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Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
de Hauke, César  Search this
Seligmann, Jacques  Search this
Seligmann, René  Search this
Parker, Theresa D.  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Schiff, Mortimer L.  Search this
Haardt, Georges  Search this
La Fresnaye, Roger de  Search this
Seligman, Germain  Search this
Arenberg  Search this
Seligmann, Arnold  Search this
Trevor, Clyfford  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Topic:
Art  Search this
World War, 1939-1945  Search this
Art, European  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art galleries, Commercial  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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American Federation of Arts records

Creator:
American Federation of Arts  Search this
Names:
Architectural League of New York  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Virginia Museum of Fine Arts  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Anni  Search this
Albers, Josef  Search this
Albert, Calvin, 1918-  Search this
Altman, Harold, 1924-  Search this
Antreasian, Garo Z., 1922-  Search this
Arp, Jean, 1887-1966  Search this
Avery, Milton, 1885-1965  Search this
Barnet, Will, 1911-2012  Search this
Baskin, Leonard, 1922-2000  Search this
Baziotes, William, 1912-1963  Search this
Bellows, George, 1882-1925  Search this
Berman, Eugene, 1899-1972  Search this
Bertoia, Harry  Search this
Bingham, George Caleb, 1811-1879  Search this
Bishop, Isabel, 1902-1988  Search this
Blume, Peter, 1906-1992  Search this
Braque, Georges, 1882-1963  Search this
Breuer, Marcel, 1902-  Search this
Brooks, James, 1906-1992  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Callahan, Kenneth, 1905-1986  Search this
Casarella, Edmond, 1920-1996  Search this
Chagall, Marc, 1887-  Search this
Chase, William Merritt, 1849-1916  Search this
Chesney, Lee, 1920-  Search this
Citron, Minna Wright, 1896-1991  Search this
Clements, Geoffrey  Search this
Coen, Eleanor, 1916-  Search this
Conover, Robert F. (Robert Fremont), 1920-  Search this
Crawford, Ralston, 1906-1978  Search this
Daumier, Honoré, 1808-1879  Search this
Day, Worden, 1916-1986  Search this
De Diego, Julio, 1900-  Search this
De Kooning, Willem, 1904-  Search this
De Rivera, José Ruiz, 1904-1985  Search this
Degas, Edgar, 1834-1917  Search this
Demuth, Charles, 1883-1935  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dubuffet, Jean, 1901-  Search this
Eakins, Thomas, 1844-1916  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Ernst, Jimmy, 1920-  Search this
Feininger, Lyonel, 1871-1956  Search this
Fine, Perle, 1908-1988  Search this
Force, Juliana, 1876-1948  Search this
Francis, Sam, 1923-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Frasconi, Antonio  Search this
Gatch, Lee, 1902-1968  Search this
George, Thomas, 1918-  Search this
Gonzalez, Xavier, 1898-1993  Search this
Goodnough, Robert, 1917-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Goya, Francisco, 1746-1828  Search this
Graves, Morris, 1910-  Search this
Gwathmey, Robert, 1903-1988  Search this
Hartigan, Grace  Search this
Hartley, Marsden, 1877-1943  Search this
Hassam, Childe, 1859-1935  Search this
Hayter, Stanley William, 1901-  Search this
Heliker, John Edward, 1909-2000  Search this
Henri, Robert, 1865-1929  Search this
Hofmann, Hans, 1880-1966  Search this
Hopper, Edward, 1882-1967  Search this
James McNeill Whistler, 1834-1903  Search this
Jones, John Paul, 1924-  Search this
Jorn, Asger, 1914-1973  Search this
Kahn, Max, 1903-  Search this
Kelly, Ellsworth, 1923-  Search this
Kienbusch, William, 1914-1980  Search this
Klee, Paul, 1879-1940  Search this
Knaths, Karl, 1891-1971  Search this
Kohn, Misch, 1916-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Lipchitz, Jacques, 1891-1973  Search this
Luks, George Benjamin, 1867-1933  Search this
Léger, Fernand, 1881-1955  Search this
MacIver, Loren, 1909-  Search this
Margo, Boris, 1902-1995  Search this
Marin, John, 1870-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Mechlin, Leila, 1874-1949  Search this
Meeker, Dean, 1920-  Search this
Miró, Joan, 1893-  Search this
Moller, Hans, 1905-  Search this
Moore, Henry, 1898-  Search this
Morris, George L. K., 1905-  Search this
Moy, Seong  Search this
Murch, Walter  Search this
Neuberger, Roy R.  Search this
Nevelson, Louise, 1899-1988  Search this
Nicholson, Ben, 1894-  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Okada, Kenzo, 1902-1982  Search this
Oliveira, Nathan, 1928-2010  Search this
Parks, Gordon, 1912-  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Perlmutter, Jack, 1920-2006  Search this
Peterdi, Gabor  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Porter, Fairfield  Search this
Pozzatti, Rudy, 1925-  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Ratkai, George  Search this
Rattner, Abraham  Search this
Rauschenberg, Robert, 1925-  Search this
Reinhardt, Ad, 1913-1967  Search this
Rembrandt Harmenszoon van Rijn, 1606-1669  Search this
Renoir, Auguste, 1841-1919  Search this
Rivers, Larry, 1925-  Search this
Roszak, Theodore, 1907-1981  Search this
Rouault, Georges, 1871-1958  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Saetti, Bruno, 1902-  Search this
Santomaso, Giuseppe  Search this
Sargent, John Singer, 1856-1925  Search this
Sato, Tadashi, 1900-  Search this
Savelli, Angelo, 1911-  Search this
Schanker, Louis, 1903-1981  Search this
Schongauer, Martin, 15th cent.  Search this
Schrag, Karl  Search this
Schramm, James S.  Search this
Seligmann, Kurt, 1900-1962  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Sloan, John, 1871-1951  Search this
Smith, David, 1906-1965  Search this
Soyer, Raphael, 1899-1987  Search this
Spaeth, Eloise  Search this
Spruance, Benton, 1904-1967  Search this
Stamos, Theodoros, 1922-1997  Search this
Steg, J. L., 1922-  Search this
Steichen, Edward, 1879-1973  Search this
Stella, Joseph, 1877-1946  Search this
Sterne, Hedda, 1916-  Search this
Sterne, Maurice, 1878-1957  Search this
Stieglitz, Alfred, 1864-1946  Search this
Stone, Edward Durell  Search this
Summers, Carol, 1925-  Search this
Suzuki, James  Search this
Takal, Peter, 1905-  Search this
Tamayo, Rufino, 1899-  Search this
Tchelitchew, Pavel, 1898-1957  Search this
Thon, William, 1906-2000  Search this
Thrall, Arthur  Search this
Tiepolo, Giovanni Battista, 1696-1770  Search this
Tiepolo, Giovanni Domenico, 1726?-1804  Search this
Tobey, Mark  Search this
Tomlin, Bradley Walker, 1899-1953  Search this
Tooker, George  Search this
Treiman, Joyce  Search this
Turner, J. M. W. (Joseph Mallord William), 1775-1851  Search this
Tworkov, Jack  Search this
Vespignani, Renzo, 1924-  Search this
Von Wicht, John, 1888-1970  Search this
Von Wiegand, Charmion  Search this
Wald, Sylvia, 1915-  Search this
Walkowitz, Abraham, 1880-1965  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Weber, Max, 1881-1961  Search this
Weir, Julian Alden, 1852-1919  Search this
Whiting, Frederic Allen, 1873-1959  Search this
Whittredge  Search this
Wines, James, 1932-  Search this
Wyeth, Andrew, 1917-2009  Search this
Xceron, Jean, 1890-1967  Search this
Yunkers, Adja, 1900-  Search this
Zao, Wou-ki, 1921-  Search this
Zerbe, Karl, 1903-1972  Search this
Zoellner, Richard  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
79.8 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Exhibition catalogs
Photographs
Lantern slides
Administrative records
Date:
1895-1993
bulk 1909-1969
Summary:
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.
Scope and Content Note:
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

The earliest documentation from 1895 to 1909 concerns the organization's history and founding and is located in Series 1: Board of Trustees. Also found in this series are meeting minutes, 1909-1963 and 1968. Interfiled with the board meeting minutes are minutes of the executive committee and other special and ad hoc committees, reports to the board, financial statements and reports, and lists of committee appointments and board membership. This series also contains the scattered correspondence and subject files of various officers. Although not a complete set of officers' files, Presidents' Frederick Allen. Whiting (1931-1936), Lawrence M.C. Smith (1948-1952), Thomas Brown Rudd (1952-1954), Daniel Longwell (1954-1956), James S. Schramm (1956-1958), and Roy R. Neuberger (1958-1961) are represented. Leila Mechlin served on AFA's board as secretary from its founding to 1929, and her files are a particularly rich resource for AFA's activities during its early years. Lawrence M.C. Smith's files documenting his years as board treasurer are also arranged in this series. Additional officers' correspondence is interspersed throughout the Alphabetical Files and other series.

General information about the scope of AFA's programs, affiliations, founding, functions, and proceedings are arranged in Series 2: Administrative Records. The first subseries, Alphabetical Files, houses a wide variety of subject files that contain memoranda, correspondence, printed materials, lists, reports, and other papers. These files document the AFA's general history and founding, organizational affiliations, buildings and moves, grants, federal and state government art programs, auctions and other fund-raising efforts, publicity and public relations, publications, and fiftieth anniversary celebration. The subject headings by which these files are arranged are, for the most part, the ones designated by the AFA. The second subseries, Staff Records, houses the scattered files of AFA's director, assistant director, registrar, and special state representative, Robert Luck.

During its most active period, the AFA sponsored or participated in several special programs and Series 3: Special Programs houses the files that document many of them. The first subseries consists of the files for the Artists in Residence program that was funded by the Ford Foundation. Awarded in 1963, the grant sponsored short-term teaching residencies for artists in museums throughout the United States. The host museums were encouraged to hold exhibitions of the artists' works. This subseries contains both the general files of the program, as well as individual files on the participating artists. During the late 1950s and early 1960s, the AFA and the Ford Foundation also sponsored additional programs for artists, including Grants in Aid, Purchase Awards, and the Retrospective Exhibitions Program. The files documenting these three programs are also arranged in Series 3, under the subseries Ford Foundation Program for Visual Artists. In the late 1950s, the AFA implemented the Museum Donor Program with benefactors and philanthropists Audrey Bruce Currier and Stephen Richard Currier. Through the administration of the AFA, the Curriers donated funds to selected institutions specifically for the purchase of contemporary American art. The Curriers preferred to remain anonymous throughout the program. Files documenting this program include correspondence, applications from the accepted institutions, rejections, a summary report, and clippings about the untimely deaths of Mr. and Mrs. Currier in 1967.

Also found in Series 3 are the files documenting AFAs working relationship with the first state arts council, the New York State Council on the Arts (NYSCA). In 1961, AFA and NYSCA implemented a traveling exhibition program in New York State. Found here are files for possible itineraries, proposals, publicity, loans, budgets, and the actual exhibition files. Additional AFA special programs documented in Series 3 include the Picture of the Month program of the mid-1950s and the Jean Tennyson Foundation Color Slide Lecture Program.

AFA Annual Convention files constitute Series 4. Beginning with the Third Annual Convention in 1912 and continuing through the 1963 Annual Convention, the files contain official proceedings, speeches, programs, clippings, correspondence, and press releases. Files are missing for 1913, 1915, 1918, 1922, 1923, 1925, 1926, 1931, 1936-1949, 1952, 1956, 1958, 1960, and 1962. There are also audio recordings in the form of reel-to-reel tapes for the 1951 Annual Convention.

Series 5: Exhibition Files forms the bulk of the collection at circa 62 linear feet and is arranged into twenty subseries. The first subseries, Exhibitions, General, houses primarily the records of the Board of Trustees Exhibition Committee and documents the AFA's earliest involvement with traveling exhibitions. These files contain reports, budgets, correspondence, memoranda, scattered exhibition catalogs, and photographs. They are primarily the files of the chair of the Exhibition Committee and include the files of Juliana R. Force, Eloise Spaeth, and Mrs. John Pope. Also found in this series is a subseries of Mrs. John Pope's records documenting circulating exhibitions from 1934 to 1955, arranged by state.

The remaining nineteen subseries of the Exhibition Files reflect either specific exhibition programs, many of which have unique numbers assigned by AFA to individual exhibitions, or other exhibition-related files, such rejected, canceled, and suggested exhibitions and miscellaneous installation photographs. The Annual Exhibitions files constitute the largest of the subseries and are numbered according to the system assigned by AFA, following a typical chronological order. Although the documentation for each exhibition varies widely by both type and amount, most of the files contain contracts and legal agreements, correspondence, memoranda, itinerary information, condition reports, publicity materials, catalogs, announcements, price lists, and other such information arranged into one or more files. The files were labeled "documentation files," "dispersal files," "report form files," "loan agreement files," and "publicity files" according to the filing system devised by AFA. Many of the files also house a significant amount of correspondence with museum officials, lenders, and artists.

Additional subseries document AFA's exhibition venues and partnerships with the Metropolitan Museum of Art, the Virginia Museum of Fine Arts, the New York State Council on the [UNK] Life magazine, and Addison Gallery. A complete list of all of the subseries, including specific exhibition programs, follows in the Series Outline.

The final three series of the collection are small: Printed Material, Miscellaneous Files, and Oversized Material. The printed material was donated much later to the Archives and dates from 1990 to 1993. Found here are scattered press releases, annual reports, and an exhibition program. Miscellaneous Files contain scattered records, 1926-1962, of the Architectural League of New York relating to national award programs. It is not clear why this small group of Architectural League records was found mixed with the AFA records but perhaps the collaboration between the two organizations on several special projects provides an explanation. Also found in Miscellaneous Files is a group of black and white lantern slides from a lecture series, "New Horizons in America." Oversized Material includes a portfolio, a work of art, and posters.

See Appendix for a list of artists exhibiting with the American Federation of Arts
Arrangement:
The collection is arranged into eight primary series based primarily on administrative units or program areas. Several of the series are further subdivided into subseries. While processing, it became clear that the two filing systems were redundant and overlapped in both subject area and type of material. Most of these files were subsequently merged into the now broader Alphabetical Files or into separate series. Oversized material may be found at the end of the collection arranged in a separate series.

In most cases, files related to one another by subseries or subject areas (in the case of the Alphabetical Files) or by individual name (in the case of officers and staff files) are arranged in chronological order. The entire subseries of Alphabetical Files in Series 2 is arranged by subject heading, as assigned by the AFA, or individual name. The Alphabetical Files originally formed two broad filing systems as established by the AFA: one for general correspondence arranged by subject; and one for director's and other staff correspondence, also arranged by subject.

Series 1: Board of Trustees, circa 1895-1968 (Boxes 1-3)

Series 2: Administrative Records, 1910-1966 (Boxes 4-8)

Series 3: Special Programs, 1950-1967 (Boxes 9-13)

Series 4: Annual Conventions, 1912-1963 (Boxes 14-16)

Series 5: Exhibition Files, 1934-1969 (Boxes 17-78)

Series 6: Printed Material, 1990-1993 (Box 78)

Series 7: Miscellaneous Files, 1926-1962, undated (Box 79)

Series 8: Oversized Materials, 1890, undated (Boxes 80-85)
Historical Note:
Founded in 1909 by Elihu Root, the American Federation of Arts (AFA) exists today as a national nonprofit museum service organization striving to unite American art institutions, collectors, artists, and museums. Elihu Root, then secretary of state in the administration of Theodore Roosevelt, spoke of his idea at the first meeting of the AFA held in New York at the National Academy of Arts. He envisioned an organization that would promote American art most often seen only by the elite in the major cities of the East and upper Midwest by sending "exhibitions of original works of art on tour through the hinterlands across the United States."

The American Academy in Rome, Corcoran Gallery of Art, Art Institute of Chicago, and Metropolitan Museum of Art were influential organizing member institutions. Individual members included such notables as William Merritt Chase, Charles L. Freer, Daniel C. French, Charles L. Hutchinson, Henry Cabot Lodge, J.P. Morgan, and Henry Walters. The founding of the AFA provided the American art world with a forum for communication and participation among artists, cultural institutions, patrons of the arts, and the public.

To accomplish its mission, the AFA established volunteer committees for membership, exhibitions, and publications. During its first year, the AFA began publishing Art and Progress (later changed to Magazine of Art) and the American Art Annual (now the American Art Directory). In 1909, the AFA also organized its first traveling exhibition, Paintings by Prominent American Artists, which was shown at museums in Fort Worth, New Orleans, Minneapolis, and New Ulm, Minnesota.

By the end of the first year, the headquarters of the organization moved to Washington, D.C., to facilitate lobbying the federal government for favorable art legislation. In 1913, the AFA lobbied successfully for the removal of the tariff on foreign art entering the United States. In 1916, the Federation met with the Interstate Commerce Commission to protest prohibitively high interstate taxes on traveling art exhibitions.

Throughout the next fifteen years, the AFA continued to grow in membership and influence. By 1919, membership included 438 institutions and 2,900 individuals. The AFA's annual conventions were held in major national art centers and were attended by members, chapter delegates, and the public. At the conventions, scholars, patrons, and curators lectured on and discussed subjects of national interest, thereby fostering an exchange of ideas. The AFA also sponsored periodic regional conferences to promote institutional cooperation and to discuss mutual problems and needs. To facilitate exhibition venues west of the Mississippi River, in 1921 the AFA opened regional offices at the University of Nebraska and at Stanford University. The AFA produced and circulated slide programs and lecture series to museums and educational institutions that fostered art education. By 1929, the Federation had developed forty-six slide-lecture programs that covered American mural painting, European and American contemporary art, and textiles.

During the 1930s, the Federation expanded its services by providing schools with teaching guides, student workbooks, slides, and films about art. In 1935, the AFA began publishing Who's Who in American Art, later publishing The Official Directory of Illustrators and Advertising Artists and Films on Art reference guides. To reach an even larger audience, the AFA began collaborating with the Metropolitan Museum of Art in New York to organize national circulating exhibitions to "bring the museum to the people."

One of AFA's priorities was to make American art more visible abroad. The Federation focused on encouraging the representation of American artists in foreign exhibitions, and in 1924 it lobbied successfully for additional American participation in the Venice Biennale. The AFA's focus on exhibiting American art abroad continued to expand, particularly following World War II. In 1950, recognizing that the AFA could assist in promoting American culture, the State Department awarded the AFA a grant for a German "re-orientation program" consisting of educational exhibitions shown in German museums. Additional government funding further enabled the AFA to organize American participation in exhibitions in India, Japan, Paris, Switzerland, and Rotterdam between 1950 and 1970. Later, the AFA collaborated with the United States Information Agency (USIA) to create the Overseas Museum Donor Program which permitted donations of American art to foreign institutions on a restriction-free, tax-deductible basis. During the 1950s, the AFA was a very active member of the Committee on Government and Art, a national committee with members from across the art and museum world concerned with government sponsorship of and legislation affecting art sales, commissions, and trade.

In 1952, the headquarters of the AFA returned to New York, sparking a period of innovation and expanded of programs. Throughout the 1950s, the AFA distributed films about art and co-sponsored the Films on Art Festival in Woodstock, New York. The AFA also introduced its Picture of the Month Program in 1954, renting original works of art to small American art and educational institutions. In 1956, the AFA organized the Art Collectors Club of America to provide fellowship for art collectors through meetings and activities. The club disbanded in the 1970s.

The Federation's exhibition programs continued to flourish during the 1950s and 1960s. Private and public financial support allowed the AFA to achieve many of its goals. In 1958, the Ford Foundation awarded an important grant to organize a series of traveling one-person shows and a series of monographs devoted to contemporary American artists. Milton Avery, Andrew Dasburg, José DeCreeft, Lee Gatch, Walter Quirt, Abraham Rattner, and others were among the artists who participated. Private foundation support for the AFA's Museum Donor Program provided an annual allowance that was distributed to regional museums for the pourchase of contemporary American art. Cooperative programs and joint venues also became popular during this period. For example, public support from the New York State Council on the Arts allowed the AFA to circulate exhibitions to small New York State communities, and the Virginia Museum of Fine Arts provided the AFA with five exhibitions for national tours.

Throughout its history, the American Federation of Arts has concentrated on its founding principle of broadening the audience for contemporary American art. Through its numerous exhibition and film programs, the AFA has succeeded in "breaking down barriers of distance and language to broaden the knowledge and appreciation of art." Annual exhibitions such as New Talent in the USA and Art Schools USA, organized by the AFA, brought before the public the most contemporary American artists and craftspeople, genres, and artistic forms of experimentation, exposing viewers to new ways of thinking and expression. In 1965, AFA produced The Curriculum in Visual Education, a series of films created to heighten the aesthetic awareness of children.

A vital part of American art history, the AFA was one of the first organizations to develop successfully the concept of traveling art exhibitions on a national and international level. The AFA was instrumental in assisting museums with circulating important juried exhibitions of contemporary art, such as the Whitney Annual and Corcoran Biennial. The AFA also recognized the importance of the exchange of cultural ideas, and it brought exhibitions of the European masters to the American public as well as exhibitions focusing on foreign contempoorary art, photography, and architecture. Many organizations and museums have followed the AFA's precedent, and traveling national and international venues are now commonplace.

Since 1909, women have served as officers and members of the Board of Trustees. Leila Mechlin was a founding participant and served as secretary from 1909 to 1933. Juliana R. Force and Eloise Spaeth both chaired the Exhibition Committee in the late 1940s. Women and artists of diverse backgrounds and nationalities were widely represented in the AFA's exhibition programs, most notably during the 1960s. In 1960, the AFA organized, with financial support from the Ford Foundation, a major Jacob Lawrence retrospective. Additional culturally diverse exhibitions included Contemporary Jewish Ceremonial Art (1961), The Heart of India (1962), 1,000 Years of American Indian Art (1963), and Ten Negro Artists from the United States (1966).

The AFA also had an impact on patronage in the arts. AFA exhibitions of contemporary art provided collectors with knowledge of new artists and avant-garde art forms, creating a broader demand and market for this type of work. Museums and collectors began purchasing work by new or obscure American artists whom they learned about through AFA exhibitions and programs.

The historical records of the American Federation of Arts offer the researcher a unique opportunity to study the development of American art and artists in the twentieth century as well as providing insight into trends in American culture.

1909 -- Founded in New York City. Began publishing Art and Progress (later retitled Magazine of Art) and the American Art Annual.

1910 -- Moved headquarters to Washington, D.C.

1913 -- Lobbied successfully for the removal of the tariff on art entering the United States.

1915-1916 -- Lobbied successfully against the Cummins Amendment and the Interstate Commerce Commission's prohibitively high interstate tax on traveling art.

1920 -- Organized a lobbying campaign for the development of a national gallery of art at its national convention.

1921 -- Opened two new offices at the University of Nebraska and at Stanford University.

1924 -- Arranged American participation in the Venice Biennale exhibition.

1927 -- Closed office at Stanford University.

1929 -- Organized American participation in exhibitions in France and Germany.

1933 -- Closed office at the University of Nebraska.

1935 -- Began publishing Who's Who in American Art.

1948 -- Published The Official Directory of Illustrators and Advertising Artists.

1949 -- Collaborated with the Metropolitan Museum of Art to circulate exhibitions from its collections.

1950 -- Participated in the U.S. government's German re-orientation program.

1951 -- Joined forces with the United States Information Agency (USIA) to create the Overseas Museum Donor Program. Published the reference guide Films on Art. Co-sponsored the Films on Art Festival in Woodstock, New York, through 1957.

1952 -- Moved headquarters to New York City.

1953 -- Magazine of Art liquidated.

1954 -- Introduced the Picture of the Month Program.

1956 -- Founded the Art Collectors Club of America.

1958 -- Received a Ford Foundation grant to finance a series of one-person shows of contemporary American artists.

1960 -- Created the Museum Donor Program.

1961 -- Received a grant from the New York State Council on the Arts to circulate exhibitions to small New York state communities.

1963 -- Received a grant from the Ford Foundation for the Artists in Residence program.

1964 -- Introduced the List Art Poster Program.

1965 -- Produced The Curriculum in Visual Education, a series of films that attempted to heighten the aesthetic awareness of children.
Appendix: List of Artists Exhibiting with American Federation of Arts:
The following is an alphabetical list of artists who exhibited with the American Federation of Arts; many are obscure. The alpha-numeric codes and numbers appearing with the artist's name represent specific AFA exhibition programs and, most often, AFA's exhibition numbering system. In cases where the AFA did not assign an exhibition number, Archives' staff have done so.

The primary reference source for the names and name variants is the American Federation of Arts Records. The names are documented in handwritten notes and lists, typed lists, and exhibition catalogs and announcements. The Archives of American Art name authority file was also consulted in questionable cases. The majority of names, however, were not found in either the AAA name authority file or standard bibliographic resources, and only in the AFA records.

Examples:

55-1: AFA annual exhibitions program

AD-1: Addison Gallery exhibitions

L-1: Life Magazine Exhibitions

ME-1: Misceallaneous exhibitions (numbers assigned by AAA staff)

NMA-1: Metropolitan Museum of Art exhibitions

NE-96: Contemporary Color Lithography

NY-1: New York State Council on the Arts exhibitions

VA-1: Virginia Museum of Fine Arts exhibitions

A. Quincy Jones, Frederick E. Emmons & Assoc: 62-34

Aalto, Alvar: 59-15

Aarikka, Kaija: 57-14

Aarnio, Rauha Maria: 53-24

Abbati, Giuseppe: 63-10

Abbe, Cassandra: 62-10

Abbey, Edwin Austin: 59-6

Abbot, Merkt & Co, Daniel Schwartzman: 62-24

Abbott, Berenice: 58-20

Abboud: 56-29

Abedin, Zainul: 58-42

Abell, Richard Arthur: 57-6, 60-5

Abelman, Ida: 55-20

Abernathy, J.T.: 57-6

Abramovitz, Max: 63-16

Abrams, Mary Tatum: 55-14

Abrams, Ross: 56-25

Abramson, Arnold Edwin: 53-16, NY-3

Abularch, Rudolfo: 60-12

Accorsi, William: 65-6, ME-74

Achenbach, Andreas: 65-10

Achepohl, Keith: 65-11

Acht, Rene Charles: 61-4

Ackerman, Jerome & Evelyn: 55-22, 57-6

Adair, Ann: 62-10

Adam, Henri-Georges: 56-2160-15

Adam, Robert: 61-22

Adams, Alice: 58-25, 60-12

Adams, Ansel: 56-5, 59-56, 61-8, 63-8

Adams, Clinton: 54-18, 60-3, 63-12, 64-7

Adams, Franklin: 61-35

Adams, Lawrence: 56-2

Adams, Mark: 57-6, 58-16, 58-25

Adams, Norman: 59-19

Adams, Pat: 57-1, 58-26, 58-43, 60-22, 62-37

Adams, Robert: NE-96

Adamson, Robert: 62-25, NY-1

Addams, Clifford: 62-12, ME-28

Adelman, Helen S.: 57-6

Adickes, David: 57-23

Adler, Allan: 55-22, 57-6

Adler, Samuel: 53-5

Adler, Sophia: ME-75

Aeberli, Hans: 53-15

Aeusden, N.: 51-3

Affandi: 58-42

Afon, N.: 64-30

Afre: 58-15

Afro, See also Basaldella, Basaldella: 61-4, 64-2

Agam, Yaacou: 63-29

Agate, Alfred T.: 59-34

Agostini, Peter: 62-40, 63-31, ME-56

Agranat, Gertrude: 58-25

Agricola, Filippo: 59-40

Ahr, Richard: 58-39

Ahr, Jr., Arthur Frederick: 58-32

Aida, Yusuke: 64-23

Aikman, Cicey: 56-2

Aine, Bisson: 62-25

Ainslie, Maud: 64-29, 64-30

Aizer, Alexander: 53-17

Ajmone, Giuseppe: 56-19, 57-27, 58-23

Akaba, Seppo: 63-21

Aken, Jan van: 63-17

Akers, Adela: 62-10

Akl, Said: 56-29

Al-Amin: 56-29

Al-Nassim Sham: 56-29

Al-Sheikhli, Ismail: 56-29

Albee, Grace Arnold: 53-5, 56-25, 58-3, ME-7

Alber, Nancy: 53-24

Alber, Twila M.: 53-24

Albers, Anni: 55-8, 57-6, 58-16, 58-25, 60-5, 62-15

Albers, Josef: 55-3, 56-2, 56-26, 57-1, 57-10, 58-43, 59-6, 59-10, 60-41, 62-16, 62-28, 62-29, 62-31, 63-7, 63-12, 64-2, 64-10, 64-26, 65-4, ME-73

Albert, Calvin: 53-20, 55-6, 56-1, 57-1, 58-5, 58-16, 59-6, 61-17

Albert, Kahn & Associates: 62-24, 64-11

Albert Kahn Assoc Architects & Engineers, Inc.: 61-31

Alberti, Leon Battista: 56-10

Alboum, Lawrence D.: 57-31

Albright, Ivan: 64-31, ME-7

Albrizio, Humbert: 52-4, 62-30

Alcalay, Albert: 56-27, 61-15

Alcopley, Alfred L.: 62-41

Aldegrever, Heinrich: 62-20

Alder, Samuel: ME-73

Alderani, Emmanuele: 58-9

Alechinsky, Pierre: 60-14, 61-4, 64-2, 62-29

Alexander, John White: 62-7, 62-30

Alexander, William: 62-12

Allen, Frank C.: 64-21

Allen, James E.: ME-7

Allen, Mary Cecil: 64-30

Allenbach, Werner: 53-21

Alling, Clarence: 62-10

Allman-Smith, Patricia: 58-35

Allston, Washington: ME-11, ME-41

Alma, P.: 51-3

Almyda, Joseph: 61-35

Alps, Glen: 53-16, 55-20, 60-3, 62-3

Alston, Charles Henry: 56-2, ME-73

Alswang, Ralph: 62-14, 64-35

Altdorfer, Albrecht: 57-37, NY-9

Althaus, Willy: 53-21

Altherr, Alfred: 53-21

Altman, Harold: 58-12, 60-3, 60-22, 62-3, 62-31, ME-75

Altoon, John: 56-2

Alva: 56-2

Amador, Juan A.: 59-27

Amador, Pedro Luis: 59-27

Amaos, Castagnetti & Co.: 61-1

Amarotico, Joseph Anthony: 63-7

Amato, Samuel: 53-5, 58-7

Ambellan, Harold: 52-4

Amen, Irving: 55-20

American School: 56-18

Amero, Emilio: 53-1, NE-96

Ames, Arthur: 57-6

Amihai, Yehuda: 58-36

Amino, Leo: 56-2

Amland, David: 62-31

Andersen, David: 57-40

Anderson, Donald: 53-1

Anderson, Erica: 57-16

Anderson, Ib: 52-5

Anderson, J.: 60-5

Anderson, Jeremy: 58-7

Anderson, John: 56-12, 58-6

Anderson, Joyce & Edgar: ME-75

Anderson, Lennart: 65-4, NY-18

Anderson, Vlademar: 52-5

Anderson, Win: 53-24

Ando, Shigekazu: 63-21, 65-12

Andre, Albert: 61-10

Andresdottir, Gudmunda: 66-2

Anderson, Laura: 57-6

Andrews, Albert E.: 53-17

Andrews, Dana: 58-25

Andrews, Oliver: 57-12

Angelico, Fra: 57-18

Angelo, de Moro Battista: 64-6

Anguti, Michael: 59-56

Annan, James Craig: 62-25

Anneberg, Margery: 60-5

Anshen & Allen: 51-7, 58-1

Anshen & Anshen: SD-8

Anshutz, Thomas Pollock: 62-7, 63-3, 64-3

Antell, Diane: 58-32

Antreasian, Garo Z.: 54-18, 54-42, 56-15, 58-3, 58-15, 60-3, 60-22, 62-3, 63-12, 64-7, NE-96

Antunez, Nemesio: 58-15, 60-17

Anuszkiewicz, Richard: 63-30, 64-26, 65-1, ME-73

Anzani, Luigi: 61-1

Aouad, Farid: 56-29

Aoyama: 63-21

Aperghis, Achilleus: 61-4

Apostook: 55-19

Appel,Karel: 57-27, 60-4, 60-14, 60-15, 61-4, 62-28, 62-41, NY-18

Appel, Karl: 57-27, 61-4

Appia: 63-19

Arbeit, Arnold Arvin: 54-8

Arcay, Wilfredo: 56-28

Archipenko, Alexander: 58-5, 60-42, 61-24, 64-10

Arinbjarnar, Snorri: 66-2

Arlt, Paul Theodore: 53-5

Armer, Ruth: 56-1, 58-7

Armistead, Horace: 59-19

Armitage, Kenneth: 59-31, 61-4, 62-40, 63-31, ME-56

Arms, John Taylor: ME-7

Armstrong, Bill Howard: 56-26, NY-3

Arnal, Enrique: 60-17

Arnal, Francois: NY-8

Arnest, Bernard: 53-1, 58-6, 58-26, 61-25

Arno,, Peter: ME-28

Arnold, Paul Beaver: 56-25

Arnold, Richard: 65-7

Aronson, Boris: 59-19

Aronson, Charlotte: 57-14, 58-32

Aronson, David: 55-5, 58-16, ME-73, NY-10

Aronson, Irene Hilde: 58-3

Arp, Jean: 54-18, 58-15, 60-2, 60-15, 60-42, 61-9, 62-18, 63-31, ME-32, NE-96

Artdon, Earl B.: 60-12

Arthur, Revington: ME-73

Asano, Yae: 61-4

Asawa, Ruth: 56-12, 58-43

Ascalon, Morris: 61-17

Aschenbach, Paul: 58-16

Ashihara, Yoshinobu: 53-17

Askild, Anita: 62-10

Aspetti, Tiziano: ME-32

Asplund, Tore: 53-8

Asprucci, Mario: 53-36

Asshoff, Ingerborg & Bruno: 61-1

Atget, Eugene: 60-21, 62-25, 64-28, NY-1

Atlan, Jean-Michel: 56-15, 58-15

Attardi Ugo: 58-40

Atwater, B.A.: 64-28

Atwell, Allen: 54-42

Audubon, John James: 54-25, 59-24, 5-34, 60-13, 61-3, 64-1, ME-7, ME-11, ME-31

Audubon, John Woodhouse: 61-3

Auerbach-Levy, William: 64-30

Augenfeld, Felix: 61-30

Auguste, Toussaint: 62-6

Aulie, Reidar: 57-40

Ault, George: 64-3

Aunspaugh, Dick: 64-7

Austen, R.: 53-26

Austin, Darrel: ME-55

Austin, Marilyn: 58-32, 60-5

Austin, Robert Sargent: 54-16, 63-17

Austin, Samuel: 62-12

Auvil, Eleen: 64-23

Auvil, Kenneth William: 53-26, 55-14

Avedisian, Edward: 56-27, 60-12, 65-11

Avedon, Richard: 59-56, 62-45

Avercamp: 54-11

Avery, James: 58-16

Avery, Milton: 53-5, 54-27, 55-3, 55-8, 55-9, 56-2, 58-42, 59-7, 59-31, 59-41, 60-27, 61-7, 62-27, 62-28, 62-31, 63-33, 64-26, 64-29, 64-30, 65-1, 65-11, ME-7, ME-23, ME-73, ME-74, NY-11

Avery, Richard M.: 57-31

Aviles, Angel: 59-27

Avitsur, Shemuel: 58-36

Avram, M. & A.: 58-36

Awni, Khatan: 56-29

Ayaso, Manuel: 62-31, 65-11, ME-75

Ayrton, Michael: 56-15, NE-96

Azuma, Chikuensai: 65-12

Azuma, Norio: 60-3, 62-3

Azuma, Sadami: 58-42

Azzaz, N.: 58-36

Bacci, Edmondo: 58-15, 59-31

Bachmann, Hermann: 64-14

Backhuysen, Goyen: 54-11

Bacon, Francis: 60-4, 62-28

Bacon, Peggy: 64-3, 64-30, ME-7

Baden, Mowry: 64-25

Badger, Joseph: 62-2

Badgley, Clarence Dale: 59-25

Badiali: 63-19

Baer, Dorothea: 56-25

Bagnai, Giuseppe: 61-1

Bahnc, Salcia: 56-2

Bailey, La Force: 64-30

Bailey, Oscar: 60-12

Bailey, William H.: 59-12

Bains, James: 53-26

Baizan, Kinpei: 65-12

Baizerman: 54-15

Baizerman, Eugene: 56-2, 62-39, 63-1

Baizerman, Saul: 52-4, 53-20, 61-2, 62-39

Baker, A.P.: 54-18

Baker, Dorothy T.: 61-35

Baker, Keefe: 65-11

Bakhuyzen, Ludolf: 60-40

Bakley, Warren: 58-32

Bakst, Leon: 59-19

Baldini, Vincenzo: 58-9

Baldung, Hans: 57-37

Baldus, Edouard: 62-25, NY-1

Balet, Jan: VA-53-1

Ball, F. Carlton: 57-6

Ball, George: 62-8

Ball, Robert: 64-29, 64-30

Ball, Black & Company: NY-13

Balla, Giacomo: 57-34

Ballard, Todd & Snibbe: 62-34

Ballinger, Maxil: 56-25, 56-26

Balthus: 62-28

Balzar-Kopp, Heiner: 61-1

Balzer, Mary: 57-14

Bancroft, Ralph L.: 53-24

Banti, Cristiano: 63-10

Bar-Am & Alon M. & A.: 58-36

Baranik, Rudolf: 59-1

Barbash, Steven A.: 60-3

Barbee, Robert T.: 65-2

Barber, Joseph: 55-5

Barberi: 63-19

Barbieri, Giovanni Francesco: 59-40

Barbini, Alfredo: 61-1

Bare, Arnold Edwin: VA-53-1

Bariellet, Jean: 61-1

Baringer, Richard E.: 51-14

Barkdull, Philip: 64-23

Barker, Laurence: 62-3

Barker, Thomas (of Bath): 55-24

Barkley, Lee: 55-22

Barlach, Ernst: 56-7, 59-36, 61-9, 62-29

Barnes, Cyril H.: 53-26

Barnes, Edward L.: 62-14, 64-35

Barnes, Matthew Rackham: 65-2

Barnes, Muriel: 57-6, 58-25, 60-5

Barnes, R.: 62-2

Barnes, Robert: 60-43, NY-10, NY-18

Barnet, Will: 53-1, 53-5, 54-18, 56-2, 56-15, 56-25, 56-26, 57-32, 57-36, 58-3, 60-24, 62-3, 63-33, 64-3, 64-7, 64-30, ME-49, ME-73, NE-96, NY-3

Barnet, William A.: 58-5

Barnett, Herbert: 55-2

Barnett, Rita Wolpe: 53-1

Barnett, William: 53-1

Barnstone, Howard: ME-19

Barocci, Federico: 62-20, 64-6, 67-19

Barovier, Ercole & Tocso, Artemio & Decio: 61-1

Barre Martin: 58-29, 61-23

Barrer-Russell, Gertrude: 56-2, 57-1

Barrett, Lawrence: 56-26, ME-7, NY-3

Barrett, Oliver O'Connor: 52-4, 53-20, 56-2

Barron, Harris: 60-12

Barron, Ros: 60-5

Barron, Ros & Harris: 57-14

Barry, Charles (Sir): 61-22

Barry, Charles A.: 59-6

Bartel, Kurt: 64-14

Barth, Carl: NE-96

Barth, Wolf: 61-4

Bartolommeo, Fra: 67-19

Bartolozzi, Francesco: 64-5

Bartsch, William: 58-6

Bartscht, Heri Bert: ME-75

Baruzzi, Peter: 54-42

Barye, Antoine-Louis: 59-32, 61-2, NY-21

Basaldella, See also Afro Afro: 57-9, 58-23, 61-16

Basaldella, Mirko: 61-16

Basaldua, Hector: 60-17

Bascom, Ruth Henshaw: 64-1

Basen, Dan: 63-29, 64-26, ME-75

Baskin, Leonard: 53-16, 54-27, 56-1, 56-12, 58-3, 58-40, 59-6, 60-3, 60-4, 60-22, 60-43, 61-9, 62-40, 63-31, 65-1, 65-11, ME-56

Basok, M.: 58-36

Basoli, Antonio: 58-9, 59-40, 63-19

Bass, Edna P.: 58-32

Bassano, Jacopo da Ponte: 55-24, 67-19

Bassford Wallace: 64-30

Bast, Oernulf: 57-40

Batchelor, C.D.: 57-3

Bate, Norman Arthur: 58-3

Bates, Maxwell: 59-3

Baudous, Robert Willemsz de: 62-18

Bauer, Herrmann: 53-21

Bauer-Ecsy, Leni: 53-15

Baum, Mark: 64-30

Bauman, Frank: 57-16

Baumann, Herbert: 64-14

Baumbach, Harold: 55-3

Baumeister, Willi: 53-11, 56-7, 57-30, 59-36

Baumgart, Isolde: 62-8

Baumgartner, Johann Wolfgang: 59-40, 62-20

Baumgartner, Warren: 53-8

Bayliss, Jr., George: 55-2

Baz, Ben-Hur: 64-3

Bazaine, Jean Rene: 60-14, 61-4, 64-2

Baziotes, William: 55-9, 56-2, 57-9, 60-4, 60-27, 64-2, ME-7, ME-33, ME-42, NY-20

Beach, Jr., John: ME-29

Beal,Gifford: 53-12, 57-30, 63-1, 64-3, 64-29, 64-30, 65-2

Beal, Jack: NY-17, NY-18

Beall, Dennis, Ray: 64-7

Beard, James H.: 58-27

Beard, W.H. (William Holbrook): 58-14

Bearden, Romare: 55-13, ME-75

Beardsley, Aubrey: 57-17

Beattie, George: 61-35, 65-11

Beatty, Hetty Burlingame: VA-53-1

Beauchamp John: 58-6, 61-25

Beauchamp, Robert: 64-2, 65-11, ME-75

Beauchemin, Micheline: 59-3

Beaux, Cecilia: 63-3

Beccafumi, Domenico: 57-37, 62-20

Bechtle, Robert Alan: 60-3, 64-7

Beck, J. Wolfgand: 56-2

Beck, Julian: 58-26

Beck, Margit: 60-1, 65-4, ME-74

Beck, Rosemarie: 56-12, 58-5, 63-1

Becker, Fred: 56-26, 60-3, 62-8

Becker, Fred G.: 55-20

Becker, John: 59-6

Becker, Lucie: 57-16

Becker,Maurice: 55-3, 56-2

Beckers, Gerda: 61-1

Beckmann, Max: 51-4, 56-7, 59-36, 62-28, 62-29

Beer, S.: 58-20

Beerbohm, Max: 62-12

Beerman, Miriam H.: 53-16, 56-25

Beerstraten, Jan Abrahamsz: 55-24

Beeston & Patterson: 61-30

Bega, Cornelis: 60-40

Beham, Barthel: 55-10, 57-37

Beham, Hans Sebald: 55-10, 57-37, 62-18

Behl, Wolfgang: 58-35, 61-2, ME-75

Beisker, Heinz: 53-15

Belanger, Francois-Joseph: 59-40, 61-22

Beldi, Mabel M.: 58-35

Beleal, Ernestine: 57-14

Belfer, Nany: 58-32

Beline, George: 58-3

Bell, Alistair: 59-3

Bell, Cecil C.: 57-2

Bell, Leland: 60-43, 62-30, NY-18

Bell, Trevor: 61-4

Bella, Stefano della: 64-6, 67-19,

Bellange, Jacques: 57-37

Bellefleur, Leon: 59-3

Bellini,Giovanni: 56-16, 57-18

Bellotto: 63-19

Bellows, George Caleb: ME-31

Bellows, George W.: 54-25, 55-19, 59-6, 60-13, 62-17, 62-28, 63-15, 64-31, 65-2, ME-7, ME-41, ME-55

Belluschi Pietro: 64-11

Belzeaux: 60-25

Bemelmans, Ludwig: 61-33

Ben-Amotz & Hefer D. & H.: 58-36

Ben-Zion: 53-18, 55-9, 56-2, 58-16, 59-23

Bendiner, Alfred: 53-1, 56-25

Bendini, Vaco: 60-20

Bendtsen, Folmer: 54-18, NE-96

Benedetto, Giovanni: 55-24

Beneker, Gerrit A.: 64-29, 64-30

Bengtz, Ture: 60-3

Benjamin, Gershon: 55-3

Benjamin, Karl: 59-12, 60-41

Benn, Ben: 55-3, 56-2, 57-10, 65-2

Bennett, Rainey: 55-13

Bennett, William J.: ME-29

Benois, Alexandre: 59-19, 63-19

Benois, Nadia: 59-19

Benson, Frank Weston: 57-11, 62-7, 62-45, 63-1, NY-16

Benson, John Howard: 58-16

Benson, William: 64-7

Bentley, Bonner: 57-ee

Bentley, Claude Ronald: 56-2, 61-7

Benton, Thomas Hart: 57-9, 59-6, ME-7, ME-41

Benvenuto, Elio: 58-16

Beny, Roloff: 53-16, 54-18, 56-26

Berain: 63-19

Berard, Christian: 59-19

Berchem, Nicholas: 62-20

Berdich, Vera: 53-1, 60-3

Berg, Eva Dorje: 57-14

Berg, Werner: 56-21

Berg-Pigorsch, Phyllis: 63-7

Berger, David: 53-16

Berger, Jason: 54-8, 58-39

Berggren, Ulkla-May: 62-10

Bergmann, Gerhart: 64-14

Bergner, A.: 58-36

Bergner, Yosl: ME-67

Berlandina, Jane: 55-13

Berman, Anna Eva: 56-21

Berman, Eugene: 54-10, 57-10, 58-40, 59-19, 59-40, 60-4, 62-31, 63-19, 64-4, 65-2, ME-73

Berman, Fred J.: 55-2, 56-12, 56-25, 60-1

Berman, Leonid: 55-21

Berman, Sarah: 56-2

Bermudez, Cuno: 56-28

Bermudez, Jose Ygnacio: 56-15, 56-28, 62-6

Bernadotte, Sigvard (Count): 53-17

Bernard, David E.: 58-16

Bernhardt, John: 53-16, 55-2, 56-26, 56-27

Bernik, James: 59-16

Bernstein, Bernard: 58-32, 61-17, ME-75

Bernstein, Cal: 57-16

Berretoni, Niccolo: 62-20

Berry, William: 53-26

Berryman, Clifford Kennedy: 57-3

Berryman, James Thomas: 57-3

Bertoia, Harry: 52-7, 57-6, 57-38, 58-43, 62-29, 62-31, 64-19, ME-65, NY-20

Bertolotti V.: 58-9

Bertrand, Gaston: 61-4

Bertrand, Huguette-Arthur: 58-29

Besnard, Albert: 62-5

Bess, Forrest: 62-41, ME-59

Bettes, Eugene: 53-26

Bettina: 61-33

Bettinson, Brenda: ME-75

Betts, Edward Howard: 55-2, 55-6, 59-10, 64-31

Bevans, John: 62-18

Bewick, Thomas: 62-12

Bezem, Naftali: ME-67

Bezombes, Roger: 54-16

Biala, Janice: 61-7, 62-38

Bialik N.: 58-36

Bianchi, Federico: 62-36

Biasioli: 63-19

Bibiena, Antonio: 63-19

Bibiena, Biovanni Maria Galli da: 67-19

Bibiena, Carlo: 63-19

Bibiena, Ferdinando: 58-9, 63-19

Bibiena, Francesco: 63-19

Bibiena, Giuseppe Galli: 58-9, 61-22, 63-19

Biddle, George: 54-18, 56-2, 62-18, 62-18, 62-30, 64-30, ME-73

Bidner, Robert: 64-25

Bielefeld, Frieda: 57-14

Bielich, George A.: 61-30

Bierstadt, Albert: 59-34, 60-28, 61-3, ME-11, NY-4

Biggers, John Thomas: 65-11

Biggs, Walter: 53-8

Bijelic, Jovan: 59-16

Bill, Max: 53-21, 60-42

Billings, Henry: 63-24

Binai, Paul: 64-25

Bing, Bernice Lee: 58-39

Bing & Stueland, Kari & Magne: 57-40

Bingham, George Caleb: 54-25, 58-27, 59-24, 60-13, 61-3, 64-1, ME-11, ME-31, ME-41, 61-3

Binning, Bertram C.: 54-27

Birch, Thomas: 60-28, 63-3, ME-11

Birch, William Russell: ME-29

Birillo, Ben: 63-29

Birmelin, Robert: 60-3, 60-12, 65-4, NY-10, NY-17

Birnbaum, A.: ME-28

Biro, Ivan: 62-40, ME-56

Birolli, Renato: 58-23, 61-16, 64-2

Biscaino, Bartolommeo: 64-6

Bischoff, Elmer: 58-7, 58-12, 60-43, 64-20, 65-4, ME-73

Bishof, Werner: 59-56

Bishop, Ben: 65-11

Bishop, Isabel: 53-5, 56-2, 56-25, 62-31, 65-11, ME-73, ME-74

Bison, Giuseppe Bernardo: 59-40, 67-19

Bissier, Julius: 61-4, NY-8

Bitters, Stanley: 64-23

Bittleman, Arnold: 58-39, 60-12, 62-1

Bjorquist, Karin: 57-14

Black,David: 54-8, 58-32

Black, Frederick: 60-1

Black, William: 64-28

Blackburn, Morris: 53-1, 63-3, ME-7

Blackburn, Robert: 56-26

Blackstone, Rozsika B.: ME-75

Blagden, Alan: NY-17

Blaine, Nell: 62-16, 63-1, 64-26, NY-18

Blair, Barbara: 61-23

Blake, Peter: 62-14, 64-35

Blake, William: 56-16, 62-18, 64-19, 65-10, ME-65, MMA-54-2

Blakelock, E.A.: ME-11

Blakelock, Ralph Albert: 61-3, 63-15, 64-1

Blampied, Edmund: 62-12

Blanch, Arnold: 53-5, 56-2, 58-15, 61-7, 61-25, 62-31, ME-73

Blashfield, Edwin Howland: 59-6

Blatas, Arbit: 55-3, ME-73

Blaustein, Al: 58-12, 60-3, 60-22, 64-7

Blauvelt, Charles F.: 58-27

Bleker, Gerrit Claesz: 60-40

Bleyl, Werner: 61-1

Bliss, Robert Lewis: 53-24, NY-17

Bliss, Robert Ryel: 56-27

Block, Herbert L.: 57-3

Bloemaert, Abraham: 54-11, 63-9, ME-32

Blomberg, Kjell: 57-14

Blomqvist, Kai & Salakari: 57-14

Bloom, Gerry True: 64-23

Bloom, Hyman: 55-9, 58-16, 58-40, ME-7, ME-32, ME-73

Blue, Sidney D.: 62-15

Bluemner, Oscar: 64-3

Bluestein, Selma: 56-2

Bluhm, Norman: 60-1

Blum, Robert Frederick: 62-45, 64-3

Blumberg, Daniel (Dr): 61-17

Blumberg, Yuli: 56-2

Blume, Peter: 55-21, 58-40, 59-6, 60-4, 60-13, 60-27, 62-1, 64-3, ME-31

Blumenau, Lili: 57-6, 64-23

Blumenthal, Herman: 56-7

Blust, Carl R.: 54-16

Bluth, Manfred: 64-14

Blythe, D.C.: ME-11

Blythe, David Gilmour: 58-27, 59-24

Bobak, Bruno: 59-3

Boccacci: 51-18

Bocchi: ME-55

Bodmer, Karl: 61-3, 63-17, ME-29

Bodone Giotto: NY-7&7b

Boehler, Hans: 56-2

Boelen, Jacob: NY-13

Boesen, Signe: 57-14

Bogelund, Thor: 52-5

Boggan, Eva: 53-26

Boggs, Frank: 64-3

Bohm, Dominikus: 58-27

Bohm,Dominikus & Gottfried: 58-28

Bohm, Gottfried: 58-28

Bohm, Max: 64-29, 64-30

Bohrod, Aaron: 55-13, ME-73

Bol: 54-11

Bol, Ferdinand: 55-24, 60-40

Bol, Hans: 55-24, 62-20, 63-17

Bolasni Saul: 59-19

Boldini, Giovanni: 63-10

Bologna, Giovanni: ME-32

Bolotowsky, Ilya: 55-3, 59-24, ME-73

Bolt, Susan: ME-75

Boltinoff, Henry: 57-3

Bolton, Mimi DuBois: 55-2

Bolton & Barnstone: 58-1

Bolton & Barstone: 60-12

Bomar, Bill: 57-23, ME-26

Bonduel, Roger: 61-1

Bondurant, Maude: 56-13

Bone, Muirhead: 62-12

Bonfield, George R.: 64-1

Bonfils: 62-25

Bonge, Dusti: ME-59

Bonheur, Isadore: 61-2

Bonheur, Rosa: 61-2, 63-20, MMA-54-4

Bonington, Richard Parkes: 62-12, 67-19

Bonnard, Pierre: 54-16, 60-14, 61-2, 62-5, 63-14, ME-55

Bonnat, Leon Joseph Florentin: NY-21

Bonneh, Samuel: ME-67

Bonnette, Gerald: 58-35

Bonney, Therese: 56-5

Bonnier, Olle: NE-96

Bonomi, Maria Helena Vieira: 60-15

Bons, Jan: 61-20

Bontecou, Lee: 62-41, 63-29, 65-11, ME-55

Bookatz, Samuel: 53-1

Boone-Paul: 55-22

Booth, Cameron: 55-3, 56-2, 58-6, 60-30, 64-30

Boothby, Frances Holmes: 57-6, 60-5

Bordignoni, A.: 53-21

Borduas, Paul-Emile: 59-3, 62-28

Borgese: 51-18

Bornarth, Philip: 60-3

Bornt, Janice: 58-32

Borra: 51-18

Borrani, Odoardo: 63-10

Borris, Bessie: 51-14

Borsat,o Giuseppe: 58-9

Borup, Erling: 57-14

Bosa, Louis: 51-4, 53-1, ME-73

Bosch, H. van Aeken: 56-16

Bosch, Heieronymus: 57-18

Boschen, Lillian: 51-15

Boscoli, Andrea: 67-19

Bosse, Abraham: 55-24, 56-11, NY-9

Botero, Fernando: 60-17, 64-25

Botes, Steven G.: 53-17

Both, Jan-Dirksz: 60-40, 63- 17

Botkin, Henry: 53-5, 55-3, 56-2, 64-30, ME-73

Botticelli, Sandro: 57-18, NY-7&7b

Botto, Otto: 55-3, 56-2, ME-73

Boubat, Eduard: 60-25

Bouché, Louis: 53-12, 54-10, 55-19, 57-2, 62-30, 65-2, ME-73

Bouchene, Dimitri: 59-19

Boucher, Francois: 55-24, 59-40, 62-36, 67-19, NY-21

Boudin, Eugene: 63-20

Boudron, Alexander: 59-18

Bouleau, Charles: 54-16

Boullee, Etienne Louis: 61-22

Bourdelle, Emile Antoine: 61-2

Bourdelle, Pierre: 53-25, ME-73

Bourdon, Sebastien: 63-17

Bourke-White, Margaret: 58-A&B, 63-17

Bout, Pieter: 60-40, 63-17

Boutelle D.W.C.: ME-74

Boutet, Jean: 54-16

Boutis, Tom: 58-26

Bouve, & Sharp: ME-29

Bove, Richard J.: 54-8

Bowden, Harry: 56-2

Bowling, Mary: 58-16

Bowman, Dorothy: 55-20, 56-25, 56-26, 58-3, 60-3, 62-3

Boyar, Jo: 57-14

Boycie, Ricard: 53-26

Boyd, Albert & Maxine: 60-5

Boyd, Fiske: 53-16, 56-25, 56-26, 58-3, NY-3

Boyle, Keith: 65-11

Boyle, Richard: 61-22

Boynton, James W.: 56-12, 57-9, 57-23, 59-10, 61-15, ME-33, ME-42

Boyvin, Rene: 63-9

Brabazon, Hercules: 62-12

Brach, Paul: 64-12

Bracquemond, Felix: 62-45

Bradford, Howard: 53-16, 55-20, 58-3, 58-12, 60-3

Bradish, Alvah: 58-14

Bradley, Byron: 54-42

Bradley, I.: ME-11

Bradley, John: 58-14, 62-2

Bradley, Will: 57-17

Brady, Mathew B.: 56-5

Brainard, Joe: ME-75

Brame, Thomas: 54-42

Bramson, Arnold: 56-26

Brand, Erland: 62-44

Brandner, Wilhelm: 61-1

Brandt, Warren: 53-5

Brangwyn, Frank: 62-12

Brants, Cynthia: 57-23

Braque, Georges: 57-18, 59-5, 59-19, 60-14, 60-42, 61-9, 62-5, 62-29, 63-14, ME-40, NY-21

Brasch, Sven: 52-5

Brassi: 60-25

Braswell-Cook: 61-30

Brattinga, Jr., Pieter: 61-20

Braught, Ross: 62-1

Braun, Adolphe: 56-5, NY-1

Braun, Robert: 58-40

Braund, Allin: 54-18, 60-15

Brauneis, Rohtraut: 61-1

Brauner, Victor: 60-4, 62-29, 64-4

Brechbuehler, Hans: 53-21

Breck, John Leslie: 61-10

Breckenridge, Hugh H.: 63-3

Breenbergh, Bartholomeus: 62-20

Breinin, Raymond: 53-12, 59-19

Breitenbach, Joseph: 62-45, 64-28

Brenson, Theodore: 56-2, 59-1

Brescian, School: 55-24

Bresdin, Rudolphe: 62-18, 63-17

Breslin, Norah T.: 53-24

Brettingham, Matthew: 61-22

Breuer, Marcel: 53-21, 59-15, 61-31, 63-16, 65-3

Breughel (the Younger): ME-55

Breverman, Harvey: 63-7, 64-7

Breydert, Frederick: 58-16, 60-5

Breydert, Katherine L.: 58-16

Brianchon: 59-5, ME-55

Bricaut, Francoise: 62-8

Brice, Earline & John: 64-23

Brice, William: 63-12, ME-73

Bricher, Alfred Thompson: 64-3

Bridges, Fidelia: 64-3

Brigadier, Anne: 64-29, 64-30

Briggs, Clare: 57-3

Briggs, Ernest: 64-2

Brignoni, Serge: 56-21

Bril, Paul: 54-11, 62-20

Brioche, Felix: 62-6

Britton, William: 62-2

Brockendon, William: 62-12

Broderson, Morris: ME-73

Brodie, Gandy: 57-9, 58-5, NY-10

Brodmann, Klaus: 61-1

Brodnax, Ethel: 57-23

Brody, Sheldon A.: 62-45

Broecker, Louise: 62-10

Broner, Robert: 56-12, 58-3, 60-3, 60-24, 64-7

Bronzino, Angelo (di Cosimo Allori): 56-16

Brook, Alexander: 62-30, ME-23, ME-73

Brook, John: 59, 12, 62-45

Brooks: ME-49, NY-20

Brooks, Charlotte: 57-16

Brooks, James: 56-1, 56-2, 59-23, 61-29, 62-37, 64-2, ME-73

Brooks, Larry W.: 65-11

Brorby, Harry: 55-20, 56-26, 58-16, 62-3

Brose Morris: 60-42

Brougham, Barry: 55-22

Browere, Alburtis Dell Orient: 60-28

Brown, Carlyle: 64-4, ME-26, ME-32, NY-17

Brown, Daniel: 58-40

Brown, George Loring: 58-27, 64-1

Brown, Hamilton: ME-19

Brown, J.: 59-18

Brown, John George: 58-14, 58-27

Brown, Marcia: VA-53-1

Brown, Philip Wass: 64-31

Brown, Ray: 56-26, NY-3

Brown, Sandra: 58-32

Brown, William: 58-7, 58-39

Brown, Winthrop: 64-23

Brown & Adams, Everett & Mark: 55-22

Browne, Byron: 53-12, 55-3, 56-2, 57-10, 64-30

Browne, George Elmer: 64-29, 64-30

Browne, Robert Bradford: 64-21

Browning, Colleen: 57-2, 64-4

Brownlow, David: 57-23

Brownstone, Howard: ME-19

Bruce, Patrick Henry: 55-15

Bruckman, Lodewyk: 64-30

Bruder, Harold Jacob: 63-7, 65-7, NY-17

Bruegel or Brueghel, Pieter or Peter (the Elder): 54-11, 56-16, 57-18, 57-38, 62-18, 63-17, NY-9

Brunelleschi, Filippo: 56-10

Bruno, Jorrand: 53-24

Brunori, Enzo: 58-23, 60-20

Brush, George de Forest: 62-7, 62-17

Brusse, Wim: 61-20

Brussel-Smith, Bernard: 53-1

Bry, Edith: 55-3, 64-30

Brynner, Irena: 57-6

Bryson, Bernarda: 55-13, 56-24

Brzostoski, John: 56-2

Buber, M.: 58-36

Buckley, J.E.: 62-12

Budd, David: 59-23

Buffagnotti, Carlo Antonio: 58-9, 59-40

Buffet, Bernard: 56-15, 57-27, 58-15, 60-4

Bufford, John H.: ME-29

Buhot, Felix-Hilaire: 63-17

Bujnowski, Donald G.: 62-10

Bullock, Wynn: 63-2

Bulone, Joseph D.: ME-75

Bultman, Fritz: 56-2, 58-26, 62-38, 64-29, 64-30

Bunce, Louis: 55-6, 58-7, 60-1

Bundo: 63-21

Bundy, Horace: 59-31, 62-2, 63-15

Bunker, Dennis M.: 62-7

Bunker, George: 58-3

Bunnell, Peter C.: 60-12

Bunting, J.D.: ME-11

Burani, Francesco: 64-6

Burch-Korrodi, Meinrad: 58-35, 61-1

Burchard, Jr., Pablo: 60-17

Burchfield, Charles Ephraim: 53-5, 54-16, 54-25, 55-9, 55-13, 58-34, 59-7, 59-31, 60-13, 60-27, 62-28, 62-31, 64-3, 64-19, 65-2, 65-11, ME-7, ME-23, ME-27, ME-31, ME-41, ME-55, ME-65, ME-73, NY-5, NY-20

Burden, Shirley C.: 59-56

Burford, Byron: 58-6

Burg, Copeland: 53-5

Burgensis: 62-20

Burgeson, Marjorie Thompson: 55-14

Burgess, Anna K.: 60-5

Burgess, Joseph: 53-26

Burgess, Richard: 59-6

Burgkmair, Hans: 62-18

Burguiere, Francis: 56-5

Burke, James: 58-A&B

Burke, Kathryn: 65-11

Burke, Ronald E.: 62-10

Burkert, Robert: 62-3

Burket, Le Roy K.: 53-12, 57-12

Burkhardt, Hans Gustav: 59-1

Burle-Marx, Robert: 62-6

Burlew, Margaret: 60-5, 62-15

Burlin, Paul: 57-28, 59-10, 60-31, 61-25, ME-73

Burliuk, David: ME-73

Burne, Jones Edward Coley (Sir): 62-12

Burnet, W.H.: 62-12

Burnett, Calvin W.: 55-14

Burr, William Henry: 58-27

Burrage, Madeleine: 57-6

Burri, Alberto: 58-23, 59-14, 59-35, 61-11, 64-2

Burt, Clyde E.: 57-6

Burton, Dennis: 58-6

Burton, Virginia Lee: VA-53-1

Busa, Peter: 64-30

Buskirk, Mary Balzer: 58-32

Busse, Fritz: 61-33

Butchkes, Sidney: ME-74

Butler, Horacio: 60-17

Butler, James P.: 61-10

Butler, Max: 57-23, 62-31

Butler, Reg: 56-15, 59-31, 60-14, 60-42, 64-10

Butler, Theodore Earl: 61-10

Butt, Jr., Gail Hammond: 61-25

Butterworth, James E.: 55-19

Button, Clutz: 60-43

Button, John: 64-3

Butzow, Sue: 58-32

Bye & Hermann: 62-33

C.J. Breyer Associates, Inc.: 61-30

Cabaiss, Lawrence D.: 56-13

Cabianca, Vincenzo: 63-10

Cadmus, Paul: ME-7, ME-73

Cadogan, Edward: 51-15

Cadorin, Guido: 51-18, 53-2

Cady, Emma: ME-11

Caesar, Doris: 52-4

Caffe, Nino: 55-7

Cafferty, James H.: 58-14

Cage, Xenia: 64-23

Cagli, Carrado: 51-18, 58-23, 61-16

Caille, Pierre: 61-1

Cajori, Charles: 59-10

Calapai, Letterio: 58-3, 62-8

Calcagno, Lawrence: 56-1, 56-12, 60-22, 61-29, ME-33, ME-42, ME-49

Calder, Alexander: 60-42, 62-1, 64-10, ME-10, ME-32, NY-20

Calderani & Franscassini, Virgilio & Renzo: 61-1

Caliga, Elizabeth Howland: 64-30

Caliga, I.H.: 64-29, 64-30

Callahan: NY-20

Callahan, Harry M.: 57-25, 59-56, 63-8

Callahan, Kenneth: 55-21, 56-1, 57-1, 57-10, 58-42, 58-43, 61-15, 62-29, 65-11, ME-73, ME-75

Callister, Charles Warren: 64-21

Callot, Jacques: 55-24, 57-37, 59-20, 63-17, NY-9

Callow, John: 62-12

Callow, William: 67-19

Calpp, A1: 57-3

Camaro, Alexander: NE-48

Cambellotti, Laura: 61-1

Cambiasco, Luca: 62-20, 64-9, ME-32

Cameron, David Young (Sir): 62-45

Cameron, Julia Margaret: 56-5, 62-25, NY-1

Campagnola Domenico: 55-24

Campbell, Gretna: 56-2

Campbell, J. Todd: 62-10

Campbell, Jerry Ray: 62-10

Campbell, Lawrence: 55-3

Campbell, Paschall: 62-33

Campbell, Peter: 64-28

Campendonk, Heinrich: 62-29

Campigli, Massimo: 51-18, 55-13, 57-34, 58-23, 61-16

Campoli, Cosmo: 56-12

Campos, Manuel Lalorre: 61-1

Canaletto: 61-22, 64-6, 67-19

Candell, Victor: 56-1, 56-2, 57-10, 60-1, 64-29, 64-30, ME-73

Candellahan, Victor: 56-1

Caniff, Milton: 57-3

Canna, Pasquale: 58-9

Cano, Alonso: 62-20

Canogar, Rafael: 64-2

Canova, Antonio: ME-32

Cantagallina, Remigio: 59-40

Cantarini, Simone: 64-6

Cantatore: 51-18

Cantu, Frederico: 54-16

Capa, Cornell: 58-A&B, 59-56

Capa ,Robert: 58-A&B, 59-56

Caparn, Rhys: 52-4, 62-40, ME-56

Capehart, Noyes: 64-7

Capogrossi, Giuseppe: 54-18, 58-23, 61-16, 59-35

Cappelli, Giovanni: 58-40

Capraro, Vincent: 58-40

Capuletti: 59-19

Caraglio, Jacopo: 62-18

Cardwell, Don: 51-15

Carey, J. Sheldon: 60-5

Cargill, David: 58-30

Cariola, Robert: ME-75

Carl Koch & Associates, Inc.: 63-16

Carle, Roger: 59-5

Carles, Arthur B.: 57-9, 63-3, ME-55

Carlin, Earl P.: 62-24

Carlin, James: 53-1

Carlsen, Emil: 56-18

Carmassi, Arturo: 59-35, 60-20

Carmi, T.: 58-36

Caro, Anthony: 61-2

Carone, Nicholas: 57-9, 59-23, 61-29, 62-37, ME-33, ME-42

Carot, Camille: 63-20

Carpenter, Arthur Espenet: 57-6, 64-23

Carpi, Girolamo da: 62-20

Carra, Carlo: 57-34, 58-23

Carracci, Agostino: 64-6

Carracci, Annibale: 64-6

Carracci, Lodovico: 62-20

Carreno, Mario: 56-28, 62-6

Carriere, Eugene: 62-5

Carroll, Jo: 55-20

Carroll, John: 62-30

Carroll, & Daeuble: ME-19

Carter, Caleb: 63-15

Carter, John A.: 59-12

Carter, John Clay: 53-26

Cartier-Bresson, Henri: 56-5, 57-39, 59-56, 60-25

Cartwright, Roy: 62-10

Caruso, Bruno: 55-7, 58-15

Caruso, Nino: 61-1

Caruthers, John: 58-32

Carwitham, I.: ME-29

Carzou, Jean: 56-15, 58-15

Casarella, Edmund: 53-16, 55-2, 55-20, 56-25, 56-26, 58-3, 60-3, 60-15, 60-22, 60-24, 62-3, 64-7, NY-3

Casebier, Cecil Lang: 55-2, 56-12, 57-1, 57-23

Casilear, John William: 60-28, 64-3

Casinari, Bruno: 58-23

Casolani, Alessandro di Agostino: 64-9

Casorati, Felice: 51-18, 58-23

Casrella Edmond: 56-26, 57-12

Cassara, Frank: 60-3

Cassatt, Mary: 54-25, 60-13, 62-45, 61-1, ME-7, ME-31, ME-41, MMA-54-1

Cassidy, Gertrude (Dr): 58-35

Cassill, H.C.: 55-20, 56-26, 60-3, 62-3

Cassill, Jean Kubota: 55-20

Cassinari: 51-18

Cassinari, Bruno: 61-16

Castel, Moshe: 54-27

Castellón, Federico: 53-2, 56-26, 62-1, 62-18, 64-7, ME-7

Castiglione, Giovani Benedetto: 59-40, 64-6, 67-19

Catena, Vincenzo: 64-19

Cathelin, Bernard: 63-14

Cathrineholm, A.S.: 57-40

Catich, E.M. (Father): 58-16

Catlin, George: 59-18, 61-3, ME-11, ME-29

Caudill, Rowlett & Scott: ME-19

Causo, Bruno: 54-27

Cavaglieri, Georgio: 61-30

Cavailles, Jr.: 59-5

Cavallito, Albino: 52-4

Cavanaugh, John: 62-40, ME-56

Cazin, Jean Charles: MMA-54-4

Ceare, Oscar: 57-3

Cecioni, Adriano: 63-10

Celic, Stojan: 59-16

Center, J.C.: 64-3

Cernigoj, August: 56-21

Cerny, Geiorge: 52-4

Cerra, Mirta: 56-28

Cesari, Giuseep: 59-40

Cézanne, Paul: 55-24, 57-18, 62-5, 63-14, NY-7&7b

Ch'en, Ch'I Kaun: 58-42

Chabba, A.: 58-36

Chadel, Jules: 54-16

Chadwick, Gordon: 64-21

Chadwick, Lynn: 60-14, 63-31

Chae-hyo, Song: 58-33

Chaet, Bernard: 62-3, 65-11

Chafetz, Sidney: 56-2, 56-25

Chaffee, Oliver Newberry: 64-30

Chagall, Marc: 54-16, 54-18, 56-15, 58-15, 60-14, 60-15, 60-44, 61-16, 62-29, 63-14, ME-65

Chailleat, Leonard: 59-40

Chait, Daniel: 62-34

Chamberlain, John: 63-29

Chamberlain, Samuel: 59-6

Chambers, Thomas: 62-2, ME-11

Chambers, William (Sir): 61-22

Chament, Guiuseppe: 58-9

Champney, Benjamin: NY-4

Champney, James Wells: 64-1

Chandler, Winthrop: 62-2

Chandler, Christy Howard: 57-17

Chapallaz, Edouard: 61-1

Chapin, David: 61-23

Chapin, Francis: 53-5, 64-30, ME-7

Chapin, James: 64-3

Chapin, Mary S.: 64-1

Chapman, Charles S.: 64-3

Chapman, John G.: 58-27

Chappell, Walter: 60-12, 61-13

Chappell, William: 59-19

Charag-Zunz, C.: 58-36

Chardin, Jean-Baptiste Simeon: 56-16

Charles, M. Goodman Assoc: 58-1

Charlot, Jean: 53-1, NE-96

Charpin, Francis: 56-19

Chase, Barbara: 66-9

Chase, William Merritt: 56-18, 59-6, 59-34, 62-7, 62-17, 63-3, 64-3, ME-7

Chavez, Edward Arcenio: 55-5, 57-1, 57-10

Chayat, Maxwell M.: 61-17, ME-75

Cheever, Abbott: 59-6

Chen, Chi: 55-2, 55-19, 55-21, 64-19, ME-65, ME-73

Chenoweth, Mary: 58-3

Cherner, Norman: 61-30

Cherney, Marvin: 62-31

Cherry, Couise: 55-22

Chesney, Lee: 53-5, 53-16, 55-20, 56-12, 56-25, 56-26, 58-3, 60-3, 60-22

Chey, Katharine: 57-6

Chiarottini, Francesco: 58-9

Chieffo, Clifford T.: 65-4

Chighine, Alfredo: 58-23

Child, Anne: 60-41

Childs, Bernard: 58-42

Chillida, Eduardo: 61-4, 62-29, 64-10

Chinnery George: 67-19

Chippendale, Thomas: 59-40

Chow, Fong: 57-6

Choy, Katherine: 57-14

Christ, Rudolf: 53-21

Christensen, Hans: 57-6, 60-5

Christiana, Mike: 60-3, NY-3

Christopher William: 63-7, 65-4

Christus, Petrus: 56-16

Christy, Howard Chandler: 59-6

Chruchward, L.: 58-32

Chryssa, V.: 62-40, ME-56

Chudo, Ken'ichi: 65-12

Chumly, John W.: 58-39

Church, Frederick Edwin: 59-34, 59-40, 60-28, ME-11NY-4

Ciampi, Mario J.: 62-34

Ciceri: 63-19

Cicero, Carmen: 56-12, ME-73, NY-10

Cikovsky, Nicolai: 57-10, ME-73

Cimiotti Emil: 61-4

Ciry, Michael: 54-16, 58-15, 60-15

Citroen, Paul: 53-2

Citron, Minna: 53-5, 53-16, 56-2, 56-25, 57-32 58-3, 58-26, 60-24, 62-8, 64-30, 57-36

Claret, Juan: 64-17

Clark, Carolyn J.: 53-26

Clark, Edward: 58-A&B

Clark, Ester: 62-10

Clark, J. & C.: NY-15

Clark & Beuttler, Hervey Parke & John F.: 64-11

Clarke, Arundel: 62-15

Clarke, Geoffrey: 54-18

Clarke & Beuttler, Hevey Parke & John F.: SD-8

Clarke & Rapuano: 62-33

Claudet: 56-5

Clave, Antonio: 54-16, 56-15, 58-15, 59-19, 64-17, NE-96

Clement, Marita van der Poest: 62-8

Clements, Thomas: 58-39

Clerisseau, Charles: 62-20

Cliffe, Henry: 54-18, 60-15

Cloar, Carroll: 58-44, 61-35, 64-4, 65-2, ME-73

Clonney, James Goodwyn: 64-1

Clough, Ebenezer: NY-14

Clough, Prunella: NE-96

Clove: 59-5

Clutz, William: 60-43, NY-18

Clymer, J. Floyd: 64-30

Coat, Pierre Tal: 61-4

Cobb, Ruth: 53-5, 64-30

Cobbaert, Jan: 61-1

Cobean, Sam: 55-13, ME-28

Coburn, Alvin Langdon: 56-5, 62-25, 64-28, NY-1

Cochran, Donald: 58-39

Cocke, Bartlett: ME-19

Cocke, Bowman & Yorke: ME-19

Cockerell, Charles Robert: 61-22

Cocteau, Jean: 56-15

Coecke, van Aelst Pieter: 64-9

Coen, Eleanor: 53-1, 54-18, 55-20, 56-15, 56-19, 56-25, 56-26, 59-10, 62-3, NE-96

Coffey, Clara Stimson: 62-33

Coggeshall, Calvert: ME-59

Cohen, George: 59-12

Cohen, John: 59-12

Cohen, Michael: 58-32, 62-10

Cohen, Roda: 58-3

Cohen, Wdilfred P.: 57-ee

Coke, Van Deren: 60-12

Colby, Frederick L.: 57-6

Cole, Thomas: 59-24, 59-34, 60-28, 64-1, 65-10, ME-11, NY-4

Cole-Ruddick, Dorothy: 52-7

Coleman, John: 62-3, 64-7

Coleman, Muriel: 52-7

Colescott, Warrington: 53-16, 55-20, 56-2, 58-3, 62-3

Colgren, Monte L.: 58-32

Colker, Edward: 56-12

Collaert, Hans: 63-9

Collins, Alfred Quinton: 62-7

Collins, Arnold: NY-13

Collins, Lowell: 57-23

Colman, Samuel: 59-6, 60-28, 64-1

Colombino, Carlos: 60-17

Colquhoun, Robert: 54-18, NE-96

Colton, Paula: 58-32

Colville, Alex: 55-19, 59-3, NY-17

Colvin, Franklin: 58-25

Comegys, George H.: 58-14

Commins, Terrell D.: 53-17

Comtant: 51-3

Conca, Sebastiano: 62-20, 62-36

Conder, Charles: 62-12

Congdon, William: 60-22, 64-19, ME-59, ME-65, ME-75

Coninxloo: 54-11

Conkey, George: 53-26

Connah, Whit: 61-35, 65-11

Connaway, Jay Hall: 62-17, 64-31

Connelly, Brian: 64-4

Conner, Charles: 58-27

Connor, Russell: 56-27

Conover, Robert F.: 53-16, 55-20, 56-25, 56-26, 57-12, 58-3, 60-3, 60-15, 60-24, 62-3, 64-7, NY-3

Consagra, Pietro: 60-2, 61-11, 62-40, 63-31, ME-56

Constable, John: 56-16, 57-18, 62-12, 62-20, 63-20, 67-19

Constan,t George: 55-3, 56-2, 56-25, ME-26, ME-73

Consuegra, Hugo: 56-28

Conway, Fred: 51-5, 53-12, 56-2, ME-73

Cook: 63-19

Cook, Christopher: 65-11

Cook, Donald: 59-6

Cook, Edward A.: 53-17

Cook, Gordon: 56-25, 60-3

Cook, Howard Norton: ME-7

Cooke, Betty: 53-24

Cooke, Jerry: 59-56

Coonley, John C.: 53-24

Cooper, Mario: 53-8

Cooper, T.S.: 64-5

Coornhert, Dirk Volkertsz: 62-18

Copeland, Lawrence G.: 57-6

Copeland, Novak & Israel: 61-30

Copello, Franesco: ME-75

Copley: 54-25

Copley, John Singleton: 54-25, 60-13, 62-17, 62-20, 63-15, ME-7, ME-31, ME-32, ME-41

Corbett, Edward: ME-73

Corbett, Mario: SD-8

Corbin, Lock Company: NY-15

Corbino, Jon: 53-12, 55-19

Corbridge, Edgar: 64-30

Corinth, Lovis: 61-25, 63-17

Corita, Mary (Sister): 53-5, 53-16, 56-25, 58-16, 58-35, 60-3

Corneille: 58-29, 61-29, 64-2

Cornell, Joseph: 59-14

Cornell, Thomas: 60-3, 64-25

Coronel, Raul A.: 55-22, 57-14

Corot, Jean Baptiste Camille: 56-16, 63-17, 65-10, ME-32, MMA-54-4

Corpora, Antonio: 58-15, 58-23, 61-16

Corsaw Roger D.: 60-5

Corson, David T.: 55-2

Cortlandt, Lyn: 58-3

Cortlandt, Zulema: 58-3

Cortona, Pietro da: 62-20

Cosijn, Lies: 61-1

Costa, Giovanni: 63-10

Costigan, John: 63-33

Cote, Alan: 58-39

Cotman, John Sell: 61-22, 62-12

Couch, Rebecca: 59-18

Couch, Urban: 58-6, 65-7

Coughtry, Graham: 58-6

Coulentianos, Costa: 54-18

Coulter, Dorothy: 65-11

Countey, Edward: 60-3

Courbet, Gustave: 63-14, 63-20, 65-10, ME-55, MMA-54-2, MMA-54-4

Courtin, Pierre Tal: 61-11

Covert, John: 55-15

Covington, Harrison: 54-42, 61-35

Cowles, Hobart E.: 57-6

Cowles, Russell: 53-5, 56-19

Cowley, Edward: 54-27

Cox, David: 62-12

Cox, Jan: 56-15, NE-96

Cox, John Rogers: NY-7&7b

Cox, Joseph: 61-35

Cox, Kenyon: 59-6, 62-7

Cox Palmer: 59-6

Cozzens, Frederick S.: 64-3

Cozzi, Ciriaco: 55-5

Crafts, Lemurian: 57-6

Craig: 63-19

Craig Ellwood Assoc: 62-34

Craighead, Charlene: 62-3

Cramer, Jaray & Paillard: 53-21

Crampton, Rollin: 62-37, 64-26

Cranach, Lucas (the Elder): 56-16, 57-18, 57-37, 62-27, ME-55, NY-9

Crane: 57-3

Crane, Ralph: 58-A&B

Crane, Roy: 57-3

Crane, Walter: 63-5

Cranmer, Jr., Thomas E.: 58-3

Cranstone, Lefevre James: 64-1

Crates, James: 65-7

Craven, Jr., Roy C.: 56-9, 61-35

Crawford, Ralston: 53-5, 53-9, 53-12, 54-18, 55-13, 56-15, 57-28, 58-15, 58-44, 60-22, 61-25, ME-73, NE-96, NY-20

Craxton, John: 59-19

Creative Playthings: 65-6

Cremean, Robert: 60-2

Cremonini, Leonardo: 54-16, 57-34, 61-4, 62-28, 64-2

Cress, George: 54-8

Cressey, David: 64-23

Cressey, Donna: 58-32

Crippa, Roberto: 56-19

Cristiano, Renato: 57-27

Crite, Allan R.: 59-6

Crome, John: 65-10

Cronbach, Robert: 52-4, 65-3, ME-75

Cropsey, Jasper Francis: 59-6, 60-28, 64-1, 64-3, ME-11, NY-4

Cross, Henri E.: 62-5

Crossgrove, Roger: ME-74

Crouwel, Wim: 61-20

Crozier, William Tylee: 61-4

Crumrine, James: 63-5

Cruz, Emilio: 66-9

Csoka, Stephen: 58-16

Cuevas, José Luis: 56-15, 63-12, ME-45

Culverhouse, Johann Mongels: 55-19

Culwell, Ben: 57-23, 57-ee

Cummings, Thomas Seir: 58-14

Cunningham, Ben: 52-11

Cunningham, Hester: 62-15

Cunningham, Imogen: 56-5

Cuomo, Sylvia: 57-14

Curmrine, James: 57-6

Currie, Bruce: 56-13

Currier, J. Frank: 64-3

Currier, N.: ME-29

Currier & Ives: ME-29

Curry, John Steuart: 54-25, 55-16, 60-13, ME-31

Curtis, E.L.: 54-12

Curtis & Davis: 62-34

Cushing, Lily: 55-21

Cushing, Otho: 57-3

Cushing, Val: 57-14, 58-32, 59-12

Cusumano, Stefano: ME-73

Cuyp: 54-11

Cyren, Gunnar: 57-14

Cyril: 62-8

Czaja, Michael: VA-53-1

Czermanski, Zdzislaw: 55-13

Czuri, Charles A.: 57-10

D'Ancona, Vito: 63-10

D'Arista, Robert: 55-9

D'Arte, Seguso Vetri: 61-1

D'Haese, Roel: 61-4

D'Orazio, Piero: 58-23

D'Orgeix, Christian: 61-4

da Carpi, Girolamo: 59-40

da Cortona, Pietro Berrettini: 61-22

Da Fabriano, Gentile: 56-16

da Sangallo, Francesco: 59-40

da Silva, Maria Helena Vieira: 60-14

da Silva, Vieira: 62-28, ME-40

da Silveira, Elisa Martins: 60-17

da Vinci, Leonardo: 53-3, 57-18, 64-9

da Volterra, Daniele: 55-24

Dahemers, Robert: 60-12

Dahill, Jr., T.H.: 56-27

Dahl, George L.: ME-19

Dahn, Richard F.: 60-3

Dailey, Gardner A.: SD-8

Dailey, Merlin C.: 58-3

Dal, Harald: 57-40

Dale, Lola E.: 56-25

Dali, Salvador: 54-16, 58-15, 59-19, 62-8, 62-18, 62-28, 63-33,

Dallegret, Francois: 65-6

Daly, Judith White: 53-17

Daly, Norman: 52-1

Dalzotto, Eugene: 53-16, 56-26

Dambiermont, Mary: 61-1

Damianovich, Zulema: 60-3, 60-15

Daminai, Jorge: 60-17

Damora, Robert: 64-21

Daniel, Mann, Johnson & Mendenhall: 62-24

Daniell, Thomas: 62-12

Daniell, Thomas & William: 61-22

Danto, Arthur Coleman: 55-20, 58-3

Danzig, Jerry: 57-16

Daphnis, Nassos: 60-41, 64-30, ME-73

Daphnis-Avlon, Helen: 64-30

Daplan, Jerome: 54-18

Daraniyagala, Justin: 58-42

Darby, Henry F.: 58-14

Darie, Sandu: 56-28

Darley, Felix: 64-1

Darling, J.N. (Ding): 57-3

Darling & Webel: 62-33

Darriau, Jean Paul: 58-12, 60-42

Darrow, W.: ME-28

Dart, Edward D.: 64-11, 64-21

Dasburg, Andrew: 59-42

Datz, Abraham Mark: 55-3

Daubigny, Charles Francois: 63-17, 63-20, NY-11, MMA-54-4

Daumier, Honore: 53-7, 55-19, 56-16, 59-20, 61-2, 62-27, 63-17, 64-5, ME-29, MMA-54-2, NY-7&7b, NY-21

