Skip to main content Smithsonian Institution

Search Results

Collections Search Center
32 documents - page 1 of 2

Harriet Green Kopp Papers

Creator:
Kopp, Harriet Green, 1917-  Search this
Extent:
4.75 Cubic feet (16 boxes)
Type:
Collection descriptions
Archival materials
Correspondence
Lantern slides
Lecture notes
Date:
1930-1950
Scope and Contents:
These papers relate to Kopp's work in visible speech technology, especially a project to develop a machine that would enable the deaf to understand the spoken voice; including biographical materials, research notes, lecture notes, spectrograms, research reports, log books, correspondence, slides and photographs, books, and documentation of grants for research projects.
Arrangement:
The collection is arranged into 6 series.

Series 1: Documents

Series 2: Books

Series 3: Photographs

Series 4: Slides

Series 5: Books

Series 6: Documents
Biographical / Historical:
Harriet Green Kopp was born on June 18, 1917 in New York City. She earned a Master of Arts fom Brooklyn College, 1939; diploma in education of deaf, Columbia University, 1939; and Doctor of Philosophy, Columbia University, 1962. Kopp was a professor in the School of Speech, Language, and Hearing Sciences at San Diego State University. She died on February 11, 2007.
Kopp Names and Organizations:
Kopp Names

Adams, George F. -- region superintendent that signed off on HGK's request for an extension of leave from Detroit Day School for the Deaf (9/29/1972). See: Retirement Papers from the Detroit Day School for the Deaf (1970)

Adkins, Millie -- ranked No. 13 among students who participated in less than 10 tests in spring 1966; Female Test Subject; 10/14/1966; Grade 4, Test 6 - Part A. See: Graphs of Students' Test Results (Spring 1966); Test Results and Charts (October 1966)

Adkins, Judy Lee -- grade 4, in Higgins's homeroom class; ranked No. 23 overall in spring 1966 tests; on list of Prospective subjects grade 4-5, marked some experience; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Adkins, Amelia -- Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Ahern, Patrick (Pat) -- ranked No. 11 among students who participated in less than 10 tests in spring 1966; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Alcord, Miss -- Maine School, Mass. Private. See: BELL LABS NOTEBOOK 2 (JAN '45)

Aler, Miss -- Motor Coordination - Visible Speech Education Evaluation Program; administered test of coordination. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Alexander, C. -- taught HGK at Teachers College - Library Research. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Altman, Silver -- in Jacobs's class; labelled Sp. See: Test Subjects (1965)

Alvarez, Jose (Joe) -- on clinic's spring and fall 1975, spring and fall 1976, spring and fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Alvarez, Christo -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Ames, Miss -- Deaf school teacher, N.J. See: BELL LABS NOTEBOOK 2 (JAN '45)

Ames, September -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Amrheim -- See: BELL LABS NOTEBOOK 1 (May '44)

Anderson, Helene -- Co-wrote report on vocal therapy with George Kopp. See: Case Report by George Kopp and Helene Anderson on Vocal Therapy for Dysphonia Plicae Ventricularis (c. 1965)

Anderson, Dr. Irving -- Associate Professor of Speech Education, U. Michigan (1947); member of Visible Speech advisory committee; attended V.S. research committee meetings on 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947. See: Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947)

Anderson, Dr. Tom -- Texas School for the Deaf. See: BELL LABS NOTEBOOK 2 (JAN '45)

Anderson, Dr. William S. -- member of the committee on Adolescent Deaf of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Anderson -- taught HGK at Teachers College - Guidance and Personnel. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Anderson, Kenneth -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Anderson, Kathy -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Angelocci, Dr. Angelo A. -- Speech and Hearing Clinician, Rehabilitation Institutes, Metropolitan Detroit; born 10/16/1926, married with 4 children; B.S., Speech and English, Michigan State College (1950); M.A., Speech and Speech Correction, University of Michigan, 1954; speech teacher in Birmingham, MI for 6 years; doctoral student, Speech Pathology and Audiology, Wayne State University (1955); Research Associate during RD-526 project; budgeted for expenditures in grant proposal for project RD-526; Held copyright along with Harriet G. Kopp and Dr. George Kopp; taught the first experimental class for the RD-526 project and prepared material for the Visible Speech Manual. See: Information on Research Projects and Proposals (1959-1960); Early Draft of Final Report of Grant No. RD-526 (1963); Visible Speech Manual (3/9/1967-12/5/1974); Final Draft: Visible Speech for the Deaf (1968); Visible Speech Manual Original - to copy; Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526); Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526)

Arnold, Joyce -- 9 years old; Group 1 of exploratory program; congenitally deaf, severely hypacaustic, part of experimental study for Visible Speech Research at Ypsilanti (3/25/1947), experiment subject in U Mich study; scored for intelligibility in experiment 1 (1947); performance in Visible Speech Experiment #2 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); Supplement to Progress Report #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Avery, Miss Charlotte -- speech teacher, translator in U Mich study; performed Visible Speech Experiment #4 at the Rackham School (March 1947); limited training in visible speech. See: BELL LABS NOTEBOOK 2 (JAN '45); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Proposed Visible Speech Program for the Rackham School (summer 1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Aviles, Irma -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Ayres -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Bachman, Mrs. Dorothy L. -- experienced teacher of the deaf, Translator Project III; taught Group 2A, Experimenter in U Mich study, no training in visible speech; performed Visible Speech experiment #3 in March 1947; terminated her employment at the Rackham School at the end of the 1947 summer session. See: Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Proposed Visible Speech Program for the Rackham School (summer 1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Baker, George H. -- Executive Administrative Assistant, Dept. of Personnel, Detroit Public Schools; wrote HGK regarding administrative aspects of her new post at the Detroit Day School of the Deaf on 7/7/1958 and 10/15/1958. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Balbach -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Baldwin, Rev. DeWitt -- See: Dialogue between Martin Buber and Carl Rogers (4/18/1957)

Banks -- taught students at Detroit Day School; students labelled Sp. See: Test Subjects (1965)

Banton, James (Jim) -- Subject #18 in 1965 tests; grade 7, Steffens's homeroom class; noted as being involved in original project; ranked No. 35 overall in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects, marked original project; Male Test Subject; 10/13/1966; Grade 9, Test 6 - Part A. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Test Results and Charts (October 1966)

Baozhong, Dr. Tu -- Deputy Secretary General and member of the Board of Trustees, Chinese Medical Association; in charge of medical education intern program. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Barberi -- new worker at Bell Labs. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Barlow, Susan -- in Jacobs's class; labelled Sp. See: Test Subjects (1965)

Barnes, Dr. -- Sweden; came for instruction and demonstration of University of Michigan study, 3/17/1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Barney, Harold L. -- worked at Bell Telephone Laboratories; sent letter 11/1/1954 to Harriet and George Kopp. See: correspondence from Harold Barney to George and Harriet Kopp (11/1/1954)

Bastiau -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Bauer, Marvin G. -- taught HGK at Brooklyn College - Advanced Discussion, Classical Rhetoric, & British and American Rhetorical Theory. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Bayones, David -- grade 4, in Higgins's homeroom class; ranked No. 30 overall in spring 1966 tests; grade 6 (1966-1967 school year); on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)

Beekman, Marvin E. -- Director of Special Education, Michigan Dept. of Education; sent congratulatory letter to HGK on the dedication of the new school building on 6/3/1970. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Behrens, Dr. Thomas R. -- member of the Chairmen of the Working Groups of the National Advisory Committee on the Education of the Deaf with HGK on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Belheimer -- Bell Labs demonstration participant 12/06/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)

Bell, Mr. -- Bell Labs demonstration 12/12/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)

Benjamin -- taught HGK at Teachers College - Fundamentals of Electricity. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Bennett, Jeffrey (Jeff) -- ranked No. 38 overall in spring 1966 tests; grade 5 (1966-1967 school year). See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Bennett -- See: BELL LABS NOTEBOOK 1 (May '44)

Benya, Jr., John J. -- salary as Research Asst. budgeted for Project No. RD-1483-S (1966). See: Research Information About Project No. RD-1483-S (1964-1966)

Bierlin, Ruth -- Observed UMich demonstrations, special class of hard of hearing children . See: How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)

Biller, Mary E. -- Newark, NJ, Bell Labs demonstration participant 03/21/1945

Bint, Linda -- ranked No. 22 overall in spring 1966 tests; 5th grade (1966-1967 school year). See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Bitter, Colleen -- grade 4, in Higgins's homeroom class; ranked No. 18 overall in spring 1966 tests; on list of Prospective subjects grade 4-5, marked some experience . See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Black, Melissa -- grade 4, in Higgins's homeroom class; HGK noted check vision on roster; ranked No. 44 overall in spring 1966 tests; grade 6 (1966-1967 school year); on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)

Blair, Miss -- Bell Labs demonstration participant 10/24/1946. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)

Bloom, Jr., Edgar -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44)

Bloomer, Dr. Harlan H. -- Director of Speech Clinic, Associate Prof. of Speech, University of Michigan (1947); discussed visible speech research program with Ralph K. Potter on 4/18/1946 and 3/13/1947; member of Visual Speech advisory committee; attended V.S. research committee meetings on 1/5/1947, 2/12/1947, 2/21/1947, 3/3/1947, 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947; George Kopp requested a clerical assistant for Harriet Green and a graduate laboratory assistant from Bloomer on 2/2/5/1947; sent George Kopp notes on a proposed article on visible speech on 6/24/1947; highlighted in News and Notes article (Oct. 1947); requested that students doing research with the sound spectrograph be encouraged to publish (Aug. 1948). See: BELL LABS NOTEBOOK 2 (JAN '45); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); News and Notes (9/22/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Bloomquist, Betty -- Other Research Participant at University of Michigan during Kopp's study; completed Master's thesis on Diadochokinetic movements of children in May 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Blost, Phyllis E. -- Evaluation section, Dept. of Management and Budget; received letter from HGK about the delay of her retirement settlement on 9/11/1981. See: Retirement Papers from the Detroit Day School for the Deaf (1970)

Boatner -- Hartford School. See: BELL LABS NOTEBOOK 2 (JAN '45)

Bobb, David -- on clinic's fall 1975, spring and fall 1976, spring and fall 1977 lists . See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Bock, N.B. -- authored Correcting the Spoken English of Chinese and Japanese. See: Information on Phonetics and Dialects (6/6/1949-1/26/1950)

Boggs, Barbara -- grade 8, Schmitz's homeroom class; crossed off roster; on list of Prospective Subjects, marked 4 days. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Bohman, Dr. George -- Chairman, Dept of Speech, Wayne State University; associated with the George A. Kopp Memorial fund

Boldt, Jan -- on clinic's spring 1975, fall 1976, fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Boody, Barbara -- recorded spectrograms with cleft palate 4/4/1947. See: Sound Spectrograph results (1945-48)

Borst, John M. -- Some Experiments on the Perception of Synthetic Speech (Journal of the Acoustical Society of America, Vol. 24, No. 6, Nov. 1952); The Interconversion of Audible and Visible Patterns as a Basis for Research in Perception of Speech (from the proceedings of the National Academy of Sciences, Vol. 37, No. 5, May 1951). See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Boskovich, James (Jim) -- Subject #6 in 1965 tests; grade 5, in Gardiner's homeroom class; ranked Bo. 43 overall in spring 1966 tests; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Bowen, Mr. -- Holmdel. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Bowen, Miss -- Skidmore. See: BELL LABS NOTEBOOK 2 (JAN '45)

Bowman, George -- Ohio State?. See: BELL LABS NOTEBOOK 2 (JAN '45)

Boyd -- Bell Labs Notebook - lunch 12/31/1945

Bozorgi, Farid -- ranked No. 37 overall in spring 1966 tests; grade 8 (1966-1967 school year); sent thank you letter to HGK on 2/23/1971 regarding her help with his education; received letter back from her 3/10/1971. See: Graphs of Students' Test Results (Spring 1966); Detroit Day School for the Deaf (6/14/1961-2/23/1971); Information on the Visible Speech Research Project (1966)

Braboy, Gayle Lynn -- ranked No. 40 overall in spring 1966 tests; grade 5 (1966-1967 school year); Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966);Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Braswell, Shelly -- grade 4, in Higgins's homeroom class; ranked No. 26 overall in spring 1966 tests; grade 6 (1966-1967 school year); on list of Prospective subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)

Bratsch, Don -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Breading, C.M. -- representing Central Press Clipping Service, soliciting business to review public relations of the Rackham School of Special Education. See: Correspondence to George A. Kopp from C.M. Breading of the Central Press Clipping Service (9/3/1947)

Brendle, Terry -- in Banks's class; labelled Sp. See: Test Subjects (1965)

Brent, Billy -- ranked No. 12 among students who participated in less than 10 tests in spring 1966. See: Graphs of Students' Test Results (Spring 1966)

Brice, Arlene -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)

Brock, Christopher -- student at Detroit Day School shown in newspaper photograph. See: Clipping from The Detroit News (2/13/1966)

Brock, James T. -- wrote article on the Detroit Day School entitled: A War on Silence: Detroit Day School for Deaf Presents Students the Gifts of Speed, 'Hearing' . See: Clipping from The Detroit News (2/13/1966)

Broomfield, William S. -- Member of Congress, 18th District of Michigan; sent HGK a congratulatory letter on her reappointment to the National Advisory Committee on Education of the Deaf on 8/6/1970. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Brown, Richard -- replaced Loveel as engineer in charge of servicing the visible speech equipment in 1948. See: BELL LABS NOTEBOOK 1 (May '44), Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Brownell, Dr. Samuel Miller -- Superintendent of Detroit Public Schools - offered HGK job as principal for the West Side School for the Deaf on 10/3/1958; received her acceptance letter sent 10/8/1958; recognized HGK's acceptance of the principal position on 10/14/1958; later assocatiated with Yale University Institute of Social Science; offered to write HGK a recommendation letter 11/26/1969; Information on Research Projects and Proposals (1959-1960); received memo on the reorganization of the education of the deaf and hard of hearing from HGK on 6/14/1961; allowed research for project RD-526 to be conducted at the Detroit Day School for the Deaf; received letter 1/27/1960 about approval of a grant for Harriet and George Kopp's research. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970); Detroit Day School for the Deaf (6/14/1961-2/23/1971); Early draft of the final report of Grant No. RD-526 (1963); Information on Research Projects and Proposals (1959-1960)

Bruner -- taught HGK at Teachers College - Educational Foundations. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Brunstetter, Prof. Max -- asked to review manuscript by GAK on 8/13/1941. See: Original Manuscript of and comments on George A. Kopp's elementary opus (8/3/1941)

Brust -- re: Kopp- Ohio 12/28/45. See: BELL LABS NOTEBOOK 2 (JAN '45)

Buber, Martin -- famous German philosopher. See: Dialogue between Martin Buber and Carl Rogers (4/18/1957)

Buckley, Dr. Oliver E. -- President of Bell Telephone Laboratories; received reports from Chao on use of spectrograph for the study and teaching of Chinese; issues certificates recognizing contribution to war effort; discussed possibility of using voice print technology in crime-fighting. See: Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); Certificate WWII, BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Buckner, Jim -- grade 5, in Simmons's class, on list of students now using the machine; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Buli, Mable -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)

Bumingham, Ann -- on clinic's spring and fall 1975 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Burge, Linda -- ranked No. 52 overall in spring 1966 tests; grade 5; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Burrows, Dr. Harold -- Vice President - Administration, Parke Davis & Company; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Bush, Dr. -- OSRD - interview. See: BELL LABS NOTEBOOK 1 (May '44)

Campbell, Janet C. -- secretary to B.R. Wolfram, M.D., president of Educational Media, Inc.; sent HGK invoices for her signature on 1/27/1970. See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)

Carlson, Beverly -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Carter, C.W. -- wrote report on Chao's testing of the Chinese language with the spectrograph. See: Memo on Visible Speech testing of Chinese langauage (4/17/1944)

Caswell, Prof. Hollis L. -- asked to review manuscript by GAK on 8/13/1941. See: Original Manuscript of and comments on George A. Kopp's elementary opus (8/3/1941); BELL LABS NOTEBOOK 2 (JAN '45)

Caufield, Colonel Norton -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Chang, Dr. -- Director, Maternal and Ob.Gyn. Hospital (associated with China Welfare Institute), Shanghai. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Chao, Jo -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Chao, Dr. Y.R. -- professor at Harvard University; provided Chinese samples to visible speech testing. See: Memo on Visible Speech testing of Chinese langauage (4/17/1944); BELL LABS NOTEBOOK 1 (May '44); Research report by Y.R. Chao on Chinese recordings (11/21/1944-2/17/1945)

Chapman -- See: BELL LABS NOTEBOOK 1 (May '44)

Chase, Jeffrey -- on clinic's spring and fall 1975 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Chelfant?, Jerme -- on clinic's spring and fall 1975 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Cheng, Dr. -- Deputy Director, Head of Nursing Dept., Maternal and Ob.Gyn. Hospital (associated with the China Welfare Institute), Shanghai. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Cheng, Dr. -- Neurologist, Shanghai Medical College. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Chinitz, Ben S. -- Region One Superintendent, Detroit Public Schools; sent HGK a congratulatory letter on 6/1/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)

Chou, Dr. -- Shanghai Medical College. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Christensen -- rep of Michigan Bell Telephone publications dept.; 10/10/1946 conference . See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Christopher, Harold M. -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Cirker, Mr. -- See: Visible Speech Manual (3/9/1967-12/5/1974)

Clark, A.N. -- Editor, D. Van Nostrand Company, Inc.(published Visible Speech); received letter from George Kopp on 8/8/1947 expressing a need for new books in the field of speech correction. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)

Clark, Mr. -- Cleary Oral School, Bell Labs demonstration participant 03/07/1946. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Clark, Marla -- grade 5, in Gardiner's homeroom class; ranked No. 48 overall in spring 1966 tests; on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Clark, Ross -- on clinic's spring 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Cleary, Miss -- Cleary Oral School, Bell Labs demonstration participant 03/07/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)

Clement -- 6th and 9th grade teacher, Detroit Day School; 5 students in spring 1966 9th grade class. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966)

Clemente, Mr. Joseph -- left position to join Project No. RD-1483-S on 2/1/1965; worked full time until Aug. 1965; resigned due to personal problems in Sept. 1965; budgeted salary as Research Assistant for Project No. RD-1483-S (1966). See: Research Information About Project No. RD-1483-S (1964-1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Cohen, Marsha -- teacher at Detroit Day School; shown in newspaper photograph teaching 4-year-olds. See: Clipping from The Detroit News (2/13/1966)

Cole, Samantha -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Coleman, David -- Experiment subject in U Mich Study; performance in Visible Speech Experiment #4 evaluated 1948. See: How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Collins, Kenneth M. (Ken; KC) -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 2 (JAN '45)

Colpitts, Frank -- received Visible Speech Research Project Progress Report concerning plans for producting the testing-instruction materials on 10/17/1966; met with the General Film Lab., Co., Detroit about the creation of slides of spectrographic patterns; Research Associate for Visible Speech for the Deaf, worked part time starting September 1966 until the end of the project; mailed GAK the summary of the spring 1967 research study on 6/25/1968. See: Information on the Visible Speech Research Project (1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968); Correspondence from Frank Colpetts to George A. Kopp (6/26/1968)

Comover, Donald -- on clinic's spring 1975, fall 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Connor, Leo E. -- member of the Editorial Policies Committee of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Connors, Kevin -- grade 5, in Gardiner's homeroom class; ranked No. 24 overall in spring 1966 tests; on list of Prospective subjects grade 4-5; marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Conroy, Colleen -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Cooper, Dr. Franklin S. -- NDRC demo; worked at Haskins Laboratories, NY, wrote Some Instrumental Aids to Research on Speech; Some Experiments on the Perception of Synthetic Speech (Journal of the Acoustical Society of America, Vol. 24, No. 6, Nov. 1952); Guidance Devices for the Blind (Physics Today, Vol. 3, No. 7, July 1950); Spectrum Analysis (Journal of Acoustical Society of America, Vol. 22, No. 6, Nov. 1950); The Interconversion of Audible and Visible Patterns as a Basis for Research in Perception of Speech (from the proceedings of the National Academy of Sciences, Vol. 37, No. 5, May 1951). See: BELL LABS NOTEBOOK 1 (May '44); Articles and Research Materials (1950-1957)

Cooper, Eugene B. -- Executive Secretary - Sensory Study Section; Department of Health, Education, and Welfare: Vocal Rehabilitation Administration. See: Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968)

Costello -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Costello, Mary Rose -- member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)

Coulton, Thomas -- taught HGK at Brooklyn College - History of Oratory. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Cox, Admiral -- assistant Surgeon General, D.C. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Cox, Mr. -- of the Keystone Co. See: BELL LABS NOTEBOOK 1 (May '44)

Craig, Mary V. -- authored German Dialect. See: Information on Phonetics and Dialects (6/6/1949-1/26/1950)

Crile, Nick -- grade 5, in Simmons's class, on list of students now using the machine; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Cronon, Detective -- technician, Department of Research, New York Police Department; approached Dr. Buckley about using voice print identification in fighting crime. See: Voice Print Identification Procedure and Information (11/26/1943-6/10/1944)

Cross, Dwayne -- on list of Prospective Subjects. See: Information on the Visible Speech Research Project (1966)

Croushore, Dr. James -- Head, Dept. of Otolaryngology at Wayne State University medical School; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Cruickshank, Kathy (Kate) -- Subject #19 in 1965 tests; grade 7, Steffens's homeroom class; noted as being involved in original project; ranked No. 15 overall in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects, marked as original project; Female Test Subject; 10/11/1966; Grade 9B, Test 2. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Test Results and Charts (October 1966)

Curran, Kathleen -- on clinic's spring and fall 1975, spring 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Curtis, Dr. Jack F. -- Member of the staff of the Detroit Day School for the Deaf who served in the maintenance and operation of all equipment. See: Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

David, Dr. E.E. -- Director, Acoustic and Visual Research, Bell Telephone Laboratories; provided GAK and HGK technical assistance with the translator. See: Early Draft of Final Report of Grant No. RD-526 (1963)

David, Dr. -- worked at Bell Labs, referenced in letter from M.R. Schroeder as showing continued interest in Kopp's research. See: Correspondence from M.R. Schroeder to Dr. George A. Kopp (3/25/1965)

David, Dr. E.E. -- Executive Director - Research Communications Systems Divison . Developed the transistorized visible speech translator and provided and experimental model of the equipment for use in the last year of the research project for Visible Speech. See: Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Davis -- See: BELL LABS NOTEBOOK 2 (JAN '45)

De Lair, Truman -- Subject #10 in 1965 tests; grade 8, Kane's homeroom class; noted as being a child with some introduction; ranked No. 3 among students who participated in less than 10 tests in spring 1966; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Dean, M.D., C. Robert -- Director of the Rehabilitation Institute of Metropolitan Detroit; confirmed HGK's appointment as Clinical Director of Speech and Hearing on 5/18/1955. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Delattre, Pierre C. -- wrote The Physiological Interpretation of Sound Spectrograms (Publications of The Modern Language Association of America, Vol. 66, No. 5, Sept. 1951) and Some Experiments on the Perception of Synthetic Speech Sounds (Journal of the Acoustical Society of America, Vol. 24, No. 6, Nov. 1952). See: Articles and Research Materials 91950-1957)

Delikta, Donna -- Subject #21 in 1965 tests; grade 7, Steffens's homeroom class; ranked No. 12 overall in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Dellas, Nick G. -- Subject #32 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 45 overall in spring 1966 tests; grade 8 (1966-1967 school year); on list of Prospective Subjects grade 4-5, marked some experience; Male Test Subject; 10/13/1966; Grade 8, Test 6 - Part A. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966); Test Results and Charts (October 1966)

Denes, Dr. P.B. -- Head of Speech and Communication Research Department. Developed the transistorized visible speech translator and provided and experimental model of the equipment for use in the last year of the research project for Visible Speech. See: Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Densmore, G.E. -- member of Dept of Speech, U.Mich.?; asked Dean Lloyd Woodburne to reimburse George Kopp's expenses accrued when presenting at the convention of the Association of American Instructors of the Deaf on 5/29/1947. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)

Denton, Evelyn Louise -- Other Research Participant at University of Michigan during Kopp's study; completed Master's thesis on frequency range and the principal zone of energy in May 1947. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Derderian, Gary -- Subject #7 in 1965 tests; grade 5, in Gardiner's homeroom class; ranked No. 17 overall in spring 1966 tests; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Deshon -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Di Franco, Franco -- in Banks's class; labelled Sp.; noted as being involved in original project. See: Test Subjects (1965)

Dincen, Miss -- 1/25/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)

Dobler -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Doerfler, Leo G. -- member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971); Actvities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Donahue, Dr. -- Psychology Bureau; saw spectrograph demonstration on 12/12/1946. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Drachler, Dr. Norman -- Superintendent of Detroit Public Schools who continued the opportunity to conduct the research in the Detroit Day School for the Deaf. See: Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Draper, Lora -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Dreher, John J. -- Other Research Participant at University of Michigan during Kopp's study; Ph.D. thesis on differences in melody of Chinese speaking acquired English and vice versa - in progress Aug 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Drennen, Genevieve J. -- speech teacher, teacher of deaf, experimenter in U Mich study; performed Visible Speech Experiment #5 at the Rackham School in March 1947. See: Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Propsed Visible Speech Program for the Rackham School (summer 1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Dudley, Homer -- signed front of Visible Speech. See: Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Dunigan, Kathy -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Dunigan, Tanya -- grade 4, in Higgins's homeroom class; ranked No. 32 overall in spring 1966 tests; grade 6 (1966-1967 school year); on list of Prospective subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)

Dupree, Richard (Ritchie) -- on clinic's spring and fall 1975, spring and fall 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Dworkin, Doris -- served as family representative on George A. Kopp Memorial Fund advisory board; received correspondence from HGK 1/25/1971. See: George Kopp Memorial Scholarship Fund (1964-1973)

