de Hauke & Co., Inc. De Hauke & Co., Inc., Records (Series 9) dates from 1925 through 1949 and contains domestic and foreign correspondence with clients, collectors, and dealers; inter-office correspondence and memoranda with Jacques Seligmann & Co., Inc.; administrative and legal files; and financial records. Modern Paintings, Inc., records (Series 10) contains the legal and financial files of this subsidiary company, which was established in 1930 to incorporate most of the stock of the liquidated de Hauke & Co., Inc. Gersel Corp. Records (Series 11) contains a small amount of material from this company.

Researchers should note that a scattering of records from most of the subsidiary companies may also be found throughout additional series, particularly Inventory and Stock Files (Series 6) and Financial Files and Shipping Records (Series 7). Records for the firms Tessa Corp. and Georges Haardt & Co., which were also owned by Germain Seligman, are not part of the Jacques Seligmann & Co., Inc., Records, although scattered references to these two firms may be encountered throughout the collection.

German Seligman's Personal papers (Series 12) includes scattered family and biographical materials, his research and writings files, and documentation of his personal art collection. Found in Family and Biographical Material (Series 12.1) are photographs of family members, including Jacques Seligmann, and of the Paris gallery. Also found is a limited amount of correspondence concerning Germain Seligman's residency status and his desire to obtain an army commission during World War II. Germain Seligman's research and writing files are found in this series and include material for his books: Roger de La Fresnaye, with a Catalogue Raisonné (1969); Merchants of Art, 1880-1960: Eighty Years of Professional Collecting (1961); The Drawings of Georges Seurat (1947); and Oh! Fickle Taste; or, Objectivity in Art (1952). Documentation of Germain Seligman's private art collection is arranged in this series and includes provenance and research files and correspondence concerning his art collection.

Overall, the historical records of Jacques Seligmann & Co., Inc., offer researchers a comprehensive and detailed resource for studying one of the most active dealers in decorative arts, Renaissance, and European contemporary art. The records clearly document the firm's numerous acquisitions and sales of important works of art to well-known European and American collectors and museums as well as Germain Seligman's extensive client contacts and references. The collection offers an insightful, intriguing, and often fascinating view into the complex field of art sales, trading, and acquisition during the first half of the twentieth century, when many major collections in the United States were formed.

Researchers interested in tracing the provenance of individual works of art should carefully check each series of the collection for information to obtain a complete history for any work. Jacques Seligmann & Co., Inc., staff set up many different files to cross-reference works of art from various angles, such as artist or creator; collector or collection; most recent owner or repository location; stock inventory number, if owned by Seligmann & Co.; and photographic reference files. The task is made somewhat more difficult by the number of commission sales and joint ownership of works of art, often documented solely in the Inventory and Stock Files (Series 6) or the Financial Files and Shipping Records (Series 7). Only by tracing a name or date through the various series can one find all of the information relating to a particular work of art and its provenance.
Arrangement note:
Following is an outline of the arrangement of the collection by series and corresponding box numbers and extent. More detailed information for each series and subseries, along with a box and folder inventory, is found in the Series Descriptions/Container Listings, which can be found by following the series links below. Glass plate negatives are housed separately and closed to researchers.

Series 1: Correspondence, 1913-1978 (1-174, 80 linear feet)

Series 2: Collectors Files, 1875, 1892-1977, undated (Boxes 175-252, 35 linear feet)

Series 3: Auction Files, 1948-1975, undated (Boxes 253-259, 2.75 linear feet)

Series 4: Exhibition Files, 1925-1977, undated (Boxes 260-272, 5.5 linear feet)

Series 5: Reference Files, 1877-1977, undated (Boxes 273-278, 2.25 linear feet)

Series 6: Inventory and Stock Files, 1923-1971, undated (Boxes 279-289, 4.5 linear feet)

Series 7: Financial Files and Shipping Records, 1910-1977 (Boxes 290-357, 30.5 linear feet)

Series 8: Contemporary American Department, 1932-1978 (Boxes 358-381, 10 linear feet)

Series 9: De Hauke & Co., Inc., Records, 1925-1949, undated (Boxes 382-416; 16 linear feet)

Series 10: Modern Paintings, Inc., Records, 1927-1950 (Boxes 417-420, 1.25 linear feet)

Series 11: Gersel Corp. Records, 1946-1969 (Box 421, 0.25 linear feet)

Series 12: Germain Seligman's Personal Papers, 1882, circa 1905-1984, undated (Boxes 422-459, OV 460, 17 linear feet)
Biographical/Historical note:
Jacques Seligmann & Co., Inc., was counted among the foremost French and American art dealers in antiquities and decorative arts and was among the first to foster and support the growth and appreciation for collecting in the field of contemporary European art. The company's clients included most of the major American and European art collectors of the era, and the art that passed through its galleries often ended up in the collections of prominent American and European museums through the donations of the wealthy benefactors who purchased them from the company. Jacques Seligmann & Co., Inc., took an active part in promoting such donations as well as providing its own donations and selling paintings, sculpture, and decorative arts directly to many museums.

The company was first established as Jacques Seligmann & Cie. in 1880 on the Rue des Mathurins in Paris by Jacques Seligmann (1858-1923), a German émigré who came to France in 1874 and soon thereafter became a French citizen. The company experienced so much success that in 1900 a new, larger Galerie Seligmann was opened on the Place Vendôme, and Jacques's two brothers, Simon and Arnold, joined the business as partners. Simon served as the company's accountant, and Arnold was in charge of correspondence with the firm's many clients. Jacques remained as the manager and was in charge of all purchases for the firm.

Prominent clients of the company included Baron Edmond de Rothschild of France, the Stroganoff family of Russia, Sir Philip Sassoon of England, and American collectors Benjamin Altman, William Randolph Hearst, J. P. Morgan, Henry Walters, and Joseph Widener. As American clients increasingly came to dominate the company's sales activities, a New York office at 7 West Thirty-sixth Street was opened in 1904. Five years later, Jacques purchased the Hôtel de Sagan (also called the Palais de Sagan by the Seligmann family) in Paris as a location where Jacques Seligmann & Cie. could stage larger exhibitions and receive its most distinguished clients.

In 1912 a family quarrel resulted in a lawsuit that split the company. Arnold remained at the Place Vendôme location, reorganized under the name Arnold Seligmann & Cie., while Jacques consolidated his operations and moved the headquarters for Jacques Seligmann & Cie. to the Hôtel de Sagan. Jacques also opened an additional gallery at 17 Place Vendôme to retain a presence near the company's original location, but this branch soon relocated to 9 Rue de la Paix. The New York office, which formerly had operated out of a single room, was upgraded to larger office space and a gallery at 705 Fifth Avenue.

Jacques's son, Germain Seligman (1893-1978), showed an interest in art connoisseurship from his early years and often accompanied his father to work in the galleries. (In 1943, when Germain Seligman became an American citizen, he dropped the second "n" from his surname, and for clarity his name appears with this spelling throughout this finding aid.) His father taught him how to deal with clients and often assigned him tasks to help in the completion of sales. Germain accompanied Jacques on many business trips and in 1910 was sent to St. Peterburg, Russia, to secure information about the selling price of the Swenigorodskoi enamels owned by the Russian collector M. P. Botkine.

Germain continued to work informally in the firm's galleries until the outbreak of World War I. Within hours of the mobilization order in 1914, Germain joined the French army as a second lieutenant in the 132nd Infantry Regiment of Rheims. By 1916 he was promoted to first lieutenant in the Twenty-fourth Infantry Brigade and in the following year achieved the rank of captain in the Fifty-sixth Infantry Division. Also in the same year, he was assigned as the first French liaison officer to the First Division of the American Expeditionary Force in France, serving as translator for Major George C. Marshall. Seligman was discharged from the French army in 1919 and was awarded the French Croix de Guerre with six citations. (In 1938 Seligman also was awarded the Office of the Legion of Honor from France, and in 1939 he was decorated by General John Joseph Pershing with the Distinguished Service Medal of the United States, in recognition for his service during World War I.)

After his discharge from military service, Germain Seligman actively joined his father's company as a partner in 1920. Jacques Seligmann & Cie. was changed to Jacques Seligmann et Fils, and Germain was placed in charge as the president of the New York office. The strong American art market necessitated Germain's making numerous cross-Atlantic trips each year. Upon the death of his father in 1923, Germain took over as president of both the Paris and New York offices, and the company was once again renamed Jacques Seligmann & Cie.

In the early years of Jacques Seligmann & Co., Inc., the firm carried few paintings, as collectors focused their interest mostly on small objects, enamels, ivories, and other decorative pieces from the Byzantine to the Renaissance eras. Stone and bronze sculptures, medieval and Renaissance tapestries, and eighteenth-century French furniture were the most avidly collected pieces of the era. The galleries of Jacques Seligmann & Co., Inc., reflected its clients' tastes, but soon after the turn of the century art trends began to change.

The 1913 Armory Show introduced many Americans to contemporary European art, and collectors in the United States began to show marked interest in it. The advent of World War I brought much of the art market to a standstill in Europe, but interest in the Impressionists continued in the United States, and it quickly resumed in Europe, as well, after the war. Both collectors and dealers began buying modern art, led by such progressive American collectors as Walter Arensberg, Albert C. Barnes, A. E. Gallatin, Mrs. Horace O. Havemeyer, Mrs. Potter Palmer, Duncan Phillips, and John Quinn, among others.

Under Germain's leadership, Jacques Seligmann & Co., Inc., began acquiring works by Pierre Bonnard, Paul Cézanne, Honoré Daumier, Edgar Degas, Pablo Picasso, Henri Rousseau, and Vincent van Gogh. While Germain promoted this trend for modern art in the New York gallery, other family partners did not approve as this was a new direction for the firm. For this reason Germain Seligman looked to establish a new, independent business venture in the evolving field of modern art. He selected as his partner César Mange de Hauke.

César Mange de Hauke was born on March 8, 1900, the son of a French engineer and a Polish mother. After completing academic and art studies in England and France in the years following World War I, de Hauke arrived in the United States in 1926. While in New York City, he was introduced to Germain Seligman by Germain's cousin, René Seligmann, and by 1927 de Hauke had joined Jacques Seligmann & Co., Inc., as a sales representative.

With their shared interest in modern French painting, Seligman and de Hauke decided to explore the feasibility of sales in this area by forming a subsidiary to Jacques Seligmann & Co., Inc., that would specialize in contemporary European artists. In 1926 Seligman personally financed the fledgling company, first called International Contemporary Art Company, Inc., and he appointed de Hauke its director, but even before the legal documents setting up the company were completed the name was changed to de Hauke & Co., Inc. Although the bulk of the new company's art purchases took place in Paris and London, the majority of its sales occurred in the United States.

Seligman and de Hauke worked out an agreement allowing de Hauke to purchase works of art that could then be sold as stock inventory of Jacques Seligmann & Co., Inc., or privately under de Hauke's own name. Ownership of paintings was often shared among various art dealers, involving complicated commission transactions upon completion of sale. Seligman provided display space for de Hauke & Co., Inc., at the new, larger gallery of Jacques Seligmann & Co., Inc., now located at 3 East Fifty-first Street. The two businesses were deeply intertwined, as evidenced by the facts that Seligman's financial records include a great deal of de Hauke material and many of de Hauke's records are written on the stationery of Jacques Seligmann Co., Inc.

During the second half of the 1920s, de Hauke showed the work of modern French School artists in New York City. He exhibited works by Pierre Bonnard, Amedeo Modigliani, Odilon Redon, Ker-Xavier Roussel, Edouard Vuillard, and many others. De Hauke was equally interested in French School drawings and watercolors, and the scope of his exhibitions also included works by nineteenth-century masters such as Paul Cézanne, Jacques-Louis David, Eugè00E8;ne Delacroix, Jean Ingres, Pierre-Auguste Renoir, and Georges Seurat.

Among the exhibitions held at the New York gallery were two highly successful shows featuring the works of Pablo Picasso. The first one, held in 1936, displayed paintings from the Blue and Rose Periods and was soon followed by the 1937 exhibition, Twenty Years in the Evolution of Picasso. The star of this exhibition was Les Demoiselles d'Avignon which Germain had recently acquired from the Jacques Doucet Estate sale.

Despite the bleak economic conditions of the 1930s, the new business venture proved so successful that the other family members of Jacques Seligmann & Co., Inc., withdrew their opposition to expanding into the field of modern art, and de Hauke & Co., Inc., was dissolved and re-formed under the new name, Modern Paintings, Inc. César M. de Hauke was appointed its director, but tensions had crept into the relationship between the former partners, and by 1931, de Hauke had resigned and returned to Paris.

The mid-1930s appear to have been a period of reorganization for the company. By 1934 Modern Paintings, Inc., was also dissolved, and it assets were assumed by Jacques Seligmann & Co., Inc., and by Tessa Corp., another subsidiary of the firm. In 1935, however, the firm established a new subsidiary, the Contemporary American Department, to represent young American artists. Theresa D. Parker, a longtime gallery employee, was selected to head the department, and she initiated an exhibition and loan program. Soon thereafter, the City of Paris offered to buy the company's building at the Hôtel de Sagan as part of a complicated negotiation for a site for the Exposition Internationale des Arts et Techniques dans la vie Modern 1937. The Paris office of Jacques Seligmann & Co., Inc., reestablished itself at 9 Rue de la Paix, but Germain selected the New York office as the headquarters for Jacques Seligmann & Co., Inc. Subsequently he filed his legal residence as New York City. Germain's half-brother, François-Gerard, was left in charge of the Paris office operations, although Germain continued to commute between the two offices until the summer of 1939.

During the New York World's Fair of 1939, Germain served as a member of the Exhibition Committee, which coordinated the art section. When the fair was extended for an additional year, Seligman was asked to take responsibility for planning the French art section. World political events intruded, however, and rumors of impending war affected both the European and American economies as well as the international art world. Speculative sales, particularly in Europe, made for a chaotic and unpredictable market. In June 1940 German forces invaded France and occupied Paris. Business for Jacques Seligmann & Co., Inc., took a dramatic downturn. In the summer of 1940 the Seligmann galleries and family holdings were seized by the Vichy government, along with Germain's private art collection. The family house and its contents, along with almost the entire stock of the Paris firm, was sold at public auction. Jacques Seligmann & Co., Inc., staff burned the Paris office archives in an effort to keep the records relating to works of art from falling into the hands of the Nazi occupiers, who were looting and shipping art to Germany.

Family members also experienced the pains and changes brought on by the war. Jean Seligmann, a cousin of Germain and the head of Arnold Seligmann & Cie., was captured and shot in Vincennes, France. François-Gerard, a half-brother, was drafted into the army and subsequently joined the French Resistance. Another brother, André, fled France in September 1940 and arrived in New York City, where he opened his own gallery. (He would later return to Paris after the war, but died shortly thereafter from a heart attack.)

Germain applied for a commission in the United States Army in 1942, but his application was initially turned down due to his noncitizen status. Soon thereafter, however, President Franklin D. Roosevelt signed the second War Power Act, which stipulated that naturalization could be expedited if the individual served in the military during the war. This act prompted Germain to further press his application for a post overseas, citing his citizenship status as fairly inconsequential or at least no longer a grave hindrance. Despite numerous letters exchanged with the War Department, however, his application was eventually rejected due to changes in military personnel policy.

During the war years, the Seligmann company in New York moved from its 3 East Fifty-first Street location to smaller quarters at 5 East Fifty-seventh Street. The first exhibition in this space was held in the spring of 1944. By 1945 the Contemporary American Department was reactivated, with Theresa D. Parker as its head.

In the years following the war, a rapprochement occurred among the family members who had been split since the family quarrel between Jacques and Arnold Seligmann. With the death of Jean Seligmann during the war, Arnold Seligmann & Co. had been left without a director. Germain consolidated the two family businesses, but made separate financial and administrative entities of the Paris and New York offices. Henceforth they were affiliated "only by ties of affection."

During the early to mid-1950s, many of the activities involving Jacques Seligmann & Co., Inc., centered upon the recovery of looted artwork and property as well as resolving outstanding issues from the consolidation of the various family businesses. The firm was also involved in the sale of several significant collections.

In 1951 Germain was commissioned by the family of the Duc d'Arenberg to sell the family's collection of important illuminated manuscripts, engravings, and select paintings. Jan Vermeer's Portrait of a Young Girl was purchased for over a quarter million dollars.

Jacques Seligmann & Co., Inc., also handled the 1953 sale of works from the Prince of Liechtenstein's collection and negotiated the purchase of seven Italian marble sculptures that were eventually sold to the Samuel H. Kress Foundation in 1954. From the late 1950s up until the closing of the company in 1977-1978, the exhibitions mounted by the firm seem to indicate a gradual focus back toward drawings and more traditional art. Contemporary American artists continued to be shown as well, but the firm no longer maintained its leading edge in the art market.

Germain, who during the 1940s had written several works, among them a monograph on Roger de La Fresnaye in 1945 and The Drawings of Georges Seurat in 1947, devoted himself more and more to writing. In Oh! Fickle Taste; or, Objectivity in Art, published in 1952, Seligman addressed the importance of political and social climates in understanding the evolution of art collecting in the United States. He followed this book with the 1961 publication of Merchants of Art, 1880-1960: Eighty Years of Professional Collecting which memorialized his father and traced the history of Jacques Seligmann & Co., Inc. Germain's most significant work, Roger de La Fresnaye, with a Catalogue Raisonné (1969), was lauded by art critics and listed among the 1969 "Best Ten Books of the Year" by the New York Times.

With the death of Germain Seligman in 1978, the firm doors closed, leaving behind a legacy of collecting that helped to establish American collectors and museums in the forefront of the international art world. A survey of the major art museums and collections in the United States reveals the significant number of works that were acquired either by sales or through donation from Jacques Seligmann & Co., Inc. The influence the company wielded is also demonstrated through the network of relationships it built with collectors, art museums and institutions, and other dealers, such as Dr. Albert C. Barnes, Bernheim-Jeune, George Blumenthal, Sen. William A. Clark, the Detroit Institute of Arts, M. Knoedler & Co., Inc., the Metropolitan Museum of Art, the Museum of Modern Art in New York, the National Gallery of Art, Marjorie Merriweather Post, Henry Walters, and Wildenstein & Co., among others.

1858, September 18 -- Jacques Seligmann born in Frankfurt, Germany.

1874 -- Jacques Seligmann leaves Germany to work in Paris, France, as an assistant at Maître Paul Chevallier, a leading Paris auctioneer. Soon after he leaves to work for Charles Mannheim, an expert in medieval art.

1880 -- Jacques Seligmann opens his own shop at the Rue des Mathurins. An early client is Baron Edmond de Rothschild.

1893, February 25 -- Germain Seligman is born in Paris, France. His mother's maiden name is Blanche Falkenberg (d. 1902).

1900 -- Jacques Seligmann & Cie. is formed when Jacques's brothers, Arnold and Simon, join him as partners and the business moves to the Place Vendôme.

1904 -- The New York City office of Jacques Seligmann & Co., Inc., is established, with Eugene Glaenzer as the manager. Beginning in 1905, Seligmann begins yearly visits to the New York office.

1907 -- Jacques Seligmann is elected a Fellow for Life of the Metropolitan Museum of Art.

1909 -- Jacques Seligmann & Cie. acquires the Hôtel de Sagan on the Rue Saint Dominique. Jacques moves the headquarters for the company to this location and reserves its use for the most exclusive and important clients, but his brother Arnold continues to oversee the general operations of the company at the Place Vendôme.

1912 -- A lawsuit between Jacques Seligmann and his brother, Arnold, results in a split in the family company. Arnold remains at Place Vendôme under the name Arnold Seligmann & Cie. Jacques consolidates his activities at the Hôtel de Sagan. He also opens another gallery at 17 Place Vendôme, but this is soon moved to 9 Rue de la Paix.

1914 -- As a result of the split in the family business, a new office and gallery are opened at 705 Fifth Avenue, and Jacques Seligmann & Co., Inc., is incorporated within the State of New York.

1914-1919 -- Germain Seligmann serves in the French army as a second lieutenant in the 132nd Infantry Regiment of Rheims. Later he is assigned as the first French liaison officer to the First Division of the American Expeditionary Force in France. He is discharged from active service in 1919.

1920 -- Germain Seligman becomes a partner with his father and formally joins Jacques Seligmann & Fils as the president of the New York office.

1923, October -- Jacques Seligman dies.

1924 -- Germain Seligman becomes the president of both the Paris and New York offices. Several of his brothers and sisters become partners in the firm. Theresa D. Parker joins the New York office.

1926 -- The New York office moves to 3 East Fifty-first Street. Germain Seligman, with César Mange de Hauke, sets up de Hauke & Co., Inc., to sell modern European paintings to American clients.

1930 -- De Hauke & Co., Inc., becomes Modern Paintings, Inc.

1931 -- De Hauke resigns as head of Modern Paintings, Inc., and returns to Paris.

1934 -- Modern Paintings, Inc., is dissolved, and its assets are assumed by Jacques Seligmann & Co., Inc., and by Tessa Corp., another subsidiary of the parent company.

1935 -- The Contemporary American Department is created as a part of Jacques Seligmann & Co., Inc., and Theresa D. Parker directs its operations.

1936-1937 -- Jacques Seligmann et Fils moves out of its gallery space at the Hôtel de Sagan and briefly reestablishes its headquarters at 9 Rue de la Paix. By 1937, however, the company headquarters moves to New York City. Germain Seligman establishes his legal residence there.

1939 -- World War II begins.

1940 -- During the summer, the Seligmann family house and its contents (at Rue de Constantine) are seized and sold by order of the Vichy government, along with Germain's private art collection and the gallery's stock. The Paris archives of Jacques Seligmann & Co., Inc., is destroyed by the Seligmann staff in order to keep the records from falling into the hands of the Nazis. René Seligmann dies in a New York hospital in June; François-Gerard, Germain's half-brother, is called up to serve in the army and joins the French Resistance. Another brother, André, escapes to the United States and opens a gallery in New York. Jean Seligmann, a cousin of Germain and the head of Arnold Seligmann & Cie., is captured and shot at Vincennes, France.

1943 -- Germain Seligman becomes an American citizen (and drops the second "n" from his original surname).

1944, Spring -- The New York gallery holds its first exhibition in the new 5 East Fifty-seventh Street location in New York City. During the war years, the firm had moved from its Fifty-first Street location to smaller quarters.

1945 -- The Contemporary American Department is reactivated.

1946 -- After the war, Arnold Seligmann & Cie. is left without a director, although it remains at the Rue de la Paix location. Germain consolidates the two firms but organizes the Paris and New York offices as separate financial and administrative entities.

1969 -- Germain Seligman publishes Roger de La Fresnaye, with a Catalogue Raisonné. The book receives acclaim and is listed on the 1969 New York Times "Ten Best Books of the Year."

1978, March 27 -- Germain Seligman dies.
Provenance:
The records of the Paris and New York art dealer Jacques Seligmann & Co., Inc., were donated to the Archives of American Art in 1978 by Mrs. Ethlyne Seligman, widow of Germain Seligman. A small addition of 19 linear feet was donated in 1994.
Restrictions:
Use of original papers requires an appointment.
Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
World War, 1939-1945 -- Art and the war  Search this
Art dealers -- France -- Paris  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Art galleries, Commercial -- France -- Paris  Search this
Genre/Form:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jacqself
See more items in:
Jacques Seligmann & Co. records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jacqself
Online Media:

Samuel J. Wagstaff papers

Creator:
Wagstaff, Samuel J.  Search this
Names:
Basen, Dan, 1939-  Search this
Brecht, George  Search this
Byars, James Lee  Search this
De Maria, Walter, 1935-2013  Search this
Di Suvero, Mark, 1933-  Search this
Fine, Albert M.  Search this
Flavin, Dan, 1933-  Search this
Halprin, Anna  Search this
Hartigan, Grace  Search this
James, Charles, d. 1978  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Manning, Doreen  Search this
Manning, Robert  Search this
Martin, Agnes, 1912-2004  Search this
Newton, Gordon, 1948-  Search this
Oldenburg, Claes, 1929-  Search this
Reinhardt, Ad, 1913-1967  Search this
Roth, Dieter, 1930-1998  Search this
Saret, Alan, 1944-  Search this
Tuttle, Richard, 1941-  Search this
Warhol, Andy, 1928-  Search this
Wilson, Mary F.  Search this
Extent:
6.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Date:
circa 1932-1985
Summary:
The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.
Scope and Content Note:
The Samuel J. Wagstaff papers, circa 1932-1985, comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs.

Correspondence with artists and others such as curators, arts organizations, galleries, and museums reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements. Wagstaff's importance as a collector and curator and his generosity to and interest in artists is evident from the large number of invitations to view and critique work, requests for fellowship and grant recommendations, and thank you notes from artists to whom he extended financial or moral support. Among the most prolific correspondents found here are: Dan Basen, George Brecht, James Lee Byars, Walter de Maria, Mark Di Suvero, Albert Fine, Dan Flavin, Ann Halprin, Grace Hartigan, Charles James, Philip Johnson, Ray Johnson, Doreen and Robert Manning, Agnes Martin, Gordon Newton, Claes Oldenburg, Ad Reinhardt, Dieter Rot, Alan Saret, Richard Tuttle, May Wilson, and Andy Warhol.

Writings by Wagstaff consist of "Looking at Modern Art" prepared for the Trinity College Reading Program, and an untitled, undated piece about multiplicity in art. Among the writings by other authors are Bruce Bennard's "The Photographer Rediscovered," "Pop Art" by Henry Geldzahler, and "Collecting Photographs" by Bonnie Barrett Stretch.

Miscellaneous records are drawings by Bruce Kleinsmith, a print by Harold Paris and artists' resumes. Also included is a costume consisting of a stuffed devil's tail and two red silk caps connected by a long sash, all in a matching red silk bag.

Among the printed material are books, exhibition catalogs and prospectuses, periodicals, press releases, reproductions, and a variety of other printed items relating to photography and art.

Photographs consist largely of copy prints and a small number of original prints. Also included are a few images of exhibition installations and other miscellaneous subjects. There are no portraits of Samuel J. Wagstaff among the photographs of people. Identified individuals include: Bella Abzug, Peter Allen, Michael Collins, Angela Davis, Candy Darling, Wendell Ford, Joseph Hirshhorn, W. A. Huffman, David Love, Marc Miller, Bettie Ringma, and Andy Warhol.
Arrangement:
The collection is arranged into 5 series.

Series 1: Correspondence, 1932-1986 (Boxes 1-3, 8, OV 9-10; 2.5 linear ft.)

Series 2: Writings, 1961-1983 (Box 3; 0.2 linear ft.)

Series 3: Miscellaneous Papers and Artifacts, 1970s-1980s (Box 3; 0.2 linear ft.)

Series 4: Printed Material, circa 1914-1988 (Boxes 3-8, OV 11; 3.2 linear ft.)

Series 5: Photographs, 1975-1982 (Boxes 7-8; 0.1 linear ft.)
Biographical Note:
Samuel J. Wagstaff, Jr. (1921-1987), the son of a lawyer from an old New York family and fashion artist Olga Piorkowska, was born in New York City. A graduate of Yale University, he was an ensign in the Navy and took part in the D-day landing at Omaha Beach.

Following World War II, Wagstaff studied Renaissance art at the Institute of Fine Arts, New York University. A David E. Finley art history fellowship took him to the National Gallery of Art, Washington, D. C. in 1959. He served as curator of contemporary art at the Wadsworth Atheneum, Hartford, Conn., from 1961 to 1968, where he coordinated sculptor Tony Smith's first museum show in 1966. In 1971, during Wagstaff's tenure as curator at the Detroit Institute of Arts (1968-1971), he presented Michael Heizer's installation Dragged Mass Geometric on the grounds of the museum.

In addition to his curatorial work, Samuel J. Wagstaff was a noted collector. Originally, he was a fairly influential collector of avant-garde paintings. After seeing the exhibition "The Painterly Photograph" and meeting photographer Robert Mapplethorpe, Wagstaff became convinced that photographs were the most unrecognized and, possibly, the most valuable works of art. He moved to New York and began selling his collection of paintings, using the proceeds to begin his photography collection and concentrating on 19th century American, British, and French examples. Then, influenced by his lover, photographer Mapplethorpe, Wagstaff's taste veered toward the daring, and he began to depart from established names in search of new talent. His collection was soon recognized as one of the finest private holdings in the United States. An exhibition of his photographs was organized by the Corcoran Gallery of Art, Washington, D. C., in 1978, and A Book of Photographs from the Sam Wagstaff Collection was published to accompany the show that toured the country.

The photograph collection was sold to the J. Paul Getty Museum, Malibu, Calif., in 1984, for a reported $5 million. Wagstaff then focused his attention on collecting 19th century American silver, and a selection from that collection was exhibited at the New York Historical Society in 1987.

Samuel J. Wagstaff died in New York City on January 14, 1987, from pneumonia, a complication of HIV infection.
Provenance:
Samuel J. Wagstaff donated his papers between 1976 and 1986.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Samuel J. Wagstaff papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art dealers -- New York (State) -- New York  Search this
Photography  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Artists -- United States  Search this
Photographs -- Collectors and collecting -- United States  Search this
Curators -- New York (State) -- New York  Search this
Art, Modern  Search this
Fluxus (Group of artists)  Search this
Genre/Form:
Photographs
Drawings
Citation:
Samuel J. Wagstaff papers, circa 1932-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wagssamu
See more items in:
Samuel J. Wagstaff papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wagssamu
Online Media:

Sidney Simon papers

Creator:
Simon, Sidney, 1917-1997  Search this
Names:
Budd (Firm : New York, N.Y.)  Search this
Century Association (New York, N.Y.)  Search this
Colby College  Search this
Graham Gallery  Search this
Pennsylvania Academy of the Fine Arts  Search this
Skowhegan School of Painting and Sculpture. School -- Faculty  Search this
United States. Army. Corps of Engineers  Search this
Emmerich, André  Search this
Gonzalez, Xavier, 1898-1993  Search this
Gotfryd, Bernard  Search this
Hélion, Jacqueline  Search this
Jencks, Penelope  Search this
Kelly, Ellsworth, 1923- -- Photographs  Search this
King, William, 1925-2015  Search this
Meredith, Burgess, 1907-1997  Search this
Motherwell, Robert -- Photographs  Search this
Nevelson, Louise, 1899-1988 -- Photographs  Search this
Pousette-Dart, Richard, 1916-1992  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
8 Linear feet
2.21 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Transcripts
Sketchbooks
Sketches
Interviews
Illustrated letters
Diaries
Date:
circa 1917-2002
bulk 1940-1997
Summary:
The papers of sculptor, painter, and educator Sidney Simon measure 8.0 linear feet and 2.21 GB and date from circa 1917-2002, with the bulk of the papers dating from 1940-1997. The collection documents Simon's career through biographical material, correspondence, writings and notes, subject files, sketches, sketchbooks, printed and digital material, and photographs.
Scope and Contents:
The papers of sculptor, painter, and educator Sidney Simon measure 8.0 linear feet and 2.21 GB and date from circa 1917-2002, with the bulk of the papers dating from 1940-1997. The collection documents Simon's career through biographical material, correspondence, writings and notes, subject files, sketches, sketchbooks, printed and digital material, and photographs.

Biographical material chronicles Simon's academic training and professional activities through curriculum vitae, biographical accounts, and awards. Included are letters and memoranda, many from Forbes Watson pertaining to Simon's service as a combat artist in World War II. Also found is a transcript of an interview with Simon recounting his experiences in the Southwest Pacific. Simon's personal correspondence with colleagues, friends, and family includes scattered letters from Jacqueline Helion, Penelope Jencks, William King, Burgess Meredith, among others. Many letters are illustrated by Sidney Simon and others. General correspondence includes letters from artists, galleries, museums, public and religious institutions primarily relating to Simon's exhibitions and commissioned projects. Among the correspondents are Castle Hill, Truro Center for the Arts, Colby College, André Emmerich, Eric Makler Gallery, Xavier Gonzalez, Graham Gallery, and the Pennsylvania Academy of the Fine Arts. Interspersed among the files are letters of a personal nature. Other correspondence relates to Simon's faculty positions and his activities in professional organizations, e.g., Century Association, National Academy of the Fine Arts, and the Skowhegan School of Painting and Sculpture.

Writings and notes include Simon's 1943 diary entries recording his activities in the Army Corps of Engineers, draft versions of writings and lectures, and notes. Included are digital audio recordings of Simon's lectures at the Skowhegan School of Painting and Sculpture. Subject files provide documentation on Simon's commissioned projects, select exhibitions and competitions, as well as his faculty positions and memberships in several arts organizations. Printed material consists of clippings, invitations, announcements, newsletters, and programs. Exhibition catalogs are of Simon's solo and group shows at galleries, museums, and art organizations from 1959-1966. Photographs are of Simon by Budd Brothers, Richard Pousette-Dart, and Bernard Gotfryd. There are a number of photographs of the artist in his studio and outdoors as well as of Simon's family and friends, including group photographs with Ellsworth Kelly, André Emmerich, Robert Motherwell, and Louise Nevelson. Also found are three personal and family albums and twenty-one photograph albums of Simon's paintings and sculptures.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Material, 1940-1998 (Boxes 1, 9; 0.7 linear feet)

Series 2: Correspondence, 1936-2002 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings and Notes, 1943, circa 1960-1997 (Box 2; 0.4 linear feet, ER01-ER03; 2.21 GB)

Series 4: Subject Files, 1940-1941, 1951-1997 (Boxes 2-4, 9; 1.8 linear feet)

Series 5: Sketches, 1937-1942 (Box 4; 1 folder)

Series 6: Sketchbooks, 1939-1995 (Boxes 4-5, 9; 0.5 linear feet)

Series 7: Printed Material, circa 1933, 1942-1998 (Box 5; 0.3 linear feet)

Series 8: Scrapbooks, 1978-1995 (Box 5; 0.1 linear feet)

Series 9: Photographs, circa 1917-1997 (Boxes 5-11; 3.0 linear feet)
Biographical / Historical:
Sidney Simon (1917-1997) was a sculptor, painter, and educator who worked primarily in New York City and Truro, Massachusetts. Simon was born in Pittsburgh, Pennsylvania. At the age of 14, he won a place as a special student at the Carnegie Institute of Technology. He received a Bachelor of Fine Arts degree from the University of Pennsylvania in 1934 and from the Pennsylvania Academy of the Fine Arts in 1936. Simon also studied at the Barnes Foundation from 1937-1940. Simon received professional recognition early in his career; he was awarded the Prix de Rome Collaborative Prize in 1939 and the Edwin Austin Abbey Fellowship in mural painting in 1945.

In 1941, Simon enlisted in the U.S. Army and served in the Army Corps of Engineers. Assigned to MacArthur's headquarters as an official war artist for the Southwest Pacific Theater, Simon was chosen to paint the signing of the peace treaty between the U.S. and Japan aboard the U.S.S. Missouri. He was discharged from the army with a Bronze Star and five presidential citations. In 1945, along with Bill Cummings and Henry Varnum Poor, Simon co-founded the Skowhegan School of Painting and Sculpture, where he later served as a director and a member of the Board of Governors. By the mid-1950s, Simon's interest shifted from painting to sculpture, creating works in wood, clay, and other media. Over the years, Simon collaborated with architects on a number of public and private commissions, including the doorway for the Downstate Medical Center, the Jewish Chapel at West Point, a playground sculpture for Prospect Park, and the totemic column for the Temple Beth Abraham. In addition to serving on the faculty at Skowhegan School of Painting and Sculpture, Simon also taught at the Art Students League, Brooklyn Museum, and Parsons School of Design. An active champion of artists' rights, Simon established the New York Artists Equity Association. He participated in solo and group shows at the Graham Gallery, Provincetown Art Association and Museum, and the Sculptors Guild, among other venues.

In 1997, Sidney Simon died at the age of 80 in Truro, Massachusetts. Simon was divorced from Joan Crowell in 1964. He is survived by his wife, Renee Adriance Simon and five children from his first and second marriages.
Related Materials:
The Archives has two oral history interviews with Sidney Simon conducted by Paul Cummings in October 17-November 8, 1973 and the Karl E. Fortress taped interviews with artists, [1963-1985].
Separated Materials:
The Archives of American Art also holds materials lent for microfilming (reel D210) including biographical material, correspondence, sketchbooks, scrapbooks, and photographs of Sidney Simon. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Sidney Simon lent the Archives of American Art material for microfilming in 1965. Rene Simon, Simon's widow, donated the Sidney Simon papers in 2009.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Sidney Simon papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
War artists  Search this
Topic:
Art -- Study and teaching  Search this
Sculptors -- New York (State) -- New York  Search this
World War, 1939-1945 -- Personal narratives  Search this
World War, 1939-1945 -- Campaigns -- Pacific Area  Search this
World War, 1939-1945 -- Art and the war  Search this
Artists' studios -- New York (State) -- New York -- Photographs  Search this
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Transcripts
Sketchbooks
Sketches
Interviews
Illustrated letters
Diaries
Citation:
Sidney Simon papers, circa 1917-2002, bulk 1940-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.simosidn
See more items in:
Sidney Simon papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-simosidn

Mildred Baker papers

Creator:
Baker, Mildred, 1905-  Search this
Names:
Federal Art Project  Search this
Index of American Design  Search this
New York (N.Y.). Municipal Art Committee  Search this
Newark Museum  Search this
Salons of America, Inc  Search this
Technical Services Laboratory (National Space Technology Laboratories)  Search this
United Federal Workers of America  Search this
Baker, Jacob  Search this
McMahon, Audrey, 1900?-1981  Search this
Weiss, Adolph, 1891-1971  Search this
Extent:
2.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Transcripts
Date:
1882
1923-1997
Summary:
The papers of arts administrator Mildred Baker measure 2.7 linear feet and date from 1882 to 1997, with the bulk of the material dating from 1923 to 1997. Found within the papers are biographical materials; personal and professional correspondence; writings; files related to her work on the WPA Federal Art Project and other institutional art projects; printed material; photographs of Baker; and photographs and papers related to the work of her husband, Jacob Baker, who also administered programs for the WPA.
Scope and Contents:
The papers of arts administrator Mildred Baker measure 2.7 linear feet and date from 1882 to 1997, with the bulk of the material dating from 1923 to 1997. Found within the papers are biographical materials; personal and professional correspondence; writings; files related to her work on the WPA Federal Art Project and other institutional art projects; printed material; photographs of Baker; and photographs and papers related to the work of her husband, Jacob Baker, who also administered programs for the WPA.

Biographical materials include birth and award certificates, curriculum vitae, divorce documents, an oral history transcript, and genealogical research and information on Baker's family, including her brother, the composer and bassoonist Adolph Weiss.

Correspondence is primarily with Baker's friends, business associates, researchers, and art institutions discussing personal relationships, research inquiries into the administration of the Federal Art Project, and loans and gifts of artwork to various institutions. The series includes Baker's responses to researcher requests regarding FAP exhibitions, programs, artists, and recollections of her fellow administrators.

Writings by Baker consist of reminiscences, 8 travel diaries, 3 essays, an exhibition catalog introduction, 4 lectures, and miscellaneous notes. Writings by others consist of 4 essays on contemporary art and art administration.

Federal Art Project files include correspondence; artist and exhibition lists; memoranda and general information; reports; speeches; information and photographs related to regional art centers and black artists; printed material; and miscellaneous material related to the Index of American Design, Southern California Art Project, and the Technical Services Laboratory.

General project files include information for 4 exhibitions, including the 1934 First Municipal Art and Salon of America Exhibitions; reports and speeches for the Newark Museum; information on the commissioning of the New Jersey Council on the Arts; and member information from the Woman Pays Club.

Printed material includes clippings, exhibition announcements and catalogs, newsletters, press releases, and a commercial recording of Alice Tully Hall.

Photographs are of Mildred Baker, including photos during her tenure at the Federal Art Project and Newark Museum. There is also a photograph of fellow FAP administrator Audrey McMahon.

Materials related to Jacob Baker include interview recordings and transcripts; personal correspondence with friends and business associates; writings and speeches; information related to Baker's work for the United Federal Workers of America; printed materials; and photographs of Baker.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1882, 1934-1990 (7 folders; Box 1)

Series 2: Correspondence, circa 1937-1997 (0.4 linear feet, Box 1)

Series 3: Writings, circa 1940-1985 (17 folders; Box 1)

Series 4: Federal Art Project, WPA, circa 1934-1953 (0.8 linear feet, Box 1-2)

Series 5: Project Files, 1934-1991 (0.4 linear feet, Box 2)

Series 6: General Printed Material, 1923-1996 (11 folders; Box 2-4)

Series 7: Photographs, circa 1934-1992 (2 folders; Box 3)

Series 8: Jacob Baker, 1930-1975 (0.3 linear feet; Box 3-4)
Biographical / Historical:
Mildred Baker (1905-1998) was an arts administrator who worked in New York City, New York; Newark, New Jersey; and Washington, D.C.

Baker was born in Brooklyn, New York to composer and musician George Weiss and his wife Sophia Soennichsen, whose family were also musicians and writers. In 1925, while enrolled at the University of Rochester, she married the artist Ernest Holzhauer and together they moved to Europe for study and travel. In 1927, they returned to New York where Baker began working in administrative positions for the Van Diemen Galleries and the College Art Association. In 1934, she was hired by Holger Cahill to assist him in organizing Rockefeller Center's Salons of America Exhibition and First Municipal Art Exhibition. After the success of these shows, in 1935, Baker was hired as Cahill's assistant after he was selected to run the Federal Art Project for the Work Projects Administration in Washington, D.C.

While working for the Federal Art Project, Baker was appointed director of exhibitions and surveyed the work of over 100 art centers, organized over 500 traveling exhibitions, and managed the final allocation of artworks created for the FAP. In 1940, Baker divorced Mr. Holzhauer and married Jacob Baker, an economist and WPA administrator, union organizer, and a founder of the left-wing Vanguard Press, in 1947. After overseeing the closing of the Federal Art Project offices in Washington, Baker and her husband moved back to New York and became longtime residents of the Chelsea Hotel. Baker joined the staff of the Newark Museum in 1944, was promoted to assistant director in 1949, and to associate director in charge of exhibitions and programs from 1953 until her retirement in 1971.

In 1963, Baker was appointed by Governor Richard Hughes to the Commission to Study the Arts in New Jersey, and while serving as vice chairman, she oversaw the establishment of the New Jersey State Council on the Arts. She was a member of the Cosmopolitan Club, Women's City Club, Woman Pays Club, and American Association of Museums. Baker died on December 9, 1998.
Related Materials:
The Archives of American Art holds several collections related to Mildred Baker and the WPA Federal Art Project. There are two oral histories with Mildred Baker, one conducted by Harlan Phillips, September 21, 1963 and another by William Agee, July 22, 1965. There is also an oral history with Jacob Baker conducted by Harlan Phillips, September 25, 1963. Transcripts of the interviews conducted by Harlan Phillips are found within the collection. Collections related to the Federal Art Project include the Federal Art Project of the Work Projects Administration records and the Holger Cahill papers.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel D110 including exhibition catalogs and clippings. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Mildred Baker donated her papers in several increments between 1971 and 1993. In 1999, the bulk of her papers were donated to the archives by Baker's estate executor, Patricia Haskell, some of which included materials that had been loaned for microfilming in 1963.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Mildred Baker papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Federal aid to the arts  Search this
Art -- Exhibitions -- New York (State) -- New York  Search this
Arts administrators  Search this
Genre/Form:
Photographs
Interviews
Transcripts
Citation:
Mildred Baker papers, 1882, 1923-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bakemild
See more items in:
Mildred Baker papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bakemild

LeRoy Neiman papers

Creator:
Neiman, LeRoy, 1921-2012  Search this
Names:
ABC Sports  Search this
CBS Sports  Search this
Playboy Enterprises  Search this
Ali, Muhammad, 1942-  Search this
Super Bowl  Search this
Extent:
70.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1938-2005
Summary:
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
Scope and Content Note:
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938 to 2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.

Biographical material pertains to the artist's family, military service, education and teaching experience and representing galleries and publishers and includes artist biographies, awards, distinctions, and membership information.

Correspondence includes personal and business correspondence as well as collections of cards and literature on other artists, Neiman's notes and jottings, art work by children, and office records.

Project files document specific projects or art events in which Neiman was involved, including commissions, promotions, collaborations, serigraph printings, and publications.

Printed material includes newspapers, magazines, catalogs, fliers, invitations, brochures, press releases, film scripts and small posters.

Artifacts include three-dimensional items, clothing, souvenirs and LeRoy Neiman paraphernalia.
Arrangement:
The collection is arranged as 5 series:

Series 1: Biographical Material, 1938-2004, undated (Boxes 1-3, 77; 3.3 linear feet)

Series 2: Correspondence, circa 1960s-2004, undated (Boxes 3-19)

Series 3: Project Files, 1949-2005, undated (Boxes 20-39, 78-81)

Series 4: Printed Material, circa 1940s-circa 2005, undated (Boxes 40-61, 82-83, OV 85)

Series 5: Artifacts, 1953-2002, undated (Boxes 69-76, 84)
Biographical Note:
LeRoy Neiman has been described as the most popular living painter in America. While strikingly original, his work reflects the varied influences of Toulouse-Lautrec, Dufy, the New York Social Realists, and the Abstract Expressionists. Probably best known as a portrayer of sporting and social events, he virtually invented the modern genre of sports art and remains its most accomplished and acclaimed practitioner.

Among many other accomplishments, he was the first and only on-camera official artist for ABC-TV at the Olympics in Munich, 1972 and Montreal, 1976, and covered several other winter and summer Olympiads as an official artist. He was the first artist to create live, on-camera computer art while covering the 1978 Super Bowl in New Orleans for CBS-TV. In 1997 he was selected as the first official artist of the Kentucky Derby. But Neiman's interests range far and wide. As a painter, printmaker, and author, his subjects have included Parisian cafés, African safaris, famous bars, five-star restaurants, urban street scenes, the opera, political figures, jazz musicians, entertainers, stage and screen stars, gambling casinos, portraits, international stock exchanges, and much more.

For the past quarter-century, Neiman has created limited-edition serigraphs (silk-screen prints). Published and distributed exclusively by Knoedler Publishing, they are sold in selected galleries throughout the United States. By one estimate, the more than 150,000 Neiman prints that have been purchased to date have an estimated market value exceeding $400 million. Neiman is the author of twelve books: Horses, LeRoy Neiman Posters, Winners, which was also published in Japanese, Big Time Golf, LeRoy Neiman: An American in Paris, LeRoy Neiman on Safari, and LeRoy Neiman: Five Decades, all published by Harry N. Abrams, as well as Art and Life Style, Carnaval, Monte Carlo Chase, Casey at the Bat, and the newly-released limited edition LeRoy Neiman Sketchbook: Liston vs. Clay 1964/ Ali vs. Liston 1965, 2004. Knoedler Publishing has published The Prints of LeRoy Neiman, Volumes I-III, a catalogue raisonnes on Neiman's limited edition prints.

Over the years the artist has donated scores of his artworks to dozens of charitable causes and organizations. Through his work with the Good Tidings Foundation, two LeRoy Neiman Art Centers for Youth have been built in elementary schools in California. In 1995, he gave the School of the Arts at Columbia University in New York City an endowment of $6 million to create the LeRoy Neiman Center for Print Studies, dedicated to the study of fine art printmaking and the development of new methods of printmaking, and including a scholarship program. A 1998 donation led to the creation of the LeRoy Neiman Center for the Study of American Culture and Society at UCLA.

Neiman's work is represented in the Art Institute of Chicago, the Whitney Museum, the Minneapolis Museum of Art, the Hermitage of St. Petersburg and numerous other museums and public and private collections worldwide. A past member of the New York City Advisory Commission for Cultural Affairs, Neiman has received five honorary degrees and, among other honors, an Award of Merit from the American Athletic Union, a Gold Plate Award from the American Academy of Achievement, and a Lifetime Achievement Award from the Muscular Dystrophy Association, in addition to being named Boxing Artist of 1966 by Lonsdale, London.

1921 -- Born June 8 in St. Paul, Minnesota.

1942-46 -- Leaves high school to enlist in the army; serves four years in Europe.

1946 -- Studies at the St. Paul Gallery and School of Art with Clement Haupers.

1946-50 -- Student at the School of the Art Institute of Chicago; studies with Boris Anisfeld; studies liberal arts at University of Illinois and De Paul University, Chicago.

1950-60 -- Member of the Faculty, School of the Art Institute of Chicago, teaching figure drawing and fashion drawing.

1952 -- Exhibits in Twin City Show at Minneapolis Institute of Arts; wins Chicago Art Directors Award.

1953 -- Begins using enamel house paints; develops interest in drawing horse racing at Arlington Park; wins First Prize for painting "Idle Boats", a purchase prize, at Twin City Show, Minneapolis Institute of Art.

1954 -- Begins association with Playboy magazine illustrating Charles Beaumont story, which wins Chicago Art Directors Award; exhibits for first time in Chicago Artists and Vicinity Show, where he continues to show for next six years; wins Second Prize, Minnesota State Show; exhibits at Philadelphia Art Alliance.

1955 -- Instructor of painting at Elmwood Park Art League and North Shore Art League; exhibits at the Carnegie Pittsburgh International Exhibition of Contemporary Painting; creates the "Femlin" symbolic character which appears in Playboy for next 47 years; wins New York Art Directors Award.

1956 -- Included in "New Talent in America in 1956", published in Art in America, February 1956; delves deeper into Chicago sports scene, draws Chicago Bears, Blackhawks and boxing.

1957 -- Exhibits in Corcoran Gallery of Art "American 25th Biennial Exhibition", Washington, D.C.; awarded most popular prize out of 3,000 entries as well as the juried Clark Memorial Prize and Vicinity Show; first television appearance on Art Institute of Chicago TV show, "Artist's Choice"; painting instructor at School of the Art Institute of Chicago Summer Session and for two years at Ox-Bow Summer School, Saugatuck, Michigan teaching landscape painting; marries art student Janet Byrne.

1958 -- Exhibits at the "Society of Contemporary American Art Exhibition", Art Institute of Chicago, for three years; begins extensive travels for Playboy magazine, creating a feature on the high life called "Man at His Leisure", which appears regularly for the next 15 years; wins Municipal Art Award at "Chicago Artist and Vicinity Show", and Hamilton & Graham Cash Prize, Ball State Teachers College Drawing Show, Muncie, Indiana.

1959 -- Holds one-man show of racing scenes at Arlington Park Race Track, Chicago; shows in "Jazz Exhibition" and "Social Observation and Comment in Art Show" in Chicago.

1960 -- Paints at Squaw Valley Winter Olympic Games; travels six months through Europe covering sporting and social events, the Grand National Steeplechase, Epsom Derby, Ascot, and the Oxford-Cambridge boat race in England, Maxim's Tour d'Argent, the Lido and Folies Bergere in Paris, the Cannes Film Festival and St. Tropez, Fiesta de San Isidro bullfights in Madrid, the Grand Prix in Monaco auto race.

1960-1970 -- Executes over one hundred paintings and two murals for eighteen Playboy Clubs.

1961 -- Takes studio in Paris; does studies of Deauville social season and sketches the great restaurants of France; sketches Dublin Horse Show and cricket at Lord's in London; wins gold medal for oil painting at the "Salon d'Art Moderne", Paris.

1962 -- Sketches Bordeaux wine country, Paris fashion shows, racing at Longchamp, and Giraglia Yacht Race on Riviera; paints Regatta of the Gondoliers in Venice; does studies of Fellini directing "8 ½" and sketches at Cine Citta studios in Rome; visits U.S. to work on commission for 12 paintings of the Indianapolis 500.

1963 -- Returns from Paris; establishes a studio in New York; teaches painting at Arts and Crafts, Inc., Winston-Salem, North Carolina; holds first one-man exhibition in New York at Hammer Galleries; travels to Mexico with Shel Silverstein; sketches in Mexico City and Acapulco.

1964 -- Starts series of Muhammad Ali sketches and paintings which spans the next 15 years; sketches America's Cup Challenge at Newport, Rhode Island; returns to England to sketch London night life and Prince Phillip playing polo at Windsor; paints the Tour de France in Paris.

1965 -- Commemorates Sugar Ray Robinson with 8' x 6' portrait "Farewell to Boxing" unveiled at Madison Square Garden ceremony; paints portrait of Mae West and poet Marianne Moore.

1966 -- Sketches Kentucky Derby; in London paints personalities and scenes including the Beatles and Carnaby Street, Kenneth Tynan, Sir Ralph Richardson; paints surfing in California; executes mural for Swedish-Lloyd Ship, S. S. Patricia; creates art for film "Casino Royale"; sketches indoor polo for opening of Houston Astrodome.

1967 -- Sketches and paints leading figures in the arts, sports and entertainment world, including Leonard Bernstein, Joe Louis, Frank Sinatra, Brigitte Bardot and ballerina Suzanne Farrell; paints "24 Hours of LeMans", nudist scenes on the Dalmatian Coast of Yugoslavia, the Fiesta at Pamplona, the dolce vita of Rome.

1968 -- Paints the Kirov and Bolshoi ballets in Russia; is named artist-in-residence from the bench of the New York Jets football team; executes critical sketches of the 1968 Democratic National Convention in Chicago; paints Bobby Hull for Time magazine cover; contributed drawings for Harpers magazine articles on Cassius Clay and on Bobby Kennedy and race relations; initiates art class for Atlanta Poverty Program.

1969 -- Sketches civil rights figures and teaches art in Atlanta Poverty Program; creates poster for Kurt Weill Off-Broadway show and program cover for Oh! Calcutta; sketches New York City Ballet; appears regularly on TV as New York Jets artist-in-residence; collaborates with Dave Anderson on book, Countdown to Super Bowl; covers horse racing at Ascot and Longchamp, camel racing in Morocco.

1970 -- Paints backdrop for Broadway play Borstal Boy and does album cover for Fifth Dimension; exhibits in the Time magazine "Covers Show" at the National Portrait Gallery of the Smithsonian Institution, Washington D.C.; sketches sporting and social events in Dublin, and holds one-man show at the Abbey Theatre; travels with Hugh Hefner in Europe, Greece and Africa; sketches wildlife on safari in Africa; creates poster for Ali-Quarry fight, Ali's return to the ring in Atlanta; paints $100,000 baseball players for book, This Great Game; paints New York Stock Exchange.

1971 -- Has one-man exhibition at Museo de Bellas Artes in Caracas; travels to Monte Carlo, London, Paris and Switzerland; develops interest in printmaking; creates two-part TV program on the art of lithography and produces etchings and lithographs at Atelier Weber in Zurich; creates official poster and draws pre-fight sketches of Ali-Frazier Super Fight I at Madison Square Garden for The New York Times Magazine cover and post-fight sketches for ABC-TV; illustrates Jose Torres' book on Ali, Sting Like a Bee.

1972 -- Covers Fischer-Spasky world champion chess tournament at Reykjavik, Iceland and Munich Olympic Games, both on camera for ABC-TV; covers World Series for NBC-TV; creates serigraph of Knicks-Lakers championship game; paints Super Bowl for Time magazine cover; and cover for Golf Digest.

1973 -- Creates Super Bowl art for CBS-TV; sketches the Masters Golf Tournament for Golf Digest magazine; paints commission for Museum of Jazz; creates serigraph of Triple Crown winner Secretariat; sketches Foreman-Frazier fight in Jamaica; travels on multi-city tour and exhibit of Olympic serigraphs; nineteen serigraphs chosen by the Hermitage Museum, St. Petersburg, for its permanent collection.

1974 -- Has exhibition in Tokyo and sketches sumo, baseball and horse racing for Japanese TV; covers Stanley Cup hockey playoffs for NBC-TV; creates poster for Newport Jazz Festival and for next 5 years; creates poster for Ali-Foreman fight in Kinshasa, Zaire, and for Frank Sinatra concert at Carnegie Hall; Art and Lifestyle is published.

1975 -- Creates official St. Paul Bicentennial poster; given major retrospective at the Minnesota Museum of Art; creates official program cover for World Series; creates poster for Ali-Frazier III and paints cockfights in Manila; creates first of four annual posters for Robert F. Kennedy Pro-Celebrity Tennis Tournament; book The Artist's Limited Edition of Moby Dick is published.

1976 -- Paints mural on camera as ABC-TV Official Artist at Olympic Games, Montreal; paints on French Riviera; holds one-man show at Knoedler Gallery in London; exhibits in national invitational "Watercolor USA Show" at Springfield Art Museum, Missouri, and "Drawings USA Show" at the Minnesota Museum of Art; paints Harlem scene for Jazzmobile poster; paints Chris Evert for Saturday Evening Post cover.

1977 -- Holds one-man shows in Stockholm and Helsinki; works in Paris; paints NBA All-Star game; creates poster for Lacrosse USA.

1978 -- Performs first live execution of computer art for CBS-TV coverage of Super Bowl, New Orleans; creates poster for Bill Bradley senatorial campaign; creates poster for Ali-Spinks II match in New Orleans.

1979 -- Appointed Grand Marshal with Jesse Owens at The Drake Relays in Des Moines, Iowa; paints the Ginza, Kamakura Buddha, Mount Fuji in Japan, Royal Ascot in London, and Pan-Am Games in Puerto Rico, for CBS-TV; book Horses is published.

1980 -- Appointed Official Artist of the 1980 Lake Placid Winter Olympic Games and Official Artist of the Democratic National Convention, New York; paints commission for Caesar's Palace, Las Vegas; sketches Carnaval in Rio de Janeiro; presents painting commemorating signing of Arab-Israeli peace treaty at Camp David to President Carter at the White House; book Posters is published.

1981 -- Holds two-man exhibition with Andy Warhol at Los Angeles Institute of Contemporary Art, California; executes 24' x 16' portrait of Sylvester Stallone for Rocky film; creates art and appears as ring announcer in Rocky films II, III, IV and V; book Carnaval is published.

1982 -- Has one-man exhibition at Harrod's, and paints the "The Stock Exchange, London"; creates poster for Kool Jazz Festival; paints and exhibits in Tokyo.

1983 -- Has one-man exhibitions in Los Angeles, San Francisco and New Orleans; executes billboard, television commercial and program for Lido show at the Tropicana, Las Vegas; book Winners is published.

1984 -- Appointed Official Artist, Winter Olympics, Sarajevo, Yugoslavia and Summer Olympics, Los Angeles.

1985 -- Returns to Brazil to paint Gavea Golf and Country Club in Rio de Janeiro and stock exchange in Sao Paulo; named Honorary Marshal at St. Paul Winter Carnival; Japanese version of Winners is published.

1986 -- Appointed Official Artist, Goodwill Games in Moscow for Turner Broadcasting Network; paints America's Cup commission for the New York Yacht Club.

1987 -- Paints and makes video documentaries of Old St. Andrews in Scotland and the Riviera in France; paints Indianapolis 500 auto race commission; presents "Minute Man" poster to President Reagan at the White House.

1988 -- Holds one-man exhibitions in Japan and Moscow; executes mural for Golden Nugget, Las Vegas; paints commission for the Caribbean Classic at Caliente Racetrack in Tijuana, Mexico; paints and makes video documentary of "Napoleon at Waterloo"; book Monte Carlo Chase is published.

1989 -- Paints Frank Sinatra, Liza Minelli and Sammy Davis, Jr. at Royal Albert Hall, London; sketches the World Series at Candlestick Park in San Francisco during earthquake; does sketches and paintings and video documentary of New York's Central Park, and holds exhibition at the boathouse in the park.

1990 -- Executes commemorative painting for 100th anniversary of Los Angeles Dodgers; holds one-man exhibition for inaugural Grand Prix auto race in Denver; paints the Masters Golf Tournament in Augusta, Georgia; travels and sketches in Rome, Paris and Hong Kong.

1991 -- Executes commissioned paintings for 25th anniversary of Spectrum Stadium, Philadelphia, and 10th anniversary of Miami Grand Prix and of Joe Morgan and Jim Palmer for Baseball Hall of Fame induction; travels to Japan to paint geishas, the Ginza and golf; creates Michael Jordan serigraph and poster; works on sketchbooks and paintings in Paris and Berlin.

1992 -- Paints Tom Seaver for Baseball Hall of Fame induction; paints suite of four famous golf courses in conjunction with publication of Big-Time Golf; works on sketchbooks and paintings in Venice, Milan and Rome; honored by the Art Institute of Chicago as an outstanding alumnus; commissioned to paint Bobby Orr by Polaroid.

1993 -- Paints Reggie Jackson for Baseball Hall of Fame induction, Larry Bird for Boston Garden, and Iroquois Steeplechase, Nashville; creates poster for CBS-TV film Call of the Wild; holds one-man exhibition at the Kentucky Derby Museum; paints Frank Sinatra for cover of "Duets" album.

1994 -- Paints Pebble Beach Golf Clubhouse; creates poster for CBS-TV film The Yearling, attends and paints Super Bowl XXVIII in Atlanta; paints in Monte Carlo and Venice; goes on to paint safari in Kenya; sketches Luciano Pavarotti at Metropolitan Opera; paints Frank Sinatra for "Duets II" album; book An American in Paris is published.

1995 -- Paints Babe Ruth for the Baseball Hall of Fame, U.S. Open at Shinnecock Golf Course, and Rockefeller Center; creates 40-foot mural on Broadway theater for Tommy Tune's musical, Busker Alley; gives 30-year retrospective exhibition at the Kentucky Derby Museum; appointed a member of the New York City Advisory Commission for Cultural Affairs; honored by Playboy for the 40th anniversary of the Femlin character.

1996 -- Commissioned by United Nations to create six postage stamps for the Centennial Olympic Games in Atlanta; paints Super Bowl XXX in Phoenix, Arizona; honored by Boxing Writers and England's Lonsdale Boxing Club; paints "Hall of Famer" for the Baseball Hall of Fame's permanent art exhibition; creates serigraph of "The 3 Tenors", Placido Domingo, Jose Carreras, Luciano Pavarotti.

1997 -- Inauguration of the LeRoy Neiman Center for Print Studies at Columbia University, New York; introduction of LeRoy Neiman Selection Cigar; narrates and appears in film documentary on Cuba and cigars, Rhythm and Smoke; creates poster commemorating 50th anniversary of Jackie Robinson's breaking of racial barrier in Major League Baseball; creates first official Kentucky Derby poster; travels to South Africa to present commissioned portrait of President Nelson Mandela; book LeRoy Neiman on Safari is published.

1998 -- Inaugurates LeRoy Neiman Center for Study of American Culture and Society, UCLA, Los Angeles; unveils baccarat painting for Desert Inn, Las Vegas; exhibits and participates in seminar on Frank Sinatra at Hofstra University; paints and creates serigraph of Joe DiMaggio; creates label for Duval-Leroy champagne; creates official poster for Breeders' Cup, Louisville; cover art for Good Will Games New York official program, and for article in The Nation; honored at Ox-Bow Gala at the Art Institute of Chicago, and by Sportscasters.

1999 -- Creates art for Givenchy perfumes; presents portrait of Mark McGwire and creates serigraph edition commemorating record home run hitter. Paints John Elway and creates serigraph celebrating retirement from football; releases serigraph of Mickey Mantle; participates in Olympic Games seminar on Queen Elizabeth II ocean liner crossing; gambling prints installed in Salle Privée at Paris Casino in Las Vegas; creates poster for Taxicab Chronicles Off-Broadway play; visits Havana to sketch Cuban rhythms. Sketches Army-Navy game in Philadelphia for West Point commission.

2000 -- Creates boxing painting for use as poster for Heavyweight Explosion cable TV program; book The Prints of LeRoy Neiman 1991-2000 is published; releases serigraphs of Mike Piazza and Cal Ripken, Jr.; the first LeRoy Neiman Art Center for Youth is opened in San Francisco; commissioned to create artwork for 125th Preakness Stakes and 2000 PGA Championship Tournament at Valhalla Golf Course.

2001 -- Salutes Muhammad Ali as "Athlete of the Century" with oversized portrait and limited edition serigraphs. Commissioned to paint Mardi Gras official poster for 2002; commissioned to paint Phoenix Suns star Charles Barkley on retirement of uniform number; commissioned to paint UCLA basketball coach John Wooden; holds retrospective drawing exhibition at the Fairfield Public Gallery, Sturgeon Bay, Wisconsin; creates poster for 2001 All-Star Jockey Championship; attends 25th year reunion of ABC-TV coverage of 1976 Munich Olympics. Commissioned by New York City Fire Department to commemorate September 11 terrorist attack for benefit of NYFD Widows and Orphans Fund; creates image of NYFD fireman's helmet and for the first time allows an image to be used and sold on t-shirts; also donates original painting to auction for Widows and Orphans Fund. Honorary Chairman at the annual Bare Walls event at the School of the Art Institute of Chicago; the second LeRoy Neiman Art Center for Youth is opened in Watsonville, California; the largest serigraph yet by artist, "Circus", having image size of 43 ¾" x 65", is completed after 2 years work.

2002 -- Commissioned to paint Wayne Gretzky, Gold Medal winning coach of the Canadian Olympic Hockey Team; commissioned to create official tournament poster for the first U.S. Open to be held at a public golf course, Bethpage on Long Island, New York; illustrates "Casey at the Bat", published as a trade edition by Ecco Press, with Foreword by New York Yankees manager Joe Torre; creates the Tyson/Lewis poster for the boxing heavyweight championship fight in Memphis; creates the official poster and program cover for the Oscar de la Hoya/Fernando Valenzuela championship boxing match in Las Vegas; honored with a tribute dinner at the Friar's Club in New York City; painting of Earvin "Magic" Johnson and Larry Bird is unveiled during Johnson's induction ceremonies at the Basketball Hall of Fame; Gallagher's Steak House in New York City unveils a permanent collection of Neiman artwork portraying the city's greatest athletes; receives Lifetime Achievement Award for contributions to golf and sport art at the Art of Golf Festival at Pinehurst Resort in North Carolina; inducted into the New Jersey Boxing Hall of Fame.

2003 -- Unveiled commissioned painting of the racehorse Funnycide at Saratoga; opens exhibition "LeRoy Neiman on Safari" at the Wildlife Experience museum in Denver, CO; S.T. Dupont releases special edition LeRoy Neiman Golf pen and lighter set; mounts exhibition "LeRoy Neiman in Cuba" at the Pratt Institute; paints the Breeders Cup at Santa Anita; publishes book LeRoy Neiman: Five Decades with Harry N. Abrams.

2004 -- Commissioned to paint poster design for the 2005 Special Olympics in Nagano; paints portrait of Secretariat for the Secretariat Museum; paints program cover design for the Newport Jazz Festival and participates in a group exhibition at the festival; receives Medal of Honor at Ellis Island from NECO; paints portraits of Oscar De La Hoya and Bernard Hopkins for their fight program and presents the paintings to the fighters; completes a set of seven jazz lithographs at Columbia's Neiman Center for Print Studies; films a cameo appearance for Sylvester Stallone's television show "The Contender"; produces a set of five limited edition prints of Martha Graham for the Martha Graham Dance Company; publishes limited edition artist's book LeRoy Neiman Sketchbook: Liston vs. Clay 1964/Ali vs. Liston 1965 with powerHouse Books and Meridian Printing.
Appendices:
Appendix A: Notable Correspondents from Series 2: Correspondence

This appendix is an alphabetical listing of notable correspondents primarily from Series 2, but may include references to other series. The numbers following the entry indicate the series number, subseries number if appropriate, and date where the material is filed. For example: Abrams, Judith Ann - 2.1: 1983, 1991 indicates that the correspondence for that person is found in Series 2.1 in the 1983 and 1991 folders.

