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Kodai moyōshū

Artist:
Takizawa Kiyoshi 滝沢清  Search this
Editor:
Takizawa Kiyoshi 滝沢清  Search this
Publisher:
Matsuzaki Hanzo 松崎半造  Search this
Block holder:
Matsuzaki Hanzo 松崎半造  Search this
Medium:
Woodblock printed; ink on paper; paper covers
Dimensions:
H x W x D: 12.3 x 18.2 x 1.4 cm (4 13/16 x 7 3/16 x 9/16 in)
Type:
Book
Origin:
Japan
Date:
1883 (Meiji 16)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.825
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
The World of the Japanese Illustrated Book
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye304cc4ca8-b389-45ba-8edf-a7b3691d9e09
EDAN-URL:
edanmdm:fsg_FSC-GR-780.825

Warshaw Collection of Business Americana Subject Categories: World Expositions

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
9.09 Cubic feet (consisting of 17.5 boxes, 1 folder, 19 oversize folders, 12 map case folders, 3 flat boxes (1 full, 2 partial), plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
1851-1965
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: World Expositions forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of guide books, souvenir books, catalogs, brochures, maps, general images, lithographs, advertising cards, postcards, commemorative stamps, tickets and correspondence created for the World's Fairs. A few trade catalogs (Chicago, 1893), magazines, bubble gum cards (Chicago, 1933-1934) and photographs are also included in the materials. One remarkable item in the world exposition's material is a "peephole" paper toy viewer from the New York 1939-1940 fair.

The amount of material for each fair varies widely. Most of the fairs including Paris 1855, Lausanne 1857, Boston 1883-1884, Bordeaux 1895, Philadelphia 1899, Milan 1906, Albuquerque 1908 and Seattle 1962 have very little information. The Philadelphia 1876 and Chicago 1893 expositions, however, contain a substantial amount of material. A number of expositions are not included among the materials. The container list indicates which fairs the Archives Center has information on in this collection.

A number of the expositions were given a nickname, mostly as a result of the architecture dominating the fair. Examples of those nicknames include the White City (Chicago 1893), the Magic City (Omaha 1898), the Rainbow City (Buffalo 1901), the Ivory City (St. Louis 1904), the Jewel City (San Francisco 1915), and Treasure Island San Francisco 1939-1940).

The World Expositions tend to have a theme or celebrate a special event. "The Age of Steam" was the theme for the first world exposition, held in London in 1851. In 1876, the Philadelphia exposition celebrated a century of American independence. The common name was the "Philadelphia Centennial." The Chicago 1893 fair celebrated the 400th anniversary of Columbus' discovery of America and was referred to as the "World's Columbian Exposition." The Omaha exposition in 1898 is known as the "Invitation to Renewed Expansion of the West." Buffalo's theme in 1901 was "All Americas Exposition", demonstrating the cultural, commercial and technical progress of the Western Hemisphere. Expanding the West was the theme for the St. Louis fair in 1904 to celebrate the lOOth anniversary of the purchase of the Louisiana Territory from France. In 1915, San Francisco celebrated the opening of the Panama Canal. American independence was celebrated again in Philadelphia in 1926 marking 150 years. Chicago's fair in 1933-1934 was called "A Century of Progress" it was incorporated as a city in 1833. The exposition in New York in 1939-1940 had two themes: "Building a World for Tomorrow" in 1939 and "For Peace and Freedom" in 1940. San Francisco's world's fair in 1939-1940 also had two themes: "Dawn of a New Day" in 1939 and "Fun in the Fourties" in 1940. The theme for New York's exposition in 1964-1965, "Peace Through Understanding", celebrated the 300th anniversary of the naming of New York by the British and the 15th anniversary of the United Nations in New York City.

Researchers interested in women's history will find little information on that subject. Most of the expositions had a Women's building, however, there are only a few items referring to them in this collection. Such materials include a book from the Philadelphia 1876 fair which discusses women's work. Another book from the Chicago 1893 fair examines the art and handicraft in the Women's building. A pamphlet also from the Chicago fair contains the official minutes of the Board of Lady Managers.