Eames, Mr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Ebbinger -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Edwards -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Eisonson, Jon -- taught HGK at Brooklyn College - Psychology of Speech. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948); Lectures and Seminar Notes(1957-1966)

Eliseou? -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Ellis, Miss -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Elsner, Todd -- on clinic's fall 1976, spring 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Elstadt -- Gallaudet, Bell Labs demonstration participant 03/08/46

Emmens -- rep of Michigan Bell Telephone publications dept.; 10/10/1946 conference . See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Enkvist, Nils Erik -- Other Research Participant at University of Michigan during Kopp's study; proposed thesis to GAK on 10/8/1947 on transitions to and from vowels i and u - approved 10/13/1947; Master's thesis completed May 1948. See: Thesis Proposals by George Kopp's Students (10/8/1947-3/1/1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Essig, Mr. Robert D. -- Technical services, hired for machine maintenance at the recommendation of Lewis Holland and Paul Geiger; found by Dr. Francis Lord to serve as electronic technician (11/24/1946); saw the translator for the first time on 1/22/1947; received memo about delayed payment from Dr. Lord on 5/19/1947; associated with spectrogram of indirect recording?. See: Sound Spectrograph results (1945-48); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)

Etkie, Dorothy -- ranked No. 6 overall in spring 1966 tests. See: Graphs of Students' Test Results (Spring 1966)

Evans, Miss -- Scranton School for Deaf. See: BELL LABS NOTEBOOK 2 (JAN '45)

Evendon -- taught HGK at Teachers College - Professional Education of Teachers. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Everingham, Patti -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Fairbanks -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Fairbanks, Grant -- Speech Research Laboratory, University of Illinois, Urbana; wrote Test of Phonemic Differentiation: The Rhyme Test (Journal of the Acoustical Society of America, Vol. 30, No. 7, Jul. 1958). See: Article in the Journal of the Acoustical Society of America on Rhyme Testing (July 1958)

Falk, Dr. Mervyn -- Director of the Speech and Hearing Center, Wayne State University; Head of Communication Disorders and Sciences, Wayne State University; chosen to serve on the George A. Kopp Memorial Fund advisory board; wrote HGK concerning fund details on 7/26/1973. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970); George Kopp Memorial Scholarship Fund (1964-1973)

Featherstone, Richard K. -- planned photographs for Birmingham Plan of Testing Hearing and Vision pamphlet. See: The Birmingham Plan of Testing Hearing and Vision (1951)

Fein, Miss Judith G. -- representative of the Dept. of Health, Education, and Welfare to the Working Groups of the National Advisory Council on the Education of the Deaf on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Fellendorf, George W. -- member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)

Felne? -- See: BELL LABS NOTEBOOK 1 (May '44)

Fernandez, Mr. -- Spanish Teacher. See: BELL LABS NOTEBOOK 2 (JAN '45)

Findlay -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Fischer, Leonard (Len) -- President, Trax Softworks, Inc., Culver City, CA; showed interest in borrowing Visible Speech Manual from her; sent HGK a pre-addressed Federal Express airbill for use in sending the Visible Speech Manual to him 10/29/1991. See: Correspondence between Harriet Kopp and Len Fischer (10/29/1991)

Flanagan, Dr. J.L. -- Head of Acoustics Research Department of the Bell Telephone Laboratories, Murray Hill, New Jersey. Developed the transistorized visible speech translator and provided and experimental model of the equipment for use in the last year of the research project for Visible Speech. See: Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Fleets -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Fletcher -- See: BELL LABS NOTEBOOK 1 (May '44)

Forsythe, Mrs. Patria G. -- Executive Secretary, National Advisory Committee on Education of the Deaf; representative of the Dept. of Health, Education, and Welfare to the Working Groups of the NACED on 7/24/1969; thanked HGK on her participation in the Invitational Conference on Personnel Education in the Area of the Deaf on 10/27/1969; member of the Committee on the Adolescent Deaf of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Fowler, Dr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Frampton -- taught HGK at Teachers College - Survey, education of handicapped. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Freese, Mrs. Gertrude -- NY Telephone, Bell Labs demonstration participant 01/24/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)

French, Norman G. -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Frisina, Dr. -- discussed Farid Bozorgi and his future at the National Technical Institute with HGK. See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)

Fry -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Gaeth, Dr. John H. -- Prof. of Audiology, Director of Audiology, Wayne State University; Professor of Audiology; Director of Hearing Clinic; B.S. Midland College and University of Nebraska (1940); M.A. University of Nebraska (1942); Ph.D. Northwestern University (1948); married with 2 children; specialization: teaching audiology, training teachers of the deaf, administration and research in audiology; Chairman of the American Speech and Hearing Association Committee on Standards in Hearing; Advanced Certification in Hearing in ASHACSH; budgeted for expenditures in grant proposal for project RD-526; Grad Asst, University of Nebraska (Sept 1942-Feb 1944); Officer, U.S.N.R. (1944-1946); Grad Asst, Northwestern University (1946-1948); Asst. Professor, University of Denver (1948-1949); Assoc. Prof. Northwestern University (1949-1957); Professor of Audiology, Wayne State University (1957-?); wrote HGK a letter about RD-526 funding on 10/26/1959; salary as consultant budgeted for Project No. RD-1483-S (1963, 1966); member of the Advisory Board for the Detroit Day School for the Deaf. See: Information on Research Projects and Proposals (1959-1960); Research Information About Project No. RD-1483-S (1964-1966); Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Gallagher -- PS 47, Bell Labs demonstration participant 02/14/1946

Galloway, Victor H. -- member of the Chairmen of the Working Groups of the National Advisory Committee on the Education of the Deaf with HGK on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Gamache, Keith -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Garcia, Danny -- on clinic's fall 1976, spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Gardella, Bonnie -- on clinic's fall 1976, spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Gardiner, Ray -- 5th grade teacher, Detroit Day School; 9 students in spring 1966 class; Member of the staff for the Detroit Day School for the Deaf, taught experimental classes with the translator from 1966-1968. See: Test Subjects (1965); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Garrett, James F. -- Assistant Commissioner of Research and Training, Dept of Health, Education, and Welfare - Vocational Rehabilitation Adminstration; Assistant Director - informed Thomas & Kopp about receipt of grant on 10/20/1959; contacted Van Buskirk about continuation of grant for Visible Speech for the Deaf on 5/31/1966. See: Information on Research Projects and Proposals (1959-1960); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)

Garwood, V.P. -- Other Research Participant at University of Michigan during Kopp's study; proposed thesis to GAK on visula discrimination of amplitude variations on sound spectrograms; completed Master's thesis May, 1948. See: Thesis Proposals by George Kopp's Students (10/8/1947-3/1/1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Gates, Miss -- Motor Coordination - Visible Speech Education Evaluation Program. See: How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)

Gawlik, Rev. Rudolph E. -- served as an interpreter for the Working Groups of the National Advisory Committee on the Education of the Deaf on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Gayda, Tonia -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Geiger, Dr. Paul -- recommended Robert Essig for employment. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Geles -- See: BELL LABS NOTEBOOK 1 (May '44)

Gelnak, Barbara -- Subject #16 in 1965 tests; grade 8, Kane's homeroom class; noted as being involved in original project; ranked No. 14 overall in spring 1966 tests; on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Gerstman, Louis J. -- Some Experiments on the Perception of Synthetic Speech (Journal of the Acoustical Society of America, Vol. 24, No. 6, Nov. 1952). See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Gertz -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Gibson -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Glover, Evelyn -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Goddu -- member of Editorial Committee of NACED that submitted recommendations on 10/16/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Gore, Sue -- Subject #28 in 1965 tests; grade 4, in Higgins's homeroom class; ranked No. 13 overall in spring 1966 tests; grade 6 (1966-1967 school year); on list of Prospective subjects grade 4-5; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966);Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Gorman -- See: BELL LABS NOTEBOOK 1 (May '44)

Gosen, John -- on clinic's spring and fall 1975, spring 1976, fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Graber -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Graham, Dr. A. Bruce -- Senior Audiologist, Henry Ford Hospital; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Graham, Craig -- ranked No. 47 overall in spring 1966 tests; grade 5 (1966-1967 school year); Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Grant, Margaret J. -- member of the committee on Adolescent Deaf of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Gray, Mr. Charles H.G. (CHG) -- signed front of Visible Speech; received information on voiceprint method of identifying individuals. See: BELL LABS NOTEBOOK 2 (JAN '45); Research Report by Y.R. Chao on Chinese recordings (11/21/1944-2/17/1945); Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944)

Green, M.L. -- speech 01/26/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)

Green (Kopp), Harriet Clara (HCG) -- B.A. Brooklyn College (1937); M.A. Brooklyn College (1938); Ph.D. Columbia University (?); Assistant and Instructor at Brooklyn College (1936-1939); Teacher at Lexington School for the Deaf (1939-1940); Instructor at Indiana University (1940-1941); Grad. Asst. Teachers College, Columbia University (1941-1943); Member of Technical Staff, Bell Telephone Laboratories (1943-1946); Assistant Professor, University of Michigan (1943-46); Assoc. Prof. of Special Education, Michigan State Normal College (1947) and Research Assistant, University of Michigan (1947); performed Visible Speech Experiments #2, 6, 7 at the Rackham School for Special Education (associated with U.Mich.) (March 1947); mentioned in article in News and Notes (Oct. 1947); Public School Speech Correctionalist, Birmingham, MI (1948-1956); taught Visible Speech Program at Rackham School, summer 1948; Director, Speech and Hearing Division, Rehabilitation Institute of Metropolitan Detroit (1956-1959); specialties: teacher training, administration and research; Associate Editor of the Journal of Speech and Hearing Disorders; holder of Advanced Certification in Hearing in the American Speech and Hearing Association; Associate Professor of Special Education - Michigan State Normal College, Research Assistant - U. Mich.; carried out experimental training program of visible speech; co-wrote article on visible speech for educators of the deaf, c. 1947; attended meetings of the visible speech research committee on 1/8/1947, 2/12/1947, 2/21/1947, 3/3/1947, 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947; co-wrote report on Visible Speech Educational Research Program, 6/7/1947; wrote text for Birmingham Plan of Testing Hearing and Vision pamphlet; budgeted for expenditures in grant proposal for project RD-526; received letter from John H. Gaeth on 10/26/1959; Director of Speech and Hearing at the Rehabilitation Institute of Metropolitan Detroit; wrote S.M. Brownell on 1/27/1960 about the approval of a grant for research using the cathode ray tube translator; Project Co-Director of Grant RD-526, evaluating usefulness of the visible speech cathode ray tube translator as a supplement to the oral method of teaching speech to deaf and severly deafened children (1963); prepared Progress Report for Project No. RD-1483-S in Feb. 1965, 3/1/1965, and Feb. 1966; salary as consultant budgeted for Project No. RD-1483-S (1963, 1966); member of the Chairmen of the Working Groups of the National Advisory Committee on the Education of the Deaf with HGK on 7/24/1969; Retirement Papers form the Detroit Day School for the Deaf (1970); Chairman of the committees on adolescent deaf and editorial policies of the Alexander Graham Bell Association for the Deaf, Inc. (3/1/1970); applied for extension of leave of absence from Detroit Day School for the Deaf (1972); Professor in the Dept. of Speech Pathology and Audiology, San Diego State College; Acting Dean of the College of Human Services at San Diego State University (7/6/1982); ; Chairman, Dept. of Speech Pathology, Audiology and Education of the Deaf, SDSC (9/4/1974); charted with female subjects. See: Visual Telephony Conferences (10/14/1943-2/23/1944); Voiceprint Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); transcript from Teachers College, Columbia University (3/15/1946); Spectrograms and Charted Results (11/17/1943); Research Report by Y.R. Chao on Chinese recordings (11/21/1944-2/17/1945); University of Michigan Project (July 1945-1948); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Progress Report Presented at American Speech Correction Conference, Chicago - U.Mich. (12/31/1946); Article on Visible Speech for Educators of the Deaf by George A. Kopp and Harriet C. Green - U.Mich. (c. 1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); Supplement to Progress Reports #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); Report on Visible Speech Educational Research Program by George A. Kopp and Harriet C. Green - U.Mich. (6/7/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Newspaper clipping: Visible Speech: Teaching Deaf Children to Hear (July 1947); Advance Advertisement for Visible Speech (5/28/1947); News and Notes (9/22/1947); Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948); Papers and Charts on Frequency Ranges and Principle Zones of Energy (Feb. 1948); Proposed Visible Speech Program for the Rackham School (summer 1948); Final Report of Visible Speech Educational Evaluation Research Program (8/13/1948); Information on Phonetics and Dialects (6/6/1949-1/26/1950); The Birmingham Plan of Testing Hearing and Vision (1951); Harriet Kopp's personal correspondence (11/4/1949-6/3/1970); Information on Research Projects and Proposals (1959-1960); Detroit Day School for the Deaf (6/14/1961-2/23/1971); early Draft of Final Report of Grant No. RD-526 (1963); Description of Detroit School for the Deaf (2/26/1963); Rough Draft - Visible Speech Report (3/13/1963); Research Information About Project No. RD-1483-S (1964-1965); George Kopp Memorial Scholarship Fund (1964-1973); Information on Research Projects and Proposals (1959-1960); Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968); Visible Speech Manual (3/9/1967-12/5/1974); Final Draft: Visible Speech for the Deaf (1968); Manuscript for Visible Speech for the Deaf (1968); Rough Draft (hand-written) - Visible Speech for the Deaf (1968); Correspondence to George and Harriet Kopp from C.Van Riper (9/11/1968-9/26/1968); Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970); Retirement Papers from the Detroit Day School for the Deaf (1970); Correspondence between Harriet Hopp and Bernard O'Donnell (7/6/1982); Correspondence between Mara Mills and H. Kopp (1/4/2006); Visible Speech Manual Original - to copy; Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526); charts and spectrograph results (female test subjects)

Grindem, Mark -- grade 4, in Higgins's homeroom class; ranked No. 42 overall in spring 1966 tests; list on Prospective subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Groht -- Bell Labs demonstration participant 11/29/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)

Gruenz, Jr., Otto O. -- attended conference about the translator on 12/31/1945; signed front of Visible Speech; member of Bell Telephone Laboratories, came to Detroit to fix the Translator after its move to the Detroit Day School from Wayne State University. See: Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526); BELL LABS NOTEBOOK 2 (JAN '45)

Hafer, Sarah -- on clinic's fall 1976 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Hall, Dr. Roy M. -- Assistant Commissioner for Research with Cooperative Research Division of the US Office of Education. See: Information on Research Projects and Proposals (1959-1960)

Hamilton, Mr. -- Saskatechewan Deaf school, Bell Labs demonstration participant 02/21/1946 . See: BELL LABS NOTEBOOK 2 (JAN '45)

Hammond, Richard -- Subject #5 in 1965 tests; grade 8, Kane's homeroom class; noted as being involved in original project; ranked No. 4 overall in spring 1966 tests; on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Hardy, Miriam Pauls -- member of the Editorial Policies Committee of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Harlan, Tom -- Subject #34 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 11 overall in spring 1966 tests; grade 8 (1966-1967 school year); on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)

Harnish, Mike -- Subject #33 in 1965 tests; grade 6, in Clement's homeroom class; noted as being involved in original project; ranked No. 8 overall in spring 1966 tests; grade 8 (1966-1967 school year); on list of Prospective Subjects grade 4-5, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)

Harrington, Dr. -- Winnetka Schools; came for instruction and demonstration of U Mich Study, 11/10/1947. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Harris -- Bell Labs demonstration participant 11/29/1945, Comparative Linguistics 12/11/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)

Harris, Chris -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Hartin, Frank -- Employee of Customer Service - Dover Press; New York, NY. See: Visible Speech Manual (3/9/1967-12/5/1974)

Hartley -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Hasbrouck -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Hatchett, Jeanette -- in Jacobs's class; labelled Sp. See: Test Subjects (1965)

Hazelwood, Cheryl -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Hedstrom, Mr. -- copied on announcement of grant continuation for Visible Speech for the Deaf (5/31/1966). See: Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)

Heggie, Don -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965)

Heggie, Patricia (Pat) -- Subject #26 in 1965 tests; grade 8, Schmitz's homeroom class; ranked No.2 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Heinrichs -- See: BELL LABS NOTEBOOK 1 (May '44)

Henselmeier, Cindy -- on clinic's fall 1975, spring and fall 1976, spring and fall 1977 lists . See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Herkimer, Katherine -- 14 years old; Group 1 of exploratory program; congenitally deaf, severly hypacaustic, part of experimental study for Visible Speech Research at Ypsilanti (3/25/1947), experiment subject in U Mich study; scored for intelligibility in experiment 1 (1947); performance in Visible Speech Experiment #2 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Supplement to Progress Report #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Herold, Timothy (Tim) -- Subject #20 in 1965 tests; grade 7, Steffens's homeroom class; ranked No. 1 among students who participated in less than 10 tests in spring 1966; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Hertz, Dr. Richard C. -- Temple Beth El. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Hesson, Gary -- Proposed Experiment subject in Ypsilanti Study; scored for intelligibility in experiment 3 (1947); subject in experimental U. Michigan study with the Rackham School (3/25/1947), aged 10 yrs, 8 months; congenitally deaf and severely hypacusic. See: Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Intelligibility Scores and Graphs (April-Dec. 1947)

Hester, Mrs. -- Functional test of vision- telebinocular. See: How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)

Hewitt, Barnard -- taught HGK at Brooklyn College - History of Modern Theatre, History of Ancient Theatre, & Studies in Play Production

Hewittson, Dr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Hibbit, George -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Hicks, (William) Billy -- grade 5, in Gardiner's homeroom class; HGK noted get to wear glasses on roster; ranked No. 53 overall in spring 1966 tests; on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Higgins -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Higgins -- 4th grade teacher, Detroit day School; 9 students in Spring 1966 class . See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966)

Hill, James E. -- Ed.D. degree; permanent replacement for J. Clemente in work for the RD-1483-S project; hired due to a background of training and experience in both electrical engineering and speech; salary as a consultant budgeted for Project No. RD-1483-S (1963, 1966); informally met with Mr. Powles of the General Film Lab., Co. concerning the creation of slides of spectrographic patterns (10/17/1966); assistant to GAK at Wayne State University; Background in speech and electrical engineering. Worked on Visible Speech project until 1966. See: Research Information About Project No. RD-1483-S (1964-1966); Information on the Visible Speech Research Project (1966); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Hoe, Dr. -- staff, Steel Complex Hospital, Nanking area. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Hoekstra, Dr. Marvin -- Wayne State University Electrical Engineering Dept. staff member; added to the RD-1483-S project staff on 1/27/1966 as a consultant in equipment maintenance; salary as Research Asst & Electronic Technician budgeted for Project No. RD-1483-S (1966); Employee of the Wayne State University Electrical Engineering Department. In January 1966 was appointed as a consultant in maintenance of equipment. Assisted Dr. Jack Curtis of the Speech and Hearing Center until the termination of the contract. See: Research Information About Project No. RD-1483-S (1964-1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Hoemann, Rev. Harry W. -- served as an interpreter for the Working Groups of the National Advisory Committee on the Education of the Deaf on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Hoerr, III, Chris R. -- member of the Editorial Policies Committee of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Hograth -- See: BELL LABS NOTEBOOK 1 (May '44)

Hoit-Dalgaard, Jeannette -- co-authored Voice Onset Time Production and Perception in Apraxic Subjects with HGK in Brain and Language (Vol. 20, 1983, p. 329-339); affiliated with VA Medical Center, San Diego. See: Correspondence between Mara Mills and H. Kopp (1/4/2006)

Holbrook, Dr. Anthony -- specialties: training teachers of speech correction and research in Speech Science; Asst. Prof. of Speech, Wayne State University Speech and Hearing Clinic; married with 3 children; B.S. Speech Correction, University of California Santa Barabara (1951); M.A. Speech Pathology, University of Hawaii (1953); Ph.D. in Speech Science, Correction and Audiology, University of Illinois (1958); served as technical assistant in the maintenance and operation of equipment during research for project RD-526. See: Information on Research Projects and Proposals (1959-1960); Early Draft of Final Report of Grant No. RD-526 (1963); Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526)

Holland, David -- test subjects, Translator Project I, 8 years old; Group 2A of exploratory program; congenitally deaf with slight residual hearing, Experiment subject in U Mich Study with Rackham School; scored for intelligibility in experiment 1 & 3 (1947); performance in Visible Speech Experiment #4 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Holland, Prof. Lewis -- recommended Robert Essig for employment. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)

Honamen -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Hoth -- See: BELL LABS NOTEBOOK 1 (May '44)

Howell, Louise -- worker at Cleveland State Hospital; George Kopp responded to her query about the visible speech research on 8/8/1947. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)

Howell, Jay -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Huang, Mr. -- staff, Steel Complex Hospital, Nanking area. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Hudgins, Dr. Clarence V. -- Director of Research, Experimental Phonetics, Clarke School for the Deaf, Northampton, Mass.; worked on rhythm and stress; colleagues with Dr. G.E. Peterson at Harvard University during World War II; Special Consultant to the Visible Speech Advisory project (1947); attended a meeting of the Visible SPeech Research Committee on 5/1/1947; submitted report to the Advisory Committe of the Visible Speech Research Project, Institute for Human Adjustment, U.Mich. on 6/10/1947; the Alexander Graham Bell Association for the Deaf, Inc. Editorial Policies Committee discussed publishing his articles and papers on 3/1/1970. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948); Detroit Day School for the Deaf (6/14/1961-2/23/1971)

Hudson, Richard (Dick) -- 10 years old; Group 1 of exploratory program; congenitally deaf, severly hypacaustic, part of experimental study for Visible Speech Research at Ypsilanti (3/25/1947), experiment subject in U Mich study; scored for intelligibility in experiment 1 (1947); performance in Visible Speech Experiment #2 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); ;Supplement to Progress Report #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Humes, Larry E. -- co-authored Recognition of Synthetic Speech by Hearing-Impaired Elderly Listeners in the Journal of Speech and Hearing Research (vol. 34, Oct. 1991, p. 1180-84). See: Excerpt from the Journal of Speech and Hearing Research (Oct. 1991)

Hurst, Marlene -- Employee of Xerox- University Microfilms catalogs of Wayne State University Press. See: Visible Speech Manual (3/9/1967-12/5/1974)

Hutchkins -- See: BELL LABS NOTEBOOK 1 (May '44)

Hyde, Timothy -- on clinic's spring and fall 1975, spring 1976, spring 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Hykes, John -- member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)

Ickes, James (Jim) -- Subject #31 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 34 overall in spring 1966 tests; grade 8 (1966-1967 school year); on list of Prospective Subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)

Ireland, Dwight B. -- Superintendant of Birmingham, MI public schools; wrote HGK a congratulatory letter on her new post at the Rehabilitation Institute on 11/6/1958. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Irwin, David -- test subjects, Translator Project I, 8 years old; Group 2A of exploratory program; congenitally deaf with slight residual hearing, Experiment subject in U Mich Study with Rackham School; scored for intelligibility in experiment 1 & 3 (1947); performance in Visible Speech Experiment #4 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Jackson -- Comparative linguistics 12/11/945. See: BELL LABS NOTEBOOK 2 (JAN '45)

Jacobs -- See: Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Jacobs -- taught students at Detroit Day School; students labelled Sp. See: Test Subjects (1965)

Jacobs, Henry -- in Banks's class; labelled Sp. See: Test Subjects (1965)

Jeffries, Charles -- in Banks's class; labelled Sp. See: Test Subjects (1965)

Jersild, A. -- taught HGK at Teachers College - Child Psychology. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Johnson, Miss -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Johnson, Dr. Kenneth O. -- Executive Secretary at the American Speech and Hearing Association; sent material from the Dept. of Health, Education, and Welfare in the Office of Education to encourage increased activity with the Cooperative Research Division on 1/4/1959. See: Information on Research Projects and Proposals (1959-1960)

Johnson, T. Earle -- authored Southern Dialects. See: Information on Phonetics and Dialects (6/6/1949-1/26/1950)

Johnson, Michael (Mike) -- Subject #1 in 1965 tests; grade 8, Schmitz's homeroom class; noted as being involved in original project; ranked No. 2 among students who participated in less than 10 tests in spring 1966; on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Jones, Lloyd -- taught HGK at Teachers College - Guidance and Personnel. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Jones, Miss -- Teacher, Bell Labs demonstration participant 03/21/45. See: BELL LABS NOTEBOOK 2 (JAN '45)

Jones, Michael (Mike) -- Subject #35 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 9 overall in spring 1966 tests; on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Joos, Prof. -- professor at U.Mich. at the Linguistic Institute; received permission from Harlan Bloomer to use the spectrograph for linguistics research on 2/26/1947 . See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)

Kaczerowski, Janet -- marked off of clinic's fall 1976 list; on spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Kandel -- taught HGK at Teachers College - Educational Foundations. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Kane, Mr. Ronald -- 7th and 8th grade teacher, Detroit Day School; 7 students in spring 1966 7th grade class; realeased half time to work on Project No. RD-1483-S in Oct. 1964; salary as Research Asst. in budget for Project No. RD-1483-S (1966); received Visible Speech Research Project Progress Report concerning plans for producting the testing-instruction materials on 10/17/1966; Member of the staff of the Detroit Day School for the Deaf, taught experimental classes with the translator from 1965-1967. See: Research Information About Project No. RD-1483-S (1964-1966); Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Karpel, Miss -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Kavosi, Janice -- Subject #13 in 1965 tests; grade 7, Steffens's homeroom class; ranked No. 16 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Ke Ju, Dr. Cheng -- from Capital Med. Corp.; of the Chinese Medical Association. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Keilman, Joanne -- severly hypacaustic, experiment subject in U Mich study. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Keitz, Christine -- grade 5, in Simmons's class, on list of students now using the machine; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); ; Information on the Visible Speech Research Project (1966)