Davey, Randall: 53-5

David, Ismar: 58-16

David, Jacques-Louis: 55-24

Davidson, Bruce: 59-56, 63-8

Davidson, Morris: 55-3, 64-30

Davidson, Patricia: 58-32

Davidsson, Kristjan: 66-2

Davie, Alan: 57-27, 60-14, 61-4, 61-29, 64-2, NY-8

Davies, Arthur B.: 55-19, 57-11, 59-6, 60-13, 62-17, 64-3, 65-2, NY-19

Davies, Kenneth: 59-24

Davila, Alberto: 60-17

Davis: 54-25, NY-20

Davis, Alexander Jackson: 64-1

Davis, Charles H.: 62-7

Davis, Don: 58-39

Davis, Frederick W.: 61-30

Davis, J.H.: ME-11

Davis, John W.: 65-4

Davis, Joseph H.: 59-18, 64-1

Davis, Lenore: 58-32

Davis, Noel: 56-1

Davis, Paul: 64-25

Davis, Richard: 52-4

Davis, Stuart: 54-10, 55-9, 58-15, 59-6, 59-7, 59-31, 60-13, 60-27, 62-28, 64-30, ME-7, ME-10, ME-31, ME-55, NY-5

Davis, Brody & Wisniewski: 64-11, 64-21

Dawo, Thomsa & Ilse: 61-1

Day, Lucienne: 52-7

Day, Worden: 51-21, 56-25, 56-26, 57-32, 57-36, 58-3, 58-26, 58-42, 60-3, 60-24, 62-8, NY-3

de Allende, David: 54-42

De Balzac, H.: 58-36

De Beaumont, Etienne: 59-19

de Boullongne, Louise: 55-24

de Brocquy, Louis: 53-24

De Camp, Joseph Rodefer: 63-1

De Camps, Alexandre: 63-20

De Carava, Roy: 59-56

de Chavannes, Puvis: 62-5

de Chirico, Giorio: 55-18, 57-34, 59-19

De Concorezzo, Victor: 61-1

de Creeft, José: 55-12, 56-22, 57-15, 58-16, 59-14, 59-51, 62-16

de Diego, Julio: 53-5

de Faenza, Antonio Gentili: 61-22

De Forest, Roy: 59-24

De Gelder, D.: 51-3

De Gheyn: 54-11, 64-9

de Gorgoza, Patricia: 62-8

de Grave, Jean Jacques: 56-21

de Groot, Nanno: 64-30

de Hooghe, Romeyn: 59-40

De Kooning, Elaine: 55-19, 62-16, 64-26

De Kooning, Willem: 56-2, 59-23, 60-14, 61-29, 62-27, 64-2, ME-41, ME-55, ME-73, NY-18, NY-20

La Fresnaye, Roger de: 59-23, 61-24, 62-5, 63-31

De la Verriere, Jean Jacques: 62-10

De Laclotte, Hyacinthe: 62-2

De Lairesse, Gerard: 62-36

De Laittre, Eleanor: 55-3

De Lajoue, Jacques: 55-24, 59-40

De Lalonde, Richard: 59-40

De Laurentiis, Tonino: 61-1

De Long, David: 64-25

De Maar-Sielckem, Harriet: 61-1

De Marco, Jean: 52-4

De Maria, Dolores: 53-17, 57-14

De Martini, Joseph: 56-2, ME-73

De Maupassant, G.: 58-36

De Menocal, Richard: 64-3

De Modena, Nicoletto Rosex: 59-40

De Niro, Robert: 58-16, 60-22, 60-43, 64-26

De Patta, Margaret: 54-43

De Pinna, Vivian: 64-30

De Pisis, Filippo: 57-34, 58-23

De Poli, Paolo: 61-1

De Rivera, Jose: 55-12, 56-22, 58-41, 59-31, 60-32, ME-55

De Roos, S.H.: 61-20

De Rose, Anthony Lewis: 58-14

De Ruiter, Guus: 53-2

De Saussure, J.: 53-21

De Shaies, Arthur: ME-73

De Silva, y Velasquez Diego Rodriguez: 56-16

De Stael, Nicholas: 54-18, 55-23, 60-14, 62-28, ME-40

De Szyszlo, Fernando: 54-18, 60-17

De Tessan, (Suzanne) Froncoiz (Comtesse): 57-ee

De Tivoli, Serafino: 63-10

De Tramontana, Isabel: ME-75

De Vaserly, Victor: 61-4

De Vega, L.: 58-36

De Vita, Luciano: 61-11

De Vlaminck, Maurice: 58-34

De Vries, Han: 61-20

De Wailly, Charles: 59-40

De Wint, Peter: 62-12

De Witte, Pieter: 64-9

Dean, Donald R.: 62-10

Dean, Loomis: 58-A&B

Dearden, Francis: 53-17

Dearstyne, Howard: 63-2

Deas, Charles: 64-1, ME-11

DeBeck, Billy: 57-3

Debenjak, Riko: 56-15, 56-21

Decamps, Alexandre Gabrielle: 65-10

Deck, Francis: 53-25

Decker, Lindsey: 57-12, 60-22, 60-42, 63-29

Dee Leo J.: 65-11

Deese, Rupert: 51-15, 55-22

DeFrancesco, Ray: ME-75

Degas, Edgar: 55-24, 57-18, 60-14, 61-2, 63-14, ME-32, ME-55, MMA-54-2, NY-7 &7b

Degottex, Jean: 64-10

Dehn, Adolf: 53-2, 53-12, 54-18, 55-13, 56-1, 56-2, 60-1, ME-7, ME-73

Dehner, Dorothy: 56-25, 0-24, 60-42, 62-40, ME-56

DeJode: 63-19

Del Deo, Salvatore: 64-29, 64-30

Del Ghirlandajo, Domneico: 56-16

Del Sarto, Andrea: 64-9

Delacroix, Eugène: 55-24, 57-18, 62-20, 65-10, 67-19, ME-32, NY-21

Delafosse, Jean-Charles: 59-40

Delano, Jack: 64-28

Delaunay, Sonia: 55-19

Delevanti, S.: 56-2

Delfau, Andre: 59-19

Delhez, Victor: 54-16

Della, Francesca Piero: 56-16

Delmaet & Durandelle: 62-25

Delonga, Leonard: ME-75

DeLorme, William: 53-26

Delpierre, Francine: 61-1

Deluigi, Mario: 61-16

Delvaux, Paul: 60-4

DeMolas, Nicolas: 59-19

Demuth, Charles: 55-15, 55-19, 58-34, 60-13, 60-27, 63-14, 64-4, 64-30, 65-2, ME-7, ME-23, ME-27, ME-31, ME-32, ME-40, ME-41, NY-5, NY-20

Denis Maurice: 54-16, 62-5, 62-45

Dennis Warren: 57-31, 61-35

Denst, Jack: 64-23

Dente, Marco: 62-18

DePaoli, Carly: 54-8

DePatta, Margaret: 57-6, 60-5

DePauw, Victor: 56-2

DePian: 63-19

Derain, Andre: 57-30, 59-19, 62-5, 62-29, 63-14

Der Harootian, Koren: 52-4

DeRocchi, Francisco: 51-18

Deroy: ME-29

Derujinsky, Gleb W.: ME-75

Derval, Jean: 61-1

Deshaies, Arthur: 55-20, 56-26, 56-27, 60-3, 60-22, NE-96, NY-3

Designs for Business, Inc.: 61-30

Deskey, Donald: 61-30

Desnoyer, Francois: 60-15, NE-96

Despiau, Charles: 63-31

Desprez, Jean Louis: 61-22, 62-20

Destefano, Armando: 58-40

Detre, Roland: 56-2

DeVitis, Themis: 56-2

Dewing, Maria Oakey: 62-7

Dewing, Thomas Wilmer: 62-7, 62-17, 63-1, 64-3

Dey, Andrew & Muriel: 58-16, 60-5

Deyrolle, Jean: 64-10

Dhaemers, Margaret: 60-12

Dhaemers, Robert A.: 58-7

Dhir, Lily Shufff: 55-20

Dhner, Dorothy: 58-3

Di Buoninsegna, Duccio: 56-16

Di Gesu, Antony: 62-45

Di Martini, Joseph: 55-19

Di Prete, Danilo: 60-17

Di Suvero, Mark: 64-20

Di Vincenzo, Bernardo Sozi: 59-40

Diaz, de la Pena Virgilio Narcisso: 63-20, MMA-54-4

Dibdin, T.C.: 62-12

Dickinson, Edwin Walter: 54-25, 62-38, 64-3, 64-29, 64-30, 65-11, NY-11, NY-18

Dickinson, Preston: 58-34, 60-13, 61-25, ME-31

Dickson, Helen: 56-27

Didyk, Ann: 53-5

Diebenkorn, Richard: 55-2, 56-2, 58-7, 60-43, 64-2, ME-33, ME-42, ME-60, ME-73, NY-18

Diederen, Jef: 61-4

Diehl, Gottried: 54-18, NE-96

Dienes, Sari: 53-16, 59-14, 60-24, 62-8, 63-24, 63-29

Dietz, Albert: 58-28

Dieuzaide, J.: 62-45

DiFranza, Emilio A.: 56-27

Dikkenboer, Daniel Den: 56-15

Dikmen, Oktay: 56-21

Diller, Burgoyne: 60-41, ME-73

Dimondstein, Morton: 55-5

Dine, Jim: 62-41, 65-11

Dinnerstein, Harvey: 55-5

Dirks, Rudolph: 57-3

Disberg, Harry: 56-21

Disderi, Adolphe-Eugene: 56-5

Dittmer, Robert P.: 58-32

Dix, Otto: 54-16, 54-18, 56-7, 58-35, 59-36

Dobashi, Jun: 58-42

Dobbertin, Eugene F.: 52-7

Dobbs, John: 58-40

Dobin, Fred: 56-2

Dobkin, Alex: 57-10

Dodd, Lamar: 53-5, 53-12, 61-26, 64-31, ME-73

Dodd, Robert: 62-15

Dodson, William: MMA-54-2

Doebele, H.P.: 53-2

Dole, William: 62-31

Dolenoord, Jenny: 51-3

Domareki, Joseph: ME-73

Domela, Cesar: 64-10

Dominis, John: 58-A&B

Domjan, Joseph: 60-3, 60-15

Domoto, Hiaso: 61-4

Donald, Barthelme & Associates: ME-19

Donati, Enrico: 57-1, 58-43, 59-10, 59-23, 60-27, ME-73

Donato, Louis: 56-2

Donelli, Antonio: 58-9

Donelly, C.P.: ME-19

Doney, T.: ME-29

Dong, Wing C.: 53-16

Donghi, Antonio: 51-18

Dooijes, Dick: 61-20

Dooley, Mary Lou: 58-3

Doolittle, Amos: ME-29

Dorazio, Piero: 59-35, 60-20

Dorazi,o Ralph: 55-20

Dorfsman, Lou: 60-37

Dorgan, (Tad) T.A.: 57-3

Doughty, Thomas: 60-28, 65-2, ME-7, NY-4

Dova, Gianni: 58-23, 60-15

Dove, Arthur Garfield: 53-9, 54-25, 55-11, 55-15, 55-16, 59-6, 60-13, 60-27, 62-27, ME-7, ME-31

Dowing, Joseph: 60-15

Dowling, Dan: 57-3

Downs, Allen: 62-45

Downs, Phyllis: 58-6

Downs, Robert: 58-39

Dozier, Otis: 57-23

Dozier, Velma: 57-6

Drabkin, Stella: ME-7

Dragomir, Jean Claude: 57-27

Dreisbach, David: 55-6

Drentwelt, Abraham: 55-24

Drerup, Karl: 57-6

Drerup & Salo Karl & George K.: 58-16

Drewes, Werner: 56-2, 58-3, 60-3, ME-7

Drexler, Rosalyn: NY-17, NY-18

Driesbach, David F.: 60-3

Driggs, Elsie: 56-2, 64-30

Droste, Karl-Heinz: 61-4, 64-14

Drumlevitch, Seymour: 55-2, 55-9, 57-1, 61-15, NY-10

Drumm, Donald: 65-6

Drummond, Sally Hazelett: 62-37

Du Bois, Guy Pène: 63-15, 64-3

Du Bois, Raoul Pene: 59-19

Du Camp, Maxime: NY-1

Du Cerceau, Jacques Adrouet (Elder): 59-40

Du Pen, Everett: 65-3

Duak, Fatme: 56-29

Dubar, George: 55-6

Dubin, Ralph: 57-2

Duble, Lu: 52-4

DuBose, Charles: 65-3

Dubuffet, Jean: 59-23, 60-4, 60-14, 60-15, 61-4, 62-41, 64-2, ME-46, NY-18

Duca Alfred: 59-6

DuCasse, Ralph: 58-7

Duchamp, Marcel: 59-14

Duchamp-Villon, Raymond: 61-24

Duck, Jacob: 63-17

Duderstadt, Bruce: 62-10

Duell, Howard D.: 58-32

Duffy, Edmund: 57-3

Dufy, Raoul: 57-9, 57-30, 61-33, 62-5, 63-14, ME-55

Dulac, Malvin: 56-27

Dullanty, Patrick: 56-25

Dumouchel, Albert: 59-3, 61-4

Duncan, David Douglas: 56-5, 58-A&B, 59-17, 59-56

Duncan, Florida: 64-30

Duncan, John R.: 62-3

Duncan, Jr., George R.: 53-24

Dunkel, William (Dr.): 53-21

Dunn, Alan: 55-13, ME-28

Dunn, John: 55-22, 64-28

Dupre, Jules: 63-20, MMA-54-4

Duquette, Tony: 59-19

Durand, Asher Brown: 58-14, 60-28, 64-1, ME-11, NY-4

Durand, John: 62-2

Durchanek, Ludvik: 60-12, 64-25, ME-75

Durer, Albrecht: 55-10, 56-16, 57-18, 57-37, 62-18, 63-4, 63-17, 64-9, 64-19, ME-65, NY-9, NY-21

Durfee, Hazard: 52-11

Durham, I.D.: 61-35

Durkee, Steve: 63-7

Durrie, George Henry: 60-28, NY-4

Duryea & Elkins: ME-19

Dusart, Cornelis: 60-40

Dusenberry, W.C.: NY-13

Duval, Sally W.: ME-75

Duveneck, Frank: 59-34, 62-7, ME-11

Duver, Albrecht: NY-9

Duvigneaud, Diane: 55-5

Duvoisin, Roger: 61-33

Duynen, Isaac van: MMA-54-3

Dworzan, George: ME-75

Dzubas, Friedebald: 51-21

Eades, Luis: 57-23, NY-10

Eakins, Thomas: 54-25, 55-19, 58-27, 59-6, 59-24, 59-34, 60-13, 62-17, 62-28, 63-3, ME-7, ME-11 ME-31, ME-32, ME-41, ME-55

Eames, Charles: 55-22

Earl, Ralph: 54-25, 60-13, 62-2, 62-17, 63-15, ME-31

Easterwood, Henry: ME-75

Eastman, Seth: 61-3, 64-1

Eaton, Wyatt: 62-7

Eaves, John: 54-18

Ebendorf, Robert: ME-75

Ebert, Charles: 64-31

Eby, Kerr: ME-7

Echave, Jose: 60-17

Eckels, Robert J.: 60-5

Eckerberg, Margareta: 57-14

Eckhardt, Barbara: 55-5

Eckhardt, Edris: ME-75

Economous, Michael: 62-3

Edmonds, Francis William: 58-27

Edmondson, Leonard: 53-12, 55-20, 56-26, 58-3, 58-7, 60-3, 62-3, ME-73, NY-3

Edmonstone, Robert: 65-10

Edwards, Estor Elsie: 57-14

Edwards, Ethel: 53-12, 64-30

Edwards, George W.: ME-19

Edwards, Joel: 57-6

Edwards, Stanley D.: 65-4

Eeckhout: 54-11

Eero Saarinen & Assoc: 63-16, 65-9

Egas, Camilo: 62-16

Egbert, Lyn: 60-5

Egeler, Ernst: 53-21

Egert, Thalia: 53-24

Ehrenreich, Emma: 58-3, 64-30

Eichenberg, Fritz: 54-16

Eichholz, Duane: 57-14

Eichler (the Younger), Johann Gottried: 59-40

Eiermann, Egon: 58-28

Eights, James: NY-15

Eikaas, Ludvig: 54-18, 57-40

Eilshemius, Louis M.: 59-31, 60-27, 61-25, 61-27, 62-1, 62-28, 64-3, ME-74, NY-5

Einsel, Walter: 60-37

Einsenstadt, Alfred: 56-5, 59-56, 58-A&B

Eisner, Anne: 55-3

Eisner, Dorothy: 55-3

Ekstrom, Thea: 62-44

El Greco: 56-16, 57-18, NY-7&7b

Elder, Eldon: 62-14, 64-35

Eldred, Dale: 59-12, 65-7

Eldrege, Mary: ME-75

Eldridge, Henry: 62-12

Elenbaas, V.H.: 56-15

Elenbaas, Wally: 51-3, 53-2, 61-20

Elffers, Dick: 61-20

Elgart, Eliot: 51-1, 53-5

Elias, Arthur: 54-27

Elias, Harold: 55-5

Eliasoph, Paula: 55-3

Eliezer, R.: 58-36

Eliot, Noyes & Associates: 65-9

Elisofon Eliot: 58-A&B, 59-56

Ellenzweig, Harry: 62-31

Elliot, Lester: 56-2

Elliott, Cecil D.: 58-1

Elliott, James: 58-39

Elliott, Ronnie Rose: 58-26, 58-42

Ellis, Carl: 53-26

Ellis, Clifford: 56-15

Elloian, Peter: 64-7

Elmer, Edwin Romanzo: 62-7, ME-11

Elmer, Jorgen: 64-11

Elmes, Harvey Lonsdale: 61-22

Elvius, Anne-Marie: 53-24

Emanuel, Akiba: 56-2

Emanuel, Bert: 57-16

Embry, Norris: 62-41

Emergy, Lin: ME-56

Emerine, Mary Anne: 53-24

Emerson, Peter Henry: 62-25

Emery, Lin: 55-6, 58-30, 62-40, 65-3

Emiltessile: 61-1

Enders, Cleade: 55-2

Endicott G. & W.: ME-29

Endicott & Co.: ME-29

Engel, Harry: 64-30

Engelund, Svend: 58-15

Enger, Erling: 57-40

Engilberts, Jon: 66-2

Englander, Gertrude: 60-5

Engle, Charlotte: 53-24

Englebrecht: 63-19

Enneking, John J.: 63-1, 64-1

Enos, Robert: 58-35

Ensor, James: 62-27

Eoff & Connor, Garrett & John H.: NY-13

Epler, Rosa Lee: 58-39

Eppelsheimer, Bruce K.: 60-5

Epstein, Jacob: 63-31

Erickson, Eric: 51-15, 55-22

Erickson, Ruth M.: 60-5

Eriksen, Sigured Alf: 57-40

Erikson, D. Erik: 62-10

Erixson, Sven: 62-44

Erkenbrack, Mary: 55-22

Erlanger, Elizabeth N.: 58-3, 64-30, ME-73

Ernest, John: 61-21

Ernest J. Kump & Masten & Hurd: 63-16

Erni, Hans: 53-2, 54-18 58-15

Ernst, James A.: 62-31

Ernst, Jimmy: 51-21, 55-8, 55-9, 55-13, 56-1, 57-9, 58-43, 58-44, 59-1, 65-4, ME-33, ME-42, ME-73, NY-20

Ernst, Max: 55-13, 56-7, 61-9, 62-8, 62-18, 62-29, ME-55

Erwitt, Elliott: 59-56

Escher, Earl: 54-18

Escher, M.C.: 51-3, 56-21

Escher & Weilenmann H.R.: 53-21

Escobosa, Hector: 57-ee

Eshelman, Paul W.: 57-6

Esherick, Joseph: SD-8

Eshkanian, Richard: 57-6, 60-5

Eshkanian, Ruben: 64-23

Eshkanian Ruben & Jack Lenor: 62-15

Eshoo, Robert: 56-12, 56-27

Eskolin, Vuokko: 57-14

Esmonde-White, Eleanor: 56-15, 56-21

Espada, Fernando & Ryder, W. Clayton: 52-7

Espanola, Mercado De Artesania: 61-1

Esteban, Frances: 59-19

Estense, Baldassare: 56-16

Estes, Emily: 58-3

Esteve, Maurice: 60-14, ME-32

Etnier, Stephen: 55-19

Etrange, H.: 56-29

Etter, Russell: 57-14

Etzlaub, Erhard: 55-10

Eugene, Frank: 62-25

Euler, Reeves: 64-30

Evans, Frederick H.: 56-5, NY-1

Evans, Frieda: 58-32

Evans, Helen: 53-17

Evans, James I.: 62-2

Evans, Paul: 57-6

Evans, Walker: 64-28

Everdingen, Allart van: 63-17, MMA-54-3

Evergood, Philip: 55-9, 55-13, 56-1, 56-2, 59-7, 62-1, 62-28, 63-7, 63-33, ME-7, ME-41, ME-73, NY-18

Evett, Kenneth: 53-5

Evjenth, Henry A.: 58-32

Ewing, Edgar: 56-19

Exter: 63-19

Exter, Alexandra: 59-19

Eyerman, J.R.: 58-A&B

Fabbri, Agenore: 55-13, 61-2

Fabri, Ralph: 54-16, ME-7

Fader Lester: 57-6

Fager, Charles J.: 62-10

Faggi, Alfeo: 58-16

Fahlstrom, Oyvind: 62-44

Fairchild Aerial Surveys, Inc.: 64-28

Fairman, Edward: 64-1

Fairman, John: 64-28

Faith-Ell, Age: 62-15

Fakhouri, George: 56-29

Falconer, John M.: 64-1, 64-3

Falconetto: 62-15

Falk, Hans: 61-4

Falkenstein, Claire: 65-11

Falzone, Jr., Joseph A. (MD): 57-ee

Falzoni, Giordano: 55-7

Fantin-Latour, Henri: 63-14

Fantoni, Marcello: 61-1

Farber, Sholam: 55-5, 56-2

Farbman, N.R.: 58-A&B, 59-56

Fardon, R.G.: 54-12

Farkas, Charles: 62-40, ME-56

Farnsworth, Jerry: 64-29, 64-30

Farny, Henry F.: 61-3

Farruggio, Remo: 56-2, 57-10, 64-30

Fasano, Clara: 52-4, 53-20

Fasano, Michelangelo: 58-9

Fassbender, Joseph: 59-36

Fattori, Giovanni: 63-10

Faush, Ruth: 61-1

Faust, Birgitta: 62-15

Fautrier, Jean: 61-11

Favarger, Pierrette: 61-1

Favre, Louis: 54-16, NE-96

Fazzini, Pericles: 55-7, 58-40

Fearing, Kelly: 55-5, 57-23

Feasley, Robert: 57-31

Feeley, Paul: ME-59, ME-75

Fegarotti, Michela: 61-1

Fehr & Granger: ME-19

Feigin, Dorothy Lubell: 55-3, 58-3

Feinberg, Idelle L.: 57-12

Feingersh, Ed: 57-16

Feininger, Andreas: 58-20, 58-A&B, 59-56, 63-8

Feininger, Lyonel: 54-10, 54-25, 55-3, 55-9, 55-15, 55-19, 56-2, 56-7, 57-30, 59-6, 59-36, 60-13, 61-25, 62-28, 62-29, 64-10, ME-23, ME-26, ME-31, ME-32, ME-40, NY-5, NY-7&7b, NY-11

Feininger, T. Lux: 56-2

Feitelson, Lorser: 60-41

Feito, Luis: 61-11

Feke, Robert: 59-24, ME-41

Feldman, Walter: 53-5, 56-2, 56-25, 58-3, 60-3, 65-11

Felton, Frances: 57-6

Fendell, Jonas: 60-3

Fendell, Josh: 55-20

Fenn, Albert: 58-A&B

Fenster, Fred: 62-10, ME-75

Fenton, Roger: 56-5, 62-25, NY-1

Fenton, Sophia & John: 61-17

Ferber, Herbert: 57-37, 58-16

Fereilicher, Jane: 60-14

Ferguson, Kenneth R.: 65-7

Ferguson, Nancy: 64-30

Fernandez-Muro, Antonio: 56-15

Ferneley, John: 55-19

Feron, Louis: 58-16

Ferrant, Angel: 61-11

Ferrara, Jackie: 64-25

Ferrario: 63-19

Ferreira, Thomas: 58-32

Ferren, John: 56-1, 58-43, 59-23, 62-27, 65-11, ME-41

Ferry, Alan: 61-30

Fett, William: 56-2

Feuerlicht, Herbert A.: ME-75

Fiedler, Robert R.: 60-3

Field, Erastus Salisbury: 62-2, ME-11

Field, Frances: 55-2

Field, Ian: 55-20

Fielding, Newton: 62-12

Fiene, Ernest: 56-2, 64-31, ME-73

Fifield, Lew: 58-32

Figino, Ambrogio Giovanni: 62-20

Fike, Phillip: 57-6

Filitcroft, Henry: 61-22

Finch, F.O.: 62-12

Finch, Keith: 58-5, 64-7

Fine, Perle: 54-27, 55-3, 55-20, 57-32, 57-36, 58-26, 62-37, 62-38, 64-29, 64-30

Fini, Leonor: 59-19, 64-4

Fininger: NY-20

Fink, Bert C.: 62-10

Fink, Herbert: 56-27, 58-39

Finkelstein Louis: 56-2

Finkelstein, Maxwell M.: 61-17

Finlayson, Donald Lord: NY-9

Finne, Henrik: 57-40

Fiore, Joseph: 55-20, 60-1, 64-31

Fiore, Nicola: 59-40

Firm, Max Weltz: 61-1

Fisch, Arline M.: 58-32, 62-10, ME-75

Fischer, Hans: 53-2, 54-18, 56-15, 56-21, 57-3

Fischer, Mildred: 60-5

Fischer, Sam: 53-5, 56-19, 57-9

Fischli, H.: 53-21

Fish, C.B.: 55-19

Fisher, Bud: 57-3

Fisher, Davira: 58-3

Fisher, Edward: ME-29

Fisher, Leonard: 55-5

Fisk, Nancy: 55-20

Fitzpatrick, Daniel: 57-3

Fjeldsaa, Kare B.: 57-40

Fjell, Kai: 57-40

Flack, John: 64-23

Flakstad, Nils: 57-40

Flamen or Flamand, Albert: 63-17

Flannagan: 59-54

Flannagan, John: 59-6

Flannery, Vaughn: 55-19

Fleischel, C.: NY-15

Fleischer, Arlyn: 53-17

Fleischmann, Adolf: 60-41

Fleishman, Jay: 64-21

Fletcher, Raymond: 57-23

Flinick, Govaert: 55-24

Flint, William: 62-12

Floch Jenny Eve: 58-32

Floch, Joseph: 55-3, ME-73

Floore, John W.: ME-19

Flora, James: 52-11

Floris, Cornelis: 63-9

Florsheim, Richard A.: 56-15, 58-15, 64-30, ME-73

Flory, Arthur: 54-18, 58-3, 60-3

Floyd, Arthur: 57-14, 58-32

Flueler, Augustine (Sister): 58-35, 61-1

Fogel, Seymour: 57-1, 57-10, 57-23, 61-26

Fohr, Jenny: 56-25

Foley, Matthew: 62-10

Foley, Maurice E.: 58-3

Follett, Jean: 59-12

Fonta, R.: 54-16

Fontana, Girolamo: 58-9

Fontana, Lucio: 58-23, 59-35, 61-23

Fontebasso, Francesco: 55-24, 59-40

Foppiani, Gustavo: 57-27

Forain, Jean Louis: 54-16, 57-37, 62-5

Forakis, Peter: 64-26

Forbes: ME-29

Forbes, Edward: ME-29

Forbes, Elinor: 55-22

Ford, Betty Davenport: 51-15

Ford, Cocke & Smith O'Neil,Bartlett & Harvey: ME-19

Fordyce & Hamby Associates: 59-25, 62-24

Forlivesi, Mirella: 61-1

Forman, Kenneth: 60-3

Fornas, Leander: 60-12

Forner, Raquel: 60-17

Forrest, Norman: 62-15

Forsberg, Jim: 64-30

Forst, Miles: 60-43

Forster, Claire: 56-29

Forsyth, Constance: 62-3

Fortess, Karl: 56-2

Fosburgh, James: 53-14

Foss, Jeremy Bernard: 65-7

Fossati, Domenico: 58-9

Foster, Doris Collins: 57-6

Foster, Francis: 56-2

Foster, Hal: 57-3

Foster, John A.: 57-6

Fourdrinier, P.: ME-29

Fox, Fonaine: 57-3

Fox, Marilyn: 57-14, 58-32

Fox, Norma A.: 57-14, 58-32

Foy, Gray: 53-5, 57-12, 65-11

Fragonard, Jean Honore: 56-16, 62-27, 67-19, ME-29, NY-21

Frances, Esteban: 57-9

Francescini, Marco Antonio: 55-24, 59-40

Francesco, Piero Della: 57-18

Francesconi, Anselmo: 54-16

Francese, Franco: 58-40

Francis, De Scott John Evans: 56-18

Francis, Sam: 56-12, 60-14, 60-22, 61-29, 62-28, 64-2, 64-20, 65-11, ME-73

Franck Frederick: 59-1, 60-12

Franco: 53-36

Francois, Andre: 61-33

Francoise: VA-53-1

Frank, John: 64-30

Frank, Mary: 62-40, 62-41, ME-56

Frankel, Dextra & Charles: 65-3

Frankenthaler, Helen: 57-12, 59-23, 60-9, 61-29, 62-37, 63-15, 64-12, 64-20, 65-1, 65-11, ME-73

Franklin, Albert E.: 53-17

Franklin, Arlene: 58-32

Franklin, Jenny-Lynn: 57-14

Frano, Theodore S.: 53-1

Fransconi, Frederick (Dr.): 55-13

Fransioli, Thomas: 64-31

Franzen, Ulrich: 58-1

Frary, Michael: 55-2, 57-23

Frasce, Gianfranco: 60-20

Frasconi, Antonio: 53-1, 53-5, 53-16, 55-20, 56-1, 56-2, 56-21, 56-24, 56-25, 56-26, 58-3, 60-2, 60-3, 60-22, 61-9, 62-31, 62-45, 63-12, 64-7, ME-7, NY-3

Fraser, Carol: 58-6

Fraser, Hamilton: 59-31

Frazier, John R.: 64-30

Freborg, Stanley: 64-30

Fredenthal, David: 55-13, NY-20

Fredenthal, Miriam: 62-15

Frederick, William N.: 60-5

Freed, David: 60-3

Freed, Ernest: 58-3

Freed, William: 64-30

Freedman, Louise A.: 64-30

Freedman, Martin: 64-30

Freedman, Maurice: 53-5, 64-30

Freeland, William Lee: 57-10

Freeman, Paul: 58-16

Freilicher, Jane: 56-2

Freiman, May: 61-17

Freimark, Robert: 60-3, 62-3

Freisinger, Casper: 64-9

Frelinghuysen, Suzy: 55-3

French, Jared: 60-1, 62-1

French, Ray H.: 53-16, 60-3

Frenzeny, Paul: 64-1

Frere, Theodore: 65-10

Freres, Bisson: NY-1

Freudenberg, Al: 56-2

Freund, Rudolf: 56-24

Freund, Tibor: 63-24

Frew, J. Arnold: 57-6

Fricano, Tom S.: 60-3, 62-3, 64-7

Friebert, Josepth: 58-6

Fried, Theodore: 55-3

Friedensohn, Elias: 57-12, 59-24, 60-43, 61-7

Friedlaender, Johnny: 56-21

Friedman, Jerrold: 55-22

Friedman, Madge: 57-6

Friedman, Martin: 55-3, 56-2

Frink, Elisabeth: 61-2

Frith, Francis: 62-25, NY-1

Fritzius, Harry: 53-26

Fritzsche, Max: 53-15

Frohlich, Max: 61-1

Fromberg, LaVerne: 56-13

Fromboluti, Sideo: 56-2

Fromentin, Eugene: 63-20, 65-10

Frost, Arthur B.: 59-6

Frost, Terry: 58-15, ME-55

Frost, Jr., William P.: 60-5

Froth, Donald E.: 51-15

Frouault: ME-40

Frsconi, Antonio: 56-26, 63-12

Fuchs, Ernst: 54-16

Fuentes: 63-19

Fueter, Daniel Christian: NY-13

Fujihara, Jun: 65-4

Fujihira, Shin: 65-12

Fujisawa, Junji: 65-12

Fujita, Sadamitsu Neil: 53-1, 55-13

Fuller, Buckminster: 59-15

Fuller, George: 58-14

Fuller, Sue: 57-32, 57-36, 58-26, 58-43, 59-6, 61-23, 62-8, 65-4, ME-7

Funk, John: SD-8

Funk, Lissy: 61-1

Fuseli, Henry: 67-19

Fuseli, John Henry: 65-10

Futakuchi, Shioko: 65-12

Fyt, Jan: 55-24, MMA-54-3

Gaberel, Rudolf: 53-21

Gabin, George: 64-4

Gabo, Naum: 59-19

Gadbois, Henri: 57-23

Gadzi, Dimitri: 62-40

Gaetaniello, Vincenzo: 58-40

Gag, Wanda Hazel: ME-7

Gaillardet, Joan: 53-26

Gainsborough, Thomas: 55-24, 57-18, 67-19, MMA-54-2, NY-11

Gaitis, John: 56-29

Gaitonde: 59-13

Galicia, Jose Luis: 54-18, 56-15, 60-15, NE-96

Galliari, Giovanni Antonio: 58-9, 63-19

Galvononi, Natale: 61-1

Gamble, Eugene: ME-19

Gambone, Guido: 61-1

Gammell, R.H. Ives: 64-30

Gandolfi, Gaetano: 67-19

Gannett, Ruth Hrisman: VA-53-1

Ganso, Emil: ME-7

Garber, Daniel: 57-11, 63-3

Garbers, Fred James: 58-39

Garcia, Francisco Tod: 61-4

Garcia, Mario: 58-43

Gardner, Alexander: 56-5

Gargallo, Pablo: 61-24

Garner, Alice: 65-11

Garnett, William A.: 63-8

Garnier, Charles: 61-22

Garrett, Lillian: 57-6

Garzi, Luigi: 62-36

Gaspari: 63-19

Gasser, Henry: 53-8

Gatch, Lee: 54-10, 55-9, 56-2, 57-15, 57-28, 58-16, 59-43, 61-7, 62-28, 64-30, ME-7, ME-41, ME-73

Gates: 63-19

Gates Robert: 55-8, 63-7

Gatje, Robert F.: 63-16

Gaudnek, Walter: ME-75

Gauguin, Paul: 56-15, 57-18, 57-40, 60-14, 62-5, 63-14

Gaw, William A.: 53-5

Gaymer, Dorothy O.: 53-24

Gear, William: 58-15, NE-96

Gechtoff, Sonia: 58-7, 59-12, ME-33, ME-42

Gee, Bing: 58-42

Gehner, Marjorie N.: 60-5

Geiger, Edith: 64-30

Geiger, Rupprecht: 59-36

Gelb, Jan: 56-1, 57-1, 57-32, 57-36, 58-3, 60-3, 60-24

Gelbart, D.: 58-36

Gele, Emile: 53-16, 55-20

Gelinas, Robert: 61-7, 61-35

Gellee or Gelee, Claude: 62-36, 63-17

Geman, William: 54-27

Gendron, Marcelle Ferron Pierre: 59-3

Genevieve, Mere: 54-16

Genthe, Arnold: 64-28

Gentilhatre, Jacques: 61-22

Gentili, Antonio: 59-40

Gentilini, Franco: 58-23, 59-35, 60-15, 61-16

George, David: 64-21

George, Ernest (Sir): 62-12

George, S.: 58-36

George, Thomas: 55-20, 56-25, 56-26, 60-22, 61-15, ME-59, ME-60

George, P. Hall & Son: 64-28

George, Patrice O.P. Sister: ME-75

Georges, Paul: 60-43, NY-18

Georgiadis, Nicholas: 59-19

Gerbier, Balthazar (Sir): 61-22

Geren, Preston N.: ME-19

Gergely, Tibor: VA-53-1

Gerhart, Richard L.: 58-32

Gericault, Theodore: 67-19, NY-9

German, Ali T.: 56-21

German, Alosh: 56-29

German, School: 55-24

Gernhardt, Henry K.: 57-6, 57-14, 58-32, 62-10

Gerome, Jean Leon: 65-10

Gerrits, Ger: NE-96

Gerson, Hans U.: SD-8

Gertner, Claire: 62-10

Getz, Ise: 58-26

Gheyn, Jacob de: 63-9

Ghezzi, Pier Leone: 55-24, 62-20

Ghisi, Diane: 57-37

Ghisi, Giorgio: 63-9

Giacometti, Alberto: 59-5, 62-29, 60-14, 60-15, 60-42, 61-9, 61-24, 62-8, 63-31, 64-2, 64-10, 64-19, ME-65

Giacometti, Bruno: 53-21

Giani, Felice: 58-9, 59-40

Giauque, Elisabet: 61-1

Gibbs, Howard: 56-27, 64-30

Gibbs, James (Sir): 61-22

Gibson, Blaine: 51-15

Gibson, Charles D.: 59-6

Giebrich, Oscar N.: 64-30

Gifford, R. Swain (Robert Swain): 64-3

Gifford, Sanford Robinson: 60-28, 65-10

Giguere, Roland: 59-3

Gikow, Ruth: 57-2, 63-33

Gil David: 64-23

Gil'ad, A.: 58-36

Gilbert, Stephen: 61-21

Gilk, Ernest W.: 51-8

Gilkey, Godon W.: 62-3

Gill, Eric: 54-16

Gill, James: NY-17

Gillam, Bernard: 57-3, 59-6

Gilles, Werner: 56-7, 59-36

Gillet, Roger Edgard: 58-29

Gilliam, Sam: 66-9

Gilmore, William D.: 55-14

Ginstrom, Roy: 57-6, 64-23

Ginzel, Roland: 55-6, 55-20, 56-25, 58-3

Giobbi, Edward: 58-16, 59-10, 61-2, NY-10

Giorgione: 57-18

Giotto: 57-18

Giovane, Palma: 55-24

Girard, Alexander: 53-17, 63-5

Girard, Andre: 53-25, 58-16, 58-35

Girmaldi, Giovanni Francesco: 64-6

Girona, Julio: 56-2, 58-26

Girtin, Thomas: 62-12

Gischia, Leon: NE-96

Gisel, Ernst: 53-21

Gislebertus: 62-23

Glackens, William J.: 55-19, 57-2, 59-6, 60-27, 62-30, 63-1, NY-16, NY-19

Glarner, Fritz: 59-24, 60-27, 60-41, 61-7, 65-11, ME-73

Glasco, Joseph: 62-40, 62-41, 63-31, 64-10, ME-56, NY-10, NY-20

Glassverk, Hadelands: 57-40

Glavani, Joy: 56-29

Gleason, F.: ME-29

Gleb, Jan: 64-30

Gledhill Wall Paper Company: NY-14

Gleizes, Albert: 54-16

Glen, Paulsen & Associates: 65-3

Glick, John Parker: 58-32

Glickman, Maurice: 52-4

Glines, David: 62-3

Glinsky, Vincent: 52-4, 53-20

Glover, Euphemia: ME-75

Glover, John: 62-12

Godbut, Ghislaine: 53-17

Goddard, George W.: 65-11

Godin, Leon: 58-7

Goerg, Edouard: 62-18

Goertz, Augustus: 60-4

Gold, Charles S.: 62-10

Gold, Leah: 58-3

Goldberg, Harold: 55-22

Goldberg, Michael: 57-12, 60-22

Goldberg, Rube: 57-3

Goldberg, Susan B.: 62-10, 62-15

Golden, William: 60-37

Goldenbloome, D.S.: 55-20, 56-25, 58-3

Goldin, Leon: 54-18, 55-20

Goldrich, Hannah: 58-32

Goldring, Milton: 58-12

Goldring, Will: 58-5

Goldsmith, Deborah: 59-18

Goldstein, Milton: 53-2

Goldstone & Dearborn Harmon & Eustis: 59-27

Goldthwaite, Anne: ME-7

Golemon & Rolfe: ME-19

Golobe, Dorothy: 63-24, 64-25

Goltzius, Hendrick: 54-11, 57-37, 63-9, 64-9

Golub, Ina: ME-75

Golub, Leon: 56-2, 60-4, 60-14, ME-73, NY-18

Golubov, Maurice: 53-16, 55-3, 56-2

Gomez De Kanelba, Sita: 65-6

Gompf, Richard C.: 58-32

Gontcharova, Natalia: 59-19

Gonzales-Tornero, Sergio: 62-8

González, Julio: 61-24, 63-31

Gonzalez, Xavier: 53-12, 56-1, 56-27, 64-30, ME-73

Gooden, Stephen: 54-16

Goodman, Marilyn: 58-32

Goodman, Percival: 64-11

Goodman, Sidney: 62-31, 64-25, NY-10

Goodnough, Robert: 57-1, 58-26, 60-9, 60-14, 61-15, 62-6, 63-7, ME-73, ME-74

Goodnow, Frank: 58-3, 60-3

Goodwin Barbara Eckhardt: 56-13

Goodyear, John: 53-26

Gorbaty, Norman: 55-20, 56-25

Gorchov, Ron: 60-12, 64-12

Gordin, Sidney: 57-1, 58-5, 58-43

Gordon, Joseph F.: ME-19

Gorka, Paul: 65-4

Gorky, Arshile: 55-16, 59-6, 59-23, 59-24, ME-23, ME-32, ME-59

Goro, Fritz: 58-A&B

Gorsline, Douglas: 62-31

Goslee, M.E.: 60-5

Goto, Joseph: 56-2

Gottlieb, Adolph: 53-25, 55-9, 56-1, 56-2, 58-16, 58-42, 58-43, 60-27, 62-29, ME-59

Goudie Harland: 53-16, 60-3, 62-3, 64-7

Gould, Chester: 57-3

Goya, Francisco: 55-19, 57-18, 62-18, 62-27, 64-5, 65-10, MMA-7, NY-9, NY-21

Goyen, Jan van: 62-20, MMA-54-3

Gozzoli, Benozzo: 59-40

Grace, Frederick: 59-40

Grae, Ida Dean: 55-22, 57-6

Graham John: 62-1, 2-27

Graham, Walter N.: ME-19

Gramatky, Hardie: 53-8

Gramcke, Elsa: 60-17

Grammar, George: 57-23, 58-44

Granada, Talleres De Arte: 61-1

Granberg, Sue: 58-39

Granlund, Paul: 65-7

Grant, Alistair: 58-15

Grant, Allan: 58-A&B

Grant, Dorothy J.: 58-39

Grant, Copeland & Chervanek: 64-11

Granville, E. Mario: 62-45

Grasset, Eugene-Samuel: 59-40

Grasten, Viola: 53-24

Grau, Enrique: 60-17

Graves, Morris: 52-11, 54-25, 55-9, 58-42, 59-6, 59-24, 60-4, 60-13, 60-27, 62-1, 62-28, 62-29, ME-7, ME-41, NY-5, NY-20

Gray, Cleve: 55-2, 59-1, 61-15, 62-31, 63-7, 65-1, 65-11

Gray, Virginia: 57-14

Grayson, Marvn: 55-5

Graziani, Sante: 58-39

Greacen, Edmund W.: 61-10, 63-15

Greatorex, Eliza: 59-6

Greaves, Derrick: 60-15

Greco, Emilio: 55-7, 57-34, ME-55

Green: 55-19

Green, James: 53-1

Green, Kenneth: 58-32

Green, Wayne: 57-31

Greenbaum, Dorothea: 52-4, 56-2, 57-1

Greenberg, Gloria: 53-16, 53-26

Greenbie, Barrie: 62-14, 64-35

Greene: NY-20

Greene, Balcomb: 54-10, 55-9, 55-19, 56-2, 59-1, 59-10, 60-4, 60-22, 60-33, 60-43, ME-73, ME-74

Greene, Gertrude: 57-30, 60-41

Greene, Stephen: 51-21, 60-1, 61-26, 62-31, 62-37, 65-4

Gregoire, Odette: 61-1

Gregor, Gino: 56-21

Gregoropoulos, John: 55-6

Gregory, Dorothy Lake: 64-30

Gregory, Jules: 59-12, 64-21

Greuze, Jean-Bapiste: 67-19

Grey: ME-49

Griemert, Hubert: 61-1

Grieshaber, H.A.P.: 59-36

Griffin, Georges: 56-2

Griffith, Roberta: 62-10

Grilley, Robert: 57-12

Grillo, John: 56-2, 58-26, 62-41, 64-30

Grilo, Sarah: 60-17

Grippe, Peter: 53-5, 53-16, 56-25, 57-1, 58-3, 60-22, 62-8, ME-7

Grippi, Salvatore: 58-26, 60-1

Gris, Juan: 59-19, 62-5

Groag, Jacqueline: 53-24

Grode, Shearley: 55-6

Groff, June G.: 62-15, 65-11

Groll, Albert Lorey: 63-15, 64-30

Gromaire: 59-5

Gronendyke, Robert Keith: 57-14

Grooms, Red: NY-17

Gropius, Walter: 59-15

Gropper, William: 53-5, 54-16, 56-2, 59-6, 62-31

Gros, A.: 53-21

Groshans, Werner: 53-5, 55-5

Gross, Anthony: 60-15

Gross, Chaim: 53-20, 56-2, 59-6, 62-40, 63-31, ME-56

Gross, Louise: 55-22

Gross, Sidney: 55-3, 59-10, 64-30, ME-73

Grosshardt, Edwin: 53-2

Grosz, George: 54-25, 56-7, 60-13, 60-27, 61-25, 62-1, 62-18, 62-30, ME-31, NY-5

Grotell, Maija: 57-6

Grotenrath, Ruth: 58-3

Groth, John: 55-13, 56-2

Grucza Leo: 63-7

Grumbel, D.: 58-36

Grunbaum, James: 53-14

Grunbaum, Marian H.: 54-27

Grut, Jeanne: 57-14

Guardi, Francesco: 59-40

Guayasamin, Oswaldo: 60-17

Gudiol, Montserrat: 64-17

Guercino: 62-20

Guerin, John: 57-1, 57-12, 57-23

Guermonprez, Trude: 51-15, 55-22, 58-25, 62-15

Guerrero, Jose: 56-26, 58-12, 58-43, 59-1, 59-23, ME-59

Guerreschi, Giuseppe: 60-20

Guerrier Raymond: 56-15, 58-15

Gugel, Vivian F.: 65-11

Guggenheim, Hannelies: 61-17

Guglielmi, Louis: 53-12, 55-13, 57-30, 60-27, 62-1

Guiette, Rene: 61-4

Guigou, Paul: 63-20

Guimard, Hecter: 63-5

Guimard, Hector: 59-40

Gunn, Arthur: 56-2

Gunn, Nancy Reid: 61-35

Gunn, William C.: 55-14

Gur, I.: 58-36

Gurr, Lena: 58-3, 64-30

Gussow Alan: 64-31

Gussow, Roy: 56-12

Gussow, Sue Ferguson: 64-7

Gustafson, Bob: 57-3

Guston, Philip: 55-13, 57-2, 59-23, 63-1, 64-26, ME-59

Gutteter, Lee: 58-32

Guttuso, Renato: 58-23, 58-40, 61-16

Guy, F.: ME-11

Guys, Constantin: 55-24, 59-40

Guzzi, Jr., George D.: 58-3

Gwathmey, Robert: 55-13, 56-2, 56-26, 59-1, 62-31, 63-33, ME-7, ME-32, ME-55, ME-73

Gwilliam, Luke: 56-2, 56-25, 58-3

Haas, Ernst: 59-56

Haass, Terry: 53-16, 56-25

Haberle, John: 59-34

Hack, Robert H.: 53-16

Hackett, Mary: 64-30

Haden, Francis Seymour (Sir): 63-17

Hadzi, Dimitri: 65-11, ME-56

Haerer, Carol: 58-7

Haferung, Paul: 53-15

Hagan, Frederick: NE-96

Hageman, Ruth: 56-2

Hagenauer, Karl: 61-1

Hague, Raoul: 60-2

Hahn, Joseph: 56-2

Hahn, Judith: 64-7

Haida: 59-4

Haines, Richard: 56-19, 57-9

Hajdu, ?tienne: 62-29, 63-31

Halaby, Samia A.: 65-7

Halavi, Yosef: ME-67

Hald, Dagny & Finn: 57-14, 57- 40

Halem, Henry L.: 62-10

Haley, Patience E.: 54-27

Haley, William E.: 53-25

Halicka, Alice: 59-19

Halkin, Theodore: 64-25

Hall, George Henry: 56-18

Hall, George W.: 65-3

Hall, John: ME-29

Halling, Else: 57-40

Hallman, Ted: 58-25, 58-32, 59-12, 60-5, 62-10, 62-15, ME-75

Hallstrom, Staffan: 62-44

Halpert, Samuel: 61-25

Hals, Frans: 57-18, MMA-54-2

Halsall, William F.: 64-29, 64-30

Halsey, Jabez: NY-13

Halsey, William: 53-5

Halsman, Philippe: 58-A&B

Halstead, Martha W.: ME-75

Haly: 53-36

Hamada, Taisuke: 61-4

Hamaguchi, Yozo: 61-4

Hamann-Hartmann, Thyra: 61-1

Hamblett, Theora: ME-75

Hamill, Virginia: 55-22

Hamilton, Edward: NY-21

Hamilton, James: 64-1

Hamilton, Leah Rinne: 58-7

Hamilton, Robert G.: 56-27

Hammarstrom, Olav: 64-11

Hammer, Darrie: 58-3

Hammersley, Frederick: 60-41

Hammond, Natalie Hayes: 58-16

Hampton, Mark G.: 59-12, 62-34

Han, Herman: 64-9

Hands, George: 65-11

Handy, Jr., Arthur E.: 58-32

Hanhart, M & N: ME-29

Hannah, John: 60-3

Hannasch, Monica: 57-6

Hannawell, Richard L.: 58-32, 60-5

Hansen, Dorothy: 55-20

Hansen, James: 57-16

Hansen, Marc: 51-15

Hansen, Sikker: 52-5

Hansson, Berta: 54-18, 56-15

Haraszty, Eszter: 53-17

Harding, Chester: 63-15

Harding, George: 63-3

Harding, John: 51-15

Harding, William Martine: 64-1

Hardman, Ernest: ME-75

Hardy, Gerald: ME-75

Hardy, Thomas: 55-6, 57-15, 58-7, 58-30

Hare, David: 57-1, 57-38, 60-42, 62-40, ME-56

Harel, P.: 58-36

Harkness, John C.: 62-34

Harmon, Eloise: ME-75

Harmon, Lily: 64-29, 64-30

Harmon, Robert: 53-25

Harmon, Pray & Detrich: 62-24

Harnett: 54-25

Harnett, Joan: 58-32

Harnett, William: 55-19, 59-34, 60-13, 62-7, ME-11, ME-31, ME-41

Harpignies, Henri: 63-20

Harriman, George: 57-3

Harriman, Mary: 56-27

Harrington, Phillip: 57-16, 59-56

Harris, Don: 61-35

Harris, Elizabeth: 62-14, 64-35

Harris, Louis: 55-3

Harrison, Wallace: 59-15

Harrison & Abramovitz: 61-31, 62-24, 65-3

Harriton, Abraham: 64-30

Hart, George Overbury (Pop): 64-3, ME-7

Hart, James McDougall: 60-28, NY-4

Hart, William H.: 61-10

Hart, William McDougall: NY-4

Hartgen, Vincent Andrew: 64-31

Hartigan, Grace: 57-10, 58-26, 59-10, 60-9, 60-14, 60-22, 64-2, 64-20, 64-26, ME-33, ME-42, ME-73

Hartl, Leon: 63-1, 65-2

Hartley, Marsden: 54-10, 54-25, 55-15, 55-16, 57-9, 59-6, 59-31, 60-8, 60-13, 60-14, 60-27, 61-25, 62-17, 62-28, 63-14, 64-31, 65-2, ME-7, ME-23, ME-31, ME-40, ME-41

Hartman, Mary Emily: 57-31

Hartman, Robert Leroy: 56-13, 65-11

Hartman, Rosella: 53-1

Hartung, Hans: 54-18, 56-21, 58-15, 60-14, 60-15, 61-4

Hartung, Karl: 56-7, 59-36, 64-14, NE-48

Hartwig, Cleo: 52-4

Harunobu, Suzuki: 58-17, 60-38, NY-12

Harvard, James: 65-11

Harvey, G.: ME-11

Harvey, Robert: 63-7

Harvey, P. Smith & Associates: ME-19

Harwood, Janet: NY-10

Hasegawa, Sabro: 56-15, 58-42

Haseltine, William Stanley: 59-6, 59-40

Hasen, Burt: 59-10

Hasheian, Henry: 65-11

Hassam, Childe: 54-25, 55-19, 57-11, 58-27, 59-6, 60-13, 62-7, 62-17, 62-28, 63-1, 64-3, ME-7, ME-31, ME-55, NY-16

Hassan, Faik: 56-29

Hassan, Shakar: 56-29

Hasuda, Shugoro: 65-12

Hatchett, Duayne H.: 57-31

Hathaway, Rufus: 62-2

Hatofsky, Julian (Jerry): 59-12

Haubold, Ida: 58-3

Hauser, Alonzo: 56-2

Have, Elisabeth: 57-14

Havell, Robert: ME-29, NY-4

Havens, James D.: 56-25

Haviland, Matilda A.: 59-18

Hawker, Maxwell: 52-7, 53-17

Hawking, Clarence: 64-23

Hawkins, Dennis: 60-15

Hawkins, Glenn D.: 57-ee

Haworth, Miriam: 60-3, 62-3

Hawthorne, Charles Webster: 57-11, 61-25, 62-38, 64-29, 64-30

Hawthorne, Marion C.: 64-30

Hayden, Henri: 60-14

Hayes: NY-20

Hayes, David: 62-14, 62-29, 64-35

Hayes, George: 55-19, 62-2

Hays, Dale: 57-14

Hayter, Stanley William: 53-2, 53-5, 56-15, 56-21, 56-26, 57-9, 58-15, 60-15, 60-22, 62-8, 62-18, NY-3

Heade, Martin Johnson: 60-28, 62-17, 64-1, ME-11, ME-55

Headley, Joseph: 59-18

Healy, George: ME-41

Heath, Adrian: 61-4

Heath, Edith: 55-22, 57-6, 64-23

Heath, William: 64-5

Heaton, Glenn: NY-17

Heaton, Maurice: 64-23

Hebald, Milton: 53-20

Hebert, Robert: 64-30

Hebner, E.F.: 62-31

Hecht, Joseph: 63-17

Hecht, Mary: 61-17

Hecht, Zoltan: 56-2

Heckel, Erich: 56-7, 59-36

Hecker, Franz: 62-45

Heckman, Albert W.: 58-15, NE-96

Heckroth, Hein: 59-19

Hedge, Gene: 58-26, 59-12

Heerbrant, Henri: 61-4

Heesen, Willem: 61-1

Hefferton, Phillip C.: 65-11

Hegelheimer, William: 56-27, 64-30

Heidenreich, Carl: 59-10

Heidrick, Madeleine: 61-35

Heil, Joseph H.: 65-11

Heiliger, Bernhard: 64-14, NE-48

Heima, Tatsuhiko: 55-20

Hein, Ray: 57-6

Heino, Vivika & Otto: 57-6

Heintzelman, Arthur William: 53-5, 54-16

Heinz, Charles L.: 64-29, 64-30

Heisig, Mary: 56-2

Heitschmidt & Thompson: 63-16

Helck, Peter: 53-8

Held, Al: 63-7, 63-30, 64-20

Heldt, Werner: 59-36, NE-48

Helfman, Muriel N.: 61-17, 62-10

Helgeson, John: 62-3

Heliker, John Edward: 51-4, 54-10, 57-15, 62-30, 63-24, 64-31, ME-55, ME-73, NY-11, NY-20

Heller, Helen West: ME-7

Heller, Jules: 54-16

Hellmuth, Obata & Kassabaum: 61-31

Helmer, Robert: 55-6

Helwig, Arthur L.: 54-18, NE-96

Helwig, Harold B.: ME-75

Hendrich, Robenia Myrer: 51-8

Hendricks, Geoffrey: 62-3, 64-7

Hendrickx, Joseph: 56-15, NE-96

Henerson Jack: 55-14

Henningsen, Erik: 52-5

Henri, Robert: 60-13, 62-17, 62-30, 63-1, 63-15, 64-3, ME-31, ME-32, ME-41, NY-16, NY-19

Henry, Edward Lamson: 58-14, 59-34, ME-11

Henry, Heath: 64-5

Hensche, Henry: 64-30

Henshaw, Glenn Cooper: 64-3

Hepworth, Barbara Dame: 60-42

Heramb, Thore: 57-40

Herbert, Albert: 64-23

Herbin: 53-13

Herbin, Auguste: 62-29

Herford, Oliver: 59-6

Heri: 54-25

Herlinger, Ria: 62-15, 64-23

Hermes, Gertrude: 56-21

Heron, Patrick: 54-27, 58-15, 61-4

Herstand, Arnold: 65-7

Hertzka & Knowles: 62-24

Hervo, Erkki: 56-21

Hery, Edward L.: 64-3

Herzl, T.: 58-36

Hess, Leta English: 57-10, 59-10

Hesselius, John: 54-25, 60-13, 62-2, 62-17, ME-31, ME-41

Hettel, Robert: 54-16

Hewett, Edward W.: 55-14

Hewlett, Patricia: 62-10

Heyden, Jan van der: MMA-54-3

Hi-dong, Ko: 58-33

Hibel, Edna: 56-27

Hibino: 63-21

Hicken, Philip Burnham: 58-3

Hickman, Ronald D.: 58-32, 62-10

Hicks, Edward: 59-18, 60-13, 62-2, ME-11, ME-31, ME-41

Hicks, Sheila: 62-15

Hicks, Thomas: 54-25, 58-27, 59-34

Hidley, Joseph H.: 62-2

Hieiliger, Berhard: 56-7

Hietlasnd, W. Emerton: 53-8

Higgins, Edward: 62-27, 64-20

Higgins, Frances & Michael: 64-23

Higgins, Wilfred: 57-23

Hiler, Hilaire: 63-5

Hiliker, John Edward: 57-11

Hill, Anthony: 61-21

Hill, Clinton: 56-25, 56-26, 58-26, NY-3

Hill, David: 62-25

Hill, David Octavius: NY-1

Hill, Henry: 64-11, SD-8

Hill J.: ME-29

Hill, John Henry: 64-1

Hill, John W.: 64-3

Hill, Thomas: 61-3

Hill, & Adamson: 56-5

Hillel, A.: 58-36

Hillers, William: 54-12

Hillmer & Callister, Jack & Warren: SD-8

Hillsmith, Fannie: 55-8

Hindes, Kenneth: 54-18

Hine, Lewis Wickes: 64-28

Hines, Norman: 62-10

Hinman, Frank: 57-40, 57-ee

Hintschlich, Gerhard: 59-36

Hios, Theo: 55-3

Hirao: 63-21

Hiro: 62-45

Hiroshige, Ichiryusai: 58-17

Hiroshige, Utagawa: 62-27, 63-5, NY-12

Hirsch, Joseph: 64-30, ME-7, ME-73, NY-18

Hirschfeld, A1: 61-15

Hirschhvogel, Augustin: 63-17

Hispanska-Neumann, Maria: 56-21, 60-15

Hixon, William: 56-13

Hoag, Peter: 55-20

Hoban, Russell: 55-19

Hobbema: 54-11

Hobbs, Mary Gale: 61-25

Hodgell, Robert O.: ME-75

Hodgin, Marston Dean: 64-30

Hoehn, Harry: 53-16, 55-20, 58-3, 60-3, 62-3

Hofer, Carl: 56-7, 57-30, 59-36, NE-48

Hoff, Margo: 53-16, 55-6, 56-26, NY-3

Hoffman, Lilly: 58-25, 62-15

Hoffman, Miriam: 58-7

Hoffmann, Wolf: NE-48

Hoffy, A.: ME-29

Hoflehner, Rudolph: 61-4

Hofmann: ME-49

Hofmann, Charles: 62-2

Hofmann, Earl Francis: 55-2

Hofmann, Hans: 53-12, 53-21, 54-10, 55-9, 56-2, 57-9, 59-1, 59-6, 59-7, 59-23, 59-24, 56-31, 60-27, 61-29, 62-28, 62-38, 64-29, 64-30, 65-4, ME-49, ME-59, ME-73, NY-20

Hofmann, Lotte: 61-1

Hogan, Thomas: ME-29

Hogarth, William: 62-4, 62-18, ME-32, MMA-54-2, NY-9

Hoglund, Erik: 57-14

Hoitsu, Sakai: 63-14

Hokkie, Totya: NY-12

Hokusai, Katsushika: 58-17, NY-12

Holbein, Hans: 56-16, MMA-54-2

Holbrook, Hollis: 65-4

Holland, Henry: 61-22

Hollander, Richard: 65-7

Hollar, Wenzel: 63-17, NY-9

Holler, Gertrude A.: 55-20

Hollerbach, Serge: 62-31

Hollingsworth, Gerald: 62-10

Holmes, Rosinda: 55-5

Holt, Charles C.: 64-28, 65-11

Holt, Peter: 51-15

Holten, Hanne: 57-14

Holty, Carl: 58-5, 61-7, 62-37

Holtzmayr, Hans: 64-9

Homer, Winslow: 54-25, 55-19, 59-6, 59-34, 59-40, 60-13, 62-17, ME-7, ME-11, ME-27, ME-31, ME-32, ME-40, ME-41, NY-5

Hondius, Gerrit: 64-30

Hondius, Hendrik: 60-40

Honegger, Gottfried: 54-18, 56-15, NE-96

Honkanen, Mauno: 57-14

Hoopes, Donelson: 53-1

Hooven, Peter: 62-3, 64-7

Hope, James: 58-27, NY-4

Hopfer, Daniel: 55-10, NY-9

Hopkins, Budd: 64-30

Hopkinson, Charles: 53-12

Hoppe, Emil Otto: 56-5

Hoppenhaupt, II Johann Michael: 59-40

Hopper, Edward: 54-10, 54-25, 55-9, 55-19, 57-11, 59-7, 59-24, 59-31, 60-13, 60-27, 62-27, 62-28, 62-30, 65-2, ME-7, ME-10, ME-23, ME-27, ME-31, ME-40, ME-41, NY-5, NY-20

Hoppner, John: 63-15, MMA-54-2

Horacio Diaz & Associates: 59-27

Horak, Bohuslav: 63-12

Horiuchi, Paul: 56-13

Hornor, Thomas: ME-29

Horton, William S.: 63-1

Horvat, Frank: 60-25

Hoschede-Monet, Blanche: 61-10

Hosmer, Harriet: 59-34

Houel, Jean Pierre Laurent: 59-40, ME-32

Houghton, A.B.: ME-29

House, Clarence: 62-15

Householder, Jeanette: 57-6

Houtopoulou, Sosso: 61-4

Hovannes, John: 52-4, 53-20

Hovde, Jane Hamilton: 56-13

Hovenden, Thomas: 58-27

Howard: NY-20

Howard, Andree: 59-19

Howard, Cecil: 55-12, 56-22

Howard, Charles: 52-11, 53-24

Howard, Charlotte: 62-3

Howard, John Langley: 56-24

Howard, R.C.: 57-10

Howard, William Vaughan: 55-14

Howard, Barnstone & Partners: 62-34

Howarth, F.M.: 57-3

Howe, Harriet R.: 57-6

Howe, Robert J.: 62-10

Howell, James: 53-24, 62-15

Howell, Marie: 62-15, 64-23

Hoyrup, Paul: 52-5

Hronby, Anne E.: 62-10

Huber, Wolfgang: 57-37, 64-9

Huberts, A.M. DeWitt: 53-24

Hubing, Lucinda (Sister): ME-75

Huck, Robert: 60-3

Hudlow, Conroy: 64-7

Hudson, Eric: 64-31

Huet, Jean-Baptiste: 55-24, 62-20

Huffer, John: 53-26

Hugh, Stubbens & Assoc: 63-16

Hughes, Thomas P.: 53-17

Hughes-Stanton, Blair Rowlands: 56-21

Huguenin, Suzanne: 62-15

Huhnen, Fritz: 53-15

Hulbeck, Beate: 58-26

Hull, Jacob: 57-14

Hulse, Dorothea: 55-22

Hultberg, John: 55-2, 55-9, 56-1, 56-12, 57-11, 58-26, 59-10, 60-4, 60-22, 61-7, 64-7, 65-4, ME-73

Hulten, Carl Otto: 62-44

Humbert, Suzanne: 54-16, NE-96

Humphrey, Jack: 59-3

Humphrey, Ralph: 61-23

Hunt, J.: 58-36

Hunt, Richard: 58-12, 66-9, NY-10

Hunt, Robert J.: 55-6

Hunt, William Henry: 62-12

Hunt, William M.: 59-6, ME-11

Hunter, Bernece B.: 60-3

Hunter, Lawrence B.: 62-10

Hunter, Robert Douglas: 64-30

Huntington, Daniel: 59-6

Huntington, James L.: 65-4

Huntley, Victoria Hutson: ME-7

Hurd, Clement: VA-53-1

Hurd, Peter: 51-5, 55-19, 57-10, 63-15

Hurtig, Martin: 58-3

Hurum, Perle: 57-40

Husain, M.F.: 58-15, 59-13

Husted-Anderson, Adda: 57-6

Huth, Willy Robert: NE-48

Hutner, Martin: 62-3

Huysmans, Cornelius: MMA-54-3, NY-11

Hyde, Scott: 63-2

I.M. Pei & Assoc: 59-25, 63-16, 65-3

I.S. Bell Curtis Company: NY-15

Ihle, John L.: 60-3, 62-3

Ikegawa, Shiro: 64-7

Iliff, Cynthia Willard: ME-7

Imai, Masayuki: 65-12

Imperial: NY-14

Inami, Tadashi: 65-12

Indiana, Robert: 62-41, 63-30

Ingegno, Jr., Alfred Peter: 60-3

Ingetoft, F.: 57-14

Ingle, Thomas Hughes: 56-12

Ingrand, Max: 61-1

Ingres, Jean Auguste Dominique: 56-16, 57-18, 67-19

Inman, Henry: 58-14, 62-17, 64-1

Inman, John O'Brien: 55-19, 58-27

Inness, George: 54-25, 59-6, 59-34, 60-13, 60-28, 62-17, 64-3, ME-11, ME-31, ME-41, NY-4, NY-21

Innocenti & Webel Umberto & Richard K.: 62-33

Inokuma, Genichiro: 63-23

Inoue, Ryosai: 65-12

Interlandi, Frank: 62-31

International Silver Company - CT: NY-13

Ipcar, Dahlov: 55-5

Ippolito, Angelo: 58-26, 59-1, 59-23, 60-22, 64-30, NY-10

Ireland, Richard: 53-26

Ireland, William: 57-3

Ironside, Robin: 62-12

Irvine, David: 58-32

Isaacs, Walter: 56-13

Isaches, Thor: 57-14

Isenburger, Eric: 55-19, 57-11, 61-7, ME-73

Ishler, John A.: 62-10

Israel, Margaret: 57-14

Israel, Robert: 65-7

Israels, Ru: 61-35

Item, Georges: 58-15, 60-15

Ito, Miyoko: 53-1, 58-12

Itterbeeck, A. Van: 61-1

Ives, Philip: 64-11

Iyem, Nuri: 56-29

Izenour, George: 62-14, 64-35

Izumi, Shigeru: 62-3

Jablow, Evelyn: 61-30

Jackson, A.B.: ME-75

Jackson, Harry: 56-2

Jackson, John Baptist: 57-37

Jackson, Lee: 55-19

Jackson, Martin: 56-26, ME-7

Jackson, W.J.: 54-12

Jackson, William Henry: NY-1

Jaclet, A.: 54-16

Jacobs, David: 63-29, 64-10

Jacobsen, Anonio: 63-15

Jacobsen, Robert: 56-27

Jacoby, Rufus: 58-16

Jacques, Charles Emile: 63-20

Jadson, Wanda B.: 53-24

Jaenisch, Hans: 64-14, NE-48

Jager, Helene: 61-1

Jaimes, Humberto: 60-17

Jakac, Bozidar: 56-21

Jakulowski, H.: 62-45

Jameikis, Brone: ME-75

James, Alexander: 59-6

James, R.: 57-14

Jamieson, R. Kirkland: 62-12

Jamison, Philip: 64-31

Janch, Michael: 63-14

Janinet, Jean-Francois: 63-17

Janke, May: 58-3, 58-15, 60-3

Jankowski, Joseph: 54-8

Jansem, Jean: 57-27

Jarvis, Donald: 59-3

Jarvis, John Wesley: 64-3

Jasinski, Mary H.: 62-10

Jawlensky, Alexej von: 60-14

Jazet: 55-19

Jean, Marcel: 56-2

Jefferson, Jack: 54-8

Jeffery, Charles Bartley: 58-16

Jeffreys, T.: ME-29

Jegart, Artemis: 61-35

Jenkins, Louisa: 58-16

Jenkins, Paul: 56-9, 58-43, 59-10, ME-73

Jennys, William: 59-24

Jensen, Alfred: 56-2, 60-12, 63-30, 64-20, 65-11

Jensen, Eunice: 58-3

Jensen, Harold W.: 57-14

Jenson, Lee: 55-22

Jessiman, John: 62-10

Jevne & Almini: ME-29

Joe, Dale: 58-42

Joel, Yale: 58-A&B, 59-56

Johannesson, Johannes: 66-2

Johansen, John M.: 58-1, 61-31, 64-11

Johansson, Willy: 57-40

Johns, Jasper: 58-26, 60-9, 62-41, 64-26, 65-11, ME-73

Johnson, Ben: 63-33, NY-18

Johnson, Buffie: 56-21, 58-16

Johnson, David: 60-28, NY-4

Johnson, Eastman: 58-14, 58-27, 59-34, 62-7, 64-1, ME-11, ME-41, NY-15

Johnson, Lester: 53-1, 56-2, 60-22, 60-43, 63-24, 63-33, 64-19, ME-55, ME-65, NY-18

Johnson, Philip: 59-15, 62-34, 63-16, 65-3, 65-6

Johnson, Ray: 58-26, 60-41

Johnson & Pahlmann Philip & William: 61-30

Johnston, David Claypoole: 64-1

Johnston, Joshua: 58-14, 62-2

Johnston, Ynez: 55-20, 58-3

Jones: 63-19

Jones, Doug: 57-16

Jones, E. Powis: 60-3

Jones, Inigo: 61-22

Jones, John Paul: 53-16, 55-20, 56-25, 55-20, 56-26, 58-12, 60-22, 62-3, 63-12, 64-7, NY-3

Jones, Murray: 57-1

Jones, Pirkle: 62-45

Jones, Robert Edmond: 58-11

Jones & Erwin, Inc.: NY-14

Jongh, Ludolf de: MMA-54-3

Jongkind, Johan B.: 63-17, 63-20

Jonsson, Asgrimur: 66-2

Jonyas, V.K.: 58-3

Jordaens, Jacob: 54-11, 62-20

Jorn, Asger: 54-18, 56-15, 58-15, 64-2, ME-55, NE-96, NY-8

Joulia: 61-1

Jouve, Georges: 61-1

Judd, Deforrest Hale: 57-23

Judd, Ronald E.: 62-10

Jukes, F.: ME-29

Jules, Mervin: 54-27, 61-25, 64-29, 64-30

Julie, Monica (Sister): 58-16

Jung, Dora: 62-15

Junyer, Joan: 59-19

Justema, William: 52-7

Jutrem, Arne Jon: 57-14, 57-38

Juvarra, Filippo: 58-9, 59-40, 63-19

Kacere, John: 63-7

Kachadoorian, Zubel: ME-74

Kacmarcik, Frank: 54-16

Kadish, Reuben: 62-8

Kadow, Elisabeth: 61-1

Käsebier, Gertrude: 62-25

Kaeselau, Charles A.: 64-29, 64-30

Kagan & Clarke: 53-24

Kagawa, Alice: 53-24

Kahane, Anne: 59-3

Kahl, June M.: 62-10

Kahn: ME-49

Kahn, Max: 54-18, 55-20, 56-15, 56-19, 56-25, 56-26, 59-10, 60-3, 62-3, ME-7, NE-96, NY-3

Kahn, S.: 58-36

Kahn, Wolf: 56-2, 58-5, 59-10, 63-1, 64-3, 64-30, NY-10

Kaiserer, Jacob: 64-5

Kaish, Luise: 58-35

Kakofsky, Charles: 57-6

Kaldis, Aristodemos: 56-2

Kaleda, Ruth T.: 61-17

Kalischer, Clemens: 64-28

Kalisher, Simpson: 60-12

Kallem, Henry: 64-31

Kallem, Herbert: 58-5

Kam, Leilani: 57-14

Kamihira, Ben: 59-1, 63-3, NY-10

Kamola, Teofil: 55-22

Kamys, Walter: 54-27

Kandinsky, Wassily: 53-13, 56-7, 59-5, 59-36, 60-14, ME-24, ME-55

Kane, Margaret Brassier: 52-4

Kane, Mickey: 62-31

Kane, Paul: 61-3

Kane, Roger C.: 62-10

Kanemitsu, Matsumi: 63-12

Kang, Ann: 58-32

Kang-nyol, Yu: 58-33

Kannan, Elie: 56-29

Kano, Mitsuo: 61-4

Kano, Shunji: 65-12

Kantor, Morris: 55-3, 55-19, 56-2, 59-10, 64-30, 64-31, ME-49, ME-73

Kapel, John: 55-22

Kaplan, Jerome: 54-16, 56-12, 56-25, 63-12

Kaplan, Joseph: 55-2, 56-27, 64-30

Kaplan, Stanley: 53-16

Kapos, June E.: 57-14, 60-5

Kappel, Philip: 53-5

Kaprow, Allan: 58-26, 59-12

Kaptan, Hassan: 56-29

Karales, James: 59-12

Karasz, Ilonka: VA-53-1

Karasz, Mariska: 53-17, 57-6, 58-16, 58-25, 58-35, 61-17

Karfiol, Bernard: 55-16, 57-11, 64-31

Karnes, Karen: 57-6, 60-5, 64-23

Karoly, Frederic: 62-15

Karp, Leon: 56-26, NY-3

Karsh Yousuf: 56-5, 59-56

Karwoski, Richard: 64-25

Kassab, Viola: 56-29

Kasten, Karl: 58-7

Kasugai, Hideo: 65-12

Katavolos, William: 52-7

Kato, Jun: 65-12

Kato, Kiyoyuki: 65-12

Kato, Sho: 65-12

Kato, Takuo: 65-12

Katrakis, Vasso: 56-29

Katz, Alex: 64-26, 64-31, ME-55, NY-18

Katz, Leo: 62-8

Katz, Waisman, Blumenkrantz, Stein & Weber: 59-25

Katzen, Lila: 62-41

Katzenbach & Warren, Inc.: NY-14

Katzman, Herbert: 55-9, 55-11, 64-12, NY-10

Kauffman, Mark: 58-A&B, 59-56

Kaufman, Glen: 58-32, 62-10, ME-75

Kaufmann, Robert D.: 61-25

Kauppi, Tauno: 57-6

Kaus, Max: 59-36, NE-48

Kautzky, Theodore: 53-8

Kavanaugh, Gere: 58-16, 58-32

Kawabata, Minoru: 61-4, ME-59

Kawabata, Yoshiko: 62-15

Kawamoto, Goro: 65-12

Kay, John: 64-5

Kay, Reed: 65-11

Kaz, Nathaniel: 52-4

Kazazis, Maria: 62-10

Kazuki, Yasuo: 61-4, 63-23, 64-2

Kearney, John: 58-16, 58-35

Kearns, James: 58-12, 58-40, 60-4

Kebenjak, Riko: 56-21

Keck, Carole: 62-10

Keck, George Fred & William: 62-34

Keen, Helen: 56-2

Keene, Jr., Paul F.: 55-6

Keiner, J.: 58-36

Keith, William Martine: 64-1

Keller, Harold: 65-6

Keller, Joan T.: 58-16

Kellerthaler, Johann: 64-9

Kelley, Douglas: 52-7

Kelley, John G.: SD-8

Kelley, Robert W.: 58-A&B

Kellogg, Jolly: 53-24

Kelly, Chapman: 57-23

Kelly, Ellsworth: 57-12, 60-41, 64-20, 65-11, ME-33, ME-42, ME-59, ME-60

Kelly, Gene D.: 57-14

Kelly, James: 58-7

Kelly, Leon: 56-2, 59-6, 60-1, 62-1

Kelly, Marie: 62-15

Kelly, Walt: 57-3

Kelly, Gruzen-Kahn & Jacobos: 62-24

Kemmelmeyer, Frederick: 62-2

Kempe, Rolande: 56-15

Kempsmith, Joan: 54-8, 55-5

Kenealy, Nany: 58-32

Kennedy, Candace: 53-17

Kennedy, Dolores: 56-13

Kennedy, Paul: 58-40

Kennedy, William: 64-30

Kennedy & Lucas: ME-29

Kenney-Eagen: 57-6

Kensett, John Frederick: 59-34, 60-28, 64-1, 64-3, 65-10, ME-11, ME-41, NY-4

Kent Adaline: 60-4

Kent, Rockwell: 64-31

Kent, William: 61-22

Keogh, Tom: 59-19

Kepes, Gyorgy: 58-42, 58-43, 61-26, 63-8, ME-73

Kerels, Henri: 56-21

Kerg, Theo: 59-5

Kerkam, Earl: 64-26

Kern, Arthur: 55-14

Kern, Edward Meyer: 64-1

Kerr, Donald A.: 55-20

Kerr, Robert: ME-29

Kerruish, Shirley Wells: 62-31

Kerslake, Kenneth A.: 60-3

Kessel, Dimitri: 58-A&B, 59-56, L-2

Kessler, Karl: 58-35

Kester, Bernard: 55-22

Kester, Lenord: 55-5

Ketchum & Sharp: 61-30

Kettunen, Mar Jean: 53-16

Key-Oberg, Ellen: 52-4

Keys, Richard: 53-26

Keyser, Robert: 58-26, 60-1, ME-55

Keyser, Jr., William A.: 62-10

Keyt, George: 58-42

Khanna, Krishen: 59-13

Khosrovi, Karim: 58-42

Ki-ch'ang, Kim: 58-33

Kienbusch, William: 53-5, 53-14, 55-3, 55-9, 60-27, 61-25, 63-7, 64-31, ME-26, ME-33, ME-42, ME-49, ME-73, NY-5

Kiesler, Frederick J.: 56-2, 64-35

Kiestede, Cornelius: NY-13

Kilbride, Robert: 58-6

Kiley, Dan: 59-30

Kiley, Robert: 58-3

Killinger, Paul E.: 57-6, 60-5

Kilstrom, Kenneth: 56-26

Kimura, Mae: 60-5

Kimura, Reiji: 64-7

Kincannon, Andrew: 53-26

Kinderman, Gustav & Hellie: 61-1

Kindler, A.: 58-36

Kinert, Albert: 56-21, 59-16

King, Albert: 55-22

King, Frank: 57-3, 58-36

King, Robert J.: 57-6

King, William: 54-42, 57-3, 58-39, 60-42

King & King: 63-16

Kingman, Dong: 53-1, 53-8, 55-13, 58-5, ME-26, ME-73

Kingman, Eduardo: 60-17

Kington, Brent: 62-10

Kinigstein, Jonah: 55-2, 55-9, 57-9, 60-1

Kinnard, W.: 62-12

Kinsey, Douglas: 58-6

Kinzie, G. Robert: 64-23

Kipniss, Robert: 63-24

Kipp, Lyman: 58-30, 60-22, 62-40, 65-11, ME-56

Kipp, Maria: 55-22, 57-6

Kirby, Rollin: 57-3, 59-6

Kirby, Sheldon: 55-5

Kirchner, Ernst Ludwig: 56-7, 59-36, 60-14, 61-9, 62-29

Kirkland, Wallace: 58-A&B

Kirschenbaum, Jules: 53-5, 56-12, 62-1

Kirsta, George: 59-19

Kitahama, Ichiro: 65-12

Kitano, Tsukio: 65-12

Kitaoka, Fumio: 65-7

Kitchen & Hunt, AIA: 64-21

Kitchen & Hunt, Corlett & Spackman: 62-34

Kitchen & Hunt, John Funk: 62-34

Kiviharju, Toimi: 56-21

Kiyonaga, Torii: 56-16, 58-17, 60-38

Kiyonobu: 58-17

Kiyooka, Roy: 58-6

Kjarval, Johannes: 66-2

Klauber, Johann Baptiste: 59-40

Klauber, Joseph Sebastian: 59-40

Klaudius, M.: 58-36

Klee, Paul: 56-7, 57-18, 58-43, 59-36, 60-14, 62-18, 62-29, 63-17, 64-10, ME-24, ME-32

Kleege, James: 56-2

Kleemann, Richard: 53-26

Klein, Yves: 61-23

Kleinan, Martin: 57-14

Kleinholz, Frank: 57-2

Kleinschmidt, Peter: 54-16

Klement, Vera: 60-3, 60-22, 62-3

Kliemann, Carl-Heinz: 56-21, NE-48

Klimpt, Werner: 56-2

Kline, Franz: 56-2, 58-26, 58-42, 59-23, 61-9, 61-11, 62-27, 64-2

Kling, Vincent G.: 61-31, 65-9

Klingsmith, Noah: 53-26, NE-96

Klomp, Albert Jansz: MMA-54-3

Klotz, Lenz: 61-4

Kluck, Eleanor: 64-23

Kluck, Henry: 57-6, 64-23

Kluger E.: 58-36

Klumb, Henry: 59-27

Knapp, S. Magnet: ME-73

Knaths, Karl: 53-12, 55-3, 55-9, 55-19, 56-2, 57-10, 57-28, 59-10, 59-31, 60-13, 61-7, 62-38, 64-30, ME-7, ME-23, ME-73, NY-20