The materials in boxes one through seventeen are organized in chronological order by the name of the location of the fair. A number of manufacturers and distributors of various products created advertising for the expositions. Such materials remain with those created about the fair. A photocopy of product advertising has been filed in the appropriate subject category in the Warshaw Collection. Box eighteen contains miscellaneous items that could not be identified with a particular exposition. Such materials include photographs, advertising cards and souvenir books.

Other collections in the Archives that relate to world expositions are the Orth and Zimm collections. The Edward J. Orth Memorial Archives of the New York World's Fair 1939-1940 primarily documents the general organization of the New York fair and specific national or corporate pavilions. Holdings include advertising and promotional literature, press kits, maps and official guides, photographs and brochures. Additional material includes scrapbooks, photo album, diaries, postcards and posters. Among the personal papers of Mr. Orth are correspondence and copies of the newsletter, Exposition Collectors and Historians Organization (ECHO). ECHO was organized by Mr. Orth in 1976 for collectors and historians of world's fairs and disbanded upon his death. This collection is stored off site. Researchers are requested to make an appointment to use the materials. The Zimm Collection contains materials from a number of the world's fairs. These materials are also stored off site and researchers will need to make an appointment.

Materials in the Smithsonian Institution's National Museum of American History that relate to the world's fairs can also be found in its Library. The Library has both primary and secondary sources. All of the primary materials have been microfilmed. The library also contains a comprehensive collection of secondary sources on the expositions. Among the secondary sources is a publication The Book Fairs, Materials about World's Fairs, 1834-1916, in the Smithsonian Institution Libraries (1992).

Special collections (Dibner Library) contains about thirty very rare items from various world expositions mostly dating from the 1851 fair and those occurring in the 1880s. Such items are mostly coffee table books created about the fairs. All items can be searched in SIRIS (Smithsonian Institution Research Information Service.) located in the library or the Archives Center's reference room. Researchers will need to contact the Dibner library to make an appointment to see original materials.

The Museum's curatorial divisions hold a number of three dimensional objects relating to the fairs. For information on the objects researchers should contact the divisions.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
World Expositions is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: World Expositions, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.World
See more items in:
Warshaw Collection of Business Americana Subject Categories: World Expositions
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-world
Online Media:

Barry Faulkner papers

Creator:
Faulkner, Barry, 1881-1966  Search this
Names:
MacDowell Colony  Search this
Beal, Gifford, 1879-1956  Search this
Brush, George de Forest, 1855-1941  Search this
Bynner, Witter, 1881-1968  Search this
Fraser, James Earle, 1876-1953  Search this
Gibran, Kahlil, 1922-  Search this
Grimes, Frances, 1869-1963  Search this
Gugler, Eric, 1889-1974  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Manship, Paul, 1885-1966  Search this
Parrish, Maxfield, 1870-1966  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Powers, Hiram, 1805-1873  Search this
Redfield, Edward Willis, 1869-1965  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Joseph Lindon, 1863-1950  Search this
Sweeney, James Johnson, 1900-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Tonetti, Mary Lawrence  Search this
Twain, Mark, 1835-1910  Search this
White, Lawrence Grant  Search this
Young, Mahonri Sharp, 1911-1996  Search this
Extent:
2.82 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Place:
New Hampshire
Date:
circa 1858-1973
Summary:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, two photograph albums and photographs, and one scrapbook. Correspondents include family members, Witter Bynner, Ann and Eric Gugler, Leon Kroll, Isabel Manship, James Johnson Sweeney, Maxfield Parrish and others. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.
Scope and Content Note:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.

Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of Sketches From an Artist's Life. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.

Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney.

Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir Sketches From an Artist's Life, and an unpublished manuscript titled A Neighborhood of Artists about the history and culture of the Connecticut River Valley.

Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.

Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.

The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.

Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.

The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Materials, 1914-1971 (Box 1, 3, RD1; 13 folders)

Series 2: Correspondence, 1900-1973 (Box 1; 0.5 linear feet)

Series 3: Writings, 1912-1966 (Boxes 1-2; 1.0 linear foot)

Series 4: Sketchbooks and Sketches, circa 1910s-1930s (Boxes 2-3; 8 folders)

Series 5: Diaries, 1922-1956 (Box 2; 6 folders)

Series 6: Printed Materials, circa 1858-1966 (Boxes 2-3; 8 folders)

Series 7: Photographs, 1892-1960s (Boxes 2-3; 15 folders)

Series 8: Scrapbook, 1951 (Box 3; 2 folders)
Biographical Note:
Francis Barrett Faulkner was born on July 12, 1881 in Keene, New Hampshire. He attended Phillips Exeter Academy and went on to study at Harvard College. Around this same time, Faulkner began an apprenticeship with his cousin and painter Abbott Handerson Thayer and painter George de Forest Brush. He also met sculptors James Earle Fraser and Augustus Saint-Gaudens, both of whom became Faulkner's lifelong friends.