Keller, Miss -- Bell labs demonstration participant 10/24/1946. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)

Kelley -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Kelly, Joe (Joey) -- on clinic's spring and fall 1975, spring and fall 1976, spring and fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Kennedy, Miss Rosemary J. -- Bell Labs secretary; signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Kennedy, Louise -- taught HGK at Brooklyn College - Speech Pathology. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Kerps -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Kersta, Mr. -- U Mich Study; serviced sound spectrograph equipment 7/16/1948. See: Sound Spectrograph results (1945-48); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Kerster -- re: specs 01/16/46. See: BELL LABS NOTEBOOK 2 (JAN '45)

Kester, Miss -- audited V.S. training course part time

King, Mr. -- Bell labs demonstration 12/12/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)

Kinney, Richard -- Production Manager and Associate Director of Wayne State University Press . See: Visible Speech Manual (3/9/1967-12/5/1974)

Knott, John -- University of Iowa; saw demonstration of spectrograph on 6/12/1946. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Koeing, Jr., Wallace -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Kohr, Margaret -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)

Kolbusz, Gerald (Gerry) -- Grade 4, in Simmons's class, on list of students now using the machine; ranked No. 4 among students who participated in less than 10 tests in spring 1966; crossed off grade 8 list (1966-1967 school year); on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)

Kopp, George A. (GAK) -- specialities: training teachers in speech pathology and audiology, research in speech science, correction, audiology, and administration; Presidnet of American Speech and Hearing Association; held Advanced Certification in Speech in the ASHA; consultant on the staff of Sinai Hospital and the Rehabilitation Institute of Metropolitan Detroit; B.A. from Monmouth College, Manmouth, IL (1926); M.S. Speech Correction, University of Wisconsin (1930); Ph.D. Speech Pathology and Medical Science, University of Wisconsin (1933); Chairman, Dept. of Speech, Jamestown College, Jamestown ND (1926-1928); Instructor in Speech, University of Wisconsin (1928-1931); Asst. Prof. of Speech, University of Wisconsin (1931-1936); Asst. Prof. of Speech, Director of Speech and Hearing Clinic, Columbia University (1939-1943); taught course on Sppech Correction at Columbia in 1941; Associate Prof. of Speech at Teachers College, Columbia University; Consultant to Bell Labs on technical speech problems(Member of Technical Staff Bell Telephone Laboratories, NY (1943-1946)); Research Associate, U.Mich. (c. 1947); presented with John Steinberg at the 1945 American Speech Correction Conference, Columbus, OH, on the development of Visible Speech; presented a progress report at the American Speech Correction Conference, Chicago on 12/31/1946; wrote report on Visible Speech Educational Research Program with Harriet Green, 6/7/1947; co-wrote Article on Visible Speech for Educators of the Deaf, c. 1947; attended meetings of the Visible Speech research committee on 1/8/1947, 2/12/1947, 2/21/1947, 3/3/1947, 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947; requested clerical assistant for Harriet Green and graduate laboratory assistant from Harlan Bloomer on 2/25/1947; received comments on a proposed article on visible speech in the Volta Review from Clark Tibbitts on 5/31/1947 and Harlan Bloomer on 6/24/1947; Research in visible speech: Associate Professor of Speech and Research Associate, University of Michigan and Director of Visible Speech Research (1946-1948); sent letter to A.N. Clark on 8/8/1947 expressing a need for new books in the speech correction field; highlighted in an article in News and Notes (Oct. 1947); Prof. of Speech, Director, Speech and Hearing Clinic, Wayne State University (1948-?); director of 5-year cooperative research project with Bell Telephone Laboratories, University of Michigan, and Michigan State Normal College; responsible for phonetic organization of visible speech; taught HGK at Teachers College - Voice Science, Psychology of Speech, Research in Speech Education, Speech Pathology; signed front of Visible Speech; filled out Application for Research or Demonstration Grant with the Department of Health, Education, and Welfare on 8/19/1959; salary as Director budgeted in grant proposal for project RD-526 (1959, 1963, 1966); Project Co-Director of Grant RD-526, evaluating usefulness of the visible speech cathode ray tube translator as a supplement to the oral method of teaching speech to deaf and severly deafened children (1963). Social Security No. 127-05-4264; copied on announcement of grant continuation for Visible Speech for the Deaf; prepared Progress Report for Project No. RD-1483-S in Feb. 1965, 3/1/1965, and Feb. 1966; part of application for the continuation of grant for Project No. RD-1483-S (9/26/1963; 2/10/1966); received Visible Speech Research Project Progress Report concerning plans for producting the testing-instruction materials on 10/17/1966; member of Editorial Committee of NACED that submitted recommendations on 10/16/1969; wrote Meeting Speech Needs of Elementary School Children while an assoc. prof. at Columbia. See: Syllabus for Speech Correction - Education 261K, Teachers College, Columbia University (1941); Original Manuscript of and comments on George A. Kopp's elementary opus (8/3/1941); Visual Telephony Conferences (10/14/1943-2/23/1944); Voiceprint Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); Research report by Y.R. Chao on Chinese recordings (11/21/1944-2/17/1945); University of Michigan Project (July 1945-1948); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Progress Report Presented at American Speech Correction Conference, Chicago - U.Mich. (12/31/1946); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); Correspondence form Adrian Leon y Marquez to George Kopp (3/14/1947); Newspaper clipping: Visible Speech: Teaching Deaf Children to Hear (July 1947); Correspondence to George A. Kopp from C.M. Breading of the Central Press Clipping Service (9/3/1947); News and Notes (9/22/1947); Advance Advertisement for Visible Speech (c. 1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Article on Visible Speech for Educators of the Deaf by George A. Kopp and Harriet C. Green - U.Mich. (c. 1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); Supplement to Progress Reports #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); Report on Visible Speech Educational Research Program by George A. Kopp and Harriet C. Green - U.Mich. (6/7/1947); Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948); Papers and Charts on Frequency Ranges and Principle Zones of Energy (Feb. 1948); Final Report of Visible SPeech Educational Evaluation Research Program (8/13/1948); Lectures and Seminar Notes(1957-1966); Information on Research Projects and Proposals (1959-1960); early Draft of Final Report of Grant No. RD-526 (1963); Description of Detroit School for the Deaf (2/26/1963); Rough Draft - Visible Speech Report (3/13/1963); Research Information About Project No. RD-1483-S (1964-1966); George Kopp Memorial Scholarship Fund (1964-1973); Case Report by George Kopp and Helene Anderson on Vocal Therapy for Dysphonia Plicae Ventricularis (c. 1965); Correspondence from M.R. Schroeder to Dr. George A. Kopp (3/25/1965); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966); Information on the Visible Speech Research Project (1966); Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968); Visible Speech Manual (3/9/1967-12/5/1974); Final Draft: Visible Speech for the Deaf (1968); Manuscript for Visible Speech for the Deaf (1968); Rough Draft (hand-written) - Visible Speech for the Deaf (1968); Correspondence to George and Harriet Kopp from C.Van Riper (9/11/1968-9/26/1968); Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970); Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963); Notes from Medical Study Trip to China (4/18/1980-4/28/1980); Visible Speech Manual Original - to copy; Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526); Manuscript of Meeting Speech Needs of Elementary School Children by George A. Kopp; How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Seminar Notes of George A. Kopp - Speech 337

Kopp, Dr. Joseph B. -- George Kopp's son; designated to serve on the George A. Kopp Memorial Fund advisory board. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Koren, Mr. Norman -- appointed to temporarily replace J. Clemente in work on Project No. RD-1483-S from Sept to Jan, 1965; Temporary worker on the Visible Speech project ending December 1965. See: Research Information About Project No. RD-1483-S; Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Kornacki, Kathryn -- 4-year-old student at Detroit Day School; shown in newspaper photograph . See: Clipping from The Detroit News (2/13/1966)

Koskos -- [n/a]

Kosztowny, Alan -- Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Kovack, Joanne -- test subject - class 3B, age 10. See: Lip Reading Study (10/5/1943); Students' Spectrograms (fall 1943)

Kower? -- See: BELL LABS NOTEBOOK 1 (May '44)

Kramer, Magalene -- taught HGK at Teachers College - Research in Speech Education; Chairman of the Department of the Teaching of Speech at Columbia University, noted in the acknowledgements page of Harriet Kopp's doctoral dissertation for her interest and help. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948); Harriet Kopp's Doctoral Dissertation (1962)

Kramer -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Krieger, Connie -- produced sound spectrograms with cleft palate on 4/4/1947. See: Sound Spectrograph results (1945-48)

Kroll, Geraldine -- ranked No. 10 among students who participated in less than 10 tests in spring 1966. See: Graphs of Students' Test Results (Spring 1966)

Kroll, Gary -- Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Krug -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Kubitsky, Eleanor -- age 10 (1947); Substitute for J. Keilman in U Mich study ; performance in Visible Speech Experiment #5 evaluated 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Kuezela -- recorder 01/16/46. See: BELL LABS NOTEBOOK 2 (JAN '45)

Kuplicki, Paul -- grade 4, in Higgins's homeroom class; ranked No. 36 overall in spring 1966 tests; grade 6 (1966-67 school year); on list of Prospective subjects grade 4-5, marked some experience; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Kurath, Prof. Hans -- Director of the Linguistic Institute, University of Michigan; received memo from Harland Bloomer on 2/26/1947 about use of the spectrograph during the summer of 1947 for linguistic research; recorded spectrograms in German 5/15/1947. See: Sound Spectrograph results (1945-48); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)

Kuzda -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Kuzela, Mr. -- See: BELL LABS NOTEBOOK 1 (May '44)

Lacey, Wendy -- on clinic's spring and fall 1975, fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Lage, Larry -- severly hypacaustic, experiment subject in U Mich study. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Lahera, Omar -- on clinic's spring 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Lassman, Frank M. -- member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971); Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Le Clerc, Sherry -- Subject #23 in 1965 tests; grade 7, Steffens's homeroom class; noted as being involved in original project; ranked No. 29 overall in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Lee, John J. -- Distinguished Professor Emeritus, Department of Special Education and Vocational Rehabilitation, Wayne State University; wrote HGK a congratulatory letter on her new post at the Detroit Day School on 11/4/1958; Chairman, Special Education, Wayne State University (1963); member of the Advisory Board for the Detroit Day School for the Deaf; wrote HGK a recommendation letter 7/31/1969

Lee, Mike -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Leon y Marquez, Adrian -- suggested Spanish words for Visible Speech tracings. See: Correspondence form Adrian Leon y Marquez to George Kopp (3/14/1947)

Leone, Berta -- drew illustrations for Birmingham Plan of Testing Hearing and Vision pamphlet. See: The Birmingham Plan of Testing Hearing and Vision (1951)

Lepre, Michael -- on clinic's spring and fall 1975, spring and fall 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Levine, Mrs. -- Bell Labs secretary, Bell Labs demonstration participant 11/29/1945. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Lewis, Mrs. E. -- Associate Editor Tide Magazine. See: BELL LABS NOTEBOOK 2 (JAN '45)

Leyland -- Bell Labs secretary. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Liberman, Alvin M. -- worked at Haskins Laboratories, NY, and University of Connecticut, Storrs; wrote Some Experiments on the Perception of Synthetic Speech (Journal of the Acoustical Society of America, Vol. 24, No. 6, Nov. 1952); Some Results of Research on Speech Perception (Journal of the Acoustical Society of America, Vol. 29, No. 1, Jan. 1957); The Interconversion of Audible and Visible Patterns as a Basis for Research in Perception of Speech (from the proceedings of the National Academy of Sciences, Vol. 37, No. 5, May 1951) . See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Loertet, C.M. -- taught HGK at Indiana University - Psychological Testing. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Lorbaugh, Dr. -- NYU. See: BELL LABS NOTEBOOK 2 (JAN '45)

Lord, Dr. Francis E. -- Director of Rackam School of Special Education and Professor of Speech and Special Education, Michigan State Normal College; worked in conjunction with Clark Tibbitts on the visible speech research project at U.Mich.; received letter from Tibbitts about the research program on 11/27/1946; attended meetings of the Visible Speech Research committee on 1/8/1947, 2/12/1947, 2/21/1947, 3/3/1947, 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947; send Robert Essig a memo about delayed payment on 5/19/1947; mentioned in article in News and Notes, Oct. 1947. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); News and Notes (9/22/1947)

Lorge, Irving -- Noted in the acknowledgements page of Harriet Kopp's doctoral dissertation for her interest and help in the project. See: Harriet Kopp's Doctoral Dissertation (1962)

Lovato, Joseph -- on clinic's spring 1975 list

Lovell, James -- student engineer in charge of servicing equipment in U Mich study; worked on sound spectrograph on Jan 13-15, 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Lowell, Edgar L. -- member of the Editorial Policies Committee of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Lynch, Jennifer -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Lyons -- Western Electric. See: BELL LABS NOTEBOOK 2 (JAN '45)

MacGinitie, Walter H. -- Member of Harriet Kopp's dissertation committee at Columbia University . See: Harriet Kopp's Doctoral Dissertation (1962)

Macoule, Mrs. -- Mentioned in a letter from Frank to Dr. Kopp regarding the index on 1/23/1968. See: Correspondence between Frank and George Kopp re. index of Visible Speech Research Materials (1/23/1968)

Madden, Shannon -- Subject #22 in 1965 tests; grade 7, Steffens's homeroom class; ranked No. 25 overall in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Madson, Miss -- recorded spectrograms on 11/12/1946 of phrase This is the house that Jack built. See: Sound Spectrograph results (1945-1948)

MaGee, Harley W. -- Assistant to the Editor of Science Illustrated; requested pictures to go along with an up-coming Visible Speech story. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)

Magill, Dorothy -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)

Mahoney, Danny -- test subjects, Translator Project I, 12 years old; Group 1 of exploratory program; congenitally deaf, severly hypacaustic, part of experimental study for Visible Speech Research at Ypsilanti (3/25/1947); experiment subject in U Mich study; scored for intelligibility in experiment 1 (1947); performance in Visible Speech Experiment #2 evaluated 1948. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Logistics for Operation of Visible Speech Research Program - U.Mich. (3/25/1947-6/2/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Supplement to Progress Report #1: Visible Speech Research Program - U.Mich. (4/21/1947); Pattern Recognition Charts - U.Mich. (4/21/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947); Intelligibility Scores and Graphs (April-Dec. 1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Majerowski, Michael (Mike) -- Subject #9 in 1965 tests; grade 8, Kane's homeroom class; noted as being a child with some introduction; ranked No. 7 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Mallory -- Bell Labs demonstration participant 12/21/1945

Manning, Dr. J.J. -- physicist, Research Department of New York Police Department; approached Dr. Buckley about using voice print identification in fighting crime. See: Voice Print Identification Procedure and Information (11/26/1943-6/10/1944)

Mao, Mrs. -- HGK interviewed her about the commune primary school. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Marcus, Robert -- Subject #11 in 1965 tests; grade 8, Kane's homeroom class; noted as being a child with some introduction; ranked No. 21 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Marge, Michael -- Coordinator Unit on Speech and Hearing Programs, Division of Training Programs, Bureau of Education for the Handicapped; Department of Health, Education, and Welfare- Office of Education. See: Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968)

Markel, Norman N. -- co-authored Judging Personality from Voice Quality in Journal of Abnormal and Social Psychology (Vol. 64, No. 4, Oct. 1964). See: Markel and Meisels - Judging Personality from Voice Quality (Oct. 1964) [large sleeve]

Marrison -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Marshall, Steve -- ranked No. 8 among students who participated in less than 10 tests in spring 1966; Male Test Subject; 12/13/1966; Grade 4, Test S-D. See: Graphs of Students' Test Results (Spring 1966); Test Results and Charts (October 1966)

Martimer, Dr. Edgar -- Chief of Pediatrics, Harper Hospital; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Martin, Miss -- Manhasset Public School, Bell Labs demonstration participant 03/07/46

Martin, Fred -- Official from Detroit Public Schools who signed off on HGK's application for an extension of leave (9/29/1972). See: Retirement Papers from the Detroit Day School for the Deaf (1970)

Martin, Paul -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Martinez, Alfredo -- on list of Prospective Subjects, marked 5 exp. See: Information on the Visible Speech Research Project (1966)

Martyka, Emilia -- staff member at the Detroit Day School for the Deaf; taught experimental classes with the Translator from 1964-1968; taught 9th grade students at the Detroit Day School already using the machine; 7 students in spring 1966 class. See: Early Draft of Final Report of Grant No. RD-526 (1963); Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Final Draft: Visible Speech for the Deaf (1968): Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Mase, Darrel -- Teachers College, Newark, NJ; 10/28/1946 demonstration. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (1/31/1947-10/10/1947)

Matthes -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Matthews, Mrs. M.G. -- Principal, Kennedy School; sent complimentary letter to HGK on 5/14/1970 . See: Retirement Papers from the Detroit Day School for the Deaf (1970)

May, Merri (Merrie) -- on clinic's fall 1976, spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Mayes, Thomas A. -- director of the Regional Conference for Coordinating Rehabilitation and Education Services for the Deaf on Oct 26-28, 1970; sent HGK an invitation to the conference on 10/12/1970

McCarthy, Julia M. -- Deputy Superintendent, Detroit Public Schools; sent HGK a congratulatory letter on 6/1/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)

McCrystal -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

McDonald, Henry S. -- member of Bell Telephone Labs engineering staff, came to Detroit to fix Translator after its move to the Detroit Day School from Wayne State University. See: Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526)

McGrew, Professor J. Fred -- Fresno State College. See: University of Michigan Project (July 1945-1948)

McLoughlin -- lunch 12/11/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)

McManus, Kathy -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Mealy -- (Meaghly)

Meisels, Murray -- co-authored Judging Personality from Voice Quality in Journal of Abnormal and Social Psychology (Vol. 64, No. 4, Oct. 1964). See: Markel and Meisels - Judging Personality from Voice Quality (Oct. 1964) [large sleeve]

Melby, Dean -- Dean of NYU. See: BELL LABS NOTEBOOK 2 (JAN '45)

Merrill, Jr., Edward C. -- President of Gallaudet College; offered HGK a a position as Dean of Pre-College Programs and Directory of the Model Secondary School for the Deaf, 3/14/1970; HGK turned down this position 4/15/1970. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Meyer, Dr. John Stirling -- Head, Dept. of Neurology, Wayne State University Medical School; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Meyerson, Dr. Lee -- Vassar College; came for Instruction and Demonstration in U Mich Study, 9/22/1947. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Miguel, David -- on clinic's fall 1975, spring 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Miller, Ed.D., June -- President, Alexander Graham Bell Association for the Deaf, Inc.; asked HGK to continue serving as Chairman of the Editorial Policies on 9/10/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)

Milligan, Tony -- on clinic's spring 1976 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Mills, Mara -- Ph.D. Candidate at Harvard University; Instructor at Brown University; contacted HGK on 1/4/2006 to request an interview for more information on her research. See: Correspondence between Mara Mills and H. Kopp (1/4/2006)

Mock, Terri -- on clinic's spring 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Mohan, Mr. -- teacher from Rackham School of Education; training for Visual Speech. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Monroe, Thomas -- Superintendent of Region Two, Detroit Public Schools; wrote HGK informing her of his resignation 7/3/1969; wrote HGK a recommendation letter 8/6/1969 . See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Moore, Anthony -- ranked No. 7 among students who participated in less than 10 tests in spring 1966. See: Graphs of Students' Test Results (Spring 1966)

Moore, Paul -- co-authored Comments on Physiology of Hoarseness in Archives of Otolaryngology (Vol. 81, Jan. 1965). See: Moore and Thompson - Comments on Physiology of Hoarseness (Jan. 1965) [large sleeve]

Moore, Tony Loviece -- Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Morison, Dr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Morley, D.E. -- Other Research Participant at University of Michigan during Kopp's study; Ph.D. thesis on comparative study of visible speech patterns as transmitted by several hearing aids - in progress, Aug. 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Morris, Dr. -- Psychology Bureau; conference. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Morrisett -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Moss, Arnold -- taught HGK at Brooklyn College - Comparative Phonetics. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Mulgrave, Dr. Dorothy -- NYU, Bell Labs demonstration participant 01/24/1946

Mulholland, K. -- taught HGK at Brooklyn College - Theories of Oral Reading. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Munson, Mr. -- President, Michigan State Normal College; came for instruction and demonstration of U Mich study, 3/10/1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Murry, Thomas -- co-authored Voice Onset Time Production and Perception in Apraxic Subjects with HGK in Brain and Language (Vol. 20, 1983, p. 329-339); affiliated with VA Medical Center, San Diego. See: Correspondence between Mara Mills and H. Kopp (1/4/2006)

Myers -- Ac. Society. See: BELL LABS NOTEBOOK 2 (JAN '45)

Mysak, Edward D. -- Member of Harriet Kopp's dissertation committee at Columbia University . See: Harriet Kopp's Doctoral Dissertation (1962)

Nace, Dr. John G. -- member of the Chairmen of the Working Groups of the National Advisory Committee on the Education of the Deaf with HGK on 7/24/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Nakaji, Daniel (Danny) -- on clinic's fall 1975, spring and fall 1976, spring and fall 1977 lists . See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Nelson, Kathleen J. -- co-authored Recognition of Synthetic Speech by Hearing-Impaired Elderly Listeners in the Journal of Speech and Hearing Research (vol. 34, Oct. 1991, p. 1180-84). See: Excerpt from the Journal of Speech and Hearing Research (Oct. 1991)

Nelson, Max -- Other Research Participant at University of Michigan during Kopp's study; proposed thesis to GAK on 3/4/1947 on articulatory constancy - approved 3/6/1947; Master's thesis on articulatory constancy in May 1947. See: Thesis Proposals by George Kopp's Students (10/8/1947-3/1/1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

New -- Bell Labs demonstration participant 11/29/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)

Nicholls, Dorren -- age 13 (1947); severly hypacaustic, experiment subject in U Mich study; performance in Visible Speech Experiment #5 evaluated 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Nio, Dr. -- pediatrician, Maternal and Ob.Gyn Hosptial (attached to the China Welfare Institute), Shanghai. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Nordstrom, Pat -- Aztec Shops Bookstore. See: Visible Speech Manual (3/9/1967-12/5/1974)

Norton -- taught HGK at Teachers College - Educational Foundations. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Norvoine -- 1/22/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)

Nouhan, Eleanor -- Subject #8 in 1965 tests; grade 8, Schmitz's homeroom class; ranked No. 5 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Nuccio, Philip -- grade 5, in Gardiner's homeroom class; ranked No. 19 overall in spring 1966 tests; on list of Prospective subjects grade 4-5. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Nyquist -- See: BELL LABS NOTEBOOK 1 (May '44)

O'Connor, A. -- Bell Labs secretary, Bell Labs demonstration participant 11/29/1945. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

O'Connor, C.D. -- taught HGK at Teachers College - Special methods in Teaching the Deaf & Practice Teaching Deaf. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

O'Connor, Mary New -- taught HGK at Teachers College - Teaching Speech to Deaf. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

O'Dell, Barbara -- on list of Prospective Students. See: Information on the Visible Speech Research Project (1966)

O'Donnell, Bernard -- Director, ERIC (Educational Resources Information Center) Clearinghouse on Reading and Communication Skills; sent a letter to HGK concerning the inclusion of one of her documents in the ERIC system (7/6/1982). See: Correspondence between Harriet Kopp and Bernard O'Donnell (7/6/1982)

Olds, Mrs. -- administered test of visual acuity. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947)

Olinger, Kenneth -- on clinic's spring and fall 1975 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

O'Neil -- Bell Labs demonstration participant 12/21/1945

O'Neill, James M. -- taught HGK at Brooklyn College - Seminar in Speech & Current Trends in Speech. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Ostrow, Dr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Overall, Natalie -- Subject #27 in 1965 tests; grade 5, in Gardiner's homeroom class; ranked No. 41 overall in spring 1966 tests; on list of Prospective Subjects grade 4-5; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Page (Paige), Mrs. -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Paloheimo, Lily -- recorded spectrograms on 5/2/1947; charted with other female subjects. See: Spectrograms for Lily Paloheimo (5/2/1947); Charts and Spectrograph Results (female test subjects)

Parral, Ricky -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Pate, Aaron -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Patterson, W. Calvin -- Vice President, Public Relations, Michigan Bell Telephone Company; public relations to maintain interest in the program; member of the Advisory Board for the Detroit Day School for the Deaf. See: How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Newspaper clipping: Visible Speech: Teaching Deaf Children to Hear (July 1947); Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Pauls -- Navy, Philadelphia Hospital. See: BELL LABS NOTEBOOK 2 (JAN '45)

Pease, Gloria -- test subject - class 3B, age 10. See: Lip Reading Study (10/5/1943); Students' Spectrograms (fall 1943)

Peckham, Mr. Ralf A. -- authorized state agency official representing the Dept. of Health, Education, and Welfare in George A. Kopp's grant application; copied on announcement of grant continuation for Visible Speech for the Deaf (5/31/1966); acknowledged receipt of application for continuation of grant RD-1483-S. See: Information on Research Projects and Proposals (1959-1960); Research Information About Project No. RD-1483-S (1964-1966); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)

Peet, Miss Martha -- speech teacher, instructor in U Mich Study; performed Visible Speech Experiment #6 on congenitally deaf nursery school children at the Rackham School, March 1947; teacher, Visible Speech Program at the Rackham School, summer 1948. See: Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Proposed Visible Speech Program for the Rackham School (summer 1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Pegram -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Penn, John -- authored Scandinavian Dialect. See: Information on Phonetics and Dialects (6/6/1949-1/26/1950)

