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United States Merry-Go-Round Company [formerly Gem Novelty Company], Cincinnati, Ohio

Collection Creator:
Fried, Frederick, 1909-1994  Search this
National Carousel Association.  Search this
Fried, Mary Hill  Search this
Container:
Box 18, Folder 22
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Fees for commercial reproduction.
Collection Citation:
Frederick and Mary Hill Fried Folk Art Archives, circa 1662-1999, Archives Center, National Museum of American History
See more items in:
Frederick and Mary Hill Fried Folk Art Archives
Frederick and Mary Hill Fried Folk Art Archives / Series 5: Carousels / 5.2: Manufacturers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep86e4dc66b-9a4d-4b6f-a61b-45e50552636f
EDAN-URL:
ead_component:sova-nmah-ac-0528-ref1426

Tilden Park Merry-Go-Round, Berkeley, California

Collection Creator:
Fried, Frederick, 1909-1994  Search this
National Carousel Association.  Search this
Fried, Mary Hill  Search this
Container:
Box 22, Folder 22
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Fees for commercial reproduction.
Collection Citation:
Frederick and Mary Hill Fried Folk Art Archives, circa 1662-1999, Archives Center, National Museum of American History
See more items in:
Frederick and Mary Hill Fried Folk Art Archives
Frederick and Mary Hill Fried Folk Art Archives / Series 5: Carousels / Series 5.7: Sites
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep84dac9064-b900-46f5-8d7b-4a0717fb6f3f
EDAN-URL:
ead_component:sova-nmah-ac-0528-ref1541

Gertrude Farrington diaries

Author:
Farrington, Gertrude  Search this
Extent:
.1 Cubic feet (3 diaries)
Type:
Collection descriptions
Archival materials
Diaries
Date:
1977-1992
Content Description:
This collection consists of three 5-year diaries (1978-1992) kept by Gertrude Farrington, a member of Connecticut's Ridgefield Garden Club. Farrington's diaries track her daily tasks, garden club activities, and weather forecasts, and include occasional commentaries on national events.
Topic:
Women gardeners  Search this
Gardens -- Connecticut  Search this
Genre/Form:
Diaries
Identifier:
AAG.GCA.FAR
See more items in:
Gertrude Farrington diaries
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb60349f478-4a27-4aba-b359-a89f2b1df628
EDAN-URL:
ead_collection:sova-aag-gca-far
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Online Media:

Diary 2 of 3

Collection Author:
Farrington, Gertrude  Search this
Type:
Archival materials
Date:
1983-1987
Identifier:
AAG.GCA.FAR, Item CT131
See more items in:
Gertrude Farrington diaries
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb63e3330b8-ceb8-411b-b16d-5ead9b7fe55d
EDAN-URL:
ead_component:sova-aag-gca-far-ref2
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Newspaper Clippings: Jim Thorpe Legacy

Collection Creator:
Thorpe, Grace F.  Search this
Container:
Box 3, Folder 1
Type:
Archival materials
Date:
1971-1972
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Grace F. Thorpe Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Grace F. Thorpe Collection
Grace F. Thorpe Collection / Series 5: Jim Thorpe and His Legacy
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4834adc74-c195-4413-bf01-ce364750a035
EDAN-URL:
ead_component:sova-nmai-ac-085-ref148
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Behind the Apron Interview with Blondell Mason

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Anacostia Community Museum  Search this
Extent:
2 Sound recordings (audio cassette)
Type:
Archival materials
Sound recordings
Oral histories (document genres)
Interviews
Place:
Maryland
United States
Date:
1997
Scope and Contents:
Through an oral history interview, Blondell Mason talks about growing up in Baltimore City and then Calvert County, his children, farming, and shucking oysters. Mason describes his experiences working as an oyster shucker for approximately 30 years at the Warren Denton Seafood House (Calvert County, Maryland). Mason was one of the fastest oyster shuckers at the seafood house. In addition to discussing why he enjoyed working as an oyster shucker, he describes the changes over the years in the oyster shucking industry, including the changing demographics of the industry's workers. Mason also talks about a man who tried to form an oyster union to negotiate wages. Both parts one and two of the interview contain the same overall content, but different details.
Interview. Part of Behind the Apron oral history project. Dated 19960417 and 19970417 (transcribed from transcripts).
Biographical / Historical:
Behind the Apron oral history project documents the experiences of Black oyster and clam workers in Southern Maryland. The interviews explore issues such as: the connection between land and water, between farming and the fishing industry; the communal spirit and camaraderie amongst oyster workers; the experience of women oyster workers; and the changes in the oyster packing industry resulting in a diminshed African American workforce. The audio interviews were conducted by Shelia Montague Parker in 1997.
Local Numbers:
ACMA AV005260
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans  Search this
African Americans -- Employment  Search this
African Americans -- Maryland  Search this
Oyster industry  Search this
Clam industry  Search this
Genre/Form:
Sound recordings
Oral histories (document genres)
Interviews
Citation:
Behind the Apron Interview with Blondell Mason, Behind the Apron oral history project, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.09-007.28, Item ACMA AV005259
See more items in:
Behind the Apron: The History, Life, and Hidden Achievements of Southern Maryland's Black Oyster and Clam Workers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa752321ba6-411f-4cbb-adf6-abfbd60b6cbe
EDAN-URL:
ead_component:sova-acma-09-007-28-ref2
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Online Media:

Behind the Apron Interview with Mary Dawkins

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Anacostia Community Museum  Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Oral histories (document genres)
Interviews
Place:
Maryland
United States
Date:
circa 1997
Scope and Contents:
Through an oral history interview, Mary Dawkins talks about growing up and being raised by her grandparents in Lusbee, Maryland. She talks about her enjoyment as a clam and oyster shucker and her ability to earn money to send her children to college. Prior to working for Warren Denton Seafood House (Calvert County, Maryland), Dawkins worked as cook for Parrens and as a shucker for Lores, which went out of business. Dawkins describes her experience working as a clam and oyster shucker in detail. She explains the changes in the oyster, clam, and crab industries, particularly the oysters and crabs are smaller and not as plentiful, and the diminished African American workforce. She talks about working with Mexicans and the changing demographics of the employees working at Warren Denton Seafood House.
Interview. Part of Behind the Apron oral history project. Undated.
Biographical / Historical:
Behind the Apron oral history project documents the experiences of Black oyster and clam workers in Southern Maryland. The interviews explore issues such as: the connection between land and water, between farming and the fishing industry; the communal spirit and camaraderie amongst oyster workers; the experience of women oyster workers; and the changes in the oyster packing industry resulting in a diminshed African American workforce. The audio interviews were conducted by Shelia Montague Parker in 1997.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans  Search this
African Americans -- Employment  Search this
African Americans -- Maryland  Search this
Oyster industry  Search this
Clam industry  Search this
Genre/Form:
Sound recordings
Oral histories (document genres)
Interviews
Citation:
Behind the Apron Interview with Mary Dawkins, Behind the Apron oral history project, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.09-007.28, Item ACMA AV005256
See more items in:
Behind the Apron: The History, Life, and Hidden Achievements of Southern Maryland's Black Oyster and Clam Workers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7b1437d84-fafd-4d0c-a9ef-bbe47207343d
EDAN-URL:
ead_component:sova-acma-09-007-28-ref4
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Behind the Apron Interview with William Bourne

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Anacostia Community Museum  Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Oral histories (document genres)
Interviews
Place:
Maryland
United States
Date:
April 15, 1997
Scope and Contents:
Through an oral history interview, William Bourne talks about his family and growing up, and working on his family's tobacco farm in Calvert County, Maryland. Bourne describes his experience as an oyster shucker for 64 years at the Warren Denton Seafood House (Calvert County, Maryland). He explains the drop in the oyster population and the changes over the years in the oyster shucking industry, including the changing demographics of the industry's workers.
Interview. Part of Behind the Apron oral history project. Dated 19970415.
Biographical / Historical:
Behind the Apron oral history project documents the experiences of Black oyster and clam workers in Southern Maryland. The interviews explore issues such as: the connection between land and water, between farming and the fishing industry; the communal spirit and camaraderie amongst oyster workers; the experience of women oyster workers; and the changes in the oyster packing industry resulting in a diminshed African American workforce. The audio interviews were conducted by Shelia Montague Parker in 1997.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans  Search this
African Americans -- Employment  Search this
African Americans -- Maryland  Search this
Oyster industry  Search this
Clam industry  Search this
Genre/Form:
Sound recordings
Oral histories (document genres)
Interviews
Citation:
Behind the Apron Interview with William Bourne, Behind the Apron oral history project, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.09-007.28, Item ACMA AV005265
See more items in:
Behind the Apron: The History, Life, and Hidden Achievements of Southern Maryland's Black Oyster and Clam Workers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7b5abd2a7-70b0-476f-ac98-fdf7c3b47793
EDAN-URL:
ead_component:sova-acma-09-007-28-ref8
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9th and 10th Districts

Type:
Archival materials
Date:
Aug. 1865–July 1866
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1048, Item 4.2.7.3
See more items in:
Records of the Assistant Commissioner for State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869
Records of the Assistant Commissioner for State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869 / Series 4: Letters and Telegrams Received / 4.2: Unregistered Letters and Telegrams Received / 4.2.7: District Headquarters in Virginia
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io34e6d6bf0-1722-4caa-a8ff-3c65433e0762
EDAN-URL:
ead_component:sova-nmaahc-fb-m1048-ref119
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Online Media:

M

Type:
Archival materials
Date:
1867
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1048, Item 4.1.3.5
See more items in:
Records of the Assistant Commissioner for State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869
Records of the Assistant Commissioner for State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869 / Series 4: Letters and Telegrams Received / 4.1: Registers of Communications Received / 4.1.3: Entered in Registers 5 – 7
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3ca18ae20-667a-40c7-97a6-17f6c0fe9aa2
EDAN-URL:
ead_component:sova-nmaahc-fb-m1048-ref97
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Online Media:

National Baptist Metoka and Galeda Bible Class Magazine, September 1917

Published by:
R.H. Boyd Publishing Corporation, American, founded 1896  Search this
Medium:
ink on paper, metal
Dimensions:
H x W x D (closed): 9 5/16 × 6 1/2 × 1/8 in. (23.7 × 16.5 × 0.3 cm)
Type:
magazines (periodicals)
Place printed:
Nashville, Davidson County, Tennessee, United States, North and Central America
Date:
1917
Topic:
African American  Search this
American South  Search this
Baptist  Search this
Black Enterprise  Search this
Black Press  Search this
Literature  Search this
Religion  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture; Gift of Dr. and Mrs. T.B. Boyd, III and R.H. Boyd Publishing Corporation
Object number:
2013.208.6
Restrictions & Rights:
Public domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ef2e085b-e2f1-4922-8d20-968b9fdde5b3
EDAN-URL:
edanmdm:nmaahc_2013.208.6
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Julian Black Scrapbooks of Joe Louis

Creator:
Black, Julian, Mrs.  Search this
Black, Julian (boxing manager)  Search this
Names:
Jacobs, Mike  Search this
Louis, Joe, 1914-1981  Search this
Roxborough, John  Search this
Extent:
109 Volumes
Type:
Collection descriptions
Archival materials
Volumes
Scrapbooks
Clippings
Date:
1935-1944
Summary:
The collection consists of 109 scrapbooks of newspaper clippings assembled by Julian Black, manager of Joe Louis, heavyweight boxing champion from 1937 to 1949. They document Louis's career from 1935 to 1944.
Scope and Contents:
The collection consists of 109 scrapbooks of newspaper clippings assembled by Julian Black, manager of Joe Louis, heavyweight boxing champion from 1937 to 1949. They document Louis's career from 1935 to 1944. Louis became one of America's most celebrated sports figures both for his extraordinary boxing skills and for his role as a symbol of national pride, especially in his bouts with the German champion Max Schmeling. His national respect and international prominence stood in ironic contrast to the nation's legal and social practices of racial segregation.

Joe Louis's manager, Julian Black, assembled three sets of scrapbooks to document Louis's career. This collection consists of ninety-two volumes from Black's set, sixteen volumes from a similar but not identical set of scrapbooks assembled for Louis, and one oversize miscellaneous volume.

The third set of scrapbooks belonged to John W. Roxborough, Joe's manager or co-manager from 1933 to 1948. It is held by the Bentley Historical Library at the University of Michigan. This set contains ninety-four volumes covering the period 1935 to November 1941. Part of this collection has been microfilmed. Although the numbering of the volumes in each of the three sets is different it appears that each set has the same information.

The scrapbooks contain newspaper clippings from throughout the United States and Canada from 1935 to 1944 and articles from Ring magazine. This collection documents Joe Louis's fights from June 25, 1935, through 1944, including championship fights from June 22, 1937, through September 29, 1941. (The Steve Ketchel fight on January 11, 1937, in Buffalo is not represented. See the scrapbook volume listing at the end of this guide.)

The scrapbooks were assembled with great care using high-quality binding and paper. The clippings are neatly mounted and show great attention to detail. All clippings are identified by the name of the paper; the day of the week and the date; and the author, artist, or photographer. Clippings include full-length articles and brief sketches, cartoons, photographs, and records and statistics of the boxers. The clippings are grouped in volumes by each of Louis's fights and then arranged chronologically.

Hundreds of major and minor newspapers throughout the United States and Canada are represented in the scrapbooks. Coverage extends from very large metropolitan dailies to small-town newspapers. Among the newspapers represented are titles as diverse as: Akron Beacon Journal; Daily Colonist, Victoria, British Columbia; Shreveport Times; Tribune Tulsa; and the Worchester Daily Telegraph.

While these scrapbooks are about the Joe Louis fights, there is a wealth of material on many other people connected with boxing in this period, including all of Joe Louis's opponents, his trainer, his managers, his promoter Mike Jacobs, and most of the sports reporters and writers of the time. Anyone of any importance connected with boxing during this period can be found in the pages of these volumes. There are also retrospective articles on earlier boxers and historical fights.

The two sets of scrapbooks in this collection are numbered separately: the Julian Black Scrapbooks, Volumes 1-92; and the Joe Louis Scrapbooks, Volumes 17-20, 52-58, 61-63, and 71 and 72. Although much of the same material is found in both sets, there are sufficient differences in content and in physical condition of the volumes. The container list indicates the relationship between the two sets. The 109th volume consists of an oversize miscellaneous scrapbook of random news clippings, 1941-1944, of later Louis matches.
Arrangement:
The collection is divided into two series. Clippings arranged chronologically in scrapbooks, grouped in volumes.

