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Oral history interviews with Robert Bruce Inverarity, 1964 Oct. 29-Nov. 4

Interviewee:
Inverarity, Robert Bruce, 1909-1999  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Federal Art Project (Wash.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Arts administrators  Search this
Federal aid to the arts  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)12050
(DSI-AAA_SIRISBib)213582
AAA_collcode_invera64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213582

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
de Hauke, César  Search this
Seligmann, Jacques  Search this
Seligmann, René  Search this
Parker, Theresa D.  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Schiff, Mortimer L.  Search this
Haardt, Georges  Search this
La Fresnaye, Roger de  Search this
Seligman, Germain  Search this
Arenberg  Search this
Seligmann, Arnold  Search this
Trevor, Clyfford  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Topic:
Art  Search this
Art, European  Search this
World War, 1939-1945  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art galleries, Commercial  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
4 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 4
Online Media:

Herbert Waide Hemphill papers

Creator:
Hemphill, Herbert Waide  Search this
Names:
Abby Aldrich Rockefeller Folk Art Center  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Exposition Universelle de Paris (1878 : Paris, France)  Search this
Folk Art Society of America  Search this
Museum of International Folk Art (N.M.)  Search this
National Museum of American Art (U.S.)  Search this
Aiken, Gayleen  Search this
Bogun, Maceptaw, Rev.  Search this
Borkowski, Mary  Search this
Brice, Bruce  Search this
Carpenter, Miles B. (Miles Burkholder), 1889-  Search this
Coins, Raymond  Search this
Crittenden, Varick A.  Search this
Dinsmoor, Samuel Perry, 1843-1932  Search this
Donovan, Carrie  Search this
Fancher, John W.  Search this
Finster, Howard, 1916-2001  Search this
Flanagan, Thos. J. (Thomas Jefferson), b. 1890  Search this
Fowler, Tim  Search this
Gatto, Victor Joseph, 1893-1965  Search this
Ghostley, Alice, 1926-2007  Search this
Goins, Vernon  Search this
Hall, Michael D., 1941-  Search this
Hamblett, Theora, 1895-1977  Search this
Hartigan, Lynda Roscoe  Search this
Harvey, Bessie, 1929-  Search this
Hawkins, William Lawrence, 1895-1990  Search this
Hicks, Tiny  Search this
Holley, Lonnie  Search this
Hunter, Clementine  Search this
James, A. Everette (Alton Everette), 1938-  Search this
Jennings, James Harold  Search this
Jones, S. L. (Shields Landon), 1901-  Search this
Jordan, John  Search this
Josephson, Nancy, 1955-  Search this
Klumpp, Gustave, 1902-1974  Search this
Lisk, Charles  Search this
Little, Roy  Search this
Lopez, George  Search this
Maldonado, Alexander Aramburo, 1901-1989  Search this
McCarthy, Justin, 1891-1977  Search this
Merrill, James Ingram  Search this
Morgan, Gertrude  Search this
Mr. Imagination, 1948-  Search this
Nathaniel, Inez  Search this
O'Kelley, Mattie Lou  Search this
Orth, Kevin, 1961-  Search this
Patterson, Clayton  Search this
Prince, Daniel C.  Search this
Prince, Neal A.  Search this
Robertson, Royal  Search this
Rowe, Nellie Mae, 1900-1982  Search this
Smith, Fred, 1886-1975  Search this
Smith, Robert E., 1926-  Search this
Smither, John  Search this
Smither, Stephanie  Search this
Spies, Jim  Search this
St. EOM, 1908-1986  Search this
Terrillion, Veronica  Search this
Tolliver, Mose, 1920-  Search this
Tolson, Edgar, 1904-1984  Search this
Walters, Hubert  Search this
Weissman, Julia  Search this
Young, Purvis, 1943-  Search this
Zeldis, Malcah  Search this
Extent:
26.7 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Watercolors
Sketchbooks
Sound recordings
Photographs
Drawings
Poems
Reports
Prints
Interviews
Date:
1776-1998
bulk 1876-1998
Summary:
The papers of folk art collector and museum curator Herbert Waide Hemphill date from 1776-1998, bulk 1876-1998, and measure 26.7 linear feet. Found within the papers are biographical materials, personal business records, files documenting his collecting, writings, art work, minutes of meetings, a scrapbook, printed material including exhibition and auction announcements and catalogs, and miscellaneous artifacts. The collection also contains numerous photographs of Hemphill, family members, his residences, friends and colleagues, exhibitions, travel, and art work. Sound and video recordings include interviews of Hemphill.
Scope and Content Note:
The papers of folk art collector and museum curator Herbert Waide Hemphill date from 1776-1998, bulk 1876-1998, and measure 26.7 linear feet. Found within the papers are biographical materials, personal business records, files documenting his collecting, writings, art work, minutes of meetings, a scrapbook, printed material including exhibition and auction announcements and catalogs, and miscellaneous artifacts. The collection also contains numerous photographs of Hemphill, family members, his residences, friends and colleagues, exhibitions, travel, and art work. Sound and video recordings include interviews of Hemphill.

Biographical material includes photocopies of Hemphill's birth certificate and passport, social security cards, and international health card, genealogical notes, an evaluation of his school work, membership cards, award certificates, address books, and an engagement calendar containing very brief annotations of his activities.

Correspondence documents Hemphill's affairs with miscellaneous museums and art institutions, discussing his presentation of lectures, exhibitions, and loans from his collection to organizations including the Abby Aldrich Rockefeller Folk Art Collection, the Folk Art Society of America, the Museum of International Folk Art, and the Smithsonian Institution's American Art Museum.

Hemphill's correspondence with friends and colleagues discuss collecting activities and pursuit of newly discovered folk art and artists. Many of the letters are from artists. Correspondents include Varick A. Crittenden, Michael D. Hall, A. Everette James, Daniel C. Prince, Neal A. Prince, and artists Rev. Maceptaw Bogun, Mary Borkowski, Tim Fowler, Joseph Victor Gatto, S. L. Jones, Gustav Klumpp, Roy Little, George Lopez, Kevin Orth, and Malcah Zeldis. There are also scattered letters from artists Miles Burkholder Carpenter, John W. Fancher, Rev. Howard Finster, William Hawkins, Sister Gertrude Morgan, Mr. Imagination, Mattie Lou O'Kelley, Clayton Patterson, St. EOM, and Mose Tolliver. One letter from Stephanie and John Smither is etched on a bone.

Personal business records include both legal and financial documents. There are wills for Hemphill, his mother, and for his friend Neal A. Prince. The records also include leases, insurance records, contracts, grant proposals, loan agreements, deeds of gift, price lists, consignment records, tax records, and miscellaneous receipts. Cancelled checks relate to Hemphill's collecting interests and activities, and include payments to artists for their work. There are court papers documenting a lawsuit by Hemphill's landlord who was attempting to evict him.