Knect, Jr., James A.: 60-5

Knee, Gina: 53-5

Kneller, Godfrey (Sir): MMA-54-2

Kniep, Hristoph Heinrich: 59-40

Knight, Dame Laura: 62-12

Knight, Edward: 55-19

Knight, H.: 62-2

Knight, L. Aston: 64-3

Knipschild, Robert: 54-8, 55-8

Knobler, Lois Jean: 56-27

Knobler, Nathan: 58-3, 65-11

Knox-Leet, Desmond: 59-19

Kobashi, Yasu: 61-4, 63-23

Koblick, Freda: 64-23

Koch, John: 65-2, ME-73

Koebel, Karl Josef: 58-9

Koehring ,Gretchen: 58-32

Koenig, Fritz: 60-42, 61-4, 62-40, ME-56

Koenig, Pierre: 62-34

Koerner, Henry: 54-10, 55-21, 57-2, 62-1, 63-33, 65-2, ME-41

Koga, Tadao: 65-12

Kogelnik, Kiki: 65-4

Kohlmeyer, Ida: 61-35, 63-7

Kohn, Gabriel: 59-12, 60-2

Kohn, Misch: 53-1, 53-16, 55-20, 56-25, 56-26, 58-3, 60-3, 60-15, 60-22, 60-34, 62-3, 62-8, 63-12, 64-7, ME-7, NY-3

Kokis, George: 62-10

Kokoschka, Oskar: 56-7, 58-15, 59-36, 64-10, ME-32

Kolbe, Georg: 60-14, ME-32

Kolbitsch, Rudolph: 56-15

Kolefas, John: 56-29

Kollwitz, Kathe: 56-7, 59-36, 59-38, 61-25, 62-45

Komai, Tetsuro: 61-4

Kong-gol, Yi: 58-33

Kongeter, Willi: 58-28

Koniarsky, Helmut: 53-15

Koninck, Philips: 55-24

Konjovic, Milan: 59-16

Konzal, Joseph: 52-4, 56-2, 62-41

Kopman, Benjamin: 53-1, 56-2, 59-10

Koppe, Richard: 56-1, 56-26, 58-3, 62-31

Koppelman, Chaim: 56-25, 58-3, 59-12, 60-3, 64-7, ME-75

Koren, George M.: 57-12

Korleon, C.F.: 52-11

Korner, John: 58-6

Kornhausel, Joshep: 59-40

Korovin, Konstantin Alexeivitch: 59-19

Korsmo, Arne: 57-40

Korsomo, Grete: 57-40

Koryusai, Isoda: 58-17

Kosa, Emil J.: 53-8

Kosaka: 63-21

Kost: 62-2

Kostyshak, Nadya: 57-6

Kowalski, Peter: NE-48

Kozeki, Rokuhei: 65-12

Kozlow, Richard: ME-75

Kozuru, Hajime: 65-12

Krahmer, Hanns: ME-75

Kralj, Tone: 56-21

Kramer, Sam: 54-14

Kramer & Kramer: 61-30

Krasner, Lee: 58-5, 58-26, 59-23, ME-59

Kraugerud, Ragnar: 57-40

Kraus, Hilda: ME-75

Krause, Glen: 56-27

Kravetz, Ann: 53-24

Krebs, Friedrich: 64-1

Kregar, Stane: 59-16

Kreider, Stanton: 60-41

Kreindler, Doris: 58-3

Kremser-Schmidt: 62-20

Krentzin, Earl: 57-14, 58-16, 58-32

Krevolin & Constantine, Lewis & Elizabeth: 58-32, 62-10, 64-23

Kricke, Norbert: 61-4, 61-23

Krieks ,Hans: 61-30

Krijer, Hank: 61-20

Krimel, John Lewis: 58-27

Kring, Walter & Mary: 57-6

Krohg, Guy: NE-96

Kroll, Boris: 62-15, 64-23

Kroll, Leon: 55-19, 59-6, 62-31, 64-31, ME-73

Kronberg, Louis: 64-30

Kruck, Christian: 58-35, 60-15

Krug, Harry: 56-25

Kruger, Louise: 55-20, 56-2, 60-2

Krulis, Jean: 58-16

Krummeck, Elsie: 53-17

Kruse, John W.: 64-11

Krushenick, Nicholas: 63-30

Kuberick, Stanley: 57-16

Kubicek, Juro: NE-48

Kuchel, C.C.: ME-29

Kucuk, Byram: 56-21

Kuehn, Eleanor: 58-32

Kuemmerlein, Janet: ME-75

Kuhl, Condon F.: 58-32, 62-10

Kuhlman, Barbara: 57-14

Kuhlman, Walter: 58-7

Kuhn, Beate: 61-1

Kuhn, Hans: NE-48

Kuhn, Heinrich: NY-1

Kuhn, Kathryn: 53-24

Kuhn, Walt: 54-10, 55-16, 57-9, 59-31, 60-13, 62-28, 64-31, 65-2, ME-23, ME-41, ME-55

Kuhr, Fritz: NE-48

Kulasiewicz, Frank L.: 57-14

Kulicke, Robert: 64-3, 64-12

Kulkarni, K.S.: 58-42

Kulmer, Ferdinand: 59-16

Kulovesi, Erkki: 54-18

Kumangai: 63-21

Kumar, Ram: 59-13

Kump & Elston & Cranston: 64-21

Kump & Masten, Hurd & Gwathmey: 64-21

Kunikata, Yoshichika: 65-12

Kunisada, Utagawa: NY-12

Kuniyasu,, Utagawa: NY-12

Kuniyoshi Yasuo: 54-10, 54-25, 55-16, 57-9, 58-42, 59-6, 59-31, 60-13, 60-27, 62-1, 62-28, 63-33, 64-31, ME-7, ME-10, ME-23, ME-31, ME-41

Kuno, Shin: 63-23

Kuntz, Roger: 55-6

Kupchinsksa, Richard: 64-7

Kupferman, Lawrence: 56-27, 58-5, 58-43, 64-29, 64-30, ME-7

Kurhajec, Joseph: 64-25

Kuroda, Toru: 65-12

Kurtz & Allison: ME-29

Kurz, Rudolph Friedrich: 64-1

Kush: 58-36

Kuwata: 63-21

Kuwayama, Tadaaki: 64-26

Kwakiutl: 59-4

Kwong, Hia Ka: 57-6

Kypridakis, Bernard: 62-10

Kyriakos, Makris: 56-29

L'Engle, Lucy: 64-30

L'Engle, William: 64-29, 64-30

L'Hote, Andre: 60-14

La Farge, John: 52-1, 56-18, 59-6, 59-34, 62-7, 62-17, 64-3, ME-11, NY-5

La Farge, Nicolas: 62-20

La Hotan, Robert: 64-31

La Liberte, Norman: 58-16, 58-35

La Regina, Guido: 54-16

La Rocco, Anthony: 57-6

Labarre, Gertrude: 55-22

Labrot, Syl: 61-13, 63-2

Lachaise, Gaston: 59-31, 62-30, 63-31

Lackmeyer, Robert O.: 58-32

Ladeck, Armin: 56-26

Ladenspelder, Johann: 57-37

Laderman, Gabriel: 56-25, 58-3

LaFollette, Curtis K.: 62-10

Lagorio, Irene: 58-3

Lagrange, Jacques: 59-5

Lahey, Richard: 59-10

Laisner, George Alois: 58-7

Lalanne, Maxime: 63-17

Laliberte, Norman: 65-6

Lam, Wifredo: 54-18, 56-28

Lamantia, Jr., James R.: 57-ee

Lambdin, George Cochran: 56-18, 58-14, 58-27

Lambert, Ann: 53-26

Lambert, Isabe: 59-19

Lambert-Rucki: 58-35

Lampecco, Antonio: 61-1

Landacre, Paul: ME-7

Landau, Jacob: 60-3, 62-3

Landberg, Nils: 56-3

Landby, Jean: 58-32

Landeck, Armin: 53-1, 53-2, 53-16, 56-21, 56-25, 56-26, ME-7

Landis, Lily: 52-4, 61-15

Landon, Edward: 53-16

Landshoff, H.: 59-56

Landuyt, Octove: 61-1

Lane, Fitz Hugh: 59-34, 60-28, ME-11

Lane, Harry: 56-13

Lane, Madeleine: 65-3

Lanfranco, Giovanni: 62-20

Lang, Hans Kasper: 59-40, 64-9

Lange Dorothea: 56-5, 59-56

Langenheim, Frederick: 64-28

Langhorst, Fred: SD-8

Langlais, Bernard: 53-16, 58-3, 60-2, 63-29

Laning, Edward: ME-73

Lankeck, Armin: 53-5

Lankuyt, Octave: NY-8

Lanser, Fay: 64-3

Lansing, Winifred: 53-20

Lanskoy, Andre: 57-9, 59-31, 60-14

Lanyon, Ellen: 65-11, ME-7, NY-18

Lanyon, Peter: 54-27, 57-27

Lapoujade, Robert: 60-14, 61-4

Larionov Michel: 59-19, 62-29

Larkiin, Eugene: 60-3

Larkin, Donald F.: 57-14

Larkin, Eugene: 58-6, 65-7

Larkin, William H.: 55-20

Larrain-Magnum, Sergio: 64-19, ME-65

Larsen Jack Lenor: 53-17, 57-6, 63-5, 64-23

Larson, Lisa: 57-14, 58 A&B

Lasansky, Mauricio: 53-1, 53-5, 55-20, 56-26, 58-3, 58-6, 58-35, 59-44, 60-3, ME-7

Lasker, Joe: 56-13, 57-2, 62-30, 65-2

Lassaw, Ibram: 55-12, 56-22, 57-38, 62-27

Lasswell, Fred: 57-3

Lataster, Gerard: 61-4, 64-2

Lathrop, Betsy B.: 59-18

Latour, Fantin: ME-55

Lau, William: 64-23

Laufman, Sidney: 64-29, 64-30, ME-73

Laurell, Karl: 53-17, 57-6

Laurencin, Marie: 57-30, 59-19

Laurens, Henri: 60-14, 60-42, 61-24, 63-31, NE-96

Laurent, John: 56-27, 58-12, 64-31

Laurent, Robert: 64-31

Lautensack, Hans Sebald: 55-10, 63-17

Lava Dentelliere Manufacture: 61-1

Laverne, Estelle & Erwine: 53-17, 64-23

Laves Werner: 58-15

Lawenda, Harry: 51-8, 52-7, 55-22

Lawrence, Jacob: 53-5, 55-9, 55-11, 55-13, 57-9, 60-35, 62-31, 66-9, ME-73, NY-5

Lawrence, Thomas (Sir): MMA-54-2

Lawrie, Doug: 62-10

Lawson: ME-29

Lawson, Ernest: ME-55, NY-16, NY-19

Lazzari, Pietro: 55-2, 58-5, 65-11

Lazzaro, Richard: 58-39

Lazzell, Blanche: 64-29, 64-30

Le Cave, Peter: 62-12

Le Clair, Charles: 53-12

Le Clear, Thomas: 58-14, ME-11

Le Corbusier: 53-13, 59-15, 61-31

Le Lorrain: 62-20

Le Mieux, Jo: 60-5

Le Secq, Henry: 62-25, NY-1

Lea, Wesley: 55-11

Lear, Edward: 62-12, 67-19, ME-55

Lear, Peter C.: 57-6

Lebeck, Carol: 58-32

Lebenstein, Jan: 61-4

Leboy, Ann: 58-3

Lebrun, Rico: 51-4, 55-21, 56-2, 58-16, 59-10, 62-31, ME-23

Lechay, James: 58-6, 59-10, 61-26, 62-30

Lechtzin, Stanley: 62-10

Lee, Amy Freeman: 54-27

Lee, Doris: 53-5, 56-2, ME-7

Lee, John Black: 60-12

Leech, Dorothy: 56-13

Leech, Hilton: 53-5, 56-13

Leefe, Miriam: 53-24, 62-15

Leen, Nina: 58-A&B

Leepa, Allen: 56-2

Lefeber, Richard: 64-23

Leff, Rita: 55-20, 58-3

Lefson, Mary Green: 58-3

Lega, Silvestro: 63-10

Léger, Fernand: 53-1, 57-30, 59-19, 59-23, 59-31, 60-14, 61-9, 62-29, 64-10, NE-96

Lehmann, Rolf: 60-15

Lehmann, Signe & Klaus: 61-1

Lehmbruk, Wilhelm: 56-7, 59-36

Leiber, Gerson August: 53-16, 58-12, 60-15, 62-45, 64-7

Leigh, William: 59-6

Leighton, Frederic (Lord): MMA-54-2

Leipzig, Melvin: 58-3

Leitch, William L.: 62-12

Lekakis, Michael: 60-22

Lekberg, Barbara: 59-12

LeKeux, John H.: 62-12

Leland, Malcolm: 58-7, 59-12

Lely, Peter (Sir): 62-36

Lengel, Walter: 57-23

Lennington, Sally: 58-32

Lenskold, Walter: 53-17

Leon, Helen: 53-26

Leonard, Jack: 55-19

Leonard, William A.: 53-26, 56-9

Leonard, Arnold: 65-11

Leonelli, Dante: 54-27

Leoni, Ottavio: 64-6

Leonid: 53-1, 53-12

Leonid (Berman): 57-10

Leper, S. Deiva Njoman: 58-42

Lepere, Auguste: 62-45

Lepine, Stanislas: 59-19, 63-20

Leplae, Agnes: 61-1

Lerner, Arthur: 55-5

Lerner, Bob: 57-16, 59-56

Lesecq, Henry: 51-9

Leslie, Alfred: 58-26, 60-9, 60-22

Leslie, Charles R.: 65-10

Lester, William: 57-23

Lesueur, Eustache: 55-24

Lettau, Edward: 57-16

Levee, John: 54-27, 56-15, 57-12, 58-5, 58-29, 60-14, 60-22, 63-7

Lever, Hayley: 64-3

Levi, Carlo: 58-40

Levi, Julian: 57-28, 58-44, 60-4, ME-73

Levie, John E.: 64-1

Levigne, H.: 54-16

Levine, Arthur: 51-1, 53-5

Levine, David: 57-10, 61-15, 64-3

Levine, Jack: 55-9, 58-40, 59-6, 59-31, 60-13, 62-28, 62-31, ME-23, ME-41, ME-47, ME-75

Levinson, Mon: 64-12

Levitan, Israel: 56-2

Levy, Byron L.: 57-ee

Levyne, Sidney A.: 57-ee

Lewandowski, Edmund: 53-12, 55-13, 58-44

Lewel, Harry: 55-14

Lewen, Si: 54-8, 55-5, 58-5, 58-26

Lewerenz, Margaret: 51-15

Lewis, Arne: 53-26

Lewis, Arthur Allen: ME-7

Lewis, Ethel Kudrna: 60-5

Lewis, Henry: 58-27

Lewis, J.O.: ME-29

Lewis, John Chapman: 58-26, 63-7

Lewis, John M.: 62-10

Lewis, Norman: 53-12, 55-21, 59-6

Lewis Ross: 57-3

Lewis, Thomas D.: 62-10

Lewis, William A.: 57-10

Lewis & Bliss, Robert & Anna Campbell: 59-12

Lewitin, Landes: 62-27

Lewy, Kurt: 61-1

Leydenfrost, Robert: 53-5

Leyendecker, J.C.: 57-17

Li, Hua: 56-27

Liberman, Alexander: 62-45, 65-1, 65-4, ME-59

Liberte, Jean: 53-12, 55-3, ME-73

Libhart, Myles: 60-12

Libon, C.: 58-36

Libpton, Seymour: 57-38

Lichtenstein, Roy: 62-41, 64-26, 65-11, NY-17

Lichty, George: 57-3

Liebermann, Max: 61-25

Liebes, Dorothy: 62-15, 64-23

Liebling, Jerome: 59-12

Lies, Jonas: 62-17

Lietzke, Luke & Rolland: 57-6, 64-23

Limbach, Russell T.: NE-96

Linck-Daepp, Margrit: 61-1

Lincoln, Richard Mather: 57-14, 60-5

Lindaas Arne Jon: 57-14

Lindblad, Grethe: 57-14

Lindell, Lage: 62-44

Lindenmuth, Tod: 64-30

Lindenum, Richard J.: 62-10

Linder, Jean: 64-25

Lindh, Francesca Mascitti: 57-14

Lindh, Richard: 57-14

Lindheim, Mary: 57-6

Lindley, Ward: 53-26

Lindner, Richard: 60-4, ME-59

Lindstrom, Carl: 57-ee

Lindtmayer, Daneil (the Younger): 64-9

Lingelbach, Johannes: MMA-54-3

Linn Smith Associates: 62-24

Linnell, John: 55-24

Linsenmaier, Dwalter: 56-24

Lionni, Leo: 59-56

Lipchitz, Jacques: 57-15, 58-16, 59-6, 59-31, 60-42, 61-2, 61-24, 62-8, 63-31, ME-32, NY-20

Lipman-Wulf, Peter: 56-2

Lippi, Filippino: 56-16, 57-18

Lippold, Richard: 55-12, 56-22

Lipton, Seymour: 58-16, 60-22, 62-16, 65-1

Lissandrino: 62-20

Littell, R.: 52-7

Little, John: 59-23

Littleton, Harvey K.: 57-6, 60-5

Litvack, Harvey: 55-20, 58-3

Liverani, Emmanuele: 58-9

Lizars, William H.: ME-29

Llorens, Eva: 58-39

Lloyd, Timothy: 62-10

Lloyd, Morgan, & McGinty Lloyd, W.B., & Milton: ME-19

Lmppe, Peter: 51-21

Lo Medico, Thomas: 53-20

Lobdell, Frank: 58-39, 61-29

Lobel, Paul: 57-6

Lobmeyr, J. & L.: 61-1

Lochner, Stephen: 56-16

Lockwood, George: 58-39

Loebl, Schlossman & Bennett: 65-3

Loerner, Henry: 53-1

Loew, Michael: 56-2, 58-26, 64-31

Loffredo, Silvio: 54-16

Loftus, John: 65-11

Logan, A.: 62-2

Loggie, Henlen A.: 53-1

Loire, Gabriel: 61-1

Lombard, Lambert: 55-24, 67-19

Longchamps, Gaston: 56-2

Longo, Vincent: 53-16, 53-26, 55-20, 56-25, 60-3, 60-22, 60-24, 64-7, 65-11

Loomis, Dana A.: 65-11

Lopez, Carlos: 53-5

Loran, Erle: 58-7, 61-26

Lorca, F. Garcia: 58-36

Lorch, Melchior: 55-10

Lotiron, Robert: NE-96

Lotteman, Hal: 55-2, 55-5

Lotzgesell, Gloria: 53-17

Loubchansky, Marcelle: 64-10

Loughney, Hermine: 56-2

Love, Joseph P.: ME-75

Love, Kermet: 59-19

Lovell, Rosa Lee: 65-7

Lovera, James: 60-5

Low, David: 57-3

Low, Joseph: 54-17, 61-33

Lowen, Si: 60-1

Lowengrund, Margaret: 53-2, 53-5, 53-16, 54-18, NE-96

Lozano, Matias: 64-23

Lozowick, Louis: 56-26, ME-7

Lsteiner, Velma Lee: 58-3

Lubroth, Mil: 62-3

Lucas, Eugenio: 55-19

Lucchesi, Bruno: 59-12

Lucebert, L.G. Swanswijk: 60-15, 61-4

Lucioni, Luigi: ME-73

Ludins, Eugene: 58-5

Lueders, Jim C.: 55-14

Luginbuhl, Ursel: 61-1

Luisa, Maria: 60-17

Lukin, Sven: 65-4

Lukosius, Richard: 56-27

Luks, George Benjamin: 55-19, 57-11, 58-34, 59-6, 62-17, 62-30, ME-41, NY-19

Luksus, Tzaims: 64-23

Lund, David: NY-10

Lundin, Ingeborg: 56-3

Lundquist, Evert: 62-44

Lundy, Victor A.: 64-11

Lurcat, Jean: 53-2, 61-1

Luster Guy: 60-43

Lutyens, Edwin (Sir): 61-22

Lutz, Ann Winefred: 65-6

Lutz, Dan: 56-19

Lux, Gwen: 52-4, 53-20, 59-25

Lyberis, William: 53-26

Lynes, George Platt: 58-20

Lyon, Jane S.: 65-11

Lyons, Nathan: 60-12, 61-13

M.E. Haefeli, Hubacher & Steiger: 53-21

M.H. Birge & Company: NY-14

Maas, Bernard: 62-10

Maas, Marcolino (Reverend): 53-25

Mabe, Manabu: 60-17

Macchiarini, Peter: 51-15

Maccoy, Guy: 58-3

Macdonald, Jerry: 60-5

MacDonald, Pirie: 56-5

Macdonald-Wright, Stanton: 55-15, 57-10, 58-34, 60-27

Machlin, Sheldon: 63-29

MacIver,Loren: 55-9, 57-2, 57-11, 59-10, 59-24, 62-28, 64-30, 65-11, ME-7, ME-41, ME-73

Mackay, Marion: 53-17

Macke, August: 56-7

MacKenzie, Alex & Warren: 59-12

MacKenzie, Frederick: 62-12

Mackie & Kamrath: ME-19

MacKnight, Dodge: 63-1, 64-30

MacPherson Robert: 62-25, NY-1

Maddox, Jerold: 53-26, 63-24

Madhloom, Tarir: 56-29

Madley, Elizabeth: 55-22

Madson, Jack: 57-12

Maeda, Chikuhosai: 65-12

Mafai, Mario: 58-23

Magafan, Ethel: 53-12, 55-5, 58-3, ME-73

Magalhaes, Aloisio: 58-15

Magnasco, Alessandro: 65-10, 67-19

Magnelli, Alberto: 58-23

Magritte, Rene: 60-4, 61-4, 64-4

Maguire, T.H.: ME-29

Mahl, Claire: 56-2

Maillet, Leo: 53-2

Maillol, Aristide: 61-9, 62-5, ME-32

Maini, Marino: 54-27

Mair, William: 58-12

Maitin, Samuel: 62-3

Majdrakoff, Ivan: 53-24, 61-25

Majors, William: 66-9

Makovkin, Sasha: 58-32

Malagodi, Gaetano: 58-9

Maldarelli, Oronzio: 52-4, 55-12. 56-2, 56-22

Males, Miha: 56-15, 56-21

Malicoat, Philip C.: 64-29, 64-30

Malkin, Robert: 62-33

Mallary, Robert: 62-41, 63-12, 63-29, 64-20, 64-25, ME-55

Maloney, Daniel: 64-3

Maloof, Sam: 55-22

Mame, Maison: 61-1

Manabe, Mitsuo: 65-12

Manbeck, Dorathee G.: 60-5

Manchek, Albert: 56-2

Mandel, Howard: 53-5

Manes, Nancy C.: 57-14, 58-32

Manessier, Alfred: 54-18, 56-15, 58-15, 60-14, 60-15, 64-2, 64-10, NE-96

Manet, Edouard: 57-18, 67-19, MMA-54-2

Manetta, Edward: ME-75

Mangravite, Peppino: 56-2, 60-1, 65-11

Mann Samuel: 58-32, 64-23

Manners Leroy: 53-26

Manship, Paul: 59-25

Manso, Leo: 58-26, 61-15, 64-29, 64-30, ME-73

Manville, Elsie: 64-3

Manzu, Giacomo: 55-7, 57-34, 58-35, 58-40, 60-42, 63-31

Manzu & Morandi: 58-18

Manzur, David: 63-7

Marantz, Irving: 56-13, 64-30

Maratti, Carlo: 55-24, 62-36, 64-6

Marc, Franz: 56-7, 59-36, 62-29

Marca-Relli, Corrado di: 56-12, 64-2, 64-20, 65-4, ME-33, ME-42, ME-73

Marcecak, Edward: 58-39

Marcel Breuer & Assoc: 64-11, 65-9

March Charles E.: 62-10

Marchand, Andre: 59-5

Marchionni, Carolo: 59-40

Marchutz, Leo: NE-96

Marcks, Gerhard: 54-16, 56-7, 58-35, 59-36, 61-4, 61-9

Marcoussis, Louis: 59-5, 60-14

Marcus, Edwin: 57-3

Marcus, Marcia: 62-30, 64-26, 65-2, NY-10, NY-17, NY-18

Marechal: 59-40

Marein, Shirley: ME-75

Marfaing, Andre: 64-2

Marggraf, Zella: 55-22

Margo, Boris: 51-6, 53-2, 53-16, 55-3, 55-9, 56-1, 56-2, 56-25, 56-26, 57-1, 57-32, 57-36, 58-3, 58-43, 59-10, 60-3, 60-24, 61-7, 62-38, 63-7, 64-7, 64-29, 64-30, ME-7, ME-59, ME-73, NY-3

Margoulies, Berta: 52-4

Marguerite: 56-2

Margules, deHirsh: 56-2

Margulies, Joseph: 64-30

Mariani, Vincint: 58-39

Marie-Rose, Henri: 58-7

Marieschi, Michele: 64-6

Maril, Herman: 56-13, 61-7, 64-30

Marin, John: 53-6, 54-25, 55-15, 55-16, 58-34, 58-42, 58-43, 59-31, 60-13, 61-25, 62-16, 62-28, 64-31, ME-7, ME-23, ME-26, ME-27, ME-31, ME-32, ME-41, NY-5, NY-7&7b, NY-20

Marini, Aida: 56-29

Marini, Marino: 53-1, 54-18, 57-34, 58-15, 59-5, 61-4, 63-31, 64-2, NE-96

Marisol: 62-41, 63-30

Mark, J.W.: 62-2

Markell, Jack: 58-6

Markey, Barbara R.: 58-16, 58-32, 58-35

Markman Ronald: 61-15

Marks, Cynthia: 64-7

Marot, Daniel: 59-40

Marsh, Reginald: 53-5, 54-25, 55-16, 57-9, 57-22, 60-13, 60-27, 62-17, 62-28, 62-30, ME-7, ME-31, NY-5

Marshall, Helen: 55-19

Marsicano, Nicholas: 60-22, 60-43, 61-15

Martens, Michel: 61-1, ME-29

Martha Crawford Associates: 61-30

Marthas, Takis: 61-4

Martin, Agnes: 60-41, 64-26

Martin, Andre: 60-25

Martin, David Stone: 56-24

Martin, Fletcher: 55-19, 56-2, 59-6

Martin, Fred: 65-11

Martin, Homer Dodge: 59-6, 60-28, ME-11, NY-4

Martin, Joe: 63-5

Martin, John: 62-12, 65-10

Martin, Keith: 55-2, 55-6, 56-19, 59-10

Martin, Kenneth: 61-21

Martin, Knox: 56-2

Martin, Mary: 61-21

Martin, Philip: 57-27

Martin, Roger: 56-27

Martin, Stefan: 64-7

Martin, Vincente: 60-17

Martin, W.B.: 56-25

Martin, Walt: 61-35

Martinelli, Ezio: 56-12, 57-15, 60-4, 60-22, 62-3, 65-11

Martinez, Raul: 56-28

Martinez-Pedro, Luis: 56-28, 62-6

Martino, Antonio P.: 55-2

Martz, Gordon & Jane: 64-23

Marville, Charles: NY-1

Marx, Robert E.: 53-16, 55-20, 64-7

Mary, Josefa (Sister): 62-10

Maryan: 64-25, NY-18

Masaccio: 57-18

Masanobu, Okumura: 58-17

Mascarin, Mario: 61-1

Mascherini, Marcello: 55-7

Maselli, Titina: 55-19, 57-27

Masereel, Frans: 54-16, 57-21

Mason, Alice Trumbell: 53-5, 53-16, 55-3, 56-2, 56-26, 57-32, 57-36, 60-24, 60-41, 62-8

Mason, Emily: 55-20

Mason, Mike: 58-3

Massari, Lucio: 59-40

Massin, Eugene: 57-35

Masson, Andre: 60-14, 61-9, 62-8, NE-96

Masso,n Emile: 64-1

Masson, John J.: 62-10

Massys, Cornelis: 56-16

Master, C.B.: 55-10

Master, M.Z.: 55-10

Mastroianni, Umberto: 61-4

Masurovsky, Gregory: 60-12, 61-4

Mata, Roberto: 60-17

Matare, Ewald: 56-7, 59-36

Mategot Mathieu: 61-1

Matham, Jacob: 63-9

Mathewson, Milton P.: 57-ee

Mathieu, Georges: 57-27

Mathisson, M.J.: 53-26

Matinez, Ricardo: 63-24

Matisse, Henri: 57-18, 57-30, 59-5, 60-14, 60-24, 61-9, 63-14, 63-17, ME-40

Matranga, Frank: 62-10

Matsui: 63-21

Matsumoto, Hozan: 63-21, NY-21

Matta, Echaurren Roberto Sebastián: 51-4, 55-13, 57-9, 59-31, 60-4, 60-14, 61-4, 62-8, 62-29

Matte, Jean Rene: 53-17

Matter, Herbert: VA-54-1

Mattern, Karl: 53-1

Matteson, Tompkins Harrison: 58-27

Matthew, B. Brady Studio: 64-28

Matthews, John: 58-32

Matthews, Wanda: 58-3

Matthiasdottir Louisa: NY-18

Mattioli, Lodovico: 64-6

Mattson, Henry: 53-12, 57-11

Matzdorf, Kurt J.: 61-17, ME-75

Mauldin, Bill: 57-3

Maurand, C.: 54-12

Maurer, Alfred Henry: 54-10, 54-25, 55-15, 60-13, 60-27, 61-25, ME-31

Maurer, Leonard: 55-2, 55-8, 61-7

Maurer, Louis: 59-6

Maute, Paul: 62-15

Mauve, Anton: MMA-54-4

Mawzey, Merrit: ME-7

Maximowna, Ita: 53-15

Maxwell, Paul: 54-27

Maxwell, Robert: 65-6

May, Dave: 62-31

May, John: 57-6

May, John & Susan: 64-23

May, Ruth: 62-33

Mayer, Deanna: 62-10

Mayhew, Nathaniel: 62-2

Mayhew, Richard: NY-10

Maynard, Florence & Karl: 64-28

Mayr: 63-19

Maziarz, John: 56-27

Mazur, Michael: 60-3, 64-7, 65-11

Mazur, Richard Andrew: 57-14, 58-32

Mazzone, Michael: 56-27

Mazzuola, Francesco: 64-6

McAdams, Alfred H.: 55-2

McAvoy, Thomas D.: 58-A&B

McBey, James: 62-12, 64-3

McCarroll, William J.: 62-10

McCarter, Henry: 63-3

McCarthy, Francis Joseph: SD-8

McCary, Winsor: 57-3

McClellan, Douglas: 55-6

McClellan, John: 54-18

McClintock, Byron: 54-18

McCombe, Leonard: 58-A&B, 59-56, L-7

McConnell, James: 60-3

McCoy, John W.: 53-1, 53-8, 63-3

McCray, Dorothy: 60-3

McCray, James: 58-7

McCullough, Joseph: 55-2, 58-39

McCutcheon, John T.: 57-3

McDade, Gwen D.: 59-27

McDermott, Mary Ellen: 58-16, 58-35

McDonald, Gene: 64-23

McFadden, Elizabeth: 58-26, 59-1

McGarrell, James: 55-20, 56-26, 60-12, 63-12, 64-20, ME-73, NY-3, NY-18

McGary, Donna: 60-5

McGee, Eldon F.: 53-17

McGee, Joyce Barnett: 60-5

McGee, William: 62-41

McGinnis, Christine: 64-7

McGlauchlin, Patricia: 62-10

McIlvaine, William: 64-1

McIntosh, Harrison: 57-6

McIntyre, Jeanne: 62-15

McIntyre, Keith: 57-23

McIntyre, William R.: 58-7

McKain, Bruce: 62-38, 64-29, 64-30

McKay, Arthur F.: 58-6, 59-3

McKeeby, Byron: 64-7

McKibben, Teal: 59-12

McKie, Roy: 55-13

McKim, William W.: 65-7

McKinley, Donald L.: 60-5

McKinley, Ruth Gowdy: 57-6, 57-14, 58-32

McKinnell, Nan: 60-5

McKinnell, Jr., James F.: 60-5

McKnee, John: 56-2

McKnight, Elaine: 60-3

McLaughlin, Coille: 62-10

McLaughlin, Gerald W.: 56-12, 58-5, 62-1

McLaughlin, John: 58-7, 60-41, 63-12

McLean, William: 58-7

McManus, George: 57-3

McMath, George A.: 64-21

McMillan, Constance: 57-31

McMillin, Tom: 64-23

McMurtrie, William Birch: 64-1

McNeil, George: 55-2, 58-5, 62-38, ME-55, ME-73

McRae, John: ME-29

McSherry, Naida: 62-10

McVey, William: 59-25

McVicker, J. Jay: 58-3

McViker, Julia: 52-7

Mead, Roderick: 58-3, 62-8

Meadows, Bernard: 61-4, 63-31

Meany, Philip: 56-25

Mecikalski, Eugene: 53-16, 56-25

Medellin, Jesse: 57-23

Meehan, Thomas: 55-19

Meeker, Dean: 53-16, 55-20, 56-25, 57-12, 58-3, 58-6, 59-10, 62-3, 64-7

Meeker, J.R.: ME-11

Meeks, Martha F.: 62-10

Meert, Joseph: 56-2, 56-13, 58-16

Meguro, Junzaburo: 65-12

Meierhans, Joe: 56-2

Meigs, Mary: 64-30

Meigs, Walter: 53-14, 59-1, ME-73

Meijer, Mans: 61-20

Meirowsky, Katja: NE-48

Meistermann, Georg: 54-18, 56-7, 59-36

Meistermann, Greg: 53-11

Melcarth, Edward: 57-2, 58-40

Melchers, Gari: 63-1

Meli, Salvatore: 61-1

Melli, Robert: 58-23

Mellon, James: ME-75

Meltzoff, Stanley: 56-24

Memling, Hans: 56-16

Memoun, S.: 58-36

Mendez, Louis: 57-14

Menkes, Sigmund: 53-5, 59-31, ME-73

Menkes, Zygmunt: 55-3, 57-11

Menzel, Adolph Friedrich: 62-20

Menzio, Francesco: 58-23

Mercati, Giovanni Battista: 64-6

Mercher, Henri: 61-1

Merian, Matthieu: 64-19, ME-65

Merida, Carlos: 62-6

Merrill, Claude M.: 62-10

Mertz, Franz: 53-15

Meryon, Charles: 62-18

Mesibov, Hugh: 56-2

Messersmith, Fred: 65-11

Messina, Joseph: 58-16

Metal, Martin: 51-9, 51-15

Metcalf, James: 65-1

Metcalf, Willard Leroy: 57-11, 63-1, NY-16

Metsovaara-Nystrom, Marjatta: 62-15

Metzinger, Jean: 57-9, 57-30, 62-29, ME-32

Meunier, Constantin: 62-45

Meydum, Floris: 61-1

Meyer, Bob: 62-15

Meyer, Charles E.: 57-14

Meyer, Howard: ME-19

Meyer, J.: 58-36

Meyerowitz, William: ME-7

Meyers, Ben: 56-2

Michael, Saphier Associates, Inc.: 61-30

Michaux, Henri: 61-4, 61-11

Michel, Geoges: 55-24, 63-20

Michelangelo: 57-18

Michelsson, Brigit: 57-14

Michnick, Davis: 52-4

Middelboe, Rolf: 62-15

Middeleer, Charles: 62-33

Middleman, Raoul: ME-75

Middleton, Sam: NY-10

Midener, Peggy: 53-24, ME-75

Mielatz, Charles F. W.: 64-3

Mielziner, Jo: 63-19, 4-35, 62-14

Mihelic, France: 54-18, 56-21

Miki, Jun: 58-A&B

Milan, Raul: 56-28

Milbrath, Harold A.: 57-6

Mildwoff, Steven: 64-23

Miles, Jeanne: 60-41

Mili, Gjon: 59-56

Millan, Edward: 53-12

Millares, Manolo: 61-4, 61-29

Miller, Alfred Jacob: 59-34, 61-3, 64-1, ME-11

Miller, Alice: 58-39

Miller, Barse: 53-8

Miller, Francis: 58-A&B

Miller, Frederick A.: 57-6

Miller, Herald G.: 52-11

Miller, Herman: ME-4

Miller, John B.: 54-8, 63-5

Miller, John Paul: 54-43

Miller, Kenneth Hayes: 55-16, 62-30

Miller, Lea Van P.: 57-6, 62-15

Miller, Martha: 60-5, 61-17, ME-75

Miller, Richard E.: 64-30, NY-16

Miller, William Rickarby: 56-18, 59-34, 64-3

Miller, Jr., Daniel: 58-39

Millet, Jean F.: 63-20

Millet, Jean Francois: MMA-54-2

Millet, Kate: 65-6

Milliken, Gibbs: NY-17

Millman, Edward: 55-13, 58-44

Mills, Joan Studley: 53-17

Mills, Jody: 53-24

Milono, Germano: 64-11

Milton, Peter W.: 64-7

Minagawa, Taizo: 65-12

Minaux, André: 54-18, 58-15

Minewski, Alex: 55-5

Minguzzi, Luciano: 55-7, 60-15, 62-40, 63-31, ME-56

Minoru Yamasaki & Assoc: 62-24, 65-3

Mirko: 59-35

Mirko (Basaldella): 54-27

Miró, Joan: 56-15, 60-4, 60-14, 60-15, 61-9, 62-8, 62-18, 62-41, ME-55, NE-96

Mishilani, James: 56-29

Mistein, Emanuel: 61-17

Mitcham, Fred: 57-23, 57-ee

Mitchell, Bruce: 53-5

Mitchell, Dow P.: 55-20

Mitchell, Fred: 58-39

Mitchell, James A.: 61-31

Mitchell, Jill: 53-24

Mitchell, Joan: 60-9, 60-22, ME-55, NY-10

Mitchell, Mary: 53-24

Mitchell & Giurgola Associates: 62-24

Mitchell & Ritchey: 65-3

Mitsui, Asoo: 65-12

Mitsuoki, Tosa: 63-14

Mitzman, Barney: 55-20

Miura, Kageo: 65-12

Miyamoto: 63-21

Miyasaki, George: 58-3, 58-7, 60-24, ME-73, NY-3

Mizuno, Sokaku: 65-12

Mock, Rudolf: 53-21

Model, Hanns: 61-1

Model, Lisette: 56-5

Modersohn-Becker, Paula: 56-7

Modigliani, Amedo: 57-18, 57-34, 60-14, NY-7&7b

Moffett, George: 58-20

Moffett, Ross: 64-29, 64-30

Mogelof, Simon: 57-ee

Moholy-Nagy, László: 51-9, 58-43, 62-29, 64-10

Mola, Pier Francesco: 62-36

Moldovan, Kurt: 56-15

Mole, J.H.: 62-12

Moller, Hans: 53-5, 53-25, 55-3, 55-8, 55-9, 56-2, 57-1, 57-10, 58-16, 58-26, 59-1, 61-7, 62-6, 64-31, ME-26, ME-73

Molly, Coman Wallpapers: NY-14

Mommer, Paul: 55-3

Mondo, Domenico: 59-40

Mondrian, Piet: 57-18, 58-43, 64-19, ME-65

Monet, Claude: 57-18, 60-14, 61-10, MMA-54-4, NY-7&7b

Monner, Al: 57-16

Monogrammist, H.W.G.: 55-10

Monroe, Keith: 58-16

Montagna, Benedetto: 57-37

Montalon, Mademoiselle: 59-40

Montenegro, Enrique: 55-6

Monticelli, A.: 63-20

Monticelli, Marco Tullio: 61-1

Monza, Louis: 56-2

Moody, John Robert: 53-17

Moore, Charles H.: NY-4

Moore, Charles W.: 64-11, 64-21

Moore, David: 56-2

Moore, Fay Mowery: 64-30

Moore, Henry: 53-1, 54-27, 58-15, 60-14, 60-42, 61-4, 62-40, 63-31, ME-55, ME-56, NE-96

Moore, Jack D.: 56-26

Moore, Werton Dee: 57-ee

Moore, Winchell M.: 58-32

Morales, Amaral y: 59-27

Moran, Edward: 63-15

Moran, Thomas: 59-34, 59-40, 61-3, 64-1, 65-10, ME-11, ME-32

Morandi, Giorgio: 57-34, 58-23, 61-4

Moras, Ferdinand: 64-1

Morath, Inge: 60-25

Morato: 61-1

Moreau, Louis Gabriel: 63-17

Moreau (the Younger), Marcantonio: NY-9

Morehouse, William: 54-27, 60-1

Moreland, William L.: 54-8, 61-35

Morelli, Enzo: 51-18

Moreni, Mattia: 58-23, 61-11, 61-16

Moreno, Servando Cabrera: 56-28

Moretti, Alberto: 56-15

Morgan, Alan E.: 64-11

Morgan, Andrew W.: 65-7

Morgan, Frances Mallory: 52-4

Morgan, Matt: 57-17

Morgan, Maud: 59-24

Morgan, Norma: 56-21, 59-12, 62-3, 64-7, 66-9

Morgan, Randall: 55-8, 55-9

Morgan, William: 58-27

Morino, Kako: 65-12

Morisot, Berthe: 62-45

Morita: 63-21

Morland, George: 65-10

Morlotti, Ennio: 58-23

Mormanno: 62-20

Morozewski, Stefan: 56-25

Morris, Carl: 53-5, 56-1, 58-7, 58-42, 59-45, 64-7, 65-11, ME-73

Morris George L.K.: 53-5, 53-9, 55-3, 55-9, 55-11, 56-2, 57-28, 58-26, 58-44, 59-10, 59-23

Morris, Hilda: 57-12, 58-7, 60-4, 63-12, 64-7

Morris, Kyle: 57-10, 59-10, 61-29, 63-7, ME-33, ME-42

Morris, William: 63-5

Morris, Ostego Company: NY-15

Morrison, Fritzi: 53-1

Morrison, George: 53-12, 56-1, 64-29, 64-30

Morrison, Mark: 52-4, 53-20

Morrow, S.J.: 54-12

Morse: 54-25, 57-17

Morse, Ralph: 58-A&B

Morse, Samuel F.B.: 60-13, 62-17, ME-11, ME-31

Mortenson, Richard: 61-4

Mortimer, J.: 62-12

Mosca, August: 64-3

Mose, Eric: 56-24

Moseid, Torvald: 57-40

Moser, Karl: 53-21

Moses, Anna M. Robertson: 55-19

Moses, Edward: 62-41

Moskowitz, Robert: 62-41

Motherwell, Robert: 54-10, 58-26, 59-6, 59-23, 64-30, ME-7, ME-33, ME-42, ME-73

Moti, Kaiko: 56-21

Motyka, Edmund: 61-30

Moukheibir, Aida: 56-29

Moule, Marian: 55-22

Moulthrop, Reuban: 62-2

Mount, William Sidney: 54-25, 58-27, 59-6, 59-24, 59-34, 60-13, 60-28, 62-17, 64-1, 65-2, ME-11, ME-31, ME-41

Mount Wilson & Polomar Observatories: 59-56

Mourlot: 59-5

Moy, Seong: 53-2, 53-16, 55-3, 55-20, 56-2, 56-15, 56-25, 56-26, 57-32, 58-42, 59-1, 60-22, 60-24, 62-3, 62-8, 64-7, 64-29, 64-30, ME-73, NY-3

Moyer, Frances: 65-6

Moyer, Roy: 61-15

Mruch, Walter: 58-5

Muccini, Marcello: 58-40

Mueller, George: 55-6, 56-2, ME-33, ME-42, ME-73

Mueller, Otto: 56-7, 59-36

Mueller, Riette: 53-16

Mueller, Robert Emmett: 56-25

Muench, John: 54-18, 60-3

Muir, William H.: 64-31

Mulier, Pieter (the Younger): 62-36

Muller, Jan: 58-12, 60-43

Muller, Jean: NY-18

Muller, Robert: 60-14, 60-42

Muller-Hermann, Irma: 61-1

Mullican, Lee: 60-4, 60-22

Munakata, Shiko: 60-15, 61-4

Munch, Edvard: 62-5, 62-28, ME-55

Mundal, Maria: ME-75

Mundy, Henry: 61-4, 64-2

Munkedal, Grethe: 57-14

Munn, Paul Sanby: 62-12

Munnings, Alfred (Sir): 55-19

Munoz, Hilario: 64-25

Munzner, Aribert: 65-7

Murakami: 63-21

Murch, Walter: 53-25, 55-13, 56-24, 58-5, 60-1, 60-4, 61-7, 62-1, 62-16, 64-4, 64-19, 65-11, ME-59, ME-65, ME-73

Muro, J. Antono Fernandez: 60-17

Murphy, Frank: 58-20

Murpy, John Francis: 57-16, 63-15, 64-3, 65-10

Murray, Judith A.: 62-3

Murray-Jones-Murray: 64-11

Murtic, Edo: 59-16

Music, Antonio: 53-2, 55-7, 56-15, 57-34, 58-23, 60-14, 61-11

Mussett, Charles: 56-9

Muybridge, Eadweard

Mydans, Carl: 58-A&B

Myers, Jerome: 57-2, 62-30, 64-3

Myers Joel: 62-10, 64-23

Myers, Malcolm H.: 58-6, 60-3, 62-3

Myers, Virginia A.: 55-20

Myrer, Angele: 58-3

Nadar, Paul: 56-5

Nadelman, Elie: 61-25, 63-31, ME-55

Nae-hyon, Pak: 58-33

Naef, Hannibal: 53-21

Nagare, Masayuki: 63-23

Nagel: ME-29

Nagle, Ron A.: 62-10

Nagler, Fred: 58-16, 63-33

Nahl, Charles: ME-29

Nahl, Johann August (the Elder): 59-40

Nail, Reilly: 53-1

Naiveu, Matthys: MMA-54-3

Najarian, Hovak: 60-5

Naka, Seitaro: 65-12

Nakajima, Michiko: 65-12

Nakamura, Kazuo: 59-3

Nakamura, Koya: 65-12

Nakano: 63-21

Nakashima, George: 64-23

Nakazato, Shigetoshi: 65-12

Nakazato, Tadao: 65-12

Nakian, Reuben: 63-31

Naldini, Giovanni Battista: 62-20

Nama, George A.: 64-7

Namuth, Hans: 58-20, 62-45

Nancy McClelland, Inc: NY-14

Nanteuil, Robert: NY-9

Napoli, Giuseppe: 56-2

Naramore, Bain, Brady & Johanson: 65-3

Narducci, Pietro: 58-9

Nash, Paul: 62-12

Nashimit, S.: 58-36

Nason, Thomas Willoughby: ME-7

Nast, Thomas: 57-3, 59-6

Natali, Giuseppe: 61-22

Natinguerra, A. Bartoli: 51-18

Natkin, Robert: 62-37, 64-2, ME-60

Natoire, Charles-Joseph: 55-24

Nattier, Jean Marc: 62-36

Natzler, Gertrude & Otto: 51-15, 55-22, 57-6

Naum, Gheorghe: 56-21

Nay, Ernst Wilhelm: 54-18, 56-7, 59-36

Nay, Mary Spencer: 56-25

Neagle, John: 58-14, 63-3, ME-11, ME-32

Neal, Quintin: 57-6

Neal, Reginald H.: 53-5, 58-15, 60-3, 60-22

Nebbia, Thomas: 63-2

Neel, Alice: 64-26

Neer, Eglon Hendrik van der: 54-11, MMA-54-3

Neeterby, Elena: 51-15

Negoro, Minnie: 57-6

Negret, Edgar: 63-29

Neili, Armin (Dr.): 53-21

Nelson, Carl: 64-31

Nelson, George: 53-17, 64-21

Nelson, Helen: 58-16

Nelson, Robert: 54-8

Nemeny, George: 64-21

Nepote, Alexander: 53-5, 58-7

Neroni: 63-19

Nervi, Pier Luigi: 59-29

Nesch, Rolf: 56-7

Neter-Kahler, Greten: 61-1

Netscher, Casper: MMA-54-3

Neuhart, Marilyn: 65-6

Neuhaus, & Taylor: 65-3

Neustadt, Barbara: 58-3, 58-35, 60-24

Neutra, Richard J.: 59-15

Nevelson, Louise: 53-20, 56-2, 59-14, 60-22, 60-24, 62-8, 62-40, 63-29, 64-19, 65-1, ME-56, ME-65

Newal, Reginald H.: 56-25

Newkirk, Paul J.: 56-27

Newman, Arnold: 58-20, 63-8

Newman, Barnett: ME-59

Newman, Robert Loftin: 59-6, 59-34, ME-11

Newswanger, Christian: 53-12

Newton, Algernon: 62-12

Newton, William: 61-22

Ng Win: 62-31

Nichols, Perry: 57-23

Nichols, Jack: 56-21, 59-3

Nichols, Marie: 62-15

Nicholson, Ben: 56-21, 57-9, 59-31, 60-14, 61-4, 61-9, ME-32, ME-40

Nicholson, Francis: 62-12

Nickford, Juan: 56-12, 58-16

Nicoidski, Robert: 61-23

Nicolas, Joep: 53-25

Niederer, Roberto: 61-1

Nielssen, Finn: 57-40

Niemeyer, Oscar: 64-11

Niepoort, Paul: 53-24

Niese, Henry: 55-2, 57-12, NY-10

Niewald, Wilbur: 58-39, 65-7

Nigro, Joanne: 53-26

Nilson, Johann Esias: 59-40

Nilson, Marianne: 57-14

Nims, Rufus: 64-21

Nims & Browne: 58-1

Nisbel, Nils: 57-14

Nisbet, Robert H.: 64-3

Nishikawa: 63-21

Nison, Jean: 58-16

Nivola, Constantino: 55-6, 55-13, 64-20, 56-2, 59-28, 62-16, 65-3

No-su, Pak: 58-33

Noack, A.: 64-28

Noble, John A.: 56-25, 64-30

Noble, Joseph V.: 62-45

Noel, Georges: 64-2

Noel, Leon: ME-29

Noguchi, Isamu: 59-6, 62-40, ME-56

Noland, Kenneth: ME-73

Nolde, Emil: 56-7, 59-36, 60-14, 62-27

Noma, Yoshiko: 62-8

Nome, Sigured: 57-40

Nooms, Reinier (Zeeman): 60-40

Noordhoek, Wim: 51-3, 53-2

Nordfeldt, B.J.O.: 53-12, 57-30, 61-25, 64-29, 64-30

Nordgreeu, Erik: 52-5

Norman, Dorothy: 56-5

Norris: 64-5

Norwood, Richard: 54-42

Nosaka, Koki: 65-12

Noteriani, Philip: 58-16

Novelli, Gastone: 60-20, 62-41

November, David: 62-10

Novick, Jennie: ME-75

Noyes, Eliot: 62-34

Nunes, Gordon: 53-5

Nurkse, Harriet Berger: 56-25

Nydal, Gabriella: 57-14

Nygaard, Axel: 52-5

Nyman, Olle: 62-44

Nzgaard, Lisbeth A.: 53-24

O'Connell, George: 64-7

O'Connell, Michael: 62-15

O'Connor, Thom: 64-7

O'Hara, Bernhard: 56-2

O'Hara, Eliot: 53-1, 53-8

O'Hara, Frederick: 60-15

O'Keeffe, Georgia: 54-25, 55-11, 55-15, 59-6, 59-31, 60-13, 60-27, 63-14, ME-7, ME-23, ME-31, ME-41

O'Neil, John: 55-6

O'Neill, Desmond: 55-2

O'Neill, Michael T.: 65-11

O'Neill, Rose: 57-3

O'Sullivan, Timothy H.: 54-12, 62-25, NY-1

O'Stock: 53-21

Ober, Hermann: 53-11, 60-15

Oberg, Eje: 57-14

Oberholtzer, Beth Ann: 57-14

Obregon, Alejandro: 60-17

Ocampo, Miguel: 56-15

Ochikubo, Tetsuo: 58-15, 60-15

Ochterverld: 54-11

Odate, Toshio: 62-40, ME-56

Oe, Sachihiko: 65-12

Oehrstroem, Edvin: 56-3

Oelow, Per: 57-16

Oenslager: 63-19

Oenslager, David: 64-35

Oenslager, Donald: 57-5, 62-14

Oertel, Johannes Adam Simon: 55-19, 58-28

Oeschger, Ramon E.: 60-3, 64-7

Office of Carleton Granberry: 62-24

Ogawa, Kinji: 65-12

Oglesby, Jr., E.O.: ME-19

Ohashi, Yutaka: 56-27, 58-42

Ohi, Toshior: 65-12

Ohmann, Harold: ME-75

Ohno, Hidetaka: 63-23

Ohnsorg, Kukrt: 61-1

Oishi: 63-21

Okada, Kenzo: 55-6, 58-42, 60-1, 61-7, 63-23, 64-2, 64-20, ME-59, ME-73

Okada, Shojin: 65-12

Okamura, Arthur: 55-5, 58-7, 59-12, NY-10

Okubo, Mine: 58-42

Okura-Kyo: 63-19

Oldenburg, Acke: NE-96

Oldenburg, Claes: 62-41, 64-20, 65-11

Olds, Elizabeth: 56-1

Oliveira, Nathan: 54-18, 56-25, 59-12, 60-14, 60-43, 65-11, ME-73, NE-96

Oliver, Harriette Forbes: 56-2

Oliver, Loren: 65-11

Olivier, Ferdinand Johann Heinrich von: 63-17

Olofsson, Pierre: 54-18

Olsen, Donald: 59-12

Olsen, Earle: 59-1

Olsen, Herb: 53-1, 53-8

Olsen, Paul: 62-31, 65-7

Onishi, Tadao: 65-12

Ono, Hidetaka: 61-4

Onslow-Ford, Gordon: 58-42, 61-15

Onus, Titiana: 58-40

Opazo, Rodolfo: 60-17

Oppenheim, S. Edmund: 64-30

Opper, Frederick Burr: 57-3, 59-6

Opper, Jerry D.: 53-16, NE-96

Orlandi: 63-19

Orlando, Felipe: 60-4, 60-15

Orley, Bernard van: 62-20

Orpen, William (Sir): 62-12

Orr, Elliot: 64-30

Ortkens, Aerdt: 55-24

Ortman, George: 60-22, 62-41, 63-29, 63-30, 64-20, 64-26

Ortner, Alfons: 56-15

Osborn, Mary Louise: 62-10

Osborn, Robert: 53-19, 55-13, 59-6, 60-22

Oscar, Charles: 57-12

Osgood, Jere: 58-32, 64-23

Osgood, Ruth: 54-42

Ossorio, Alfonso: 53-25, 58-5, 59-23

Ostade, Adriaen van: 54-11, 62-20, 63-17

Ostrower, Fayga: 55-20

Ostuni, Peter: 53-25, 60-5

Ostwald, J.H.: 64-21

Osver, Arthur: 54-10, 56-2, ME-73

Otero, Alejandro: 60-17, 62-6

Otter, Thomas: 58-27

Ottiano, John W.: 56-27

Ottinger, Ray: 53-24

Otto, Henrich (Johann): 64-1

Otto, Teo: 53-15

Oudry, Jean Baptiste: 62-36, 67-19, ME-32

Overhoff, Jacques: 65-3

Oviette, Vevean: 55-20, 56-26, 58-3

Owen, A.Y.: 58-A&B

Owen, Frank: 53-3

Owings, Jennifer & Laval, Louise: 65-6

Oxley, Richard E.: 61-35

Oxtoby, David Jowett Greaves: 65-7

Pace, Stephen: 56-1, 56-2, 57-1, 61-29

Pach Walter: 55-15

Pacheco, Maria Luisa: 62-6

Pachner, William: 57-35, 59-46, 61-7, 61-35, ME-73

Packard, Emmy Lou: 55-5

Packer, Fred: 57-3

Padamsee: 59-13

Paez-Vilaro, Carlso: 60-17

Paganini: 58-35

Page, John: 56-25

Page, W.: ME-11

Pager, Southerland & Page: ME-19

Paggi, Justine C.: 53-17

Pahlmann, William: 53-17

Painter, Hal: 58-25

Pajou, Augustin: 62-20

Palagi: 63-19

Palazuelo, Pablo: 61-4

Palazzo, Tony: VA-53-1

Palazzola, Guy: 57-12, 62-31

Palladio, André: 56-10, 61-22

Palma, Jacopo: 64-6

Palma, Jacopo (the Younger): 64-9

Palmer, Fanny: 64-1

Palmer, Frank: 59-3

Palmer, Samuel: 62-12, 63-17, 67-19

Palmer, William: 55-19, ME-73

Palmer, Yvonne: 58-32

Palmqvist, Sven: 56-3

Palovich, George: 62-10

Panfili, Pio: 58-9, 63-19

Pankok, Otto: 56-21

Pannini, Giovanni Paolo: 55-24, 61-22

Paolozzi, Eduardo: 60-14, 61-4, 62-40, 62-41, 64-19, ME-56, ME-65

Papaeleopoulou, Doza: 56-29

Papenbrock, Patricia: 53-24

Papillon, Jean: NY-14

Pappas, George: 56-27, 62-31

Pappas, John Nick: ME-75

Pappas, Marilyn R.: 62-10

Paralis, Nickos G.: 56-29

Pardo, Mercedes: 60-17

Pardon, Earl B.: 57-6

Pareja, Miguel Angel: 60-17

Parigi, Giulio: 59-40

Parin, d'Aulaire Ingri & Edgar: VA-53-1

Paris, Harold: 53-16, 56-12

Park, David: 58-7, 60-43, ME-55, NY-18

Park, Linton: 62-2

Parker, James A.: 57-6

Parker, Keith: 62-10

Parker, Raymond: 60-9

Parker, Robert Andrew: 56-12, 61-15, 64-3, ME-75, NY-10

Parks, Gordon: 58-A&B, 59-56, 63-8, 64-28

Parks, Jarvin L.: 61-35

Parmeggiani: 51-18

Parmenter, S.: 64-5

Parmigianino, Francesco Mazzola: 62-20, 67-19, NY-9

Parreda, Ernesto: 60-17

Parrish, Maxfield: 59-6

Parrott, Alice: 57-14, 58-32, 60-5, 62-15

Parshall & Chasek, Jane & Denis: 57-6

Parsons, Betty: 56-2, 58-5, ME-59

Parsons, David G.: 58-16

Partch, Virgil: 57-3

Pascin, Jules: 54-10, 58-34, 60-14, 62-30

Pasilis, Fleix: 57-9

Pasmore, Victor: 61-4, 61-21

Passel, Howard: 56-2

Passignano, Domenico: 59-40

Passorotti, Bartolomeo: 67-19

Pasternacki, Vetold H.: 57-ee

Pataky, Tibor: 64-30

Patania, Jr., Frank J.: 62-10

Paterson, Anthony R.: 64-25

Pato, Barbara: 58-39

Patocchi, Aldo: 56-21

Patterson, Charles: NY-17

Patterson, Thomas W.: 51-15

Pattinson, Irene: 53-26

Paul, William D.: 56-13, 61-35, 65-7

Paul Rudolph, Anderson, Beckwith & Haible: 63-16

Pauli, Fritz: 56-21

Paullin, Ethel: 53-5

Paulucci, Enrico: 58-23

Pausette-Dart, Richard: 58-16

Pavel, Philip: 58-16

Pavia, Lorenzo: 58-9

Paxton, Elizabeth: 64-30

Paxton, William M.: 64-29, 64-30

Payne, David: 53-22

Paz, C.: 58-36

Peabody, Lawrence: 61-30, 64-23

Peake, Channing: 55-19

Peale, Charles Willson: 63-3, ME-11, ME-41

Peale, James: 63-3

Peale, Margretta Angelica: 63-3

Peale, Raphaelle: 59-24, 59-34, 63-3, ME-11, ME-32, ME-41

Peale, Rembrandt: 63-3, 64-1

Peale, Jr., James: 64-1

Pearl, Julia: 53-24

Pearlstein, Philip: NY-18

Pearson, Henry: 60-41, 61-15, 62-41, 65-4, 65-11

Pearson, Joan: 51-15

Pearson, John: 64-25

Pearson, Ronald: 57-6, 64-23

Pease, David: 65-11

Pecham, Georg: 64-9

Pechstein, Max Hermann: 56-7, 59-36, NE-48, 61-25

Pedersen, Carl-Henning: 61-4, 64-2

Peel, Donald William: 56-13

Peele, John Thomas: 58-14

Peers, Gordon: 56-27

Peeters: 54-11

Peeters, Eugene: 56-18

Peeters, Henk: 61-20

Pehrson, Karl Axel: 58-15, 62-44

Pei I.M.: 61-31, 62-24

Peiffer-Wattenphul, Max: 56-5

Peirce, Waldo: 64-31

Peircey, Don: 53-17

Peitila, Reima: 64-11

Pelaez, Amelia: 56-28, 62-6

Pellan, Alfred: 59-3

Pelletreau, Elias: NY-13

Pellew, John C.: 53-8

Penalba, Alicia: 62-40, ME-56

Pencz, Georg: 57-37

Penn, Irving: 59-56

Pennell, Joseph: 57-17, ME-7

Penney, James: 53-1, 64-31

Penny, Aubrey J.: 57-10

Penraat, Jettie: 58-25

Pepper, Eleanor: 61-30

Percel, E.: 62-2

Percier: 63-19

Perego: 63-19

Pereira, I. Rice (Irene Rice): 53-1, 53-5, 53-25, 55-8, 55-9, 59-1, 59-10, 60-27, 62-28, 62-29, ME-7, ME-73

Perez Augusto: 60-20

Perez & Chanis: 59-27

Peri, Eve: 52-7, 58-25

Peric, Sime: 59-16

Perilli, Achille: 58-23, 60-20

Perkins, Nancy: 53-17

Perlin, Bernard: 52-11, 55-13, 59-6, 61-15, 62-1, 64-4, ME-33, ME-42, ME-73

Perlmutter, Jack: 54-18, 56-25, 58-3, 58-15, 63-7, 65-4, NE-96

Perot, R.: 61-1

Perugino, Piertro: 62-20

Peruzzi: 63-19

Pessirilo, Harold: ME-75

Pessirilo, Kristina Freberg: ME-75

Peterdi, Gabor: 53-2, 53-5, 53-16, 55-20, 56-25, 56-26, 56-27, 57-9, 57-32, 57-36, 58-3, 60-3, 60-15, 60-22, 61-15, 62-3, 62-8, 62-16, 64-7, 65-11, NY-3

Petersen, G. Biilmann: 52-5

Petersen, Ursula Munch: 57-14

Petersen, Will: 56-25

Petersham, Maud & Miska: VA-53-1

Peterson, Kim: 58-6

Peterson, Mary Louise: 53-26

Peterson, Will: 53-26, 57-31

Peto, John Frederick: 59-24, 59-34, 63-3, 62-7, 63-15, ME-40

Petrov, Ilia: 56-21

Petrovic, Zoran: 59-16

Pettit, Florence Harvey: 57-6

Petty, M.: ME-28

Peverilli, Cesare: 60-20

Pevsner, Antoine: 64-10

Pfeiffer, Fritz: 64-30

Pfeiffer, Heinrich: 64-30

Pfeiffer, Hope Voorhees: 64-30

Philbrick, Otis: 60-3

Philip Johnson Associates: 62-24, 64-11

Phillipp, Walter: 56-2

Phillips, Helen: 56-21, 62-8

Phillips, James: 57-12, 58-40, NY-10

Phillips, Marjorie: 57-10

Piazzetta, Giovanni Battista: 67-19

Picabia: 59-5

Picabia, Francis: 59-23

Picart, Bernard: 55-24

Picasso, Pablo: 54-16, 57-18, 58-15, 58-34, 59-5, 59-19, 59-23, 60-14, 61-6, 61-9, 61-24, 62-5, 63-5, 63-14, 63-33, ME-32, ME-40, ME-55, ME-72, NE-96, NY-7&7b

Picelj, Ivan: 59-16

Picken, George: 53-12

Pickens, Alton: ME-73

Pickett: 54-25

Pickett, Joseph: 60-13, ME-31

Pickhardt, Carl: 54-16

Pickin, George: ME-73

Pierce, Danny: 53-16, 56-13, 56-25, 56-26, 58-3, 58-35, NY-3

Pierce, Donald: 64-30

Pierce, Earl: 56-27

Pierce, John R.: 53-17

Pierce, Leona: 53-1, 56-21

Pierce, Waldo: 55-3, 63-33

Piercy, Frederick: 64-1

Pierre, Jean-Baptiste Marie: 62-20

Pignon, Edouard: 54-18, 60-14

Pillement, Jean-Baptiste: 59-40, 62-20

Pimentel Sonja: 65-6

Pinaker, Y.: 58-36

Pinart, Robert: 58-16

Pinchon, Robert: 61-1

Pine, Alvin A.: 60-12

Pine, Theodore: 58-14

Pineda, Marianna: 58-16, 59-6

Ping-Ming, Hsiung: 58-15

Pinkerson, Ian: 64-29, 64-30

Pinlon, Veno: 56-21

Pinney, Eunice: 59-18, 64-1

Pinski, J.: 58-36

Pinter, Margit: 62-15

Pinturicchio, Bernadino: 56-16

Piper, John: 54-18, 55-13, 62-12

Pirandello, Fausto: 51-18, 58-23

Piransesi, Giovanni Battista: 62-18, NY-21

Pirkko, Juti: 57-14

Pissarro, Camille: 60-24, 63-17, ME-40, NY-9

Pittman, Hobson: 53-12, 63-3

Pitz, Henry C.: 53-1

Planson, Andre: 53-2

Plaskett, Joseph: 59-3

Plate, Walter: 61-7, NY-10

Platschek, Hans: 64-2

Platt, Charles A.: 59-25

Platt G.W. & N.C.: NY-13

Platzer & Bittner: 63-19

Pleissner, Ogden Minton: 62-17, ME-73

Pletcher, Eldon: 57-3

Pleydenwurff, Wilhelm: 55-10

Pliakoff, Serge: 62-28

Plochman, Carolyn: 55-5

Plum, Nancy: 62-10

Pogacnik, Marjan: 56-21

Poliakoff, Serge: 58-15

Politi, Leo: VA-53-1

Pollack, Reginald: 59-1, 63-33, ME-55

Pollard, James: 55-19

Pollard, Robert: 64-5

Pollock, Jackson: 55-9, 57-30, 59-23, 59-24, 60-13, 62-8, 64-2, ME-7, ME-23, ME-41, ME-55, ME-59

Pollock, Martha: 57-6, 64-23

Polonsky, Arthur: 56-9, 56-13, 65-11

Pomodoro, Arnaldo: 60-20, 61-4, 62-40, ME-56

Pomodoro, Giorgio: 59-35, 60-20, 61-4

Ponce de Leon, Michael: 55-16, 55-20, 56-25, 58-3, 60-3, 60-24, 62-3, 64-7

Poncelet, M.: 59-5

Ponelle, Jean-Pierre: 53-15

Ponti, Carlo: NY-1

Poor, Anne: 55-13, 58-12, 65-2

Poor, Henry Varnum: 62-30, 62-31, 64-3, 64-31, ME-73

Pope, John: 63-15

Portanier, Gilbert: 61-1

Porter, Allan: 58-25

Porter, Almut G.: 62-10

Porter, Edward: 60-3

Porter, Eliot: 63-2

Porter, Fairfield: 60-43, 64-26, 64-31, 65-2, 65-11, ME-73, NY-18

Porter, Priscilla M.: ME-75

Porter, W. Lyman (Mrs): 57-14

Portocarrero, Rene: 56-28

Pot, Hendrick Gerritz: MMA-54-2

Poter, Mark: NY-17

Potter: 54-11

Potter, Irving: 60-5, 61-17

Potter, Paulus: 60-40

Pottery, Ossipee: 57-6

Potthast, Edward Henry: 63-1, NY-16

Potworowski, Peter: 61-11

Poulakidas, Angelos: 57-ee

Poulos, Dorothy: 57-23

Pousette-Dart, Nathanial: 55-3

Pousette-Dart, Richard: 64-19, 65-4, ME-59, ME-65, ME-73

Poussin, Gaspard: 62-20

Poussin, Nicholas: 57-18, 62-20

Powell, Eugene M.: 53-1

Powell, H.M.T.: 62-2

Powers, Gorman: 55-21

Pozzatti, Rudy: 54-42, 55-9, 55-20, 55-21, 56-1, 56-25, 58-3, 58-16, 60-22

Pozzo: 63-19

Procaccini, Camillo: 64-6

Praczukowski, Anne Malone: 62-10

Prampolini, Enrico: 58-23

Prang & Mayers: ME-29

Prange, J.M.: 51-3

Prasser, Richard C.: 58-35

Prassinos, Mario: 60-15

Pratt, Caroline: 65-6

Praun, Anna: 61-1

Pregelj, Marij: 56-21, 59-16

Prendergast: 54-25

Prendergast, Charles: 60-27

Prendergast, Maurice Brazil: 54-10, 54-25, 55-19, 57-2, 58-34, 60-13, 60-24, 62-17, 62-28, 63-1, 64-31, ME-27, ME-31, ME-32, ME-41, NY-5, NY-19

Prentice, L.W.: 56-18

Prentiss, Bard: 62-10

Prentiss, Thomas: 64-4

Prestopino, Gregorio: 54-10, 58-44, 61-15, ME-73

Preusser, Robert: 57-23

Preyer, Robert: 58-15

Pribble, Easton: 55-8, 56-12

Prica, Zlatko: 56-21

Price, George: 55-13, ME-28

Price, Robert: 55-8

Pride, Harold: 58-16

Priest, Hartwell: 58-3

Prieto, Antonio: 57-6

Primaticcio, Francesco: 63-9

Primavesi, Catejan: 58-35

Pringle, James: 58-27

Prinner: 62-8

Prior, William Matthew: 59-18, 62-2, 63-15, NY-21

Prip, John: 57-6, 59-12, 64-23

Pritchard, B. Pickard: 60-41

Probst, Joachim: 58-35, ME-75

Proom, Al: NY-17

Protic, Miodrag: 59-16

Prout, J.S.: 62-12

Provensen, Alice & Martin: VA-53-1

Provenzano, Samuel: 58-7

Pruden, Dunstan: 58-35

Pruna, Pedro: 59-19

Pryde, James: 62-12

Puccinelli, Antonio: 63-10

Puckett & French: ME-19

Pudlich, Robert: NE-96

Puget, Pierre: 59-40

Pugin, Augustus: 61-22, 62-12

Puig, Anotio Tapies: 60-14

Pulos, Arthur J.: 57-6

Purser, Stuart: 61-35

Putnam, Wallace: 55-3, 56-2

Puyo C.: 56-5

Py, Fernand: 58-35

Pyle, Howard: 59-6

Pynacker, Adam: 62-20

Pytlak, Leonard: ME-7

Qitman, Sidney L.: 58-16

Quackinbush: NY-15

Quademechels, Elizabeth: 58-35

Quaglio: 63-19

Quam, Barbara: 53-17

Quastler, Gertrude: 53-1, 53-16

Quesnel, Francois: 55-24

Quick, Birney: 62-31, 65-7

Quidor, J.: ME-11

Quinn, Bill: 53-26

Quirt, Walter: 56-2, 58-6, 59-1, 59-47

Quitman & Applebaum Bell & Evelyn: 61-17

Raaschou, Dorte: 57-14

Rabineau, Eli: 62-24

Rabinowditz, Harold: 62-10

Rabkin, Leo: 62-27, ME-74

Rabus, Carl: 56-2

Rackham, Arthur: 62-12

Racz, Andre: 53-25, 55-20, 58-16, 58-35, 60-22, 62-8

Radell, Renee: ME-75

Radkar, Attila Bay: 56-29

Radoczy, Albert: 59-12, 61-15, 62-3

Radulovich, Savo: 56-2, ME-41

Raeburn, Henry (Sir): 65-10

Rafaelli, Jean F.: MMA-54-4

Raffaele, Joseph: 53-26

Raffo, Steve: 57-2

Raimondi, Marcantonio: 62-18

Rain, Charles: 64-4

Raleigh, C.S.: 62-2

Rambusch, Robert: 58-16

Ramirez, Eduardo: 60-17, 62-6, 63-29

Ramirez, Rene O.: 59-27

Ramos, Mel: 58-3

Ramsey, Robert: 58-32

Rancillac, Bernard: 62-8

Rand, Lynn: 62-10

Rand, Paul: 60-37

Randall, Theodore: 57-6

Rann, Vollian Burr: 64-30

Ranney, William Tylee: 58-27, 61-3

Ransom, Katharine: 53-24, 56-13

Ranson, Pierre: 59-40

Rappoport, Jean: ME-75

Rasmussen, Aage: 52-5

Rasmussen, Inge-Lise: 57-14

Rasmusson, Daniel: 55-21

Raspi, Peiro: 60-20

Ratkai, George: 53-12, 55-2, 56-1, 58-16, 59-1, 64-29, 64-30

Ratliff, Donald: 58-39

Ratner, David: 58-6

Rattner, Abraham: 53-5, 53-25, 54-10, 55-9, 55-19, 55-21, 56-2, 57-1, 57-10, 58-16, 59-7, 59-48, 60-22, 60-27, 61-15, 62-16, 62-28, 62-31, ME-26, ME-73

Rauschenberg, Robert: 58-26, 59-10, 59-14, 60-9, 62-41, 64-19, 64-26, 65-11, ME-65, ME-73, NY-10

Rawda, Selwa: 56-29

Ray, Man: 55-15, 56-5, 59-14, 62-29

Ray, Patricia: 54-27

Ray, Robert D.: 56-12, 56-25, 56-26

Ray, Rudolf: 63-7

Ray, Ruth: 60-4

Raymond, Herman: 54-8, 55-6, 56-2

Raymond,Suzanne: 59-19

Raynor, Louis B.: 57-6

Rayo, Omar: 62-3, 64-7

Raza: 59-13

Razi, H.: 58-36

Re: 63-19

Read, Cecil: 57-6, 57-6

Ream, Morston Constantine: 56-18

Reckendorf, Angelika: 53-24

Reddy, Krishna: 56-21, 62-8

Reder, Bernard: 54-16, 62-21, 62-31, 63-31

Rederer, Franz: 56-2

Redfield, Edward Willis: 57-11

Redi, Tommaso: 55-24

Redon, Odilon: 59-5, 62-5, 62-27, 63-14

Reed, Doel B.: 53-5

Reed, Jules F.: 57-14

Reed, Reuben Low: 59-18

Reed, Veda: 57-14, 60-5, 61-35

Reed, Jr., Orrel P.: NE-96

Reed, Jr., Robert J.: 65-7

Reeder, Dickson: 62-8

Reese, Emmy: 64-7

Reeves, Joel: 57-31

Refn, Helge: 52-5

Refregier, Anton: 51-5, 55-2, 55-13, 56-2, 57-2, ME-73

Regensteiner, Elsa: 52-7

Regensteiner & McVicker: 57-6

Reggiani, Mauro: 58-23, 61-16

Reggio, M. Louise: 58-35

Regis, Henry: 64-25

Regnier: ME-29

Rehead, Louis J.: 57-17

Reichek, Jesse: ME-59

Reid, Barney M.: 57-6

Reid, Robert: 63-1, 66-9, NY-16

Reifenberg, A.: 58-36

Reily, Bill: 57-23

Reinblatt, Moe: 59-3

Reinhardt, Ad (Adolph Frederick): 56-2, 57-9, 57-10, 59-23, 60-41, ME-33, ME-42, ME-59, ME-73

Reinhardt, Siegfried: 53-25, 58-16, 63-33, 64-4

Reinheimer, Ollie: 62-15

Reinicke, Bruno C.: 62-45

Reinold, Nono: 62-8

Reis, Victor: 58-16, 58-35

Reisman, Philip: ME-73

Reiss, Roland: 55-20, 56-25, 57-12

Reiss, Wallace: 57-12

Reiter, Lawrence: 53-26

Rejlander, Oscar G.: 56-5, 62-25, NY-1

Rekem, M.: 58-36

Rembrandt, Harmenszoon van Rijn: 54-11, 55-24, 56-16, 57-18, 57-37, 58-19, 60-40, 61-14, 62-27, 63-15, 63-17, 64-19, ME-55, ME-65, NY-7&7b, NY-9, NY-21

Remington, Deborah: 65-11

Remington, Frederick: 61-3, ME-41

Remmey, Paul B.: 53-1

Rendon, Manuel: 60-17, 62-6

Reni, Guido: 59-40, 64-6

Renk, Merry: 57-6

Renninger, Katharine Steele: 65-11

Renoir, Pierre Auguste: 57-18, 59-5, 60-14, 61-2, 63-14, MMA-54-2, ME-40, NY-11

Reopel, Joyce: NY-17

Reshovsky, Ernest: 57-16

Resika, Paul: 55-5, 58-40

Resnick Milton: 60-1, 63-1

Restek, Josip: 56-21

Rettinger, Roy: 53-17

Reutersward, Carl Fredrik: 62-44

Reveillon: NY-14

Revere, Paul: ME-29

Reynolds, Alan: 57-27

Reynolds, Joshua: 56-16, MMA-54-2

Rezvani, Serge: 54-18

Rheindorf, Hans: 61-1

Rhen, Frank K.M.: 64-3

Rhodenbaugh, Harold W.: 57-16

Rhodes, Daniel: 57-6

Rhodes, Walter: 54-14, 60-5

Rhodes, Willis L.: 64-28

Ribera, Jose: 63-15

Ribera, Jusepe de: 64-6

Ribould, Marc: 60-25

Ricardo, Halsey Ralph: 61-22

Ricau, James Henri: 51-13

Ricci, Luigi: 58-9

Ricci, Marco: 67-19

Riccio, Andrea: 63-9

Rice, Ray: 65-3

Richard, Chava W.: 61-17

Richards, Cari: 54-18, 56-21, 60-15, 61-4, 62-12

Richards, Jeanne Herron: 55-20

Richards, William C.: NY-17

Richards, William T.: 59-6, 64-3

Richardson, Dean: NY-10

Richardson, Jerry P.: 62-10

Richardson, Kenneth E.: 64-21

Richenburg, Robert: 60-12, 63-7, 64-20

Richier, Germaine: 60-14, 60-42

Richmond, Colin B.: 60-5, 62-10, 64-23

Richter, M.: ME-28

Rickey, George: 58-43

Riedler, Ingeborg: 61-1

Rieger, Shay: ME-75

Ries, Victor: 51-15

Rigaud, Jean-Baptiste: 63-17

Rigg, Margaret: ME-75

Righini: 63-19

Riis, Jacob: 64-28

Riley, Bernhard: ME-75

Riley, H.W.E.: 53-17

Rilke, R.: 58-36

Rimmer, William: 59-6, 59-24

Rinaker, Clarissa: 57-6, 62-15

Rindisbacher, Peter: 61-3

Riopelle, Jean-Paul: 57-9, 59-3, 60-14, 61-4, 62-28

Ripley, A. Lassell: 53-5

Risley, Mary Kring: 57-6

Rissman, Arthur: 57-ee

Ritchie, A.H.: ME-29

Rivera, Diego: 65-2

Rivera, Manuel: 61-4, 62-29

Rivers: NY-20

Rivers, Larry: 55-2, 56-2, 56-12, 57-10, 60-9, 60-14, 60-22, 60-43, 61-2, 61-9, 65-11, NY-18

Ro, E.: 57-17

Roach Ruth S.: 57-6, 60-5

Roath, H.A.: 62-2

Robb, Eillen: 62-10

Roberds, Gene Allen: 65-7

Robert, Hubert: 59-40, 62-20, 67-19

Robert, Paul A.: 55-20

Roberts, David: 62-12, 67-19

Roberts, Donald: 60-3

Roberts, George: 57-14, 58-32

Roberts, Priscilla: 64-4

Roberts, Tom: 53-26

Robetta, Cristofano: 57-37

Robey, Dorothy: 53-24

Robins, Thomas the Younger: 67-19

Robinson, Boardman: 59-6

Robinson, Frances W.: 60-5

Robinson, H.R.: ME-29

Robinson, Robbie: 57-3

Robinson, Theodore: 61-10, 62-7, 62-17, 63-1, 64-3, NY-16

Robus, Hugo: 52-4, 56-2, 59-52, 63-31

Rocha, Lita: 58-35

Rock, John: 56-25

Rocklin, Raymond: 57-12, NY-10

Rockmore, Noel: 55-5, 56-13

Rodd, Joseph: 62-10, 64-23

Rodel, Karl: 54-18

Rodin, Auguste: 61-2, 63-31, ME-55

Roesch, Kurt: 54-10, 60-1

Roese, Shirley: 58-32

Roesen, Severin: 56-18

Roessler, Herman: 59-6

Rogalski, Walter: 53-2, 53-5, 56-25, 56-26, 58-3, NY-3

Rogers, E. George: 57-ee

Rogers, Robert S.: 56-13

Rohlfs, Christian: 56-7, 59-36

Rohn, Ronald (Dr.): 53-21

Roithner, Hans: 61-1

Rolfsen, Alfred: NE-96

Romano, Clare: 53-16, 56-25, 58-3, 60-3, 62-3

Romano, Giulio: ME-32

Romano, Umberto: 64-29, 64-30, ME-73, ME-75

Romeda, Bruno: 58-25

Romijn, G.A.M.: 53-2, 54-18, 56-21

Romiti, Sergio: 58-23, 59-35, 60-20

Romney, George: 55-24, 62-20, 62-36

Romoff, Ronald F.: 53-17

Ronald, William: 59-12, 60-4, 64-2, 64-20

Roncalli, Cristofano: 64-9

Ronendaal, W.J.: 51-3

Ronis, Willy: 60-25

Rooke-Ley, Peter: 53-17

Roozendaal, W.J.: 53-2

Ropes, J.: ME-29

Rosa, Salvator: 64-6

Rosati, James: 60-42, 61-29, 62-40, ME-56

Rose, Ben: 52-7, 53-17

Rose, Guy: 61-10

Rose, Herman: 56-13

Rose, Iver: 53-12

Rose, Naomi: ME-75

Rosen, James M.: 62-31

Rosen, Lee: 64-23

Rosenbaum, Robert L.: 62-10

Rosenberg, James N.: 56-2

Rosenblatt, Adolph: 55-20

Rosenborg, Ralph M.: 56-2, 61-25

Rosenfeld, Jerome E.: 52-7

Rosenfield, Isadore: 59-27

Rosenhouse, Irwin: 58-3

Rosenquist, James: 62-41, 65-11

Rosenquit, Bernard: 58-3

Rosenthal, Bernard: 52-4

Rosenthal, Stephen: 58-3

Rosenwald, Robert: 57-12

Ross, Alvin: NY-17

Ross, George Gates: 63-15

Ross, John T.: 56-25, 60-3, 60-15

Rossbach, Ed: 57-6, 60-5, 62-15, 64-23

Rosse, Dirk: 64-23

Rosse, I. Martin: 64-21

Rossenblatt, G.: 58-36

Rossetti, Dante Gabriel: 62-12, 62-20

Roszak, Theodore: 56-2, 57-56, 60-42, 62-1, 62-31, 63-31

Rotella, Mimmo: 60-15

Roth, Alfred & Emil: 53-21

Roth, Frank: 59-1, 59-12

Roth, Herman: 58-16, 61-17, NY-13

Roth, Rachel Chester: 61-35

Rothenstein, Michael: 60-15

Rothko, Mark: ME-7, ME-40, ME-59, NY-5

Rothman, Jerry: 58-32

Rothstein, Arthur: 57-16, 59-56, 64-28

Rothstein, Irma: 56-2

Rothwell, Richard: 65-10

Rotsler, William: 58-16

Rotter, Karl: 61-1

Rouault, Georges: 54-16, 57-9, 57-18, 57-37, 58-35, 59-5, 62-5, 63-14, 63-17, NY-7&7b