Peterson, Dr. Gordon E. -- staffer at Bell Telephone Laboratories; sent by Potter to Ypsilanti with a modified Sound Mirror the week of 4/28/1947; worked in speech correction; colleagues with Clarence Hudgins at Harvard University during World War II; sat in at conference at U.Mich. on 4/28/1947; Evaluation program, serviced spectrograph in U Mich study on Jan. 10-11, 1948; signed front of Visible Speech. See: BELL LABS NOTEBOOK 2 (JAN '45); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Peterson, Christine -- on clinic's spring and fall 1975, spring 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Petrie, Prof. -- from Lansing; at lab for cleft palate research 2/16/1947; produced spectrograms of phrase buy me one shoe. See: Sound Spectrograph results (1945-1948)

Piel, Ordway F. -- Other Research Participant at University of Michigan during Kopp's study; proposed thesis to GAK on 3/1/1948 on visible speech reference patterns of 9- and 10-year-old boys - approved 3/9/1948; Master's thesis completed May 1948. See: Thesis Proposals by George Kopp's Students (10/8/1947-3/1/1948); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Pierce, Nancy -- in Jacobs's class; labelled Sp. See: Test Subjects (1965)

Pike, Professor -- University of Michigan; came for instruction and demonstration of U Mich study, 2/6/1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Pintner -- taught HGK at Teachers College - Psychology of Handicapped. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Pisoni, David B. -- co-authored Recognition of Synthetic Speech by Hearing-Impaired Elderly Listeners in the Journal of Speech and Hearing Research (vol. 34, Oct. 1991, p. 1180-84). See: Excerpt from the Journal of Speech and Hearing Research (Oct. 1991)

Pittman -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Poleski, Olivia -- aided in the preparation for the publication of the Visible Speech Manual . See: Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526)

Pompeo, Harry -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Poparad, Gayle -- on clinic's fall 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Popp, Kimberly (Kim) Marie -- ranked No. 39 overall in spring 1966 tests; grade 5 (1966-1967 school year); Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Potter, Dr. Ralph K -- Director of Transmission Research, Bell Telephone Laboratories; Approved 5 year research program at U. Mich; wrote Visible Patterns of Sound in Science magazine; received Y.R. Chao's report on using the sound spectrograh with Chinese recordings; originated visible speech and supervised its development; signed front of Visible Speech; Special Consultant to Visible Speech Research project (1947); discussed visible speech research program at the University of Michigan with Dr. Harlan Bloomer on 4/18/1946 and 3/13/1947; discussed visible speech research project with Clark Tibbitts on 4/17/1947; decided on Feb. 26-27, 1948 to send the sound spectrograph back to Bell Labs for servicing. See: Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); BELL LABS NOTEBOOK 1 (May '44); Science Magazine with Ralph Potter article (Visible Patterns of Sound) (11/9/1945); Research Report by Y.R. Chao on Chinese recordings (11/21/1944-2/17/1945); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Advance Advertisement for Visible Speech (c. 1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948); Visible Speech Manual (3/9/1967-12/5/1974); Final Draft: Visible Speech for the Deaf (1968); Visible Speech Manual Original - to copy; Visible Speech Manual with Chapter Divisions (product of Contract No. RD-526)

Powles, Edward -- President and General Manager of General Film Laboratory, Inc.; also related administratively to the Dynamic Film Co.; provided quote to GAK for the production of 13/35mm black and white single frame filmstrips; contact person for the project. See: Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966); Information on the Visible Speech Research Project (1966)

Proctor, Wanda Jean -- ranked No. 20 overall in spring 1966 tests; Female Test Subject; 10/17/1966; Grade 7, Test 6 - Part A. See: Graphs of Students' Test Results (Spring 1966); Test Results and Charts (October 1966)

Provenzano, Vincent -- on clinic's fall 1975, spring 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Pry, Jamie -- ranked No. 9 among students who participated in less than 10 tests in spring 1966. See: Graphs of Students' Test Results (Spring 1966)

Purnell, Mrs. Catherine C. -- representative of the Dept. of Health, Education, and Welfare at the Working Groups of the National Advisory on the Education of the Deaf on 7/24/1969; member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Quigley, Dr. Stephen P. -- member of the Chairmen of the Working Groups of the National Advisory Committee on the Education of the Deaf with HGK on 7/24/1969; served as committee chairman. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Raedler, Miss -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Rambeau, Jeremy -- on clinic's spring and fall 1975, spring 1976 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Raubicheck, Lettitia -- NYC, Bell Labs demonstration participant 01/24/46

Reed, L. Deno -- Executive Secretary - Sensory Study Section; Department of Health, Education, and Welfare: Social and Rehabilitation Service. See: Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968)

Reese -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Reissner -- taught HGK at Teachers College - Educational Foundations. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Reuther, Roy -- Director of Citizenship Dept., U.A.W.; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Reynolds, William -- Bell Labs demonstration participant 03/18/1946

Richardson, Elliot Lee -- Secretary of Health, Education, and Welfare; on 8/5/1970, invited HGK to serve on the NACED from 7/1/1970 to 6/31/1974. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Richardson, Eugene -- Consultant for Higher Education and Certification for Michigan Dept. of Public Instruction; contacted HGK regarding the status of her elementary and secondary permanent certificates on 3/20/1951. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Riddell, Wendy -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Riesz, Dr. Robert R. (Bob) -- Bell Telephone Labs employee; installed spectrograph equipment at the Speech Clinic, Institute of Human Adjustment, U.Michigan on 9/24/1946 and repaired in on10/30/1946; signed front of Visible Speech; sent George Kopp bulletins to be attached to the cathode ray translator maintenance notes (2/20/1947) delivered a replacement transformer for the spectrograph during the U.Mich. Study (Oct. 31, 1947). See: BELL LABS NOTEBOOK 2 (JAN '45); Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Robbins, Dr. -- NATS

Robertson, Scott -- on clinic's fall 1976, spring 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Robinson, Luther D. -- member of the committee on Adolescent Deaf of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Robinson, Cindy -- on clinic's spring and fall 1975, spring 1976, fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Rogers, Carl -- professor of psychology and Executive Secretary of the Counseling Center, University of Chicago. See: Dialogue between Martin Buber and Carl Rogers (4/18/1957)

Rondut -- Bell Labs demonstration participant 12/06/1945

Rooney -- PS 47, Bell Labs demonstration participant 02/14/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)

Rosario, Bill -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Rosenstein, Dr. Joseph -- representative of the Dept. of Health, Education, and Welfare at the Working Groups of the National Advisory on the Education of the Deaf on 7/24/1969; member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971); Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Rowell, Sartorious -- taught HGK at Teachers College - Guidance of Handicapped. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Ruppel, Alfred E. -- signed front of Visible Speech. See: Voice Print Identification Procedure and Information (1 of 3) (11/26/1943-6/10/1944); BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Rutland, Darryl -- on clinic's spring and fall 1975 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Saenz, Raul -- grade 4, in Higgins's homeroom class; HGK noted slow on roster; on list of Prospective subjects grade 4-5. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Samuelson -- taught HGK at Teachers College - Teaching Lip Reading. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Samuelson, Miss Estelle -- Bell Labs demonstration participant 02/21/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)

Sandlin, R. -- Author of An Analysis of the Intelligibility of Twenty-Six Selected Sentences Spoken by Four Deaf Individuals Before and After a Period of Instruction Using the Visible Speech Translator. M.A. Thesis, Wayne State University Speech and Hearing Clinic (1953). See: Final Draft: Visible Speech for the Deaf (1968)

Saunders, M.D., William H -- author of The Larynx pamphlet. See: William H. Saunders, M.D. - The Larynx (1964) [large sleeve]

Sawyer, Dean -- Dean, University of Michigan graduate school; 11/26/1946 demonstration . See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947)

Schiappacasse, Ed -- Subject #14 in 1965 tests; grade 8, Kane's homeroom class; noted as being a child with some introduction; ranked No. 28 overall in spring 1966 tests; on list of Prospective subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Schlagter, Charles -- on clinic's spring and fall 1975, spring 1976, spring and fall 1977 lists . See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Schmitz -- 6th and 8th grade teacher, Detroit Day School; 9 students in spring 1966 6th grade class. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966)

Schott, Dr. Lionel -- worked in Bell Labs; installed spectrograph equipment at the Speech Clinic, Institute of Human Adjustment, U.Michigan on 9/24/1946; wrote report on Chao's testing of the Chinese language with the spectrograph; signed front of Visible Speech. See: Memo on Visible Speech testing of Chinese langauage (4/17/1944); BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Schroeder, M.R. -- Director, Acoustics, Speech and Mechanics Research Laboratory at Bell Telephone Labs; offered a new transistorized translator for Kopp's research . See: Correspondence from M.R. Schroeder to Dr. George A. Kopp (3/25/1965)

Scott, Jean -- Subject #2 in 1965 tests; grade 8, Schmitz's homeroom class; HGK noted check for glasses on roster; noted as being involved in original project; ranked No. 31 overall in spring 1966 tests; on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Scott, Pam -- grade 9, in Martyka's class, on list of students now using the machine; on list of Prospective Subjects, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Scouten, Edward L. -- Prinicipal of the Florida School for the Deaf and Blind; sent an article entitled A.G. Bell, a friend of deaf people to Mrs. Ester M. Stoval on 12/9/1969. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Searcella, Vera -- on clinic's spring 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Seater -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Seawell, Miss -- re: Visible Speech 01/10/1946. See: BELL LABS NOTEBOOK 2 (JAN '45)

Secord -- Bell Labs demonstration participant 12/21/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)

Shaffer, Laurance F. -- Chairman of the dissertation committee for Harriet Kopp's doctoral dissertation, submitted to Columbia University in 1962. See: Harriet Kopp's Doctoral Dissertation (1962)

Sharkey, Dixie -- on list of Prospective Subjects. See: Information on the Visible Speech Research Project (1966)

Sheridan, Miss -- Teacher, Bell Labs demonstration participant 03/21/45

Sheridan -- Western Electric. See: BELL LABS NOTEBOOK 2 (JAN '45)

Shi, Mrs. -- Directress of Workers Commune (Workers New Liang Quarters). See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Shirk, Richard -- Executed Photographs for Birmingham Plan of Testing Hearing and Vision pamphlet. See: The Birmingham Plan of Testing Hearing and Vision (1951)

Shohara, Dr. Hide -- Dept. of Languages; made some japanese spectograms; 12/13/1946 conference . See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Siegenthaler, Bruce -- Other Research Participant at University of Michigan during Kopp's study; completed Master's thesis on relationship between measured hearing loss and the intelligibility of selected words in May 1948; first student to research with sound spectrograph to submit his study for publication. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Silverman, S. Richard (Dick) -- Director, Central Institute for the Deaf, St. Louis, MO; sent HGK congratulatory letter on 11/3/1958 about new post; Chairman of the Working Groups of the National Advisory Committee on the Education of the Deaf on 7/24/1969; member of Editorial Committee of NACED that submitted recommendations on 10/16/1969; agreed to write a recommendation letter for HGK on 11/24/1969. See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970); Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Silverstein, Miss -- NAPTSD Publicity Agent, Bell Labs demonstration participant 03/08/1946

Simmons, Michael -- staff member at the Detroit Day School for the Deaf; taught experimental classes with the Translator. See: Early Draft of Final Report of Grant No. RD-526 (1963)

Simmons -- teacher of 4th and 5th grade students at the Detroit Day School already using the machine. See: Test Subjects (1965)

Simon, Mr. Frank -- photographer with the Dynamic Film Co., Detroit; making slides of spectrographic patterns (10/17/1966). See: Information on the Visible Speech Research Project (1966)

Simpson, Ruth -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)

Simson, Dr. Clyde B. -- Chief of Children's Services, Lafayette Clinic; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Sirois, Steve -- Grade 4, in Simmons's class, on list of students now using the machine; ranked No. 5 among students who participated in less than 10 tests in spring 1966; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Slater -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Smartwood, Miss -- audited V.S. training course part time

Smith, Mrs. -- recorded sound spectrograph in Jackson, MI on 12/9/1947. See: Sound Spectrograph results (1945-48)

Smith, M. -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Smith, M. -- taught HGK at Teachers College - Research in Speech Education. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Snodgrass -- Western Electric. See: BELL LABS NOTEBOOK 2 (JAN '45)

Sonnenstrahl, Alfred -- test subject - class 3B, age 10. See: Lip Reading Study (10/5/1943); Students' Spectrograms (fall 1943)

Sperling -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)

Spishak, Joel -- Subject #29 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 1 in spring 1966 tests; grade 9 (1966-1967 school year); on list of Prospective Subjects grade 4-5, marked some experience. See: Test Subjects (1965); Pictographic Tests; Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966)

Spriestersbach, D -- Author of An Exploratory Study of the Motility of the Peripheral Oral Structures in Relation to Defective and Superior Consonant Articulation, Mentioned in Harriet Kopp's Doctoral Dissertation. See: Harriet Kopp's Doctoral Dissertation (1962)

Star, Miss -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Stark, Miss -- From Coronet, interview 01/28/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)

Steffen, Bonnie -- on list of Prospective Subjects. See: Information on the Visible Speech Research Project (1966)

Steffens -- 7th and 8th grade teacher, Detroit Day School; 7 students in spring 1966 8th grade class. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966)

Steinberg, Dr. John C. -- U Mich Study, Supervisor in Transmission Research, Bell Telephone Laboratories; signed front of Visible Speech; presented with George Kopp at the 1945 American Speech Correction Conference in Columbus, Ohio on the development of visible speech; Special Consultant to the Visible Speech Research Project (1947); attended meetings of the Visible Speech Research Committee on 5/1/1947, 6/28/1947; planned to sit in at conference at the Institute of Human Adjustment, U.Mich., on 4/28/1947; decided on Feb 26-27, 1948 to send the sound spectrograph back to Bell Labs for servicing. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45) Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Progress Report Presented at American Speech Correction Conference, Chicago - U.Mich. (12/31/1946); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Final Report of Visible Speech Educational Evalution Research Program (8/13/1948)

Steinberg, Naomi -- test subject - class 6; age 13. See: Lip Reading Study (10/5/1943); Students' Spectrograms (fall 1943)

Steris, David -- made recording, station WPAG of all the children in the visible speech research program. See: Supplement to Progress Report #1: Visible Speech Research Program - U.Mich. (4/21/1947)

Stewart, Mr. -- See: Information on Research Projects and Proposals (1959-1960)

Stewart, Glen -- Subject #4 in 1965 tests; grade 8, Schmitz's homeroom class; ranked No. 52 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Stockbold, Mrs. -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Stocker, Dr. Harold -- employed part-time on Project RD-1483-S to carry out satistical evaluations as data was compiled; Appointed in September 1966 to work part time for the Visible Speech project. See: Research Information About Project No. RD-1483-S (1964-1966); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Stoval(l), Esther M. -- worked for the Volta Bureau, Washington, DC; received letter from Ed Scouten on 12/9/1969; member of Alexander Graham Bell Association for the Deaf, Inc. Editorial Politicies Committee (3/1/1970). See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)

Strang -- taught HGK at Teachers College - Guidance and Personnel. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Subrezi -- mechanic?. See: BELL LABS NOTEBOOK 1 (May '44)

Sumwolt, Dina -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Sunday, Richard -- Director, Detroit's Multi-Faceted Special Education Project in Detroit Public Schools; sent HGK a congratulatory letter 6/9/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)

Tactile -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Tapley, Terry -- Subject #30 in 1965 tests; grade 6, in Clement's homeroom class; on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Taylor -- Bell Labs demonstration participant 11/29/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)

Temple -- Bell Labs demonstration participant 12/21/1945. See: BELL LABS NOTEBOOK 2 (JAN '45)

Tenny, Dr. John -- Bell Labs demonstration participant 10/24/1946; associated with the George A. Kopp Memorial Fund. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947); Harriet Kopp's personal correspondence (11/4/1949-6/3/1970)

Tepoorton, Randy -- Other Research Participant at University of Michigan during Kopp's study; Master's thesis on degrees of nasality - in progress in Aug 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Thayer -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Therman, Miss -- University publications department; 12/19/1946 conference. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Thomas, Dr. Olin E. -- Vice President and Treasurer, Wayne State University; filled out Application for Research or Demonstration Grant with the Department of Health, Education, and Welfare on 8/19/1959; received letter from James F. Garrett on 10/20/1959 about the receipt of a grant for research with the cathode ray tube translator; copied on announcement of grant continuation for Visible Speech for the Deaf (5/31/1966); part of an application for the continuation of the grant for Project No. RD-1483-S (9/25/1963, 2/10/1966) . See: Information on Research Projects and Proposals (1959-1960); Research Information About Project No. RD-14-83-S (1964-1966); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)

Thompson -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Thompson, Carl L. -- co-authored Comments on Physiology of Hoarseness in Archives of Otolaryngology (Vol. 81, Jan. 1965). See: Moore and Thompson - Comments on Physiology of Hoarseness (Jan. 1965) [large sleeve]

Thompson, Richard E. -- member of the committee on Adolescent Deaf of the Alexander Graham Bell Association for the Deaf in March 1970. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Thompson, Robert H. -- Business Manager - Wayne State University Press. See: Visible Speech Manual (3/9/1967-12/5/1974)

Thorndike -- taught HGK at Teachers College - Descriptive Statistics. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Thorpe, Leonard -- Subject #25 in 1965 tests; grade 5, in Gardiner's homeroom class; ranked No. 50 overall in spring 1966 tests; on list of Prospective subjects grade 4-5; Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Thoubboron -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Tibbitts, Mr. Clark -- Director of University of Michigan Institute of Human Adjustment; worked in conjunction with Dr. Francis Lord of the Rackham School of Special Education on the visible speech research project; sent Dr. Lord letter 11/27/1946; called meeting of the visible speech committee on 1/8/1947; attended meetings of the Visible Speech research committee on 1/8/1947, 2/12/1947, 2/21/1947, 3/3/1947, 5/1/1947, 5/29/1947, 6/28/1947, 11/7/1947; discussed visible speech research project with Ralph K. Potter on 4/17/1947; sent George Kopp comments on a proposed visible speech article on 5/31/1947 . See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947); Minutes and Memos from the Visible Speech Research Committee - U.Mich. (1/3/1947-11/7/1947); Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); Proposed Outline: Visible Speech Research Program - U.Mich. (3/3/1947); Information on Visible Speech Education Evaluation Program - U.Mich. (5/28/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947)

Tiffany, Bernard -- severly hypacaustic, experiment subject in U Mich study. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Tiffin, Jos. -- taught HGK at Brooklyn College - Experimental Phonetics. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Toliver, Linda -- Grade 4, in Simmons's class, on list of students now using the machine; on list of Prospective subjects grade 4-5, marked some experience. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Toppin, Terrence (Terry) -- Subject #3 in 1965 tests; grade 8, Kane's homeroom class; noted as being involved in original project; ranked No.3 overall in spring 1966 tests; on list of Prospective Subjects, marked original project. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Trabman, Bernice -- staff member at the Detroit Day School for the Deaf; taught experimental classes with the Translator from 1964-1965. See: Early Draft of Final Report of Grant No. RD-526 (1963); Final Draft: Visible Speech for the Deaf (1968); Manual for Visible Speech for the Deaf (1968); Rough Draft (handwritten) - Visible Speech for the Deaf (1968)

Trayner, Larry -- ranked No. 6 among students who participated in less than 10 tests in spring 1966; Male Test Subject; 10/14/1966; Grade 4, Test 6 - Part 6; Student that completed an answer sheet for VRA Project# RD-1483-S, Visible Speech for the Deaf; Test# 1 on 6/18/1968; Male Test Subject; 12/13/1966; Grade 4, Test S-D; Student that completed an answer sheet for VRA Project# RD-1483-S, Visible Speech for the Deaf; Test Film Strip #1on 6/18/1968. See: Graphs of Students' Test Results (Spring 1966); Test Results and Charts (October 1966); Mean Scores for Tests #1-10-VRA Provect #RD-1483-S (June 1968)

Truex -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Tuarter? -- See: BELL LABS NOTEBOOK 1 (May '44)

Turner, Jimmy -- on clinic's spring and fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Tweet, Cathy (Kathy) -- on clinic's spring and fall 1975, spring and fall 1976, spring and fall 1977 lists. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Twiner, James -- on clinic's fall 1976 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Upham, Jennifer -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Usdane, William M. -- Chief, Division of Research and Demonstrations: Department of Health, Education, and Welfare - Social and Rehabilitation Service. See: Information Concerning the Termination of Grant Project No. RD-1483-S (1963-1968)

Vadersen, Charles W. -- learn to use recorder 04/11/1946; signed front of Visible Speech. See: BELL LABS NOTEBOOK 2 (JAN '45)

Van Adestine, Elizabeth -- first principal of Detroit Day School for the Deaf in 1898. See: Description of Detroit School for the Deaf (2/26/1963)

Van Adestine, Dr. Gertrude -- principal of Detroit Day School for the Deaf in 1924

Van Brie -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Van Buskirk, Mr. Clifford M. -- Grant and Contract Officer, Wayne State University; contacted about the grant continutation for Visible Speech for the Deaf on 5/31/1966; signed Application for Continuation of Grant for Project No. RD-1483-S (9/25/1963, 2/10/1966); worked on the George A. Kopp Memorial Fund in Dept. of Grants and Contracts, Wayne State University; received letter from HGK concerning the advisory board on 11/3/1969 and one from George Bohman on 11/17/1969 . See: Harriet Kopp's personal correspondence (11/4/1949-6/3/1970); Research Information About Project No. RD-1483-S (1964-1966); Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)

Van Horn -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Van Riper, C. -- worked in the Western Michigan University Dept. of Speech Pathology and Audiology; contacted GAK about his research in stuttering on 9/11/1968; sent condolences on the death of George to HGK on 9/26/1968. See: Correspondence to George and Harriet Kopp from C.Van Riper (9/11/1968-9/26/1968)

Velazquez, Carlos -- Subject #12 in 1965 tests; grade 6, in Clement's homeroom class; ranked No. 27 overall in spring 1966 tests; grade 8 (1966-1967 school year); on list of Prospective Subjects grade 4-5; Male Test Subject; 10/12/1966; Grade 8B, Test 2. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966); Information on the Visible Speech Research Project (1966); Test Results and Charts (October 1966)

Vollmer, Alice -- charted with other female test subjects. See: Charts and Spectrograph Results (female test subjects)

Waddle (Waddell) -- Photog. 01/14/46. See: BELL LABS NOTEBOOK 1 (May '44)

Waisenen, Eva -- severly hypacaustic, experiment subject in U Mich study. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Walker, Alice -- taught HGK at Teachers College - Statistics of Inference. See: Registration for Harriet C. Green at the Office of Field Relations and Placement, Teachers College, Columbia University (c. 1948)

Walker, Elizabeth Prescott -- Junior League of Detroit; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Walker, Ginger -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Wallace. Jr., R.L. -- Worker at Bell labs starting 03/20/1945; signed front of Visible Speech . See: BELL LABS NOTEBOOK 2 (JAN '45)

Ward, Iva -- London, England; came for instruction and demonstration on U Mich study, 2/6/1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Washington -- See: BELL LABS NOTEBOOK 1 (May '44)

Watkins, Stanley -- signed front of Visible Speech. See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Weare, Christopher (Chris) -- on clinic's spring 1975 last; marked as dropped on fall 1975 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Weaver -- See: BELL LABS NOTEBOOK 1 (May '44); BELL LABS NOTEBOOK 2 (JAN '45)

Webber, Ernie -- charted with female test subjects. See: Charts and Spectrograph Results (female test subjects)

Wedal, Norm -- in Wayne State University's accounting department; send memo to GAK regarding balance of Account 303-2911 (VRA grant) on 6/10/1966. See: Financial Information on the Continuation of the Federal Grant for Project RD-1483-S-66-C2 (May 1966)

Weekes -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Weill, Hannah W. -- Secretary for Harriet Green Kopp, Chairman, Department of Speech Pathology, Audiology & Education of the Deaf. See: Visible Speech Manual (3/9/1967-12/5/1974)

Weinberg, Dr. Sal -- Philadelphia. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Weinberger, Caspar W. -- invited HGK to serve on the National Advisory Committee on the Handicapped of the Office of Education for a term lasting Oct 1973-June 1974. See: Correspondence from Caspar W. Weinberger to Harriet Kopp (10/11/1973)

Weiner, Milton -- Director, ACSW, Dept. of School Social Work; sent congratulatory letter to HGK on 5/26/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)

Wertzel, Mike -- on clinic's spring 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

Westerman, Mr. S. -- District Supervisor, Office of Vocational Rehabilitation; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Westerwick, Robyn -- on clinic's fall 1977 list. See: Bell Telephone Laboratories notebook with student rosters (Spring 1975-Fall 1977)

White, Marian L. -- Author of Mental Age Norms for Vocabulary Scores in the 1937 Stanford-Binet - The Psychological Record Vol. 5, No. 5. Pamphlet included in Harriet Kopp's Masters Thesis. See: Harriet Kopp's Masters Thesis (April 1940)

Whitton, Harold -- Headmaster, Royal Schools for the Deaf (Manchester); sent a note HGK on 3/30/1969 thanking her for her hospitality in showing him her school and sharing her home. See: Activities and Speaking Engagements with Professional Organizations (3/30/1969-10/12/1970)

Wildgen, Tommy -- severly hypacaustic, experiment subject in U Mich study. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Williams, Miss E. -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Williams, T.W. -- Asst. Pres of NY Telephone Bell Labs, demonstration participant 1/24/1946

Williams, Maureen -- ranked No. 14 among students who participated in less than 10 tests in spring 1966. See: Graphs of Students' Test Results (Spring 1966)

Williams, Pat -- Subject #24 in 1965 tests; grade 5, in Gardiner's homeroom class; on list of Prospective Subjects grade 4-5. See: Test Subjects (1965); Information on the Visible Speech Research Project (1966)

Williams, Maureen -- Student that completed an answer sheet for VRA Project #RD-143-S, Visible Speech for the Deaf; Test #1 on 6/18/1968; Test Film Strip #1 on 6/18/1968 . See: Mean Scores for Tests #1-10-VRA Project #RD-1483-S (June 1968)