In 1901, Faulkner traveled to Italy for the first time with Thayer and his family. He returned to New York in 1902 and studied at the Art Students League and Chase School. He also completed illustration work for Century magazine.

In 1907, Faulkner won the Rome Prize Fellowship from the American Academy in Rome. shortly thereafter, he left to study in Italy for three years, studying with George de Forest Brush and befriending sculptor Paul Manship. Upon his return in 1910, he started working on his first mural, commissioned by the wife of railroad executive E.H. Harriman. Having found his niche, Faulkner continued taking mural commissions until his career was interrupted by World War I and his service in the camouflage section of the army. Shortly after the war, he completed a mural for the marine headquarters in Quantico, Virginia.

Between 1923-1924, Faulkner worked in collaboration with Eric Gugler and Paul Manship to create the American Academy in Rome war memorial. Also following the war, Faulkner completed murals for the Eastman School of Music in 1922, the Rockefeller Center in 1932, and the National Archives in 1936. That same year, Faulkner bought and refurbished a house named "The Bounty" in Keene, New Hampshire, and built a studio nearby. In 1930, he was elected as a trustee of the American Academy in Rome.

During the 1940s, Faulkner created murals for numerous public buildings and sites around New Hampshire including the Senate Chambers in Concord, the Elliot Community Hospital, Keene National Bank, and the Cheshire County Savings Bank in Keene. During his final decades, Faulkner wrote an unpublished manuscript on the history of art in the Connecticut River Valley entitled A Neighborhood of Artists, and his posthumously published memoirs, Sketches of an Artist's Life. Faulkner died in 1966, in Keene, New Hampshire.
Related Material:
Found in the Nancy Douglas Bowditch papers at the Archives of American Art is correspondence, photographs, and printed materials related to Barry Faulkner. The Library of Congress, Manuscript Division also holds a small collection of Barry Faulkner's papers. Additional correspondence from Faulkner is found in the papers of Witter Bynner at the University of New Mexico and at Harvard University.
Provenance:
The collection was donated by Francis Faulkner, Barry Faulkner's nephew, in 1974. An addition to the collection was donated by Jocelyn Faulkner Bolle in 2014.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website.
Rights:
The Barry Faulkner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
World War, 1914-1918  Search this
Painters -- New Hampshire -- Keene  Search this
Artist colonies -- New Hampshire -- Peterborough  Search this
Artists' studios in art  Search this
Artist colonies -- New Hampshire -- Dublin  Search this
Educators -- New Hampshire  Search this
Artists' studios -- New Hampshire  Search this
Artist colonies -- New Hampshire -- Cornish  Search this
Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this
Muralists -- New Hampshire -- Keene  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Artists -- New Hampshire  Search this
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Citation:
Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faulbarr
See more items in:
Barry Faulkner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-faulbarr
Online Media:

Gambhir Singh the Maharaja of Rajpipla

Medium:
Opaque watercolor, gold, and silver on paper board
Dimensions:
H x W: 66.3 x 48 cm (26 1/8 x 18 7/8 in)
Type:
Painting
Origin:
Rajpipla, Gujarat state, India
Date:
ca. 1860
Topic:
portrait  Search this
sword  Search this
gun  Search this
India  Search this
maharaja  Search this
South Asian and Himalayan Art  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Smithsonian Unrestricted Trust Funds
Accession Number:
S1994.10.1
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye30fc68026-ac98-4769-8e1e-2f538d79a10e
EDAN-URL:
edanmdm:fsg_S1994.10.1