Rougier, Michael: 58-A&B

Rousseau, P.E.T.: MMA-54-4

Rousseau, Theodore: 63-17, 63-20

Roussel Ker-Xavier: 62-5

Rovelstad, Sue: 53-16

Rowan, Frances Physioc: 58-3

Rowell, Kenneth: 59-19

Rowinski, David: 60-12

Rowland, Benjamin: 56-27

Rowlandson, Thomas: 55-24, 62-4, 62-12, 62-18, 62-20, 63-17, 64-5, 67-19

Rowse, F.: ME-29

Rox, Henry: 56-2

Roy, Jamini: 58-42

Rozak, Gustav, MD: 57-41

Ruben, Richards: 53-16, 55-20, 56-26, 58-3, 58-7, 63-12

Rubens, Peter Paul: 54-11, 56-16, 57-18, 61-22, 62-20

Rubenstein, Avrum: 56-13

Rubenstein, Charlotte: 64-30

Rubenstein, Lewis: 64-30

Rubenstien, Barnet: 56-27

Rubin, Irwin: 62-41

Rubington, Norman: 55-2

Rubinstein, Lewis: 56-2

Rublev, Andrej: 56-16

Rude, Rolfe: 57-40

Rudolph, Paul: 58-1, 61-31, 62-14, 64-35, 65-9

Rudy, Charles: 53-20

Rudzinski, Andrezj: 56-21

Ruf, Sep: 64-11

Ruggieri, Piero: 59-35, 60-20

Rugh, Elizabeth: 58-32

Ruhtenberg, Cornelis: 56-12, 57-2

Ruisdael or Ruysdael, Jacob Isaakszoon van: 63-17

Running, Cyrus: 58-6

Ruohomaa, Kosti: 57-16

Rusell, Gordon: 58-12

Rush, A.W.: 53-26

Rush, Andrew: 64-7

Rush, Jon: 58-39

Rushing, Val: 58-32

Ruskin, John: 62-12

Russell, Alfred: 56-26, 58-40

Russell, Bruce: 57-3

Russell, Charles Marion: 61-3

Russell, Frank: 56-2

Russell, Gordon: 56-9

Russell, Morgan: 55-15

Russian, School: 56-16

Russo, Alexander: 63-7

Russo, Mario: 57-9

Russo, Michele: 53-12

Russolo, Luigi: 57-34

Russum, Jr., Olin L.: 57-6

Rust, Betty Lou: 57-14

Ruvolo, Felix: 56-2, 58-7

Ruysdael: 54-11

Ruysher, Hudsen: 51-15

Ryan, Anne: 53-1, 56-26, 57-30, 58-26, ME-7, ME-59, NY-3

Ryan, Milton A.: ME-19

Ryder, Albert Pinkham: 54-25, 59-24, 59-34, 60-13, 62-17, ME-7, ME-11, ME-31, ME-41

Ryggen, Hannah: 57-40

Saarinen, Eero: 59-15, 61-31

Saavelli, Angelo: 60-3

Sabatini, Rafael: 63-3

Saccaro, John: 55-2, 58-7, 59-10, 59-24

Sacchetti: 63-19

Sacchi, Andrea: 59-40

Sachse, E.: ME-29

Sadeler, II Gilles: 63-17

Sadun, Piero: 58-23

Saenredam, Jan: 63-9

Saetti, Bruno: 51-18, 56-15, 59-35, 61-16

Sage, Kay: 60-27, 62-1

Sahgir, Adil: 56-29

Saint-Gaudens, Augustus: 59-34

Saintin, Jules Emile: 59-34

Saito, Minonu: 60-3

Sakai, Eiichi: 65-12

Sakoguchi, Ben S.: 64-7

Salembier, Henri: 59-40

Salemme, Attilio: 56-26, 57-30, 62-1, 63-33, NY-20

Salerno, Charles: 52-4, 63-20, 56-2

Salerno, Joseph: 64-21

Salimbeni, Ventura: 64-6

Salisbury, Erastus: 59-18

Salish: 59-4

Salitan, Lucille: 57-14

Salmi, Elissa: 57-14

Salmon R.: ME-11

Saltzman, Florence: 53-5

Salvadori: 51-18

Salviati & Company: 61-1

Salviatti, Francesco: 59-40

Salvin, Anthony: 61-22

Salvisberg, Otto R.: 53-21

Sam B. Lewis & Associate: ME-19

Samant: 59-13

Samaras, Lucas: 62-41, 63-29

Sampe, Astrid: 53-17, 62-15

Sample, Paul: 55-13

Sampson, Frank: 65-11

Samuels, Dan: 58-16

Sanchini, Pietro: 56-21

Sandberg, Bob: 57-16, 59-56

Sandberg, W.: 61-20

Sandby, Paul: 62-12

Sandecki, Albert: 65-2

Sander, Ludwig: 60-41

Sanders, Annie: 62-10

Sanders, Herbert H.: 51-15, 57-6

Sanders, Walter: 58-A&B

Sanderson, John: 61-22

Sandfield, Max: ME-19

Sandgren, Nelson: 58-3

Sandol, Maynard: 60-43, 61-7

Sandquist: 61-16

Sanford, M.M.: ME-41

Sang-Lae, Kim: 58-42

Sannhausser, John: 56-2

Sanquirico: 63-19

Santerre, Jean-Baptiste Marie: 62-20

Santomaso, Guiseppe: 54-27, 56-21, 58-15, 58-23, 60-15, 61-16, NE-96, NY-8

Santvoort, Dirk: MMA-54-2

Sanz, Carlos R.: 59-27

Sanzio, Raphael: 56-16, 64-9

Sapousek, Frank: 55-6

Sarason, Henry (Dr): 62-45

Sargent, H.: ME-11

Sargent, John Singer: 54-25, 55-19, 59-6, 60-13, 63-1, 64-3, 67-19, ME-31, ME-41, MMA-54-1, NY-5, NY-16

Sarka, Charles: 64-3

Sarkisian, Sarkis: 55-2

Saroni, Sergio: 60-20

Sarony: ME-29

Sarony & Major: ME-29

Sarpaneva, Timo: 57-14

Sartain, Johon: ME-29

Sarthou, Maurice: 58-15

Sarti, Antonio: 58-9

Sartoris, Albert: 61-4

Sasaki, Walker & Assoc: 63-16

Sassaman, Mar Carter: 60-5

Sasse, Arthur: 56-5

Saswin Silas: NY-13

Sato, Michiko: ME-75

Sato, Tadashi: 57-31, 58-12, 58-42, 59-1, 64-10

Satoru Abe: 59-12

Saugey, Marc: 53-21

Saul, Peter: 62-41

Saura, Antonio: 61-4, 61-29

Saurer Peter: 62-10

Sauvan, Philippe: 58-9

Savage, Edward: ME-29

Savelli,Angelo: 58-26, 60-24, 62-3, 63-24, 64-7

Savery: 54-11

Savery, Roelant: 62-20

Sawyer, Helen: 64-30

Sax, Ursula: 64-14

Sazio, Rapael: NY-7&7b

Scadron, Christopher: 58-16

Scalamandre, Wallpapers, Inc: NY-14

Scalini, Guiditta: 57-34

Scanavino, Emilio: 60-20, 61-4

Scelzio, Domenico: 58-9

Schadel, Hans: 58-28

Schadelin, Eva: 61-1

Schaeffer, H. Bella: 56-2

Schaffer, Rose: 58-3

Schaffner, Alexander: 61-1

Schallinger, Max: 56-2

Schamberg, Morton L.: 55-15

Schamout, Jamil: 56-29

Schanker, Louis: 53-2, 55-3, 56-2, 56-26, 58-43, 60-24, ME-7, NY-3

Scharf, William: 56-9, 58-12

Schatz, B.: 58-36

Schatz, L.: 58-36

Schatz, Z.: 58-36

Schauffelein, Hans Leonard: 57-37, 64-9

Schauss, W.: ME-29

Schecter, Pearl: 58-16

Scheibe, Richard: NE-48

Scheibler, Franz: 53-21

Scheid, Karl: 61-1

Scheier, Edwin & Mary: 57-6

Scheler, Max G.: 57-16

Scheper-Berkenkamp, Lou: NE-48

Scherschel, Frank: 58-A&B, L-3

Scherschel Joe: 58-A&B

Schettino, Aniello G.: ME-75

Scheving, Gunnlaugur: 66-2

Schiavone, Andrea: 64-6

Schickel, William: 53-25, 58-16

Schiefer Johannes: 52-7

Schieferdecker, Ivan: 65-11

Schifrin, Arnold: 55-5

Schillig, Erna: 61-1

Schimpff, Mary: 54-43

Schinkel: 63-19

Schiwetz, E.M. (Buck): 57-23

Schlanger, Ben: 62-14, 64-35

Schlemmer, Oskar: 56-7

Schliff, John D.: 58-20

Schmahl, Matilda E.: 59-6

Schmaltz, Roy E.: 53-24

Schmegner, Theobald: 58-15

Schmid, Elsa: 58-16

Schmidt, Arnold: ME-75

Schmidt, Charles W.: 65-11

Schmidt, Christian F.: 57-14, 60-5

Schmidt, Julius: 58-12, 63-31, 64-20

Schmidt, W. Fritz: 59-27

Schmidt, Willi: 53-15

Schmidt-Rottluff, Karl: 54-16, 56-7, 59-36, ME-32

Schnakenberg, Henry E.: 53-5, 62-30, 64-3

Schneider, Gerard: 56-21

Schneider, JoAnne: 64-29, 64-30

Schneider-Esleben, Paul: 58-28

Schnell, Shirley: 65-7

Schnieder, George (Father): ME-75

Schnur, Martin: 62-15

Schober, Sally: 58-32

Schon, Erhard: 64-9

Schongauer, Martin: 55-10, 57-37, 62-18, 63-17, 64-9, NY-9

School of Ceramics, Madrid: 61-1

Schooley, Elmer: 53-16, 56-26

Schor, Ilya: 58-16

Schor, Johann Paul: 59-40

Schott, Hyden: 56-27

Schrag, Karl: 53-5, 55-20, 56-25, 56-26, 57-32, 57-36, 58-3, 59-49, 60-3, 60-24, 61-1, 61-15, 62-3, 62-8, 62-30, 63-12, 64-7, 64-31, ME-7, ME-26, NY-3

Schreckengost, Viktor: 53-5

Schreiber, Georges: 56-1

Schroeder, Lynn: 58-6, 60-3

Schueler, Jon: 58-5, 58-12, 60-1, 60-9

Schuldtz Alexander: 57-40

Schuler, Robert T.: 64-7

Schulteiss, Carl: 53-5

Schulthess, Emil: 59-56, 62-45

Schultz, Anabel: 60-5

Schultze, Bernard: 54-18

Schulz, Rudolf: 53-15

Schumacher, Emil: 59-36

Schussele, Christian: 59-6

Schutz-Wolff, Johannes: 59-36

Schutzer, Paul: 58-A&B

Schutzman, Leo: 57-ee

Schwaar, Walter: 53-21

Schwabacher, Ethel: 59-23, ME-59

Schwachman, Irene: 62-45

Schwarcz, June: 57-6, 60-12

Schwartz, Aubrey: 58-40, 60-3, 63-12

Schwartz Daniel: 56-13

Schwartz, Harold: 61-30

Schwartz, Knut: 57-40

Schwartz, Lester: 51-1

Schwartz, Manfred: 55-3, 57-10, 58-5

Schwartz, Rochelle K.: 62-10

Schwartz, S.: 58-36

Schwarz, Hanna: 53-24

Schwarz, Joseph: 59-1, 61-35

Schwarz, Rudolf: 58-28

Schwarz & Bernard, Rudolf & Josef: 58-28

Schweig, G.: 58-36

Schweikher, Paul: 62-14, 64-35

Schweikher & Elting: 58-1

Schweitzer, Gertrude: 53-8

Schwerin, Ludwig: 58-15

Schwitters, Kurt: 59-14, 62-18, 64-10

Scialoja, Toti: 58-23, 60-15

Scordia, Antonio: 58-23, 59-35

Scornavacca, Tony: 61-35

Scott, David: 53-5

Scott, George Gilbert (Sir): 61-22

Scott, Isabel: 57-6

Scott, John: 64-23

Scott, Ken: 62-15

Scott, Louise: 64-30

Scott, William: 62-15

Scuris, Stephanie: 58-39

Se-duk, Yi: 58-33

Seabrook, G.M.: 56-18

Sebring, Burr: 58-32, 64-23

Secrest, James D.: 57-6

Secrest, Russell: 62-10

Sedlacek, Vojtch: 56-15

Segal, George: 60-43

Segal, Simon: 59-5

Segal, Yonny: 54-14

Seibel, Fred O.: 57-3

Seibert, Edward J.: 64-21

Seide, Charles: 56-2

Seidl, Alfred: 61-1

Seidler, Doris: 58-3, 60-3, 62-3, 64-7

Seitz, William: 60-5

Sekimachi, Kay: 60-12, 62-15, 64-23

Sekino, Junichiro: 56-21

Selan-Gliha, Vilko: 56-21

Selbing, John: 56-3

Seley, Jason: 63-29, 65-11

Seliger: NY-20

Seliger, Charles: 55-21, 58-5, 58-43

Seligmann, Kurt: 55-21, 56-1, 57-10, 57-32, 57-36, 58-5, 59-1, 59-19, 60-4, 61-15, 61-26, 62-1

Selim Jewad: 56-29

Selim, Lorna: 56-29

Sella, Alvin: 61-35

Seltzer, Deppie: 53-16

Seltzer, Phyllis: 62-3

Semser, Charles: 58-39

Semuth: 54-25

Senn, Otto H.: 53-21

Sennhauser, John: 58-26

Senska, Frances: 56-26

Senungetuk, Ronald: 62-10

Seoane, Luis: 60-17

Sepeshy, Zoltan L.: 55-2, 55-19, ME-73

Sera, Johan K.: 62-10

Serisawa, Sueo: 56-19, 58-42, 61-7

Serlio: 63-19

Sernesi, Raffaello: 63-10

Serpan, Iroslav: 57-27

Sert, Jackson & Gourley: 63-16

Servandoni, Giovanni Niccolo: 59-40, 63-19

Sesshu: ME-40

Sessler, Alfred: 55-20

Seuphor, Michel: 61-4

Seurat, Georges: 57-18, ME-32

Severini, Gino: 57-34, 58-23, 64-10

Severn Arthur: 62-12

Sewall, Harriot: 64-1

Sewell, Helen: VA-53-1

Seymour, David: 59-56

Shadbolt, Jack Leonard: 54-27, 59-3

Shaeffer Norbert: 55-22

Shaffer, Gary: 62-3

Shaffer, Verne: 57-31

Shahn, Ben: 53-1, 54-10, 55-13, 56-24, 57-2, 57-9, 58-16, 59-6, 59-7, 59-24, 59-31, 60-22, 60-27, 62-28, 62-31, 64-28, 65-1, ME-7, ME-23, ME-41, ME-73, NY-5

Shaier, Mary: 64-30

Shakespeare: 58-36

Shaltiel, B.: 58-36

Shaner, G. David: 60-5

Shapiro, David: 55-5, 56-13

Shapiro, Hilda: 63-7

Shapiro, Seymour: 60-43

Shapleigh, Frank H.: 64-3

Sharaku, Toshusai: 58-17

Sharpiro, Miriam: 64-12

Sharrer, Honore: 55-13

Shaub, Paul: 56-25, 58-3

Shaw, Charles: 55-3

Shaw, Kendall: NY-17

Shaw, Richard Norman: 61-22

Sheeler, Charles: 54-25, 55-9, 55-13, 55-15, 57-15, 58-34, 59-6, 59-24, 59-31, 60-13, 60-27, 64-4, 64-28, 65-2, ME-7, ME-23, ME-31, NY-11, NY-20

Sheets, Millard: 62-31

Shep, Larry: 58-32

Shephard, Rupert: 56-21

Shepherd, Don: ME-75

Shepley, Bulfinch, Richardson & Abbott: 63-16

Sherlock, William P.: 64-5

Sherman, Phyllis: 56-26

Sherman, Sarai: NY-10

Sherry, William Grant: 56-27

Shertze,r Gerald: 59-6

Sherwood, Nancy: 60-5

Sherwood, Mills & Smith: 63-16, 64-11

Shew William: 54-12

Shibuya, Kazuko: 65-12

Shifrin, Roy: ME-75

Shima, Ichiro: 65-12

Shindler, Antonio Zeno: 64-1

Shinn, Everett: 60-24, 62-17, 64-3, NY-19

Shinoda, Toko: 64-10

Shirlaw, Walter: 61-3, 64-3

Shirley, Gerald: 58-6

Shobaken, Bruce: 55-14

Shober, Charles: ME-29

Shohannah: 56-12

Short, Sam B.: 62-34

Sharde: 51-15

Shrode, Marejon Sue: 51-15

Shuff-Shir, Lily: 56-25

Shugg, R.: 57-17

Shukri, Akram: 56-29

Shunsho, Katsukawa: 58-17, 60-38

Shute, Ben: 61-35

Shute, Nell C.: 56-13

Siegal, Arthur: 51-9, 57-25

Siegel, Ellen: 61-17, 62-15, 64-23

Siegel, Paul: 57-17

Siegriest, Lundy: 55-5, 57-12, 58-7, ME-33, ME-42

Sievan, Maurice: 55-3, 64-30

Signac, Paul: 58-34, 60-14, 62-5

Signorini, Telemaco: 63-10

Sigurdsson, Steinthor: 66-2

Sikeliotis, George: 56-29

Silk, George: 58-A&B, 59-56

Silva, Amandio: 56-15

Silverman, Burton: 56-13

Silverman, Mel: 60-3

Silverstein, Louis: 60-37

Silz, Arthur: 56-2

Simberg-Ehrstrom, Beata: 62-15

Simches, Frances E.: 60-5

Simkhovitch, Helena: 53-20

Simpson, Lusby: 59-25

Simpson, Maxwell Stuart: 56-2

Simpson, Thomas: 65-6

Simpson-Middleman: 55-2

Simunovic, Frano: 59-16

Singer, Arnold: 58-3

Singer, Gail: 62-8

Singier, Gustave: 54-18, 58-15, 60-14

Sinsabaugh, Art: 57-25

Sintenis, Renee: NE-48

Sinton Nell: 58-7

Siporin, Mitchell: 56-27, 57-28, 58-5

Sirani, Giovanni Andrea: 64-6

Sironi: 51-18

Sironi, Mario: 57-34, 58-23

Siskind, Aarpon: 57-25

Sisson, Lawrence: 53-12, 57-31

Sitllman, Ary: 55-3

Sitter, Inger: 57-40, 58-15

Sitton, James: 65-11

Sivard, Robert: 55-19, 65-2

Sizemore, Mary: 53-26

Skidmore, Owings & Merrill: 59-15, 61-31, 63-16, 65-3, 65-9

Skinner, A.: NY-13

Skiold, Bergit: 60-15

Skovgaard, Joakim: 54-16

Skowronski, Hella: 62-15

Skrede, Agnar: 57-14

Skulason, Thorvaldur: 66-2

Slater, Eva: 55-6

Sloan, John: 54-25, 55-16, 57-2, 59-24, 60-13, 60-24, 60-27, 62-28, 62-30, 65-2, ME-31, ME-41, NY-9, NY-19

Sloane, Mary: 56-27

Slobodkin, Louis: VA-53-1

Slobodkina, Esphyr: 55-3, 59-1

Slottag, Jack: 53-26

Slowan, John: ME-7

Slutzky, Robert: 60-41

Slwan, John: 59-6

Small, Dorothy May: 60-5

Smarkusz, Vincent T.: 53-26

Smillie, George Henry: 60-28

Smillie, James D.: 64-3

Smith: ME-49

Smith, Aruthur: 57-6

Smith, Charles William: ME-7

Smith, David: 53-5, 55-12, 56-22, 59-31, 60-14, 61-25, 61-29, 63-31, 65-1

Smith, Donald E.: 57-10

Smith, Edith M.: 56-2

Smith, Eirikur: 66-2

Smith, Francis Hopkinson: 64-3

Smith, G.E. Kidder: 64-11

Smith, Hamilton: 63-16, 65-3

Smith, Hassel: 65-11

Smith, J. Warwick: 62-12

Smith, John Rubens: 64-1

Smith, Leon Polk: 60-41, 63-30, 64-2, 64-26, 65-4

Smith, Loran: 65-5

Smith, Moishe: 55-20, 58-3

Smith, Oliver: 59-19

Smith, Paul: 54-8, 57-6, 58-32

Smith, R.A.: 62-3, 64-7

Smith, Roger: 64-28

Smith, Thomas R.: 62-10

Smith, Vernan: 64-30

Smith, W. Eugene: 59-56

Smith, William A.: 53-5, 53-8, 56-25

Smithson Robert: 61-22

Smyly, Susan: 62-10

Snellman-Hanninen, Airi: 57-14

Snider, Robert S.: 62-10

Snipper, Martin: 55-5

Snow, Doug: 53-24

Snyder, Jerome: 55-13, 56-24

Snyder, Lewis E.: 62-10

Soane, John (Sir): 61-22

Sobotka, Ruth: 59-19

Sochurek, Howard: 58-A&B, 59-56

Soderberg, Wesley: 64-7

Soglow, O.: ME-28

Soglu, Muella: 56-29

Sokol, Bill: 56-25

Sokole, Miron: 53-5

Soldati, Atanasio: 58-23

Soldenhoff, Alex: 54-16

Soldner, Paul A.: 55-22

Soldner, Paul E.: 57-6

Solimena, Francesco: 62-36

Solman, Joseph: 55-2, 55-3

Soloducha, A.V.: 53-24

Solomon, Hyde: 60-43, 63-1, ME-73

Solomon, Syd: 53-5, 55-5, 56-2, 56-13, 57-35, 61-35

Solow, Seymour: 57-16

Somaini, Francesco: 60-20

Sommer, Madelon: 53-26

Sonderborg, K.H.R.: 61-4

Sonenberg, Jack: 55-20, 56-25, 58-3, 60-3

Sorenson Richard: 53-26

Soudeikine: 63-19

Soulages, Pierre: 57-9, 57-27, 58-15, 60-14

Soulange, Tessier: ME-29

Souply, Emile: 61-1

Southworth & Hawes: 56-5

Souza: 59-13

Sowers, Robert: 58-16

Soyer, Moses: 53-5, 56-2, 64-3, ME-73

Soyer Raphael: 56-2, 57-11, 58-40, 62-28, 62-30, 63-33, 64-3, 64-31, 65-2, ME-73, NY-18

Spacal, Luigi: 54-16, 56-21

Space Design Group, Inc.: 61-30

Spaventa, George: 60-42

Spazzapan, Luigi: 58-23, 59-35

Speckaert, Hans: 62-20

Speicher, Eugene: 57-11, 62-31

Speight Francis: 63-3

Spencer, Niles: 55-11, 55-16, 60-27, 64-30

Spencer & Ambrose Eldridge T. & William Clement: SD-8

Sperry, Robert: 57-14

Sperschneider, Ragna: 61-1

Speyer, Friederich: 64-1

Speyer, Nora: 56-2

Spille, Dean: 53-26

Spinchorn, Carl: 64-29

Spivak, Max: 53-25

Sponsler, Edwin: 53-5

Sprague, Arthur H.: 60-5

Spranger: 54-11

Sprinchorn, Carl: 64-30, 64-31

Springett, Sabino: 60-17

Springinklee, Hans: 55-10, 62-18

Spruance, Benton: 53-1, 54-16, 54-18, 56-15, 58-3, ME-7, NE-96

Spruce, Everett: 57-23, 59-50, 60-1

Spyropoulos, Jannis: 61-11

Squier, Jack: 57-12, 57-31, 60-42, 62-40, ME-56, NY-10

Staack, Zora: 56-21

Stackpole, Peter: 58-A&B

Stage, John L.: 57-16

Stahly, Francois: 61-2

Staikov, Veselin: 56-21

Stakiewicz, Richard: 62-41

Stallings, Hal: 57-14

Stamos, Theodoros: 54-10, 55-8, 56-2, 58-42, 58-43, 60-22, 60-27, 61-23, 64-19, ME-41, ME-49, ME-59, ME-65, ME-73

Stanford, James R.: 62-45

Stanger, Barbara Wechsler: 57-14

Stankiewicz, Richard: 56-12, 59-14, 60-4, 60-9, 62-27, 64-20, NY-10

Stanley, John Mix: 59-34, 61-3

Stanley Mack: 52-11

Stasack, Edward: ME-73

Staschen, Sirley: 62-18

Stashin, Leo: 59-56

Stasik, Andrew: 60-15, 64-7

Stasock, Edward: 56-25

Stavert, Nancy E.: 53-24

Stea, Cesare: 52-4, 56-2

Stearns, Junius Brutus: 58-27

Stearns, Pamela: 62-10

Stebbins, N.L.: 64-28

Steczynski, John M.: 60-3

Steele, Gordon: 55-2

Stefanelli, Joseph: 56-2, 59-1, 61-15

Stefansson, Jon: 66-2

Steg, James Louis: 56-25, 56-26, 58-3, 62-3, 64-7, NY-3

Steichen, Edward: 56-5, 58-20, 62-25, 64-28, NY-1

Steig, William: 55-13, ME-28

Steiger, Rudolf: 53-21

Stein, Joseph Allen: SD-8

Stein, Walter: 53-14, 58-40

Steinberg, Saul: 55-13, 57-3, 59-6, ME-59, VA-55-1

Steinbock, Heimos & Hannes: 61-1

Steiner, Albert H.: 53-21

Steiner, Ralph: 56-5

Steiner, Sylvia: 61-1

Steinhardt, Jacob: 54-16, 58-36

Steinlen, Theophile: 62-5

Steinmetz, William O.: 53-24

Stella: 54-25

Stella, Frank: 61-23, 64-26

Stella, Joseph: 55-15, 60-13, 62-30, 63-1, ME-31

Steltzner, Richard M.: 62-10

Stemos, Theodoros: NY-10

Stenstadvold, Haakon: 57-40

Stephens, Jr., Curtis: 64-23

Stephens, Jr., Edward John: ME-55

Steriadi, Jean Al: 56-21

Sterling, James: 56-2

Sternberg, Charlotte J.: 52-11

Sternberg, Harry: 58-3, 62-45, ME-7

Sterne: ME-49

Sterne, Hedda: 55-9, 55-13, 60-22, 61-29, 62-37, 63-7, ME-59

Sterne, Maurice: 57-11, 57-30, 59-6, 64-29, 64-30, ME-41

Sterner, Harold: 57-1

Sternglass, Lisa Jane: 57-12

Sterrett, Cliff: 57-3

Stettinius, Samuel Enredy: 64-1

Steuart, George: 61-22

Steuecheli, Werner: 53-21

Steumpfig, Walter: 53-12

Stevens, Alfred: 61-22

Stevens, Bernice A.: 60-5

Stevens, Edward John: 55-21, ME-26

Stevens, John R.: 57-6

Stevens, Margo: 58-39

Stevens, Preston S.: 59-12

Stevens, Virginia Hill: 61-35

Stevens, Walter H.: 57-12

Stevenson, Beulah: 55-3, 58-3

Stevenson, Hugh: 59-19

Steward, Donn: 53-16, 56-26, NY-3

Stewart, Donald J.: 64-21

Stewart, Marion: 57-6

Stich, Otto: 53-15

Stieglitz, Alfred: 56-5, 62-25, 64-5, 64-28, NY-1

Still, Clifford: ME-59

Stillwell, E. Burton: NE-96

Stimmer, Tobias: 64-9

Stine, Richard: 62-31

Stock, Joseph: 58-14, 62-2

Stockmarr, Erik: 52-5

Stocksdale, Bob: 55-22, 57-6, ME-75

Stohrer, Walter: 64-14

Stoltenberg, Sibley Smith Dondad: 56-27

Stolz, John E.: 62-10

Stolzl, Gunda Stadler: 61-1

Stone, Edward Durell: 59-15, 62-14, 63-16, 64-35, 65-3, 65-9

Stone, Helen: VA-53-1

Stor, Lorenz: 64-9

Stork, Abraham: 62-20

Stout, Myron: 60-12, 60-41

Stout Pola: 62-15

Stouter, D.G.: 62-2

Stradanus, Johannes: 63-9

Stradone, Giovanni: 58-23

Strahan, Thomas: NY-14

Strand, Paul: 56-5, 62-25, NY-1

Strater, Henry: 64-31

Strawn, Dean: 51-15

Strawn, Harold Dean: 51-15

Strebelle, Olivier: 61-1

Strecker, Thomas: 58-16

Strecker, Z. Thomas: 59-12

Strecker, Zelda: 58-25, 64-23

Streisinger, Lotte: 57-14

Strengell, Marianne: 52-7, 58-25, 62-15, 64-23

Strenger, Friedhelm: 53-15

Stretti-Zamponi,Jaromir: 56-21

Strickdale, Bob: 51-15

Strickland, John: 58-39

Strijbosch, Wim: 61-20

Strock, George: 59-56

Strologo, Serio Dello: 57-6

Strombotne, James: 60-1, 64-25, ME-75, NY-10

Stuart, Gilbert: 54-25, 60-13, 63-3, ME-7, ME-11, ME-31

Stuck, Jack: 65-11

Stucki, Jakob: 61-1

Stueland, Kari Bing & Magne: 57-40

Stuempfig, Walter: 55-9, 57-2, ME-41

Stuempfig, Jr., Walter: 63-3

Stupica, Grabriel: 59-16

Sturm, Dorothy: ME-26

Sublett, Carl: 65-11

Suemura, Shobun: 65-12

Sugai, Kumi: 58-15, 58-29, 58-42, 61-4, 63-23

Sugarman, George: 60-2, 62-40, ME-56

Sughi, Alberto: 58-40

Sugimata, Tadashi: 58-42

Sugimoto, Albert: 59-10

Sulfsted, Rosemary: 53-26

Sullivan, Louis: 59-6

Sully, Thomas: 62-17, 63-3, 64-1, MMM-4

Sumiyama: 63-21

Summer, Eugenia: 61-35

Summers, Carol: 56-25, 56-26, 58-3, 60-2, 60-3, 60-15, 62-3, 64-7, NY-3

Sundell, Britt-Louise: 57-14

Suornos, John: 56-29

Susini, Antonio: 63-9

Sussman, Richard: 58-6, 61-15, 61-25

Sustermans Justus: MMA-54-2

Sustris, Friedrich: 63-9, 64-9

Sutfin Edward (Father): 58-16

Sutherland ,Graham: 54-27, 61-4, 62-12, NE-96

Sutherland, T.: ME-29

Suydam,David L.: 62-10

Suzuki, James: 57-10, 58-42, 59-1, 59-10, 60-14, 61-7, 63-21

Suzuki, Seisei: 65-12

Svabinsky, Max: 56-21

Sveinsdottir, Juliana: 66-2

Svensson, Inez: 57-14

Swabian School: 56-16

Swan, Barbara: 55-5

Swanson, Pipsan Saarinen: 57-6

Swarz, Saul: 58-16, 62-40, ME-56

Swearingen, John: 53-26

Swift, Dick: 60-3

Swinnerton, James: 57-3

Swinton, George: 54-27

Sykes, Maltby: 53-5, 54-18

Szabo Bela Gy: 56-21

Szenes, Arpad: 62-8, 64-10

Szilard, Claire: 53-2

Szymak, John: 57-6, 60-5

Szymanski, Rolf: 64-14

T'cheng, Tsou-lin: 58-42

Taber, Isiah West: NY-1

Tabler, William B.: 61-31

Tabuchi, Yasse: 58-42

Tacca: 63-19

Tack, Augustus Vincent: 63-15

Tackett, LaGardo: 55-22

Tait, A.F.: 55-19

Tajiri, Shinkichi: 65-7

Taka, Peter: 56-1

Takaezu, Toshiko: 53-24

Takahashi, Henry: 55-22

Takahashi, Setsuro: 65-12

Takahashi, Shizue: 65-12

Takai, Teiji: 60-1

Takal, Peter: 55-20, 56-2, 56-25, 57-1, 58-3, 61-15, 61-25, 62-3

Takegoshi, Yoshiyuki: 65-12

Takehita, Natsuko: 57-12

Takemoto, Henry: 58-32, 59-12

Takis, Istrou: 56-29

Talbot, William Henry Fox: 53-20, 62-25, NY-1

Talburt, Harold: 57-3

Talleur, John: 53-5, 58-16, 58-35, 60-3, 61-22

Tam, Reuben: 55-3, 64-31, ME-73

Tamayo, Rufino: 57-9, 59-31, 60-14, 63-33, ME-32, NE-96, NY-18

Tanabe, Chikuunsai: 65-12

Tanaka: 63-21

Tanaka, Kosai: 65-12

Tanaka, Tokutaro: 62-45

Tanguy, Yves: 51-4, 61-9, 62-8

Tapies, Antonio: 57-27, 64-17

Tarbell, Edmund Charles: 57-11, 62-7, 63-1

Tarr, Louis E.: 60-5

Tassi, A.: 55-24

Tavenkin, M.: 58-36

Tavernier, Jules: 61-3

Tawney, Lenore: 57-6, 58-25, 59-12

Taylor, C.J.: 57-3

Taylor, David: 62-3

Taylor Julius: 61-17

Taylor, Najah: NY-13

Taylor, R.: ME-28

Taylor, Ralph: 60-3

Taylor, Spaulding: 64-23

Taylor, Vincent: 53-26

Tazaki, Shoichiro: 65-12

Tchelitchew, Pavel: 55-21, 57-9, 57-30, 59-6, 62-28, 63-19, ME-55

Teague, Norwood: 57-6

Teichman, Sabina: 64-30

Teis, Dan: 58-3, 61-35

Teitelbaum, Edith: 53-24

Tejima: 63-21

Tempesta, Antonio: 64-6

Temple, Byron: 62-10

Templeton, John Samuelson: 64-5

Teniers, David: 55-19

Ter-Arutunian, Rouben: 59-19

Teraishi, Shosaku: 65-12

Teraski, George: 60-41

Terbrugghen, Hendrick: 62-20, ME-32

Terechkovitch, Kostia: 56-21

Terrell, Maurice: 57-16, 59-56

Terry, Alice: ME-75

Teshigahara: 60-2

Tesi, Mauro Antonio: 58-9, 61-22

Testa, Angelo: 53-17

Testa, Clorindo: 60-17

Testa, Pietro: 64-6

Teuber, Hermann: NE-96

Teunissen, T.: 61-20

Tevan,Rozsi: 62-40, ME-56

Teyral, John: 55-19

Tharrats, Juan Jose: 58-15, 64-17

Thayer, Abbott Handerson: 62-7, 62-17

Theisen, Earl: 57-16

Thelander, Henry: 52-5

Thelot, Jacob Gottlieb: 62-18

Theodor, Johann: 55-10

Thevenaz, Charles F.: 53-21

Thiebaud, Wayne: 60-3, NY-17, NY-18

Thiel, Midori Kono: 58-3

Thieler, Fred: 59-36, 64-14

Thiemann, Hans: NE-48

Thieme, Anthony: 57-30

Thiry, Paul: 58-1, 65-3

Thomas Edward: 61-35

Thomas, Elizabeth: 64-30

Thomas, Florence: 55-22

Thomas, Howard: 53-5, 61-35

Thomas, John Z.: 65-11

Thomas, Mary Leath: 53-5

Thomas, Neal: 56-2

Thomason, Tom W.: 62-10

Thompson, Bob: 60-43, 63-24

Thompson, Cephas: 58-14

Thompson, Helen May: 58-32

Thompson, William: ME-75

Thomson, Betty: 65-6

Thon, William: 53-1, 57-9, 64-31, ME-26, ME-73, ME-74

Thoren, Esaias: 54-18

Thorlaksson, Thorarinn B.: 66-2

Thormodsen, Norma: 53-26

Thornhill, James (Sir): 59-40, 61-22

Thorpe, Azalea: 53-24, 62-15

Thrall, Arthur: 55-2, 55-20, 56-25, 58-3, 60-3, 64-7, NY-3

Thrift, Walter: 61-35

Thurber, James: 59-6, ME-28

Thurm, Arnold: 53-1

Thurston, Gerald: 53-17

Thurston, Marcia Ann: 60-5

Tiebout, Cornelius: ME-29

Tiegreen, Alan: 65-11

Tiemer-Wille, Gertrude: 62-45

Tiepolo, Giovanni Battista: 57-18, 59-40, 62-20, 64-6, 67-19, NY-7&7b, NY-9

Tiepolo ,Giovanni Domenico: 55-24, 57-37, 64-6, 67-19

Tiepolo, Lorenzo: 55-24, 64-6

Tiffany, Louis Comfort: 62-7, 64-3

Tiffany, Virginia: 65-6

Tiffany & Company: NY-13

Tillett, Leslie & Doris: 57-6

Tilley, Lou: 58-16

Tillim, Sidney: NY-17

Ting, Walasse: 56-15, 58-15

Tintoretto, Jacopo Robusti: 55-24, 56-16, 57-18, 62-20

Tirrell, G.: ME-11

Tischler, Maynard G.: 62-10

Tissandier, Albert Charles: 64-5

Titian, Tiziano Vecellio: 57-18, 63-9, 67-19

Tittle, Juanita: 53-26

Tjepkema, J.M.: 61-20

Tlingit: 59-4

Tobase, Hodo: 58-42

Tobey, Mark: 52-11, 53-5, 55-9, 57-15, 58-42, 58-43, 59-7, 59-31, 60-4, 60-27, 62-27, 62-28, 64-2, 64-19, 65-11, ME-7, ME-41, ME-55, ME-65, NY-5, NY-20

Tock Jean: 58-16

Todd, Harold C.: 55-20

Todo: 64-17

Toeput, Lodewyk: 59-40

Tofel, Jennings: 56-2

Tofft, Peter Peterson: 64-1

Tollerz, Ulla: 57-14

Tolman, Stacy: 62-7

Tom Lee, Ltd: 61-30

Tomes, Marot: 52-7

Tomkins, Margaret: 56-13, 58-5

Tomlin, Bradley Walker: 57-30, 58-42, 60-27, ME-32, ME-59

Toney, Anthony: 56-2, 56-13, ME-73

Toney, Chester: 57-23

Tonomura: 63-21

Tony, Anthony: 61-15

Tooker, George: 58-40, 62-1, 63-7, 64-4, ME-73, NY-17

Toong, Shan-Ching: 56-27

Toque, Louis: 62-36

Torelli: 63-19

Toribio, Antonio: 63-29

Torkanowsky, Vera: 53-16

Torres-Aguero, Leopoldo: 60-17

Torres-Garcia, Joaquin: 59-23, 62-27, ME-55

Torro & Ferrer: 59-27

Torro, Ferrer, Knappen, Tippets, Abbett & McCarthy: 59-27

Torro, Ferrer, Torregrosa, Warner & Leeds: 59-27

Toselli, Angelo: 58-9, 59-40

Tostrrup J.: 57-40

Toulouse-Lautrec, Henri de: 57-17, 57-18, 59-5, 62-5, 62-45, MMA-54-2, NY-21

Tourte, X. Suzanne: NE-96

Tourtelot, Madeline: 52-7, 56-2

Tovim, Y.: 58-36

Tovish, Harold: 63-31, 64-20, 58-6, 59-3

Town, Harold Barling: 60-15

Townley, Hugh: NY-10

Townsend, Neal: 62-10

Toy, Leland: 62-10

Toyokuni, Utagawa: 58-17, NY-12

Tozu, Keinosuke: 65-12

Tracy, Stanley: 56-27

Tragardh, Gota: 62-15

Traherne, Margaret: 58-35

Trajan, Turku: 61-2

Trange, J.M.: 51-3

Trapani, Mimi: 62-10

Traut Wolf: 55-10

Traver, Mary Dale: 62-10

Travis, Stuart: 59-6

Traynor, Ed: 53-24, 58-32

Treat, Rose: 60-5

Treccani, Ernesto: 58-40

Trefonides, Steven: 55-6, 59-56

Treiman, Joyce: 51-21, 55-5, 55-6, 56-13, 56-19, 58-16, 59-1

Treinin, A.: 58-36

Tremblay, Gerald: 59-3

Trenholm, Portia: 59-18

Treskow, Elisabeth: 61-1

Treumann, Otto: 61-20

Trevisani, Francesco: 62-36

Trieman, Joyce: ME-73

Trier, Hans: 59-36, 60-15, 61-4, 64-14

Trippetti, Joseph: 57-6

Trivigno, Pat: 51-21, 61-26

Trock, Paula: 62-15

Troekes, Heinz: NE-48

Troger, Paul: 59-40, 62-20

Trokes, Heinz: 59-36, 61-4

Trotter, McKie: 55-6, 57-23

Trotter, Newbold H.: 58-27

Troyon, Constant: 63-20, MMA-54-4

Trumbull: 54-25

Trumbull, John: 60-13, 62-17, ME-31

Tryggvadottir, Nina: 66-2

Tschumi, Otto: 60-15

Tsimshian: 59-4

Tsuji, Shindo: 63-23

Tsutakawa, George: 65-3

Tucker, Allen: NY-16

Tuerlinkx, Jean-Pierre: 61-1

Turcato, Giulio: 58-23, 60-15

Turchi M.: 58-9

Turnbull, William: 63-12

Turner: 55-19

Turner, Don La Viere: 65-11

Turner, J.M.W.: 63-20

Turner, Janet: 53-5, 58-3

Turner, Joseph Mallord William: 56-16, 62-20, 62-12, 63-17, 63-20, 65-10, 67-19, NY-9

Turner, Leslie: 57-3

Turner, Robert: 57-6, 60-5

Turner, Theodore: 55-20

Turoff, Muriel P.: 61-17

Tveteraas, Vilhelm: 57-40

Twachtman, John Henry: 62-7, 62-17, 63-1, NY-16

Twardowicz, Ruth Ann: 55-20

Twardowicz, Stanley: 58-12

Twatchman, J.H.: 64-3

Twery, Elliot: 53-5, 56-12

Twiggs, Russell: 55-6, 57-10

Twitty, James: 65-4

Twombly, Cy: 64-26

Tworkov, Jack: 61-29, 62-38, 64-29, 64-30, ME-73

Tyler, Kenneth W. (Rev.): 59-56

Tyrnauer, Francesca: 58-32

Tytell, Louis: ME-73

Tzonis, Aleco: 56-29

U.S. Coast & Geodetic Survey: 64-28

Ubac, Raoul: 62-8

Ucello, Paolo di Dono: 56-16

Uchima, Ansei: 60-3

Udvardy, John: 58-39

Ueda, Sokyu: 61-4

Ueeda, Hisahi: 65-12

Ugai, Hideo: 65-12

Ugarte, Juan Manuel: 60-17

Uhlmann, Hans: 56-7, 59-36, NE-48

Uk-chin, Chang: 58-42

Ulman, William A.: 58-3

Umlauf, Charles: 52-4, 58-16

Underhill, Irving: 64-28

Underhill, William: 62-10

Unesco World Art Series: 57-19

Ung-no, Yi: 58-33

Ungaro, Alberto: 60-2

Ungemann, Arne: 52-5

Unger, Carl: 54-18

Urban, Albert: ME-7

Uri, Aviva: 61-4

Urquhart, Tony: 58-6

Ushio, Takao: 65-12

Usui, Kichi: 58-42

Utamaro, Kitagawa: 58-17, NY-12

Utamaro, Utagawa: 60-38

Utley, Windson: 55-6

Utrillo, Maurice: 60-14

Utter, Bror: 57-23

Vaccaro, Michael A.: 62-45

Vacchi, Sergio: 60-20

Vachon, John: 57-16, 59-56

Vaga, Perino del: 62-20

Vaglieri, Giustino: 60-20

Vaiksnoras, Anthony J.: 55-2

Valadier, Giovanni: NY-21

Valadier, Giuseppe: 53-36, 58-9, 59-40

Valasquez: 57-18

Valberg, Britt-Marie: 57-14, 58-25, 60-12

Valentin, Silvia: 61-1

Valentini, Giovan Battista: 61-1

Valenza, Daniel Loomis: 57-14, 58-32, 62-10

Valeriani: 63-19

Valeska, Adolfas: ME-75

Valkema, Sybren: 61-1

Vallaton, Felix: 54-16, 62-5

Valtat, Louis: 60-14

Van Aken, Jan: 63-17

Van Beest, Albert: 64-1

Van Bentrum, Rik: 65-7

Van Bergen, Marten: NY-15

Van Bos, Cornelis: 63-9

Van Bouckhorst, Jan Philip: 55-24

Van Brunt, James R.: 64-1

Van de Velde, Jan: 55-24, 60-40, NY-9

Van Der Neer: 54-11

Van Der Rohe, Miles: 59-15, 62-34

Van Der Sluis, George: 57-10

Van der Straet, Jan: 59-40

Van Der Vaart, Jan: 61-1

Van Der Weyden, Rogier: 57-18, 64-9

Van Dongen, Kees: 63-14

Van Duzer, Clarence: 51-5

Van Dyck, Anthony: 57-18, 57-37

Van Dyk, James: 56-25

Van Everdingen, Allart: 55-24, 60-40

Van Eyck, Jan: 56-16, 57-18

Van Fraser, David: 53-17

Van Gelder, Lydia: 55-22

Van Gogh, Vincent: 57-18, 62-5, 63-14, ME-40, NY-7&7b

Van Gorp Ria Van Oerle: 61-1

Van Goyan: 54-11

Van Heusden, Wout: 51-3

Van Hoesen, Beth: 62-3

Van Honthorst, Gerard: 62-36, ME-32

Van Huysum, Jan: 63-14, NY-7&7b

Van Keylen, Jan: 61-20

Van Kruiningen, Harry: 51-3, 54-18, NE-96

Van Kyek: 54-11

Van Leyden, Lucas: 57-37, 60-40, NY-9

Van Loen, Alfred: 62-40, ME-56

Van Loon, Johan: 61-1

Van Meckenem, Israhel: 55-10, 57-37

Van Oostsanen Jacob: 57-37

Van Ostade, Adriaen: 60-40

Van Rossem, Ru: 54-16

Van Ruisdael, Jacob: NY-7&7b

Van Ruysdael, Jacob: 60-40

Van Scorel, Jan: 64-9, ME-32

Van Veen, Stuyvesant: ME-73

Van Vianen, Adam: 59-40

Van Vliet, Jan: 60-40

Van Vlijmen, J.A.: 56-15

Van Wicht, John: 55-3

Van Wittel, Gaspar: 55-24

Vanderlyn, John: 59-34, ME-41

Vanderpool, John: 63-15

Vanis, Blanche A.: 62-10

Vanista, Josip: 59-16

Vanni, Francesco: 64-9

Vanni, Sam: 56-15

Vanvitelli: 63-19

Varady, Fredric: 64-29, 64-30

Varda, Jean: 58-26

Vardy, John: 61-22

Varga, Arnold: 60-37

Varley, John: 62-12, 67-19

Vasari, Giorgio: 61-22

Vascellini, Gaetano: 62-45

Vass, Gene: 57-31

Vatsures, Peter: 57-23

Vavruska, Frank: 56-25

Vedder, Elihu: 59-34, 62-7, 63-15

Vedova, Emilio: 58-23, 60-15, 61-11, 61-16

Vela, Gay: 63-5

Velde, II Jan van de: 63-17

Velle, Marthe: 61-1

Vellert, Dirk Jacobsz: 57-37

Venard, Claude: ME-40

Veneziano: 62-18

Venini, Company: 61-1

Verbene, P.A.: 61-20

Vergette, Nicholas: 65-3

Verhelst, Wilbert: 55-14

Vermeer, Jan: 56-16, 57-18

Vernarelli, Lucia: 58-26

Vernet, Horace: 65-10

Veronese, Paolo Caliari: 55-24, 57-18, 67-19

Vertes, Marcel: NE-99

Vesimaa, Eila-Annikki: 57-14

Vespignani, Renzo: 55-7, 55-13, 57-9, 57-27, 58-15, 58-40, 60-14, 60-15

Vevers, Tony: 64-29, 64-30

Vianello, Vinicio: 61-1

Vianen, Adam van: 63-9

Vicente, Esteban: 56-2, 58-26, 59-23, 65-11, ME-49

Vickrey, Robert: 57-2, 62-1, 64-4, 65-2, ME-73

Vico, Enea: 63-9

Victor, Christ-Janer & Assoc: 64-21

Victor Gruen Associates, Inc.: 59-25, 61-30

Vieillard, Roger: 62-8

Vien, Joseph Marie: 67-19

Viesulas, Romas: 54-16, 58-3, 58-15, 60-3, 62-3, 63-12, 64-7

Vigas, Oswaldo: 60-17

Vikainen, Voitto: 56-21

Vilacasas, J.: 64-17

Villacis, Anibal: 60-17

Villagran, Marcus Javier: 62-10

Villanueva, Carlos Raul: 64-11

Ville, Grey: 58-A&B

Villegas, Armando: 60-17

Villon, Jacques: 61-9, 62-5, 63-17, 63-33

Vincent, George: 65-10

Vincente, Esteban: 61-9, 61-29, ME-73, NY-20

Vincenzo, Cateno: ME-65

Vinckeboons, David: 54-11, ME-32

Vinson, Charles: 65-11

Virduzzo, Antonio: 60-15

Virga, Charles: 56-2

Viseux, Clade: 57-27

Vissier, Carel: 61-4

Viterbo, Dario: 52-4

Vittoria, Alessandro: NY-21

Viviani, Giuseppe: 56-21

Vizzini, Michael S.: 57-6

Vlaminck, Maurice: 55-19, 59-5

Vodicka, Ruth: 57-1

Von Achen, Hans: 64-9

Von Drage, Ilse: 58-16, 58-35

Von Eichborn,Celine: 61-1

Von Lembach, Frans: MMA-54-2

Von Nessen, Greta: 53-17

Von Neumann, Robert A.: 54-43, 55-20, 56-25, 57-6

Von Olmutz, Wenzel: 55-10, 59-40

Von Walden, J.: 56-25

Von Wicht, John: 54-18, 55-2, 56-1, 56-25, 57-1, 57-32, 57-36, 58-3, 58-15, 60-1, 60-3, 60-24, 61-15, 61-29, ME-73

Von Wiegand, Charmion: 58-5, 58-26, 60-41, 64-12, ME-75

Vonnoh, Robert: NY-16

Voorhees, Walder, Smith, Smith & Haines: 62-33

Voorhis, D.V.: NY-13

Vos, Martin de: 63-9

Vose, Bob: 57-16

Voss, Gene: ME-74

Voulkos, Peter: 55-22, 57-6, 59-12

Voysey, Charles Francis Annesley: 61-22

Vries, Jan Vredeman de: 63-9

Vries, Roelof van: MMA-54-3

Vuillard, Edouard: 59-5, 60-14, 62-5, ME-40, NY-21

Vujakliaja, Lazar: 54-18

Vytlacil, Vaclav: 55-3, 57-1

W.B. Ford Design Associates: 61-30

W.M. Moser, E. Roth, Artaria & Schmidt: 53-21

Wacker, Hal: 56-2

Waddill, John M.: 61-35

Wadsworth, Charles: 55-2, 55-5, 56-13

Waggott, Bert: 64-7

Wagner, Gordon: 57-10

Wagner & McGingan: ME-29

Wainska, Anna: 58-16

Waintrob, Sidney J.: 58-20

Wakamoto, Richard M.: 57-6

Wakita, Kazu: 58-42, 61-4

Wald Sylvia: 53-16, 56-25, 56-26, 58-3, 60-3, 60-24, NY-3

Waldman, Selma: 54-8

Wales, Shirley: 59-3, 62-8

Walker, Clay: 56-25

Walker, Hank: 58-A&B

Walker, Robert: MMA-54-2

Walker, William H.: 59-6

Walkowitz, Abraham: 55-15, 58-34, 59-6, 63-1, 64-29, 64-30, 64-31

Wallack, W.J.: 62-2

Wallington, Ethel: 55-2

Walmsley, William: 53-26, 60-3

Walser Ursula: 63-5

Walter D. Teague Associates: 61-30

Walters, Carl: 55-11

Walters, Susane: 62-2

Walton, Marion: 53-20

Walton, William: 56-19, 64-5

Walzer, Marjorie: ME-75

Ward, Jacob Caleb: 63-15

Ward, James: 55-24

Ward, Lynd: 56-21

Ward, Philip A.: 60-5

Ward, William: 58-32

Wardlaw, George: 58-32

Wardle, Alfred H.: 57-14, 62-10

Warhol, Andy: 63-30, 64-26, NY-17

Warner, Catherine Townsend: 59-18

Warner, Howard: 58-32

Warner, Burns, Toan & Lunde: 63-16

Warre, Henry James (Sir): 61-3

Warren, Ferdinand: 53-5, 56-13

Warshaw, Howard: 59-1, 61-7

Warshaw, Nat: 57-ee

Wartenweiler, Albert: 61-1

Wartik, Patricia: 53-12, 54-42, 55-6

Wasey, Jane: 52-4

Washburn, Glen: 53-26

Wasserstein, Julius: 58-7

Watanabe, Sadao: 58-35

Waterloo, Anthonie: 60-40, 63-17

Watkins, Franklin Chenault: 56-2, 57-11, 57-28, 60-27, 63-3, ME-23, ME-41, ME-73

Watteau, Jean Antoine: 55-24, 57-18, 59-40, 62-20, 67-19, ME-32

Waugh, Frederick J.: 64-30, 64-31

Wayne, June: 55-20, 57-12, 58-3, 60-3, 63-12

Weavers, Wayne: 62-15

Webb, Clifford: 56-21

Webb, John: 61-22

Webb, Philip: 61-22

Webb, Todd: 63-8

Webber, Helen: 65-6

Weber, Albert: 58-3

Weber, Hugo: 56-2, 61-29

Weber, Max: 53-12, 54-10, 54-25, 55-9, 55-15, 56-1, 57-9, 57-15, 59-6, 59-7, 59-31, 60-13, 60-24, 60-27, 62-28, 62-30, 62-31, ME-7, ME-23, ME-26, ME-31

Webster, E. Ambrose: 64-29, 64-30

Webster, Herman: 57-3, 9-6

Weddige, Emil: 54-18, 56-25, 58-15

Wedel, Nils: 58-15, NE-96

Wedin, Elof: 54-27, 58-6

Weeks, James: NY-18

Wegner, Toon: 56-21

Wegner, Walter F.: 57-14

Weidenaar, Reynold: 58-3

Weidner, Roswell: 63-3

Weigers, Jan: 51-3

Weinberg, Elbert: 54-42, 55-6, 58-16, ME-75, NY-10

Weiner, Ethel: 55-5

Weiner, Paul L.: 61-30

Weinert, Egino: 58-35

Weinrib, David: 57-6, 61-29

Weinrich, Agnes: 64-30

Weir, John Ferguson: 62-7

Weir, Julian Alden: 56-18, 57-11, 62-7, 62-17, 63-1, 64-3

Weisbord, Mimi: 58-3

Weisgard, Leonard: 61-33, VA-53-1

Weismann, Donald: 57-23

Weiss, Sabine: 60-25

Weissauer, Rudolf: 56-2

Weixal, Harry: 53-17

Welch, Kathryn Lathrop: 53-17

Welliver, Neil: 59-12, 62-41

Wellner, Lea: 58-3

Wells, Cady: ME-26

Wells, George: 55-8, 57-6, 60-5

Wells, John R.: 59-56

Welman, Val: 58-3

Welton, Karlyn: 62-10

Welton, Beckett & Associates: 62-24

Wengenroth, Stow: 53-1, ME-7

Wenneman, William H.: 64-30

Wenstrup, Margaret: 56-9

Wenzel, Hans Ernst: 53-24

Wenzel, John J.: 62-10

Wenzler, William P.: 62-24

Wernans, Gerard: 61-20

Werner, Charles: 59-6

Werner, Nat: 52-4, 57-1

Werner, Theodor: 56-7, NE-48

Werner, Woty: NE-48

Werner, Jenssen & Korst: 64-21

Weschler, Anita: 52-4, 53-20

Wescott, Paul: 56-27, 57-10

Wesselman, Tom: 62-41, 64-12, NY-17, NY-18

Wessels Glenn: 58-7

West, Benjamin: 59-24, 62-2, 63-3, 63-11, ME-32

West, Cecil: 52-11

West, Pennerton: 60-24

Westall, Edward: 62-12

Westenenk, Adriek: 61-1

Westerman, H.C.: 60-12, 62-41, 64-20

Weston, Brett: 52-3, 61-8

Weston, Edward: 56-5

Weston, Harold: 55-3, ME-73

Westover, Russ: 57-3

Wettergreen, Steen E.: 57-14

Whanki, Kim: 59-5

Wheatley, Francis: 65-10

Wheeler, Steven T.: ME-75

Wheelwright, Robert: 53-8

Whistler, James McNeill: 54-25, 59-6, 59-34, 60-13, 62-19, 63-19, 67-19, ME-7, ME-11, ME-31, MMA-54-1, NY-9, NY-16

Whitcomb, David G.: 61-30

White, Barbara Joan: 60-5

White, Charles: 66-9

White, Clarence H.: 56-5, 62-25, NY-1

White, Minor: 56-5, 61-8

White, Ralph: 57-23

White, Robert: 56-2, 58-40

White, William: 58-16

White, IV Amos: 62-10

Whiting, Joseph: 59-18

Whiting, Naomi: 62-15

Whitman, Robert: 62-41

Whitmore, James: 58-A&B

Whittlesey & Conklin: 65-9

Whittredge, Thomas Worthington: 59-6, 60-28, 61-3, 63-15, ME-11, NY-4

Whorf, John: 64-30

Widerberg, Arvid: 62-44

Wiegers, Jan: 54-18, NE-96

Wiemann, Hermann: ME-75

Wiener, Jr., Samuel: 61-17

Wienholt, Anne: 56-26

Wier, J. Alden: NY-16

Wierix, Anton: 62-18

Wiersba, Deane O.: 57-14

Wiess, J.: 62-2

Wigfall, Benjamin: 55-20, 56-12

Wighe, A.: 58-27

Wiinblad, Bjorn: 52-5

Wilce, Leory R.: 60-5

Wild, Charles: 62-12

Wildbur, Peter: 53-24

Wilde, John: 56-2, 57-1, 60-4, 61-15, 62-1, 62-31, 64-4

Wildenhain, Franz: 57-6

Wildenhain, Marguerite: 51-15, 57-6

Wiles, Irving R.: 59-6

Wiley, William: 58-7, NY-10

Wilke, Ulfert S.: 58-42, 61-26

Wilkening, Donald J.: 60-5

Wilkins, Ed: 58-32

Wilkinson, Jack: 54-27, 59-12

Will-Grefe: 57-17

Willard, Frank: 57-3

Willet, Henry Lee: 58-16

William, Galligan, Inc.: NY-14

Williams, Charles T.: 58-30

Williams, Esther: 53-1

Williams, Gaar: 57-3

Williams, Garth: VA-53-1

Williams, Gerald: 57-14, 57-6

Williams, Gluyas: 57-3

Williams, Hiram: 57-23, 59-12, 65-4

Williams, J. Scott: 53-8

Williams, Jackie: 53-26

Williams, Lawrence: 58-39

Williams, Micah: 64-1

Williams, Richard: 53-16

Williams, Todd: 66-9

Williams, Walter: 55-14, 56-12, 57-2

Williams, William: 63-15

Williamson, Clara: 57-9, 57-23

Willis, Robert: 58-39

Willis, Constance Clark: 56-25

Wilson, Bryan: 57-6, 58-7, 58-42, 65-11

Wilson, Helen: 52-4

Wilson, Jane: 63-7, 65-2, ME-73, ME-74

Wilson, Katherine & Burton: 57-6

Wilson, Maria: 51-15

Wilson, Mary Ann: 64-1

Wilson, Richard: 65-10

Wilson, Sol: 53-12, 64-29, 64-30, ME-73

Wilson Tom Muir: 65-7

Wiltshire & Fisher: ME-19

Wimar, Charles: 61-3

Wimmer, Hein & Gertrud: 61-1

Winckler, Katherine: 57-6

Winde, Jochen: 61-1

Windust, Marjorie: 64-30

Winebrenner, James: 62-10

Wineland, N.W.: 64-1

Wines, James: 58-12, 60-42, 61-29, 62-40, 63-31, 64-20, ME-56, NY-10

Winfield, Rodney: 58-16

Wingate, Arline: 52-4

Winge, Sigurd: 57-40

Wingren, Dan: 55-6, 57-23

Winkel, Nina: 52-4

Winkler, John W.: ME-7

Winokur, Robert M.: 62-10

Winston, Bob: 51-15, 54-43

Winter, Andrew: 64-31

Winter, Fritz: 54-18, 56-7, 57-9, 59-36, 64-2

Winter, Joseph: 56-2

Wise, Jack: 53-26

Wiser, J.: 58-14

Wisniewski, Alfred: 61-11

Wison, Ben: 56-2

Wissing, Benno: 61-20

Withers, Margaret Craver: 57-6

Witherstine, Donald F.: 64-30

Woelffer, Emerson: 56-2, 9-1

Woell, James: 62-10

Wohlgemut, Michael: NY-9

Wojcik, Frank: 57-14

Wolcott, Marion Post: 64-28

Wolf, Ben: 64-29, 64-30

Wolf, Helen: 64-30

Wolf, Jean: ME-75

Wolfe, Jack: 56-9, 57-12, 59-1, NY-10

Wolfe, Lynn R.: 58-16

Wolff, Robert Jay: 59-1

Wolfson, Sidney: ME-59

Wolgemut, Michel: 55-10

Wolk, Joan Lee

Wollner, Leo & Grete: 53-24, 61-1

Wolpert, Ludwig Y.: ME-75

Wols, W.S.: 61-9

Wonders, Seanie: 58-32

Wong, Nancy: 62-10

Wong & Campbell, Worley K. & John C.: SD-8

Wonner, Paul: 54-42, 58-7, 60-1, 64-26

Woo, Gary: 58-42

Woo, Marie: 57-14

Woo, Mary Balzer: 58-32

Wood: 54-25

Wood, Beatrice: 57-6

Wood, Grant: 60-13, ME-31

Wood, Gross: 55-22

Woodville Richard Caton: 58-27, ME-11

Woolf, M.A.: 57-3

Woolley, Jackson & Ella Marie: 55-22, 60-5

Wopert, Ludwig Y.: 58-16

Wormley, Edward: 51-8, 61-30, 62-15

Worms, Roger: 59-5

Wortruba, Fritz: 60-42, 61-4, 61-29

Wou-ki, Zao: 54-18, 56-21, 58-15, 58-42, 60-14, 61-4

Wren, Christopher (Sir): 61-22

Wrigh,t Donald B.: 58-32, 60-5, 60-12

Wright, Frank Lloyd: 59-15, 61-31, 62-24, ME-8

Wright, Fred William: 62-17

Wright, Russell: 62-15

Wtewael, Joachim Antonisz: 64-9

Wunder, George: 57-3

Wurster, Bernardi & Emmons: SD-8

Wyant, Alexander Helwig: 60-28, NY-4

Wyatt, Wyatville & Buckler James, Jeffrey & John: 61-22

Wyeth, Andrew: 53-8, 54-25, 60-13, 62-17, 62-28, 64-31, ME-7, ME-26, ME-27, ME-31, ME-41, ME-73, NY-5

Wyman, William: 57-6, 60-12

Wynants, Jan: 62-36

Wynne, Al: 61-7

Wynne, Jon: 58-3

Xceron, Jean: 55-3, 58-26, 60-41, 64-10, ME-73

Yager, Jay R.: 62-10, 65-7

Yakutat: 59-4

Yamamoto, Seinen: 65-12

Yamamoto, Taro: 64-30

Yamasaki, Minoru: 61-31

Yamawaki, Yoji: 65-12

Yamazaki: 63-21

Yamazaki, Akira: 65-12

Yamazaki, Kakutaro: 65-12

Yamin, Alice: 62-27

Yanagida: 63-21

Yarbrough, Leila: 65-11

Yardley, Richard Q.: 57-3

Yarenrag: ME-29

Yater, George: 64-30

Yattaw, Carol: 58-3

Yeager, J.: ME-29

Yee, Frank: 54-42

Yeisen, Keisai: NY-12

Yektai, Manoucher: 63-7, 65-2

Yerxa, Thomas: 56-9, 59-12, NY-10

Yoffe, Michael: 53-24

Yoffe, Vladimir: 52-4, 53-20

Yokoi, Rita: 62-10

Yokoi, Teruko: 59-10

Yokokura, Kazan: 65-12

Yokoyama, Hakutei: 65-12

Yokoyama, Ichimu: 65-12

Yonezawa, Hisashi: 65-12

Yong-nim, Ch'oe: 58-33

Yoors, Jan: 58-25

York, Robert: 57-3

Yoshida, Raymond K.: 58-3

Yoshiga, Taibi: 65-12

Yoshihara, Jiro: 61-4, 63-23, 64-2

Yoshimura Fumio: 65-6

Yost Phillip: 55-22

Youg-gi, Kim: 58-33

Yougman, William: 55-6

Young, Chic: 57-3

Young, John: 58-42

Young, Louis W.: 61-17

Young, Mahonri M.: 59-6

Youngerman, Jack: 63-7, 63-30, 65-1, 65-11, ME-59, ME-60

Youngert, Wilma Jean: 57-14

Yrarrazabal, Ricardo: 60-17

Yselin: ME-55

Yu-ho, Tseng: 58-42, 59-24

Yung Art: 55-22

Yunkers, Adja: 53-2, 53-16, 56-25, 56-26, 58-43, 59-23, 60-4, 60-24, 61-9, 62-27, 63-12, 64-7, 64-12, ME-7, ME-49, ME-73

Yves-Bonnat: 59-19

Zaalberg, Meindert: 61-1

Zabari, Moshe: ME-75

Zabarsky, Melvin: 65-11

Zabransky, Adolf: 61-33

Zachai, Dorian: 62-31, 65-6

Zadkine Ossip: 61-24, 63-31

Zaid, Princess: 56-29

Zajac, Jack: 56-12, 60-1, 60-42, 64-7, ME-75

Zakhariev, Vassil: 56-21

Zanartu, Enrique: 60-17, 62-8

Zandotti, Anna: 61-1

Zanetti, Antonio Maria: 57-37

Zarcone, Joe: 53-16

Zarin, Florience: 56-25

Zaritzky, Joseph: 61-4

Zaviri, Z.: 58-36

Zawisa, Bernard J.: 54-8, 56-27

Zeid Fakhr-El-Nissa(Princess): 56-15

Zeitner, Herbert: 61-1

Zender, Rudolf: 53-2

Zerbe, Karl: 54-10, 55-13, 57-9, 57-28, 57-35, 58-5, 58-44, 59-1, 60-36, 62-30, 64-30, ME-26, ME-73, ME-55, ME-74

Zeshin, Shibata: 62-45

Zetlin, Florence: 61-35

Zgaib, Khalil: 56-29

Ziegler, Laura: 60-42

Zieler, Mogens: 52-5, 56-21, NE-96

Ziemann Richard Claude: 58-3, 59-12, 60-3

Zigaina Giuseppe: 58-40, 61-11

Zighera, Francoise: 53-1

Zimbrolt, Joseph: 65-7

Zimmer, Fred: 56-25

Zimmerman: ME-55

Zimmerman, John: 58-A&B

Zimmerman, Muriel: 58-32

Zimmerman, Paul: 64-29, 64-30

Ziner Zeke: 58-12

Zingale Santos: 58-3

Zion & Breen, Robert & Harold: 62-33

Zirkle, Louis: 62-10

Zirkle, Merle: 62-10

Zirm, Paul E.: 53-17

Ziroli, Nicola: 56-13, 59-10

Znamierowski, Nellie: 58-32

Zoellner, Richard: 54-18, 55-20, 56-25, 56-26, 60-3, 60-22, 62-3, NE-96

Zorach, Marguerite: 64-29, 64-30, 64-31, 65-2

Zorach, William: 52-4, 55-12, 55-19, 56-2, 56-22, 57-15, 58-34, 62-30, 64-31

Zoran Antonio: 60-15

Zoretich, George: 53-12

Zorn, Anders: 62-5

Zox, Larry: 63-24, 64-12, 65-11

Zschaler Othmar: 61-1

Zuber: NY-14

Zuberlein, Jakob: 64-9

Zuccaro, Federigo: 56-16, 64-9

Zucchi Jacopo: 61-22

Zulawski Marek: 56-15

Zumstein, Beat: 53-2

Zurbaran, Francisco: ME-32

Zuver, Nora: 64-30

Zwart, Piet: 61-20
Provenance:
The records of the American Federation of Arts (AFA) were donated to the Archives of American Art (AAA) over a thirteen-year period, with the bulk of the material arriving between 1964 and 1966. In 1979, Preston Bolton donated his letters and those from John de Menil, Ann Drevet, Lee Malone, and others regarding planning for the 1957 AFA annual convention held in Houston, Texas; convention committee minutes from 1956; and AFA newsletters. This material, as well as a 1979 gift from Louise Ferrari of transcripts from a panel discussion from the 1957 AFA convention in Houston, was microfilmed on AAA Reel 1780. All material previously microfilmed on Reel 1780 has been fully integrated into the collection and arranged within proper series and subseries. The provenance of the 1990-1993 printed material is unknown.
Restrictions:
Use requires an appointment.
Rights:
The American Federation of Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Traveling exhibitions  Search this
Art -- Exhibitions  Search this
Art, American  Search this
Genre/Form:
Sound recordings
Exhibition catalogs
Photographs
Lantern slides
Administrative records
Citation:
American Federation of Arts records, 1895-1993 (bulk 1909-1969). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.amerfeda
See more items in:
American Federation of Arts records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-amerfeda
Online Media:

Abraham Rattner and Esther Gentle papers

Creator:
Rattner, Abraham  Search this
Names:
Downtown Gallery (New York, N.Y.)  Search this
Esther Gentle Reproductions  Search this
Kennedy Galleries  Search this
Paul Rosenberg & Co.  Search this
Bedwell, Bettina, 1889-1947  Search this
Biddle, George, 1885-1973  Search this
Boyle, Kay, 1902  Search this
Burlin, Paul, 1886-1969  Search this
Carton, Norman, 1908-1980  Search this
Coates, Robert M. (Robert Myron), 1897-1973  Search this
Davis, Stuart, 1892-1964  Search this
De Rochemont, Richard  Search this
Dehn, Adolf, 1895-1968  Search this
Dos Passos, John, 1896-1970  Search this
Gentle, Esther, 1900-  Search this
Gonzalez, Xavier, 1898-1993  Search this
Griffin, John Howard, 1920-  Search this
Guthrie, Ramon, 1896-  Search this
Gwathmey, Robert, 1903-1988  Search this
Hall, William Weeks, 1894-1958  Search this
Hayter, Stanley William, 1901-  Search this
Hiler, Hilaire, 1898-1966  Search this
Hirsch, Joseph, 1910-1981  Search this
Hirsch, Stefan, 1899-1964  Search this
Holty, Carl, 1900-1973  Search this
Hélion, Jean, 1904-1987  Search this
Kronberg, Louis, 1872-1965  Search this
Lebrun, Rico, 1900-1964  Search this
Leepa, Allen, 1919-2009  Search this
Lipchitz, Jacques, 1891-1973  Search this
Ludgin, Earle, 1898-1981  Search this
Malcolm, Thalia Westcott, b. 1878  Search this
Miller, Henry, 1891-  Search this
Miró, Joan, 1893-  Search this
Nordfeldt, Bror Julius Olsson, 1878-1955  Search this
Peake, Channing, 1910-  Search this
Poor, Henry Varnum, 1887-1970  Search this
Ruvolo, Feliz  Search this
Stark, Jack Gage, 1882-1950  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Weller, Allen S. (Allen Stuart), 1907-1997  Search this
Extent:
26.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Diaries
Scrapbooks
Photographs
Interviews
Date:
1891-1986
Summary:
The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.
Scope and Content Note:
Abraham Rattner's papers provide insight into an important time for twentieth century American art and culture. By studying Rattner's papers, the researcher may view the beginnings of Modernism, the cultural change that pushed the boundaries of artistic and literary traditions and provided new ways in which to express ourselves.

The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.

The biographical files contain documents such as Rattner's birth certificate, travel visas, his senior yearbook from 1912 which shows some of his early art work, and some of his awards. His birth certificate is of particular interest since it shows Rattner's birth date to be 1893 instead of the recognized 1895.

The correspondence offers great insight into the thoughts of many American and European artists and writers during the 1930s and 1940s. Rattner, a prolific writer, expressed many of his own thoughts and concerns through his letters, many of which are included in this collection. The vast amount of correspondence include letters from notable figures such as George Biddle, Kay Boyle, Paul Burlin, Norman Carton, Robert Coates, Stuart Davis, Adolph Dehn, Richard de Rochemont, John Dos Passos, Xavier Gonzales, John Howard Griffin, Ramon Guthrie, Robert Gwathmey, Weeks Hall, Stanley W. Hayter, Jean Helion, Hilaire Hiler, Joseph Hirsch, Stefan Hirsch, Carl Holty, Louis Kronberg, Rico Lebrun, Jacques Lipchitz, Earle Ludgin, Thalia Wescott Malcolm, Henry Miller, Joan Miro, Bror Julius Olsson Nordfeldt, Channing Peake, Henry Varnum Poor, Felix Ruvolo, Waverly Root, Jack Gage Stark, Frank C. Watkins, and Allen Weller, among others.

Rattner was engaged in a wide range of special art projects, and he kept detailed files on these projects. The projects spanned from 1940 through 1973 and included endeavors such as illustrations for Life magazine, stained-glass designs, mosaic and tapestry projects, as well as special paintings such as Victory--Jerusalem the Golden and The Gallows of Baghdad. Rattner's papers also detail the history of a fresco painted by Paul Gauguin entitled Joan d'Arcwhich Rattner purchased in France in 1925.

Rattner's forty year friendship with the writer Henry Miller is chronicled throughout the collection in the forms of correspondence, writings, printed material, phototographs and artwork. Their correspondence ranges from 1938 through 1978 and offers great insight into their relationship. Rattner and Miller's road trip from New York to New Orleans in 1940-1941 is documented in the series entitled Special Projects. Also included in the collection are printed material, such as biographical material on Miller, Miller's writings, literary announcements and reviews; Miller's writings on Rattner; and photographs of Miller.

The gallery files contain correspondence, receipts, and notes regarding the galleries which represented Rattner. Those galleries included the Rosenberg Gallery, the Downtown Gallery, and the Kennedy Gallery. A small series of exhibition files contain material about exhibitions held outside of Rattner's representative galleries.

Rattner's writings proved to be an outlet for his thoughts on painting, his inspirations, frustrations, and sadness. In addition to painting, Rattner was able to express his creativity through writing poetry. Writing also helped him work through his depression over the death of his first wife Bettina Bedwell.

He also kept finely detailed studio notebooks. The original order has been maintained, and they trace the history of almost each painting, drawing, and study attempted by Rattner. The notebooks often provide information regarding whether the work was sent to a gallery or given as a gift. Sometimes they contain correspondence or writings that reveal the inspiration for a work. They have been arranged in chronological order, according to Rattner's own filing system.

Rattner retained receipts for most of his art expenses. Arranged by decade, these receipts show the type of paint, colors, types of paper and brushes that he used.

Rattner also kept many household files and personal financial records. Household files contain insurance records, warranties and rental agreements, while the financial records contain returned checks and bank statements. Some bank statements from Esther Gentle Reproductions are also included. The household files and financial records are not filmed.

The date books and diaries reveal the aspects of daily life and the personal thoughts of Rattner and Esther Gentle. In many cases, Rattner shared his date books and diaries with Gentle. The early diaries are fascinating, especially the 1939 diary that discloses the Rattners' last days in France before escaping Nazism and returning to the United States.

Rettner's scrapbooks span from 1938 to 1952 and contain newspaper and magazine clippings that mention the artist or his work.

The printed material covers a period from 1930s through the 1980s and includes exhibition catalogs, exhibition announcements, clippings, and miscellaneous material such as an autograph book from 1969 and a map of Israel that shows Rattner's travel route. There is a large amount of unfilmed printed material that is listed in the series description.

Writings by others consists of writings on Rattner and other topics.

The collection contains many photographs taken of Rattner and taken by him, as well as photos of family, friends, his studio, travels, and photographs of Rattner's art. Photographs of notable people include Henry Miller, Joan Miro, John Dos Passos, Archibald MacLeish, and Malcolm Cowley, among others.

The amount of Rattner's art work included in the collection is small, but it is significant because it provides examples of his very early work, dating from 1912-1914. Some later studies are also present, as well as a number of random sketches. Color was very important to Rattner, and some of his color studies from the 1940s are also included. Art work by other artists is comprised of some small paintings by Max Weber, a water color by Henry Miller, a painting by Ken Buryd, as well as some work by unknown artists.

In addition to tracing Rattner's life and career, the collection also documents the lives of Rattner's two wives, Bettina Bedwell and Esther Gentle. Both women had profound effects on Rattner's work. Among Bettina Bedwell's papers are her diary, fashion sketches, and correspondence. Esther Gentle's papers include correspondence, writings, as well as papers documenting her business Esther Gentle Reproductions. There are a small amount of papers relating to Allen Leepa, Rattner's stepson with Esther Gentle.

See index for list of correspondents from various series.
Arrangement:
The collection is arranged into twenty-four series based primarily on type of document or special project. Though concentrated in its own series, additional correspondence is scattered throughout the collection and may be found in special project files, gallery files, exhibition files, studio notebooks, and scrapbooks. The correspondence has been divided into two subseries, one chronological and the other according to Rattner's subject-oriented filing system. Special art projects have been organized by project, and placed in chronological order. The studio notebooks have also been divided into subseries, and all notebook pages maintain Rattner's original order. The first subseries of notebooks reflects Rattner's numbering system, while the second subseries is arranged chronologically. The vast amount of printed material has been divided into subseries, and all of the unfilmed printed material has been organized chronologically at the end of the series.

Within each series, material is arranged either in chronological order, or in some cases, according to Abraham Rattner's own organizational system.

Oversized materials from various series are housed in oversized folders 33-45 and are noted in the Series Description/Container Listing with see also/see references or in the container columns.

Series 1: Biographical Files, 1893-1978, undated (box 1; 0.2 linear ft.)

Series 2: Interviews, 1957-1975, undated (box 1; 7 folders)

Series 3: Correspondence Files, 1933-1978, undated (boxes 1-5; 4.3 linear ft.)

Series 4: Special Projects, 1940-1987, undated (boxes 5-6, ovs 33-35; 1.5 linear ft.)

Series 5: -- Joan d'Arc -- Fresco painted by Paul Gaugin, 1925-1963, undated (box 7, ov 36; 12 folders)

Series 6: Gallery Files, 1942-1975 (boxes 7-8; 1.5 linear ft.)

Series 7: Exhibition Files, 1963-1978 (boxes 7, 9; 9 folders)

Series 8: Writings, 1940-1972, undated (box 9; 0.9 linear ft.)

Series 9: Studio Notebooks, 1935-1975, undated (boxes 10-11; 1.9 linear ft.)

Series 10: Art Expenses, circa 1940-1970 (boxes 11-13; 0.7 linear ft.)

Series 11: Household Files, 1940-1970, undated (box 13; 0.8 linear ft.)

Series 12: Financial Records, 1933-1963 (boxes 13-14; 0.7 linear ft.)

Series 13: Notes and Lists, 1936-1972, undated (box 14; 0.5 linear ft.)

Series 14: Address Books, 1939-1977, undated (box 15; 1.0 linear ft.)

Series 15: Date Books/Diaries, 1937-1977, undated (boxes 16-17; 1.6 linear ft.)

Series 16: Scrapbooks, 1938-1952 (boxes 18-22; 1.5 linear ft.)

Series 17: Printed Material, 1920s-1980s, undated (boxes 23-26; 3.6 linear ft.)

Series 18: Writings by Others, 1945-circa 1980, undated (box 26; 20 folders)

Series 19: Photographs, 1891-1970s, undated (boxes 27-29; 1.6 linear ft.)

Series 20: Works of Art by Rattner, 1912-1914, 1940-1967, undated (box 30, ovs 37-44; 2.4 linear ft.)

Series 21: Works of Art by Others, undated (box 30, ov 45; 7 folders)

Series 22: Bettina Bedwell Papers, 1932-1947, undated (box 31; 0.4 linear ft.)

Series 23: Esther Gentle Papers, 1921-1984, undated (boxes 31-32; 1.3 linear ft.)

Series 24: Allen Leepa Papers, 1952-1969, undated (box 32; 8 folders)
Biographical Note:
Abraham Rattner was born in Poughkeepsie, New York in 1895. His parents immigrated to the United States to escape antisemitism in Czarist Russia. He was the second of six children, including his eldest brother Louis, younger brothers Manuel (Manny) and Harry, and his younger sisters Rose and Jennie.

Rattner's parents encouraged him to paint at a young age, and as he grew up, painting became a part of his daily life. He graduated from Poughkeepsie High School in 1912 and left to study architecture at George Washington University in Washington, D.C. At night, he took art courses at the Corcoran School of Art. He soon became a full-time art student, and applied for a scholarship to the Pennsylvania Academy of the Fine Arts in Philadelphia. He was accepted in 1919 and supported himself by doing illustrations for Philadelphia newspapers.

In 1917, World War I interrupted his studies. Rattner entered the United States Army in France where he became Sergeant of camouflage section, 40th Engineers. Camouflage, reflecting aspects of modern art in its form and pattern, made use of Rattner's artistic skills. During the second battle of the Marne, Rattner injured his back and returned to the States with an ailment that would affect him for the rest of his life.

Rattner returned to the Pennsylvania Academy and was awarded the Cresson scholarship to study art in Europe. He traveled for one year, then settled in Paris for the next twenty years. Those twenty years in Paris became the most formative for Rattner because he was able to study and experiment with Futurism, Cubism, and Expressionism. Post World War I Paris was the center of modern culture for Americans disillusioned by the destruction of the war. Expatriate writers, poets, and artists were searching for a culture that shunned the traditions of the past and exchanged ideas with one another at the lively Paris cafes and salons.

In 1924, Abraham Rattner married Bettina Bedwell, an American art student and fashion illustrator. Bettina became the Paris fashion correspondent for the New York News-Chicago Tribune Syndicate. In 1927, Rattner was a member of the Minotaure group, along with Picasso, Miro, Giacometti, Le Corbusier, Braque, Dali, and Reverdy. He also illustrated an article for Jon Dos Passos in Verve magazine in 1931.

Rattner's first one-man show was in 1935 at the Galerie Bonjean in Paris, which was followed by one-man shows at the Julien Levy Gallery in New York, the Arts Club of Chicago, and the Courvoisier Gallery in San Francisco.

The threat of Hitler and Nazism forced Rattner and his wife to flee Paris in 1939. Arriving in New York in early 1940, Rattner agreed to take a trip by car with the writer Henry Miller. Their route took them from New York to New Iberia, Louisiana via the East coast and Southern states. Their mission was to rediscover America, with Henry Miller writing about their experiences and Rattner sketching the scenery. Rattner's friendship with Henry Miller was an important one that lasted throughout his life.

During the 1940s, Rattner's art was widely exhibited. In 1941, he joined the Rosenberg Gallery in New York, and remained with the gallery for fourteen years. He won awards for his work such as the Temple Gold Medal in 1945 and second prize in the Pepsi-Cola Fourth Annual Art Competition in 1946. In 1947, Bettina Bedwell suddenly died due to a kidney infection, sending Rattner into a spiral of grief and depression. To escape depression, from 1947-1949, he taught at the New School for Social Research in New York.

In 1949, Rattner married Esther Gentle, an artist and business woman who ran an art reproductions business. In 1951, the Rattners moved to Rome where he worked as Artist in Residence at the American Academy. The next year, they moved to Illinois where he was the Artist in Residence at the University of Illinois. Ratter was awarded first prize in 1953 at the 23rd Corcoran Biennial Exhibition and also served as Vice-President of Artists' Equity. In 1956, Rattner was the Distinguished Visiting Professor at Michigan State University, and along with his stepson, Allen Leepa, established an art school on Long Island. In 1957, Rattner left the Rosenberg Gallery to join the Downtown Gallery. He felt he would professionally profit from representation by the well-known Edith Halpert; however, the next twelve years reflected a tumultuous relationship between the artist and the gallery owner.

In 1957, Rattner reached out to other forms of art and design. He experimented with mosaic, tapestry and stained-glass. He designed mosaic columns and tapestries for the Fairmont Temple Anche Chesed in Cleveland and a mosaic for a friary and college in Centerville, Ohio. His stained-glass designs were highly celebrated and respected. His most famous stained-glass piece was the window for the Chicago Loop Synagogue. For this piece, Rattner spent two years traveling to Paris to design and supervise every process involved in the design and installation of the window.