Art work consists of a sketchbook by Roy Little, a set of hand-cut Japanese mask designs, a collage of Polaroid photographs taped to glass created by Rev. Howard Finster, a hand-made book by Nancy Josephson, and miscellaneous drawings, watercolors, and prints by various artists including Justin McCarthy, Inez Nathaniel, and Nellie Mae Rowe.

Notes and writings include card files of artists, extensive bibliographic card files, and scattered notes on artists including Miles Carpenter, Raymond Coins, Rev. Howard Finster, Mattie Lou O'Kelley, Royal Robertson, Veronica Terrillion, Mose Tolliver, and Bill Traylor. Also found are lists of artists, patrons, and art work, miscellaneous notes, and minutes of meetings. Writings by Hemphill and others including Michael D. Hall, Lynda Roscoe Hartigan, A. Everett James, and Julia Weissman, consist of reports, typescripts, and poems concerning a wide range of art-related topics and travel.

A scrapbook consists of unbound pages of clippings and newsletters about Hemphill, his collection, and exhibitions of folk art.

There is extensive additional printed material illustrating Hemphill's many interests. This series primarily consists of clippings and exhibition announcements and catalogs for mainstream artists as well as folk artists. Also included are auction announcements and catalogs, announcements for festivals, press releases, and calendars of events. Numerous booklets, brochures, programs, menus, business cards, and novelty postcards concern a variety of topics including worldwide travel, the sale of art work, miscellaneous galleries, museums, organizations, conferences, schools, lectures, antiques and craft shops, films, publications, restaurants, household items, historical topics, and miscellaneous artists including Miles Carpenter, S. P. Dinsmoor, Lonnie Holley, Clementine Hunter, and Veronica Terrillion. There are also autographed copies of booklets The Black Swan and Other Poems by James Merrill, and The Blood of Jesus by Thomas Jefferson Flanagan. Novelty postcards range from photographs of Elvis Presley to cards with amusing captions or cartoon jokes. There is also sheet music by Charles Trenet. Miscellaneous printed material includes several eighteenth-century newspapers and a 1776 thirty shilling note from New Jersey.

Photographs are of Hemphill, family members, his residences, friends and colleagues including style editor Carrie Donovan, artist Rev. Howard Finster dancing at an exhibition opening, actress Alice Ghostley, Michael D. Hall, circus performers Vernon Goins and Tiny Hicks, Smithsonian curator Lynda Roscoe Hartigan, Neal A. Prince, and Jim Spies. Photographs of exhibitions include stereographic views of the International Exhibition in Philadelphia and the Exposition Universelle in Paris, and photographs of Hemphill's donation of his collection and its subsequent exhibition at the Smithsonian's American Art Museum. Travel photographs include views of South Dakota, Texas, the American West, Japan, Mexico, and The Netherlands.

Numerous photographs of art work sometimes include images of the artists with their work including Bruce Brice, Raymond Coins, John W. Fancher, Rev. Howard Finster, Theora Hamblett, Bessie Harvey, William Hawkins, James Harold Jennings, John Jordan, Charles Lisk, Alexander Maldonado, St. EOM, Fred Smith, Edgar Tolson, Hubert Walters, and Purvis Young. Some photographs of unattributed art work has been arranged by the state in which it is located and includes a Mardi Gras parade in Louisiana, a Mummer's parade in Pennsylvania, Lucy the Elephant-shaped building in New Jersey, and Holy Ghost Park in Wisconsin. Other photographs of unattributed art work include works on paper, paintings, sculpture, signs, collages, needlework, glass, ceramics, and architecture.

Sound and video recordings include a cassette from Hemphill's phone answering machine that contains only Hemphill's message to callers, cassette recordings of interviews with and concerning Hemphill, artist St. EOM, painter Robert E. Smith discussing his work, and the tour narration for a Smithsonian exhibition Made With Passion. There are videotapes about Hemphill and about artists Gayleen Aiken, Miller and Bryant, and Malcah Zeldis, and miscellaneous African American artists. There is also a videotape of an American Museum of Natural History tour group arriving in a succession of villages in Melanesia and Papua New Guinea where they are greeted by the native people and given the opportunity to purchase their art work.

Artifacts consist of a scattered assemblage of three-dimensional objects including three wooden "fringe" pieces from cigar store figures, ceramic fragments from a sword handle, a lock of horse hair, and a hand-painted View Master viewer souvenir from the opening of the American Visionary Art Museum in Baltimore. The View Master contains a disc of photographs of artists with their work including Vollis Simpson and Mary Frances Whitfield. Also included is a teacher's kit Little Adventures in Art containing four phonograph albums and four short film strips of slides showing art work in animal and bird forms.
Arrangement:
The collection is arranged as 10 series; all series are arranged chronologically:

Series 1: Biographical Material, 1916-1997 (Box 1, 28; 12 folders)

Series 2: Correspondence, 1901-1998 (Boxes 1-5, 27- 28, OV 31; 4.0 linear feet)

Series 3: Personal Business Records, 1817-1997 (Box 5-7, 28; 2.0 linear feet)

Series 4: Art Work, 1911-1997 (Box 7, 32; 0.4 linear feet)

Series 5: Notes and Writings, 1938-1996 (Box 7-10, 28; 2.5 linear feet)

Series 6: Scrapbook, 1965-1976 (Box 10; 1 folder)

Series 7: Printed Material, 1776-1998 (Box 10-19, 28-29, OV 31; 9.5 linear feet)

Series 8: Photographs, 1876-1997 (Box 19-24, 29; 5.5 linear feet)

Series 9: Sound and Video Recordings, 1986-1991 (Box 25-26; 13 folders)

Series 10: Artifacts, 1968-1995 (Box 26, 30; 0.7 linear feet)
Biographical Note:
Herbert Waide Hemphill, Jr., (1929-1998) lived in New York city and was a prominent curator, historian, and collector of American folk art. Hemphill was one of the founding members of the Museum of American Folk Art, organized several large exhibitions of folk art, and co-authored Twentieth Century American Folk Art and Artist.

Hemphill was born on January 21, 1929 in Atlantic City, New Jersey, the son of businessman Herbert Waide Hemphill, Sr., and Emma Bryan Bradley Hemphill whose uncle, William Clark Bradley, was one of the owners of the Coca-Cola Company.

Hemphill was reared in his mother's home town of Columbus, Georgia, and attended Wynnton School. At the Lawrenceville School in New Jersey and the Solebury School in New Hope, Pennsylvania, Hemphill's principle interests were in art and theater. In 1948, he spent a year studying fine arts at Bard College under Stefan Hirsch, a painter and folk art collector.

