Steel; graphite jet vanes, some wooden construction elements in fuselage; aluminum tanks not present.
Dimensions:
Overall: 11 ft. 8 3/8 in. wide x 46 ft. 1 3/16 in. deep x 5 ft. 5 in. diameter x 44 ft. 5 3/16 in. long, 8427.9 lb. (356.6 x 1405.1 x 165.1 x 1354.3cm, 3822.9kg)
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.
Asch 78s dubs 1. Union Boys with Woody Guthrie "Sally Don't You Grieve" 2. Union Boys with Josh White "Freedom Road" 3. Union Boys with Tom Glazer ""I'm Gonna Put My Name Down" 4. Union Boys "G.I. Joe and the CIO" 5. Union Boys with Tom Glazer "Social Worker's Talking Blues" 6. Union Boys with Josh White "Hold On" 7. Union Boys with Tom Glazer "Hold the Fort" 8. Union Boys with Burl Ives "We Will Not Be Moved" 9. Union Boys with Pete Seeger "UAW-CIO" 10. Union Boys with Tom Glazer "A Dollar Ain't a Dollar" 11. Union Boys with Josh White "Jim Crow" 12. ACT-2408-101 Champion Jack Dupree "Once I Had a Girl" (Solo 78) 13. ACT-2408-202 Champion Jack Dupree "Once I Had a Girl" 14. ACT-3122-101 Champion Jack Dupree "Fine Brown Frame" 15. ACT-3122-102 Champion Jack Dupree "A Woman is Not to Trust" 16. ACT-3948 Josh White "Betty and Dupree" 17. ACT-3950 Josh White "Betty and Dupree" 18. Asch 550-2B Champion Jack Dupree "Too Evil to Cry" 19. Solo 10-014 Champion Jack Dupree "Black Woman" 20. Solo 10-014 Champion Jack Dupree "I Once Had a Girl" BBC Radio Program- Children's Hour with Woody Guthrie 7 July 1944 includes 21. Woody Guthrie "Wabash Cannonball" 22. Woody Guthrie "900 Miles" 23. Woody Guthrie "Stagger Lee" 24. Woody Guthrie "Pretty Boy Floyd" 25. All Things Considered - NPR Broadcast with Jim (Vincent) Longhi about Merchant Marine Service with Woody Guthrie and Cisco Houston in 1944.
Track Information:
101 Sally Don't You Grieve / Union Boys, Cisco Houston, Woody Guthrie. Guitar.
102 Freedom Road / Union Boys, Josh White. Guitar.
103 I'm Gonna Put My Name Down (C.I.O. War Relief Song) / Union Boys, Tom Glazer. Guitar.
104 G.I. Joe and the C.I.O (We've Got a Plan) / Union Boys, Tom Glazer. Guitar.
105 Social Worker's Talking Blues / Union Boys, Tom Glazer. Guitar.
106 Hold On / Union Boys, Josh White. Guitar.
107 Hold the Fort / Union Boys, Tom Glazer. Guitar.
108 We Shall Not Be Moved / Union Boys, Burl Ives. Guitar.
109 U.A.W.-C.I.O / Union Boys, Pete Seeger. Guitar.
110 A Dollar Ain't a Dollar Anymore / Union Boys, Tom Glazer. Guitar.
111 Jim Crow / Union Boys, Josh White. Guitar.
112 Once I Had a Girl (ACT-2408) / Champion Jack Dupree. Piano.
114 Fine Brown Frame (ACT-3122) / Champion Jack Dupree, Brownie McGhee. Piano.
115 Woman is Not to Trust, A (ACT-3122) / Champion Jack Dupree, Brownie McGhee. Piano.
116 Betty and Dupree (ACT-3948) / Josh White. Guitar.
117 Betty and Dupree (ACT-3950) / Josh White. Guitar.
118 Too Evil to Cry / Champion Jack Dupree. Piano.
119 Black Woman / Champion Jack Dupree. Piano.
120 Once I Had a Girl / Champion Jack Dupree. Piano.
121 Wabash Cannonball / Woody Guthrie. Guitar.
122 900 Miles / Woody Guthrie. Guitar.
123 Stagger Lee / Woody Guthrie. Guitar.
124 Pretty Boy Floyd / Woody Guthrie. Guitar.
125 Jim Longhi's Story About Experiences on the Sea Porpoise with Woody and Cisco / Jim Longhi.
Local Numbers:
FP-CDR-0046
Date/Time and Place of an Event Note:
Recorded in: London (England), England, New York, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
115 Yellow Gal / Woody Guthrie, Cisco Houston, Lead Belly. Guitar.
116 Philadelphia Lawyer / Woody Guthrie, Cisco Houston. Guitar.
117 Ida Red / Woody Guthrie. Guitar.
118 On a Monday (ACT-2711) / Lead Belly. Guitar.
119 On a Monday (ACT-3234) / Lead Belly. Guitar.
120 Shorty George (ACT-3234) / Lead Belly. Guitar.
121 Shorty George (ACT-129) / Lead Belly. Guitar.
122 Duncan and Brady (ACT-129) / Lead Belly. Guitar.
123 Duncan and Brady (ACT-258) / Lead Belly. Guitar.
124 Duncan and Brady (ACT-3141) / Lead Belly. Guitar.
125 Old Riley (ACT-3141) / Lead Belly. Guitar.
126 Old Riley (ACT-299) / Lead Belly. Guitar.
127 Old Riley (ACT-129) / Lead Belly. Guitar.
128 Pigmeat (ACT-291) / Lead Belly. Guitar.
129 Pigmeat (ACT-252) / Lead Belly. Guitar.
Local Numbers:
FP-CDR-0053
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
Restrictions:
Restrictions on access. rr.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
Bendix Air Races Collection, Acc. NASM.1988.0115, National Air and Space Museum, Smithsonian Institution.
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_367116
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_367118
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