Series 1: Julian Black Volumes, 1935-1941

Series 2: Joe Louis Volumes, 1936-1940
Biographical note:
Joe Louis Barrow, the seventh child of Monroe and Lily Barrow, was born May 13, 1914 in a cabin in the cotton fields of Lexington, Alabama. While Joe was still a young boy, his father suffered a mental breakdown and later died in the Searcy State Hospital near mobile, Alabama. His mother later married Pat Brooks, a widower with many children of his own, and the combined family moved to Detroit when Joe was ten.

After an introduction to boxing and lessons by his friend Thurston McKinney, Joe tried his luck at competition. The Brewster East Side Gymnasium became a second home for him. At sixteen he entered his first amateur tournament.

Joe Louis was an outstanding amateur. He lost only four decisions in fifty-four fights, and forty-one of his wins were by a knockout. Joe fought his last amateur fight on April 13, 1934, in St. Louis.

John Roxborough had encouraged Louis as an amateur and became his manager when Joe turned pro. Roxborough hired Jack Blackburn, a boxer himself, to coach and train the young Joe Louis. At this time Roxborough also teamed up with Julian Black of Chicago in a business venture that carried over into the management of Joe Louis.

Joe's professional debut took place in Bacon's Arena in Chicago on July 4, 1934. He decisively defeated Jack Kracken for a fifty-dollar purse. Only four of his first twenty-seven foes lasted all fifteen rounds.

As Joe Louis worked his way up the ladder as a contender for the heavyweight championship he acquired the nickname the "Brown Bomber." On May 14, 1935, one day after his twenty-first birthday, the young pugilist signed a ten-year contract with Julian Black. The contract stipulated that fifty percent of Joe Louis's gross earnings from boxing contests, exhibitions, movies, and radio would go to Julian Black. Jack Blackburn, the trainer, was paid from Joe's portion of the money. John Roxborough, the other manager, claimed "to have a contract for twenty-five percent of Louis's gross earnings for an indefinite period."

The newly organized 20th Century Sporting Club, with Mike Jacobs as promoter, operated in competition with Madison Square Garden. The club signed the promising young boxer to an exclusive contract. Joe's first appearance in a New York ring took place at Yankee Stadium on June 25, 1935, against Primo Carnera. Joe KO'd Carnera in the sixth round. On September 24, 1935, also at Yankee Stadium, Joe knocked out Max Baer in the fourth round.

After winning twenty-seven straight fights, including twenty-three KO's, Louis was the heir apparent to James J. Braddock's heavyweight title. On June 19, 1936 he battled max Schmeling, the former champ who was considered washed up. Schmeling surprised everyone by punishing and then finishing Louis off with a twelfth-round knockout.

A year later, in his thirty-sixth professional fight, Joe Louis won the heavyweight crown at twenty three years of age by defeating Jim Braddock in Chicago in eight rounds. Braddock fought Louis to avoid a fight with Max Schmeling and the possible loss of the title to a German. Braddock, however, insisted on a percentage of Louis's future purses. It is generally believed he received ten percent of all Joe's earnings over a period of fifteen years.

After defeating two easy opponents, Louis met max Schmeling in a dramatic rematch on June 22, 1938. Like Jesse Owens in the Berlin Olympic Games, Louis symbolized American democracy versus an increasingly menacing Nazi Germany. The irony of a black hero representing a racially segregated society in a symbolic battle between freedom and oppression was not lost on all Americans and, although Louis himself was not a political activist, his example added fuel to the movement for racial equality and civil rights. Louis defeated Schmeling in two minutes and four seconds of the first round.

In the following years promoter Jacobs searched for opponents for Louis. After defeating five former champions - Carnera, Baer, Sharkey, Braddock, and Schmeling-the pickings were slim. on January 25, 1939, Joe "squared-off" with the first Black to fight him professionally -- John Henry Lewis (great-great nephew of Tom Molineaux, the first of America's Black heavyweight champions). Lewis was the light-heavyweight champion of the world and a natural 175 "pounder." He and Joe were close personal friends outside of the ring. Nevertheless, Joe totally outclassed Lewis in the ring.

Joe Louis defended his title twenty times before World War II interrupted his career. He was eventually classified 1-A and inducted into the Army. During the winter of 1941-1942 he staged bouts for the Navy and Army. The service relief fund received $75,000 from the purse of each fight. While in the service the Brown Bomber traveled extensively, giving boxing exhibitions and refereeing bouts. For his service on behalf of the armed forces, he received a citation from the United States government.