Maharani of Rajpipla

Medium:
Opaque watercolor, gold, and silver on paper board
Dimensions:
H x W: 64.8 x 47.7 cm (25 1/2 x 18 3/4 in)
Type:
Painting
Origin:
Rajpipla, Gujarat state, India
Date:
ca. 1860
Topic:
portrait  Search this
India  Search this
princess  Search this
maharani  Search this
South Asian and Himalayan Art  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Smithsonian Unrestricted Trust Funds
Accession Number:
S1994.10.2
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye337f3891b-4238-4648-b094-20ac85001e08
EDAN-URL:
edanmdm:fsg_S1994.10.2

Kachō gafu

Artist:
Taki Katei 瀧和亭 (1830-1901)  Search this
Publisher:
Nagao Kagasuke 長尾景弼  Search this
Block cutter:
Kimura Tokutaro 木村徳太郎  Search this
Printer:
Yamamoto Iwakichi 山本岩吉  Search this
Medium:
Woodblock printed; ink and color on paper; paper covers
Dimensions:
H x W x D: 27 x 35.5 x 1 cm (10 5/8 x 14 x 3/8 in)
Type:
Book
Origin:
Japan
Date:
1887 (Meiji 20)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.599
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
The World of the Japanese Illustrated Book
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3db8b3e96-1a4c-49f7-af8b-b55809b5e2bd
EDAN-URL:
edanmdm:fsg_FSC-GR-780.599

Tōkaidō hizakurige

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Author:
Hyohyo Sanjin 豹々山人  Search this
Publisher:
Mizuno Ko 水野幸  Search this
Medium:
Woodblock printed; ink and color on paper; paper covers
Dimensions:
H x W x D (Vols. 1-3 each): 17.6 x 11.8 x 1.5 cm (6 15/16 x 4 5/8 x 9/16 in)
H x W x D (Vol. 4): 17.6 x 11.8 x 0.8 cm (6 15/16 x 4 5/8 x 5/16 in)
Type:
Book
Origin:
Japan
Date:
1883 (Meiji 16)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.648.1-4
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
The World of the Japanese Illustrated Book
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye39e79351b-a97c-4ca3-8f29-a7e5c5e6a010
EDAN-URL:
edanmdm:fsg_FSC-GR-780.648.1-4

Shimoyo no kane jūji no tsujiura, shohen

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Medium:
Woodblock printed; ink and color on paper; paper covers
Dimensions:
H x W x D (Vols. 1-3 each): 17.7 x 11.7 x 0.3 cm (6 15/16 x 4 5/8 x 1/8 in)
Type:
Book
Origin:
Japan
Date:
1880 (Meiji 13)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
illustrated  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.651.1-4
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye36c3cb132-c8c0-4ef9-b6ac-53bf87ba366a
EDAN-URL:
edanmdm:fsg_FSC-GR-780.651.1-4

Shimoyo no kane jūji no tsujiura, nihen

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Medium:
Woodblock printed; ink and color on paper; paper covers
Dimensions:
H x W x D (Vols. 1-3 each): 17.7 x 11.7 x 0.3 cm (6 15/16 x 4 5/8 x 1/8 in)
Type:
Book
Origin:
Japan
Date:
1880 (Meiji 13); May
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.652.1-4
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3d2a76fb8-bfd0-4b02-afae-1ef216c1ca74
EDAN-URL:
edanmdm:fsg_FSC-GR-780.652.1-4

Shimoyo no kane jūji no tsujiura, sanpen

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Medium:
Woodblock printed; ink and color on paper; paper covers
Dimensions:
H x W x D (Vols. 1-3 each): 17.7 x 11.7 x 0.3 cm (6 15/16 x 4 5/8 x 1/8 in)
Type:
Book
Origin:
Japan
Date:
1880 (Meiji 13); May
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.653.1-4
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3d5cf829b-4d98-42a0-8903-fa83bb8e5521
EDAN-URL:
edanmdm:fsg_FSC-GR-780.653.1-4

Shimoyo no kane jūji no tsujiura, yonpen

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Medium:
Woodblock printed; ink and color on paper; paper covers
Dimensions:
H x W x D (Vols. 1-3 each): 17.7 x 11.7 x 0.3 cm (6 15/16 x 4 5/8 x 1/8 in)
Type:
Book
Origin:
Japan
Date:
1880 (Meiji 13); September
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.654.1-4
Restrictions & Rights:
Usage conditions apply
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Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye30e0d2f0e-23f6-482c-80ff-03249d06bfb2
EDAN-URL:
edanmdm:fsg_FSC-GR-780.654.1-4