ABC Sports (American Broadcasting Company) - 2.2: ABC

Abel, Patty Otis - 2.1: 1998

Abraham, Seth - 2.1: 1989

Abrams, Charles - 2.1: 1982

Abrams, Judith Ann - 2.1: 1983, 1991

Abrams, Richard Irwin - 3.1: Montreal Olympics 1976

The Actors' Fund - 2.1: 2000

Adamonis, Richard - 2.1: 1996

Adams, Cindy - 2.1: 1990, 3.1: Royal Doulton Collectible Plates 1974-78

Addison, Bob and Ruth (Betsy) - 2.1: 1978, 1990, 2004

Affronti, Judge Frank - 2.2: Judge Frank Affronti 1990-1999

Ali, Muhammad - 2.1: 1977

Allyson Louis Gallery - 2.1: 1988, 3.1: Morton's of Chicago 1982-present, 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988

Alzado, Lyle - 2.1: 1984

American Diabetes Association - 2.1: 2001

Andrews, Benny - 2.3

Appel, Marty - 3.1: Thurman Munson 1977-2002

Aretsky, Ken - 2.1: 1989

Arledge, Roone - 2.2: ABC

Arledge, Roone Jr. - 2.1: 2004

Art Aid - 2.1: 1986

Art Institute of Chicago - 2.1: 1990

Ashwood, Donald - 2.1: 1977, 1978, 1979, 1980, 1983

Association du Salon d'Automne - 2.2: Association du Salon d'Automne 1992-99

Athletic Role Model Educational Institute, Inc. - 2.1: 1992

Australia - 2.1: 1981, 1984, 1985

Avers, Jeffrey - 2.1: 2002

BBC Television (British Broadcasting Corporation) - 2.1: 1989

Bailey, Pearl - 2.1: 1990

Baker, Jean -Claude - 3.2.11

Bank of New York - 2.1: 2002

Barletta, Joseph - 2.1: 1993

Baumgartner, Bruce - 2.1: 2001

Baylos, Gene - 2.1: 1991

Behm, Kenneth - 2.1: 1989

Bennet, Chef John - 2.2: Chef John Bennett

Berman, Len - 2.1: Undated 1990s

Bigelow, Vaughn - 2.1: 1984, 1988, see also Chabot Galleries

Bingham, Howard - 2.1: 1993

Binns, James - 2.1: 1989, 2001

Blair, Buckingham - 2.1: undated

Blatnik, Sonny - 2.1: 1986

Blecker, Tom - 2.2: Tom Blecker 1989-99

Bollinger, Lee - 3.1: Columbia University 1995-present

Bowles, Franklin - 1.2: Franklin Bowles Galleries

Boykin - 1.1: Awards, Boxing Writers Association Marvin Kohn "Good Guy Award," 1996

Bradley, Bill - 3.1: Bill Bradley Political Campaigns 1978-2000, 3.2. -- Winners -- , Harry N. Abrams, 1983, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Brown, Keith Henry - 2.1: 2004

Brown, Sally - 2.1: 1997

Buchwald, Art - 3.2: -- Horses -- , 1979, Harry N. Abrams, Correspondence

Bugatti, Charles and Stephanie - 2.1: 1991

Burger King - 2.1: 1976

Bush, President George H. W. and Barbara - 2.1: 1989, 1990

Bush, President George W. - 2.1: 2003, 3.2. 13

Butler Institute of American Art - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991

Byrne, Mayor Jane M. - 2.1: 1981

CBS -TV - see Wolf, Warner

CBS Sports - 2.2: CBS Sports

Caine, Michael - 2.1: 1981

Camber Porter, Melinda - 2.3

Carnesale, Chancellor Albert - 3.2.15

Carousel of Hope - 3.1: Carousel Ball 1982-2002

Carter, President Jimmy and Rosalynn, and family - 2.1: 1989, 3.1: Peace Treaty, 1980

Cass, Hilary Volkman - 2.1: 1992

Chabot Galleries - 2.1: 1983, 1989

Chapin, Dwight ( -- San Francisco Examiner -- ) - 2.1: 1991

Chase, Bob - 3.2. -- Big Time Golf -- , 1992

Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank

The Chicago Board of Trade - 2.1: 1977

Cirillo, John - 1.1: Awards d. Lonsdale International Sporting Club 1996, 2.1: 2001

Cirrincione, Wanda Hightower - 2.1: 1994

Clark, Ed and Jane Forbes - 2.1: 2000

Clinton, Bill - 2.1: 1993, 3.2: -- Big Time Golf -- , 1992

Clough, Charles - 2.1: 1997

Clough, Susan - 3.2. -- Horses -- , 1979, Harry N. Abrams

Cohen, Jason - 2.1: 2004

Conner, Bart - 2.1: 1981

Cooke, Jack Kent - 2.1: 1986

Cooney, Gerry - 2.1: 2000

Cooper, Pat - 2.1: 1992

Cosell, Howard and Mary Edith - 2.1: 1991

Creative Communications - 2.1: 1976

Cremins, Bobby - 2.1: 1990

Culinary Institute of America - 2.1: 2000

Cunningham, Jeffrey - 2.1: 1994

D., E. (unnamed WWII buddy?) - 2.1: 1997

Dahlgren, Doug - 2.1: 1999

Daley, Robert - 2.1: 1999

Daub, Mayor Hal - 2.1: 1997

Davis, Altavise (wife of Sammy) - 2.1: 1989

Davis, Barbara and Marvin - 2.1: 1985, 2001, 3.1: Carousel Ball 1982-present

Davis, Patty - 2.1: 1983

Dawkins, Peter and Judi - 3.1: Senatorial Candidate Pete Dawkins Poster 1988

Dean Day Gallery - 2.1: 1982, 1983, 1989

Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991

DeCinces, Doug - 2.1: 1990

Decker, Bob ( -- New York Post -- ) - 2.1: 1991

DeLaVega, James - 2.1: 1998, 1999, 2001, 2.3

Del Greco, Maria - 2.3

Derek, Bo and John - 2.1: 1998

deVarona, Donna - 2.1: 1991

El Diario la Prensa - 2.1: 1987

Diles, Dave - 2.1: 2001

Dill, Bob Jr. - 2.1: 1997

Diller, Phyllis - 2.1: 1992, 1995, 1996, 1998, 1999

Dillon, Gregory - 2.1: 2003

Dinkins, Mayor David and Joyce - 2.1: 1990

Drinhaus, Helmut - 2.2: Helmut Drinhaus 1988-2000

Dunphy, Don - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Dyansen Gallery - 2.2: Dyansen Gallery 1989-96

Eaton, Roy - 2.1: 1981

Editions Limited - 2.1: 1986

Edward Fields, Inc. - 3.1: Edward Fields, Inc, Carpet Tapestries 1977

Eger, Joseph - 2.1: 1991

Eisele, Albert - 2.1: 2002

Eiteljorg, Harrison and Sonja - 2.2: Harrison and Sonja Eiteljorg

Elayne Galleries - 2.1: 1979, 1989, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarke's, 1978, 3.1: Stadium Tennis Billboard 1981

English, John - 1.1: Military Service

Estefan, Emilio and Gloria - 2.1: 1984

Everson, Cory - 2.1: 1994

Evert, Chris - 2.1: 1999, 2000, 2001

Evert, Colette - 2.1: 1995

Fantasy Productions - see Berman, Len

Feinstein, Mayor Diane - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Felder, Raoul Lionel - 2.1: 1996

Felicie, Inc, - 1.2

Felt, Irving Mitchell and Elaine - 2.1: 1972, 1973, 1974, 1977, 1989

Ferguson, Glenn - 2.1: 1993

Field, Marshall - 2.1: 2004

Fineman, Jodie and Matthew - 2.1: 1999

Fireman, Sheldon - 2.1: 2004

Flynt, Larry - 2.1: 1976

Foley, Ray and Jackie - 2.1: 1995

Folkman, David - 2.1: 1999, 2000

Foot Locker - 2.1: 1990

Foster Harmon Galleries - 2.1: 1975, 1979, 1989, 1992, 1993

Fouch-Roseboro Corporation - 2.1: 1976

Fred Dorfman, Inc. - 2.1: 1978

Freedman, Ann - 2.1: 2001

French, John - 2.1: 1987

Fried, Frank, Harris, Shriver & Jacobson - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys Frito Lay - 2.1: 1991

Fujita family - see Tele Planning International, Tokyo

La Galleria d'Arte - 2.2: La Galleria d'Arte

Galleria Ramona - 3.1: San Francisco Series 1991-93

Gallery Mack - 2.2: Gallery Mack 1975-87, 3.1: Gallery Mack 1974, 3.1: Gaylord Perry 1982

Gallery 100 - 2.1: 1978, 1979

Garnier, Yves - 2.1: 1991

Garvey, Steve and Cyndi - 2.1: 1979, 1981, 1983, 1986, 1989, 3.2. -- Winners -- , 1983, Harry N. Abrams

Gavea Golf Club - 2.1: 1985

Gere-Suson, Gary - 2.1: 1999

Gilbert, Patti - 2.1: 1992

Giorgio Beverly Hills - 2.1: 1985

Gore, Al - 2.1: 1987, 1993, 3.2: -- Big Time Golf -- , 1992

Gottlieb, Paul - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Graham, Martha - 2.1: 1989

Graime, Arlene (US Olympic Committee) - 2.1: 1996

Grasso, Richard - 2.1: 1996

Gray, Joel - 2.1: 2003

Green Hills Farm - 2.1: 1987

Green, Tammie - 2.1: 1993

Greentree Stud, Inc. - 2.1: undated

Greenwich Workshop Gallery - 2.1: 1983

Gregory, Jack - 2.2: Jack Gregory 1993-98

Grenon, Robert - 2.2: Franklin Bowles Galleries

Guest, C. Z. - 2.1: 2003

Gwynne Gallery - 2.1: 1975, 1978

Hackett, Buddy and Sherry - 2.1: 1985, 1989, 1996, 1998

Halvorsen, Robert - 2.1: 1994

Hammer, Armand - 3.2. -- Winners -- , 1983, Harry N. Abrams, 1.2: Knoedler & Hammer Correspondence

Hammer, Michael - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 3.2. -- Casey at the Bat -- , 2000, 1.2: Knoedler & Hammer Correspondence, see also Hammer, Armand Hammer, Victor - see Hammer, Armand

Hanson Art Galleries - 2.2: Hanson Art Galleries 1983-1991, 3.1: Hanson Art Galleries Solo Exhibition, New Orleans 1997, see also exhibitions: Hanson Art Galleries in index for more file references

Harden, Richard - 2.1: 1978, 3.1: Peace Treaty, 1980

Harriman, Ambassador Pamela - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Hartman, David - 2.1: 1981

Harvey, Paul - 2.1: 1987

Haskell, Nikki - 2.1: 1997, 2001, 2002

Harris, Earl - 2.1: 1987

Harris, Franco - 2.1: 1990

Hatton, Pat - 2.1: 1993

Hawkins, Tommy - 3.1: Dodgers Centennial 1990

Healy, Katherine - 2.1: 1986

Hedgecock, Mayor Roger - 3.2. -- Winners -- , 1983, Harry N. Abrams

Hefner, Christie - 2.2: Playboy Enterprises 1980s, 3.1: Playboy's LeRoy Neiman Selection Cigars by Don Diego 1997

Hefner, Hugh - 2.1: 1983, 2.2: Playboy Enterprises, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Hefner, Keith - 2.2: Playboy Enterprises

Heit Galleries - 2.1: 1982, 1987, 1988, 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Hentoff, Nat - 2.1: 1992

Hershiser, Orel - 2.1: 1992

Hesburgh, Theodore - 2.1: 1992

Hiebert, Gary - 2.1: 1994

Hilliard, Kent - see Hilliard Gallery

Hilliard Gallery - 2.1: 1975, 1978, 1985, 1989, IV: 1986, 1992, 2001

Hilton, Barron - 2.1: 1992, 1999, 3.1: Victor Awards 1981 -1985, 3.2.10

Hinds, Bobby - 2.2: Bobby Hinds 1990 -2000

Hoelscher, Lydia (Neiman's mother) - 1.1: Family (Neiman Studio Archive only)

Hoffman, Michael - 2.1: 1983, 1984, 1985, 1986, 1987, 1988, 1989

Holder, Geoffrey - 2.3

Honolulu Symphony Society - 2.1: 1976

Hoover, Tom - 2.1: 1993

Hunt - 2.1: 1981

Hunt, Lamar - 2.1: 1998

Isbin, Sharon - 2.1: 1996

Ivester, M. Douglas - 2.1: 1994

Izenberg, Jerry - 2.1: 2003

Jackson, Michael - 2.1: 1994

Jackson, Reggie - 2.1: 1992, 1993, 2000, 2001

Jacobs, Loraine and Jim - 2.1: 1992

Jimmy the Greek - 2.1: 1974, 1982

JoAnn Perse Gallery - 2.1: 1979, 2.2: JoAnn Perse Gallery 1983-02

Johnson, Bill and Ellenor - 2.1: 1994

Jones, Gene and Jerry - 2.1: 2002

Jones, Tony - 2.1: 1996

Jordan, Mayor Frank - 3.1: San Francisco Series 1991-93

Jordan, Michael - 2.1: 1991

Kalinsky, George - 2.1: 1984, 1986, 1996, 2.3: Imitations and Forgeries

Kaufman, Bart - 2.2: Bart Kaufman 1978-89

Kennedy, Ethel - 3.1: Robert F. Kennedy Pro Celebrity Tennis Tournament 1972-79

Kilroy, Gene - 2.2: Gene Kilroy

King, Don - 2.1: 1978, 1979

King, Congressman Peter - 2.1: 2001

King Graphics - 2.1: 1996, 1997

Kitt, Eartha - 2.1: 1997

Kleiman, Melodie - 2.1: 1991

Knoedler & Co. -

Koch, Mayor Ed - 2.1: 1981, 1989, 3.1: Lady Liberty, 1985

Kosinski, Jerzy - 2.1: 1981

Kravitt, Shirley - 2.1: 1990

Kriendler, Pete - 2.1: 1983, 1991, 1993

Krimstein, Jordie - 2.1: 1997, 2001

Krone, Julie - 2.1: 2003

Kupcinet, Irv "Kup" - 2.1: 1982, 1984, 1992, 1997

Kurzman, Adele - 2.1: 2000

Lake, Cynthia - 2.1: 1994

LaLanne, Jack - 2.1: 1977, 3.2. -- Horses -- , 1979, Harry N. Abrams, Correspondence

Landau, Barry - 2.2: Barry Landau 1993-96

Lang, Jenifer and George - 2.1: 2000, 3.1: "A View from the Table" Solo Exhibition, Hammer Galleries 2003

Larson, Glen and Janet - 2.1: 1983, 1984, 1985, 1987, 2003

La Russa, Tony - 2.1: 1993

Latin Recording Academy - 2.1: 2001

The Learning Annex - 2.1: 1989

Leeds, Eric - 2.1: 1991, 1993

LeRoy, Warner - 2.1: 1990, 1991, 1998, 1999

Liberace - 2.1: 1982

Lieber, Marvin - 2.1: 2004

Lombardi, Vince - 2.1: 1980

Lomonaco, Michael - 2.1: 1996

Lone Ranger Television, Inc. - 2.1: 1977

Lorenzi, Henri - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Los Angeles Dodgers - see Hershiser, Orel

Los Angeles Institute of Contemporary Art (LAICA) - 2.1: 1984, 3.1: Neiman-Warhol 1981

Louie, May - 2.1: 1992

Lownes, Victor and Marilyn - 2.1: 1984, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Lugosi, Bela (Jr. ) - 2.1: 1991

Macalester College - 2.1: 2001

Madison Square Garden - 2.1: 1981

Mahoney, James - 2.1: 1983, 3.1: Pebble Beach Golf 1982-1992

Mann, Perry - 2.1: 1999

Manpower - 2.1: 1977

Manufacturers Hanover Trust - 2.1: 1978, 2.2: Manufacturers Hanover and Chemical Bank

Maples, Marla - 2.2: Trump

March of Dimes - 2.1: 1985

Marketing Communications Magazine - 2.1: 1980

Marlborough Galleries - 3.1: Marlborough Galleries Exhibition, Boston 1987

Marsh, Rita - 2.1: 2000

Maser Fine Art, Maser Galleries - 2.1: 1988, 1989, 3.1: 1983 U.S. Open, Oakmont 1983

Matthias, Bob - 2.1: 1998

McCabe, Charles - 2.1: 1988, 1995, 2.2: Manufacturers Hanover, 2.2: Playboy Enterprises 1980s, 3.2. -- Big Time Golf -- , 1992

McDougal, Little & Company Publishers - 2.1: 1985

McEneaney, Eamon and Bonnie - 2.1: 2001

McGillicuddy, John F. - 2.1: 1989, 3.1: U.S. Savings Bonds Campaign 1987-88

McMullen, John - 2.1: 1998

Mercante, Arthur - 2.1: 1990

Merchant, Larry - 2.1: 2000

Merrill Chase Galleries - 2.2: Merrill Chase Galleries 1974-89

Michael, Gene - 3.1: Gallagher's Steak House, "The Neiman Collection" 2002

Michaels, Walt - 2.1: 1980

Miles, Sylvia - 2.1: 1994

Minotaur Galleries - 2.2: Minotaur Galleries 1984-1994

Mitchell, Mayer - 2.1: 1972, 1976, 1977, 1987

Mize, Johnny - 3.2. -- Big Time Golf -- , 1992

de Monaco, Prince Albert - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Monmouth Park Charity Ball - 2.1: Charities (all files)

Montevecchi, Lilianne - 2.1: 1997

Moreno, Linda - 2.2: Linda Moreno

Morgenstein, Evan - 2.1: 1995

Morita, Joe Hideo - 2.2: Joe Hideo Morita 1988-90

Morris, Gary and Elizabeth - 2.1: 1995, 1996

Murcer, Bobby - 2.1: 1993

Murdock, David and Maria - 2.1: 1995

Murphy, Libby - 2.2: Libby Murphy 1992-98

Museo de Bellas Artes, Caracas - 2.1: 1972, IV: 1972

Museum of Modern Art - 2.1: 2001

Mustang Ranch - 3.1: Mustang Ranch Brothel 1989

Nation -- - 2.1: 1998

Neiman, Earl (Neiman's brother) - 1.1: Family (Neiman Studio Archive only)

Neiman-Marcus - 2.2: Neiman-Marcus 1983-88

Newark Public Library - 2.1: 1995

Newman, Eric - 2.1: 1996

New York Athletic Club (NYAC) - 2.1: 2000

New York Post -- - see Adams, Cindy, or Decker, Bob

New York Racing Association (NYRA) - 2.1: 1978

Niagara University - 2.1: 1976

Nicholson, Jack - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Nicholson, John - 2.1: 2000

Nureyev, Rudolph - 2.1: 1983

Oakland Athletics - see La Russa, Tony

Oakland Symphony - 2.1: 1985

Oesch, Claire - 2.1: 1994, 1995

Ono, Yoko - 3.1: John Lennon Etching 1990

Orr, Bobby - 3.1: Orr for the Defense, 1992

Osti, Nino - 2.1: 1987

O'Sullivan, Thomas (Minnesota Historical Society) - 2.1: 1994

Oxendine, Thomra (Kit) - 1.1: Lynn Quayle

Pallack, Rick - 2.1: 1996, 1999

Palmer, Arnold - 2.1: 1978

Parvin, Al and Phyllis - 2.1: 1991, 1993

Paschke, Ed - 2.3

Patrician Galleries - 2.1: 1987

Payne, Marcus - 2.1: 1982

Pelkey, Joe - 2.2: Joe Pelkey, Editions Limited

Percival Galleries - 2.1: 1972, 1979

Peri-Renneth Gallery, Southampton - 2.1: 1988, 3.1: Peri-Reneth Gallery Solo Exhibition 1986

Perry, Gaylord - 3.2. -- Big Time Golf -- , 1992

Perse, Jo Ann - see Jo Ann Perse Gallery

Petruccio, Joe - 2.1: 2002

Phelps, Digger - 2.1: 1990, 1991

Pick Galleries - 2.1: 1977

Pignatano, Joe - 2.1: 1996

Playboy Enterprizes, Inc. - 2.2: Playboy Enterprises 1980s

Playboy of Brazil - 2.1: 1985

Policy, Carmen - 2.1: 1995

Puck, Wolfgang - 2.1: 1999

Puro Cigar Company - see Sigmond, Aaron

Raphael, James - 2.1: 1991

Reagan, President Ronald and Nancy - 2.1: 1981, 1988, 3.1: U.S. Savings Bonds Campaign 1987-1988

Rechtschaffen, Dr. Joseph - 2.1: 1995

Reed, Rex - 2.1: 1985

Reeve, Christopher - 2.1: 1995

Reid, Senator Harry - 2.1: 1990, 1994

Retton, Mary Lou - 2.1: 1991, 1995

Revelli, Cynthia - 2.1: 1995

Ribbs, Willie T. - 3.2. -- Winners -- , 1983, Harry N. Abrams

Robinson, Sugar Ray and Millie - 2.1: 1989, 1991

Rockwell, Bill - 2.1: 1995

Rooney, Art - 2.1: 1977

Rosen, Leonard - 2.1: 1980, 1981, 1982, 1983, 1984, 1987

Rosenbaum Galleries - 2.1: 1976

Royce Carlton, Inc. - 2.1: 1978

Royer, Victor - 2.1: 1984, 1986

Rudy, Jeanette Cantrell - 2.1: 1993, 1994, 1996, 1998

Safir, Police Commissioner Howard - 3.1: New York City Marathon 1984-2001

Saltman, Sheldon - 2.1: 1976

San Francisco 49ers - 2.1: 1995, 2.2: DeBartolo Corporation and Associated Institutions 1989-1991

Santaniello, Carmine - 2.3

Sassi, Etienne - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Scaffidi, Marie - 2.1: 1980s Undated

Scarpa, William and Cathy - 2.2: William and Cathy Scarpa 1991-99

Schmidt, Mike - 2.1: 1980

Schulberg, Budd - 2.1: 1997, 1999, 2000, 2004

Schuman, Rhoda - 2.1: 1992

Schumsky, Felicie - see Felicie, Inc.

Schuster, Gary and family - 2.1: 2000

Scully, Vin - 2.1: 1990, 2000

Schwartz, Louis O. - 1.1: Boxing Writers Association Marvin Kohn "Good Guy Award," 1996

Schwartz, Richard - 2.1: 2000

Schwarzenegger, Arnold - 2.1: 1990

Segal, Erich - 2.1: 1973

Seidman, Jay - 2.1: 2001

Seitz, Nick - 3.2. -- Big Time Golf -- , 1992

Serline, Ollie - 1.1: Family (Neiman Studio Archive only), 2.1: 1970s

Sharp Electronics Corporation - 2.1: 1988

Sherman, Allie - 2.1: 2002

Shula, Coach Donald - 2.1: 1991

Siering, David - 2.1: 1987

Sigmond, Aaron - 2.1: 1994, 1995, 1997

Silverstein, Shel - 2.2: Shel Silverstein

Sinatra, Barbara - 2.2: Sinatra family

Sinatra, Frank - 2.2: Sinatra family, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Sinatra, Nancy - 2.2: Sinatra family

Skelton, Red - 2.1: 1985

Snyder, Jimmy "the Greek" - 2.1: 1982

Solomone, Mickey - 2.1: 1989

Sony - 2.1: 1978

Sorenson, Jackie - 2.1: 1981

Spectrum, Philadephia - 2.1: 1991

Spectrum Fine Art - 2.1: 1978, 1983

Spitz, Mark - 2.1: 1986

Stack, Edward - 2.1: 1996

Staebler, Tom - 2.2: Playboy Enterprises

Stanley, Melvin - 2.1: 1993

Steffens, John L. - 2.1: 1996

Stein, Bill - 2.1: 1982

Steinbrenner, George - 2.1: 2004

Sterling, Donald - 2.1: 1997, 1998

Sugar, Bert - 2.1: 1977

Swoboda, Ron - 2.1: 2002

Symphony for United Nations - 2.1: 1991

TV Guide -- Magazine - 2.1: 1975, 1990, 1993

Talese, Gay - 2.1: 1992

Tate, Evelyn - 2.1: 1976, 1987

Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98

Tenenbaum, Harold and Judy - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum

Tiefel, William R. - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Tiger Tops Pvt. Ltd. - 2.1: 1982

Tigrett, John and Pat Kerr - 2.1: 1993, 1999, 3.1: Blues Ball 1997 -2001

Torrenzano, Richard - 3.1: Lady Liberty, 1985

Torykian, Richard - 2.1: 1997

Touvell, Audra - 2.1: 2002

Trenchard, Peter - 2.1: 2001

Trovato, Liz - 2.1: 1994

Trump, Donald - 2.2: Trump 1987-96, see also Trump in Index

Twentieth Century Fox Film Corportation - 2.1: 1976

United States Department of State - 2.1: 1984

United States Olympic Committee - 2.1: 1985

Universal Pictures - 2.1: 1991

University of Oklahoma - 2.1: 1982

Upstairs Gallery - 2.2: The Upstairs Gallery 1980-89

Valentine, Bobby and Mary - 2.1: 2002

Vorhaus, Louis - 2.1: 1992

war buddy (unnamed) - 2.1: 1997

Ward, Katherine Lecube - 2.1: 1984, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Warner Brothers Television - 2.1: 1990

Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80

Webster, Jack - 2.1: 1979, 1983, 1990, 1992, 1994, 1995

Wein, George - 2.1: 1991, 1993, 1995, 2000

Weiner, Claire - 2.1: 1970s, 1985, 1987

Weisman, Maria - 2.1: 2002

Welch, Herb and Lisa - 2.1: 1989, 1992

Welzer, Irv - 2.1: 1977

Wenzel, Lee - 2.1: 1985

Whitaker, Jack - 2.1: 1996

The White House - see Harden, Richard or Clough, Susan, or search by name of President

White, Willye - 2.1: 1989

Williams, Ted - 3.1: Williams at Bat, 1980-91

Wilson, Senator Pete - 3.2. -- Winners -- , 1983, Harry N. Abrams

Winer, Jessica - 2.3

Wirin, R. Michael - 2.1: 1998

Wolf, Warner and Sue - 2.1: 2003

Wood, Jan - 2.1: 1997, 1998

Wrather Corporation (the Lone Ranger), Jack and Bonita G. Wrather - 2.1: 1977, 1988

Yarger, Timothy - 2.2: Franklin Bowles

Yellin, Lou - 2.1: 1991, 1992, 1998

Youngman, Henry - 2.1: 1992

Zabrin, Michael - 2.1: 1989, 1991

Zelaya, Jose - 2.1: 1972, 1976, 1977

Zeran, Ken - 2.1: 1990, 1991

Zimmer, Don (Coach, New York Yankees) and Soot - 2.1: 1997

Appendix B: History of LeRoy Neiman's Representation: Felicie Schumsky, Hammer Galleries, and Knoedler & Co.

Hammer Galleries, New York, had its first show of LeRoy Neiman works in 1963 and has represented him ever since.

Armand Hammer was the proprietor of Hammer Galleries, which he founded in 1929 upon returning from the Soviet Union with a load of Czarist art. His brother Victor was in charge of running the gallery.

Armand became the chairman of the Occidental Petroleum Corporation in 1957.

Maury Leibowitz became a partner with the Hammers at the gallery around the same time they began representing Mr. Neiman.

Hammer and O.P.C. bought the respected M.K. Knoedler & Co. gallery in New York in 1971 with Leibowitz as a partner. Knoedler merged with Modarco, a Swiss investment firm, during the 1970s after its purchase by O.P.C.

Knoedler-Modarco now has three divisions: M. Knoedler & Co. (founded in 1846), Knoedler Publishing (created for the sole business of publishing and distributing the prints and posters of LeRoy Neiman), and Hammer Galleries.

Felicie Schumsky was LeRoy Neiman's publisher and distributor before Knoedler. Felicie, Inc. is named alone in advertising until 1973, when ads appear naming FKH Editions as publisher (presumably 'Felicie Knoedler Hammer') and Hammer Galleries as gallery/distributor. This continues until 1975, when ads begin naming Knoedler as publisher and Hammer as gallery.

Hammer Graphics Gallery, a part of Hammer Galleries, was started in 1979 for the sole purpose of distributing and exhibiting the graphic work of LeRoy Neiman.

Victor Hammer died in July 1985, and Armand Hammer died in 1990 at age 92 (less than a year after losing his wife Frances), leaving his son Michael Hammer as the chairman and president of The Armand Hammer Foundation. Maury Leibowitz died in 1992.

Appendix C: A Listing of Major Public Collections of LeRoy Neiman WorksAnchorage Historical and Fine Arts Museum, Anchorage, Alaska

Art Institute of Chicago, Chicago, Illinois

Baltimore Museum of Fine Art, Baltimore, Maryland

Baseball Hall of Fame, Cooperstown, New York

Brooks Memorial Art Gallery, Memphis, Tennessee

Colorado Springs Fine Arts Center, Colorado Springs, Colorado

Delaware Art Museum, Wilmington, Delaware

Duke University Museum of Art, Durham, North Carolina

Eiteljorg Museum of American Indian and Western Art, Indianapolis, Indiana

Football Hall of Fame, Canton, Ohio

Grunwald Center, University of California, Los Angeles, Los Angeles, California

Armand Hammer Collection, Los Angeles, California

Harding Museum, Chicago, Illinois

Hayward Museum, Hayward, California

Hermitage Museum, Leningrad, USSR

Illinois State Museum, Springfield, Illinois

Indianapolis Museum of Art, Indianapolis, Indiana

Joslyn Museum, Omaha, Nebraska

Memorial Art Gallery, Rochester, New York

Meridian Museum of Art, Meridian, Mississippi

Michigan State University, Kesage Art Center Gallery, East Lansing, Michigan

Minneapolis Institute of Arts, Minneapolis, Minnesota

Minnesota Historical Society

Minnesota Museum of Art, St. Paul, Minnesota

Mobile Art Gallery and Museum, Mobile, Alabama

Museo de Bellas Artes, Caracas, Venezuela

National Museum of Sport in Art, New York, New York

Niagara University, Niagara, New York

Portland Museum of Art, Portland, Maine

Springfield Museum of Art, Springfield, Massachusetts

Tennis Hall of Fame, Newport, Rhode Island

Tucson Museum of Art, Tucson, Arizona

Tweed Museum of Art, University of Minnesota, Duluth, Minnesota

University Art Gallery, Binghamton, New York

University of California at Los Angeles, Los Angeles, California

University of Illinois, Champaign, Illinois

University of Oklahoma, Norman, Oklahoma

University of Oregon, Eugene, Oregon

University of South Florida, Tampa, Florida

University of Texas, Austin, Texas

Utah Museum of Fine Arts, University of Utah, Salt Lake City, Utah

Vanderbilt University, Nashville, Tennessee

Wichita State University, Wichita, Kansas

Whitney Museum. New York, New York

Wodham College, Oxford, England

Yuma Fine Arts Association, Yuma, Arizona

Appendix D: A Listing of LeRoy Neiman Serigraph Releases This list corresponds to newspaper and magazine ads in files 3.3: Felicie Inc. - Advertising and 3.3: Knoedler & Co. - Advertising. This is not a complete inventory. DateSerigraphUnknown -- Bar '21' (offset lithograph)

Unknown -- Delacroix Tiger

Unknown -- Elephant Family

Unknown -- Gorilla Family

Unknown -- Kenya Leopard

Unknown -- Lion Pride (offset lithograph)

Unknown -- Lion Couple

Unknown -- Polar Bears

Unknown -- Serengeti Leopard

Unknown -- Zebra Family

Unknown -- The Plaza Square

Unknown -- Stock Market (offset lithograph)

Unknown -- Neiman Montreal '76 (offset lithograph)

Unknown -- Winter Olympic Skier, Lake Placid 1980

Unknown -- P.J. Clark's

Unknown -- Olympic Slalom

Unknown -- Dublin Bar

Unknown -- Le Grand Cuisine

Unknown -- Little Hitter

Unknown -- Little Fielder

1975 -- Le Grand Escalier de l'Opera, 1969

1975 -- Toots Shor Bar

1975 -- Club House Turn

1975 -- Black Panther

1976 -- Sun Serve

1976 -- Satchmo

1976 -- High Seas Sailing

1976 -- Vegas Blackjack

1976 -- Golf Landscape

1976 -- Elephant Stampede

1976 -- Nadia

1976 -- America's Cup

1977 -- Marlin!

1977 -- High Altitude Skiing

1977 -- Basketball Superstars

1977 -- Café aux Deux Magots

1977 -- The Mallet Men

1977 -- Bengal Tiger

1977 -- Giraffe Family

1977 -- Show Jumper

1977 -- Outrigger Canoe Race

1978 -- Metropolitan Opera

1978 -- Moby Dick Portfolio

1978 -- Bucking Bronc

1978 -- The Wildcats

1979 -- Kentucky Derby

1979 -- Chateau Hunt

1979 -- Stretch Stampede

1979 -- Aegean Sailing

1979 -- American Bald Eagle

1980 -- Lake Placid, Eighty, 1980

1981 -- Stenmark

1981 -- The Race of the Year

1981 -- Tour de France

1981 -- Before the Race

1984 -- Rush Street Bar

1984 -- Regents Park

1984 -- Elephant Nocturne

1985 -- Six Golfers, 1984

1985 -- Lady Skier

1985 -- Harry's Wall Street Bar

1986 -- Nob Hill

1986 -- Buena Vista Bar

1986 -- America's Cup, Australia

1987 -- Great Dane

1987 -- Giants - Broncos Classic

1987 -- 24 Hours of Le Mans

1987 -- Bistro Garden

1987 -- Left Bank Café

1988 -- Diamond Head, Hawaii

1988 -- Napoleon at Waterloo

1988 -- Piazza del Popolo - Rome

1988 -- Monte Carlo Suite

1988 -- Harbor at Monaco

1988 -- Salle Prive - Monte Carlo

1988 -- Borzoi

1988 -- In the Pocket

1988 -- Magic (Johnson)

1988 -- Clubhouse at Old St. Andrew's

1989 -- Polo Lounge

1989 -- Superplay

1989 -- President's Birthday Party

1989 -- Chicago Key Club Bar

1990 -- Secretariat II

1990 -- Chicago Options

1990 -- April at Augusta

1990 -- Gaming Table

1990 -- The '21' Club

1991 -- Homage to Ali

1991 -- Ted Williams

1991 -- Café Rive Gauche

1991 -- Cougar

1991 -- The Bordello

1992 -- Hunt Rendezvous

1992 -- Kilimanjaro Bulls

1992 -- Paddock at Chantilly

1993 -- The Maulers

1993 -- Fouquets

Appendix F: A Listing of "Man at His Leisure" Features in Playboy MagazineDateSubject/Pages1958 April -- Painter of the Urban Scene, p. 49-51

1958 December -- The Pump Room, Ambassadors East, Chicago, p. 60-61

1959 January -- Le Café Chambord, p. 52-53

1959 June -- Romanoff's, p. 62-63

1959 December -- Moore County Hounds (Southern Pines), p. 68-72

1960 February -- Hialeah Race Course, p. 52-54

1960 June -- The Colony, p. 74-75

1960 August -- Forest Hills, p. 76-77

1961 January -- Squaw Valley, p. 84-87

1961 March -- Ernie's, p. 94-95

1961 June -- The S.S. United States, p. 60-61

1961 July -- Longchamp - Auteuil, p. 82-85

1961 September -- La Plaza de Toros, p. 109-111

1961 December -- Maxim's, p. 130-131

1962 January -- The French Riviera, p. 103-105

1962 March -- The Grand National Steeplechase, p. 94-95

1962 May -- The Cambridge-Oxford Boat Race, p. 96-97

1962 August -- Las Vegas, p. 86-89

1963 May -- Monte Carlo, p. 122-125

1963 July -- Air France, p. 102-103

1963 September -- Sardi's, World Billiard Championship, p. 150-151

1963 December -- Madison Square Garden, p. 169-171

1964 April -- Epsom Derby, p. 120-121

1964 August -- St. Tropez, p. 62-65

1964 October -- Chantilly, p. 144-147

1964 December -- The Lido, p. 159-193

1965 March -- The New York Playboy Club, p.116-117

1965 August -- The Girallia Yacht Race, p. 110-111

1965 December -- The Plaza, Manhattan, p. ?

1966 July -- The Royal Ascot, p. 110-113

1966 September -- The America's Cup, p. 168-169

1967 January -- Discotheques, p. 180-181

1967 June -- Surfing, p. 112-115

1967 November -- National Horse Show, p. 143-145

1967 Winter -- VIP Magazine, Assignment London

1968 January -- Rosati's, Via Venito, p.?

1969 January -- The Bolshoi Ballet, p. 199-201

1969 June -- Le Mans, p. 124-125

1969 August -- Yugoslavia, p. 126-129

1970 January -- Morocco, p. 203-207

1970 November -- Can-Am Race, p. 179-181

1971 January -- Jamaica, p. 191-193

1972 January -- Sotheby's Auction Room, p. 171-173

1973 January -- Super Bowl, p. 187-189

1973 July -- Summer of '72 - The Hamptons, p. 152-157

Playboy Magazine's "Neiman Sketchbook" Features

DateSubject/Pages1979 December -- Teofilo Stevenson, p. 221

1980 January -- Senator Ted Kennedy, p. 137

1980 February -- Roller Skating, p. 166 -167

1980 March -- Charles Mingus, p. 179

Appendix E: Exhibitions

Below is a chronological list of Neiman exhibitions. See the index for an alphabetical list of exhibitions (listed by name of venue under the item "exhibitions") and reference to locations of pertinent archive files.

DateSolo ExhibitionsOct. 9-Nov. 6, 1959 -- F. Oehlschlaeger Gallery, Chicago

March 3-31, 1961 -- F. Oehlschlaeger Gallery, Chicago

Feb. 9-March 9, 1962 -- F. Oehlschlaeger Gallery, Chicago

March 1962 -- O'Hana Gallery, London

Nov. 27-Dec. 11, 1962 -- Galerie O. Bosc, Paris

Oct. 8-19, 1963 -- Hammer Galleries, New York

January-February, 1965 -- "Vie de France," Astor Tower French Center, Chicago

Nov. 23-Dec. 4, 1965 -- Hammer Galleries, New York

March 5-25, 1966 -- Gallery Richelle, St. Louis

1976 -- "LeRoy Neiman Retrospective 1949-75," Minnesota Museum of Art, St. Paul

Nov. 1967 -- Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art, New York

Sept. 26-Oct. 7, 1967 -- Hammer Galleries, New York

Dec. 26-31, 1968 -- New York Jets Sketches, Hammer Galleries, New York

May 1-June 10, 1969 -- "LeRoy Neiman: Paintings and Drawings," Choate School, Wallingford, CT

May 1969 -- "LeRoy Neiman: Impressions of Atlanta," Heath Gallery, Atlanta, GA

Jan. 20-31, 1970 -- Hammer Galleries, New York

Oct. 19-Nov. 2, 1971 -- "Recent Graphics and Drawings", The Far Gallery, New York

April-May, 1972 -- Museo de Bellas Artes, Caracas

Dec. 1972 -- Circle Gallery, Chicago

Oct. 31-Nov. 11, 1972 -- Hammer Galleries, New York

Nov. 22, 1972-Jan. 7, 1973 -- "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art

Jan.-Feb. 1973 -- Circle Gallery, Los Angeles

1973 -- Circle Gallery, Dallas

March 24, 1973 -- The Hang -Up Gallery Open House

April-May 1973 -- Circle Gallery, New York

June 2-23, 1973 -- Brentano's Gallery, New York

Jan. 24-Feb. 5, 1974 -- "Ali - Frazier," Circle Gallery, New York

Feb. 3-March 17, 1974 -- Springfield Museum of Art

1974 -- Windsor Gallery, Los Angeles

April 30-May 11, 1974 -- Hammer Galleries, New York

June 22-July 6, 1974 -- Gallery Hawaii, International Market Place, Honolulu

Sept. 1974 -- Abercrombie & Fitch

1974 -- Tobu Gallery, Tokyo

Nov. 1974 -- Gilbert Gallery, San Francisco

Nov. 1974 -- Windsor Gallery, New York

Feb. 1975 -- Carol Condit Galleries, White Plains, NY

March 1975 -- Art Gallery -Studio 53 Ltd., New York

April 1975 -- "The Wide World of LeRoy Neiman," Windsor Gallery, Los Angeles

June-July 1975 -- Moby Dick Traveling Exhibition, Peter Foulger Museum, Nantucket

Aug. 1975 -- Moby Dick Traveling Exhibition, Sag Harbor, Long Island

Sept. 1975 -- Moby Dick Traveling Exhibition, Pittsfield, MA

July 1975 -- Waller's Gallery, Tampa, FL

Sept. 1975 -- Hess's Gallery, Allentown, PA

Nov. 1975 -- Meredith Long & Co., Houston

Dec. 4-26, 1975 -- Thomas Ward Galleries, St. Paul

Dec. 4, 1975-Jan. 24, 1976 -- Minnesota Museum of Art, St. Paul

Dec. 10, 1975-Jan. 10, 1976 -- Hammer Galleries, New York

Jan. 21-March 10, 1976 -- Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank

Feb.-May 1976 -- Emerald Art Galleries, Coronado, CA

March 14-28, 1976 -- Jewish Community Center, Bridgeport, CT

June 1976 -- M. Knoedler & Co., London

Aug. 1976 -- Frank Oehlschlaeger Gallery, Chicago

Aug. 28-Sept. 27, 1976 -- Gallery Hawaii, Hyatt Recency

Sept. 12-Oct. 6, 1976 -- Niagara Art Center, Niagara Falls

1976 -- Art Gallery-Studio 53 Ltd., New York

Oct. 1976 -- Heit Galleries, Phoenix, AZ

Nov. 16-Dec. 4, 1976 -- "The Olympic Ring," Hammer Galleries, New York

Dec. 12-19, 1976 -- Fahlnaes Konstsalong, Sweden

March 1977 -- Gallery 100, Mishawaka, IN

March 1977 -- Upstairs Gallery, Beverly Hills

March 1977 -- Galerie Marc, San Francisco

Aug. 31-Sept. 11, 1977 -- Galerie Renee & Victor, Stockholm, Sweden

Sept. 1977 -- Bowles/Hopkins Gallery, San Francisco

Sept. 2-23, 1977 -- Casa Grafica, Helsinki, Finland

Oct.-Nov. 1977 -- St. Lawrence National Bank, Ogdensburg NY

May 1978 -- Meredith Long & Co., Houston

June 1978 -- Merrill Chase Galleries, Chicago

July 1978 -- The Art Exchange, Creve Coeur, MO

Oct. 12-Nov. 12, 1978 -- Elayne Galleries, Minneapolis

Dec. 1978 -- Gallery Mack, Seattle

Jan. 23-Feb. 10, 1979 -- Hammer Graphics Gallery, New York

April 7-May 1, 1979 -- The Art Exchange, Creve Coeur, MO

April 28-May 26, 1979 -- Percival Galleries, Des Moines

May 1979 -- Brentano's Gallery, New York

Dec. 4, 1979-Jan. 5, 1980 -- "Horses," Hammer Galleries, New York

Jan.-Feb. 1980 -- Olympic Benefit Exhibition, Famous -Barr, St. Louis

June 1980 -- Brentano's Gallery, New York

July 1980 -- Nicolas Helion, Paris

July 1-19, 1980 -- Foster Harmon Galleries of American Art, Sarasota, FL

Oct.-Nov. 1980 -- Bowles/Hopkins Gallery, San Francisco

Dec. 1980 -- Horizon Gallery, Waikiki

April 28-May 16, 1981 -- "LeRoy Neiman Drawings: A Retrospective," Hammer Galleries, New York

Summer 1981 -- Exhibition of Graphic Works 1971-81, Hammer Graphics Gallery, New York

July-Aug. 1981 -- Foster Harmon Gallery, Sarasota, FL

July-Aug. 1981 -- Wichita State University, Ulrich Museum of Art

1981 -- "Drawings by LeRoy Neiman: A Retrospective," Oklahoma Art Center Sheets Gallery

Sept. 1981 -- State National Bank, Tiara Gallery

Oct. 1981 -- Bowles/Hopkins Gallery, San Francisco

Nov. 1981 -- Turnberry Isle Yacht and Racquet Club, Miami

1982 -- Turnberry Isle Yacht and Racquet Club, Miami

Feb. 1982 -- Grigsby Galleries One, Scottsdale, AZ

April 1982 -- Merrill Chase Galleries, Chicago

April 8-24, 1982 -- Dean Day Gallery

May 1982 -- Gallery Mack, Seattle

June 1982 -- Nevada County Arts Council

Summer 1982 -- Hammer Galleries, New York

Oct. 4-16, 1982 -- Harrod's Picture Gallery, London

1983 -- Turnberry Isle Yacht and Racquet Club, Miami

July 1983 -- Tokyo, (Gallery?)

Sept. 13-Oct. 1, 1983 -- "LeRoy Neiman: Winners," Hammer Galleries, New York

October-Nov. 1983 -- Bowles/Hopkins Gallery, San Francisco

Oct. 1983 -- "LeRoy Neiman: Winners," Upstairs Gallery, Beverly Hills

Dec. 1983 -- "LeRoy Neiman: Winners," JoAnn Perse Gallery, Little Rock

Dec. 8-24, 1983 -- Dean Day Gallery

Dec. 2, 1983-Jan. 15, 1984 -- Hanson Galleries, New Orleans

Jan.-Feb. 1984 -- Hanson Galleries, Carmel

July 10-Aug. 10, 1984 -- "The Olympics: Past and Present," Hammer Graphics Gallery, New York

Aug.-Sept. 1984 -- "The Olympic Spirit," Bowles/Hopkins Gallery, San Francisco

Nov.-Dec. 1984 -- "LeRoy Neiman Centennial Art Exhibit," Springfield College Babson Library Hastings Gallery, Springfield, MA

Jan. 1985 -- Superbowl XIX Exhibition, Bowles/Hopkins Gallery, San Francisco

Feb. 1985 -- Center Art Galleries, Honolulu

March 1985 -- Lawrence Ross Galleries, Beverly Hills

May 1985 -- The Toy Store, Hartford, CT

Nov. 1985 -- "The LeRoy Neiman Collection," Hammer Galleries, New York

Nov.-Dec. 1985 -- Lawrence Ross Galleries, Beverly Hills

Feb. 1986 -- Nob Hill Premier and Exhibition, Bowles/Hopkins Gallery, San Francisco

May 1986 -- The Toy Store, Hartford, CT

June 1986 -- Peri -Renneth Gallery, Southampton, NY

July 26-Aug. 17, 1986 -- Hanson Art Galleries, La Jolla, CA

Oct. 1986 -- Buena Vista Premier and Exhibition, Bowles/Hopkins Gallery, San Francisco

Oct. 1986 -- Krannert School of Management

Nov. 1986 -- Lawrence Ross Galleries, Beverly Hills

1987 -- Upstairs Gallery, Beverly Hills

March 24-April 11, 1987 -- "LeRoy Neiman in Moscow," Hammer Galleries, New York

April 1987 -- New York Friars Club

May 1987 -- Marlborough Galleries, Boston

June 1987 -- "Neiman's Neimans," Bowles/Sorokko Galleries, San Francisco

Oct. 1987 -- Hanson Art Galleries, San Francisco

Oct.-Nov. 1987 -- Bowles/Sorokko Galleries, Beverly Hills

April-May 1988 -- "Neiman's World" Touring Exhibition, Japan

April-May 1988 -- In the Pocket Superbowl XXII painting premier, Allyson Louis Gallery, Bethesda, MD

May 1988 -- "Monte Carlo Chase," Minotaur Galleries, Las Vegas

Sept. 27-Oct. 4, 1988 -- "Monte Carlo Chase," L'art et l'automobile gallery, New York

1988 -- Tretyakov Museum, Moscow

Oct. 1988 -- Merrill Chase Galleries, Chicago

Nov. 19-Dec. 10, 1988 -- "LeRoy Neiman: Monte Carlo," Bowles/Sorokko Galleries, San Francisco

Jan. 1989 -- Backstage Gallery, Osaka, Japan

Feb. 1989 -- Surf Club, New York

April 1989 -- "Soft Paintings," Hammer Galleries, New York

April 30-May 15, 1989 -- Polo Lounge Debut, Bowles/Sorokko Galleries, Beverly Hills

May-June 1989 -- "Select Works by LeRoy Neiman," Midwest Museum of Art, Elkhart, IN

June-July 1989 -- Steiner & Young Fine Arts Gallery, Atlanta, GA

June 6-Sept. 9, 1989 -- L'art et l'automobile gallery, New York

Sept. 1989 -- Hotrod Vintage Car Museum and Dance Club, New York

Aug. 1989 -- Baja, New York

Sept. 26-Oct. 14, 1989 -- "A Salute to Central Park," Hammer Galleries, New York

Nov. 1989 -- Galerie 224, Laguna Beach, CA

May 1989-Feb. 1990 -- "The Playboy Collection," Dyansen Gallery Traveling Exhibition, New York, Beverly Hills, Atlantic City, San Francisco, Boston, SoHo

April 1990 -- Exhibition at "The Art Spirit" Event, Butler Institute of American Art

May 1990 -- Merv Griffin Resorts Casino Hotel, Atlantic City

May 12-31, 1990 -- Bay Area Baseball Debut, Bowles/Sorokko Galleries, San Francisco

July-Aug. 1990 -- "LeRoy Neiman: A Series of Sport Serigraphs," Springfield Art Association, Springfield, IL

Aug. 1990 -- Gallery One of Writer Square, Denver

Sept.-Oct. 1990 -- Allyson Louis Gallery

Oct. 1990 -- Bowles/Sorokko Gallery, Beverly Hills

Sept. 1990 -- Base Art Collection

Jan. 1991 -- "LeRoy Neiman: Man at his Leisure," Playboy offices, Chicago

May 1991 -- "The Prints of LeRoy Neiman 1980-1990," Bowles/Sorokko Gallery, Beverly Hills

Oct.-Nov. 1991 -- "San Francisco," Bowles/Sorokko Gallery, San Francisco

Feb.-March 1992 -- The Beatles Debut, Dyansen Gallery, Trump Taj Mahal, Atlantic City

Feb. 17-March 13, 1992 -- University of Charleston Art Gallery

March 14-April 12, 1992 -- "LeRoy Neiman: Downtown," Bowles/Sorokko Gallery, SoHo, NY

March 15-April 3, 1992 -- Foster Harmon Galleries of American Art, Sarasota, FL

Oct. 9-24, 1992 -- "Big Time Golf," Hammer Galleries, New York

Oct. 22-Nov. 30, 1992 -- "Big Time Golf," Bowles/Sorokko Galleries, Beverly Hills

Oct. 24-Nov. 30, 1992 -- "Big Time Golf," Bowles/Sorokko Galleries, San Francisco

Nov. 7-Dec. 1, 1992 -- "Big Time Golf," Bowles/Sorokko Galleries, New York

Oct.-Nov. 1992 -- "Big Time Golf," Minotaur Galleries, Las Vegas

Nov. 13-Dec. 13, 1992 -- "Big Time Golf," Merrill Chase Galleries, Chicago

March-April 1993 -- City by the Bay Debut, Bowles/Sorokko Galleries, San Francisco

April-May 1993 -- "An Exhibition of Equine Art," Kentucky Derby Museum

Oct. 7-31, 1993 -- "Un Américain à Paris," Galerie Marcel Bernheim, Paris

Nov. 1993 -- Minotaur's Forum Gallery, Las Vegas

Dec. 1993 -- La Galleria d'Arte, Newport Beach, CA

April 1994 -- Gateway Gallery, Vail, CO

Sept. 1994 -- "LeRoy Neiman: An American in Paris," Hammer Galleries, New York

Sept.-Oct. 1994 -- "LeRoy Neiman: An American in Paris," Bowles/Sorokko Galleries, New York

Oct. 1994 -- "LeRoy Neiman: An American in Paris," Bowles/Sorokko Galleries, Beverly Hills

Oct. 1994 -- "LeRoy Neiman: An American in Paris," Bowles/Sorokko Galleries, San Francisco

Oct. 1994 -- "LeRoy Neiman: An American in Paris," La Galleria d'Arte, Newport Beach, CA

Dec. 1994 -- "LeRoy Neiman: An American in Paris," Merrill Chase Galleries, Chicago and Buffalo Grove

April-June, 1995 -- "Racing Retrospective," Kentucky Derby Museum

March-April 1995 -- Bowles/Sorokko Galleries, San Francisco

Jan.-Feb. 1996 -- "Superbowl XXX," American Fine Art Editions, Scottsdale, AZ

April 1-May 1, 1996 -- Paterson Museum, Paterson, NJ

July 1996 -- Trump Plaza, Atlantic City

Sept.-Oct. 1996 -- "LeRoy Neiman: Portraits of Our Times, 1946 -96" Bowles/Sorokko/Yarger Galleries, Beverly Hills and San Francisco

April-June 1997 -- "The Art of Sport," Kentucky Derby Museum

April 3-May 2, 1997 -- "LeRoy Neiman on Safari," Hammer Galleries, New York

April 1997 -- "LeRoy Neiman on Safari," La Galleria D'Arte, Newport Beach, CA

May 23-June 30, 1997 -- "The Safari Suite," Centaur Sculpture Galleries, Las Vegas

1997 -- Hanson Art Galleries Solo Exhibition, New Orleans

Oct. 1998 -- "Animals: The Wild and the Tame" Solo Exhibition, Bowles Galleries, San Francisco and Beverly Hills

2000 -- "A Decade of Retrospective Works by LeRoy Neiman," Hanson Gallery, New Orleans, LA

2000 -- "A Thirty -Year Retrospective" Solo Exhibition, Timothy Yarger Fine Art

2001 -- "LeRoy Neiman: Works on Paper," National Art Museum of Sport

2001 -- "LeRoy Neiman: Master Printmaker," Franklin Bowles Galleries, San Francisco

2001 -- "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery

2002 -- "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco

2003 -- "LeRoy Neiman on Safari," Solo Exhibition, The Wildlife Experience, Parker, Colorado

Nov. 7-Dec. 11, 2003 -- "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York

DateTwo-Person ExhibitionsOct. 9-Nov. 6, 1959 -- F. Oehlschlaeger Gallery, Chicago

1973 -- Alexander Calder and LeRoy Neiman, Nassau Gallery, Baldwin, NY

1978 -- LeRoy Neiman and Robert Addison, Art Institute of Chicago

1981 -- LeRoy Neiman/Andy Warhol, LAICA, Los Angeles

1988 -- "The Mustache Show," Salvador Dali and LeRoy Neiman, Tunnel Club, New York

DateGroup Exhibitions1948 -- Art Institute of Chicago

Aug. 28-Sept. 6, 1948 -- Minnesota State Fair

1950 -- Student Exhibition, Art Institute of Chicago

1951 -- Student Exhibition, Art Institute of Chicago

Oct. 10-Nov. 9, 1952 -- Local Artists' Exhibition, Minneapolis Institute of Arts

Oct. 14 -Nov. 15, 1953 -- Local Artists' Exhibition, Minneapolis Institute of Arts

1953 -- Annual Exhibit, Art Directors Club of Chicago

1953 -- "Artists of Chicago and Vicinity," Art Institute of Chicago

May 2-30, 1954 -- Exhibitions of Prints and Drawings by Twin City Artists, Minneapolis Institute of Arts

Aug. 28-Sept. 6, 1954 -- Minnesota State Fair

Oct. 29-Nov. 12, 1954 -- Exhibition of Advertising and Editorial Art, Art Directors Club of Chicago

June 2-July 4, 1955 -- Instructors Exhibition, Art Institute of Chicago

1955 -- Carnegie International Exhibition, Carnegie Institute of Art, Pittsburgh

Aug. 27-Sept. 5, 1955 -- Minnesota State Fair

March 8-April 12, 1956 -- "Artists of Chicago and Vicinity," Art Institute of Chicago

April 22-May 11, 1956 -- Chicago Area Show, North Shore Art League

1957 -- Biennial Exhibition of Contemporary American Oil Paintings, Corcoran Gallery of Art, Washington, DC

Jan. 17-March 3, 1957 -- "American Painting and Sculpture," Art Institute of Chicago

Feb. 12-26, 1957 -- Navy Pier Art Show, Chicago

June-July 1957 -- Chicago Art Institute

Sept. 15, 1957 -- Deer Path Art League Annual Fine Arts Festival

Oct. 7-27, 1957 -- Collectors Club Exhibition

1958 -- Chicago Public Library

Jan. 17-26, 1958 -- Art:USA:58

1958 -- Navy Pier Art Show, Chicago

1958 -- "Brotherhood in Art," Marshall Field & Co. Gallery

July 6-Aug. 16, 1958 -- Ravinia Festival

Sept. 1958 -- Chicago Artists, Anna Werbe Gallery, Detroit, MI

Sept. 6-7, 1958 -- Old Orchard Art Festival, North Shore Art League, Skokie, IL

Dec. 1958 -- Frank Oehlschlaeger Gallery, Chicago

June 8, 1959 -- Bal Tabarin Room, Hotel Sherman, Chicago

July 27-Aug. 10, 1959 -- Paintings and Photographs by Playboy Jazz Artists, Sherman Art Gallery

Sept. 12-13, 1959 -- Old Orchard Art Festival, North Shore Art League, Skokie, IL

Nov. 1959 -- Frank Oehlschlaeger Gallery, Chicago

Feb. 1960 -- Anshe Emet Cinema Arts Festival

March 31-May 28, 1961 -- "Artists of Chicago and Vicinity," Art Institute of Chicago

Dec. 13, 1962-Jan. 26, 1963 -- "Mixed Christmas Exhibition," O'Hana Gallery, London

1964 -- North Mississippi Valley Exhibition

1965 -- Frank Oehlschlaeger Gallery, Chicago

March-July 1966 -- Aqueduct Gallery, New York

May 23-Aug. 24, 1969 -- "TIME Portraits of American Newsmakers," National Portrait Gallery Traveling Exhibition

May 27, 1969 -- National Art Museum of Sport

Nov. 1969 -- Frank Oehlschlaeger Gallery, Chicago

1971 -- "Beyond Illustration: The Art of Playboy," Museum of Contemporary Art, Chicago

Spring 1972 -- Odyssey House Art Gallery

Sept.-Oct. 1973 -- Illini Union Art Gallery, Illinois

1974 -- "Group Show of FKH Artists," Hammer Galleries, New York

Dec. 2, 1974-Jan. 4, 1975 -- Holiday Exhibition, Hammer Galleries, New York

Feb. 10-22, 1975 -- "Hammer Galleries Graphics," Hammer Galleries, New York

Sept. 2-Nov. 21, 1975 -- "Drawings USA 75," Minnesota Museum of Art (Traveled Jan. 1976 -Dec. 1977)

May 2-July 4, 1976 -- "Watercolor U.S.A. National Invitational Exhibition," Springfield Art Museum, Springfield, MO

Aug. 2-7, 1976 -- Saratoga Gallery, Saratoga Springs, NY

July 3-Sept. 30, 1977 -- "National Exhibition of Tennis Art," International Tennis Hall of Fame

June-July 1978 -- "National Exhibition of Tennis Art," International Tennis Hall of Fame

1977 -- "Ball, Bat, and Glove," Spectrum Fine Art, New York

Sept. 12-16, 1978 -- Spectrum Fine Art, Royal Orleans Hotel

1979 -- "Ringside: The Fine Art of Boxing," Spectrum Fine Art, New York

May 4-July 8, 1979 -- "Panorama of American Art," Midwest Museum of Art, Elkhart, IN

July 15-20, 1979 -- "Treasures of Island Creek," Louisville, KY

Jan. 2-Feb. 2, 1980 -- "Grand Opening Group Exhibition," Foster Harmon Galleries of American Art, Sarasota, FL

April 29-Aug. 31, 1980 -- "That Belmont Look," New -York Historical Society (NYS Museum, Albany, Jan. -March, 1981)

Nov. 1980 -- "Fall Portfolio of International Artists," Calgary Inn, Alberta, Canada

1982 -- "When They Were Very Young," Amherst College Student Art Gallery, Amherst, MA

March 1982 -- Northampton County Area Community College Foundation

March 1983 -- "Showstoppers: Great Moments of the American Musical," Museum of the City of New York

Sept. 25-Oct. 22, 1983 -- "Greenwich Workshop Gallery Miniature Show '83," Greenwich Workshop Gallery

June 1984 -- "Champions: The Olympic Athlete in Art," San Diego Museum of Art

March 1985 -- "Americana," Whitney Museum, New York

April-Aug. 1985 -- "Archives of American Yachting and Boating," Mystic Seaport Museum, Mystic, CT

May 1985 -- "Art," Area Club, New York

Dec. 1985-Jan. 1986 -- "American Masters of the 1940s, 50s, and 60s," Frank Oehlschlaeger Gallery, Chicago

March 15-June 28, 1987 -- "The Horse: Man's Noble Companion," The Monmouth Museum, Lincroft, NJ

April-May 1987 -- "Annual American Masters Exhibition," Foster Harmon Galleries of American Art, Sarasota, FL

April 1987 -- "Athletes and Heroes," Bank One, Youngstown, OH

May 1987 -- Hanson Art Galleries, San Diego, CA

Sept. 1987 -- El Paso Museum of Art

Nov. 23-Dec. 18, 1987 -- "Master Prints of the 19th-20th Century," Hammer Galleries, New York

June 1988 -- Mickey Mantle's Sports Art Gallery, New York

June 9-Sept. 24, 1988 -- L'art et L'automobile, automotive artists group exhibition, New York

Aug. 1988 -- "The Famous Show," China Club, New York

Sept. 1988 -- "New Perspectives on Contemporary Art," Tunnel Club, New York

Oct. 1988 -- "Women in Sports," Springfield College, Springfield, MA

Oct.-Nov. 1988 -- "Annual American Masters Exhibition," Foster Harmon Galleries of American Art, Sarasota, FL

Dec. 1988 -- "The Most Famous Artist Alive," Tunnel Club, New York

Jan. 1989 -- "Art's As Good An Investment as Bonds," Baja Club, New York

March 1989 -- "The Greatest Hits Vol 1 Show," Tunnel Club, New York

July-Aug. 1989 -- "20/20 Exhibition," Steiner& Young Galleries, Marietta, Georgia

June 1990 -- Amnesty International Exhibition, New York

Summer 1990 -- "Director's Choice," Park Shore Gallery, Naples, FL

Sept. 1991 -- "Expose Yourself to Art," University of Southern Florida

May 1-June 10, 1992 -- "Drawing New Conclusions," Art Institute of Chicago

1993 -- "Salon d'Automne," Grand Palais, Paris

1993 -- "Equine Art" Solo Exhibition, Kentucky Derby Museum

1995 -- "Racing Retrospective" Solo Exhibition, Kentucky Derby Museum

1994-1995 -- "Louis Armstrong: A Cultural Legacy," Queens Museum of Art, New York

June 14, 1996 -- Cig Art, National Arts Club Exhibition and Benefit

1996 -- "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries

Oct. 1998 -- "Animals: The Wild and the Tame" Solo Exhibition, Franklin Bowles Gallery, San Francisco

2001 -- "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery

2001 -- "LeRoy Neiman: Master Printmaker," Franklin Bowles Gallery, San Francisco

2002 -- "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco

2003 -- "A View from the Table" Solo Exhibition, Hammer Galleries, New York

2005 -- "LeRoy Neiman: The Art of Boxing," Franklin Bowles Galleries

Appendix F: Index to CollectionA

ABC (American Broadcasting Company) - 2.2: ABC Correspondence, 4.1: 1977

ABC's Wide World of Sports - 4.1: 1987, see also Olympic Games

AIMS (Committee to Aid Multiple Sclerosis) - 4.1: 1977, 1978

ASPCA - 3.1: ASPCA 1986-1988

Aaron, Hank - 4.1: 1972

Abdul-Jabbar, Kareem - see Basketball Superstars, 1975-1976, and Johnson, Earvin Kareem Abdul-Jabbar, 1984 - 3.1: Kareem Abdul-Jabbar, 1984

Abramowitz, A.N. (Avie) - 2.2: A. N. Abramowitz 1974-1978, 3.2.1

Abrams, Harry N. - see 3.2 - Publications files, 4.1: 1999

Abrams, Judith Ann - 2.1: 1983, 1991

Absolut Vodka - see promotions

Academie Internationale des Arts Contemporains, Belgium - 2.1: 1992

accountant - see Jacobs, Jason

Adams, Joey - 1.1: Friars Club

Adamowski, Benjamin - 4.1: 1960

Addams, Charles - 4.1: 2000

Addison, Robert and Ruth (Betsy) - 2.1: 1978, 1990, 4.1: 1985, 1987, 1991 in two-person exhibition with LeRoy Neiman - 4.1: 1978 and ov

Advanced Materials and Processes -- Magazine - 4.1: 1989

Adventurer, between 1971 and 1977 - see Long, Captain Elgen

Adventuress, 1970s - see Earhart, Amelia

aerobics - 2.1: 1984, see also dance: Jacki Sorenson, 1981

Affronti, Judge Frank - 2.2: Judge Frank Affronti 1990-1999

Africa - see LeRoy Neiman On Safari

Afsary, Cyrus - 2.1: 1978

Air France - 4.2: -- Playboy -- 1963, see Appendix E

airlines

American Airlines - 2.1: 1999

Continental Airlines - see Fitzgerald, Ella

Albany, New York - 3.1: Tour de Trump

Alexander Hotel, Miami Beach - see promotions

Ali, Muhammad - see boxing

All - Sports Hall of Fame - 4.1: 1999

Allied Artists Council, Artists and Models Masque Ball, 1985 - 4.1: 1985

Allyson Louis Gallery - 2.1: 1988, 3.1: Morton's of Chicago 1982-present, 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988

Amahl and the Night Visitors, 1978 - 4.1: 1978

Amateur Athletic Association - 4.1: 1998

Amateur Athletic Union - 2.1: 1976

Ambassadors Hotel, East and West, Chicago - 3.1: Ambassadors 1960s, see also restaurants: The Pump Room

America's Cup - see sailing

American Academy of Achievement - see awards

American Beauty Association - 4.1: 1994

American Broadcasting Company - see ABC

American Cancer Society - 4.1: 1986, 1989, 1997, 2004

American Carnival, Japan - 4.1: 1988

American Diabetes Association - 4.1: 1990, see Appendix A

American Embassy, Nairobi, Kenya - 2.1: 1984

American Federation of Television and Radio Artists - 1.1: Name Tags and ID Cards

American Flag, 2002 - 3.1: Good Tidings Foundation 1998

American Fine Art Editions, Inc. - 4.1: 2004, see exhibitions

American Heart Association - 4.1: 1991

American in Paris, An - see -- LeRoy Neiman: An American in Paris

American Sport Art Museum - 2.1: 1989, 4.1: 1989

American Sportscasters Association - 1.1: Awards, 4.1: 1986; Hall of Fame Awards Dinner - 3.1: Long Term Projects

American Stock Exchange - see Stock Market

Amnesty International - see exhibitions, group: Blumhelman Gallery

Ampex Video Art - see television

Anderson, Dave - 4.1: 1983, see also Countdown to Superbowl by Dave Anderson

Anheuser-Busch - see promotions, 3.1: Duran vs. Leonard 1989

animals -- - see exhibitions, horse racing, 3.2.12

Animal Fair Magazine - 2.1: 2000, 4.1: 2000

Polar Bears - 4.1: 1979, 1984, 1993

birds - see also animals: roosters

Arkansas Wild Ducks, 1984 - 3.1: Arkansas Symphony Orchestra and Arkansas Wild Ducks, 1984

Fighting Cocks, Manila, 1976 drawing (watercolor) - 4.1: 1976

Manila Cock -Pit, 1976 drawing (watercolor) - 4.1: 1976

Parrots, 1982 - 4.1: 1984

Studies of Fighting Cocks, 1976 drawing (watercolor) - 4.1: 1976

cheetah

Kilimanjaro Cheetah, 1971 - 4.1: 1993

Portrait of the Cheetah, 2004 - 4.1: 2004

Cougar, 1981 painting and 1993 serigraph - 2.1: 1994, 4.1: 1993

cow - see Cow Parade

dog - 4.1: 1998

Black Labrador, 1977 - 4.1: undated 1990s

Borzoi - see also Pelkey, Joe (serigraph)

dog walkers - VC: 1983

The Great Dane, Hamlet, 1986 - 3.1: ASPCA 1986-1988, 4.1: 1986

Hounds of Chantilly - 2.1: 1980, 4.2: -- Playboy -- 1964, see Appendix E

Moore County Hounds, Southern Pines, North Carolina - 4.1: 1959, 4.2: -- Playboy -- 1960, see Appendix E

eagle, American Bald Eagle, 1978 - 4.1: 1993

elephant

Elephant Charge, 1999 - 4.1: 1999

Elephant Nocturne - 4.1: 1984, 1993

Elephant Stampede - 3.1: Advertising Layouts 1980s, 4.1: 1976, 1989, 1993, 1995 Shikar, 1980 - 4.1: 1982, 1993

giraffe, Giraffe Family - 4.1: 1978, 1993

gorilla, Gorilla Family - 4.1: 1993

horse - see horses

jaguar, Jaguar Family, 1984 - 4.1: 1993

leopard

Kenya Leopard, 1978 - 4.1: 1993

Leopard, 1971 serigraph - 3.1: Circle Gallery 1972, 4.1: 1988 -89, 1993

Serengeti Leopard, 1976 - 4.1: 1993

lion

Lion, 1968 - 4.1: 1993

Lions, date? - 4.1: 1974

Lion Couple - IV: 1984, 1993

Lion Family, 1974 - 2.1: 2004, 4.1: 1993

Lion's Pride II, 1978 - 4.1: 1993

Portrait of the Lion, 2002 - 4.1: 2002

Ocelot - 4.1: 1993

panther, Black Panther, 1975 - 3.1: Hammer Galleries Solo Exhibition 1975 -76, 4.1: 1975

rescue - see ASPCA, Bide-A-Wee, PAWS/LA, Humane Society of New York, Mount Pleasant Animal Shelter

rooster - Studies of Fighting Cocks, 1975 watercolor - 3.1: Hammer Galleries Solo Exhibition 1975-76

safari - 3.1: "LeRoy Neiman on Safari," The Wildlife Experience, Parker, CO, 2003, 3.2.12

tiger

Bengal Tiger - 4.1: 1993

Caspian Tiger, 1985 - 4.1: 1993

Delacroix's Tiger - 4.1: undated, 1993

Tiger, 1985 - 4.1: 1993

Young Tiger - 4.1: 1993

unicorn

The Hunt of The Unicorn, late 1960s mural - 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90, 4.2: Playboy Ephemera 1960s

whale - see Moby Dick

wolf - see Call of the Wild, 1993

zebra, Zebra Family - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79, 4.1: 1984, 1993

zoo - 3.2.12d

Anisfeld, Boris - 2.1: 1988

Anthony, Earl - see bowling

Antonacci, Joe - 4.1: 1982

Apollo Theater - 4.1: undated 1990s, 1998

Area nightclub, New York - 3.1: "Art", Group Exhibition at Area, 1985

arenas - see The Spectrum, Madison Square Garden

Arizona Heart Institute - see The Open Heart, 1982

Arizona Landscape, 1979 - 2.1: 1979

Arkansas - 3.1: Arkansas Symphony Orchestra and Arkansas Wild Ducks, 1984

Arledge, Roone - 2.2: ABC Correspondence, 3.1: Olympics Munich 1972, 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971, 3.1: Olympics, Montreal 1976 Roone Arledge, 1972 drawing - 4.1: 2003

Arliss - 4.1: 1996

Armory Art Fair, Washington DC - 4.1: 1977

Armstrong, Louis - see jazz

Army, U.S., service in - 1.1: Military Service

Army vs. Navy 1946, 2000 - 4.1: 2001

Arnstein, Vera Daphne - 4.1: 1990

Arrow shirts - see promotions

Art Aid - 4.1: 1986

L'art et l'automobile - 3.1: LeRoy Neiman Corvette 1984, 4.1: 1988, 2002, see also exhibitions

Art Brokerage Inc. - see Rose, Donna

Art Collection House Co., Ltd., Japan - 2.1: 1994, 1995

Art Directors Club of Oklahoma City - 4.1: 1967, VII

Art Expo - 4.1: Undated

Art for Education - 4.1: 1998

The Art of Gaming Through the Ages, by Arthur Flowers and Anthony Curtis, foreword by LeRoy Neiman - 3.1: The Art of Gaming Through the Ages, Huntington Press, 2000

Art Institute of Boston - 1.1: Honorary Degrees, 2.1: 1975, 4.1: 1975

Art Institute of Chicago - 1.1: Education and Teaching, 2.1: 1987, 1989, 1996, 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992, 4.1: 1978 ov, 2001, 2002, see also exhibitions

Auxiliary Board - 2.1: 1990

Barewalls, 2001 - 3.1: Art Institute of Chicago Reunion 2001

Art and Lifestyle, 1974 - see LeRoy Neiman: Art and LifeStyle, 1974, 3.2.1

ArtExpo New York - 2.1: 1989, 4.1: 1987, 1998, 2001

Art-o-gram: News of the art world for art dealers only - 4.1: 1977

Arthur Andersen & Co. - 4.1: 1981

Les Arts de France - 2.1: 1988

Arum, Bob and Lovee - 2.1: 1996, 1998, 4.1: 1996

Ascent, 1961 - 4.1: 1961

Ashford, Evelyn - see running

Aspen, CO - 4.1: 1993, 1994

Association for the Help of Retarded Children (AHRC) - 3.1: Thurman Munson and Thurman Munson Awards Dinner 1977-present