Louis retired an undefeated champion March 1, 1949. He came out of retirement and lost a fifteen-round decision to Ezzard Charles on September 27, 1950 at Yankee Stadium. He won eight more fights from the end of 1950 until the fall of 1951. However, on October 26, 1951, Louis lost by a knockout in the eighth round to Rocky Marciano. He retired for good after this comeback attempt. For many years after he retired, Joe had income tax problems and other financial problem. He also underwent a brief stay in a Denver psychiatric hospital. Joe Louis died in 1981.
Joe Louis Heavyweight Championship Fights, 1937-1950:
1937 June 22 -- Joe Louis knocked out James J. Braddock, 8 rounds, Chicago.

1937 August 30 -- Joe Louis defeated TOUT Farr, 15 rounds, decision, New York City.

1937 August 30 -- Joe Louis defeated TOUT Farr, 15 rounds, decision, New York City.

1938 February 23 -- Joe Louis knocked Out Nathan Mann, 3 rounds, New York City.

1938 April 1 -- Joe Louis knocked out Harry Thomas, 5 rounds, New York city.

1938 June 22 -- Joe Louis knocked out Max Schmeling, one round,, New York City.

1939 January 25 -- Joe Louis knocked out John H. Lewis, one round, New York City.

1939 April 17 -- Joe Louis knocked out Jack Roper, one round, Los Angeles.

1939 June 28 -- Joe Louis knocked out Tony Galento, 4 rounds, New York city.

1939 September 30 -- Joe Louis knocked out Bob Pastor, 11 rounds, Detroit, Michigan.

1940 February 9 -- Joe Louis defeated Arturo Godoy, 15 rounds,decision, New York City.

1940 March 29 -- Joe Louis knocked out John Paychek, 2 rounds, New York city.

1940 June 20 -- Joe Louis knocked out Arturo Godoy, 8 rounds, New York city.

1940 Decenber 16 -- Joe Louis knocked out Al McCoy, 6 rounds, Boston.

1941 January 31 -- Joe Louis knocked Out Red Burman, 5 rounds, New York city.

1941 February 17 -- Joe Louis knocked out Gus Dorazio, 2 rounds, Philadelphia.

1941 March 21 -- Joe Louis knocked out Abe Simon, 13 rounds, Detroit, Michigan.

1941 April 8 -- Joe Louis knocked out Tony musto, 9 rounds, St. Louis, Misssouri.

1941 May 23 -- Joe Louis beat Buddy Baer, 7 rounds, Washington, D.C., on a disqualification.

1941 June 18 -- Joe Louis knocked out Billy Conn, 13 rounds, New York city.

1941 September 29 -- Joe Louis knocked out Lou Nova, 6 rounds, New York city.

1942 January 9 -- Joe Louis knocked out Buddy Baer, one round,, New York City.

1942 March 27 -- Joe Louis knocked out Abe Simon, 6 rounds, New York city.

1946 June 19 -- Joe Louis knocked out Billy Conn, 8 rounds, New York city.

1946 September 13 -- Joe Louis knocked out Tami Mauriello, one round, New York City.

1947 December 5 -- Joe Louis defeated Joe Walcott in a 15-round bout by a split decision, New York city.

1948 June 25 -- Joe Louis knocked out Joe Walcott 11 rounds, New York city.

1950 September 27 -- Ezzard Charles defeated Joe Louis in latter's attempted comeback, 15 rounds, New York City.
Provenance:
This collection was donated by Mrs. Julian Black in two installments to the Division of Community Life (now the Division of Home and Community Life), National Museum of American History: twenty-two volumes in 1976 and eighty-seven volumes in 1977.
Restrictions:
Due to fragility of the scrapbook volumes, researchers must use the microfiche version located in the Smithsonian Libraries, American History branch. Request call number mfc 000887. See repository for more details.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American athletes  Search this
Boxers (Sports) -- 1930-1950  Search this
Sports -- 1930-1950  Search this
Boxing  Search this
Genre/Form:
Scrapbooks -- 20th century
Clippings -- 1930-1950
Citation:
Julian Black Scrapbooks of Joe Louis, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0002
See more items in:
Julian Black Scrapbooks of Joe Louis
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ead88d28-e45e-4ed0-b6a0-d67c4571230c
EDAN-URL:
ead_collection:sova-nmah-ac-0002
Online Media:

Crazy Feet

Collection Performer:
Basie, Count, 1904-1984  Search this
Webster, Ben  Search this
Armstrong, Louis, 1901-1971  Search this
Ellington, Duke, 1899-1974  Search this
Fitzgerald, Ella, 1917-1996  Search this
Goodman, Benny (Benjamin David), 1909-1986  Search this
Jamal, Ahmad, 1930-  Search this
Robinson, Bill, 1878-1949  Search this
Davis, Miles  Search this
Collection Collector:
Smith, Ernie  Search this
Extent:
1 Motion picture film
Container:
Reel AC0491-OF0004
Type:
Archival materials
Moving Images
Motion picture films
Date:
1903-1964
Scope and Contents note:
Descriptive Summary: 1718f., b&w, a compilation reel created by Ernie Smith