Hemphill developed his interest in collecting while accompanying his mother on her shopping forays searching for Dresden china. His first acquisition was a wooden duck decoy purchased when he was seven years old. His early collections were of glass bottles, marbles, stamps, and puzzle jugs. In 1949, Hemphill moved to Manhattan and began to focus on modern European and American art and African sculpture, but after 1956 he concentrated exclusively on 19th and early 20th century American folk art. He often discovered artists during his extensive travels, especially in the American South.

In 1961, Hemphill became one of the six founding trustees of the Museum of Early American Folk Art, later named the Museum of American Folk Art, in New York City. Between 1964 and 1973, he was the museum's first curator and curated many exhibitions, helping to promote awareness of work created by self-taught or visionary artists. He later served as Trustee Emeritus for many years.

Between 1974 and 1988, Hemphill loaned portions of his extensive personal collection to 24 museums nationwide and in 1976, the American Bicentennial Commission selected works from his collection for a goodwill tour of Japan. He was named guest curator at the Brooklyn Museum in 1976 and at the Abby Aldrich Folk Art Collection in 1980, and often appeared as guest lecturer at various universities, the Smithsonian Institution, and at the Library of Congress. In 1986, Hemphill donated more than 400 folk art works to the Smithsonian Institution's American Art Museum, resulting in a landmark exhibition Made with Passion: The Hemphill Folk Art Collection of the National Museum of American Art.

Hemphill's publications include books Twentieth Century American Folk Art and Artists, co-authored with Julia Weissman in 1974, Folk Sculpture USA for the Brooklyn Museum in 1976, and Found in New York's North Country: The Folk Art of a Region, co-authored with Varick A. Chittenden in 1982 for the Munson-Williams-Proctor Institute.

Herbert Waide Hemphill, Jr. died on May 8, 1998 in New York City.
Provenance:
Herbert Waide Hemphill donated his papers in 5 installments between 1988 and 1996.
Restrictions:
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Rights:
The Herbert Waide Hemphill papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting  Search this
Folk art -- Collectors and collecting  Search this
Curators -- New York (State) -- New York  Search this
Art -- Economic aspects  Search this
Genre/Form:
Video recordings
Watercolors
Sketchbooks
Sound recordings
Photographs
Drawings
Poems
Reports
Prints
Interviews
Citation:
Herbert Waide Hemphill papers, 1776-1998, bulk 1876-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hempherb
See more items in:
Herbert Waide Hemphill papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hempherb
Online Media:

Jimmy Hedges papers and Rising Fawn Folk Art Gallery records

Creator:
Hedges, Jimmy, 1942-2014  Search this
Names:
Rising Fawn Folk Art Gallery  Search this
Blizzard, Georgia, 1919-2002  Search this
Finster, Howard, 1916-2001  Search this
Green, Homer, 1910-2002  Search this
Harvey, Bessie, 1929-  Search this
Hoskinson, Danny  Search this
Lancaster, Paul  Search this
Mohammed, A.J.  Search this
Simmons, Charlie  Search this
Sudduth, Jimmy Lee, 1910-2007  Search this
Tolliver, Mose, 1920-  Search this
Young, Purvis, 1943-  Search this
Extent:
23.5 Linear feet
15.63 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Video recordings
Date:
1969-2016, bulk 1991-2013
Summary:
The papers of art collector and dealer Jimmy Hedges and the records of his Rising Fawn Folk Art Gallery measure 23.5 linear feet and 15.63 GB and date from 1969-2016, with the bulk of the material dating from 1991-2013. The collection documents Hedges's career as a dealer of outsider art and as an advocate for self-taught artists. Records include administrative and sales records, correspondence, artist files, collector and gallery files, exhibition and art fair files, regional files, printed and digital material, photographic material, and unidentified sound and video recordings. The bulk of the collection consists of artist files and color photographs documenting hundreds of artists that Hedges visited at their homes and studios, including Georgia Blizzard, Howard Finster, Homer Green, Bessie Harvey, Danny Hoskinson, Paul Lancaster, A.J. Mohammed, Charlie Simmons, Jimmy Lee Sudduth, Mose Tolliver, and Purvis Young, among many others.
Scope and Contents:
The records of art collector and dealer Jimmy Hedges and his Rising Fawn Folk Art Gallery measure 23.5 linear feet and 15.63 GB and date from 1969-2016, with the bulk of the material dating from 1991-2013. The collection documents Hedges's career as a dealer of outsider art and as an advocate for self-taught artists. Records include administrative and sales records, correspondence, artist files, collector and gallery files, exhibition and art fair files, regional files, printed and digital material, photographic material, and unidentified sound and video recordings. The bulk of the collection consists of artist files and color photographs documenting hundreds of artists that Hedges visited at their homes and studios, including Georgia Blizzard, Howard Finster, Homer Green, Bessie Harvey, Danny Hoskinson, Paul Lancaster, A.J. Mohammed, Charlie Simmons, Jimmy Lee Sudduth, Mose Tolliver, and Purvis Young, among many others.
Arrangement:
This collection is arranged as 9 series.

Series 1: Administrative and Sales Records, 1969-1971, 1991-2015 (Boxes 1-4; 3.9 linear feet, ER01-ER03; 0.134 GB)

Series 2: Correspondence, 1974, 1981, 1990-2013 (Boxes 4-5; 0.2 linear feet)

Series 3: Artist Files, 1985-2014 (Boxes 5-9, 31, 33, OV 32; 4.6 linear feet, ER04-ER15; 5.35 GB)

Series 4: Collector and Gallery Files, 1992-2014 (Boxes 9-10; 1.2 linear feet)

Series 5: Exhibition and Art Fair Records, circa 1992-2013 (Boxes 10-11; 1.3 linear feet, ER16-ER18; 1.52 GB)

Series 6: Regional Files, 1976, 1980s-2012 (Boxes 11-13; 1.7 linear feet)

Series 7: Printed Material, 1980-2013 (Boxes 13-16, OV 32; 2.2 linear feet, ER19; 0.833 GB)

Series 8: Photographic Material, circa 1990-2011 (Boxes 16-30, 34-35; 7.9 linear feet, ER20-ER35; 7.79 GB)

Series 9: Unidentified Sound and Video Recordings, undated (Boxes 30-31; 0.5 linear feet)
Biographical / Historical:
James R. "Jimmy" Hedges III (1942-2014), was an artist, art collector and dealer of Outsider Art and Folk art in Tennessee and Georgia. Hedges established the Rising Fawn Folk Art Gallery, Lookout Mountain, Georgia.