Astaire, Fred

Fred Astaire - 3.1: Good Tidings Foundation 1998 -, 4.1: 1985

Athens International Festival - 4.1: 1993

Atlanta, GA - 3.1: Economic Opportunity Atlanta 1968

Atlanta International Film Festival - 4.1: 1974 and ov, V: 1974

Atlanta Magazine - 4.1: 1969, 1975, 1996

Atlanta's Poor People Art School - 4.1: 1969

Atlantic City, New Jersey - see also casinos, promotions, 3.1: Tour de Trump 1989

attorney - see Shaw, Robert

auction - 4.1: 1978, 1997, 1998, 1999

Augusta National Golf Club, The 16th at Augusta, 1992 - 4.1: 1994

auto racing -- - 4.1: 1982, 1983, 1989, 1999

Andretti, Mario - 4.1: 1975, 1992

Andretti, Michael - 4.1: 1992

Brayton, Scott - 4.1: 1996

Beni Hana Grand Prix - 2.1: 1978

Caesar's Palace Grand Prix, 1981 - 3.1: Caesar's Palace Grand Prix 1981-83

Caesar's Palace Grand Prix, 1982 - 3.1: Caesar's Palace Grand Prix 1981-83

Caesar's Palace Grand Prix, 1983 - 3.1: Caesar's Palace Grand Prix 1981-83

Can-Am Race - 4.2: -- Playboy -- 1970, see Appendix E

Dallas Grand Prix, 1984 - 2.2: Neiman-Marcus 1983-88, 3.1: Dallas Grand Prix 1984

Denver Grand Prix, 1990 - 3.1: Denver Grand Prix 1990-1991

Denver Grand Prix, 1991 - 3.1: Denver Grand Prix 1990-1991

Ferrari - 4.1: 1989

Fittipaldi, Emerson

Fittipaldi, 1989 - 3.1: Emerson Fittipaldi 1989, 4.1: 1990

Grand Prix Heart Ball - 3.1: Denver Grand Prix 1990-91

Grand Prix de Monaco - 2.1: 1986, 2.2: Playboy Enterprises Inc. 1980s, 4.2: Playboy Ephemera 1980, Press and Paraphernalia

Grand Prix de Monaco, 1976 - 4.1: 1993, 4.2: Playboy Ephemera 1980, Press and Paraphernalia

Indianapolis 500 - 3.1: Indy 500, 1985-87

Pits at Indy, 1968 - 2.1: 1976

Le Mans - 3.2. -- Winners -- , 1983, Harry N. Abrams Notes on Auto Racing and Basketball, 4.2: -- Playboy -- 1969, 4.2: Playboy Ephemera 2000s, see Appendix E

Miami Grand Prix - 3.1: Miami Grand Prix 1991-92

Toyota Grand Prix of Miami, 1991 (for 1992 race) - 3.1: Miami Grand Prix 1991-92

Penske, Roger - 3.1: Indy 500, 1985-87

Revson, Peter

Peter Revson, Can-Am Race, 1970 drawing - 3.1: Rotonda Superstars 1973-75

Toyota Monterey Grand Prix, 1990 - 4.1: 1990

Laguna Seca Raceway, 1989 - 4.1: 1990

automobiles - 3.1: LeRoy Neiman Corvette 1984, 4.1: 1993, 1999, 2001, see also l'Art et l'Automobile, and auto racing

The Robb Report Magazine - 2.1: 1982, 4.1: 1983, 1987

Rolls-Royce - 3.1: Lawrence Ross Galleries Exhibitions 1985, 4.1: undated, 1983

awards - 1.1: Awards

B

Baden Baden - 2.1: 1997

Baghdad of the Midwest, 1975 - see Saint Paul, Minnesota

Bailey, Jim - see golf: Atlanta National Golf Club

Baker, Dusty - 4.1: 1998

Bal de la Mer - 3.1: Monaco 1994, 4.1: 1994

Baldwin, James, James Baldwin, 1961 and 1964 drawings - 2.1: 2002

ballet -- - 4.1: 1987, V: Kathy Healey, 1981, see also dance

Ballet Arkansas - 2.1: 1990, 4.1: undated 1980s

Ballet: The Daring Project, Joyce Theater, 1996 - 4.1: 1996

Ballet Theater Foundation, Inc. - 4.1: 1976

Baryshnikov, Mikhail, Baryshnikov, 1983 - 3.1: Des Moines Ballet Commissions 1983-1986, 3.2. -- Winners -- , 1983, Harry N. Abrams

Bolshoi Ballet - 4.1: 1968, 4.2: -- Playboy -- 1969

Gregory, Cynthia - 2.1: 1986, 2.1: 1990

Nureyev, Rudolph, Nureyev, 1974 drawing - 3.1: Hammer Galleries Solo Exhibition 1975-76, Nureyev, 1986 - 3.1: Des Moines Ballet Commissions 1983-1986

Prima Ballerina 'Assoluta' - 2.1: 1986, 1989, 4.1: 1989

Ballot, Isabelle - 4.1: 1996, 1998, 2001

Barber, Tiki - 4.1: 2001, 2002

Barclays Bank - 4.1: 1993

Bardot, Brigitte - 4.1: 1961

BareWalls - 1.1: Education and Teaching-Art Institute of Chicago after 1959

Barkley, Charles - 4.1: 1999, 2001, V: Photographs

Charles Barkley, 1997 - V: Photographs

Barnet, Will - 2.2: JoAnn Perse Gallery 1983-02

Barnett, Dick - 4.1: 1990

"Baroque Bravura Today?" undated article by LeRoy Neiman - 4.1: undated

Barrington Enterprises Inc. - see Landau, Barry

bars - see restaurants and bars

Bartender Magazine -- - 2.2: -- Bartender Magazine -- , 4.2: -- Bartender Magazine

Ultimate Cocktail Book, 1990 - 4.2: -- Bartender Magazine

Ultimate Cocktail Book II - 4.2: -- Bartender Magazine

Baryshnikov, Mikhail - see ballet

baseball -- - 3.1: Mickey Mantle 1962-99, 3.1: Leo Durocher 1974 -1994, 3.1: Rusty Staub 1975 -1994, 3.1: Gaylord Perry's 300th win, 3.1: Willie Stargell 1980, 3.1: Nolan Ryan, 1981, 3.1: Skoal Pinch Hitter 1985 -87, 3.1: Dodgers Centennial, 3.1: The Shot Heard 'Round the World, 1991, 3.1: Phil Rizzuto 1994, 3.1: Casey Stengel 1996, 3.1: Jackie Robinson, 1997, 3.1: Mike Piazza 1999, 3.2.13, 4.1: 1992, also search for individual players and coaches by name in Index and Appendix A

All-Stars - 4.1: undated

Baseball Players, 1983 - 4.1: 1983

Baseball Writers Association of America - 4.1: 1990, 1993

Bay Area Baseball, 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990, 4.1: 1991

Boston Red Sox - 4.1: 1975, 1982, 1986

Brooklyn Dodgers - 3.1: The Shot Heard 'Round the World, 1991, 3.1: Jackie Robinson, 1997, see also Los Angeles Dodgers

Chicago Cubs - 3.1: Leo Durocher 1974-94, 3.1: Skoal Pinch Hitter Thad Bosley 1985

Cincinnati Reds - 4.1: 1975, 1986

Cleveland Indians - 4.1: 1975

etchings - 3.1: Circle Gallery 1972

Florida Marlins, 1992 - 2.1: 1992, 4.1: 1992

Hollywood All-Stars - 3.1: Mickey Mantle Paintings 1962-1999

Home Run Blast, 2002 etching - 3.2.13

Japan - 3.1: Hawaii and Japan 1974

Kansas City Royals - 4.1: 1990

Los Angeles Dodgers - 2.1: 1992, 3.1: Jackie Robinson, 1997, 4.1: 1992; Dodgers Centennial, 1990 - 3.1: Dodgers Centennial 1990, 4.1: 1991

National Baseball Hall of Fame and Museum, Cooperstown, NY - 2.1: 1978, 1996, 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 3.1: Casey Stengel 1996, 4.1: 1990, 1993 (yearbook), 1994, 1995

New York Giants - 3.1: The Shot Heard 'Round the World, 1991

New York Mets - 3.1: Rusty Staub 1975-1994, 3.1: Casey Stengel 1996, 4.1: 1979, 1985, 1986, 1990, 1991, 1996, 2001, 2002

New York Yankees - 2.1: 2004, 3.1: Mickey Mantle 1962-99, 3.1: Phil Rizzuto 1994, 4.1: 1977, 2000

Oakland Athletics - 2.1: 1993, 4.1: 1988 -89, 1993

Oklahoma Redhawks (minor league) - 2.1: 1998

Philadelphia Phillies - 4.1: 1993

Pittsburgh Pirates - 3.1: Willie Stargell 1980, 4.1: 1984; Pittsburgh Pirates, 1973 - 4.1: 1973

Saint Louis Cardinals - 4.1: 1999

San Francisco Giants - 4.1: 1988-89

Seattle Mariners - 3.1: Gaylord Perry's 300th Win file

Sliding Home, serigraph - 3.1: Circle Gallery 1972, 4.1: 1978, 1988, 1989; team yearbooks - 3.1: Dodgers Centennial 1990, 4.1: 1973, 1977, 1979, 2001

World Series: 1966 - VII; 1972 - 4.1: 1972; 1975 - 4.1: 1975, 1986; 1976 - 2.1: 1976; 1986 - 4.1: 1986; 1989 - 4.1: 1989

basketball

Basketball, 1972 - 4.1: 1992

Basketball Superstars, 1975-76 - 4.1: 1977, 2001

college basketball - 4.1: 1992, 1994

Indiana University Hoosiers; Hoosier Hoopla, 1975 - 2.1: 1975, 4.1: 1976, 1978, 1989, VII: Pendants

North Carolina Tar Heels - 4.1: 1977

Oregon State University - 4.1: 1977

University of Kentucky Wildcats; The Wildcats, 1978 - 3.1: The Wildcats 1978

University of Nevada, Las Vegas - 4.1: 1983

Naismith Memorial Basketball Hall of Fame - 3.1: Naismith Memorial Basketball Hall of Fame 1978-91

NBA basketball - 3.1: Kareem Abdul-Jabbar, 1984, 3.1: Orlando Magic commission, 1990, 3.1: Larry Bird, 1993, 4.1: 1977, 1979

All-Stars - 4.1: 1977

NBA All -Star Game - 4.1: 1978

Boston Celtics - 3.1: Larry Bird, 1993, 4.1: 1989 ov

Buffalo Braves - 2.1: 1976

Chicago Bulls - 4.1: 1989

Houston Rockets - 4.1: 1975

Los Angeles Clippers - 2.1: 1989

Los Angeles Lakers - 3.1: Kareem Abdul-Jabbar, 1984, 4.1: 1989 ov

Milwaukee Bucks - 4.1: 1977

New York Knicks - 4.1: 1968, 1969, 1974, 1976, 1980, 1989, 1993

Orlando Magic - 3.1: Orlando Magic commission 1990, 4.1: 1989

Philadelphia 76ers - 4.1: 1999

Washington Bullets - 4.1: 1980

Battig, Joseph - 2.1: 1996

Battle of the Bay, serigraph - 4.1: 1989

Baumgartner, Bruce - see wrestling

Beard, James - 3.1: James Beard 1985-2002, 4.1: 1996

The Beatles

The Beatles, 1966, serigraph 1992 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City, and The Beatles serigraph 1992

John Lennon, 1990 etching - 3.1: John Lennon Etching 1990

Beatty, Warren - 3.1: Tyson vs. Spinks 1988

beauty pageants

ITMSA Miss Legs Competition - 2.1: 1983

Miss America - 3.1: Miss America Pageant 1983-1984

Miss Asia - 3.1: Miss Asia Pageant 1986

Miss J.A.P. and Miss Purim Pageants - 4.1: 1982

Miss Legs America - 2.1: 1980, 4.1: 1984

Miss Teen USA - 3.1: Miss Teen USA Pageant 1983

Miss Universe - 3.1: Miss Universe Pageant 1981

Miss USA - 3.1: Miss USA Pageant 1978

Miss World -USA - 3.1: Miss World-USA Beauty Pageant 1975

Mrs. America - 3.1: Mrs. America Pageant 1982

Playboy Bunny of the Year Pageant - 2.2: Playboy Enterprises Inc. 1970s

Beaux Arts, Inc. Award - 1.1: Awards

Begin, Menachem - 3.1: Peace Treaty, 1980

Behan, Brendan - see Borstal Boy

Behm, Kenneth - 2.1: 1989

Bench, Johnny - 4.1: 1972

Bench, The Catcher, 1989 - 3.1: Johnny Bench 1989

Bennett, Chef John - 2.2: Chef John Bennett 1998 -2000, 4.1: 2002, John Bennett, 1988 drawing - 4.1: 1988, 1998

Bennett, Tony - 4.1: 1963, 1973, 1985

Berra, Yogi - 4.1: 1985, 1998

Yogi Berra Museum - 3.1: "Viva el Beisbol!" exhibition, Yogi Berra Museum, 2000

Bernstein, Leonard, Leonard Bernstein, 1972 - 4.1: 1972; Leonard Bernstein, undated drawing - 4.1: 1972; Leonard Bernstein, 1967 drawing - 4.1: 1998

Bethany College - 4.1: 1979

Bethesda Fountain; View of Bethesda Fountain, 1989 - 3.1: A Salute to Central Park Exhibition 1989

Better Boys Foundation - 4.1: 1974

Beverly Hills, California - 2.1: 1985, 1989, see exhibitions: Lawrence Ross Galleries

Beverly Hills Hotel - 2.1: 1989

Bide-A-Wee - 4.1: 1992

Big Time Golf, by LeRoy Neiman - 3.1: Saks Fifth Avenue 1994-1999, 3.2:10

billboard - 3.1: Stadium Tennis Billboard, 1981, 3.1: Caesar's Palace Grand Prix 1981-83, 3.1: Folies Bergere, Tropicana, Las Vegas 1983, VC: 1980s

Billboard Magazine International Billie Awards - 3.1: Billboard Magazine First Annual Billie Awards 1993

billiards -- - 4.2: Billiard World Magazine 1963-65

Billiard World Magazine - 4.2: Billiard World Magazine 1963-65

Pool Game, 1966 - 4.1: 1998

Pool Room, serigraph - 3.1: Circle Gallery 1972

Sardi's World Billiard Championship - 4.2: -- Playboy -- 1963, see Appendix E

Bimini, Bahamas - 2.1: 1977, 1979

Bingo, 1973 - 4.1: 1989

Binns, James - 4.1: 1996, 2000

Bird, Larry, Larry Bird, 1992 - 3.1: Larry Bird, 1993, see also Johnson, Earvin "Magic": Magic

birthday - 4.1: 1999

Black Labrador, 1977 - see animals

Black Panther, 1975 - see animals

Blackwood, Glenn - 4.1: 1993

Bland, Bobby Blue - 3.1: Blues Ball 1997-2004

Blaukmer, Professor Frederika - 4.1: 1979

Blecker, Tom, Kathy, and Barbra - 2.2: Artwork by Children, 2.2: Tom Blecker 1989-99

Bloomberg, Mayor Michael - 1.1: New York Friars Club, 1990s-2000s

Blue Moon Bay Co., Ltd., Japan - 2.1: 1997

bloopers - 4.1: 1978, 1997

Bluebird Café - 3.1: Iroquois Steeplechase, Nashville, TN, 1993

Blues Ball - 3.1: Blues Ball 1997-2004

Blum's - 3.1: Early Fashion Illustration 1949-57

B'nai B'rith - 1.1: Awards

Boathouse Restaurant - see Central Park Boathouse

boats - see sailing, or Showboats International; The Cambridge-Oxford Boat Race - 4.2: -- Playboy -- 1962, see Appendix E

Bochette, Liston - 2.1: 1981, 1984, 1985

bodybuilding -- - 4.1: 1977, 1982, 1990

Everson, Cory - 4.1: 1990

Schwarzenegger, Arnold - see Schwarzenegger, Arnold

Boek, Louis - 1.1: Military Service

Boggs, Bill - 4.1: 2002 ov., 2004

Bonaventure - see St. Bonaventure University

Bond, Julian - 4.1: 1969

Bonds, Barry - Barry Bonds, 2003 pastel - 3.1: Good Tidings Foundation, 1998-present book jacket illustrations - 3.1: folder 1, 3.1: Charlotte Chandler 1978-84, 4.1: 1973, 1982, 1988-89

Book of the Month Club - 3.2.5, 3.2. -- Winners -- , 1983, Harry N. Abrams , Text Drafts

books

by Mr. Neiman - see Publications files in Series 3.2

by others, containing Mr. Neiman's works - see Licensing Art and Design by Cynthia Revelli, Skip Singleton tennis books, see also book jacket illustrations

bookstores - see Publications files in series 3.2 for information on book signings at bookstores

Borg, Bjorn - see tennis

Borstal Boy - 2.1: 1984, 3.1: Borstal Boy 1970

Bosley, Thad - see Skoal Pinch Hitter

Bourgeois, Louise - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

Bourne, Bob - 4.1: 1983

Bowe, Riddick - see boxing

Bowlers Journal - see bowling

Bowles, Franklin - see Bowles Galleries

Bowles Galleries - 1.2: Bowles Galleries, see exhibitions, see also Timothy Yarger Fine Art

bowling -- - 2.1: 1976

Anthony, Earl - 3.1: Million Dollar Strike, 1982

Carter, Don - 3.1: Million Dollar Strike, 1982

Esposito, Frank - 2.1: 1986, 1996, 3.1: Million Dollar Strike, 1982

Million Dollar Strike, 1982 - 3.1: Million Dollar Strike, 1982

Varipapa, Andy - 3.1: Million Dollar Strike, 1982

boxing -- - 3.1: Ali vs. Frazier I, 1971, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 3.1: Ali vs. Spinks 1978, 3.1: Sportsman's Ball 1978, 3.1: Ali vs. Holmes 1980, 3.1: Duran vs. Leonard I, II, III 1980-89, 3.1: Hearns vs. Leonard 1981, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 3.1: Holmes vs. Cooney 1982, 3.1: Hagler vs. Hearns 1985, 3.1: Mike Tyson Portraits 1986-1990s, 3.1: Tyson vs. Spinks 1988, 3.1: McGirt vs. Whitaker 1993, 3.1: Tyson vs. Holyfield 1991-1996, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1971, 1999, 3.1: Lewis vs. Tyson 2002, 3.1: De La Hoya vs. Vargas 2002, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1972, 1976, 1977, 1978, 1979, 1981, 1982, 1983, 1984, 1985, 1987, 1988, 1989, undated 1990s, 1990, 1991, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002

Ali, Muhammad - see Ali vs. Frazier, 3.1: Lewis vs. Tyson 2002, .2.1: 2001, 3.1: GOAT (Greatest of All Time - A Tribute to Muhammad Ali) Book by Taschen, 2004, 3.2.1, 3.2.16, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1974, 1976, 1977, 1978, 1980, 1985 1991, 1994, 1995, 1997, 1998, 1999, 2000, 2001, 4.2: Playboy Ephemera 1960s, 4.2: The Ring Magazine as artist - 2.1: 1979, 4.1: 1966, 1967, 1970 ov, 1979

Muhammad Ali - Athlete of the Century, 2000 - 3.1: Muhammad Ali - Athlete of the Century, 2000-2002

Muhammad Ali - The Greatest Collector's Edition Magazine, 2002 - 4.1: 2002

Ali vs. Foreman, Zaire poster, 1974 - 4.1: 1974, 2000, 2002

Ali vs. Frazier

Ali vs. Frazier I, 1971 - 3.1: Ali vs. Frazier I, 1971

Ali vs. Frazier I, 1971, 1999 - 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 2000

Ali vs. Frazier II etchings, 1974 - 3.1: Ali vs. Frazier I, 1971, 3.1: Circle Gallery 1972, 3.1: Ali vs. Frazier II, 1974, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 1990

Fight of the Century poster, 1971 - 3.1: Ali vs. Frazier I, 1971

Thrilla in Manila poster, 1975 - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 2000

Ali vs. Holmes, 1980 - 3.1: Ali -Holmes 1980, 4.1: 2000

Ali vs. Spinks, 1978 - 3.1: Ali vs. Spinks 1978, 4.1: 2000

Bobrick - 4.1: 1977

Bowe, Riddick - 4.1: 1993, 1995, 1996, 4.2: The Ring Magazine

Boxers Ball - 4.1: 1997

Boxing Beat Magazine - 4.1: 1988

Boxing Illustrated - 4.1: 1993

Boxing at the Ritz - 4.1: 1993

Boxing Writers Association of America - 1.1: Awards, 4.1: 1967, 1985, 2004

Brenner, Teddy - 2.1: 1978, 1979, 4.1: 1978, 4.2: The Ring Magazine

Camacho, Hector - 4.1: 1986, 1997

Chavez, Julio Cesar - 4.1: 1993, 1996

Julio Cesar Chavez, pastel - 4.1: 1996

Julio Cesar Chavez, 1996 drawing - 4.1: 1996

Clay, Cassius - see Muhammad Ali

Coetzee - 4.1: 1984

Cooney, Gerry - see Holmes vs. Cooney, 2.1: 1989, 2000, 4.1: 1981, 1987, 2001, 4.2: The Ring Magazine

De La Hoya, Oscar - 3.1: The Fight of the Millennium, 1999, 3.1: De La Hoya vs. Vargas 2002, 3.1: De La Hoya vs. Hopkins 2004, 4.1: 1995, 1997

Oscar De La Hoya, 1995 - 4.1: 1997

De La Hoya vs. Mosely poster 2000 - 3.1: De La Hoya vs. Mosley 2000

De La Hoya vs. Whitaker, 1997 - 4.1: 1997

Dundee, Angelo - 3.1: Angelo Dundee Tribute 2002

Duran, Roberto - 3.1: Duran vs. Leonard I, II, III 1980 -1989, 4.1: 1980, 1983, 1984, 1994, 1995, 4.2: The Ring Magazine

Ellis, Jimmy - 4.1: 1973 ov

F.I.S.T. - 2.1: 2000, 4.1: 2000, 2001

film, documentary - see Win a Few, Lose a Few, 1972

Foreman, George - see Ali vs. Foreman, 2.1: 1989, 4.1: undated, 1973, 1974, 1976, 1993, 1995, 1999, 4.2: The Ring Magazine

Foreman Frazier Fight - 4.1: undated

Foreman vs. Holmes, 1999 - 4.1: 1999

Frazier, Joe - see Ali vs. Frazier, 2.1: 1975, 4.1: undated, 1969 ov, 1971, 1972, 1973, 1976, 1981, 1992, 1998, 4.2: The Ring Magazine

Golden Gloves Championships - 4.1: 2000, 2001

Golota, Andrew - 4.1: 1996

Grant, Michael - see Lewis vs. Grant, 4.2: The Ring Magazine, 4.1: 2001

Graziano, Rocky - 4.1: 1990, 1991

HBO - 4.1: 2003, 2004

Hagler, Marvin - 3.1: Hagler vs. Hearns 1985, 4.1: 1984, 2000

Hearns, Thomas - 3.1: Hearns vs. Leonard 1981, 3.1: Hagler vs. Hearns 1985, 4.1: 2000, 4.2: The Ring Magazine

Thomas Hearns, 1985 - 4.1: 1985

The Heavyweights, vinyl LP recording 1970 - 4.1: 1970, VII: Box 3

Heavyweight Collision - 4.1: 2003

Heavyweight Explosion, 2000 - 3.1: Heavyweight Explosion 2000

Hinds, Bobby - 2.2: Bobby Hinds 1990-2000

Holmes vs. Coetzee, 1984 - 4.1: 1984

Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000

Holmes, Larry - see Ali vs. Holmes, Holmes vs. Cooney, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.1: 1984, 1999, 2001, 4.2: The Ring Magazine

Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000

Holmes vs. Shavers poster, 1979 - 4.1: 1979, 2000

Holmes vs. Spinks, 1985 poster - 4.1: 1985

Holyfield, Evander - see Tyson vs. Holyfield, 3.1: Holyfield-Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 1996, 2003

Hopkins, Bernard - Bernard Hopkins, 2004 - 3.1: De La Hoya vs. Hopkins 2004 Introduction of the Champions of the Ring, 1964-65 (or Ringside Madison Square Garden) - 4.1: 1965, 1983

Jones, Jr., Roy - 4.1: 1994, 1995, 1996, 2000; Roy Jones, Jr. - 4.1: 2000

King, Don - 4.1: 1977, 2003

Latin Legends - 4.1: 1992

Leonard, Sugar Ray - 3.1: Hearns vs. Leonard 1981, 3.1: Duran vs. Leonard I, II, III 1980-89, 4.1: 1980 ov, 1997, 4.2: The Ring Magazine

Lewis, Lennox - see Lewis vs. Grant, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 2001

Lewis vs. Grant poster, 2000 - 4.1: 2000 and ov

Lewis vs. Tyson poster, 2002 - 3.1: Lewis vs. Tyson 2002

Liston, Sonny - 3.2.16, 4.1: 1964, 1965, 1974 ov, 4.2: Playboy Ephemera 1960s

Louis, Joe - 3.1: Tribute to Joe Louis (Holmes vs. Spinks fight) 1981

Joe Louis, 1983 - 3.1: Kayo Joe Louis Boxing Card 1991, 4.1: 1991

Malave, Chu Chu - 4.1: 1973

Mathis, Buster - 4.1: 1971

The Maulers 1993 lithograph - 4.1: 1993

Mayweather, Floyd - 4.1: 2000

McGirt, James "Buddy" - 3.1: McGirt vs. Whitaker 1993

Morrison, Tommy - 4.1: 1993, 1995

Mosely, Shane - see De La Hoya vs. Mosely

North American Boxing Federation - 4.1: 2000

Norton, Ken - 4.1: 1976, 1981, 4.2: The Ring Magazine

New Jersey Boxing Hall of Fame - 1.1: Awards - Inductions, 4.1: 2000

Olympic boxing - see Olympics

Patterson, Floyd - 4.1: 1972

Quarry, Jerry - 4.1: 1969 ov, 1970, 4.2: The Ring Magazine

Red Boxers, 1973 - 4.1: 1973

Reid, David

David Reid, 1998 - 4.1: 1998

Ring Magazine - 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1966, 4.2: The Ring Magazine

Ringside and Training Principles, by Goodman and Homansky 2001 - 3.1: Ringside and Training Principles by Goodman and Homansky 2001

Robinson, Sugar Ray - 2.1: 1989, 4.1: 1989, 1994; Sugar Ray Robinson, 1969 - 4.1: 1969, 1998

Rocky - see Rocky films

Salute to Boxing Greats Award - 1.1: Awards

Shavers, Earnie - see Holmes vs. Shavers, 4.1: 1973 ov, 1977, 4.2: The Ring Magazine Spinks, Leon - see Ali vs. Spinks, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.2: The Ring Magazine

Spinks, Michael - 3.1: Tyson vs. Spinks 1988, 4.1: 1987, 4.2: The Ring Magazine

Sting Like a Bee by Jose Torres and Bert Sugar - 2.1: 1972

Thornton, Wayne - 4.1: 1966

Toney, James - 4.1: 2003, James Toney, 1994 - 4.1: 2004

Torres, Jose - 4.1: 1966

Trinidad, Felix - 2.1: 1999, 3.1: The Fight of the Millennium, 1999

Tyson, Mike - 3.1: Mike Tyson portraits 1986-90s, 3.1: Tyson vs. Spinks 1988, 3.1: Lewis vs. Tyson 2002, 4.1: 1986, 1988, 1989, 1995, 1996, 1999 portraits - 4.2: The Ring Magazine, 4.1: 1999, 2001

Tyson vs. Holyfield, 1996 - 3.1: Tyson vs. Holyfield 1991-1996

Vargas, Fernando - 3.1: De La Hoya vs. Vargas 2002

Veteran Boxers Association of NY - 4.1: 1993

Whitaker, Pernell "Sweet Pea" - 2.1: 1999, 3.1: McGirt vs. Whitaker 1993, 4.1: 1993, 1995, 1997

Williams, Cleveland - 4.1: 1966, 1967

World Boxing Association Annual Awards Dinner - 4.1: 1994, 1995, 1996, 1997, 1998, 2000

World Boxing League - 4.1: Undated 2000s

Boy Scouts of America - 2.1: 1989, 4.1: 1989 ov

Boys' Athletic League - 4.1: 1974

Boys and Girls Clubs of America - 4.1: 1977, All Sports Hall of Fame Dinner - 4.1: undated 1970s, 1996, 1997, Legends & Fans Dinner - 4.1: 1990

Boys Town of Italy - 4.1: 1987, 1988, 1992

Bradley, Bill - 3.1: Bill Bradley 1978 -2000, 3.1: Women's Basketball Hall of Fame, 1993, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 4.1: 1981, 1999

Branca, Ralph - 3.1: The Shot Heard 'Round the World, 1991, 2.1: 1994, 4.1: 1994

Brayton, Scott - see auto racing

Brazil Stock Exchange, 1985 - 2.1: 1985

Brenner, Teddy - see boxing

Brett, George - 4.1: 1990; George Brett, 1992 - 4.1: 1992

Brice, Bobbie - 4.1: 1982

Bride's Magazine -- - 3.1: Early Fashion Illustration 1949-57

Broadway - see musicals or Times Square, 2001

Brooklyn Bridge, 1995 - 1.1: Honorary Degrees - Saint Francis College, 3.1: Brooklyn Bridge, 1995, 4.1: 1995, 1998

brothel - see Mustang Ranch

Brown, Jim - 3.1: Gridiron Football News 1971-73

Brown, Larry

Larry Brown - 4.1: 1972

Bruce, Lenny - 4.1: 1976

Jeffrey Bryan Fine Art - 4.1: 1989

Bryant, Coach Paul "Bear," Coach Bear Bryant, 1979 - 2.1: 1979, 1983, 1989, 4.1: 1981

Budweiser - see Anheuser-Busch

Buena Vista Bar - 4.2: Bartender Magazine 1987-1992

bull riding - see rodeo

bullfight - 4.1: 1960

Kneeling Matador, 1968 - 2.1: 1976

El Matador, 1965 - 2.1: 1986

Matador, 1967 - 4.1: 1989

La Plaza de Toros - 4.2: -- Playboy -- 1961, see Appendix E

Toreador, 1968 - 4.1: 1984

Burgdorff Cultural Center - 4.1: 1999

Burger King - see promotions

Burns, George - 3.1: Celebrity Night at Spago, 1993

Burr & Associates (Cameron Burr) - 2.1: 1992, 1993, 3.1: The Texas Longhorns, 1985, 3.1: '21' Club, 1990 (photo)

Bush, President George H.W. and Barbara - 1.1: Honorary Degrees c., 2.1: 1989

Bush, President George W. - 2.1: 2003

Bushkin, Joe - 4.1: 1997

Busker Alley - 3.1: "Busker Alley," 1995

Byrams, Gina - 3.1: Hammer Galleries Solo Exhibition 1970

Byrne, Janet - see Neiman, Janet

C

CBS Sports television - 2.1: 1979, 2.2: CBS Sports, 4.1: 1978, 1985

CD ROM - VII

Caesar's Palace - see casinos

Cahill, Very Reverend Joseph - 1.1: Honorary Degrees, St. John's University, Honorary Doctorate, 1980, St. John's University, Gold Medal of Honor, 1985

Caine, Michael - 2.1: 1981

Calder, Alexander - 4.1: 1973 (see exhibitions, two-person)

calendars - 4.1: 1974 ov, 1976, 3.1: Wild Animals and Art of Sport Calendars 1992-94 and ov, 3.1: Golf Courses Calendar 1996

California Cuisine (The Lark Creek Inn), 198? - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 2004

Call of the Wild -- , by Jack London - 3.1: -- Call of the Wild -- 1993

Camacho, Hector - see boxing

Camp David Peace Accords, 1998 - see Carter, President Jimmy

Campbell, Earl - 2.1: 1982

Campbell's Soup - 4.1: 2004

Cannes Film Festival - 3.1: Beauty, the Beach, and the Bizarre 1984

Cape Town, South Africa - 4.1: 1997

Capone, Al, Al Capone - 3.1: Circle Gallery 1972, 4.1: 1972, 1992, 1995

Cappy Productions - 2.1: 2000

Caracas, Venezuela - 2.1: 1972, 1976, 1977, 1980, see exhibitions: Museo de Bellas Artes

"Caring is Fashionable" - 4.1: 1981

Carlson, Bill - see "Neiman's Cuba"

Carnaval, 1981 - 3.2.6, 3.2 ov., see Haskell, Nikki

Carousel, 1958 - 4.1: 1950s

The Carousel of Hope - see also Appendix A, 3.1: Carousel Ball 1982-present

Carpenter, Rob - 4.1: 1982

carpet - see tapestry

Carreras, Jose - 3.1: The Three Tenors, 1996

cars - see automobiles

Carter, Don - see bowling

Carter, Lillian - 3.1: Peace Treaty, 1980, V: 1970s

Carter, President Jimmy -- - 4.1: 1978, 1989

Peace Treaty, 1980 - 3.1: Peace Treaty, 1980

Camp David Peace Accords, 1998 - 4.1: 1998

Casey at the Bat, by Ernest L. Thayer, illustrated by LeRoy Neiman - 3.2.13

casinos and gambling -- - 3.1: Circle Gallery 1972, 4.1: 1984, 1997, 1998, see also The Art of Gaming Through the Ages

Baden Baden, 1988 - 4.1: 1988

Bally's Park Place, Atlantic City - 2.1: 1999

Bally's, Las Vegas - 2.1: 1999

Le Casino de Monte Carlo, 1969 - 4.1: 1984

Caesar's Palace, Las Vegas - 2.1: 1998, 3.1: Caesar's Palace 1980, 3.1: Alan King Caesar's Palace Tennis Classic 1980-83, 3.1: Caesar's Palace Grand Prix 1981-83, 3.1: Holmes-Cooney 1982, 4.1: undated 1970s, 1976, 1979, undated 1980s, 1980, 1981, 1982, 1985, 1987, 1993

Desert Inn - 2.1: 1983, 1984, 1997, 1998, 4.1: 1998

Les Femmes du Caesar's Palace - 4.1: undated 1980s

Chemin de Fer, 1966 (1991 serigraph release) - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.1: 1991, 1998

Craps Kinshasa - 4.1: 1976

Fiesta Casino Hotel - 2.1: 1997

Gambling Times -- Magazine - 4.1: 1984

Gaming Table, 1958 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989

The Golden Nugget, Las Vegas - 3.1: Golden Nugget Casino, Las Vegas 1988

Green Table, 1972 - 4.1: undated, 1984

Harrah's Trump Plaza, Atlantic City - see Trump, Donald

High Stakes, 1974 - 4.1: 1984

The Hustler -- - see -- The Hustler

International Poker, 2004 serigraph of earlier painting - 4.1: 2004

Merv Griffin's Resorts Casino and Hotel, Atlantic City - 3.1: Merv Griffin's Resorts Casino Exhibition 1990

Ocean Club, Atlantic City - see promotions

The Poker Game - 4.1: 1980

Rio Suite Hotel and Casino, Las Vegas - 2.1: 1997

Roulette, 1957 - 4.1: 1950s

Roulette, 1970 - 2.1: 1970, 4.1: 1995

Roulette II, 1996 serigraph - 3.2:11, 4.1: 1996, 1997

Sands Hotel and Casino, Las Vegas - 2.1: 1994, 1997

Slots-change Girl, 1980 - 4.1: 1984

Stud Poker - 4.1: 1984

Tropicana Resort & Casino, Las Vegas - 2.1: 1999, VII: Artifacts

Casino Legends Hall of Fame, LeRoy Neiman Award - 2.1: 1999, 4.1: 1999

Folies Bergere - 3.1: Folies Bergere, Tropicana 1983, 3.1: Folies Bergere Neiman Chips 1999, 4.1: 1999

t.v. commercial - 4.1: 1984

Trump Plaza, Atlantic City - see Trump, Donald

Trump Taj Mahal, Atlantic City - see Trump, Donald

Vegas Blackjack - 4.1: 1984, 1996

catalogue raisonnes - 3.2.5, 3.2.9, 3.2.14

Cavett, Dick - 2.1: 1999

"Celebration 2000" Exhibition - 3.2.14

Celebrity Night at Spago, 1993 - 3.1: Celebrity Night at Spago, 1993

Centaur Galleries, Las Vegas - see exhibitions

Center Art Galleries, Hawaii - 3.1: Center Art Galleries Exhibition, Hawaii 1985, 4.1: 1984, 1987

Central Park Boathouse - see restaurants

cereal box - see Wheaties

Chabot Galleries - 2.1: 1989

Chamberlain, Wilt - see 3.1: Basketball Superstars, 1975 -76, 3.1: Kareem Abdul -Jabbar, 1984, 3.1: Wilt Chamberlain 2000, 4.1: 1981

champagne - 3.1: Duval LeRoy Champagne 1999-2001

Champagne Taittinger - 3.1: 1993

Champagne...Uncorked! by Rosemary Zraly - 3.1: Saks Fifth Avenue 1994-1999, 3.1: Champagne...Uncorked! by Rosemary Zraly 1996

Champions vs. MS - 2.1: 1977

Champs-Elysses

Le Champs- Elysses, 1992 - 4.1: 1996

The Champs-Elysees, la Voie Triomphale, 1994 - 4.1: 1997

Chandler, Charlotte - 3.1: Charlotte Chandler 1978-84, 3.1: March of Dimes' Gourmet Gala 1985

Channel Thirteen, New York - 2.1: 1984, 4.1: 1983

Charismatic - 4.1: 1999

charity - 2.1: Charities (all files), see also AIMS (Committee to Aid Multiple Sclerosis), American Cancer Society, American Diabetes Association, American Heart Association, Association for the Help of Retarded Children (AHRC), Boys & Girls Clubs of America, Boys Town of Italy, Carousel of Hope (Children's Diabetes Foundation), Champions vs. MS, Children's Hearing Institute, Citymeals-on-Wheels, Concern's Charity of Champions, Cystic Fibrosis Foundation, Doodle for Hunger, Good Tidings Foundation, Hope House Ministries, Hospital Relief Fund of the Caribbean, International Heart Foundation, International Sephardic Education Foundation, Jackie Robinson Foundation (under Robinson, Jackie), Jimmy Fund, Juvenile Diabetes Foundation, Leukemia Society of America, Make-a-Wish Foundation, Monmouth Park Charity Ball, Muscular Dystrophy Association, Myasthenia Gravis Foundation, National Multiple Sclerosis Society, North Shore Child and Family Guidance Association, Race to Erase MS, Rock for the Cure, Ronald McDonald House, Special Olympics, United Cerebral Palsy Association, United Way, 4.1: 1981, 1992, 1999; see also animals: rescue

Charlie Cosmetics - see promotions

Chavez, Julio Cesar - see boxing

chef - 3.1: James Beard 1985-87, see also Bennett, Chef John; Clark, Chef Patrick; Kopf, Stefan; Lomonaco, Chef Michael; food; restaurants; Soltner, Chef Andre

Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank, VII: Box 3

Cher - 4.1: 1981

chess - see Fischer, Bobby

Chicago Board of Trade, 1974-75 - 2.1: 1977, 1989, 4.1: 1977

Chicago Public Library - 4.1: 1955-59

Chicago Serigraphic Workshop - 2.1: 1977

children, artwork by - 2.2: Artwork from Children

children, letters from - 2.2: Mrs. Vladimir's Class 1975-85, 2.2: Hutchinson KS, Elementary Schools, 1976-78, 2.2: Mr. Silver's Class 1978-81, see also various letters in 2.1 Fan Mail files

Children at Heart - 4.1: 1996

Childrens Diabetes Foundation - 3.1: Carousel Ball 1982-present

Children's Hearing Institute - 4.1: 1994

China - 2.1: 1983

Chinaglia, Georgio - see soccer

Choate School - 4.1: 1969

Christie's - 4.1: 1978

Christina Galice Gallery - 2.1: 1990

churches -- - 4.1: 1964, 1965; The Organ at St. Paul the Apostle, 1965 - 4.1: 1965

cigars -- - 2.1: 1997, 1998, 4.1: 1996, 1997, 1998

Cigar Aficionado -- Magazine - 2.1: 1995, 4.1: 1995, 1997

Components of Fire by (Aaron Sigmond or Jim Mauro) with Foreword by LeRoy Neiman - 2.1: 1997

Playboy's LeRoy Neiman Selection by Don Diego - 3.1: Playboy's LeRoy Neiman Selection by Don Diego, 1997

Puro Cigar Company - see Sigmond, Aaron

Rhythm and Smoke Cigar Video - 3.1: Rhythm and Smoke Cigar Industry Video 1997-1998

Wine, Women and Cigar, 1996 - 3.1: Playboy's LeRoy Neiman Selection Cigars 1996, 4.1: 1999, 4.2: -- Bartender -- Magazine Cincotti, Peter - 4.1: 2002 ov.

Circle Galleries, Chicago and New York - 2.1: 1979, 1989, 4.1: 1973, 1981, 1989, 1.2: Felicie Correspondence, see exhibitions, solo: Circle Galleries and "Ali-Frazier"

Circus, 2000 - 3.1: Circus 2000, 4.1: 2001

Cirker - Hayes Warehouse - IID: Inventory of Prints Stored in Warehouse 1970s-80s

Cities in Schools - 3.1: Cities in Schools and Harlem Streets, 1981, 4.2: Arts Magazine

City by the Bay, 1993 - see San Francisco

City By The Bay, by Charles Fracchia, cover illustration by LeRoy Neiman - 3.1: San Francisco Series 1991-93

Citymeals-on-Wheels - see Beard, James

Clark, Chef Patrick Dean - 4.1: 1998

Classic Leather - see promotions

Classic Moments Watches - 3.1: Classic Moments LeRoy Neiman Watch Collection 1989

Classico Postcards - 2.1: 1992

Claude-Jobrack, Madeleine - 3.1: '21' Club, 1990 (photo)

Clay, Cassius - see boxing: Ali, Muhammad

Clayton, Derek - 3.1: New York City Marathon 1984-2001

Clemens, Roger, The Rocket - Roger Clemens, 2003 - 3.1: The Rocket - Roger Clemens, 2003

Clemente, Roberto - 4.1: 1992, Roberto Clemente - 4.1: 1973

Clinton, President Bill - 3.2. -- Big Time Golf -- , 1992, 4.1: 1992

clothing - VII

clothing stores - see Marshall Fields, Neiman Marcus, Pallack, Rick, and Saks Fifth Avenue, 4.1: 1958

Clough, Charles - 4.1: 1986

Club El Morocco - 4.1: 1979

Clubhouse Turn, 1975 - see horse racing

Coalition for the Homeless - 4.1: 1986

Coca-Cola Company - 2.1: 1994

Coetzee - see boxing

Coghlan, Eamon - see running

Cohen, Mouli - 3.1: Soft Paintings 1989

collectibles - see promotions

collectors - 4.1: 1969, 1980, 1981, see Wolfson

college sports - see basketball, football

Columbia Space Shuttle - 4.1: Undated ov

Columbia University - School of the Arts - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present; School of General Studies - 2.1: 1977

Comaneci, Nadia - see gymnastics

Comedia dell' Arte - 3.1: Royal Doulton collectible plates 1974-78

comic strips - see -- Doonesbury

commercials - see Promotions

Commodities Magazine - see The Chicago Board of Trade, 1974-75

Concern Foundation

Concern's Charity of Champions - 4.1: 1983

conductors - see Bernstein, Leonard; Slatkin, Leonard

Contemporary University - 4.1: 1980

Cooney, Gerry - see boxing

computer art - 4.1: 1975

Conner, Bart - see gymnastics

Converse - 2.1: 1982

Bill Corum Award - 1.1: Awards

Corvette, Limited Edition Neiman - 3.1: Corvette 1984, V: 1980s, Rendezvous a la Corvette, 1984 - 3.1: Corvette 1984

Cosby, Bill - 4.1: 1991, 1997

Cosell, Howard - 4.1: 1987, 1995, V: 1991

cosmetics - see promotions

Cotton Club - 4.1: undated

Countdown to Superbowl, by Dave Anderson - 3.1: Countdown to Superbowl by Dave Anderson 1969

Country Rambler -- Magazine - 2.1: 1976, 4.1: 1976 ov

Couples - 4.1: 1976

Cow Parade, NYC - 3.1: Cow Parade NYC, 2000

cowboys - see The Lone Ranger, National Cowboy Hall of Fame, rodeo

Creative Communications - 2.1: 1976

cricket - 4.1: 1961

Crosby, Bing - 3.1: 43rd Crosby National Pro-Am, 1984

crossword puzzles - 4.1: 1990, 1991, 1995, 1998, 1999

Crozier, William - V: 1995

Csonka, Larry - 4.1: 1973, 1974; Larry Csonka - 4.1: 1972

Cuba - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003, 4.1: 1979

Cuban Dancers, 1997 - 3.1: Rhythm and Smoke Cigar Video 1997-98

The Culinary Arts exhibition - 3.1: The Culinary Arts exhibition 1998

Culinary Institute of America - 4.1: 2000

Cunningham, Merce - see dance

Current Biography - 4.1: 1996

Curtis, Mike - 3.1: Gridiron Football News 1971-1973

Curtis, Tony - 2.1: 1988

cycling

3.1: Tour de Trump

Boul Mich Bike Rally, 1978 - 2.1: 1983, 4.1: 1978 ov

Indoor Cycling - 4.1: 2000, 2002

Tour de France - 4.1: 1984

Cystic Fibrosis Foundation - 4.1: 1996

D

Daily Double - see Fran Joswick Therapeutic Riding Center

Dalai Lama - 2.1: 2003

Daley, Robert - 4.1: 1966

Daley, Mayor Richard - 4.1: 1968

Dali, Salvador - 4.1: 1977, 1986, 1991, 2002 (mentioned throughout 1980s and 1990s)

Dan's Papers - 2.1: 1998, 1999, 4.1: 1997 ov

dance -- - see also ballet

Cunningham, Merce

Merce Cunningham Studio - 4.1: 2004

"Fringe TOMAR 2000" Festival Internacional de Danca Contemporanea, 2000 - VII

Graham, Martha - 2.1: 1989

Jacki Sorenson, 1981 - 4.1: 1981

Davidson Gallery - 4.1: 1986

Davis, Marvin and Barbara - 2.1: 1985, 3.1: Carousel Ball 1982-present

Davis, Jr. , Sammy - 3.1: Frank Sinatra at Royal Albert Hall 1989, 4.1: 1964, 1981, 1982, 1984, 1991, V: early 1960s, Bojangles, 1984 - 4.1: 1986

Dawkins, Peter - 2.1: 1980, 3.1: Peter Dawkins Poster 1988

De la Hoya, Oscar - see boxing

De La Vega, James - 4.1: 1999

Dean Day Gallery - 2.1: 1982, 1983, 1989, see also exhibitions

Dear Muffo, by Harold Conrad - 4.1: 1982

Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-91

DeBusschere, Dave - 4.1: 1974

The Dedication - 4.1: 1969

Deer Path Art League - 4.1: 1950s

Defiant, 1987 - see sculpture

Degregorio, Ernie - 2.1: 1976

Dekker, Mary - V: 1980s

Del Coronado Petit Galop, 1976 - 4.1: 1976

Del Greco, Maria -2.3: Letters from Artists, 4.1: undated, 1996

Delacroix's Tiger - see animals

Delligatti, Ralph - 4.1: 1992

Denver, CO - see auto racing

Denver, John - 4.1: 1994

Derek, Bo and John - 2.1: 1998, 4.1: 1985

Des Moines, Iowa

Des Moines Ballet - 3.1: Des Moines Ballet Commissions 1983-1986

Des Moines Symphony - 4.1: 1979

Desert Inn, Las Vegas - see casinos: Caesar's

Desert Symphony - see music: classical

designers - 4.1: 1997

Dewar's - 4.1: 1971

Dial-A-Dinner - 4.1: 1994

Diamond, Neil - 4.1: 1984

El Diario la Prensa - 2.1: 1987

A Dictionary of Sporting Artists, by Mary Ann Wingfield - 4.1: 1992

Dill, Bob - 2.1: 1997, 1999

Diller, Phyllis - 2.1: 1995, 1996, 1999

DiMaggio, Joe - 4.1: 1992

Joe DiMaggio: Yankee Clipper, 1998 - 3.1: Joe DiMaggio 1998-1999, 4.1:1998 Joe DiMaggio: Study for "Yankee Clipper", 1998 - 3.1: Joe DiMaggio 1998-1999

DiPietro, Marylou - 2.1: 1979, 3.2.3

diving - see swimming and diving

Dixon, Rod - see running

dog - see animals

Dokes, Michael - 4.1: 1993

Domingo, Placido - 3.1: The Three Tenors, 1996

Doodle for Hunger - 3.1: Doodle for Hunger I, II, III, IV, V, 2000-2004

Doonesbury -- - 4.1: 1981

Door County - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001

Dorfman, Fred - see Fred Dorfman, Inc.

Dorset, Tony - 2.1: 1982

Doubletake Gallery - 4.1: 1999

Douglas, Kirk, Kirk Douglas, 1984 - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985

dreams - 3.1: Folies Bergere, Tropicana, Las Vegas 1983

Drinhaus, Helmut - 2.2: Helmut Drinhaus 1988-2000

Driscoll, John (President of Iona College) - 1.1: Honorary Degrees, Iona College, Honorary Doctorate, 1985

Dubai - 2.1: 1988

Dublin Bar "The Stag's Head" - see The Stag's Head Bar, 1961

Dufresne, Isabelle - 4.1: 1988

Duguay, Ron - 4.1: 1982

Dundee, Angelo - see boxing

Duneier, Clyde - 4.1: 1993

Dupont, Andre - 4.1: 1974

Dupont pens - see promotions

Duran, Roberto - see boxing

Durocher, Leo - 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 4.1: 1968, Leo Durocher - 3.1: Leo Durocher 1974-94

Duval LeRoy, Carol - 3.1: Duval LeRoy Champagne, 1999

Dyansen Gallery - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.1: 1990, 1991, 1992, 1996, 1997

Van Dyke, Dick - 3.1: Emerald Art Gallery Solo Exhibition, Coronado, CA 1976

Dylan, Bob, Bob Dylan, 2001 - 4.1: 2001

E

Earhart, Amelia - The Adventuress, 1970s - 4.1: 1982

Eaton, Roy, Roy Eaton, 1980 - 2.1: 1980, 3.1: Roy Eaton, 1980, 1980-1992, 4.1: 1986

Economic Opportunity Atlanta - 3.1: 1968

Editions Limited - see Pelkey, Joe

education - 1.1: Education and Teaching, 4.1: 1980

Egypt - 3.1: Peace Treaty, 1980

Eiffel Tower - 4.1: 1995 4.2: -- Bartender Magazine -- 1997-2002

Eight Nation Athletic Games - 4.1: 1978

Einstein, Albert - Albert Einstein, 1992 drawing - 2.1: 1991

Eiteljorg, Harrison and Sonja - 2.2: Harrison and Sonja Eiteljorg, 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73, 4.1: undated, 1963, 1986, 1994

Elayne Galleries - 2.1: 1979, 1989, 3.1: Elayne Galleries and P.J. Clarke's, 1978, 3.1: Stadium Tennis Billboard, 1981, 4.1: 2001, see also exhibitions

elephant paintings - see animals

Elkins Entertainment - 3.1: Rhythm and Smoke Cigar Video, 1997

Elles & Eux -- Magazine - 4.1: 1961

Ellington, Duke - see jazz

Ellis, Jimmy - 4.1: 1971

Ellis Island Medal of Honor - 1.1: Awards

Elway, John - 3.1: John Elway, 1999

Emerald Art Gallery - 2.1: 1977, 3.1: Emerald Art Gallery Solo Exhibition 1976

English, John - 1.1: Military Service

equestrian - see horses

Erte -- - 4.1: 1990, 1980s and 1990s (mentioned throughout)

Erving, Julius - see Basketball Superstars, 1975-76, Julius Erving, 1975 - 3.1: Julius Erving 1975-76

Esposito, Frank - see bowling

Esposito, Phil - 4.1: 1975

Esquire -- Magazine - 2.1: 1999, 3.1: Dewar's Profile 1970 ov, 4.1: 1999

Estefan, Emilio and Gloria - 2.1: 1984

etchings - 2.1: 1977, 3.1: Malletmen etching Certificate, 1977, 1.2: Bowles Galleries Correspondence 1970s, see also boxing: Ali vs. Frazier II etchings, 1974, and soccer: Soccer, 1989 etching, The Etchings of LeRoy Neiman, 1976 Knoedler booklet - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov)

Eve Models, Ltd. - 4.1: 1971, 1974

Everson, Cory - see bodybuilding

Evert, Chris - see tennis

Ewbank, Weeb - 3.1: Gridiron Football News 1971-1973, 4.1: 1978

exhibitions -- - Note: Solo and group exhibitions are listed alphabetically by the venue name

solo exhibitions

750 Studio, Chicago, 1953 - 3.1: 750 Studio, Chicago, Solo Exhibition 1953

Abercrombie & Fitch, 1974 - 4.1: 1974

Allyson Louis Gallery, Bethesda, MD, 1988 - 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988

Allyson Louis Gallery, Bethesda, MD, 1990 - 4.1: 1990, V: 1990

American Fine Art Editions, Inc., "Superbowl XXX," Jan 1996 - 3.1: Superbowl XXX Exhibition 1996

American Fletcher National Bank - see Indianapolis Museum of Art

l'art et l'automobile gallery, "Monte Carlo Chase," New York 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions

l'art et l'automobile gallery, New York, 1989 - no materials

The Art Exchange, Creve Coeur, MO, 1978 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79

The Art Exchange, Creve Coeur, MO, 1979 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79

Art Gallery-Studio 53 Ltd., New York 1975 - 4.1: 1975

Art Gallery-Studio 53 Ltd., New York 1976 - 4.1: 1976

Astor Tower French Center, Chicago, "Vie de France," 1965 - 3.1: "Vie de France" Solo Exhibition, Astor Tower, Chicago 1965

Backstage Gallery, Osaka, Japan - 4.1: 1989

Baja - 4.1: 1989

Base Art Collection, 1990 - 4.1: 1990

Bowles/Hopkins Gallery, San Francisco, 1977 - 3.1: Bowles Hopkins Solo Exhibition, San Francisco, 1977

Bowles/Hopkins Gallery, San Francisco, 1980 - 2.1: 1980, 4.1: 1980

Bowles/Hopkins Gallery, San Francisco 1981 - 4.1: 1981

Bowles/Hopkins Gallery show celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams

Bowles/Hopkins Gallery, "The Olympic Spirit," San Francisco, 1984 - 3.1: 1984 Olympics

Bowles/Hopkins Gallery show celebrating the Superbowl, 1985 - 4.1: 1985

Bowles/Hopkins Gallery, February 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Bowles/Hopkins Gallery, October 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Bowles/Sorokko Galleries, "Neiman's Neimans: A Retrospective," San Francisco, 1987 - 3.1: Bowles/Sorokko Galleries Solo Exhibitions, San Francisco ("Neiman's Neimans") and Beverly Hills 1987

Bowles/Sorokko Galleries, Beverly Hills 1987 - 3.1: Bowles/Sorokko Galleries Exhibition, Beverly Hills 1987

Bowles/Sorokko Galleries, "LeRoy Neiman: Monte Carlo," San Francisco 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions

Bowles/Sorokko Galleries, Polo Lounge Debut, Beverly Hills, April 1989 - 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Beverly Hills 1989

Bowles/Sorokko Galleries, San Francisco, May 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990

Bowles/Sorokko, Beverly Hills, October 1990 - 4.1: 1990

Bowles/Sorokko Galleries, "The Prints of LeRoy Neiman 1980 -1990," Beverly Hills, 1991 - 3.2. The Prints of LeRoy Neiman, 1980-1990, 1991

Bowles/Sorokko Galleries, "LeRoy Neiman's San Francisco," San Francisco 1991 - 3.1: San Francisco Series 1991-93

Bowles/Sorokko Galleries, "LeRoy Neiman: Downtown," New York 1992 - 4.1: 1992

Bowles/Sorokko Galleries, "Big Time Golf," Beverly Hills, San Francisco, and New York, 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions

Bowles/Sorokko Galleries, City by the Bay Debut, San Francisco, 1993 - 3.1: San Francisco Series, 1991-1993

Bowles/Sorokko Galleries, "An American in Paris," Beverly Hills, San Francisco, and New York, 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

Bowles/Sorokko Galleries, San Francisco, 1995 - 4.1: 1995

Bowles/Sorokko/Yarger Galleries, "Portraits of Our Times 1946-1996", Beverly Hills and San Francisco 1996 - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996

Brentano's Gallery, New York, 1973 - 4.1: 1973

Brentano's Gallery, New York, 1979 - 2.1: 1979, 4.1: 1979

Brentano's Gallery, New York, 1980 - 4.1: 1980

Butler Institute of American Art, Exhibition at "The Art Spirit" Event, April 1990 - 4.1: 1990

Carol Condit Galleries, White Plains, 1975 - 4.1: 1975

Casa Grafica, Helsinki, Finland, 1977 - 3.1: Casa Grafica Solo Exhibition, Helsinki, Finland, 1977

"Celebration 2000," 2000 - 3.2. -- The Prints of LeRoy Neiman -- , 1991-2000, 2001

Centaur Galleries, Las Vegas, 2000 - 4.1: 2000

Centaur Sculpture Galleries, "The Safari Suite," Las Vegas 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Center Art Galleries, Honolulu, Hawaii, 1985 - 3.1: Center Art Galleries Exhibition, Hawaii, 1985

Chabot Galleries, 1984 - 4.1: 1984

Choate School, "LeRoy Neiman: Paintings and Drawings," 1969 - 4.1: 1969

Circle Gallery, Chicago 1972 - 3.1: Circle Gallery Solo Exhibition, Chicago, 1972

Circle Galleries Los Angeles, Dallas, and NYC, 1973 - 3.1: Circle Galleries Los Angeles, Dallas, NYC, 1973

Circle Gallery, New York, "Ali - Frazier," 1974 - 3.1: Ali vs. Frazier I, 1971

Dean Day Gallery, 1983 - 4.1: 1982, 1983

Dyansen Gallery, "The Playboy Collection," 1989-90 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989-90

Dyansen Gallery, Trump Taj Mahal, 1992 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City, and The Beatles serigraph 1992

Elayne Galleries, Minneapolis, MN, 1978 - 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978

Emerald Art Gallery, Coronado, CA, 1976 - 3.1: Emerald Art Gallery Solo Exhibition, Coronado, CA 1976

Fairfield Gallery, "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," 2001 - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001

Fahlnaes Konstsalong, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77

Famous-Barr, St. Louis, MO, 1980 - 3.1: Famous-Barr Olympic Benefit Solo Exhibition, St. Louis 1980

The Far Gallery, "Recent Graphics and Drawings", 1971 - 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971

Fingerhut Gallery, La Jolla, CA, 2003 - 4.1: 2003

Forsyth Gallery, St. Louis, MO, 1970 - 4.1: 1970

Foster Harmon Galleries, Sarasota, 1980 - 4.1: 1980, V: 1980

Foster Harmon Galleries, Sarasota, 1981 - 4.1: 1981

Foster Harmon Galleries, Sarasota, 1986 - 4.1: 1986

Foster Harmon Galleries, Sarasota, 1992 - 4.1: 1992

Franklin Bowles Galleries, "Animals: The Wild and the Tame", 1998 - 3.1: "Animals: The Wild and the Tame" Solo Exhibition, Franklin Bowles Gallery, San Francisco, October 1998

Franklin Bowles Galleries, "LeRoy Neiman: Master Printmaker," 2001 - 3.1: "LeRoy Neiman: Master Printmaker," Franklin Bowles Gallery, San Francisco 2001

Frankin Bowles Galleries, "LeRoy Neiman: Thirty Years in San Francisco," 2002 - 3.1: "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco 2002

Franklin Bowles Galleries, "Looking Back: The Life & Times of America's Artist", Fisherman's Wharf, San Francisco, February 2004 - 4.1: 2004

Franklin Bowles Galleries, "LeRoy Neiman: The Art of Boxing," San Francisco, February 2005 - 3.1: "LeRoy Neiman: The Art of Boxing," Franklin Bowles Galleries 2005

Friars Club, 1987 - see exhibitions: New York Friars Club

Galerie 224, 1989 - 4.1: 1989

Galerie Borjeson, Malmo, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77

Galerie O. Bosc, Paris 1962 - 4.1: 1962

Galerie Marc, San Francisco, 1977 - 4.1: 1977

Galerie Marcel Bernheim, "Un Américain à Paris," Paris 1993 - 3.1: "Un Américain à Paris," Solo Exhibition, Galerie Marcel Bernheim, Paris 1993

Galerie Renee & Victor, Stockholm, Sweden, 1977 - 3.1: Sweden Exhibitions 1976-77

La Galleria d'Arte, Newport Beach, CA, 1993 - 2.2: La Galleria d'Arte, 4.1: 1993, V: 1993

La Galleria d'Arte, "An American in Paris," Newport Beach, CA, 1994 - 2.2: La Galleria d'Arte, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

La Galleria d'Arte, "LeRoy Neiman On Safari," Newport Beach, CA 1996 - 2.2: La Galleria d'Arte, 3.2. LeRoy Neiman On Safari, 1996, Related Exhibitions

Gallery One American Design, Aurora, Colorado, August 1990 - 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990

Gallery One of Writer Square, Denver, August 1990 - 3.1: Emerson Fittipaldi, 1989, 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990

Gallery 36, New York, 1973 - 4.1: 1973

Gallery 100, Mishawaka, IN, 1977 - 4.1: 1977

Gallery Hawaii, International Market Place, 1974 - 3.1: Hawaii and Japan 1974

Gallery Hawaii, Hyatt Regency, 1976 - 4.1: 1976

Gallery Mack, Seattle, 1978 - 3.1: Gallery Mack Solo Exhibition, Seattle 1978

Gallery Mack, "Drawings by LeRoy Neiman: A Retrospective," Seattle, 1981 - 3.1: Neiman/Warhol Exhibition at LAICA 1981-82

Gallery Mack, Seattle, 1982 - 3.1: Gaylord Perry's 300th win 1982

Gallery of Modern Art, Frank Sinatra drawings, New York, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967

Gallery Richelle, 1966 - 4.1: 1966

Gateway Gallery, Vail, CO, 1994 - 4.1: 1994

Gilbert Gallery, San Francisco, 1974 - 4.1: 1974

Grigsby Gallery, Scottsdale, AZ, 1982 - 4.1: 1982

Hammer Galleries, 1963 - 3.1: Hammer Galleries Solo Exhibition 1963

Hammer Galleries, 1965 - 3.1: Hammer Galleries Solo Exhibition 1965

Hammer Galleries, 1967 - 3.1: Hammer Galleries Solo Exhibition 1967

Hammer Galleries Exhibition of New York Jets Drawings, 1968 - 3.1: Hammer Galleries Exhibition of NY Jets Drawings, 1968

Hammer Galleries, 1970 - 3.1: Hammer Galleries Solo Exhibition 1970

Hammer Galleries, 1972 - 3.1: Hammer Galleries Solo Exhibition 1972

Hammer Galleries, 1974 - 4.1: 1974

Hammer Galleries, "LeRoy Neiman: Works on Paper," 1975-76 - 3.1: Hammer Galleries Solo Exhibition 1975-76

Hammer Galleries, "The Olympic Ring," 1976 - 3.1: 1976 Olympics, Montreal

Hammer Galleries, "Horses," 1979-80 - 3.2. Horses, 1979, Harry N. Abrams, Publicity, Reviews, and Related Exhibitions

Hammer Galleries, "Drawings: A Retrospective," 1981 - 3.1: "Drawings" A Retrospective" Solo Exhibition, Hammer Galleries 1981

Hammer Galleries, 1982 - 4.1: 1982

Hammer Galleries, "LeRoy Neiman: Winners," 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions; Photos, Proofs, and BLAD

Hammer Galleries, "The Olympics, Past and Present," 1984 - 3.1: 1984 Olympics, Los Angeles

Hammer Galleries, "The LeRoy Neiman Collection," 1985 - 3.1: "The LeRoy Neiman Collection" Exhibition, Hammer Galleries, 1985

Hammer Galleries, "LeRoy Neiman in Moscow," April 1987 - 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987

Hammer Galleries, "Soft Paintings," April 1989 - 3.1: Soft Paintings 1989

Hammer Galleries, "LeRoy Neiman: A Salute to Central Park," September 1989 - 3.1: "A Salute to Central Park" Solo Exhibition, Hammer Galleries 1989

Hammer Galleries, "Big Time Golf," 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions

Hammer Galleries, "An American in Paris," 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

Hammer Galleries, "LeRoy Neiman On Safari," New York, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Hammer Galleries, "A View from the Table," Solo Exhibition, New York, 2003 - 3.1: "A View from the Table" Solo Exhibition, Hammer Galleries, New York, 2003

Hammer Graphics Gallery, 1979 - 3.1: Hammer Graphics Gallery Solo Exhibition 1979

Hammer Graphics Gallery exhibition of graphic works 1971-81, 1981 - 4.1: 1981

Hanae Mori Building, "Neiman's World - Japan '88," Tokyo, 1988 - 3.1: "Neiman's World" Exhibition, Japan 1988

Hang-Up Gallery, 1973 - 4.1: 1973 and ov

Hanson Art Galleries, New Orleans, 1983-84 - 3.1: Hanson Art Galleries Solo Exhibitions, New Orleans and Carmel, 1983-84

Hanson Art Galleries, Carmel, CA, 1984 - 3.1: Hanson Art Galleries Solo Exhibitions, New Orleans and Carmel, 1983-84

Hanson Art Galleries, La Jolla, 1986 - 3.1: Hanson Art Galleries Solo Exhibition, La Jolla, 1986

Hanson Art Galleries, San Francisco, 1987 - 3.1: Hanson Art Galleries Solo Exhibition, San Francisco Bay Area, 1987

Hanson Art Galleries, New Orleans, 1997 - 3.1: Hanson Art Galleries Solo Exhibition, New Orleans 1997

Hanson Art Galleries, New Orleans, 1998 - 4.1: 1998

Hanson Art Galleries, "A Decade of Retrospective Works by LeRoy Neiman," 2000 - 3.1: "A Decade of Retrospective Works by LeRoy Neiman" 2000

Harrod's, London, 1982 - 3.1: Harrod's Gallery Solo Exhibition, London 1982

Heath Gallery, "LeRoy Neiman: Impressions of Atlanta", Atlanta, GA, 1969 - 4.1: 1969

Heit Galleries, Phoenix, AZ, 1976 - 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Nicholas Helion, Paris, 1980 - 4.1: 1980

Hess's Gallery, Allentown, PA, 1975 - 3.1: Hess's Gallery Solo Exhibition, Allentown, PA, 1975

Hilliard Gallery, Kansas City, October 1989 - V: 1989

Hilliard Gallery, "The Safari Suite," Kansas City, MO, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Horizon Gallery, Kuhio Mall, Waikiki Beach 1980 - 4.1: 1980 and ov

Hotrod Vintage Car Museum and Dance Club, 1989 - 4.1: 1989

Indianapolis Museum of Art, "Sketches of the XXth Olympiad," Miliken Gallery, 1972-73 - 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73

Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank, 1976 - 2.1: 1976, 3.1: Indianapolis Museum of Art Solo Exhibition 1976

Japan - see exhibitions: Backstage Gallery, exhibitions: Hanae Mori Building and exhibitions: Tobu Gallery

Jewish Community Center, Bridgeport, CT, 1976 - 4.1: 1976

JoAnn Perse Gallery, Little Rock, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams

JoAnn Perse Gallery, "Monte Carlo Chase," Little Rock 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions

John Miller Gallery, Carmel, CA 1982 - 4.1: 1982

Kentucky Derby Museum, "An Exhibition of Equine Art," 1993 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Kentucky Derby Museum, "A Racing Retrospective," 1995 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Kentucky Derby Museum, "The Art of Sport," 1997 - 3.1: 123rd Kentucky Derby and Derby Day Paddock 1997

M. Knoedler & Co., Ltd., London, 1976 - 3.1: Knoedler London Solo Exhibition 1976 Krannert School of Management, 1986 - no materials

Lawrence Ross Galleries, Beverly Hills, 1985 - 3.1: Lawrence Ross Galleries 1985-88

Lawrence Ross Galleries, Beverly Hills, 1986 - 3.1: Lawrence Ross Galleries 1985-88

Lincoln College, 1953 - 4.1: 1953

Marlborough Galleries, Boston, 1987 - 3.1: Marlborough Galleries Exhibition, Boston 1987

Mayfair Art Gallery, Saratoga Springs, NY, 1977 - 2.1: 1977

Meredith Long & Company, Houston, 1975 - 4.1: 1975

Meredith Long & Company, Houston, 1978 - 4.1: 1978

Merrill Chase Galleries, Chicago, 1976 - 4.1: 1976

Merrill Chase Galleries, Chicago, 1978 - 4.1: 1978 and ov

Merrill Chase Galleries, Chicago, 1982 - 4.1: 1982

Merrill Chase Galleries, Chicago, 1988 - 4.1: 1988

Merrill Chase Galleries, "Big Time Golf," Chicago 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions

Merrill Chase Galleries, "An American in Paris," Chicago 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

Merrill Chase Galleries, "The Safari Suite," Chicago 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Merv Griffin Resorts International Casino Hotel, Atlantic City, 1990 - 3.1: Merv Griffin's Resorts Casino Exhibition 1990

Midwest Museum of Art, "Selected Works by LeRoy Neiman", 1989 - 3.1: Midwest Museum of Art Exhibition, 1989

Minnesota Museum of Art, "LeRoy Neiman Retrospective," St. Paul, 1975-76 - 3.1: St. Paul Bicentennial 1975-76

Minotaur Galleries, Las Vegas 1983 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1983

Minotaur Galleries, Las Vegas 1984 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1984

Minotaur Galleries, Las Vegas 1985 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1985

Minotaur Galleries, Las Vegas 1988 - 2.2: Minotaur Galleries 1984 -1994, 3.2. -- Monte Carlo Chase -- , 1988, Related Exhibitions, Van Der Marck Editions, Ltd., 4.1: 1988

Minotaur Galleries, "Big Time Golf," Las Vegas 1992 - 3.2. Big Time Golf, 1992, Publicity and Related Exhibitions

Minotaur's Forum Gallery, Las Vegas 1993 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1993

Museo de Bellas Artes, Caracas, 1972 - 2.1: 1972, 4.1: 1972, V: 1970s

Myrtle Todes Gallery, Glencoe, Illinois, 1957 - 3.1: Myrtle Todes Gallery Solo Exhibition, Glencoe, Illinois 1957