1. Three teen-age "street boys"

Descriptive Summary: silent

Copyright: 1903

2. Cakewalk

Descriptive Summary: silent

Copyright: 1903 (see also 491.1(2))

3. "Tiger Rag"

Copyright: 1929

Performer(s): James Barton

4. Symphony in Black: A Rhapsody of Negro Life, (excerpt from 491.29)

Copyright: 1935

Corporate Creator: Paramount Pictures

Producer: Adolph Zukor

Director: Fred Waller

Performer(s): Snake Hips Tucker, Duke Ellington and His Orchestra incl. Greer, Hodges, Whetsol and Jenkins

Song Title(s): "Merry-Go-Round", part Four-Harlem Rhythm

5. "Harlem Harmony"

Copyright: 1932

Performer(s): Cab Calloway, introduction by James Wallington

Song Title(s): "Harlem Harmony"

6. Snow White (see also 491.187)

Copyright: 1933

Corporate Creator: Fleischer Studios, distributed by Paramount Pictures

Producer: Max Fleischer

Director: Dave Fleischer

Performer(s): Cab Calloway, voice of Betty Boop is Mae Questel

Song Title(s): "St. James Infirmary Blues", vocals by Calloway and Questel

7. "Christopher Columbus"

Copyright: 1937

Performer(s): Stringbean, Jimmy Lunceford and His Orchestra, (Willie Smith on alto sax)

8. "Nagasaki"

Copyright: 1934

Performer(s): Red and Struggie, Lucky Millinder's Orchestra

9. unidentified clip

Copyright: ca. early 1940s

Performer(s): Slick and Slack, (bass drum reads Chris and Crew)

10. "Solid Sending Soft Shoe Specialist"

Copyright: 1944

Performer(s): Rubberneck Holmes

11. Stump and Stumpy

Copyright: 1948

12. "Ain't Misbehaven"

Copyright: 1948 Performer(s) Patterson and Jackson

13. Raymond Kaylund

Copyright: 1941

Performer(s): Jimmy Lunceford and His Orchestra

Descriptive Summary: Same setting as #7, but noted as 1941

14. A Bundle of Blues, excerpt

Copyright: 1933

Corporate Creator: Paramount Pictures

Performer(s): Bessie Dudley and Florence Hill, Duke Ellington and His Orchestra personnel: Hardwick, Hodges, Bigard, Carney (reeds), Whetsol, Williams, Jenkins (trumpets), Nanton, Tizol, Brown (trombones), Ellington, Guy, Broad, Greer (rhythm)

Song Title(s): "Bugle Call Rag"

15. "Bugle Call Rag"

Copyright: 1938

Performer(s): Miss Harris

16. "It Don't Mean A Thing" and an unidentified musical number

Copyright: 1939

Performer(s): Miller and Rhodes, unidentified young female

17. Follow the Boys, excerpt

Descriptive Summary: An excerpt from a George Raft film.

Copyright: 1944

Corporate Creator: Universal Films Producer(s): Charles K. Feldman, Albert L. Rockett

Director: A. Edward Sutherland Performer(s):

Song Title(s): "Sweet Georgia Brown"

18. Al Minns and Leon James; Playboy Club Show, excerpt

Descriptive Summary: an excerpt from 491.5

Copyright: 1964

Corporate Creator: Playboy Magazine/Enterprises

Producer: Dan Schuffman

Director: Dan Schuffman

Performer(s): Al Minns and Leon James

Song Title(s): Camptown Races, "Charleston", "Stompin' at the Savoy", "One O'Clock Jump", "How High the Moon"

19. The Berry Brothers

Copyright: ca. late 1940s, early 1950s

Performer(s): Introduced by Phil Silvers, The Berry Brothers

20. Three scat-singing unidentified male dancers

21. Two unidentified male dancers

22. Jump rope dancer

Corporate Creator: Vitaphone, Warner Brothers

Video reference copy
Collection Restrictions:
Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ernie Smith Jazz Film Collection, Archives Center, National Museum of American History.
See more items in:
Ernie Smith Jazz Film Collection
Ernie Smith Jazz Film Collection / Series 1: Ernie Smith Presentation Reels
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87096464a-6196-488f-ac45-d4532d6774a2
EDAN-URL:
ead_component:sova-nmah-ac-0491-ref1206

Uruguay: a desalambrar! Tear Down the Fences!