Ume yanagi harusame banashi nihen

Author:
Takabatake Ransen 高畠藍泉  Search this
Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Publisher:
Nagao Tamizo 長尾民蔵  Search this
Medium:
Movable-type printed; ink and color on paper; paper covers
Dimensions:
H x W x D (Vols. 1, 2 each): 17.7 x 11.7 x 0.3 cm (6 15/16 x 4 5/8 x 1/8 in)
Type:
Book
Origin:
Japan
Date:
1881 (Meiji 14)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.657.1-3
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye34439c08b-7025-4119-b0dd-70e3c5f44ba8
EDAN-URL:
edanmdm:fsg_FSC-GR-780.657.1-3

Tsuki to suppon chi

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Editor:
Shinoda Senka 篠田仙果  Search this
Wafutei Senryu 和風亭川柳  Search this
Publisher:
Shinoda Senka 篠田仙果  Search this
Medium:
Woodblock printed; ink on paper; color on paper covers only
Dimensions:
H x W x D: 17.7 x 11.7 x 0.3 cm (6 15/16 x 4 5/8 x 1/8 in)
Type:
Book
Origin:
Japan
Date:
1880 (Meiji 13)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.658.1-2
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
The World of the Japanese Illustrated Book
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye31ad4706d-2507-4f6b-bafe-8de4cabab55c
EDAN-URL:
edanmdm:fsg_FSC-GR-780.658.1-2

Musōbyōe kochō monogatari

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Publisher:
Tokyo Haishi Shuppansha 東京稗史出版社  Search this
Medium:
Woodblock printed; ink on paper; paper covers
Dimensions:
H x W x D (Vol. 1): 22.2 x 15.5 x 1.5 cm (8 3/4 x 6 1/8 x 9/16 in)
H x W x D (Vol. 2): 22.2 x 15.5 x 1.3 cm (8 3/4 x 6 1/8 x 1/2 in)
Type:
Book
Origin:
Japan
Date:
1882 (Meiji 15)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.660.1-2
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
The World of the Japanese Illustrated Book
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3a5000edb-783c-4b28-bf61-2136b19bbcae
EDAN-URL:
edanmdm:fsg_FSC-GR-780.660.1-2

Tsūzoku chūgi Suikoden

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Editor:
Shimizu Ichijiro 清水市二郎  Search this
Publisher:
Shimizu Ichijiro 清水市二郎 (vols. 1, 3-11)  Search this
Takeda Heiji 武田平治 (vols. 12-14)  Search this
Medium:
Woodblock printed and typeset; ink and color on paper; paper covers
Dimensions:
H x W x D (Vols. 1, 2 each): 22.6 x 15.1 x 1 cm (8 7/8 x 5 15/16 x 3/8 in)
H x W x D (Vols. 3-6 each): 22.6 x 15.1 x 0.9 cm (8 7/8 x 5 15/16 x 3/8 in)
H x W x D (Vols. 7-10 each): 22.6 x 15.1 x 0.8 cm (8 7/8 x 5 15/16 x 5/16 in)
H x W x D (Vols. 11-14 each): 22.6 x 15.1 x 0.7 cm (8 7/8 x 5 15/16 x 1/4 in)
Type:
Book
Origin:
Japan
Date:
1884 (Meiji 17)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.661.1-14
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
The World of the Japanese Illustrated Book
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3695beaea-7b22-4a5a-9e4f-e98f2638a249
EDAN-URL:
edanmdm:fsg_FSC-GR-780.661.1-14

Gishi meimeiden

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Publisher:
Yamada Inosuke 山田伊之助  Search this
Medium:
Woodblock printed; ink on paper; paper covers
Dimensions:
H x W x D (Vols. 1, 2 each): 22.6 x 15 x 0.9 cm (8 7/8 x 5 7/8 x 3/8 in)
H x W x D (Vols. 3, 4 each): 22.6 x 15 x 0.7 cm (8 7/8 x 5 7/8 x 1/4 in)
H x W x D (Vol. 5): 22.6 x 15 x 0.8 cm (8 7/8 x 5 7/8 x 5/16 in)
Type:
Book
Origin:
Japan
Date:
1882 (Meiji 15) - 1884 (Meiji 17)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.662.1-5
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
The World of the Japanese Illustrated Book
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3eba51fbc-a38a-402b-8120-9b32bf9ce07c
EDAN-URL:
edanmdm:fsg_FSC-GR-780.662.1-5