Rattner felt that while his paintings during the 1940s and 1950s were romantic and self-reflective, the 1960s marked a new inspirational period in his work. His painting reflected religious comment, bringing Rattner back in touch with his Jewish heritage, as well as reflecting a sense of social protest. In 1968, Rattner exhibited his painting Victory--Jerusalem the Golden to honor the celebration of Israel's twentieth anniversary of independence. It was also in 1968 that Rattner left the Downtown Gallery for the Kennedy Gallery. In 1969, he painted The Gallows of Baghdad series as a protest to the hanging of nine Jews by Iraqi authorities.

The 1970s marked a time of many exhibitions. In 1976, the National Collection of Fine Arts in Washington, D.C. sponsored an exhibition of his designs for stained-glass entitled "...and let there be light". Also, from 1976 through 1977, "Our America" exhibited Rattner's drawings from his 1940 U.S.A. trip with Henry Miller in England and in the United States. In 1977, Michigan State University bestowed upon him the Honorary Degree for Humanity. On February 14, 1978, Abraham Rattner died due to heart failure.

1893 -- Born June 8th in Poughkeepsie, New York.

1912 -- Graduated from Poughkeepsie High School.

1914-1917 -- Student at George Washington University, Corcoran School of Art and Pennsylvania Academy of the Fine Arts.

1917 -- Enlisted in the United States Army in France as Sergeant, camouflage section, 40th Engineers. Fought at Seicheprey, second battle of the Marne, and Chateau-Thierry.

1919 -- Returned to Pennsylvania Academy of the Fine Arts. Awarded Cresson traveling fellowship to Europe.

1920 -- Traveled in France, Spain, England, Belgium and Holland.

1921 -- Art student in Paris at Ecole des Beaux-Arts, Grand Chaumiere, and Academie Ranson.

1922 -- Lived and painted in Giverny, France.

1923 -- Returned to Paris.

1924 -- Married Bettina Bedwell, Paris fashion correspondent for the New York News-Chicago Tribune news syndicate. Exhibited at Salon d'Automne and Salon des Independants.

1927 -- Member of the Minotaure group in Paris.

1931 -- Illustrated article, "Fire," by John Dos Passos for Verve magazine.

1935 -- First one-person show at Galerie Bonjean, Paris. French government purchased Card Party for Museum of Impressionism, The Louvre.

1936 -- One-person show at Julien Levy Gallery, New York (also 1939, 1941); Arts Club of Chicago; Courvoisier Gallery, San Francisco (also 1941).

1940 -- Returned to the United States following Nazi invasion of France. Traveled with Henry Miller from New York to New Iberia, Louisiana.

1941 -- One-person shows: Stendahl Gallery, Los Angeles; Faulkner Memorial Art Gallery, Santa Barbara (also 1943); Paul Rosenberg Gallery, New York (also 1942, 1944, 1946, 1948-1950, 1952, 1956); Studio, New York.

1945 -- Awarded the Temple Gold Medal from the Pennsylvania Academy of Fine Arts. Wrote "An American in Paris" for Magazine of Art.

1946 -- Awarded second prize at the Pepsi-Cola Fourth Annual Art Competition.

1947 -- Death of Bettina Bedwell Rattner.

1948 -- Taught at the New School for Social Research, New York.

1949 -- Married Esther Gentle. Visiting artist at Yale University and at the Brooklyn Museum School. Awarded honorable mention at the Carnegie Institute Exhibition of American Painting.

1950 -- Awarded the Purchase Prize at the University of Illinois Biennial Exhibition.

1951 -- Artist in residence at the American Academy in Rome.

1952 -- Artist in residence at the University of Illinois.

1953 -- Awarded first prize at the 23rd Corcoran Biennial Exhibition. Served as Vice-President of Artists' Equity.

1954 -- Taught at the Art Students League. Panelist at the Design Conference in Aspen, Colorado.

1955 -- Exhibited drawings at the Chicago Art Institute.

1956 -- Distinguished Visiting Professor at Michigan State University. Established an art school in East Hampton and Sag Harbor, Long Island.

1957 -- Designed mosaic columns and tapestries for the Fairmont Temple Anche Chesed in Cleveland. One-person show at Downtown Gallery, New York (also 1958-1967).

1958 -- Designed mosaic wall for St. Leonard's Friary and College in Centerville, Ohio. Designed stained-glass windows for the Flint Institute of Arts, Michigan. Began designs for stained-glass window for the Chicago Loop Synagogue. Exhibited with Alexander Calder at the Corcoran Gallery of Art. Elected member of the National Institute of Arts and Letters. Awarded the Butler Memorial Prize at the Pennsylvania Academy of Fine Arts.

1959 -- Retrospective exhibition circulated by the American Federation of Arts. Exhibited at the Whitney Museum of Art.

1964 -- Exhibited at the Edinburgh International Festival in Scotland.

1968 -- Exhibited painting entitled Victory--Jerusalem the Golden at the celebration of Israel's 20th anniversary of independence.

1969 -- One-person shows: Kennedy Galleries, New York; Galerie Weil, Paris ( Baghdad Hangings), Galerie Belgique, Brussels ( Baghdad Hangings).

1970 -- Film commissioned by ABC-TV entitled "The Long Prayer of Abraham Rattner."

1972 -- Beggar's Opera lithographs exhibited at Circle Gallery, Chicago.

1976 -- Displayed stained-glass on religious themes with the National Collection of Fine Arts in Washington, D.C.

1977 -- "Our America" exhibition in England and the United States. Awarded Honorary Degree for Humanity from Michigan State University.

1978 -- Died on February 14th.
Index: List of Major Correspondents in Various Series:
These correspondents will be found in the following series: Correspondence, Special Projects, Gallery Files, Studio Notebooks, and Scrapbooks: Edward Albee, 1928-

John Anderson, 1904-

Bettina Bedwell, 1889-1947

Carl Beiber

George Belmont

George Biddle, 1885-1973

Kay Boyle, 1902-1992

Brassai, 1899-

Paul Burlin, 1886-1969

McClure Capps "Mac"

Norman Carton, 1908-1980

Jack Chapman

G. Alan Chidsey

Frederick Childs

Robert Coates, "Bob" 1897-1973

Malcolm Cowley, 1898-1989

Salvador Dali 1904-1989

Paul Damaz

Bernard Davis

Stuart Davis, 1894-1964

Adolph Dehn, 1895-1968

Richard de Rochemont

John Dos Passos, 1896-1970

Armand and Suzi D'usseau

Rene Lefebore Foinet

Gisele Freund, 1912-

Emily Genauer, 1911-

Esther Gentle, 1905-1984

Alberto Giacometti, 1901-1966

Xavier Gonzales, 1898-1993

John Howard Griffin

Ramon Guthrie, 1896-1973

Robert Gwathmey 1903-1988

Weeks Hall

Edith Gregor Halpert, 1900-1970

Stanley W. Hayter, 1901-1988

Nathan Hecht

Jean Helion, 1904-1987

William H. Henrick

Henry Herschkvitz

Hilaire Hiler, 1898-1966

Joseph Hirsch "Joe," 1910-1981

Stefan Hirsch, 1889-1964

Carl Holty, 1900-1973

Etienne Hubert

Arno Hummucher

Frederick I. Kann "Fred," 1886-

L.J. Konigsberg "Leib"

Louis Kronberg, 1872-1965

Alexandra Laks

Rico Lebrun (Fredrico), 1900-1964

Allen Leepa, 1919-

Isadore Levy

Julian Levy, 1906-1981

Jacques Lipchitz, 1891-1973

Ward Lockwood, 1894-1963

Jean Louste

Earle Ludgin, 1898-1981

Thalia Wescott Malcolm, 1888-

Reginald Marsh, 1898-1954

Archibald McLeish, 1892-

Henry Miller, 1891-1980

Joan Miro, 1893-1983

Gloria Nardin

Anais Nin, 1903-1977

Bror Julius Olsson Nordfeldt "B.J.O.," 1878-1955

Hugh O'Neill

Channing Peake, 1910-1989

Gabor Peferdi

Irving Penn

Peter Pollack, 1911-1978

Henry Varnum Poor 1888-1970

Andre Raizorkacs

Robert Rey

Maurice Reynal

Raymond Reynal

Hans Richter, 1888-1976

Edward Roditi

Shelden Rodman, 1909-

Waverly Root, 1903-1982

Felix Emmanuele Ruvolo, 1912-

Frank Sedlak

Paul Shapiro

Jack Gage Stark, 1882-1950

Barrie Stavis

Ike Stoeffle

Benjamin Ellis Tepper

David Turnbull

Alfredo Valente

Siegfried Wang

Frank C. Watkins (Franklin Chenault), 1894-1972

Allen Weller, 1907-
Separated Materials note:
Loaned material, including notebooks, writings, and some correspondence, were returned to Abraham Rattner after microfilming. This material is now part of the Abraham Rattner notes collection at the Leepa-Rattner Museum of Art at St. Petersburg College. Loaned material is available on reels D203-D205, D205A-D205B, and reel 1212, but is not described in this finding aid.
Provenance:
The collection was given to the Archives of American Art in stages by Abraham Rattner 1972-1983, by Esther Gentle 1986-1987, and by Gene Allen in 1992. The donated material that was previously filmed has been integrated and refilmed includes reels D203 and D205C-D205D. The material found on reels D205A-D205B was loaned by Rattner and the material found on reel 1212 was loaned by his sister, Jennie Allen.
Restrictions:
The collection is open for research. Use of unmicrofilmed portion requires an appointment.
Rights:
The Abraham Rattner and Esther Gentle papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Works of art  Search this
Artist couples  Search this
Painters -- France -- Paris  Search this
Art -- Study and teaching -- France -- Paris  Search this
Genre/Form:
Sketches
Diaries
Scrapbooks
Photographs
Interviews
Citation:
Abraham Rattner and Esther Gentle papers, 1891-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rattabra
See more items in:
Abraham Rattner and Esther Gentle papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rattabra

Woman

Artist:
Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997  Search this
Medium:
Oil and charcoal on paper mounted on canvas
Dimensions:
25 5/8 x 19 5/8 in. (64.9 x 49.8 cm)
Type:
Painting
Date:
1953
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1199
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py216a6b37f-8d63-43a4-b632-fd5999892ecf
EDAN-URL:
edanmdm:hmsg_66.1199

Woman, Sag Harbor

Artist:
Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997  Search this
Medium:
Oil and charcoal on wood
Dimensions:
80 x 36 in. (203.1 x 91.2 cm)
Type:
Painting
Date:
1964
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1209
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py253587c96-4222-4a61-8726-b6c69252f982
EDAN-URL:
edanmdm:hmsg_66.1209

General Correspondence

Collection Creator:
Kuhn, Walt, 1877-1949  Search this
Extent:
4 Linear feet (Box 5-9, 32, 56, OV 40)
Type:
Archival materials
Date:
1890-1966
Scope and Contents note:
Correspondence in this series is primarily between Walt Kuhn and his professional and personal contacts and spans his entire career. Correspondents include family members, fellow artists, students, dealers, museum and gallery staff, collectors, friends, fans, critics and colleagues. Copies of outgoing correspondence are often present and are interfiled chronologically. Also included is scattered correspondence of Vera and Brenda Kuhn, and correspondence written after Kuhn died that documents his family's efforts to exhibit, sell, and donate his work.

The content of the correspondence ranges from personal and candid to purely transactional. Artists, collectors, dealers, and critics involved in the creation of significant works of art and collections in the early 20th century are represented. An alphabetical index of selected correspondents in this series is provided in the appendix. Another resource for accessing correspondence are the card files in Series 4.8: Notes and Writings, where correspondence with various contacts was indexed by the Kuhns and filed alphabetically by name.

In 1938, Walt and Vera Kuhn wrote and self-published the pamphlet, "The Story of the Armory Show" and sent it gratis to hundreds of interested parties. Among the correspondence from that year are many heartfelt reponses from fellow artists and other witnesses to the 1913 event, including Charles Sheeler, William Glackens, Stuart Davis, André Derain, Henri Roché, Walter Pach, and J.H. du Bois to name just a few.

Kuhn regularly instructed students through the mail with lengthy letters about painting techniques and methods. San Francisco painter Otis Oldfield is represented by over 100 lengthy letters in this subseries. Kuhn's letters to Oldfield, returned at Kuhn's request in 1945 for a publication project that was never realized, are interfiled. Other correspondence students include Patsy Santo, Frank di Gioia, Watson Bidwell, John Bernhardt, John Laurent, Goldie Paley, and Eric Lundgren. See the appendix for dates.

Types of material include letters (sometimes illustrated), postcards, invitations, announcements, and Christmas cards, which are sometimes made of original artwork. Enclosures are often found, such as photographs, clippings, tracings of art work, writings, receipts, passes and membership cards. Some letters indicate enclosures that were previously separated and can be found in other series.

Significant writings enclosed with correspondence include an early vaudeville script written by Kuhn and his friend, Archibald Macnab (1923); drafts of articles about Kuhn by the poet Genevieve Taggard (1931), critic Alan Burroughs (1930), and patron Eloise Spaeth (1950); and an unpublished history of the 1913 Armory Show by Paul Bird (1938). Photographs and photographic postcards are also found throughout the series. Included are photo postcards from Spain and France (1925), and from Arizona and California (1928); and photographs related to Kuhn's work for the Union Pacific Railroad Company (1936, 1938).

Additional correspondence can be found throughout the collection. See individual series descriptions for details.

See Appendix for a list of selected correspondents in Series 4.3.
Appendix: Selected Correspondents in Series 4.3:
The following is a selective list of correspondents represented in Series 4.3: General Correspondence, with cross-references to correspondence in 4.4: Selected Gallery and Exhibition Files and 4.5: Provenance Files. It is not comprehensive. An effort has been made to index regionally and nationally known artists, Kuhn's patrons and students, models, art historians, writers, museum and gallery staff, dealers, and persons known to be well-represented in other collections at the Archives of American Art. Cross-references to existing letters in other parts of the Kuhn papers and Armory Show records are included selectively. Correspondents who have not been indexed include family members, neighbors, business contacts from his theater and vaudeville work of the early 1920s, and from his railroad car design work from 1936 to 1948.

Abeel, Neilson (American-Scandinavian Foundation): 1930 (3 letters)

Abercrombie and Fitch: 1948-1949 (4 letters)

Adair, William Gleason: 1945

Adams, Philip R. (Columbus Gallery of Fine Arts): 1938-1946, 1948-1951 (51 letters; See also Selected Gallery and Exhibition Files)

Adams, Ruth Hutchins: 1943-1944 (6 letters)

Albany Institute of History and Art (see MacFarlane)

Aldis, Graham: 1928

American Print Makers (see also Goldsmith, B.K.): 1928 (2 letters)

American Federation of the Arts: 1950 (see also N. Anderson, Messer, Pope, Prior, E. Spaeth)

Ames, Mary (Mrs. John W.; see Goodyear, Mary)

Ames, Winslow (Lyman Allyn Museum): 1934 (3 letters)

Anderson, Nesta (Mrs. A. Scott; American Federation of Arts): 1951-1952 (3 letters)

Anderson, Sherwood: 1928, undated (2 letters)

Angle, Catherine (Mrs. Everett E.; Nebraska Art Association): 1946

Anisfeld, Mara: 1932

Arden Gallery (see Meigs and Smoluchowska)

Arensberg, Walter C.: 1938 (see also Selected Gallery and Exhibition Files)

Armory Show 50th Anniversary Exhibition (Winslow Carlton): 1963 (see also Henry Street Settlement)

Arnold, Grace (Mrs. Harry Bartley): 1941, 1945 (3 letters; see also Selected Gallery and Exhibition Files)

Art Students League of New York: 1927

Arts Club of Chicago: 1927, 1934, 1956 (6 letters; see also Selected Gallery and Exhibition Files)

Asherman, David: 1936, undated (2 letters including Christmas card with original, signed print)

Austin, Darrel (see also Perls): 1940, 1941 (4 letters)

Bahr, A.W. (Billy): 1923, 1938, 1945, 1947-1949 (7 letters)

Balkan, Edward Duff: 1932

Ballin, Hugo: 1937 (2 letters)

Bangsbergh, Raymond: 1939

Barber, George R.: 1933

Barr, Alfred H. Jr. (Museum of Modern Art): 1929, 1934, 1945 (5 letters)

Barrie, Erwin S. (Grand Central Art Galleries): 1927, 1951 (5 letters; see also Selected Gallery and Exhibition Files)

Barrington, Lewis: 1932

Barry, Bobby (see Provenance Files, "Portrait of Bobby Barry")

Bartlett, Frederic Clay, Jr.: 1939-1940, 1942-1943, 1945, 1947 (7 letters; see also Selected Gallery and Exhibition Files)

Bartley, Louise: 1931

Baur, John I.H. (Brooklyn Museum): 1946 (see also Selected Gallery and Exhibition Files)

Beals, Ralph A. (New York Public Library): 1949

Bear, Donald (Santa Barbara Museum of Art): 1936-1938, 1945, 1948, 1949 (6 items including Christmas cards with original prints; see also Selected Gallery and Exhibition Files)

Beerbohm, Marvin (Detroit School of Art): 1938

Bell, Janet M. (John and Mable Ringling Museum of Art): 1952 (4 letters)

Belmont, Eleanor R.: 1935 Benjamin, Ruth: 1940

Bernays, Edward L. (see also Doris E. Fleischman): 1928, 1935-1937 (4 letters)

Bernhardt, John: 1948-1950 (4 letters; see also Selected Gallery and Exhibition Files, 1947)

Beuf, Carlo: 1928

Bidwell, Watson (Denver Art Museum): 1936-1940, 1945, 1947, undated (23 letters)

Biesel, C.: 1931-1933, 1935 (5 items including Christmas cards with original prints)

Biesel, Frances (Renaissance Society, University of Chicago; see Selected Gallery and Exhibition Files)

Bird, Isabel (Mrs. Paul): 1940, 1942, 1944 (4 letters)

Bird, Paul: 1938, 1941, 1944, 1945, 1948, 1949 (5 letters)

Bissell, Julia A. (Mrs. Alfred E.; Wilmington Society of the Fine Arts): 1946

Bjorkman, Edwin: 1931, 1934, 1941 (3 letters; see also Selected Gallery and Exhibition Files)

Blackie, John Haldam (Vanguard Press): 1928

Bluemner, Oscar: 1932 (see also Selected Gallery and Exhibition Files, 1930, 1936)

Bliss, Betty: 1931, 1933, 1935 (3 items including Christmas card with original print)

Bloch, E. Maurice: 1949 (3 letters)

Block, Maurice (Huntington Library): 1938

Blount, Rose M. (Denver Art Museum): 1934, 1936, 1938-1939, 1941, 1943, 1949 (8 letters)

Boas, George: 1928

Boissevain, Engen (see Selected Gallery and Exhibition Files)

Bolander, Karl (Columbus Gallery of Fine Arts): 1928

Botkin, Henry: 1937

Bouché, Louis: 1949

Bowman, Eleanor: 1931 (Christmas card with print)

Boyce, Ruth: 1930

Boyer, C. Philip (Mellon Galleries): 1933

Bransom, Paul: 1938, 1949 (2 letters)

Bridaham, Lester B. (Strathmont Museum): 1958

Briggs, Berta N.: 1938

Britt, George ( -- New York World-Telegram -- ): 1938

Brodsky, Harold: 1931-1933, 1935-1939, 1943, undated (16 letters; see also Selected Gallery and Exhibition Files)

Brooklyn Museum: 1930, 1957 (4 letters; see also Baur)

Brown, Adele Smith (Mrs. Philip Stoddard Brown; see Smith, Adele; see also Selected Gallery and Exhibition Files)

Brown, Henry Collins (Museum of the City of New York): 1942

Brown, Margaret E. (Grace Horne Galleries): 1943-1944 (5 letters)

Brown, Rollo Walter: 1928

Bruton, Helen: 1930

Bufano, Remo: 1928

Burroughs, Alan: 1928, 1929, 1930, 1937, 1938, 1941 (13 letters)

Burroughs, Clyde (Detroit Institute of Arts): 1928, 1930, 1938, 1943-1944 (11 letters; see also Selected Gallery and Exhibition Files)

Butler, Roland (Ringling Brothers): 1944

Call, Mary Bradish and Leigh: 1930, 1932, 1935, 1936 (original Christmas cards)

Campbell, Heyworth: 1926

Candler, Duncan: 1927, 1928, 1941 (4 letters)

Canfield, Cass (Harper and Brothers): 1937, 1947-1948 (5 letters)

Cantor, Eddie: 1923

Carlton, Mrs. A.E.: 1952

Carnegie Institute: 1947, 1948 (2 receipts; see also Kepper, O'Connor, Saint-Gaudens; see also Selected Gallery and Exhibition Files)

Carr, Helen Renne (Mrs. Raymond J. Carr): 1946, 1949 (3 letters)

Carroll, John: 1938, 1939, 1941 (3 items, including Christmas card with print)

Carroll, Patricia (Mrs. Anton van Dereck): 1930

Cashin, Bonnie (typed copy): 1947 (see also Selected Gallery and Exhibition Files)

Catlin, Mimi (Museum of Modern Art): 1948

Chapin, Louise V.: 1943-1944 (12 letters)

Chillman, James (Museum of Fine Arts of Houston): 1928

Clapp, Frederick Mortimer (The Frick Collection): 1938

Clark, Virginia and Marshall: 1932-1935 (4 Christmas cards with original prints)

Clark, Virginia Keep: 1928, 1934 (2 letters)

Clark, Walter L. (Grand Central Galleries): 1930

Clear, Charles Val (Akron Art Institute): 1946

Coates, Dorothy: 1925, 1948 (2 letters)

Coffin, Robert M. (Art Academy of Cincinnati): 1950-1951 (4 letters; see also Selected Gallery and Exhibition Files)

Cook, Helen Fetter: 1931, 1932, 1936, 1938, 1941-1943 (8 items including Christmas cards)

Cooper, Gary and Rocky (Mrs. Gary): 1936-1937 (2 letters)

Connelly, Marc: 1940

Cosgrave, John O'Hara: 1928, 1938 (2 letters)

Crocker, Anna B. (Portland Art Association): 1928

Crowninshield, Frank (Vogue, Art News): 1928, 1932, 1935-1936, 1940-1943, 1946 (13 letters; see also Graham)

Cuneo, Mrs. Rinaldo: 1938, 1940 (3 letters)

Cushing, Lily Emmet (Clark Boyd): 1931, 1942, 1945-1948, 1955 (7 letters)

Cutler, Ann (Hotel Marguery): 1931

Cutler, Carl Gordon: 1939

Cutler, Merritt: 1927, 1928, 1942-1945, 1948, 1963 (10 letters)

Daniel, Harry M.: 1952-1953 (2 letters; see also Selected Gallery and Exhibition Files, 1946)

Davidson, Alfred: 1945

Davies Orchards (David Davies): 1928, 1929 (3 letters)

Davis, Stuart: 1938 (2 letters)

De Bois, J.H. (Kunsthandel en Antiquariaat, Haarlem): 1938, 1939 (3 letters)

Dennis, Jan: undated

Derain, André: 1938

Diamond, Harry: 1948

Di Gioia, Frank: 1931, 1933-1948, 1950, 1953, undated (50 items, including original printed Christmas cards)

Dirks, Rudolph: 1925

Dorgan, T.A.: 1927

Dorl, Theodore: 1929, 1931, 1932, 1937, 1938 (9 letters)

Downs, Mr. and Mrs. Edgar: 1931-1937 (7 Christmas cards with photographs)

Downtown Gallery (see Halpert and Goldsmith)

Duckworth, J. Herbert: 1933, 1934 (6 letters)

Dudensing Galleries Inc. (Richard Dudensing): 1930, 1931, 1932 (4 letters)

East West Gallery: 1929

Eggers, George William (Worcester Art Museum, Royal Academy of Art, Stockholm): 1927, 1929 (4 letters)

Elfers, Herbert (Durand-Ruel, Inc.): 1945, 1947, 1948 (3 letters; see also Selected Gallery and Exhibition Files)

Ellis, Freemont (autograph print, with card from Sally Lewis): [1923]

Ellsworth, Mary Louise: undated

Emery, Irene: 1958 (2 letters)

Ester, Ruth (model): 1944-1945 (6 letters)

Etchison, Bruce (Washington County Museum of Fine Arts): 1951-1953 (22 letters)

Evans, Anne (Denver Art Museum): 1933

Evers, Fred: 1939

Ferrand, Charles: 1919, 1934, 1937, 1940 (3 letters)

Findlay, W.C. Jr. (Findlay Galleries): 1939 (2 letters)

Fischkin, Rose Mary: 1928

Fitzgerald, George F. (model): 1927, 1933 (2 letters; 1 signed "Man From Eden")

Fleischman, Doris E.: 1938

Fliesler, Joseph R.: 1935, 1938, 1949 (3 letters)

Forbes, Edward (Fogg Art Museum): 1928

Force, Juliana (Whitney Museum of American Art): 1929, 1932-1937, 1939-1941, 1943 (21 letters; see also Selected Gallery and Exhibition Files)

Fortune -- (magazine; Deborah Calkins): 1956

Fox, William Henry: 1923, 1937 (2 letters)

Francis, Emily O. (Contemporary Arts): 1935

Francis, Henry Sayles (Cleveland Museum of Art): 1932

Fraenkel, John: 1934, 1936, 1938, 1939, 1953 (8 letters)

Frankel, Robert ( -- The Art News -- ): 1939

Frankenstein, Alfred V. ( -- San Francisco Chronicle -- ): 1940 (2 letters)

Frankfurter, Alfred M.: 1938, 1945, 1947, 1948, 1950 (10 letters)

Fraser, Joseph T. (Pennsylvania Academy of the Fine Arts): 1947, 1951 (3 letters; see also Selected Gallery and Exhibition Files)

Free, Karl R.: 1935

Freeman, Anna (Whitney Museum of American Art): 1938 (2 letters)

Frey, Erwin F.: 1943, 1945, 1947 (4 letters)

Frueh, Alfred: 1925, 1953 (2 letters)

Freund, Frank E.W.: 1932, 1934-1935, 1938 (7 letters)

Friede, Donald S. (Boni and Liveright Publishers): 1927

Frink, Angelika W.: 1941 (see also Selected Gallery and Exhibition Files)

Gallagher, Edward J.: 1952

Gallatin, Albert E.: 1927, 1928 (3 letters)

Gardner, Paul (William Rockhill Nelson Gallery of Art): 1936, 1938-1945, 1947-1950 (26 items including Christmas card with original print; see also Selected Gallery and Exhibition Files)

Gardner, Mrs. William (see Owen)

Garrett, Garet: 1928

Garrett, Alice (Mrs. John Work): 1938, 1939 (5 items, including Christmas card with original photograph)

Gates, Margaret (Studio House, Philips Memorial Gallery): 1935

Genauer, Emily (New York World Telegram): 1947

Gest, J.H. (Cincinnati Museum Association): 1928 (3 letters)

Gise, Margaret (Marie Harriman Gallery): 1938 (see also Selected Gallery and Exhibition Files and Provenance Files, "Girl in Shako" and "Guide")

Glackens, William and Edith: 1938

Glackens, Edith: 1938, 1941, 1943, 1949, 1950 (7 items, including outgoing letters of condolence when William Glackens died, and response from Edith with account of his last day)

Godwin, Black-More (Toledo Museum of Art): 1932 (2 letters)

Goldsmith, B.K. (American Print Makers, Downtown Gallery): 1928, 1929, 1930 (3 letters)

Goldsmith, Morton R.: 1936

Goodrich, Lloyd (Whitney Museum of American Art; see Provenance Files, "Man with Ship Model")

Goodyear, A. Conger: 1934, 1938, 1941, 1949 (5 letters; see also Selected Gallery and Exhibition Files, and Provenance Files, "Dryad" and "Man From Eden")

Goodyear, Mary (Mrs. A. Conger, also Mrs. John W. Ames): 1936-1942, 1947, 1949, 1954 (44 letters; see also Selected Gallery and Exhibition Files)

Grace Horne Galleries (see M.E. Brown, Littlefield; see also Selected Gallery and Exhibition Files)

Graham, John D.: 1937

Greason, Donald (Deerfield Academy): 1942 (discussing Harry Whitney)

Grossman, Ted (Edwin Booth): 1938, 1940, 1941, 1945, 1948, 1951, 1952 (13 letters; see also Selected Gallery and Exhibition Files)

Grumman, Paul H. (Joslyn Memorial Art Museum): 1943

Hagen, Oskar: 1938, 1939 (2 letters)

Hagerman, Percy (Colorado Springs Fine Arts Center): 1949

Hale, Dorothea: 1928

Hale, Robert B. (Metropolitan Museum of Art): 1950-1951 (2 letters)

Halpert, Edith (Downtown Gallery): 1927, 1928, 1929, 1930 (7 letters; New Year card 1928 printed with collage of Walt Kuhn)

Hall, Porter: 1941, 1942, 1944, 1948 (4 items, including Christmas card)

Hanna, Mark: 1942-1944, 1946-1949 (17 letters)

Hare, Betty (Mrs. Meredith): 1923, 1930-1935, 1939-1941, 1948 (21 letters)

Harper's Bazaar -- (see Kaufman, Snow)

Harriman, Marie: 1946, 1947, 1949, 1958 (4 letters; see also Selected Gallery and Exhibition Files)

Harriman, Mary W.: 1930

Harriman, W. Averell: 1936, 1937, 1939, 1948, 1949 (5 letters)

Harrison, Preston: 1928, 1929, 1930 (to Mrs. Harriman), 1933, 1935 (8 letters)

Harshe, Robert (Art Institute of Chicago): 1928, 1929, 1932 (4 letters)

Hart, George Overbury "Pop": 1926, 1928, 1929, 1932 (6 letters)

Hart, Jean Overbury: 1948 (2 letters)

Hartell, John A. (Cornell University College of Architecture): 1941-1942, 1948 (11 letters)

Hartley, Marsden: 1937 (2 letters)

Hartmann, Sadakichi: 1938, 1939-1943 (8 letters, 1940 letter accompanied by ink drawing)

Harvey, Dorothy Dudley: 1933, 1936 (2 letters)

Hatch, John Davis Jr. (Albany Institute of History and Art): 1938, 1941 (2 letters)

Hatfield, Dalzell (Dalzell Hatfield Galleries): 1940

Haven, Ethel (Museum of Modern Art): 1930 (minutes of board meeting), 1932 (list of names; 2 items; see also Selected Gallery and Exhibition Files)

Hawkins, Frances (Museum of Modern Art): 1943

Hayes, Helen: 1946

Heicher, Joyce: 1941

Heil, Walter (M.H. de Young Memorial Museum): 1943

Hein Antiques: 1931, undated (4 letters)

Henry Street Settlement: 1963

Hess, Thomas: 1953 (Christmas card)

Heun, Arthur: 1930, 1932-1937, undated (9 items, including Christmas cards)

Hitchcock, Thomas Jr.: 1927, 1930, 1934-1937, 1939 (7 items, including Christmas cards)

Hodgson, Daphne: 1931, 1932, 1933, 1936, 1938, 1939 (15 letters)

Hoffman, Irving: 1947

Hood, Gretchen: 1928, 1934 (2 letters)

Hope, Henry R.: 1948, 1951 (3 letters; see also Provenance Files, "Sliced Loaf")

Howard, Cecil: 1931, 1934, 1936, 1938 (5 letters)

Howe, Mrs. Frederic: 1931, 1933 (3 letters)

Howe, Thomas Carr (California Palace of the Legion of Honor): 1947

Huggins, Wilfrid: 1932

Hunter, E.R. (Norton Gallery and School of Art): 1947

Hutchins, Ruth (see Adams)

Hutton, Ruth: 1931

Ingersoll, R. Sturgis: 1942, 1944, 1951 (4 letters; see also Selected Gallery and Exhibition Files and Provenance Files, "Young Girl")

Javis, Sidney (Museum of Modern Art): 1939 (2 letters)

Jeffreys, Lee: 1931

Jewell, Edward Alden: 1938

Jewett, Eleanor ( -- Chicago Tribune -- ): 1928

Johnson, G.M. (to Vera): 1909 (2 letters)

Johnston, William: 1927

Jonson, Raymond: 1938

Joslyn Memorial Art Museum (see Grumman, Kingman; see also Selected Gallery and Exhibition Files)

Kahn, Otto: 1927, 1928 (2 letters)

Kaltenbach, G.E. (Art Institute of Chicago): 1931

Kanzler, Josephine (Mrs. Ernest): 1945, 1947 (3 items including Christmas card)

Kaufman, Beatrice ( -- Harper's Bazaar -- ): 1935 (2 letters)

Kaufman, George: 1940

Keezer, Dexter M. (Reed College): 1936, 1937, 1941, 1945 (6 letters)

Kelekian, Dikran: 1922-1924, 1933, 1937, undated (9 letters; see also Selected Gallery and Exhibition Files)

Keller, Henry: 1936, 1937, 1938 (3 letters)

Kennedy, Jacqueline: 1961

Kenefick, Theodore G.: 1956

Kennerley, Mitchell (Anderson Galleries, Inc.): 1938, 1941 (4 letters)

Keppel, Frederick P. (Carnegie Corporation): 1938 (2 letters)

Kerr, George F. (Society of Illustrators): 1930 (2 letters)

Kimball, Fiske (The Pennsylvania Museum): 1928, 1939 (2 letters)

Kingman, Eugene (Joslyn Memorial Art Museum): 1951 (4 letters)

Kirsch, Dwight (University of Nebraska Department of Art): 1941, 1943-1944, 1946, 1950, 1953 (9 letters; see also Selected Gallery and Exhibition Files)

Kirstein, Lincoln (Museum of Modern Art): 1932

Kissel, Eleanora: 1928

Kistler, Aline ( -- San Francisco Chronicle -- , -- The San Franciscan -- , M.H. de Young Memorial Museum): 1929, 1930, 1932, 1933 (6 letters)

Klopfer, Donald S. (Random House, Inc.): 1940

Kohl, Dorothy (Philadelphia Art Alliance): 1945 (3 letters)

Komroff, Manuel: 1938

Kravis, Hal: 1936, 1941 (3 letters)

Kunstverein München E.V.: 1930

Kurtzworth, Harry Muir (Los Angeles Art Association, California Academy of the Fine Arts): 1938 (2 letters)

Lahr, Bert: 1948 (see also Provenance Files, "Portrait of Bert Lahr")

Labaudt, Lucien: 1929, 1933, 1936, 1937, 1938 (5 items including Christmas card; see also Selected Gallery and Exhibition Files)

Lamb, James E.: 1928, 1930, 1935, 1937 (4 letters)

Larcada, Dick: 1963

Laurent, John: 1947-1950, undated (12 letters; see also Selected Gallery and Exhibition Files)

Laurent, Mimi (Mrs. Robert): 1952

Laurent, Robert (Indiana University): 1923, 1949, 1953 (8 letters; see also Provenance Files, "Black Butterfly")

Lea, Lida Gorwin; 1935-1938, 1942 (8 letters, including Christmas card with original print; see also Selected Gallery and Exhibition Files)

Lenssen, Heidi: 1938, 1943, 1947, 1949-1951, 1963, 1964 (9 letters)

Levy, Adele Rosenwald (Mrs. David M.): 1948

Lewis, Agnes Knox: 1945

Lewis, Sally: 1923, 1939 (3 letters, includes signed print by Ellis Freemont; see also Selected Gallery and Exhibition Files)

Lie, Jonas: 1930

Lindsay, Howard: 1940

Littlefield, William (Grace Horne's Galleries): 1929

Liveright, Horace (Boni and Liveright Publishers): 1928

Lovins, Henry (Hollywood Art Center School): 1938

Luce, Molly: undated (Christmas card with print)

Lundgren, Eric: 1947-1953 (61 letters)

Lustgarten, Samuel (see Provenance Files, "Morning")

MacFarlane, Janet R. (Albany Institute of History and Art): 1958

Macnab, Archibald Leavenworth: 1923 (includes typescript of play "The Sculpting of Money"), 1927, 1929 (2 letters)

MacRae, Elmer: 1939

Mager, Gus: 1938, 1941-1943, 1946 (9 letters; see also Selected Gallery and Exhibition Files)

Mangravite, Peppino (Cooper Union Art Schools): 1941

Mann, Margo (model): 1950

Marie Harriman Gallery (see Harriman, Sardi, Smoluchowska, or Selected Gallery and Exhibition Files)

Matthews, H. L. ( -- The New York Times -- ): 1928

Matthias, Blanche: 1923, 1927, 1929, 1931-1937, 1940-1941 (19 items, including Christmas cards; see also Selected Gallery and Exhibition Files)

McBride, Henry: 1935

McBride, Mary Margaret (WOR radio): 1940

McCausland, Elizabeth: 1938, 1948 (2 letters; see also Selected Gallery and Exhibition Files)

McCormick, Chauncey (Art Institute of Chicago): 1938

McCurdy, Edward: 1928

McDaniel, Beatrice (Mrs. Bruce): 1940

McIntyre, Robert: 1931 (2 letters)

McKim, William: 1945

Meigs, Ruth Averell (Arden Gallery): 1929 (2 letters)

Mencken, H.L.: 1945, 1946, 1947 (3 letters; see also Series 4.8: Notes and Writings)

Merrick, James Kirk (Philadelphia Art Alliance): 1945

Messer, Thomas M. (American Federation of Arts): 1952-1954 (5 letters)

Metcalf, Thomas N. (Boston Museum of Modern Art, Inc.): 1938, 1940 (2 letters)

Metropolitan Museum of Art: 1949, 1956 (5 letters; see also Hale, F.H. Taylor, Wehle)

Mellon, Minna (Mrs. Paul): 1946

Millay, Edna St. Vincent (typed copy): 1947 (see also Engen Boissevain in Selected Gallery and Exhibition Files)

Miller, Dorothy C. (Museum of Modern Art): 1943

Miller, Lulu F. (The Hackley Gallery of Fine Arts): 1928

Milliken, William M.: 1936 (2 letters)

Minnigerode, C. Powell (Corcoran Gallery of Art): 1928 (2 letters)

Montclair Art Museum: 1928, 1932 (2 letters)

Montgomery, Gertrude: 1928

More, Hermon (Whitney Museum of American Art): 1933, 1935, 1943, 1948-1950 (8 letters)

Morgan, Agnes: 1938

Morison, David (Hamilton Easter Field Art Foundation): 1930

Morley, Grace: 1936, 1937-1939, 1943 (11 letters; see also Selected Gallery and Exhibition Files)

Morse, John (see Provenance Files, "Man and Sea Beach")

Muguruza Otaño, Pedro: 1928

Museum of Art of Ogonquit: 1953 (see also Strater)

Museum of Modern Art (see Barr, Catlin, Haven, Hawkins, Kirstein, D. Miller, Pelles, A. Porter)

Nadelman, Viola M. (Mrs. Elie): 1947

Nankivell, Frank: 1934-1935 (Christmas cards with signed prints)

National Arts Club: 1932

Newhall, Beaumont (Museum of Modern Art): 1938

Nichols, Hobart (National Academy of Design): 1948

Nichols, J.C. (William Rockhill Nelson Trust): 1948

North, Henry Ringling (Ringling Brothers): 1941 (2 letters)

Norton Gallery and School of Art (see Hunter)

Norton, Ralph H. (Norton Gallery and School of Art): 1948

O'Connor, John Jr. (Carnegie Institute): 1943, 1945-1946, 1948 (8 letters)

Oldfield, Otis: 1928-1946, 1948-1949, 1951-1952, undated (111 letters; 1931, 1941, undated include Chritmas cards with print; see also Selected Gallery and Exhibition Files)

O'Neil, John (University of Oklahoma): 1946

Owen, Ronnie (Mrs. William Gardner): 1941-1942, 1944-1946, 1948-1949 (15 letters)

Owens, Virginia B.( -- Christian Science Monitor -- ): 1943 (2 letters)

Paley, Goldie (Mrs. Samuel): 1941-1942 (2 letters)

Pandolfini, Giuseppi: 1938

Pach, Walter: 1938

Pascin, Jules: 1921

Passedoit, Georgete: 1930, 1931, 1932 (3 letters)

Patterson, Augusta Owen ( -- Town and Country -- ): 1930 (2 letters)

Paxson, Gordon (Syracuse University School of Art; see Selected Gallery and Exhibition Files)

Peat, Wilbur D. (John Herron Art Institute): 1944, 1945 (7 letters)

Pelles, Geraldine (Museum of Modern Art): 1953 (3 letters)

Pelton, Agnes: 1938

Penfield, Louis: 1945, 1947-1949 (5 letters)

Penrose, Julie: 1937, 1948, 1951 (3 letters)

Perkins, Frances: 1949

Perls, Klaus G. (Perls Galleries): 1940

Perrine, Van: 1938

Perry, Mitzi: 1942

Petit, Margaret: 1928, 1931-1933, 1935-1938, undated (13 items including Christmas cards)

Philadelphia Art Alliance (see Kohl, Merrick, Williamson)

Phillips, Duncan: 1927, 1931, 1932, 1939, 1944 (15 letters)

Pinchot, Ruth Pickering: 1932

Poland, Reginald: 1938, 1947-1948 (12 letters)

Pope, Annemarie (American Federation of Arts): 1951 (5 letters)

Porter, Allen (Museum of Modern Art): 1945

Porter, Bruce: 1938

Potter, Fuller: 1933, 1934, 1936, 1944 (6 items including Christmas card)

Pratt, Mrs. Harold Irving; 1934 (2 letters, plus notes from lecture)

Pratt, Julia D.: 1927, 1928 (2 letters)

Pressoir, E.E.: 1928 (Guggenheim application), 1932 (2 letters)

Price, Frederic Newlin (Ferargil Galleries): 1948 (3 letters)

Prior, Harris K. (American Federation of Arts): 1957

Purnell, Lewis M.: 1943

Putnam, Samuel: 1928 (2 letters)

Quinn, John (see also Watson): 1919, 1920, 1921 (5 letters)

Quinton, Cornelia B. Sage (California Legion of Honor): 1928

Randolph, Lee F. (California School of Fine Arts): 1930, 1942 (2 letters)

Raseman, Richard P. (Cranbrook Academy of Art): 1940

Rathbone, Perry T.: 1946

Reber, Gottlieb Friedrich: 1931, 1932, 1933, undated (3 letters)

Redmond, Johnston: 1933

Renne, Otto A.: 1935, 1936, 1938, 1940 (5 letters; see also Carr)

Renwick, Charles S. Jr.: 1945-1946 (2 letters)

Rickey, George: 1937

Ringling Brothers and Barnum and Bailey (see Butler and North)

Rivière, Nina S. (Toledo Museum of Art): 1932

Robinson, Edward G.: 1936 (2 letters)

Roché, H.P.: 1928, 1938, 1939 (7 letters; see also Selected Gallery and Exhibition Files)

Rogers, Christopher H. (regarding Francis Rogers): 1930

Rogers, Jane: 1932

Rogers, Meyric (Art Institute of Chicago): 1948 (see also Selected Gallery and Exhibition Files)

Rogers, Will: [1926]

Roosevelt, Jean S. (Mrs. Philip James): 1928

Rosenberg, Paul (Paul Rosenberg and Co.): 1942, 1946, 1948 (8 letters)

Ross, Leola: 1928, 1931, 1935, 1936, 1937 (5 items including Christmas cards)

Rossiter, Henry P.: 1928

Rothschild, Howard: 1927

Roullier, Alice F. (Arts Club of Chicago): 1925, 1927, 1933, 1941 (8 letters; see also Selected Gallery and Exhibition Files)

Rousseau, Théodore: 1935

Rumsey, Mary H. (Mrs. C.C.): 1930, 1934-1936, 1938, 1940, 1945, 1949, undated (11 items including Christmas card and receipts for paintings sold)

Ryan, Beatrice Judd (Beaux Arts Galerie): 1928, 1929 (4 letters)

Saint-Gaudens, Homer (Carnegie Institute): 1931, 1933, 1940, 1946-1949 (18 letters; see also Selected Gallery and Exhibition Files)

Saklatwalla, Ann: 1944-1945 (2 letters; see also Provenance Files, "Bareback Rider")

Saklatwalla, B.D.: 1928, 1930-1936, 1941 (2 letters, 7 Christmas cards containing prints, 1931 print signed Jean Crotti)

Salinger, Jehanne Bietry: 1928-1930, 1933, 1935, 1946-1948 (includes signed print by Harry Wickey; 17 letters)

Salons of America: 1923, 1924

Salpeter, Harry ( -- Esquire -- ): 1936-1938 (6 letters)

Sanborn, Robert Alden: 1945

Sands, Mary (Museum of Modern Art): 1930

Sanger, Helen: 1948-1950, 1953, 1963 (16 letters)

Sanger, Margaret (American Birth Control League, Inc.): 1928

Santa Barbara Museum of Art (see Bear, Steele, Story; see also Selected Gallery and Exhibition Files)

Santo, Patsy: 1937-1946, 1948-1949, 1953 (103 letters, some illustrated)

Sardi Gina, Anne (Marie Harriman Gallery): 1941-1942, 1947, 1949 (6 letters; see also Selected Gallery and Exhibition Files and Provenance Files, "Girl in Shako" and "Guide")

Schlesigner, Louis: 1949

Schmit, Waldo (Smithsonian Institution): 1936-1949

Schulte, Antoinette: 1932-1938 (8 items, including Christmas card with original print)

Seiberling, Frank Jr. (Toledo Museum of Art): 1943, 1946 (3 letters)

Seymour Halpern Associates: 1945

Shapiro, Meyer: 1938

Sharkey, Alice M. (Whitney Museum of American Art): 1944

Shaw, Marjorie: 1930 (Christmas card with woodblock print)

Sheeler, Charles: 1938 (See also Series 4.2: Walt Kuhn Letters to Family)

Shostac, Percy (Labor Division, Greater New York Fund): 1941

Shyrock, Burnett H.: 1938 (4 letters)

Siple, Walter H. (Cincinnati Art Museum): 1938, 1942, 1945 (4 letters)

Skeoch, Mary E.: 1934-1936, 1938 (8 letters)

Skira, Alfred: 1932 (5 letters; see also Selected Gallery and Exhibition Files, 1933)

Smith, Adele (Studio House, Philips Memorial Gallery, Museum of Modern Art Gallery of Washington): 1935, 1938, 1939 (5 letters; see also Selected Gallery and Exhibition Files)

Smith, Cecil: 1937-1938 (3 letters)

Smith, Gordon M. (Currier Gallery of Art): 1950

Smoluchowska, Donia (Arden Gallery, Marie Harriman Gallery): 1929, 1932 (3 letters; see also Selected Gallery and Exhibition Files)

Snow, Carmel ( -- Harper's Bazaar -- ): 1935, 1941 (2 letters)

Spaeth, Eloise (Mrs. Otto L.; Dayton Art Institute, American Federation of Arts, The Guild Hall): 1943-1953, 1960, undated (50 letters)

Spaeth, Otto: 1943 (4 letters)

Spier, LaSalle (brother of Vera Kuhn): 1914-1963

Spingarn, Amy (Mrs. Joel Elias): 1938 (2 letters)

Sprague, Marshall (Colorado Springs Fine Arts Center): 1948 (2 letters)

Steele, Mary Oldfield (Santa Barbara Museum of Art): 1953-1954 (4 letters)

Stendahl, E.L. (Stendahl Art Galleries): 1939 (3 letters)

Stetson, Carroll: 1932

Stickney, Dorothy (Mrs. Howard Lindsay): 1941

Stinson, Eugene: 1928

Story, Ala (Santa Barbara Museum of Art): 1954 (2 letters)

Stout, George L.: 1952

Strain, Gertrude: 1935

Stransky, Joseph: 1927

Strater, Henry (Museum of Art of Ogonquit): 1953-1954 (4 letters)

Stroh, Earl W.: 1942 (2 letters)

Studio House (see Gates, Law, Smith)

Swartz, Susan (Art Institute of Zanesville, Ohio): 1943-1944 (7 letters)

Swope, Herbert Bayard: 1949

Sykes, Maltby (Alabama Polytechnic Institute): 1946

Taggard, Genevieve: 1930, 1931, 1933, 1941, undated (13 letters)

Tanner, Ethel: 1930 (Christmas card with woodblock print)

Taylor, Bertrand: 1945

Taylor, Francis Henry (Metropolitan Museum of Art): 1949 (see also Provenance Files, "Blue Clown")

Taylor, Henry White: 1938

Taylor, Olive (Mrs. Bertrand): 1944-1946, 1948-1949, undated (14 letters)

Teague, Virginia (Mrs. R.L.): 1951 (2 letters)

Teigen, Peter (Princeton University School of Architecture): 1928, 1929 (2 letters)

Thayer, Ellen ( -- The Dial -- ): 1927, 1928 (2 letters)

Thompson, Mark B.: 1934, 1935, 1937 (3 letters; see also Selected Gallery and Exhibition Files)

Thorp, George G. (American Federation of Arts): 1947

Toledo Museum of Art (see Godwin, Rivière, Seiberling)

Toler, Sidney: 1941

Todd, Bianca: 1929, 1933, 1934 (3 items including Christmas cards with original prints)

Trovato, Joseph (Munson-Williams-Proctor-Institute): 1946, 1949 (2 letters)

Tucker, Allen: 1938

Turney, Winthrop: 1924

Tyson, Carroll: 1934

Underwood, Gilbert Stanley (architect): 1938, 1948 (5 letters)

Valentiner, Dr. W.R. (Detroit Institute of Arts): 1945

Valez, Dr. Xavier de: 1934

Venendi, Mario: 1949 (3 letters)

Vidar, Frede: 1936

Vreeland, Mr. and Mrs. Francis (Toby and Marion): 1934-1938 (6 letters)

Wadsworth, Alice (Mrs. James W.): 1940, 1941, 1942, 1945 (8 letters)

Waida, Robert: 1928

Waldron, James M. K. (Reading Public Museum and Art Gallery): 1936, 1937, 1961 (3 letters)

Walker, Maynard: 1946, 1948-1949, 1951-1952, 1955, 1961 (10 letters; see also Selected Gallery and Exhibition Files and Provenance Files, "Guide" and "Veteran Acrobat")

Ward, William: 1949

Washburn, Gordon B. (Rhode Island School of Design Museum of Art): 1945

Watkins, C. Law (Studio House, Phillips Memorial Gallery): 1933 (2 letters)

Watson, John (for John Quinn): 1914, 1921 (2 letters), 1938

Watson, Nan: 1928, undated

Wear, Verna (Mortimer Brandt Gallery): 1943 (2 letters)

Weber, Max: 1938

Weber, W.: 1928

Wehle, Harry B. (Metropolitan Museum of Art; see Provenance Files, "Girl in Uniform")

Weibel, Adèle (Detroit Institute of Arts): 1938

Weigel, Paul: 1932, 1934, 1935, 1937 (4 letters)

Weinberger, Alfred: 1931

Weir, Ernest and Mary: 1945 (2 letters)

Weng, Siegfried R. (Dayton Art Institute): 1943 (2 letters)

Werner, M.R.: 1928

Weston, Edward: 1928-1930, 1932-1933, 1935, 1937-1938, 1941 (9 letters; see also Selected Gallery and Exhibition Files)

Wetmore, Edith: 1929, 1930, 1931, 1932-1936 (16 items including Christmas cards)

White, Frances M.: 1945

Whiting, F.A. Jr. ( -- Magazine of Art -- ): 1938

Whitney, Harry: 1942 (see also Greason and Selected Gallery and Exhibition Files)

Whitney Studio Galleries (see also Force): 1929

Whitney Museum of American Art (see Force, Free, More, Freeman, Sharkey, Goodrich)

Wilder, Mitchell A. (Colorado Springs): 1946-1953 (75 letters; see also Selected Gallery and Exhibition Files)

Wilenski, R.H.: 1938, 1939, 1945-1946 (8 letters)

Williams, Adele (Women's club of Richmond): 1930

Williamson, Ada (Philadelphia Art Alliance): 1927, 1928, 1945, 1949 (19 letters; see also Selected Gallery and Exhibition Files)

Wilmington Society of the Fine Arts (see Bissell)

Wilson, Henry J.: 1950

Winser, Beatrice: 1935, 1940 (7 letters)

Woelfle, Arthur M.: 1914 (see also Selected Gallery and Exhibition Files)

Woelfle, Georgiana: 1936, 1937, 1963 (3 letters)

Wood, Stanley: 1928

Zayas, Marius de: 1934, 1939, 1947, 1948 (10 letters)

Zügel, Heinrich von: 1904
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Walt Kuhn Family papers and Armory Show records, 1859-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhnwalt, Subseries 4.3
See more items in:
Walt Kuhn Family papers and Armory Show records
Walt Kuhn Family papers and Armory Show records / Series 4: Walt Kuhn Family Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kuhnwalt-ref352

Scrapbooks

Collection Creator:
Macbeth Gallery  Search this
Extent:
3.3 Linear feet (Boxes 120-130 )
Type:
Archival materials
Date:
1892-1952
Scope and Contents:
The 19 scrapbooks in this series are the collection's main source of Macbeth Gallery exhibition catalogs and related news clippings. Although incomplete, the scrapbooks provide fairly comprehensive coverage of the gallery's history and include material on day-to-day events at the gallery as well as important occasions such as the gallery's fortieth, fiftieth and sixtieth anniversaries, news of the art world in general and some photographs. Some of the scrapbooks also contain printed material related to art, exhibitions and events elsewhere. Many of the exhibition catalogs found here are annotated with prices and other notes. Notably missing is the catalog for the 1908 exhibition, The Eight.

See Appendix for a list of Macbeth Gallery exhibitions documented in Series 5: Scrapbooks.
Arrangement:
As some of the dates of the scrapbooks overlap, they were numbered 1-19 for clarity. The scrapbook cover for #3 is housed in Box 120, and the contents are housed in Box 122.
Appendix: Macbeth Gallery Exhibitions Documented in Scrapbooks:
This chronological list of Macbeth Gallery exhibitions is extensive, but incomplete. While an attempt has been made to establish the accuracy of the information provided here, dates and titles of exhibitions are not guaranteed to be accurate. Most of the exhibitions listed here are documented in the scrapbooks through exhibition catalogs and/or invitations, lists of artwork and news clippings. The list is annotated with AAA microfilm reel and frame numbers to assist researchers in locating material on specific exhibitions.

Scrapbook 1, 1892-1901

Dec. 7-21, 1892 -- Water Colors by American Artists (NMc1: 273-275)

Jan.23-Feb.11, 1893 -- Landscapes in Oil (NMc1: 276-277)

Feb. 27-Mar. 18, 1893 -- Landscapes in Oil by William Keith (NMc1: 278-279)

Mar. 20-Apr. 8, 1893 -- Watercolors by Dutch Artists (NMc1: 281-282)

Nov. 8-29, 1893 -- Second Annual Exhibition of Watercolors by American Artists (NMc1: 283-285)

Dec. 2-16, 1893 -- Drawings in Watercolors and in Black and White by C. R. Grant and Wilson De Meza (NMc1: 287-290)

Jan. 20-Feb. 3, 1894 -- Pictures and Sketches by Anton Mauve (NMc1: 291-292, 311-313)

Feb. 6-17, 1894 -- Paintings by Henry W. Ranger (NMc1: 295-296)

Feb. 23-Mar. 8, 1894 -- Paintings by Gaylord Langston Truesdel (NMc1: 299-300)

Mar. 16-29, 1894 -- Figure Subjects by Seven American Artists (NMc1: 302-303)

Apr. 13-May 6, 1894 -- Landscapes by American Artists (NMc1: 304-305)

Dec. 1-22, 1894 -- Paintings and Drawings by D.A.C. Artz (NMc1: 315-316)

Feb. 2-16, 1895 -- Paintings and Sketches by Theodore Robinson (NMc1: 318-319)

Mar. 15-30, 1895 -- Pictures and Sketches by Anton Mauve (NMc1: 321-323)

Feb. 17-29, 1896 -- Paintings in Oil by Philip Zilcken (NMc1: 329-330)

Mar. 9-21, 1896 -- Paintings by Arthur B. Davies (NMc1: 329-331)

Mar. 6-20, 1897 -- Paintings by Robert C. Minor (NMc1: 343-344)

Apr. 24-May 8, 1897 -- Paintings by Arthur B. Davies (NMc1: 348-349)

Jan. 17-29, 1898 -- Portrait Drawings in Pastel and Chalk by Sergeant Kendall (NMc1: 356-357)

Jan. 31-Feb. 12, 1898 -- Expressions of New England Landscape by Leonard Ochtman (NMc1-358-359)

Jan. 9, 1898 -- Exhibition of Pictures and Sketches by Anton Mauve (NMc1: 362)

Nov. 7, 1898 -- Exhibition of Watercolors by Mr. Ozawa of Tokyo, Japan (NMc1: 363)

Jan. 9-21, 1899 -- Paintings by Willbur A. Reaser (NMc1: 366-367)

Feb. 1-14, 1899 -- Paintings by H. M. Rosenberg (NMc1: 368-369)

Feb. 17-Mar. 9, 1899 -- Paintings by Charles Walter Stetson (NMc1: 370-371)

Jan. 8-20, 1900 -- Twenty-seven Drawings by Childe Hassam (NMc1: 376-377)

Mar. 9-24, 1900 -- Watercolors and Monotypes in Color by Maurice B. Prendergast (NMc1: 379-380)

Nov. 19-Dec. 1, 1900 -- Pictures by Rosina Emmet Sherwood (NMc1: 383-384)

Jan. 21-Feb. 2, 1901 -- Pictures and Portraits by Wilbur A. Reaser (NMc1: 385)

Feb. 25-Mar. 9, 1901 -- Frederick Ballard Williams (NMc1: 394-395)

Feb. 4-16, 1901 -- Landscapes by Alexander H. Wyant and George Inness (NMc1: 390-391)

May 9-31, 1901 -- Paintings by Arthur B. Davies (NMc1: 400-402)

Nov. 29-Dec. 14, 1901 -- Watercolors, Color Prints from Wood Blocks and Etchings Printed in Color by Helen Hyde (NMc1: 405-406)

Scrapbook 2, 1893-1898

Primarily news clippings.

Scrapbook 3, 1902-1910

Feb. 3-15, 1902 -- Private Collection of American Pictures (NMc1: 2-5)

Mar. 17-29, 1902 -- Some Phases of London When the Lamps Are Lighted, Done in Pastel by Fernand Lungren (NMc1: 10-13)

Mar. 31-Apr. 5, 1902 -- Group of Pictures by Sidney Starr (NMc1: 13)

Apr. 1-12, 1902 -- Pictures by Robert Henri (NMc1: 15-16)

Apr. 14-26, 1902 -- Drawings by Jane Erin Emmet (NMc1: 21-22)

Apr. 28-May 11, 1902 -- Landscapes by W. L. Lathrop (NMc1: 20)

Jan 19-31, 1903 -- Drawings and Sketches by Homer D. Martin, 1836-1897 (NMc1: 27)

Jan. 27-Feb. 11, 1905 -- Pictures by William Sartain (NMc1: 37-39)

Feb. 23-Mar. 8, 1905 -- Paintings by Arthur B. Davies (NMc1: 62-64)

May 1-6, 1905 -- Oil Paintings by American Artists from the Macbeth Gallery (at the Galleries of George D. Brodhead, Rochester, NY) (NMc1: 69-72)

Jan 29-Feb. 10, 1906 -- Abbot H. Thayer and Gladys Thayer (NMc1: 77-78)

Feb. 19-Mar. 3, 1906 -- Pictures by Charles H. Davis (NMc1: 79-80)

Mar. 10-24, 1906 -- Stephen Parrish (NMc1: 81-82)

Nov. 9-24, 1906 -- A Group of American Paintings (NMc1: 91-92)

Jan. 11-26, 1907 -- Paintings by William Sartain (NMc1: 100-101)

Feb. 1-16, 1907 -- Paintings by Paul Dougherty (NMc1: 105-106)

Feb. 23-Mar. 9, 1907 -- Paintings by Charles H. Davis (NMc1: 107-108)

Mar. 11-23, 1907 -- Portraits by Ellen Emmet (NMc1: 112-113)

Mar. 28-Apr. 3, 1907 -- Paintings by William Keith (NMc1: 115-117)

Nov. 11-23, 1907 -- Paintings by Augustus Vincent Tack (NMc1: 124-125)

Nov. 27-Dec. 12, 1907 -- Paintings by John La Farge (NMc1: 127-131)

Jan. 6-18, 1908 -- Paintings by Jerome Myers (NMc1: 133-134)

Jan. 20-Feb. 1, 1908 -- Paintings by Paul Dougherty (NMc1: 137-138)

Feb. 3-15, 1908 -- Exhibition of Paintings by Arthur B. Davies, William J. Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice B. Prendergast, Everett Shinn, John Sloan (NMc:142-143 Catalog missing from scrapbook)

Feb. 19-Mar. 7. 1908 -- Forty Selected Paintings by Living American Artists (NMc1: 147-149)

Mar. 11-24, 1908 -- Paintings by a Group of American Artists (Deceased), Copley to Whistler (NMc1: 151-152)

1908 -- Kwaunon Meditating on Life by John La Farge (NMc1: 155)

Nov. 10-25, 1908 -- Paintings by Howard Pyle (NMc1: 158-159)

Nov. 27-Dec. 10, 1908 -- Paintings by Charles Melville Dewey (NMc1: 161-162)

Dec. 15-31, 1908 -- Bronzes by a Group of American Artists (NMc1: 165-166)

Jan. 7-21, 1909 -- Forty Selected Paintings by Living American Artists (NMc1: 168-169)

Jan. 22-Feb. 4, 1909 -- Paintings by Henry W. Ranger (NMc1: 171-172)

Feb. 5-18, 1909 -- Paintings by Paul Dougherty (NMc1: 176

Feb. 19-Mar. 4, 1909 -- Arthur B. Davies (NMc1: 178)

Mar. 5-Mar. 18, 1909 -- Paintings by Charles H. Davis, N.A. (NMc1: 183-184)

Mar. 19-Apr. 1, 1909 -- A Group of Figure Subjects by Blendon Campbell, Charles W. Hawthorne, Robert Henri, George Luks, Kenneth Miller (NMc1: 186-187)

Apr. 2-15, 1909 -- Paintings by Louis Loeb (NMc1: 188-189)

Apr. 16-29, 1909 -- Paintings by a Group of Boston Artists (NMc1: 191-192)

May 10-22, 1909 -- Paintings by American Artists from the Macbeth Galleries, New York [at Findlay Art Co., Kansas City, MO] (NMc1: 195-197)

Nov. 18-Dec. 4, 1909 -- Paintings by Albert P. Lucas (NMc1: 203-205)

Dec. 7-24, 1909 -- Watercolors and Pastels by American Artists (NMc1: 207-210)

Dec 7-24, 1909 -- Second Annual Exhibition of Bronzes by American Sculptors (NMc1: 211-212)

Jan. 6-19, 1910 -- Sixteen Paintings of the Cornish Coast by Paul Dougherty (NMc1: 213-215)

Jan. 20-Feb. 2, 1910 -- Paintings by Mary Curtis Richardson of San Francisco (NMc1: 218-220)

Jan. 20-Feb. 2, 1910 -- First Exhibition of Paintings by Ben Foster (NMc1: 216-218)

Feb 3-16, 1910 -- Landscapes and Figures by Frederick Ballard Williams (NMc1: 227-229)

Feb. 3-16, 1910 -- Spanish Paintings by F. Luis Mora (NMc1: 225-227)

Feb. 17-Mar. 2, 1910 -- The Fur Jacket by J. McNeill Whistler (NMc1: 231-232)

Feb. 17-Mar. 2, 1910 -- Paintings by William Sartain (NMc1: 233-235)

Mar. 3-16, 1910 -- Fourteen Landscapes by Charles H. Davis (NMc1: 237-239)

Mar. 3-16, 1910 -- Recent Portraits by Cecilia Beaux (NMc1: 239-240)

Mar. 17-30, 1910 -- Paintings by Hermann Dudley Murphy (NMc1: 244-246)

Mar. 17-30, 1910 -- Figure Paintings by Charles W. Hawthorne (NMc1: 242-244)

Mar. 31-Apr. 13, 1910 -- Paintings of Baily's Island by Frederick J. Waugh (NMc1: 249-251)

Mar. 31-Apr. 13, 1910 -- Nineteen Landscapes by Chaucey F. Ryder (NMc1: 247-249)

Apr. 14-27, 1910 -- George B. Luks (NMc1: 253-255)

Apr. 30-May 14, 1910 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc1: 259-262)

Scrapbook 4, 1907-1913

Primarily news clippings.

Scrapbook 5, 1910-1915

Nov. 3-16, 1910 -- Recent Paintings by Charles W. Hawthorne (NMc2: 1-2)

Nov. 17-30, 1910 -- The Navajo Country in Watercolors by Frederick J. McComas (NMc2: 4-6)

Dec. 6-24, 1910 -- Watercolors, Pastels and Small Bronzes (NMc2: 7-14)

Jan. 5-18, 1911 -- Portraits by Ellen Emmet (NMc2: 15-16)

Jan. 19-Feb. 1, 1911 -- Paintings by Henry B. Snell (NMc2: 17-24)

Feb. 2-22, 1911 -- A Group of Thirty Selected Paintings (NMc2: 25-28)

Feb. 23-Mar. 8, 1911 -- A Group of Forty Selected Paintings (NMc2: 29-32)

Mar. 9-22, 1911 -- Paintings by Charles H. Davis, Paul Dougherty, Daniel Garber, William Sartain, F. Ballard Williams (NMc2: 33-35)

Mar. 23-Apr. 5, 1911 -- A Group of Paintings by Ben Foster, Albert L. Groll, Leonard Ochtman, Chauncey F. Ryder, Gardner Symons (NMc2: 36-38)

Apr. 8-22, 1911 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc2: 39-42)

Nov. 16-29, 1911 -- Landscapes, Marines and Wood Interiors by Robert Henri (NMc2: 45-48)

Dec. 6-30, 1911 -- Small Bronzes by American Sculptors (NMc2: 49-52)

Jan. 3-16, 1912 -- Thirty Paintings by Thirty Artists (NMc2: 53-55)

Jan. 17-30, 1912 -- Paintings by Frederick C. Frieseke (NMc2: 56-58)

Jan. 31-Feb. 13, 1912 -- Paintings by Elihu Vedder (NMc2: 59-63)

Feb. 14-Mar. 2, 1912 -- Paintings by Charles H. Davis, Paul Dougherty, Ben Foster, William Sartain, Gardner Symons, F. Ballard Williams (NMc2: 64-66)

Mar. 4-16, 1912 -- Paintings by Emil Carlsen (NMc2: 67-69)

Mar. 6-19, 1912 -- Memorial Exhibition of a Collection of Paintings by Joseph R. Woodwell (NMc2: 71-75)

Mar. 18-30, 1912 -- Paintings by Arthur B. Davies (NMc2: 71, 76)

Apr. 1-10, 1912 -- Paintings by Richard E. Miller (NMc2: 77-79)

Apr. 15-27, 1912 -- A Group of Selected Paintings by American Artists (NMc2: 80-85)

Nov. 4-18, 1912 -- Frederick Ballard Williams (NMc2: 80-97)

Nov. 19-30, 1912 -- First Annual Exhibition of Painters of the Far West (NMc2: 99-103)

Dec. 3-16, 1912 -- Paintings by William Baxter Closson (NMc2: 99, 104)

Dec. 4-16, 1912 -- Marbles and Bronzes by Chester Beach (NMc2: 99, 105-114)

Dec. 30-Jan. 13, 1913 -- Lawrence Mazzanovich (NMc2: 116-119)

Jan 14-27, 1913 -- Paintings by Guy C. Wiggins (NMc2: 120-122)

Jan. 14-27, 1913 -- Paintings by Charles A. Hawthorne (NMc2: 120, 122-124)

Jan. 28-Feb. 10, 1913 -- Paintings by Paul Dougherty (NMc2: 125-127)

Feb. 11-24, 1913 -- Paintings by Gardner Symons (NMc2: 128-130)

Feb. 15-Mar. 1, 1913 -- Annual Exhibition of The Woman's Artclub (NMc2: 131-136)

Feb. 25-Mar. 10, 1913 -- Paintings by F. C. Frieseke (NMc2: 137-138)

Mar. 4-17, 1913 -- Paintings by Charles Morris Young (NMc2: 137-142)

Mar. 11-24, 1913 -- Landscapes by F.K.M. Rehn, N.A. (NMc2: 143-147)

Mar. 18-31, 1913 -- Paintings by John Carlson (NMc2: 148-151)

Mar. 25-Apr. 7, 1913 -- A Selected Group of Paintings (NMc2: 148, 152-154)

Apr. 15-28, 1913 -- A Selected Group of American Paintings (NMc2: 155-158)

Apr. 15-28, 1913 -- Paintings and Pastels by Blendon R. Campbell (NMc2: 155, 159)

Oct. 14-27, 1913 -- Paintings by Katherine S. Dreier (NMc2: 161-163)

Oct. 28-Nov. 10, 1913 -- A Group of Selected Paintings by American Artists (NMc2: 164-166)

Nov. 17-24, 1913 -- Thirty Paintings by Thirty Artists (NMc2: 167-169)

Dec. 2-15, 1913 -- Second Exhibition by the Society of Men Who Paint the Far West (NMc2: 172-176)

Jan. 1914 -- Drawings of Game Birds by Frank W. Benson (NMc2: 179-180)

Jan. 6-19, 1914 -- Paintings by Emil Carlsen, Paul Dougherty, Frederick C. Frieseke, Childe Hassam, Willard L. Metcalf, Kenneth H. Miller, J. Alden Weir (NMc2: 179, 181-183)

Jan. 27-Feb. 16, 1914 -- Recent Sculpture by Chester Beach (NMc2: 185-186)

Jan. 27-Feb. 16, 1914 -- Paintings by Charles H. Davis, Daniel Garber, Richard E. Miller, Chauncey F. Ryder, Gardner Symons (NMc2: 185, 187)

Feb. 17-Mar. 2, 1914 -- Sculpture by Chester Beach, Abastenia St. L. Eberle, Mahonri Young (NMc2: 188-191)

Feb. 17-Mar. 9, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 188, 192-193)

Mar. 10-30, 1914 -- Sketches in Passing by Frederick J. Waugh (NMc2: 195, 208-209)

Mar. 11-30, 1914 -- A Collection of Paintings by Deceased American Artists (NMc2: 195-207)

Mar. 31-Apr. 20, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 212-217)

Apr. 21, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 219-224)

Oct. 27-Nov. 16, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 226-227)

Nov. 17-Dec. 7, 1914 -- Portrait Heads in Terra Cotta by Janet Scudder (NMc2: 233)

Nov. 17-Dec 7, 1914 -- Recent Paintings by Robert Henri (NMc2: 235-237)

Dec. 8-28, 1914 -- Exhibition of Home Pictures (NMc2: 243-247)

Jan. 5-25, 1915 -- A Group of Selected Paintings (NMc2: 243, 248-249)

Jan. 26-Feb. 15, 1915 -- Thirty Paintings by Thirty Artists (NMc2: 251-254)

Jan. 26-Feb. 15, 1915 -- Parisian Sketches by Lester D. Boronda (NMc2: 251)

Feb. 2-15, 1915 -- Our Untrodden Empire: A Collection of Paintings Executed in South Central Alaska by Robert V. Sewell (NMc2: 257-260)

Feb. 16-Mar. 8, 1915 -- Paintings by Deceased American Artists (NMc2: 262, 265)

Feb. 16-Mar. 8, 1915 -- Small Paintings by Guy C. Wiggins (NMc2: 261)

Feb. 16-Mar. 8, 1915 -- Paintings by Colin Campbell Cooper (NMc2: 261-264)

Scrapbook 6, March 1915-January 1918

Mar. 10-30, 1915 -- The Dance As Interpreted in Marble and Bronze by American Sculptors (NMc2: 267)

Mar. 30-Apr. 19, 1915 -- Paintings by Twelve Landscape Painters (NMc2: 274-277)

Sept. 27-Oct. 17, 1915 -- Paintings and Sculpture by Woman Artists for the Benefit of the Woman Suffrage Campaign (NMc2: 279-283)

Oct. 30-Nov. 19, 1915 -- Oils and Water Colors by Hayley Lever; Recent Paintings by Randall Davey (NMc2: 294-296

Dec. 4-31, 1915 -- Third Exhibition of the Society of Men Who Paint the Far West (NMc2: 300, 302-305)

Feb. 1916 -- Decorations by Elmer Mac Rae (NMc2: 318-319)

Jan. 4-18, 1916 -- Recent Paintings by F. C. Frieseke (NMc2: 306-307)

Jan. 4-18, 1916 -- Paintings by John F. Carlson (NMc2: 306, 309-310)

Jan. 19-Feb. 1, 1916 -- Paintings by Emil Carlsen, Helen M. Turner, Daniel Garber (NMc2: 313)

Jan. 19-Feb. 1, 1916 -- Decorative Panels of Flowers, Birds and Animals by F. S. Church (NMc2: 311,317)

Feb. 2-15, 1916 -- Paintings by Jules Guerin (NMc2: 318-321)

Feb. 16-29, 1916 -- Annual Exhibition of Thirty Paintings by Thirty Artists (NMc2: 323-326)

Mar. 1916 -- Group of High Fire Porcelains by Adelaid Alsop Robineau of Syracuse, NY, recently shown at the Panama-Pacific Exposition (NMc2: 322)

Mar. 8-21, 1916 -- Paintings by Charles H. Davis, Paul Dougherty, Kenneth H. Miller, Chauncey F. Ryder, William Sartain (NMc2: 329-330)

Mar. 22-Apr.4, 1916 -- Recent Water Colors by Charles Hovey Pepper (NMc2: 333)

Mar. 22-Apr. 4, 1916 -- Paintings, Drawings and Sculpture by Arthur B. Davies, Walt Kuhn, Jules Pascin (NMc2: 332, 334)

Apr. 6-27, 1916 -- Paintings by American Artists Past and Present (NMc2: 338-341)

Oct. 31-Nov. 13, 1916 -- The Whalers of New Bedford: Paintings by Clifford W. Ashley (NMc2: 346-348)

Oct. 31-Nov. 14, 1916 -- Special Exhibition by Painter Friends (NMc2: 346)

Nov. 14-27, 1916 -- Memorial Exhibition of Paintings by the Late Roger Donoho (NMc2: 349-353)

Nov. 28-Dec. 11, 1916 -- Paintings by Randall Davey (NMc2: 356-357)

Nov. 28-Dec. 11, 1916 -- Paintings by Kenneth Hayes-Miller, Benjamin D. Kopman and J. M. Block (NMc2: 356)

Dec. 13-Jan. 15, 1917 -- Watercolors by Paul Dougherty (NMc2: 358-362)

Jan. 16-Feb. 5, 1917 -- Thirty Paintings by Thirty Artists (NMc2: 366-368)

Feb. 8-26, 1917 -- Loan Exhibition of Paintings by Charles W. Hawthorne (NMc2: 370-379)

Feb. 27-Mar. 12, 1917 -- Paintings by Charles H. Davis, Richard E. Miller, Chauncey F. Ryder (NMc2: 381-382)

Mar. 13-26, 1917 -- Paintings by Arthur Crisp, Florence W. Gotthold, Martha Walter (NMc2: 384-385)

Mar. 28-Apr. 10, 1917 -- Pictures in Tempera of the St. Andrew's Golf Links by William R. O'Donovan (NMc2: 386-387)

Summer, 1917 -- Summer Exhibition (NMc2: 388-391)

Oct. 1917 -- Opening Exhibition of Our Second Quarter-Century (NMc2: 393-396)

Nov. 3-17, 1917 -- Portraits by Louis Betts (NMc2: 400-403)

Nov. 13-26, 1917 -- Paintings by Arthur Crisp, Florence W. Gotthold, Martha Walter (NMc2: 384-385)

Nov. 22-Dec. 5, 1917 -- Paintings and Small Bronzes of New York (NMc2: 407-410)

Dec. 1917 -- Pastels by Lillian Crittenden (NMc2: 411)

Dec. 6-24, 1917 -- Small paintings and Pastels by Frederick C. Frieseke, Nancy M. Ferguson, Lilian Crittenden (NMc2: 411)

Jan. 2-31, 1918 -- In Aid of Men Blinded in Battle: Retrospective Loan Exhibition of Arthur B. Davies (NMc2: 412-416)

Scrapbook 7, February 1918-January 1922

Feb. 5-20, 1918 -- Watercolors by Gifford Beal (NMc2: 433-434)

Feb. 5-20, 1918 -- Intimate Paintings Moderately Priced (NMc2: 435-436)

Mar. 1918 -- Group of Paintings by American Artists (NMc2: 441-442)

Mar. 6-27, 1918 -- Thirty Paintings by Thirty Artists (NMc2: 438-439)

Mar. 27-Apr. 18, 1918 -- Paintings by Charles H. Davis, Ben Foster, Willard L. Metcalf (NMc2: 441, 443-444)

Apr. 18-May 10, 1918 -- Group of Paintings by Charlotte B. Coman (NMc2: 446)

Apr. 19-May 9, 1918 -- Paintings by Emil Carlsen, Childe Hassam, J. Alden Weir (NMc2: 446-447)

Oct. 23-Nov. 13, 1918 -- Opening Exhibition: Group of Selected Paintings (NMc2: 449-451)

Dec. 1918 -- Second Exhibition of Intimate Paintings (NMc2: 453-458)

Jan. 7-29, 1919 -- John H. Twachtman (NMc2: 460-470)

Jan. 27-Feb. 8, 1919 -- Paintings by Charles H. Davis and Paul Dougherty (NMc2: 473-474)

Feb. 17-Mar. 1, 1919 -- Thirty Paintings by Fifteen Artists (NMc2: 476-477)

Mar. 6-22, 1919 -- Paintings by Louis Ritman (NMc2: 480-483)

Mar. 6-29, 1919 -- Thirty Paintings by Thirty Artists (NMc2: 484-491)

Apr. 7-19, 1919 -- Paintings by Felicie Waldo Howell (NMc2: 496-497)

Apr. 7-19, 1919 -- Fifteen American Paintings (NMc2: 499-500)

May 1919 -- Comparative Exhibition of American Paintings (NMc2: 501-506)

Oct. 5-Nov. 8, 1919 -- Fifteen Paintings by Fifteen Artists (NMc2: 510-511)

Nov. 10-Dec. 6, 1919 -- Third Exhibition of Intimate Paintings (NMc2: 512-518)

Dec. 10-31, 1919 -- Loan Exhibition of Paintings by Emil Carlsen (NMc2: 520-527)

Dec. 3-20, 1919 -- Paintings by William Baxter Closson (NMc2: 520)

Jan. 9-31, 1920 -- Thirty Paintings by Thirty Artists (NMc2: 531-536)

Feb. 2-21, 1920 -- Paintings by Charles H. Davis, Frederick C. Frieseke, Richard E. Miller (NMc2: 539-541)

Mar. 20-Apr.10, 1920 -- Paintings by Hayley Lever (NMc2: 542-545)

Apr. 5-24, 1920 -- Group of Paintings by Felicie Waldo Howell (NMc2: 546)

Apr. 5-24, 1920 -- Paintings by Maurice Fromke (NMc2: 546-548)

Oct. 18-Nov. 8, 1920 -- Paintings of the Orient by Hovsep Pushman (NMc2: 550-554)

Oct. 18-Nov. 8, 1920 -- Group of Paintings by Ben Foster, Robert Henri, Hayley Lever, Gardner Symons (NMc2: 555-558)

Nov. 9-29, 1920 -- Paintings by Frank W. Benson and Willard L. Metcalf (NMc2: 559-562)

Nov. 30-Dec. 31, 1920 -- Fourth Exhibition of Intimate Paintings (NMc2: 564-570)

Jan. 3-17, 1921 -- Recent Landscapes by Chauncey F. Ryder (NMc2: 573-576)

Jan. 3-17, 1921 -- Old Salem Doorways Painted Last Summer by Felicie Waldo Howell (NMc2: 577-581)

Jan. 18-Feb. 7, 1921 -- Thirty Paintings by Thirty Artists (NMc2: 583-588)

Feb. 9-28, 1921 -- An American Summer in Watercolors by F. Luis Mora (NMc2: 596-599)

Feb. 9-28, 1921 -- The East Side in Sculpture by Abastenia St. L. Eberle (NMc2: 600)

Feb. 9-28, 1921 -- Recent Paintings by Emil Carlsen (Br14: 623; NMc2: 589-594)

Mar. 1-21, 1921 -- Connecticut Landscapes by Charles H. Davis (NMc2: 603-606)

Mar. 1-21, 1921 -- Paintings of Cornwall and Elsewhere by W. Elmer Schofield (NMc2: 607-610)

Mar. 1-21, 1921 -- Annual Exhibition, Society of Animal Painters and Sculptors (NMc2: 611-616

Mar. 22-Apr. 11, 1921 -- Paintings by F. C. Frieseke and Albert L. Groll (NMc2: 621-624)

Mar. 22-Apr. 11, 1921 -- Paintings by Jonas Lie (NMc2: 617-620)

Mar. 22-Apr. 11, 1921 -- Portraits and Landscapes by Gladys Thayer (NMc2: 625-628)

Apr. 12-May 7, 1921 -- Loan Exhibition of Paintings by J. Francis Murphy, 1853-1921 (NMc2: 629-637)

Oct. 11-30, 1921 -- Opening Exhibition, Season of 1921-1922: Group of Selected Paintings (NMc2: 640-641)

Nov. 1-19, 1921 -- West Indian Marines by Frederick J. Waugh (NMc2: 642-645)

Nov. 21-Dec. 12, 1921 -- Fifth Exhibition of Intimate Paintings (NMc2: 646-655)

Dec. 13-Jan. 2, 1922 -- Paintings of Glacier National Park by Charles Warren Eaton (NMc2: 660, 664-666)

Dec. 13-Jan. 2, 1922 -- Oils, Pastels, and Watercolors by George Alfred Williams (NMc2: 660-663)

Scrapbook 8, January 1922-March 1923

Jan. 3-23, 1922 -- Paintings of South America by E. W. Deming (NMc2: 669-670)

Jan. 3-23, 1922 -- New England Streets by Felicie Waldo Howell (NMc2: 671-674)

Jan. 3-23, 1922 -- California Landscapes by F. Ballard Williams (NMc2: 677-680)

Jan. 24-Feb. 13, 1922 -- Paintings by Elliot Torrey (NMc2: 681-684)

Jan. 24-Feb. 20, 1922 -- Thirty Paintings by Thirty Artists (NMc2: 685-692)

Feb. 14-Mar. 6, 1922 -- Third Annual Exhibition, Society of Animal Painters and Sculptors (NMc2: 694-698)

Mar. 7-27, 1922 -- Paintings by Edmund Greacen (NMc2: 704-707)

Mar. 7-27, 1922 -- Paintings by Gardner Symons (NMc2: 700-705)

Mar. 28-Apr. 17, 1922 -- Paintings by Charles H. Davis (NMc2: 707-717)

Apr. 27-May 20, 1922 -- Paintings by Frederick C. Frieseke Hayley Lever and Malcolm Parcell (NMc2: 721-726)

Apr. 27-May 20, 1922 -- Paintings by Malcolm Parcell (NMc2: 722)

Oct. 31-Nov. 20, 1922 -- Paintings by Alice Worthington Ball (NMc2: 731-735)

Oct. 31-Nov. 20, 1922 -- Recent Paintings and Figure Compositions by Charles W. Hawthorne (NMc2: 731-735)

Nov. 21-Dec. 11, 1922 -- Sixth Exhibition of Intimate Paintings (NMc2: 738-747)

Nov. 21-Dec. 11, 1922 -- George Wharton Edwards (NMc2: 748-749)

Dec. 12-30, 1922 -- Imaginitive Landscapes by W. G. Krieghoff (NMc2: 751-752)

Dec. 12-30, 1922 -- Watercolors of New York by Joseph Pennell (NMc2: 751, 753-755)

Jan. 2-22, 1923 -- Paintings and Studies by Orland Campbell (NMc2: 758-761)

Jan. 2-22, 1923 -- Recent Landscapes by Daniel Garber (NMc2: 758, 762-764)