Artist:
Viglietti, Daniel, 1939-2017  Search this
Creator:
Guillén, Nicolás, 1902-1989  Search this
Vallejo, César, 1892-1938  Search this
García Lorca, Federico, 1898-1936  Search this
Producer:
Dane, Barbara  Search this
Collection Creator:
Paredon Records  Search this
Silber, Irwin, 1925-2010  Search this
Dane, Barbara  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Uruguayans  Search this
Type:
Archival materials
Phonograph records
Date:
1973
Track Information:
101. Dale tu Mano al Indio. Give Your Hand to the Indian / Spanish. Uruguay. Daniel Viglietti. 00:01:55

102. A Desalambar. Tear Down the Fences! / Spanish. Uruguay. Daniel Viglietti. 00:02:20

103. Duerme, Negrito. Sleep, Little One / Ramiro Hernandez, Tumbadora (drums). Humberto Vasquez, Marimbula. Daniel Garcia, Claves y quijada. Spanish. Uruguay. Atahualpa Yupanqui. 00:02:15

104. Yo Naci en Jacinto Vera. I Was Born in Jacinto / Federico Britos, Violin. Spanish. Uruguay. Liber Falco, poem; Daniel Viglietti, music. 00:01:53

105. Cruz de Luz. Cross of Light / Spanish. Uruguay. Daniel Viglietti. 00:02:15

106. Milonga de Andar Lejos. Song of Going Far Away / Spanish. Uruguay. Daniel Viglietti. 00:01:35

107. Cancion del Hombre Nuevo. Song of the New Man / Spanish. Uruguay. Rafael Alberti and Daniel Viglietti. 00:01:35

108. Remontando los Rios. Going Upstream / Spanish. Uruguay. 00:01:20

109. Mi Pueblo. My People / Spanish. Uruguay. Rafael Alberti and Daniel Viglietti. 00:01:52

201. Me Matan Si No Trabajo. If I Don't Work They'll Kill Me / Spanish. Uruguay. Nicolas Guillen, words and Daniel Viglietti, music. 00:02:22

202. Soldado Aprende a Tirar. Soldier, Learn to Shoot / Spanish. Uruguay. Nicolas Guillen, words and Daniel Viglietti, music. 00:01:48

203. Ronda. Round / Spanish. Uruguay. Nicolas Guillen, words and Daniel Viglietti, music. 00:01:23

204. Remansos. Stagnant Pools / Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:30

205. Remansillos. Little Stagnant Pools / Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:00

206. Variacion. Variation / Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:00

207. Cortaron Tres Arboles. They Cut Three Trees / Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:00

208. Dos Baladas Amarillas. Two Yellow Ballads I / Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:25

209. Dos Baladas Amarillas. Two Yellow Ballads II / Daniel Viglietti, Garcia Lorca. Spanish. Uruguay. Federico Garcia Lorca, words and Daniel Viglietti, music. 00:01:00

210. Masa. The Masses / Spanish. Uruguay. César Vallejo, words and Daniel Viglietti, music. 00:02:25

211. Pedro Rojas (part 1) / Spanish. Uruguay. César Vallejo, words and Daniel Viglietti, music. 00:02:15

212. Pedro Rojas (part 2) / Spanish. Uruguay. César Vallejo, words and Daniel Viglietti, music. 00:02:10
Local Numbers:
Paredon.1011
Publication, Distribution, Etc. (Imprint):
Brooklyn, N.Y. : Paredon Records, 1973
Participant or Performer Note:
Daniel Viglietti, voice and guitar, with additional musicians as noted.
General:
Recorded in Havana, Cuba, 1967.

Program notes by Barbara Dane, with Spanish texts of the songs and English translations (16 p.) inserted in container.

Album cover design by Collective Graphics Workshop. Cover art from 1972 Alamanaque, a Desalambrar.
Restrictions:
Access by appointment.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Political ballads and songs -- Uruguay  Search this
Protest songs -- Uruguay  Search this
World music -- Uruguay  Search this
Poetry -- Collections  Search this
Genre/Form:
Phonograph records
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.PARE, Item Paredon.1011
See more items in:
Paredon Records audio recordings
Paredon Records audio recordings / Audio / Commercial Audio Recordings / Phonograph records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk532851a50-edd7-4240-a0c9-9080adffe28a
EDAN-URL:
ead_component:sova-cfch-pare-ref1149

Chamberlain-Comden

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 63, Folder 25
Type:
Archival materials
Date:
1860-1975
Scope and Contents:
Chamberlain, Samuel

Chapin, Cornelia

Chapman, Carlton

Chapman, Charles

Cheffetz, Asa

Chen, Chi

Choate, Nathaniel

Church, Frederic Edwin

Church Frederick Stuart

Ciampaglia, Carlo

Clark, Eliot

Clark, Walter

Clarke, Thomas Shields

Clarkson, Ralph

Clemens, Paul

Clinedinst, B. W.