Born into a prominent family from Chattanooga, Jimmy Hedges was a lifelong philanthropist as a trustee of his family's Tonya Memorial Foundation. His true vocation, however, was as an artist, collector, and dealer of outsider art and as an advocate for self-taught artists. Hedges discovered his love of wood carving as a teenager, when he created song birds, and returned to making art at age forty. Using a chain saw, he carved sculptures of Southerners he had encountered in his travels, including artists. His colleagues in this sector of the fine art craft world were predominantly southern African American self-taught painters, sculptors, potters, and carvers. Befriending them and collecting their work led Hedges to establish Rising Fawn Folk Art Gallery in 1993, building a gallery space in the early 2000s on his 500-acre farm in Lookout Mountain, Georgia.

An unconventional art dealer, Hedges would hand-deliver work to collectors' homes, driving his truck through backroads and stopping along the way to visit with artists and purchase more works to sell. He was an active presence at the Outsider Art Fair and self-taught artist exhibitions throughout the U.S., as well as at Slotin Folk Art auctions and prison auctions. His aim was to improve the economic condition of fellow artists and raise their profiles among curators and critics. Hedges' development of an archive was essential to this goal.
Provenance:
Donated 2016 by James R. Hedges IV on behalf of the Hedges Descendants Trust and in 2018 by James R. Hedges IV on behalf of Wildcat Asset Managment, LLC.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual records or born digital records with no duplicate access copy requires advance notice.
Rights:
The Jimmy Hedges papers and Rising Fawn Folk Art Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Self-taught artists  Search this
Art -- Collectors and collecting  Search this
Art dealers -- Tennessee  Search this
Folk art -- Tennessee  Search this
Outsider art -- Georgia  Search this
Folk art -- Georgia  Search this
Outsider art -- Tennessee  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Citation:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016, bulk 1991-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hedgjimm
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hedgjimm

Theaster Gates - Processions: The Runners

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
Youtube videos
Uploaded:
2018-03-01T20:41:23Z
Topic:
Art, modern  Search this
Youtube Category:
Education  Search this
See more by:
hirshhornmuseum
YouTube Channel:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
EDAN-URL:
edanmdm:yt_Cn8XMWYXASc

Ruth Bowman papers, 1936-2006, bulk 1963-1999

Creator:
Bowman, Ruth, 1923-  Search this
Subject:
Mason, Alice Trumbull  Search this
Bengelsdorf, Rosalind  Search this
Albers, Josef  Search this
Holty, Carl  Search this
Lipschitz, Jacques  Search this
Noguchi, Isamu  Search this
Sloan, Helen Farr  Search this
Reinhardt, Ad  Search this
Ferren, John  Search this
Diller, Burgoyne  Search this
Eakins, Thomas  Search this
Levine, Les  Search this
Bolotowsky, Ilya  Search this
MacDonald, Duncan  Search this
Morris, George L. K. (George Lovett Kingsland)  Search this
Anshutz, Thomas Pollock  Search this
Wilfred, Thomas  Search this
Cézanne, Paul  Search this
Lassaw, Ibram  Search this
Burkhardt, Hans Gustav  Search this
Holtzman, Harry  Search this
McNeil, George  Search this
Picasso, Pablo  Search this
American Federation of Arts  Search this
Los Angeles County Museum of Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New York University  Search this
Brooklyn Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Newark Museum  Search this
American Association of Museums  Search this
Craft and Folk Art Museum  Search this
Long Beach Museum of Art  Search this
Massachusetts Institute of Technology  Search this
WNYC (Radio station : New York, N.Y.)  Search this
KUSC (Radio station : Los Angeles, Calif.)  Search this
Canadian Museums Association  Search this
Type:
Sound recordings
Interviews
Topic:
Art historians  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)11586
(DSI-AAA_SIRISBib)249278
AAA_collcode_bowmruth2
Theme:
Art Theory and Historiography
Lives of American Artists
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_249278
Online Media:

Dorothy C. Miller papers, 1853-2013, bulk 1920-1996

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Subject:
Guggenheim, Peggy  Search this
Barr, Alfred H.  Search this
Rauschenberg, Robert  Search this
Picasso, Pablo  Search this
Gorky, Arshile  Search this
Feininger, Lyonel  Search this
Chryssa  Search this
Nevelson, Louise  Search this
Charlton, Maryette  Search this
Calder, Alexander  Search this
Christo  Search this
Sage, Kay  Search this
Hartigan, Grace  Search this
Canady, John  Search this
Johns, Jasper  Search this
Still, Clyfford E.  Search this
Pereira, I. Rice (Irene Rice)  Search this
Levy, Julien  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Coggeshall, Calvert  Search this
Karpel, Bernard  Search this
Alcopley  Search this
Scharf, William  Search this
Newman, Barnett  Search this
Sterne, Hedda  Search this
Cahill, Holger  Search this
Hicks, Edward  Search this
DeFeo, Jay  Search this
Sheeler, Charles  Search this
Feitelson, Lorser  Search this
Noguchi, Isamu  Search this
Matisse, Pierre  Search this
Bontecou, Lee  Search this
Byars, James Lee  Search this
Horwitt, Will  Search this
Rothko, Mark  Search this
Asher, Elise  Search this
Davis, Stuart  Search this
O'Keeffe, Georgia  Search this
Reinhardt, Ad  Search this
Mather, Eleanore Price  Search this
Hirshhorn Museum and Sculpture Garden.  Search this
Betty Parsons Gallery  Search this
World Trade Center  Search this
Chase Manhattan Bank  Search this
Federal Art Project  Search this
Port Authority of New York and New Jersey  Search this
Smith College  Search this
Mark Rothko Foundation  Search this
PepsiCo, inc  Search this
Rockefeller University  Search this
Smith College.Museum of Art  Search this
Municipal Art Exhibition  Search this
Type:
Drawings
Topic:
Art, Modern  Search this
Art historians  Search this
Art  Search this
Folk art  Search this
Corporations  Search this
Art museum curators  Search this
Record number:
(DSI-AAA_CollID)6469
(DSI-AAA_SIRISBib)215653
AAA_collcode_milldoro
Theme:
Art Theory and Historiography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215653
Online Media:

Nina Howell Starr papers, 1933-1996

Creator:
Starr, Nina Howell, 1903-2000  Search this
Subject:
Sherwood, Maggie  Search this
Siskind, Aaron  Search this
Szarwarski, John  Search this
Evans, Walker  Search this
Daitz, Evelyne Z.  Search this
Ringgold, Faith  Search this
Kanaga, Consuelo  Search this
Brandt, Helene  Search this
Kruger, Louise  Search this
Lippard, Lucy R.  Search this
Morgan, Barbara Brooks  Search this
Kernan, Margo  Search this
Macdonald-Wright, Stanton  Search this
Rose, Ruth Starr  Search this
Ghent, Henri  Search this
Cohen, Stephanie  Search this
DiSpirito, Henry  Search this
Putnam, Wallace  Search this
Coke, Van Deren  Search this
Savage, Naomi  Search this
Mainardi, Patricia Madelena  Search this
Evans, Minnie  Search this
Uelsmann, Jerry  Search this
Connor, Linda  Search this
Strand, Paul  Search this
Museum of American Folk Art  Search this
Southern Regional Council  Search this
Photographic Historical Society of New York  Search this
Sharon Arts Center  Search this
Professional Women's Photographers, Inc  Search this
International Women's Art Festival  Search this
Type:
Drawings
Sound recordings
Scrapbooks
Interviews
Topic:
Folk art  Search this
Art historians  Search this
Civil rights  Search this
Photography  Search this
African American art  Search this
Women photographers  Search this
Record number:
(DSI-AAA_CollID)6053
(DSI-AAA_SIRISBib)216034
AAA_collcode_starnina
Theme:
African American
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216034
Online Media:

Dorothy C. Miller papers

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Names:
Betty Parsons Gallery  Search this
Chase Manhattan Bank -- Art collections  Search this
Federal Art Project  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Mark Rothko Foundation  Search this
Municipal Art Exhibition (1st : 1934 : New York, N.Y.)  Search this
PepsiCo, Inc.  Search this
Port Authority of New York and New Jersey -- Art collections  Search this
Rockefeller University  Search this
Smith College -- Students  Search this
Smith College. Museum of Art  Search this
World Trade Center (New York, N.Y.) -- Art collections  Search this
Asher, Elise, 1914-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bontecou, Lee, 1931-  Search this
Byars, James Lee  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Canady, John  Search this
Charlton, Maryette  Search this
Christo, 1935-  Search this
Chryssa, 1933-  Search this
Coggeshall, Calvert, 1907-1990  Search this
Copley, Alfred L.  Search this
Davis, Stuart, 1892-1964  Search this
DeFeo, Jay, 1929-1989  Search this
Feininger, Lyonel, 1871-1956  Search this
Feitelson, Lorser, 1898-1978  Search this
Gorky, Arshile, 1904-1948  Search this
Guggenheim, Peggy, 1898-  Search this
Hartigan, Grace  Search this
Hicks, Edward, 1780-1849  Search this
Horwitt, Will  Search this
Johns, Jasper, 1930-  Search this
Karpel, Bernard, 1911-1986  Search this
Levy, Julien  Search this
Mather, Eleanore Price, 1910-  Search this
Matisse, Pierre, 1900-1989  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Picasso, Pablo, 1881-1973  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979 -- Art collections  Search this
Rothko, Mark, 1903-1970  Search this
Sage, Kay  Search this
Scharf, William, 1927-  Search this
Sheeler, Charles, 1883-1965  Search this
Sterne, Hedda, 1910-2011  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
34.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Christmas cards
Drawings
Date:
1853-2013
bulk 1920-1996
Summary:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.
Scope and Content Note:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.

Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.

Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.

Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, Art At Work: Chase Manhattan Bank Collection. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art.

Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing Edward Hicks: His Peaceable Kingdom and Other Paintings. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center.

Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.

The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.
Arrangement:
The collection is arranged as 15 series:

Series 1: Biographical Material, 1917-1986 (Box 1; 0.3 linear ft.)

Series 2: Correspondence and Subject Files, circa 1912-1992 (Boxes 1-8, OV 27; 7.2 linear ft.)

Series 3: Rockefeller Family Art Collections, circa 1949-1985 (Boxes 8-12, 25; 3.9 linear ft.)

Series 4: Rockefeller University Collection, 1923-1984 (Boxes 12-13, OV 27; 1.0 linear ft.)

Series 5: Chase Manhattan Bank Collection, 1959-circa 1985 (Boxes 13-14, 26; 1.4 linear ft.)

Series 6: Port Authority of New York and New Jersey Art Committee, circa 1965-1987 (Boxes 14-15, OV 27; 0.8 linear ft.)

Series 7: Other Corporate and Private Clients, 1968-1984 (Boxes 15-16; 1.3 linear ft.)

Series 8: Other Boards, Committees and Commissions, 1925, 1949-1985 (Boxes 16-20; 3.6 linear ft.)

Series 9: Works Project Administration Federal Art Project Files, 1935-1979 (Box 20, OV 27; 0.5 linear ft.)

Series 10: Edward Hicks Catalog, 1934-1984 (Boxes 20-22; 1.5 linear ft.)

Series 11: Research Files, 1930s-1980 (Boxes 22-23; 0.8 linear ft.)

Series 12: Exhibition Files, 1932-1986 (Box 23; 0.6 linear ft.)

Series 13: Works of Art, circa 1924-circa 1982 (Boxes 23-25; 1.5 linear ft.)

Series 14: Photographs, 1926-circa 1970s (Boxes 24-25; 0.3 linear ft.)

Series 15: Addition to the Dorothy C. Miller Papers, 1853-2003, bulk 1920-1996 (Boxes 28-38, OVs 39-41; 9.9 linear ft.)
Biographical Note:
Dorothy Canning Miller (1904-2003) worked in New York City as a highly influential curator of contemporary and folk art at the Museum of Modern Art and as the first curator of the museum. Later, she was the primary art consultant for Nelson A. Rockefeller, the Rockefeller family, Rockefeller University, Chase Manhattan Bank, and the Port Authority of and New Jersey. Dorothy Miller was also married to Holger Cahill, director of the WPA Federal Art Project.

Dorothy C. Miller was born in Hopedale, Massachusetts in 1904 and received her Bachelor of Arts from Smith College in 1925. She was first introduced to modern art through classes at the Newark Museum taught by John Cotton Dana and Holger Cahill. Miller joined the curatorial staff of the Newark Museum in 1926. The museum was one of the first to organize exhibitions of American folk art, American Primitives (1930-1931) and American Folk Sculpture (1931-1932). Miller worked with Cahill and others on the exhibition and developed a life-long interest in folk art.

After four years at the Newark Museum, Miller moved to New York city, hoping to get involved with the newly opened Museum of Modern Art (MoMA), and, likely, to be with Holger Cahill, with whom she lived with on 8th Street prior to their marriage in 1938. Between 1930 and 1932 she took odd jobs and worked with Mrs. Henry Lang cataloging, researching and installing Lang's collection of Native American art Lang donated to the Montclair Art Museum. At the same time, Holger Cahill was serving as Acting Director of the Museum of Modern Art during an absence of Director Alfred H. Barr. In 1932, Cahill asked Miller to assist him with curating the American Painting and Sculpture, 1862-1932 exhibition at MoMA, and together they also curated the First Municipal Art Exhibition, 1934 at the Rockefeller Center.

In 1934, Barr hired Miller as his assistant and one year later appointed her as MoMA's first curator. Miller spent the next 35 years organizing many of this country's most important exhibitions of contemporary art and building personal relationships with new artists and photographers, as well as the collections of MoMA. Miller retired from MOMA in 1969 and focused more on her art consulting work begun in the late 1950s.