Williams -- rep of Michigan Bell Telephone publications dept.; 10/10/1946 conference . See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947)

Wilson -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Win -- Columbia Institute Deaf - Washington, DC. See: BELL LABS NOTEBOOK 2 (JAN '45)

Wishart, Dr. -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Witts -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Wojnarowski, Janice -- Subject #15 in 1965 tests; grade 8, Kane's homeroom class; noted as being a child with some introduction; ranked No. 10 overall in spring 1966 tests; on list of Prospective Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Wojnarowski, Joanne -- Subject #17 in 1965 tests; grade 8, Schmitz's homeroom class; ranked No. 49 overall in spring 1966 tests; on list of Prospetive Subjects. See: Test Subjects (1965); Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Wolfe, Charles J. -- Executive Deputy Superintendent, Detroit Public Schools; sent HGK a congratulatory letter on 5/26/1970. See: Retirement Papers from the Detroit Day School for the Deaf (1970)

Wolfram, Dr. B.R. -- president of Educational Media, Inc. See: Detroit Day School for the Deaf (6/14/1961-2/23/1971)

Woodburne, Dr. Lloyd S -- Associate Dean, College of Literature, Science, and the Arts, University of Michigan; asked by G.E. Densmore on 5/29/1947 to defray costs to reimburse George Kopp's expenses accrued by presenting to a convention of the Association of American Instructors of the Deaf. See: Correspondence regarding the Visible Speech Research Program - U.Mich. study (4/18/1946-8/8/1947)

Wooden, Dr. -- 10/24/1946 demonstration. See: Progress Report #1: Visible Speech Research Program - U.Mich. (1/31/1947); How Funding Continued the Project at Ypsilanti (3/25/1947-10/10/1947)

Woods, Morris Wistar -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Wunsch, Ernest -- University of Detroit Law School Faculty; member of the Advisory Board for the Detroit Day School for the Deaf. See: Report to Detroit Board of Education on the Day School for the Deaf (2/26/1963)

Xu(a), Dr. Ma (Shuh) -- President, Peking/Beijing Medical College. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Yates -- See: BELL LABS NOTEBOOK 2 (JAN '45)

Yost, Janet -- age 16 (1947); severly hypacaustic, experiment subject in U Mich study; performance in Visible Speech Experiment #5 evaluated 1948. See: Final Report of Visible Speech Educational Evaluation Research Program (3/25/1947-8/13/1948)

Zeilauf, Donald (Don) -- test subject - class 3B, age 10. See: Lip Reading Study (10/5/1943); Students' Spectrograms (fall 1943)

Zhoc, Dr. Gian -- Deputy Director of Foreign Relations, Assoc. Professor of Surgery, Beiging Medical College. See: Notes from Medical Study Trip to China (4/18/1980-4/28/1980)

Zimmerman, Jane Dorsay -- Noted in the acknowledgements page of Harriet Kopp's doctoral dissertation for her interest and help in the project. See: Harriet Kopp's Doctoral Dissertation (1962)

Zisler, Janice -- ranked No. 33 overall in spring 1966 tests; grade 5 (1966-1967 school year). See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Zulczyk, Martin -- ranked No. 46 overall in spring 1966 tests; grade 5 (1966-1967 school year). See: Graphs of Students' Test Results (Spring 1966); Information on the Visible Speech Research Project (1966)

Kopp Organizations

American Association of University Women -- Important Demonstration in U Mich Study, 11/18/1947. See: Bell Laboratories Notebook 1 (Box 2, Folder 8), Visible Speech Research Program (Box 3, Folder 11)

American Speech Correction Conference, Chicago -- 12/31/46 progress report. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)

ASH of H Convention -- See: Bell Laboratories Notebook 1 (Box 2, Folder 8)

Bruce School for the Deaf -- See: Bell Laboratories Notebook 2 (Box 2, Folder 11)

Hallowel Central Institute -- See: Bell Laboratories Notebook 2 (Box 2, Folder 11)

Horace H. Rackham School of Special Education -- University of Michigan Study Site. See: Proposed Visible Speech Program for the Rackham School (Box 3, Folder 18)

Lansing teachers -- 10/30/46 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)

University of Michigan Hospital Group -- Important Demonstration in University of Michigan Study (10/15/1947). See: How Funding Continued the Project at Ypsilanti (Box 3, Folder 1)

Michigan State School of the Deaf -- demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)

National Association for the Deaf -- Austin, TX. See: Bell Laboratories Notebook 2 (Box 2, Folder 11)

Pi Lamda Theta -- 12/11/46 illustrated talk. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)

Royal Canadian Commission of Education -- 1/22/47 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13), How Funding Continued the Program at Ypsilanti (Box 3, Folder 1)

St. Joseph's School of Nursing -- 10/24/46 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13), How Funding Continued the Program at Ypsilanti (Box 3, Folder 1)

St. Oln -- See: Bell Laboratories Notebook 1 (Box 2, Folder 8)

University of Michigan School of Nursing -- 11/20/46 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)

University of Michigan Speech Staff -- 12/6/46 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13)

Empire State Association of the Deaf -- See: Bell Laboratories Notebook 2 (Box 2, Folder 11)

Union League of the Deaf -- 711 Eighth Avenue. See: Bell Laboratories Notebook 2 (Box 2, Folder 11)

Wayne County Health Guild -- 11/7/46 demonstration. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13), How Funding Continued the Program at Ypsilanti (Box 3, Folder 1)

Women's Research Club -- University of Michigan; 1/6/47 illustrated talk. See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13), How Funding Continued the Program at Ypsilanti (Box 3, Folder 1)

Ypsilanti -- See: Voice Print Identification Procedure and Information (1 of 3) (Box 1, Folder 13), How Funding Continued the Program at Ypsilanti (Box 3, Folder 1)

D. Van Nostrand Co. -- New York - Publisher of Visible Speech. See: Bell Laboratories Notebook 2 (Box 2, Folder 11)

Rackham School of Special Education at Michigan Normal -- housed spectrograph at the University Institute of Human Relations' speech clinic. See: Proposed Visible Speech Program for the Rackham School (Box 3, Folder 18)

Office of Vocational Rehabilitation, Dept. of Health, Education, and Welfare -- grant that supported RD-526 research. See: Progress Report for Grant #RD-526 (Box 3, Folder 30)
Provenance:
The collection was donated by Kathy Green and Philip Green in 2008.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Books  Search this
Deafness  Search this
Slides (Photography)  Search this
Photographs  Search this
Speech  Search this
Genre/Form:
Correspondence
Lantern slides
Lecture notes
Citation:
Harriet Green Kopp Papers, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1130
See more items in:
Harriet Green Kopp Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8dc0d1a78-6a18-452f-af90-7bf3b0b537e7
EDAN-URL:
ead_collection:sova-nmah-ac-1130
Online Media:

Henry Varnum Poor papers, 1873-2001, bulk 1904-1970

Creator:
Poor, Henry Varnum, 1887-1970  Search this
Subject:
Burchfield, Charles Ephraim  Search this
Benton, William  Search this
Biddle, George  Search this
Ciardi, John  Search this
Caniff, Milton Arthur  Search this
Duchamp, Marcel  Search this
Dickson, Harold E.  Search this
Evergood, Philip  Search this
Esherick, Wharton  Search this
Marston, Muktuk  Search this
Garrett, Alice Warder  Search this
Meredith, Burgess  Search this
Czebotar, Theodore  Search this
Poor, Peter  Search this
Houseman, John  Search this
Watson, Ernest William  Search this
Padro, Isabel  Search this
Billing, Jules  Search this
Deming, MacDonald  Search this
Poor, Anne  Search this
Poor, Bessie Breuer  Search this
Poor, Eva  Search this
Poor, Josephine Graham  Search this
Sargent, Elizabeth S.  Search this
Poor, Josephine Lydia  Search this
Dorn, Marion  Search this
Steinbeck, John  Search this
Smith, David  Search this
Mumford, Lewis  Search this
Montross Gallery  Search this
Skowhegan School of Painting and Sculpture  Search this
Type:
Motion pictures (visual works)
Diaries
Drawings
Sketchbooks
Citation:
Henry Varnum Poor papers, 1873-2001, bulk 1904-1970. Archives of American Art, Smithsonian Institution.
Topic:
Architects -- New York (State) -- New York  Search this
World War, 1914-1918  Search this
Pottery -- New York (State) -- New York  Search this
Theme:
Craft  Search this
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13442
(DSI-AAA_SIRISBib)210589
AAA_collcode_poorhenr
Theme:
Craft
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210589
Online Media:

Henry Varnum Poor papers

Creator:
Poor, Henry Varnum, 1887-1970  Search this
Names:
Montross Gallery  Search this
Skowhegan School of Painting and Sculpture  Search this
Benton, William, 1900-1973  Search this
Biddle, George, 1885-1973  Search this
Billing, Jules  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Caniff, Milton Arthur, 1907-1988  Search this
Ciardi, John, 1916-  Search this
Czebotar, Theodore  Search this
Deming, MacDonald  Search this
Dickson, Harold E., 1900-  Search this
Dorn, Marion, 1896-1964  Search this
Duchamp, Marcel, 1887-1968  Search this
Esherick, Wharton  Search this
Evergood, Philip, 1901-1973  Search this
Garrett, Alice Warder  Search this
Houseman, John, 1902-1988  Search this
Marston, Muktuk  Search this
Meredith, Burgess, 1907-1997  Search this
Mumford, Lewis, 1895-1990  Search this
Padro, Isabel  Search this
Poor, Anne, 1918-  Search this
Poor, Bessie Breuer  Search this
Poor, Eva  Search this
Poor, Josephine Graham  Search this
Poor, Josephine Lydia  Search this
Poor, Peter  Search this
Sargent, Elizabeth S.  Search this
Smith, David, 1906-1965  Search this
Steinbeck, John, 1902-1968  Search this
Watson, Ernest William, 1884-1969  Search this
Extent:
12.9 Linear feet
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Diaries
Drawings
Sketchbooks
Date:
1873-2001
bulk 1904-1970
Summary:
The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.
Scope and Content Note:
The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.

Henry Varnum Poor's correspondence documents his personal, family, and professional life. Correspondents include family and friends, among them George Biddle, Charles Burchfield, John Ciardi, Marion V. Dorn (who became his second wife), Philip Evergood, Lewis Mumford, John Steinbeck, David Smith, and Mrs. John Work (Alice) Garrett. Among other correspondents are galleries, museums, schools, organizations, fans, former students, and acquaintances from his military service and travels. Family correspondence consists of Henry's letters to his parents, letters to his parents written by his wife, and letters among other family members.

Among the writings by Henry Varnum Poor are manuscripts of his two published books, An Artist Sees Alaska and A Book of Pottery: From Mud to Immortality. as well as the text of "Painting is Being Talked to Death," published in the first issue of Reality: A Journal of Artists' Opinions, April 1953, and manuscripts of other articles. There are also film scripts, two journals, notes and notebooks, lists, speeches, and writings by others, including M. R. ("Muktuk") Marston's account of Poor rescuing an Eskimo, and Bessie Breuer Poor's recollections of The Montross Gallery.

Subject files include those on the Advisory Committee on Art, American Designers' Gallery, Inc., William Benton, Harold Dickson, Reality: A Journal of Artists' Opinions Sales, and War Posters. There are numerous administrative files for the Skowhegan School of Painting and Sculpture.

Artwork by Henry Varnum Poor consists mainly of loose drawings and sketches and 45 sketchbooks of studies for paintings, murals, and pottery. There is work done in France, 1918-1919, and while working as a war correspondent in Alaska in 1943. There are commissioned illustrations and some intended for his monograph, A Book of Pottery: From Mud to Immortality. Also found are a small number of watercolors and prints. Work by other artists consist of Anne Poor's drawings of her father's hands used for the Lincoln figure in The Land Grant Frescoes and interior views of Crow House by Ernest Watson.

Documentation of Poor's architectural projects consists of drawings and prints relating to houses designed and built for Jules Billing, MacDonald Deming, John Houseman, Burgess Meredith, Isabel Padro, and Elizabeth S. Sargent. Also found is similar material for the new studio Poor built in 1957 on the grounds of Crow House.

Miscellaneous records include family memorabilia and two motion picture films, Painting a True Fresco, and The Land Grant Murals at Pennsylvania State College.

Printed material includes articles about or mentioning Poor, some of his pottery reference books, family history, a catalog of kilns, and the program of a 1949 Pennsylvania State College theater production titled Poor Mr. Varnum. Exhibition catalogs and announcements survive for some of Poor's shows; catalogs of other artists' shows include one for Theodore Czebotar containing an introductory statement by Henry Varnum Poor. Also found is a copy of The Army at War: A Graphic Record by American Artists, for which Poor served as an advisor. There are reproductions of illustrations for An Artist Sees Alaska and Ethan Frome, and two Associated American Artists greeting cards reproducing work by Poor.

Photographs are of Henry Varnum Poor's architectural work, artwork, people, places, and miscellaneous subjects. This series also contains negatives, slides, and transparencies. Images of architectural work include exterior and interior views of many projects; Poor's home, Crow House, predominates. Photographs of artwork by Poor are of drawings, fresco and ceramic tile murals, paintings, pottery and ceramic art. People appearing in photographs include Henry Varnum Poor, family members, friends, clients, juries, students, and various groups. Among the individuals portrayed are Milton Caniff, Marcel Duchamp, Wharton Esherick, M. R. ("Muktuk") Marston, and Burgess Meredith. Among the family members are Bessie Breuer Poor, Marion Dorn Poor, Anne Poor, Eva Poor, Josephine Graham Poor, Josephine Lydia Poor, Peter Poor, and unidentified relatives. Photographs of places include many illustrating village life in Alaska that were taken by Poor during World War II. Other places recorded are French and California landscapes, and family homes in Kansas. Miscellaneous subjects are exhibition installation views, scenes of Kentucky farms, and a photograph of Poor's notes on glazes.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, 1919-1987 (0.2 linear feet; Box 1, OV 18)

Series 2: Correspondence, 1873-1985 (1.5 linear feet; Boxes 1-2)

Series 3: Writings and Notes, circa 1944-1974 (0.6 linear feet; Boxes 2-3)

Series 4: Subject Files, 1928-1975 (0.8 linear feet; Box 3, OV 23)

Series 5: Artwork, circa 1890s-circa 1961 (3.5 linear feet; Boxes 4-6, 9-10, OV 19-22)

Series 6: Architectural Projects, circa 1940-1966 (0.7 linear feet; Box 6, OV 24-26, RD 14-17)

Series 7: Miscellaneous Records, 1882-1967 (Boxes 6, 11, FC 30-31; 0.5 linear ft.)

Series 8: Printed Material, 1881-2001 (1.2 linear feet; Boxes 6-7, 11, OV 27-29)

Series 9: Photographs, 1893-1984 (2.3 linear feet; Boxes 7-8, 12-13)
Biographical Note:
Henry Varnum Poor (1888-1970), best known as a potter, ceramic artist, and a co-founder of the Skowhegan School of Painting and Sculpture, was also an architect, painter, muralist, designer, educator, and writer who lived and worked in New City, New York.

A native of Chapman, Kansas, Henry Varnum Poor moved with his family to Kansas City when his grain merchant father became a member of the Kansas Board of Trade. From a young age he showed artistic talent and spent as much time as possible - including school hours - drawing. When a school supervisor suggested that Henry leave school to study at the Art Institute of Chicago, the family disagreed. Instead, he enrolled in the Kansas City Manual Training High School where he delighted in learning skills such as carpentry, forge work, and mechanical drawing. In 1905, he moved with his older brother and sister to Palo Alto, California and completed high school there. Because Poor was expected to join the family business, he enrolled at Stanford University as an economics major, but much to his father's disappointment and displeasure, soon left the economics department and became an art major.

Immediately after graduation in 1910, Poor and his major professor at Stanford, Arthur B. Clark, took a summer bicycling tour to look at art in London, France, Italy, and Holland. As Poor had saved enough money to remain in London after the summer was over, he enrolled in the Slade School of Art and also studied under Walter Sickert at the London County Council Night School. After seeing an exhibition of Post-Impressionism at the Grafton Galleries in London, Poor was so impressed that he went to Paris and enrolled in the Académie Julian. While in Paris, Poor met Clifford Addams, a former apprentice of Whistler; soon he was working in Addams' studio learning Whistler's palette and techniques.

In the fall of 1911, Poor returned to Stanford University's art department on a one-year teaching assignment. During that academic year, his first one-man show was held at the university's Old Studio gallery. He married Lena Wiltz and moved back to Kansas to manage the family farm and prepare for another exhibition. Their daughter, Josephine Lydia Poor, was born the following year. Poor returned to Stanford in September 1913 as assistant professor of graphic arts, remaining until the department closed three years later. During this period, Poor began to exhibit more frequently in group shows in other areas of the country, and had his first solo exhibition at a commercial gallery (Helgesen Gallery, San Francisco). In 1916, Poor joined the faculty of the San Francisco Art Association. He and his wife separated in 1917 and were divorced the following year. Poor began sharing his San Francisco studio with Marion Dorn.

During World War I, Poor was drafted into the U. S. Army, and in 1918 went to France with the 115th Regiment of Engineers. He spent his spare time drawing; soon officers were commissioning portraits, and Poor was appointed the regimental artist. He also served as an interpreter for his company. Discharged from the Army in early 1919, Poor spent the spring painting in Paris. He then returned to San Francisco and married Marion Dorn.

Once Poor realized that earning a living as a painter would be extremely difficult in California, he and his new wife moved to New York in the autumn of 1919. They were looking for a place to live when influential book and art dealer Mary Mowbray-Clarke of the Sunwise Turn Bookshop in Manhattan suggested New City in Rockland County, New York as good place for artists. In January of 1920, the Poors purchased property on South Mountain Road in New City. The skills he acquired at the Kansas City Manual Training High School were of immediate use as Poor designed and constructed "Crow House" with the assistance of a local teenager. Influenced by the farmhouses he had seen in France, it was made of local sandstone and featured steep gables, rough plaster, chestnut beams and floors, and incorporated many hand-crafted details. Poor designed and built most of their furniture, too. Before the end of the year, he and Marion were able to move into the house, though it remained a work in progress for many years. Additions were constructed. Over time, gardens were designed and planted, and outbuildings - a kiln and pottery, work room, garage, and new studio - appeared on the property.

In 1925, two years after his divorce from Marion Dorn, Poor married Bessie Freedman Breuer (1893-1975), an editor, short story writer, and novelist. Soon after, he adopted her young daughter, Anne (1918-2002), an artist who served as his assistant on many important mural commissions. Their son, Peter (b. 1926) became a television producer. Crow House remained in the family until its sale in 2006. In order to prevent its demolition, Crow House was then purchased by the neighboring town of Ramapo, New York in 2007.

Between 1935 and 1966 Poor designed and oversaw construction of a number of houses, several of them situated not far from Crow House on South Mountain Road. Poor's designs, noted for their simplicity, featured modern materials and incorporated his ceramic tiles. Among his important commissions were houses for Maxwell Anderson, Jules Billig, Milton Caniff, MacDonald Deming, and John Houseman.

Poor's first exhibition of paintings in New York City was at Kevorkian Galleries in 1920, and sales were so disappointing that he turned his attention to ceramics. His first pottery show, held at Bel Maison Gallery in Wanamaker's department store in 1921, was very successful. He quickly developed a wide reputation, participated in shows throughout the country, and won awards. He was a founder of the short-lived American Designers' Gallery, and the tile bathroom he showed at the group's first exposition was critically acclaimed. Poor was represented by Montross Gallery as both a painter and potter. When Montross Gallery closed upon its owner's death in 1932, Poor moved to the Frank K. M. Rehn Gallery.

Even though Poor's pottery and ceramic work was in the forefront, he continued to paint. His work was acquired by a number of museums, and the Limited Editions Club commissioned him to illustrate their republications of Ethan Frome, The Scarlet Letter, and The Call of the Wild.

Poor's first work in true fresco was shown in a 1932 mural exhibition at the Museum of Modern Art. Between 1935 and 1949 he was commissioned to produce several murals in fresco for Section of Fine Arts projects at the Department of Justice and the Department of the Interior, The Land Grant Frescoes at Pennsylvania State College, and a mural for the Louisville Courier-Journal. Ceramic tile mural commissions included: the Klingenstein Pavilion, Mt. Sinai Hospital, New York City; Travelers Insurance Co., Boston; the Fresno Post Office, California; and Hillson Memorial Gallery, Deerfield Academy, Deerfield, Mass.

As a member of the War Artists' Unit, Poor was a "war correspondent" with the rank of major in World War II, and for several months in 1943 was stationed in Alaska. An Artist Sees Alaska, drawing on Poor's observations and experiences, was published in 1945. A Book of Pottery: From Mud to Immortality, his second book, was published in 1958. It remains a standard text on the subject. While on the faculty of Columbia University in the 1950s, Poor and other artists opposed to the growing influence of Abstract Expressionism formed the Reality Group with Poor the head of its editorial committee. Their magazine, Reality: A Journal of Artists' Opinions, first appeared in 1953 featuring "Painting is Being Talked to Death" by Poor as its lead article. Two more issues were published in 1954 and 1955.

Along with Willard Cummings, Sidney Simon, and Charles Cuttler, in 1946 Henry Varnum Poor helped to establish the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. He served as its first president. Poor and his daughter, Anne, were active members of the Board of Trustees and were instructors for many years. The summer of 1961 was Henry Varnum Poor's last as a full-time teacher, though he continued to spend summers at Skowhegan.

Henry Varnum Poor exhibited widely and received many awards, among them prizes at the Carnegie Institute, Syracuse Museum of Fine Arts, Virginia Museum of Fine Arts, Pennsylvania Academy of the Fine Arts, and the Architectural League of New York. Poor was appointed to the United States Commission of Fine Arts by President Roosevelt in 1941 and served a five year term. He was elected a member of the National Institute of Arts and Letters in 1943. The National Academy of Design named him an Associate Artist in 1954 and an Academician in 1963. He became a trustee of the American Craftsman's Council in 1956. The work of Henry Vernum Poor is represented in the permanent collections of many American museums including the Cleveland Museum of Art, Metropolitan Museum of Art, Brooklyn Museum, Addison Gallery of American Art, and Syracuse Museum of Fine Arts.

Henry Varnum Poor died at home in New City, New York, December 8, 1970.
Related Material:
An oral history interview with Henry Varnum Poor was conducted by Harlan Phillips for the Archives of American Art in 1964.
Provenance:
Gift of Henry Varnum Poor's son, Peter V. Poor, in 2007. A smaller portion was loaned to the Archives in 1973 by Anne Poor for microfilming and returned to the lender; this material was included in the 2007 gift.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
War artists  Search this
Educators -- New York (State) -- New York  Search this
Ceramicists -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Topic:
Architects -- New York (State) -- New York  Search this
World War, 1914-1918  Search this
Pottery -- New York (State) -- New York  Search this
Genre/Form:
Motion pictures (visual works)
Diaries
Drawings
Sketchbooks
Citation:
Henry Varnum Poor papers, 1873-2001, bulk 1904-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.poorhenr
See more items in:
Henry Varnum Poor papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96265d653-098f-4ccc-abed-0bc649c50516
EDAN-URL:
ead_collection:sova-aaa-poorhenr
Online Media:

News Clippings about Marion Sanford

Collection Creator:
Sanford, Marion  Search this
Container:
Box 2, Folder 3
Type:
Archival materials
Date:
1937-1965
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marion Sanford and Cornelia Chapin papers, 1929-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Marion Sanford and Cornelia Chapin papers
Marion Sanford and Cornelia Chapin papers / Series 2: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fdb4d607-91b1-4699-b9d6-7170029e71ce
EDAN-URL:
ead_component:sova-aaa-sanfmari-ref27
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View News Clippings about Marion Sanford digital asset number 1

Scrapbooks

Collection Creator:
Macbeth Gallery  Search this
Extent:
3.3 Linear feet (Boxes 120-130 )
Type:
Archival materials
Date:
1892-1952
Scope and Contents:
The 19 scrapbooks in this series are the collection's main source of Macbeth Gallery exhibition catalogs and related news clippings. Although incomplete, the scrapbooks provide fairly comprehensive coverage of the gallery's history and include material on day-to-day events at the gallery as well as important occasions such as the gallery's fortieth, fiftieth and sixtieth anniversaries, news of the art world in general and some photographs. Some of the scrapbooks also contain printed material related to art, exhibitions and events elsewhere. Many of the exhibition catalogs found here are annotated with prices and other notes. Notably missing is the catalog for the 1908 exhibition, The Eight.

See Appendix for a list of Macbeth Gallery exhibitions documented in Series 5: Scrapbooks.
Arrangement:
As some of the dates of the scrapbooks overlap, they were numbered 1-19 for clarity. The scrapbook cover for #3 is housed in Box 120, and the contents are housed in Box 122.
Appendix: Macbeth Gallery Exhibitions Documented in Scrapbooks:
This chronological list of Macbeth Gallery exhibitions is extensive, but incomplete. While an attempt has been made to establish the accuracy of the information provided here, dates and titles of exhibitions are not guaranteed to be accurate. Most of the exhibitions listed here are documented in the scrapbooks through exhibition catalogs and/or invitations, lists of artwork and news clippings. The list is annotated with AAA microfilm reel and frame numbers to assist researchers in locating material on specific exhibitions.