Chinsetsu yumiharizuki

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Publisher:
Tokyo Haishi Shuppansha 東京稗史出版社  Search this
Medium:
Woodblock printed; ink on paper; paper covers
Dimensions:
H x W x D (Vol. 1): 22.2 x 15.5 x 0.9 cm (8 3/4 x 6 1/8 x 3/8 in)
H x W x D (Vol. 2): 22.2 x 15.5 x 0.7 cm (8 3/4 x 6 1/8 x 1/4 in)
Type:
Book
Origin:
Japan
Date:
1883 (Meiji 16)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.664.1-10
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
The World of the Japanese Illustrated Book
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye346eeb3b1-42c5-43e6-9262-59317f514f04
EDAN-URL:
edanmdm:fsg_FSC-GR-780.664.1-10

Ehon tsūzoku Sangokushi

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Editor:
Shimizu Ichijiro 清水市二郎  Search this
Publisher:
Shimizu Ichijiro 清水市二郎  Search this
Medium:
Woodblock printed and typeset; ink and color on paper; paper covers
Dimensions:
H x W x D (Vols. 1-4, 6 each): 22.2 x 14.9 x 0.9 cm (8 3/4 x 5 7/8 x 3/8 in)
H x W x D (Vols. 5, 9-17 each): 22.2 x 14.9 x 0.8 cm (8 3/4 x 5 7/8 x 5/16 in)
H x W x D (Vols. 7, 8 each): 22.2 x 14.9 x 0.7 cm (8 3/4 x 5 7/8 x 1/4 in)
Type:
Book
Origin:
Japan
Date:
1883 (Meiji 16)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.665.1-17
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
The World of the Japanese Illustrated Book
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3afe32462-1655-4cd3-b889-3a119bb0eeb2
EDAN-URL:
edanmdm:fsg_FSC-GR-780.665.1-17

Ehon saiyū zenden

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Editor:
Yashima Gakutei 八島岳亭 (1786-1868)  Search this
Publisher:
Noriki Tokube 法木徳兵衛  Search this
Medium:
Woodblock printed; ink and color on paper; paper covers
Dimensions:
H x W x D (Vols. 1-4 each): 22.5 x 15.1 x 1.1 cm (8 7/8 x 5 15/16 x 7/16 in)
Type:
Book
Origin:
Japan
Date:
1883 (Meiji 16)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.666.1-4
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
The World of the Japanese Illustrated Book
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3acdc4130-26f2-4125-9e85-06fbb142578b
EDAN-URL:
edanmdm:fsg_FSC-GR-780.666.1-4

Shinpen suiko gaden

Artist:
Tsukioka Yoshitoshi 月岡芳年 (1839-1892)  Search this
Author:
Kyokutei Bakin 曲亭馬琴  Search this
Publisher:
Noriki Tokube 法木徳兵衛  Search this
Medium:
Woodblock printed; ink and color on paper; paper covers
Dimensions:
H x W x D (Vol. 1): 22.6 x 15.3 x 1 cm (8 7/8 x 6 x 3/8 in)
H x W x D (Vol. 2): 22.6 x 15.3 x 0.9 cm (8 7/8 x 6 x 3/8 in)
Type:
Book
Origin:
Japan
Date:
1883 (Meiji 16)
Period:
Meiji era
Topic:
Meiji era (1868 - 1912)  Search this
Japan  Search this
Japanese Art  Search this
Gerhard Pulverer collection  Search this
Credit Line:
Purchase, The Gerhard Pulverer Collection — Charles Lang Freer Endowment, Friends of the Freer and Sackler Galleries and the Harold P. Stern Memorial fund in appreciation of Jeffrey P. Cunard and his exemplary service to the Galleries as chair of the Board of Trustees (2003-2007)
Accession Number:
FSC-GR-780.667.1-8
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
The World of the Japanese Illustrated Book
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3c8905a26-38e6-4015-b579-2ba3f9c4ece5
EDAN-URL:
edanmdm:fsg_FSC-GR-780.667.1-8

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