Jan. 2-22, 1923 -- Decorative Paintings by Spencer Nichols (NMc2: 765, 769)

Jan. 2-22, 1923 -- Figure Compositions by Ivan G. Olinsky (NMc2: 765-768)

Jan. 23-Feb. 12, 1923 -- The Canadian Rockies in Paintings by Belmore Browne (NMc2: 772, 778)

Jan. 23-Feb. 12, 1923 -- Thirty Paintings by Thirty Artists (NMc2: 772-777)

Jan. 23-Feb. 12, 1923 -- Decorative Panels by Felicie Waldo Howell (NMc2: 778-782)

Feb. 13-Mar. 5, 1923 -- Paintings by Ruth A. Anderson and Elizabeth C. Spencer (NMc2: 783, 788-790)

Feb. 13-Mar. 5, 1923 -- Landscapes by Chauncey F. Ryder (NMc2: 783-786)

Feb. 13-Mar. 5, 1923 -- Paintings of the West by Maynard Dixon (NMc2: 783, 787)

Mar. 6-26, 1923 -- Recent Paintings by Emil Carlsen (NMc2: 792-794)

Mar. 12-31, 1923 -- Watercolors by J. Olaf Olson (NMc2: 795-796)

Scrapbook 9, March 1923-December 1924

Mar. 27-Apr. 16, 1923 -- Paintings by John J. Enneking (NMc3: 1-4)

Apr. 17-May7, 1923 -- Paintings by Maurice Braun (NMc3: 5-8)

Apr. 17-May 7, 1923 -- Recent Paintings by Catharine Wharton Morris (NMc3: 5, 9)

Oct. 9-29, 1923 -- Opening Exhibition, Season 1923-1924 (NMc3: 17-22)

Oct. 30-Nov. 19, 1923 -- Paintings by Emil Carlsen, Theodore Robsinson, J. Alden Weir (NMc3: 24-27)

Nov. 20-Dec. 10, 1923 -- Seventh Exhibition of Intimate Paintings (NMc3: 30-35)

Nov. 20-Dec. 11, 1923 -- South American Sketches by Rachel Hartley (NMc3: 37-42)

Dec. 11-31, 1923 -- Scenes about Provincetown by Charles W. Hawthorne; Flowers by Marion C. Hawthorne (NMc3: 37, 43)

Dec. 11-31, 1923 -- Recent Paintings by Douglas Parshall (NMc3: 44)

Dec. 1923 -- Collection of Paintings from the Macbeth Gallery, Halaby Galleries, Dallas (NMc3: 47-54)

Jan. 2-21, 1924 -- Paintings by Robert Henri and Grace Ravlin (NMc3: 56-57)

Feb. 7-25, 1924 -- Thirty Paintings by Thirty Artists (NMc3: 62-68)

Feb. 26-Mar. 17, 1924 -- Paintings by Victor Higgins (NMc3: 68, 72-74)

Feb. 26-Mar. 17, 1924 -- Paintings by Frank Duveneck (NMc3: 68-69)

Mar. 18-Apr. 7, 1924 -- Paintings from Tusayan by Maynard Dixon (NMc3: 76-79)

Apr. 8-28, 1924 -- Paintings of the Orient by Hovsep Pushman (NMc3: 80-82)

Apr. 8-28, 1924 -- The Canadian Rockies in Paintings by Belmore Browne (NMc3: 80, 84)

Sept. 23-Oct. 6, 1924 -- Paintings of the French West Indies by Christiana Moron (NMc3: 86-87)

Oct. 7-27, 1924 -- Selected Group of Paintings by Thirty American Artists (NMc3: 86, 88)

Nov. 4-17, 1924 -- Recent Paintings by Chauncey F. Ryder (NMc3: 90-91)

Nov. 18-Dec. 8, 1924 -- A Group of Paintings by Frederick C. Frieseke (NMc3: 92-93)

Dec. 9-29, 1924 -- Retrospective Exhibition of Paintings by Louis Comfort Tiffany (NMc3: 95-97)

Scrapbook 10, January 1925-November 1927

Dec. 30-Jan. 19, 1925 -- Montauk by Childe Hassam (NMc3: 104-112)

Jan. 20-Feb. 9, 1925 -- George Inness Centennial Exhibition, 1825-1894 (NMc3: 117-123)

Feb. 10-Mar. 2, 1925 -- Water Colors of Egypt and Jerusalem by Taber Sears (NMc3: 126, 129-130)

Feb. 10-Mar.2, 1925 -- The New England Year in Paintings by Charles H. Davis (NMc3: 126-128)

Mar. 3-23, 1925 -- Paintings by E. W. Redfield (NMc3: 131-133)

Mar. 24-Apr. 13, 1925 -- Paintings by Daniel Garber (NMc3: 135-138)

Apr. 14-May 4, 1925 -- Recent Paintings by Robert Henri (NMc3: 140-143)

Apr. 14-May 4, 1925 -- C. W. Hawthorne: Watercolors of Bermuda (NMc3: 139)

Oct. 13-26, 1925 -- Collection of American Masters Loaned for Exhibition (NMc3: 152-154)

Oct. 27-Nov. 16, 1925 -- Memorial Exhibition of Paintings by the Late William Sartain (NMc3: 155-158)

Nov. 7-23, 1925 -- Paintings by Contemporary American Artists Loaned by the Macbeth Galleries, New York, Engaged by the Muncie Art Students' League, Muncie, Indiana (NMc3: 147-148)

Nov. 17-Dec. 7, 1925 -- Paintings by DeWitt and Douglass Parshall (NMc3: 159-162)

Dec. 4-31, 1925 -- Easel Paintings by American Artists, Loaned by Macbeth Galleries to the Springfield Art Association (NMc3: 205, 207)

Dec. 8-Jan. 4, 1926 -- Watercolors by Distinguished American Artists (NMc3: 163-166)

Jan. 5-25, 1926 -- Recent American Portraits (NMc3: 168, 172-173)

Jan. 5-18, 1926 -- American Society of Miniature Painters, 27th Annual Exhibition (NMc3: 168-171)

Jan. 26-Feb. 15, 1926 -- Paintings by Jonas Lie (NMc3: 176-179)

Jan. 26-Feb. 15, 1926 -- First Exhibition of Paintings by John Huffington (NMc3: 176, 180-181)

Feb. 7-Mar. 17, 1926 -- Exhibition of Oil Paintings by American Artists Lent by the Macbeth Galleries to the Utica Public Library Art Gallery (NMc3: 205-206)

Feb. 16-Mar. 8, 1926 -- New Paintings by Charles W. Hawthorne (NMc3: 186-189)

Feb. 16-Mar. 8, 1926 -- Chauncey F. Ryder (NMc3: 184)

Feb. 16-Mar. 8, 1926 -- Sculpture by Gleb Derujinsky (NMc3: 186-189)

Mar. 9-29, 1926 -- Modern Landscapes by Guy Wiggins (NMc3: 191-194)

Mar. 9-29, 1926 -- Etchings and Drawings by Emil Fuchs (NMc3: 191, 195-197)

Mar. 30-Apr. 19, 1926 -- The Affairs of Anatol by Robert Reid (NMc3: 198-201)

Apr. 20-May 3, 1926 -- Pastels Done in Spain by A. Sheldon Pennoyer (NMc3: 202)

June 1-25, 1926 -- Pictures Selected from the Brooklyn Museum Exhibition of the National Association of Women Painters and Sculptors (NMc3: 204)

Summer, 1926 -- Summer Exhibition (NMc3: 199-201)

Oct. 11-18, 1926 -- Paintings Selected by Louis Bliss Gillet (NMc3: 210-212)

Oct. 19-Nov. 8, 1926 -- Paintings by Stanley M. Woodward (Br14: 671; NMc3: 213-214)

Nov. 9-22, 1926 -- Ernest Haskell, 1876-1925, Memorial Exhibition (NMc3: 215-222)

Nov. 23-Dec. 6, 1926 -- Porto Rico and St. Thomas: Exhibition of Paintings by Rachel Hartley (NMc3: 226-229)

Nov. 23-Dec. 6, 1926 -- Recent Landscapes and Marines by Jay H. Connaway (NMc3: 226, 230)

Dec. 1926 -- Watercolors and Etchings by American Artists (NMc3: 231-233)

Dec. 28-Jan. 10, 1927 -- Recent Paintings by a Group of Mystic, Conn., Artists (NMc3: 235-238)

Jan. 11-31, 1927 -- Thirty Paintings by Thirty Artists (NMc3: 239-244)

Jan. 18-31, 1927 -- Watercolors by John Lavalle of Boston (NMc3: 253-255)

Jan. 22-Feb. 7, 1927 -- Crapo Gallery Opening Exhibition: Thirty Paintings by Thirty Artists assembled by Macbeth Gallery at Swain School, New Bedford, Mass. (NMc3: 245-249)

Feb. 1-14, 1927 -- Recent Paintings by Frank W. Benson (NMc3: 259-262)

Feb. 2-14, 1927 -- American Society of Miniature Painters, 28th Annual Exhibition (NMc3: 253, 256-258)

Feb. 8-26, 1927 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc. at Anderson Galleries (Macbeth Gallery one of nine participants (NMc3: 263, 265-271)

Feb. 15-28, 1927 -- New Paintings by Chauncey F. Ryder (NMc3: 278-281)

Mar. 1-14, 1927 -- Watercolors by Aiden L. Ripley (NMc3: 282, 286)

Mar. 1-14, 1927 -- Paintings by a Group of Members of the Guild of Boston Artists (NMc3: 282-285)

Mar. 15-28, 1927 -- Paintings by Malcolm Parcell (NMc3: 287-290)

Mar. 15-28, 1927 -- Recent Pastels of Chartres by Carl Schmidt (NMc3: 287)

Mar. 29-Apr. 18, 1927 -- Thirty-fifty Anniversary Exhibition, Retrospect and Prospective (NMc3: 291-294)

Apr. 19-May 9, 1927 -- Frank A. Brown, Watercolors (NMc3: 296, 302-303)

Aug. 22-Sept. 5, 1927 -- American Art Exhibition arranged for Eastern Long Island by the Macbeth Gallery at Southampton, NY (NMc3: 297-301)

Oct. 18-29, 1927 -- American Art Exhibition, Art League of Fort Worth, Assembeled by the Macbeth Gallery (NMc3: 304, 306-311)

Oct. 18-31, 1927 -- Etchings by Walter Raymond Duff (NMc3: 313-315)

Oct. 18-31, 1927 -- Paintings by Max Bohm (NMc3: 313-315)

Nov. 1-14, 1927 -- Yankee Whalers by Clifford W. Ashley (NMc3: 316-317)

Scrapbook 11, November 1927-June 1930

Nov. 15-28, 1927 -- Paintings of Mallorca by Bernhard Gutmann (NMc3: 319-320)

Nov. 15-28, 1927 -- Paintings of Flowers by Carle J. Blenner (NMc3: 319, 321)

Nov. 29-Dec. 12, 1927 -- The Bathers , Paintings by William S. Horton (NMc3: 322-325)

Nov. 29-Dec. 12, 1927 -- Sidewalks of New York, Chalk Drawings by H. Devitt Welsh (NMc3: 326-327)

Dec. 13-31, 1927 -- Joint Exhibition of Paintings by Daniel Garber and Stanley Woodward (NMc3: 328)

Jan. 3-16, 1928 -- Portrait Drawings by Edith Leslie Emmet (NMc3: 329, 331)

Jan. 3-23, 1928 -- Recent Paintings by Jonas Lie (NMc3: 329-330)

Jan. 24-Feb. 13, 1928 -- Watercolors by John Lavalle (NMc3: 332-334)

Jan. 24-Feb. 13, 1928 -- Walter Ufer: Pictures from Taos (NMc3: 332, 334)

Jan. 24-Feb. 6, 1928 -- American Society of Miniature Painters, 29th Annual Exhibition (NMc3: 337-340)

Feb. 7-21, 1928 -- Small Pictures of Mountain and Sea by Jay Connaway (NMc3: 342)

Feb. 14-27, 1928 -- The Canadian Rockies by Belmore Brown (NMc3: 342-343)

Feb. 14-27, 1928 -- Sculpture by Gleb Derujinsky (NMc3: 342-344)

Feb. 21-Mar. 5, 1928 -- Watercolors of Venice, Spain and Brittany by Frank A. Brown (NMc3: 351-356)

Feb. 21-Mar. 10, 1928 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc., at Anderson Galleries; Macbeth Gallery one of sixteen participants (NMc3: 346-352)

Feb. 25-Mar. 17, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at Grand Rapids Art Gallery (NMc3: 385-387)

Feb. 28-Mar. 12, 1928 -- Paintings by Frank L. Schenk, 1856-1927 (NMc3: 357-358)

Feb. 28-Mar. 19, 1928 -- Thirty Paintings by Thirty Artists (NMc3: 357, 359-363)

Mar. 20-Apr. 2, 1928 -- Lanscapes of Italy by A. Sheldon Pennoyer (NMc3: 366, 368)

Mar. 20-Apr. 9, 1928 -- Recent Landscapes, Switzerland and Other Subjects by Carl Lawless (NMc3: 366-367)

Apr. 2-15, 1928 -- Water Colors by Earl Winslow (NMc3: 355)

Apr. 10-30, 1928 -- St. Ives by Hayley Lever (NMc3: 369)

Apr. 29-May 20, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at the University of Wyoming (NMc3: 385-386)

Spring, 1928 -- American Painting for Home Decoration (NMc3: 370-377)

Oct. 16-29, 1928 -- The Canadian Rockies in Watercolors by J. Olaf Olson (NMc3: 389-392)

Nov. 7-24, 1928 -- Etchings by Sears Gallagher (NMc3: 393)

Nov. 13-26, 1928 -- Sand Dunes and Flowers by Frederick Lowell (NMc3: 393-394)

Nov. 26-Dec. 17, 1928 -- Etchings by Carlton T. Chapman (NMc3: 395)

Nov. 27-Dec. 10, 1928 -- Portraits by Ernest L. Ipsen (NMc3: 396-397)

Dec. 4-31, 1928 -- Etchings by Margery A. Ryerson (NMc3: 395)

Dec. 11-24, 1928 -- Landscapes in Watercolor and Gouache by H. Anthony Dyer and Character Studies in Watercolor and Pastel by Nancy Dyer (NMc3: 398-400)

Jan. 2-14, 1929 -- Figures and Landscapes by the Late J. Alden Weir, 1852-1929 (NMc3: 401-402)

Jan. 15-28, 1929 -- Paintings by H. Dudley Murphy; Watercolors by Nellie Littlehale Murphy (NMc3: 404-405)

Jan. 15-28, 1929 -- Portraits by William James (NMc3: 406-407)

Feb. 4-18, 1929 -- Twenty-five Etchings by Harold Denison (NMc3: 410, 416-417)

Feb. 5-18, 1929 -- Paintings by Emil Carlsen and Dines Carlsen (NMc3: 408-409)

Feb. 19-Mar. 4, 1929 -- Thirty Paintings by Thirty Artists (NMc3: 410-415)

Mar. 5-18, 1929 -- Marine Paintings by Stanley W. Woodward (NMc3: 419-423)

Mar. 19-Apr. 1, 1929 -- Watercolors by Frederick C. Frieseke (NMc3: 424-425)

Mar. 19-Apr. 1, 1929 -- Pastels of Louisiana by Will H. Stevens (NMc3: 424)

Apr. 1929 -- Paintings by Childe Hassam (NMc3: 433-438)

Apr. 2-15, 1929 -- Paintings by Arthur Meltzer (NMc3: 431)

Apr. 2-15, 1929 -- Watercolors by Earle B. Winslow (NMc3: 431)

June, 1929 -- Old Mill Afternoon by Childe Hassam, Ainslie Galleries, Inc., Detroit in collaboration with Macbeth Gallery (NMc3: 465-467)

Oct. 1-14, 1929 -- Portraits in Oil and Pastel by Paul Swan (NMc3: 472-473)

Oct. 15-28, 1929 -- Exhibitions from the Summer Colonies: No. 1, Lyme (NMc3: 476-477)

Oct. 19-29, 1929 -- Milch-Macbeth Exhibition of Prints and Paintings by American Artists at the High Museum under the auspices of the Atlanta Art Association (NMc3: 462)

Oct. 20-Nov. 11, 1929 -- Memorial Exhibition of Paintings by John Huffington (NMc3: 476-479)

Nov. 12-25, 1929 -- Exhibition from the Summer colonies: No. 2, Selections from the North Shore Arts Association of Gloucester (NMc3: 480-481)

Nov. 26-Dec. 3, 1929 -- Recent Landscapes by Charles H. Davis (NMc3: 482-483)

Dec. 10-Dec. 23, 1929 -- Watercolors by J. Olaf Olson (NMc3: 484-486)

Dec. 24-Jan. 6, 1930 -- Exhibitions from the Summer Colonies: No. 3, Mystic (NMc3: 487-488)

Jan. 7-20, 1930 -- Paintings of Wyoming Days and Nights by Ogden N. Pleissner (NMc3: 490, 492)

Jan. 21-Feb. 3, 1930 -- Landscapes by Aldro T. Hibbard (NMc3: 490-491)

Feb. 4-17, 1930 -- Thirty Paintings by Thirty Artists (NMc3: 493-498)

Feb. 4-18, 1930 -- Monotypes in Black and White by Seth Hoffman (NMc3: 500-502)

Feb. 18-Mar. 3, 1930 -- Decorative Pastels by Wilbur A. Reaser (NMc3: 503-504)

Feb. 18-Mar. 3, 1930 -- Landscapes by John F. Carlson (NMc3: 503, 505

Mar. 4-17, 1930 -- Art of the Cartoon by Clare A. Briggs (NMc3: 507)

Mar. 4-17, 1930 -- Watercolors by Gladys Brannigan (NMc3: 507)

Mar. 18-31, 1930 -- Landscapes by Chauncey F. Ryder (NMc3: 508-509)

Apr. 1-14, 1930 -- Landscapes by Harry Leith-Ross (NMc3: 510-511)

Apr. 15-29, 1930 -- The Soviet Union as Seen by Eliot O'Hara (NMc3: 512-513)

Spring 1930 -- Spring/Summer Exhibition (NMc3: 514-516)

Scrapbook 12, September 1930-December 1932

Oct. 1930 -- Opening Exhibition, 1930-1931 Season (NMc3: 517-519)

Oct. 14-Nov. 4, 1930 -- Etchings by Thomas Handforth (NMc3: 523-524)

Nov. 1930 -- Paintings of Museum Importance (NMc3: 521)

Nov. 4-25, 1930 -- Monotypes in Black and White by Seth Hoffman (NMc3: 522, 524

Dec. 1930 -- Paintings by Young Americans (NMc3: 525)

Dec. 1930 -- Etchings and Lithographs by Edward Haskell (NMc3: 526-527)

Jan. 6-31, 1931 -- Brittany and Other Recent Paintings by Jonas Lie (NMc3: 528-531)

Feb. 2-8, 1931 -- Group Exhibition of Important Paintings (NMc3: 535)

Feb. 9-21, 1931 -- Brackman (NMc3: 536)

Feb. 24-Mar. 7, 1931 -- Paintings by Paul Dougherty and Mahonri Young (NMc3: 539)

Mar. 9-28, 1931 -- Recent Paintings by Daniel Garber (NMc3: 540)

Mar. 30-Apr. 11, 1931 -- Brittany Subjects by Jay Connaway, Landscapes by Arthur Meltzer, Pastel Impressions by J. H. Guest (NMc3: 545-549)

Apr. 13-May 2, 1931 -- Paintings and Drawings by Abbot H. Thayer (NMc3: 545-549)

May, 1931 -- Selected Paintings and Etchings by American Artists (NMc3: 552-553)

Oct. 1931 -- October Show (NMc3: 355)

Oct. 1931 -- October Watercolor Exhibition (NMc3: 556)

Nov. 4-30, 1931 -- Fifteen New Paintings from the Artists Studios (NMc3: 558-559)

Nov. 11-Dec. 31, 1931 -- Lithographs by Stow Wengenroth (NMc3: 560-566)

Dec. 1-19, 1931 -- Small Paintings by Ivan Olinsky and Cecil Chichester (NMc3: 562-563)

Dec. 8-31, 1931 -- Wood Engravings by Thomas Nason (NMc3: 564)

Dec. 21-Jan. 9, 1932 -- Maine Coast Towns by C. K. Chatterton (NMc3: 565-566)

Jan. 11-23, 1932 -- Landscapes, Figures, Still Life Subjects Painted in Vermont by Herbert Meyer (NMc3: 564)

Jan. 11-23, 1932 -- Paintings by Lily Cushing (NMc3: 569, 571)

Jan. 25-Feb. 13, 1932 -- Hudson River School (NMc3: 573-576)

Feb. 15-27, 1932 -- Paintings by James Chapin (NMc3: 589)

Feb. 15-Mar. 1, 1932 -- Monotypes in Black and White by Seth Hoffman (NMc3: 590-591)

Feb. 29-Mar. 10, 1932 -- Sanford Ross: 16 Wash Drawings of 16 New Jersey Landmarks (NMc3: 598-599)

Feb. 29-Mar. 12, 1932 -- George Fuller, 1822-1844 (NMc3: 593-596)

Mar. 14-26, 1932 -- Winter Landscapes and Other Subjects by F. C. Frieseke (NMc3: 600-601)

Mar. 28-Apr. 9, 1932 -- Recent Paintings by Jonas Lie (NMc3: 603)

Apr. 11-30, 1932 -- Forty Years of American Art (NMc3: 605-610)

May 2-14, 1932 -- Paintings by a Group of Younger Artists (NMc3: 616-618)

June 1932 -- June Exhibition (NMc3: 619)

Sept. 26-Oct. 15, 1932 -- Paintings from the Summer Colonies (NMc3: 621-622)

Oct. 17-Nov. 7, 1932 -- Special Sale Exhibition (NMc3: 626-628)

Oct. 17-Nov. 7, 1932 -- Etchings and Lithographs by Mons Breidvik (NMc3: 626-627)

Nov. 9-26, 1932 -- Paintings by Max Bohm, Eugene Higgins, Jerome Myers, John Noble (NMc3: 630)

Nov. 14-Dec. 5, 1932 -- Lithographs by Stow Wengenroth (NMc3: 630)

Nov. 29-Dec. 12, 1932 -- Vermont Watercolors by Henry Holt (NMc3: 632-633)

Dec. 6-19, 1932 -- Lights of New York by Felicie Waldo Howell (NMc3: 634-635)

Dec. 14-Jan. 3, 1933 -- Paintings by Robert Strong Woodward (NMc3: 636)

Scrapbook 13, 1932

Scrapbook of 40th Anniversary of Macbeth Gallery, 1932.

Scrapbook 14, 1930-1934

Jan. 1-29, 1933 -- Forty Years of American Painting assembled by the Macbeth Gallery at Montclair Art Museum (NMc4: 263-268)

July 9-25, 1933 -- American Landscapes assembled by the Macbeth Gallery at Four Fountains, Southampton, NY (NMc4: 290-295)

Scrapbook 15, January 1933-February 1935

Jan. 1933 -- Watercolors Made by Americans, Assembled by the College Art Association (NMc3: 639-641)

Jan. 3-16, 1933 -- Drawings by J. Louis Lundean (NMc3: 643)

Jan. 17-30, 1933 -- Paintings of Flowers by C. G. Nelson (NMc3: 644)

Jan. 31-Feb. 13, 1933 -- Intimate Paintings (NMc3: 645)

Feb. 21-Mar. 6, 1933 -- Group Exhibition (NMc3: 646)

Mar. 1933 -- Paintings and Etchings by Living American Artists (NMc3: 647-648)

Mar. 7-20, 1933 -- Paintings by Robert Henri (NMc3: 649)

Mar. 21-Apr. 3, 1933 -- Watercolors by Sanford Ross (NMc3: 652)

Mar. 21-Apr. 10, 1933 -- Brackman (NMc3: 652-653)

Apr. 4-17, 1933 -- Opportunity Exhibition (NMc3: 661)

Apr. 4-18, 1933 -- Drawings by Adolf Dehn (NMc3: 661)

Apr. 11-24, 1933 -- The Sea at Monhegan by Jay Connaway (NMc3: 662)

Apr. 18-May 1, 1933 -- Watercolor Exhibition (NMc3: 663)

Apr. 25-May 8, 1933 -- Paintings by A. T. Hibbard, Hayley Lever and Ivan G. Olinsky (NMc3: 664)

May 2-22, 1933 -- Mono-Etchings by Bernard Sanders (NMc3: 664)

May 9-29, 1933 -- Child Portraits by Margery Ryerson (NMc3: 669)

May 16-29, 1933 -- Exhibition of Figures and Still Lifes, Macbeth Gallery Extension (NMc3: 669)

June 1933 -- American Art Past and Present (NMc3: 671)

Oct. 17-30, 1933 -- Paintings and Watercolors by a Group of American Artists Under 35 (NMc3: 672)

Oct. 31-Nov. 13, 1933 -- Drawings by Robert Henri (NMc3: 673)

Oct.-Nov. 1933 -- Mexico as Seen by American Printmakers (NMc3: 674)

Nov. 4-27, 1933 -- Brackman Portraits: Figures in Pastel (NMc3: 675, 678)

Nov. 4-27, 1933 -- American Sport and Other Subjects by Percy Crosby (NMc3: 675-677)

Nov. 28-Dec. 11, 1933 -- Paintings by Ogden M. Pleissner (NMc3: 684, 686)

Nov. 28-Dec. 11, 1933 -- Figures and Fantacies by Ralph Rowntree (NMc3: 684-685)

Nov. 28-Dec. 11, 1933 -- Paintings by Horace Day (NMc3: 681)

Nov. 28-Dec. 11, 1933 -- Drawings by Jerome Myers (NMc3: 682-683)

Dec. 12-23, 1933 -- Paintings by Janet Scudder (NMc3: 687)

Dec. 12-23, 1933 -- The New York Scene in Watercolor by Hamilton A. Wolf (NMc3: 688-689)

Dec. 26-Jan. 8, 1934 -- Group Exhibition, Members of the Louis Comfort Tiffany Foundation (NMc3: 692)

Jan. 9-27, 1934 -- Paintings by Herbert Meyer (NMc3: 692)

Jan. 24-Feb. 6, 1934 -- Oils, Watercolors, Drawings, Etchings by Harrison Cady (NMc3: 696-697)

Jan. 30-Feb. 19, 1934 -- Paintings and Drawings by Lintott (NMc3: 699-700)

Feb. 20-Mar. 12, 1934 -- Paintings by C. K. Chatterton (NMc3: 703-704)

Feb. 27-Mar. 12, 1934 -- Golinkin (NMc3: 707-708)

Mar. 6-20, 1934 -- Drawings by Meyer Bernstein (NMc3: 709)

Mar. 13-36, 1934 -- Paintings by Jonas Lie (NMc3: 710)

Mar. 20-Apr. 2, 1934 -- Watercolors of South America by Eliot O'Hara (NMc3: 712)

Mar. 27-Apr. 16, 1934 -- Memorial Exhibition, Paintings by Charles H. Davis, 1856-1933 (NMc3: 715-722)

Apr. 3-16, 1934 -- Drawings by Hetty Beatty, Sculptor (NMc3: 726)

Apr. 10-23, 1934 -- Oils and Watercolors by Gertrude Schweitzer (NMc3: 726)

Apr. 17-May 1, 1934 -- Monhegan Marines by Jan Connaway (NMc3: 727)

May 1-14, 1934 -- Watercolors and Pastels by H. Amaird Oberteuffer and Karl Oberteuffer (NMc3: 728)

May 1-21, 1934 -- Review of the Season (NMc3: 729)

May 7-14, 1934 -- Paintings by John C. E. Taylor, William Luther King, Stuyvesant van Veen (NMc3: 730)

May 1934? -- Third Exhibition and Sale of American Paintings at $100 (NMc3: 731)

June 4-15, 1934 -- Our Glorious Navy: Paintings by Arthur Beaumont, Lieut. U.S.N.R. (NMc3: 732-733)

Oct. 1-15, 1934 -- Opening Exhibition, Season of 1934-1935, Paintings by Nelson A. Moore, 1924-1902 (NMc3: 735-736)

Oct. 16-30, 1934 -- Collectors Examples of American Painting (NMc3: 739-740)

Nov. 7-19, 1934 -- Greenland and Other Subjects by Rockwell Kent (NMc3: 742-743)

Nov. 20-Dec. 3, 1934 -- Southern New Mexico: Drawings and Lithographs by Peter Hurd (NMc3: 748-749)

Nov. 20-Dec. 11, 1934 -- Brackman (NMc3: 742-743)

Dec. 4-31, 1934 -- Lithographs and Drawings of Stow Wengenroth (NMc3: 750)

Dec. 11-31, 1934 -- Robert Hallowell, Mostly Portraits (NMc3: 751-752)

Jan. 2-14, 1935 -- Leopold Seyffert, Subjects from Guatemala and Flowers (NMc3: 754-755)

Jan. 22-Feb. 4, 1935 -- Group of Paintings by Younger Artists (NMc3: 756)

Apr. 10-30, 1935 -- After St. Ives by Hayley Lever (NMc3: 761-762)

date unknown -- Mr. Jonas Lie: Brittany and Other Recent Paintings (NMc3: 764)

Sept. 30-Oct. 7, 1930 -- Watercolors by Carolyn G. Bradley and Marion L. Simmons (NMc3: 764-765)

March 28-April 19, 1932 -- Small Paintings of Museum Importance on Exhibition (NM3: 764-767)

Scrapbook 16, February 1935-January 1938

Feb. 5-19, 1935 -- Robert Strong Woodward, "Landscapes of New England" (NMc4: 401-402)

Feb. 19-28, 1935 -- Portraits by Leonebel Jacobs (NMc4: 404)

Mar. 5-18, 1935 -- Loan Exhibition (NMc4: 408-409)

Apr. 23-May 13, 1935 -- Still Lifes by Emil Carlsen, 1853-1932 (NMc4: 411-413)

May 14-June 3, 1935 -- Watercolors and Pastels (NMc4: 414)

Summer 1935 -- Summer Exhibition (NMc4: 415)

Oct. 8-21, 1935 -- Recent Paintings by Frederick C. Frieseke (NMc4: 416-417)

Nov. 19-Dec. 3, 1935 -- Drawings by Lintott (NMc4: 418-419)

Dec. 3-31, 1935 -- Drawings and Lithographs by Stow Wengenroth (NMc4: 420)

Dec. 9-31, 1935 -- Oils, Watercolors, Drawings by Gertude Schweitzer (NMc4: 421)

Jan. 14-Feb. 3, 1936 -- Herbert Meyer (NMc4: 422-423)

Feb. 1936 -- Group Exhibition (NMc4: 429)

Feb. 1936 -- Drawings by Eastman Johnson (NMc4: 430)

Feb. 4-17, 1936 -- Homer D. Martin, 1836-1897, Centennial Exhibition (NMc4: 426-427)

Mar. 10-23, 1936 -- Contemporary Americans (NMc: 430)

Mar. 10-23, 1936 -- Watercolors by Steven Donahos (NMc4: 430)

Mar. 24-Apr. 16, 1936 -- Brackman (NMc4: 431)

Apr. 7-27, 1936 -- Paintings and Watercolors by C. K. Chatterton (NMc4: 433-434)

Apr. 28-May 11, 1936 -- Group Exhibition (NMc4: 435)

Apr. 28-May 11, 1936 -- Watercolors by Mary S. Powers (NMc4: 435)

May 19-June 1, 1936 -- Drawings by Richard Guggenheimer (NMc4: 436)

May 27-June 3, 1936 -- Pastel Portraits by Frank Root McCreery (NMc4: 437-438)

Oct. 5-26, 1936 -- Opening Exhibition, 45th Season, New Paintings by Fourteen American Painters (NMc4: 447-448)

Nov. 4-16 1936 -- Paintings by Elliot Orr (NMc4: 444-445)

Nov. 17-30, 1936 -- Recent Paintings by Ogden M. Pleissner (NMc4: 447-448)

Dec. 1936 -- Lester D. Boronda: Paintings from Mason's Island (NMc4: 449)

Dec. 15, 1936-Jan. 18, 1937 -- An Introduction to Homer (NMc4: 451-460)

Jan. 19-Feb. 1, 1937 -- Exhibition of Portraits by Stuart, Copley, West, Allston, Badger, Jarvis, Morse, Sully, Peale, Smibert and Waldo (NMc4: 478-479)

Jan. 19-Feb. 1, 1937 -- Group of Watercolors (NMc4: 480)

Feb. 2-15, 1937 -- John C. E. Taylor: Flower Arrangements and Other Oils (NMc4: 481)

Feb. 16-Mar. 1, 1937 -- Paintings and Watercolors by Horace Day (NMc4: 482)

Mar. 2-15, 1937 -- Hayley Lever, Paintings New and Old (NMc4: 485)

Mar. 2-15, 1937 -- Paintings by Josef Presser (NMc4: 485)

Mar. 16-Apr. 5, 1937 -- Recent Work by Jon Corbino (NMc4: 487-490)

Apr. 13-26, 1937 -- Memorial Exhibition of Paintings, Crayon Drawings and Dry Points by the late Alexander Shilling (NMc4: 499)

Apr. 30-May 17, 1937 -- Edna Reindel (NMc4: 503)

Oct. 5-19, 1937 -- American Paintings Dedicating the Art Gallery Woman's Club Art Building, Montana State University (NMc4: 505-514)

Oct. 6-18, 1937 -- Opening Exhibition, Paintings by a Group of Contemporary Artists (NMc4: 517)

Oct. 19-Nov. 1, 1937 -- First Exhibition, Watercolors by Andrew Wyeth (NMc4: 518-519)

Nov. 2-15, 1937 -- Marine and Other Subjects from the Canary Islands by Cadwallader Washburn (NMc4: 524-525)

Nov. 16-29, 1937 -- Paintings by Lorenzo James Hatch (NMc4: 524-525)

Nov. 30-Dec. 14, 1937 -- Monhegan Island, Maine, Marines by Jay Connaway (NMc4: 527)

Jan. 4-17, 1938 -- "The Eight" Thirty Years Later (NMc4: 529-530)

Scrapbook 17, January 1938-July 1941

Jan. 18-Feb. 1, 1938 -- Paintings by Dale Nichols (NMc4: 538-540)

Feb. 8-21, 1938 -- Vermont in Watercolors by Stanford Stevens (NMc4: 541-542)

Feb. 8-21, 1938 -- Modern American Interior: Prizewinning Design and Selected Drawings from a Competition Sponsored by James H. Blauvet and Associates, Interior Designers (NMc4: 543)

Feb. 23-Mar. 7, 1938 -- Herbert Dickens Ryman (NMc4: 546)

Mar. 1-14, 1938 -- Paintings and Watercolors by Anne Goldthwaite (NMc4: 546-547)

Mar. 8-21, 1938 -- Recent Watercolors of Woodstock, Charleston, New England by John W. Taylor (NMc4: 548-549)

Mar. 22-Apr. 11, 1938 -- Jon Corbino (NMc4: 554-561)

Apr. 12-25, 1938 -- Paintings by Ohio Artists (NMc4: 580-571)

Apr. 26-May 9, 1938 -- Paintings by Furman Joseph Finck (NMc4: 572-573)

May-June 1938 -- Winslow Homer: Watercolors and Early Oils from the Estate of Mrs. Charles S. Homer and Other Sources (NMc4: 574-579)

Oct. 4-28, 1938 -- Opening Exhibition (NMc4: 581)

Nov. 1-23, 1938 -- Dale Nichols, Watercolors and Tempera of Alaskan Subjects (NMc4: 582-583)

Nov. 29-Dec. 19, 1938 -- Sea Island Country Watercolors by Horace Day (NMc4: 584)

Jan. 10-30, 1939 -- Herbert Meyer (NMc4: 588-589)

Feb. 7-27, 1939 -- American Watercolors Past and Present (NMc4: 592-597

Mar. 7-Apr. 3, 1939 -- Monhegan by Jay Connaway (NMc4: 602-603)

Apr. 5-24, 1919 -- Oils and Watercolors by Ogden M. Pleissner (NMc4: 606-607)

May 2-22, 1939 -- Paintings by Francis Chapin, Antonio P. Matino, and Moses Soyer and Drawings by Jon Corbino (NMc4: 609-611)

Oct. 10-30, 1939 -- Andrew Wyeth (NMc4: 614)

Nov. 1-30, 1939 -- Americana Paintings, Watercolors, Prints, Drawings (NMc4: 616-617)

Dec. 5-30, 1939 -- In the Georges Islands, Maine: Paintings by N.C. Wyeth (NMc4: 618)

Dec. 5-30, 1939 -- Dry Brush Drawings by Stow Wengenroth (NMc4: 618-619)

Jan. 2-27, 1940 -- Brackman (NMc4: 623-624)

Jan. 30-Feb. 19, 1940 -- Paintings by Moses Soyer (NMc4: 630-631)

Feb. 20-Mar. 11, 1940 -- Watercolors by Emil J. Kosa, Jr. (NMc4: 637)

Mar. 12-30, 1940 -- Paintings by Edna Reindel (NMc4: 636)

April 1940 -- Paintings and Drawings by Jon Corbino (NMc4: 639-640)

May 7-18, 1940 -- "Star Boat Races," by Gerald Foster (NMc4: 640)

Summer 1940 -- Summer Exhibition (NMc4: 641)

Oct. 1940 -- October Exhibition (NMc4: 642)

Nov. 12-Dec. 2, 1940 -- Paintings by Antonio P. Martino (NMc4: 645)

Dec. 10-30, 1940 -- Monhegan Paintings and Sketches by Jay Connaway (NMc4: 648)

Dec. 31, 1940-Jan. 13, 1941 -- Oils and Watercolors by Contemporary Artists (NMc4: 649)

Jan. 14-Feb. 3, 1941 -- Paintings and Drawings by Augustus Vincent Tack (NMc4: 650-651)

Feb. 4-24, 1941 -- Recent Paintings by Peter Hurd (NMc4: 652)

Feb. 18-Mar. 3, 1941 -- Earl Gross Watercolors (NMc4: 654-655)

Feb. 25-Mar. 16, 1941 -- Recent Paintings by Herman Maril (NMc4: 656-657)

Mar. 18-Apr. 5, 1941 -- Joseph de Martini Gouache Paintings (NMc4: 656)

Mar. 25-Apr. 7, 1941 -- Men of Moment: Drawings by Ivan Opffer (NMc4: 660)

Apr. 8-28, 1941 -- Paintings by Orland Campbell (NMc4: 661-662)

Apr. 29-May 12, 1941 -- Small Paintings by Moses Soyer (NMc4: 667-668)

May 1941 -- Group Exhibition (NMc4: 667)

May 13-24, 1941 -- The 1941 Showing of Blauvelt Interiors (NMc4: 669-671)

May-June 1941 -- Group Exhibition (NMc4: 669)

Scrapbook 18, July 1941-October 1945

Sept. 1941 -- Group Exhibition: Oils (NMc4: 682)

Oct. 7-27, 1941 -- Third Exhibition of Watercolors by Andrew Wyeth (NMc4: 685)

Oct. 28-Nov. 17, 1941 -- Recent Oils and Watercolors by Ogden M. Pleissner (NMc4: 685-686)

Oct. 28-Nov. 17, 1941 -- Watercolors by Merrill A. Bailey (NMc4: 685)

Nov. 18-Dec. 1, 1941 -- Drawings and Watercolors by Carl Newland Werntz (NMc4: 688-689)

Nov. 18-Dec. 1, 1941 -- Hymn to the Sun: A Sculpture in Bronze by Emily Winthrop Miles (NMc4: 688)

Dec. 1941 -- Group Exhibition (NMc4: 690)

Dec. 2-22, 1941 -- Original Dolls by Edith Flack Ackley and their Portraits in Watercolor by Telka Ackley (NMc4: 690)

Jan. 5-24, 1942 -- Paintings by Furman Joseph Finck (NMc4: 694)

Jan. 5-24, 1942 -- Watercolors of Maine and Florida by Maurice Becker (NMc4: 694-695)

Jan. 19-Feb. 14, 1942 -- Watercolors, Pastels, Drawings by Jerome Myers, 1867-1940 (NMc4: 696)

Feb. 16-28, 1942 -- Watercolors by Cory Kilvert (NMc4: 697-698)

Feb. 16-Mar. 7, 1942 -- Paintings by Deceased American Masters (NMc4: 697-698)

Mar. 9-28, 1942 -- Paintings by Marsden Hartley (NMc4: 700-701)

Mar. 9-28, 1942 -- Watercolors by Karl Mattern (NMc4: 700)

Apr. 13-30, 1942 -- Fiftieth Anniversary Exhibition, 1892-1942 (NMc4: 703-704)

May 4-29, 1942 -- Group Exhibition (NMc4: 707)

June 1942 -- June Exhibition (NMc4: 708)

June 15-27, 1942 -- War Bond Exhibitions of Contemporary American Art (NMc4: 708)

Sept. 1942 -- September Exhibition (NMc4: 709)

Nov. 16-28, 1942 -- Watercolors by Jean Paul Slusser (NMc4: 710)

Nov. 24-Dec. 12, 1942 -- T. Chambers, First American Modern (NMc4: 711-714)

Dec. 1-14, 1942 -- Watercolors by Red Robin (NMc4: 715-716)

Dec. 15, 1942-Jan. 2, 1943 -- Leaves From a Soldier's Sketchbook by Pvt. Olin Dows, U. S. Army (NMc4: 717)

Jan. 4-23, 1943 -- Paintings by Sprinchorn (NMc4: 717-718)

Feb. 1-13, 1943 -- Group Exhibition (NMc4: 719)

Feb. 15-Mar. 6, 1943 -- Small Paintings by Moses Soyer (NMc4: 720)

Mar. 15-27, 1943 -- Ellen du Pont Wheelwright (NMc4: 721)

Mar. 15-27, 1943 -- Watercolors by Cory Kilvert (NMc4: 721)

Mar. 29-Apr. 17, 1943 -- Recent Paintings by Joseph De Martini (NMc4: 722)

Mar. 29-Apr. 17, 1943 -- Watercolor Exhibition (NMc4: 722)

Apr. 19-May 1, 1943 -- Corp. Herman Maril (NMc4: 728)

Apr. 19-May 8, 1943 -- Theodore Robinson (NMc4: 723-725)

May-June 1943 -- Group Exhibition (NMc4: 729)

Sept. 1943 -- Group Exhibition (NMc4: 731)

Oct. 11-30, 1943 -- Watercolors by Henry Gasser (NMc4: 723-733)

Nov. 1-20, 1943 -- Tempera and Watercolors by Andrew Wyeth (NMc4: 735-736)

Nov. 22-Dec. 4, 1943 -- Portraits of Children by Barnard Lentott (NMc4: 741-742)

Dec. 1943 -- Group Exhibition (NMc4: 741)

Dec. 6-24, 1943 -- Rural Vermont: Watercolors by Sylvia Wright (NMc4: 743-744)

Jan. 3-15, 1944 -- Watercolors of War by Red Robin (NMc4: 743-744)

Jan. 31-Feb. 19, 1944 -- Loan Exhibition, Worthington Whittredge, 1825-1910 (NMc4: 745-746)

Feb. 21-Mar. 11, 1944 -- Paintings by Constance Richardson (NMc4: 749-750)

Mar. 13-Apr. 1, 1944 -- Watercolors by Vanessa Helder (NMc4: 751, 753)

Mar. 13-Apr. 1, 1944 -- Temperas and Watercolors by Peter Hurd (NMc4: 751-753)

Apr. 3-22, 1944 -- American Paintings of the Early 19th Century (NMc4: 754-755)

Apr. 24-May 13, 1944 -- Brackman (NMc4: 756-757)

May 15-June 3, 1944 -- Two Vermont Artists: Clay Bartlett and Arthur K. D. Healy (NMc4: 758-759)

June 5-24, 1944 -- Women at War by Edna Reindel (NMc4: 760)

July 1944 -- Group Exhibition (NMc4: 762)

Sept. 25-Oct. 15, 1944 -- Group Exhibition (NMc4: 763)

Oct. 16-Nov. 4, 1944 -- Paintings by Felicia Meyer (NMc4: 764-765)

Nov. 15-Dec. 2, 1944 -- The Aleutian Air Force: Paintings by Ogden M. Pleissner (NMc4: 766-767)

Dec. 4-23, 1944 -- Paintings by John W. Taylor (NMc4: 769-770)

Jan. 8-27, 1945 -- Paintings by Carl Gaertner (NMc4: 771-772)

Jan. 29-Feb. 10, 1945 -- Contemporary American Watercolors (NMc4: 772)

Feb. 19-Mar. 10, 1945 -- Paintings and Watercolors by Maurice Becker (NMc4: 773-774)

Mar. 12-31, 1945 -- Some Early 19th Century Americans (NMc4: 777-778)

Apr. 2-21, 1945 -- Paintings by Joseph De Martini (NMc4: 778-779)

Apr. 23-May 12, 1945 -- Gouaches by Herman Maril (NMc4: 781)

Apr. 23-May 12, 1945 -- Paintings by Molly Luce (NMc4: 781-782)

May-June 1945 -- Group Exhibition: Contemporary Oils and Watercolors (NMc4: 783)

July, Sept., 1945 -- Group Exhibition (NMc4: 783)

Oct. 1-7, 1945 -- Group Exhibition (NMc4: 784)

Scrapbook 19, October 1945-November 1949

Oct. 26-Nov. 17, 1945 -- Tempera and Watercolors by Andrew Wyeth (NMc4: 787-788)

Nov. 26-Dec. 15, 1945 -- Marsden Hartley: Paintings and Drawings (NMc4: 791-792)

Dec. 1945 -- Christmas Exhibition (NMc4: 793)

Jan. 7-26, 1946 -- New York in Watercolors by James Lechay (NMc4: 794)

Jan. 28-Feb. 16, 1946 -- Herbert Meyer (NMc4: 795)

Feb. 18-Mar. 19, 1946 -- Ary Stillman (NMc4: 797-798)

Mar. 11-30, 1946 -- Watercolors by Arthur K. D. Haley (NMc4: 800-801)

Apr. 1-20, 1946 -- Albert P. Ryder (NMc4: 802-805)

Apr. 22-May 11, 1946 -- Paintings by Constance Richardson (NMc4: 809-810)

May 13-31, 1946 -- Furman Jospeh Finck (NMc4: 811-812)

June 1946 -- Group Exhibition (NMc4: 813)

July 1946 -- Group Exhibition (NMc4: 813)

Sept. 1946 -- Group Exhibition (NMc4: 814)

Sept. 30-Oct. 19, 1946 -- Gouaches by Charles Schucker (NMc4: 815)

Oct. 2-Nov. 9, 1946 -- Watercolors and Drawings by Olin Dows (NMc4: 816-817)

Nov. 4-30, 1946 -- Ogden M. Pleissner (NMc4: 818)

Dec. 2-28, 1946 -- Oils and Watercolors by Emil J. Kosa, Jr. (NMc4: 819-820)

Jan. 6-26, 1947 -- Carl Gaertner (NMc4: 821-822)

Jan. 27-Feb. 15, 1947 -- Carl Sprinchorn (NMc4: 823)

Mar. 3-22, 1947 -- Dorothy Hoyt (NMc4: 825-826)

Mar. 24-Apr. 12, 1947 -- Joseph De Martini (NMc4: 827-828)

Apr. 14-May 10, 1947 -- Whistler Loan Exhibition (NMc4: 828-834)

June-July, 1947 -- Summer Exhibition (NMc4: 840)

Sept. 1947 -- Group Exhibition (NMc4: 841)

Oct. 13-Nov. 1, 1947 -- Paintings by Allen Tucker (NMc4: 842-844)

Nov. 3-22, 1947 -- Watercolors by Henry Gasser (NMc4: 846-847)

Nov. 24-Dec. 13, 1947 -- James Lechay (NMc4: 849-850)

Dec. 15, 1947-Jan. 3, 1948 -- Watercolor Exhibition (NMc4: 851)

Jan. 5-24, 1948 -- Clay Bartlett (NMc4: 852-853)

Jan. 26-Feb. 14, 1945 -- Exhibition (NMc4: 854)

Jan. 26-Feb. 14, 1948 -- Oils and Watercolors by Contemporary Artists (NMc4: 854)

Feb. 16-Mar. 6, 1948 -- Herman Maril (NMc4: 855-856)

Mar. 22-Apr. 3, 1948 -- American Art: A Multiple Exhibition arranged by the Associated Dealers in American Art (NMc4: 857-858)

Apr. 5-24, 1948 -- Raphael Gleitsmann (NMc4: 866-867)

Apr. 26-May 15, 1948 -- Oils and Watercolors by John La Farge (NMc4: 864)

May-Sept. 1948 -- Group Exhibitions (NMc4: 867)

Oct. 4-23, 1948 -- Watercolors by Charles Culver (NMc4: 869-870)

Oct. 26-Nov. 13, 1948 -- Ogden M. Pleissner (NMc4: 872)

Nov. 15-Dec. 4, 1948 -- Andrew Wyeth (NMc4: 874-875)

Nov. 21-Dec. 4, 1948 -- Oils and Gouaches by Charles Schucker (NMc4: 332-333)

Dec. 6-31, 1948 -- Watercolors and Drawings by Hermann Gross (NMc4: 877-878)

Jan. 4-22, 1949 -- Electra Bostwick (NMc4: 879, 882)

Jan. 27-Feb. 19, 1949 -- Paintings by Edna Reindel (NMc4: 880-881)

Feb. 28-Mar. 19, 1949 -- Thomas Doughty (NMc4: 885-887)

Mar. 21-Apr. 9, 1949 -- Watercolors by Arthur K. D. Healy (NMc4: 889)

Apr. 12-30, 1949 -- Drawings by Olin Dows (NMc4: 890)

May 1949 -- Group Exhibition (NMc4: 894)

Oct. 10-29, 1949 -- Clay Bartlett: Paintings of North and South America (NMc4: 895-896)

Nov. 1-19, 1949 -- Watercolors by Henry Gasser (NMc4: 897-898)

Scrapbook 20, 1949-1952

Nov. 21-Dec. 10, 1949 -- Oils and Gouaches by Charles Shucker (NMc4: 332-333)

Dec. 1949 -- Watercolor Exhibition (NMc4: 334)

Jan. 3-21, 1950 -- Carl Gaertner (NMc4: 335-356)

Jan. 23-Feb. 11, 1950 -- Constance Richardson (NMc4: 337-338)

Mar. 6-25, 1950 -- John Taylor (NMc4: 339-340)

Apr. 1950 -- Joseph De Martini (NMc4: 341)

May 8-27, 1950 -- Carl Sprinchorn (NMc4: 342-343)

Summer 1950 -- Summer Exhibition (NMc4: 345)

Oct. 9-28, 1950 -- Caseins by James Lechay (NMc4: 345-346)

Oct. 31-Nov. 18, 1950 -- Ogden M. Pleissner: Paris and the Provinces (NMc4: 347-348)

Nov. 21-Dec. 9, 1950 -- Andrew Wyeth (NMc4: 349-350)

Jan. 2-20, 1951 -- Nat Koffman (NMc4: 356-357)

Jan. 22-Feb. 10, 1951 -- Watercolors by Hermann Gross (NMc4: 358)

Feb. 12-Mar. 3, 1951 -- Watercolors (D55:390-391; NMc4: 359)

Mar. 5-24, 1951 -- Paintings by Francis Colburn (NMc4: 360)

Mar. 27-Apr. 14, 1951 -- Paintings by Herman Maril (NMc4: 361)

Apr. 16-May 5, 1951 -- Raphael Gleitsmann (NMc4: 362-363)

Summer 1951 -- Summer Exhibition (NMc4: 364)

July 7-Aug. 4, 1951 -- Paintings and Drawings by Andrew Wyeth (NMc4: 364-381)

Nov. 26-Dec. 15, 1951 -- Watercolors by Arthur K. D. Healy (NMc4: 387)

Feb. 4-Mar. 1, 1952 -- Italian Landscapes by George Inness (NMc4: 388-389)

June-July, Sept. 1952 -- Summer Exhibition (NMc4: 392)

Nov. 6-29, 1952 -- Andrew Wyeth (NMc4: 391-392)
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Fragile original scrapbooks are closed to researchers.
Collection Rights:
The Macbeth Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macbgall, Series 5
See more items in:
Macbeth Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-macbgall-ref13377

Correspondence

Collection Creator:
Pach, Walter, 1883-1958  Search this
Extent:
2.1 Linear feet (Box 1-3, FC 23)
Type:
Archival materials
Date:
1883-1980
Scope and Contents note:
This series contains family correspondence and extensive professional letters from noted artists and art world figures including critics, writers, collectors, museums and other art institutions. Scattered letters from Pach can also be found here.

See Appendix for partial chronological list of letters from Series 2.
Arrangement note:
This series is arranged as two subseries.

2.1: Family Correspondence, 1883-1980

2.2. General Correspondence, 1903-1969
Appendix: Partial Chronological List of Letters from Series 2:
From J.B. Young [?], October 5, 1900: New York, N.Y. Eric Dell recovered from consumption; Terry also had it and was treated at an English sanitarium; entertained several actors; made a brief trip to the country. 2 pp., illustrated with drawing, "an interpretation of how you will look when you next visit New York."

From Franji Vaatsvoort, September 18, 1903: Haarlem, the Netherlands. Severe storm; received Pach's postcards. Picture postcard (Frans Hals, "Cordelia Voogt Claesd., vrouw van Nicolaes van der Meer"

From Theodore Roosevelt, Washington, D.C., March 5, 1904: President's autograph. Card with engraving of the White House.

From Frank R. Wadsworth, Chicago, Ill., [postmarked] March 2, 1905: Intends to go to Spain; advises Pach to write about art; recommends the Madrid gallery; discusses Chicago's new orchestra hall and the death of Thomas; opinions about the jury system; is sending pictures to Philadelphia, the one eastern city likely to accept them. 6 pp. + enclosures (silhouettes of monkey, 3 birds, and cat by a 10-year-old child).

From Luis E. de la Rochas, Madrid, Spain, December 24, 1905: thanks Pach for photographs of works of art; inquires about the progress of Pach's own painting; will send a picture of his latest painting, as he is interested in Pach's opinion; sends regards to Mr. Chase. 3 pp., in Spanish, illustrated with drawing of a bearded man.

From Edith Bell, New York, N.Y., [postmarked] December 24, 1905: Christmas greetings; thanks Pach for showing her the Goya sketch. 2 pp.

To Claude Monet, Giverny, France, June 3, 1906: advises that knowing how to use color is most important and should become a matter of habit; lists his palette. 1 p., in French, typescript copy.

From Charles Scribner's Sons, New York, N.Y., February 13, 1907: printed form letter with payment for "The Memoria of Velasquez."

From Moriye Ogihara, Vitry-sur-Seine, France, [postmarked] April 24, 1907: mentions Kenzan picture Pach is interested in; thanks Pach for showing sketch to Henri, Ogihara's former teacher; lists some exhibitors in the Salon, with opinions of their work; thinks Rodin's work is great; he met Rodin at his studio. 4 pp. + 1 p. enclosure (note to Yamanaka & Co., New York, about Kenzan picture), in Japanese.

From Piet van der Laan, Leeuwarden, the Netherlands, May 11, 1907: likes portrait of Pach by Chase with its strong "Rembrandtic" shadow; reminisces about Chase; hopes to marry Annie in August. 4 pp.

From Moriye Ogihara, Vitry-sur-Seine, France, September 2, 1907: is glad Pach is returning to Paris; is attending classes at Académie Julian; saw Henri in France recently. 3 pp.

From Moriye Ogihara, Vitry-sur-Seine, France, [postmarked] September 10, 1907: wonders if and when Pach is returning to Paris. Postal card.

From Moriye Ogihara, Vitry-sur-Seine, France, [postmarked] September 12, 1907: urges Pach to visit after his stay in Italy. Picture postcard ("Reine d'Egypte en Isis--Bronze antique").

From [signature illegible], Director, The Royal House, Florence, Italy, October 5, 1907: the king grants permission to copy the Catherine de Medici portrait at the Pitti Palace. 1 p., in Italian.

From Claude Monet, Giverny, France, November 4, 1907: Monet will receive Pach this week on Wednesday or Thursday afternoon. 1 p., in French.

From Lelebuss, New York, N.Y., November 21, 1907: thanks Pach for birthday greetings; several friends are now married.

From Edith Bell, New York, N.Y., November 25, 1907: visited Henri and saw 40 canvases; describes Henri's new studio at 135 E. 40th St.; Lawson and Stevenson called at the studio while she was there; recalls Pach's description of visits to Monet and Ogihara; "it is my belief that Mr. Henri is afraid of George Bellows. He praises him so." 5 pp. + enclosure (photograph of a portrait by Edith Bell).

From Moriye Ogihara, Florence, Italy, December 25, 1907: Christmas greetings; discusses travels in Italy and art seen. 4 pp.

From Moriye Ogihara, Florence, Italy, December 26, 1907: has been to the Academy; praises Miss Frohberg. Picture postcard ("Firenze Lung' Arno Corsine").

To Alice Klauber from Walter Pach, Paris, France, January 3, 1908: he is looking at art; received a picture from her cousin; asks if she saw the article on Matisse he wrote for the Hearst paper. Picture postcard ("Frans Hals, La Bohemienne"), in Japanese, with English postscript.

From Moriye Ogihara, Arezzo, Italy, January 5, 1908: leaving for Assisi soon; stayed too long in Florence sightseeing with Magdalene. Picture postcard ("Arezzo, La Catte drale").

From Moriye Ogihara, Rome, Italy, [postmarked] January 14, 1908: staying at the same pensione as Frost. Picture postcard ("Torso di Belvedere di Dietro").

From Moriye Ogihara, Athens, Greece, January 22, 1908: discusses sightseeing in Greece and his trip through Italy; observations about Frost; "I appreciate Rodin very much since I have been in Italy"; offers to correct Pach's written Japanese.

From Gerda Stein, [place unknown], January 29, 1908: "Dearest love to Lena and best wishes for a very happy Birthday." Greeting card.

From Roger Marx, Editor, -- Gazette des Beaux-Arts -- , Paris, France, February 12, 1908: wants to publish a comprehensive study of the state of painting in the United States; must choose between original engravings and photographic reproductions for illustrations. 2 pp., in French.

From Moriye Ogihara, Cairo, Egypt, February 13, 1908: steamer has been delayed two days but he can continue to work. Picture postcard ("Ramesseum at Thebes").

From [Rais?], Paris, France, [postmarked] March 19, 1908: invites Pach to visit on Friday. 1 p., in French.

From William Merritt Chase, Florence, Italy, July 16, 1908: is leaving for Paris tomorrow; invites Pach to meet him at Caffe [sic] Du Paix that evening. 1 p.

From Helen R. Wilson, Furnes, Belgium, July 30, 1908: enumerates 13 highlights of her stay in Paris, including first view of a Cézanne painting. 4 pp.

From Senateur de la Sarthe, Paris, France, August 4, 1908: expression of sympathy. Note on business card, in French.

From Morton Livingston Schamberg, Paris, France, November 5, 1908: is doing small paintings outdoors and in his hotel room; is reluctant to leave Paris but wants to visit Italy, too; went to the Autumn Salon 3 times and found the work of Matisse "very beautiful"; "I am inclined to consider it a very personal art rather than the part of a great movement considering Matisse the leader, and the art doctrines evolved by the Steins (damn nice people...)... are to me the most awful nonsense"; prefers Renoir to Cézanne; is impressed by Egyptian portraits in the Louvre; has completed about 36 panels. 3 pp.

From Olga [de?], Paris, France, December 24, 1908: has completed 3 portrait commissions; wants to see the Velasquez, which is said to be "splendid." Picture postcard ("Paris, Eglise Saint-Augustin"), in French.

From Piet van der Laan, Leeuwarden, the Netherlands, February 6, 1909: is looking for a new teaching position; their infant son is now healthier. 3 pp.

From Annie van der Laan, Leeuwarden, the Netherlands, March 13, 1909: thanks Pach for the brush and birthday greetings; invites him to the Netherlands; tells about their baby. 1 p., in Dutch.

From Piet van der Laan, Leeuwarden, the Netherlands, March 15, 1909: discusses Shaw's -- Candida -- and -- Man and Superman -- ; is studying Nietzsche. 2 pp.

From Arthur B. Davies, New York, N.Y., May 29, 1909: discusses Pach's essay about him. 1 p.

From Moriye Ogihara, Tokyo, Japan, May 30, 1909: "Devil came into my mind and I am suffering and suffering"; Saito visited with news of Pach and pictures to exhibit at the Taiheiyo Art Association. Sequence of 5 picture postcards (1, "Wisteria"; 2. "Peony Blossoms at Yotsame"; 3. [bridge--title in Japanese]; 4. "Iris"; 5. "Peony Blossoms at Yotsame").

From Arthur B. Davies, New York, N.Y., June 1 [10?], 1909: wishes to reschedule studio visit by Pach and Mr. Of. 2 pp.

From Arthur B. Davies, New York, N.Y., [postmarked] July 9, 1909: interested in Gauguin and how he compares with Degas. 1 p.

From Maurice Brazil Prendergast, Boston, Mass., December 6, 1909: saw the Cézanne painting in Boston and agrees it is beautiful, "conscientious and absolutely sincere"; has not heard recently From Davi[e]s, "one of the few very sympathetic friends I am fortunate to possess." 4 pp.

From Arthur B. Davies, New York, N.Y., April 8, 1910: sends clipping about Matisse; recommends article about the Venus de Milo. 1 p.

From K. Tohary, Tokyo, Japan, May 11, 1910: Moriye Ogihara died in Tokyo, April 22, following an attack of vomiting blood; Tohary plans to publish a book about him; requests that Pach send Ogihara's letters and any recollections he wants to contribute. Rice paper scroll.

From Arthur B. Davies, New York, N.Y., May 14, 1910: "I found your article on Matisse the most enlightening I have read so far." 1 p.

From Albert Pinkham Ryder, New York, N.Y., May 26, 1910: thanks Pach for "kindly interest" in his work. 1 p. + enclosure (reprint of a poem, "The Voice of the Forest").

From Henri Rouart, La Queue en Brie, France, September 17, 1910: sorry he was unavailable to welcome Pach and his friends. 1 p., in French.

From [unknown], New York, N.Y., [postmarked] October 5, 1910: empty envelope with no return address. Sketch of head on reverse.

From Clifton A. Wheeler, Mooresville, Ind., October 12, 1910: describes fellow passengers aboard ship; gives details of getting paintings through customs; advises Pach to start preparing necessary documents for bringing home his property. 5 pp. + enclosures (4 small etchings: 2 portraits, 2 landscapes).

From Charles Sheeler, Philadelphia, Pa., October 26, 1910: after a period of difficulty, his work shows progress; Schamberg thinks Sheeler's recent landscapes are "Cézanne like"; has had little opportunity to see the work of modern painters; hopes to go to New York for upcoming exhibitions at the Photo Secession Gallery, particularly Picasso, Cézanne, and Matisse; rejected by Macbeth last fall and by the Art Institute; a Chicago dealer wants to show his work, but friends there advise against involvement with that gallery. 6 pp.

From Julian Alden Weir, New York, N.Y., November 25, 1910: discusses his interest in etching, especially drypoint. 4 pp.

From Morton Livingston Schamberg, Philadelphia, Pa., December 27, 1910: met Stieglitz and "was well satisfied with his attitude. He hasn't the intelligence of a Leo Stein but he is sincerely interested and is getting into a position where he could do one lots of good"; met Hartley; visited Henri's studio; Stieglitz and Henri think "I am too cock-sure of myself. If they only knew"; completed 20 to 25 pictures in the last year; sends photographs of some. 3 pp. + enclosures (7 photographs of Schamberg's work: 6 figures, 1 exhibition installation).

From Adolph Werner, New York, N.Y., December 21, 1910: is teaching less at the university now that he is the "President's lieutenant." 2 pp.

From Clifton A. Wheeler, Mooresville, Ind., January 3, 1911: discusses Davies' collection of Cézanne photographs; he and Hila were married; regrets that Pach was not named director of the museum in Indianapolis. 7 pp.

From Auguste Renoir, Cagnes, France, March 28, 1911: thanks Pach for allowing him to review the article before publication; wants the interview portion withheld because it seems critical of Saint-Saens and Pillet-Will and suggests posthumous publication; feels flattered by Pach's review. 4 pp., in French.

From Eugène Leroy, Paris, France, March 27, 1911: is happy to have been of service; the Association Philotechnique enjoys meeting foreigners who appreciate its teachings and will take home pleasant memories of France. Note on calling card, in French.

From Charles Loeser, Florence, Italy, April 28, 1911: exchanged 4 of his Cézanne paintings for a larger one From Vollard; Pach's German friend should contact Vollard immediately if she is interested in acquiring one; Denis Cochin traded a Cézanne for a Goya at Durand-Ruel. 8 pp.

From Auguste Rodin, Paris, France, June 1, 1911: is willing to meet with Pach to discuss Fujikawa's book on Ogihara. 2 pp., in French.

From E. D. Smyth, Côtes-du-Nord, France, August 31, 1911: will answer Pach's letter; apologizes for being fussy about the Stendahl etc." Picture postcard (Etables, Côtes-du-Nord, Les Grottoes.")

From E.D. Smyth, Côtes-du-Nord, France, September 5, 1911: is leaving soon for Saint-Malo; will return Pach's "Tuscan book" and send 2 others; recounts events of the summer; describes some hotel guests and the cottage where her family is staying; wants to see Daumier originals. 14 pp.

From Ruth A. Wilmot, Brooklyn, N.Y., October 7, 1911: is glad their misunderstanding is straightened out; someone on the boat unintentionally insulted her companion; homesick for Paris; working again; finds New York "invigorating." 5 pp.

From Joe Garvey, Alpine, N.J., November 21, 1911: is back From honeymoon; wants to go to Europe but first must sell property. 4 pp.

From Herman Reimers, Christiana, Norway, November 24, 1911: thanks Pach for the gift of an etching; will not be moving to Paris after all; was appointed director of political affairs at the ministry. 4 pp., in French.

From Tete, New York, N.Y., December 14, 1911: Christmas greetings; misses him; family news; has been in contact with Pach's parents. 4 pp., with sketches of busts on the envelope.

From Margherita Innocenti, Pensione Innocenti, Florence, Italy, December 22, 1911: thanks Pach for kind words about her and for recommending the pensione; 4 American women are there now. 3 pp., in Italian.

From Margherita Innocenti, Pensione Innocenti, Florence, Italy, February 9, 1912: -- Ladies -- . Will be happy to have friends of Pach stay at the pensione. 1 p., in Italian.

From E.D. Smyth, Florence, Italy, February 21, 1912: describes guests at Pensione Innocenti; met young Italian artist, Gino "Sensano or Sanseno [Severini]," who knows Stella and other mutual friends; recounts visits with Signorina A.B. and Mr. Loeser; returning by sea due to Helen's illness; will not see Pach again this trip. 6 pp.

From Louis Lombard, [place unknown], April 15, 1912: note of dedication, 1 p. + 2 pp. enclosure (copy of "Chants d'Amour," a poem by Henry Marx), in French.

From E.D. Smyth, [place unknown], Ireland, April 27, 1912: "Have made half my notes From the cahier" and will send them to H.M. soon. Postal card.

From Eugène, Paris, France, [postmarked] April 26, 1912: will come on Sunday at 9:00; is happy that Pach was not expelled because now he can work in peace for a few more days. 1 p., in French.

From Arthur Burdett Frost, Davos, Switzerland, May 5, 1912: has eye problems that doctors cannot treat; Jack is recovering; plans to spend summer in the Black Forest and return to Davos for the winter; Pach writes well; finds it "refeshing to read really honest stuff"; is working on a book of caricatures. 8 pp.

From Fujikawa, Paris, France, June 4, 1912: saw Mr. Molissa and is interested in his work; Pach should express Fujikawa's thanks to Molissa; is going to Florence where he hopes to see Pach; requests photographs of any new work Pach completes. 3 pp. + 5 enclosures (brief thank you notes From M. Lernait, Tererco?, L. Lombard, Louis Varday, and Romanet), in French.

From Georges Speirer, Paris, France, June 6, 1912: heard From friends that Pach is in Florence. 2 pp., in French.

From Arthur B. Davies, New York, N.Y., June 19, 1912: discusses arrangements for payment and shipping of Cézanne painting; has found a buyer; Macbeth will handle customs; Macbeth will send Pach photographs of Rockwell Kent's pictures; will see Pach in Paris in October. 3 pp.

From [signature illegible (L.L.?)], Levallois, France, July 1, 1912: hopes Pach will spend the winter in Paris; is glad Pach is pleased with his paintings of Arezzo. 4 pp., in French.

From Maurice Socard, Paris, France, July 19, 1912: thanks Pach for his letters; will send photographs taken at his country house; friends agree with Pach's assessment of Milan. 6 pp., in French.

From Elie Faure, Paris, France, July [30?], 1912: is not surprised that Pach received a discouraging letter From Floury, who has requested another translator; Faure wants Pach to do the job. 4 pp., in French.

From Arthur B. Davies, New York, N.Y., October 2, 1912: Cézanne painting is now at Macbeth's; gives details of problems with customs; is unable to accompany Walt Kuhn in search of artists for the Armory Show; "the possibilities [of the Armory Show] loom tremendous yet so many can only see another opportunity of showing their work"; "you can do so much for Kuhn in every way and I also believe he has a really healthy outlook with considerable ability." 2 pp.

From Egisto Fabbri, Paris, France, November 28, 1912: declines Pach's invitation, due to illness. 1 p.

From G.A. Bourdelle, [place unknown], December 4, 1912: the Toussaint sculpture can be installed with or without a socle; declined to participate in the New York exhibition before realizing Pach was the organizer; keep the photograph of Toussaint's work. 3 pp., in French.

From [unknown], Gambier, Ohio, [postmarked] December 4, 1912: empty envelope with no return address.

From Wilhelm Lehmbruck, Paris, France, December 6, 1912: Two sculptures, -- Woman Kneeling -- and -- Large Torso -- , and 2 drawings are being sent to Pach for his exhibition. 1 p., in French.

From Henri Matisse, Tangier, Morocco, December 6, 1912: agrees to lend the 7 paintings requested for exhibition in New York; lists titles, insurance values, and indicates which are for sale; -- Le Luxe -- is fragile; no drawings are available; will ask Fénéon to loan as many paintings as possible. 2 pp., in French.

From Robert Henri, New York, N.Y., January 3, 1913: discusses photographs of Besnard's work; reminisces about discovering decorations by Besnard at the College of Pharmacie; compliments Pach's Winslow Homer article; "there is a growing state of expectancy about the 'armory' exhibition, and there is little doubt but that it will make a great stir, and do a great deal of good in a great variety of directions"; news of George Bellows, Guy Pène du Bois, Boss, Kent, Coleman, Sprinchorn, Sloan, Van Sloun, and Bohnen. 4 pp.

From Odilon Redon, [place unknown], France, January 6, 1913: he is flattered by Pach's article, which he believes will enhance his reputation in America; Pach should try to visit soon, as they plan to go south in a few days. 2 pp., in French.

From Raymond Duchamp-Villon, Paris, France, January 16, 1913: agrees with Pach that each generation of artists draws inspiration From undeveloped ideas found in the work of preceding generations; no French architectural style has emerged since the 18th century, confirming the idea that eras without defined aspirations produce no monuments; current politics and intellectual freedom presage hope for the 20th century; as Pach demonstrated, painting was the dominant 19th-century aesthetic, thus developments in other arts will come From painting; a new architecture is needed for modern life; in a time when money reigns supreme, artists should practice simplicity; machines are now a powerful presence in all of life. 4 pp., in French.

From Constantin Brancusi, Paris, France, [postmarked] January 24, 1913: his cousin has just finished a painting that Pach should see; invites Pach to dinner. 1 p., in French.

From Elie Faure, Paris, France, February 11, 1913: if he goes to England, he will contact Mr. Fry; wants to introduce a painter friend to the Steins; Pach is a rare friend and intellectual equal. 2 pp., in French.

From Jacqueline d'Argent, Chinon, France, March 1, 1913: has fond memories of their interesting conversations; present acquaintances are not intellectual and gossip too much; applied for a medical assignment in Algeria but is unsure about moving. 2 pp., in French.

From Constantin Brancusi, Paris, France, March 13, 1913: asks Pach to decide the price of the bronze; congratulations on the success of the exhibition. 3 pp., in French.

From Arthur B. Davies, New York, N.Y., [postmarked] April 5, 1913: borrowed works are being returned to Europe; Roman Bronze Co. could make a good cast of Brancusi's -- Mlle. Pogany -- owned by Belle Greene; "looking forward to a genuine recreation in Boston as to art interest"; doubts Chicago's appreciation, Mr. Eddy notwithstanding. 2 pp.

From Ary Le Bland, Paris, France, April 5, 1913: a copy of -- La Vie -- , featuring the information Pach provided about Redon, is being sent; asks Pach to write about art trends in America for -- La Vie -- and publicize the magazine. Postal card, in French.

From Jacques Villon, Paris, France, April 13, 1913: congratulates and thanks Pach for promoting the acceptance of modern art; extends appreciation to Davies and Kuhn. 3 pp., in French.

From Raymond Duchamp-Villon, [place unknown], France, April 18, 1913: received Pach's letter and check; the Duchamp brothers are embarrassed by their success and do not talk about it; wishes Gleizes were having his share of it; asks how the other artists fared; a commission agency requested cubist paintings for America; worried that cubism is becoming a commodity; the 4 copies of -- Noa, Noa -- he purchased at a good price have been shipped. 2 pp., in French.

From M. Lernait [Lemaitre?], Saigon, Indochina, May 25, 1913: thanks Pach for writing and for his friendship; the countryside near Saigon is beautiful; he misses Paris. 4 pp., in French.

From Jacques Villon, Versailles, France, June 19, 1913: thanks Pach for selling another painting; Salon d'Automne opens later than usual this year; Torrey called on him, Marcel, and Picabia; Raymond is going on vacation soon; sends regards to Davies and Kuhn. 4 pp., in French.

From Maurice Brazil Prendergast, Boston, Mass., June 25, 1913: is recovering From surgery; thanks Pach for sending postcards and showing interest in him. 3 pp.

From Jean Le Roy, Paris, France, [postmarked] July 1, 1913: comments on the success of Pach's exhibition; has a temporary job; finished college; might travel to Guinea; discusses his poetry published in -- Les Bandeaux d'Oro -- ; met de Verhaeren, whom he admires. 4 pp., in French.

From Marcel Duchamp, Neuilly-sur-Seine, France, July 2, [1913?]: heard all about the American exhibition From his brothers; thanks Pach for "enthusiastically defending their work"; still awaiting payment; will spend August in England; Torrey called on them. 3 pp., in French.

From Maurice Brazil Prendergast, Boston, Mass., [postmarked] July 11, 1913: is recovering From his "hospital experience"; recounts trouble with studio lease; asks Pach to notify him of suitable space available in New York. 4 pp.

From Maurice Socard, Paris, France, August 1, 1913: Pach is a kindred spirit; Pach's competence and ability to elicit appreciation for modern painting made the show a success. 2 pp., in French.

From F. Wentscher, [place unknown], Hungary, August 24, 1913: is painting out of doors; won't return to Paris until November. Postal card, with original illustration of horse-drawn carriage, in German.

From Elie Faure, Paris, France, August 25, 1913: is delighted with Americans' enthusiastic acceptance of French painting; current prices are ridiculous and scandalous; bought a great Delacroix at reasonable cost; complains about his editor; awaits word From Mr. Fry, to whom he has sent a Cézanne; will go to London in September; saw an interesting Matisse show but preferred Bonnard's exhibition; he sees Renoir frequently; finds it deeply moving to see Renoir make constant improvements in his work despite old age and sickness. 4 pp., in French.

From Jacqueline d'Argent, Blida, Algeria, September 8, 1913: is now practicing medicine in Blida; describes the scenery and local people; congratulates Pach on his marriage. 6 pp., in French.

From Raymond Duchamp-Villon, Neuilly-sur-Seine, France, September 25, 1913: just received Pach's article and will comment on it in the next letter; thanks Pach for promoting his and friends' work; will see the Steins soon and try to learn more of the rumored American reaction against their ideas; the Salon d'Automne opening is delayed until November; Pach's mention of the Delaunay affair confirms rumors of discord; asks Pach to determine if and when unsold paintings and sculpture were returned. 2 pp., in French.

From Clifton A. Wheeler, Indianapolis, Ind., December 22, 1913: museum's schedule cannot accommodate Pach's exhibition; describes upcoming January show; the museum hopes to acquire a Davies painting; "the exhibition in Chicago (The International) did not strike me with overwhelming force, but I have enough respect for the opinions of Mr. Davies and yourself to admit that the fault may have been my own"; congratulations on engagement to Miss Frohberg. 7 pp. + 1 p. postscript from -- Hila Drake Wheeler -- wishing Pach and Miss Frohberg happiness.

From G. Villon, Paris, France, [1914]: congratulations on the birth of Pach's son; heard From her husband who is in the army; asks Pach's opinion of some drawings; is working with blind children in a hospital. 4 pp., in French.

From Constantin Brancusi, Paris, France, January 26, 1914: asks Pach to determine whether the owner of -- Muse Endormie -- wants the piece in marble; a reduced price is possible, but he must know soon; met Mrs. Stieglitz; asks Pach's advice about showing his marbles in New York. 4 pp., in French.

From Constantin Brancusi, Paris, France, February 19, 1914: received the check; distressed to be participating in a show that may prove harmful to Pach's cause; asks Pach not to be hurt by his unwitting mistake. 4 pp., in French.

From Walter Arensberg, Boston, Mass., March 1, 1914: "The exhibition was tremendously fresh and fine"; compliments Pach's work. 1 p.

From Jean Le Roy, Paris, France, [postmarked] March 4, 1914: congratulations on Pach's marriage; encourages him to continue painting; news of Lombard and Clapp. 2 pp., in French.

From Maurice Brazil Prendergast, Saint-Malo, France, June 12, 1914: thanks Pach for reproducing his work in -- Century -- magazine; is returning home sooner than planned; Renoir's new work is "way ahead of his former landscapes." 3 pp.

From Raymond Duchamp-Villon, Courbevoie, France, June 26, 1914: is impatient for news of a proposed project; Mrs. A. Roosevelt will be in touch with Pach; her work has shown progress; during the past year, modern art has begun to attract interest and generate discussion among some previously unreceptive people. 2 pp., in French.

From Morton Livingston Schamberg, Paris, France, June 30, 1914: "Would love to meet Brancusi and Duchamp-Villon but damn it, I can't speak French." Picture postcard ("P. Cézanne, -- L'été -- fragment").

From Odilon Redon, Bièvres, France, July 10, 1914: if Pach organizes another exhibition, he wants to participate. 3 pp., in French.

From Joseph Stella, Venice, Italy, July 20, 1914: discusses his travels in Europe; Greece reminded him of Davies's pictures; no reply From the futurists in Milan; recounts a meeting with Walkowitz in Patrai, Greece. 5 pp.

From Alexandre Mercereau, Paris, France, [postmarked] July 30, 1914: can secure work by interesting artists for exhibition; inquires whether foreign works and jewelry are acceptable; he organized an international exhibition of cubism with an accompanying symposium in Prague; offers to lecture in the United States if Pach can find a way to pay for the trip; is sending information about an organization he founded; wants to establish an American branch; needs an American editor for his books; Brancusi's participation is essential. 4 pp., in French.

From Raymond Duchamp-Villon, Paris, France, August 7, 1914: just received registered letter and invitations; continuing with exhibit plans is impossible, as all of their friends are mobilized; work of Gleizes, Villon, and Metzinger being exhibited in Berlin probably will be lost; a negative reply From Chapell ended long-held hopes; wholehearted thanks due to Pach for countless efforts and true friendship; the French are ready to die for peace and freedom; confident of the future, despite anxiety over friends now in danger. 4 pp., in French.

From Raymond Duchamp-Villon, Saint-Germain-en-Laye, France, August 26, 1914: war conditions make collaboration impossible; is serving as a paramedic; no bad news concerning anyone Pach knows. 2 pp., in French.

From Raymond Duchamp-Villon, Saint-Germain-en-Laye, September 11, 1914: will consult with friends about planning an exhibition in the United States; Gleizes is at Toul; Villon is with the British army at Rouen. 2 pp., in French.

From Albert Pinkham Ryder, New York, N.Y., September 13, 1914: is looking forward to having the Pachs and Mr. Wheeler visit his studio. 2 pp.

From Michael Stein, Agay, France, October 19, 1914: requests details about the exhibition Pach is organizing; Pach should tell Matisse "he must now look to America for a market for his art for some time to come"; "it is about time he [Matisse] were ranked among the accepted classics and bought freely." 3 pp.

From Jean Le Roy, Brest, France, [postmarked] November 10, 1914: plans to enlist soon; is worried about Kohler at the front. 4 pp., in French.

From Jacques Villon, [place unknown], France, November 23, 1914: comments on the war and his painting; congratulates Pach on his New York exhibition. 1 p., in French.

From Piet van der Laan, Zutphen, the Netherlands, January 24 and February 8, 1915: Congratulations on the birth of Raymond; cannot visit Pach in Paris because of the war. 4 pp. + 3 pp. enclosure (copy of a poem by Dante), in Italian.

From Raoul Dufy, Le Havre, France, January 29, 1915: sent 2 copies of his Bestiarie; wants Pach to choose a drawing, watercolor, or Bestiarie as a gift of thanks; heard From Derain, Apollinaire, and Gleizes, all in the army; de la Fresnaye was wounded; asks if Basler, Brummer, and Kahnweiler are art dealers now that they have settled in New York; considers Basler an honest man. 4 pp., in French.

From Raymond Duchamp-Villon, Acheux, France, February 26, 1915: still in Saint-Germain where his wife continues her work at the military hospital; Villon spent the entire winter in the trenches but bears it well; glad Quinn bought Cat and Parrot; thinks Quinn should have the final versions in wood rather than cast reproductions and instructs Pach to discuss it with him; received Marcel's articles and reproductions; understands the change that has affected Pach's desire for new means of artistic expression. 2 pp., in French.

From Raoul Dufy, Le Havre, France, March 3, 1915: lists the 4 paintings he is sending; accepts and reiterates the payment schedule; Pach should select a painting for himself; will send some paintings on silk; promises to write about decorative art in his next letter. 4 pp., in French.

From Marcel Duchamp, Paris, France, March 12, [1915?]: received the Matisse catalog and remembers the goldfish painting; Villon is in good health and good spirits; is optimistic about prospects for peace by summer; after a family vacation in Rouen, he finished glass and other projects; Raymond is happy in Saint-Germain, where his wife is a hospital nurse; does Pach know if Delaunay is in America; wants to visit Brancusi; has no news of Picasso, Braque, or Derain. 4 pp., in French.

From Marcel Duchamp, Paris, France, April 2, [1915?]: is preparing for an exhibition; describes arrangements for sending Raymond's works to Pottier; 2 paintings, a drawing, and papers are being sent to Pach; reports on the work and conditions of Raymond, Rifemont-Dessaisner, and Villon; has decided to leave France and go to New York; wants to know when he should come and if securing employment as a librarian will be difficult; does not want his family to know of these plans for a while; includes price list for paintings. 3 pp., in French.

From Jacques Villon, Acheux, France, April 13, 1915: glad to learn that his paintings and engravings have sold; is looking forward to returning to normal life and working with greater intensity; being welcomed in New York should boost his self-confidence and provide some peace of mind regarding financial security; the matter of Dr. Stum's paintings cannot be settled until the war ends; is sending Pach engravings and drawings; a shipment of sketches made during the war can be published as documentaries; after being away From home for 8 months, he envies Pach's happy family life; emerging spring contrasts sharply with human evil. 3 pp., in French.

From Marcel Duchamp, Paris, France, April 27, [1915?]: is displeased by the reply received; understands that Pach misses Paris and the artist's life he led there; he is increasingly dissatisfied and the point is to leave Paris rather than to go to New York; asks help in finding a library job in New York so he will not have to depend on selling paintings; does not want his family to know yet. 7 pp., in French.