Scrapbook 1, 1892-1901

Dec. 7-21, 1892 -- Water Colors by American Artists (NMc1: 273-275)

Jan.23-Feb.11, 1893 -- Landscapes in Oil (NMc1: 276-277)

Feb. 27-Mar. 18, 1893 -- Landscapes in Oil by William Keith (NMc1: 278-279)

Mar. 20-Apr. 8, 1893 -- Watercolors by Dutch Artists (NMc1: 281-282)

Nov. 8-29, 1893 -- Second Annual Exhibition of Watercolors by American Artists (NMc1: 283-285)

Dec. 2-16, 1893 -- Drawings in Watercolors and in Black and White by C. R. Grant and Wilson De Meza (NMc1: 287-290)

Jan. 20-Feb. 3, 1894 -- Pictures and Sketches by Anton Mauve (NMc1: 291-292, 311-313)

Feb. 6-17, 1894 -- Paintings by Henry W. Ranger (NMc1: 295-296)

Feb. 23-Mar. 8, 1894 -- Paintings by Gaylord Langston Truesdel (NMc1: 299-300)

Mar. 16-29, 1894 -- Figure Subjects by Seven American Artists (NMc1: 302-303)

Apr. 13-May 6, 1894 -- Landscapes by American Artists (NMc1: 304-305)

Dec. 1-22, 1894 -- Paintings and Drawings by D.A.C. Artz (NMc1: 315-316)

Feb. 2-16, 1895 -- Paintings and Sketches by Theodore Robinson (NMc1: 318-319)

Mar. 15-30, 1895 -- Pictures and Sketches by Anton Mauve (NMc1: 321-323)

Feb. 17-29, 1896 -- Paintings in Oil by Philip Zilcken (NMc1: 329-330)

Mar. 9-21, 1896 -- Paintings by Arthur B. Davies (NMc1: 329-331)

Mar. 6-20, 1897 -- Paintings by Robert C. Minor (NMc1: 343-344)

Apr. 24-May 8, 1897 -- Paintings by Arthur B. Davies (NMc1: 348-349)

Jan. 17-29, 1898 -- Portrait Drawings in Pastel and Chalk by Sergeant Kendall (NMc1: 356-357)

Jan. 31-Feb. 12, 1898 -- Expressions of New England Landscape by Leonard Ochtman (NMc1-358-359)

Jan. 9, 1898 -- Exhibition of Pictures and Sketches by Anton Mauve (NMc1: 362)

Nov. 7, 1898 -- Exhibition of Watercolors by Mr. Ozawa of Tokyo, Japan (NMc1: 363)

Jan. 9-21, 1899 -- Paintings by Willbur A. Reaser (NMc1: 366-367)

Feb. 1-14, 1899 -- Paintings by H. M. Rosenberg (NMc1: 368-369)

Feb. 17-Mar. 9, 1899 -- Paintings by Charles Walter Stetson (NMc1: 370-371)

Jan. 8-20, 1900 -- Twenty-seven Drawings by Childe Hassam (NMc1: 376-377)

Mar. 9-24, 1900 -- Watercolors and Monotypes in Color by Maurice B. Prendergast (NMc1: 379-380)

Nov. 19-Dec. 1, 1900 -- Pictures by Rosina Emmet Sherwood (NMc1: 383-384)

Jan. 21-Feb. 2, 1901 -- Pictures and Portraits by Wilbur A. Reaser (NMc1: 385)

Feb. 25-Mar. 9, 1901 -- Frederick Ballard Williams (NMc1: 394-395)

Feb. 4-16, 1901 -- Landscapes by Alexander H. Wyant and George Inness (NMc1: 390-391)

May 9-31, 1901 -- Paintings by Arthur B. Davies (NMc1: 400-402)

Nov. 29-Dec. 14, 1901 -- Watercolors, Color Prints from Wood Blocks and Etchings Printed in Color by Helen Hyde (NMc1: 405-406)

Scrapbook 2, 1893-1898

Primarily news clippings.

Scrapbook 3, 1902-1910

Feb. 3-15, 1902 -- Private Collection of American Pictures (NMc1: 2-5)

Mar. 17-29, 1902 -- Some Phases of London When the Lamps Are Lighted, Done in Pastel by Fernand Lungren (NMc1: 10-13)

Mar. 31-Apr. 5, 1902 -- Group of Pictures by Sidney Starr (NMc1: 13)

Apr. 1-12, 1902 -- Pictures by Robert Henri (NMc1: 15-16)

Apr. 14-26, 1902 -- Drawings by Jane Erin Emmet (NMc1: 21-22)

Apr. 28-May 11, 1902 -- Landscapes by W. L. Lathrop (NMc1: 20)

Jan 19-31, 1903 -- Drawings and Sketches by Homer D. Martin, 1836-1897 (NMc1: 27)

Jan. 27-Feb. 11, 1905 -- Pictures by William Sartain (NMc1: 37-39)

Feb. 23-Mar. 8, 1905 -- Paintings by Arthur B. Davies (NMc1: 62-64)

May 1-6, 1905 -- Oil Paintings by American Artists from the Macbeth Gallery (at the Galleries of George D. Brodhead, Rochester, NY) (NMc1: 69-72)

Jan 29-Feb. 10, 1906 -- Abbot H. Thayer and Gladys Thayer (NMc1: 77-78)

Feb. 19-Mar. 3, 1906 -- Pictures by Charles H. Davis (NMc1: 79-80)

Mar. 10-24, 1906 -- Stephen Parrish (NMc1: 81-82)

Nov. 9-24, 1906 -- A Group of American Paintings (NMc1: 91-92)

Jan. 11-26, 1907 -- Paintings by William Sartain (NMc1: 100-101)

Feb. 1-16, 1907 -- Paintings by Paul Dougherty (NMc1: 105-106)

Feb. 23-Mar. 9, 1907 -- Paintings by Charles H. Davis (NMc1: 107-108)

Mar. 11-23, 1907 -- Portraits by Ellen Emmet (NMc1: 112-113)

Mar. 28-Apr. 3, 1907 -- Paintings by William Keith (NMc1: 115-117)

Nov. 11-23, 1907 -- Paintings by Augustus Vincent Tack (NMc1: 124-125)

Nov. 27-Dec. 12, 1907 -- Paintings by John La Farge (NMc1: 127-131)

Jan. 6-18, 1908 -- Paintings by Jerome Myers (NMc1: 133-134)

Jan. 20-Feb. 1, 1908 -- Paintings by Paul Dougherty (NMc1: 137-138)

Feb. 3-15, 1908 -- Exhibition of Paintings by Arthur B. Davies, William J. Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice B. Prendergast, Everett Shinn, John Sloan (NMc:142-143 Catalog missing from scrapbook)

Feb. 19-Mar. 7. 1908 -- Forty Selected Paintings by Living American Artists (NMc1: 147-149)

Mar. 11-24, 1908 -- Paintings by a Group of American Artists (Deceased), Copley to Whistler (NMc1: 151-152)

1908 -- Kwaunon Meditating on Life by John La Farge (NMc1: 155)

Nov. 10-25, 1908 -- Paintings by Howard Pyle (NMc1: 158-159)

Nov. 27-Dec. 10, 1908 -- Paintings by Charles Melville Dewey (NMc1: 161-162)

Dec. 15-31, 1908 -- Bronzes by a Group of American Artists (NMc1: 165-166)

Jan. 7-21, 1909 -- Forty Selected Paintings by Living American Artists (NMc1: 168-169)

Jan. 22-Feb. 4, 1909 -- Paintings by Henry W. Ranger (NMc1: 171-172)

Feb. 5-18, 1909 -- Paintings by Paul Dougherty (NMc1: 176

Feb. 19-Mar. 4, 1909 -- Arthur B. Davies (NMc1: 178)

Mar. 5-Mar. 18, 1909 -- Paintings by Charles H. Davis, N.A. (NMc1: 183-184)

Mar. 19-Apr. 1, 1909 -- A Group of Figure Subjects by Blendon Campbell, Charles W. Hawthorne, Robert Henri, George Luks, Kenneth Miller (NMc1: 186-187)

Apr. 2-15, 1909 -- Paintings by Louis Loeb (NMc1: 188-189)

Apr. 16-29, 1909 -- Paintings by a Group of Boston Artists (NMc1: 191-192)

May 10-22, 1909 -- Paintings by American Artists from the Macbeth Galleries, New York [at Findlay Art Co., Kansas City, MO] (NMc1: 195-197)

Nov. 18-Dec. 4, 1909 -- Paintings by Albert P. Lucas (NMc1: 203-205)

Dec. 7-24, 1909 -- Watercolors and Pastels by American Artists (NMc1: 207-210)

Dec 7-24, 1909 -- Second Annual Exhibition of Bronzes by American Sculptors (NMc1: 211-212)

Jan. 6-19, 1910 -- Sixteen Paintings of the Cornish Coast by Paul Dougherty (NMc1: 213-215)

Jan. 20-Feb. 2, 1910 -- Paintings by Mary Curtis Richardson of San Francisco (NMc1: 218-220)

Jan. 20-Feb. 2, 1910 -- First Exhibition of Paintings by Ben Foster (NMc1: 216-218)

Feb 3-16, 1910 -- Landscapes and Figures by Frederick Ballard Williams (NMc1: 227-229)

Feb. 3-16, 1910 -- Spanish Paintings by F. Luis Mora (NMc1: 225-227)

Feb. 17-Mar. 2, 1910 -- The Fur Jacket by J. McNeill Whistler (NMc1: 231-232)

Feb. 17-Mar. 2, 1910 -- Paintings by William Sartain (NMc1: 233-235)

Mar. 3-16, 1910 -- Fourteen Landscapes by Charles H. Davis (NMc1: 237-239)

Mar. 3-16, 1910 -- Recent Portraits by Cecilia Beaux (NMc1: 239-240)

Mar. 17-30, 1910 -- Paintings by Hermann Dudley Murphy (NMc1: 244-246)

Mar. 17-30, 1910 -- Figure Paintings by Charles W. Hawthorne (NMc1: 242-244)

Mar. 31-Apr. 13, 1910 -- Paintings of Baily's Island by Frederick J. Waugh (NMc1: 249-251)

Mar. 31-Apr. 13, 1910 -- Nineteen Landscapes by Chaucey F. Ryder (NMc1: 247-249)

Apr. 14-27, 1910 -- George B. Luks (NMc1: 253-255)

Apr. 30-May 14, 1910 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc1: 259-262)

Scrapbook 4, 1907-1913

Primarily news clippings.

Scrapbook 5, 1910-1915

Nov. 3-16, 1910 -- Recent Paintings by Charles W. Hawthorne (NMc2: 1-2)

Nov. 17-30, 1910 -- The Navajo Country in Watercolors by Frederick J. McComas (NMc2: 4-6)

Dec. 6-24, 1910 -- Watercolors, Pastels and Small Bronzes (NMc2: 7-14)

Jan. 5-18, 1911 -- Portraits by Ellen Emmet (NMc2: 15-16)

Jan. 19-Feb. 1, 1911 -- Paintings by Henry B. Snell (NMc2: 17-24)

Feb. 2-22, 1911 -- A Group of Thirty Selected Paintings (NMc2: 25-28)

Feb. 23-Mar. 8, 1911 -- A Group of Forty Selected Paintings (NMc2: 29-32)

Mar. 9-22, 1911 -- Paintings by Charles H. Davis, Paul Dougherty, Daniel Garber, William Sartain, F. Ballard Williams (NMc2: 33-35)

Mar. 23-Apr. 5, 1911 -- A Group of Paintings by Ben Foster, Albert L. Groll, Leonard Ochtman, Chauncey F. Ryder, Gardner Symons (NMc2: 36-38)

Apr. 8-22, 1911 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc2: 39-42)

Nov. 16-29, 1911 -- Landscapes, Marines and Wood Interiors by Robert Henri (NMc2: 45-48)

Dec. 6-30, 1911 -- Small Bronzes by American Sculptors (NMc2: 49-52)

Jan. 3-16, 1912 -- Thirty Paintings by Thirty Artists (NMc2: 53-55)

Jan. 17-30, 1912 -- Paintings by Frederick C. Frieseke (NMc2: 56-58)

Jan. 31-Feb. 13, 1912 -- Paintings by Elihu Vedder (NMc2: 59-63)

Feb. 14-Mar. 2, 1912 -- Paintings by Charles H. Davis, Paul Dougherty, Ben Foster, William Sartain, Gardner Symons, F. Ballard Williams (NMc2: 64-66)

Mar. 4-16, 1912 -- Paintings by Emil Carlsen (NMc2: 67-69)

Mar. 6-19, 1912 -- Memorial Exhibition of a Collection of Paintings by Joseph R. Woodwell (NMc2: 71-75)

Mar. 18-30, 1912 -- Paintings by Arthur B. Davies (NMc2: 71, 76)

Apr. 1-10, 1912 -- Paintings by Richard E. Miller (NMc2: 77-79)

Apr. 15-27, 1912 -- A Group of Selected Paintings by American Artists (NMc2: 80-85)

Nov. 4-18, 1912 -- Frederick Ballard Williams (NMc2: 80-97)

Nov. 19-30, 1912 -- First Annual Exhibition of Painters of the Far West (NMc2: 99-103)

Dec. 3-16, 1912 -- Paintings by William Baxter Closson (NMc2: 99, 104)

Dec. 4-16, 1912 -- Marbles and Bronzes by Chester Beach (NMc2: 99, 105-114)

Dec. 30-Jan. 13, 1913 -- Lawrence Mazzanovich (NMc2: 116-119)

Jan 14-27, 1913 -- Paintings by Guy C. Wiggins (NMc2: 120-122)

Jan. 14-27, 1913 -- Paintings by Charles A. Hawthorne (NMc2: 120, 122-124)

Jan. 28-Feb. 10, 1913 -- Paintings by Paul Dougherty (NMc2: 125-127)

Feb. 11-24, 1913 -- Paintings by Gardner Symons (NMc2: 128-130)

Feb. 15-Mar. 1, 1913 -- Annual Exhibition of The Woman's Artclub (NMc2: 131-136)

Feb. 25-Mar. 10, 1913 -- Paintings by F. C. Frieseke (NMc2: 137-138)

Mar. 4-17, 1913 -- Paintings by Charles Morris Young (NMc2: 137-142)

Mar. 11-24, 1913 -- Landscapes by F.K.M. Rehn, N.A. (NMc2: 143-147)

Mar. 18-31, 1913 -- Paintings by John Carlson (NMc2: 148-151)

Mar. 25-Apr. 7, 1913 -- A Selected Group of Paintings (NMc2: 148, 152-154)

Apr. 15-28, 1913 -- A Selected Group of American Paintings (NMc2: 155-158)

Apr. 15-28, 1913 -- Paintings and Pastels by Blendon R. Campbell (NMc2: 155, 159)

Oct. 14-27, 1913 -- Paintings by Katherine S. Dreier (NMc2: 161-163)

Oct. 28-Nov. 10, 1913 -- A Group of Selected Paintings by American Artists (NMc2: 164-166)

Nov. 17-24, 1913 -- Thirty Paintings by Thirty Artists (NMc2: 167-169)

Dec. 2-15, 1913 -- Second Exhibition by the Society of Men Who Paint the Far West (NMc2: 172-176)

Jan. 1914 -- Drawings of Game Birds by Frank W. Benson (NMc2: 179-180)

Jan. 6-19, 1914 -- Paintings by Emil Carlsen, Paul Dougherty, Frederick C. Frieseke, Childe Hassam, Willard L. Metcalf, Kenneth H. Miller, J. Alden Weir (NMc2: 179, 181-183)

Jan. 27-Feb. 16, 1914 -- Recent Sculpture by Chester Beach (NMc2: 185-186)

Jan. 27-Feb. 16, 1914 -- Paintings by Charles H. Davis, Daniel Garber, Richard E. Miller, Chauncey F. Ryder, Gardner Symons (NMc2: 185, 187)

Feb. 17-Mar. 2, 1914 -- Sculpture by Chester Beach, Abastenia St. L. Eberle, Mahonri Young (NMc2: 188-191)

Feb. 17-Mar. 9, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 188, 192-193)

Mar. 10-30, 1914 -- Sketches in Passing by Frederick J. Waugh (NMc2: 195, 208-209)

Mar. 11-30, 1914 -- A Collection of Paintings by Deceased American Artists (NMc2: 195-207)

Mar. 31-Apr. 20, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 212-217)

Apr. 21, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 219-224)

Oct. 27-Nov. 16, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 226-227)

Nov. 17-Dec. 7, 1914 -- Portrait Heads in Terra Cotta by Janet Scudder (NMc2: 233)

Nov. 17-Dec 7, 1914 -- Recent Paintings by Robert Henri (NMc2: 235-237)

Dec. 8-28, 1914 -- Exhibition of Home Pictures (NMc2: 243-247)

Jan. 5-25, 1915 -- A Group of Selected Paintings (NMc2: 243, 248-249)

Jan. 26-Feb. 15, 1915 -- Thirty Paintings by Thirty Artists (NMc2: 251-254)

Jan. 26-Feb. 15, 1915 -- Parisian Sketches by Lester D. Boronda (NMc2: 251)

Feb. 2-15, 1915 -- Our Untrodden Empire: A Collection of Paintings Executed in South Central Alaska by Robert V. Sewell (NMc2: 257-260)

Feb. 16-Mar. 8, 1915 -- Paintings by Deceased American Artists (NMc2: 262, 265)

Feb. 16-Mar. 8, 1915 -- Small Paintings by Guy C. Wiggins (NMc2: 261)

Feb. 16-Mar. 8, 1915 -- Paintings by Colin Campbell Cooper (NMc2: 261-264)

Scrapbook 6, March 1915-January 1918

Mar. 10-30, 1915 -- The Dance As Interpreted in Marble and Bronze by American Sculptors (NMc2: 267)

Mar. 30-Apr. 19, 1915 -- Paintings by Twelve Landscape Painters (NMc2: 274-277)

Sept. 27-Oct. 17, 1915 -- Paintings and Sculpture by Woman Artists for the Benefit of the Woman Suffrage Campaign (NMc2: 279-283)

Oct. 30-Nov. 19, 1915 -- Oils and Water Colors by Hayley Lever; Recent Paintings by Randall Davey (NMc2: 294-296

Dec. 4-31, 1915 -- Third Exhibition of the Society of Men Who Paint the Far West (NMc2: 300, 302-305)

Feb. 1916 -- Decorations by Elmer Mac Rae (NMc2: 318-319)

Jan. 4-18, 1916 -- Recent Paintings by F. C. Frieseke (NMc2: 306-307)

Jan. 4-18, 1916 -- Paintings by John F. Carlson (NMc2: 306, 309-310)

Jan. 19-Feb. 1, 1916 -- Paintings by Emil Carlsen, Helen M. Turner, Daniel Garber (NMc2: 313)

Jan. 19-Feb. 1, 1916 -- Decorative Panels of Flowers, Birds and Animals by F. S. Church (NMc2: 311,317)

Feb. 2-15, 1916 -- Paintings by Jules Guerin (NMc2: 318-321)

Feb. 16-29, 1916 -- Annual Exhibition of Thirty Paintings by Thirty Artists (NMc2: 323-326)

Mar. 1916 -- Group of High Fire Porcelains by Adelaid Alsop Robineau of Syracuse, NY, recently shown at the Panama-Pacific Exposition (NMc2: 322)

Mar. 8-21, 1916 -- Paintings by Charles H. Davis, Paul Dougherty, Kenneth H. Miller, Chauncey F. Ryder, William Sartain (NMc2: 329-330)

Mar. 22-Apr.4, 1916 -- Recent Water Colors by Charles Hovey Pepper (NMc2: 333)

Mar. 22-Apr. 4, 1916 -- Paintings, Drawings and Sculpture by Arthur B. Davies, Walt Kuhn, Jules Pascin (NMc2: 332, 334)

Apr. 6-27, 1916 -- Paintings by American Artists Past and Present (NMc2: 338-341)

Oct. 31-Nov. 13, 1916 -- The Whalers of New Bedford: Paintings by Clifford W. Ashley (NMc2: 346-348)

Oct. 31-Nov. 14, 1916 -- Special Exhibition by Painter Friends (NMc2: 346)

Nov. 14-27, 1916 -- Memorial Exhibition of Paintings by the Late Roger Donoho (NMc2: 349-353)

Nov. 28-Dec. 11, 1916 -- Paintings by Randall Davey (NMc2: 356-357)

Nov. 28-Dec. 11, 1916 -- Paintings by Kenneth Hayes-Miller, Benjamin D. Kopman and J. M. Block (NMc2: 356)

Dec. 13-Jan. 15, 1917 -- Watercolors by Paul Dougherty (NMc2: 358-362)

Jan. 16-Feb. 5, 1917 -- Thirty Paintings by Thirty Artists (NMc2: 366-368)

Feb. 8-26, 1917 -- Loan Exhibition of Paintings by Charles W. Hawthorne (NMc2: 370-379)

Feb. 27-Mar. 12, 1917 -- Paintings by Charles H. Davis, Richard E. Miller, Chauncey F. Ryder (NMc2: 381-382)

Mar. 13-26, 1917 -- Paintings by Arthur Crisp, Florence W. Gotthold, Martha Walter (NMc2: 384-385)

Mar. 28-Apr. 10, 1917 -- Pictures in Tempera of the St. Andrew's Golf Links by William R. O'Donovan (NMc2: 386-387)

Summer, 1917 -- Summer Exhibition (NMc2: 388-391)

Oct. 1917 -- Opening Exhibition of Our Second Quarter-Century (NMc2: 393-396)

Nov. 3-17, 1917 -- Portraits by Louis Betts (NMc2: 400-403)

Nov. 13-26, 1917 -- Paintings by Arthur Crisp, Florence W. Gotthold, Martha Walter (NMc2: 384-385)

Nov. 22-Dec. 5, 1917 -- Paintings and Small Bronzes of New York (NMc2: 407-410)

Dec. 1917 -- Pastels by Lillian Crittenden (NMc2: 411)

Dec. 6-24, 1917 -- Small paintings and Pastels by Frederick C. Frieseke, Nancy M. Ferguson, Lilian Crittenden (NMc2: 411)

Jan. 2-31, 1918 -- In Aid of Men Blinded in Battle: Retrospective Loan Exhibition of Arthur B. Davies (NMc2: 412-416)

Scrapbook 7, February 1918-January 1922

Feb. 5-20, 1918 -- Watercolors by Gifford Beal (NMc2: 433-434)

Feb. 5-20, 1918 -- Intimate Paintings Moderately Priced (NMc2: 435-436)

Mar. 1918 -- Group of Paintings by American Artists (NMc2: 441-442)

Mar. 6-27, 1918 -- Thirty Paintings by Thirty Artists (NMc2: 438-439)

Mar. 27-Apr. 18, 1918 -- Paintings by Charles H. Davis, Ben Foster, Willard L. Metcalf (NMc2: 441, 443-444)

Apr. 18-May 10, 1918 -- Group of Paintings by Charlotte B. Coman (NMc2: 446)

Apr. 19-May 9, 1918 -- Paintings by Emil Carlsen, Childe Hassam, J. Alden Weir (NMc2: 446-447)

Oct. 23-Nov. 13, 1918 -- Opening Exhibition: Group of Selected Paintings (NMc2: 449-451)

Dec. 1918 -- Second Exhibition of Intimate Paintings (NMc2: 453-458)

Jan. 7-29, 1919 -- John H. Twachtman (NMc2: 460-470)

Jan. 27-Feb. 8, 1919 -- Paintings by Charles H. Davis and Paul Dougherty (NMc2: 473-474)

Feb. 17-Mar. 1, 1919 -- Thirty Paintings by Fifteen Artists (NMc2: 476-477)

Mar. 6-22, 1919 -- Paintings by Louis Ritman (NMc2: 480-483)

Mar. 6-29, 1919 -- Thirty Paintings by Thirty Artists (NMc2: 484-491)

Apr. 7-19, 1919 -- Paintings by Felicie Waldo Howell (NMc2: 496-497)

Apr. 7-19, 1919 -- Fifteen American Paintings (NMc2: 499-500)

May 1919 -- Comparative Exhibition of American Paintings (NMc2: 501-506)

Oct. 5-Nov. 8, 1919 -- Fifteen Paintings by Fifteen Artists (NMc2: 510-511)

Nov. 10-Dec. 6, 1919 -- Third Exhibition of Intimate Paintings (NMc2: 512-518)

Dec. 10-31, 1919 -- Loan Exhibition of Paintings by Emil Carlsen (NMc2: 520-527)

Dec. 3-20, 1919 -- Paintings by William Baxter Closson (NMc2: 520)

Jan. 9-31, 1920 -- Thirty Paintings by Thirty Artists (NMc2: 531-536)

Feb. 2-21, 1920 -- Paintings by Charles H. Davis, Frederick C. Frieseke, Richard E. Miller (NMc2: 539-541)

Mar. 20-Apr.10, 1920 -- Paintings by Hayley Lever (NMc2: 542-545)

Apr. 5-24, 1920 -- Group of Paintings by Felicie Waldo Howell (NMc2: 546)

Apr. 5-24, 1920 -- Paintings by Maurice Fromke (NMc2: 546-548)

Oct. 18-Nov. 8, 1920 -- Paintings of the Orient by Hovsep Pushman (NMc2: 550-554)

Oct. 18-Nov. 8, 1920 -- Group of Paintings by Ben Foster, Robert Henri, Hayley Lever, Gardner Symons (NMc2: 555-558)

Nov. 9-29, 1920 -- Paintings by Frank W. Benson and Willard L. Metcalf (NMc2: 559-562)

Nov. 30-Dec. 31, 1920 -- Fourth Exhibition of Intimate Paintings (NMc2: 564-570)

Jan. 3-17, 1921 -- Recent Landscapes by Chauncey F. Ryder (NMc2: 573-576)

Jan. 3-17, 1921 -- Old Salem Doorways Painted Last Summer by Felicie Waldo Howell (NMc2: 577-581)

Jan. 18-Feb. 7, 1921 -- Thirty Paintings by Thirty Artists (NMc2: 583-588)

Feb. 9-28, 1921 -- An American Summer in Watercolors by F. Luis Mora (NMc2: 596-599)

Feb. 9-28, 1921 -- The East Side in Sculpture by Abastenia St. L. Eberle (NMc2: 600)

Feb. 9-28, 1921 -- Recent Paintings by Emil Carlsen (Br14: 623; NMc2: 589-594)