Comden, Harry Poole
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 18: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9171c537c-57fd-4aaf-859b-ed23cea2a5f3
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1114
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Biographical Sketches and Interesting Anecdotes of Persons of Colour. To Which Is Added, a Selection of Pieces in Poetry

Title:
Book featuring biography of Phillis Wheatley
Compiled by:
Abigail Mott, American, 1795 - 1846  Search this
Subject of:
Phillis Wheatley Peters, American, ca. 1753 - 1784  Search this
Printed by:
Mahlon Day, American, 1790 - 1854  Search this
Medium:
ink on paper with leather and cardboard
Dimensions:
H x W x D: 7 1/16 × 4 7/16 × 13/16 in. (18 × 11.2 × 2 cm)
Type:
hardcover books
Place printed:
New York City, New York, United States, North and Central America
Date:
1826
Topic:
African American  Search this
Literature  Search this
Poetry  Search this
Slavery  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
A2021.113.1.20
Restrictions & Rights:
Public domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Phillis Wheatley Peters Collection
Classification:
Documents and Published Materials-Published Works
Movement:
Anti-slavery movements
Abolitionist movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5b37b9608-92de-46e6-a9a6-7580329d867b
EDAN-URL:
edanmdm:nmaahc_A2021.113.1.20
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  • View <I>Biographical Sketches and Interesting Anecdotes of Persons of Colour. To Which Is Added, a Selection of Pieces in Poetry</I> digital asset number 1
Online Media:

Biographical Sketches and Interesting Anecdotes of Persons of Colour. To Which Is Added, a Selection of Pieces in Poetry

Title:
Book featuring biography of Phillis Wheatley
Compiled by:
Abigail Mott, American, 1795 - 1846  Search this
Subject of:
Phillis Wheatley Peters, American, ca. 1753 - 1784  Search this
Published by:
Trustees of the Residuary Estate of Lindley Murray, American, founded 1826  Search this
Printed by:
Mahlon Day, American, 1790 - 1854  Search this
Medium:
ink on paper with leather and cardboard
Dimensions:
H x W x D: 7 5/16 × 4 15/16 × 1 1/4 in. (18.5 × 12.5 × 3.2 cm)
Type:
hardcover books
Place printed:
New York City, New York, United States, North and Central America
Date:
1838
Topic:
African American  Search this
Literature  Search this
Poetry  Search this
Slavery  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
A2021.113.1.24
Restrictions & Rights:
Public domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Phillis Wheatley Peters Collection
Classification:
Documents and Published Materials-Published Works
Movement:
Anti-slavery movements
Abolitionist movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5fabe2896-5389-42e5-9829-9746ae1577af
EDAN-URL:
edanmdm:nmaahc_A2021.113.1.24
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Online Media:

Holmes, Theresa

Extent:
2 Sound cassettes
Container:
Box 2, Cassette 28
Box 3, Cassette 12
Type:
Archival materials
Audio
Sound cassettes
Date:
1993 June 21
General:
2012.79.3.63.1a, 2012.79.3.81.1a
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
The NMAAHC Media Preservation team can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Collection Citation:
Pearl Bowser Collection, National Museum of African American History and Culture
See more items in:
Pearl Bowser Audiovisual Collection
Pearl Bowser Audiovisual Collection / Series 3: Audio Tape / 3.2: Oral Histories / Roanoke, Virginia
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io318f2ffe0-4ee0-460b-9a54-40b852bb5320
EDAN-URL:
ead_component:sova-nmaahc-a2012-79-av-ref15
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Online Media:

White, Liz

Extent:
2 Sound cassettes
Container:
Box 1, Cassette 1
Box 1, Cassette 2
Type:
Archival materials
Audio
Sound cassettes
Date:
1986 July 16
Object ID #:
2012.79.3.1.1a, 2012.79.3.2.1a
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
The NMAAHC Media Preservation team can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Collection Citation:
Pearl Bowser Collection, National Museum of African American History and Culture
See more items in:
Pearl Bowser Audiovisual Collection
Pearl Bowser Audiovisual Collection / Series 3: Audio Tape / 3.2: Oral Histories
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io36ce2b5d7-73f3-451c-b22f-595378cec132
EDAN-URL:
ead_component:sova-nmaahc-a2012-79-av-ref48
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Online Media:

Rundles, James and Scott, Anita

Extent:
3 Sound cassettes
Container:
Box 2, Cassette 9
Box 2, Cassette 12
Box 5, Cassette 26
Type:
Archival materials
Audio
Sound cassettes
Date:
1993 June 15
General:
2012.79.3.44.1a, 2012.79.3.47.1a, 2012.79.3.169.1a
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
The NMAAHC Media Preservation team can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Collection Citation:
Pearl Bowser Collection, National Museum of African American History and Culture
See more items in:
Pearl Bowser Audiovisual Collection
Pearl Bowser Audiovisual Collection / Series 3: Audio Tape / 3.2: Oral Histories / Jackson, Mississippi
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3b852bc77-741a-4603-bbdf-90fbd384872c
EDAN-URL:
ead_component:sova-nmaahc-a2012-79-av-ref55
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  • View Rundles, James and Scott, Anita digital asset number 1
Online Media:

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