Dorothy Miller's most notable client was Nelson A. Rockefeller. She assisted and advised Rockefeller as he acquired a vast personal collection of modern art - some of which was later donated to MoMA. Just prior to her retirement, Miller organized a large exhibition of Rockefeller's collection. The exhibition catalog written by Miller was the basis for the book she worked on with Rockefeller up until and following his death in 1979, ultimately published as The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. In the preface, Rockefeller credited Miller with being one of the four people to whom he was indebted "for the understanding and endless joy I have found in the collecting of modern art in all forms."

Miller also served as the primary art consultant for projects to furnish federal spaces, including Henry Kissinger's State Department office suite, and the official Vice-Presidential residence at the Admiral's House in Washington D.C.

In 1959 Miller was invited to join the art collection committee of the Chase Manhattan Bank and served on the committee until the mid-1980s, contributing her expertise to the development of one of this country's oldest and largest corporate collections of modern and contemporary art.

Miller was also an advisor to other members of the Rockefeller family, including David Rockefeller, and assisted with developing the art collections of Rockefeller Institute/University. From 1960 through the late 1980s Miller was a member of the art committee for the Port Authority of New York and New Jersey (PANJY) and was responsible for selecting much of the artwork for the World Trade Center in the 1970s. She served on numerous boards and commissions, including the Hancock Shaker Village, the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden, the Empire State Plaza in Albany, Smith College Museum of Art, and the Museum of American Folk Art. She also became a member of the Mark Rothko Foundation Board of Directors after the litigation following Rothko's death between Rothko's executors and his daughter.

In the mid-1970s Miller assisted the Whitney Museum of American with planning an exhibition and supporting catalog of the work of folk artist Edward Hicks. Although the exhibition and catalog were only partially realized in 1980, Miller and Eleanore Price Mather compiled and published a book on Hicks, Edward Hicks: His Peaceable Kingdoms and Other Paintings, published in 1983.

In 1982-1983 Miller received the Art Dealers Association Special Award, an honorary degree from Williams College, and the Skowhegan School of Painting and Sculpture governor's award. In 1984 she was named honorary trustee of the Museum of Modern Art. In 1985 the Smith College Museum of Art honored her important contributions to museum connoisseurship with the exhibition Dorothy C. Miller: With An Eye to American Art.

Dorothy Miller died in 2003 at the age of 99 at her home in Greenwich, New York.
Related Material:
The Archives of American Art holds two oral history interviews with Dorothy C. Miller. The first was conducted by Paul Cummings between May 26, 1970 and September 28, 1971, and details Miller's life from childhood up to, and including, her years at the Museum of Modern Art. The second was conducted by Avis Berman on May 14, 1981 and covers Miller's relationships with Mark Rothko and Clyfford Still. Also found among the holdings of the Archives are the papers of Holger Cahill, Dorothy Miller's husband and colleague.

The Museum of Modern Art Achives holds Dorothy Miller's papers related to her curatorial work at the museum.
Provenance:
The collection was donated by Dorothy C. Miller via Wendy Jeffers between 1986 and 1997, and Reid White, Executor of Miller's estate, in 2004. Two subsequent additions were donated by Wendy Jeffers in 2014 and 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Dorothy C. Miller papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- United States  Search this
Art, Modern -- 20th century  Search this
Art historians -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art museum curators -- New York (State) -- New York  Search this
Corporations -- Private collections  Search this
Art -- Private collections  Search this
Folk art  Search this
Genre/Form:
Photographs
Sketches
Christmas cards
Drawings
Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.milldoro
See more items in:
Dorothy C. Miller papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-milldoro
Online Media:

Oral history interview with Bob Stocksdale, 2001 February 16-March 21

Interviewee:
Stocksdale, Bob, 1913-2003  Search this
Interviewer:
Mayfield, Signe  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Decorative arts  Search this
Wood-workers  Search this
Turning  Search this
Conscientious objectors  Search this
Record number:
(DSI-AAA_CollID)11670
(DSI-AAA_SIRISBib)227019
AAA_collcode_stocks01
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_227019
Online Media:

Robert Bruce Inverarity papers, circa 1840s-1997

Creator:
Inverarity, Robert Bruce, 1909-1999  Search this
Subject:
Graves, Morris  Search this
Morris, Carl A.  Search this
Duchamp, Marcel  Search this
Ray, Man  Search this
Deutsch, Hilda  Search this
Tobey, Mark  Search this
Federal Art Project (Iowa)  Search this
Federal Art Project (Or.)  Search this
Federal Art Project (N.Y.)  Search this
Federal Art Project (Calif.)  Search this
Federal Art Project (Ill.)  Search this
Federal Art Project (Utah)  Search this
Federal Art Project (Wash.)  Search this
Museum of International Folk Art (N.M.)  Search this
Type:
Drawings
Sound recordings
Scrapbooks
Interviews
Sketchbooks
Topic:
Federal aid to the arts  Search this
Puppet theater  Search this
Art and state  Search this
United States  Search this
New Deal, 1933-1939  Search this
Record number:
(DSI-AAA_CollID)6796
(DSI-AAA_SIRISBib)208923
AAA_collcode_inverobe
Theme:
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208923
Online Media:

Herbert Waide Hemphill papers, 1776-1998, bulk 1876-1998

Creator:
Hemphill, Herbert Waide, 1929-1998  Search this
Subject:
Weissman, Julia  Search this
Brice, Bruce  Search this
Borkowski, Mary  Search this
O'Kelley, Mattie Lou  Search this
Harvey, Bessie  Search this
Zeldis, Malcah  Search this
Hicks, Tiny  Search this
Walters, Hubert  Search this
Holley, Lonnie  Search this
Bogun, Maceptaw  Search this
Lisk, Charles  Search this
Crittenden, Varick A.  Search this
Smither, Stephanie  Search this
Hamblett, Theora  Search this
Hawkins, William Lawrence  Search this
Little, Roy  Search this
Smith, Robert E.  Search this
Lopez, George  Search this
Hall, Michael D. (Michael David)  Search this
Tolson, Edgar  Search this
Merrill, James Ingram  Search this
Klumpp, Gustave  Search this
Patterson, Clayton  Search this
Gatto, Victor Joseph  Search this
St. EOM  Search this
Spies, Jim  Search this
Jennings, James Harold  Search this
Coins, Raymond  Search this
Robertson, Royal  Search this
Finster, Howard  Search this
Carpenter, Miles B. (Miles Burkholder),  Search this
Nathaniel, Inez  Search this
Donovan, Carrie  Search this
Fancher, John W.  Search this
Prince, Daniel C.  Search this
Hartigan, Lynda Roscoe  Search this
Morgan, Gertrude  Search this
Young, Purvis  Search this
Mr. Imagination  Search this
Smith, Fred  Search this
Jones, S. L. (Shields Landon),  Search this
Orth, Kevin  Search this
Tolliver, Mose  Search this
McCarthy, Justin  Search this
Goins, Vernon  Search this
Josephson, Nancy  Search this
Terrillion, Veronica  Search this
Jordan, John  Search this
Prince, Neal A.  Search this
Flanagan, Thos. J. (Thomas Jefferson),  Search this
Aiken, Gayleen  Search this
Maldonado, Alexander Aramburo  Search this
Dinsmoor, Samuel Perry  Search this
Ghostley, Alice  Search this
Hunter, Clementine  Search this
Smither, John  Search this
Rowe, Nellie Mae  Search this
Fowler, Tim  Search this
James, A. Everette (Alton Everette),  Search this
National Museum of American Art (U.S.)  Search this
Museum of American Folk Art  Search this
Museum of International Folk Art (N.M.)  Search this
Abby Aldrich Rockefeller Folk Art Center  Search this
Folk Art Society of America  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Exposition Universelle de Paris  Search this
Type:
Drawings
Sound recordings
Interviews
Video recordings
Sketchbooks
Topic:
Art  Search this
Folk art  Search this
Curators  Search this
Record number:
(DSI-AAA_CollID)5482
(DSI-AAA_SIRISBib)210776
AAA_collcode_hempherb
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210776
Online Media:

Exhibition Records

Creator::
Smithsonian American Art Musuem. Office of Design and Production  Search this
Extent:
0.5 cu. ft. (1 document box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1999-2000
Descriptive Entry:
This accession consists of materials that document the development of the reference and graphics manual to accompany the Treasures to Go tour - a set of eight traveling exhibitions featuring collections from the Smithsonian American Art Museum and underwritten by the Principle Financial Group. The thematic exhibitions were created to tour the United States (70 cities) beginning in 2000 and lasting through 2002 (while the Museum is closed for renovation) with the intent of generating public awareness of American art. The technical manual that was developed provides standards and guidelines for the venues to follow to meet specific graphic mandates stated in the exhibition contract and to provide optional design suggestions for invitations, print ads, internal signage, external banners, tickets, and Internet banners. In this way, the Smithsonian and Principle Financial Group identity would be properly represented and tied to the show title and all promotional materials associated with the exhibition. The thematic exhibitions were entitled: Young America, Lure of the West, American Impressionists, The Gilded Age, Scenes of American Life, American Modernism and Abstraction, Contemporary Folk Art, and Arte Latino. Materials include correspondence, memoranda, planning files, basic text of the manual, notes, and related records.
Topic:
Traveling exhibitions  Search this
Technical manuals  Search this
Publicity  Search this
Art museums  Search this
Art, American  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Accession 01-144, Smithsonian American Art Musuem. Office of Design and Production, Exhibition Records
Identifier:
Accession 01-144
See more items in:
Exhibition Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa01-144

Style in Motion

Creator:
Smithsonian Education  Search this
Type:
Youtube videos
Uploaded:
2014-03-13T20:47:23Z
Topic:
Education  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianEducation
YouTube Channel:
SmithsonianEducation
Data Source:
Smithsonian Education
EDAN-URL:
edanmdm:yt__k66lO1CFsA

Celebrate Mother's Day With These Artworks From the Smithsonian Collections

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 08 May 2020 15:49:17 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_ef1ddca2afa6841bd3f9f51f6de9dde5

Swedish folk art : all tradition is change / edited by Barbro Klein and Mats Widbom ; foreword by Beate Sydhoff ; epilogue by Henry Glassie

Author:
Widbom, Mats  Search this
Klein, Barbro Sklute  Search this
Kulturhuset (Stockholm, Sweden)  Search this
Museum of International Folk Art (N.M.)  Search this
Physical description:
272 p. : ill. (some col.) ; 27 x 26 cm
Type:
Exhibitions
Place:
Sweden
Date:
1994
C1994
Topic:
Folk art--Exhibitions  Search this
Decorative arts  Search this
Call number:
NK995 .S94 1994X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_521078

Fifty Years Ago, Fed Up With the City’s Neglect, a San Diego Community Rose Up to Create Chicano Park

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 28 Apr 2020 18:51:42 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_13829f52547c46d7af79f53a70a459da

Camera-ready comic art drawing for Grin and Bear It

Publisher:
Publishers Newspapers Syndicate, Inc.  Search this
Graphic artist:
Lichty, George  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 27.8 cm x 23.1 cm; 10 15/16 in x 9 1/8 in
Object Name:
drawing
Object Type:
Drawings
Date made:
1966-06-30
Credit Line:
Newspaper Comics Council, Inc., New York, NY
ID Number:
GA.22382
Catalog number:
22382
Accession number:
277502
See more items in:
Work and Industry: Graphic Arts
Cultures & Communities
Communications
Art
Popular Entertainment
Comic Art
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-e5a2-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_797316

Lily Spandorf drawings

Creator:
Spandorf, Lily  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
3 Cubic feet (754 drawings (visual works))
Type:
Collection descriptions
Archival materials
Sketches
Drawings
Date:
1967-1998, undated
Summary:
This collection consists of 754 pen-and-ink, watercolor, and gouache drawings and paintings by artist Lily Spandorf. They depict scenes from various years of the Festival of American Folklife and its successor, the Smithsonian Folklife Festival.
Scope and Contents:
The Lily Spandorf drawings consist of 754 pen-and-ink, watercolor, and gouache drawings and paintings and date from 1967-1998. Some pieces contain drawings on both the recto and verso, and some drawings are unfinished. Lily Spandorf, an Austrian-born, Washington, D.C.-based artist, created the drawings each year at the Festival of American Folklife (later the Smithsonian Folklife Festival) over a thirty-year span. Many Festival programs are represented, particularly the bicentennial programs of 1976.

Many drawings were recieved with no label information, so at present, these drawings remain undated and only very generally described. As more information regarding individual drawings is gathered, more specific descriptive information will be added.
Arrangement note:
Arranged by size in appropriate folders and boxes (oversized flat boxes and document case) and further arranged by number assigned to drawings. Numbers were randomly assigned to drawings after the collection was acquired and do not reflect a specific order, chronological or otherwise.

Sixteen drawings and paintings are framed and displayed in the Smithsonian Center for Folklife and Cultural Heritage offices.
Biographical/Historical note:
Lily Spandorf was born in Vienna, Austria in 1914. An honors graduate of the Vienna Academy of Arts, she left Austria in 1938 to continue her art education at London's St. Martin's School of Art. During World War II, she volunteered for the Red Cross in Scotland. She also worked and lived in Italy, where she became attracted to painting scenes outdoors. She first moved to New York City in 1959, but found the city too vast and hectic and eventually moved to Washington D.C. in 1960, where she settled into an apartment in Dupont Circle.