Mar. 1-21, 1921 -- Connecticut Landscapes by Charles H. Davis (NMc2: 603-606)

Mar. 1-21, 1921 -- Paintings of Cornwall and Elsewhere by W. Elmer Schofield (NMc2: 607-610)

Mar. 1-21, 1921 -- Annual Exhibition, Society of Animal Painters and Sculptors (NMc2: 611-616

Mar. 22-Apr. 11, 1921 -- Paintings by F. C. Frieseke and Albert L. Groll (NMc2: 621-624)

Mar. 22-Apr. 11, 1921 -- Paintings by Jonas Lie (NMc2: 617-620)

Mar. 22-Apr. 11, 1921 -- Portraits and Landscapes by Gladys Thayer (NMc2: 625-628)

Apr. 12-May 7, 1921 -- Loan Exhibition of Paintings by J. Francis Murphy, 1853-1921 (NMc2: 629-637)

Oct. 11-30, 1921 -- Opening Exhibition, Season of 1921-1922: Group of Selected Paintings (NMc2: 640-641)

Nov. 1-19, 1921 -- West Indian Marines by Frederick J. Waugh (NMc2: 642-645)

Nov. 21-Dec. 12, 1921 -- Fifth Exhibition of Intimate Paintings (NMc2: 646-655)

Dec. 13-Jan. 2, 1922 -- Paintings of Glacier National Park by Charles Warren Eaton (NMc2: 660, 664-666)

Dec. 13-Jan. 2, 1922 -- Oils, Pastels, and Watercolors by George Alfred Williams (NMc2: 660-663)

Scrapbook 8, January 1922-March 1923

Jan. 3-23, 1922 -- Paintings of South America by E. W. Deming (NMc2: 669-670)

Jan. 3-23, 1922 -- New England Streets by Felicie Waldo Howell (NMc2: 671-674)

Jan. 3-23, 1922 -- California Landscapes by F. Ballard Williams (NMc2: 677-680)

Jan. 24-Feb. 13, 1922 -- Paintings by Elliot Torrey (NMc2: 681-684)

Jan. 24-Feb. 20, 1922 -- Thirty Paintings by Thirty Artists (NMc2: 685-692)

Feb. 14-Mar. 6, 1922 -- Third Annual Exhibition, Society of Animal Painters and Sculptors (NMc2: 694-698)

Mar. 7-27, 1922 -- Paintings by Edmund Greacen (NMc2: 704-707)

Mar. 7-27, 1922 -- Paintings by Gardner Symons (NMc2: 700-705)

Mar. 28-Apr. 17, 1922 -- Paintings by Charles H. Davis (NMc2: 707-717)

Apr. 27-May 20, 1922 -- Paintings by Frederick C. Frieseke Hayley Lever and Malcolm Parcell (NMc2: 721-726)

Apr. 27-May 20, 1922 -- Paintings by Malcolm Parcell (NMc2: 722)

Oct. 31-Nov. 20, 1922 -- Paintings by Alice Worthington Ball (NMc2: 731-735)

Oct. 31-Nov. 20, 1922 -- Recent Paintings and Figure Compositions by Charles W. Hawthorne (NMc2: 731-735)

Nov. 21-Dec. 11, 1922 -- Sixth Exhibition of Intimate Paintings (NMc2: 738-747)

Nov. 21-Dec. 11, 1922 -- George Wharton Edwards (NMc2: 748-749)

Dec. 12-30, 1922 -- Imaginitive Landscapes by W. G. Krieghoff (NMc2: 751-752)

Dec. 12-30, 1922 -- Watercolors of New York by Joseph Pennell (NMc2: 751, 753-755)

Jan. 2-22, 1923 -- Paintings and Studies by Orland Campbell (NMc2: 758-761)

Jan. 2-22, 1923 -- Recent Landscapes by Daniel Garber (NMc2: 758, 762-764)

Jan. 2-22, 1923 -- Decorative Paintings by Spencer Nichols (NMc2: 765, 769)

Jan. 2-22, 1923 -- Figure Compositions by Ivan G. Olinsky (NMc2: 765-768)

Jan. 23-Feb. 12, 1923 -- The Canadian Rockies in Paintings by Belmore Browne (NMc2: 772, 778)

Jan. 23-Feb. 12, 1923 -- Thirty Paintings by Thirty Artists (NMc2: 772-777)

Jan. 23-Feb. 12, 1923 -- Decorative Panels by Felicie Waldo Howell (NMc2: 778-782)

Feb. 13-Mar. 5, 1923 -- Paintings by Ruth A. Anderson and Elizabeth C. Spencer (NMc2: 783, 788-790)

Feb. 13-Mar. 5, 1923 -- Landscapes by Chauncey F. Ryder (NMc2: 783-786)

Feb. 13-Mar. 5, 1923 -- Paintings of the West by Maynard Dixon (NMc2: 783, 787)

Mar. 6-26, 1923 -- Recent Paintings by Emil Carlsen (NMc2: 792-794)

Mar. 12-31, 1923 -- Watercolors by J. Olaf Olson (NMc2: 795-796)

Scrapbook 9, March 1923-December 1924

Mar. 27-Apr. 16, 1923 -- Paintings by John J. Enneking (NMc3: 1-4)

Apr. 17-May7, 1923 -- Paintings by Maurice Braun (NMc3: 5-8)

Apr. 17-May 7, 1923 -- Recent Paintings by Catharine Wharton Morris (NMc3: 5, 9)

Oct. 9-29, 1923 -- Opening Exhibition, Season 1923-1924 (NMc3: 17-22)

Oct. 30-Nov. 19, 1923 -- Paintings by Emil Carlsen, Theodore Robsinson, J. Alden Weir (NMc3: 24-27)

Nov. 20-Dec. 10, 1923 -- Seventh Exhibition of Intimate Paintings (NMc3: 30-35)

Nov. 20-Dec. 11, 1923 -- South American Sketches by Rachel Hartley (NMc3: 37-42)

Dec. 11-31, 1923 -- Scenes about Provincetown by Charles W. Hawthorne; Flowers by Marion C. Hawthorne (NMc3: 37, 43)

Dec. 11-31, 1923 -- Recent Paintings by Douglas Parshall (NMc3: 44)

Dec. 1923 -- Collection of Paintings from the Macbeth Gallery, Halaby Galleries, Dallas (NMc3: 47-54)

Jan. 2-21, 1924 -- Paintings by Robert Henri and Grace Ravlin (NMc3: 56-57)

Feb. 7-25, 1924 -- Thirty Paintings by Thirty Artists (NMc3: 62-68)

Feb. 26-Mar. 17, 1924 -- Paintings by Victor Higgins (NMc3: 68, 72-74)

Feb. 26-Mar. 17, 1924 -- Paintings by Frank Duveneck (NMc3: 68-69)

Mar. 18-Apr. 7, 1924 -- Paintings from Tusayan by Maynard Dixon (NMc3: 76-79)

Apr. 8-28, 1924 -- Paintings of the Orient by Hovsep Pushman (NMc3: 80-82)

Apr. 8-28, 1924 -- The Canadian Rockies in Paintings by Belmore Browne (NMc3: 80, 84)

Sept. 23-Oct. 6, 1924 -- Paintings of the French West Indies by Christiana Moron (NMc3: 86-87)

Oct. 7-27, 1924 -- Selected Group of Paintings by Thirty American Artists (NMc3: 86, 88)

Nov. 4-17, 1924 -- Recent Paintings by Chauncey F. Ryder (NMc3: 90-91)

Nov. 18-Dec. 8, 1924 -- A Group of Paintings by Frederick C. Frieseke (NMc3: 92-93)

Dec. 9-29, 1924 -- Retrospective Exhibition of Paintings by Louis Comfort Tiffany (NMc3: 95-97)

Scrapbook 10, January 1925-November 1927

Dec. 30-Jan. 19, 1925 -- Montauk by Childe Hassam (NMc3: 104-112)

Jan. 20-Feb. 9, 1925 -- George Inness Centennial Exhibition, 1825-1894 (NMc3: 117-123)

Feb. 10-Mar. 2, 1925 -- Water Colors of Egypt and Jerusalem by Taber Sears (NMc3: 126, 129-130)

Feb. 10-Mar.2, 1925 -- The New England Year in Paintings by Charles H. Davis (NMc3: 126-128)

Mar. 3-23, 1925 -- Paintings by E. W. Redfield (NMc3: 131-133)

Mar. 24-Apr. 13, 1925 -- Paintings by Daniel Garber (NMc3: 135-138)

Apr. 14-May 4, 1925 -- Recent Paintings by Robert Henri (NMc3: 140-143)

Apr. 14-May 4, 1925 -- C. W. Hawthorne: Watercolors of Bermuda (NMc3: 139)

Oct. 13-26, 1925 -- Collection of American Masters Loaned for Exhibition (NMc3: 152-154)

Oct. 27-Nov. 16, 1925 -- Memorial Exhibition of Paintings by the Late William Sartain (NMc3: 155-158)

Nov. 7-23, 1925 -- Paintings by Contemporary American Artists Loaned by the Macbeth Galleries, New York, Engaged by the Muncie Art Students' League, Muncie, Indiana (NMc3: 147-148)

Nov. 17-Dec. 7, 1925 -- Paintings by DeWitt and Douglass Parshall (NMc3: 159-162)

Dec. 4-31, 1925 -- Easel Paintings by American Artists, Loaned by Macbeth Galleries to the Springfield Art Association (NMc3: 205, 207)

Dec. 8-Jan. 4, 1926 -- Watercolors by Distinguished American Artists (NMc3: 163-166)

Jan. 5-25, 1926 -- Recent American Portraits (NMc3: 168, 172-173)

Jan. 5-18, 1926 -- American Society of Miniature Painters, 27th Annual Exhibition (NMc3: 168-171)

Jan. 26-Feb. 15, 1926 -- Paintings by Jonas Lie (NMc3: 176-179)

Jan. 26-Feb. 15, 1926 -- First Exhibition of Paintings by John Huffington (NMc3: 176, 180-181)

Feb. 7-Mar. 17, 1926 -- Exhibition of Oil Paintings by American Artists Lent by the Macbeth Galleries to the Utica Public Library Art Gallery (NMc3: 205-206)

Feb. 16-Mar. 8, 1926 -- New Paintings by Charles W. Hawthorne (NMc3: 186-189)

Feb. 16-Mar. 8, 1926 -- Chauncey F. Ryder (NMc3: 184)

Feb. 16-Mar. 8, 1926 -- Sculpture by Gleb Derujinsky (NMc3: 186-189)

Mar. 9-29, 1926 -- Modern Landscapes by Guy Wiggins (NMc3: 191-194)

Mar. 9-29, 1926 -- Etchings and Drawings by Emil Fuchs (NMc3: 191, 195-197)

Mar. 30-Apr. 19, 1926 -- The Affairs of Anatol by Robert Reid (NMc3: 198-201)

Apr. 20-May 3, 1926 -- Pastels Done in Spain by A. Sheldon Pennoyer (NMc3: 202)

June 1-25, 1926 -- Pictures Selected from the Brooklyn Museum Exhibition of the National Association of Women Painters and Sculptors (NMc3: 204)

Summer, 1926 -- Summer Exhibition (NMc3: 199-201)

Oct. 11-18, 1926 -- Paintings Selected by Louis Bliss Gillet (NMc3: 210-212)

Oct. 19-Nov. 8, 1926 -- Paintings by Stanley M. Woodward (Br14: 671; NMc3: 213-214)

Nov. 9-22, 1926 -- Ernest Haskell, 1876-1925, Memorial Exhibition (NMc3: 215-222)

Nov. 23-Dec. 6, 1926 -- Porto Rico and St. Thomas: Exhibition of Paintings by Rachel Hartley (NMc3: 226-229)

Nov. 23-Dec. 6, 1926 -- Recent Landscapes and Marines by Jay H. Connaway (NMc3: 226, 230)

Dec. 1926 -- Watercolors and Etchings by American Artists (NMc3: 231-233)

Dec. 28-Jan. 10, 1927 -- Recent Paintings by a Group of Mystic, Conn., Artists (NMc3: 235-238)

Jan. 11-31, 1927 -- Thirty Paintings by Thirty Artists (NMc3: 239-244)

Jan. 18-31, 1927 -- Watercolors by John Lavalle of Boston (NMc3: 253-255)

Jan. 22-Feb. 7, 1927 -- Crapo Gallery Opening Exhibition: Thirty Paintings by Thirty Artists assembled by Macbeth Gallery at Swain School, New Bedford, Mass. (NMc3: 245-249)

Feb. 1-14, 1927 -- Recent Paintings by Frank W. Benson (NMc3: 259-262)

Feb. 2-14, 1927 -- American Society of Miniature Painters, 28th Annual Exhibition (NMc3: 253, 256-258)

Feb. 8-26, 1927 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc. at Anderson Galleries (Macbeth Gallery one of nine participants (NMc3: 263, 265-271)

Feb. 15-28, 1927 -- New Paintings by Chauncey F. Ryder (NMc3: 278-281)

Mar. 1-14, 1927 -- Watercolors by Aiden L. Ripley (NMc3: 282, 286)

Mar. 1-14, 1927 -- Paintings by a Group of Members of the Guild of Boston Artists (NMc3: 282-285)

Mar. 15-28, 1927 -- Paintings by Malcolm Parcell (NMc3: 287-290)

Mar. 15-28, 1927 -- Recent Pastels of Chartres by Carl Schmidt (NMc3: 287)

Mar. 29-Apr. 18, 1927 -- Thirty-fifty Anniversary Exhibition, Retrospect and Prospective (NMc3: 291-294)

Apr. 19-May 9, 1927 -- Frank A. Brown, Watercolors (NMc3: 296, 302-303)

Aug. 22-Sept. 5, 1927 -- American Art Exhibition arranged for Eastern Long Island by the Macbeth Gallery at Southampton, NY (NMc3: 297-301)

Oct. 18-29, 1927 -- American Art Exhibition, Art League of Fort Worth, Assembeled by the Macbeth Gallery (NMc3: 304, 306-311)

Oct. 18-31, 1927 -- Etchings by Walter Raymond Duff (NMc3: 313-315)

Oct. 18-31, 1927 -- Paintings by Max Bohm (NMc3: 313-315)

Nov. 1-14, 1927 -- Yankee Whalers by Clifford W. Ashley (NMc3: 316-317)

Scrapbook 11, November 1927-June 1930

Nov. 15-28, 1927 -- Paintings of Mallorca by Bernhard Gutmann (NMc3: 319-320)

Nov. 15-28, 1927 -- Paintings of Flowers by Carle J. Blenner (NMc3: 319, 321)

Nov. 29-Dec. 12, 1927 -- The Bathers , Paintings by William S. Horton (NMc3: 322-325)

Nov. 29-Dec. 12, 1927 -- Sidewalks of New York, Chalk Drawings by H. Devitt Welsh (NMc3: 326-327)

Dec. 13-31, 1927 -- Joint Exhibition of Paintings by Daniel Garber and Stanley Woodward (NMc3: 328)

Jan. 3-16, 1928 -- Portrait Drawings by Edith Leslie Emmet (NMc3: 329, 331)

Jan. 3-23, 1928 -- Recent Paintings by Jonas Lie (NMc3: 329-330)

Jan. 24-Feb. 13, 1928 -- Watercolors by John Lavalle (NMc3: 332-334)

Jan. 24-Feb. 13, 1928 -- Walter Ufer: Pictures from Taos (NMc3: 332, 334)

Jan. 24-Feb. 6, 1928 -- American Society of Miniature Painters, 29th Annual Exhibition (NMc3: 337-340)

Feb. 7-21, 1928 -- Small Pictures of Mountain and Sea by Jay Connaway (NMc3: 342)

Feb. 14-27, 1928 -- The Canadian Rockies by Belmore Brown (NMc3: 342-343)

Feb. 14-27, 1928 -- Sculpture by Gleb Derujinsky (NMc3: 342-344)

Feb. 21-Mar. 5, 1928 -- Watercolors of Venice, Spain and Brittany by Frank A. Brown (NMc3: 351-356)

Feb. 21-Mar. 10, 1928 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc., at Anderson Galleries; Macbeth Gallery one of sixteen participants (NMc3: 346-352)

Feb. 25-Mar. 17, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at Grand Rapids Art Gallery (NMc3: 385-387)

Feb. 28-Mar. 12, 1928 -- Paintings by Frank L. Schenk, 1856-1927 (NMc3: 357-358)

Feb. 28-Mar. 19, 1928 -- Thirty Paintings by Thirty Artists (NMc3: 357, 359-363)

Mar. 20-Apr. 2, 1928 -- Lanscapes of Italy by A. Sheldon Pennoyer (NMc3: 366, 368)

Mar. 20-Apr. 9, 1928 -- Recent Landscapes, Switzerland and Other Subjects by Carl Lawless (NMc3: 366-367)

Apr. 2-15, 1928 -- Water Colors by Earl Winslow (NMc3: 355)

Apr. 10-30, 1928 -- St. Ives by Hayley Lever (NMc3: 369)

Apr. 29-May 20, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at the University of Wyoming (NMc3: 385-386)

Spring, 1928 -- American Painting for Home Decoration (NMc3: 370-377)

Oct. 16-29, 1928 -- The Canadian Rockies in Watercolors by J. Olaf Olson (NMc3: 389-392)

Nov. 7-24, 1928 -- Etchings by Sears Gallagher (NMc3: 393)

Nov. 13-26, 1928 -- Sand Dunes and Flowers by Frederick Lowell (NMc3: 393-394)

Nov. 26-Dec. 17, 1928 -- Etchings by Carlton T. Chapman (NMc3: 395)

Nov. 27-Dec. 10, 1928 -- Portraits by Ernest L. Ipsen (NMc3: 396-397)

Dec. 4-31, 1928 -- Etchings by Margery A. Ryerson (NMc3: 395)

Dec. 11-24, 1928 -- Landscapes in Watercolor and Gouache by H. Anthony Dyer and Character Studies in Watercolor and Pastel by Nancy Dyer (NMc3: 398-400)

Jan. 2-14, 1929 -- Figures and Landscapes by the Late J. Alden Weir, 1852-1929 (NMc3: 401-402)

Jan. 15-28, 1929 -- Paintings by H. Dudley Murphy; Watercolors by Nellie Littlehale Murphy (NMc3: 404-405)

Jan. 15-28, 1929 -- Portraits by William James (NMc3: 406-407)

Feb. 4-18, 1929 -- Twenty-five Etchings by Harold Denison (NMc3: 410, 416-417)

Feb. 5-18, 1929 -- Paintings by Emil Carlsen and Dines Carlsen (NMc3: 408-409)

Feb. 19-Mar. 4, 1929 -- Thirty Paintings by Thirty Artists (NMc3: 410-415)

Mar. 5-18, 1929 -- Marine Paintings by Stanley W. Woodward (NMc3: 419-423)

Mar. 19-Apr. 1, 1929 -- Watercolors by Frederick C. Frieseke (NMc3: 424-425)

Mar. 19-Apr. 1, 1929 -- Pastels of Louisiana by Will H. Stevens (NMc3: 424)

Apr. 1929 -- Paintings by Childe Hassam (NMc3: 433-438)

Apr. 2-15, 1929 -- Paintings by Arthur Meltzer (NMc3: 431)

Apr. 2-15, 1929 -- Watercolors by Earle B. Winslow (NMc3: 431)

June, 1929 -- Old Mill Afternoon by Childe Hassam, Ainslie Galleries, Inc., Detroit in collaboration with Macbeth Gallery (NMc3: 465-467)

Oct. 1-14, 1929 -- Portraits in Oil and Pastel by Paul Swan (NMc3: 472-473)

Oct. 15-28, 1929 -- Exhibitions from the Summer Colonies: No. 1, Lyme (NMc3: 476-477)

Oct. 19-29, 1929 -- Milch-Macbeth Exhibition of Prints and Paintings by American Artists at the High Museum under the auspices of the Atlanta Art Association (NMc3: 462)

Oct. 20-Nov. 11, 1929 -- Memorial Exhibition of Paintings by John Huffington (NMc3: 476-479)

Nov. 12-25, 1929 -- Exhibition from the Summer colonies: No. 2, Selections from the North Shore Arts Association of Gloucester (NMc3: 480-481)

Nov. 26-Dec. 3, 1929 -- Recent Landscapes by Charles H. Davis (NMc3: 482-483)

Dec. 10-Dec. 23, 1929 -- Watercolors by J. Olaf Olson (NMc3: 484-486)

Dec. 24-Jan. 6, 1930 -- Exhibitions from the Summer Colonies: No. 3, Mystic (NMc3: 487-488)

Jan. 7-20, 1930 -- Paintings of Wyoming Days and Nights by Ogden N. Pleissner (NMc3: 490, 492)

Jan. 21-Feb. 3, 1930 -- Landscapes by Aldro T. Hibbard (NMc3: 490-491)

Feb. 4-17, 1930 -- Thirty Paintings by Thirty Artists (NMc3: 493-498)

Feb. 4-18, 1930 -- Monotypes in Black and White by Seth Hoffman (NMc3: 500-502)

Feb. 18-Mar. 3, 1930 -- Decorative Pastels by Wilbur A. Reaser (NMc3: 503-504)

Feb. 18-Mar. 3, 1930 -- Landscapes by John F. Carlson (NMc3: 503, 505

Mar. 4-17, 1930 -- Art of the Cartoon by Clare A. Briggs (NMc3: 507)

Mar. 4-17, 1930 -- Watercolors by Gladys Brannigan (NMc3: 507)

Mar. 18-31, 1930 -- Landscapes by Chauncey F. Ryder (NMc3: 508-509)

Apr. 1-14, 1930 -- Landscapes by Harry Leith-Ross (NMc3: 510-511)

Apr. 15-29, 1930 -- The Soviet Union as Seen by Eliot O'Hara (NMc3: 512-513)

Spring 1930 -- Spring/Summer Exhibition (NMc3: 514-516)

Scrapbook 12, September 1930-December 1932

Oct. 1930 -- Opening Exhibition, 1930-1931 Season (NMc3: 517-519)

Oct. 14-Nov. 4, 1930 -- Etchings by Thomas Handforth (NMc3: 523-524)

Nov. 1930 -- Paintings of Museum Importance (NMc3: 521)

Nov. 4-25, 1930 -- Monotypes in Black and White by Seth Hoffman (NMc3: 522, 524

Dec. 1930 -- Paintings by Young Americans (NMc3: 525)

Dec. 1930 -- Etchings and Lithographs by Edward Haskell (NMc3: 526-527)

Jan. 6-31, 1931 -- Brittany and Other Recent Paintings by Jonas Lie (NMc3: 528-531)

Feb. 2-8, 1931 -- Group Exhibition of Important Paintings (NMc3: 535)

Feb. 9-21, 1931 -- Brackman (NMc3: 536)

Feb. 24-Mar. 7, 1931 -- Paintings by Paul Dougherty and Mahonri Young (NMc3: 539)

Mar. 9-28, 1931 -- Recent Paintings by Daniel Garber (NMc3: 540)

Mar. 30-Apr. 11, 1931 -- Brittany Subjects by Jay Connaway, Landscapes by Arthur Meltzer, Pastel Impressions by J. H. Guest (NMc3: 545-549)

Apr. 13-May 2, 1931 -- Paintings and Drawings by Abbot H. Thayer (NMc3: 545-549)

May, 1931 -- Selected Paintings and Etchings by American Artists (NMc3: 552-553)

Oct. 1931 -- October Show (NMc3: 355)

Oct. 1931 -- October Watercolor Exhibition (NMc3: 556)

Nov. 4-30, 1931 -- Fifteen New Paintings from the Artists Studios (NMc3: 558-559)

Nov. 11-Dec. 31, 1931 -- Lithographs by Stow Wengenroth (NMc3: 560-566)

Dec. 1-19, 1931 -- Small Paintings by Ivan Olinsky and Cecil Chichester (NMc3: 562-563)

Dec. 8-31, 1931 -- Wood Engravings by Thomas Nason (NMc3: 564)

Dec. 21-Jan. 9, 1932 -- Maine Coast Towns by C. K. Chatterton (NMc3: 565-566)

Jan. 11-23, 1932 -- Landscapes, Figures, Still Life Subjects Painted in Vermont by Herbert Meyer (NMc3: 564)

Jan. 11-23, 1932 -- Paintings by Lily Cushing (NMc3: 569, 571)

Jan. 25-Feb. 13, 1932 -- Hudson River School (NMc3: 573-576)

Feb. 15-27, 1932 -- Paintings by James Chapin (NMc3: 589)

Feb. 15-Mar. 1, 1932 -- Monotypes in Black and White by Seth Hoffman (NMc3: 590-591)

Feb. 29-Mar. 10, 1932 -- Sanford Ross: 16 Wash Drawings of 16 New Jersey Landmarks (NMc3: 598-599)

Feb. 29-Mar. 12, 1932 -- George Fuller, 1822-1844 (NMc3: 593-596)

Mar. 14-26, 1932 -- Winter Landscapes and Other Subjects by F. C. Frieseke (NMc3: 600-601)

Mar. 28-Apr. 9, 1932 -- Recent Paintings by Jonas Lie (NMc3: 603)

Apr. 11-30, 1932 -- Forty Years of American Art (NMc3: 605-610)

May 2-14, 1932 -- Paintings by a Group of Younger Artists (NMc3: 616-618)

June 1932 -- June Exhibition (NMc3: 619)

Sept. 26-Oct. 15, 1932 -- Paintings from the Summer Colonies (NMc3: 621-622)

Oct. 17-Nov. 7, 1932 -- Special Sale Exhibition (NMc3: 626-628)

Oct. 17-Nov. 7, 1932 -- Etchings and Lithographs by Mons Breidvik (NMc3: 626-627)

Nov. 9-26, 1932 -- Paintings by Max Bohm, Eugene Higgins, Jerome Myers, John Noble (NMc3: 630)

Nov. 14-Dec. 5, 1932 -- Lithographs by Stow Wengenroth (NMc3: 630)

Nov. 29-Dec. 12, 1932 -- Vermont Watercolors by Henry Holt (NMc3: 632-633)

Dec. 6-19, 1932 -- Lights of New York by Felicie Waldo Howell (NMc3: 634-635)

Dec. 14-Jan. 3, 1933 -- Paintings by Robert Strong Woodward (NMc3: 636)

Scrapbook 13, 1932

Scrapbook of 40th Anniversary of Macbeth Gallery, 1932.