National Art Museum of Sport, "LeRoy Neiman: Works on Paper," 2001 - 3.1: "LeRoy Neiman: Works on Paper," National Art Museum of Sport, 2001

Nevada County Arts Council, 1982 - 4.1: 1982

New York Friars Club, 1987 - 3.1: New York Friars Club Solo Exhibition, 1987

Niagara Art Center, Niagara Falls, 1976 - 4.1: 1976

O'Hana Gallery, London, 1962 - 3.1: O'Hana Gallery Solo Exhibition, London 1962

F. Oehlschlaeger Gallery, Chicago 1959 - 3.1: Frank Oehlschlaeger Gallery Solo Exhibition, Chicago 1959

F. Oehlschlaeger Gallery, Chicago, 1961 - 4.1: 1961

F. Oehlschlaeger Gallery, Chicago, 1962 - no material

F. Oehlschlaeger Gallery, Chicago 1976 - 4.1: 1976

Oklahoma Art Center Sheets Gallery, "Drawings by LeRoy Neiman: A Retrospective," 1981 - 3.1: "Drawings by LeRoy Neiman," Oklahoma Art Center 1981

Paterson Museum, Paterson, NJ, 1996 - 2.1: 1989, 4.1: 1996

Percival Galleries, Des Moines, 1979 - 2.1: 1978, 1979, 4.1: 1979

Peri-Renneth Gallery, Southampton, 1986 - 3.1: Peri-Reneth Gallery Solo Exhibition 1986

Peter Foulger Museum, Nantucket, 1975 - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition

Playboy offices, "LeRoy Neiman: Man at his Leisure" 1991 - V: 1991

Pratt Institute, "LeRoy Neiman in Cuba," 2003 - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003

"Profiles: Six Decades of Work" 1996 - 3.1: "Profiles" Exhibition 1996

Purdue University, 1986 - 4.1: 1986

Quinn-Pollak Gallery, "Monte Carlo Chase," San Diego 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions

Richelle Gallery, St. Louis, 1966 - see Gallery Richelle

Rosenbaum Galleries, Palm Beach, 1976 - 2.1: 1976, 4.1: 1976

St. Lawrence National Bank, 1977 - 3.1: St. Lawrence National Bank Solo Exhibition, Ogdensburg, NY, 1977

Sher Gallery, Florida, 1986 - 4.1: 1986

Springfield Art Association, "LeRoy Neiman: A Series of Sport Serigraphs," Springfield, IL, 1990 - 4.1: 1990

Springfield College - 3.1: LeRoy Neiman Centennial Art Exhibition, Springfield, MA, 1984

Springfield Museum of Art, 1974 - 4.1: 1974

State National Bank, El Paso, 1981 - 4.1: 1981

Steiner & Young Fine Arts Galleries, 1989 - 3.1: Steiner & Young Galleries Exhib 1989, 3.1: Soft Paintings 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions

Surf Club, 1989 - 4.1: 1989

Thomas Ward Galleries, St. Paul, 1975 - 4.1: 1975

Timothy Yarger Fine Art, "The Culinary Arts" 1998 - 3.1: "The Culinary Arts" Solo Exhibition, Timothy Yarger Fine Art, Beverly Hills 1998

Timothy Yarger Fine Art, "A Thirty-Year Retrospective Exhibition" - 3.1: Timothy Yarger Fine Art, "A Thirty -Year Retrospective" Exhibition 2000

Timothy Yarger Fine Art, "LeRoy Neiman: A Fifty-Year Retrospective", Beverly Hills, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003

The Toy Store, Hartford, CT, 1985 and 1986 - 3.1: The Toy Store 1985-86

Tobu Gallery, Tokyo, 1974 - 3.1: Hawaii and Japan 1974

Tretyakov Museum, Moscow 1988 - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988

Trump Plaza, Atlantic City, 1996 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence

Turnbery Isle Yacht and Racquet Club Exhibition, 1981, 1982, 1983 - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1981-83

Edwin A. Ulrich Museum of Art, Wichita State University, 1981 - 2.1: 1981

University of Charleston, West Virginia, Art Gallery, 1992 - 4.1: 1992

Upstairs Gallery, Beverly Hills, 1977 - 4.1: 1977

Upstairs Gallery, Beverly Hills, 1981 - 4.1: 1981

Upstairs Gallery, Beverly Hills, Exhibition celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions

Upstairs Gallery, Beverly Hills, 1986 - 4.1: 1986

Upstairs Gallery, Beverly Hills, 1987 - 4.1: 1987

Upstairs Gallery, Beverly Hills, 1988 - 4.1: 1988

Waller's Gallery, Tampa, 1975 - 4.1: 1975

Wichita State University Ulrich Museum of Art Exhibition 1981 - 4.1: 1981

The Wildlife Experience, "LeRoy Neiman on Safari," 2003 - 3.1: "LeRoy Neiman on Safari" Solo Exhibition, The Wildlife Experience, Parker, CO, 2003

Windsor Gallery, Los Angeles, 1974 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75

Windsor Gallery, "The Wide World of LeRoy Neiman," Los Angeles, 1975 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75

two-person exhibitions

LeRoy Neiman and Robert Addison, Art Institute of Chicago, 1978 - 4.1: 1978 and ov

Alexander Calder and LeRoy Neiman, Nassau Gallery, Baldwin, NY 1973 - 4.1: 1973

"The Mustache Show", Salvador Dali and LeRoy Neiman, Tunnel Club, New York, 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

LeRoy Neiman/Andy Warhol, LAICA, Los Angeles 1981 - 3.1: Neiman/ Warhol Exhibition 1981

group exhibitions

Amherst College, "When They Were Very Young," Amherst, MA 1982 - 4.1: 1982

Amnesty International Exhibition and Sale, New York, 1990 - 4.1: 1990

Anna Werbe Gallery, Chicago Artists, Detroit 1958 - 4.1: 1950s

Anshe Emet Cinema Arts Festival, 1960 - 4.1: 1960

Aqueduct Art Gallery, New York, 1966 - 4.1: 1966

Area, "Art," New York, 1985 - 3.1: "Art", Group Exhibition at Area, 1985

L'art et L'automobile, automotive artists group exhibition, 1988 - 4.1: 1988

L'art et l'automobile, Ferrari Collection exhibition, 1989 - 4.1: 1989

Art Directors Club of Chicago, Exhibition of Advertising and Editorial Art, 1955 - 4.1: 1950s

Art Expo - 4.1: Undated

Art Institute of Chicago, Student Exhibition, 1950 - 4.1: 1950s

Art Institute of Chicago, Student Exhibition, 1951 - 4.1: 1950s

Art Institute of Chicago, "Artists of Chicago and Vicinity," 1953 - 4.1: 1950s

Art Institute of Chicago, Instructors Exhibition, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955

Art Institute of Chicago, "Artists of Chicago and Vicinity," 1956 - 4.1: 1950s

Art Institute of Chicago, American Painting and Sculpture, 1957 - 4.1: 1950s

Art Institute of Chicago, Instructors Exhibition, 1957 - 4.1: 1950s

Art Institute of Chicago, "Artists of Chicago and Vicinity," 1961 - 4.1: 1961

Art Institute of Chicago, "Drawing New Conclusions," 1992 - 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992

Baja Club, "Art's As Good An Investment as Bonds," New York, 1989 - 3.1: Baird Jones' Group Exhibitions 1988-89

Bal Tabarin Room, Sherman Hotel, Chicago 1959 - 4.1: 1950s

Bank One, "Athletes and Heroes," Youngstown, Ohio, 1987 - 4.1: 1987

"Beyond Illustration - The Art of Playboy," Traveling Exhibition, 1971-74 - 4.2: Playboy Ephemera 1970s

Blumhelman Gallery and Germans van Eck Gallery, "Artists for Amnesty," New York, 1990 - 4.1: 1990

Butler Institute of American Art, "The Artist at Ringside," 1990 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1990

Calgary Inn, "Fall Portfolio of International Artists," Calgary, Alberta, Canada 1980 - 4.1: 1980

Carnegie Institute of Arts, International Exhibition, Pittsburgh, 1955 - 4.1: 1950s

Chicago Navy Pier, Chicago Artists, 1957 - 4.1: 1957

Chicago Public Library, 1958 - 4.1: 1955-59

China Club, "The Famous Show," New York, 1988 - 4.1: 1988

Cig Art

"Cig Art," National Arts Club, New York, 1996 - 4.1: 1996

"Cig Art 2: The Smoke Continues", National Arts Club, New York, 1997 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

"Cig Art 4: Where There's Smoke", Art Museum of Southern Texas, 2000 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

Collectors Club Exhibition, 1957 - no materials

Corcoran Gallery of Art, Biennial Exhibition of Contemporary American Oil Paintings, Washington, DC, 1957 - 4.1: 1950s

Deer Path Art League Annual Fine Arts Fair, 1957 - 4.1: 1950s

El Paso Museum of Art, 1987 - 4.1: 1987

Foster Harmon Galleries of American Art, "Grand Opening Group Exhibition," Sarasota, 1980 - 4.1: 1980

Foster Harmon Galleries of American Art, "American Masters Exhibition," Sarasota, FL, annual - 4.1: 1981, 1987

Gimbel's, "Playboy's Art of Fashion Exhibition," Milwaukee, Wisconsin, 1979 - 4.2: Grand Palais, "Salon d'Automne," Paris, 1993 - 2.2: Association du Salon d'Automne 1992-99, 4.1: 1993

Greenwich Workshop Gallery, "Greenwich Workshop Gallery Miniature Show '83" - 2.1: 1983, 4.1: 1983

Hammer Galleries, "Group Show of FKH Artists," 1974 - 4.1: 1974

Hammer Galleries, Holiday Exhibitions, New York, 1974 - 4.1: 1974

Hammer Galleries, "Hammer Galleries Graphics," New York, 1975 - 4.1: 1975

Hammer Galleries, "Master Prints of the 19th -20th Century," 1987 - 4.1: 1987, V: 1987

Hanson Art Galleries, San Diego, CA - 4.1: 1987

Harmon Gallery, "20th Century American Masters," Naples, FL, 1979 - 4.1: 1979

Illini Union Art Gallery, Illinois 1973 - 4.1: 1973

International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1977 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78

International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1978 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78

Los Angeles County Fair - see group exhibitions: Millard Sheets Gallery

Marshall Field & Co. Gallery, "Brotherhood in Art," 1958 - 4.1: 1950s

Mickey Mantle's, New York - 4.1: 1988

Midwest Museum of American Art, "Panorama of American Art," Elkhart, IN, 1979 - 4.1: 1979

Millard Sheets Gallery, Fairplex, "Art and the Athlete," Los Angeles County Fair, 1996 - 3.1: "Art and the Athlete" Group Exhibition, Los Angeles County Fair 1996

Minneapolis Institute of Arts, Local Artists' Exhibition, 1952 - 4.1: 1950s

Minneapolis Institute of Arts, Local Artists' Exhibition, 1953 - 4.1: 1950s

Minneapolis Institute of Arts, Local Artists' Exhibition, 1954 - 4.1: 1950s

Minnesota Museum of Art, "TIME Portraits of American Newsmakers," 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969

Minnesota Museum of Art, "Drawings USA 75," St. Paul, 1975 - 4.1: 1975

Minnesota State Fair, 1954 - 4.1: 1950s

Minnesota State Fair, 1955 - 4.1: 1950s

The Monmouth Museum, "The Horse: Man's Noble Companion," Lincroft, NJ 1987 - 4.1: 1987

Museum of the City of New York, "Showstoppers: Great Moments of the American Musical," 1983 - 3.1: Showstoppers Group Exhibition, MCNY 1983

Mystic Seaport Museum, "Archives of American Yachting and Boating," 1985 - 4.1: 1985 National Art Museum of Sport, 1969 - 4.1: 1969

National Portrait Gallery, "TIME Portraits of American Newsmakers," Washington, DC, 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969

Navy Pier Art Show, 1957 - 4.1: 1950s

New Orleans Museum of Art, "Louis Armstrong: A Cultural Legacy," 1994-95 - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995

New-York Historical Society, "That Belmont Look," 1980 - 4.1: 1980

North Mississippi Valley Exhibition, 1964 - 4.1: 1964

North Shore Art League, Chicago Area Show, 1956 - 4.1: 1950s

North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1958 - 4.1: 1950s

North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1959 - 4.1: 1950s ov

Northampton County Area Community College Foundation, 1982 - 4.1: 1982

Odyssey House Art Gallery, New York, 1972 - 4.1: 1972

F. Oehlschlaeger Gallery, Chicago, 1958 - 4.1: 1950s

F. Oehlschlaeger Gallery, Chicago, 1959 - 4.1: 1950s

F. Oehlschlaeger Gallery, Chicago, 1965 - 4.1: 1965

F. Oehlschlaeger Gallery, "Twentieth Anniversary Show," Chicago 1969 - 4.1: 1969

F. Oehlschlaeger Gallery, "American Masters of the 1940s, 50s, and 60s," 1985 - 3.1: "American Masters of the 40s, 50s, and 60s", Frank Oehlschlaeger Gallery, 1985

O'Grady Galleries, "Collectors' Show," 1980 - 4.1: 1980

O'Hana Gallery, "Mixed Christmas Exhibition," London, 1962-63 - 4.1: 1962

Old Orchard Art Festival - see exhibitions: North Shore Art League

Park Shore Gallery, "Director's Choice," Naples, FL, 1990 - 4.1: 1990

Queens Museum of Art, "Louis Armstrong: A Cultural Legacy," 1994-95 - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995

Ravinia Festival, 1958 - 4.1: 1950s

San Diego Museum of Art, "Champions: The Olympic Athlete in Art," 1984 - 4.1: 1984

Saratoga Gallery, Saratoga Springs, New York, 1976 - 4.1: 1976

Sherman Art Gallery, Paintings and Photographs by Playboy Jazz Artists, 1959 - 4.1: 1950s

Sherman Hotel, Chicago, 1959 - see Bal Tabarin

Spectrum Fine Art, "Ball, Bat, and Glove," New York, 1977 - 3.1: "Ball, Bat, and Glove," Spectrum Fine Art, New York, 1977

Spectrum Fine Art, "Ringside: The Fine Art of Boxing," New York, 1979 - 2.1: 1978, 4.1: 1979

Springfield Art Museum, "Watercolor U.S.A. National Invitational Exhibition," Springfield, MO, 1976 - 4.1: 1976

Springfield College, "Women in Sports," 1988 - 4.1: 1988

Steiner & Young Galleries, "20/20 Exhibition," Marietta, Georgia, 1989 - 4.1: 1989

Treasures of Island Creek, Louisville, KY, 1979 - 4.1: 1979

Tunnel Club, "New Perspectives in Contemporary Art," New York, September 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

Tunnel Club, "The Mustache Show", New York, November 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

Tunnel Club, "The Most Famous Artist Alive", New York, December 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

Tunnel Club, "The Greatest Hits Vol 1 Show", New York 1989 - 3.1: Baird Jones' Group Exhibitions 1988-89

University of Southern Florida, "Expose Yourself to Art," 1991 - 4.1: 1991

Whitney Museum, "Americana," New York, 1985 - 4.1: 1985

Yogi Berra Museum, "Viva el Beisbol!" 2000 - 3.1: "Viva el Beisbol!" exhibition, Yogi Berra Museum 2000

Exotic Erotic Halloween Ball - 2.1: 1989, 4.1: 1989, 1996

F

F.I.S.T. - see boxing

F.X. McRory's Whiskey Bar, Seattle, 1980 - see bars

Fairfield Gallery - see exhibitions

Fairmont Hotel - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Falstaff, opera by Verdi - 3.1: Falstaff Opera 1993, 4.1: 2002

fan auction - 4.1: 1992

Far Gallery, New York - 3.1: "Recent Graphics and Drawings", The Far Gallery Solo Exhibition 1971

fashion - 3.1: Early Fashion Illustration 1949-57, 3.1: Fashion Illustration for The Domino Catalog 1950s -60s, 3.1: Fashion Illustration for Marshall Field 1957-59 (Oversize only), 4.1: 1958, 1971, undated 1990s

F.D.N.Y. (Fire Department of New York)

F.D.N.Y. Painting - 3.1: F.D.N.Y. Painting 2002

F.D.N.Y Pipes and Drums - 2.1: 1984

Felicie, Inc. - IID: Price Lists 1970s, 1.2

Felt, Irving Mitchell and Elaine - 2.1: 1977, 3.1: Bill Bradley 1978-2000, see Madison Square Garden

Femlin - see Playboy

Festival Internacioal de Danca Contemporanea - 4.1: 2000

Fields, Edward - see tapestry

The Fifth Dimension - 3.1: Fifth Dimension Album Art 1970-1982

Fight of the Century - see boxing

figure skating -- - 3.1: 1982 U.S. Figure Skating National Championships, V: 1980s, see also Olympic Games

Healey, Kathy - V: Kathy Healey, 1981

Superskates - 2.1: 1981, 4.1: 1981, V: 1980s

United States Figure Skating Association - 2.1: 1984, 3.1: 1982 U.S. Figure Skating National Championships

film -- - 3.1: Beauty, the Beach, and the Bizarre 1984, 3.1: Houston Film Fest 1990, 3.1: Wine Country Film Fest 1990, 4.1: 1972, 1990, see also Screen Actors Guild

"Ali," 2002 film with Will Smith - 2.1: 2001

"American Rider" motorcycle documentary - 2.1: 1991

"Donnie Darko" 2001 film - 2.1: 2000

The Family Man" 2000 film with Nicholas Cage - 2.1: 1999

"The Ice Storm" 1997 film - 2.1: 1996

"Jerry Maguire" 1997 film with Tom Cruise - 2.1: 1996

"The Lone Ranger", 1978 feature film - 3.1: The Lone Ranger, 1977

"Mr. Baseball," Twentieth Century Fox - 2.1: 1991

"My Old Man," 1979 CBS TV movie - 2.1: 1979, 1990

"Quarterback Princess," Twentieth Century Fox - 2.1: 1983, 1992

Rocky films - 3.1: Rocky films 1980-1990

"Rooster," 1981 - 3.1: "Rooster," 1981

1976 documentary, Twentieth Century Fox - 2.1: 1976

finance

Mr. Neiman's own finances - 2.1: 1975, IID: Invoices Paid, see International Management Group, Inc.

represented in art - see investing, Stock Market, Chicago Board of Trade

Finland - IID: Price Lists 1970s, 3.1: Casa Grafica Solo Exhibition, Helsinki, Finland, 1977

Fireman, Shelly - 3.1: Shelly's New York Restaurant 2000

Firestone, Roy - 4.1: 1986

Fischer, Bobby - 4.1: 1972, 1974, 1987

fishing - see Marlin!

Fittipaldi, Emerson - see auto racing

Fitzgerald, Ella - see jazz

Flagg, Special Agent Warren M. - 4.1: 1998

Florida Racing - 4.1: undated

Floyd, Ray - see golf

Flynt, Larry - 2.1: 1976

Focus Midwest Magazine - 4.1: 1964, 1967, 1970, 1980

Foley, Jaclyn - 4.1: 1996, 4.2: Bartender Magazine 1993-2002

Folies Bergere - see casinos

food - 3.1: James Beard 1982-87, 3.1: The Culinary Arts exhibition 1998, 4.1: 1981, 1991, 1993, 1994, 1995

Foot Locker - 2.1: 1990

football -- - search for individual players listed alphabetically

college football

Cross-Town Rivalry, 1967, 1993 - 4.1: 1993

Georgia Tech - 4.1: 1983

Iowa vs. Minnesota, 1982 - 4.1: 1983, 1984

Nebraska Football - 2.1: 1976

Northwestern University - 4.1: 1996

Ohio State Buckeyes, Rivalry, 1975 - 4.1: 2001

Penn State University - 4.1: 1996

Pioneer Bowl - 4.1: 1976, University of California Los Angeles (UCLA)

University of Florida, The Gators, 1995 - 3.1: Florida Gators, 1995

Universities of Iowa - see Iowa vs. Minnesota, 1982

University of Michigan, Rivalry, 1975 - 4.1: 2001

University of Southern California - see football: college: Cross-Town Rivalry, 1967, 1993

University of Texas, The Texas Longhorns, 1985 - 3.1: The Texas Longhorns 1985, 4.1: 1986

University of Minnesota - see Iowa vs. Minnesota, 1982

University of Nebraska, The Devaney Era serigraph suite - 2.1: 1997, 4.1: 1974, 1975, 1988, 1992

Football Game, 1960s - 4.1: 1998

Game of the Century, 1983 - 4.1: 1983

Gridiron Football News - 3.1: Gridiron Football News 1971-73

NFL football - 4.1: 1967, 1968, 1969, 1970, 1972, 1973, 1974, 1975, 1976, 1977 ov, 1978, 1982, 1985, 1988, 1991, 1992, 1996

Buffalo Bills - 3.1: O.J. Simpson, 4.1: 1972, see also football: Superbowl XXVIII

Dallas Cowboys - 2.3: March 1993, 4.1: 1972 and ov, 1976, 1978, 1979, 1982, 1984, 1989, 1994, see also Superbowl XXVIII

Denver Broncos - see Superbowl XXII, 3.1: John Elway, 1999, 4.1: 1972, 1978, 1999

etchings - 4.1: 1976

Giants-Broncos Classic - 4.1: 1988

Green Bay Packers - 4.1: 1992, 1997

In the Pocket, 1988 - see football: Superbowl XXII

Kansas City Chiefs - 4.1: 1997

Legends Magazine - see NFL Alumni

Miami Dolphins - 4.1: 1972 and ov, 1993

Minnesota Vikings - 4.1: 1975, 1977

Mirage Bowl - 4.1: 1978

NFL Alumni - 4.1: 1990, 1991, 1992

Legends Official Magazine of the NFL Alumni - 4.2: Legends NFL Alumni Magazine, 1982-2002

NFL Alumni Player of the Year Awards Dinner - 4.1: 1983, 1984, 1985, 1987

Yearbooks - 4.1: 1980

NFL Players Association - 4.1: 1974

New England Patriots - 4.1: 1997, 2004, 2005

New York Giants - 4.1: 1987, 1998, 1999, 2002, 2003

New York Jets - 2.1: 1980, 3.1: New York Jets 1966 -, 3.1: Hammer Galleries Exhibition of NY Jets Drawings, 1968

Oakland Raiders - 4.1: 1977

Pittsburgh Steelers - 4.1: 1975, 1979

San Francisco 49ers - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 1.2: Bowles Galleries 1991, 4.1: 1982, 1990

Superbowl, general - 3.1: Countdown to Superbowl by Dave Anderson 1969, 4.1: 1997

Superbowl stamps - see stamps or U.S. Postal Service

Superbowl II, 1969 - 4.1: 1969 and ov

Superbowl V, 1972 - 4.1: 1972 and ov

Superbowl VI, 1973 - 4.1: 1973 and ov, 4.2: -- Playboy -- 1973, see Appendix E

Superbowl IX, 1975 - 4.1: 1975 ov

Superbowl X, 1976 - 4.1: 1976

Superbowl XI, 1977 - 4.1: 1977

Superbowl XII, 1978 - 3.1: Superbowl XII, 1978, 4.1: 1983

Superbowl XIX, 1985 - 3.1: Superbowl XIX, 1985

Superbowl XXI, 1987 - 4.1: 1988

Superbowl XXII, In the Pocket, 1988 - 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988, 4.1: 1989 ov

Superbowl XXIII, 1989, Superplay, 1989 - 2.1: 1989, 3.1: Superbowl XXIII painting, Superplay, 1989

Superbowl XXIV, Silverdome Superbowl, 1990 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91

Superbowl XXV, 1991 - 4.1: 1991

Superbowl XXVII, 1993 - 2.1: 1993

Superbowl XXVIII, 1994 - 3.1: Superbowl XXVIII, 1994

Superbowl XXX, 1996 - 2.1: 1997, see exhibitions

Superbowl XXXVIII, 2002 - 4.1: 2002

Superbowl XXXIX, 2003 - 4.1: 2003

Superplay - see football: Superbowl XXIII, 1989

Washington Redskins - 4.1: 1972, see also football: Superbowl XXII

foreign language articles, Finnish - 4.1: 1977, Italian - see auto racing

Foreman, George - see boxing

forgery - 2.3: Imitations and Forgeries, 4.1: 1989, 1994, 1995 ov, see also theft and vandalism

Forrester, Bruce (event photographer) - see photograph files for Bowles/Sorokko Gallery openings

Foster Harmon Gallery of American Art - 2.1: 1975, 1977, 1978, 1979, 1980, 1989, 1992, 1993, 4.1: 1974, see also exhibitions

Fouch-Roseboro Corporation - 2.1: 1976

Fouquet's - see restaurants

Fox, Manheim - 2.1: 1979

Fox, Virgil - 4.1: 1965

Fran Joswick Therapeutic Riding Center - 4.1: 1998

Francis, Emile - 4.1: 1975

Franey Langkop, Dorothy - V: 1990s

Frank, Morris - 4.1: 1975

Franklin Bowles Gallery - see Bowles Galleries

Franklin Pierce College - 1.1: Honorary Degrees

fraud - see forgery

Frazier, Joe - see boxing

Fred Dorfman, Inc. - 2.1: 1978

Freeman, Morgan - 3.1: Celebrity Night at Spago, 1993

Freidman, Joann - 2.1: 1978

French Riviera - 4.2: -- Playboy -- 1962, see Appendix E, see also Monaco

Friars' Club - 1.1: New York Friar's Club

Fried, Frank, Harris, Shriver & Jacobson Attorneys - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys, 1.2: Lawsuit Against Felicie, Inc.

Frito Lay - 2.1: 1991

Frost, David - see golf

Fujita family - 2.2: Tele Planning International, Tokyo 1993-98

G

Gable, Dan - 3.1: American Sportscasters Association Hall of Fame Awards Dinner 1984 -present

Galerie Borjeson, Malmo, Sweden - 3.1: Sweden Exhibitions 1976-77

Galice, Christina - see Christina Galice Gallery

Gallagher's Steak House - see restaurants

La Galleria d'Arte - 2.2: La Galleria d'Arte, see also exhibitions

Gallery 100 - 2.1: 1979

Gallery Mack, Seattle - 2.1: 1979, 1983, 1985, 1987, 4.1: 1974, 1981, see also exhibitions

Gallery One, Denver, Colorado - see exhibitions

Gallo, Bill - 2.1: 1999, 3.1: Gallagher's Steak House - The Neiman Collection 2002, 4.1: 2002

gambling - see casinos

Game of the Century, 1983 - see football

Ganassi, Cara and Chip - 2.1: 1994, 1995

Gardiner, John - 2.1: 1975, 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Garret, Lesly - 4.1: 1982

Garvey, Steve - 2.1: 1979, 1981, 1983, 1986, 1989, 3.2. Big Time Golf, 1992, Publicity and Related Exhibitions, 4.1: undated 1980s, 1980, 1988, 1989, VII: Bags

Gene Michael Fund - 4.1: 1994

General Electric - see promotions

General Mills - 3.1: Wheaties 1997

Gere, Gary - see The Taxicab Chronicles

Germany, Baden Baden - 2.1: 1986, 1987, 1988

Gibson Guitars - 2.1: 1997

"Art of Guitars II" exhibition - 3.1: Gibson "Art of Guitars II" 2000

The Gifts of Music, 1994 - 4.1: 1994

Gilbert, Rod -- - 4.1: 1992

Rod Gilbert, 1968 drawing - 4.1: 1992

Rod Gilbert, 1974 drawing - 4.1: 1974

Rod Gilbert, 1976 - 4.1: 1976, 1992

Giorgio Beverly Hills - 2.1: 1985

Giulianni, Mayor Rudy - 3.1: Mayor Giulianni and NYC Advisory Commission for Cultural Affairs, 1994-2001

Givenchy - 3.1: Givenchy 1999

Gleason, Jackie - see -- The Hustler

Goff, Bill - see Spectrum Fine Art

Gold Glove Award - 4.1: 1992

Goldberg, Whoopie - 3.1: Celebrity Night at Spago, 1993

Golden Apple Awards - 2.1: 1990, 4.1: 1977, 1990, 1995, 1996

Golden Boy - see musicals

golf - 3.1: Jack Nicklaus and Arnold Palmer 1973-74, 4.1: 1973, 1987, 1988-89, 1990, 1993, 1995, 1997, 2000, 3.2. -- Big Time Golf -- , 1992

16th at Cypress, 1983 - 3.1: 43rd Crosby, 1984, 4.1: 1982

An Queens Cup, Japan - 2.1: 1990, 4.1: 1990 and ov

Atlanta National Golf Club

Atlanta National Golf Club California Merlot - 2.1: 1996, 2000, 4.1: 1996

Augusta

The 16th at Augusta, 1992 - 2.1: 1996, 3.1: Saks Fifth Avenue 1994-1999

April at Augusta, 1990 - 4.1: 1990, 1995

Arnold Palmer and Richard Pack, Augusta Clubhouse Bar, 1973 - 4.2: -- Bartender Magazine -- 1993-2002

Bethpage Black, The 18th at Bethpage Black - 3.1: U.S. Open at Bethpage Black 2002, 4.1: 2002

caddies - 4.1: 1976

Crosby National Pro-Am Golf Championship - 3.1: Hanson Galleries New Orleans and Carmel, 1983-84, 3.1: 43rd Crosby National Pro-Am, 1984

Excalibur Classic, Palm Springs - 2.1: 2001, 3.1: Pebble Beach 1982-1995

Floyd, Ray - 4.1: 1987

Frank Sinatra Celebrity Golf Tournament - 4.1: 1998

Frost, David

David Frost Wines - 3.1: David Frost Wines 1998-2003

Gavea Golf and Country Club, Rio de Janeiro

Gavea Golf and Country Club, Rio de Janeiro, 1985 (also appears as International Golf Foursome) - 2.1: 1985, 4.1: 2001

golf bars - 4.2: -- Bartender Magazine -- , 1993-2002

Golf Courses Calendar 1996 - VII: Artifacts 1996

Golf Digest -- Magazine - 2.1: 1972, 1974, 1976, 4.1: 1976, 2000

Golf Winners, 1984 - 3.1: Advertising Layouts 1980s, 4.1: 1984, 1986

Golf's Threesome - 3.1: Advertizing Layouts 1980s, 4.1: 1979

Harbour Town, 18th at Harbour Town - 4.1: 2000

International Golf Foursome, 1985 - see Gavea Golf and Country Club

International Golfer - 4.1: 1994

International Golf Leisure and Lifestyle Magazine - 4.1: 2001

Joe Pagliei Invitational - 4.1: 1985

Masters - 4.1: 1990

Mystic Rock at Nemacolin Woodlands - 4.1: 1995

Natural Golfer -- Magazine - 4.1: 2000

Nicklaus, Jack - 3.1: Jack Nicklaus and Arnold Palmer 1973 -74, 4.1: 1972, 1983, 1990

The Golden Bear, 1992 painting and serigraph - 4.1: 1993, VII

Oakmont, 1983 U.S. Open, Oakmont, 1983 - 3.1: 1983 U.S. Open, Oakmont, 1983, 3.1: Hanson Galleries New Orleans and Carmel, 1983-84

Robert H. Ogle Invitational - 2.1: 2000, 4.1: 1998

Palmer, Arnold - 2.1: 1978, 3.1: Jack Nicklaus and Arnold Palmer 1973-74, 4.1: 1983

Arnie in the Rain, 1973 - 2.1: 1975, 1978, 4.1: 1974

Arnold Palmer and Richard Pack, Augusta Clubhouse Bar, 1973 - 4.2: -- Bartender Magazine -- 1993-2002

Pebble Beach Golf Club

18th at Pebble Beach - 3.1: Pebble Beach 1982-1995, 3.1: Saks Fifth Avenue 1994-1999, 4.2: Bartender Magazine 1997-2002, 4.1: 1984, 2001, 2002

The Lodge at Pebble Beach, 1995 - 3.1: Pebble Beach 1982-1995, 4.1: 1995

pens - see Promotions - S.T. Dupont LeRoy Neiman Golf Pens

Pinehurst - 4.1: 2002

Piping Rock Golf Club - 4.1: 1993, 2002

Player, Gary

Gary Player, 1971 drawing - 3.1: Rotonda Superstars 1973-75

Rodriguez, Chi Chi - 4.1: 1973

Royal Golf - Club de Belgique

Chateau de Ravenstein, 1968 - 4.2: -- Bartender Magazine -- 1993-2002

Sara Lee Classic - 4.1: 1993, 1994

Sarazen, Gene - 3.1: David Frost Wines 1998-2003

Shinnecock Hills - 4.1: 1995

The 18th at Shinnecock or The Home Hole at Shinnecock - 2.1: 2001, 4.1: 1995, 2002

Six Golfers - see Golf Winners

Snead, Sam

Sam Snead - 3.1: David Frost Wines 1998-2001

Southampton U.S.P.G.A. Open - 4.1: 1984, 1986

Spyglass, #1 at Spyglass - 4.1: 1991, 1999

St. Andrews, Scotland - 4.1: 1987

The Clubhouse at Old St. Andrews, 1988 serigraph - 2.1: 1988, 3.1: Steiner & Young Galleries Exhib 1989, 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1995, 1998, 2002

The Jigger Inn Bar - 4.2: -- Bartender Magazine -- 1993-2002 St. Cloud

Clubhouse Bar at St. Cloud, 1990 - 4.2: -- Bartender Magazine -- 1993-2002

U.S. Open - 4.1: 1977, see also golf: Oakmont

Valhalla - 4.1: 2000

Vintage

Vintage Charities - 4.1: undated 1980s

Vintage Invitational - 2.1: 1986, 4.1: 1986, 1988

Vintage Cove

The Cove at Vintage - 2.1: 1988, 3.1: Hanson Art Galleries, 1986, 4.1: undated 1980s, 1989 ov

Vintage Palm Springs, Sam Snead Teeing Off at Vintage Palm Springs - 4.1: 2001

Wall Street Charity Fund Pro-Am Golf Tournament - 4.1: 2002

Westchester - 4.1: 1981, 1989, 1993

Winged Foot Golf Club - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions, 4.1: 1997

The 18th at Winged Foot - 4.1: 2002

Winged Foot, 1996 - 3.1: Saks Fifth Avenue 1994-1999

The Wonderful World of Professional Golf by Mark H. McCormack, cover illustration by LeRoy Neiman - 4.1: 1973 and ov

Woods, Tiger - 4.1: 1997, 1999, -- Playboy -- 1998

Golota, Andrew - 4.1: 1996

Gone with the Wind, 1989 - 3.1: Gone with the Wind perfume promotion 1989, 4.1: 2004

Gonzalez, Jorge Luis - 4.1: 1995

Gonzmart, Cesar - 2.1: 1991, 1992, 4.1: 1992

Good Tidings Foundation - 3.1: Good Tidings Foundation LeRoy Neiman Art Centers, 1998-present, 3.1: Joe DiMaggio 1998

Gooden, Dwight - 4.1: 2001

Goodman, Dr. Margaret - 3.1: Ringside and Training Principles by Goodman and Homansky 2001

Goodwill Games - 2.1: 1989, 3.1: Goodwill Games Moscow 1986, 3.1: Goodwill Games 1998

Gore, Al - 2.1: 1987, 3.2: Big Time Golf, 1992, 4.1: 1992

Gourmet Gala - see March of Dimes

Grady, John - 2.1: 1976

John Grady, Midnight Mass, 1988 drawing - 4.1: 1990

Graham, Martha - see dance

Grand Ballroom, 1987 etching - 4.1: 1987

Le Grand Escalier de L'Opera, 1969 - 1.2: Knoedler: Serigraph Release Ads, 2.1: 1996

grand prix - see auto racing

Grant, Michael - see boxing

Gray, Anthony John - 3.1: Palm Springs Commemorative Coin

Graziano, Rocky - see boxing

Great American Workout - 2.1: 1990

Great Gatsby's Auction House - 4.1: 1998

Great Irish Fair, NY 1982 - 3.1: The Great Irish Fair poster 1982

Green, Rev. Al - 3.1: Blues Ball 1997-2004

Greene, "Mean Joe" - 2.1: 1981

Greenberg, Hank - 4.1: 1968

Greenspan, Bud - 2.1: 2000

Greenwich Workshop Gallery - see exhibitions: group

Gregory, Cynthia - see ballet

Gregory, Jack - 2.2: Jack Gregory 1993-1998

Gretzky, Wayne

The Great Gretzky, 1981 - 3.1: Wayne Gretzky 1981-2002

Wayne Gretzky, 2002 - 3.1: Wayne Gretzky 1981-2002

Gridiron Football News - see football

Griese (Miami Dolphins quarterback 1972) - 4.1: 1972

Griffey, Ken - see Skoal Pinch Hitter

Griffin, Merv - see television

Grosset and Dunlap Inc. Publishers - 3.2. -- LeRoy Neiman Art and Lifestyle -- , 1974, Felicie, Correspondence

Guanzon, Carol - 2.1: 1987, 1988, 1989

Gumbel, Bryant - 4.1: 1997

Gwynne Gallery - 2.1: 1975, 1978

gymnastics

Comaneci, Nadia

Nadia Comaneci, 1976 - 3.1: Advertising Layouts 1980s, 4.1: undated 1970s, 1982, 1984, 1987

Conner, Bart - 2.1: 1981

Retton, Mary Lou - 2.1: 1991, 4.1: 1986

H

HBO - see listing for HBO under boxing

Hagler, Marvin - see boxing

Haifa University - 3.2: 1972 Olympics Munich

Halas, George - 3.1: Gridiron Football News 1971-73, George Halas, Jr. Sports Center - 4.1: 1979

Hall, Jim - 4.1: 1997

Hall of Famer, 1996 - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1998

Halle, David - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present; A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer - IC: A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer, 1990

Halmi, Robert - 3.2.12 and 4.1: undated ov

Hammer Galleries - see exhibitions, and Knoedler & Co.

Hammer, Armand - 1.2: Knoedler & Co. and Hammer Galleries, 3.1: New York City Marathon 1984-2001, 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988, 3.1: Tokyo exhibition 1988

Hammer, Michael - 1.2: Knoedler & Co. and Hammer Galleries

Hammer, Victor - 1.2: Knoedler & Co. and Hammer Galleries

Hammond, IN - see Mercantile Bank

Hampton, Kym - 4.1: 2000

The Hamptons, New York - 3.1: Hamptons notes 1972, 4.2: -- Playboy -- 1973, see Appendix E handball - see Jacobs, Jim

Hanson Gallery, New Orleans - see exhibitions, 3.1: Rex Proclamation Mardi Gras Painting 2002, 4.1: 1984, 1986, 1998, 2000, 2001, 2002, 2004

Hanson Gallery, San Diego - 4.1: 1987

Harbor Boat House, 1955 - 4.1: 1950s

Hardy, Joseph A. - 1.1: Collectors

Harlem Streets, 1981 - 3.1: Cities in Schools and Harlem Streets, 1981

harlequin

Harlequin, lithograph - 3.1: Circle Gallery 1972, 4.1: 1989

Harlequin and a Nude, 1971 - 4.1: 1991

Harlequin with Sword, lithograph - 3.1: Circle Gallery 1972

Harlequin's Entry into Venice, 1971 mural - 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90

Haring, Keith - 4.1: 1997

Harmon Galleries - see Foster Harmon Galleries

Harper's -- Magazine - 4.1: 1964, 1968

Harrod's, London - 4.1: 1982

Harry, Deborah - 2.1: 1978

Harry's Wall Street Bar - see bars

Hartack, Bill - 2.1: 1977

Harvard University - 4.2: Playboy Parodies - Harvard and Yale

Haskell, Nikki -- - 4.1: 1980, 1981, 1982, 1984, 1985, 1987, 1990, 2002, 2004

Nikki, 1984 (in Carnaval garb) - 4.1: 1985, 1987

Nikki Haskell, 2000 - 4.1: 2000

Nikki Haskell, 2002 - 2.1: 2002, 4.1: 2002

hats - VII

Hawaii - 4.1: 1980 ov

Hayes, Isaac - 3.1: Blues Ball 1997-2004

Healey, Kathy - see figure skating

Hearns, Thomas - see boxing

Heartland Celebrity Cookbook - 4.1: 1991

Heath Gallery, Atlanta, GA - 4.1: 1969

The Heavyweights, vinyl LP recording 1970 - see boxing

Heavyweight Explosion, 2000 - see boxing

Hebner, Richie

Richie Hebner - 4.1: 1973

Hefner, Christie - 2.2: Playboy Enterprises Inc. 1980s, 3.1: Playboy's LeRoy Neiman Selection Cigars 1997

Hefner, Hugh - 1.1: Education and Teaching b., 1.1: Friars ov., 2.1: 1996, 1999, 2.2: Playboy Enterprises Inc. 1980s, 3.1: Playboy Scrapbook 1961-67, 4.1: 1985, V: -- Playboy -- 1961-63, see also -- Playboy -- Magazine

Heiden, Eric - 3.1: Winter Olympics, Lake Placid 1980

Heit Galleries - 2.1: 1987, 1988, see also exhibitions

helicopter - 3.1: WNBC Traffic Helicopter 1981-1995

Hello, I Must Be Going: Groucho & his Friends - see Chandler, Charlotte

Helsinki, Finland - see exhibitions

"Here's Looking at You, Kid," 1990 - see Wine Country Film Festival

Hernandez, Genaro - 4.1: 1995

Hernquist, Lee - 4.1: 2002

Herrick, Norton - 4.1: 1998

Hershiser, Orel - 2.1: 1992

Heyden, Eric - see Knoedler

High Ball Homer, 1962 - see Mantle, Mickey

High Seas Sailing - see sailing

High Seas Sailing II, 1998 - see sailing

high society - see socialites

Hill, Calvin - 3.1: Gridiron Football News 1971-1973, 3.2. -- Winners -- , 1983, Harry N. Abrams, Correspondence, 4.1: 1973, Calvin Hill - 4.1: 1979

Hilliard Gallery - 2.1: 1975, 1977, 1978, 1989, 4.1: 1986, 1992, 2001, see exhibitions

Hilliard, Chet - 4.1: 1995

Hilliard, Kent - 4.1: 1990, see Hilliard Gallery

Hilton Hotels - 2.1: 1991

Hinds, Bobby - see boxing

Hines, Jerome and Lucia - see opera

Hispanic Sports Awards Dinner - 2.1: 1991

"History of Sport in Art" film series - 2.1: 1972

HOBY - 4.1: 1997

hockey -- - search for individual players by name, see also Olympic Games

Choate Prep School hockey - 4.1: 1970

The French Connection, 1976 - 4.1: 1978

Hockey etchings - 3.1: Circle Gallery 1972

Hockey Magazine - 2.1: 1977

NHL hockey - 3.1: Wayne Gretzky portraits 1981-2002, 4.1: 1967

Boston Bruins - see Orr, Bobby

Heisman Trophy - 2.1: 1982

Houston Aeros - 4.1: 1975

NHL Challenge Cup (USA All -Stars vs. USSR National) - 4.1: 1979

New Jersey Devils - 4.1: 1998

New York Rangers - 4.1: 1966, 1967, 1976, 1998, 1999, 2000

Phoenix Coyotes - 3.1: Wayne Gretzky 2002

Ottawa Senators - 3.1: Wayne Gretzky 2002

Stanley Cup - 4.1: 1974

Hoelscher, Lydia (LeRoy's mother) - 1.1: Family (Neiman Studio Archive only)

Hofstra University - 1.1: Honorary Degrees, 3.1: Hofstra Univ. Frank Sinatra Conference and Exhibition 1998, 4.1: 1996

Hogan, Hulk - see wrestling

Hoglund, William - 2.1: 1983

Holder, Geoffrey - 4.1: 1978

holiday, Christmas - 4.1: 1992, 1995, 1997

Hollywood Women's Press Club - see Golden Apple Awards

Holmes, Larry - see boxing

Holyfield, Evander - see boxing

Holzman, Red - 4.1: 1990

Homage to Boucher - 4.1: 1974

Homansky, Dr. Flip - 3.1: Ringside and Training Principles by Goodman and Homansky 2001

Home Remodeling Magazine - 4.1: 1965

Home Run Blast, 2002 etching - see baseball

honorary degrees - 1.1: Honorary degrees

Hope, Bob - 3.1: Celebrity Night at Spago, 1993, 4.1: 1984, Bob Hope (Playing Golf), 1988 - 3.1: Bob Hope portrait, 1988

Hope House Ministries - 4.1: 1995, 1996

Horizon Gallery - 4.1: 1980

Horse of a Different Color, Ltd. - 4.1: 1963

horses -- - see also polo, rodeo, sculpture

Arabians - 4.1: 1978

Arabians Magazine - 4.1: 1982, 1984, 1985, 1986

Bucking Bronco - 4.1: 1984

Carousel, 195? - 2.1: 1975, 4.1: 1950s

Color Horse - 4.1: 1984

Clydesdales - see promotions

Daily Double - 4.1: 1982, 1984

French Hunt, 1965 - V: Early 1960s Photos of Work

Horses, 1979 - 3.2.3

Ladies of the Hunt, 1959 charcoal drawing - 2.1: 1973, 3.1: Knoedler London Exhibition 1976, 4.1: 1950s

horse racing - 4.1: 1997

Aintree - 4.1: 1960

Ascot - see Royal Ascot

Belmont Park - 4.1: 1980, 2003

The Paddock at Belmont - 4.1: 1979

Bellocq, Pierre - 4.1: 1998

The Black Stallion - see television

Breeders' Cup - 2.1: 1989, 4.1: 2003

Breeders' Cup Championship poster, 1998 - 3.1: Breeders' Cup Painting 1998

Caliente Race Track, Tijuana, Mexico - 3.1: Caliente Race Track Exhib. and Painting 1989, 4.1: 1991

Chantilly, Backstretch at Chantilly - 4.1: 1969

The Charging Cavalcade, silkscreen - 4.1: 1980

Charismatic - 4.1: 1999

Churchill Downs - 3.1: 123rd Kentucky Derby 1997, 4.1: 1996, VII: Box 3

Club House Turn, 1975 serigraph - 1.2: Knoedler Serigraph Release Ads, 4.1: 1975, undated 1990s, 1989

Curragh, Ireland, 1976 drawing - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Epsom Derby - 4.1: 1960, 4.2: -- Playboy -- 1964, see Appendix E

Equestrianne - 4.1: 1981, 2000

Equestrian, 1974 watercolor - 3.1: Hammer Galleries Solo Exhibition 1975-76

The Feria in Seville - 4.1: 1982, 1984, 1985

The Finish - 4.1: undated

Florida Derby - 2.1: 1992, 4.1: 1993

Four Acres, serigraph - 3.1: Circle Gallery 1972, 4.1: 1973

Front Runners, 1994 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Funnycide - 4.1: 2003

Grand National Steeplechase, Liverpool - 4.1: 1960 and ov, 4.2: -- Playboy -- 1962, see Appendix E

Grand Prairie, Lone Star Park - 3.1: National All-Star Jockey Championships 2001

Hambletonian - 3.1: Cadillac Hambletonian Harness Race Painting 1995

Hialeah Race Track - 2.1: 1977, 3.1: Hialeah Race Track, 1959, 4.2: -- Playboy -- 1959, see Appendix E

Hong Kong Jockey Club - 4.1: 2004

Hoof Beats Magazine - 4.1: 1975

horse named after LeRoy Neiman - 2.1: 1987

Horse Racing, 1972 watercolor - 4.1: 1998

Horse Racing Suite, 1977 - see sculpture

Horse and Rider, 1971 gouache - 2.1: 1974

Horse Sense: An Inside Look at the Sport of Kings, by Bert Sugar, cover illustration by LeRoy Neiman - 2.1: 2002, 4.1: 2002

In the Stretch, serigraph - 3.1: Circle Gallery 1972

International Horse Show - 4.1: 1973

Iroquois Steeplechase, 1993 - 3.1: Iroquois Steeplechase, Nashville, TN, 1993

jockeys -- - jockeys - see also horse racing, 3.1: "Dress the Jockeys", '21' Club 2001

The Backview of Jockey, 1961 - 4.1: Four Jockeys - 4.1: undated

Hartack, Bill, Bill Hartack, 1959 - 3.1: Hialeah Race Track 1959, 4.1: 1974, 1995

Jockey, serigraph - 3.1: Circle Gallery 1972

Jockey - 4.1: 1961

Krone, Julie - 2.1: 2003

Solomon, Mickey - 2.1: 1989

Kelso, 1968 drawing - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Kentucky Derby - 2.1: 1982, 3.1: 123rd Kentucky Derby 1997, 4.1: 1978, VII: Box 3

Derby Day Paddock, 1997 - 3.1: 123rd Kentucky Derby 1997

Kentucky Derby Museum - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Long Island Equestrienne - 4.1: 1982, 1984

Longchamps - 4.1: 1960

Menlo Charity Horse Show - 4.1: 2003

Mission Valley Pony Club - 4.1: 1990

Monmouth Park - 4.1: 1969

Monmouth Park Centennial, 1970 - 4.1: 1970, 1971, 1975

National All -Star Jockey Championships - 3.1: National All-Star Jockey Championships 2001

National Horse Show - 4.2: -- Playboy -- 1967, see Appendix E

National Showcase, Louisville, KY - 4.1: 1982

New York Racing Association (NYRA) - 2.1: 1978

Paddock, 1957 painting - 2.2: JoAnn Perse Gallery 1984-98

Paddock, serigraph - 3.1: Circle Gallery 1972, 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95 4.1: 1973

Pegasus, 1979 - New Jersey State Opera Ball Paintings 1979-83

polo horses - see polo

Pimlico - 3.1: 125th Preakness Stakes 2000, VII: Box 3

Preakness Stakes - 3.1: 125th Preakness Stakes 2000

The Race, serigraph - 3.1: Circle Gallery 1972, V: 1970s

Race of the Year, 1979 - 3.1: Race of the Year 1979

Racing, 1972 - 4.1: 1972

The Reinsman - 4.1: 1963

The Rider, pre-1966 - 4.1: 1966

Rotz with Windener Coulours, pre-1966 - 4.1: 1966

Royal Ascot - 4.1: 1960, 1961, 4.2: -- Playboy -- 1966, see Appendix E

Ascot Finish - 4.1: 1976

Ascot Paddock - 4.1: undated, 1979

The Queen at Ascot - 3.1: Knoedler London Solo Exhibition 1976, 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Saratoga Harness, 1969, 1974 - 3.1: Saratoga Harness 1969, 1974

Seattle Slew - 2.1: 1977, 4.1: 1975

Secretariat, Secretariat at the Lead, 1974 - 2.1: 1990, 1992, 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95, 4.1: 1975, 1981, 1993 ov, VII: Pendants

Secretariat II - 4.1: 1990

Show Jumper - 4.1: undated 1970s, 1978

Sportsman's Park, Chicago - 3.1: Sportsman's Park Mural, Chicago 1976

Steeplechase, 1974 watercolor - 3.1: Hammer Galleries Solo Exhibition 1975-76

Stretch Stampede, 1975 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Study for Gericault Horse without Rider - 4.1: 1982

Tentam - 4.1: 1973

Thoroughbred Times - 4.1: 1993

T.O.B.A. - 2.1: 2000

Wayne Newton's State of the Art September Sale - 4.1: 1985

Hospital Relief Fund of the Caribbean - 4.1: 1984

Hotel des Artistes - 1.1: Residences - Hotel des Artistes

House Beautiful -- Magazine - 4.1: 1965

Houston Astrodome - 4.1: 1971

Houston International Film Festival - 3.1: Houston Film Fest 1990

Howard, Frank, Frank Howard, 1970s - 4.1: 1998

Howe, Gordie - 4.1: 1975

Gordie Howe, 1975 - 4.1: 1975

Hudson Valley Writers Center - 4.1: 1990

Hull, Bobby - 4.1: 1977

Bobby Hull - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and St. Paul Art Center 1969, 4.1: 1968, 1986

Humane Society of New York - 4.1: 1994, 1995, 1996, 1998

Humphrey, President Hubert, Hubert Humphrey, date unknown - 2.1: 1994

Hunt, Lamar

Lamar Hunt, 1972 - 4.1: 1972

The Hunt for the Unicorn, late 1960s mural - see animals: unicorn

The Hustler -- - 4.1: 1985

Hutscnecker, Dr. Arnold A. - 4.1: 1981

I

I Am Third by Gale Sayers - 4.1: 1970, 1975

Ibis Art Productions - 4.1: 1988

Ice Palace, 1985 - see Saint Paul, Minnesota

Iceland - 4.1: 1972

Idle Boat - 4.1: 1950s

Iglesias, Julio

Julio Iglesias, 1984 - 2.1: 2001, 3.1: Julio Iglesias, 1984, 4.1: 1998, 2001

Illinois Art Education Association - 4.1: 1974

imitators - 2.3: Imitations and Forgeries

In the Pocket, 1988 - see football - Superbowl XXII

income - IID: Invoices Paid

India - 2.1: 1982

Indianapolis 500 - see auto racing

Indianapolis Museum of Art - 2.1: 1976, 4.1: 1977, see also exhibitions

Intelligent Doubles, by Skip Singleton - see tennis

Intelligent Tennis by Skip Singleton - see tennis

International Heart Foundation - see The Open Heart, 1982

International Management Group, Inc. - 2.1: 1977

International Poker, 2004 serigraph and earlier painting - see casinos

International Sephardic Education Foundation - 4.1: 1987

Introduction of the Champions of the Ring, 1964-65 (or Ringside Madison Square Garden) - see boxing

investing, investors - 3.1: L. Roy Papp, 1980, 3.1: Mustang Ranch Brothel 1989

Iona College - 1.1: Honorary Degrees ov., 2.2: Manufacturers Hanover, 3.1: Iona College

Trustee Awards Dinner Dances 1984-95, 4.1: 2000

Irish Fair - see Great Irish Fair

Iron Horse Steak House - 4.1: Undated

Isbin, Sharon - 2.1: 1996, 1997

Israel - 3.1: Peace Treaty, 1980

J

Jackson, Bo - 4.1: 1992

Jackson, Michael - 3.1: Celebrity Night at Spago, 1993

Jackson, Phil - 4.1: 1994

Jackson, Reggie - 2.1: 1992, 2000, 2001, 4.1: 1978

Reggie Jackson, 1993 - 4.1: 1993

Jacobs, Jason, Accountant - 2.1: 1977, 1984

Jacobs, Jim

Jim Jacobs, 1970 - 2.1: 1992, 4.1: 1970, 1992

Jamaica - 4.2: -- Playboy -- 1971, see Appendix E

Japan - 2.1: 1986, 1987, 2.2: CBS Sports Correspondence, 3.1: Hawaii and Japan 1974, 3.1: Japan Trip 1977, 3.1: Tokyo Exhibition 1983, 3.1: Tokyo Exhibition 1988, 3.2. -- Winners -- , 1983, Correspondence, Harry N. Abrams, 4.1: 1984

jazz

Armstrong, Louis - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995, 4.1: undated 1990s

Louis Armstrong, 1963 - 4.1: 1965

Louis Armstrong, 1981 - 4.1: 1981

Louis Armstrong, 1976 - 3.1: Newport Jazz Festival 1975 -2004, 3.1: Kool Jazz Festival 1976, 4.1: 1979

Satch, 1959 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989

Davis, Miles

Miles Davis, 1985 - 4.1: 1985

Ellington, Duke

Duke, 1978 - 3.1: Newport Jazz Festival 1975-2004, 4.1: 1979, 1981

"Duke", 1998 - 3.1: UCLA 1998-present

Fitzgerald, Ella

Ella in Flight, 1983 - 3.1: Ella in Flight, 1983

Gillespie, Dizzy

Bird & Diz, 1973 - 4.1: 1973

Holiday, Billie

"Lady", 1979 - 3.1: Newport Jazz Festival 1975-2004

Jazz Horns, 2004 painting and serigraph - 3.1: Newport Jazz Festival 1975-2004, 4.1: 2004, 2005

Jazzmobile - 2.2: Jazzmobile 1980-84

Jazzmobile, 1975 silkscreen - 2.1: 1975, 3.1: Hammer Galleries Solo Exhibition 1975-76

Kenton, Stan

Stan Kenton, 1976 - 2.1: 1975, 4.1: 1985

Kool Jazz Festival - 3.1: Kool Jazz Festival 1976, 4.1: 1981, 1982, 1985, V: 1980s

Newport Jazz Festival - 3.1: Newport Jazz Festival 1975-2004

Newport Jazz, 2004 - 3.1: Newport Jazz Festival 1975-2004

Newport Jazz Festival Poster, 1974 - 3.1: Newport Jazz Festival 1975-2004

Orchestra - 4.1: 1964

Parker, Charlie - Bird & Diz, 1973 - 4.1: 1973, Charlie 'Bird' Parker - 3.1: Newport Jazz Festival 1975-2004

Playboy Jazz Festival, 1980 - 4.1: 1980

The Jeanie Johnston, 1998 - 4.1: 1999

Jenner, Bruce - see track and field

The Jennifer, 1981 - 4.1: 1981

Jeopardy! -2.1: 1998

Jimmy Fund - 3.1: Ted Williams and Jimmy Fund 1991

JoAnn Perse Gallery -2.2: JoAnn Perse Gallery 1984-98, 3.1: John Lennon Etching 1990

Jock Magazine - 4.1: 1970

jockeys - see horses: horse racing

Johnson, Cecile Ryden - 4.1: 1975

Johnson, Earvin "Magic" - Magic, 1988 - 2.1: 1992, 4.1: 1989 ov, Magic Johnson, 1991 - 2.1: 1996

Jones, Baird - 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: 1987, 1988

Jones, Robert Trent - 4.1: 1995

Jones, Jr., Roy - see boxing

Jones, Tony - 1.1: Education and Teaching b., see AppendixA for correspondence

Jordan, Michael, Michael Jordan - 4.1: undated 1990s, 2000, Michael Jordan, serigraph - 2.1: 1991, 4.1: 1998

Joyner -Kersee, Jackie - see track and field

J.R. Fine Arts - 4.1: 1998

judo - 4.1: 1977, 1987

Juvenile Diabetes Foundation - 4.1: 1990, 1991, 1995

K

Kabl Citizen of the Day Award - 1.1: Awards

Kalinsky, George - 2.1: 1984, 1986, 1996, 2.3: Imitations and Forgeries, George Kalinsky with his Olympus, 1986 drawing - 4.1: 1986

Kaplan, Fred - 2.1: 1960s, 1970s

Kapp, Joe - 3.1: Gridiron Football News 1971-1973, 4.1: 1970

Kaufman, Bart and Judy - 2.2: Bart Kaufman 1978-89, 4.1: 1970s

Kay, Leslie - 3.1: Folies Bergere, Tropicana, Las Vegas 1983

Kelly, Bob - 4.1: 1974

Kennedy Onassis, Jackie, Jackie, 1970 drawing - 4.1: 1970

Kennedy, Robert and Ethel - 3.1: Robert F. Kennedy Pro Celebrity Tennis Tournament 1972-79, 4.1: 1968, 1971, 1972 see also golf, tennis

Ethel Kennedy - 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971

R.F.K., 1968 watercolor - 4.1: 1968

Robert F. Kennedy, 1971 engraving - 3.1: "Recent Graphics and Drawings", The Far Gallery Solo Exhibition 1971, 4.1: 1972, 1974

Kennedy, Ted

Sen. Ted Kennedy, 1981 drawing on napkin - 4.1: 1981

Kenneth Behm Galleries - 2.1: 1989, 4.1: 1987, V: 1991

Kenton, Stan - see jazz

Kentucky Derby - see horse racing

Kerner, Otto - 4.1: 1960

Kershaw, Tom - 4.1: 1995

Key Club Bar, 1956 - 4.2: -- Bartender Magazine -- 1987-1992

Kidd, Billy - 3.1: '21' Club, 1990 (photo)

Kilroy, Gene - 2.2: Gene Kilroy, 3.1: Golden Nugget Casino, Las Vegas 1988

King, Don - 3.1: Sportsman's Ball 1978, 4.1: 1975

King, Larry - 4.1: 1988 (radio), Larry King, 1996 - 3.1: Morton's of Chicago 1982-present

King, Mark - 2.3: Imitations and Forgeries

King's Palace, 1960 drawing - 4.2: -- Bartender Magazine -- 1987-1992

Kitt, Eartha - 4.1: 1994

Knight, Bobby, Bobby Knight, 1979 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, Knoedler & Co. - IID: Price Lists, 1.2: Knoedler & Co. and Hammer Galleries, see also Appendix B, Hammer Galleries - 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987, 3.1: Soft Paintings 1989, 3.1: "A Salute to Central Park" Exhibition 1989, 3.1: Universal Geneve Timepieces Promotion 1995, 3.2. -- Winners -- , 1983, Harry N. Abrams, 1.2: Knoedler & Co. and Hammer Galleries, 4.1: 1972, 1976, 1985, 1989, see also exhibitions

Knoedler Publishing - 3.1: Knoedler London Exhibition 1976, 3.2 Publications, 1.2: Knoedler & Co and Hammer Galleries, 4.1: 1976, 1989

Kohl Galleries - 4.1: 1988

Kool Jazz Festival - see jazz

Koosman, Jerry, Jerry Koosman, 1976 - 4.1: 1977, 2001

Kopf, Chef Stefan - 4.1: 1986

Kozlova, Valentina - V: 1991

Kramer, Paul - 4.1: 1980

Kravtiz, Brenda - 1.1: Friars

Kupcinet, Irv "Kup" - see television, see also Appendix A

Kushner, Cedric - see Heavyweight Explosion

L

La Cuisine Francaise - 3.1: Saks Fifth Avenue 1994 -1999, 3.1: The Culinary Arts 1998, 4.1: 1995, 1998, Le Grand Cuisine, 1977 - 2.1: 2000, 4.2: -- Bartender Magazine -- 1997-2002, 4.1: 1977, 2001

La Nuit de Paris, 1988 - 4.1: 1988, 1989

Lacrosse - 4.1: 1977, 2005, see also McEneaney, Eamon

U.S.A. Lacrosse Team - 4.1: 1978

Ladies of the Hunt, 1959 charcoal - see horses

Lagerfeld, Karl - 4.1: 1992

Lake Tahoe - VC: 1983

LaLanne, Jack - 2.1: 1977, 3.2. -- Horses -- , 1979, Harry N. Abrams, Correspondence

Landau, Barry - 2.2: Barry Landau 1994-96

Landry, Tom - 3.1: Gridiron Football News 1971-1973, Tom Landry, 1984 - 4.1: 1984 ov., 1989

Lanier Business Products, Inc. - see Stock Market, 1976

Largent, Steve - 4.1: 1994

Lark Creek Inn - 4.1: 1990

Larry Harper Company - 4.1: 1998

LaRussa, Tony - 2.1: 1993, Manager of the Year, 1992 - 4.1: 1993

Larson, Glen and Janet - 2.1: 1985, 1987

Lasorda, Tommy - 4.1: 1993

Las Vegas - see casinos, 1.1: Awards, 3.1: Las Vegas Centennial 2005

Las Vegas Celebrity Cookbook - 2.1: 1984

Latin Legends film - 4.1: Undated 1990s

Latin Recording Academy - see Appendix A

law suits -- - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys, 4.1: 1975, see also forgery, theft

against Felicie Schumsky, by LeRoy Neiman, 1976 - 1.2

against Robert Gold d/b/a Gallery Artists, 1976 - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys

against LeRoy Neiman and Knoedler, Inc. by Emerald Art Gallery, 1977 - 2.1: 1977

Lawrence Ross Galleries - 3.1: Lawrence Ross Galleries 1985-88

lawyers - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys

Lazar, Irving "Swifty" - 3.1: Celebrity Night at Spago, 1993

Leahy, Pat - 4.1: 1992

Learning Annex - 2.1: 1989, 4.1: 1989

Lebow, Fred - 3.1: New York City Marathon 1984-2001

lectures - 2.2: Royce Carlton Lecture Agents 1978-86, 4.1: 1989, see also Learning Annex

Leibowitz, Maury - 1.2: Knoedler & Co. and Hammer Galleries

Leifer, Neil - 3.1: Circle Gallery 1972, 3.1: '21' Club, 1990 (photo), 4.1: 2003

Leija, James - 4.1: 1995

LeMieux, Mario, Mario LeMieux, 1989 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91

Lendl, Ivan - see tennis

Lennon, John - 2.1: 1999, 2000, see also The Beatles, and Ono, Yoko

John Lennon, pre 1982 drawing - 4.1: 1982

John Lennon, 1990 etching - 2.2: JoAnn Perse Gallery 1984-98, 3.1: John Lennon Etching 1990, 4.1: 1990, 1992

Leonard, Sugar Ray - see boxing

LeRoy, Minnesota - 4.1: 1978 and ov, V: 1970s

LeRoy Neiman: An American in Paris -- , 1994 - 3.1: Superbowl XXVIII 1994, 3.1: Saks Fifth Avenue 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

LeRoy Neiman: Art and Lifestyle, 1974 - 3.2. -- LeRoy Neiman Art and Lifestyle -- , 1974, Felicie, 1.2: Felicie, Inc. Advertising, 1.2: Lawsuit Against Felicie, Inc.