From the very first Festival of American Folklife (later the Smithsonian Folklife Festival) in 1967, she brought her cart full of materials and supplies to the National Mall and sketched Festival scenes, documenting people, performances, settings, and activities for over three decades. Her work often appeared in the Washington Star newspaper. Her paintings and drawings of Washington, D.C. scenes and cityscapes were featured in a 1988 book called Washington Never More, as well as the Washington Post, Washingtonian Magazine, and National Geographic. She was also the subject of a documentary film produced and directed by Barr Weissman. In 1988, she was the first local solo artist to be exhibited at the National Museum of Women in the Arts. Her annual paintings and drawings of the White House Christmas decorations were acquired by the White House Historical Association, and her work documenting the filming of Advise and Consent was acquired by the U.S. Senate. She continued to produce work until she passed away in February 2000 at the age of 85.
Provenance:
The Lily Spandorf drawings were acquired by Richard Kurin, former director of the Center for Folklife and Cultural Heritage and Diana Parker, former director of the Smithsonian Folklife Festival. Thanks to generous donations and support from the Smithsonian Women's Committee and the general public, the Smithsonian purchased Spandorf's drawings from the Lily Spandorf Distribution Trust in 2001.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or 202-633-7322 for additional information.
Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Folk musicians  Search this
Folk singers  Search this
Genre/Form:
Sketches
Drawings
Citation:
Lily Spandorf drawings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SPAN
See more items in:
Lily Spandorf drawings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-span
Online Media:

Trude Guermonprez collection

Creator:
Guermonprez, Trude, 1910-1976  Search this
Names:
Akron Art Institute  Search this
American Crafts Council. Museum of Contemporary Crafts  Search this
American Institute of Architects  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
California College of Arts and Crafts  Search this
Cooper-Hewitt Design Archive  Search this
Holland Amerika Lijn  Search this
Johnson Wax -- Art collections  Search this
Municipal School of Arts and Crafts (Halle an der Saale, Germany)  Search this
Oakland Art Museum  Search this
Owens-Corning Fiberglas Corporation  Search this
Pasadena Art Museum  Search this
Pond Farm Workshops  Search this
San Francisco Folk Art Museum  Search this
Staatliche Galerie Moritzburg Halle, Landeskunstmuseum Sachsen-Anhalt  Search this
Guermonprez, Paul.  Search this
Guermonprez, Trude, 1910-1976  Search this
Herr, Gordon.  Search this
Herr, Jane.  Search this
Larson, Jack Lenor.  Search this
Mendelsohn, Erich, 1887-1953  Search this
Oud, J. J. P. (Jacobus Johannes Pieter), 1890-1963  Search this
Wildenhain, Frans, 1905-1980  Search this
Wildenhain, Marguerite  Search this
Extent:
3 Boxes
Type:
Collection descriptions
Archival materials
Posters
Patterns (design elements)
Designs (textile)
Blueprints
Awards
Proposals
Postcards
Announcements
Brochures
Photographs
Exhibition catalogs
Slides (photographs)
Journals (periodicals)
Clippings
Financial records
Lecture notes
Articles
Business cards
Correspondence
Textiles
Sketches
Date:
1950-1976
Summary:
This archive includes interesting documents related to Trude Guermonprez's life and work as a weaver. The archives are especially related to the designer's work for her major clients, like Holland America Line and Owens Corning Fiberglass; other pieces in this archive are related to Guermonprez's work for custom curtains made for major synagogues and her designs, interior fabrics, screens and rugs realized in conjunction with J.P. Oud, Architects Associated, New York; Eric Mendelsohn, Warren Callister, etc. The correspondence and the photographs in this collection provide insight into the designer's private life. Included in this collection are press articles, brochures, correspondence, postcards, photographs, color slides, notebooks, textiles, and textile wood patterns.
Arrangement note:
Unprocessed; Included in this collection are press articles, brochures, correspondence, postcards, photographs, color slides, notebooks, textiles, and textile wood patterns.
Biographical/Historical note:
Trude Guermonprez is an experienced weaver as well as a designer, artist, craftsman and teacher. She has executed architectural commissions and has done interior design for industry. Her work is of great variety in character and form. Guermonprez started weaving in Halle, Germany at the Municipal School of Arts and Crafts. Six years of weaving in a Dutch rug shop preceded her coming to America, at the invitation of Anni Albers, to teach at Black Mountain College, and later to northern California to join her friend Marguerite Wildenhain, at Pond Farm Workshops in a producing-teaching cooperative. She served as Chairman of the Craft Department at The California College of Arts and Crafts. Though she designed fabrics for New York textile manufacturers, her works were mainly custom produced for architects and individuals. In 1970 she was honored the Craftsmanship Medal from the American Institute of Architects.

Guermonprez published works in Art and Architecture, 1949; Shuttlecraft Weaving Magazine, 1957; and Research in Crafts, 1961.

She also participated in the following exhibitions: de Young Museum; American Wallhangings, London; Oakland Art Museum; Pasadena Art Museum; U.S. Information Agency State Department Show, traveling Europe exhibition; "Craftsmen of the West", "Fabrics International" and "10 American Weavers" at the Victoria and Albert Museum in London. In 2000 at Staatliche Galerie Moritzburg Halle Landeskunstmuseum, Halle (Salle), Germany: "From Bauhaus to the Pacific: The Impact of Emigration on Marguerite Wildenhain and Trude Guermonprez".
Location of Other Archival Materials Note:
The North Carolina State Archives web site has material in its collection related to Guermonprez as a teacher and artist-in-residence at Black Mountain College.
The Archives of American Art hasoral history interviews of Merry Renk conducted 2001 Jan. 18-19 by Arline M. Fisch for Nanette L. Laitman's, Documentation Project for Craft and Decorative Arts in America. Guermonprez is only mentioned.
Provenance:
All materials were donated to the museum by Mr. Eric and Mrs. Sylvia Elsesser in 1993.
Restrictions:
Unprocessed; access is limited. Permission of Library Director required. Policy.
Occupation:
Textile designers -- United States  Search this
Weavers -- United States  Search this
Topic:
Weaving -- History -- 20th century -- Sources  Search this
Genre/Form:
Posters
Patterns (design elements)
Designs (textile)
Blueprints
Awards
Proposals
Postcards
Announcements
Brochures
Photographs
Exhibition catalogs
Slides (photographs)
Journals (periodicals)
Clippings
Financial records
Lecture notes
Articles
Business cards
Correspondence
Textiles
Sketches
Identifier:
SIL-CH.1993-121-118
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1993-121-118

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