From Marcel Duchamp, Paris, France, May 21, 1915: has decided to depart on June 5, despite family and sentimental reasons for rescheduling; spoke to Raymond about Arensberg's magazine; Mme. Picon probably has articles by Mercereau, Gleizes may have articles, and other friends could contribute poems and prose; has decided on a job for the duration of his stay in America, but it will prevent him From painting. 3 pp., in French

From Theodore Duret, Paris, France, May 22, 1915: hopes Pach's efforts at promoting the latest in modern art, especially Van Gogh and Lautrec, have been successful; has written a comprehensive book on Van Gogh, which is to be published when the war ends; asks if the Van Gogh painting he loaned to the exhibition has been sold. 4 pp., in French

From Alice Derain, Paris, France, May 28, 1915: thanks Pach for sending a check and for handling her affairs; the paintings From Mme. Lebas were not shipped because Derain is not satisfied with them and decided not to sell; some landscapes may be available soon because Derain has spare time and can try to work; a recent portrait of the couturier Monsieur Poiret may be his best painting yet. 2 pp., in French

From Georges Rouault, Versailles, France, [postmarked] June 1, 1915: (1) Discusses works in progress that may be suitable for the exhibition Pach is organizing; the shipment will also include a ceramic plaque for Quinn; Quinn persists in asking about Rouault's military status; 6 times already he has been disqualified due to a weak heart; academies, medals, and awards are not about art; nature and other artists are more inspiring than unimaginative teachers. (2) Pach should keep a Rouault piece unless he prefers to select one when in France; his simplified ceramics are real faiences; his paintings are lighter and more fluid; his show after the war will include German types and landscape and religious paintings. (3) Perhaps Quinn will be interested in the paintings shipped; within the year, a larger selection of ceramics will be available for Quinn, but at the moment his focus is on painting. 4 pp. (3 separate notes), in French

From Jean Le Roy, [place unknown], France, June 12, 1915: describes his flower-decorated trench and the surrounding countryside; started a magazine called Les Imberbes with an editor and typographer friend; intends to send poems to Pach's American publication. 5 pp. + 1 p. enclosure (poem, "Printemps"), in French

From Maurice Brazil Prendergast, Boston, Mass., July 7, 1915: thanks Pach for Dufy's book; "tell Monsieur Dufy when you write him I felt more pleased than if I got a gold medal"; he and Charlie will leave soon for Maine. 4 pp

From Marcel Duchamp, New York, N.Y., [postmarked] July 28, 1915: inquires whether Pach received the palette he sent; spent the evening with Quinn, Gregg, and Kuhn; Gregg was likable and Kuhn fascinating; thinks Quinn could be supportive; Quinn was anxious to know if cubism has been killed by the war; once his English improves, he wants to convince Quinn to discard his ideas about the politics of art. 2 pp., in French

From Alice Derain, Paris, France, August 7, 1915: sends receipt for payment in full; her husband is in the service; Braque was seriously wounded; Doucet died; Picasso is in Paris; her husband hopes to meet Pach. 2 pp., in French

From Raoul Dufy, Paris, France, September 18, 1915: has received a payment toward Quinn's account; Quinn has purchased additional works; credits many sales to his association with Pach; is able to paint while in the military; after the war, he hopes the French can become better acquainted with American painters; is pleased to hear that Prendergast liked his gift; wants to see photographs of Prendergast's work; requests catalogs with reproductions of American furniture. 4 pp., in French

From Raymond Duchamp-Villon, [place unknown], October 17, 1915: feels renewed interest in his work; continues his research; observations about the war; Villon has suffered and was awarded a Military Cross; requests news of Pach and mutual friends; Pach should determine Quinn's intentions. 3 pp., in French

From Henri Matisse, Issy-les-Moulineaux, France, November 20 and 29, 1915: is delighted by the prospect of an exhibition of French art; will do what he can to help obtain the Seurat painting for exhibition; thanks Pach for selecting his work for the exhibition at Bourgeois and agrees to send additional pieces; lists etchings sent to Miss Bryant via Pottier; the photographs showed great improvement in Pach's portraits; advises a warmer palette; will offer additional frank comments after seeing new pictures; is working hard and just finished an important painting, which already has been sold; is still recovering From bronchitis. 12 pp., in French

From Louis Lombard, [place unknown], France, December 28, 1915: best wishes for the coming year. Postal card, in French

From Theodore Duret, Paris, France, December 29, 1915: read a favorable review of the Van Gogh exhibition; asks if Pach was able to sell Duret's Van Gogh still life; his book about Van Gogh will be printed after the war. 4 pp., in French

From Maurice Socard, [place unknown], December 31, 1915: has been in Paris throughout the war; is teaching at the Lycée Ch. [ sic]; believes Germany wants to organize the world; explains his view of the causes of the war and predicts the outcome. 6 pp., in French

From Mary Socard, Paris, France, December 31, 1915: greetings and good wishes; believes the war will be followed by much misery and great changes. 2 pp., in French

From Jean Le Roy, [place unknown], France, [postmarked] [?,?] 1916: his commanding officer knows Picasso, Marie Laurencin, and Derain; Lafitte was killed; wants news of Pach; thank the magazine Others if his poem "Spring" is accepted. 5 pp., in French

From Georges Rouault, [place unknown], France, [undated] [1916?]: received the catalog and Pach's review with the reproduction of his painting; his grandchild is sick; they are going to the seashore; is working on an exhibit; thanks Pach for helping sell a painting; though in poor health, he may have to join the army; suggests an album of reproductions. 10 pp., in French

From Jacques Villon, Paris, France, January 5, [1916]: he is assigned to the central atelier for camouflage; works with other artists, not all of whom share his outlook; has many ideas for new work; no news From Marcel or Picabia. 4 pp., in French

From Georges Rouault, [place unknown], France, [postmarked] January 22, 1916: personally delivered the paintings to Pottier for shipment; worries that the large works will not have the style and the color of the small ones; wants to have his exhibition ready before going to Italy; has not seen Villon recently. 2 pp., in French

From Piet van der Laan, Zutphen, the Netherlands, February 7, 1916: thanks Pach for the "ex-libris"; he is busy translating a lengthy book on medieval Italy; discusses Dante. 4 pp

From Jacques Villon, [place unknown], February 10, 1916: speculates that an art form may develop From the war. 1 p., in French

From Maurice Brazil Prendergast, New York, N.Y., March 23, 1916: confirms 5 titles for inclusion in the exhibition catalog; has a good photograph for Pach's book. 2 pp

From Maurice Socard, Paris, France, April 2, 1916: remembers Pach as one of his best students; one of the many reasons for their friendship is Pach's love for France; quotes Descartes; compares the French ideal of liberty with the German interpretation; comments on French and German science. 4 pp., in French

From Ruth Wilmot, New York, N.Y., [postmarked] April 9, 1916: compliments Pach on the lectures he presented to her group; encloses payment. 2 pp

From Henri Matisse, Issy-les-Moulineaux, France, April 28, 1916: extends best wishes for the success of the exhibition; asks Pach not to reveal the extremely reduced price of the painting Arensberg bought; asks if Max Weber has a large gallery; wants to obtain sound recordings of typical exotic chants. 4 pp., in French

From Jean Le Roy, [place unknown], [postmarked] May 8, 1916: thanks Pach for sending the Cézanne catalog; has been at the front for 13 months; Kohler is a decorated hero; Siegfried's fate is unknown; plans to publish his poems when next in Paris. 4 pp., in French

From Gino Severini, Paris, France, May 29, 1916: wants to have an exhibition in New York; has 30 or 35 paintings and 20 drawings representing several periods and can supply text for a lecture; recently published on Mallarmé and pictorial aesthetics; is presently writing another critical study; suggests Pach arrange for a show at Montross or Macbeth and specifies his usual terms; philosophical differences have caused him to part From the group of futurists Pach knows; still considers himself a futurist and will use the term because it helps the public grasp his ideas; no one, including Picasso, Derain, Dufy, and Metzinger, is making a profit From exhibitions. 4 pp., in French

From Mme. Victor Le Roy, Paris, France, May 30, 1916: belatedly acknowledges receipt of Jean's poems; [UNK] husband, Victor, died near Verdun; Jean may come home on leave. 1 p., in French

From Jean Le Roy, [place unknown], [postmarked] June 2, 1916: thanks Pach for forwarding his poems to American publications; believes poets are well treated in the United States; uncle Victor died in the war; Carreau was wounded. 4 pp., in French

From Raoul Dufy, Paris, France, June 3, 1916: thanks Pach for writing an article defending the ideas of modern French art, which had come under attack by a young American critic; wants to know if there are opponents of French modern art in New York; exhibitions are returning to Paris; Quinn purchased -- The Yellow Hat -- ; is sending a thank-you gift and an etching. 1 p., in French

From Emil Gay, Watkins Glen, N.Y., June 12, 1916: enjoyed Pach's lectures. 6 pp

From E.D. Smyth, [place unknown], England, June 16, 1916: news of a mutual friend killed in the war; discusses Jean Le Roy. 4 pp

From Camille Redon, Cannes, France, [July 1916?]: Redon is recuperating in Cannes; asks for the return of their pictures, when feasible. 2 pp., in French

From Camille Redon, [place unknown], July 4, 1916: Redon is gravely ill with pulmonary congestion; the doctors are concerned. 1 p., in French

From Jacques Villon, Puteaux, France, [postmarked] July 12, 1916: Miss Bryant's purchase boosted his morale and was welcome financially; Marcel is delighted with America; speculates that Marcel may eventually settle in America. 3 pp., in French

From Camille Redon, Bièvres, France, August 6, 1916: Redon was buried several days ago; a gallery in the Petit Palais will be devoted to him and there will be an exhibition at the Beaux-Arts in the spring; reflects on the solitude and anonymity of many great artists during their lifetimes. 4 pp., in French

From Georges Rouault, Paris, France, [postmarked] August 14, 1916: Pach should return all paintings and drawings when he can; thanks Pach for his help; his wife and infant daughter are unwell; bought a new house; will be able to work when the family leaves Paris; received the item Pach sent him From Quinn much sooner than anticipated. 2 pp., in French

From Souza Cardoso, [place unknown], Portugal, [postmarked] September 25, 1916: comments on the picture shown on the card. Picture postcard (photograph of a woman and child in costume), in French

From Henri Matisse, Issy-les-Moulineaux, France, October 14, 1916: the information Pach sent about Bourgeois raises hopes for a good exhibition at his gallery; in reply to the question about a frame for the portrait of Arensberg, insists that modern paintings do not need frames, especially gold ones that contain a picture by stopping its extension; will look at Pach's paintings any time; Mrs. Havemeyer parted with the Ingres as a condition for another purchase; From photographs, gives his opinion of the authenticity and condition of 12 paintings. 11 pp., in French

From Henri Matisse, Issy-les-Moulineaux, France, November 6, 1916: sends description and opinion of a picture he omitted From a previous letter; art is selling well in Paris. 4 pp., in French

From Paul Signac, Saint-Tropez, France, November 18, 1916: illness prevents him from complying with Pach's request to select works for exhibition; suggests sources From which to borrow Seurat paintings. 3 pp., in French

From Florence Bing, New York, N.Y., [undated (1917)]: condolences on the death of Pach's mother. 1 p

From Albert Gabriel, [place unknown], [undated (1917)]: "Accept my sincere sympathy." Note on calling card

From Leigh Hunt, [place unknown], [undated (1917)]: "Heartfelt sympathy." Note on calling card

From Professor Adolph Werner, [place unknown], [undated (1917)]: "Condolence." Note on calling card

From Ruth Wilmot, [place unknown], [undated (1917)]: condolences on the death of Pach's mother. 2 pp

From Mme. Raymond Duchamp-Villon, Compiègne, France, [postmarked] January 6, 1917: her husband is hospitalized with multiple ailments, including typhoid; condolences on the death of Pach's mother. 2 pp., in French

From Constantin Brancusi, Paris, France, January 19, 1917: thanks for check From Quinn; is pleased that he was satisfied with the sculptures, despite difficulty in assembly; plans to visit the United States after the war. 3 pp., in French

From Gino Severini, Paris, France, February 7, 1917: has written a preface explaining the ideas of the avant-garde; wants Pach to oversee the translation; asks that the three fragile pastels be framed inexpensively by Stieglitz. 2 pp., in French

From Childe Hassam, New York, N.Y., March 30, 1917: thanks Pach for help in determining latest possible date to submit work for exhibition. Note on the reverse of printed announcement of a show of Hassam's etchings and drawings at Frederick Keppel & Co., November 16- December 2

From Gino Severini, Paris, France, April 28, 1917: expresses appreciation for the success of his exhibition; his paintings should be returned at a more favorable time; a longer version of his preface on modern art will appear in -- Le Mercure de France -- ; asks to be remembered to his friends and for news of sales and reviews of his show. 4 pp., in French

From [signature illegible], New York, NY., May 14, 1917

From [signature illegible], New York, NY., May 16, 1917

From Charles Sheeler, Philadelphia, PA., May 17, [1917?]

From Charles Cooper, New York, NY., May 19, 1917

From [signature illegible], [Vienna, Austria?], July 22, 1917

From Alexandre Mercereau, [place unknown (at the front)], July 26, 1917: is sending Pach a selection of his writings, which he hopes can be published in the United States; is anxious for a good translation; believes the book he just wrote is his best and is willing to offer it to an American publisher before it appears in France. 4 pp., in French

From Gino Severini, Paris, France, September 6, 1917: discusses work in progress; offers congratulations on the first Independents show; praises Pach's selfless efforts; authorizes use of any remaining works for other exhibitions; thanks Pach for arranging sales and sending reviews. 4 pp., in French

From [signature illegible], [place unknown], October 26, 1917

From Louis Lombard, [place unknown], France, October 26, 1917: reminisces about good times together; has less desire to write poetry now; is learning German and Italian. 2 pp., in French

From Maurice Socard, Paris, France, November 3, 1917: describes superb Renoirs seen in the Rue de la Boetie; hopes Pach's remarkable efforts on behalf of modern art will be fruitful; notes qualities needed for portrait and landscape painting. 4 pp., in French

From Louis Lombard, Ingolstadt, Germany, [postmarked] November 26, 1917: boredom and solitude are his routine; thanks Pach for gifts of books and tobacco; sends holiday greetings. Postal card, in French

From Camille Redon, Paris, France, December 8, 1917: if it remains unsold, Pach should keep the Redon painting until the war is over; American troops are arriving; she follows the exhibitions; likes Matisse; Mr. Quinn is behind in his payments. 4 pp., in French

From Arthur Burdett Frost, Madison, N.J., January 5, 1918: thanks Pach for condolences upon the death of his son; wants Pach to look at his son's work and consider writing an article. 4 pp

From Georges Rouault, Versailles, France, [postmarked] January 15, 1918: discusses titles of 2 pieces; general terms are more suitable titles for his subjects; Matisse was ridiculed by many because for a year he numbered all canvases; Rouault's albums will be numbered rather than titled; suggests framing and matting techniques for the double-sided piece; his new paintings won't need glass; he has always been lonely, but now is isolated as well; has a new daughter. 4 pp., in French

From Arthur Burdett Frost, [place unknown], February 1, 1918: thanks Pach for his interest in his son Arthur; offers a photograph of Arthur to illustrate Pach's forthcoming article. 4 pp

From Arthur Burdett Frost, [place unknown], [between February 1 and March 12, 1918]: thanks Pach for the manuscript; plans to send additional photographs of Arthur. 4 pp

From Arthur Burdett Frost, [place unknown], [between February 1 and March 12, 1918]: returning Pach's manuscript; requests a copy. 2 pp

From Alexandre Mercereau, Paris, France, [postmarked] February 9, 1918: thanks Pach for finding him a publisher; financial gain is secondary to having a publisher of good reputation who will provide proper translation; mentions Pach's frequent contact with Gleizes and Duchamp, who surely support his efforts on behalf of modern art; Vareze recommends Julio Gonzales's decorative work for Pach's exhibition; wants to help a friend sell a de Miranda painting. 2 pp., in French, + business card ("Alexandre Mercereau, Homme de Lettres, President de la Société Les Grandes Conférences") + 2 photographs (inscribed portrait of Mercereau taken at the front, June 1915, and portrait of Charles III and Maria-Ana by Carreño de Miranda)

From Maurice Socard, Paris, France, February 20, 1918: letter of gratitude for Pach's friendship and efforts on behalf of modern art; discusses idealism, imagination, art, and the search for truth. 3 pp., in French

From Elie Faure, Paris, France, March 12, 1918: is sending copies of his last 3 books; thinks -- The Holy Face -- is his most important book; it is about war in general and includes personal experiences From the present war. 4 pp., in French

From Mme. Le Roy, Paris, France., May 19, 1918: Jean died while a prisoner of war. 3 pp., in French

From Raymond Duchamp-Villon, Cannes, France, May 20, 1918: is sending Quinn a drawing and photograph that relate to his rooster sculpture and show the original architectural setting for the piece; will send the script of a comedy written with a friend for performance at a military hospital, which Pach may translate and publish in America; glad that the rift between Pach and Marcel is mended; recently saw Matisse hard at work; Villon is in the army and has no time for work. 4 pp., in French

From Gaby Duchamp, [place unknown], France, May 23, 1918: thanks Pach for arranging sales to Quinn; her husband is well, doing research, and will resume his art when the war ends; Raymond is in the hospital in Cannes; there were interesting Matisse and Picasso exhibitions in Paris. 2 pp., in French

From French Army, [place unknown], July [?], 1918: confirms the death of Jean Le Roy on April 26; sends details of the battle, as Pach requested, and text of citation. 4 pp., in French

From Mme. Le Roy, Paris, France, August 19, 1918: thanks Pach for the touching gesture of dedicating his University of California course to Jean's memory; sends a copy of the citation Jean received the day he died. 3 pp., in French

From J. Van Gogh Bonger, Far Rockaway, N.Y., August 20, 1918: sons wrote of good times with Pach in Berkeley; they were in Honolulu and now should be in Japan; first volume of the "Letters" has been translated; discusses her brother's friendship with Redon. 4 pp

From Camille Redon, Bièvres, France, September 23, 1918: thanks Pach for lecturing on Redon and his work; has a full set of engravings and lithographs; litho stones were erased, but copper plates are at the museum in Amsterdam; plans to sell prints after the war and will offer Pach some he lacks; comments on arrival of American forces, with whom her son-in-law is an officer. 4 pp., in French

From Morton Livingston Schamberg, Philadelphia, Pa., September 30, 1918: belated thanks for the two Indian tiles; he and Sheeler readily agreed who should have which tile. 2 pp

From Frederic C. Torrey, San Francisco, Calif., October 8, 1918: is glad Pach is in California; anticipating the end of the war; tell Mme. Van Gogh he regrets not meeting her. 4 pp

From Mme. Duchamp-Villon, Paris, France, October 11, 1918: Raymond died of uremia; she plans to return to work at the front; will send Raymond's design for a chess set; wonders if Quinn purchased the rooster drawing. 2 pp., in French

From Vincent Van Gogh Bonger, Kobe, Japan, October 27, 1918: "Best regards From Vincent." Picture postcard ("Joie de Vivre")

From Elie Faure, [place unknown], October 30, 1918: thanks Pach for sincere appreciation of The Holy Face; the book received mixed reviews; if there is an English edition, Pach should be the translator; agrees to contribute to the magazine; suggests an article on "America in the War"; the final volume of History of Art will not be published until after the war due to paper shortages; maybe Pach can obtain appropriate paper. 2 pp., in French

From Maurice Socard, Paris, France, November 12, 1918: finally met with Pach's friend for a discussion of Pach's aesthetic preferences and the relationship between philosophy and art; read about Pach's University of California lectures; Paris is celebrating the end of the war. 7 pp., in French

From Jacques Villon, Paris, France, November 13, 1918: Raymond died following a second operation; is determined not to leave Raymond's work unfinished. 2 pp., in French

From Marcel Duchamp, Buenos Aires, Argentina, November 15, [1918?]: as a close friend and admirer of Raymond, Pach must be grieving his death; although provincial, Buenos Aires is calm and conducive to work; brought notes for the glass and plans to continue drawings for it; Argentines are aware of cubism but do not understand it; is planning an exhibition for Buenos Aires in May or June; asks Pach to help H.M. Barzun, who will be contacting him about the show; outlines his schedule for the coming year; anticipates readjusting to peacetime. 3 pp., in French

From Jean Le Roy, [place unknown], [postmarked] December 15, 1918: thanks Pach for bringing his pamphlet to Arensberg's attention; discusses his interest in rhythm in poetry. 4 pp., in French

From Frederic C. Torrey, San Francisco, Calif., December 19, 1918: holiday greetings; compliments Pach's writing, specifically his latest article in the Dial; discusses the Dana prize awarded in Philadelphia to McComas. 5 pp

From the Butlers, New York, NY., [postmarked] December 23, 1918: Christmas card, "Victory Christmas"

From Frederic C. Torrey, San Francisco, Calif., January 3, 1919: Pach was misidentified as curator of Hindu art in American Art News; discusses taxes on art sales; still wants to sell his Cézanne lithograph and can reduce the price; asks if Arensberg would be interested in purchasing Un Descendant. 4 pp

From Mabel Torrance, New York, N.Y., January 12, 1919: just learned the classes will be discontinued. 3 pp

From Elie Faure, [place unknown], January 21, 1919: thanks Pach for efforts with American publishers on his behalf; before the war only Germany had a culture large enough to take immediate interest in his kind of intellectual endeavors; awaiting instructions From Johnson concerning the articles he is writing; comments on diplomats of the Entente and political matters; compliments -- Modern School -- ; is sending a brochure about a restored castle his brother is attempting to sell. 4 pp., in French

From Frederic C. Torrey, San Francisco, Calif., February 3, 1919: nude is on the way to Arensberg a day late; his wife will be very happy to sell Un Descendant; "I want the Russian experiment to be given a fair chance"; comments on "Russian 'refugees"'; thanks Pach for assistance in the "Arensberg matter." 7 pp

From Frederic C. Torrey, San Francisco, Calif., February 7, 1919: received Arensberg's check; painting was shipped late, with a lesser valuation, due to changes in regulations; discusses new tax bill. 3 pp

From Elie Faure, [place unknown], May 4, 1919: notes the poor reception of his book in France and the United States; discusses his current work; opinions of world politics. 4 pp., in French

From Maurice Socard, [place unknown], May 12, 1919: much disagreement about the terms of the peace treaty; feels that Germany must serve a term in purgatory. 3 pp., in French [filmed with the wrong envelope]

From Félix Fénéon, Paris, France, May 15, 1919: thanks Pach for selling -- Esquisse d'un Dimanche d'Eté a la Grande Jatte -- and for the check. 1 p., in French

From Marcel Duchamp, Buenos Aires, Argentina, June 6, 1919: regrets having abandoned plans for an exhibition there; Buenos Aires is ready for new art. 2 pp., in French

From Xavier Martinez, Piedmont, Calif., June 16, 1919: received Courbet, Society of Independent Artists, and Redon catalogs; congratulates Pach. 2 pp., in Spanish

From Ismael Smith, New York, N.Y., June 25, 1919: Margarita Cordoba From Cuba, representing the Independents, is sending a picture of la Mazantinita, a famous Spanish ballerina. 1 p., in Spanish, +8 pp. enclosure (11 designs for bookplates)

From Jacques Villon, Neuilly-sur-Seine, France, June 26, 1919: thanks Pach for check, letter, and catalog; writes of his work plans for the coming year, when he expects to make up for lost time; comments favorably on Pach's painting; notes activities of his friends, including Gleizes, Picabia, and Marcel. 2 pp., in French

From Marion L. Chamberlain, Santa Barbara, Calif., August 10, 1919: she and Miss Phillips enjoyed Pach's lectures at the Berkeley Summer School; they purchased 2 Renoir lithographs From Mr. Torrey. 4 pp

From Marcel Duchamp, Paris, France, [postmarked] September 3, 1919: his friends and their lives seem little changed since the war; other than the work of his brother and Picabia, he sees little of artistic interest; will be in New York in December; saw Yvonne Duchamp-Villon. 3 pp., in French

From Charles Loeser, Florence, Italy, November 18, 1919: describes his house with its special music rooms; 6 Cézanne paintings hang in one room; has a drawing which he believes is by Velasquez; discusses art collecting; "I have always liked Leo Stein, so long as he talked to me on any matter other than art." 6 pp

From Sybil Kent Kane, New York, N.Y., [postmarked] November 26, 1919: thanks Pach for etchings of "my beloved Chapel." 1 p

From Pietro Brunelleschi, Florence, Italy, [postmarked] December 5, 1919: accepts Pach's invitation for the following day. Note on business card, in Italian

From [Mme.] Duchamp-Villon, Laon, France, January 4, 1920: looks forward to Pach's proposed visit to France; discusses widowhood, her new job in Laon, and the material difficulties of postwar existence; Marcel took Cézanne paintings with him to New York; will send a print of Le Coq. 2 pp., in French

From Elie Faure, Paris, France, January 11, 1920: economic conditions preclude publication of his fourth volume at this time; saw Redon a month before he died, when he spoke of indifference to the opinions of others and concern with expressing himself; discusses the masterpieces in his personal collection, among them Redon, Delacroix, Daumier, and Van Gogh. 8 pp., in French

From Edgar L. Hewett, Archaeological Institute of America, San Diego, Calif., February 2, 1920: met with Sloan and Henri to make arrangements for the "Indian art exhibition"; thanks Pach for encouragement with the exhibition plan; compliments Pach's article in the Dial. 1 p

From Xavier Martinez, Piedmont, Calif., March 12, 1920: thanks for the Dial and the invitation; compliments Pach's article on American Indian art; thinks Pach writes just as well as he paints; is enthusiastic about plans for an American Indian exhibition. 2 pp., in Spanish, + enclosure (sketch of American Indian head)

From Elie Faure, Paris, France, April 20, 1920: is happy about what Pach tells him of Delacroix; he owns 3 works by Delacroix and considers him one of the greatest painters; paper shortages have delayed publication of volume 4; asks if Pach is willing to undertake more translation work; someone else has offered, but Pach is preferred; -- The Dance on Fire and Water -- is being sent for Pach's opinion; the book best condenses Faure's ideas on the aesthetic interpretation of history; like Pach, he organizes exhibits around topics. 4 pp., in French

From Elie Faure, Paris, France, April 23, 1920: Pach must let him know right away if he can do the translation; discusses publishers' contracts; Faure will furnish all photographs for illustration at prewar prices; Pach's other Faure translations have drawn high praise. 2 pp., in French

From J. Metzinger, [place unknown], May 15, 1920: thanks Pach for the check and efforts on his behalf in New York; Pach should keep an unsold painting and dispose of the others as he wishes; people no longer laugh at cubism, but they don't yet understand it; despite war and the hard times that followed, cubism survives; offers his help if Pach wants to exhibit there. 2 pp., in French

From Elie Faure, Paris, France, May 23, 1920: discusses the details of his 4-volume -- History of Art -- now being published; a copy of volume 1 is being sent to Pach. 2 pp., in French

From John Sloan, Santa Fe, N.M., June 9, 1920: began painting the week after arriving in Santa Fe; a Corpus Christi procession provided subject matter; had work accepted for the "Metropolitan Anniversary Ex."; comments on "Art and Craftsmanship" article in the Dial. 2 pp., illustrated with a drawing of Sloan in his studio

From Elie Faure, Paris, France, June 20, 1920: discusses the publication of his book, especially the quality and cost of illustrations for the English edition; judging any work of art requires distance in time and space. 4 pp., in French

From Elie Faure, [place unknown], July 3, 1920: discusses costs for engraved plates and cheaper electrotype plates; asks Pach to select photographs of Peruvian and Mexican monuments, Mexican sculpture, and an American Indian decorated tent or other appropriate images for use in Mediaeval Art; this second volume will contain new illustrations of the art of India and Gothic art. 2 pp., in French

From Elie Faure, Paris, France, July 11, 1920: thanks Pach for writing an article about him; comments favorably on Pach's paintings; is considering adding a section on modernist painting, which would mention Pach, to the third edition of -- History of Modern Art -- . 2 pp., in French

From Jacques Villon, Puteaux, France, July 25, 1920: he recently read the notes found among Raymond's papers, but the haphazard and often obscure ideas would reveal nothing new to Pach; is sending pictures of the horse, some showing the prewar plaster version and others the beginning of the final verson; Raymond's experience in the cavalry made him an expert horseman, and many sketches of horses made during the war show he continued to think of the sculpture he had started; is also sending photographs of sketches, a bust of Professor Gosset, plans for a chess set, and other works; some of Raymond's notes pertain to the design of a surgical center; is certain that Raymond would have continued the research that led him From literal representation to mechanical aspects; thanks Pach for preserving the memory and work of the late artist. 5 pp., in French

From Jacques Villon, [place unknown], August 1, 1920: is sending Pach several photographs and 2 drawings; gives installation instructions for Raymond Duchamp-Villon's last sculpture, Dr. Gosset, with sketches of front and side views of the piece [large portions illegible]. 2 pp., in French

From Elie Faure, Neuilly-sur-Seine, France, August 13, 1920: discusses illustrations for his book; Marcel Duchamp will not be included; mentions other artists he has omitted or included and the relative value assigned to each, perhaps mistakenly; discusses those classified as impressionists and neoimpressionists; mentions new directions in art, among them scientific ones. 8 pp., in French

From L.L. Kane, Long Lake, N.Y., August 26, 1920: Pach's pictures are "quite safe at 47th St. until your return"; he especially appreciates Mme. Derain, which hangs with 2 Copley portraits in the breakfast room. 4 pp

September 12, 1920: note indicating Samuel Ramos is with the Comision Mexicana de Cooperacion Intelectual

From Elie Faure, Paris, France, September 28, 1920: provides correct spellings for works of art, as requested; will send proof sheets of printed photographs with placement instructions; still waiting for the promised photographs of American Indian art. 2 pp., in French

From Elie Faure, Paris, France, November 10, 1920: discusses in detail the illustrations for his book, their placement and captions; an article about cinema in the -- Freeman -- expresses ideas very close to his own; reflects on current politics. 6 pp., in French

From Elie Faure, Paris, France, November 26, 1920: thanks Pach for the photographs; hopes instructions regarding illustrations and page-setting were received; requests a signed copy of the contract with -- Harpers -- ; is still thinking about writing an article for the -- Freeman -- ; is enclosing an advertising circular designed for his book and suggests something similar for the American edition. 2 pp., in French

From Elie Faure, Paris, France, December 22, 1920: the photograph of Herculeum arrived; his editors are pleased; volume 4 will be ready in a few days and a copy will be sent to Pach; the American edition contains stupid mistakes; plans to write an article for the Freeman; will send Pach his article on cinema. 2 pp., in French

From Elie Faure, Paris, France, January 17, 1921: describes his visit to London, emphasizing the British Museum; likes little of British art; considers Bonnard, Matisse, Picasso, and Derain in the forefront of modern art; he appreciates Pach's opinions on art, even when in disagreement; because Pach is younger, his views are an excellent indicator of current taste. 4 pp., in French

From Piet van der Laan, Utrecht, the Netherlands, January 21, 1921: thanks for the bookplate Pach designed; compliments his article in the Freeman; is attempting to sell paintings by a young Dutch artist friend. 3 pp

From Elie Faure, Paris, France, February 3, 1921: hopes to rewrite volume 1, as he is unhappy with it; Spanish translation is delayed due to paper shortages; his brother's chateau is to be sold; wrote an article on Charlot. 3 pp., in French

From [Mme.] Duchamp-Villon, Paris, France, February 11, 1921: discusses in detail the choice of lodgings available to the Pach family for their stay in Paris; Marcel can help Pach place the Gosset figure as he saw it assembled; instructs Pach to sell the Cézanne. 2 pp., in French

From Maurice Brazil Prendergast, New York, N.Y., February 28, 1921: thanks Pach for introducing him and Charlie to Mr. and Mrs. Brummer; their work will be exhibited at Brummer's March 15-April 1; read Pach's article on Matisse; will try to see the exhibition. 3 pp

From Elie Faure, Paris, France, March 1, 1921: discusses changes to the title of his 4-volume -- History of Art -- ; volume 1 is being shipped to Pach soon; believes French academics slander France. 2 pp., in French

From Elie Faure, Paris, France, March 4, 1921: Is still trying to find a place for the Pachs to stay; his own apartment will not be available until August; discusses the title of his book and asks Pach to write the introduction; the article on Charlot was not published. 2 pp., in French

From Clara La Follette, -- Freeman -- , New York, N.Y., [postmarked] March 7, 1921: sends letter received by the -- Freeman -- that she thinks will amuse Pach. 1 p., + 2 pp. enclosure (letter rubber stamped February 23, 1921 [date of receipt?] to Mr. Huebsch From Alfred Stieglitz, New York, N.Y. [of an exhibition review by Pach published in the -- Freeman -- ]: "Mr. Pach undoubtedly did his best--but I fear that the real significance of the work was beyond him.--I regret it")

From Elie Faure, Paris, France, March 14, 1921: will send proofs of Napoleon; desires advice From Pach concerning whether it should be translated; thinks the subject will be of interest in America. 2 pp., in French

From Elie Faure, [place unknown], July 29, 1921: plans to meet Pach in Cahors; -- History of Art -- was chosen as one of the 10 best French books recommended to Americans by the Comité France-Amerique. 2 pp., in French

From Camille Redon, Paris, France, [postmarked] August 1, 1921: thanks Pach for translating an article about Redon; offers a Redon work to Mrs. Pach. 1 p., in French

From Elie Faure, Dordogne, France, August 15, 1921: 4 pp., in French

From Elie Faure, Paris, France, March 16, 1921: has sent Pach his article on Charlot, which will be published soon by -- L'Esprit Nouveau -- ; discusses his work, including an article on cinema and -- Napoleon -- ; inquires about payment and translation rights for articles appearing in the -- Freeman -- . 2 pp., in French

From Elie Faure, Paris, France, April 16, 1921: the translation of his Charlot article must mention it is excerpted from -- L'Esprit Nouveau -- ; the French are boycotting American films, especially Charlie Chaplin's; compliments Pach's translations; -- History of Art -- has been an unexpected success; Napoleon promises to do well and is being serialized in -- Grande Revue -- ; he and Pach will divide the profits; may have found a convenient place for the Pachs to stay. 2 pp., in French

From [Mme.] Duchamp-Villon, Paris, France, April 20, 1921: offers to help Pach find lodging when he visits; asks if Quinn has received the sculpture. 1 p., in French

From Elie Faure, Paris, France, June 29, 1921: unable to find a place for Pach to stay; -- History of Art -- is selling well; reprints and new volumes will require translation; asks if Pach could bring his daughter a statuette of Charlot to put on their car, as is now the fad. 2 pp., in French

From George Ferdinand Of, New York, N.Y., November 28, 1914: is anxious to see Pach and hear about his trip. Picture postcard ("Museé de Louvre.-- -- Les Baigneuses.-- -- Vernet.--LL").

From Jean Le Roy, Nièvre, France, [postmarked] December 29, 1914: wants Pach's opinion of his poems; is in the army; heard Pach is organizing an exhibition; asks for news of the Duchamp brothers. 4 pp., in French.

From Raymond Duchamp-Villon, Saint-Germain-en-Laye, France, January 19, 1915: advises patience until the world of art returns; a weak heart disqualified Marcel From military duty; congratulates Pach on the exhibition; is invited to San Francisco but doubts cubist works will be accepted; discusses prices of his medallions. 2 pp., in French.

From Camille Redon, Paris, France, [postmarked] August 1, 1921: thanks Pach for translating an article about Redon; offers a Redon work to Mrs. Pach. 1 p., in French

From Elie Faure, Dordogne, France, August 15, 1921: 4 pp., in French

From Clara La Follette, Freeman, New York, N.Y., August 16, 1921: opinions of French government; comments on Faure's article on the cinema; urges Pach to send the article he mentioned; is looking for a studio. 4 pp

From Henri Matisse, Nice, France, September 7, 1921: agrees to Pach's terms concerning the Redon paintings, but there is no one available who is capable of separating the torn papers of -- Radiant Flower -- ; after 3 weeks of laziness, he is painting again and it is like starting over at the beginning. 2 pp., in French

From [Mme.] Duchamp-Villon, Puteaux, France, September 18, 1921: [Illegible]. 2 pp., in French

From Elie Faure, Paris, France, September 29, 1921: 2 pp., in French

From Elie Faure, Paris, France, October 27, 1921: thanks Pach for checks received; discusses advantages and disadvantages of using a picture for promoting his works; his daughter is most disappointed that there are no more Charlot statuettes; asks Pach to sell lottery tickets for charity. 4 pp., in French

From Bernard Berenson, Florence, Italy, November 9, 1921: thanks Pach for catalog; photograph of "St. Francis at Brooklyn" reminds him of "the naive art of all the eccentric regions of Europe." 4 pp

From Jacques Villon, [place unknown], France, November 9, 1921: is glad to have met Mrs. Pach; Matisse engraving is not yet ready due to printing problems. 4 pp., in French

From Elie Faure, Paris, France, November 13, 1921: discusses the details of his contract with -- Harpers -- , which he considers unjust; his father-in-law died; reports on the sick painter friend for whom the benefit raffle was held. 6 pp., in French

From Elie Faure, Paris, France, November 28, 1921: if the misunderstanding concerning the -- Harpers -- contract is not corrected, it will be a disaster; their artist friend needs further surgery; hopes Pach can sell more tickets for the raffle, which will precede an exhibit in February or March; lists artists--among them Bonnard, Dufy, Matisse, Signac, and Braque--who have donated works for the raffle; regrets that his last book devoted so little space to Derain. 2 pp., in French

From Elie Faure, Paris, France, December 19, 1921: thanks Pach for help in clearing up a misunderstanding with his American publisher; discusses his 4-volume work, including opinions of the layouts and illustrations of each; Pach should decide whether to attribute a painting to de Pietro or Sassetta; plans to write about Derain; an exhibition, organized for an artist friend in need, includes a lottery with contributions From Matisse, Derain, and Picasso; will send Pach 250 lottery tickets; announces the upcoming marriage of François, a talented decorator, and asks if work could be found for him in New York or if his projects could be reproduced in an American publication. 4 pp., in French

From Elie Faure, [place unknown], December 23, 1921: received a letter From Briggs and praises the loyalty and honesty of American publishers; thanks Pach for perseverance in bringing to publication, in English translation, -- History of Art -- ; lottery tickets are being sent, many going to Mrs. Whitney; asks if Pach could help to interest American publisher Nelson in the collections of an expanding French publishing firm looking for capital; is sending -- Mediaeval Art -- and François' furnishing projects. 2 pp., in French

From Elie Faure, Paris, France, December 31, 1921: considers volume 1 "our" -- History of Art -- out of gratitude for Pach's excellent translation; discusses the illustrations and general appearance of the book; -- Mediaeval Art -- and lottery tickets will be sent soon; has 2 paintings he wants Pach to sell in the United States, a Venetian school Crucifixion and a version of Gros's -- Murat a la Bataille d'Aboukir -- ; describes the paintings, discusses prices and Pach's commission. 3 pp., in French

From Maurice Brazil Prendergast. New York, N.Y., January 26, 1922: Discusses quality of reproductions for Shadowland; wants to assist, should Pach decide to write an article; compliments Pach's writing. 3 pp

From Maurice Brazil Prendergast, New York, N.Y., February 2, 1922: is returning Pach's manuscript; agrees with him about Cézanne; "I was much influenced by Pissarro but with water colors it was nature pure and simple that influence [ sic] me"; is impressed with -- Shadowland -- . 3 pp

From Leigh Hunt, New York, N.Y., [postmarked] February 23, 1922: congratulates Pach and the museum. 1 p

From Elie Faure, Paris, France, March 21, 1922: is sending -- Renaissance Art -- , which completes the series; Pach should return the stubs of all sold lottery tickets; the Spanish artist for whom the lottery was organized is now recovering From surgery; complains of a dull artistic season, including a Salon des Indépendants devoid of interest; the best was a Matisse exhibit, along with Derain's and Picasso's latest work; increasingly poor leadership has him worried about the future of Europe; inquires about two articles he sent to the -- Freeman -- . 5 pp., in French

From Elie Faure, Paris, France, March 30, 1922: Americans have won 8 of the lottery prizes (most of them with Mrs. Whitney's tickets) consisting of 6 etchings and 2 paintings; what to do with the artworks is a problem in view of customs requirements. 2 pp., in French

From Camille Redon, Paris, France, April 7, 1922: mailed 2 etchings and 30 proofs made of each of Redon's copper engravings; the plates went to the Print Museum; thanks Pach for the beautiful etching and photographs he sent. 2 pp., in French

From Elie Faure, Paris, France, April 10, 1922: received the -- Freeman -- article; just completed a response to the review of his book, which he prefers to send to the -- Dial -- rather than the -- Freeman -- ; wrote a new introduction to Greek Art for future editions; hopes Pach has sold paintings; thinks one of the paintings could pass as a fake for customs purposes. 2 pp., in French

From Elie Faure, Paris. France, April 11, 1922: the attribution of his Baron Gros is certain, but its condition is not perfect; discusses articles being translated by Pach; discusses the French language in Canada; he and Pach agree on important points; Pach is unfair to Bonnard, who eventually will be regarded as a minor master; Derain is a great painter who overshadows Matisse. 2 pp., in French, labeled "second letter" (enclosed with letter of April 10, 1922)

From Elie Faure, Paris, France, May 6, 1922: received the checks; is returning a signed contract for -- Cinéplastique -- and inquires about American customs concerning royalty payments; will mail books to Pach and pictures to Harper's; the lottery prizes are being sent; the Corots and Courbet at Rosenberg Gallery particularly impressed him; family news; dispair over current politics. 2 pp., in French

From Pedro Henríquez Ureña, Universidad Nacional de Mexico, Mexico City, Mexico, May 31, 1922: discusses Pach's remuneration and class schedule for the summer session. 1 p

From Elie Faure, Paris, France, June 17, 1922: regrets not being able to meet Pach in Mexico and wishes Rivera had invited him, too; will try to delay French publication of his article so the -- Dial -- can print it first; another piece on the aesthetics of machinism has already been published in France; finished a long chapter of -- The Spirit of the Forms -- and wants Harper's to consider it completed; after going to Vichy for his health, he will take a vacation; wants to know all about Pach's archaeological discovery in Mexico. 2 pp., in French

From John Sloan, Santa Fe, N.M., [postmarked] August 4, 1922: has a car for summer travels; the Henris are there; has been painting. 2 pp., illustrated with drawing of a car on a winding mountain road ("Climbing the Bahada [no exaggeration!]")

From L.L. Kane, Long Lake, N.Y., August 12, 1922: wants to read Pach's article in the Freeman; admires his ability to present lectures in other languages; describes his Adirondack camp. 2 pp

From Henri Matisse, Nice, France, September 2, 1922: mailed copies of all the engravings he made during the summer; asks Pach's advice on lowering the price of Redon's pastels; he is now back at work in Nice after 2 months in Paris. 2 pp., in French

From Jacques Villon, Soissons, France, September 6, 1922: the estimate for publishing was higher than anticipated; asks Pach to intercede; inquires about Pach's trip to Mexico; news of various friends; discusses summer plans. 2 pp., in French

From Sybil Kent Kane, Long Lake, N.Y., September 7, 1922: thanks Pach for sending the picture of a jug; her book is about the life of Blessed Margaret Mary. 4 pp

From Suzanne La Follette, New York, N.Y., [postmarked] September 10, 1922: due to understaffing at the -- Freeman -- there was no art coverage during the summer; suggests Pach write a series of articles on Delacroix, Cézanne, Renoir, Redon, Van Gogh; opinions of Faure's second volume; news of Boardman Robinson; has changed her name back to Suzanne From Clara. 6 pp.

To Professor D. Ramon Mena From Walter Pach, Mexico City, Mexico, October 4, 1922: the mosaic mask discovered by Professor Aguierre and displayed in the National Museum is an object of great interest; it presents important problems to American antiquities experts and to those studying aesthetics; an important detail is the way in which material is handled; discusses fundamental difference in the work of the imitator and the mosaic mask; the technical question and expressive question are inseparable; appreciates the compliment of being asked his opinion. 3 pp., in Spanish

From Elie Faure, Paris, France, October 22, 1922: received payment for photographs and book royalties; discusses Rivera's talent, disagreeing with Pach's view of his originality; Rivera has remarried; shares Pach's admiration for Mexican art; now that his article has appeared in the -- Dial -- , he has nothing further to publish in America other than History of Art; since Pach is now devoting more time to painting and etching, he will need to find Faure a new translator; asks Pach if chapters From The Spirit of the Forms and essays on great literary figures could appear in American publications; discusses some of his theories of art and the structural aspect of his own writings. 6 pp., in French

From Jean Charlot, [place unknown], Mexico, November 5, 1922: Pach's article appeared in -- Mexico Moderno -- ; Orozco will be exhibiting watercolors; the fresco Accion del Artes is almost finished; is becoming interested in religious painting. 4 pp., in French

From Diego Rivera, [place unknown], Mexico, December 7, 1922: thanks Pach for his valuable friendship; the Mexican Independents, now formally organized, are invited to show with the Society of Independents in New York; Orozco, Charlot, Revueltas, Figueiros, Leal, Alba, Cahero, Bolanos, Ugarte, Cano, Nahui, Ate, Rivera, and children will represent Mexico; discusses space needs and suggests possible hanging arrangements; needs to find a way to pay for transportation; please convey their appreciation to the Society; Pach should tell Miss Porter that although there was a mix-up in communications, Rivera is still interested in the small exposition. 4 pp., in Spanish

From Jacques Villon, [place unknown], France, December 21, 1922: [Illegible]. 8 pp., in French

to Magda Pach From Gaby [Mme. Jacques Villon?], [place unknown], December 27, 1922: wishes the Pach family would visit them for several months; Villon is working hard, as always; except for a vacation in Brittany, they rarely go anywhere; engravings are time consuming but right now sell better than paintings; asks about Pach's stay in Mexico. 2 pp., in French

From Carlo Lemba, Florence, Italy., [?,?] 1923: thanks Pach for remembering him and for the very beautiful Rembrandt; requests a catalog or photograph. Picture postcard ("Firenze--Palazzo Vecchia--Il Cortile"), in Italian

From Elie Faure, Paris, France, January 21, 1923: thanks Pach for his translation; discusses modifications to be made in the first volume; details plans for future publications; lists illustrations for the last chapter of History of Art. 10 pp., in French

From José Vasconcelos, [place unknown], Mexico, February 23, 1923: received Pach's letter and sends appreciation for the international approach of his work. Telegram, in Spanish

From José Clemente Orozco, [place unknown], Mexico, February 27, 1923: introduces his friend, Mexican poet José Juan Tablada; friendship with Tablada would be a great satisfaction to Pach; Tablada could courier Mexican works From the Independents exhibition when he returns home; they learned much about contemporary art From Pach's lecture series; when he returns to Mexico, Pach can expect an affectionate welcome. 2 pp., in Spanish

From Elie Faure, Paris, France, March 4, 1923: at last, publication of -- Mediaeval Art -- has been announced; the definitive edition of his work is currently in progress; discusses new prefaces for all 5 volumes; rewrote the last chapter of volume 4, which does not mention Bonnard but expands discussion of Matisse, Picasso, and Derain, whom he considers the greatest contemporary painter. 2 pp., in French

From Secretario de Educacíon Publica, [place unknown], Mexico, March 14, 1923: José Vasconselos thanks Pach for his efforts on behalf of Mexican painters in this year's Independent Artists Salon. 1 p., in Spanish

From Jean Charlot, [place unknown], Mexico, [postmarked] March 31, 1923: was happy to receive Pach's illustrated article about Seurat; the enclosed flier rebuts another slanderous article about the exhibit; the catalog reproduction of the painting Pach started in Mexico was recognized by everyone; Diego called it more Mexican than their own contributions; Diego finished his first panel for the ministry frescoes; Diego's brother-in-law executed a successful encaustic mural in Guadalajara; Diego sends thanks to Pach, but cannot write because he works From 8:00 a.m. until 10:00 p.m.--without eating--which is hard on his aides who must do likewise. 2 pp., in French

From Elie Faure, Paris, France, April 24, 1923: an American definitive edition is under consideration; will send Pach copies of work by Spain's best artist since Goya; still thinks Derain is the best painter; Matisse's exhibition lacks humanity; discusses European political problems. 2 pp., in French

From Elie Faure, Paris, France, May 10, 1923: is now writing a book about the mechanism regulating the life cycles of societies; did not see all the exhibits because he is now drawn more to social psychology, which helps him understand painting; life takes precedence over painting; his article was misunderstood in America and France by supporters and opponents alike; painting, no longer the dominant art form as it was in the previous century, is being overtaken by cinema; assures Pach of his friendship and trust; understands that his ideas provoke resistance even among the best of friends. 6 pp., in French

From Suzanne La Follette, New York, N.Y., [postmarked] June 23, 1923: thanks Pach for article; sends proofs of first article; was advised not to go to Germany; will visit England, France, and Italy. 4 pp

From J. Van Gogh Bonger, Amsterdam, the Netherlands, June 27, 1923: read that the Pachs were cited as among the best of the Independents; the pictures are back, and she is glad they were exhibited in the United States; is anxious to publish Van Gogh's letters in English; opinions of Meier-Graefe's book; opinions of recent articles in the -- Times -- and the -- Freeman -- ; "What I never forgive Meyer-Greafe [ sic] is his suggestion that Theo, after his marriage could not provide for Vincent any longer"; is sending a Van Gogh drawing to Pach in appreciation for his help. 3 pp

From Diego Rivera, [place unknown], Mexico, July 3, 1923: introduces Covarrubias; on behalf of the group, thanks Pach and the Independents in New York; Pach's Mexican street scene showed intimate and strong character; hopes for even better representation next year; describes current projects of several Mexican artists; Covarrubias has photographs of murals in progress. 2 pp., in Spanish

From Lewis Mumford, Brooklyn, N.Y., July 5, 1923: congratulates Pach on Modern Art; "it is far and away the best piece of criticism we've had in America, to my knowledge." 1 p

From Alfred Stieglitz, Lake George, N.Y., July 21, 1923: he and O'Keeffe are enjoying Pach's translation of Faure; Stieglitz has read it in the original; O'Keeffe doesn't know French. 1 p

From Elie Faure, [place unknown], October 8, 1923: if Harper's cannot locate the photograph Faure sent of a Picasso painting, Pach should select a substitute; requests assistance in coilecting a fee owed by a publisher; complains about the usual reluctance of museums to accept paintings; suggests that Boston or the Barnes Foundation might be interested in the Gros, Delacroix, and Venetian school paintings he wants to sell; -- History of Art -- will be translated into Spanish and possibly German; hopes for more contacts with the United States. 2 pp., in French

From J. Van Gogh Bonger, Amsterdam, the Netherlands, October 18, 1923: could not find anyone to deliver the drawing to Pach, so she mailed it; is working on an exhibition to be held in London; Zigrosser visited. 1 p., negative photostat

From Elie Faure, Paris, France, December 1, 1923: has mailed the photographs Pach requested; believes he has told Pach of all the proposals received From America and still awaits answers relating to some; Waldo Frank visited; found Miss La Follette most congenial; the package of photographs also contains a small drawing as a memento of their collaboration. 2 pp., in French

From Ariella Brunelleschi, Florence, Italy, [postmarked] December 12, 1923: her entire family sends thanks; best wishes for a good trip. Picture postcard ("Firenze--Galleria Uffizi La Nativita de Gesu dett.--Van Der Goes Ugo"), in Italian

From Jacques Villon, [place unknown], December 25, 1923: is delighted to learn that Pach has resumed painting and wants to see a photograph of his portrait of Magda; the common desire to travel west is a distraction, as is his penchant for making etchings rather than painting; has problems with his engraving of a Cézanne and will do a Laurencin next; complains of difficulties painting; is mailing the edited first proofs of the book on Raymond; Yvonne is gone; he missed seeing Miss La Follette; Rosenberg is in New York; paintings are hard to sell; New Year's greetings to the Pach family. Postscript From Gaby expresses her own best wishes and those of Marcel; she hopes to see them in Puteaux the following year. 5 pp., in French

From Elie Faure, [place unknown], January 24, 1924: approves of the way in which Pach used his Renoir to illustrate an article; still trying to sell the Gros painting abroad; the Venetian painting was shipped today, and he awaits Pach's impression of it; Faure is convinced the landscape, most likely of Toledo, and at least one figure were painted by El Greco in his youth; awaits photographs of Pach's paintings and etchings; is delighted to learn of Pach's lecture series in Kansas, which includes one on Faure's fourth volume. 2 pp., in French

From Elie Faure, [place unknown], January 31, 1924: praises solidity, intelligent composition, and exceptional synthetic quality of Pach's portrait of his son; the portrait of Pach's wife is less successful; praises the harmony in Pach's mythological painting but its composition is less than perfect; Pach shows great progress; is sending a photograph of a first-class Corot that is for sale; discusses the price and how they would share the profit. 2 pp., in French

From Bernard Berenson, Florence, Italy, February 6, 1924: read Pach's article in -- Harper's -- "with interest, with zest and with envy." 4 pp

From Jacques Villon, Paris, France, March 2, 1924: received photographs of Pach's paintings; praises the balance and harmony in Magda's portrait, but expresses reservations concerning the portrait of Raymond; unable to send photographs of his own work because he was too busy finishing the Cézanne engraving that will be exhibited at Bernheim's to raise funds for a monument to Cézanne; has mixed feelings about the direction of his own painting and leans more toward nature; a proof of Pach's foreword is ready; the book on Raymond will be out soon; some of Raymond's letters were edited so as not to appear to be soliciting sympathy. 6 pp., in French

From Elie Faure, [place unknown], March 10, 1924: has just received notification that volume 4 was published and will convey his opinion after seeing it; thanks Pach for intelligent publicity; discusses corrections to be made in the next edition; asks Pach to persuade the publisher to make an American edition that conforms to the French one; the Corot was sold; everyone seems to be buying and selling paintings; Faure sold From his own collection pieces he no longer likes in order to buy a house; he buys what he can at low cost, notably Corot and Courbet landscapes and a drawing by Cézanne; Pach should try to influence the gallery to sell Faure's painting quickly because the money is needed for home repairs; wrote an article on contemporary art trends for the Dial. 2 pp., in French

From Elie Faure, [place unknown], March 11, 1924: the news contained in Pach's cable frees him From current financial worries; he is sending the painting immediately and warns Pach about mislabeling on the back of the picture; insists that Pach take a substantial commission; though it makes him sad to part with the painting, he now can provide a secure future for his family. 2 pp., in French

From Suzanne La Follette, Plymouth, England, March 11, 1924: the voyage has been "rough and dull." 2 pp

From Elie Faure, [place unknown], March 19, 1924: received the fourth volume in translation and finds the illustrations much better than those in the first 3 volumes; expresses gratitute to Pach; is sending a gift of a Rodin etching; just saw Derain and is certain the artist is evolving, despite his somewhat disoriented state; Matisse's last exhibit was disappointing and lacked human qualities. 2 pp., in French

From Arthur Burdett Frost, Pasadena, Calif., March 30, 1924: thanks Pach for his exhibition idea; cannot participate because he has no suitable work available; "I used to be very careless about my original drawings"; Jack moved to California for health reasons; Jack paints desert landscapes that sell well. 4 pp

From Elie Faure, Paris, France, April 1, 1924: the Gros painting has been in transit for 3 weeks; deplores the exchange rate and discusses Pach's commission; is pleased that Pach will be the translator for -- The Gods -- and hopes he will do -- The Spirit of the Forms -- , even though this work will take him away From painting; wants to see Pach's pamphlet on Seurat, whom he likes more and more; Faure has added to his collection paintings by Corot, Courbet, Delacroix, Bonnington, and others he discovered in the attic of a secondhand shop; Miss La Follette visited; asks Pach to inquire about the fate of his Shakespeare essay. 4 pp., in French

From Jacques Villon, [place unknown], France, April 6, 1924: agrees wholeheartedly to the proposed exchange; thanks Pach for a check; wants him to accept, as a gift, any Villon painting still in Pach's hands; will follow Pach's instructions concerning the book; is painting but cannot find himself in that medium; his next engraving will be a Rousseau. 2 pp., in French

From E.H. Anderson, Director, New York Public Library, New York, N.Y., April 9, 1924: acknowledges gift of etchings. 1 p

From Elie Faure, Paris, France, May 2, 1924: sends a check for Pach's commission on the sale of the Murat painting; is glad Pach liked his gift of a Rodin etching; discusses changes to volume 3 and wonders why a particular reproduction was omitted From the American edition; -- The Spirit of the Forms -- is still under revision, and he has been busy writing -- Cervantes -- ; like Pach, he admires Matisse's lithographs but feels uneasy about the virtuoso element apparent in his annual painting exhibits; Despiau's portraits are more and more admirable; met Braque, whose work now interests him more; since Braque has renounced cubism, only Picasso remains; Picasso's last noncubist exhibit was curious and somewhat disturbing. 2 pp., in French

From Leigh Mitchell Hodges, Doylestown, Pa., May 4, 1924: sends sonnet inspired by a Pach etching. 1 p. + enclosure ("Sonnet--To Walter Pach's etching of Miss M-----")

From Julius Meier-Graefe, Berlin, Germany, July 22, 1924: Pach is the first American to attempt and succeed at serious examination of art From Corot to the present; is sending a copy of volume 3 of -- Modern Art -- , which discusses some of the same issues addressed in Pach's book; believes cubism, expressionism, and impressionism to be manifestations of decadence; in his book, Pach failed to cite German contributions. 3 pp., in German

From Elie Faure, Dordogne, France, July 31, 1924: hopes to see Pach in Dordogne during August; the article on illustrious men he has known will need to be twice as long, so Pach should make arrangements; discusses a remarkable book about sport by his Frenchified Brazilian friend Braga and suggests a translation would be of interest to Americans; Braga wrote the most intelligent articles ever published about Faure in French and plans a history of world literature that would mirror -- History of Art -- . 2 pp., in French

From Elie Faure, Dordogne, France, August 2, 1924: Pach should tell Wells that Faure accepts the 5,000-word limitation; the article consists of a series of portraits of famous men and concludes with a sincere tribute to America. 1 p., in French

From Julius Meier-Graefe, Schlaghtensee, Germany, [postmarked] August 5, 1924: advises Pach not to judge the paintings of [von Marees?] on the basis of his early Dresden period, but look at the Munich work. Postal card, in German

From Bernard Berenson, Florence, Italy, August 11, 1924: read -- Masters of Modern Art -- ; "I wish I could give you the support you ask for. And I have found yr. book informing, stimulating, provoking and sincere. But I cannot even begin to see what you do in cubism"; advises Pach to choose writing over painting, as it is impossible to do both. 8 pp

From Elie Faure, Dordogne, France, August 24, 1924: regrets that Pach did not visit him; plans to go to Italy in September but hopes to see Pach in Paris afterward; hesitates to accept a long lecture tour in America. 2 pp., in French

From James Oppenheim, New York, N.Y., August 24, 1924: Gertrude is seriously ill; Oppenheim's son has faith in his work; Oppenheim's book was reviewed; is delighted with the book on Matisse. 2 pp

From Bernard Berenson, Florence, Italy, September 13, 1924: expresses his opinion of modern art and artists; "I did not mean what the Ku-Kluxers or Coolidgeites mean when they speak of the latest phenomena in painting as Bolshevik. But in a prophetic, devastatingly deep way that's what they are. And they may serve a kindred purpose, namely to bury the dead form. But they are undertakers, grave-diggers, and at best manure makers only. Artists they are not and Picasso not at all;" Pach "overestimates" Delacroix's ability as an artist. 4 pp

From John Gould Fletcher, London, England, October 7, 1924: thanks Pach for the book on Duchamp-Villon; compliments the "excellent" introduction; agrees that "Duchamp-Villon was the true descendant of the stonecutters of Chartres"; Faure's -- History of Art -- is "remarkable"; he is trying to publish a rebuttal to the concluding chapter; the -- Freeman -- failed. 3 pp

From Luz Pérez, [place unknown], Mexico, October 24, 1924: the book Pach sent is enchanting; congratulations on the success of the exhibition; best wishes for future success. 2 pp., in Spanish

From Arthur Burdett Frost, Pasadena, Calif., October 26, 1924: thanks for the brushes, which he will share with Jack; requests recommendations for directing Jack's art reading; Frost now reads mainly on palentology and natural history; if his eyesight permitted, he would paint his concept of earliest man; recalls a terrible summer spent in Rhode Island; contrasts California with the East; recalls the Dresden Gallery; Butler's stay in New York was a "dreadful experience." 5 pp

From Jacques Villon, Paris, France, October 27, 1924: just received Pach's book on painting and thinks his ideas about evolution of painting are admirable; has not yet seen the Salon d'Automne; sales were good, and even those opposed to abstract painting smiled. 3 pp., in French

From Elie Faure, Paris, France, November 1, 1924: has shipped a magnificent painting; is surprised that it is possible to sell paintings in America since the Paris art market is at a standstill; the last good show was the Renoir exhibit at Rosenberg's; books are not selling, and he could not find a publisher for his latest work; publishing houses are closing; prewar politicians and prewar methods are responsible for the disaster; the general economy and his personal situation are grim; melancholy family news. 4 pp., in French

From Henri Matisse, Nice, France, November 18 and December 5, 1924: his son, Pierre, is moving to New York; Pierre wants to work at a gallery specializing in modern art; he and the Steins agree this is a good plan; asks Pach to advise and assist Pierre, and he will request the same of Brummer; Michael Stein suggests Pach meet Pierre at the ship. 4 pp., in French

From Elie Faure, Paris, France, December 1, 1924: is housebound after a small accident, and catching up with work; both the -- Dial -- and -- Harper's -- sent checks; comments on current exhibitions and sales; Pach is his closest American friend; wants to establish closer ties in the United States; France now depends upon American patronage; Mrs. Dillard is sending a Corot to Pach; she might be helpful to Brummer; sometimes she has Renoirs and Derains at reasonable prices. 2 pp., in French

From Xavier Martinez, Piedmont, Calif., December 3, 1924: compliments -- Masters of Modern Art -- and Pach's translation of Faure; disagrees with Faure's chapters on Greece and Mexico; Pach understands the art of Mexico; encloses 2 drawings of Indian madonnas. 1 p., partly in Spanish

From Lewis Mumford, Brooklyn, N.Y., December 15, 1924: thanks Pach for grasping the essence of his book; agrees with Duchamp-Villon's views on architecture. 2 pp

From Elie Faure, [place unknown], January 9, 1925: commiserates with Pach over his rejection by -- Harper's -- ; comments on subjects that appeal to editors of popular magazines; Pach should continue trying to sell the Corot; the owner also has paintings by Renoir and Derain and a Seurat drawing; inquires about the status of translations now at -- Harper's -- ; comments on the superiority of American cinema. 3 pp., in French

From Pedro Henríquez Ureña, La Plata, Argentina, January 13, 1925: hopes Pach will be interested in the work of his friend, Emilio Pettoniti, an advanced Argentine painter; asks where Pettoniti might exhibit in New York. 2 pp., in Spanish

From Diego Rivera, [place unknown], Mexico, January 13, 1925: requests photographs of the work Pach accomplished in France; wants news of Elie Faure; mentions several commissions he is now working on; comments on Charlot; has waited more than a year for word from Aleman; is considering going abroad when through with the Chapingo chapel. 3 pp., in Spanish

to Elie Faure From William H. Briggs, [place unknown], March 3, 1925: not financially feasible to bring out the definitive edition of -- History of Art -- for at least 3 years; wants -- The Spirit of the Forms -- to be volume 5; agrees to publish an English edition of -- The Spirit of the Forms -- and -- The Dance on Fire and Water -- ; -- The Constructors -- , -- The Holy Face -- , and future books are not to be offered to other publishers. 3 pp

From Diego Rivera, [place unknown], Mexico, March 13, 1925: would send photographs of his work but in Mexico it takes too long to get prints; Pach's book fully deserves Faure's praise; Rivera finds Pach's paintings appealing; is grateful for the high esteem with which Pach wrote of his work; work on Chapingo chapel continues; despite serious financial problems, Charlot is constantly progressing; asks Pach's opinions and advice about a Spanish edition of his book; Ravenna Mosaic requested a sample piece of -- The Antilles -- . 7 pp., in Spanish

From Elie Faure, Paris, France, March 28, 1925: is hurt not to have heard From Pach; Mr. Briggs wrote about translation and publication plans; wants Pach to translate -- The Spirit of the Forms -- ; thanks for getting his autobiography published in the -- Dial -- ; his friend, Mrs. Fougeirol, and daughter, will call on Pach; hopes Pach and Brummer can assist Mrs. Dillard with the sale of her Corot; the Gaugnat sale is unaffordable; Mrs. Dillard also has Renoirs to sell. 2 pp., in French

From Elie Faure, [place unknown], March 29, 1925: is happy that Briggs wants to do the album and will talk to Crès about sales; thanks to Madame B. for the Corot; his version of Delacroix's journal will be published; compliments Pach's painting; asks Pach to speak to Harper's about not using the number of his last volume of -- History of Art -- so the public will buy it without having the earlier volumes. 4 pp., in French

From Elie Faure, Paris, France, May 9, 1925: tells of his voyage to Marrakech; saw Fletcher; Pach will receive the Gaugnat sale catalog; Madame Gaugnat died 6 months after her husband, leaving their son harassed by dealers; a small Renoir may be available; asks Pach to intervene on his behalf with Harper's regarding income tax withholding; discusses Delacroix and impressionist exhibits; discusses the realism of Delacroix's Moroccan paintings. 6 pp., in French

From Elie Faure, [place unknown], May 17, 1925: condolences on the death of Pach's father; is surprised by what Pach told him of the Corot; discusses a French landscape exhibit at the Petit Palais containing too many paintings; Corot reigns. 2 pp., in French

From Elie Faure, Paris, France, May 18, 1925: received the album dedicated to Seurat; -- La Baignade -- and -- La Grande Jatte -- are masterpieces for the very reasons Pach cited: organization, articulation, and mass; comments on works by Matisse, Braque, Géricault, and others recently exhibited in Paris; purchased works by Corot, Delacroix, Courbet, Cézanne, and Renoir at reasonable prices; perhaps Pach could sell a large painting for Pequin; asks if -- Living Age -- will publish his essay on Shakespeare; volume 4 of -- History of Art -- will be out soon; mentions several of his articles accepted for publication; thanks Pach for his excellent translation; now realizes he was unjust to Redon and has made changes in the later edition. 4 pp., in French

From Elie Faure, [place unknown], May 20, 1925: invites Pach to visit him in Dordogne during the summer; describes a Corot that should go to an American museum. 2 pp., in French

From Elie Faure, [place unknown], May 30, 1925: gives instructions for translation revisions; bought 2 magnificent Derains; suggests that consignments be sent to Mrs. Payne Whitney; -- History of Art -- received mixed reviews. 2 pp., in French

From Elie Faure, [place unknown], June 5, 1925: galleys are still incomplete as there are problems with illustrations and captions; his Baron Gros painting is at the French exhibit in Prague; will send a photograph later; asks Pach to help sell the Gros picture and a Daumier. 3 pp., in French

From Elie Faure, Paris, France, July 11, 1925: complains about American and French taxes on royalties; price and quality didn't always coincide at the Gaugnat sale; Mrs. Fougeirol bought one of the best works, and another is being given to the Louvre by young Gaugnat; discusses prices at other recent sales; Matisse shares his opinion of the Gaugnat sale; the Decorative Arts Exhibition was the worst art event he ever saw; an impressive 19th-century French painting show at Bernheim's new galleries included Corot, Delacroix, and Cézanne; those who don't appreciate Delacroix are missing joy; asks Pach's opinion of a plan for a monthly publication about the arts in Paris; next year he will write a history of France. 4 pp., in French

From E.D. Smyth, Tangier, Morocco, July 29, 1925: Helen died last October; Mme. Le Roy died 2 years ago; "London is becoming alive to Cézanne"; saw a Cézanne show at Brown's Gallery. 5 pp

From Elie Faure, [place unknown], August 11, 1925: asks if volume 3 has been published; thinks volume 4 is his best; hopes that the new prefaces added to each volume will make Pach like the whole work better; Rosenberg met with Mrs. Whitney; discusses the quality of reproductions in his book on Derain; describes John Lane's indirect attack on his chapter about English art; was not charmed by Blake; Constable is the only English painter he likes; look for his Shakespeare article in the -- Dial -- . 6 pp., in French

From Elie Faure, Paris, France, September 7, 1925: bought a house at Dordogne; volume 4 is still incomplete; lists photographs he will send soon; this may be a good time to sell his 2 paintings; discusses the sales commission; mentions favorable points of the Gros painting; the other painting may be harder to sell; is considering selling a Daumier and a Delacroix to help pay for his new house. 4 pp., in French

From Elie Faure, [place unknown], September 9, 1925: promises to send the photographs for his book; even the best translation cannot be completely faithful to the original; discusses specific changes to be made; discusses a chapter on Europe being added to volume 4. 6 pp., in French

From Elie Faure, [place unknown], September 21, 1925: is sending 5 photographs; 1 is for -- Harper's -- to include in volume 4, and the remainder are of works he hopes can be sold in the United States; needs money for his new house. 2 pp., in French

From Elie Faure, [place unknown], September 26, 1925: is still waiting for a contract with Criterion; the painting consigned to Ehrich has not sold; maybe Pach could sell it or suggest another dealer; Pach should send instructions to Ehrich; -- Harper's -- will publish -- The Spirit of the Forms -- as volume 5; wants Pach to be the translator but will understand if he declines. 4 pp., in French

From F.P. Keppel, New York, N.Y., October 21, 1925: has received Pach's letter with proofs and suggestions. 1 p

From Elie Faure, [place unknown], October 22, 1925: has received volume 3 and congratulated Mr. Briggs; still thinks the plates should have been produced in France; bills for photographs remain unpaid; thanks Pach for his energy and perseverance; Spanish and German editions are planned; Knopf will publish an English edition of Napoleon; came close to selling the Daumier; comments on the condition of Marat by Gros; inquires about Pach's painting and the possibility of an exhibition in Paris. 4 pp., in French

From Jean Charlot, [place unknown], October 27, 1925: his present work is totally different From the 12 paintings being sent; Pach is one of the few friends abroad who might be interested; Pach should keep one for himself and try to sell the rest; is sending 4 photographs of recent work; he and Diego want to see reproductions of Pach's latest paintings; inventory of works being sent; had problems with his exhibition in Los Angeles. 4 pp., in French

From Elie Faure, Paris, France, November 21, 1925: there will be a delay in sending photographs; thanks Pach for introducing Miss La Follette; -- Harper's -- paid more than expected; Briggs reproached him for choosing Knopf to publish Napoleon. 2 pp., in French

From Elie Faure, Paris, France, November 27, 1925: thanks Pach for introducing Speyer; congratulates Pach on his new job; likes Pach's engravings; wants Pach to translate The Spirit of the Forms; is sending another manuscript for which he hopes Pach can help find a publisher; he owns the picture incorrectly captioned in his last book and it is for sale. 4 pp., in French

From Susan Macdowell Eakins, Philadelphia, Pa., January 7, 1926: she has written about her husband; is happy to be of service to Pach; can furnish more information. 1 p. + 3 pp. enclosure, (manuscripts by Susan M. Eakins of biographical notes on Thomas Eakins, including excerpts From letters to his father written while studying in France; list of paintings completed between 1870 and 1876; teaching methods; notes From Charles Bregler's transcript of Eakins's comments to students)

From Elie Faure, Paris, France, January 19, 1926: Mrs. Dillard sold his English painting to Mr. Speyer; introductions made by Pach facilitated the transaction; no one is to know Faure was the owner; since he cannot pay the duty if the piece at Ehrich is returned to France, Pach should keep it or put it in storage until later; asks if the Metropolitan might be interested in Mrs. Dillard's large Corot; content with Montaigne; still reworking -- The Spirit of the Forms; -- Soutine has become more important; believes Derain shows progress; Matisse's astonishing virtuosity continues to increase; saw admirable work by Picasso; Braque is a beautiful but monotonous painter; considers Charlie Chaplin the great man of America. 4 pp., in French

From Harold O. Voorhis, Secretary, New York University, New York, N.Y., February 23, 1926: confirms Pach's appointment as assistant professor of fine arts. 1 p

From Harold O. Voorhis, Secretary, New York University, New York, N.Y., March 5, 1926: received Pach's acceptance of faculty appointment. 1 p

From Elie Faure, Paris, France, March 24, 1926: has seen Pach's friends; is looking forward to Pach's visit in the summer; he and his wife are caring for an African-Arab baby; The Spirit of the Forms is almost finished; gives instructions about selling the unfortunate Spanish painting; is sending a drawing as a gift; Mrs. Dillard needs a list of dealers and their specialties. 2 pp., in French

From Elie Faure, Paris, France, April 22, 1926: is pleased to learn the Delacroix drawing was well received; believes Delacroix is becoming greater by the day; is not eager for further lecture tours; his latest book was ignored; foreigners understand him better than the French; regrets that Pach will not be able to visit him in Dordogne; discusses price of the crucifixion painting. 2 pp., in French

From Bernard Berenson, Florence, Italy, June 8, 1926: goals for studying art of the past are aesthetic or humanistic; it is a "triumph" that Pach's "anti-Rotarian protest" was published in -- Harper's -- Magazine; "glad to hear yr. painting is taking on, altho' I deplore yr. giving to it the time you should dedicate to writing"; urges him to write about the Gardner collection. 12 pp

From Elie Faure, Paris, France, June 9, 1926: hopes the Pachs will visit him in Paris before the end of July or in Dordogne later; their arrival is late for the painting season, but Tuileries Salon will be open; sold the Daumier in Germany; the profit paid for some home repairs and 2 small Renoir canvases; has a beautiful Cézanne drawing. 2 pp., in French

From Elie Faure, Dordogne, France, August 10, 1926: the entire family is at Dordogne and sorry Pach cannot join them; discusses exchange rate; Briggs trusts Pach to translate -- The Spirit of the Forms -- , which will be volume 5 of -- History of Art -- ; asks Pach to consider undertaking the job. 2 pp., in French

From Bernard Berenson, Florence, Italy, August 19, 1926: wishes there had been an opportunity for them to visit and have a serious talk during Pach's recent lecture tour; "I fear you will never take the place yr. gifts as a writer could lead you to if you cannot detach yr. self fr. painting itself. It is a pity. For critics are ever so much rarer." 4 pp

From Diego Rivera, [place unknown], Mexico, October 4, 1926: the package Lupe sent to the Pachs was lost when the boat capsized; wants copies of the magazine -- L'Amour de l'Art -- ; Derain's work is better; shares Pach's opinion of Picasso; wants to see Matisse's work; Faure will try to include more Rivera reproductions in the new edition; asks Pach to check on the status of Rudolf Tesch's project for Carnegie Corp.; requests the Charlot exhibition catalog. 4 pp., in Spanish

To Mrs. Pach From Lupe de Rivera, [place unknown], October 6, 1926: thanks for the baby sweater; her daughter, Guadalupe, called Pico, was tiny and ill at birth but now thrives. 2 pp., in Spanish

From Elie Faure, Paris, France, October 25, 1926: agrees that Mr. Brandt's Cézanne and Renoir are copies; comments on -- The Studio of Ingres -- ; discusses illustrations for -- The Spirit of the Forms -- ; compliments Pach's article on Mexican art; is going to Mexico for a vacation and needs advice on a budget; asks if Pach could sell a large horse painting by Gros in the United States. 6 pp., in French

From Elie Faure, [place unknown], November 3, 1926: Mrs. Dillard has a Fragonard worthy of a museum or a fine collection; asks about hotel rates in New York City. 2 pp., in French

From Elie Faure, Paris, France, November 12, 1926: is grateful that Pach will be translating -- The Spirit of the Forms; -- Pach should persuade Mr. Briggs to expedite the publisher's contract; saw Seurat's exhibition of more than 200 luminous drawings and a Bonnard show of rich and subtle still-lifes; 2 paintings by Matisse were highlights in an otherwise indifferent Salon d'Automne; Miss La Follette and her brother visited; the Baron Gros painting, which Mme. Dillard will handle, is a masterwork that the Metropolitan Museum [of Art] could be proud of; still believes in Soutine; would like to meet Barnes though a ruse might be needed. 4 pp., in French

From Suzanne La Follette, Choisy, France, November 19, 1926: visited Elie Faure and hopes to see him again; a review of her book will appear in -- Saturday Review -- . 6 pp

From Pedro Henriquez Ureña, Miramar, Argentina, January [?], 1927: Valovaciones cannot pay for contributions or translations; Pach should publish a translation of his book in the magazine so that Argentines will be familiar with him and his ideas. 2 pp

From Suzanne La Follette, [place unknown], January 9, 1927: the publisher is not promoting her book well; thinks Lewis Mumford is "gifted." 3 pp

From Suzanne La Follette, Paris, France, January 13, 1927: asks about resorts on the Mediterranean; Chester wrote enthusiastically of his travels in Italy. 3 pp

From Elie Faure, Paris, France, February 22, 1927: has had no reply From Mexico; "Art and Morals," which appeared in the Dial, should be retranslated; -- History of Art -- is being translated into Czech and possibly Japanese; artistic life in Paris is boring; Matisse is definitely the most tolerated; Soutine is not doing much; Pach should try to sell the Gros painting for Mrs. Dillard. 2 pp., in French

From Elie Faure, Paris, France, March 8, 1927: a safe-deposit box was transferred, with difficulty, from Pach's name to his; saw a beautiful Renoir exhibition; prices are high and only Delacroix and Corot are affordable now; Derain should protect himself From dealers. 2 pp., in French

From Elie Faure, Paris, France, March 29, 1927: Mr. Briggs received proofs of Pach's translation; discovered Siluster letters and will soon meet his aged widow and daughter, who may have more documents; no longer thinks of Mexico; is probably going to Egypt; they are unlikely to see one another this year; is disturbed that Pach failed to sell the Gros; museums prefer average paintings to fine sketches; suggests other places Pach might try to sell the painting; describes his newly acquired Theodore Rousseau landscape; reports on the Renoir exhibition at Bernheim's; painters in Paris seem more and more influenced by Renoir and less and less interested in Cézanne; Delacroix rises as Ingres falls. 4 pp., in French

From Bernard Berenson, Fabriano, Italy, May 10, 1927: review of his book missed its "contribution... to a criticism that is based on a question of design"; invites Pach to consider this issue in a review. 4 pp

From Elie Faure, [place unknown], June 8, 1927: Delacroix is becoming popular; at the sale of the Bureau collection ordinary Daumier watercolors brought high prices and wonderful Corot drawings sold cheaply; is unhappy with the captions for the plates in his last edition; witnessed Lindbergh's landing. 4 pp., in French

From Marcel Duchamp, Paris, France, June 24, 1927: announces his recent marriage; describes a Redon watercolor that Pach might sell to the Bings; Mrs. Bing expressed interest in the Brancusi bust now stored at Brummer, King, and Parker. 2 pp., in French

From Elie Faure, Paris, France, July 6, 1927: received the Delacroix book; he shares Pach's devotion to Delacroix, who is becoming fashionable in France; he may eventually acquire some Delacroix watercolors; a superb Géricault is on view at the Victor Hugo Museum; museums hang paintings poorly; Degas and Manet are idolized, while Cézanne and Renoir are just tolerated. 2 pp., in French

From Bernard Berenson, Stockholm, Sweden, July 25, 1927: Pach's review showed "intelligent and friendly comprehension"; "my Three Essays is an ironied and veiled attempt to demonstrate that there is a big part of the job that any well trained mediocrity can achieve"; "great artists like Antonello are not prophets but fulfillers of prophecy." 2 pp

From Elie Faure, Paris, France, October 3, 1927: spent his vacation traveling in Provence; has abandoned a project that attracted amateur attention; intends to study Chagall; -- History of Art -- will be translated into Japanese. 2 pp., in French

From Bernard Berenson, London, England, October 7, 1927: -- Harper's -- will ask Pach to write about the Gardner collection; urges him to accept the offer. 4 pp

From Elie Faure, [place unknown], December 19, 1927: Gagnon has reappeared; Faure purchased a Barye painting at a junk shop; agrees to write a preface to Pach's book. 4 pp., in French

From Leo Stein, Paris, France, February 7, 1928: Read Pach's review of his book in the -- Architectural Record -- ; "when you realize your incompetence for a job because of ignorance you had better keep out, because that very ignorance will prevent you From realizing how big a fool you are making of yourself." 1 p

From Elie Faure, [place unknown],1 April 22, 1928: Had a heart attack; is now working on a book about folk psychology; will lecture in Germany; museums prefer a perfect modern canvas to a masterpiece with slight damage; asks if Pach has tried to find a buyer for Christ; though his books sell, Faure has not prospered; describes several paintings in his collection; he may inherit Mme. Thelaphite's paintings; Mrs. Dillard has a Ribera for sale. 4 pp., in French

From [ signature illegible (Canaan L. Morris?)], Hartford, Conn., May 4, 1928: compliments Pach's lecture of the previous evening; critiques its structure. 2 pp

From Harold O. Voorhis, Secretary, New York University, New York, N.Y., June 15, 1928: confirms Pach's appointment as assistant professor of fine arts. 1 p

From Elie Faure, Dordogne, France, August 11, 1928: is glad to be away From Paris; is very happy about the French translation of Ananias [large portions illegible]. 2 pp

From Jose Clemente Orozco, New York, N.Y., September 1, 1928: -- Form -- magazine deserves attention; offers to write to the editor on Pach's behalf; as Pach suggested, he met with Kraushaar, who didn't seem to like the revolutionary drawings but showed interest in the Art Center Exhibit paintings; speculates that Kraushaar found the Mexican pieces too strange; asks Pach to arrange another meeting; recommends García Maroto's article in -- Contemporaries -- about Rivera and his disgusting commercialism. 4 pp., in Spanish

From José Clemente Orozco, New York, N.Y., September 6, 1928: He and Mr. Owens will visit; the "animator" wants to deceive people of Pach's intelligence; the "animator's" treachery to art is disguised as a personal matter; García Maroto was deceived by the "animator"; lists founders of the Union of Painters and Sculptors who contributed ideas and skills while the "animator" contributed disloyalty; the "animator" claimed credit for a fresco technique developed by Siqueiros and Guerro; the "animator" killed Mexican mural painting and now interferes in all mural painting in Mexico; Maroto says the "animator" is stymied. 10 pp., in Spanish

From José Clemente Orozco, New York, N.Y., September 12, 1928: sends addresses of Jean Charlot and Gabriel Fernandez Ledema; Owens missed the train but hopes to meet Pach soon. 1 p., in Spanish

From Elie Faure, Paris, France, September 22, 1928: received Ananias, but cannot read it without a translator [large portions illegible]. 2 pp., in French

From Susan Macdowell Eakins, Philadelphia, Pa., October 10, 1928: received his letter and book; "whether it is the desire to purchase or not, I am always pleased to show my husband's pictures"; wishes to keep the Rush pictures and studies in Philadelphia. 3 pp

From Arthur B. Springarn, New York, N.Y., November 1, 1928: thanks Pach for dedicating the book to him; best wishes for the volume's success. 1 p

From Eleanor S. Brooks, Westport, Conn., November 14, 1928: five hundred dollars is a satisfactory amount for the manuscript. 1 p

From José Clemente Orozco, New York, N.Y., November 16, 1928: the publisher sent a copy of Pach's wonderful book and requested his opinion; his response expressed enthusiasm and admiration. 2 pp., in Spanish, + 1 p. enclosure (copy of letter, November 14, 1928, to Ruth Raphael, Harper & Bros., From José Clemente Orozco, New York, N.Y.: endorsement of -- Ananias, or The False Artist -- by Walter Pach)

From Lee Simonson, Editor, Creative Art, New York, N.Y., December 18, 1928: thanks Pach for making changes to his Rivera article; his review of Pach's book is "extremely hard-hitting"; offers opportunity for rebuttal in the next issue; "let us keep the thing above personalities"; Alfred Stieglitz and Leo Stein support Simonson's views. 2 pp

From Van Wyck Brooks, Westport, Conn., January 8, 1929: will send chapters for revision; payment can be handled however Pach prefers. 2 pp