LeRoy Neiman Center for Print Studies, Columbia University - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present

LeRoy Neiman Center for the Study of American Society and Culture, University of California at Los Angeles - 3.1: UCLA, 1998-present

LeRoy Neiman: Five Decades, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003

LeRoy Neiman Museum of Art, St. Paul, Minnesota - 3.1: LeRoy Neiman Museum of Art, St. Paul, 1997, 4.1: 1997 (ov), 1998

LeRoy Neiman On Safari, 1996 - 1.2: Bowles Galleries 1997-present, 3.2. -- LeRoy Neiman On Safari -- , 1996

LeRoy, Warner - 2.1: 1998, 1999, V: 1991, see also Tavern on the Green

Let's Celebrate - 4.1: undated

Leukemia Society of America - 4.1: 1992

Levin, Meyer - 4.1: 1955-59

Lewis, Carl - see track and field

Lewis, Jerry Lee - 3.1: Blues Ball 1997-2004, The Killer - 3.1: Blues Ball 1997-2004

Lewis, Lennox - see boxing

Liberace - 4.1: 1988

Licensing Art and Design, by Cynthia Revelli - 2.1: 1995

Lido - 4.2: -- Playboy -- 1964, see Appendix E

Lifeline Inc. (fitness equipment) - 2.2: Bobby Hinds 1990-2000

Lifestyle -- Magazine - 4.1: Undated 1980s

Lilly, Bob, Bob Lilly, 1972 - 4.1: 1972

Limbaugh, Rush - 4.1: 1991

Limoges enamels - 2.1: 1988

Lincoln, Abraham, Abraham Lincoln, 1968 - 2.1: 1988, 1989, 4.1: 1968, 1981, 1987

Lindberg, Elayne - 3.1: Stadium Tennis Billboard, 1981 (photo)

Lipofsky, Mary and Steve - 2.1: 1996, 4.1: 1995

Liston, Sonny - see boxing

Little, Floyd - 3.1: Gridiron Football News 1971-73, 4.1: 1973 ov

Floyd Little - 4.1: 1972

The Littlest Clown - 4.1: undated

Liverpool, England - 4.1: 1960 ov

Lollobrigida, Gina - 4.1: 1981

Loma Linda University - 2.1: 1983

Lombardi, Vince, Vince, 1981 - 2.1: 2001, 4.1: 1985

Lomonaco, Chef Michael - 2.1: 1996, 4.1: 1999

London, England - 3.1: O'Hana Gallery Solo Exhibition, London 1962, 3.1: Knoedler London Exhibition 1976, 4.1: 1960 ov, 1961, 1962, 1966, see also Liverpool

The Lone Ranger, 1977 - 2.1: 1988, 3.1: The Lone Ranger, 1977

Long, Captain Elgen, The Adventurer, between 1971 and 1977 - 2.2: Gallery Mack 1975 -87, 4.1: 1982

Lonsdale International Sporting Club - 1.1: Awards

Los Angeles Institute of Contemporary Art (LAICA) - 3.1: Neiman/Warhol Exhibition at LAICA 1981-82

Louganis, Greg - see swimming and diving

Louis, Allyson - see Allyson Louis Gallery

Louis, Joe - see boxing

Lowery, Nick

Nick Lowery, 1992 - 4.1: 1992, 1997

Lubel, William - 2.1: 1973

Lynch, David - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

M

Maccioni, Sirio - 4.1: 2004

Mack, Barbara - see Gallery Mack

Madison Square Garden - 2.1: 1981, 4.1: 1966, 1967, 1968, 1969, 1971, 1987, 1992, 1994, 1999, 4.2: -- Playboy -- 1963, see Appendix E

Madison Square Garden (silkscreen) - 4.1: 1978

Madrid, Spain - 4.1: 1960 ov

A Magic Moment, 1990 - see Orlando Magic under "baseball"

magical creatures - see animals: unicorn

Mahoney, James - 2.1: 1983, 3.1: Pebble Beach Golf 1982-1995

Mailer, Norman - 4.1: 1982

Maitland, Vic - 2.2: NFL Alumni

Make-a-Wish Foundation - 4.1: 2000

Maki, Mary Ann - 2.1: 1993, 1995, 1997

Malave, Chu Chu - see boxing

Malinowski, Mark "Scoop" - 4.1: 2000

Malletmen, 1977 etching - see polo

Manager of the Year, 1992 - see LaRussa, Tony

Mandalay Bay - 3.1: De La Hoya vs. Vargas 2002

Mandela, Nelson - 3.1: Nelson Mandela Tribute 1997

Mangione, Chuck - 4.1: 2004

Manhattan Bride -- Magazine - 4.1: 1999

Manhattan Concert Club - 4.1: 2004

Manhattan Magazine - 1.1: Awards, 2.1: 1989, 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995 - present, 4.1: 1984, 1990, 1997, 1998, 1999 Manila, Phillipines - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975

Mannochia, Adriano - 4.1: 1983

Mantle, Mickey - 2.1: 1998, 3.1: Mickey Mantle Paintings and Serigraphs, 1962-1999, 4.1: 1968

Mickey Mantle (or) High Ball Homer, 1962 - 3.1: Mickey Mantle Paintings and Serigraphs, 1962-1999

Mickey Mantle - Switcher, 1967 - 3.1: Mickey Mantle Paintings and Serigraphs, 1962-1999

Manufacturers Hanover Trust Company - 2.1: 1978, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: New York City Marathon 1984-2001, 3.1: Millrose Games 1986-1995, see also Chemical Bank and McCabe, Charles

marathon - see running

March of Dimes - 2.1: 1981, 1982, 3.1: March of Dimes' Gourmet Gala 1985, 4.1: 1974, 1981, 1983, 1985

Mardi Gras - 3.1: Rex Proclamation Mardi Gras Poster Painting 2002, 4.1: 1987, 2001

Marichal, Juan, Juan Marichal - 4.1: 1995

marionette - 4.1: 1981, 1984

Marketing Communications Magazine - 2.1: 1980, 4.1: 1980

Marlin!, 1977 serigraph - 2.1: 1977, 4.1: 1977 ov

Marmel, David - 3.1: Beauty Pageants 1980-84, 3.1: Victor Awards 1981-85

Marquis Who's Who - 1.1: Who's Who

Marshall Field & Company - 3.1: Fashion Illustration for Marshall Field 1957-59 (Oversize only)

Marshall, Leonard, Leonard Marshall, 1991 - 4.1: 1991, 1992

Martin, Billy, Billy Martin, 1990 drawing - 2.1: 1990

Marx, Groucho - 3.1: Charlotte Chandler 1978-84

Maser Galleries, Maser Fine Arts - 2.1: 1988, 1989, 3.1: 1983 U.S. Open, Oakmont, 1983

Mashburn, Jamal - 4.1: 1990

mask auction - 4.1: 1988

Mason, Jackie - 4.1: 1994

Massachusetts Institute of Technology (MIT) - 1.1: Awards: Citations, 4.1: 1982

matador - see bullfights

Mathis, Buster - see boxing

Matsui, 2004 - 3.1: Special Olympics Nagano Japan 2005

The Maulers -- 1993 lithograph - see boxing

Max, Peter - 4.1: 1994, 1995, 1980s and 1990s (mentioned throughout)

Mayo Clinic - 2.1: 1983

mayoral debate - 4.1: 1989, see also politics

Mays, Willie - 4.1: 1992, Wille Mays - 2.2: 1978, 4.1: 1979, 1982, 2001

Mazeroski, Bill, Bill Mazeroski - 4.1: 1973

Mazzilli, Lee, Lee Mazzilli, 1979 - 2.1: 1979, 2001 4.1: 2001, Lee Mazzilli Celebrity Golf and Tennis Classic - 2.1: 2001, 4.1: 1992, 1994, 1995, 1996, 1997, 2001

McCabe, Charles - 2.1: 1995, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: Iona College Trustee Awards Dinner Dances 1984-95, 4.1: 1987, 1997, see also Chemical Bank

McCormack, Mark H. - see The Wonderful World of Professional Golf by Mark H. McCormack under golf

McDonald, Kitt - 4.1: 1986

McDougal, Little & Company - 2.1: 1985

McEneaney, Eamon - 4.1: 2001, 2005

McEnroe, John - see tennis

McFagan, Helen - 2.1: 1993

McGirt, James "Buddy" - see boxing

McGraw-Hill Publishers - 2.1: 1999

McGuire, Al - 4.1: 1980

McGwire, Mark, Mark McGwire, 1998 - 3.1: Mark McGwire 1998-99, 4.2: -- Bartender Magazine -- 1997-2002, 3.1: Good Tidings Foundation, 1998-2002

McHale, Kevin - see Johnson, Earvin "Magic": Magic

McNeely, Peter - 4.1: 1995

McNichol, Kristy - 2.1: 1980

Mead, Margaret, Margaret Mead, 1972 drawing - 4.1: 1977 ov

Meigs, Kris - 2.1: 1981

Melville, Herman - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition

Memphis Blues Ball - 4.1: 1998

Men, Boats, and the Sea, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955

menus - 4.1: 1977, 1993, 1994, 1995, 1997, 1999, see also food, restaurants

medical - see The Open Heart, 1982

Mercantile Bank, Chicago and Hammond, IN - 3.1: Mercantile Bank Murals 1966

merchandise - see promotions, product and service, and collectible merchandise

Merrill Chase Galleries, Chicago - 2.2: Merrill Chase Galleries 1974-89, 4.1: 1973, 1976, 1980, 1981, 1982 see exhibitions

Metropolitan Museum of Art - 2.1: 1981

Metropolitan Opera - see opera

Mexico - 3.1: Caliente Race Track Exhibition and Painting 1989

MGM Grand Gallery - 4.1: 1999

Miami Sound Machine - see Estefan, Emilio and Gloria

Michael Zabrin Fine Art - 2.1: 1989

Michaels, Walt - 2.1: 1980, see also football: New York Jets

Midwest Museum of American Art - 4.1: 1979, 1989, see also exhibitions

Miles, Sylvia - 3.1: '21' Club, 1990 (photo), 4.1: 1991

Minelli, Liza - 3.1: Frank Sinatra at Royal Albert Hall 1989

miniatures - 4.1: 1983

Minnesota Historical Society - 2.1: 1994

Minnesota Museum of Art - 3.1: St. Paul Bicentennial Painting 1975-76, see also exhibitions

Minotaur Galleries - 2.2: Minotaur Galleries 1984-1994, 4.1: 1986, see also exhibitions

John Miles Bonded Travel Agency - 4.1: undated

military - 1.1: Military Service

Million Dollar Strike, 1982 - see bowling

Millionaire Magazine - 3.1: Joe DiMaggio 1998-99

Millrose Games - 3.1: Millrose Games 1986-1995

Milt Gross Fund - 2.1: 2000, 4.1: 2001

Minuteman, 1987 - 3.1: U.S. Savings Bonds Campaign 1987-88

Mirrer, Louise - IC: A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer, 1990

Mitchell, Mayer - 2.1: 1972, 1976, 1977, 1987

The Mixologist, 1959 - see bars

Moby Dick -- , 1975 - 2.1: 1993, 3.2.2

models - 3.1: Beauty Pageants 1980-84, see also Eve Models, Inc., search for individual models by name

Monaco - see also Bal de la Mer, Monte Carlo, auto racing, French Riviera

Monaco Rendezvous, 1994 - 3.1: Monaco Trip 1994

Monmouth Park Charity Ball - 2.1: Charities (all dates, 1980s, 1990s)

Monroe, Earl, Earl "The Pearl" Monroe, 1976 - 4.1: 1976

Montana, Joe, Joe Montana, 1982 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1982, 1990

Montanez, Willie - 4.1: 1979

Monte Carlo, Monaco - 4.2: -- Playboy -- 1963, see Appendix E, see auto racing, Monaco

Monte Carlo, 1994 - 4.1: 1999

Monte Carlo Chase, 1988 - 2.2: Neiman -Marcus 1983-88, 3.1: Steiner & Young Galleries Solo Exhibition 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Japanese Edition - 2.2: Joe Hideo Morita 1988-90

Moore, Wayland - 2.3: Imitations and Forgeries

Moorer, Michael - 4.1: 1994

Morbelli, Jean - 2.1: 1988

Moreno, Linda "Eva" - 2.2: Linda Moreno

Morgan, Joe, Joe Morgan, 1990 - 4.1: 1990

Morita, Joe Hideo - 2.2: Joe Hideo Morita 1988-90

Morley, Malcolm - 4.1: 1984

Morocco - 4.2: -- Playboy -- 1970, see Appendix E

Morrel Wines - 4.1: 1984

Morris, Gary and Elizabeth - 2.1: 1996, 3.1: Iroquois Steeplechase, Nashville, TN, 1993

Morrison, Tommy - see boxing

Morton's of Chicago - see restaurants

Moscow - 3.1: Goodwill Games Moscow 1986, 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987, V: 1960s

Tretyakov Museum - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988

Mosley, Shane - see boxing

Mount Pleasant Animal Shelter - 4.1: 2000

Mozartfest - 4.1: 1998

Mthembu, Nomusa - 2.1: 1992

Mulloy, Gardner - 4.1: 1998

multiple sclerosis - see National Multiple Sclerosis Society, or Race to Erase MS

Munich, Germany - see Olympic Games

Municipal Art League of Chicago Award - 1.1: Awards

Munson, Thurman - 3.1: Thurman Munson and Thurman Munson Awards 1977-2002, Thurman Munson, 1976 - 3.1: Thurman Munson and Thurman Munson Awards 1977-2002

murals - 3.1: Mercantile Bank Murals 1966, 3.1: Sportsman's Park Mural 1976, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 3.1: Stadium Tennis Billboard 1981, 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90

Murphy Brown - see Warner Brothers Television in Appendix A

Murphy, Dale - 2.1: 1993, 1995, 4.1: 1993

Murphy, Libby - 2.2: Libby Murphy 1992-1998, 3.1: Iroquois Steeplechase, Nashville, TN, 1993

Murphy, Father Terrence - 4.1: 2004

Muscle Builder & Power Magazine - 4.1: 1977

Muscular Dystrophy Associations of America - 4.1: 1971, 1987

Lifetime Achievement Award - 1.1: Awards

Museo de Bellas Artes, Caracas - 2.1: 1972 see also exhibitions

Museum of the City of New York, Theater Collection - 3.1: Showstoppers Group Exhibition, MCNY 1983

music -- - 4.1: 1970, 1981, 1983, 1992, see also Gibson Guitars

blues - 3.1: Blues Ball 1997 -2004, see Paul, Les

classical - 4.1: 1964, 1965, 1998, see also Bernstein, Leonard; Eaton, Roy; Fox, Virgil; Grady, John; Raphael, James

Arkansas Symphony Orchestra - 3.1: Arkansas Symphony Orchestra and Arkansas Wild Ducks, 1984

Desert Symphony - 4.1: 1997

Oakland Symphony - 2.1: 1985

The Organ at St. Paul the Apostle, 1965 - 4.1: 1965, 1967

Symphantasy - 3.1: Symphantasy 1988

Symphony for United Nations, 1991 - 2.1: 1991, 4.1: 1991

country - 4.1: 1994, see Tennessee

jazz - see jazz

opera - see opera

popular - 3.1: Fifth Dimension Album Art 1970-82, 3.1: Billboard Magazine First Annual Billie Awards 1993, 4.1: 1993, see The Beatles; Bennet, Tony; Blues Ball; Davis, Sammy; Iglesias, Julio; Jackson, Michael; Lennon, John; Paul, Les; Sinatra, Frank

musicals - see Times Square, 2001

Angels on Horseback - 4.1: undated 1980s

Golden Boy - 4.1: 1964

My Fair Lady - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983

Oh! Calcutta - 4.1: 1967

Porgy and Bess - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983

West Side Story - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983

Mustang Ranch - 3.1: Mustang Ranch Brothel 1989

Myasthenia Gravis Foundation - 4.1: 1978

Myers, Farlan - 2.1: 1986

Mystic Seaport, CT - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition

Mystic Rock, 1995 - 4.1: 1997

N

NAMTA - 4.1: 1984

NBC - see television

NECO (National Ethnic Coalition of Organizations) - 1.1: Awards, Citations and Miscellaneous Prizes

Nabisco - see promotions

Nahan, Kenneth - 4.1: undated

Naismith Memorial Basketball Hall of Fame - see basketball

Namath, Joe - 3.1: New York Jets 1966-, 4.1: 1968, 1972, 1973, 1982

Napoleon at Waterloo, 1988 serigraph - 4.1: 1988

Nash, Beau - 3.1: The Ambassadors, 1960s

The Nation -- Magazine - 2.1: 1998, 4.1: 1998

National Art Museum of Sport (NAMOS) - 2.1: 1972, 1979, 4.1: 1980, 2003 see also exhibitions

National Arts Club - 4.1: 1994

National Baseball Hall of Fame and Museum, Cooperstown, NY - see baseball

National Bowling Hall of Fame and Museum - see bowling - Million Dollar Strike, 1982

National Cowboy Hall of Fame - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985

National Fitness Classic - 4.1: 1982, 1983

National Multiple Sclerosis Society - 4.1: 1969, 1976, 1980, 1988

National Sports Collectors Convention - 4.1: 1992 ov.

NBA - see basketball

negative press - 2.1: 1980, 4.1: 1978, 1979, 1981, 1983

Neiman, Earl - 1.1: Family (Neiman Studio Archive only)

Neiman, Janet - 1.1: Family, 3.1: Art Institute of Chicago Instructors Exhibition 1955, 4.1: 1985

Neiman News - 3.1: Neiman News 1977-1985

Neiman-Marcus - 2.2: Neiman-Marcus 1983-88, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1983, 1984

Neiman, Robert B - 2.3: Imitations and Forgeries

"Neiman's Cuba" film project - 2.1: 1979, 1982

Neiman's Restaurant & Lounge - see restaurants and bars

Nepal - 2.1: 1982

Nevada County Arts Council - 4.1: 1982

New Jersey State Opera Ball - see opera

New Milford Hospital - 4.1: 1991

New Orleans, Louisiana - 2.1: 1993, 1997, 1998, see also Hanson Art Galleries and Mardi Gras

New School for Social Research, NY - 4.1: 1978

New Times Magazine - 2.1: 1978

New Year's Eve, 1997 - 4.1: 1997 and ov

New York City Marathon - see running

New York Friars Club - 4.1: 1999

New York Giants - see Football

New York and Los Angeles: Politics, Society, and Culture by David Halle - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present

New York Public Library - 4.1: 2002

New York State Governor's Arts Awards - 4.1: 2000

New York Times Magazine -- - 4.1: 1971

The New Yorker -- Magazine - 4.1: 1994, 1999

Newman, Eric - V: 1975

Newman, Paul - 3.1: Celebrity Night at Spago, 1993, see also -- The Hustler

Newport Jazz Festival - 3.1: Newport Jazz Festival 1975-2004

Newsweek -- Magazine - 4.1: 1972, 1992

Newton, Wayne - 4.1: 1988

NFL - see football

NHL - see hockey

Niarchos, Stavros

Stavros Niarchos, 1969 drawing - 4.1: 1969 ov.

Nicholson, Jack - 3.1: Tyson vs. Spinks 1988

Nicklaus, Jack - see golf

Nitschke, Ray - 4.1: 1988

Noah, Yannick - see tennis

Nob Hill, 1986 serigraph - 3.1: Nob Hill and Bowles Hopkins Gallery 1986

Norman, Greg, Greg Norman - 2.1: 1990

North Shore Art League - 1.1: Education and Teaching, Miscellaneous, undated

North Shore Child and Family Guidance Association - 4.1: 1986, 1987

Northern Indiana Art Association - 2.1: 1989, 4.1: 1989

Northwest Orient Magazine - 4.1: 1986

Northwest Paper Company - 3.1: 1972 Olympics

Northwestern University - 2.1: 1978

Norton, Ken - see boxing

Norton Herrick Fine Arts Group - 3.1: LeRoy Neiman Website 1997-present

Norway - 2.1: 1988

Notre Dame - 4.2: -- Bartender Magazine -- 1997-2002

Nureyev, Rudolph - see ballet

O

Ocean Club, Atlantic City - see promotions

Everett Oehlschlaeger Galleries, Chicago - 2.1: 1960s, 4.1: 1973, 1975

Frank Oehlschlaeger Gallery, Sarasota, FL - 3.1: "American Masters of the 40s, 50s, and 60s", Frank Oehlschlaeger Gallery, 1985

Oesch, Claire - 2.1: 1994, 1995

Oh! Calcutta - see musicals

Oklahoma - see Bennett, Chef John, and baseball: Oklahoma Redhawks (minor league)

Olin Corporation - see promotions

Olympic Games -- - 4.1: 1984

1972 Olympics, Munich - 3.1: 1972 Olympics, Munich, 4.1: 1987

1976 Olympics, Montreal - 3.1: 1976 Olympics, Montreal, 4.1: 1987

Games of the XXI Olympiad, 1976 - 3.1: Volvo Masters Painting 1983

Olympic Boxers, 1976 - 3.1: 1976 Olympics, Montreal

1980 Winter Olympics, Lake Placid - 3.1: Winter Olympics, Lake Placid 1980

Olympic Figure Skating, 1978 - 3.1: Winter Olympics, Lake Placid 1980

Winter Olympic Skiing, 1980 - 3.1: Winter Olympics, Lake Placid 1980

1984 Winter Olympics, Sarajevo - 3.1: Sarajevo Winter Olympics 1984

1984 Olympics, Los Angeles - 3.1: 1984 Olympics, Los Angeles, 3.1: Center Art Galleries Exhibition, Hawaii, 1985

American Gold, 1984 - 4.1: 1984

Opening Ceremonies - XXIII Olympiad 1984, 1984 - 4.1: 1984

1988 Olympics, Seoul - 2.1: 1988, 4.1: 1988

1988 Winter Olympics, Calgary - 2.1: 1986, 1987

1992 Olympics, Barcelona - 2.1: 1989

1994 Winter Olympics, Lillehammer - 3.1: 1994 Winter Olympics, Lillehammer

1996 Olympics, Atlanta - 3.1: Atlanta Olympics 1996

2000 Olympics - 3.1: 2000 Olympics

2004 Olympic bid - 2.1: 1989

boxing - 3.1: 2000 Olympics

Olympic Boxing - 4.2: The Ring Magazine

Olympics of Tomorrow - 4.1: 1978

U.S. Olympic Fight Night - 2.1: 1996, 4.1: 1996

Spring Serenade 2004 - 4.1: 2004

OMTI (Opera Music Theatre International) LeRoy Neiman Recital Hall - see opera

On Safari - see LeRoy Neiman On Safari

Onassis, Aristotle, Aristotle Onassis, 1969 drawing - 4.1: 1969 ov.

O'Neal, Shaquille, Shaquille O'Neal, 2000 - 3.1: Shaquille O'Neal, 2000

Ono, Yoko - 2.2: JoAnn Perse Gallery 1984 -98, 3.1: John Lennon Etching 1990

The Open Heart, 1982 - 3.1: The Open Heart, 1982

opera - see also Le Grand Escalier de l'Opera, 1969

Amahl and the Night Visitors, 1978 - 4.1: 1978

Ballroom Scene from 'La Traviata', 1980 - New Jersey State Opera Ball Paintings 1979-83

Falstaff, opera by Verdi - 2.1: 2002, 3.1: Falstaff Opera 1993, 4.1: 2002

Hines, Jerome and Lucia - 3.1: New Jersey State Opera Ball Paintings 1979-83, 3.1: OMTI LeRoy Neiman Opera Lab Theater 1995

Jerome Hines as Boris Godunov, 1988 drawing - 4.1: 1988

Metropolitan Opera - 2.1: 2002

Metropolitan Opera - 2.1: 1980, 3.1: Advertising Layouts 1980s

New Jersey State Opera Ball - 3.1: New Jersey State Opera Ball Paintings 1979-83

A Night at the Opera, drawing - 4.1: 1989

Opera Music Theater International - 3.1: OMTI LeRoy Neiman Opera Lab Theater 1995, 4.1: 1989, 4.1: 1991

Pagliacci, 1982 - 3.1: New Jersey State Opera Ball Paintings 1979-83

The Three Tenors, 1996 serigraph release - 3.1: The Three Tenors, 1996

organists - see Fox, Virgil; Grady, John

Original Print Collectors' Group, Ltd. - 4.1: 1989

Orr, Bobby - 4.1: 1977

Orr for the Defense, 1992 - 2.1: 1992, 3.1: Orr for the Defense, 1992, 4.1: 1992

Oslo, Norway - 2.1: 1988

Our Lady of Mercy Medical Center - 4.1: 1997

Outrigger Canoe Race, 1976 - 4.1: undated 1970s

Owens, Jesse - see track and field

Ox-Bow, the Summer School of Painting, Saugatuck, Michigan - 1.1: Education and Teaching, 2.1: 2001, 3.1: Ox -Bow 1998

Oxendine, Kit - 1.1: Lynn Quayle, V:1990s

P

P.J. Clarke's, New York - see restaurants

P.O.V. Magazine - 4.1: 1998

Pacino, Al - 2.1: 1983

Paige, Satchel - 3.1: Economic Opportunity Atlanta 1968 ov.

Pallack, Rick - 2.1: 1996, 1999, 4.1: 1996

Palm Beach, Florida - V: 1970s

Palm Springs, California - 3.1: Palm Springs Commemorative Coin, 1987-88

Palmer, Arnold - see golf

Palmer, Jim, Jim Palmer, 1990 - 4.1: 1990

Papp, L. Roy - 3.1: L. Roy Papp, 1980

Pappas, Thomas, Thomas A. Pappas, 1969 drawing - 4.1: 1969 ov.

Paris, France - 3.1: "Un Americain à Paris," Solo Exhibition, Galerie Marcel Bernheim, Paris 1993, 4.1: 1963

Paris, 1989 - 3.1: Kentucky Derby 1995-97

Paris Match -- Magazine - 4.1: 1961, 1962

Parker, Charlie - see jazz

Parks Council - 4.1: 1976

Paschke, Ed - 2.1: 1988, 1990, 2.3

Pastorini, Dan - 2.1: 1989

Patrician Galleries - 2.1: 1987

Patrick, John 'Malt Liquor' - 3.1: Economic Opportunity Atlanta 1968 ov.

Paterson Museum, Paterson, NJ - 2.1: 1989, 4.1: 1996

Patterson, Floyd - see boxing

Paul, Les - 2.1: 1997

Pavarotti, Luciano - 3.1: The Three Tenors, 1996

PAWS/LA - 2.1: 1999, 4.1: 2000

Payne, Marcus - 2.1: 1982

Pazienza, Vinny - 4.1: 1995

Peaches and Pits Awards - 4.1: 1987, 2000

Pebble Beach - see golf

Pele - see soccer

Pelkey, Joe - 2.1: 1990, 1993, 2.2: Joe Pelkey, Editions Limited

pendant - VII: Painting pendants, undated

Peninsula Sports Club - 4.1: 1973

Penn, Esther - 3.1: '21' Club, 1990 (photo), 4.1: 1999

Penske, Roger - see auto racing

Penthouse -- Magazine - 2.3: Imitations and Forgeries

Percival Galleries - 2.1: 1979, see also exhibitions

perfume - see promotions

Peri-Renneth Gallery, Southampton - 2.1: 1988, 4.1: 1984

Perkins, Carl - 2.2: Libby Murphy

Perry, Gaylord - 3.1: Gaylord Perry's 300th Win file

Perse, Joanne - 4.1: 1986

PESO - 3.2: LeRoy Neiman Art and Lifestyle 1974

Phelps, Digger - 2.1: 1990

Philadelphia Sports Writers Association - 4.1: 2000

Phillipines - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975

pianists - see Eaton, Roy; Raphael, James, see also music: classical

Piazza, Mike, Mike Piazza, 1999 - 3.1: Mike Piazza 1999

Piazza San Marco, 1990 - 3.1: Piazza San Marco, 1990, 2001-2002

Pierrot, drawing - 4.1: 1975

Pierrot, lithograph - 3.1: Circle Gallery 1972

Pierrot the Juggler, lithograph - 3.1: Circle Gallery 1972

The Pitman Company - 4.1: 1984

Pizza Hut - 2.1: 1991, 4.1: 1992 ov

La Plage de Deauville, 1990 - 2.1: 1990

plates, collectible - see Royal Doulton

Plate Collector Magazine - 2.1: 1980

The Playboy, painting - 4.1: 1990

Playboy Enterprises International - 2.2: Playboy Enterprises Inc. 1980s, 4.1: 2001 art auction - 4.1: 1989, 4.2: Playboy Ephemera 2000s

New York Playboy Club - 4.2: -- Playboy -- 1965, see Appendix E

Playboy Art Collection - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.1: 1975, 4.2: Playboy Ephemera 2000s

Playboy Jazz Festival, 1980 - 4.1: 1980

Playboy -- Magazine and Man at His Leisure - see Appendix E, 2.2: Playboy Enterprises Inc. 1980s, 3.1: 1984 Olympics, Los Angeles, 4.1: 1959, 1966, 1999, 4.2: -- Playboy -- Magazine, V: Playboy Clubs 1961-63

Femlin - 2.1: 1985, 4.1: 1995, 2001, 4.2: -- Playboy -- Magazine, 4.2: -- Playboy -- - Femlin Paraphernalia

Playboy of Brazil - 2.1: 1985

Special Editions, Ltd. - 4.1: 1992

Players Hotel, New Orleans - 2.1: 1984

The Plaza Hotel, New York - 4.2: -- Playboy -- 1965, see Appendix E

The Plaza Square, 1985 - 4.1: 1985, 1986

tapestry - 2.1: 1990

Poland - 2.1: 1976, 1987

Plunkett, Sherman - 4.1: 1967

Police Athletic League - 2.1: 1981

politics - 3.1: Bill Bradley 1978-2000, 3.1: Peace Treaty, 1980, 3.1: Peter Dawkins Poster 1988, 3.1: Rudy Giulianni and Commission on Cultural Affairs 1994-2001, 3.1: Nelson Mandela Tribute 1997, 4.1: 1960, 1968, 1988, 1989, 1992, see also Thurmond, Strom, and The White House

Pollock, Jackson - 4.1: 1984

polo - 4.1: 1966, 1967, 1988

Attack, 1965 - 4.1: 1967

elephant polo - 2.1: 1982

H.R.H. Prince Charles, 1982 - 4.1: 1985

Malletmen, 1977 etching - 3.1: Malletmen Certificate 1977

Polo Player, 1963 - 4.1: 1963

Polo Players, 1964 - 4.1: 1991

Polo Lounge, 1988 - 2.1: 1989, 3.1: Advertising Layouts 1980s, 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Bev Hills 1989, 4.1: 1990, 1995, 1996, 4.2: -- Bartender Magazine -- 1997-2002

The Pope Flies Over New York, detail - 4.1: 1981

Pope, Kerig - 2.2: Playboy Enterprises Inc. 1980s

Porgy and Bess - see musicals

Porter, David - 3.1: Blues Ball 1997-2004

Portola Valley Classic Equestrian Festival - 4.1: 1999

Portrait of the Lion, 2002 - see animals

portraits -- - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996

of LeRoy Neiman, by other artists - 2.1: 1978, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 4.1: 1986 ov

by LeRoy Neiman - search by name of subject

Posner Gallery - 2.1: 1989

posters - 3.2. -- Posters -- , 1980, Harry N. Abrams, 4.1: 1981, 1993

Posters, 1980 - 3.2. -- Posters -- , 1980, Harry N. Abrams, 3.2 ov.

Pratt Institute, New York - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003

Preakness Stakes - see horse racing

Prentice - Hall Publishers - 2.1: 1978

President of the United States - see politics, or search by name of President (Carter, Reagan, Bush, Clinton)

President's Council on Physical Fitness and Sports - 2.1: 1990, 4.1: 1982, 1983

Presley, Elvis - 3.1: Blues Ball 1997-2004, 4.2: -- Playboy -- 1978 (July)

price lists - IID: Price Lists

Prince Charles, 1984 - 4.1: 1984

prints - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov), see also The Prints of LeRoy Neiman below

The Prints of LeRoy Neiman, 1980 - 3.2. -- The Prints of LeRoy Neiman -- , 1980, Knoedler Publishing

The Prints of LeRoy Neiman 1980-1990, 1991 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City 1992, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991

The Prints of LeRoy Neiman 1991-2000, 2001 - 3.2.14

Professional Picture Framers Association - 4.1: 1984

promotions, product and service, and collectible merchandise

AMF Incorporated (soccer equipment) - 3.1: AMF Soccer Equipment Promotion 1979

Absolut Vodka

Absolut Neiman, 1970 - 3.1: Absolut Vodka ad 1991, 4.2: -- Bartender Magazine

Alexander Hotel, Miami Beach, 1985 commercial - 3.1: Alexander Hotel Promotion 1985

Anheuser-Busch - 3.1: Duran vs. Leonard 1989

Clydesdales, 1979 - 4.1: 1979, 1983

World Cup Soccer poster 1990 - 3.1: Anheuser Busch World Cup Soccer poster 1990

Arrow shirts, The Arrow Man, 1986 - 3.1: Arrow shirts promotion 1986

Atomic skis - 2.2: Joe Hideo Morita 1988-90

Burger King - 3.1: Burger King Promotion 1976

Canadian Club Whiskey - 4.1: 1979

Charlie Cosmetics - 3.1: Charlie Cosmetics promotion 1981

Classic Leather, 1978 catalog - 2.1: 1977, 4.1: 1978

Corvette - see Corvette

Dewars Scotch Whiskey - 3.1: Dewar's Profile 1970

S.T. DuPont LeRoy Neiman Golf Pen and Lighter set - 3.1: S.T. Dupont LeRoy Neiman Golf Pen and Lighter Set, 2003

Folger's Instant Coffee - 4.1: undated 1960s

Footwear - 2.1: 1989

Fragrances - 4.1: 1985 see promotions: Givenchy

General Electric Cellular Car Phone - 3.1: General Electric Phone Promotion 1984

Givenchy - 3.1: Givenchy 1999

Gone with the Wind perfume - 3.1: Gone with the Wind perfume promotion 1989

Hager hinges - 4.1: 1988

Hanes Hosiery - 2.1: 1980

Merrill Chase - 2.1: 1978

Miller Brewing Company - 4.1: 1984

Nabisco - 2.1: 1988

Ocean Club, Atlantic City - 3.1: Ocean Club, Atlantic City 1982-1990

Olin Corporation, Olin Skier, 1976 - 4.1: 1976 and ov.

PuzzleStix - 3.1: PuzzleStix product idea 1999

Royal Doulton - 3.1: Royal Doulton collectible plates 1974-78, 4.1: 1977, 1981, 1986, 2000

Saks Fifth Avenue - see Saks Fifth Avenue

Sharp Color Copier - 3.1: Sharp copier promotion 1986

skis - 2.2: Joe Hideo Morita 1988-90

Skoal chewing tobacco - 3.1: Skoal Pinch Hitter 1985-1987

Sports Commemorative Satinwood whiskey decanters - 3.1: Sports Commemorative Whiskey Decanter 1979

The Toy Store - see exhibitions

Tropicana Hotel and Casino - see casinos

watches - 2.1: 1986, 3.1: Classic Moments LeRoy Neiman Watch Collection 1989, 3.1: Universal Geneve Timepieces Promotion 1995

Wheaties - see Wheaties

publications - Series 3.2

publicists - 2.2: Barry Landau 1994-96, 2.2: Sterling/Winters Company 1983-84

Puck, Wolfgang - 2.1: 1999

Puerto Rico - 2.1: 1979, 1981, 1984, 1985

Pump Room Bar, 1957 - see bars

Punchinello, 1971 lithograph - 3.1: Circle Gallery 1972, 3.1: Royal Doulton collectible plates 1974-78, 4.1: 1973, 1974

Purdue University - 4.1: 1986

puzzles - see promotions, product and service, and collectibles

Q

Quarry, Jerry - see boxing

Quayle, Lynn - 1.1: Lynn Quayle, IIID: Datebooks, 4.1: 1988

Queen Elizabeth of England - 4.1: 1959

The Queen Elizabeth II - 3.1: Queen Elizabeth II Cruise, 1999

R

race car - see auto racing

Race to Erase MS - 2.1: 1993, 1994, 1995, 2000, 2001, 4.1: 2001

>radio -- - 4.1: 1974, 1985, see also American Federation of Television and Radio Artists

King, Larry - see King, Larry

Stern, Howard - 3.1: Howard Stern, 1994

WNBC Radio - 3.1: WNBC Traffic Helicopter 1981

WPRO Radio Providence, RI - 2.1: 1990

Rangers Hockey Magazine - 4.1: 1967

Raphael, James

James Raphael, 1987 - 4.1: 1987

Rattiner, Dan - see Dan's Papers

Rawlings Gold Glove Award - 4.1: 1992

Reagan, President Ronald and Nancy -- - 2.1: 1981, 1988, 3.1: Nolan Ryan, 1981, 3.1: U.S. Savings Bonds Campaign 1987-88

Ronald Reagan, 1988 - 4.1: 1988

real estate - 2.1: 1986

recipe - see Heartland Celebrity Cookbook

Red Square - see Moscow

Redgrave, Vanessa - 4.1: 1994

Regatta of the Gondoliers - 2.1: 1984

Regis & Ann Show - 4.1: 1984

Reiner, Rob - 1.1: Friars

representations of LeRoy Neiman by other artists - 4.1: 1989

restaurants and bars

Al Schacht's Restaurant - 4.1: 1967, 1968 and ov

Alexis Tangier, San Francisco - 4.1: 1958

The Bistro Garden - 3.1: Bowles/Sorokko Galleries Exhibition, Beverly Hills 1987, 4.1: undated

Bruxelles Restaurant - 4.1: 1950s

The Buena Vista Café, San Francisco, 1986 - 3.1: 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986, 4.1: 1987

Le Café Chambord - 4.2: -- Playboy -- 1959, see Appendix E

Café de Flore, Paris, 1964 - 4.1: 1996

Le Café Lautrec, 1963 - 4.1: 1963

Café de la Paix - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

California Cuisine (The Lark Creek Inn), 198? - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 2004

Central Park Boathouse - 3.1: Central Park Boathouse Painting 2002-2003

Chumley's - 4.1: 1968

Le Cirque - 3.1: Circus, 2000, 4.1: 2004

Corona Café, Chicago - 4.1: 2001

Duke's Fish & Grill - 4.1: 1985

Ernie's, San Francisco - 4.1: 1958, 4.2: -- Playboy -- 1961, see Appendix E

F.X. McRory's Whiskey Bar, Seattle, 1979 - 3.1: F.X. McRory's Whiskey Bar 1979-80, 4.2: Bartender Magazine 1987-1992 and 1993-2002, 4.1: 1995

Fouquet's - 2.1: 1993

Fouquet's - 3.1: Saks Fifth Avenue 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions, 4.1: 1996

Fouquet's, 1977 drawing - 4.1: 1996

Gallagher's Steak House, New York - 3.1: Gallagher's Steak House - The Neiman Collection 2002

Le Grand Vefour - 2.1: 1993

Harry's at Hanover Square - 4.1: 1985

Harry's Bar, 1985 - 4.1: 1995

Harry's Wall Street Bar - 4.1: 2002, 4.2: -- Bartender Magazine -- 1987-1992

Iron Horse Restaurant - 4.1: undated

Jak-Nicholas Restaurant - 4.1: 1973

Lark Creek Inn - see California Cuisine

Left Bank Café

London House, Chicago - 4.1: undated

Maxim's de Paris - 4.1: 1963, 4.2: -- Playboy -- 1961, see Appendix E

McSorley's Irish Pub, New York - 4.1: 1980

Mister Kelly's - 4.1: undated

The Mixologist, 1959 - 4.1: 1999

Moose's Restaurant, San Francisco - 4.1: 2003, 2004, 2005

Morton's of Chicago - 3.1: Morton's of Chicago 1982-present, 3.2.12, 4.1: 1997, 1998, 2000

Neil De Vaughn's - 4.1: 1987

Neiman's Restaurant and Lounge, Carlsbad, CA - 3.1: Neiman's Restaurant and Lounge 1980s, VII: Neiman's Restaurant, Carlsbad, CA, 1980s

Nello - 4.1: 1999

P.J. Clarke's, New York, 1978 - 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 4.2: -- Bartender Magazine -- 1987-1992, 4.1: 1978, 1989, 1995

Peppy's Pomme Soufflee - 4.1: 1973

Pierro's on the Park - 4.1: 1994

Polo Bar, Westbury Hotel - 2.1: 1978

Polo Lounge - see Polo Lounge, 1988

Pump Room - 4.1: 1974, 4.2: -- Playboy -- 1958, see Appendix E, see also The Ambassadors Hotel

Pump Room Bar, 1957 - 3.2: LeRoy Neiman Art and Lifestyle 1974, 4.1: 1950s

Rao's - 2.1: 2002

Frank at Rao's, 2005 serigraph of earlier painting - 4.1: 2005

Restaurant Antoine - 4.1: undated

Romanoff's - 4.2: -- Playboy -- 1959, see Appendix E

Rosati's, Via Venito - 4.2: -- Playboy -- 1968, see Appendix E

Rush Street Bar - 4.2: -- Bartender Magazine -- 1987-1992

Sardi's, World Billiard Championship - 4.2: -- Playboy -- 1963, see Appendix E

Shelly's New York - 3.1: Shelly's New York Restaurant 2000

Spago, Los Angeles - 3.1: Celebrity Night at Spago, 1993

The Stag's Head Bar, Dublin, 1961 - 4.2: -- Bartender Magazine -- 1987-1992

Tavern on the Green - 4.1: 1991, 1998

Tavern on the Green, 1990 painting and 1991 serigraph - 2.1: 1990, 1991, 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1991, V: 1991

Carriage at Tavern on the Green, 1997 drawing - 4.1: 1997

Toots Shor Bar - 2.1: 1988, 1.2: Knoedler: Serigraph Release Ads

Tratoria del'Arte - 4.1: 1991

'21' Club - 3.1: Dress the Jockeys at '21' Club, New York, 2001

Bar at 21 - 2.3: Imitations and Forgeries, 4.1: undated

'21' Club (exterior), 1990 - 3.1: '21' Club 1990

Two Bar Men, 1965 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.2: -- Bartender Magazine -- 1987-1992

The Wimbledon - 4.1: 1975

retail prices, list of prints, 1986 - 2.1: 1986

retail stores - see Neiman-Marcus

Revelli, Cynthia - see Licensing Art and Design by Cynthia Revelli

Revlon - 2.1: 1992

Rhino Records - 4.1: 1991

Rhythm & Smoke - see cigars

Rice, Jerry - 4.1: 1995

Riggins, John, John Riggins - 4.1: 1972

Riker, Lyn - V: 1980s

The Ring Magazine - see boxing

Ringside Madison Square Garden, 1964-65 - see boxing - Introduction of the Champions of the Ring, 1964-65

Rivalry, 1975 - see college sports: football: Ohio State Buckeyes

Rivera, Chita - 4.1: 1995

Rizzuto, Phil, The Scooter, 1994 - 3.1: Phil Rizzuto 1994

The Robb Report Magazine - see automobiles

Robinson, Jackie - 3.1: Jackie Robinson, 1997

Jackie Robinson, 1993 - see Jackie Robinson Foundation

Jackie Robinson, 1997 - 3.1: Jackie Robinson, 1997

Jackie Robinson Sliding Home, 1997 - 3.1: Jackie Robinson, 1997

Jackie Robinson Foundation - 3.1: Jackie Robinson Foundation 1993

Robinson, Patrick - 2.1: 1977

Robinson, Sugar Ray - see boxing

Robinson's, Los Angeles - 4.1: undated

Rock for the Cure - 4.1: 2004

Rocky films - 3.1: Rocky films 1980-90

Rocky - 3.1: Advertising Layouts 1980s

rodeo - 4.1: 1977, 2000

Rogers, Kenny - 4.1: 1999

Kenny Rogers, 1982 watercolor - 3.1: Childrens Diabetes Foundation Carousel Ball

Rolling Stone Press - 4.1: 1982

Rolls Royce - see automobiles

Ronald McDonald House - 2.1: 1999, 4.1: 1998, 2000, 2001, 2003

Rooney, Art, Art Rooney, 1972 - 2.1: 1977, 4.1: 1972

Roosevelt University, Chicago - 1.1: Education and Teaching, Miscellaneous, undated

"Rooster," 1981 film - see film

Roques, Karin Adrian v. - 2.1: 1997, 1999

Rose, Donna - 2.2: Donna Rose and Art Brokerage Inc. Correspondence

Rosen, Leonard - 2.1: 1980, 1981, 1982, 1983, 1984, 1987

Rosenbaum Galleries - see exhibitions

Rote, Jr., Kyle - 3.1: Rotonda Superstars 1973-75

Rotonda Superstars - 3.1: Rotonda Superstars 1973-75

Royal Doulton - 3.1: Royal Doulton collectible plates 1974-78, 4.1: 1977, 1981, 1986, 2000

Royce Carlton, Inc. - 2.1: 1978

Royer, Victor - 2.1: 1984, 1986

Rudy, Jeanette Cantrell - 2.1: 1994, 1996, 1998, 4.1: 1994, Jeanette Rudy, 1994 - 2.1: 1994, 4.1: 1996

running -- - see also track and field

Ashford, Evelyn - 4.1: 1987

Barron, Gayle - 2.1: 1983, 1984

Boston Marathon, Boston Marathon, 1979 - 4.1: 1981, 1990

Coghlan, Eamonn, Eamonn Coghlan Winning the 1985 Wanamaker Mile, 1985 - 3.1: Millrose Games 1986-1995

Dixon, Rod - 4.1: 1998

New York City Marathon - 3.1: New York City Marathon 1984-2001

Classic Marathon Finish, 1985 serigraph - 3.1: New York City Marathon 1984-2001

Fred, This Run's For You, 1990 - 3.1: New York City Marathon 1984-2001

New York City Marathon, 1987 - 3.1: New York City Marathon 1984-2001

Runner's World Magazine - 3.1: New York City Marathon 1984-2001

Shorter, Frank - 2.1: 1973

The Year of the Runner TV series, LeRoy Neiman host - see television

Rush, Rick - 4.1: 1999

Rush Street Bar - see bars

Russell, Bill - 4.1: 1968

Ruth, Babe - 4.1: 1973, 1995

Ryan, Nolan

Nolan Ryan, 1981 - 3.1: Nolan Ryan, 1981, 4.1: 1991

S

Sadat, Anwar - 3.1: Peace Treaty, 1980

safari - see LeRoy Neiman On Safari

sailing -- - 4.1: 1950s, 1964, 1985, 1994, America II, 1986 - 3.1: America II, 1986, 4.1: 1986

America's Cup - 4.2: -- Playboy -- 1966, see Appendix E

America's Cup, 1964 - 3.1: Advertising Layouts 1980s, 4.1: undated 1970s, 1978

America's Cup, Australia, 1987 - 2.1: 1986, 4.1: 1986, 1987

America's Cup Stars and Stripes, 1987 - 2.1: 1987

Boat Club, 1956 - 4.1: 1950s

Boats and Boats, 1960 oil on board - 2.1: 1978

Girallia Yacht Race - 4.2: -- Playboy -- 1965, see Appendix E

Harbor Boat House, 1955 - 4.1: 1950s

Hawaiian Sailing - 3.1: Advertising Layouts 1980s, 4.1: 1984

High Seas Sailing - 4.1: 1999

High Seas Sailing II, 1998 - 3.1: Saks Fifth Avenue 1994-1999

Men, Boats, and the Sea, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955

Sail Boats, 1953 - 4.1: 1998

Sailing - 4.1: 1985

Swell Sailing - 4.1: 1983

Turnberry Isle Yacht Club - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1982-83

Yawl Sailing, 2001 - 4.1: 2001

St. Bonaventure University - 1.1: Honorary Degrees: St. Bonaventure University 1999

St. Clare's Hopital and Health Center - 4.1: 1995

St. Francis College, Brooklyn Heights, New York - 1.1: Honorary Degrees (ov), 3.1: Brooklyn Bridge, 1995

St. John's University - 1.1: Honorary Degrees, 2.1: 1978, 4.1: 1985

St. Paul, Minnesota, bicentennial painting, Baghdad of the Midwest, 1975-76 - 3.1: St. Paul Bicentennial Painting, Baghdad of the Midwest, 1975-76

St. Paul Area Chamber of Commerce - 2.1: 1976

St. Paul Museum - 4.1: 1997

Winter Carnival painting, Ice Palace, 1985 - 3.1: Ice Palace 1985-86

St. Tropez - 4.2: -- Playboy -- 1964, see Appendix E

St. Tropez, 1995 - 3.1: Saks Fifth Avenue Catalog 1994-1999

Saks Fifth Avenue - 3.1: Saks Fifth Avenue Catalog 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence

View from Saks, 1995 - 3.1: Saks Fifth Avenue 1994-1999

Saleski, Don - 4.1: 1974

Salon d'Automne - see exhibitions, group: Grand Palais

Saltman, Sheldon - 2.1: 1976

Salvation Army - 2.1: 1999

San Diego Zoo - 2.1: 1977

San Francisco, CA

Bay Area Baseball, 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990

City by the Bay, 1993 - 3.1: San Francisco Series 1991-93

San Francisco by Day, 1991 - 3.1: San Francisco Series 1991-93

San Francisco by Night, 1991 - 3.1: San Francisco Series 1991-93

Washington Square (Moose's), 2002 - 4.1: 2003

Sandburg, Carl - V: -- Playboy -- 1961-63

Sandusky, Joe, Joe Sandusky - 4.1: undated 1990s

Santa Claus - 4.1: 1992

Sapir, Judge Eddie - 2.1: 1978, 1979, 1983, 1988

Satchmo - see Armstrong, Louis

Satinwood Whiskey - see promotions and collectibles

Saugatuck - see Ox-Bow

Saviano, Rudy - 2.1: 1999

savings bonds - see U.S. Savings Bonds

Sayers, Gale - see I Am Third, by Gale Sayers

Scaffidi, Phil - 2.1: 1981

Scarpa, William and Cathy - 2.2: William and Cathy Scarpa 1991-99

Schaefer Brewing Company - 2.1: 1976, 1979, 1980, 1981, 4.1: 1976

Schoenfield, Ed - 4.1: 1986

Schmeling, Max - 4.1: 1989

Schmidt, Michael - 2.1: 1980

The Slugger, 1979 - 2.1: 1980, 4.1: 1990, 1999

Schulberg, Budd, Budd Schulberg, 1970 drawing - 4.1: 2004

Schulz, Axel - 4.1: 1995

Schultz, Charles - 2.2: Playboy Enterprises Inc. 1970s

Schultz, Dave (hockey player) - 4.1: 1974

Schultz, Dave (wrestler) - see wrestling

Schumsky, Felicie - V: 1970s, see also Felicie, Inc.

Screiber, Al - 4.1: 1994

Schwarzenegger, Arnold - 2.1: 1990, 3.1: LongTerm Projects: American Sportscasters Association Hall of Fame Awards Dinners, 4.1: 1977, 1981, Arnold Schwarzenegger, 1977-78, 4.1: 1977, 1985, 2005

The Scooter, 1994 - see Rizzuto, Phil

Scott Foresman & Company Publishers - 2.1: 1985

Screen Actors Guild - 1.1: Name Tags and ID Cards, 3.1: Rocky films 1980-1990, see also American Federation of Television and Radio Artists

sculpture

Horse Racing Suite, 1977 - 3.1: Sculpture 1977-1987, 4.1: 1978

Defiant, 1987 - 2.2: JoAnn Perse Gallery 1984 -98, 3.1: Sculpture 1977-1987 Seaver, Tom

The Franchise, 1992 - 4.1: 1992, 2001

Segal, Erich - 2.1: 1973

Sehorn, Jason - 4.1: 1999

Seitz, Nick - see golf: -- Golf Digest -- Magazine

Self Portrait (at easel) - 4.1: 2000

Self Portrait (close up with cigar and pen), 1997 - 4.1: 1998

Serline, Ollie (LeRoy's aunt) - 1.1: Family (Neiman Studio Archive only), 2.1: 1970s, 4.1: 1972

Sharp color copier - 4.1: 1986

The Sharper Image - 4.1: 1997

Shavers, Earnie - see boxing

Shaw, Robert - 2.1: 1977, 1978

Shelly's New York - 3.1: Shelly's New York 2000

Shenker, Morris A. - 2.1: 1982, 4.1: 1982

Sher Galleries - 4.1: 1987

Sherman, Nettie - 4.1: 1981

Sherry -Lehmann - 2.1: 1997, 1998, 4.1: 1997 and ov

ship - see The Jennifer

shoes - VII

Shore, Dinah - 3.1: Dinah! (Dinah Shore television show) 1974-77

Shorter, Frank - see running

The Shot Heard 'Round the World, 1991 - 3.1: The Shot Heard 'Round the World, 1991

Showboats International - 3.1: Monaco Trip 1994

Shula, Don - 3.1: Gridiron Football News 1971-73

Siegfried & Roy - 2.1: 1998, V: 1999

Sigmond, Aaron - 2.1: 1994, 1995, 1997, 3.1: LeRoy Neiman Selection Cigars 1997

Silverstein, Shel - 2.1: 1973

Silverwood Products - 2.1: 1992

Simon Weisenthal Center - 3.1: Jackie Robinson, 1997

Simpson, O.J. - 4.1: undated 1990s, see football: Cross-Town Rivalry 1967, 1993, O.J. Simpson - 4.1: 1972, 1974

Sinatra, Frank -- - 1.1: New York Friars Club, 2.2: Sinatra Family Correspondence, 3.1: Hammer Galleries Solo Exhibition 1967, 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967, 3.1: Leo Durocher 1974-94, 3.1: Frank Sinatra Portraits for Duets and Duets II Albums 1993-1995, 3.1: Hofstra Univ. Frank Sinatra Conference and Exhibition 1998, 3.1: Frank Sinatra Classic Duets Album Cover 2002, 4.1: 1979, 1983, 1989, 1998, see also golf, 4.2: Playboy Ephemera 1960s

Frank at Rao's, 2005 serigraph - 4.1: 2005

Frank Sinatra, 1993 - 3.1: Frank Sinatra Duets and Duets II Album Covers 1993-1995

Frank Sinatra at Carnegie Hall, 1974 - 3.1: Frank Sinatra at Carnegie Hall Poster 1974

Frank Sinatra as the Detective, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967

Frank Sinatra at Madison Square Garden, 1974 drawing for poster - 4.1: 1974

Frank Sinatra at Royal Albert Hall, 1989 - 3.1: Frank Sinatra at Royal Albert Hall 1989

Singleton, Isaiah - 2.1: 1996

Singleton, Skip - see tennis: Intelligent Doubles and Intelligent Tennis

skating - see figure skating

skiing -- - 4.1: 1983, 1995, see also Olympics: skiing

Lady Skier - 4.1: 1998

Little Skier - 4.1: 1974

The Skier, serigraph - 3.1: Circle Gallery 1972

Skiing, etchings - 3.1: Circle Gallery 1972

Slalom, serigraph - 3.1: Circle Gallery 1972, 4.1: 1973

Squaw Valley - 4.2: -- Playboy -- 1961, V: 1960s, see Appendix E

Vail Race to Erase MS painting, 1994 - 4.1: 1995

Skoal Pinch Hitter of the Year Award - 3.1: Skoal Pinch Hitter 1985-1987

Slatkin, Leonard, Leonard Slatkin, 1980? - 4.1: 1980

Sliding Home - see baseball

slot machine - 4.2: Playboy - Femlin Paraphernalia

The Slugger, 1979 - see Schmidt, Michael

Smith, Charley - 1.1: Military Service

Smith, Emmitt

Emmitt Smith, 1994 - 4.1: 1994

Smith, Liz - 3.1: Doodle for Hunger I, II, III, IV, V, 2000-2004

Smith Jones, Nancy - 2.1: 1978, 1979

Smithsonian Institution, The Smithsonian Associate Magazine - 3.1: Piazza San Marco, 1990, 2001-2002

Smothers, Tom and Dick (The Smothers Brothers) - 1.1: New York Friars Club

Snead, Sam - see golf - Frost, David

Snyder, Jimmy "the Greek" - 2.1: 1974, 1991, Jimmy the Greek - 4.1: 1982

soccer -- - 2.1: 1984, 1985, 4.1: 1977, 1979, 1994

AMF soccer equipment - see promotions

Anheuser Busch World Cup poster, 1990 - 3.1: Anheuser Busch World Cup Soccer poster 1990

Chinaglia, Georgio - 3.1: Cosmos soccer 1977, 4.1: 1979, 1998

Cosmos - 3.1: Cosmos soccer 1977

Fairfax Police Youth Club Tournament poster, 1988 - 3.1: Fairfax Police Youth Club Soccer Tournament Poster 1988

Maradona, Diego - 2.1: 1980, Maradona, 1982 - 3.2. Winners, Harry N. Abrams, 1983, Magazines and Catalogs

Pele - 3.1: Economic Opportunity Atlanta 1968 ov., 3.1: Tampa Bay Rowdies soccer 1975, 3.1: Cosmos soccer 1977, 4.1: 1988

The Black Pearl, 1975 drawing - 3.1: Hammer Galleries Solo Exhibition 1975-76

Pele, 1975 - 3.1: Tokyo Exhibition 1988

Pele, watercolor - 2.1: 1983

Soccer, 1989 etching - 4.1: 1990

Tampa Bay Rowdies: Soccer is a Kick in the Grass, 1975 - 3.1: Tampa Bay Rowdies soccer 1975

socialites - 3.1: Notes on Hamptons high society 1972

Society of Illustrators of Los Angeles - 1.1: Awards: Citations

soft paintings - 3.1: Soft Paintings 1989, 3.1: Steiner & Young Galleries Exhibition 1989

Solange - 4.1: 1973

Soltner, Chef Andre - 3.1: March of Dimes' Gourmet Gala 1985

Sony - 2.1: 1978, 4.1: 1977

The Sopranos - 4.1: 1999

Sosa, Merqui - 4.1: 1996

Sosa, Sammy, Sammy Sosa, 1999 - 3.1: Good Tidings Foundation 1998-99

Sorenson, Jacki - see dance

Sorokko, Serge - see exhibitions: Bowles/Sorokko Galleries

Sotheby's - see Carousel of Hope, 4.1: 1986, 4.2: -- Playboy -- 1972, see Appendix E

souvenirs - see promotions

space shuttle - see Columbia Space Shuttle

Spago - 4.1: 1999

speaking engagements - 4.1: 1977, 1978, 1979, 1980, 1984, 1988

Special Olympics -3.1: Special Olympics Nagano Japan 2005, 4.1: 1986, 1996, Mississippi Special Olympics - 2.1: 1977

The Spectrum, Philadelphia, PA - 2.1: 1991, 1996, 3.1: Philadelphia Spectrum Painting 1991, 4.1: 1992, V: Photographs

Spectrum Fine Art, New York - 3.1: "Ball, Bat, and Glove", Spectrum Fine Art, 1977, 4.1: 1978

Spelling, Aaron - 2.1: 1985

Spinks, Leon - see boxing

Spinks, Michael - see boxing

Spirit Foundation - 2.1: 1999

Spitz, Mark - see swimming and diving

The Sporting Life - 4.1: undated

The Sporting News - 3.1: Iona College Trustee Awards Dinner Dances 1984-95

sports - listed alphabetically by name of sport (i.e. "baseball," "soccer"), with teams listed under heading of appropriate; in some cases college and professional sports are indexed separately. Also search for names of specific athletes.

sports arenas - see Madison Square Garden, Philadelphia Spectrum

sports cards - see trading cards

Sports Collectors Digest - 4.1: 1997

Sports Commemorative Decanters - see promotions and collectibles

sportscasters - see also Cosell, Howard, and Rooney, Art

American Sportscasters Association - 1.1: Awards

Sportsman's Ball - 3.1: Sportsman's Ball 1978

Sportsman's Park, Chicago - 3.1: Sportsman's Park Mural, Chicago 1976

SportsWise Magazine - 2.1: 1980

Springfield Art Association, Illinois - 2.1: 1990

Stadium Tennis, 1981 - see tennis

The Stag's Head Bar, Dublin, 1961 - see bars

Stallone, Sylvester - see Rocky, 4.1: 1987

stamps - 4.1: 1974

"Health in Sports" stamps, 1988 - 3.1: United Nations "Health in Sports" Stamps 1988

"Sport and the Environment" stamps, 1996 - 3.1: United Nations "Sport and the Environment" Stamps 1996

"Superbowl History" Stamps, 1988 - 3.1: U.S. Postal Service Superbowl Stamps 1988

Standard Oil - 4.1: 1974

Stanford University - 3.1: Bill Walsh, 1993

Stanley, Dr. M. Lee - 4.1: undated 1990s, 1996

Stargell, Willie, Willie Stargell, 1980 - 2.1: 1988, 3.1: Willie Stargell 1980, 4.1: 1973, 1987, 1988

Statue of Liberty, Lady Liberty, 1985 - 2.1: 1985, 3.1: Lady Liberty, 1985, 4.1: 1992 Staub, Rusty - 2.2: Manufacturers Hanover

Rusty Staub's Le Grand Orange wine label - 3.1: Rusty Staub 1975-1994, 4.1: 2001 Staubach, Roger - 3.1: Gridiron Football News 1971-73, 3.1: Wheaties 1997, 4.1: 1972, 1973, 1982

Roger Staubach, 1982 - 2.1: 1989, 4.2: -- Bartender Magazine -- 1997-2002, 4.1: 1982

Stengel, Casey, Casey Stengel, 1993 - 3.1: Casey Stengel 1996, 4.1: 2001

Sterling, Donald - 2.1: 1997, 1998

Sterling/Winters Company - 2.2: Sterling/Winters Company 1983-84

Stern, Howard - see radio

Stiller, Jerry - 1.1: Friars

Sting Like a Bee by Jose Torres and Bert Sugar - see boxing

Stock Market

American Stock Exchange, 1986 serigraph - 4.1: 1986

New York Stock Exchange, serigraph - 2.1: 1996, 3.1: Winter Olympics Lake Placid, 1980, 4.1: 1974

Stock Exchange, silk tapestry - 4.1: 1990

Stock Exchange, London - 4.1: 1983

Stock Market, 1976 serigraph - 2.1: 1977, 3.1: Circle Gallery 1972, 4.1: 1976

Stop Cancer - 3.1: New York City Marathon 1984-2001

Stop or My Mom Will Shoot, 1992 film - 2.1: 1991

Strahan, Michael - 4.1: 2002

Strasberg, Lee - 2.1: 1983

Strawberry, Darryl - 4.1: 1990, 2001

Stroh Brewing Company - 2.1: 1988

Stud Poker - see casinos

Studio 54 - 4.1: 1984

Styria Galleries - 4.1: 1988

Sugar, Bert - 2.1: 1972, 1977, 3.1: '21' Club, 1990 (photo), 4.1: 1999, see also boxing: Sting Like a Bee

Summer in Saugatuck, 1960 painting - 2.1: 1987

The Summer School of Painting - see Ox-Bow

sumo - 3.1: Hawaii and Japan 1974

Superbowl - see NFL football

Superstars - see Rotonda Superstars

Supreme Court of the State of New York - 2.1: 1980, 2.2: Judge Frank Affronti 1990 -1999

Supreme Court of the United States - 2.1: 1992

Surfing - 4.2: -- Playboy -- 1967, see Appendix E

The Surfer, 1980 - 4.1: 1980 ov

surgery - see The Open Heart, 1982

Swahn Fine Arts - 4.1: 1989, 1991

Sweden - 3.1: Sweden Exhibitions 1976-77

swimming and diving -- - 4.1: 1987, 3.1: Los Angeles Olympics

Chandler, Jennifer - 4.1: 1987

International Swimming Hall of Fame Museum - 4.1: 1988, 1989

Louganis, Greg - 3.2.9, 4.1: 1987

Olympic Swimmer - 4.1: 1986

Spitz, Mark - 2.1: 1986, 3.1: Munich Olympics 1972, Mark Spitz, 1972 - 3.1: Munich Olympics 1972, 4.1: 1973, 1987

United States Swimming Long Course Championships - 4.1: 1982

Switzerland - 2.1: 1985, 1989

Swoboda, Ron - 2.1: 2002

Symphantasy - see music

T

Takamiyama, Jesse - 3.1: Hawaii and Japan 1974

James Talcott, Inc. - 3.1: James Talcott, Inc. 1975

tapestry - 3.1: Edward Fields, Inc, Carpet Tapestries 1977

Taschen Publishers - 3.1: GOAT (Greatest of All Time - A Tribute to Muhammad Ali) Book by Taschen, 2004

Tavern on the Green - see restaurants

Taxicab Chronicles - 3.1: Taxicab Chronicles 1999, 4.1: 1999

Taylor, Elizabeth - 3.1: Celebrity Night at Spago, 1993

Taylor, Lawrence - 4.1: 1996

television - 2.1: 1970, 1978, 4.1: 1972, 1974, 1975, 1977, 1979, 1980, 1985, 1994, 1995, 3.1: Call of the Wild 1993, see also ABC, CBS, American Federation of Television and Radio Artists, The Lone Ranger

ABC Sports - 2.2: ABC Sports

Ampex Video Art - 3.1: Superbowl XII, 1978, 4.1: 1980

Arlene Herson Show - 4.1: 1989

The Black Stallion television show - 2.1: 1990

CBS Sports - 2.2: CBS Sports, 3.1: Superbowl XII, 1978

Channel 13 - 2.1: 1976

Cityscope - 4.1: 1989

Dinah! (Dinah Shore) - 3.1: Dinah! (Dinah Shore television show) 1974-1977

KCTA -TV St. Paul - 2.1: 1976

Larry King - see King, Larry

Kup's Show (Irv Kupcinet) - 4.1: 1972, 1982

Merv Griffin Show - 2.1: 1976, 1983, 4.1: 1980, 1989

NBC - 3.1: Sculpture 1977-87, 3.1: NBC Peacock Project 1997

"The New Odd Couple," ABC TV - 2.1: 1982

Regis and Kathie Lee - 4.1: 1988, 1996

Shukan T.V. Guide, Japan - 2.1: 1996, 3.1: 1984 Olympics, Los Angeles

TV Food Network - 2.1: 1993

TV Gallery with Ron Parris - 2.1: 1979, 4.1: 1979

T.V. Guide - 2.1: 1975

T.V. Guide Japan - 2.1: 1996, 4.1: 1984

TV Shopper - 2.1: 1979, 4.1: 1973, 1980

Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98

Today Show - 3.1: WNBC Traffic Helicopter 1981-93

WGBH TV Boston - 2.1: Charities 1994, Charities 1996

Wonderama TV Show - 4.1: undated 1970s

The Year of the Runner TV series, LeRoy Neiman host - 4.1: 1979

Tenenbaum, Judy and Harold - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum

Tennessee - 3.1: Women's Basketball Hall of Fame, 1993, 3.1: Iroquois Steeplechase, Nashville, TN, 1993, 3.1: Blues Ball 1997 -2004, see also Gregory, Jack; Morris, Gary and Elizabeth; Murphy, Libby; Perkins, Carl; Rudy, Jeanette Cantrell; Tigrett, John and Pat Kerr

tennis -- - 3.1: Nelson Mandela Tribute 1997, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1975, 1980, 1985, 1988-89, 1997, 1999

Adoption Guild Annual Tennis Tournament, Tennis Country - 3.1: Adoption Guild Tennis Tournament 1980

Alan King Caesar's Palace Tennis Classic - 3.1: Alan King Caesar's Palace Tennis Classic 1980-83

American Airlines Tennis Games - 2.1: 1976

Ashe, Arthur, Arthur Ashe, 1980 - 2.1: 1980, 4.1: 1980, 1984

Association of Tennis Professionals - 4.1: 1984

The Ball is in Your Court - 4.1: 1979

Blanchard, Mike - 4.1: 1975

Blood Tennis, 1980 serigraph - 4.1: 1980

Borg, Bjorn - 4.1: 1977, Bjorn Borg - 3.1: Sweden Exhibitions 1976-77, 4.1: 1980

Casals, Rosey - 4.1: 1975

Center Court, Madison Square Garden - 4.1: 1986

Conner, Bart - see gymnastics

Connors, Jimmy - 4.1: 1977, 1988, 1994

Court, Margaret - 4.1: 1975

Doubles - 4.1: 1973, 1977

Emerson, Roy - 4.1: 1998, see Laver, Rod

Evert, Chris - 4.1: 1976, 1994 and ov, see Appendix A

Back Hand - Chris Evert - 4.1: undated, 1981 ov

Chris, 1973 drawing - 3.1: Hammer Galleries Solo Exhibition 1975-76

Forest Hills - 3.1: RFK Tennis Tournament 1972-1979, 4.2: -- Playboy -- 1960, see Appendix E

Get Shot - 4.1: undated

Gonzales, Richard (Pancho) - 4.1: 1972, 1975, 1977, Pancho Gonzales, 1970 - 4.1: 1970, 1972

I Love New York Pro Celebrity Tennis Tournament - 2.1: Charities 1982, 4.1: 1982

Intelligent Doubles, by Skip Singleton - 3.1: Skip Singleton Tennis Books 1988-89

Intelligent Tennis by Skip Singleton - 3.1: Skip Singleton Tennis Books 1988-89

International Tennis Hall of Fame - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78

Kennedy, Robert F. - see Robert F. Kennedy Pro Celebrity Tennis Tournament

King, Billie Jean - 4.1: 1973 ov

Laver, Rod

Rod Laver at Wimbledon, 1970 drawing - 3.1: Rotonda Superstars 1973-75

Rod Laver, 1980 watercolor - 4.1: 1996

Rod Laver and Roy Emerson, 1980 watercolor - 3.1: Adoption Guild Tennis Tournament 1980, 4.1: 1998

Lendl, Ivan - 4.1: 1989

McEnroe, John - 4.1: 1983, 1989, 1994

Men's Doubles - 4.1: 1977

Mixed Doubles - 3.1: Skip Singleton Tennis Books 1988-89, 4.1: 1978, 1981

Mulloy, Gardner - 4.1: 1977

Net Shot, undated - 4.1: undated

Noah, Yannick - 4.1: 1997

Palm Beach Tennis Masters - 4.1: 1973 ov

Racketeers, 1975 silkscreen - 4.1: 1975

Riggs, Bobby - 4.1: 1973 ov

Robert F. Kennedy Pro Celebrity Tennis Tournament - 3.1: Robert F. Kennedy Pro Celebrity Tennis Tournament 1972-79

Roche, Tony - 4.1: 1973 ov

Rosewall, Ken - 4.1: 1975

Sabatini, Gabriela - 4.1: 1996, 1997

Smash - Stan Smith - 4.1: undated

Stadium Tennis, 1981 - 3.1: Stadium Tennis Billboard, 1981

Tennis - Sudden Death, 1973 - 4.1: 1998

Tennis Magazine - 4.1: 1973, 1975

Tennis Masters (McEnroe and Lendl) - 4.1: 2000

Tennis Players, serigraph - 3.1: Circle Gallery 1972, 3.1: RFK Tennis Tournament 1972-1979

Turnberry Isle Racquet Club - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1982-83

Volvo Masters serigraph, 1983 - 3.1: Volvo Masters Painting 1983, VC: 1983

Washington, Malivai - 4.1: 1997

wheelchair tennis - 2.1: 1980

The Wimbledon Restaurant - see restaurants and bars

Texas Is... - 4.1: 1986

textbook (usage of art in) - 2.1: 1998, 2000, 2002, 4.1: undated, undated 1990s, 1992, 1996

theater - 3.1: Borstal Boy 1970, 3.1: "Busker Alley," 1995, 4.1: 1964, 1969, 1981, 1991, 1999, see also musicals

Inherit the Wind - 4.1: 1956 ov

Theater Collection of the Museum of the City of New York - 4.1: 1983

theft - 2.1: 1980, 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989-90, 4.1: 1973, 1981, 1986, 1987, 1990, see also forgery and vandalism

Thomas, Duane - 3.1: Gridiron Football News 1971-73

Thompson, Bobby - see The Shot Heard 'Round the World, 1991

Thornton, Tony - 4.1: 1995

Thornton, Wayne - see boxing

The Three Tenors - see opera

The Thrill of Victory, by Bert Sugar - 2.1: 1977, 4.1: 1978

Thurmond, Strom - 2.1: 1984, 3.1: Miss U.S.A. Pageant 1978

TIME Magazine - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969

Times Square, 2001 - 4.1: 2003

Tiger Tops Pvt. Ltd. - 2.1: 1982

Tigrett, John and Pat Kerr - 2.1: 1992, 1993, 1999, 3.1: Blues Ball 1997-2004

Time Out New York Magazine - 4.1: 2000

Timothy Yarger Fine Art - see exhibitions

Timoney, John - 4.1: 1996

To, Bobbie - 4.1: 1984

Toney, James - 4.1: 1994

Top Secret! 1984 film - 4.1: 1984

Topps - see trading cards

Torre, Joe - 3.2. -- Casey at the Bat -- , 2000, 4.1: 2002

Torres, Jose - 4.1: 1966

Tour Eiffel, 1993 - 4.1: 1995

Tour de Trump - 3.1: Tour de Trump

Tour de Trump, 1989 - 3.1: Tour de Trump

The Toy Store - see exhibitions

track and field - see also running, 4.1: 1982, 1987, V: Jesse Owens International Trophy Awards 1983-2000s

Dekker, Mary - V: 1980s

Drake Relays - 3.1: Drake Relays 1979

Jenner, Bruce - 2.1 1977, 3.1: Winter Olympics, Lake Placid 1980, 4.1: 1987

Joyner-Kersee, Jackie - 4.1: 1999, V:1990s, Jackie Joyner-Kersee, 1993 - 3.1: Millrose Games 1986-1995

Lewis, Carl - 3.1: Victor Awards 1981-1985

Millrose Games - 3.1: Millrose Games 1986-95

Muhammad Ali Invitational - 4.1: 1977

Off and Running, 1978 - 4.1: undated 1980s

Owens, Jesse -- - 3.1: Drake Relays 1979, 4.1: 1990, 1998, 2000

Jesse Owens, 1983 - 4.1: 1983, 1984, 1986, 2000

Jesse Owens Foundation - 2.2: Jesse Owens Foundation Board of Directors 1990-2000

Jesse Owens International Trophy Awards - 4.1: 1983, 1984, 1986, 1987, 1989, 1992, 2000, V: 1990s

Jesse Owens Track Classic - 4.1: 1990

U.S. Olympic Track and Field Trials - 4.1: 1980

trading cards

Kayo - 3.1: Kayo Joe Louis Boxing Card 1991

Topps - 2.1: 1992, 3.1: Topps Celebrity Trading Cards 1992

Upper Deck - 2.1: 1992

travel agency - 4.1: undated

Tretyakov Museum, Moscow - see exhibitions

Trinidad, Felix - see boxing

Tropicana Resort & Casino - see casinos

Trottier, Bryan - 4.1: 1976

Truax - 3.1: Gridiron Football News 1971-73

Trump, Donald -- - 1.1: New York Friars Club c., 3.1: Tyson vs. Spinks 1988, 3.1: Tour de Trump 1989, 4.1: 1987

Donald Trump, 1986 - 2.2: Trump 1987-96

Trump Plaza - 2.2: Trump 1987-96, 3.1: Tyson vs. Spinks 1988, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence, 4.1: 1996

Harrah's Trump Plaza, Atlantic City - 3.1: Harrah's Trump Plaza Opening, Atlantic City 1984

Baccarat at Harrah's - 3.1: Saks Fifth Avenue Catalog 1994-1999, 4.1: 1984

Harrah's Polo - 2.1: 1988, 4.1: 1988

Trump Polo Club - 4.1: 1985

Trump Taj Mahal, Atlantic City - 2.2: Trump 1987-96

Trump, Ivana - 2.2: Trump

A Tribute to the Movies, 1989 - 3.1: Houston Film Fest

Tulane University - 4.1: 1974

Tunnel Club, New York - 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: 1988

Turkey - 2.1: 1975

Turnberry Isle Yacht and Racquet Clubs - 3.1: Turnberry Isle Yacht and Racquet Club, Exhibitions 1982-83

Turner, Tina - 4.1: 1981

Twentieth Century Fox Film Corportation - 2.1: 1976

'21' Club - see restaurants

Two Bar Men, 1965 - see bars

Tyson, Mike - see boxing

U

UCLA LeRoy Neiman Center for the Study of American Society and Culture - 3.1: UCLA, 1998-present

U.S. Army - 1.1: Military Service, see also Army vs. Navy

U.S. Postal Service - 3.1: U.S. Postal Service Superbowl Stamps 1988, 3.1 ov.

U.S. Savings Bonds - 3.1: U.S. Savings Bonds Campaign 1987-88

Edwin A. Ulrich Museum of Art, Wichita State University - 2.1: 1981

The Ultimate Seduction, by Charlotte Chandler - see Chandler, Charlotte

Ultraviolet - see Dufresne, Isabelle

unicorn - see animals: unicorn

Unitas, Johnny - 3.1: Gridiron Football News 1971-73

Johnny Unitas, 1970 drawing - 3.1: Rotonda Superstars 1973-75

Johnny Unitas, 1997 - 3.1: Wheaties 1997

United Airlines - 4.1: 1983

United Cerebral Palsy Association - 4.1: 1988, 1992

United Nations, U.N. Postal Administration - 3.1: United Nations Stamps 1988-96

United States Sports Academy - 2.1: 1989

United Way - 3.1: The Shot Heard 'Round the World, 1991

Universal Geneve Timepieces - 3.1: Universal Geneve Watch Promotion 1995-96

University of California at Los Angeles - see UCLA

University of Chicago - 1.1: Education and Teaching, Miscellaneous, undated

University of Denver - 2.1: 1979

University of Oklahoma - 2.1: 1982

University of San Francisco - 4.1: 1988

University of Southern California - 3.1: Los Angeles Olympics 1984

University of Texas at Austin - 4.1: 1994

Upstairs Gallery - 2.2: Upstairs Gallery 1980-89, 4.1: 1973, 1985, 1989, see also exhibitions

V

Vail, CO - see skiing

Van Der Marck Editions - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

vandalism - 4.1: 1978, see also theft, forgery

Vanity Fair Magazine - 4.1: 1996

Varga, Alberto - see -- Playboy -- Magazine

Vargas, Fernando - see boxing

Variety Clubs International Distinguished Artist Award - 1.1: Awards

Varipapa, Andy - see bowling

Venice, Italy - 2.2: Helmut Drinhaus 1988-2000

Ventura, Jesse - see wrestling

Vernon, Jackie - 3.1: Economic Opportunity Atlanta 1968 ov.

Versace, Gianni - 4.1: 2001

Via Video - 2.1: 1983

Viagem E Tourismo Magazine - 3.1: Brooklyn Bridge, 1995

Victor Awards - 3.1: Victor Awards 1981-1985, 4.1: 2003

Video Magazine - 2.1: undated

Vienna, Austria - 2.1: 1996

Village Nursing Home - 4.1: 1982

W

WNBC - see helicopter

Wajima - 3.1: Hawaii and Japan 1974

Walker, Doug - 3.1: Soft Paintings 1989

Wall Street Journal -- - 4.1: 1969 ov

Walsh, Coach Bill, Bill Walsh, 1993 - 3.1: Bill Walsh, 1993, 4.1: 1993

Ward, Laura - 4.1: 2004, see also Merce Cunningham Studio under "dance"

Warhol, Andy - 3.1: Neiman/Warhol 1981, 3.1: "Art", Group Exhibition at Area, 1985, 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: undated 1980s, 1986, 1987, 1988

Warwick Hotel - see Players Hotel

Washington, Malivai - see tennis

watch - see Classic Moments Watches or Universal Geneve Timepieces

Watergate hearings - 2.1: 1973

Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80, 4.1: 1979

Wayne, George - 4.1: 1996

Webb, Eugene 'Fat Daddy' - 3.1: Economic Opportunity Atlanta 1968 ov.

Webster, Jack - 2.1: 1990, 1992, 1994, 1995

Weeb - see Ewbank, Weeb

Weiner, Claire - 2.1: 1970s, 1987

Weisberg, Tim - 2.1: 1977

Welles, Orson - 4.1: 1989

Welzer, Irv - 1.1: Friars, 2.1: 1977

Wenzel, Lee - 2.1: 1985

West Side Story - see musicals

Westbury Hotel - 2.1: 1978

Westheimer, Dr. Ruth - 4.1: 1999

Wheaties - 3.1: Wheaties 1997

Whitaker, Pernell "Sweet Pea" - see boxing

White House - 2.1: 1978, 1980, 3.1: Newport Jazz Festival 1975-2004, 4.1: 1978, Easter at the White House - 4.1: 1988

Whitney Museum of American Art, Whitney Biennial - 4.1: 1985, 1989

Who's Who - see Marquis Who's Who

Whores, Wars & Tin Pan Alley - 4.1: 1969

The Wildcats, 1978 - 3.1: The Wildcats, 1978 file

wildlife - see animals, LeRoy Neiman On Safari

The Wildlife Experience - 3.1: "LeRoy Neiman on Safari," The Wildlife Experience, Parker, CO, 2003

Williams, Bernie, Bernie Williams, 2003 - 3.1: Bernie Williams, 2003

Williams, Cleveland - see boxing

Williams, Ted -- - see also television: WGBH

The Splendid Splinter - 3.1: Williams at Bat, 1980-1991, 4.1: 1993, 2002

Williams at Bat, 1980 painting and 1991 serigraph - 3.1: Williams at Bat, 1980-1991, 4.1: 1981, 1991, 2002

Win a Few, Lose a Few, 1972 boxing documentary film - 4.1: 1972

Windsor Gallery - 4.1: undated 1970s

wine -- - 4.1: 1997, see also champagne

labels - 3.1: David Frost Wines 2001, 4.1: 1992, 1996, see also golf: Atlanta National Golf Club California Merlot

Wine Country Film Festival - 3.1: Wine Country Film Festival 1990

Wine, Women, and Cigar, 1996 - see cigars

Winged Foot - see golf

Wingmead - 2.2: JoAnn Perse Gallery 1983-02

Winners, 1983 - 2.2: ABC Correspondence, 2.2: Neiman-Marcus 1983-88, 2.2: Sterling/Winters Company 1983-84, 3.1: Hanson Galleries New Orleans and Carmel, 1983-84, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.2: The Ring Magazine

Wisconsin - 2.2: Bobby Hinds 1990-2000

Wittnauer International - see Universal Geneve

Wolf, Martin B. - 4.1: 1964

Wolfberg, Lee - 4.1: undated 1980s

Wolfson, Mr. and Mrs. Robert L. - 4.1: 1967, 1980

Women of Excellence - 2.1: 1985

Women's Basketball Hall of Fame - 3.1: Women's Basketball Hall of Fame, 1993

Women's Sports Foundation - 2.1: 1983

Wood, Jan - 2.1: 1991, 1997, 1998

Wooden, John, Coach John Wooden, 1975 - 2.1: 1975, 1985, 4.1: 2001

Woods, Tiger - see golf

Word, Rob - 4.1: 1977

World Biographical Hall of Fame - 2.1: 1991

World War II - 1.1: Military Service, 4.1: 1998

world wide web - 3.1: LeRoy Neiman Website 1997-present

wrestling -- - 4.1: 1973, 1992, 1999

Baumgartner, Bruce - 2.1: 2001, 4.1: 1999

Schultz, Dave, Dave Schultz, 1996 - 3.1: Dave Schultz 1996

Ventura, Jesse - 3.1: Jesse Ventura 1999

Wyeth, Andrew - 4.1: 1987

Wyland - 4.1: 1993

X

Y

YMCA - 4.1: 1992

Yale University - 4.2: Playboy Parodies - Harvard and Yale

Yarger, Timothy - see exhibitions: Timothy Yarger Fine Art, also Bowles Galleries

The Yearling, by Marjorie Kinnan Rawlings - 4.1: 1994

Yellin, Lou - 2.1: 1991, 1992, 1998

Young, Trip - 4.1: 1970

Youngman, Henny - 1.1: Friars, 2.1: undated, 1987

Henny Youngman, 1987 - 4.1: 1987

Yugoslavia - 4.2: -- Playboy -- 1969, see Appendix

Z

Zabrin, Michael - see Michael Zabrin Fine Art

Zaire - 4.1: 1974, 2000, 2002

Zelaya, Jose - 2.1: 1972, 1973, 1976, 1977

Zeran, Ken - 2.1: 1990, 1991, 3.1: '21' Club, 1990 (photo)

Ziegenfuss Gallery, Sarasota, FL - 4.1: undated 1990s

zoo - 3.2. -- LeRoy Neiman On Safari -- , 1996, Zoo Tour correspondence
Provenance:
The papers of artist LeRoy Neiman were donated to the Archives of American Art in 2005 by LeRoy Neiman.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility. This collection is publication restricted by the donor.
Rights:
Authorization to quote, publish or reproduce requires written permission from: Leroy Neiman Foundation, One West 67th Street, New York, NY 10023; info@leroyneimanfoundation.org
Topic:
Olympics in art  Search this
Painters -- New York (State) -- New York  Search this
Sports artists  Search this
Art -- Study and teaching  Search this
Printmakers -- New York (State) -- New York  Search this
Citation:
LeRoy Neiman papers, 1938-2005. Archives of American Art, Smithsonian Institution
Identifier:
AAA.neimlero
See more items in:
LeRoy Neiman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neimlero

National Arts Club records

Creator:
National Arts Club  Search this
Names:
Arts Realty  Search this
De Kay, Charles  Search this
Extent:
32.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Photograph albums
Date:
1898-1960
Summary:
The records of the National Arts Club measure 32.1 linear feet and date from 1898 to 1960. The collection documents the founding of the club, and it's governance, administration, exhibitions, and social activities
Scope and Content Note:
Records of the National Arts Club, spanning the period 1898 to 1960, document the founding of the organization, and its governance, administration, finances, exhibitions, and social activities. There are large gaps in the records and many of those surviving are incomplete, which can be explained by a 1932 resolution of the Board of Governors that "old files and letters and bills in the storeroom prior to 1922 may be destroyed at the discretion of the Secretary and Treasurer."

Minutes and reports of the Board of Governors and Executive Committee are fairly complete through 1949, but sparse thereafter. Records do not exist for all standing and special committees, and those remaining tend to be concentrated in the early twentieth century.

Correspondence of the officers, for the most part, is routine and relates to administrative matters. Financial records cover the period 1917 to 1950, with a large number of gaps.

A small number of records of the Arts Realty Co. (later known as 15 Gramercy Park, Inc.) are extant. These include lists of stockholders, correspondence concerning mortgage bonds, and minutes.

Membership records, arranged alphabetically, are available for the years 1931 to 1959, and there are rosters arranged by membership category, 1940-1952; in addition, printed membership lists were issued circa 1900-1951.

More than four hundred exhibitions are known to have been held in the galleries of the National Arts Club between 1899 and 1960. Catalogs for 124 National Arts Club exhibitions are available at the Archives of American Art; 69 titles are to be found among the Club's records and an additional 55 were microfilmed previously as parts of other collections. Other exhibition documentation includes printed matter such as invitations, entry blanks, publicity, and photographs (see Appendix A). For some exhibitions, supporting documentation such as correspondence with exhibitors and collectors, sales and consignment records, and shipping receipts have survived. These files are mainly confined to Books of the Year exhibitions, Arts and Crafts/Decorative Arts exhibitions, and a smaller number of exhibitions of Living American Etchers, 1928-1957.

General social events, activities sponsored by Arts Club committees, and special commemorative occasions are documented by invitations, programs, publicity, calendars of events, and photographs. The majority of this material is contained in seventeen scrapbooks, 1898-1940. Programs of the Men's Open Table, 1915-1950, are particularly well documented by the Chairman's correspondence and three volumes containing meeting notices with signatures of members in attendance.

In addition to printed matter relating to exhibitions and events, scrapbooks, 1898-1940, contain general publicity, clippings concerning members, and samples of National Arts Club printed matter such as form letters to the general membership, brochures, ballots, house rules, published membership lists, year books, and the like. Loose printed matter augments that preserved in the scrapbooks. These sources combined provide a fairly complete set of the Bulletin, but the number of year books is small, and there are catalogs of only slightly more than a third of the exhibitions identified.

Photographs, in addition to those recording exhibitions and events, include portraits of governors, officers, distinguished visitors, speakers, and performers; views of Gramercy Park and the interior and exterior of the clubhouse; and works of art in the permanent collection.

Miscellaneous material includes information on the National Arts Club's first home on West 34th Street, and the Tilden Mansion, its current clubhouse on Gramercy Park; histories of the organization; unpublished speeches presented at Club occasions; and copies of legal documents, including the Club's charter and act of incorporation.

See Appendix A for an annotated list of National Arts Club exhibitions, 1899-1960
Arrangement:
The records are arranged into the following series:

Series 1: Board of Governors, 1898-1960, undated

Series 2: Administration, 1898-1960, undated

Series 3: Financial Records, 1917-1952

Series 4: Membership, circa 1900-1962

Series 5: Arts Realty Co., 1909-1913, 1945-1956, undated

Series 6: Miscellaneous, 1890-1961, undated

Series 7: Photographs, 1899-1957, undated

Series 8: Printed Matter, 1893-1960, undated

Series 9: Scrapbooks, 1898-1940
Historical Note:
The National Arts Club was founded by Charles de Kay, literary and art critic for the New York Times who believed there was a need for a club uniting all of the arts. In March of 1898, de Kay called together a number of civic leaders and men prominent in the art world who supported the idea, elected the first officers and incorporated the Club in 1899.

As stated in a circular issued by the Club, its specified purposes were: to promote the mutual acquaintance of art lovers and art workers in the United States; to stimulate and guide toward practical and artistic expression the artistic sense of the American people; to maintain in the City of New York a Club House...for social purposes in connection with the arts; to provide proper exhibition facilities for such lines of art, especially applied and industrial art, as shall not be otherwise adequately provided for in the same City; and to encourage the publication and circulation of news, suggestions and discussions relating to the fine arts.

During its initial months, the National Arts Club operated from a temporary office at 156 Fifth Avenue. In the search for a permanent site, considerable care was taken to select an auspicious location and accommodations, and in 1899 the first clubhouse was opened at 37 West 34th Street in leased quarters renovated expressly for the Club. Within a year, the gallery and restaurant required additional space, and there was a desire to provide overnight quarters for members visiting from out of town. In 1901 the Club created a corporation, Arts Realty Co., which issued shares to members and other investors for the purpose of raising funds to purchase the adjacent property (39 West 34th Street). This end was accomplished, and when it was decided to move the Club to another location, proceeds from the sale of the lease on 37 West 34th Street and the lot next door, augmented by additional funds subscribed by members, enabled Arts Realty Co. to acquire the Tilden Mansion at 15 Gramercy Park in 1905. Construction was begun immediately on a connecting studio tower to the rear (119-121 East 19th Street), designed by architect and Club President George B. Post. Upon completion, the Club bought the property from Arts Realty Co., issuing both First and Second Mortgage Bonds to individual subscribers. The Gramercy Park property has been occupied by the Club since 1906.

A show of American gold and silver work in October 1899 was the first exhibition held at the National Arts Club. Decorative arts, crafts, and industrial arts figured prominently in early exhibitions, as did designs for civic improvements. The monthly exhibition schedule emphasized contemporary American art, but also included some historical shows. Members of the public were admitted without charge to the galleries, where they could view such innovative and important exhibitions as Pictorial Photographs presented by the Photo-Secession (1902) and a group exhibition featuring the works of Robert Henri, William Glackens, George Luks, Arthur B. Davies, and Maurice Prendergast (1904). After about 1907, exhibitions grew more conservative, probably reflecting the personal tastes of Art Committee members rather than a formal opposition of the Club to nonrepresentational art. Increasingly, the exhibition schedule was filled by shows of members' work, the Club's permanent collection (mainly works by artist members, usually given in payment for life membership), the Annual Arts and Crafts exhibitions, Books of the Year exhibitions, and shows organized by various art societies.

In addition to exhibitions, the National Arts Club regularly featured a variety of cultural programs such as concerts, lectures, and dramatic presentations for members and guests. Parties, dinner, dances, and other social activities drew members to the Club, too. During its first years, some artist members expressed dissatisfaction with the high priority given social functions; by 1905, J. Carroll Beckwith, Walter Shirlaw, and Stanford White were among those who had resigned for this reason.

Within the National Arts Club there have been some smaller societies. The earliest of these were The Discus, a short lived dining and debating club, and The Vagabonds, a lunch group of writers, editors, printers and illustrators. The Men's Open Table, founded in 1910, met weekly for more than forty years for dinner followed by a talk, given by a fellow member or an outside, often professional, lecturer. A wide range of topics, not necessarily on the arts, were presented and discussed at the Men's Open Table. The American Institute of Graphic Arts is one of the organizations said to have developed from associations formed and discussions held at the Men's Open Table. A Women's Open Table, patterned after the men's, was established later.

The National Arts Club, unlike many other private clubs founded during the same era, admitted women members from its inception. Throughout its history, the Club's membership has been comprised of artists, musicians, writers, and performers, as well as collectors and supporters of the arts drawn from all parts of the country. Membership peaked at around 1,800 in 1920, declining throughout the Depression and again in the mid-1950s, and remaining at about 600 for the next two decades.

1898 -- Founding; occupied temporary office at 156 Fifth Ave.

1899 -- Incorporation; leased clubhouse at 37 West 34th St.; opened first exhibition, American Gold and Silver Work

1900 -- Constitution adopted

1901 -- First donations to permanent collection; Arts Realty Co. formed for the purpose of acquiring and financing the adjacent property (39 West 34th St.)

1905 -- Arts Realty Co. purchased Gramercy Park property (Tilden Mansion) on behalf of NAC; remodeling of clubhouse and construction of studio tower begun

1906 -- Plan for financing new clubhouse approved; second Mortgage Bonds issued; clubhouse and studio tower occupied; First Annual Books of the Year Exhibition

1907 -- Annual Members' Exhibition initiated; Bulletin began publication

1910 -- First meeting of Men's Open Table (established 1909)

1914 -- Essay contest, "A Critical Estimate of the Altman Collection"

1917 -- American Artists War Emergency Fund Committee issues art stamp

1923 -- Junior Artist membership category created

1930-1931 -- Essay contest, "Soul of America"

1940 -- Works by deceased artist life members deaccessioned from permanent collection; fund for refugee artists established

1962 -- Clubhouse designated New York City Landmark

1976 -- Clubhouse designated National Historic Landmark

1987 -- NAC records donated to Archives of American Art
Appendix A: Annotated List of National Arts Club Exhibitions, 1899-1960:
* = photographs included with records of NAC (See pp. 22-23 for reel and frame numbers)

+ = photograph in NAC album (See pp. 24 for reel and frame numbers)

x = catalog, checklist, or printed announcement included with NAC printed matter

s = copy of catalog in NAC scrapbook (volume number noted, see pp. 27-32 for reel and frame numbers of each volume)

Microfilm reel and frame numbers (e.g.: N134:416-419) are cited below for NAC catalogs appearing in other collections within the Archives of American Art.

DateExhibitionOct. 30 *, 1899 -- House Warming, Exhibition of American Gold and Silver Work

Nov. 13-18, 1899 -- Tenth Exhibition of the Woman's Art Club; Reception to Miss Cecilia Beaux (N134:416-419)

Nov. 27-Dec. 10, 1899 -- Art Pottery, American, Oriental, and European (N134:407-415)

Dec. 23-Jan. 8, 1899 -- Exhibition of Small Bronzes (N134:437-443)

Jan. 13, 1900 -- Exhibition of Photographs, works by members of the Society of Mural Painters

Jan. 29, 1900 -- Design for Street Refuge, shown by New York Municipal Art Society

Feb. 5-22, 1900 -- Exhibition of Embroideries and Native Rugs (N134:420-425)

Feb. 24-Mar. 10, 1900 -- John Leslie Breck Memorial Exhibition (N443:703-708; N551:719-724)

Mar. 24-Apr. 14, 1900 -- Pastel Exhibition, American Work

Apr., 1900 -- Old and Modern Japanese Prints

Apr. 14-21, 1900 -- Ernest Tarleton Memorial Exhibition

Apr. 21-May 3, 1900 -- Exhibition of Color Reproductions, American and European

May 10-21, 1900 -- American Art Leatherwork (N134:432-426)

May 24-30, 1900 -- Small Exhibition of Japanese Water Colors

May 31-June 14, 1900 -- William Hamilton Gibson Memorial Exhibition

June, 1900 -- New York Municipal Art Society Competition

Nov. 28-Dec. 19 x, 1900 -- Arts and Crafts (N134:421-431)

Jan., 1901 -- Birds and Beasts in Art

Feb., 1901 -- Art Leatherwork and Objects Relating to the Hearth

Mar., 1901 -- Works by the Society of Mural Painters

Apr., 1901 -- Books and Bookmaking

Apr., 1901 -- Howard Walter, Water Colors Taken in Europe

May, 1901 -- Glass in the Arts

May, 1901 -- Memorial to John A. Fraser, His Paintings

May-Nov., 1901 -- Arts and Crafts in the Liberal Arts Building, Pan-American Pacific Exhibition, Buffalo, N.Y.

June-Sept., 1901 -- Sculpture, Oil Paintings, Pastels, Water Colors, and Objects of Industrial Art by Members of the Club

Oct., 1901 -- Memorial Window for the Ames Family by John La Farge

Nov., 1901 -- Annual Exhibition of Paintings and Sculpture by the Woman's Art Club

Dec., 1901 -- Objects Shown at the Pan-American Pacific Exposition

Jan., 1902 -- Ecclesiastical Art

Feb., 1902 -- Art Objects Relating to Civic Art, under the auspices of the Municipal Art Society

Mar., 1902 -- American Pictorial Photographs, shown by the Photo-Secession

Mar. 26-Apr. 21, 1902 -- Fourth Annual Exhibition of the National Sculpture Society (N551:725-729; N134:446-451)

May, 1902 -- Pictures of "Womanhood"

May, 1902 -- Memorial Window for Baltimore by D. Maitland Armstrong; Memorial Window for Wells College by Mrs. Ella Condie Lamb June Window in Stained Glass, Memorial to Julia Doane, Chicago, by John La Farge

Oct., 1902 -- Collection of Objects in Metal; Artistic Bird Cages lent by A. W. Drake, Esq.

Nov., 1902 -- Annual Exhibition by the Woman's Art Club

Nov., 1902 -- Paintings by Four Western Artists, Messrs. Duveneck, Steele, Meakin and Sharp, through the courtesy of the Cincinnati Museum Association

Dec., 1902 -- Designs Submitted for Competition for the Emblem of the Louisiana Purchase Exposition

Jan. s, 1903 -- Portraits of Napoleon, lent by John Leonard Dudley, Jr., Esq. (volume 4)

Jan., 1903 -- "Autumn," Stained Glass Window for the country residence of William C. Whitney, by John La Farge

Feb., 1903 -- Eskimo and Arctic Objects, with Paintings from the Arctic and Antarctic Circles by Frank Wilbert Stokes

Mar., 1903 -- Objects of Municipal Art

Apr., 1903 -- Examples of Ideal Art by American Artists

May, 1903 -- Sculptures by Rodin, Roche, and Rivere, belonging to Miss Lois Fuller

May, 1903 -- Portraits and other Paintings by American Artists of the Colonial and Early Periods

June-Oct., 1903 -- Summer Exhibition of Paintings, Water Colors, and Sculpture by Members of the Club

Nov., 1903 -- Jewelry and Precious Stones, Modern, Old and Oriental

Dec. 1-14, 1903 -- Thirteenth Annual Exhibition of the Woman's Art Club (N134:452-456)

Dec., 1903 -- Stained Glass Window, designed by Miss Mary E. Tillinghast

Dec., 1903 -- Sketches for the Sculpture at the Louisiana Purchase Exposition, shown by the National Sculpture Society

Jan. 5-16 s, 1904 -- Loan Exhibition of Pictures by Eminent American Painters (N134:426-464, and volume 4)

Jan. 5-16 s, 1904 -- Loan Exhibition of Pictures by Robert Henri, William Glackens, George Luks, Arthur B. Davies, and Maurice Prendergast (volume 4)

Feb., 1904 -- Pictures by Contemporary American Artists

Mar. 2-15, 1904 -- Loan Exhibition of Pictures by American Figure Painters (N50:471-472; N134:460-461)

Mar., 1904 -- Annual Exhibition of Objects of Municipal Art

Apr. 5-15 s, 1904 -- Loan Exhibition of Pictures by Some Boston Artists (N443:713-715, and volume 4)

Apr. 19-30 s, 1904 -- Loan Exhibition of Pictures by Old Masters, lent by the Messrs. Durand-Ruel (N443:711-712; N134:462-464, and volume 4)

May 3-14 s, 1904 -- Oil Paintings, Water Colors, and Drawings by John La Farge, N.A. (volume 4)

May, 1904 -- Photographs of Paintings by Old Italian Masters, under the auspices of the Library Committee

Oct., 1904 -- Work of Holders of the Lazarus and Reinhart Scholarships executed while at the American Academy in Rome

Nov., 1904 -- "The Moral and Divine Law," painting by John La Farge

Nov., 1904 -- Exhibition by Members of the Nippon-Bijitsuin (Japanese Art Academy)

Jan., 1905 -- Exhibition by the Lyme Group of Painters

Feb., 1905 -- "Old Masters" and Aphrodite

Feb., 1905 -- Pictures by Some Boston Artists

Mar., 1905 -- Annual Exhibition of the Municipal Art Society of New York

Apr., 1905 -- Artistic and Commercial Posters, under the Auspices of the Municipal Art Society

Apr., 1905 -- Textiles and Ceramics

Oct., 1905 -- "Out of Doors" as Seen by Various Artists

Nov., 1905 -- Color Prints by S. Arlent-Edwards

Dec., 1905 -- American Indians as Seen by the Artist and the Artist Photographer

Jan., 1906 -- Birds and Beasts in Art

Feb., 1906 -- Miniatures

Mar., 1906 -- Fifth Annual Exhibition of the Municipal Art Society

Mar., 1906 -- Exhibition by the Alumni of Cooper Institute

Apr. 2-14 s, 1906 -- Municipal Art Society Exhibit of Poster Designs (volume 4)

Apr.-May, 1906 -- Exhibition by the Women's Art Club of New York

Nov. 8-18 s, 1906 -- Opening Exhibition [first exhibition in new quarters]: American Paintings from the Collection of Mr. William T. Evans (D45:29-34, and volume 4)

Dec., 1906 -- Books of the Year

Dec. 8-Jan. 1 s, 1906 -- Pictures by Some American Painters (volume 4)

Jan. 12-Feb. 1 s, 1907 -- Modern German Paintings from the Collection of Mr. Hugo Reisinger (N443:716-717, and volume 4)

Feb. s, 1907 -- Exhibition of Wood Engravings by Timothy Cole made for Century Magazine

Feb., 1907 -- Longfellow Memorial

Mar. 13-31, 1907 -- Sixth Annual Exhibition of the Municipal Art Society of New York

Apr., 1907 -- New York Society of Ceramic Artists

Apr., 1907 -- Paintings and Sculpture by Members

May s, 1907 -- Exhibition of Artists' Preliminary Sketches

May-Nov., 1907 -- Sketches by Members

Oct. 16-Nov. 16 s, 1907 -- Fall Exhibition of Sketches by Members (volume 4)

Nov. 20-Dec. 11, 1907 -- Arts and Crafts Exhibition (N29:1001-1026)

Dec., 1907 -- Second Annual Exhibition of the New Books of the Year

Jan. 4-25 s, 1908 -- Contemporary Art (N443:744-746, and volume 5)

Feb., 1908 -- First Annual Exhibition of Advertising Art

Feb. 1-15 s, 1908 -- Contemporary Paintings (volume 5)

Mar., 1908 -- Exhibition of the Municipal Art Society of New York

Apr. 2-25 * s, 1908 -- Special Exhibition of Members' Work (volume 5)

Apr. 15-May 8 s, 1908 -- Members' Spring Exhibition (volume 5)

Apr. 25-May 15 s, 1908 -- Paintings Loaned by C. C. Ruthrauff (volume 5)

May *, 1908 -- Exhibition of Painting, Sculpture, and Illustration under the auspices of the Art Students League of New York

Oct. 21-Nov. 7 s, 1908 -- Members' Fall Sketch Exhibition (volume 5)

Nov. *, 1908 -- Third Annual Exhibition of Books of the Year

Dec., 1908 -- Arts and Crafts Exhibition

Jan., 1909 -- Second Annual Exhibition of Advertising Art

Jan., 1909 -- Small Exhibition of Paintings and Drawings by Contemporary Artists

Feb. 2-20 s, 1909 -- International Exhibition of Pictorial Photography (volume 1)

Feb. 23-Mar. 17 s, 1909 -- John W. Alexander Retrospective Exhibition (volume 5)

Apr., 1909 -- Exhibition of the New York Society of Keramic Arts

May, 1909 -- Spring Exhibition of Members' Work

July, 1909 -- Paintings from the Collection of Mr. and Mrs. William T. Evans

Sept.-Oct., 1909 -- Three Centuries of New York, under the auspices of the Hudson-Fulton Celebration

Nov. 3-26 s, 1909 -- Fourth Annual Exhibition of Books of the Year (volume 5)

Dec., 1909 -- Third Annual Exhibition of Arts and Crafts

Jan., 1910 -- William M. Chase Retrospective Exhibition

Feb., 1910 -- Exhibition of American Landscape Painting

Mar. 2-28 s, 1910 -- Exhibition of Paintings by Louis Mark, of Budapest (volume 5)

Apr. 6-30 s, 1910 -- Exhibition of Paintings by Alfred East, of London (N134:465-469, and volume 5)

May, 1910 -- Exhibition of Household Art, under the auspices of the Domestic Training Department of the Public Schools

May 4-Oct. s, 1910 -- Third Annual Exhibition of the Former Students of the Art Students League (volume 5)

Oct. 20-Nov. 1 s +, 1910 -- Third Annual Exhibition of Advertising Art (volume 5)

Nov.-Dec., 1910 -- Fifth Annual Exhibition of Books of the Year

Dec. * +, 1910 -- Fourth Annual Arts and Crafts Exhibition

Jan. 5-Feb. 3 s +, 1911 -- First Annual Artist Life Members' Exhibition (volume 5)

Feb. +, 1911 -- Exhibition of the New York Society of Keramic Arts

Feb. 11-Mar. 10, 1911 -- Circuit Exhibition of Contemporary Art (D12:437-439; N52:105-107)

Mar. 8-Apr. 5 * s +, 1911 -- Paintings and Drawings by Walter Shirlaw, N.A. (N52:967-973, and volume 5)

Apr., 1911 -- Exhibition of the Municipal Art Society of New York

Apr. 26-May * s +, 1911 -- Group Exhibition of Paintings: William R. Derrick, Reynolds Beal, Frederick J. Waugh (volume 5)

Oct. 25-Nov. 4 * +, 1911 -- Exhibition of Color Schemes and Model Rooms in Miniature

Nov. 8-30 * +, 1911 -- Sixth Annual Exhibition of Books of the Year

Dec. 7-28 * +, 1911 -- Fifth Annual Arts and Crafts Exhibition

Jan. 3-28 s +, 1912 -- First Prize Exhibition of Artist Life Members (N443:754-756, and volume 6)

Jan. 31-Feb. 18 * s +, 1912 -- Otto Walter Beck Exhibition (volume 6)

Feb. 21-Mar. 10 s +, 1912 -- Etchings of E. T. Hurley (volume 6)

Mar. 13-20 s +, 1912 -- National Park Pictures Collected and Exhibited by the Department of the Interior (volume 3)

Apr. 4-21 s +, 1912 -- Paintings, Embroideries, and Tapestries from the Collection of Mr. Emerson McMillan (D45:462-468; N443:757-762, and volume 6)

Apr. 4-Mar. 12 s, 1912 -- Exhibition of Original Dickens and Thackeray Drawings by Harry Furniss (volume 3)

May 8-June 1 * s +, 1912 -- Sculpture Exhibition (volume 6)

June 4-8 +, 1912 -- Exhibition of Industrial Art, under the auspices of The School Art League and the Art Departments of the City High Schools

June-Oct., 1912 -- Summer Exhibition of Painting and Sculpture

Oct. 16-Nov. 12 +, 1912 -- Third Special Exhibition of the Society of Illustrators

Nov. 13-29, 1912 -- Seventh Annual Exhibition of Books of the Year

Dec. 4-28 +, 1912 -- Sixth Annual Exhibition of the National Society of Craftsmen

Jan. 8-Feb. 9 +, 1913 -- Work of the Painter, Sculptor, and Architect Members (N443:763-767; N50:126-130)

Feb. 12-Mar. 9 * +, 1913 -- Exhibition of Works by the Late Frederick Warren Freer

Mar. 12-31 +, 1913 -- The Applied Arts of Germany

Apr. 2-27 +, 1913 -- Small Works by Six Painters: Richard E. Miller, Frederick Carl Frieseke, Charles W. Hawthorne, William Wendt, William Ritschel, and Elise Dodge Pattee

Apr. 30-June 1 +, 1913 -- Small Marbles and Bronzes (N551:732-737)

May-June, 1913 -- Summer Exhibition of Paintings and Sculpture

Oct. 15-Nov. 9, 1913 -- Society of Illustrators

Nov. 12-28, 1913 -- Eighth Annual Exhibition of Books of the Year

Dec. 3-28 * +, 1913 -- Seventh Annual Exhibition of the National Society of Craftsmen

Jan. 8-Feb. 1 +, 1914 -- Work of Painter, Sculptor, and Architect Members

Feb. 4-21, 1914 -- The Pastellists

Feb. 5-Mar. 21 x +, 1914 -- Contemporary Art

Mar. 11-29 * +, 1914 -- Hungarian Peasant Art (N134:470-479)

Apr. 1-May 2 +, 1914 -- Paintings by Eleven Western Artists

May 6-31 * +, 1914 -- Exhibition of Small Sculpture (N551:738-743)

June-Sept., 1914 -- Paintings

Nov. 4-27, 1914 -- Ninth Annual Exhibition of Books of the Year

Dec. 3-28 +, 1914 -- Eighth Annual Exhibition of National Society of Craftsmen

Jan. 7-31 +, 1915 -- Work of Painter Members (N551:744-746)

Feb. 4-25 +, 1915 -- Forty-eighth Annual Exhibition of American Water Color Society

Mar. 3-24 +, 1915 -- Portraits (N551:747-748)

Apr. 7-13 +, 1915 -- Sculpture

May 5-21, 1915 -- Exhibition of Municipal Art Society

June-Oct. *, 1915 -- Work of Painter Members

Oct. 13-30 +, 1915 -- Fifth Special Exhibition of the Society of Illustrators

Nov. 5-13 +, 1915 -- American Wood Engraving, under the auspices of the American Institute of Graphic Arts

Nov. 17-Dec. 3, 1915 -- Tenth Anniversary Exhibition of Books of the Year

Dec. 8-30 +, 1915 -- Ninth Annual Exhibition of the National Society of Craftsmen

Jan. 6-28 +, 1916 -- Work of Painter Members

Feb. 3-27 +, 1916 -- Forty-ninth Annual Exhibition of American Water Color Society

Mar. 2-25 * +, 1916 -- Loan Exhibition of Portraits of Academicians and Associates Selected from the Permanent Collection of the National Academy of Design (N551:749-752; N134:480-483)

Mar. 28-Apr. 14 +, 1916 -- One Hundred American Paintings by the American Institute of Graphic Arts (N443:768-770)

Mar. 28-Apr. 14 +, 1916 -- Exhibition of American Printing

Apr. 19-May 6, 1916 -- Exhibition of the Municipal Art Society

May 10-26, 1916 -- English Posters

June-Aug. +, 1916 -- Members' Summer Sketch Exhibition

Oct. 5-Nov. 3, 1916 -- Photography, under the auspices of the American Institute of Graphic Arts

Nov. 9-30, 1916 -- Eleventh Annual Exhibition of Books of the Year

Dec. 7-29, 1916 -- Tenth Annual Exhibition of the National Society of Craftsmen

Jan. 3-28 +, 1917 -- Annual Exhibition of the Work of Artist Members

Feb. 1-24 +, 1917 -- Fiftieth Annual Exhibition of the American Water Color Society

Feb. 28-Mar. 23 +, 1917 -- Etchings, under the auspices of the American Institute of Graphic Arts

Mar. 29-Apr. 27, 1917 -- Paintings by Boston Artists

May 2-Sept. +, 1917 -- Members' Sketch Exhibition

Oct. 3-31 +, 1917 -- Paintings from the Netherlands Section of the Panama-Pacific Exposition

Oct. 4-31, 1917 -- Illustrations of the Catskill Aqueduct

Nov. 8-30 +, 1917 -- Annual Exhibition of Books of the Year

Dec. 6-29, 1917 -- Eleventh Annual Exhibition of the National Society of Craftsmen

Jan. 3-Feb. 1 +, 1918 -- Annual Exhibition of Paintings by Members

Feb. 7-Mar. 1 +, 1918 -- Fifty-first Annual Exhibition of the American Water Color Society

Mar. 20-Apr. 26, 1918 -- Life Membership Pictures from the Permanent Collection

May, 1918 -- War Posters, under the auspices of the American Society of Graphic Arts

June 2-Oct. 1 +, 1918 -- Sketch Exhibition by Members

Dec. 5-28 +, 1918 -- Twelfth Annual Exhibition of Books of the Year

Jan. 8-31 +, 1919 -- Retrospective Exhibition of the Work of the Artist Life Members

Feb., 1919 -- Fifty-second Annual Exhibition of the American Water Color Society

Mar., 1919 -- Exhibition of War Housing

Apr. 2-May 3 +, 1919 -- Special Exhibition of the Society of Illustrators (N29:873-875)

May-Oct. +, 1919 -- Annual Exhibition of Sketches by Members

Nov., 1919 -- Annual Exhibition of Books of the Year

Jan. 7-30 +, 1920 -- Annual Exhibition of Painter and Sculptor Members (N29:864-866)

Feb., 1920 -- Fifty-third Annual Exhibition of the American Water Color Society

Mar., 1920 -- Drawings from Artists' Portfolios

Mar. 3-27 x +, 1920 -- American Drawings and Sculpture Sketches

Mar. 31-Apr. 16 +, 1920 -- Special Exhibition of the Society of Illustrators (N29:867-869)

May, 1920 -- Printing by the American Institute of Graphic Arts

June-Oct. +, 1920 -- Sketches and Small Sculpture by Members

Nov., 1920 -- Annual Exhibition of Books of the Year

Dec. 1-29 +, 1920 -- Exhibition of Art Expression by Club Members

Jan. 5-27 +, 1921 -- Members' Annual Prize Exhibition

Mar. 2-31 +, 1921 -- Art Directors Club First Annual Exhibition of Drawings and Paintings Used in American Advertising

Apr. 7-30, 1921 -- Exhibition of Old Prints, under the auspices of the American Institute of Graphic Arts (N443:775-778)

May-Oct., 1921 -- Pictures from the Club's Permanent Collection

Nov., 1921 -- Annual Exhibition of Books of the Year

Dec. 7-30 +, 1921 -- Humorists Exhibition

Jan. 5-28 +, 1922 -- Members' Annual Prize Exhibition

Feb., 1922 -- Seventh Annual Exhibition of Contemporary Bookplates, held by the American Bookplate Society

Feb. 15-Mar. 5 +, 1922 -- Exhibition of Paintings by Charles C.Curran, Franklin de Haven, George Glenn Newell, Harry W. Watrous

Mar., 1922 -- Lithographs

Apr. 5-30 +, 1922 -- Loan Exhibition of American Painting and Sculpture Owned by Club Members

May-Oct. +, 1922 -- Summer Exhibition of Artist Members

Nov., 1922 -- Annual Exhibition of Books of the Year

Dec. 6-29 +, 1922 -- Work by Members

Jan. 10-Feb. 10 +, 1923 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 14-Mar. 3 +, 1923 -- Humorists Exhibition

Mar., 1923 -- Craftwork from Berea College, Kentucky

Mar., 1923 -- Group Exhibition: Roy Brown, Oscar Fehrer, Edmund Greacen, Eugene Higgins, Lee Laurie, F. Luis Mora, Carl Rungius, Edward C. Volkert.

Mar. 28-Apr. 20 +, 1923 -- Group Exhibition: Leon Dabo, William R. Derrick, Charles P. Gruppe, Hayley Lever, Charles R. Patterson

Apr., 1923 -- Miniature Garden Exhibition, by the Garden Club of America

May-July, 1923 -- Exhibition Selected from the Permanent Collection

June 5-28 +, 1923 -- Annual Prize Exhibition of Painter and Sculptor Members

Nov., 1923 -- Annual Exhibition of Books of the Year

Dec. 12-29 +, 1923 -- Work of Living American Etchers

Jan. 9-Feb. 2 +, 1924 -- Members' Annual Exhibition of Painting and Sculpture

Mar. 5-29 +, 1924 -- Exhibition of Sculpture

Apr., 1924 -- Selected Paintings from the Permanent Collection

Apr. 30-May 15 +, 1924 -- Exhibition of Books Illustrating the History of Printing

June, 1924 -- Adirondack Mountain Club Exhibition of Photographs

Nov. *, 1924 -- Annual Exhibition of Books of the Year

Dec. 10-27 +, 1924 -- Second Annual Exhibition of Living American Etchers

Jan. 7-31 +, 1925 -- Members' Annual Exhibition of Painting and Sculpture (N552:122-159)

Feb. 23-Mar. 7 +, 1925 -- Autograph Letters with Accompanying Portraits of Authors, Statesmen, Artists, etc.

Apr. 8-May 9 +, 1925 -- Exhibition of Lithographs, Wood Blocks, and Linoleum Cuts

Nov., 1925 -- Twentieth Annual Exhibition of Books of the Year

Dec. 3-20, 1925 -- Work of Living American Etchers (N552:1-7)

Jan. 13-Feb. 6 +, 1926 -- Members' Annual Exhibition of Painting and Sculpture (N552:19-21)

Feb. 10-27 +, 1926 -- Group Exhibiton by Members of the National Arts Club

Mar. 3-27 +, 1926 -- Copies of Old Masters

Apr., 1926 -- Architecture, Sculpture, and Decorative Painting

May +, 1926 -- Fifth International Exhibition of the Brooklyn Society of Etchers (N552:34-48)

Summer +, 1926 -- Summer Exhibition

Aug.-Oct. x, 1926 -- The Vollbehr Incunabula Exhibition

Nov., 1926 -- Twenty-first Annual Exhibition of Books of the Year

Dec. 2-22 +, 1926 -- Fourth Annual Exhibition of Works of Living American Etchers (N552:8-12)

Jan. 5-29 +, 1927 -- Annual Exhibition of Painting and Sculpture by Members

Feb. 11-27 +, 1927 -- Exhibition and Auction of Works of Art by Artist Members

Mar. 2-21 +, 1927 -- Invited Exhibition by Distinguished American Painters (NHS4:693-695)

Apr. 6-29 +, 1927 -- Norse Pictorial Weaving--Mrs. Berthea Aske Bergh (N552:66-68)

Nov., 1927 -- Twenty-second Annual Exhibition of Books of the Year

Dec. 7-24 +, 1927 -- Fifth Annual Exhibition of Works of Living American Etchers (N552:13-18)

Jan., 1928 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 8-29 +, 1928 -- Small Paintings

Mar. 8-31 x, 1928 -- Exhibition of Decorative Arts

Apr. 4-20 +, 1928 -- Exhibition by Junior Artist Members of the Club

Nov., 1928 -- Twenty-third Annual Exhibition of Books of the Year

Dec., 1928 -- Small Paintings

Jan. 8-Feb. 8 + -- Members' Annual Exhibition of Painting and Sculpture

Feb. 13-Mar. 8 -- Sixth Annual Exhibition by Living American Etchers

Mar. + -- Richard M. Hurd Loan Exhibition of Italian Primitives

Apr. 3-26 + -- Exhibition by Junior Artist Members of the Club

May 1-Oct. 1 + -- Summer Exhibition by Painter Life Members

Nov. -- Twenty-fourth Annual Exhibition of Books of the Year

Dec. 4-26 * + -- Exhibition of the Decorative Arts

Jan. 8-Feb. 1 +, 1930 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 5-28 x +, 1930 -- Seventh Annual Exhibition of Living American Etchers

Mar. 5-28 +, 1930 -- Junior Artist Members' Exhibition

Apr. 16-Sept. 30 +, 1930 -- Members' Exhibition of Small Paintings (N134:484-490)

Nov., 1930 -- Silver Anniversary Exhibition of Books of the Year

Dec. 3-26 * +, 1930 -- Eighth Annual Exhibition by Living American Etchers

Jan. 7-Feb. 6 +, 1931 -- Members' Annual Exhibition of Painting and Sculpture

Mar. 4-27 +, 1931 -- Exhibition by the Junior Artist Members

Mar. 13-Apr. 15 x, 1931 -- Auction Exhibition and Sale by Artist Members

Apr. 1-25 +, 1931 -- Members' Work of the New York Water Color Club

May 2-24 +, 1931 -- The Story of Gramercy Park in Portraits and Historical Objects of the Period, in connection with Gramercy Park Centenary Celebration

June 3-Oct. 1 +, 1931 -- Members' Exhibition of Small Paintings

Oct. 21-Nov. 20, 1931 -- Twenty-sixth Annual Exhibition of Books of the Year

Nov. 26-Dec. 26, 1931 -- Sixteenth Annual Exhibition by the Society of American Etchers (formerly The Brooklyn Society of Etchers)

Jan. 6-13 +, 1932 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 3-27 +, 1932 -- Exhibition of Drawings by Artist Members

Mar. 2-26 +, 1932 -- Paintings by Junior Artist Members

Mar. 13-Apr. 15 +, 1932 -- Auction Exhibition and Sale by Artist Members

Apr. 20-30 +, 1932 -- Exhibition by a Group of New York Art Schools

May 4-Oct. 1 +, 1932 -- Members' Annual Exhibition of Small Paintings

Jan. 4-27 +, 1933 -- Members' Annual Exhibition of Painting and Sculpture

Mar. 1-31 +, 1933 -- Junior Artist Members

Apr. 5-22 +, 1933 -- Society of Illustrators

May 3-Oct. 1 +, 1933 -- Members' Exhibition of Small Paintings and Sculpture

Jan. 3-27 +, 1934 -- Members' Annual Exhibition

Jan. 31-Mar. 2 +, 1934 -- Memorial Exhibition of a Group of Former Painter and Sculptor Members: Max Bohm, Emil Carlsen, Charles Hawthorne, Robert Henri, Karl Bitter, Solon Borglum, Daniel Chester French, Edmund Quinn

Mar. 7-29 +, 1934 -- Junior Artist Members

Apr. 4-27 +, 1934 -- Society of Illustrators, Thirty-second Annual Exhibition

May 2-June 28 +, 1934 -- Members' Exhibition of Small Paintings and Sculpture (N552:69-71; N134:491-494)

Nov.-Dec., 1934 -- Seventeenth Annual Exhibition of the Society of American Etchers (formerly The Brooklyn Society of Etchers) (N552:49-65)

undated -- Twenty-ninth Annual Exhibition of Fifty Books of the Year

Jan. 9-Feb. 1 +, 1935 -- Members' Exhibition (N552:22-24)

Feb. 6-Mar. 2 +, 1935 -- Members' No Jury Exhibition of Painting and Sculpture (N552:72-74)

Mar. 6-29 +, 1935 -- Junior Artist Members (N552:75-77)

Apr. 3-27 +, 1935 -- Loan Exhibition of Works of Art owned by Artist Members (N552:84-96)

undated -- Thirtieth Annual Exhibition of Books of the Year

undated -- Twentieth Annual Exhibition of the Society of American Etchers

Jan. 8-31 +, 1936 -- Members' Annual Exhibition (M552:25-27)

Mar. 4-27 +, 1936 -- Junior Artist Members (N552:78-80)

Apr. 1-May 1 x +, 1936 -- Exhibition of Neighboring Art Organizations (N552:92-94)

Spring +, 1936 -- First Annual Exhibition of Pictorial Photography by the Pictorial Forum (N552:87-91)

1936 -- Thirty-first Annual Exhibition of Books of the Year

undated -- Twenty-first Annual Exhibition of the Society of American Etchers

Jan. 6-29 +, 1937 -- Members' Annual Exhibition

Mar. 3-26 +, 1937 -- Exhibition by the Younger Artists Group (N134:495-497)

Mar. 31-Apr. 27 +, 1937 -- Second Exhibition of Neighboring Art Organizations (N552:95-97)

Nov. *, 1937 -- Thirty-second Annual Exhibition of Books of the Year

Dec. 8-25 +, 1937 -- Members' Exhibition of Smaller Paintings and Black and Whites (N552:110-112)

Jan. 12-27, 1938 -- Exhibition of Former Painter and Sculptor Members (N552:113-115)

Mar. 14-Apr. 2 +, 1938 -- Third Exhibition of Neighboring Art Organizations (N552:98-100)

Apr. 6-20 +, 1938 -- Younger Artists Group Exhibition (N552:107-109)

Jan. 12-27 x +, 1939 -- Memorial Exhibition of the Work of a Group of Former Painter and Sculptor Members (N134:498-499)

Feb. 1-25 +, 1939 -- Members' Exhibition (N552:28-30)

Mar. 1-31 +, 1939 -- Exhibition of Flower Paintings (N552:116-118; N134:500-502)

Mar. 3-26, 1939 -- Younger Artists Group (N552:104-106)

Apr. 5-21 +, 1939 -- Fourth Annual Exhibition of Neighboring Art Organizations (N552:101-103)

May 10-24 +, 1939 -- Annual Junior Members' Exhibition (N552:81-83; N134:503-505)

June-Oct. +, 1939 -- Selected Works by Deceased Artists from the National Arts Club Permanent Collection (N552:119-121; N134:506-508)

Oct. 18-28 +, 1939 -- Special Exhibition of Paintings by Junior Members

Dec. 4-25 +, 1939 -- Christmas Sale of Paintings, Drawings, Photographs, and Sculpture by Junior Members

Jan. 3-19 +, 1940 -- Members' Annual Exhibition

Jan. 24-Feb. 9 +, 1940 -- Distinguished Exhibition of the Work of Living American Painters, Non-Members

Feb. 14-29 +, 1940 -- Exhibition and Sale of Ceramics (N134:511-513)

Mar. 19-29, 1940 -- Fontainebleau Alumni Exhibition

Apr. 3-19 +, 1940 -- Annual Junior Members' Exhibition

Apr. 24-May 3 +, 1940 -- Flower and Still Life Paintings

May 8-June 1, 1940 -- Special Exhibition of Water Colors, Architectural Renderings, Type Compositions, and Color Reproductions by Edwin Hooper Denby, A.I.A., S.A.D.G. (N443:779-780; N134:509-510)

Dec. +, 1940 -- Twenty-fifth Annual Exhibition of the Society of American Etchers

Feb. 4-Mar. 1, 1942 -- Exhibition of Paintings by Artists of the United Nations (N134:512-518)

June 12-Sept. 30, 1942 -- Members' Summer Exhibition (N134:519)

Dec. 16-Jan. 22, 1942 -- Exhibition of Chinese and Indian Art (N134:520)

Mar. 31-, 1943 -- Exhibition of Junior Members (N134:521)

July 1-Sept. 30, 1943 -- Summer Exhibition of Smaller Paintings by Members (N134:522)

Feb. 17-Mar. 15, 1944 -- Exhibition of Studies by American Masters (N134:523)

Oct. 5-27, 1944 -- Exhibition of Enlarged Photographs of American Patriots as Seen in Sculpture (N134:523)

Jan. 10-Feb. 9 x, 1945 -- Members' Annual Exhibition of Painting and Sculpture

Dec. 22-Jan. 4, 1945 -- Seventh Annual Exhibition of the American Veterans Society of Artists, Inc. (N134:527-540)

May 21-30, 1946 -- The Traphagen School Exhibition of Costume Design, Illustrating the Development of American Fashion (N134:526)

Feb. 20-Mar. 7, 1947 -- Exhibition of Contemporary Chinese Paintings (N134:541)

Apr. 20-May 2, 1947 -- Junior Members' Exhibition

Dec. 10-24, 1947 -- Ninth Annual Exhibition of American Veterans Society of Artists, Inc. (N121:721-733)

Feb. 23-Mar. 6, 1948 -- Forty-seventh Annual Exhibition of the New York Society of Ceramic Arts (N134:543)

Mar. 9-21, 1948 -- Annual Exhibition of Junior Members (N134:543)

Apr. 8-May 30, 1948 -- Fiftieth Anniversary Exhibition of Painting and Sculpture by Members, Past and Present (N134:543)

June 10-Sept., 1948 -- Members' Summer Exhibition (N134:544)

Jan. 19-Feb. 9, 1949 -- Fifty-first Annual Exhibition of Painting and Sculpture by Members and Guest Artists (N134:544)

Mar. 14-31, 1949 -- Exhibition by Members of the Federation of Modern Painters and Sculptors (N134:545)

May 5-Sept. 15, 1949 -- Members' Summer Exhibition (N134:546)

Oct. 15-Nov. 4, 1949 -- Fourth Annual Exhibition of the Photo-Engravers Society

Jan. 4-Feb. 1, 1950 -- Fifty-second Annual Exhibition of Paintings and Sculpture by Members and Guest Artists (N134:546-548 and 550)

Jan. 28-Feb. 19, 1950 -- Eighty-third Annual Exhibition of the American Water Color Society (N134:549)

Feb. 8-23, 1950 -- Exhibition of Creative Art Associates (N134:549)

Mar. 16-Apr. 2, 1950 -- Exhibition of Room Interiors Especially Designed by Members of the American Institute of Decorators, in collaboration with Members of the National Society of Mural Painters (N134:551)

May 7-28, 1950 -- Active Members' Exhibition (N134:551-554)

June 28-Sept. 15, 1950 -- Members' Summer Exhibition (N134:555)

Feb. 26-Mar. 17 x, 1951 -- Paul Mommen

Mar. 24-Apr. 19, 1951 -- Exhibition of Paintings by Non-Members (N134:558-559)

May 5-31, 1951 -- Spring Water Color Exhibition (N134:560)

June 6-, 1951 -- Group Exhibition by Distinguished Artist Members: Gifford Beal, Louis Betts, Charles Clapman, Walter Farndon, Albert Groll, Eugene Higgins, Leon Kroll, Van Dearing Perrine, Keith Shaw Williams

Jan. 6-30, 1952 -- Fifty-fourth Annual Exhibition of Paintings and Sculpture by Members and Guest Artists (D176:917-919; N134:561)

Feb. 9-28, 1952 -- Annual Water Color Exhibition (N134:562)

Mar. 9-27, 1952 -- Exhibition of Oil Paintings by Distinguished American Artists (N134:572)

Jan. 4-18, 1953 -- Fifty-fifth Annual Exhibition by Painter and Sculptor Members and Guest Artists (N134:563)

Jan. 25-Feb. 8, 1953 -- Annual Water Color Exhibition (N134:564)

Feb. 15-Mar. 1, 1953 -- Open Exhibition of Oil Paintings (N134:565-568)

Mar. *, 1953 -- Art of Indonesia

May 3-24, 1953 -- Members' Exhibition of Smaller Paintings in Oil (N134:569-571)

Nov. 1-14, 1954 -- The American Artists Professional League, American Art Week (N121:258-259)

Oct. 2-19, 1955 -- Open Water Color Exhibition

Jan. 8-22 x, 1956 -- Fifty-eighth Annual Exhibition by Painter and Sculptor Members and Guest Artists (N134:573-575)

June 17-Sept. 7 x, 1956 -- Members' Summer Exhibition

Sept. 24-Oct. 8 x, 1956 -- James H. Walsh

Oct. 28-Nov. 10 x, 1956 -- Small Picture Exhibition by Members and Guests

Nov. 16-30 x, 1956 -- August Benziger

Dec. 5-22 *, 1956 -- Fiftieth Anniversary Exhibition of Books of the Year

Jan. 6-27, 1957 -- Fifty-ninth Annual Exhibition of Painting and Sculpture by Members and Guest Artists

Feb. 1-15, 1957 -- Catherine Lorillard Wolfe Art Club Sixtieth Annual Exhibition (N134:576-577)

Sept. * x, 1957 -- International Exhibition of Painting and Sculpture

Jan. 10-24 x, 1958 -- Sixtieth Annual Exhibition of Painting and Sculpture by Members and Guest Artists

May 21-31 x, 1958 -- Water Color and Graphic Arts Exhibition by Members and Non-Members

Oct. 17-31 x, 1958 -- Twelfth Annual Exhibition of the Photo-Engravers Society

Nov. 22-Dec. 3 x, 1958 -- Metropolitan Young Artists Show

Jan. 11-26 x, 1959 -- Sixty-first Annual Exhibition of Painting and Sculpture by Members and Guest Artists

Dec. 9-Jan. 7 x, 1959 -- Metropolitan Young Artists Show

Jan. 15-28 x, 1960 -- Sixty-second Annual Exhibition of Painting and Sculpture by Members and Guest Artists

Apr. 18-May 1, 1960 -- Catherine Lorillard Wolfe Art Club Flower Painting Exhibition and Sale (D176:1128-1129)

June 8-29 x, 1960 -- Summer Exhibition of Painting and Sculpture by Members

undated -- * Arts and Crafts Exhibitions

undated -- * x Annual Exhibitions of Books of the Year

undated -- * Ceramic Art Exhibition

undated -- x Water-Oils by Charles S. Chapman, N.A.

undated -- x Fine Art of the Caribbean

undated -- x Painters of the United States, 1720-1920, from the Permanent Collection of the Fine Arts Department, International Business Machines Corp.

undated -- * Pottery Exhibition

undated -- * Traveling Exhibition of Enlarged Photographs of Sculpture and Spring Exhibition of Small Sculpture by Members of the National Sculpture Society

undated -- * Exhibition of Small Sculpture

undated -- x Modern Tapestries from Vienna

undated -- x Annual Open Water Color Exhibition

undated -- x Catherine Lorillard Wolfe Art Club, Flower Paintings Exhibition and Sale

undated -- * Unidentified exhibition installations
Related Material:
These citations were compiled from Art Index, 1929-1960; The New York Times Index, 1898-1960; Poole's Index to Periodical Literature, 1898-1906; Nineteenth Century Readers' Guide to Periodical Literature, 1898-1899; and Readers' Guide to Periodical Literature, 1900-1960, using the format employed in Art Index. Citations are presented in chronological order, as it is anticipated that most researchers consulting the National Arts Club Records will be interested in a specific event or era in the Club's history, or are apt to be researching artists whose National Arts Club affiliation or exhibition activities were confined to a particular period.

1898

National Art Club. -- Harpers Weekly -- 42:329, April 2.

1899

Club to advance art industries. -- Critic -- 34:349-51, April.

National Arts Club organized. -- New York Times -- (7-2), 29-288-2, April 26.

1909

Position as a factor in the encouragement of the fine arts. G. Teall. -- Craftsman -- 15:604-13, February.

Club officials rule a member may take a process server into club as a guest to serve papers on fellow member, case of R.S. Perrin vs. D. Whipple. -- New York Times -- 7:3, June 29.

1913

Lecture of Prof. Eucken on Art and Morality. -- New York Times -- 9:3, March 1.

Offers prize to member who writes best manuscript on "A Critical Estimate of the Altman Collection." -- New York Times -- 12:7, November 8.

Annual exhibition of Books of the Year; organization of American Institute of Graphic Arts planned. -- New -- York Times 9:3, November 13.

1914

Alexander de Yourevitch has visited Russian political exiles as agent from the Czar; arranges for Russian trade exhibit in New York; National Arts Club has agreed to cooperate. -- New York Times -- 20:2, March 27.

Dinner in honor of Shakespeare celebration, address by Henry Clews. -- New York Times -- 13:2, April 24.

Farewell dinner to Karl Vollmoeller and George Sylvester Viereck at National Arts Club by Alfred Rau. -- New York Times -- III, 7:3, May 7.

Exhibition of Books of the Year (editorial). -- New York Times -- VI, 514:2, November 22.

1915

Awards announced. -- New York Times -- 10:1, January 7.

Paintings exhibition. -- New York Times -- V, 11:13, January 10.

Poster exhibition. -- New York Times -- III, 2:5, March 28.

Thanksgiving dinner to east side waifs. -- New York Times -- 11:1, November 26.

1917

Annual exhibition; Gold Medal and $1000 prize awarded to Ben Foster. -- New York Times -- 10:6, January 4.

Memorial services for W.B. Howland. -- New York Times -- 7:3, March 3.

Offers prizes for best patriotic medal, poem, and song. -- New York Times -- 9:14, April 6.

Offers prizes to promote expression of American patriotism in art. -- New York Times -- IV, 13:2, April 15.

H.A.W. Wood speaks at distribution of prizes. -- New York Times -- 11:3, May 31.

"Road to France," $500 prize offered for appropriate music. -- New York Times -- 13:2, June 9.

American Artists' War Emergency Fund Committee announces that art stamp will be sold to aid artists reduced in circumstances through the war. -- New York Times -- 13:6, July 10.

Offers prize of $500 for best musical setting for D.M. Henderson's "The Road to France." -- New York Times -- VIII, 9:3, August 12.

Prize for music for war song by D.M. Henderson is awarded to Signe Lund. -- New York Times -- 13:3, November 1.

1919

Annual books exhibition. -- New York Times -- VIII, 686:1, November 23.

1921

Comment on suggestion by G. Bellows that proposed members should possess some work by living American artist. -- New York Times -- III, 20:3, February 6.

Elects governors. -- New York Times -- 9:2, April 13.

1922

Awards Agar prize to Christine Herter. -- New York Times -- 16:7, April 7.

Address by Ann Martin. -- New York Times -- 4:3, August 3.

1923

Annual exhibition of books; I. Zangwill speaks; protest by member. -- New York Times -- 6:1, November 8.

1924

Prize winners of annual exhibition. -- New York Times -- 4:15, January 10.

Honors J.G. Agar at dinner. -- New York Times -- 6:2, February 26.

1925

Mural panels of Old NY used for New Year's fete to be put on exhibition. -- New York Times -- 29:1, January 4.

Announces prize winners at Members' Annual Exhibition. -- New York Times -- VIII, 11:2, January 18.

Murals depicting history of NYC, painted for New Years' ball, to be given to Museum of the City of New York. -- New York Times -- 25:4, February 3.

Exhibition of lithographs, woodcuts, and linoleum prints. -- New York Times -- VIII, 11:13, April 12.

1926

Exhibition. -- New York Times -- 4:5, January 14.

Exhibition. -- New York Times -- 17:3, April 8.

Exhibition of photographs of recent buildings. -- New York Times -- VIII, 12:6, April 18.

15th century books brought from Germany by Dr. Otto H.F. Vollbehr on exhibition at the National Arts Club. -- New York Times -- 6:6, August 24.

15th century Book of Hours, worth $15,000, stolen from exhibition at National Arts Club. -- New York Times -- 1:2, August 26.

Feature article on exhibition. -- New York Times -- IV, 15:1, August 29.

Book of Hours mysteriously returned to Vollbehr by E.M. Garlock, attorney, acting for unnamed client who claims to have bought book from stranger. -- New York Times -- 19:1, September 12.

Editorial on return of book. -- New York Times -- 20:4, September 13.

21st annual book exhibit; addresses. -- New York Times -- 28:3, November 4.

History in connection with 20th anniversary celebration. -- New York Times -- VIII,18:6, November 7.

1927

New Year's Eve costume ball. -- New York Times -- 15:3, January 1.

Exhibition of American paintings. -- New York Times -- 25:5, March 3.

Exhibition of etchings. -- New York Times -- IX, 10:4, December 11.

1928

Exhibits. -- New York Times -- 30:2, January 12; -- New York Times -- IX, 13:2, January 29.

Awards in small painting exhibition. -- New York Times -- 27:2, February 10.

Exhibit. -- New York Times -- VIII, 15:3, February 12.

First exhibition of decorative arts. -- New York Times -- 28:4, March 15; -- New York Times -- IX, 15:4, March 18.

Exhibition. -- New York Times -- IX, 15:2, April 15.

1929

J. Lie, P. Manship, and C. Beach win prizes. -- New York Times -- 25:3, January 11.

Annual members' exhibition. -- New York Times -- X, 18:4, January 27.

Exhibition of crafts. -- New York Times -- X, 15:6, December 8.

Prize awarded to D.C. Nisbet. -- New York Times -- 23:5, December 29.

1930

Arts Club prizes announced. -- Art News -- 28:21, January 4.

Annual exhibition of painting and sculpture. -- New York Times -- VIII, 13:3, January 19.

Seventh annual exhibition. -- New York Times -- VIII, 13:1, February 16.

Annual junior art show. -- New York Times -- 3:5, March 15; -- New York Times -- X, 19:3, March 16.

Exhibition of prints by living American etchers. -- New York Times -- X, 18:1, December 14.

1931

New York season; Living American Etchers. -- Art Digest -- 5:14, January 1.

M. Gregg Memorial Prize awarded to I.G. Olinsky; medal to H.W. Watrous. -- New York Times -- 34:6, January 10.

Exhibitions. -- New York Times -- VIII, 12:7, February 22.

Exhibition of Junior Artist Members. -- New York Times -- IX, 13:4, March 15.

Hold exhibition of portraits and other objects relating to history of Gramercy Park. -- New York Times -- II, 1:7 and 18:4, May 3.

Annual exhibition of paintings by members. -- New York Times -- 30:6, June 4.

Awards to R.D. Bowden $3000 prize, offered by J.G. Agar for best book on "The Soul of America." -- New York Times -- 20:6, June 8.

1932

Annual exhibition of work by painter and sculptor members; prizes announced. -- New York Times -- 27:7, January 7.

Art Club prizes. -- Art Digest -- 6:10, January 15.

Forum on development of art talent in young artists. -- New York Times -- 13:8, January 18.

Arts Club prizes. -- Art News -- 30:20, January 23.

Opening. -- New York Times -- 16:7, February 4.

Prizes awarded to junior artists. -- New York Times -- 19:2, March 8.

Art auction totals $600. -- New York Times -- 19:5, April 14.

Members' exhibition of small paintings. -- New York Times -- 16:6, May 5.

National Arts Club book exhibition. E. Yost. -- Publishers Weekly -- 122:2382-3, December 31.

1933

R. Nickerson, new member, wins medal at annual painting and sculpture show; other awards. -- New York Times -- 18:2, January 5.

Annual members' exhibition. -- New York Times -- 13:2, January 13; -- New York Times -- IX, 12:6, January 15.

National Arts club prizes. -- Art Digest -- 7:15, January 15; -- Art News -- 31:7, January 28 Celebrates 119th birthday of S.J. Tilden. -- New York Times -- 17:6, February 8.

Exhibition by junior artist members. -- New York Times -- 15:2, March 2.

1934

Prizes for annual members' show announced. -- New York Times -- IX, 12:3, January 14.

Annual dinner. -- New York Times -- 17:4, January 18.

Prizes. -- Art Digest -- February 1, 8:19; -- Art Digest -- 8:13, May 15.

Memorial exhibition of eight of its deceased painter and sculptor members. -- New York Times -- IX, 12:6, February 4.

Junior members exhibit. -- New York Times -- 17:1, March 8; -- New York Times -- IX, 9:7, March 18; Prizes awarded. -- New York Times -- 22:8, March 22.

Annual members' show. -- New York Times -- 17:2, May 3; Awards, -- New York Times -- 21:1, May 8; -- New York Times -- IX, 7:7, May 13.

Awards given by Arts Club. -- Art News -- 32:4, June 2.

Rare book exhibition planned. -- New York Times -- 19:4, September 18; Exhibition. -- New York Times -- 17:1, September 19.

1935

Annual exhibition of members' work opened. -- New York Times -- 17:5, January 10; -- New York Times -- 9:3, January 14.

Annual dinner; awards. -- New York Times -- 20:7, January 17.

Stag dinner; portrait of Victoria replaces painting of nude. -- New York Times -- 23:4, February 1.

Prizes, annual exhibition of painting and sculpture. -- Art Digest -- 9:21, February 1.

Members' annual exhibition. -- New York Times -- 18:2, February 8; -- New York Times -- VIII, 9:6, February 17.

Annual exhibition by junior artists. -- New York Times -- 18:5, March 9.

Arts Club plans a large bazaar. -- Art News -- 33:10, August 17.

Series of articles on traditions of club being written. -- New York Times -- II, 7:1, October 6.

Plans for annual book week. -- New York Times -- II and III, 8:5, October 13; exhibitors to be entertained by J.R. Gregg, president. -- New York Times -- 19:2, October 30.

To award two trips to Europe for mural decoration. New -- York Times -- 26:7, November 1; -- New York Times -- 19:5, November 14.

To hold "At Home" tea. -- New York Times -- II, 8:2, December 8.

Dinner. -- New York Times -- 14:8, December 11.

1936

Annual members' exhibition. -- New York Times -- 19:6, January 9; -- New York Times -- 13:8, January 11; -- New York Times -- IX, 10:1, January 19.

Exhibition of modern textbooks. -- New York Times -- 17:7, February 6.

Announces winners of trips to Europe. -- New York Times -- 21:2, February 11.

Exhibition by neighboring organizations. -- New York Times -- IX, 8:1, April 12.

Summer exhibit from permanent collection. -- New York Times -- IX, 7:4, June 21.

Exhibition of contemporary books; authors' night. -- New York Times -- VI, 9:2, November 8.

Plans for children's matinee at annual book exhibition. -- New York Times -- VI, 7:2, November 8.

Women's open table plans dinner. -- New York Times -- 16:4, November 23.

Exhibition of Society of American Etchers. -- New York Times -- XII, 9:2, November 29.

1937

Awards at members' exhibit. -- New York Times -- 24:3, January 27.

Exhibitions sponsored by Society of American Etchers. -- New York Times -- 21:3, February 3; -- New York Times -- X, 9:7, February 7.

Women's committee holds drama dinner. -- New York Times -- 13:1, February 15.

R.D. Kohn speaks, -- New York Times -- 25:7, March 11.

Jr. artists group exhibit. -- New York Times -- IX, 10:1, March 14; Awards. -- New York Times -- 23:6, March 25.

Photographic exhibition. -- New York Times -- X, 10:2, May 16.

Officers elected. -- New York Times -- 19:1, May 20.