From Elie Faure, Paris, France, January 11, 1929: has not finished reading Pach's book because he is unusually busy; his wife is ill; had to put aside projects to complete a book on the Italian Renaissance; with the exception of Sargent, "official" American painters are not known in France; impressionism and its aftermath have not produced any positive result; would like to see Pach's paintings, not just photographs of them; compliments Pach's etchings; a new edition of his work is in preparation; there may be a Serb translation. 4 pp., in French

From Eleanor S. Brooks, Westport, Conn., January 15, 1929: requests a month's extension for their translation work. 2 pp

From Van Wyck Brooks, Westport, Conn., February 14, 1929: chapter I and the introduction are being sent today. 1 p

From Eleanor S. Brooks, Westport, Conn., March 18, 1929: describes working methods; explains problems in translating Faure's writing. 2 pp

From Elie Faure, Paris, France, April 1, 1929: when Pach visits they will look at art and go to Dordogne; discussed Pach's book with his publisher; recommends not using American examples other than Sargent and possibly Alexander and Frieseke in the French edition; will find an apartment for Pach; Miss Mary Morris has not yet called on him; requests books on the psychology of Americans. 2 pp., in French

From Eleanor S. Brooks, Westport, Conn., May 12, 1929: translation work proceeds slowly; Van Wyck is in the hospital; she doesn't want it publicized. 2 pp

From Eleanor S. Brooks, Westport, Conn., May 26, 1929: Van Wyck's health has not improved. 2 pp

From Eleanor S. Brooks, Westport, Conn., July 10, 1929: thanks Pach for his patience; Van Wyck is now in a private sanitarium; she continues to work on the translation. 1 p

From Eleanor S. Brooks, Westport Conn., August 28, 1929: is sending next chapter soon; Van Wyck's condition has not changed. 1 p

From Elie Faure, Dordogne, France, August 28, 1929: his short review of Pach's book has been accepted for publication in the Dial. 2 pp., in French

From Eleanor S. Brooks, [place unknown], August 30, 1929: another chapter is ready. 1 p

From Elie Faure, Dordogne, France, September 13, 1929: went to Basque country with Soutine; had a good rest and thought about the psychology book he is writing; -- The Italian Renaissance -- appears to be a success; is anxious to see Pach's painting and hear about his time in Paris; hopes to interest Pach in Soutine; when working, Soutine hides like a dog gnawing a bone. 2 pp., in French

From Lewis Mumford, Long Island City, N.Y., October 23, 1929: recounts summer travels; is starting a book about the arts in America since 1870; asks for news of Van Wyck Brooks's condition and how Eleanor is coping; he worries about Eleanor's reaction to the proposal that he edit the Emerson book. 2 pp

From Harold M. Tovell, Toronto, Canada, October 25, 1929: "I do think that as a result of patience and education plus your lectures here, that the tide is turning in favor of our Toronto friends"; inquires about Marcel Duchamp; "the house here would be rather bare if it weren't for the Duchamp family. I hope you will tell him how greatly we prize their works." 4 pp

From Jacques Villon, Neuilly-sur-Seine, France, November 23, 1929: Verne wrote on behalf of the Committee of the National Museums accepting Raymond's sculptures; sends text of the Committee's flattering letter; thanks Pach for his continued support of Raymond. 4 pp., in French

From Childe Hassam, New York, N.Y., November 30, 1929: n -- Art in America -- , Pach confuses Horatio and Henry Oliver; Marie Sterner "has gotten together some of the worst things I have ever seen"; "verily art in America is run by old women! but most of them wear trousers." 2 pp

From Leo Stein, Paris, France, December 1, 1929: wants Pach to know the facts regarding his alleged endorsement of Clivette; "I supposed that Hellman was a gentleman and did not suspect a plant." 1 p

From Art Young, New York, N.Y., [postmarked] December 5, 1929: holiday greetings; news of James Opp [ sic], Springarn, Suzanne La Follette, and Glintenkamp; is working on a book and exhibition. 1 p. + 4 pp. enclosure (printed circular, undated, advertising books by Art Young, -- On My Way -- and -- Trees at Night -- , with excerpts from reviews and order form)

From Leo Stein, Paris, France 4218 265-267 [postmarked] January 8, 1930: "There is no artist that I value highly whom you do not also value but... you value many whom I don't"; diagram illustrates Stein's explanation of how their artistic tastes differ. 3 pp

From Elie Faure, Dordogne, France, March 12, 1930: Joubib's [?] awful reputation should be a comfort to Pach's friend who was so badly treated; plans to seek legal advice about suing De la Faille. 2 pp., in French

From Lewis Mumford, Long Island City, N.Y., March 12, 1930: is pleased with his lectures at Dartmouth College; his next book will be "a modern philosophy of life"; compliments Suzanne La Follette's book; he has an article in the first issue of the New Freeman; comments on policies and politics of the "Modern Museum." 4 pp

From Harold M. Tovell, [place unknown], May 16, 1930: "This is about the most perfect thing I have seen for a long time. A truly great work." Picture postcard ("Leonardo da Vinci Bronzlovas. Reiterfigur aus Bronze. Figure a cheval en bronze")

From Susan Macdowell Eakins, Philadelphia, Pa., July 10, 1930: received Pach's picture postcard of a Millet portrait; the "exhibition of Homer, Ryder, and Eakins at the Modern Museum seems to have pleased universally." 1 p

From Bernard Berenson, Florence, Italy, August 22, 1930: "I would rather not see the entire output of a master," even Delacroix; after finishing "the lists of Italian Painters" he will revise Drawings of Florentine Painters; then he plans a book on "The Decline and Revival of Form in the Figure Arts." 8 pp

From Susan Macdowell Eakins, Philadelphia, Pa., September 25, 1930: continues to enjoy the postcards Pach sent, especially the Millet; has found the painting he wants; there will be an exhibition in New York City in December; her good friend Charles Bregler, a pupil of Eakins's, has restored several of the pictures. 2 pp

From Al [Bing?], New York, N.Y., October 19, 1930: "Museum accepts pictures." Telegram

From Susan Macdowell Eakins, Philadelphia, Pa., October 21, 1930: received Barye copy and photos of Millet picture; details of upcoming Eakins show in New York City are uncertain; Charles Bregler has discovered retouching on some pictures; they will be cleaned before the exhibition; some may be placed behind glass to prevent future overpainting done in "ignorance"; enclosed sketch describes a study Eakins did while a student in Paris; wonders where other pieces from that period are, since he did many and returned with few. 2 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., October 23, 1930: through oversight, Pach's watercolors were not presented at the October meeting; "I forsee no trouble in their reception. The modern style has not the bitter enemies it used to have." 1 p

From Ida E. Guggenheimer, New York, N.Y., November 9, 1930: saw a good exhibition of modern French art at Harriman Gallery and a "gem" at Knoedler; is enthusiastic about Villon's colors; subsequent visits to Brummer's confirmed that her collection is superior; Mr. Kraushaar likes Pach's work and promised to see more; "you are right when you say I cannot expect to compete with the hawks of picture dealers"; comments on Ananias; economic conditions depress Mr. Guggenheimer and may prevent them From traveling. 3 pp

From B. Stein, New York, N.Y., November 17, 1930: thanks Pach for his book; saw Villon's "smashing" show; Gretchen purchased The (Rose) Haulers; financial conditions in the United States are "depressing"; is sorry Pach is "impatient" with writing, as he is gifted; is glad Pach is enjoying painting in Paris; describes ideas about modern furniture, which she wants to buy. 5 pp

From Ida E. Guggenheimer, New York, N.Y., December 1, 1930: "sympathetic" to Pach's "natural gratification at the Metropolitan's action;" Kraushaar will look at Pach's work in her apartment; mentions art seen at Reinhardt's and Brummer's galleries; received a letter From Villon. 2 pp

From Susan Macdowell Eakins, Philadelphia, Pa., December 12, 1930: Miss Pendleton took the painting Pach wants and will arrange delivery to him; Miss Pendleton would be a good subject to paint; holiday greetings. 1 p

From Ida E. Guggenheimer, New York, N.Y., December 17, 1930: saw Pach's drawings at Kraushaar's; saw work by Houdon at Anderson Galleries; Pach would enjoy Proust's remarks on music and art. 2 pp

From Allen Tucker, New York, N.Y., January 2, 1931: opinions of Corot-Daumier show at the Modern; Tucker had an exhibition. 4 pp

From Leo Stein, Paris, France, [postmarked] January 19, 1931: discusses "analytic" and "non analytic" approaches to a "nonverifiable subject"; "don't regard this letter as an argument. I never argue about art, but simply attempt to explain an attitude." 5 pp

From Susan Macdowell Eakins, Philadelphia, Pa., January 25, 1931: thanks Pach for bringing Eakins's work to the attention of the Louvre; Charles Linford is a possible choice; "I would prefer to present a picture, rather than sell, so we will not worry about prices"; Riccardo Bertelli's new gallery on 56th is exhibiting Thomas Eakins and Samuel Murray; there is an Eakins show at Babcock Galleries; the national economic situation is too bad to expect painting sales; articles on Eakins mistakenly "report that the little seated figure of Thomas Eakins was his favorite attitude while painting"; pictures shown at Babcock were cleaned by Charles Bregler; glazing was recommended for protection From air pollution; Pach's choice of frame for his Eakins painting is "fine." 4 pp

From Susan Macdowell Eakins, Philadelphia, Pa., February 19, 1931: sends photographs of paintings available for presentation to the Louvre; her choice of the Hamilton portrait is supported by Samuel Murray, Mr. Cranmer, and David Wilson Jordan; the Barker and Wallace portraits are possibilities; her sister-in-law offers the portrait of Susan Eakins' father; sends photographs of Thomas Eakins dating From student days in Paris; she has not seen the Eakins exhibition in New York. 2 pp

From Susan Macdowell Eakins, Philadelphia, Pa., February 21, 1931: Bertelli sold John McClure Hamilton, not understanding that it might go to the Louvre; the Barker and Wallace portraits will not be sold. 1 p

From Morris Kantor, New York, N.Y., March 16, 1931: is busy making frames; saw Pach's exhibition at Kraushaar's; "Paris did you a lot of good because your work has changed.... It has more freedom and a better painting quality"; sympathizes with "Baylie's" misfortune; Kraushaar will give "Baylie" a show; Sloan arranged for him to teach at the League. 3 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., March 17, 1931: "The Museum is much beholden to you however the David matter turns out"; the decision reached at yesterday's meeting will be announced after the painting is unpacked; compliments Pach's show at Kraushaar's; comments on the installation and specific pieces; "as to the Eakins matter I should be honored to cooperate." 2 pp

From A.S. Baylinson, New York, N.Y., March 19, 1931: complimentary comments on Pach's show at Kraushaar's; is moving to a new, fireproof studio at 54 West 74th Street; "I will have the group work there with me evenings as before, and before long we shall forget the fire"; will teach at the Art Students League in the coming year. 2 pp

From Childe Hassam, New York, N.Y., March 27, 1931: Pach's exhibition, which Hassam viewed twice, includes "the best things I have seen of yours"; spoke with John Sloan and Miss Kraushaar at the gallery; describes his etching of Helen Wells and promises to send a photograph of it. 2 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., March 28, 1931: the painting arrived and is "even grander than I had imagined.... It will be one of the masterpieces here"; has been in contact with Mrs. Eakins; thanks Pach for his "beneficent labors." 3 pp

From Susan Macdowell Eakins, Philadelphia, Pa., March 28, 1931: Burroughs and Brummer were consulted in the search for photographs of Eakins paintings; lists sizes of paintings under consideration; J. Carroll Beckwith might interest the Louvre. 2 pp

From Bryson Burroughs, New York, N.Y., March 31, 1931: "David Bought Hooray." Telegram + 1 p. enclosure (April 1, 1931 From Morgan & Cie., Paris, France: debit notice for collect telegram received From New York the previous day)

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., April 14, 1931: Museum is pleased with the David painting; thanks Pach for his role in the transaction; "waiting for the Eakins matter to crystallize"; wants the Pennsylvania Museum to offer Clara or The Bohemian; the Louvre should have an example of Eakins' "very best"; will propose the idea to Kimball. 2 pp

From Arthur B. Springarn, New York, N.Y., April 21, 1931: is "profoundly impressed" by Pach's exhibition; his work shows a new "lack of inhibition"; "I resent the conspiracy of silence of the critics tho' I suppose that is the price you pay for being the author of Ananias"; gives recommendations for Raymond's schooling. 6 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., May 3, 1931: "The Penn. Mus. Eakins project takes shape gradually"; Clara may be "suitable"; the "exchange" proposed is complicated and requires "committee actions"; maybe they could give Clara to the Louvre; Kimball will "come round." 3 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., May 11, 1931: sends copy of a letter From Fiske Kimball and a reproduction of Clara; upon seeing the painting again "my previous judgement was amply confirmed." 1 p. + 1 p. enclosure (May 8, 1931, to Bryson Burroughs From Fiske Kimball, Director, Pennsylvania Museum of Art, Philadelphia, Pa.: "I shall recommend to my Board that a gift be made to the Louvre"; instructs Burroughs to ask Guiffrey whether the Louvre will accept Clara; discusses framing and Eakins's ideas on the subject)

From Jean Guiffrey, Louvre Museum, Paris, France, June 2, 1931: thanks for the Eakins painting; when informed of the gift, his colleagues will be grateful. 1 p., in French

From Abby Greene (Aldrich) Rockefeller, Pocantico Hills, N.Y., June 10, 1931: purchased Pach's painting of anemone; thanks for "the trouble you have taken about the Géricault drawing." 3 pp

From Henri Verne, Director, Louvre Museum, Paris, France, June 18, 1931: thanks Pach for his role as intermediary in the Louvre's acquisition of a Thomas Eakins painting. 1 p., in French

From Bryson Burroughs, [place illegible], France, June 24, 1931: Is arriving in Paris in July; wants to see David-Weill collection; "it is a great comfort the way the Eakins matter turned out and I am really glad to be out of its final arrangement"; is going to Milan to see the -- Très Belles Heures -- . 2 pp

From Susan Macdowell Eakins, Philadelphia, Pa., June 27, 1931: Is pleased with the choice of painting for the Louvre; thanks Pach for his efforts. 2 pp

From Bryson Burroughs, aboard SS De Grasse, July 19, 1931: Guiffrey "is delighted about the Eakins and well appreciative of your efforts in regard to it"; Metropolitan Museum of Art may participate in the French exhibition in London next year; "a new era of liberalism and cooperation is about due with the passing of so many ancient trustees"; describes the excellent condition of the -- Très Belles Heures -- . 3 pp

From Caroline Pratt, Chilmark, Mass., August 14, 1931: Discusses Raymond's academic progress and challenges; gives recommendations for the future. 5 pp

From Elie Faure, Peking, China, October 7, 1931: Received a warm welcome in the United States; the end of his trip and the end of his life are darkened by catastrophe. Picture postcard ("Great Wall of China"), in French

From Beatrice [?], New York, N.Y., October 10, 1931: " Simone is ours." Telegram

From Elie Faure, Angkor, Cambodia, November 14, 1931: Expresses love for America and Americans; thinks the hope of the world is in the United States and also between the Urals and Vistula. Picture postcard ("Ruines D'Angkor"), in French

From Ida E. Guggenheimer, New York, N.Y., November 15, 1931: Etta Cone bought a Pach painting and is "enthusiastic" about Duchamp-Villon; "saw the Mouillots at Brummer's and I must confess to being very disappointed"; she "positively rejoice[s]" in her own piece by Duchamp-Villon; many praise Pach's work in her collection; art prices are down; news of various friends, especially musicians. 4 pp

From Jean Crotti, Paris, France, November 18, 1931: "I have always declined to write prefaces for contemporaries (the cases of Villon and Duchamp-Villon being exceptions which I intend shall remain exceptions); it is a job for a professional critic, and not for a man who is himself engaged in painting." 2 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., November 24, 1931: Gift of 2 etchings by Pach was received by the Museum. 2 pp

From Elie Faure, Colombo, Ceylon, November 25, 1931: Everyone says his wife and daughter were courageous and that helps him tolerate the loneliness; is anxious to see the Corot book, especially the reproductions; will continue writing for -- Petit Parisien -- ; now believes one must write for the masses. 2 pp., in French

From Henri Verne, Director, Louvre Museum, Paris, France, December 22, 1931: Thanks Pach for his gift of an engraving of New York. 1 p., in French

From Al Bing, New York, N.Y., December 23, 1931: Socrates by David and the Havemeyer collection are now hanging at the Metropolitan; Whitney Museum, Frick Gallery, and the Modern Gallery will all be open when Pach returns; Coffin, "a man of great ability and sterling character," has been elected Museum president; is interested in the Bonaparte exhibition; asks Pach to help sell his Renoir. 12 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., January 9, 1932: Trustees will want more information about the Géricault picture; they trust printed sources over his opinions; is hopeful that Coffin can make "improvements"; though Pach is "eminently suited for Museum work," this is a poor time to enter the field. 2 pp

From Albert Morance, La Chef des Services Commerciause et Techniques, Louvre Museum, Paris, France, January 11, 1932: Is returning to Pach the contract concerning his engraving. 1 p. + 2 pp. printed form (Louvre Print Department acquisition form for The Telephone and Telegraph Building, New York, and rules for transfer of works to the Print Department), in French

From Leo Stein, Paris, France, [postmarked] January 12, 1932: Discusses "two questions that always arise in respect to art... (1) What qualities does one note in a work of art. (2) What value has that which one sees." 6 pp

From Allen Tucker, New York, N.Y., January 18, 1932: Pach's stay in Morocco seems to have been beneficial; 1931 was a difficult year; hopeful for the future; "the Whitney has shaken the whole thing up and American shows past and present and I daresay future are everywhere"; "Rivera having a grand time in a pas de deux with Mrs. Rockefeller at the Museum of 'Foreign' Art." 3 pp

From Henri Verne, Director, Louvre Museum, Paris, France, January 26, 1932: Thanks Pach for his role in the Louvre's acquisition of the Eakins painting; it arrived in good shape and was readily accepted; is still considering the Barye castings. 1 p., in French

From Leo Hartman, Harper's Magazine, New York, N.Y., February 1, 1932: The artists mentioned in Pach's article are too obscure for Harper's readers. 1 p

From Al Bing, New York, N.Y., February 7, 1932: Thanks Pach for helping him find a potential buyer for his Renoir; discusses the Furdson and Havemeyer collections at the Metropolitan; family news; is anxious for Pach's return. 7 pp

From Van Wyck Brooks, Westport, Conn., February 8, 1932: "The Depression is not to be underestimated" and could change the social order; discusses colleges for Raymond; Life of Emerson and a volume of his essays reprinted From the Freeman will be out soon; the Prendergasts live nearby; "Charlie P. is surely a true primitive old master to whom only Vasari could do justice in the way of antecedents"; "I kept thinking as I read your book, what new books must logically follow From your mind"; suggests Pach write histories of art criticism and American art. 10 pp

From Henri Verne, Director, Louvre Museum, Paris, France, March 5, 1932: Because Barye's -- Apollon -- is a fragile plaster, the curator cannot risk making castings. 1 p., in French

From Childe Hassam, New York, N.Y., March 8, 1932: Has a print of Helen Wells for Pach; the Metropolitan Museum filmed him at work and play in East Hampton last summer; the Boston Museum commissioned a similar film of Benson. 3 pp

From Ida E. Guggenheimer, New York, N.Y., March 25, 1932: Sent another payment for City of Mexico to Pach's bank; several people have shown interest in Simone; she and the Steins purchased work From Baylinson's Kraushaar show. 3 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., March 26, 1932: The Géricault is a "grand picture, but don't pin any faith on the taste of trustees"; Pach would find it frustrating to work within the museum's structure; is anxious to correspond or converse about Hubert and Jan Van Eyck. 2 pp

From Allen Tucker, New York, N.Y., April 10, 1932: Congratulates Pach on his show and catalog; compliments the Morse exhibition at the Metropolitan; "the Whitney gallery has shaken up the attention of people to the present Americans." 2 pp

From D.T. Sieveking, Director, Antikensammlungen, Munich, Germany, April 27, 1932: Returns the completed questionnaire. 1 p. + 1 p. enclosure (questionnaire about Greek figure known as -- Naked Girl with Cap -- ), in German

From John Sloan, New York, N.Y., April 30, 1932: Recounts the politics of the League's presidential election that he lost; Schnakenberg will be an "inactive president"; when the Board turned down Geo. Grosz, Sloan resigned; Jonas Lie threatened to resign if Pach lectures there; Sloan will teach at Archipenko's school next season; Dolly is a manager for the touring Exhibition of Indian Tribal Arts; Baylinson supported Sloan in the "fight"; financial details of the Sixteenth Annual Independent Exhibition. 2 pp

From Charles Bourgeat, Galerie Dru, Paris, France., May 7, 1932: Received payment for Pach's exhibition there; cannot locate the Sisley and Pissarro photographs Pach sent; their aim to show fine and beautiful painting was accomplished with Pach's exhibition; difficult times account for compliments and no sales. 2 pp., in French

From Ida E. Guggenheimer, New York, N.Y., May 10, 1932: Her opinion of photography remains "good, but not art, and deadly after a certain length of time." 1 p

From Ida E. Guggenheimer, New York, N.Y., May 22, 1932: Hopes Pach's article, "Owning Pictures," will be published; the museum's rehung galleries present interesting new comparisons; asks his opinion of the Art Students League controversy; saw Baylinson at the Independent show; purchased a Baylinson drawing From Kraushaar. 3 pp

From the -- Atlantic Monthly -- , Boston, Mass., May 31, 1932: Pach's article is of limited interest to Atlantic Monthly readers. 1 p

From M.L. Allen, -- Harper's -- Magazine, New York, N.Y., June 2, 1932: Pach's article, "American Art in the Louvre," is not appropriate for a general audience. 1 p

From Gino Severini, Fribourg, Switzerland, June 16, 1932: His schedule will not permit another meeting before Pach's departure; the art market will improve; is interested in the prospect of a show at Brummer's; "decoration work" for Weyhe may end in September; thanks Pach for his help. 2 pp., in French

From P. Dubaut, Paris, France, July 19, 1932: Thanks Pach for sending clippings; the gallery behaved professionally but was not overly kind; was generally pleased with the show; is happy to know Pach. 2 pp., in French

From Alfred Vance Churchill, Rockport, Mass., July 25, 1932: Pach was the first to write of the Smith College Museum as "one of the choicest and best directed collections of art in America"; has received many commendations and is putting together extracts "for certain personal uses"; requests additional thoughts From Pach on the collection. 3 pp

From Alfred Vance Churchill, Rockport, Mass., July 25, 1932: Is trying to arrange a lecture for Pach at Smith College and perhaps at Mount Holyoke College; Jere Abbott will succeed him as museum director; thinks his retirement was forced on the trustees by Paul J. Sachs. 4 pp

From Nadine and Ad. Wuester, Paris, France, January 5, 1933: Pach is missed as their circle of friends diminishes; painted at the Côte d'Azur last summer; shows of Renoir and Delacroix were exceptions in a dull art season; Aubrey's gallery is now a junk shop; mentions auctions of the Strauss and Pacquemont collections; Goetz's Delacroix still-life was reattributed to Andrieux; a sketch said to be by Géricault appeared at the Hôtel Drouot; cheap reproductions are being passed off as Géricault watercolors. 5 pp., in German

From Elie Faure, Paris, France., January 7, 1933: France is declining; sends family news; Paul Morand gave his book a favorable review; inquires whether Pach has found work; there are fewer exhibits in Paris; good paintings are now seen only at the big sales such as Strauss. 2 pp., in French

From Marjorie Carpenter, Hamilton, Ontario, Canada, January 9, 1933: Confirms lecture date at McMaster University. Telegram

From Gertrude Wolf, Executive Secretary, New York University, New York, N.Y., January 9, 1933: Requests syllabus for last 2 lectures of Pach's course and the examination questions. 1 p

From Susan Macdowell Eakins, Philadelphia, Pa., [postmarked] January 19, 1933: Informs Pach of prices of two Eakins portraits; many Eakins paintings were damaged by restorers; others are in "splendid condition" due to the efforts of Charles Bregler; comments on Mrs. Whitney's plans to aid painters. 1 p

From William Reinhold Valentiner, Director, Detroit Institute of Arts, Detroit, Mich., February 9, 1933: Thanks the Pachs for a warm welcome; enjoyed seeing Pach's paintings and his personal collection; the picture signed Hogarth is not by the master; the signature on the Géricault drawing appears genuine. 2 pp., in German

From Elie Faure, Paris, France, June 20, 1933: Has been ill for 2 months; the French economy is poor, resulting in greatly reduced incomes; Rivera has been forbidden to make public speeches; a Chassériau exhibit is open; Joubin, who organized the current Renoir show, knows nothing about painting and villifies artists while they are alive but sanctifies them after they are dead; among the beautiful paintings in the exhibit is a portrait of Sisley and his wife. 6 pp., in French

From Elie Faure, Paris, France, September 23, 1933: Madame Siluster died; she had 4 Delacroix drawings of which Faure kept 2, gave 1 to François, and sent to Pach a portrait sketch of Madame Guizot; Pach should tell Rivera that Faure is upset that he did not translate Mon Périple; is enthusiastic about Rivera's paintings and frescoes and considers him a great illustrator; the chapter Faure sent was ignored, which is a disappointment as he hoped to interest an American editor; is depressed over the rejection of his collected essays; the Renoir exhibition is a disgrace to the memory of the artist, who is misunderstood and detested by the organizers of the show. 4 pp., in French. to Herbert Eustis Winlock From Walter Pach, New York, N.Y. 4218 481-483 November 12, 1933: Refers to previous discussion of the "Indian collection"; suggests a "single gallery of Indian art including Mexican, and adding, if desired, the other peoples whose work has a sufficient art value"; use art rather than anthropology as the criterion; "my idea is that the museum should accept the collection Mr. Sloan intends to offer as a gift From his association, or accept part of it as the nucleus of a gallery of the art of the so-called barbarous peoples." 3 pp

From Elie Faure, Paris, France, December 9, 1933: A Courbet, which Faure believes is his most beautiful, is for sale; indicates price, size, and citation of a reproduction; inquires about the financial crisis in the United States; comments on economic problems, political events, and inertia of the French people; is writing a preface for Rosenberg's Renoir exhibit; asks about Pach's painting and printmaking; requests news of Rivera about whom he wrote an article; Harper's sent money and will reprint The Spirit of the Forms. 4 pp., in French

From Ida E. Guggenheimer, New York, N.Y., December 10, 1933: Saw the Cézanne exhibition twice; "as for Dr. Valentiner, of course I am all with Rivera.... No good can come out of anything as bad as the Hitler program." 2 pp

From Clifton A. Wheeler, Indianapolis, Ind., February 2, 1934: Discusses fellow board members of the Indianapolis Art Association and acquisitions; "modernization" was the response to declining school enrollment; 9 instructors, including Wheeler, were fired; describes life on the top of La Conte Mountain, Tenn., where he painted the previous fall; has mural and portrait commissions, "so long as I can make a living I don't care if I don't teach." 8 pp

From E.D. Smyth, Tangier, Morocco, September 19, 1934: Thanks Pach for sending a painting of Helen; is staying in Helen's house; Gertrude Stein's book about Alice Toklas is "an overwhelmingly cheeky work" that failed to mention Pach; news of mutual friends; reminiscences of visits with the Pachs; James McBey, a Scottish painter and etcher, has settled nearby. 3 pp

From Marcel Duchamp, Paris, France, October 17, 1934: Feels animosity toward Barr, whom he calls narrow-minded; will handle in his own way any resulting confrontation or unpleasantness; told Arensberg, owner of -- Un Descendant -- , not to lend to Barr; asks Pach to find an excuse for refusing Barr; Barr shall reap what he has sown; American collectors are now speculators; sends order forms for his new book. 5 pp., in French

From Elie Faure, Paris, France, December 4, 1934: The owners of the Courbet are impatient; asks if it has arrived in New York; suggests that a collector, Barnes, or the Metropolitan Museum of Art may be interested; his book is being ignored in France; if Pach has money, now is a good time to buy art; tells of works that are selling at reduced prices. 2 pp., in French

From Simonne Maubert, Paris, France, December 22, 1934: Miss Stein wrote with good news of Pach; posed for Miss Stein during the autumn and hopes for similar work next year. 2 pp. + picture postcard ("Palais de Fontainebleau, La Cour Ovale et le Baptistère"), in French

From A. Frohberg and Johanna, Dresden, Germany, December 31, 1934: Thanks Pach for letter and for holiday greetings; the news of Pach's selection for an important commission brings them great joy; news of a family friend who has made progress and overcome obstacles. 2 pp., in German

From Karl Lilienfield, New York, N.Y., May 13, 1935: Confirms the commission Pach will receive if he sells paintings for Alexander M. Bing. 1 p., in German

From Henri Focillon, New Haven, Conn., May 21, 1935: Thanks Pach for sending the fine article he wrote on -- La Patelliere -- , which he saw in Bucharest; when visiting the Politzers, he failed to recognize Pach's name, thus missing the opportunity to express his admiration and respect. 2 pp., in French

From Father [Frohberg] and Johanna, Dresden, Germany, July 2, 1935: Birthday greetings. Picture postcard ("Herzlichen Gluckwunsch zum Geburtstage"), in German

From Bernard Berenson, Florence, Italy, September 13, 1935: Opposes exhibitions such as the current one at the Petit Palais; is revising his work on drawings of Florentine painters; "foulness piled over Michelangelo by a lot of German animals, the worst of whom is a biped named Panofsky." 12 pp

From Elie Faure, Paris, France, September 24, 1935: Asks about Pach's frescoes and requests photographs; discusses the dire economy and his own financial situation; believes the movement born of cubism is dead in France and explores this idea more fully in a preface he wrote for Brummer's upcoming Lipchitz exhibition; discusses an exhibition of Italian art and the poorly received article he wrote about it for L'Humanité; visited London, which seemed more alive than Paris; objects to glass on paintings at the National and the Wallace; has not heard From Rivera, possibly because Faure's article was not flattering enough. 4 pp., in French

From Clifton A. Wheeler, Indianapolis, Ind., October 20, 1935: Pach should notify the director of the John Herron Art Institute of his schedule and lecture fees; is teaching at a high school; the art school is now "purely Yale, Beaux Arts competition, and American Academy in Rome." 2 pp

From Edna Strasser, Amsterdam, the Netherlands, October 26, 1935: Called on friends of Pach, the Brinkman family of Haarlem; saw the portrait Pach painted of their brother in 1906. 3 pp

From Arthur Strasser, Seville, Spain, November 18, 1935: Recounts visit with Brinkmans in Haarlem; is impressed by the Prado, Rubens, and El Greco; at Pach's suggestion, they have attended several performances of gypsy music and dancing. 4 pp

From Elie Faure, [place unknown], November 29, 1935: Is enchanted by and praises the most successful part of Pach's triptych; discusses the economy and prospects for work in France; continues to be pessimistic about painting in France; architecture is what is needed now and cinema may become more important than painting; mentions a Flemish exhibition; congratulates Pach on his portrait of a young man, possibly Raymond; the critics who denounced what Faure wrote on the agony of painting now admit he was right. 4 pp., in French

From A. Frohberg and Johanna, Dresden, Germany, March 2, 1936: Belated birthday greetings; tell Magda everything has been done for Zittau [?]. Picture postcard (untitled), in German

From Gerda Stein, New York, N.Y., March 10, 1936: Thanks Pach for his friendship; "accept this simple expression of my appreciation for what you have given me and the earnest hope that it will bring you an answer to some of the problems that perplex you." 4 pp

From Ida E. Guggenheimer, Ontario, Canada, August 4, 1936: Read his review in the -- Nation -- and wants to see the exhibition; the watercolor of Magda acquired by the Brooklyn Museum is one of Pach's best. 1 p

From Charles Bourgeat, Paris, France, August 21, 1936: The Seligmanns request a meeting about the Ingres paintings Bourgeat and Pach discussed earlier; sends 2 color reproductions of Cézanne paintings that Cézanne's son wants to sell; discusses prices and commissions; saw the Cézanne works now in the Orangerie; asks if Etta Cone might be interested; missed Bing's visit to Paris. 4 pp., in French

From Bernard Berenson, Grusbach, Czechoslovakia, August 26, 1936: "You are one of the last surviving acquaintances who, in the study of art, have not gone over to irrelevant promiscuity"; discusses attribution of Goldman's Madonna; has begun writing "The Decline and Recovery of Form"; spent 6 weeks in Yugoslavia studying Roman remains and Byzantine frescoes. 4 pp

From Bernard Berenson, Florence, Italy, November 30, 1936: Read his article in the -- Virginia Quarterly -- ; he liked the photograph of Pach's fresco more than the article; tell Van Wyck Brooks he is welcome to visit when next in Florence; spent 5 weeks in Paris. 4 pp

From Elie Faure, Paris, France, December 28, 1936: Eight months ago Lizou married a man who died of cancer a few days later; his books are not selling well; History of Art is unavailable and financing cannot be found for a new edition; saw an exhibit of Bonnard and Vuillard; considers mural work the only important current painting; recounts a visit to Spain; Rivera was wounded in Mexico; Rivera's recent silence may be the result of Faure's article. 4 pp., in French

From Herbert Eustis Winlock, Director, Metropolitan Museum of Art, New York, N.Y., February 13, 1937: Winthrop will not loan his collection. 1 p

From Allen Tucker, Castine, Maine, May 30, 1937: "I wonder if Museums and concerts haven't stopped rather than helped our creative efforts"; is glad to be back in America; wrote to Moe; "the foundation likes to bet on the unknown instead of helping anyone who has shown they HAVE ability and have done the work"; congratulates Pach on continuing to paint despite other responsibilities; sorry to hear Sloan is unwell. 1 p

From Ernestine Ludolf, Florence, Italy, June 22, 1937: Pach is "a good and faithful friend"; his kind words about Egisto are like "a flower of remembrance on his grave"; wants to give him a small painting by Egisto, showing a corner of the Montmartre studio where he and Pach first met. 6 pp

From Ida E. Guggenheimer, Paris, France, September 13, 1937: Attended a conference in Paris; visited the Fountain of the Innocents; made a thorough tour of the exhibition with Villon. 3 pp

From Marcel Duchamp, Paris, France, September 28, 1937: Would like to see his painting -- Sad Young Man on a Train -- join related paintings in California and believes Arensberg would agree; requests a photograph of the painting to reproduce in an album he is compiling. 2 pp., in French

From Allen Tucker, New York, N.Y., November 1, 1937: Thanks Pach for the Delacroix book; congratulations on "another great contribution to civilization"; completed a "pretty good summer's work" before his illness. 2 pp

From Van Wyck Brooks, Westport, Conn., November 18, 1937: Thanks Pach for the book on Delacroix; the introduction is "wholly satisfying." 2 pp

From Van Wyck Brooks, New York, N.Y., November 23, 1937: Reads some of Delacroix each day; "I'm beginning to understand your feeling about him." Picture postcard ("Self Portrait by Francesco Goya. Frontispiece to Los Caprichos. Madrid, circa 1803")

From L. (Mme. Elie) Faure, Paris, France, November 30, 1937: Thanks Pach for writing to her; wants to carry out her husband's wishes to make his work publicly accessible; sends a list of Faure's unpublished articles; discusses financial matters relating to the Harper's contract. 4 pp., in French

From Royal Cortissoz, New York, N.Y., January 2, 1938: Thanks Pach for his book on Delacroix, "the work of an artist and man of letters." 3 pp

From Van Wyck Brooks, Westport, Conn., November 2, 1938: "I'm glad to stand by that statement." Picture postcard ("Mountain landscape. Chinese, Ming Period, 15th century, after a design attributed to Ma Yiian (flourished 1190-1221)")

From Henry Watson Kent, Metropolitan Museum of Art, New York, N.Y., November 3, 1938: Thanks Pach for the "kind letter about the Morgan exhibition." 1 p. (frame 589) and envelope

From Henry Watson Kent, New York, N.Y., November 8, 1938: Thanks Pach for the inscribed copy of his book; is proud to be associated with the book and to have Pach say kind things about him. 1 p

From Van Wyck Brooks, Westport, Conn., November 9 and 11, 1938: Read -- Queer Thing, Painting -- ; "I had better begin now by telling my few objections, in order to hand you later my full bouquet"; "you exaggerate the Villon connection"; "you exaggerate the ignorance of Italian art on the part of our forbears"; "you praise some collectors too highly," especially Morgan and John Quinn; "your memory of Yeats is suspect"; Pach has created a "permanent record and source-book" full of "wisdom." 14 pp

From Van Wyck Brooks, Westport, Conn., November 15, 1938: Grants permission to quote From his previous letter; Pach's book is "tremendously important." 2 pp

From Kenneth Hayes Miller, New York, N.Y., November 15, 1938: Congratulations on -- Queer Thing, Painting -- ; the book has "permanent value." 1 p

From Louis Lombard, [place unknown], France, November 23, 1938: Thanks Pach for his letters; describes the horrors of life as a soldier; he reads Whitman to maintain good spirits. 4 pp., in French

From Henry Watson Kent, Metropolitan Museum of Art, New York, N.Y., December 9, 1938: Advises Pach to distribute new cards to schools. 1 p. + 1 p. enclosure (suggested text for announcement of Pach's availability as a lecturer)

From W.S. Rusk, Wells College, Aurora-on-Cayuga, N.Y., December 21, 1938: "Thank you for the conference the other day in which we discussed the artist and the art critic." 1 p

From G. Masolle, Evian, France, December 31, 1938: Thanks Pach for the extract From his book, which she translated immediately; it showed perfect understanding of Jean's character; -- The Prisoners of the World -- is impossible to find; Jean Cocteau has not published Jean's first essays or poems. 2 pp., in French

From Ernestine Ludolf, Florence, Italy, February 20, 1939: Is "grateful" for the "lovely tribute" to her brother, Egisto Fabbri, that appeared in Queer Thing, Painting; she and her brother were students of J. Alden Weir; Pissarro advised them to study the Old Masters; details of the sale of 12 Cézanne paintings From Egisto's collection; sending a privately printed memoir of her brother; invites Pach to call on her and various relatives when he is in Florence. 4 pp

From Simonne Maubert, Paris, France, April 5, 1939: Thanks Pach for sending his book; she was happy to recognize herself in one of the chapters; her English is improving and one day she may be able to read the entire book. 4 pp., in French.

To Magdalene Pach From Van Wyck Brooks, Westport, Conn., July 8, 1939: Is looking forward to the Pachs' visit. 2 pp

From Van Wyck Brooks, Westport, Conn., December 29, 1939: The book is a "glorious achievement... by far your best book"; it "brought back all my gratitude to you for all that you have taught me about art." 4 pp

From Daniel Gregory Mason, New York, N.Y., March 15, 1940: Thanks Pach for the "great pleasure and stimulus" of Ingres; "one grows to feel something of the affection, respect, and admiration for Ingres that you show the way to." 1 p

From Don F. Dickson, Director, Dickson Mound Museum, Lewistown, Ill., March 28, 1940: Sends photographs of pipes that Pach found interesting. 1 p. + enclosures (4 photographs of ceremonial pipes: "Front view of a human effigy tobacco pipe From the Great Temple Mound in Oklahoma, Ceremonial type"; "Front view. Ceremonial type"; "Side view. Ceremonial type"; and "Back view of human effigy tobacco pipe From the Great Temple Mound in Oklahoma, Ceremonial type")

From Bernard Berenson, Florence, Italy, March 30, 1940: Was interested in the Ohio mound builders in his youth; "my writing days are over I fear, for one thing I feel afraid I have nothing to say that would not sound commonplace"; "too much absorbed" in what is going on in this part of the world." 8 pp

From Ernestine Ludolf, Florence, Italy, April 18, 1940: Ingres is "splendid"; sympathizes with the "difficulties" Pach encountered when organizing the World's Fair art exhibition. 6 pp

From Van Wyck Brooks, Boothbay Harbor, Maine, September 2, 1940: Pach has found "the only paragraph in the whole book (which after a dozen rewritings) left me unsatisfied." Postal card

From G. Masolle, Evian, France, October 14, 1940: Is happy that Jean's memoirs are in Pach's hands; awaits English victory; the French are suffering, but she is confident the country will survive. 2 pp., in French

From Van Wyck Brooks, Westport, Conn., April 9, 1941: "We missed you at the John Sloan dinner"; he won't write any more about expatriates. 3 pp

From Alfred Vance Churchill, Northampton, Mass., April 21, 1941: Congratulations on Ingres; recalls Pach's help in acquiring important paintings for the Smith College Museum of Art. 3 pp

From Art Young, New York, N.Y., May 9, 1941: Congratulations on -- Masterpieces of Art -- . 1 p., illustrated with drawing of a stooped man walking with a cane

From Hugo Robus, New York, N.Y., June 13, 1941: Was pleased by Pach's letter praising his marble at the Museum of Modern Art; Alfred Barr was "delighted" by Pach's comments; there is also a Robus bronze at the Museum of Modern Art; "I never dated my work and so the actual year of production is a pretty hazy matter." 2 pp

From Ruth A. Wilmot, Oak Bluffs, Mass., [postmarked] August 2, 1941: She and Donald are enjoying their vacation. Picture postcard ("Yacht Club and Harbor, Edgartown, Mass.")

From Kenneth Hayes Miller, New York, N.Y., August 7, 1941: Comments on paintings From the Louvre shown at the M[etropolitan] M[useum of Art]; he doesn't enjoy the country as Pach seems to. 2 pp

From Bernard Berenson, Florence, Italy, August 30, 1941: "I believe the entire Mississippi basin to its utmost reaches was flooded with Aztec influences"; requests photograph of a piece Pach mentioned seeing in Columbus, Ohio; "French art will rise again"; recalls his first acquaintance with Poussin's work. 2 pp

From Van Wyck Brooks, Westport, Conn., September 4, 1941: "I am reacting against this whole conception of 'mankind' as 'rabble' "; his new book will expound on this. 2 pp

From Charles Cunningham, Assistant Curator of Paintings, Museum of Fine Arts, Boston, Mass., September 11, 1941: Requests additional information about Pach's Delacroix painting; shares information on works in the collection of George Reinhardt, Winterthur, and the Metropolitan. 2 pp

From Charles Cunningham, Assistant Curator of Paintings, Museum of Fine Arts, Boston, Mass., October 15, 1941: Sends summary of information compiled when cataloging the Museum's version of Delacroix's -- Christ on the Sea of Genesareth -- . 1 p. + 4 pp. enclosure (notes on 6 versions of the painting)

From William Mills Ivins, New York, N.Y., [postmarked] January 27, 1942: Thanks for his "warm approval of the Bulletin article." 1 p

From Van Wyck Brooks, Norwalk, Conn., [postmarked] February 3, 1942: Thanks for sending the brochure about Quidor. Picture postcard ("The Dance of Death. The Ploughman Woodcut by Hans Holbein the Younger. German, 1497-1543")

From Van Wyck Brooks, Westport, Conn., [postmarked] February 19, 1942: Thanks for the Quidor catalog; saw the show yesterday; "he's really a discovery." Picture postcard ("Saint George and the Dragon. Woodcut by Lucas Cranach the Elder. German, 1472-1553")

From Van Wyck Brooks, Westport, Conn., [postmarked] February 27, 1942: "What you say about the book makes me regret all the more that it has to be postponed." Picture postcard ("Rembrandt, Dutch, 1606-1669. Portrait of the Artist"), with annotation by Pach: "Book on American Art proposed to the American Philosophical Society."

From Fred M. Stein and Arthur Strasser, New York, N.Y., March 21, 1942: In "recognition of what you have meant to the [Schilling] Fund... [we] take great pleasure in sending you the enclosed." 2 pp

From M.M. Pochapin, Music Appreciation Record Corporation, New York, N.Y., May 6, 1942: Please sign and return a copy of the agreement. 1 p. + 1 p. enclosure (May 6, 1942, From M.M. Pochapin, New York, N.Y. Pach has been selected a Judge for the "Art Appreciation Movement. In this capacity you are to pass on the true value of paintings submitted.").

to Magdalene Pach From M.M. Pochapin, Managing Director, Art Appreciation Movement, New York, N.Y., May 13, 1942: Requests that she read the organization's pamphlet about the Art Appreciation Movement and complete the "lengthy Qualification Form"; "great artists will make their paintings available at these small Public Service prices." 2 pp

From M.I. Block, Art Appreciation Movement, New York, N.Y., May 27, 1942: Receipt for 5 oil paintings consigned. 1 p

From Reginald Poland, Director, Fine Arts Gallery, San Diego, Calif., 5 June 25, 1942: "We realize increasingly that, in the Caravaggio, we have a magnificent work of art"; "we have just acquired a glorious Titian Madonna, painted about 1514-- very strongly Giorgionesque." 1 p

From Van Wyck Brooks, Westport, Conn., [postmarked] July 8, 1942: "What happens to them [artists] when they are 'above' politics? Don't they in the end lead themselves to the politics that destroy them?" Postal card + clipping ("Guest Artists," Time)

From Van Wyck Brooks, Westport, Conn., July 15, 1942: "I won't agree with you about artists and politics"; "a certain breadth of interests and sympathy does not drain one's energy." 2 pp

From Raymond B. Humphrey, Brown, Crosby & Co., Inc., New York, N.Y., July 17, 1942: Discusses insurance and storage arrangements for Pach's property while he is in Mexico. 2 pp

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., July 17, 1942: Agrees to publish his article on Ingres. 1 p

From Raymond B. Humphrey, Brown, Crosby & Co., Inc., New York, N.Y., July 20, 1942: Sends "lost policy releases" and policy numbers. 1 p

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., August 4, 1942: Pach's article on Ingres will appear in the October issue. 1 p

From Gilbert R. Gabriel, Schneider-Gabriel Galleries, Inc., New York, N.Y., August 10, 1942: "Your article on the Ingres is a masterpiece"; discusses the price of a painting of Trinity Church. 2 pp. + enclosures (12 business cards and 4 handwriten notes containing names, addresses, and telephone numbers of Mexican acquaintances)

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., August 19, 1942: Pach's piece on Ingres will be the lead article; accepts his proposal for an article on the "Mexican primitive Bustos." 1 p

From Raymond B. Humphrey, Brown, Crosby & Co., Inc., New York, N.Y., September 3, 1942: Discusses overpayment of insurance premium. 1 p. + 4 enclosures (3 invoices and inventory of artwork in storage). [postmarked September 3, 1942] From John Strasser, New York, N.Y. 4218 703-705 September 4, 1942: Discusses "early Hispano-Mexican" Madonna; "Rosenberg has an attractive show." 3 pp

From John Sloan, Santa Fe, N.Mex., September 8, 1942: Is home From the hospital; his exhibition was in Chicago, Denver, and Santa Fe, and will go to Albuquerque next and then Fort Worth; received "enthusiastic notices"; sold 2 pieces. 2 pp

From Jacob M. Heimann, Beverly Hills, Calif., September 14, 1942: "I greatly appreciate the idea of making an exhibition in Mexico"; inquires about lighting and dimensions of the galleries; "the lack of interest and the ignorance as far as art is concerned here, is unbelievable." 1 p. + 1 p. enclosure (lists of numbers)

From Lasar Kipnis, New York, N.Y., September 18, 1942: "Considering risk expenses at present offer seven and half percent for next three years." 1 p

From Lasar Kipnis, New York, N.Y., September 21, 1942: Expenses will be high; recommends he establish a relationship with Mizracchi [ sic] before arriving in New York; show him some "really valuable" paintings as well as "less expensive works on the sale of which we may really count"; suggests a selection of "object d'art" From A la Vieille Russie; November is the best time for an exhibition in Mexico. 3 pp

From John Strasser, New York, N.Y., September 25, 1942: Pyramid of the Sun, as it appears in the photograph, is "dazzling"; discusses his search for a job. 2 pp

From Lasar Kipnis, New York, N.Y., September 29, 1942: Proposed exhibition may receive the cooperation of the president of Mexico and the king of Rumania; "we must and shall have a first class show"; mentions several works he intends to include. 1 p

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., October 5, 1942: The editor of Cuadernos must insert a notice stating the article was written for publication in Art in America and appears simultaneously in translation. 1 p

From M.M. Pochapin, President, Art Movement, Inc., New York, N.Y., October 8, 1942: Is deciding whether to continue the Art Movement; Marsh resigned; "my enthusiasm has never waned"; Sloan remains involved; plans to market paintings through department stores; work by Walter and Magda Pach is being shown in Philadelphia and Atlanta. 2 pp

From Diego Rivera, [place unknown], October 13, 1942: He and the editors extend thanks and enclose payment. 1 p., in Spanish

From Adrian Bourcart, [place unknown], Mexico, October 21, 1942: Had the pleasure of attending Pach's lectures on art; requests clarification of true art versus false art and live art versus dead art. 4 pp., in French

From Robert Lebel, New York, N.Y., October 22, 1942: Saw Misrachi; likes [filmed twice] Pach's idea for an exhibit in Mexico; Marcel Duchamp and André Breton organized a surrealist exhibition; Guggenheim was inaugurated with an ingenious exhibition; the Dutch show at Duveen's is successful; Rosenberg has a Léger show and is preparing a Cézanne exhibit; Rosenberg is interested in Marsden Hartley; Chagall, now an official member of the surrealist group, is exhibiting at Pierre Matisse; Goetz may exhibit Paul Klee. 1 p., in French

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., October 22, 1942: "I was delighted with your article on Bustos"; "unless the article appears in Art in America prior to publication elsewhere, we cannot print it." 2 pp

From John Strasser, New York, N.Y., November 13, 1942: Comments on Mexico painted by Velasco. 2 pp

From Marjorie D. Mathias, College Art Association of America, New York, N.Y., November 14, 1942: The State University at Bowling Green, Ohio, has inquired about engaging Pach for a lecture. 1 p

From Henry Allen Moe, Committee for Inter-American Artistic and Intellectual Relations, New York, N.Y., November 16, 1942: "We want our grantees to be able to do what they ought to do and live as they ought to live"; Pach should let them know his anticipated expenses and how much time he needs in Mexico. 1 p

From Carlos Merida, Denton, Tex., [postmarked] November 16, 1942: Air time was insufficient to broadcast Pach's full text: note inscribed on Section of Plastic Arts, Department of Fine Arts, Secretary of Public Education, "No. 202 Radio Bulletin for Saturday, November 21, 1942" (transcript of a feature story on José Hermenegildo Bustos abstracted From an article by Walter Pach). 4 pp., in Spanish

From Van Wyck Brooks, Westport, Conn., November 18, 1942: With the help of Eleanor and Kenyon, he has managed to read some of the Cuadernos Americanos Pach sent; "I like immensely its tone and elevated feeling"; "I envy your meetings with Diego Rivera, who has always seemed to me a very great painter"; is "shocked" that Lionello Venturi and William G. Constable don't share his opinion of Rivera; a "complicated family problem" keeps them From traveling; is working on -- The Age of Washington Irving -- . 4 pp

From Stephen Duggan, Director, Institute of International Education, New York, N.Y., November 30, 1942: Is glad that Pach's lectures were well received; hopes Pach can remain in Mexico. 1 p

From Alfonso Reyes, Colegio de Mexico, Mexico City, Mexico, December 3, 1942: He is honored by Van Wyck Brooks's words and wants to correspond with him. 1 p., in Spanish

From Stephen Duggan, Director, Institute of International Education, New York, N.Y., December 7, 1942: Is "delighted to learn that Pach will receive a grant through Mr. Moe and 'his Committee.' " 1 p

From Lasar Kipnis, New York, N.Y., December 8, 1942: "Just returned From Johns Hopkins Hospital." Telegram

From José Clemente Orozco, [place unknown], December 10, 1942: Modern art in Mexico faces a powerful reaction that aims to end 20 years of academic work; looks forward to visiting Pach soon. 1 p., in Spanish

From Henry Allen Moe, New York, N.Y., December 11, 1942: "Your letter received but no word From the university." Telegram

From A.S. Baylinson, New York, N.Y., December 18, 1942: He and Constant were rejected by the jury of the "so called Victory exhibition"; reports the death of Michael Rosenthal. 2 pp

From George Constant, New York, N.Y., December 20, 1942: Is glad that Pach, a "fine painter," now has time to paint; the Artists for Victory exhibition at the Metropolitan is "lousy." 2 pp

From Henry Allen Moe, Committee for Inter-American Artistic and Intellectual Relations, New York, N.Y., December 21, 1942: Confirms that Pach is to receive a grant; a final report is due upon return. 1 p. + 2 enclosures (1 sheet of figures titled "Mex--New York" and copy of 1 p. letter to Rodulfo Brito Foucher, Rector, National University of Mexico, From Henry Allen Moe, New York, N.Y., announcing grant to the University for Pach's lectures)

From Pedro Henríquez Ureña, Buenos Aires, Argentina 4218 764-765 December 22, 1942: Sent photographs of the work of Attilio Rossi; Argentine critic, Julio Rinaldini, will send books. 1 p

From Lasar Kipnis, New York, N.Y., December 29, 1942: Asks Pach to write an article on new acquisitions by Mr. Poland's Museum; wants Pach lecture in San Diego; when a new catalog of the permanent collection is published, "we are sure the work will be entrusted to you." 2 pp

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., December 29, 1942: Robert Montenegro's book impressed him; hopes Montenegro will write on Estrada for Art in America; requests Pach's help in arranging it. 1 p

From Harry Miller Lydenberg, [place unknown], Mexico, December 29, 1942: Discusses origin of the phrase "biblia a-biblia." 1 p

From Marcel Duchamp, New York, N.Y., January 3, 1943: Fearing visa problems, he has decided not to go to Mexico; made several "suitcases"; the opening at Peggy's gallery was a big success; plans a surrealist show with Schiaparelli and Breton; Reynolds, just arrived in Madrid, requested that Pach extend greetings to Frida and Diego. 2 pp., in French

From Arthur Strasser, New York, N.Y., January 7, 1943: Congratulations on receiving a grant; "it is not to the Schilling Fund but to you personally, Walter, that our gift to the Metropolitan was the beginning of the belated recognition of Flannagan's genius"; Fred Stein would appreciate suggestions for the Schilling Fund award. 2 pp

From John Rewald, Weyhe Gallery, New York, N.Y., January 13, 1943: Is glad Pach liked his article on Bonnard; will send Pach a copy of his new book on Seurat. 2 pp., with postscript From Laura Canade: New York Public Library has purchased Pach's Self-Portrait

From John Strasser, New York, N.Y., January 16, 1943: "People who might have enjoyed the 'Victory' show 25 or 30 years back now unanimously dislike that accumulation of junk"; "read of your and Rivera's project for spreading Flannagan's reputation." 3 pp

From Van Wyck Brooks, New York, N.Y., January 17, 1943: Saw Jacques Villon's "grand portrait" of Pach at the "Modern Museum." Picture postcard ("Illuminated initial From a South Italian ms. Valerius Maximus written about 1450")

From M.L. Stafford, American Consul, American Embassy, Mexico, January 22, 1943: Pach's registration of American citizenship was approved. 1 p

From Harry Miller Lydenberg, Biblioteca Benjamin Franklin, [place unknown], Mexico, January 23, 1943: Is sending a check in appreciation of the time and interest Pach contributed to their exhibition; wants to publish Pach's tribute to Bustos. 1 p

From Stephen Duggan, Director, Institute of International Education, New York, N.Y., February 3, 1943: Pach's observation about Mexican education interested him; he is "well informed concerning the anti-American attitude" in Mexico. 1 p

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., February 15, 1943: Thanks Pach for arranging to have Fernando Gambo write an article on Estrada; Pach's writings have stimulated interest in Mexican art; his review will not be published due to "paper restrictions." 1 p

From Van Wyck Brooks, New York, N.Y., March 9, 1943: Has "rediscovered" New York by living in the city temporarily; "I am especially happy to have got to know some of the new young writers"; wants more news of Diego Rivera. 3 pp

From Robert Lebel, New York, N.Y., March 15, 1943: Agrees with Pach that the Metropolitan's La Victoire exhibit resembles a Paris Salon of 30 years ago with the addition of a few abstract pieces; an exhibition commemorating the 30th anniversary of the Armory Show is possible; saw one of Pach's paintings at the Art Students League; Pierre Matisse exhibited his father's work; Matta and Miro made Pierre Matisse's last show, "Art and the War," interesting; the Mexican Room at the Museum of Natural History is being reorganized; recommends Charles Sterling's Gazette des Beaux-Arts article on French primitives; asks if Pach has seen VVV, the review headed by André Breton; no longer wishes to be involved in art sales. 2 pp., in French

From Georges Wildenstein, Director, Gazette des Beaux-Arts, [filmed twice] New York, N.Y., March 26, 1943: Wants to publish Pach's article; hopes he will agree to some minor changes. 1 p., in French

From Lyman Bryson, Conference on Science, Philosophy and Religion, New York, N.Y., March 26, 1943: Requests comments on a paper by Professor William Scott, Randolph-Macon Women's College. 1 p. + 2 pp. enclosure ("Conference on Science, Philosophy and Religion, Reply to Questionnaire of December 7, 1942 by Walter Pach")

From Paul J. Sachs, Fogg Art Museum, Harvard University, Cambridge, Mass., April 8, 1943: Grenville L. Winthrop collection has been bequeathed to the Fogg Museum; wartime conditions have caused universities to curtail their art departments; "it is extremely important that able and understanding North Americans, such as yourself... should be our cultural ambassadors in Latin America"; suggests summer programs in the United States where Pach might teach; tells Pach to add his name to the speakers list maintained by the Coordinator of Inter-American Affairs. 2 pp

From William N. Eisendrath Jr., Chairman, Exhibition Committee, Arts Club of Chicago, Chicago, Ill., April 26, 1943: Requests assistance in selecting works for a Rivera retrospective planned for February 1944. 1 p. + 1 p. enclosure (list of works by Rivera, "suggested by Mrs. Goodspeed, April 26, 1943," with notes by Walter Pach)

From Annette B. Cottrell, Director, Speakers Service Section, Coordinator of Inter-American Affairs, Washington, D.C., April 28, 1943: Thanks Pach for his "interest in inter-American affairs and desire to collaborate with the work of this office as a speaker." 1 p

From Robert Chester Smith, Director, Hispanic Foundation, Library of Congress, Washington, D.C., April 30, 1943: Considers Pach "an historic figure, one of the first to call attention to the development of Mexican art"; this is not the right time for Pach's proposed publications and translations. 1 p

From Harry Miller Lydenberg, [place unknown], Mexico, May 8, 1943: Pach's "review of the Low study on the place of the Museum in our world today" is "admirable"; politically or economically motivated explanations of art will "fail"; he is less "pessimistic" than Pach on the role of public funding; public libraries are a good example. 2 pp

From Annette B. Cottrell, Director, Speakers Service Section, Coordinater of Inter-American Affairs, Washington, D.C., May 25, 1943: Pach will be included among the organization's available speakers. 1 p

From Van Wyck Brooks, Westport, Conn., May 28, 1943: El Hijo Prodigo and Cuadernos are "typographically delightful"; wishes he knew Spanish; would like to be able to contribute articles to Mexican periodicals; John Sloan is reported to be "very frail." 4 pp

From William N. Eisendrath Jr., Chairman, Exhibition Committee, Arts Club of Chicago, Chicago, Ill., June 4, 1943: Need to figure costs for Rivera exhibition before continuing negotiations for loans; Pach must supply further information. 1 p. + 2 pp. enclosure ("List of Rivera Paintings," June 3, 1943)

From Elias Lieberman, Associate Superintendent, Board of Education of the City of New York, Brooklyn, N.Y., June 7, 1943: Pach will be granted a "substitute license" to teach Spanish in the New York public schools. 1 p

From Raymond B. Humphrey, Director, Brown, Crosby & Co., Inc., New York, N.Y., June 18, 1943: Instructions for renewing war damage and fire insurance policies. 1 p

From James A. Porter, Washington, D.C., June 19, 1943: Thanks Pach for the "remarkable" introduction and subtitle suggestions for his book. 1 p.

to Maurice Block, Curator, Henry E. Huntington Art Gallery, San Marino, Calif., From Marjorie S. (Mrs. A.R.) Waybur, Kingsley Art Club, Sacramento, Calif.,June 20, 1943: Inquires about Pach's availability to lecture. 2 pp

From Ignacio Marquina, National Institute of Archaeology and History, Mexico City, Mexico., June 26, 1943: Gives Pach permission to export the 5 archaeological objects specified on the list attached. 1 p. + 1 p. enclosure (copy of form completed by Pach), in Spanish

From Frederick Lewis Allen, -- Harper's -- Magazine, New York, N.Y., August 27, 1943: Rejects 2 articles, "The Negro's Place" and "Your Ancestors of the Soil." 2 pp

From John Sloan, Santa Fe, N.Mex., August 31, 1943: Is recovering From surgery; feeling better, but still unable to travel. 1 p

From Charles A. Thompson, Department of State, Washington, D.C., September 7, 1943: Dr. Moe will contact Pach about writing a book, in Spanish, about "art resources of the United States." 1 p

From Ernst E. Clad, New York, N.Y., September 9, 1943: Outlines Pach's finances; advises specific investments. 3 pp. + 1 p. enclosure (copy of September 9, 1943 letter From Walter Pach to H.C. Wainwright & Co. authorizing sale of stocks)

From Laurence Duggan, Adviser on Political Relations, Department of State, Washington, D.C., September 17, 1943: Cannot assist with funding or promise to purchase his book; Dr. Moe is attempting to finance the project; "I think the preparation of the book would be a far more useful contribution to inter-American understanding than your acting as an unofficial Mexican cultural representative in the United States." 1 p

From René d'Harnoncourt, United States Department of the Interior, Indian Arts and Crafts Board, Washington, D.C., September 29, 1943: Read "Ancestors of the Soil" and was "impressed by the strength and depth of its argument"; "widest dissemination of this theme could be one of the strongest factors in building up Inter-American relations." 1 p

From Charles A. Thompson, Department of State, Washington, D.C. October 4, 1943: Is returning "Ancestors of the Soil"; "Mr. d'Harnoncourt expresses great interest." 1 p

From Eugenio de Anzorena, Secretary, Mexican Embassy, Washington, D.C., October 7, 1943: Brought Pach's letter to the attention of the minister; returns the enclosures. 1 p. + enclosures (letter, June 9, 1943, to Ezequiel Padella, Secretary of Exterior Relations, From Iñes Amor, Francesco Orozco Muñoz, Eduardo Villaseñor, Diego Rivera, José Clemente Orozco, Alfonso Noriega Jr., and Octavio G. Barreda, Mexico: endorses Pach as a representative of Mexican culture, 5 pp., in Spanish; and letter, June 28, 1943, to Iñes Amor, Francesco Orozco Muñoz, Eduardo Villaseñor, Diego Rivera, José Clemente Orozco, Alfonso Noriega Jr., and Octavio G. Barreda, From Ezequiel Padella, Mexico: recommendation of Pach, 1 p., in Spanish)

To Springmeier Shipping Co from J.O. Ellis, New York, N.Y., October 14, 1943: Notification of claim for items missing From shipment of Pach's possessions. 2 pp

From Houston Peterson, Head, Division of Social Philosophy, Cooper Union, New York, N.Y., October 15, 1943: Pach is "definitely on our list of favored speakers" for the second semester. 1 p. + enclosure (brochure for "Cooper Union Forum, first half 1943-1944")

From John Sloan, Santa Fe, N.Mex., December 30, 1943: Went out to his old house, "Sinagua," which reminds him of Dolly; still recuperating From surgery; needs to clean up his Chelsea studio; it is unlikely he can get to New York; read Pach's article on the "Eight"; the name was invented by an Evening Sun writer; "the 'chosen' of Robert Henri we were, not at all a mutual admiration group as I recall the time." 3 pp

From Art Young, New York, N.Y., [postmarked] December 30, 1943: New Year's greetings. Picture postcard ("28th Issue--Art Young's Annual Hello")

From Donald Carlisle Greason, Deerfield, Mass., April 8, 1944: The enclosed letter was sent in a "weak moment"; "is it not time you took up the mightier sword again; or have your ideas changed?" 1 p. + 1 p. enclosure (letter, April 6, 1944, to Hugo Gellert and Gentlemen of the [Exhibition and Competition] Committee, Artists for Victory, Inc., From Donald Carlisle Greason, Deerfield, Mass.: declines invitation to participate in the Artists for Victory exhibition; "I shyly deplore this undignified business of artists thumbing rides of the troop trains, of Patriotism for Publicity--and prizes!"; "did not Pach write the obituary of this [prizes] in his Ananias?")

From Henry Watson Kent, New York, N.Y., November 30, 1944: Hopes his notes on Pach's manuscript will be of use and interest. 1 p. + 7 pp. enclosure (notes, comments, and suggestions relating to Pach's manuscript)

From Ernst E. Clad, New York, N.Y., December 11, 1944: Information about Pach's 1944 taxes. 1 p. + enclosures (completed "Form for Computing Capital Gains and Losses," 1 p., and printed instructions, 5 pp.)

From George Ferdinand Of, [place unknown] Read both of Pach's articles and is returning one; "you must take me to see that charming Miss Roger's paintings."

From George Ferdinand Of, [place unknown], December 28, 1944: Read both of Pach's articles and is returning one; "you must take me to see that charming Miss Roger's paintings." Picture postcard ("'Chapeau de Faille' by Rubens")

From Donald Carlisle Greason, Deerfield, Mass., February 9, 1945: "I thought my annual letter of 'regrets' to the 'Artists for Defeat' might amuse you"; quotes remarks by Sinclair Lewis made when declining the Pulitzer Prize. 1 p

From Rufus E. Clement, Atlanta University, Atlanta, Ga., April 11, 1945: Sends photographs taken at the "art show"; mentions recent reviews of their exhibition. 1 p. + 2 photographs (Pach viewing the exhibition, and Pach speaking in the gallery)

From Viking Press, New York, N.Y., April 30, 1945: Royalty statement for Masters of Modern Art. 1 p

From Harper & Brothers Publishers, New York, N.Y., June 30, 1945: Royalty statement for Ingres and -- Queer Thing, Painting -- . 1 p

From Jacques Lipchitz, Paris, France, July 31, 1945: [Illegible due to show-through]. 2 pp., in French

From Bernard Berenson, Florence, Italy, November 29, 1945: May continue work begun several years earlier on "Aesthetics and History"; working on "Decline and Recovery in the Figure Arts"; when in "hiding" he kept a diary, which he may publish. 2 pp

From Fred M. Stein and Arthur Strasser, Trustees of the Schilling Fund, New York, N.Y., February 8, 1946: Thank Pach for his work on behalf of the Schilling Fund; offer him a salary to continue as an adviser. 1 p., with annotation by Pach (on reverse), February 10, 1946, draft letter of acceptance, 1 p

From Van Wyck Brooks, Westport, Conn., June 23, 1946: Eleanor's leg had to be amputated; they will move to an apartment in New York in October. 2 pp

From Van Wyck Brooks, Westport, Conn., August 26, 1946: "Eleanor's condition has taken a serious turn for the worse, and I fear it is only a question now of a very few weeks." 1 p

From Jacques Lipchitz, Paris, France, November 19, 1946: New York trip was postponed; describes a wonderful exhibit at Delacroix's studio; occasionally sees Jacques Villon, who has a painting in the Salon d'Automne. 2 pp., in French

From Bernard Berenson, Florence, Italy, January 10, 1947: Pach's son and daughter-in-law visited him; publishers are not interested in his diary; Aesthetics and History will have to go to a university press. 2 pp

From Irma L. Richter, New York, N.Y., March 27, 1947: Is returning Pach's copy of ABC on Painting by Severini; "I wonder whether you have tried to follow his advice regarding technique." 1 p

From James Daugherty, Westport, Conn. [postmarked, March April 22, 1947]: Saw Pach's exhibition at Laurel Gallery; "your work has grown simpler and broader and more unified." 1 p

From Octavio G. Barreda, [place unknown], Mexico, October 9, 1947: Thought of Pach when visiting galleries in Italy and Paris; Paris, Rome, and Florence seem to have recovered From the war, but it wasn't the same without the old faces; in both art and literature it is the end of an era; young artists and writers do not know their message; family news; will visit New York and Havana. 4 pp., in Spanish

From Kurt Wolff, Pantheon Books, New York, N.Y., November 5, 1947: Asks Pach to accept all changes made by the editor. 1 p

From Kurt Wolff, Pantheon Books, New York, N.Y., December 4, 1947: Needs to clarify certain points; Pach must bear the cost of retyping. 1 p

From Kurt Wolff, Pantheon Books, New York, N.Y., January 29, 1948: The final pages of his manuscript must be condensed. 1 p.

To Kurt Wolff From Walter Pach, New York, N.Y., January 30, 1948: They never discussed, nor did he authorize, changes to the final pages of his book. 1 p

From Henry Watson Kent, New York, N.Y., February 21, 1948: Remarks on Pach's complimentary statement about him. 1 p

From Margarita Nelkin, Paris, France, September 1, 1948: Has heard From Pach through letters to Mlle. Burchardt; thanks Pach for supporting Spanish Republicans; is going to Rome for the Congres Interparlementaire and then to Brussels and Amsterdam to give a conference on Mexican art; in November she will leave for Mexico. 1 p., in French

From George Ferdinand Of, New York, N.Y., September 5, 1948: Thanks Pach for bringing pictures of his collection and explaining it personally; Pach has "persuaded" him to paint again. 3 pp

From Francis Hackett, Bethel, Conn., November 8, 1948: Pach is one of the "Old Guard"; his book, -- American Rainbow -- , will include "a lot in it about John Quinn"; his wife recently published a volume on Swedenborg. 2 pp

From Van Wyck Brooks, Cornwell, Conn., December 2, 1948: Thanks for the inscribed copy of his "enchanting" new book; glad Pach met Francis Hackett. 3 pp

From Pantheon Books, Inc., New York, N.Y., February 1, 1949: Royalty statement. 1 p

From Pantheon Books, Inc., New York, N.Y., July 1, 1949: Royalty statement. 1 p

From Pantheon Books, Inc., New York, N.Y., August 1, 1949: Royalty statement for The Art Museum in America. 1 p

From Anne Chase (Mrs. Arthur White) Sullivan, Glen Head, N.Y., November 3, 1949: Pach's lecture was "just right as a preliminary to the exhibition"; her father would have approved. 2 pp

From Mary Socard, Paris, France, December 13, 1949: Pach's young friend is making good progress learning French; discusses the student's appreciation of art and philosophy. 4 pp., in French

From Jimmy Stern, New York, N.Y., December 23, 1949: Even with "favorable 'press'," his book has not sold well; is "discouraged"; appreciated Pach's note. 1 p

From Pantheon Books, Inc., New York, N.Y., February 1, 1950: Royalty statement. 1 p

From François Puaux, Acting Consul General of France, New York, N.Y., March 7, 1950: Congratulates Pach on being awarded the cross of Chevalier of the Legion of Honor "for the services you have always rendered to the French cause." 1 p

to John Collier From Walter Pach, New York, N.Y., March 11, 1950: Hopes Professor Collier will want the thoughts expressed in Pach's manuscript "given to a wider audience." 1 p., annotated with reply, May 30, 1950: "This has been good reading for me!"

From Meyer Schapiro, Columbia University, New York, N.Y., [postmarked] March 27, 1950: "Comments on the first draft of W. P., Renoir." 3 pp

to Meyer Schapiro From Walter Pach, New York, N.Y., March 27, 1950: Responses to "Comments on the first draft of W.P., Renoir." 4 pp. draft + 4 pp. final copy

From Charles E. Slatkin, Art Book Guild of America, Inc., New York, N.Y., March 28, 1950: Invites Pach to become a member of the Art Book Guild's Advisory Board. 1 p

From Charles E. Slatkin, Art Book Guild of America, Inc., New York, N.Y., April 17, 1950: Acknowledges Pach's acceptance of appointment to the Advisory Board. 1 p

From Atlantic Monthly Company, Boston, Mass., April 20, 1950: "Assignment of Copyright" to Atlantic Monthly Corporation of Pach's article, "Art Must Be Modern." 1 p

From W.G. Constable, Department of Paintings, Museum of Fine Arts, Boston, Mass., May 30, 1950: Thanks Pach for assistance in securing the Portrait of Madame Villchelis for the museum; agrees that attribution to Gros is most likely; reports the death of Ned Holmes. 2 pp

From Mary Socard, Paris, France, June 20, 1950: The young student has left; he would have benefited From a longer stay but at least had an introduction to European culture; sympathizes with Pach's disappointment over having his prologue replaced by an analysis of painting construction. 3 pp., in French

From Pantheon Books, Inc., New York, N.Y., August 1, 1950: Royalty statement for -- The Art Museum in America -- . 2 pp

From Nanny (Mrs. Sigmund) Pollitzer, New York, N.Y., November 8, 1950: Sorry to learn of Magda's illness. 2 pp

From Nanny (Mrs. Sigmund) Pollitzer, New York, N.Y., November 11, 1950: Extends her sympathy; will try to attend the service. 2 pp

From Eufrosia A.W. Tucker, New York, N.Y., November 11, 1950: Sympathy on the death of Mrs. Pach. 2 pp

From Sarah d'Harnoncourt, New York, N.Y., November 13, 1950: Sympathy on the death of Mrs. Pach. 1 p

From Edith R. Abbot, New York, N.Y., November 13, 1950: Sympathy on the death of Mrs. Pach. 2 pp

From Fanny and Ralph Ellison, New York, N.Y., November 14, 1950: Sympathy on the death of Mrs. Pach. 1 p

From Robert L. Duffus, Westport, Conn., November 15, 1950: Sympathy on the death of Mrs. Pach. 1 p

From Roland Balay, New York, N.Y., November 20, 1950: Offers condolences on the death of Mrs. Pach. 1 p., in French

From Bernard Berenson, Florence, Italy, September 23, 1951: Congratulates Pach on his recent marriage. 2 pp

From Mutual Benefit Health and Accident Association, New York, N.Y., [postmarked] November 23, 1951: "Official Receipt for Premium Due." Postal card

From [signature illegible], Athens, Greece, December 24, 1951: Carouzos will select photographs of the subjects that interest Pach; wants to see photographs of Pach's latest paintings. 4 pp

From Jacques Lipchitz, New York, N.Y., January 12, 1952: Pach is right that endings offer new beginnings; predicts that Pach will resume work soon. 1 p., in French

From Rufino Tamayo, [place unknown], Mexico, January 22, 1952: Appreciates Pach's stimulating critique; expects to spend the next year on a mural for the Palace of Fine Arts; congratulates Pach on his marriage. 2 pp., in Spanish

From Bernard Berenson, Ischia, Italy, May 29, 1952: "My indignation over distorted, abstract, non-representational art is that it can lead nowhere." 2 pp

From George Ferdinand Of, [place unknown], June 19, 1952: The Schilling Fund award is an "honor" he wishes to decline without offending anyone. Picture postcard ("Cézanne. 'Urtiel des Paris'")

From U.S. Treasury Department, Internal Revenue Service, New York, N.Y., August 8, 1952: "Adjustment of tax liability" and audit for calendar year 1950. 1 p. + enclosures (1 p. "Statement of Income Tax Due," and 4 pp. report)

From Bernard Berenson, [place illegible], September 23, 1952: Agrees with most of Pach's letter to the New York Times; "feeling for art is of the few and understanding for even fewer." 2 pp

From André Masson, Aix-en-Provence, France, May 2, 1953: Was considering canceling his New York exhibit before receiving Pach's encouraging and kind letter; hopes they will meet. 1 p., in French

From Bernard Berenson, Florence, Italy, March 17, 1954: Comments on Pach's "poem to Greek art"; is working on a new edition of Italian Paintings; sends an article he wrote on Picasso. 2 pp

From George Ferdinand Of, Rome, Italy. Is in Rome; heading for Naples, [undated (prior to April 18, 1954)]: Picture postcard ("Roma-Foro Romano, veduto del Campidoglio")

From George Ferdinand Of, Padua, Italy, April 18, 1954: Saw Giottos; visited Ravenna, Naples, and Pompeii. Picture postcard ("Padova-Monumento al Generale Gattamelata")

From Bernard Berenson, Florence, Italy, April 25, 1954: He still does not accept the Metropolitan Museum's Madonna as an Antonello; "I remain an optimist" that culture will once again become "genial, creative and human." 2 pp

From Hendrik Willem van Loon, Riverside, Conn., [1955]: He is much better; they have a house near the water where friends are welcome. 1 p., in Dutch

From Bernard Berenson, Florence, Italy, April 21, 1955: "I agree with all you write about the present state of art appreciation"; read the book about Sloan by Van Wyck Brooks; not impressed by Sloan's work; wonders how much Pach influenced Brooks. 2 pp

From William Mills Ivins, Woodbury, Conn., July 17, 1955: Was disappointed to have missed a visit by Pach and Brooks; is living a solitary and quiet life. 2 pp

From Jacques Lipchitz, Beach Haven, N.J., August 7, 1955: After reading Pach's article, he wants to read the book; he no longer appreciates Maillol's sculpture; discusses Renoir's strong judgments of other artists; although Epstein has reached a dead end in Paris, he is a good artist. 3 pp., in French

From Jacques Lipchitz, Beach Haven, N.J., August 15, 1955: Thanks Pach for sending Epstein's book; considers Epstein a good portrait painter but not such a good sculptor; discusses his theory that Jews need to assert their identity. 1 p., in French

From Alfred Russell, Paris, France, September 27, 1955: Thanks Pach for the award; the modern Italian painters he once admired no longer interest him; he finds the sculptors a "revelation"; his exhibition drew "brutal and barbaric insults"; Paris is "the pivot of the universe." 2 pp

From Hendrik Willem van Loon, Riverside, Conn., October 17, [1955?]: "My sincere congratulations upon having finished these miles of paint." 1 p., with illustrated envelope (sailboats) + illustrated card (landscape with windmills)

From Carl Sandburg, Flat Rock, N.C., March 27, 1956: "Values" Pach's letter and plans to affix it to his copy of Faure's History of Art. 1 p

From Germain Seligman, New York, N.Y., April 15, 1957: Ingres's -- Study for the Iliad -- is in the permanent collection of the Art Gallery of Toronto. 1 p. + enclosures (2 pp. description of -- Study for the Iliad -- [Apotheosis of Homer], photograph of -- Study for the Iliad -- , and 2 pp. [photocopies] From Exposition Ingres catalog, 1921)

From Martin Baldwin, Director, Art Gallery of Toronto, Toronto, Ontario, Canada, April 16, 1957: The gallery is conducting further research on Study for the Iliad; will share information when it becomes available. 1 p

From Lewis Mumford, Paris, France, April 27, 1957: Has reviewed his correspondence since 1920; Pach's letters are "real treasures" to be saved for historians; being in Paris made him recall Pach's "friendliness and hospitality in 1932"; has rediscovered Ingres now that his taste is mature. 2 pp

From Van Wyck Brooks, Bridgewater, Conn., January 4, 1958: Will study Howells' letters at the Harvard library; recommends novels by Howells. 2 pp

From Hans Christian, Rome, Italy, April 7, 1958: Is visiting Raymond and Ruth in Rome. Picture postcard ("Roma--Arco di Constantino"), in German
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Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Walter Pach papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Walter Pach papers, 1857-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pachwalt2, Series 2
See more items in:
Walter Pach papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pachwalt2-ref33

Pioneers : first women filmmakers / Kino Classics ; Library of Congress ; curator, Shelley Stamp ; producer, Bret Wood ; executive producer, Illeana Douglas

Title:
First women filmmakers
Curator:
Stamp, Shelley 1963-  Search this
Film producer:
Wood, Bret  Search this
Douglas, Illeana 1965-  Search this
Ivers, Julia Crawford  Search this
Performer:
Martins, Eunice  Search this
Mendoza, Ava  Search this
Morley, Meg 1955-  Search this
Magnes, Liz  Search this
Matsumura, Makia  Search this
Simpson, Andrew 1967-  Search this
Model, Ben  Search this
Swartz, Carolyn  Search this
Nelissen, Maud  Search this
Hudson, Deborah  Search this
Gal, Rob  Search this
Denio, Amy 1961-  Search this
Mezzacappa, Lisa  Search this
Rosenberg, Judith 1946-  Search this
Tsambis, Chris  Search this
Vrebalov, Aleksandra 1970-  Search this
Meyer, Libby  Search this
Seaton, Joanna  Search this
Sosin, Donald  Search this
Reason, Dana  Search this
Berklee Silent Film Orchestra  Search this
Chicago Modern Orchestra Project  Search this
Composer expression:
Aydingoz, Esin  Search this
Nam, Skylar  Search this
Baker, Renée  Search this
Arranger of music:
Snyder, Bill  Search this
Film director:
Guy, Alice 1873-1968  Search this
Gauntier, Gene 1885-1966  Search this
Olcott, Sidney 1873-1949  Search this
Porter, Edwin S.  Search this
Smalley, Phillips 1865-1939  Search this
Cunard, Grace 1894-1967  Search this
Ford, Francis 1881-1953  Search this
Madison, Cleo 1883-1964  Search this
Baldwin, Ruth Ann  Search this
Normand, Mabel 1894-1930  Search this
Arbuckle, Roscoe 1887-1933  Search this
Gibson, Angela Murray 1878-1953  Search this
Hurston, Zora Neale  Search this
King, Joseph 1883-1951  Search this
Warrenton, Lule 1863-1932  Search this
Wong, Marion E. 1895-1969  Search this
Wilson, Elsie Jane 1885-1965  Search this
Park, Ida May  Search this
Bryant, Charles 1879-1948  Search this
Nazimova 1879-1945  Search this
Lang, Walter 1898-1972  Search this
Davenport, Dorothy 1896-1977  Search this
Hartford, David 1873-1932  Search this
Shipman, Nell 1892-1970  Search this
Marion, Frances 1888-1973  Search this
Franklin, Chester M. 1890-1954  Search this
Screenwriter:
Weber, Lois 1879-1939  Search this
Author:
Motion picture adaptation of (work): Oppenheim, James 1882-1932 Idle wives  Search this
Motion picture adaptation of (work): Cook, William Wallace 1867-1933 Old West per contract  Search this
Motion picture adaptation of (work): Payton, Lucy 1877-1969 Where are my children?  Search this
Motion picture adaptation of (work): Widdemer, Margaret Why not?  Search this
Motion picture adaptation of (work): Robbins, Katherine Leiser Her fling  Search this
Motion picture adaptation of (work): Campbell, Evelyn Bread  Search this
Motion picture adaptation of (work): Wilde, Oscar 1854-1900 Salomé  Search this
Motion picture adaptation of (work): Curwood, James Oliver 1878-1927 Wapi, the walrus  Search this
Motion picture adaptation of (work): Peterson, Margaret 1883-1933 Dust of desire  Search this
Production company:
Solax Company  Search this
Kalem Company  Search this
Rex Motion Picture Company  Search this
Hobart Bosworth Productions (Firm)  Search this
Universal Film Manufacturing Company  Search this
Lois Weber Productions  Search this
Star Ranch Photoplays (Firm)  Search this
Keystone Film Company  Search this
Gibson Studios (Firm)  Search this
Powers Motion Picture Co.  Search this
Mandarin Film Company  Search this
Nazimova Productions, Inc.  Search this
Mrs. Wallace Reid Productions (Firm)  Search this
Pallas Pictures (Firm)  Search this
Canadian Photoplays Ltd.  Search this
Shipman-Curwood Company  Search this
Norma Talmadge Film Corporation  Search this
Issuing body:
Library of Congress  Search this
Publisher:
Kino Classics (Firm)  Search this
Physical description:
6 videodiscs (approximately 1320 min.) : sound, black & white ; 4 3/4 in. 1 booklet (76 pages : illustrations (some color) ; 18 cm)
Type:
Video recordings
Silent films
Feature films
Documentary films
Short films
Film adaptations
Fiction films
Nonfiction films
Place:
United States
Date:
2018
20th century
Topic:
Women motion picture producers and directors  Search this
Women in the motion picture industry--History  Search this
Call number:
video 001572
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1101527

How a Single Paragraph Paved the Way for a Jewish State

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 22 May 2017 14:17:52 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_20f165197a68b6e1ffa77b317fead4e0

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