H. Hamilton exhibit. -- New York Times -- IX, 6:7, September 26.

Book of the year exhibit. -- New York Times -- 23:6, November 4; -- New York Times -- VI, 4:3, November 28.

Mr. H.P. Crine elected life member. -- New York Times -- 9:1, November 28.

Members' exhibit. -- New York Times -- 28:3, December 9.

1938

Women's Open Table plans. -- New York Times -- 11:2, January 17.

Members' annual exhibit. -- New York Times -- , January 18 26:2; -- New York Times -- IX,9:3, January 23; Awards. -- New York Times -- 22:2, January 27.

Members studio receptions planned. -- New York Times -- VI, 2:7, January 30.

Dinner honoring Dr. W. Damrosch. -- New York Times -- 12:5, March 7.

Exhibit by art groups near NYC. -- New York Times -- 20:8, March 28.

Group show. -- New York Times -- X, 8:2, April 17.

Viennese ball. -- New York Times -- 22:6, April 21.

J.F. Talcott elected president; D.E. Waid executive committee chairman. -- New York Times -- 21:6, November 19.

Victorian ball. -- New York Times -- 18:1, December 17.

1939

Members' memorial exhibit. -- New York Times -- 15:1, January 13; -- New York Times -- IX, 9:2, January 22.

Members' painting and sculpture exhibit. -- New York Times -- IX, 9:2, February 5.

Jr. Members' lecture. -- New York Times -- 10:2, February 6.

Painting exhibit. -- New York Times -- 18:1, March 1; -- New York Times -- X, 10:2, March 5.

Jr. Members party planned. -- New York Times -- 50:3, March 5.

Exhibit of neighboring art organizations. -- New York Times -- 13:2, April 17.

Wild West party planned to benefit Jr. Members Scholarship Fund; to close 40th anniversary celebration. -- New York Times -- II, 2:8, April 23; -- New York Times -- II, 3:1, April 30.

Jr. Members plan New Year's Eve Olympian Ball. -- New York Times -- 30:2, December 19; -- New York Times -- II, 1:2, December 31.

1940

Art by deceased life members to be sold. -- New York Times -- 17:2, January 5.

Group show; awards. -- New York Times -- 21:2, January 11.

Group show. -- New York Times -- 24:2, January 24; -- New York Times -- IX, 9:2, January 28.

Non-members exhibition. -- Art News -- 38:15, February 3.

Exhibits: ceramics. -- New York Times -- 17:4, February 16; Ceramics and flowers. -- New York Times -- 15:5, February 19; Ceramics. -- New York Times -- II, 5:2, February 25; Exhibits: Jr. members. -- New York Times -- IX, 10:2, April 14; Group show awards. -- New York Times -- 21: 5, April 25.

Pan-American Ball held. -- New York Times -- 21:5, April 20.

Fund campaign for refugee artists started. -- New York Times -- 8:2, July 31.

Establishes artist refugee fund. -- New York Times -- 19:1, August 1.

Benefit exhibit plans. -- New York Times -- 20:8, October 2; Exhibit. -- New York Times -- IX, 5:4, October 6.

County fair planned. -- New York Times -- II, 3:3, October 6.

Refugee artists show their work. -- Art News -- 39:10, October 12.

Annual book exhibit opens. -- New York Times -- 3:5, November 3.

Testimonial luncheon for foreign authors in U.S. -- New York Times -- 45:2, November 10.

National Arts Club dramatizes books at the 35th annual new books of the year exhibition. -- Publishers Weekly -- 138:2046, November 30.

1941

Annual members' exhibit. -- New York Times -- 24:8, January 10; Comment. -- New York Times -- IX, 9:2, January 12; Awards. -- New York Times -- 24:6, January 23.

Annual prizes. -- Art Digest -- 15:13, February 1.

Benefits concerts planned. -- New York Times -- 39:1, February 23; -- New York Times -- 20:7, March 28.

Annual exhibit awards. -- New York Times -- 28:3, March 11; Comment. -- New York Times -- I, 10:3, March 16.

Group shows. -- New York Times -- IX, 10:1, March 30; -- New York Times -- IX, 8:2, May 25; -- New York Times -- X, 13:5, May 25; -- New York Times -- IX, 7:5, June 15.

Book exhibit. -- New York Times -- 1:6,November 9.

1942

Group show. -- New York Times -- X, 10:1, January 18.

Group show. -- New York Times -- 14:4, February 4; Private preview. -- New York Times -- 15:4, February 5; Comment. -- New York Times -- IX, 9:6, February 8.

Jr. members to honor servicemen at Hallowe'en party. -- New York Times -- 16:3, October 30.

37th annual show of new books. -- Publishers Weekly -- 142:2044, November 14.

To sponsor Chinese and Indian art exhibit in NYC. -- New York Times -- VIII, 9:1, December 13; Exhibit. -- New York Times -- 42:5, December 17.

1945

Holds Xmas fair. -- New York Times -- 13:3, November 16.

1946

Contemporary American painting exhibit planned. -- New York Times -- 23:6, February 20.

Jr. members and young non-members exhibition. -- Art News -- 45:67, May.

Annual book show plans. -- New York Times -- 21:2, November 1; Show, W.L. Laurence speaks. -- New York Times -- 13:1, November 12.

Annual book show. -- Publishers Weekly -- 150:2731, 2718, November 9.

Packaging the book. P. Boswell. -- Art Digest -- 21:3, November 15.

Choosing best book jackets, 41st annual book show. -- Art News -- 45:8, December.

1947

Preview exhibit. -- New York Times -- 21:5, January 9.

Forming symphony orchestra. -- New York Times -- 27:1, September 19.

1948

Ninth annual exhibition of American Veterans Society of Artists. -- Art Digest -- 22:19, January 1.

Conservatives score at the 50th annual exhibition of painting and sculpture. -- Art Digest -- 22:17, February 1.

Fiftieth annual exhibition. -- Art News -- 47:49, March.

Book fair opens in NYC. -- New York Times -- 30:7, December 9.

1949

Summer annual. -- Art Digest -- 23:14, August.

Dinner honors Mrs. F.D. Roosevelt. -- New York Times -- 39:5, October 11.

1950

Fifty-second annual exhibition of oils and sculptures. -- Art Digest -- 24:12, January 15.

Members' summer exhibition. -- Art Digest -- 24:18, August.

Fair plans. -- New York Times -- 44:8, November 1.

1951

Members-guests annual. -- New York Times -- II, 19:1, January 14.

53rd Annual Exhibition. -- Art Digest -- 25:18, January 15; -- Art News -- 49:47, February.

Non-members annual. -- New York Times -- 21:5, March 30.

Open competition for non-members. -- Art Digest -- 25:18, April 15.

Summer painting exhibition series opens. -- New York Times -- 42:8, June 7.

Members work. -- New York Times -- II, 6:4, June 17.

Summer exhibition. -- Art Digest -- 25:19, July.

1952

Fifty-fourth annual exhibition. -- Art Digest -- 26:19, January 15; -- Art News -- 49:47, February.

Members and guests annual. -- New York Times -- 59:2, January 6; Awards. -- New York Times -- 16:2, January 17.

Watercolor annual; awards. -- New York Times -- 14:4, February 8; -- Art News -- 51:56, March.

Non-members painting annual; awards. -- New York Times -- 16:5, March 10; -- New York Times -- 27:3, March 13.

Small pictures by members; awards. -- New York Times -- 25:5, April 9.

Exhibition of small oils. -- Art Digest -- 26:18-19, April 15; -- Art News -- 49:47, February.

1953

Theatre in an art gallery. A. Scheff. -- Theatre Arts -- 37:92, January.

Members-guests annual; awards. -- New York Times -- II, 11:2, January 11.

Non-members painting annual; awards. -- New York Times -- 21:5., February 19.

Members work; awards. -- New York Times -- II, 13:2, May 10; -- New York Times -- II, 8:5, June 21.

1954

Painting and sculpture annual by members and guests. -- New York Times -- 25:5, January 26.

Fifty-sixth annual exhibition. -- Arts Digest -- 28:17, February 1.

Members and non-members annual; contemporary watercolors; awards. -- New York Times -- 27:5, February 11; Review. -- New York Times -- II, 14:2, February 14.

Grand national annual members' competition. -- Art News -- 53:63, May.

1955

Painting and sculpture annual; awards. -- New York Times -- 23:1, January 12.

Fifty-sixth annual exhibition. -- Arts Digest -- 28:17, February 1.

Paintings annual; awards. -- New York Times -- 18:4, March 1.

Annual exhibition of American oil paintings. -- Art Digest -- 29:26, March 15.

Poet P. MacKaye honored on 80th birthday. -- New York Times -- 28:2, March 16.

1957

Arts Club honors Neuman; WNYC. C. Durgin. -- Musical America -- 77:12, April.

Art Clubs of America. -- Artist -- 53:67, June.

1958

At founding [sixtieth anniversary]. -- New York Times -- 49:2, November 27.

First annual metropolitan young artists show; awards. -- New York Times -- 49:2, November 27

1959

Stadium Concerts founder Mrs. C.S. Guggenheimer gets scroll from Mayor Wagner and National Arts Club medal. -- New York Times -- 9:2, March 12.

1960

Tenor competition awards. -- New York Times -- 47:8, November 15.
Provenance:
The National Arts Club donated its records to the Archives of American Art in 1987. Although a limited amount of printed matter was available at various libraries and on microfilm through the Archives of American Art, scholars have not had access to unpublished records of the Club until this time.

In November 2017 an addition to the Officers' Correspondence was donated by Elizabeth G. Knudsen, granddaughter of Edmund Greacen, former Arts Committee Chair.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The National Arts Club records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Photography -- Exhibitions  Search this
Bibliographical exhibitions -- New York (State) -- New York  Search this
Clubhouses -- New York (State) -- New York  Search this
Decorative arts -- New York (State) -- New York -- Exhibitions  Search this
Handicraft -- New York (State) -- New York -- Exhibitions  Search this
Art -- Societies, etc.  Search this
Associations, institutions, etc. -- Taxation  Search this
Genre/Form:
Photographs
Scrapbooks
Photograph albums
Citation:
National Arts Club records, 1898-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natiartc
See more items in:
National Arts Club records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natiartc

Marchal Landgren Papers

Creator:
Landgren, Marchal E.  Search this
Names:
American Abstract Artists  Search this
Art Students League (New York, N.Y.)  Search this
Artists Equity Association  Search this
Contemporary Arts (Gallery)  Search this
Joseph Mitchell Gallery  Search this
Municipal Art Committee (New York, N.Y.)  Search this
Old Print Shop (New York, N.Y.)  Search this
University of Maryland at College Park  Search this
Washington, D.C.. Public Library  Search this
Abbott, Berenice, 1898-1991  Search this
Albers, Josef  Search this
Avery, Milton, 1885-1965  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Constant, George  Search this
Cox, George Collins, 1851-1902  Search this
De Laittre, Eleanor, 1911-  Search this
Fitch, Clyde, 1865-1909  Search this
Force, Juliana, 1876-1948  Search this
Fruhauf, Aline, 1909-1978  Search this
Gallatin, A. E. (Albert Eugene), 1881-1952  Search this
Geist, Sidney  Search this
Gershwin, George, 1898-1937  Search this
Glackens, Ira, 1907-1990  Search this
Greene, Balcomb, 1904-1990  Search this
Harari, Hananiah, 1912-2000  Search this
Higgins, Eugene, 1874-1958  Search this
Holtzman, Harry  Search this
Hunt, William Morris, 1824-1879  Search this
Janauschek, Francesca Romana Magdalena, 1830-1904  Search this
Kane, John, 1860-1934  Search this
Kipling, Rudyard, 1865-1936  Search this
Laufman, Sidney, 1891-  Search this
Logasa, Charles, 1883-1936  Search this
Mitchell, Donald Grant, 1822-1908  Search this
Newman, Robert Loftin, 1827-1912  Search this
Orr, Elliot, 1904-1997  Search this
Portinari, Cândido, 1903-1962  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sprinchorn, Carl, 1887-1971  Search this
Extent:
15.3 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Scrapbooks
Sketches
Drawings
Date:
1881-circa 1982
bulk 1930-1975
Summary:
The papers of Washington, D.C. art historian, librarian, author, educator, and art consultant Marchal Landgren measure 15.3 linear feet and date from 1881 to circa 1982, with the bulk of the material dating from 1930 to 1975. Included are biographical materials, correspondence, writings and notes, professional and organization files, research projects' files, scattered personal business records, printed materials, two clippings scrapbooks, photographical materials, and scattered artwork.
Scope and Contents:
The papers of Washington, D.C. art historian, librarian, author, educator, and art consultant Marchal Landgren measure 15.3 linear feet and date from 1881 to circa 1982, with the bulk of the material dating from 1930 to 1975. Included are biographical materials, correspondence, writings and notes, professional and organization files, research projects' files, scattered personal business records, printed materials, two clippings scrapbooks, photographical materials, and scattered artwork.

Biographical material includes address cards, an appointment book, curriculum vitaes, genealogical materials, and military records. Correspondence is with artists, clients, colleagues, museums, and universities, and is predominantly professional in nature. Correspondents include Albert E. Gallatin, George Gershwin, Ira Glackens, Sidney Laufman, Elliot Orr, Candido Portinari, and Carl Sprinchorn, among others.

Writings include miscellaneous published and unpublished writings and drafts by Marchal Landgren primarily those not associated with his major research projects. These include various articles written for magazines and journals, manuscript drafts, research notes, and notebooks. There is also a file of writings by others that includes the John Mitchell Gallery Notes.

Professional and organizational files document Landgren's positions and work for educational institutions and arts organizations, including the American Abstract Artists Group, Art Students League of New York, Association of Artists Equity of Washington D. C., Contemporary Arts, D. C. Public Library, Library Journal, New York City Municipal Art Committee, Old Print Shop, Inc., and the University of Maryland, among others. These files also contain correspondence, perhaps the most notable found in the file on the American Abstract Artists Group which includes letters from Josef Albers, Eleanor de Laittre, Sidney Geist, Balcomb Greene, Hananiah Harari, and Harry Holtzman.

Well over one-half of the collection consists of files for Landgren's ongoing research projects on numerous artists and photographers, Latin American art, as well as his bibliographic reference projects. The bulk of the files cover his research, writing, and curatorial work on Robert Loftin Newman. Files are also found for Berenice Abbott, Milton Avery, George Constant, George Collins Cox, Aline Fruhauf, Eugene Higgins, William Morris Hunt, John Kane, Charles Logasa, Elliot Orr, and Albert Pinkham Ryder, among many others.

Personal business records include personal and general expense documentation and scattered exhibition price lists. Printed materials include clippings, exhibition catalogs, and miscellaneous published articles and essays. There are two scrapbooks of clippings.

There are photographs, slides, and negatives of images of Landgren, other artists and notable figures in the art world, and of artwork. Of note is a portrait photograph of Juliana Force by Cecil Beaton, one photograph by Berenice Abbott, "Barclay Street Ferry", and 14 taken by George C. Cox of Rudyard Kipling, Clyde Fitch, Augustus Saint-Gaudens, Madame Fanny Janauschek, Donald G. Mitchell, and others.

The papers also include scattered artwork, including holiday cards illustrated by artists, and sketches and drawings by other artists.
Arrangement:
This collection is arranged as 10 series.

Series 1: Biographical Materials, circa 1890-circa 1981 (0.2 linear feet; Box 1)

Series 2: Correspondence, circa 1930-circa 1982 (0.6 linear feet; Box 1)

Series 3: Writings and Notes, circa 1932-circa 1982 (1.2 linear feet; Boxes 1-3)

Series 4: Professional and Organizational Files, circa 1910-circa 1977 (3.4 linear feet; Boxes 3-6)

Series 5: Research Projects' Files, 1881-circa 1982 (6.9 linear feet; Boxes 6-13, 15)

Series 6: Personal Business Records, circa 1934-circa 1982 (0.4 linear feet; Box 13)

Series 7: Printed Material, circa 1927-circa 1981 (1.0 linear feet; Boxes 13-14)

Series 8: Scrapbooks, circa 1931-circa 1979 (0.2 linear feet; Boxes 14-15)

Series 9: Photographic Materials, circa 1930s-circa 1978 (0.2 linear feet; Boxes 14-15)

Series 10: Artwork, circa 1930s-circa 1940s (0.2 linear feet; Boxes 14-15)
Biographical / Historical:
Marchal E. Landgren (1907-1983) was an art historian, librarian, educator, author, and art consultant, active in New York and Washington, D. C.

As associate director and board member of Contemporary Arts, Inc. in New York, Landgren established a program for providing artists with their first solo exhibition in New York, including those of John Kane and Mark Tobey. In 1932, he directed the exhibition schedule at the New School for Social Research; and in 1935, Landgren served as the director of art activities for the New York City Municipal Art Committee where he facilitated many exhibitions over the course of five years, including Recent Paintings by Boris Aronson at Babcock Galleries in 1938.

Working as a freelance art consultant, researcher, and author, Landgren organized numerous exhibitions between 1932 and 1950 of the work of Milton Avery, George C. Cox, Elliot Orr, Robert Loftin Newman, and Albert Pinkham Ryder. He also edited several arts publications, including the Old Print Shop Portfolio, John Mitchell Gallery Notes, and arts manuscripts for Oxford University Press.

In 1939, Landgren was selected by the New York World's Fair Commision to prepare historical notes on Latin American art for the exhibition catalogs of the Latin American art exhibition. After the Fair, he continued his research on this topic and wrote several articles, as well as lecturing on Latin American painting at the Art Students League of New York, the Newark Art Club, and the National Education Association at the Boston Museum.

After serving in the U. S. Army Air Force during World War II, Landgren moved to Washington, D. C. in 1950 and began work as the arts division readers' advisor for the D. C. Public Library. For seventeen years, he built up the library's general collection of art books and created extensive files of art exhibition catalogs.

In 1967, he took a position as a bibliographic consultant for the fine arts department at the University of Maryland. He became director of the University's art gallery and of the art department museum training program. During his tenure at the University of Maryland, Landgren conducted graduate seminars in art history, edited and published exhibition catalogs, and organized exhibitions, including The Late Landscapes of William Morris Hunt in 1976.

Landgren was a visiting scholar at the Smithsonian Institution's National Collection of Fine Arts and curated an exhibition of paintings by Robert Loftin Newman held there from 1973 to 1974 and at the Tennessee Fine Arts Center in 1974.

Marchal Landgren authored two books: Years of Art: The Story of the Art Students League of New York (Robert M. McBride and Company, 1940), and Robert Loftin Newman (Smithsonian Institution Press, 1974). He was a regular reviewer of art books for the Library Journal from 1958 to 1972, and contributed reviews to Trend, Magazine of Art, and other journals. He was awarded a research grant by the American Council of Learned Societies in 1963 for his study of George C. Cox and did a great deal of research in American art and American art institutions for an unfinished manuscript. He also worked on a bibliography of art literature which he never completed.
Provenance:
The Marchal Landgren papers were donated by Landgren in 1974, and by the Landgren estate via David Huddle in 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Marchal Landgren papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Librarians -- Washington (D.C.)  Search this
Educators -- Washington (D.C.)  Search this
Authors -- Washington (D.C.)  Search this
Art consultants -- Washington (D.C.)  Search this
Topic:
Art historians -- Washington (D.C.)  Search this
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Christmas cards
Photographs
Scrapbooks
Sketches
Drawings
Citation:
Marchal Landgren papers, 1881-circa 1982, bulk 1930-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.landmarc
See more items in:
Marchal Landgren Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-landmarc

Scurlock Studio Records

Creator:
Rice, Moses P.  Search this
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
200 Cubic feet
Type:
Collection descriptions
Archival materials
Dye transfer process
Studio portraits
Matrices, color separation
Photographs
Color separation negatives
Place:
Washington (D.C.) -- Small business -- 20th century
Shaw (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
1888-1996
Summary:
The collection includes approximately 250,000 photonegatives, photoprints, color transparencies from the photographic business founded by Addison Scurlock in Washington, D.C. Collection also includes business records and ephemera.
Scope and Contents:
Photographs includes portraits of famous African-American luminaries such as Booker T. Washington, W.E.B. DuBois, and many other artists, intellectuals, educators, entertainers, etc., as well as documentation of Washington, D.C., including both the African-American community and national political life, and important photographs of Howard University; also commercial photography, including color materials.

Color separation materials include sets of black-and-white color-separation negatives, sets of matrices for the Kodak Dye Transfer process (full-color Dye Transfer prints are storied in a different series).

Business records:,The photography studio records and Custom Craft records are in separate subseries, reflecting the fact that they were operated as separate businesses.

The collection includes all forms of photographs produced by the studio, such as prints in black-and-white and color, black-and-white and color negatives, color transparencies, black-and-white dye-transfer matrices, slides, etc.; as well as business documents, studio session ledgers, appointment books, business and personal correspondence, tax documents, and books, catalogs, and other publications. This material documents not only the photographic output of the business, both commercial and artistic, as well as the personal and business side of the enterprise.

Some photographs in the collection were not created by the Scurlocks. Some black-and-white and color prints seem to derive from assignments in the Capitol School of Photography, and are therefore student work. Also Custom Craft, the professional color processing service provided by the studio, made prints for other photographers, and samples for printing reference, as well as studio decor, have been retained in the collection. Custom Craft worked for such diverse photographers as artist Robert Epstein and well-known Washington photographer Fred Maroon, for example.

The collection numbers several hundred thousand photographic negatives, prints, and transparencies made by the Scurlocks and other staff photographers of the studio in its various Washington locations. The negatives are estimated at approximately 160,000-200,000 in number, and the prints of all sizes and types at nearly 57,000. The vast majority of the photographs are portraits of individuals, family groups, and organizations, as the primary business of the studio was portrait photography. They date primarily from the 1940s to 1990s. There are also a number of images, made for commercial clients, of building interiors and exteriors, and food. A small group of photojournalistic documentation also exists. The subjects also include architectural and industrial views, scenes in and around Washington, including children and street laborers, political events, social events, and 35mm slides of President Kennedy's funeral, 1964. There are also more personal artistic images, including still lifes with plants and flowers, and a few nudes; Robert's wartime service is also documented by his photographs, including European landscape photographs.

In addition to images taken by the Scurlock studio photographers, there are some prints, especially color, of images by other photographers who were clients, such as Fred Maroon, a prominent Washington photojournalist, and Robert Epstein, a teacher at the Corcoran School of Art. A print of one of Maroon's pictures had been displayed in the studio reception room at the time the studio was closed.

A large group of manuscript items, business documents, ephemera, and office and studio supplies constitutes a separate series from the photographs. An important adjunct to the photographs, a set of ledgers recording and identifying portrait sittings, highlights this group.

Nearly all of the photographs and documents stored in the studio and auxiliary storage locations were accepted for acquisition in order to form a complete history of this family business's production and operations over the better part of a century, whereas a selection of photographic apparatus and studio equipment was acquired by the Photographic History Collection: these items have been inventoried and catalogued separately.

Studio Portraits

The majority of the surviving photographic negatives and proof prints were made in connection with the studio's portrait work for a wide variety of clients. These portraits include images of famous people, such as political figures, entertainers, and noteworthy persons in a variety of fields, including scientists, writers, intellectuals, and academics. The majority of the figures depicted among both the famous and the not so famous are black. The greatest number of studio portraits, most of which are identified and dated, depict a general clientele who visited the studio for portrait sittings. Although the individual images in this vast quantity have limited research value in the usual sense, the aggregate represents a chronology spanning almost ninety years, which may be useful for demographic and genealogical information and as visual evidence of changing styles in clothing, hair, and accessories. It constitutes a panorama of a significant percentage of Washingtonians of the period, especially the black community.

Portraits of famous personages include George Washington Carver, Dr. Martin Luther King, Jr., Duke Ellington, Marian Anderson, Archbishop Desmond Tutu, Sammy Davis, Jr., Sugar Ray Leonard, Muhammad Ali, Mayor Walter Washington, and Presidents Kennedy, Johnson, Nixon, Ford, Reagan, Bush, and Clinton, Mayor Marion Barry, D.C. Council members, statesmen such as Ralph Bunche, and many other noteworthy figures. Of particular interest is a signed group portrait of the U.S. Supreme Court with Chief Justice Berger presiding. There are also large- format portraits of Justice Thurgood Marshall and J. Edgar Hoover.

Group portraits include both formal sittings and the informal documentation of banquets, convocations, and similar events. This material includes groups at Howard University; Dunbar High School; the Post Office Clerks' Banquet; the Bishops' Meeting of the A.M.E. Church; a Y.M.C.A. camp, ca. 1947 1949; the 23rd annual conference of the N.A.A.C.P., 1932, etc.

Howard University

Several thousand black and white negatives and prints, 1930s-1960s, depict the people, facilities, and events of Howard University, with which the Scurlocks had a long business relationship. There are various portraits, including Howard University Medical School, represented by 850 negatives and 100 prints. A group of law school and medical school images numbers some 800 negatives and 200 prints. In addition, there are class portraits, as well as images of famous guests speaking at Howard convocations, such as President Herbert Hoover.

Wedding Photography

An important aspect of any portrait studio's output is wedding photography, and the Scurlock studio was no exception. Bridal portraits, group pictures of wedding parties, and the complete documentation of weddings, in both black and white and color, constitute a significant part of the collection. African-American weddings predominate and provide important insights into this aspect of the society.

Exhibitions

The studio's work was shown in special public exhibitions over the years, and several of these are included in toto. The most important was an extensive retrospective display of 121 prints of Addison's work, both vintage and posthumous, prepared by Robert for the Corcoran Gallery of Art in 1976. Others include: (1) a set of 32 black and white images made by Robert at the Ramitelli Air Base, Italy, while he was a major in the U.S. Air Force during World War II; (2) a group of portraits from a Black History Month exhibit at Woodward and Lothrop; and (3) a set of sixteen vintage and modern prints which Robert displayed in an interview on the "Today" television show in the 1980s.

Commercial Work

This category includes architectural and industrial photography for commercial clients, food and still life photographs, etc. Much of this material is comparatively recent and was made in large format color, and includes transparencies and enlargements. It is possible that some of the prints represent Custom Craft work for other photographers rather than the camera work of Robert and George Scurlock. Thus far, prints by artist Robert Epstein have been identified as extra prints of his work from orders which he placed with the firm. At least one image by Fred Maroon has been identified.

A group of color prints constitutes copies of artworks, primarily in the National Portrait Gallery, for which the Scurlocks worked. Prints in 8" x 10", 11" x 14", 16" x 20" and 20" x 24" sizes are included, and undoubtedly negatives and transparencies corresponding to these subjects will be found.

Photojournalism

In addition to the formal studio portraits and pictures documenting formal events, the Scurlocks took candid photographs of the everyday life of their city, as well as extraordinary events of local and national significance, ranging from occasions such as John F. Kennedy's funeral and the 1968 riots to political rallies and demonstrations.

Capitol School of Photography

The collection includes a variety of materials, such as books and ephemera, which document the activities of the Capitol School of Photography, a sideline of the Scurlock business. Some of the photographs apparently represent student work. The most famous student of the school was Jacqueline Bouvier (later Jacqueline Kennedy Onassis), although no documentation of her association with the school has been located thus far. There are 45 photographs, ca. 1950s, showing the photography lab, men retouching prints, students with cameras, etc.

Personal Photographs

A few photographs of the Scurlock family are included in the collection in various forms and formats, including enlarged portraits of Addison and Robert. A self portrait of Addison and Mamie Scurlock is included in the Corcoran Gallery of Art exhibition series. Other photographs which represent personal artistic expression, such as a few nude studies and floral and plant still lifes, are included.

Series 6 includes: subseries 1 transparencies, subseries 2 slides, and subseries 3 other formats, which is rolled film of black and white and color negatives, and transparencies.
Series 1: Black and White Photographs:
Dates -- 1888-1993

Extent -- 105 boxes

Contents -- Series 1: Black and White Photographs: The materials are almost entirely black and white photographs, but in the subseries of clients, there may also be job envelopes, order materials, and other photographic material types that were included in the overall order. The series is arranged into two subseries, clients and subjects, and both are arranged alphabetically. The subseries clients documents the orders made by clients of the Scurlock Studio and individuals who were or could be identified but may or may not have actually placed an order at the Studio. The majority of the photographs in the clients subseries are formal portrait sittings but there are photographs of events, organizations, and businesses. The subseries subjects are photographs that were grouped into categories because no known client or individual in the image could be identified. The subjects cover a broad array of subjects but the majority of the subjects include unidentified people in formal portrait sittings and groups. In addition, not all photographs in this series were taken by the Scurlock Studio; there are photos by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. 1.1: Clients Black and white photographs1.2: Subjects Black and white photographs
Series 2: Color Photographs:
Dates -- 1930-1995

Extent -- 113 boxes

Contents -- Series 2: Color Photographs: The series color photographs consists of color photographs and hand-colored photographs, but there are also order envelopes and materials, and other photographic material types that were part of the order. The subseries are arranged as clients, subjects, weddings, and hand-colored photographs. Clients are arranged alphabetically by last name or the first word of an organization's name. Not all individuals, organizations, or businesses necessarily represent a client of the Scurlock Studio; if an individual or organization could be identified, the photograph was placed under the identified person or organization even if ther were not a known client of the Studio. The majority of the photographs are individual portrait sittings but also included are family portraits, businesses, organizations, and informal images. The subjects are arranged alphabetically, and document images of non-humans and humans that could not be connected to a known client. Weddings and hand-colored are arranged in alphabetical order with clients preceeding subjects. The were a large subject of the overall collection and the majority of weddings are color photographs but also included in the subseries are black and white and hand-colored photographs of weddings. The hand-colored photographs largely reflect the same subject matter of the subseries clients and subjects. In addition, not all photographs in this subseries were taken by the Scurlock Studio; there are photos by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. 2.1: Clients Color photographs2.2: Subjects Color photographs2.3: Weddings2.4: Hand-colored photographs
Series 3: Framed Prints:
Dates -- circa 1979

Extent -- 3 boxes

Contents -- Series 3: Framed Prints: The series framed prints includes three framed color photographs. The framed prints are arranged by the size, from smallest to largest, of the frame. The photographs are of two important political figures: Washington, D. C., Mayor Marion Barry and Senator Edward Brooke.
Series 4: Black-and-White Silver Gelatin Negatives:
Dates -- 1900-1994

Extent -- 320 boxes

Contents -- Series 4: Black-and-White Silver Gelatin Negatives: The material type of the series is black and white silver gelatin negatives. The negatives are arranged into twelve subseries. The materials document the clients and individuals whose photographs were taken by the Scurlock Studio and a wide variety of subject matters. The subjects represented are individual portrait sittings, organizations, events, businesses, commercial ventures of the Studio, and Washington, D. C. 4.1: Black and white negatives 4.2: Black and white negatives in freezers arranged by job number 4.3: Black and white negatives in freezer storage arranged by client 4.4: Black and white negatives in freezer storage arranged by subject 4.5: Black and white negatives in cold storage arranged by job number 4.6: Black and white negatives in cold storage arranged by client 4.7: Negatives in cold storage arranged by client with index cards 4.8: Negatives in cold storage arranged by subject 4.9: Black and white negatives for publication 4.10: Glass Plate Negatives 4.11: Customcraft Negatives 4.12: Banquet Negatives
Series 5: Color Negatives:
Dates -- 1964-1994

Extent -- 72 boxes

Contents -- Series 5: Color Negatives: The series color negatives primarily of color negatives but it also includes order envelopes and materials. The series is arranged into two subseries: clients and subjects. The subseries clients is arranged by job number, and the materials document the orders placed by clients of the Scurlock Studio and identified persons and organizations. The negatives depict individual portrait sittings, groups, and informal poses. The subseries subjects is arranged in alphabetical order, and the materials document negatives that could not be connected to a client of the studio. The negatives represent subjects such as art, buildings, commercial ventures of the Scurlock Studio, and unidentified people. 5.1: Color negatives arranged by client5.2: Color negatives arranged by subject
Series 6: Color Transparencies, Slides, and Other Formats:
Dates -- 1922-1994

Extent -- 40 boxes

Contents -- Series 6: Color Transparencies, Slides, and Other Formats: The series color transparencies, slides, and other formats consists of black and white and color transparencies, color slides, film, proofs, and order materials. The materials are arranged into four subseries: transparencies, slides, film, and proofs. The subseries are arranged by clients, in alphabetical order by last name, and then subjects, in alphabetical order. The materials document the orders placed at the Scurlock Studio by clients and identified individuals and organizations, and materials that could not be identified and are categorized by subjects. The subjects represented in the materials are primarily individual, family, and group portraits, and events and places. Cut but unmounted slides were typically placed in the subseries transparencies but a small number of cut but unmounted slides are included in the slides. The subseries proofs only contains a form of proof used by the Scurlock Studio that has a fugitive image, and other types of proofs printed on low quality paper or are water-marked and have a lasting image were included in the series Black and White Photographs and Color Photographs if the proof was either black and white or color. 6.1: Transparencies6.2: Slides6.3: Film6.4: Proofs
Series 7: Black-and-White Color Separation Negatives and Matrices:
Dates -- 1955-1957

Extent -- 7 boxes

Contents -- Series 7: Black-and-White Color Separation Negatives and Matrices: The materials in the series are black-and-white color separation negatives and a booklet about how to process black-and-white color separation negatives. The materials are arranged into three subseries: clients, subjects, and the booklet. The materials document orders placed at the Scurlock Studio by clients and individuals and organizations that could be identified but not connected to a specific order. The materials also document negatives categorized by subjects because there was no known client or identifiable individual or organization. The subjects represented are individual portrait sittings and groups, and unidentified people. 7.1: Clients Black-and-White Color Separation Negatives 7.2: Subjects Black-and-White Color Separation Negatives Booklet
Series 8: Scurlock Studio Business Records:
Dates -- 1907-1996

Extent -- 66 boxes

Contents -- Series 8: Scurlock Studio Business Records: The series Scurlock Studio Business Records contains paperwork pertaining to the administration of the business, the financial documentation of the business, the reocrds of sales, the advertising signs and promotions of hte business, the files kept on employees, and other materials kept at the Scurlock Studio. The series is arranged into six subseries: administrative file, financial, sales, advertising and marketing, employee and personnel, and office files. Each subseries is arranged differently according to the types of materials predominantly found in the subseries or in chronological order. The subjects represented in the series are mostly related to the financial records of the Scurlock Studio kept and the invoices of sales records. A wide variety of other subjects relating to the the business records of the Scurlock Studio can also be found including: session registers, construction plans, advertisements for specific holidays, and product information sent to the Studio. Some materials found in this series may be marked Scurlock Studio and Custom Craft, the color division of the Scurlock Studio, and were placed with this series because the Scurlock Studio was the primary business. Other materials with an unclear origin of either the Scurlock Studio or Custom Craft were placed in this series. 8.1: Administrative Files8.2: Financial8.3: Sales8.4: Advertising and Marketing8.5: Employee and Personnel8.6: Office Files
Series 9: Custom Craft Business Records:
Dates -- 1951-1994

Extent -- 57 boxes

Contents -- Series 9: Custom Craft Business Records: The series Custom Craft Business Records consists of paper documents relating to the administrative, financial, sales records, employee and personnel, and other files about the affairs of the Custom Craft business's day-to-day operations. The materials are arranged into five subseries: administrative, financial, sales, employee and personnel, and office files. The materials within a subseries are ordered by types of documents that consisted of a large number of materials listed first and materials with few documents following the grouped materials in chronological order. The materials document the day-to-day business of Custom Craft. The subjects represented are documents relating to the administration of the business, journals kept to document finances, the order invoices, the files kept about employees, product information, and materials accumulated in the office. Some documents may list both the Scurlock Studio and Custom Craft and were kept with the business records of Custom Craft if the materials appeared to fit the activities, color photography, of that business. Other documents relating to the business affairs of Custom Craft may be in the series Scurlock Studio Business Records because these documents did not clearly indicate which business the documents belonged to; in these cases, the materials were put in the series Scurlock Studio Business Records because the business was the primary business of the Scurlocks. There business records seem to indicate that there was not always a clear differentiation between the two businesses. 9.1: Administrative9.2: Financial9.3: Sales9.4: Employee and Personnel9.5: Office files
Series 10: Capitol School of Photography:
Dates -- 1948-1954

Extent -- 4 boxes

Contents -- Series 10: Capitol School of Photography: The series Capitol School of Photography consists of paper documents, photographs, and transparencies. The materials are arranged in chronological order and document the administration of the Capitol School of Photography and the students. The subjects represented are administrative documents, student files, photographs by students, photographs of students and the space used for the School, and transparencies of the same subjects.
Series 11: Washington Stock:
Dates -- 1981-1994

Extent -- 2 boxes

Contents -- Series 11: Washington Stock: The series Washington Stock consists of order materials, orders, and published materials. The materials are arranged chronologically and document the orders placed for Washington Stock and how the materials were used and published. The subjects represented are orders, standard forms used by Washington Stock, and published materials.
Series 12: Background Materials and Publications:
Dates -- 1902-1995

Extent -- 18 boxes

Contents -- Series 12: Background Materials and Publications: The series Background Materials and Publications is composed of paper documents, published materials, and materials from exhibitions. The materials are arranged into four subseries: historical and background information, Scurlock images, reference materials, and exhibition materials. The materials document the Scurlocks, published Scurlock images, published materials lacking Scurlock images, exhibitions of Scurlock images, and other exhibitions of related material. The subjects represented are largely materials related to the Scurlocks' photography and personal interests. Images were placed in the subseries Scurlock images if the photograph was credited to the Scurlocks or was a photograph known to have been taken by the Scurlocks; it is possible that uncredited and less well known images taken by the Scurlocks are present in the subseries reference materials. 12.1: Historical and Background Information12.2: Scurlock Images12.3: Reference Materials12.4: Exhibition Materials
Arrangement:
The collection is divided into 12 series.

This collection was processed with numerous changes in arrangement and numbering of boxes. Original box numbers have been retained in this finding aid for cross-reference purposes and to assist anyone with a record of photographs according to the original box numbers.
Biographical / Historical:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994).

The turn of the twentieth century saw a mass exodus of African Americans from the South to northern cities in search of better employment opportunities and fairer racial treatment. Although many considered Washington to be the northern-most southern city, it still offered opportunities for African Americans leaving seasonal agricultural work and racial oppression in the South. In Washington, African Americans found stable employment with the U.S. government. In addition, Howard University offered African Americans teaching opportunities, college education, and professional training as doctors, dentists, nurses, lawyers, and ministers. By 1900 a substantial African-American middle class existed in Washington. Despite the fact that Washington was a historically and legally segregated city (and would remain so into the 1960s), this middle class population continued to grow and prosper.

After graduation from high school, Addison Scurlock moved from Fayetteville, North Carolina, to Washington, D.C., with his family in 1900. With a keen interest in photography, he sought out an apprenticeship at the white-owned Moses Rice Studio on Pennsylvania Avenue. The Rice brothers (Amos and Moses) had been in Washington working as photographers since the 1860s and had one of the more prominent and better studios in the city. There Addison learned portrait and general photography. In 1904, he left Rice and began his photographic career at his parents' home. By 1911, when he opened the Scurlock Studio, he had already captured the likeness of Booker T. Washington (1910; see Appendix B), most likely his most well-known portrait. Scurlock quickly identified his market: a self-sufficient African-American community which included students, graduates, and educators affiliated with Howard University; poets; writers; intellectuals; musicians and entertainers; politicians; socialites; fraternal and religious organizations and their leaders. The Scurlock Studio, located at 900 U Street, N.W., became a fixture in the midst of the thriving African-American business community. As with his white counterparts on Pennsylvania Avenue and F Street, N.W., Addison Scurlock inspired passers-by with window displays of his photographs of national leaders and local personalities.

During the 1930s, Addison Scurlock's two sons Robert and George apprenticed in the studio. In addition to portrait and general photography, the sons learned the techniques of retouching negatives and photographic prints, hand-coloring, hand-tinting, and mat decoration. George concentrated on the commercial side of the business while Robert concentrated on the portrait side. The Scurlocks' work changed with the times. From the early 1900s until Addison's death in 1964, the Scurlock Studio was the official photographer of Howard University. In the 1930s the studio began a press service and prepared newsreels on African American current events for the Lichtman Theater chain, which offered some of the few non-segregated venues in the city. Their press service supplied the African-American press with newsworthy photographs of current events, personalities, and social, political, and religious life. Clients included the Norfolk Journal and Guide, Amsterdam News, Pittsburgh Courier, Cleveland Call and Post and the Washington Tribune and Afro-American. George and Robert ran the Capitol School of Photography from 1948 to 1952. Included among their students were African-American veterans under the G.I. Bill, Ellsworth Davis, who later worked as a Washington Post photographer and Bernie Boston of the Los Angeles Times. Perhaps their best-known student was the young Jacqueline Bouvier.

In 1952 Robert opened Washington's first custom color lab. Capitalizing on his knowledge of color processing, Robert was asked to take color portraits of both noted and ordinary individuals. In addition, the studio offered color views of important Washington landmarks and monuments. By the 1960s, Robert added magazine photography to his list of talents, publishing images in Life, Look, and Ebony. Robert continued photographing Washingtonians at his studio until his death in 1994.

According to George Scurlock, the Scurlock studio never had substantial competition in the African American community. Some Washington residents remember it differently, however. Dr. Theodore Hudson, a retired Howard University professor, recalled two other black photographers: Sam Courtney and a man named Sorrell. He said Courtney photographed events in the African American community...?

The collection represents the most comprehensive record of any long-lived, let alone African-American, photography studio, in a public institution. Other twentieth century studio collections exist, such as Robinson Studio, Grand Rapids; Hughes Company, Baltimore, Md. Among African American studio collections in public institutions are James Van Der Zee (New York City, 1912-80s), P.H. Polk (Tuskegee), and the Hooks Brothers (Memphis, Tenn., 1910-1975). The Scurlock Collection covers a greater time period and provides greater depth of coverage of African-American events and personages.

A number of articles have been written about the Scurlock family. Jane Freundel Levey, editor of Washington History magazine, believes that the family went beyond the artful use of light, shadow, and composition. She wrote, "Perhaps the most distinctive hallmark of the Scurlock photograph is the dignity, the uplifting quality of the demeanor of every person captured by photographs who clearly saw each subject as above the ordinary."

Constance McLaughlin Green, one of the leading historians of Washington, D.C., talks about African-American Washington as "the Secret City," a separate world with institutions of its own that remained virtually unknown to the white majority. Addison Scurlock and his sons captured that world on film and in doing so, documented that world in the course of running his business and perfecting his art. Steven C. Newsome, director of the Maryland Commission on Afro-American History and Culture stated that The Scurlocks' photograph "Gave us connections. They tell stories. They let us remember."

The collection includes photographs of the nationally famous Booker T. Washington, W.E.B. DuBois, Paul Laurence Dunbar, Mary McLeod Bethune, Mary Church Terrell, Marian Anderson; the locally or regionally important: P.B.S. Pinchback, Judge Miflin Gibbs, Col. Jim Lewis, Ernest Just, Anna J. Cooper; and actors, artists, vaudevillians, and musicians such as Fredi Washington, Madame Lilian Evanti, Oakley & Oakley, and Duke Ellington.

Sources

George Scurlock. Interview conducted by David Haberstich and intern Lora Koehler at Mr. Scurlock's apartment, Aug. 2003.

Theodore Hudson, conversation with David Haberstich in the Archives Center, 2 February 2004.

Jane Freundel Levey, "The Scurlock Studio," Washington History, 1989, p. 44.

Robert S. Scurlock, "An Appreciation of Addison N. Scurlock's Photographic Achievements," The Historic Photographs of Addison N. Scurlock. Washington, D.C.: The Charles Sumner School Museum and Archives, 1986 (exhibition catalog).
Materials at Other Organizations:
The Historical Society of Washington, D.C. holds Scurlock-related materials.
Materials in the National Museum of American History:
Cameras and other photographic apparatus, studio furniture, and miscellaneous ephemera from the Scurlock studio are in the History of Photography Collection. An adding machine from the studio is in the Museum's mathematics collection. See accessions 1997.0293 and 2010.0157.
Provenance:
The Museum purchased the Scurlock Studio Records from the Estate of Robert S. Scurlock, through Judge Marjorie Lawson in 1997. During the period of negotiation between the museum and Robert Scurlock's heirs, his widow Vivian and brother George, the collection was on loan to the Museum and was housed primarily in a closed exhibition area on the second floor. Staff of the Archives Center took physical possession of the collection long before the transfer to the Museum was final. The studio records and photographs were housed principally in the 18th Street studio and in two rental storage facilities. The primary move of the collection to the Museum occurred in September 1995. An additional pickup occurred on February 12, 1996 (on tags). There was probably one additional pickup from the studio by David Haberstich and Caleb Fey on an unrecorded date.
Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits -- 20th century  Search this
Politicians -- 20th century  Search this
Segregation  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
African Americans -- History -- 20th century  Search this
African American entertainers -- 20th century  Search this
African American photographers  Search this
Genre/Form:
Dye transfer process
Studio portraits
Matrices, color separation
Photographs -- 20th century
Color separation negatives
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0618
Online Media:

John Clifford Shaw Papers

Topic:
JOHNNIAC computer
JOSS (Electronic computer system)
Creator:
Shaw, J. Clifford (John Clifford), 1922-1991  Search this
Names:
ARPA (Advanced Research Projects Agency)  Search this
Association for Computing Machinery.  Search this
Dartmouth College  Search this
Digital Equipment Corporation  Search this
IBM (International Business Machines)  Search this
Massachusetts General Hospital  Search this
UCRL (University of California Radiation Lab)  Search this
Extent:
20.5 Cubic feet (59 boxes, 4 oversize folders)
Type:
Collection descriptions
Archival materials
Correspondence
Technical reports
Diagrams
Notes
Memorandums
Place:
Palo Alto (Calif.)
Pittsburgh (Pa.)
Santa Monica (Calif.) -- 1950-1980
Cambridge (Mass.)
Date:
1933-1993
bulk 1950-1971
Summary:
The John Clifford Shaw papers contain reports, research notes, correspondence, memorandum, and diagrams documenting Shaw's development of one of the earliest list processing languages (IPL) and an early interactive, time sharing program, the JOHNNIAC Open Shop System (JOSS). The collection also contains printed material on the RAND Corporation and the evolution of the artificial intelligence and electronic computer industry in the 1950s and 1960s. In addition there is biographical material documenting Shaw's personal interests, family, and academic career.
Scope and Contents:
The John Clifford Shaw Papers contain reports, research notes, correspondence, memoranda, and diagrams documenting Shaw's development of one of the earliest list processing languages (IPL) and an early interactive, time sharing program, the JOHNNIAC Open Shop System (JOSS). The collection also contains printed material on the RAND Corporation and the evolution of the artificial intelligence and electronic computer industry in the 1950s and 1960s. In addition, there is biographical material documenting Shaw's personal interests, family, and academic career.

Series 1: Shaw's Career at Rand, 1950-1971, documents Shaw's most significant work. The subseries are arranged by specific projects and illustrate his pioneering work on programming languages, interactive time-sharing systems, heuristic problem solving, logic programming, stored programs, and artificial intelligence. This work included his role in the development of the JOHNNIAC computer and programs such as the Logic Theorist (LT), General Problem Solver (GPS), and the JOHNNIAC Open-Shop System (JOSS).

The materials include technical reports, research notes, correspondence, memorandum, coding sequences, and system tests. In addition, there are reports documenting the collaborative nature of the NSS team's work on human problem solving, computer simulation of human thinking, and complex information processing. The subject files in Series 1 document the Advanced Research Projects Agency (ARPA) role in the JOSS research and other work done by Shaw.

Series 2: Rand Environment, 1951-1986, is arranged into three subseries containing technical reports that document other computer related research being conducted at RAND during Shaw's tenure. These materials are not directly related to his work, including reports documenting defense related research. The series contains memoranda and correspondence illustrating the internal workings and daily operations at RAND from 1950 to 1971 and various sets of annual reports, progress reports, and newsletters from 1960 to 1971. In addition, there are historical materials commemorating RAND anniversaries, profiles of the company, and indexes to RAND publications and abstracts.

Series 3: Computer Industry, 1947-1973, consists of printed matter that documents developments at other institutions and companies engaged in artificial intelligence and programming research. The printed matter includes reports, manuals, brochures, and reprints of articles about research by other institutions, companies, and individuals. Also, there are materials from trips, conferences and seminars attended by Shaw.

Series 4: Consulting Work, 1972-1990, comprises Shaw's work after he left RAND in 1971. It consists of reports and reprints from companies and institutions for which Shaw worked or from those he saw as potential clients. Of particular interest are the research notes, on note cards and 8.5" x 11" paper that illuminate Shaw's ideas and thoughts regarding artificial intelligence and programming languages during this period.

Series 5: Biographical Information, 1933-1993, consists of printed matter regarding Shaw's life and accomplishments. It contains resumes, list of publications and lectures, salary history, and the outline for a book on JOSS. Material on Shaw's personal life includes information about his family, personal correspondence with Herbert Simon, Allen Newell and his wife, Marian, Chuck Baker, Edward Feigenbaum, and correspondence from authors requesting information or comment on future publications. Additionally, there are reprints and clippings that reveal Shaw's personal interests in political issues such as the Pentagon Papers, Watergate, the making of the hydrogen bomb, and Star Wars Defense Technology.
Arrangement:
The collection is organized into five series.

Series 1: Shaw's Career at Rand, 1950-1971

Subseries 1.1: JOHNNIAC, 1950-1968

Subseries 1.2: Logic Therorist [See also Complex Information Processing], 1956-1963

Subseries 1.3: General Problem Solver (G.P.S.) and Heuristic Problem Solving, 1955-1967

Subseries 1.4: Chess Program, 1954-1973

Subseries 1.5: Complex Information Processing (C.I.P.), 1953-1972

Subseries 1.6: Information Processing Languages (IPL), 1956-1977

Subseries 1.7: JOHNNIAC Open Shop System (JOSS), 1959-1977

Subseries 1.8: Subject Files, 1954-1971

Series 2: Rand Environment, 1951-1986

Subseries 2.1: Related Papers and Reports (RM-Series), 1951-1972

Subseries 2.2: Reports and Papers—General, 1949-1971

Subseries 2.3: RAND Material, 1948-1988

Series 3: Computer Industry, 1947-1973

Series 4: Consulting Work, 1972-1990

Series 5: Biographical Information, 1933-1993
Biographical / Historical:
John Clifford Shaw (1922-1991) was born in Southern California. Shaw went to Fullerton High School, the same high school as Richard Nixon. Shaw's English teacher was Nixon's high school debate team coach. Shaw attended Fullerton Junior College from 1939 until February 1943. At the same time, he worked as a timekeeper at the Douglas Aircraft Company, where he was responsible for time-card calculations and reports. He served in the Army Air Force for three years during World War II as a navigation instructor and then aircraft navigator in the 4th Emergency Rescue Squadron in Iwo Jima, Japan. Shaw returned to California in 1947 and began working for the Beneficial Standard Life Insurance Company as an assistant to the actuary, compiling actuarial calculations of premium rates, reserve liabilities, and annual reports. Shaw and his wife Marian had four children: Doug (b. 1948), David (b. 1950), Donna (b. 1952), and John (b. 1962). By 1948, Shaw received his Bachelor's degree in Mathematics from UCLA and in 1950 joined the newly formed RAND Corporation as a mathematician.

The RAND Corporation evolved during the years after World War II amidst the escalating Cold War. Project RAND was originally carried out under a contract with the Douglas Aircraft Company. RAND was incorporated in May 1948. RAND, a California nonprofit corporation, was one of the earliest Cold War "think tanks" that functioned as an interdisciplinary research and development facility; it received large sums of money from the Air Force and Atomic Energy Commission. Throughout the 1950s, other agencies such as the Department of Defense, the Atomic Energy Commission, and the National Aeronautics and Space Administration (NASA) solicited scientific and foreign policy research from RAND. During Shaw's tenure (1950-1971), money flowed into RAND and enabled many scientists and researchers, including Shaw and his colleagues in the Math and Numerical Analysis Department, to explore new avenues of discovery.

Shaw's early work at RAND involved administrative matters, such as improving the processes of company management through automation of the computation and calculation techniques. This work included collaboration with Allen Newell on a radar simulator. In the mid-1950s, Newell and Shaw, and later Dr. Herbert Simon of the Carnegie Institute of Technology, formed the team known by the mid-1950s in the artificial intelligence field as NSS (Newell, Shaw, and Simon). The NSS team broke much ground in the field of artificial intelligence, programming languages, computer simulation of human problem solving, and man-machine communication. The radar simulator project involved studying how humans made decisions and whether one could design a program that could simulate human decision-making. While Newell and Simon concentrated on the human behavior aspect, Shaw focused on creating a programming language that would implement Simon and Newell's concepts.

When Shaw began working in 1950, RAND was using six IBM 604 calculators to satisfy its scientific computing needs. In the early 1950s, RAND decided that it needed more computational power to accomplish projects for the Air Force and decided to build a Princeton-type computer named JOHNNIAC, after computer designer John von Neumann. The Princeton Class computer was considered state-of-the-art and was running at RAND by the first half of 1953. William Gunning was the project leader and Shaw worked on the selection of the instruction set and the design of the operator's console. The JOHNNIAC became the basis for Shaw's work on conversational time-sharing in the 1960s.

During the early 1950s, the dynamic of the innovative process was at work as Shaw and Newell in California, and Simon in Pittsburgh, were theorizing about human decision making, programming languages, and how computers could be manipulated to process information more productively. Air Force funding enabled Shaw and his colleague's considerable intellectual and academic freedom to explore various hypotheses. In the mid-1950s, NSS began forming the theoretical basis for what they called Complex Information Processing (C.I.P.). C.I.P was the basis for the three main computer programs developed by NSS: the Chess Program, Logic Theorist (LT), and the General Problem Solver (GPS). By 1954, Shaw's focus was on utilizing the power of the JOHNNIAC to develop a viable language that could simulate human behavior.

In early 1954, Newell left RAND for Pittsburgh to work with Simon; Shaw remained at RAND. The NSS team focused on creating programs that would enable a machine to exhibit intelligent behavior and "think" like a human. Chess and the Logic Theorist (LT) were the first programs that evolved from their work. Shaw dealt with the programming aspects, as Simon devoted his time to human thinking processes for chess, logic, and problem solving. Newell, who was still employed by RAND, was the middle man who worked both in programming and human behavior. He flew back to California every couple of months in 1954 and 1955 to confer with Shaw. Because of language limitations, the chess program was temporarily put aside as NSS decided to finish the LT. Known as IPL (Information Processing Language), the language developed by Shaw was one of the first list processing languages. Through experimentation with assemblers, compilers, and interpreters, Shaw developed list processing sequences that allowed the computer to arrange and store data more effectively. The effectiveness stemmed from links that formed the lists. From a storage point of view, lists were inefficient. Shaw translated Simon and Newell's ideas into IPL. The IPL interpreter was able to compile and translate higher level language statements into machine language. The interpreters process the statements and carry out the indicated operations without generating machine code which must then be executed. Although not specifically programmed so, one of LT's innovative characteristics was that it proved mathematical theorems from Whitehead and Russell's Principia Mathematica, including a proof from Theorem 2.85 that the authors had missed. This was the most fascinating aspect of the program because LT was not programmed to find alternative proofs.

The NSS team's work on the LT was completed by the end of 1955, and it perfected the program language in the winter and spring of 1956. LT was one of the earliest programs to investigate the use of heuristics in problem solving. It was capable of discovering and working out proofs for theorems in symbolic logic. In the summer of 1956, NSS presented the LT program to the artificial intelligence community at the Dartmouth Artificial Intelligence Conference. Relatively unknown at the time, NSS excited the conference with the LT and the possibilities it opened in the study of programming languages and artificial intelligence.

The NSS team continued to focus on developing artificial intelligence. By 1957, NSS had constructed the General Problem Solver (GPS) program that attempted to demonstrate various human thinking processes in a variety of environments. At RAND and Carnegie Tech, studies were conducted that had human subjects think aloud in hopes of identifying human problem solving techniques and simulating them in GPS. NSS codified some human problem solving techniques such as means-end analysis, planning, and trial and error. Through the end of the 1950s, NSS produced improved versions of the IPL language and studied heuristic methods of decision making.

By 1960, when the JOHNNIAC was of insufficient computing power to support the level of computation needed, and IPL had been reprogrammed for the IBM 7090, List Processing (LISP), a high-level programming language had overtaken IPL as the language of choice for Artificial Intelligence research. Shaw's interests had shifted towards attempting to simplify the use of computers for all types of computer users. Simon and Newell continued to study how they could simulate human cognitive processes on a computer. Until this point, a user would have to be adequately trained in programming or need assistance from a programmer to use a computer like JOHNNIAC. Shaw was interested in programming the JOHNNIAC so RAND staff could utilize the computer for small as well as large scientific computations. The JOHNNIAC was available for experimental research projects because RAND owned a newer IBM 7090 (acquired in 1960) which handled the bulk of RAND's production computing load. Although JOHNNIAC was no longer state-of-the-art by this time, its major appeal was its reliability and capability for experimentation.

These factors were the impetus for the initiation of the JOHNNIAC Open-Shop System (JOSS) project in November 1960. JOSS was intended to be an easy to use, on-line, time sharing system. The JOSS research, conducted under the Information Processor Project, was formalized in 1959 as part of the RAND Computer Science Department and was heavily funded by the Air Force. The innovative character of JOSS was in the ease of use for the non-programmer, its remote access capabilities, the establishment of an interactive environment between user and computer, and the capability for RAND scientists and engineers to use the computer without an intermediary programmer. It was hoped that the JOSS project would bridge the communication gap between man and machine. JOSS's user language achieved this goal. It featured a small set of English verbs and algebraic symbols which did not need a programmer as intermediary between user and computer. During 1961-1962, Shaw selected the character set that would be used to write JOSS programs, its syntax, and grammar. The conversational environment included a Model B IBM Electric Typewriter. Tom Ellis and Mal Davis directed the hardware configurations and Ike Hehama, Allen Newell, and Keith Uncapher participated in the project discussions with Shaw.

The very limited JOSS experiments on the JOHNNIAC began in May 1963, with five consoles, one connected to the JOHNNIAC and four others located in the offices of various RAND staff. By June, a schedule of operations was in place and by January 1964, JOSS was fully implemented. The use of JOSS by RAND staff was higher than expected as users taught other users how to run the system. However, Shaw and the other designers worried that JOHNNIAC's hardware placed limitations on speed and storage which might taint the evaluation of JOSS. In July 1964, a second version of JOSS was proposed on a more powerful computer. C.L. Baker was named project head, and Shaw focused on developing the programming language for JOSS II.

After accepting numerous bids to replace JOHNNIAC, a contract was signed with Digital Equipment Corporation (DEC) promising the installation of a PDP-6 computer and thirty consoles at RAND. The installation was completed by October 31, 1965. At the Fall Joint Computer Conference in Las Vegas in December 1965, the first demonstration of remote use of JOSS II was given. JOHNNIAC was retired on February 18, 1966, with Willis Ware delivering a eulogy and Shaw loading a final JOSS I program. By the end of 1966, JOSS II was available to users 24 hours a day, seven days a week on the new PDP-6/JOSS computer, which had thirty times the speed and five times the storage capacity as the JOHNNIAC version. In April 1967, the maintenance and improvement of JOSS II was transferred from the development group to a small staff under G.W. Armending. In 1971, at age 49, Shaw left the RAND Corporation.

In 1971, Shaw took a one-year appointment as a Research Associate in the Information Science Department at the California Institute of Technology. In 1972, he began working as a consultant which he continued for the rest of his professional career. Much of his work in the 1970s and 1980s consisted of formulating new ideas on operations research, video games, man-machine interfaces, interactive computer systems, time-sharing, information architecture design, and artificial intelligence. During the 1980s, Shaw also became more involved in church-related activities.

Shaw's work on creating the Information Processing Language in the 1950s and the JOSS program in the 1960s were the two major contributions he made to the fields of programming and artificial intelligence. His IPL-I programming language is one of the earliest examples of list processing languages now in widespread use. The JOSS program was one of the first easy-to use, remotely accessible, interactive programs that allowed non-programmers to utilize the power of a computer.
Related Materials:
Material in the Archives Center, National Museum of American History

Computer Oral History Collection, AC0196

Material in Other Institutions

Charles Babbage Institute

L.A. County Museum

For RAND reports see www.RAND.org
Provenance:
The collection was donated by John Clifford Shaw's eldest son, Doug Shaw, March 1997.
Restrictions:
The collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Mathematicians  Search this
Computer programmers  Search this
Computers -- military applications  Search this
Decision making -- Mathematical models  Search this
System analysts  Search this
Online data processing  Search this
Computer industry -- 1950-1980 -- United States  Search this
Computational linguistics  Search this
Computer industry -- 1950-1980 -- Soviet Union  Search this
Mathematical models  Search this
Programming languages (electronic computers) -- 1950-70  Search this
Iph (Computer Program Language)  Search this
List processing (Electronic computers)  Search this
Job Control Language (Computer program language)  Search this
GPS (General Problem Solver)  Search this
Problem solving -- Data processing  Search this
Logic machines  Search this
Time-sharing computer systems  Search this
Heuristic programming  Search this
Logic programming  Search this
Genre/Form:
Correspondence -- 1950-2000
Technical reports -- 1950-1980
Diagrams
Notes -- 1950-1980
Memorandums -- 1950-1980
Citation:
John Clifford Shaw papers, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0580
See more items in:
John Clifford Shaw Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0580
Online Media:

Cleve Gray papers

Creator:
Gray, Cleve  Search this
Names:
Berry-Hill Galleries  Search this
Betty Parsons Gallery  Search this
Connecticut. Commission on Arts, Tourism, Culture, History and Film  Search this
Jacques Seligmann and Co.  Search this
Neuberger Museum of Art  Search this
Pratt Institute  Search this
Princeton University  Search this
Rhode Island School of Design  Search this
Barzun, Jacques  Search this
Calder, Alexander, 1898-1976  Search this
Davis, Jim, 1901-1974  Search this
Dillenberger, Jane  Search this
Duchanp, Marcel, 1887-1968  Search this
Ernst, Jimmy, 1920-  Search this
Gabo, Naum, 1890-1977  Search this
Grace, Louise N.  Search this
Gray, Francine du Plessix  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marin, John, 1870-1953  Search this
Pollock, Jackson, 1912-1956  Search this
Richter, Hans, 1888-1976  Search this
Smith, David, 1906-1965  Search this
Villon, Jacques, 1875-1963  Search this
Weber, Nicholas Fox, 1947-  Search this
Extent:
9.2 Linear feet
Type:
Collection descriptions
Archival materials
Poems
Articles
Photographs
Reviews (documents)
Notes
Illustrations
Notebooks
Sketches
Drafts (documents)
Video recordings
Sound recordings
Interviews
Manuscripts
Paintings
Prints
Watercolors
Drawings
Lectures
Date:
1933-2005
Summary:
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.
Scope and Content Note:
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

Among the biographical material are award and membership certificates, biographical notes, and personal documentation.

The alphabetical files contain Cleve Gray's personal and professional correspondence, as well as subject files relating to projects and interests. Correspondence is with friends and family, colleagues, publishers, museum curators and directors, art dealers, collectors, and fans. Among the correspondents of note are: Jacques Barzun, James E. Davis, Naum Gabo, Louise N. Grace, Hans and Fridel Richter, and Jacques and Gaby Villon. Other substantial correspondence includes: Berry-Hill Galleries, Betty Parsons Gallery, Connecticut Commission on the Arts, Jacques Seligmann and Co., Neuberger Museum of Art, Pratt Institute, Princeton University, and Rhode Island School of Design. Subject files mostly consist of correspondence, but include printed material and some photographs. Among the subject files are: Art Collection of Cleve and Francine Gray, Artist-Dealer Consignments and Visual Artists' Rights Act of 1989, Artists' Tax Equity Act of 1979, Promised Gifts to Museums, Threnody, Vestments, and Vietnam Protest. Of particular interest are files relating to the Estate of Hans Richter (Cleve Gray, executor), and Gray's research correspondence and illustrations for his Cosmopolitan article "Women-Leaders of Modern Art."

Writings are manuscripts and drafts, research materials, notes, and miscellaneous writings by Cleve Gray and other authors. Those by Gray include articles and catalog introductions on a wide range of art-related topics, as well as book and exhibition reviews. Also found are a book proposal, texts and notes for lectures and talks, miscellaneous notes, poems, political statements, and student papers. Of particular interest are autobiographical notes in the form of a chronology that his biographer, Nicholas Fox Weber, cited as an "autochronology."

Among the writings by other authors are pieces about Cleve Gray including Nicholas Fox Weber's manuscript Cleve Gray. A significant amount of material relates to three books edited by Gray: David Smith by David Smith: Sculpture and Writings, Hans Richter, and John Marin. Research material survives for an unpublished volume, Naum Gabo. Also included are notes relating to his translation of A l'Infinitif by Marcel Duchamp. Jane Daggett Dillenberger is represented by a lecture, "The Resurrection in Art." The remaining items by other authors are unsigned; of particular interest is a small notebook of reminiscences and notes about Jackson Pollock.

Artwork by Cleve Gray consists mostly drawings and sketches, and a small number of paintings, prints, and watercolors. Works by other artists consist are an unsigned mobile of paper cut-outs, possibly by Alexander Calder, and a pencil drawing signed Dick (probably Richard Avedon).

Audio recordings are a radio broadcast featuring Cleve Gray, several lectures by Gray on John Marin, and a lecture titled "Meaning in the Visual Arts." Other recordings are of Hans Richter and an interview with Jimmy Ernst conducted by Francine du Plessix Gray. Also found is a videocassette of "Glenville School Students at SUNY (Lincoln Center Activity)."

Artifacts are a Chinese scroll representative of those that hung in Cleve Gray's studio, two of his paintbrushes, Aberdeen-Angus Breeders' Association blue ribbon, and Neuberger Museum of Art Lifetime Achievement Award.

The vast majority of printed material - articles, clippings, exhibition catalogs and announcements, reproductions of art work, etc. - are about or by Cleve Gray. Miscellaneous items and publications mentioning Gray consist of annual reports, brochures, calendars, newsletters, programs, etc. Clippings about Vietnam and Vietnam protest memorabilia reflect his passionate involvement in the anti-war movement; a small number of these items mention Gray or were written by him.

Photographs are of artwork, events, people, places, and miscellaneous subjects. Most of the art work appearing in the photographs is by Cleve Gray and includes images of destroyed paintings. Also found is an original print of Photo Abstraction by Gray, circa 1934. Of particular note are photographs of Threnody, among them preparatory drawings and views of the work in progress. Photographs of artwork by other artists include Louise N. Grace, Jacques Lipchitz, John Marin, Hans Richter, and Jacques Villon.

Photographs of people are mainly portraits of Gray, and views of him with his wife and sons. Other individuals appearing in photographs are Hans Richter and some of Richter's descendants. Pictures of places consist of Gray's studio.

Events are an unidentified exhibition opening. Miscellaneous subjects are mostly exhibition installations. Illustrations consist of photographs published in David Smith by David Smith: Sculpture and Writings. Also found are small number of negatives and color transparencies.
Arrangement:
The collection is organized into 8 series:

Series 1: Biographical Material, 1943-circa 2001 (Box 1; 0.1 linear ft.)

Series 2: Alphabetical Files, 1936-2005 (Boxes 1-5, 9; 4.3 linear ft.)

Series 3: Writings, 1935-2000 (Boxes 5-6; 0.85 linear ft.)

Series 4: Artwork, circa 1933-1987 (Boxes 6, 9, OV 12; 0.45 linear ft.)

Series 5: Audio/Visual Records, 1971-1989 (Box 6; 0.25 linear ft.)

Series 6: Artifacts, 1957-1999 (Box 6, RD 11; 0.45 linear ft.)

Series 7: Printed Material, 1933-2005 (Boxes 7-8; 1.25 linear ft.)

Series 8: Photographs, circa 1934-2002 (Boxes 8-10; 1.15 linear ft.)
Biographical Note:
Abstract Expressionist painter, sculptor, and writer Cleve Gray (1918-2004) lived and worked in Connecticut where he was politically active in the Vietnam protest movement and other liberal causes.

Born Cleve Ginsberg in New York City (the family changed its name to Gray in 1936), he attended the Ethical Culture School and at a young age developed a fascination with color and paint. At the urging of friends, Cleve's parents allowed him to accompany a school friend for lessons with George Bellows' student Antonia Nell. She encouraged and inspired the young artist, and a still life he painted in her class was shown at the National Academy of Design's 1932 annual exhibition. Miss Nell also introduced him to Louise N. Grace, an artist who became a good friend and had a lasting influence on him. While a student at Phillips Academy, Cleve studied painting with Bartlett Hayes and aspired to paint in France. Upon his graduation in 1936, he was awarded the Samuel F. B. Morse Prize for most promising art student.

Gray's mother was always supportive of his career choice. His businessman father, who didn't understand his son's desire to be an artist, insisted on a college education. Cleve chose Princeton, where he majored in art and archaeology, and studied painting with James E. Davis. His senior thesis was on Chinese landscape painting; both Eastern philosophy and art were long-term influences on Gray's work and outlook. He graduated summa cum laude in 1940, and then spent several months painting while living at the farm of a family friend in Mendham, New Jersey.

When a doctor suggeted that a dry climate might relieve sinus and asthma problems, Gray moved to Tucson, Arizona. Once settled in the desert, he contacted Louise N. Grace, whom he had met as a young teenager through his art instructor. Miss Grace, an artist and daughter of the founder of W. R. Grace and Co., was a highly cultured and independent woman older than his parents. The summer before Gray entered Phillips Academy, she had hired him to brush ground color onto canvases for murals she was painting for "Eleven Arches," her home in Tuscon then under construction. Miss Grace invited Gray to visit "Eleven Arches" to see the completed murals, and despite the substantial age difference, their friendship deepened; Gray found in her intellectual and spiritual guidance that was lacking in his own family. He remained in Tucson until enlisting in the U. S. Army in 1942, and they corresponded frequently during the the war. When a stroke in 1948 prevented Miss Grace from participating in the extensive tour of Europe she was arranging for a small group of friends, including Gray, she provided sufficient funds and insisted he make the trip on his own. Another stroke, suffered while Gray was traveling, left her in a coma; he was not permitted to see her again. Upon her death in 1954, Gray inherited "Eleven Arches."

Between 1943 and 1946, Gray was stationed in England, France, and Germany, serving in Army Signal Intelligence. Most of his work was performed at night, and he spent his free time drawing. While in London, Gray produced many colored pencil drawings of buildings that had been bombed. In France, a Red Cross volunteered to introduce him to Jacques Villon; although unfamiliar with the artist, Gray knew of Villon's brother, Marcel Duchamp, and accepted the invitation. Jacques and Gaby Villon lived near Gray's billet and he became a frequent visitor. Their friendship was important to his development as an artist. After being discharged from the Army in 1946, Gray remained in France to work with Villon who introduced him to the study of color and the concept of intellectual quality in painting. Gray also studied informally with André Lhote, Villon's former teacher. "American Painters in Paris," an exhibition presented in 1946 at Galerie Durand-Ruel, included work by Cleve Gray.

He returned to New York City in 1946. In the tight post-war rental market Gray managed to find a small room upstairs from a grocery store on East 106th Street for use as a studio. He commenced painting the London Ruins series based on drawings he had made during the war, and began thinking about exhibiting in New York. Gray secured introductions to Pierre Matisse, Curt Valentin, and Dorothy Miller. They encouraged him, but no opportunities came his way until Germain Seligmann, whose gallery was expanding its scope to include contemporary art, followed the advice of Curt Valentin and looked at Gray's work. Gary's first solo exhibition, held at Jacques Seligmann and Co., included selections from the London Ruins series, paintings done in Maine and Arizona, and a few portraits. The New York Times called it "an auspicious first," and one of the London Ruins series was selected by Edward Alden Jewell for the "Critic's Exhibition" at Grand Central Gallery.

Gray found New York City too frenetic. In 1949 he bought a large, old house in Warren, Connecticut, and lived and worked at "Graystones" for the remainder of his life. Half of a 6-car garage was converted to a studio; many years later, his studio moved to a barn, its renovation and design planned by sculptor and architect Tony Smith.

He married Francine du Plessix in 1957. Always interested in literature and philosophy, in the 1960s Francine du Plessix Gray began contributing articles to The New Yorker and is still affiliated with the magazine. Her reviews and articles appeared in prominent publications, and she wrote several award-winning novels and biographies. Their sons, Thaddeus and Luke (now a painter), were born in 1959 and 1961. Francine's mother, Tatiana du Plessix (the hat designer Tatiana of Saks), and step-father, the sculptor Alexander Liberman (also former art director of Vogue and later editorial director of Condé Nast publications) became Cleve Gray's closest friends.

The paintings and drawings of Cleve Gray - first consisting of figures and portraits, and then abstract compositions - were often produced in series. The earliest series, London Ruins, grew from the colored pencil drawings made while stationed in London during World War II. Travels to France, Italy, Greece, Morocco, Hawaii, Spain, Egypt, Japan, and Czechoslovakia, inspired many series, among them: Etruscan, Augury, Ceres, Demeter Landscape, Hera, Morocco, Hawaii, Ramses, Perne, Hatshepsut, Roman Walls, Zen, and Prague. His hometown, the Holocaust, and musicians inspired other series: Warren, Sleepers Awake!, Bela Bartok, and Four Heads of Anton Bruckner. Some series were works on paper, others were collage canvases, and a few series later spawned prints. Gray began using acrylics in the 1940s. Although the medium offered many benefits, he did not always like its appearance and frequently returned to oils. Around 1966 Gray was painting almost exclusively with acrylic, and eventually developed a technique of thinning the paint and applying successive layers of color (sometimes by pouring or with a sponge) on cotton duck rather than traditional canvas.

Gray was attracted to sculpture, too, working in that medium at different points in his career. His first sculpture, in plaster, was completed in 1959. In the early 1960s he visited a commercial sand-casting foundry and became excited about learning to cast in bronze. He made about a dozen sculptures to cast in sand, but due to too much undercutting, their casting became too difficult a problem. Lava flows seen while in Hawaii during 1970 and 1971 inspired a return to sculpture. This time, he used wood, papier maché, and metal. Gray then decided these pieces should be cast in bronze, and he was determined to do it himself. Friends taught him the lost wax process and he began working at the Tallix Foundry in Peekskill, New York where, over the next year, he cast about forty bronzes.

Gray's best known work is Threnody, a lament for the dead of both sides in Vietnam. In 1972, Gray received a commission to fill a very large gallery of the soon-to-open Neuberger Museum of Art (State University of New York, College at Purchase) designed by Philip Johnson. Friends of the Neuberger Museum paid his expenses and Gray, who was enormously excited about the project he considered a once-in-a-lifetime opportunity, donated his time. Developing plans for the execution of Threnody consumed most of his time during 1972 and 1973. Composed of a series of fourteen panels, each approximately twenty feet square, the piece presented a number of technical challenges. It was constructed and painted in situ during the summer and early fall of 1973. Since then, Threnody has been reinstalled at the Neuberger Museum of Art on several occasions.

Gray was commissioned to design liturgical vestments for two Episcopal churches in Connecticut in the 1970s. A chasuble, stoles, and a mitre were commissioned by the Episcopal Diocese of Connecticut in 1984.

He won the "Outdoor Art at the Station Competition," for Union Station, Hartford, Connecticut. His very large porcelain enamel tile mural, Movement in Space, was installed on the façade of the transportation center in 1988.

Gray began writing occasional articles and exhibition reviews in the late 1940s. His concern with rational structure in art led him to question Abstract Expressionism and write "Narcissus in Chaos." This article, published in 1959 by The American Scholar, drew considerable attention. In 1960, Cosmopolitan published "Women - Leaders of Modern Art" that featured Nell Blaine, Joan Brown, Elaine de Kooning, Helen Frankenthaler, Sonia Gretchoff, Grace Hartigan, Ethel Magafan, Louise Nevelson, and Georgia O'Keeffe. Between 1960 and 1970, Gray was a contributing editor of Art In America, producing numerous articles (a few co-authored with Francine) and reviews for the periodical. He edited three books, David Smith by David Smith: Scupture and Writings, Hans Richter, and John Marin, all published by Holt, Rinehart, and Winston, and translated Marcel Duchamp's A l'Infinitif.

During the early 1960s, Gray became intensely focused on the situation in Vietnam. His first artistic response came in 1963 with Reverend Quan Duc, painted to commemorate a Buddhist monk who had immolated himself. Francine, too, felt strongly about the issue and over time the couple became increasingly active in the anti-war movement. They joined a number of organizations and helped to found a local chapter of Clergy and Laymen Concerned about Vietnam. The years 1968 and 1969 were an especially intense and active period for the Grays. They protested, wrote and spoke out against the war, raised funds to support anti-war political candidates, and on a few occasions were arrested and jailed. Writing for Art in America, editing the book series, and anti-war activities left little time for his art. In 1970 Gray refocused his attention on painting.

Beginning in 1947, Gray was always represented by a New York Gallery: Jacques Seligmann and Co. (1947-1959), Staempfli Gallery (1960-1965), Saidenberg Gallery (1965-1968), Betty Parsons Gallery (1968-1983), Armstrong Gallery (1984-1987), and Berry-Hill Galleries (1988-2003). He was represented by galleries in other cities, as well, but not as consistently or for such long periods.

He exhibited extensively in group and solo exhibitions throughout the United States and internationally. In addition to numerous solo exhibitions presented by the dealers who represented Gray, there were retrospective exhibitions at: Albright-Knox Art Gallery, Brooklyn Museum, Columbus Museum of Art, Krannert Art Museum (University of Illinois, Champaign), Princeton University Art Museum, Rhode Island School of Design, and Wadsworth Atheneum.

Many museums' permanent collections include the work of Cleve Gray, among them: Albright-Knox Art Gallery, Butler Institute of American Art, Columbus Museum of Art, Neuberger Museum of Art (SUNY, College at Purchase), the Museum of Modern Art (New York), Newark Museum, Oklahoma City Museum of Art, Phillips Collection, Sheldon Memorial Art Gallery (University of Nebraska, Lincoln), Smithsonian Institution, Solomon R. Guggenheim Museum, Whitney Museum of American Art, and Yale University Art Gallery.

Cleve Gray served as artist-in-residence at the Oklahoma City Museum of Art in 1963 and at the Honolulu Academy of Arts in 1970, both sponsored by Ford Foundation programs. In 1980, he was appointed an artist-in-residence at the American Academy in Rome, where Francine concurrently served as a writer-in-residence; they returned for shorter periods during each of the subsequent seven years. Cleve Gray was presented the Connecticut Arts Award in 1987, and the Neuberger Museum of Art Lifetime Achievement Award in 1999. He was awarded an honorary degree by the University of Hartford in 1992, and was elected a member of The American Academy of Arts and Letters in 1998. In addition, he was a trustee of the Neuberger Museum of Art, New York Studio School, Rhode Island School of Design, and Wadsworth Atheneum.

Cleve Gray hit his head and suffered a massive subdural hematoma after falling on ice outside of his home. He died the following day, December 8, 2004.
Separated Material:
Exhibition catalogs and announcements and two scrapbooks donated to the Archives in 1967 and 1968 were microfilmed on reels D314-D315. Items on reel D315, transferred to the Smithsonian American Art Museum Library in 1975, are not described in this finding aid.
Provenance:
The Cleve Gray papers were donated to the Archives of American Art by Mr. Gray in 1967 and 1968. The bulk of the collection was given by his widow, Francine du Plessix Gray, in 2007 and 2008.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Rights:
The Cleve Gray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Women artists  Search this
Art, Modern -- 20th century -- United States  Search this
Women artists -- Photographs  Search this
Vietnamese Conflict, 1961-1975 -- Protest Movements -- United States  Search this
Sculptors  Search this
Designers  Search this
Painters  Search this
Genre/Form:
Poems
Articles
Photographs
Reviews (documents)
Notes
Illustrations
Notebooks
Sketches
Drafts (documents)
Video recordings
Sound recordings
Interviews
Manuscripts
Paintings
Prints
Watercolors
Drawings
Lectures
Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.grayclev
See more items in:
Cleve Gray papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-grayclev

Downtown Gallery records

Creator:
Downtown Gallery  Search this
Names:
American Folk Art Gallery  Search this
Boris Mirski Gallery (Boston, Mass.)  Search this
Ernest Brown & Phillips  Search this
Our Gallery (New York, N.Y.)  Search this
Breinin, Raymond, 1910-  Search this
Broderson, Morris, 1928-2011  Search this
Brook, Alexander, 1898-1980  Search this
Burlin, Paul, 1886-1969  Search this
Cahill, Holger, 1887-1960  Search this
Carlen, Robert, 1906-1990  Search this
Cikovsky, Nicolai, 1894-  Search this
Coleman, Glenn O., 1887-1932  Search this
Crawford, Ralston, 1906-1978  Search this
Davis, Stuart, 1892-1964  Search this
Demuth, Charles, 1883-1935  Search this
Doi, Isami, 1903-1965  Search this
Dole, William, 1917-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Felix Landau Gallery  Search this
Fredenthal, David, 1914-1958  Search this
Garbisch, Edgar  Search this
Guglielmi, Louis, 1906-1956  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Halpert, Samuel, 1884-1930  Search this
Harnett, William Michael, 1848-1892  Search this
Hart, George Overbury, 1868-1933  Search this
Hartley, Marsden, 1877-1943  Search this
Karfiol, George  Search this
Karolik, Maxim  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lane, William H.  Search this
Laurent, Robert, 1890-1970  Search this
Lawrence, Jacob, 1917-2000  Search this
Lea, Wesley  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
Levine, Jack, 1915-2010  Search this
Lewandowski, Edmund, 1914-  Search this
Marin, John, 1870-1953  Search this
Morris, George L. K., 1905-  Search this
Nakian, Reuben, 1897-1986  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Pascin, Jules, 1885-1930  Search this
Pattison, Abbott L. (Abbott Lawrence), 1916-1999  Search this
Pippin, Horace, 1888-1946  Search this
Pollet, Joseph C., 1897-1979  Search this
Rattner, Abraham  Search this
Rockefeller, Abby Aldrich  Search this
Saklatwalla, Beram K.  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Siporin, Mitchell, 1910-1976  Search this
Spencer, Niles, 1893-1952  Search this
Stasack, Edward  Search this
Steichen, Edward, 1879-1973  Search this
Steig, William, 1907-  Search this
Stella, Joseph, 1877-1946  Search this
Stieglitz, Alfred, 1864-1946  Search this
Storrs, John Henry Bradley, 1885-1956  Search this
Tam, Reuben  Search this
Tannahill, Robert Hudson  Search this
Tseng, Yu-ho, 1924-  Search this
Varian, Dorothy, 1895-1985  Search this
Walters, Carl, 1883-1955  Search this
Webb, Electra Havemeyer  Search this
Weber, Max, 1881-1961  Search this
Wilde, Isabel Carleton, 1877?-1951  Search this
Zajac, Jack, 1929-  Search this
Zerbe, Karl, 1903-1972  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Photographer:
Adams, Ansel, 1902-1984  Search this
Bry, Doris  Search this
Karfiol, Bernard, 1886-1952  Search this
Klein, Carl  Search this
Maya, Otto  Search this
Newman, Arnold, 1918-2006  Search this
Ray, Man, 1890-1976  Search this
Reynal, Kay Bell, 1905-1977  Search this
Siegel, Adrian  Search this
Sunami, Soichi, 1885-1971  Search this
Valente, Alfredo  Search this
Van Vechten, Carl, 1880-1964  Search this
Yavno, Max  Search this
Extent:
109.56 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Photographs
Motion pictures (visual works)
Date:
1824-1974
bulk 1926-1969
Summary:
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
Scope and Content Note:
The Downtown Gallery records constitute 109.56 linear feet on 167 reels of microfilm. The records are dated 1824 to 1974 with bulk dates from 1926 to 1969. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

The Downtown Gallery was established in 1926 as Our Gallery and operated under the name Downtown Gallery from 1927 until 1973. Nineteenth-century material consists of items acquired by Edith Gregor Halpert for research purposes or to document works of art in the gallery's inventory. The few records postdating the closing of the gallery relate to the estate of Edith Gregor Halpert.

The extensive records of the Downtown Gallery present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. Edith Halpert, the gallery's founder and director, was an influential force in the American art world for a large part of the twentieth century.

Personal papers are intermingled with the business records of the Downtown Gallery. Many of the artists represented by the gallery were Halpert's personal friends, and over the years she developed social relationships and friendships with many clients. These relationships are reflected by the contents of the records, especially the correspondence, some of which is purely personal. In addition, there are a small number of letters from relatives, photographs of Halpert's family, home and friends, and limited information about her country house and personal finances.

The Downtown Gallery records consist largely of correspondence with collectors, including Edgar and Bernice Chrysler Garbisch, Preston Harrison, Mr. and Mrs. Maxim Karolik, William H. Lane, Abby Aldrich Rockefeller, Beram K. Saklatwalla, Robert Tannahill, and Electra Havemeyer Webb; with dealers, including robert Carlen, Landau Gallery, Leicester Galleries, Mirski Gallery, and Isabel Carleton Wilde; and with large numbers of curators and museum directors, including many affiliated with university museums. In addition, there is correspondence concerning routine gallery business and administrative affairs.

Artist files and an extensive series of notebooks (American Folk Art Gallery notebooks, artist notebooks, and publicity notebooks) compiled by gallery staff contain a wide variety of material and are a rich source of information about individual artists and the Downtown Gallery's exhibition history.

Business records include exhibition records, stock records, sales records, transit records, financial records, lists of artwork and clients, legal documents, minutes, insurance records, research files, and architectural plans.

Writings by Edith Gregor Halpert consist of articles on American folk art, speeches, and short stories; also included are her school notebooks and "Daily Thoughtlets" compiled at age seventeen. All writings by other authors are on art subjects, and most are texts or introductions for exhibition catalogs.

Among the miscellaneous records are biographical material on Edith Gregor Halpert and Samuel Halpert, works of art by Edith Gregor Halpert and other artists, artifacts, and audiovisual materials. The artifacts include wooden weather vane molds and supporting documentation as well as awards presented to Halpert. Audiovisual materials are 16-mm motion picture films of the Westinghouse Broadcasting Corporation television series, America: The Artist's Eye, produced between 1961 and 1963 in association with Jensen Productions. An additional 16-mm motion picture film includes "tails out" footage of Charles Sheeler at home and at work, circa 1950. A copy of the program about Sheeler, along with the "tails out" material, is also on videocassette. In addition, there is a sound recording of a talk on collecting given by Halpert's client, folk art collector Maxim Karolik, in 1962.

Printed matter consists of items produced by the Downtown Gallery, including exhibition catalogs, checklists, invitations, announcements, and press releases. There are also news clippings about Halpert, the Downtown Gallery, and the Edith Gregor Halpert Collection; other art-related clippings are arranged topically. Miscellaneous printed matter not produced by the Downtown Gallery includes newsletters, press releases, publications of art organizations, and reproductions of artwork. A selection of twenty-five volumes from the personal library of Edith Gregor Halpert has been retained.

The photographs series includes images of people: Edith Gregor Halpert, family, friends, also many images of her dog, Adam, and views of her country home in Newtown, Connecticut. Other photographs of people include portraits of artists, most of whom were affiliated with the Downtown Gallery. There are also photographs of works of art (with a large number of black-and-white negatives, 35-mm color slides, and glass plate negatives) and of exhibitions, of the exterior and interior of the Downtown Gallery, and of an award presented to Halpert.

See Appendix B for a chronological list of Downtown Gallery exhibitions.
Arrangement:
It is not certain how well arranged the files were while still the property of the gallery, though Halpert's background as an efficiency expert and her talents as an organizer suggest that the gallery's records were well maintained. It is clear, however, that much of the original order has been lost; Halpert is known to have removed files, including many records concerning the Harnett-Peto controversy.

Correspondence (Series 1) is arranged chronologically, and Artist Files (Series 2) is arranged alphabetically. The remaining series are organized into subseries that reflect either a function or specific record type, and the arrangement of each is explained in the detailed series descriptions. Glass plate negatives are housed separately and closed to researchers.

The Downtown Gallery records are arranged into eight series:

Series 1: Correspondence, 1926-1974, undated (Boxes 1-22; 22 linear ft.; Reels 5488-5545)

Series 2: Artist Files, A - Z, 1917-1970, undated (Boxes 23-27; 5 linear ft.; Reels 5545-5558)

Series 3: Notebooks, 1835, 1874, circa 1880-1969, undated (Boxes 28-59; 32.5 linear ft.; Reels 5558-5603)

Series 4: Business Records, 1925-1974, undated (Boxes 60-94, OV 95, OV 96, OV 97; 34.5 linear ft.; Reels 5603-5636)

Series 5: Writings, 1917-1968, undated (Box 98; 1 linear ft.; Reels 5636-5638)

Series 6: Miscellaneous Material, circa 1835, 1883, 1913-1970, undated (Boxes 99-101, 103, OV 102, OV 104, FC 120-124; 3.25 linear ft.; Reels 5638-5639)

Series 7: Printed Matter, 1824-1865, 1920-1969, undated (Boxes 105-108; 4 linear ft.; Reels 5640-5647)

Series 8: Photographs, circa 1880-1960s, undated (Boxes 109-118, OV 119, MGP 4; 8.75 linear ft.; Reels 5647-5654)
Historical Note:
As a very young woman, Edith Gregor Halpert (1900-1970) attended art school sporadically while pursuing a business career that began in advertising and included work as a personnel manager and efficiency expert. She continued her business career after marrying artist Samuel Halpert (1884-1930) in 1918 and eventually became a highly paid executive with an investment firm. Well-invested bonuses provided the capital for Halpert to open her own business.

In November 1926, Halpert and business partner Berthe (Bea) Kroll Goldsmith opened Our Gallery at 113 West 13th Street for the purpose of promoting a group of progressive American artists, many of whom were friends of Edith and Samuel Halpert. The following year, at the suggestion of William Zorach, the gallery changed its name to Downtown Gallery--emphasizing its Greenwich Village location, unique for the time--and the name survived despite relocation to midtown Manhattan (to 43 East 51st Street in 1940, to 32 East 51st Street in 1945, and to the Ritz Tower Concourse at 465 Park Avenue in 1965).

The Downtown Gallery specialized in contemporary American art. An early gallery brochure states: "The Downtown Gallery has no prejudice for any one school. Its selection is driven by quality--by what is enduring--not by what is in vogue." Some of the artists affiliated with the Downtown Gallery from its early years were Stuart Davis, "Pop" Hart, Yasuo Kuniyoshi, Charles Sheeler, Max Weber, and William and Marguerite Zorach. In its original location, the gallery served as a place where artists (many of whom lived and worked in the neighborhood), collectors, and others interested in American art met in the evenings for coffee, conversation, and sometimes lectures or other formal programs. Holger Cahill (1887-1960) entered into a partnership with Halpert and Goldsmith in 1929 when they founded the American Folk Art Gallery, the first ever of its kind; the American Folk Art Gallery opened on the second floor of the Downtown Gallery in 1931. Folk art was an important feature of the gallery throughout its history, though the name American Folk Art Gallery does not appear to have been used consistently. Because the profit margin was high and Abby Aldrich Rockefeller bought avidly for her growing collection, folk art revenues subsidized contemporary art exhibitions and helped the gallery survive the Depression. The Daylight Gallery, also run by Halpert and Goldsmith, opened in 1930 in a separate structure behind the main gallery, and continued until the Downtown Gallery moved to East 51st Street in 1940. Its purpose was to exhibit painting and sculpture to best advantage in a gallery designed to diffuse light perfectly and to demonstrate how works of art may be used as architectural embellishments in a modern building. Other subsidiary galleries operated by the Downtown Gallery were the John Marin Room, opened in 1950 and run by John Marin, Jr., and the Ground-Floor Room, 1951, "dedicated to the adventurous, less experienced collector willing to gamble on his taste and ours."

From the beginning, Halpert endeavored to hold prices at reasonable levels; she employed aggressive marketing and advertising techniques learned from her career in business and banking, offering extended payment plans without interest to buyers of modest means. She recognized the value of placing representative works by Downtown Gallery artists in important art museums and public collections, even if a price reduction was necessary to achieve this goal.

After purchasing Goldsmith's share of the business in 1935, Halpert, needing to earn a profit, reorganized the gallery as a more overtly commercial venture. The roster of artists was reduced to twelve. Those eliminated tended to be younger artists, most of whom were supported by WPA work. Eventually, the roster expanded; new additions were usually artists not based in New York, whom Halpert learned of through her work as an adviser to the WPA Federal Art Project. Halpert had long courted Alfred Stieglitz's artists, and in the years following his death in 1946 a number of them affiliated with the Downtown Gallery. Another change was that the Downtown Gallery no longer represented only living American artists; the gallery began handling a number of estates, most notably that of Arthur Dove. In 1953, the roster of Downtown Gallery artists shifted dramatically when Halpert entered into an agreement with Charles Alan. Alan had been hired in 1945 with the understanding that he was being trained to run the Downtown Gallery upon Halpert's retirement five years in the future. Eight years later, it became apparent that Halpert was not going to retire; without consulting the artists, she transferred representation of all artists who had joined the Downtown Gallery since 1936 to the newly established Alan Gallery.

Exhibitions at the Downtown Gallery included both solo exhibitions and group shows usually built around a theme; most lasted about a month. Annual exhibitions (sometimes titled anniversary exhibitions) opened the exhibition season each fall and showcased the gallery's artists. The Downtown Gallery's Christmas show, a long-standing event that encouraged purchases of original art for holiday gift giving, was eagerly anticipated as it featured fine artwork at very reasonable prices. Between 1927 and 1935, the Downtown Gallery was the site of the American Print Makers Society annual exhibitions. During its forty-seven years in operation, the Downtown Gallery organized many important, influential exhibitions. American Ancestors (1931) presented American folk art as the precursor to and direct influence on the contemporary art featured by the Downtown Gallery. The title was used for a number of subsequent exhibitions and became a synonym for folk art. American Folk Art Sculpture: Index of American Design, Federal Art Project (1937) featured drawings by WPA artists recording objects that documented America's material culture and artistic heritage. Along with the Index of American Design drawings, the exhibition included a number of the original sculptures from the Downtown Gallery's inventory and borrowed from folk art collector Abby Aldrich Rockefeller.

William Harnett: "Nature-Vivre" (1939) reintroduced the nineteenth-century artist whose trompe l'oeil paintings had been collected by Halpert over a period of years expressly for this purpose. Between 1947 and 1949, a controversy ensued over paintings--some of which had been sold by the Downtown Gallery--with the signature of William Harnett but discovered by San Francisco Chronicle art critic Alfred Frankenstein to be the work of Harnett's student, John Peto. Halpert had purchased the questionable pieces in good faith, completely unaware of the added signatures, and she defended her attributions, despite evidence to the contrary. Frankenstein publicized his discovery widely; while neither Halpert nor the Downtown Gallery were named directly, their identity was apparent to his well-informed readers. The situation was further inflamed when additional articles by Frankenstein failed to include new evidence favorable to Halpert and the Downtown Gallery.

Another major exhibition was American Negro Art, 19th and 20th Centuries (1941-1942), the first show of its kind held at a commercial gallery. Held at the Downtown Gallery, the exhibition was sponsored by a committee of prominent citizens including Mayor Fiorello La Guardia, Archibald MacLeish, A. Philip Randolph, and Eleanor Roosevelt. Among its aims were to raise money for the Negro Art Fund, to promote museum acquisitions of work by black artists, and to encourage galleries to represent the living participants. In addition to providing its facilities, the Downtown Gallery donated all sales commissions to the Negro Art Fund and added Jacob Lawrence to its roster of artists.

Edith Gregor Halpert played important roles in a number of exhibitions and major art projects that were not connected with the Downtown Gallery. She served as organizer and director of the First Municipal Exhibition of American Art, Atlantic City, New Jersey, in 1929. Beginning in 1932, Halpert was extensively involved with Radio City Music Hall arts projects. She conceived, organized, and handled publicity for the First Municipal Art Exhibition (also known as the Forum Exhibition) sponsored by Mayor Fiorello La Guardia and held at Radio City Music Hall in 1934. As an adviser to the WPA Federal Art Project, Halpert spent the summer of 1936 in Washington, D.C., developing its Exhibition and Allocation Program, which registered works of art arriving from regional project centers and selected pieces for traveling exhibitions that circulated throughout the country. In 1937, she formed the Bureau for Architectural Sculpture and Murals, a central clearinghouse from which architects could review and select work by artists and sculptors experienced in working in architectural settings. Halpert served as curator of the art section of the American National Exhibition, sponsored by the United States Information Agency and the U.S. Department of Commerce; she traveled to the Soviet Union with the exhibition, installed the show, and gave daily gallery talks in Russian. In 1952, to promote art history, Halpert established the Edith Gregor Halpert Foundation. Its activities included assisting universities to fund scholarships for the study of contemporary American art and championing the rights of artists to control the sale and reproduction of their work. For her "outstanding contribution to American art," Halpert received the Art in America Award in 1959. She also received a USIA Citation for Distinguished Service in 1960, and the University of Connecticut awarded her its First Annual International Silver Prize for "distinguished contribution to the arts" in 1968.

In addition to being an art dealer, Edith Gregor Halpert was also a collector of contemporary American art and American folk art. For many years, Halpert and the Corcoran Gallery of Art, Washington, D.C., discussed a gift of a substantial number of paintings to form the nucleus of a new wing to be called the Gallery of 20th-Century American Art. After numerous disagreements and misunderstandings by both parties, the plan was abandoned. While negotiations were still in progress, the Edith Gregor Halpert Collection was exhibited in two installments, 1960 and 1962, at the Corcoran Gallery of Art. During the following two years, portions of her collection traveled to Santa Barbara, Honolulu, and San Francisco. Other exhibitions, drawn completely from the Edith Gregor Halpert Collection, include American Modernism: The First Wave, Painting from 1903-1933, presented at Brandeis University Museum of Art, 1963; Six Decades of American Art, shown at Leicester Galleries, London, 1965; Image to Abstraction, held at Amon Carter Museum, 1967; and Edith Halpert and the Downtown Gallery, exhibited at the University of Connecticut, 1968. The Edith Gregor Halpert Collection was eventually sold at auction by Sotheby Parke-Bernet, 1973.

Dr. Dianne's Tepfer's dissertation (1989) on Edith Gregor Halpert was an invaluable resource in arranging and describing the records of Downtown Gallery; her chronology was consulted often in constructing this Historical Note.

1900 -- born Edith Gregoryevna Fivoosiovitch to Gregor and Frances Lucom Fivoosiovitch, Odessa, Russia

1906 -- arrived in New York City with recently widowed mother and older sister; family name changed to Fivisovitch

1916 -- employed as a comptometer operator at Bloomingdale's department store; studied drawing with Leon Kroll and Ivan Olinsky at the National Academy of Design; further shortened name to Fein

1916-1917 -- attended life drawing and anatomy classes taught by George Bridgeman at the Art Students' League; employed in foreign and advertising offices, R. H. Macy department store

1917 -- met artist Samuel Halpert at John Weichsel's People's Art Guild

1917-1918 -- employed as advertising manager, Stern Brothers department store

1918-1919 -- employed as systematizer (efficiency expert), investment firm of Cohen, Goldman

1918 -- married Samuel Halpert

1919-1920 -- employed as systematizer, investment firm of Fishman & Co.; attended writing courses, Columbia University

1921-1925 -- employed as personnel manager, systematizer, and head of correspondence at investment banking firm of S. W. Strauss & Co.; eventually appointed to the board of directors

1924 -- first exposed to folk art at the home of sculptor Elie Nadelman

1925 -- visited Paris with Samuel Halpert (June-September)

1926 -- visited Ogunquit, Maine, with Samuel and was further exposed to antiques and folk art; other summer guests included artists Stefan Hirsch, Bernard Karfiol, Walt Kuhn, Yasuo Kuniyoshi, Robert Laurent, Katherine Schmidt, Niles Spencer, and Marguerite and William Zorach; opened Our Gallery, devoted to modern American art, at 113 West 13th Street with business partner Berthe Kroll Goldsmith

1927 -- separated from Samuel, who moved to Detroit to teach at the Society for Arts and Crafts; changed name of Our Gallery to Downtown Gallery, at the suggestion of William Zorach

1928 -- Abby Aldrich Rockefeller first visited the Downtown Gallery; published George O. "Pop" Hart: 24 Selections from His Work by Holger Cahill, first of a projected series of ten Downtown Gallery monographs

1929 -- initiated divorce proceedings in Detroit; founded the American Folk Art Gallery, the first of its kind, with business; partners Berthe Kroll Goldsmith and Holger Cahill; served as organizer and director of the First Municipal Exhibition of American Art, Atlantic City

1930 -- divorce granted; present at the death of Samuel Halpert; opened the Daylight Gallery in a separate structure behind the Downtown Gallery specially designed to display works of art under optimal conditions; published Max Weber by Holger Cahill, second (and last) of the Downtown Gallery monographs

1931 -- opened the American Folk Art Gallery on second floor of the Downtown Gallery

1932 -- purchased house in Newtown, Connecticut; became extensively involved with Radio City Music Hall arts projects

1934 -- conceived, organized, and handled publicity for the First Municipal Art Exhibition, also called the Forum Exhibition, sponsored by Mayor Fiorello La Guardia and held at Radio City Music Hall

1935 -- bought Goldsmith's share of the business and, as sole owner, reorganized the gallery

1936 -- served as adviser to WPA Federal Art Project, charged with developing the Exhibition and Allocation Program

1937 -- formed Bureau for Architectural Sculpture and Murals

1939 -- organized Nature-Vivre; exhibition of paintings by the rediscovered William Harnett, rekindling interest in trompe l'oeil painting

1940 -- Downtown Gallery moved to 43 East 51st Street; cataloged and installed the Abby Aldrich Rockefeller Collection of American Folk Art at Williamsburg, Virginia

1941 -- American Negro Art, 19th and 20th Centuries

1945 -- Downtown Gallery moved to 32 East 51st Street; hired Charles Alan as assistant director

1946 -- Downtown Gallery began representing former Alfred Stieglitz artists Charles Demuth, Marsden Hartley, John Marin, and Georgia O'Keeffe

1947-1949 -- embroiled in controversy over paintings with the signature of William Harnett but discovered to be the work of Harnett's student John Peto

1950 -- opened the John Marin Room, operated by John Marin, Jr.

1951 -- opened the Ground-Floor Room, for works by new artists

1952 -- established the Edith Gregor Halpert Foundation

1953 -- transferred representation of newer Downtown Gallery artists to the Alan Gallery

1954 -- published The ABCs for Collectors of Contemporary Art by John I. H. Baur

1959 -- traveled to Moscow as curator of the art section, "American National Exhibition," and gave daily gallery talks in Russian; received Art in America Award

1960 -- exhibited selections from the Edith Gregor Halpert Collection at the Corcoran Gallery of Art, Washington, D.C.; awarded USIA Citation for Distinguished Service and the Merit Award Emblem

1962 -- second exhibition of the Edith Gregor Halpert Collection at the Corcoran Gallery of Art; began discussions, ultimately abandoned, for the transfer and installation of a large gift of paintings from the Edith Gregor Halpert Collection to a special wing of the Corcoran Gallery of Art

1963 -- American Modernism: The First Wave, Painting from 1903-1933, an exhibition based entirely on the Edith Gregor Halpert Collection, Brandeis University Museum of Art

1965 -- Downtown Gallery moved to smaller quarters, Ritz Tower Concourse, 465 Park Avenue; open by appointment only; Six Decades of American Art, from the Edith Gregor Halpert Collection, Leicester Galleries, London

1967 -- Image to Abstraction, an exhibition based entirely on the Edith Gregor Halpert Collection, Amon Carter Museum, Fort Worth, Texas

1968 -- the Downtown Gallery ceased to be the exclusive representative of Abraham Rattner, Ben Shahn, Georgia O'Keffe, and Max Weber, and the estates of Stuart Davis, and Marguerite and William Zorach were withdrawn from the gallery; Edith Halpert and the Downtown Gallery exhibition at the Museum of Art, the University of Connecticut; awarded the First Annual International Silver Prize medal for "distinguished contribution to the arts," University of Connecticut

1970 -- died, New York City

1970-1973 -- the Downtown Gallery continued limited operation under the direction of niece, Nathaly Baum

1972-1978 -- the Downtown Gallery records donated to the Archives of American Art by Nathaly Baum, executor of the Edith Gregor Halpert estate

1973 -- Sotheby Parke-Bernet auction sale of the Edith Gregor Halpert Collection

1997-1999 -- arrangement, description, and microfilming of Downtown Gallery records and publication of this finding aid funded by a grant from the Henry Luce Foundation, Inc.
Appendix B: Chronological List of Downtown Gallery Exhibitions:
Below is a chronological listing of Downtown Gallery exhibitions, culled from catalogs and checklists, invitations and announcements, press releases, newspaper reviews, advertisements, lists compiled by gallery staff, and The Archives of American Art Collection of Exhibition Catalogs (1979). Exhibition titles indicated on the announcement or used in a published review sometimes differ from the title of the corresponding exhibition catalog or printed checklist. Catalogs or announcements for most shows will be found with the printed matter produced by the Downtown Gallery (Series 7.1), in the publicity notebooks (Series 3.3.), and/or with artist files (Series 2). Microfilm reel and frame number(s) are noted in parentheses for catalogs or exhibition announcements recorded in The Archives of American Art Collection of Exhibition Catalogs that are not among the Downtown Gallery records.

Undated -- Jan. 24-Feb. 12: American Landscapes: Paintings and Water Colors Mar. 3-28 [1964?]: Abraham Rattner: New Paintings, 1961-1963 June: Art for 13,000,000 Sept. 17-27: Abraham Rattner: Stained Glass Window Designed for the De Waters Art Center, Flint, Michigan

1926 -- Nov. [6-?}: Opening Exhibition: Small Works by Leading American Contemporary Artists Dec. [4-?]: The Christmas Exhibition, $10-50

1927 -- Jan. 8-Feb. 4: American Marines Jan. 8-Feb. 4: Print Room Selection Nov. 26-Dec. 9: Frank Osborn: Sculpture Lamps Nov. 26-Dec. 9: Stuart Davis May [10-?]: Portfolio Selection, $5-25 Dec. 10-31: American Print Makers Exhibition Nov. 3-23: "Pop" Hart: One-Man Show Oct. 13-Nov. 3: Ogunquit Exhibition: Summer Work by 12 Ogunquit Residents Mar. 1-19: George C. Ault: Water Colors and Drawings Feb. [5-?]: George Overbury "Pop" Hart Apr. [11-?]: Spring Exhibitions: Pictures Suggestive of the Season Mar. 21-Apr. 9: Walt Kuhn Lighographs: `New Trapeze Ladies'

1928 -- Feb. 14-Mar. 4: Walt Kuhn: Recent Works Jan. 24-Feb. 12: 75 Years of American Landscapes Mar. 6-25: Samuel Halpert: Recent Work Dec. 10-31: American Print Makers 2nd Annual Exhibition Jan. 3-22: Joseph Pollett: Recent Paintings and Watercolors Oct. 7-28: Paris by Americans Oct. 29-Nov. 17: Max Weber: New Lithographs, $10-50 Nov. 19-Dec. 8: George C. Ault: Paintings, $30-300 Apr. 23-May 13: May Flowers May 19-June 13: Art for Everybody, $10-50 Mar. 26-Apr. 15: Ernest Fiene: Lithographs Apr. 2-22: Marguerite Zorach: Paintings and Drawings

1929 -- Nov. [19-?]: Glenn Coleman: Temperas June 3-14: Oils, Sculpture, Water Colors, Monotypes, Drawings, Pottery May [14-?]: Joseph Pollet: Watercolors May [14-?]: Lithographs by A. Walkowitz Mar. 26-Apr. 14: José Orozco: Paintings of New York City Apr. 23-May 14: Walt Kuhn: Loan Paintings Feb. 12-Mar. 23: Stefan Hirsch: Paintings Mar. 4-Apr. 14: Duncan Ferguson: Sculpture Jan. 21-Feb. 10: Drawings by 8 American Artists (Hart, Karfiol, Kuhn, Pascin, Walkowitz, Weber, M. Zorach, and W. Zorach) Jan. 2-20: Ann Goldthwaite: Recent Work Dec. 10-31: American Print Makers 3rd Annual Exhibition Oct. 29-Nov. 17: Joseph Pollet: Recent Paintings Oct. 7-28: Americans Abroad (Davis, Fiene, Ganso, Hart, Hirsch, Pascin, and Wilenchick)

1930 -- Oct. [25-?]: Reuben Nakian: Sculpture Nov. 18-Dec. 16: Glenn Coleman: Paintings Sept. 30-Oct. 25: Summer Landscapes, 1930: Paintings by American Contemporary Artists Summer: Important Painting and Sculpture by Leading American Artists in the Daylight Gallery May 26-July 1: Small Painting, Sculpture, and Drawings by Leading American Contemporary Artists, $100 or Less Apr. 19-May 10: Daylight Gallery Opening Exhibition Oct. [25-?]: Julia Kelly: Painting Apr. [8-?]: Ben Shahn: Paintings and Drawings Mar. 11-30: Wood Gaylor: Paintings Feb. [11-?]: Marguerite Zorach: Recent Paintings of New England and New York Jan. 28-Feb. 15: 33 Moderns: The Downtown Gallery Exhibition of Paintings, Sculpture, Watercolors, Drawings, and Prints by 33 American Contemporary Artists [at the Grand Central Galleries] Jan. [25-?]: Stuart Davis: Recent Paintings Dec. 8-31: American Print Makers 4th Annual Exhibition Jan. [2-?]: Abraham Walkowitz: Heads and Flowers May [10-?]: "Pop" Hart: Paintings from Africa and Europe

1931 -- Jan. 3-25: Jules Pascin Memorial Exhibition Jan. [27-?]: William Zorach: New Sculpture Feb. [14-?]: Joseph Pollett: Paintings Feb. 2-16: Isabella Howland: Paintings Dec. 14-31: American Ancestors: Masterpieces by Little Known and Anonymous American Painters, 1790-1890 Mar. 16-30: 7 Masters of Water Color (Demuth, Dickinson, Hart, Marin, Sheeler, Walkowitz, Zorach) Apr. [29-?]: Peggy Bacon: Caricature Portraits Mar. 31-Apr. 9: Stuart Davis: Recent Paintings Nov. [18-?]: Charles Sheeler: Recent Paintings May 12-31: Flowers: Paintings in Oil and Water Color by American Contemporary Artists Oct. 5-25: `Artists' Models,' Figure Paintings by Leading Contemporary American Artists June 2-22: Paintings, Water Colors, Drawings, Sculpture by Leading Contemporary American Artists Oct. 28-Nov. 17: Karl Knaths: Paintings Dec. 7-31: American Print Makers 5th Annual Exhibition

1932 -- May 31-June 30: Paintings and Sculpture by Outstanding American Artists Dec. 28-Jan. 14: William Zorach: Spirit of the Dance in Original Plaster Dec.: Christmas Exhibition: Drawings, Paintings, Sculpture, $10-100 Feb. 20-Mar. 3: Peggy Bacon: Recent Paintings (N433: 515) Jan. 5-18: American Modern Art [arranged by the Downtown Gallery at Knoedler & Co., Inc., Chicago] Oct. 4-22: Prelude to the Season: New Paintings and Sculpture by American Contemporaries Dec. 9-31: Carl Walters: Sculpture and Pottery in Ceramic Jan. 5-24: Alexander Brook: Recent Paintings Jan. [24-?]: Paintings by Contemporary American Painters Feb. 23-Mar. 7: Wood Gaylor: Recent Paintings Oct. 4-22: Bernard Sanders: Graphics Dec. 5-31: American Print Makers 6th Annual Exhibition Feb. [24-?]: Winter in Maine: Recent Watercolors by William Zorach Mar. 22-Apr. 3: Joseph Pollet: Recent Paintings Nov. 18-Dec. 9: Stefan Hirsch: Recent Work--New York and Mexico Apr. 5-17: The Passion of Sacco-Vanzetti: Gouaches by Ben Shahn Apr. 19-May 15: Pictures of New England by a New Englander: Recent Paintings of Dogtown, Cape Ann, Mass., by Marsden Hartley [errata slip stapled to cover of the copy filmed on Br10: 660-663 indicates the dates were changed to Apr. 26-May 15, 1932] May 17-29: 3 Painters: Baum, Botkin, Schultz Oct. 25-Nov. 13: Dorothy Varian: Recent Paintings

1933 -- Jan. 17-Feb. 4: Bernard Karfiol: Paintings and Drawings Mar. 21-Apr. 8: Major Works by Distinguished American Artists Feb. [28-?]: Watercolors by Stuart Davis Feb. 27-Mar. 18: Reuben Nakian: Sculpture Portraits of 10 Artists Feb. 7-25: Yasuo Kuniyoshi: Recent Paintings Oct. 3-14: American Ancestors, 2nd Exhibition: Masterpieces by Little Known and Anonymous American Artists: 1720-1870 May 23-June 30: Paintings and Sculpture: Recent Works by Leading American Contemporaries, at $100 May 2-20: Ben Shahn: The Tom Mooney Case Apr. 11-29: Nicolai Cikovsky: Recent Paintings Nov. 14-Dec. 14: Drawings and Rare Prints by "Pop" Hart Dec. 5-31: American Print Makers 7th Annual Exhibition Oct. 24-Nov. 11: Painting and Sculpture by Leading Contemporaries

1934 -- Jan. 23-Feb. 10: Alexander Brook: Recent Paintings Feb. 13-Mar. 3: Babe Ruth by Reuben Nakian Jan. 3-20: Ernest Fiene: Painter of the American Scene Dec. 13-31: Practical Manifestations in American Art Apr. 3-21: Katherine Schmidt: Paintings Apr. 25-May 12: Stuart Davis: Recent Paintings Dec. [3-?]: Group Show Mar. 13-31: Recent Paintings by Joseph Pollet Oct. 1-14: Hamilton Easter Field Art Foundation Collection of Paintings and Sculpture Oct. 23-Nov. 3: Marguerite Zorach: Paintings and Drawings May 15-June 15: Paintings and Sculpture: Selected Works by Leading American Contemporaries, Extraordinary Values at $100 Dec. 3-29: American Print Makers 8th Annual Exhibition Feb. 20-Mar. 3: Recent Work by Peggy Bacon Nov. 20-Dec. 8: Peggy Bacon: `Off with Their Heads,' Caricature Portraits of 38 Contemporary American Celebrities Nov. 6-17: American Drawings: Recent Work by Charles Sheeler, John Marin, Yasuo Kuniyoshi, Charles Locke, Stuart Davis, Alexander Brook

1935 -- May 1-18: Nakian: The New Deal in Portraiture Apr. 13-28: Reuben Nakian: Portrait Heads of the Present Administration May 21-June 14: Paintings and Sculpture by Leading American Artists Dec.: Carl Walters: Ceramic Sculpture and Pottery Mar. 12-30: Exhibition of 14 Paintings by 14 American Contemporaries Feb. 20-Mar. 9: Nicolai Cikovsky: Recent Paintings Apr. 10-27: Watercolor and Pastels by 14 American Artists Dec. 2-28: American Print Makers 9th Annual Exhibition Nov.: Ernest Fiene: Paintings Nov. [5-?]: American Folk Art: Recently Acquired Paintings and Sculpture Jan. 16-Feb. 2: Charles Burchfield and Charles Sheeler Dec. 11-28: Anne Goldthwaite: Murals of the South Jan. 16-Feb. 9: Bernard Karfiol: Watercolors and Drawings Oct. 22-Nov. 9: Opening Exhibition: Important Recent Painting and Sculpture May 21-June 14: $100 Exhibition: Extraordinary Values for Discriminating Collectors

1936 -- Oct. [28-?]: Tenth Anniversary Exhibition: American Art, 1800-1936 Dec. 13-24: American Print Makers 10th Anniversary Annual Exhibition (N428:304-305) Dec.: Christmas Gift Show Dec.: Ceramics by Carl Walters Feb. [25-?]: Watercolors by William Zorach Mar. 17-Apr. 4: Yasuo Kuniyoshi: Paintings May [5-?]: Joseph Pollet: Paintings May 26-June 12: Paintings and Sculpture: Recent Work by Leading American Contemporaries, Extraordinary Values at $100 Apr. 14-May 2: Portraits by 6 Contemporary and Early American Artists Jan. 30-Feb. 15: American Birds in Sculpture, 1785-1935 Jan. 6-25: Alexander Brooke: Paintings Dec. 2-31: Vital Statistics

1937 -- Dec. 7-31: Christmas Exhibition: Fine Works of Art as Original Gifts through June 25: Paintings and Sculpture, 1800-1937 Oct. 5-23: Paintings by 12 Younger Artists Oct. 19-Nov. 6: Fall Exhibition May 18-June 5: Joseph Steig: Watercolors May 5-29: Major Examples by Major Artists Apr. 13-May 1: Children in American Folk Art, 1725-1865: Children's Art, Their Portraits, and Their Toys Apr. [10-?]: Contemporary Americans Sept. 28-Oct. 9: American Folk Art Sculpture: Index of Design, WPA Federal Art Project Sept.: Drawings by the Index of American Design Oct. 20-Nov. 10: An Exhibition of Contemporary American Art from the Downtown Gallery of New York, Sponsored by the Atlanta Georgian and Sunday American at the High Museum of Art Mar. 9-27: The 1920s: Oils, Sculpture, Watercolors, and Drawings by 18 American Contemporaries Mar. 30-Apr. 10: Younger Artists Nov.: Dorothy Varian: Paintings Feb. 9-27: American Dogs: Recent Portraits in Oil of Champion Dogs by Fenelle and Paintings and Sculpture Portraying Dogs of the Period 1820-1860 from the American Folk Art Gallery Jan. [15-?]: David Fredenthal Feb.: Group Show

1938 -- Oct. 4-22: Americans at Home: 32 Painters and Sculptors Sept. 4-22: Folk Art Apr. [27-?]: David Fredenthal: Paintings May 25-June 17: Art for the Summer House, $15-100 Apr. 5-23: Preston Dickinson, 1891-1930: 13 Pastels Dec. 6-30: Christmas Exhibition Mar. 16-Apr. 2: Paintings by Americans: New Paintings by Karfiol, Kuniyoshi, Sheeler, and Recent Oils by Marin and O'Keeffe Nov. [15-?]: Louis Guglielmi: Paintings Feb. 15-Mar. 5: 50 American Watercolors and Pastels, 1800-1938 Dec. 6-30: Carl Walters: Ceramic Sculpture Jan. 18-Feb. 15: American Genre Paintings, 1785-1887 Nov. 2-20: John Stenvall: Paintings Jan. 5-22: Isabella Howland: 25 Sculpture Heads Jan. 25-Feb. 11: Nicolai Cikovsky: Paintings Nov. 1-12: American Ancestors: Masterpieces in American Folk Art, 1720-1860 Nov. [2-?]: Georgia O'Keeffe: Paintings

1939 -- Oct. 3-14: Paintings on Velvet, 1800-1840 Feb. [14-?]: Nathaniel Kaz: Sculpture Nov. 7-25: Contemporary American Genre: 27 Painters and Sculptors Mar. [7-?]: Katherine Schmidt: Paintings May [8-?]: Group Show Jan. 24-Feb. 11: Yasuo Kuniyoshi: Paintings Dec. 6-30: Carl Walters: Ceramic Sculpture Jan. [24-?]: Jack Levine: Paintings Mar. 28-Apr. 15: William Steig: Sculpture June 7-30: American Art, Past and Present Apr. 18-May 16: William Harnett: `Nature-Vivre' Oct. [17-?]: John Marin: 20 Drawings Jan. 4-21: Important New Paintings by American Artists: Cikovsky, Karfiol, Marin,, O'Keeffe, Sheeler, and Varian Dec. 6-30: Christmas Exhibition: Paintings, Drawings, and Sculpture, $100 or Less May [16-?]: Raymond Breinin: Paintings

1940 -- Jan. [3-?]: Mitchell Siporin: Paintings Jan. [23-?]: Rainey Bennett: Paintings Dec. 2-21: Charles Sheeler: `Power,' 6 Original Paintings Commissioned for Reproduction in the December 1940 Issue of Fortune(N433:550 551) Mar. [25-?]: Yasuo Kuniyoshi: Lithographs Mar. [25-?]: Group Show: Paintings Feb. [20-?]: Julien Levi: Paintings Mar. [18-?]: Gallery Group Dec. [9-?]: Christmas Exhibition Oct. 17-Nov. 16: Opening Exhibition [43 East 51st Street] May 13-24: Artist's Fund Exhibition Apr. 23-May 11: Review of the Season: Paintings by Leading American Artists

1941 -- Dec. 9-Jan. 3, 1942: American Negro Art: 19th and 20th Centuries Sept. 16-Oct. 11: American Folk Sculpture: Weather Vanes in Metal and Wood: 18th and 19th Centuries [?]-June 27: Summer Exhibition and William Harnett May 6-30: What Is Wrong with This Picture? Nov. 13-Dec. 6: Yasuo Kuniyoshi: Recent Paintings (Br10: 699-700) Nov. 11-Dec. 6: Bernard Karfiol Oct. 21-25: American Folk Art Sale Oct. 7-Nov. 1: New Examples by Leading American Artists Apr. 8-26: Spring: New Paintings by Outstanding Americans Feb. 25-Mar. 22: Masterpieces in American Folk Art Jan. 7-Feb. 1: The Painter Looks at Music Feb. 4-21: 13 American Paintings

1942 -- Oct. 13-31: Paintings, Cartoons, Photographs of the St. Louis Post Office Murals by Mitchell Siporin and Edward Millman Dec. 22-Jan. 9, 1943: Inter-American Folk Arts, 1700-1900: Paintings and Sculpture by Little Known and Anonymous Artists of Argentina, Chile, Colombia, Ecuador, Haiti, Mexico, Peru, U.S.A. Jan. 7-24: Watercolors and Drawings by Leading American Artists Feb. 3-28: Julian Levi Mar. 3-28: Battles & Symbols of the U.S.A.: Exhibition of Paintings and Sculpture by American Folk Artists Apr. 7-May 2: Spring Exhibition: New Paintings and Newly Discovered Paintings by William M. Harnett Apr. 7-May 2: American Folk Art May 5-29: Yasuo Kuniyoshi: Retrospective Loan Exhibition, 1921-1941 (Br10: 703-705) June 10-26: Paintings, Sculpture, Drawings by Leading American Artists Sept. 22-Oct. 10: Opening Exhibition: New Paintings and Sculpture

1943 -- Jan. 12-30: Breinin: Recent Paintings (D55: 77) Mar. 2-27: William Zorach: Selected Sculpture (D57: 632-634) Mar. 31-Apr. 24: Spring Exhibition and American Folk Art June 8-25: Summer Exhibition: American Art Oct. 5-30: 18th Annual Exhibition: American Art Oct. 27-Nov. 20: Recent Paintings in Encaustic by Karl Zerbe Nov. 23-Dec. 11: Demuth, Dickinson, "Pop" Hart, Pascin

1944 -- Nov. 14-Dec. 2: Ben Shahn: Paintings in Tempera (Br10: 707-708) Feb. 1-12: Exhibition of Paintings and Sculpture Apr. 11-May 6: Spring: New Important Paintings & Sculpture by Leading Americans Feb. 15-Mar. 11: Horace Pippin May 31-June 30: Summer Exhibition May 9-27: William Zorach Oct. 3-28: 19th Annual Exhibition: American Art Sept. 13-30: American Folk Art from the Collection of Mrs. Isabel C. Wilde

1945 -- Jan. 3-20: Suba: First One-Man Exhibition of Paintings Mar. 6-31: Julian Levi Feb. 13-Mar. 3: George L. K. Morris: Paintings, 1944 and 1945, and Sculpture, 1934-1945 (Br10: 712-714) May 1-26: 19th Annual Spring Exhibition Apr. 3-28: Yasuo Kuniyoshi: New Paintings and Drawings Oct. 15-Nov. 3: Loan Exhibition Oct. 15-Nov. 3: 20th Anniversary [opening of new quarters on East 51st Street] Dec. 4-29: Christmas Exhibition Nov. 6-Dec. 1: 20th Annual Exhibition: American Art Dec. 4-29: Jacob Lawrence: John Brown, A Series of 22 Paintings in Gouache

1946 -- Dec. 3-31: Christmas Exhibition Sept. 4-21: Masterpieces in American Folk Art: Recently Discovered Examples Sept. 24-Oct. 19: 21st Annual Exhibition: New Paintings by Leading American Artists June: New Important Paintings by Leading Americans July 2-Aug. 30: Summer Exhibition: Recent Paintings and Sculpture... Combined with a Selection of Important American Folk Art Mar. 26-Apr. 13: Paul Burlin May 7-25: 6 Artists Out of Uniform: New Post-War Paintings by 6 Important Americans Jan. 29-Feb. 16: Stuart Davis Retrospective Exhibition: Gouaches, Watercolors, Drawings, 1912-1941 (N126: 369-370)

1947 -- Apr. 1-26: Spring 1947 Apr. 29-May 17: Boston/New York: First Exchange Exhibition [Boston portion at Downtown Gallery and New York portion at Boris Mirski Gallery, Boston] Feb. 4-Mar. 1: Important New Drawings Mar. 4-29: William Zorach Jan. 7-25: Arthur Dove Nov. 11-29: Niles Spencer Dec. 2-27: Christmas Exhibition Sept. 23-Oct. 18: 22nd Annual Exhibition Sept. 3-20: 20th-Century American Watercolors Aug. 12-29: Exhibition of American Folk Art: Recent Acquisitions June 10-Aug. 8: American Art, 1800-1947 and American Folk Art May 20-June 7: National Parks: A Fortune Portfolio

1948 -- Sept. 28-Oct. 23: 23rd Annual Exhibition Sept. 8-28: The American Family: Folk Paintings, 1750-1850 Aug. 10-Sept. 2: Marin - New York (N126: 407-408) June 29-Aug. 6: Art for the 8,060,000 May 10-20: Mexican Folk Art Apr. 13-May 1: William Harnett Centennial Exhibition Mar. 22-Apr. 3: American Art: A Multiple Exhibition Arranged by the Association of Dealers in American Art [Downtown Gallery participating] Jan. 20-Feb. 7: Paintings by Stuart Davis, Yasuo Kuniyoshi, Jack Levine, John Marin, Ben Shahn Dec. 7-31: Christmas 1948 Nov. 16-Dec. 14: Jacques Maroger: Recent Paintings (N126: 411-412) undated: American Art... 20th Century Image to Abstraction [Amon Carter Museum; entire exhibition drawn from the collections of Edith Gregor Halpert and the Downtown Gallery] Dec. 7-31: William Zorach

1949 -- Nov. 15-Dec. 3: Reuben Tam Dec. 6-24: Christmas Exhibition May 10-28: Mexican Folk Art July 6-29: Art and/or Money Sept. 7-24: Important Paintings and Sculpture by Little Known and Unknown Artists of the 18th and 19th Century Oct. 3-22: 24th Annual Exhibition Mar. 15-Apr. 2: Paul Burlin Apr. 5-23: The Artist Speaks Apr. 25-10: 26 Teenage Artists Presented by Seventeen Magazine May 3-21: Arthur G. Dove: Watercolors, 1929-1946 (N126: 424) Sept. 7-24: American Folk Art

1950 -- Apr. 25-May 13: In 1950... Jan. 23-28: Creative Art for Commerce Dec. 5-23: Christmas Exhibition Oct. 24-Nov. 11: Jacob Lawrence (D56: 298-300) May 16-June 2: A Museum Collection: American Folk Sculpture Apr. 4-22: Yasuo Kuniyoshi Sept. 26-Oct. 21: 25th Annual Exhibition: New Paintings and Sculpture June: Art for 13,000,000 Jan. 31-Feb. 18: Ralston Crawford Dec. 27-Jan. 27, 1951: John Marin Mar. 14-Apr. 1: In 1940... Feb. 21-Mar. 11: Aquamedia

1951 -- Dec. 11-29: Christmas Exhibition May 1-19: Newcomers: Paintings by Artists from 15 States Nov. 20-Dec. 8: O. Louis Guglielmi Apr. 3-28: Spring 1951 Oct. 2-27: 26th Annual Exhibition: New Paintings and Sculpture by Leading American Artists July 10-Aug. 17: Summer Exhibition: American Art Sept. 5-22: Contemporary American Drawings June 12-29: Masterpieces in American Folk Art Mar. 13-31: Charles Sheeler: Paintings, 1949-1951 Feb. 20-Mar. 1: William Zorach: Sculpture, 1947-1951

1952 -- Oct. 28-Nov. 15: Niles Spencer Oct. 14-Nov. 15: The Ground-Floor Room 2nd Annual Exhibition Dec. 9-27: Stuart Davis and Yasuo Kuniyoshi Mar. 11-29: Ben Shahn: Paintings (D56: 1075-1076) Mar. 4-20: Recent Arrivals Jan. 2-26: John Marin: Oils and Watercolors June 3-27: Art for the 67% May 12-29: Lithographs, Woodcuts, Theorems, Serigraphs, and Other Prints by Leading American Artists Apr. 22-May 10: Arthur G. Dove Apr. 1-19: Spring '52 Oct. 1-25: 27th Annual Exhibition Nov. 18-Dec. 16: Shop for Art Early at the Downtown Gallery Sept. 9-27: American Amateur Art of 100 Years Ago July 1-Aug. 1: Pertaining to Summer: An Exhibition of Painting and Sculpture by Leading American Artists

1953 -- Jan. 7-Feb. 14: Performance: A New Series of Paintings in Tempera by Jacob Lawrence Feb. 17-Mar. 7: Celebrating the Tercentenary of New York, MDCLIII - MCMLIII: Paintings of New York by Leading American Artists Apr. 21-May 9: David Aronson May 12-29: 8 Younger Artists Mar. 10-28: Paul Burlin Mar. 31-Apr. 18: Reuben Tam Nov. 17-Dec. 7: Art in the Office Dec. 8-31: Art Gems for Christmas Sept. 22-Oct. 17: 28th Annual Exhibition: Recent Paintings and Sculpture Oct. 20-Nov. 14: Yasuo Kuniyoshi: Ink Paintings

1954 -- Sept. 14-Oct. 2: Artists of Chicago May 25-June 25: Summer 1954 Nov. 9-20: Skowhegan School of Painting and Sculpture: A Benefit Exhibition by Its Faculty and Visiting Artists for the Scholarship Fund Oct. 5-30: 29th Annual Exhibition: New Paintings and Sculpture Nov. 23-Dec. 24: Christmas Exhibition Apr. 6-May 1: Dove and Demuth: Watercolor Retrospective May 4-22: American Folk Art: Painting and Sculpture Feb. 2-27: International Exhibition: American, Belgian, British, Canadian, French, Italian, Mexican Painters under 40 Mar. 2-31: Stuart Davis: Recent Paintings

1955 -- Mar. 20-Apr. 23: Georgia O'Keeffe May 24-June 11: Gallery Purchases: Contemporary Art Apr. 26-May 21: Spring 1955 Sept. 13-Oct. 1: Painters of Los Angeles June 14-30: Gallery Purchases: American Folk Art Nov. 1-26: Arthur Dove: Collages Oct. 4-29: 30th Annual Exhibition Dec. 28-Jan. 21, 1956: William Zorach: A Selection, 1914-1955

1956 -- May 1-26: Bernard Karfiol: The Figure (N126L529-531) May 29-June 29: Spring 1956 Sept. 5-29: Americans in Europe Oct. 9-Nov. 3: 31st Annual Exhibition Nov. 6-Dec. 1: Stuart Davis: Exhibition of Recent Paintings, 1954-1956 Dec. 4-22: 31st Annual Christmas at the Downtown Gallery Jan. 31-Feb. 25: The Recurrent Image Apr. 3-28: Charles Sheeler: Selections from the Collection of the William H. Lane Foundation Feb. 28-Mar. 24: Arthur Dove: Paintings

1957 -- Dec. 31-Jan. 25, 1958: 32nd Annual Exhibition [?]-May 4: Spring Exhibition Dec. 9-21: Art Our Children Live With: A Loan Exhibition of American Art Jan. 8-Feb. 7: Max Weber Feb. 12-Mar. 2: New Acquisitions: Wm. M. Harnett (1848-1892) Feb. 12-Mar. 2: American Folk Art: Paintings and Sculpture Mar. 2-30: New Mexico as Painted by Stuart Davis, Marsden Hartley, Yasuo Kuniyoshi, John Marin, Georgia O'Keeffe, John Sloan May 7-31: Important Drawings by Leading American Artists June 4-28: Summer 1957 Oct. 7-Nov. 2: Group Show Nov. 5-27: Last Judgments by Abraham Rattner (D203: 76) Nov. 25-Dec. 7: 32nd Annual Christmas at the Downtown Gallery

1958 -- Sept. 30-Oct. 11: Arthur Dove: Watercolors June 9-27: 100 Church Street, `Portrait of a Building' by 10 American Artists May 20-June 7: Charles Demuth Apr. 29-May 10: Spring 1958 Mar. 5-Apr. 19: Charles Sheeler Jan. 28-Feb. 21: C. S. Price Dec. 8-27: 33rd Annual Christmas Exhibition Nov. 11-Dec. 6: Max Weber: The Figure in Retrospect, 1906-1958 Oct. 14-Nov. 8: 33rd Annual Exhibition

1959 -- Dec. 8-24: Ben Shahn: Silk-Screen Prints Dec. 29-Jan. 23, 1960: New Acquisitions Oct. 20-Nov. 14: 34th Annual Exhibition Nov. 17-Dec. 5: 34th Annual Christmas at the Downtown Gallery Sept. 22-Oct. 17: The Dial and the Dial Collection: A Special Loan Exhibition of Paintings, Sculpture & Graphics by 30 American Artists Apr. 29-June 2: Spring 1959 Apr. 7-25: Robert Osborn Mar. 3-28: Ben Shahn Jan. 6-31: New Acquisitions: American Folk Art Painting and Sculpture

1960 -- Feb. 23-Mar. 19: Gallery Group Mar. 22-Apr. 9: Jack Zajac Mar. 11-[?]: Signs & Symbols, U.S.A., 1760-1960 Jan. 21-Feb. 20: 7 Artists in Hawaii Dec. 5-24: Robert Osborn: Paintings and Drawings from `The Vulgarians' Nov. 8-Dec. 3: Abraham Rattner Dec. 5-24: 35th Annual Christmas at the Downtown Gallery through June 30: Summer 1960 Oct. 11-Nov. 5: 35th Annual Exhibition Apr. 19-may 7: Tseng Yu-Ho May 10-June 4: Stuart Davis

1961 -- June 13-30: Selections 1961 May 16-June 9: Spring 1961 Dec. 4-23: 36th Annual Christmas at the Downtown Gallery Sept. 12-Oct. 7: New Acquisitions Feb. 15-Mar. 11: Aquamedia in American Art Jan. 25-Feb. 11: Yasuo Kuniyoshi Apr. 11-May 2: Gallery Group Mar. 15-Apr. 8: Alfred Duca Jan. 9-Feb. 6: New Acquisitions

1962 -- Nov. 3-28: Robert Osborn Dec. 3-22: 37th Annual Christmas at Downtown Gallery May 22-June 15: 36th Annual Spring Exhibition: The Figure Apr. 24-May 19: Stuart Davis Oct. 16-Nov. 10: 37th Anniversary Exhibition Sept. 25-Oct. 13: American Roots: Folk Art in Painting and Sculpture Feb. 27-Mar. 17: Robert Osborn: Clowns and Non-Clowns Jan. 9-27: Tseng Yu-Ho: 18 Dsui Paintings Mar. 27-Apr. 21: Abstract Painting in America, 1903-1923 Mar. 10-31: Max Weber Memorial Exhibition

1963 -- Mar. 12-Apr. 16: Signs & Symbols * U.S.A., 1780-1960 May 7-[?]: Max Weber Dec. 2-21: 38th Annual Christmas at Downtown Gallery June 11-July 3: Summer 1963 Apr. 9-May 3: Spring 1963 Jan. 8-Feb. 2: John Marin Oct. 1-26: 38th Anniversary Exhibition Oct. 29-Nov. 16: Ben Shahn: Retrospective Exhibition, Paintings and Drawings, 1901-1958 Oct. 29-Nov. 16: Homage to e. e. cummings Oct. 29-Nov. 16: Gallery Group Aug. 6-Sept. 15: Loan Exhibition from the Edith Gregor Halpert Collection [Santa Barbara Museum of Art] Nov. 7-Dec. 8: Loan Exhibition from the Edith Gregor Halpert Collection [Honolulu Academy of Arts] Sept. 9-14: Visual Art by Performing Artists Dec. 3-Jan. 7, 1964: American Signs and Symbols

1964 -- Sept. 9-Oct. 3: 20th Century American Drawings Oct. 6-31: 39th Anniversary Exhibition Dec. 1-24: 39th Annual Christmas at the Downtown Gallery Jan. 11-Feb. 9: Loan Exhibition from the Edith Gregor Halpert Collection [California Palace of the Legion of Honor, San Francisco] Jan. 28-Feb. 21: George L. K. Morris Mar. 3-28: Supplement to the Rattner Exhibition May 12-June 5: New York City: Paintings, 1913-1963, by American Artists

1965 -- Jan. 5-23: Charles Sheeler and Yasuo Kuniyoshi Nov. 30-Dec. 18: Warner Brothers Co. Mural by Willard Cummings and Emilio A. Serio Mar. 23-Apr. 17: John Storrs Sept. 8-Oct. 2: A Gallery Survey of American Art [inaugural show, Ritz Tower Concourse, 465 Park Avenue] Nov. 3-20: Edward Stasack Nov. 30-Dec. 18: 40th Annual Christmas at the Downtown Gallery

1966 -- Nov. 5-Dec. 12: Morris Broderson Oct. 18-Nov. 12: 41st Anniversary Exhibition: Contemporary American Art Mar. 1-26: Balthus: New Paintings, 1963-1966 May 3-27: Charles Sheeler Sept. 20-Oct. 8: "Popular Art" in America, 18-19th Century

1967 -- Apr. 18-May 13: John Storrs Mar. 15-Apr. 8: Arthur Dove Nov. 7-25: O. Louis Guglielmi Sept. 26-Oct. 21: 42nd Anniversary Exhibition Feb. 14-Mar. 11: George L. K. Morris Jan. 10-Feb. 14: William Zorach: The Last Decade Dec.: Gallery Group

1968 -- Sept. 10-Oct. 5: 43rd Anniversary Exhibition

1969 -- Mar.: The Performing Arts
Related Material:
Berman, Avis. Pioneers in American Museums: Edith Halpert. Museum News 54, no. 2 (November/December 1975): 34-37, 61-64.

Bragazzi, Olive. The Story Behind the Rediscovery of William Harnett and John Peto by Edith Halpert and Alfred Frankenstein. American Art Journal 15, no. 3 (Spring 1984): 51-65.

Tepfer, Diane. Edith Gregor Halpert and the Downtown Gallery/Downtown, 1926-1940: A Study in American Art Patronage. Ph.D. diss., University of Michigan, 1989.

Edith Gregor Halpert, interview by Harlan Phillips, 1962-1963. Oral History Program, Archives of American Art, Smithsonian Institution.

Edith Gregor Halpert, interview by Harlan Phillips, January 20, 1965. New Deal and the Arts Project, Archives of American Art, Smithsonian Institution.

Edith Gregor Halpert, lecture delivered at the Brooklyn Museum of Art, October 19, 1959, on the 1959 American National Art Exhibition in Moscow. Tape-recorded by the Archives of American Art, Smithsonian Institution, and transcribed by the the Downtown Gallery staff.

In addition, the Archives of American Art has among its collections personal papers and oral history interviews of artists and collectors associated with the Downtown Gallery. Researchers are advised to conduct a name search in the Smithsonian Institution Research Information System (SIRIS).
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (ND-1- ND-71), the mojority of which was subsequently donated. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
Between 1957 and 1967, the Downtown Gallery loaned portions of its records to the Archives of American Art for microfilming. Because the microfilming was done in increments, the material was not always filmed in logical sequence, and overlapping and duplication of records occurred. Since files loaned for microfilming were, for the most part, still working records used to conduct ongoing gallery business, their contents changed and shifted over time. After Edith Halpert's death in 1970, the records of the Downtown Gallery were received by the Archives of American Art, 1972-1978, as a gift from her niece and executor, Nathaly Baum. In addition to the previously microfilmed material, the gift includes correspondence, inventories and sales records, financial records, photographs, and printed matter, as well as artifacts.One additional document received 2016 by Karen Freeman, daughter of Arthur H. Freeman, who did business at L.D. Landau and Co. Freeman represented halpert as an insurance agent.
Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Rights:
The Downtown Gallery records are owned by the Archives of American Art, Smithsonian Institution. Rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws. Prior to publishing information regarding sales transactions, researchers are responsible for obtaining written permission from both artist and purchaser involved. If it cannot be established after a reasonable search whether an artist or purchaser is living, it can be assumed that the information may be published sixty years after the date of sale.
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