Scrapbook 14, 1930-1934

Jan. 1-29, 1933 -- Forty Years of American Painting assembled by the Macbeth Gallery at Montclair Art Museum (NMc4: 263-268)

July 9-25, 1933 -- American Landscapes assembled by the Macbeth Gallery at Four Fountains, Southampton, NY (NMc4: 290-295)

Scrapbook 15, January 1933-February 1935

Jan. 1933 -- Watercolors Made by Americans, Assembled by the College Art Association (NMc3: 639-641)

Jan. 3-16, 1933 -- Drawings by J. Louis Lundean (NMc3: 643)

Jan. 17-30, 1933 -- Paintings of Flowers by C. G. Nelson (NMc3: 644)

Jan. 31-Feb. 13, 1933 -- Intimate Paintings (NMc3: 645)

Feb. 21-Mar. 6, 1933 -- Group Exhibition (NMc3: 646)

Mar. 1933 -- Paintings and Etchings by Living American Artists (NMc3: 647-648)

Mar. 7-20, 1933 -- Paintings by Robert Henri (NMc3: 649)

Mar. 21-Apr. 3, 1933 -- Watercolors by Sanford Ross (NMc3: 652)

Mar. 21-Apr. 10, 1933 -- Brackman (NMc3: 652-653)

Apr. 4-17, 1933 -- Opportunity Exhibition (NMc3: 661)

Apr. 4-18, 1933 -- Drawings by Adolf Dehn (NMc3: 661)

Apr. 11-24, 1933 -- The Sea at Monhegan by Jay Connaway (NMc3: 662)

Apr. 18-May 1, 1933 -- Watercolor Exhibition (NMc3: 663)

Apr. 25-May 8, 1933 -- Paintings by A. T. Hibbard, Hayley Lever and Ivan G. Olinsky (NMc3: 664)

May 2-22, 1933 -- Mono-Etchings by Bernard Sanders (NMc3: 664)

May 9-29, 1933 -- Child Portraits by Margery Ryerson (NMc3: 669)

May 16-29, 1933 -- Exhibition of Figures and Still Lifes, Macbeth Gallery Extension (NMc3: 669)

June 1933 -- American Art Past and Present (NMc3: 671)

Oct. 17-30, 1933 -- Paintings and Watercolors by a Group of American Artists Under 35 (NMc3: 672)

Oct. 31-Nov. 13, 1933 -- Drawings by Robert Henri (NMc3: 673)

Oct.-Nov. 1933 -- Mexico as Seen by American Printmakers (NMc3: 674)

Nov. 4-27, 1933 -- Brackman Portraits: Figures in Pastel (NMc3: 675, 678)

Nov. 4-27, 1933 -- American Sport and Other Subjects by Percy Crosby (NMc3: 675-677)

Nov. 28-Dec. 11, 1933 -- Paintings by Ogden M. Pleissner (NMc3: 684, 686)

Nov. 28-Dec. 11, 1933 -- Figures and Fantacies by Ralph Rowntree (NMc3: 684-685)

Nov. 28-Dec. 11, 1933 -- Paintings by Horace Day (NMc3: 681)

Nov. 28-Dec. 11, 1933 -- Drawings by Jerome Myers (NMc3: 682-683)

Dec. 12-23, 1933 -- Paintings by Janet Scudder (NMc3: 687)

Dec. 12-23, 1933 -- The New York Scene in Watercolor by Hamilton A. Wolf (NMc3: 688-689)

Dec. 26-Jan. 8, 1934 -- Group Exhibition, Members of the Louis Comfort Tiffany Foundation (NMc3: 692)

Jan. 9-27, 1934 -- Paintings by Herbert Meyer (NMc3: 692)

Jan. 24-Feb. 6, 1934 -- Oils, Watercolors, Drawings, Etchings by Harrison Cady (NMc3: 696-697)

Jan. 30-Feb. 19, 1934 -- Paintings and Drawings by Lintott (NMc3: 699-700)

Feb. 20-Mar. 12, 1934 -- Paintings by C. K. Chatterton (NMc3: 703-704)

Feb. 27-Mar. 12, 1934 -- Golinkin (NMc3: 707-708)

Mar. 6-20, 1934 -- Drawings by Meyer Bernstein (NMc3: 709)

Mar. 13-36, 1934 -- Paintings by Jonas Lie (NMc3: 710)

Mar. 20-Apr. 2, 1934 -- Watercolors of South America by Eliot O'Hara (NMc3: 712)

Mar. 27-Apr. 16, 1934 -- Memorial Exhibition, Paintings by Charles H. Davis, 1856-1933 (NMc3: 715-722)

Apr. 3-16, 1934 -- Drawings by Hetty Beatty, Sculptor (NMc3: 726)

Apr. 10-23, 1934 -- Oils and Watercolors by Gertrude Schweitzer (NMc3: 726)

Apr. 17-May 1, 1934 -- Monhegan Marines by Jan Connaway (NMc3: 727)

May 1-14, 1934 -- Watercolors and Pastels by H. Amaird Oberteuffer and Karl Oberteuffer (NMc3: 728)

May 1-21, 1934 -- Review of the Season (NMc3: 729)

May 7-14, 1934 -- Paintings by John C. E. Taylor, William Luther King, Stuyvesant van Veen (NMc3: 730)

May 1934? -- Third Exhibition and Sale of American Paintings at $100 (NMc3: 731)

June 4-15, 1934 -- Our Glorious Navy: Paintings by Arthur Beaumont, Lieut. U.S.N.R. (NMc3: 732-733)

Oct. 1-15, 1934 -- Opening Exhibition, Season of 1934-1935, Paintings by Nelson A. Moore, 1924-1902 (NMc3: 735-736)

Oct. 16-30, 1934 -- Collectors Examples of American Painting (NMc3: 739-740)

Nov. 7-19, 1934 -- Greenland and Other Subjects by Rockwell Kent (NMc3: 742-743)

Nov. 20-Dec. 3, 1934 -- Southern New Mexico: Drawings and Lithographs by Peter Hurd (NMc3: 748-749)

Nov. 20-Dec. 11, 1934 -- Brackman (NMc3: 742-743)

Dec. 4-31, 1934 -- Lithographs and Drawings of Stow Wengenroth (NMc3: 750)

Dec. 11-31, 1934 -- Robert Hallowell, Mostly Portraits (NMc3: 751-752)

Jan. 2-14, 1935 -- Leopold Seyffert, Subjects from Guatemala and Flowers (NMc3: 754-755)

Jan. 22-Feb. 4, 1935 -- Group of Paintings by Younger Artists (NMc3: 756)

Apr. 10-30, 1935 -- After St. Ives by Hayley Lever (NMc3: 761-762)

date unknown -- Mr. Jonas Lie: Brittany and Other Recent Paintings (NMc3: 764)

Sept. 30-Oct. 7, 1930 -- Watercolors by Carolyn G. Bradley and Marion L. Simmons (NMc3: 764-765)

March 28-April 19, 1932 -- Small Paintings of Museum Importance on Exhibition (NM3: 764-767)

Scrapbook 16, February 1935-January 1938

Feb. 5-19, 1935 -- Robert Strong Woodward, "Landscapes of New England" (NMc4: 401-402)

Feb. 19-28, 1935 -- Portraits by Leonebel Jacobs (NMc4: 404)

Mar. 5-18, 1935 -- Loan Exhibition (NMc4: 408-409)

Apr. 23-May 13, 1935 -- Still Lifes by Emil Carlsen, 1853-1932 (NMc4: 411-413)

May 14-June 3, 1935 -- Watercolors and Pastels (NMc4: 414)

Summer 1935 -- Summer Exhibition (NMc4: 415)

Oct. 8-21, 1935 -- Recent Paintings by Frederick C. Frieseke (NMc4: 416-417)

Nov. 19-Dec. 3, 1935 -- Drawings by Lintott (NMc4: 418-419)

Dec. 3-31, 1935 -- Drawings and Lithographs by Stow Wengenroth (NMc4: 420)

Dec. 9-31, 1935 -- Oils, Watercolors, Drawings by Gertude Schweitzer (NMc4: 421)

Jan. 14-Feb. 3, 1936 -- Herbert Meyer (NMc4: 422-423)

Feb. 1936 -- Group Exhibition (NMc4: 429)

Feb. 1936 -- Drawings by Eastman Johnson (NMc4: 430)

Feb. 4-17, 1936 -- Homer D. Martin, 1836-1897, Centennial Exhibition (NMc4: 426-427)

Mar. 10-23, 1936 -- Contemporary Americans (NMc: 430)

Mar. 10-23, 1936 -- Watercolors by Steven Donahos (NMc4: 430)

Mar. 24-Apr. 16, 1936 -- Brackman (NMc4: 431)

Apr. 7-27, 1936 -- Paintings and Watercolors by C. K. Chatterton (NMc4: 433-434)

Apr. 28-May 11, 1936 -- Group Exhibition (NMc4: 435)

Apr. 28-May 11, 1936 -- Watercolors by Mary S. Powers (NMc4: 435)

May 19-June 1, 1936 -- Drawings by Richard Guggenheimer (NMc4: 436)

May 27-June 3, 1936 -- Pastel Portraits by Frank Root McCreery (NMc4: 437-438)

Oct. 5-26, 1936 -- Opening Exhibition, 45th Season, New Paintings by Fourteen American Painters (NMc4: 447-448)

Nov. 4-16 1936 -- Paintings by Elliot Orr (NMc4: 444-445)

Nov. 17-30, 1936 -- Recent Paintings by Ogden M. Pleissner (NMc4: 447-448)

Dec. 1936 -- Lester D. Boronda: Paintings from Mason's Island (NMc4: 449)

Dec. 15, 1936-Jan. 18, 1937 -- An Introduction to Homer (NMc4: 451-460)

Jan. 19-Feb. 1, 1937 -- Exhibition of Portraits by Stuart, Copley, West, Allston, Badger, Jarvis, Morse, Sully, Peale, Smibert and Waldo (NMc4: 478-479)

Jan. 19-Feb. 1, 1937 -- Group of Watercolors (NMc4: 480)

Feb. 2-15, 1937 -- John C. E. Taylor: Flower Arrangements and Other Oils (NMc4: 481)

Feb. 16-Mar. 1, 1937 -- Paintings and Watercolors by Horace Day (NMc4: 482)

Mar. 2-15, 1937 -- Hayley Lever, Paintings New and Old (NMc4: 485)

Mar. 2-15, 1937 -- Paintings by Josef Presser (NMc4: 485)

Mar. 16-Apr. 5, 1937 -- Recent Work by Jon Corbino (NMc4: 487-490)

Apr. 13-26, 1937 -- Memorial Exhibition of Paintings, Crayon Drawings and Dry Points by the late Alexander Shilling (NMc4: 499)

Apr. 30-May 17, 1937 -- Edna Reindel (NMc4: 503)

Oct. 5-19, 1937 -- American Paintings Dedicating the Art Gallery Woman's Club Art Building, Montana State University (NMc4: 505-514)

Oct. 6-18, 1937 -- Opening Exhibition, Paintings by a Group of Contemporary Artists (NMc4: 517)

Oct. 19-Nov. 1, 1937 -- First Exhibition, Watercolors by Andrew Wyeth (NMc4: 518-519)

Nov. 2-15, 1937 -- Marine and Other Subjects from the Canary Islands by Cadwallader Washburn (NMc4: 524-525)

Nov. 16-29, 1937 -- Paintings by Lorenzo James Hatch (NMc4: 524-525)

Nov. 30-Dec. 14, 1937 -- Monhegan Island, Maine, Marines by Jay Connaway (NMc4: 527)

Jan. 4-17, 1938 -- "The Eight" Thirty Years Later (NMc4: 529-530)

Scrapbook 17, January 1938-July 1941

Jan. 18-Feb. 1, 1938 -- Paintings by Dale Nichols (NMc4: 538-540)

Feb. 8-21, 1938 -- Vermont in Watercolors by Stanford Stevens (NMc4: 541-542)

Feb. 8-21, 1938 -- Modern American Interior: Prizewinning Design and Selected Drawings from a Competition Sponsored by James H. Blauvet and Associates, Interior Designers (NMc4: 543)

Feb. 23-Mar. 7, 1938 -- Herbert Dickens Ryman (NMc4: 546)

Mar. 1-14, 1938 -- Paintings and Watercolors by Anne Goldthwaite (NMc4: 546-547)

Mar. 8-21, 1938 -- Recent Watercolors of Woodstock, Charleston, New England by John W. Taylor (NMc4: 548-549)

Mar. 22-Apr. 11, 1938 -- Jon Corbino (NMc4: 554-561)

Apr. 12-25, 1938 -- Paintings by Ohio Artists (NMc4: 580-571)

Apr. 26-May 9, 1938 -- Paintings by Furman Joseph Finck (NMc4: 572-573)

May-June 1938 -- Winslow Homer: Watercolors and Early Oils from the Estate of Mrs. Charles S. Homer and Other Sources (NMc4: 574-579)

Oct. 4-28, 1938 -- Opening Exhibition (NMc4: 581)

Nov. 1-23, 1938 -- Dale Nichols, Watercolors and Tempera of Alaskan Subjects (NMc4: 582-583)

Nov. 29-Dec. 19, 1938 -- Sea Island Country Watercolors by Horace Day (NMc4: 584)

Jan. 10-30, 1939 -- Herbert Meyer (NMc4: 588-589)

Feb. 7-27, 1939 -- American Watercolors Past and Present (NMc4: 592-597

Mar. 7-Apr. 3, 1939 -- Monhegan by Jay Connaway (NMc4: 602-603)

Apr. 5-24, 1919 -- Oils and Watercolors by Ogden M. Pleissner (NMc4: 606-607)

May 2-22, 1939 -- Paintings by Francis Chapin, Antonio P. Matino, and Moses Soyer and Drawings by Jon Corbino (NMc4: 609-611)

Oct. 10-30, 1939 -- Andrew Wyeth (NMc4: 614)

Nov. 1-30, 1939 -- Americana Paintings, Watercolors, Prints, Drawings (NMc4: 616-617)

Dec. 5-30, 1939 -- In the Georges Islands, Maine: Paintings by N.C. Wyeth (NMc4: 618)

Dec. 5-30, 1939 -- Dry Brush Drawings by Stow Wengenroth (NMc4: 618-619)

Jan. 2-27, 1940 -- Brackman (NMc4: 623-624)

Jan. 30-Feb. 19, 1940 -- Paintings by Moses Soyer (NMc4: 630-631)

Feb. 20-Mar. 11, 1940 -- Watercolors by Emil J. Kosa, Jr. (NMc4: 637)

Mar. 12-30, 1940 -- Paintings by Edna Reindel (NMc4: 636)

April 1940 -- Paintings and Drawings by Jon Corbino (NMc4: 639-640)

May 7-18, 1940 -- "Star Boat Races," by Gerald Foster (NMc4: 640)

Summer 1940 -- Summer Exhibition (NMc4: 641)

Oct. 1940 -- October Exhibition (NMc4: 642)

Nov. 12-Dec. 2, 1940 -- Paintings by Antonio P. Martino (NMc4: 645)

Dec. 10-30, 1940 -- Monhegan Paintings and Sketches by Jay Connaway (NMc4: 648)

Dec. 31, 1940-Jan. 13, 1941 -- Oils and Watercolors by Contemporary Artists (NMc4: 649)

Jan. 14-Feb. 3, 1941 -- Paintings and Drawings by Augustus Vincent Tack (NMc4: 650-651)

Feb. 4-24, 1941 -- Recent Paintings by Peter Hurd (NMc4: 652)

Feb. 18-Mar. 3, 1941 -- Earl Gross Watercolors (NMc4: 654-655)

Feb. 25-Mar. 16, 1941 -- Recent Paintings by Herman Maril (NMc4: 656-657)

Mar. 18-Apr. 5, 1941 -- Joseph de Martini Gouache Paintings (NMc4: 656)

Mar. 25-Apr. 7, 1941 -- Men of Moment: Drawings by Ivan Opffer (NMc4: 660)

Apr. 8-28, 1941 -- Paintings by Orland Campbell (NMc4: 661-662)

Apr. 29-May 12, 1941 -- Small Paintings by Moses Soyer (NMc4: 667-668)

May 1941 -- Group Exhibition (NMc4: 667)

May 13-24, 1941 -- The 1941 Showing of Blauvelt Interiors (NMc4: 669-671)

May-June 1941 -- Group Exhibition (NMc4: 669)

Scrapbook 18, July 1941-October 1945

Sept. 1941 -- Group Exhibition: Oils (NMc4: 682)

Oct. 7-27, 1941 -- Third Exhibition of Watercolors by Andrew Wyeth (NMc4: 685)

Oct. 28-Nov. 17, 1941 -- Recent Oils and Watercolors by Ogden M. Pleissner (NMc4: 685-686)

Oct. 28-Nov. 17, 1941 -- Watercolors by Merrill A. Bailey (NMc4: 685)

Nov. 18-Dec. 1, 1941 -- Drawings and Watercolors by Carl Newland Werntz (NMc4: 688-689)

Nov. 18-Dec. 1, 1941 -- Hymn to the Sun: A Sculpture in Bronze by Emily Winthrop Miles (NMc4: 688)

Dec. 1941 -- Group Exhibition (NMc4: 690)

Dec. 2-22, 1941 -- Original Dolls by Edith Flack Ackley and their Portraits in Watercolor by Telka Ackley (NMc4: 690)

Jan. 5-24, 1942 -- Paintings by Furman Joseph Finck (NMc4: 694)

Jan. 5-24, 1942 -- Watercolors of Maine and Florida by Maurice Becker (NMc4: 694-695)

Jan. 19-Feb. 14, 1942 -- Watercolors, Pastels, Drawings by Jerome Myers, 1867-1940 (NMc4: 696)

Feb. 16-28, 1942 -- Watercolors by Cory Kilvert (NMc4: 697-698)

Feb. 16-Mar. 7, 1942 -- Paintings by Deceased American Masters (NMc4: 697-698)

Mar. 9-28, 1942 -- Paintings by Marsden Hartley (NMc4: 700-701)

Mar. 9-28, 1942 -- Watercolors by Karl Mattern (NMc4: 700)

Apr. 13-30, 1942 -- Fiftieth Anniversary Exhibition, 1892-1942 (NMc4: 703-704)

May 4-29, 1942 -- Group Exhibition (NMc4: 707)

June 1942 -- June Exhibition (NMc4: 708)

June 15-27, 1942 -- War Bond Exhibitions of Contemporary American Art (NMc4: 708)

Sept. 1942 -- September Exhibition (NMc4: 709)

Nov. 16-28, 1942 -- Watercolors by Jean Paul Slusser (NMc4: 710)

Nov. 24-Dec. 12, 1942 -- T. Chambers, First American Modern (NMc4: 711-714)

Dec. 1-14, 1942 -- Watercolors by Red Robin (NMc4: 715-716)

Dec. 15, 1942-Jan. 2, 1943 -- Leaves From a Soldier's Sketchbook by Pvt. Olin Dows, U. S. Army (NMc4: 717)

Jan. 4-23, 1943 -- Paintings by Sprinchorn (NMc4: 717-718)

Feb. 1-13, 1943 -- Group Exhibition (NMc4: 719)

Feb. 15-Mar. 6, 1943 -- Small Paintings by Moses Soyer (NMc4: 720)

Mar. 15-27, 1943 -- Ellen du Pont Wheelwright (NMc4: 721)

Mar. 15-27, 1943 -- Watercolors by Cory Kilvert (NMc4: 721)

Mar. 29-Apr. 17, 1943 -- Recent Paintings by Joseph De Martini (NMc4: 722)

Mar. 29-Apr. 17, 1943 -- Watercolor Exhibition (NMc4: 722)

Apr. 19-May 1, 1943 -- Corp. Herman Maril (NMc4: 728)

Apr. 19-May 8, 1943 -- Theodore Robinson (NMc4: 723-725)

May-June 1943 -- Group Exhibition (NMc4: 729)

Sept. 1943 -- Group Exhibition (NMc4: 731)

Oct. 11-30, 1943 -- Watercolors by Henry Gasser (NMc4: 723-733)

Nov. 1-20, 1943 -- Tempera and Watercolors by Andrew Wyeth (NMc4: 735-736)

Nov. 22-Dec. 4, 1943 -- Portraits of Children by Barnard Lentott (NMc4: 741-742)

Dec. 1943 -- Group Exhibition (NMc4: 741)

Dec. 6-24, 1943 -- Rural Vermont: Watercolors by Sylvia Wright (NMc4: 743-744)

Jan. 3-15, 1944 -- Watercolors of War by Red Robin (NMc4: 743-744)

Jan. 31-Feb. 19, 1944 -- Loan Exhibition, Worthington Whittredge, 1825-1910 (NMc4: 745-746)

Feb. 21-Mar. 11, 1944 -- Paintings by Constance Richardson (NMc4: 749-750)

Mar. 13-Apr. 1, 1944 -- Watercolors by Vanessa Helder (NMc4: 751, 753)

Mar. 13-Apr. 1, 1944 -- Temperas and Watercolors by Peter Hurd (NMc4: 751-753)

Apr. 3-22, 1944 -- American Paintings of the Early 19th Century (NMc4: 754-755)

Apr. 24-May 13, 1944 -- Brackman (NMc4: 756-757)

May 15-June 3, 1944 -- Two Vermont Artists: Clay Bartlett and Arthur K. D. Healy (NMc4: 758-759)

June 5-24, 1944 -- Women at War by Edna Reindel (NMc4: 760)

July 1944 -- Group Exhibition (NMc4: 762)

Sept. 25-Oct. 15, 1944 -- Group Exhibition (NMc4: 763)

Oct. 16-Nov. 4, 1944 -- Paintings by Felicia Meyer (NMc4: 764-765)

Nov. 15-Dec. 2, 1944 -- The Aleutian Air Force: Paintings by Ogden M. Pleissner (NMc4: 766-767)

Dec. 4-23, 1944 -- Paintings by John W. Taylor (NMc4: 769-770)

Jan. 8-27, 1945 -- Paintings by Carl Gaertner (NMc4: 771-772)

Jan. 29-Feb. 10, 1945 -- Contemporary American Watercolors (NMc4: 772)

Feb. 19-Mar. 10, 1945 -- Paintings and Watercolors by Maurice Becker (NMc4: 773-774)

Mar. 12-31, 1945 -- Some Early 19th Century Americans (NMc4: 777-778)

Apr. 2-21, 1945 -- Paintings by Joseph De Martini (NMc4: 778-779)

Apr. 23-May 12, 1945 -- Gouaches by Herman Maril (NMc4: 781)

Apr. 23-May 12, 1945 -- Paintings by Molly Luce (NMc4: 781-782)

May-June 1945 -- Group Exhibition: Contemporary Oils and Watercolors (NMc4: 783)

July, Sept., 1945 -- Group Exhibition (NMc4: 783)

Oct. 1-7, 1945 -- Group Exhibition (NMc4: 784)

Scrapbook 19, October 1945-November 1949

Oct. 26-Nov. 17, 1945 -- Tempera and Watercolors by Andrew Wyeth (NMc4: 787-788)

Nov. 26-Dec. 15, 1945 -- Marsden Hartley: Paintings and Drawings (NMc4: 791-792)

Dec. 1945 -- Christmas Exhibition (NMc4: 793)

Jan. 7-26, 1946 -- New York in Watercolors by James Lechay (NMc4: 794)

Jan. 28-Feb. 16, 1946 -- Herbert Meyer (NMc4: 795)

Feb. 18-Mar. 19, 1946 -- Ary Stillman (NMc4: 797-798)

Mar. 11-30, 1946 -- Watercolors by Arthur K. D. Haley (NMc4: 800-801)

Apr. 1-20, 1946 -- Albert P. Ryder (NMc4: 802-805)

Apr. 22-May 11, 1946 -- Paintings by Constance Richardson (NMc4: 809-810)

May 13-31, 1946 -- Furman Jospeh Finck (NMc4: 811-812)

June 1946 -- Group Exhibition (NMc4: 813)

July 1946 -- Group Exhibition (NMc4: 813)

Sept. 1946 -- Group Exhibition (NMc4: 814)

Sept. 30-Oct. 19, 1946 -- Gouaches by Charles Schucker (NMc4: 815)

Oct. 2-Nov. 9, 1946 -- Watercolors and Drawings by Olin Dows (NMc4: 816-817)

Nov. 4-30, 1946 -- Ogden M. Pleissner (NMc4: 818)

Dec. 2-28, 1946 -- Oils and Watercolors by Emil J. Kosa, Jr. (NMc4: 819-820)

Jan. 6-26, 1947 -- Carl Gaertner (NMc4: 821-822)

Jan. 27-Feb. 15, 1947 -- Carl Sprinchorn (NMc4: 823)

Mar. 3-22, 1947 -- Dorothy Hoyt (NMc4: 825-826)

Mar. 24-Apr. 12, 1947 -- Joseph De Martini (NMc4: 827-828)

Apr. 14-May 10, 1947 -- Whistler Loan Exhibition (NMc4: 828-834)

June-July, 1947 -- Summer Exhibition (NMc4: 840)

Sept. 1947 -- Group Exhibition (NMc4: 841)

Oct. 13-Nov. 1, 1947 -- Paintings by Allen Tucker (NMc4: 842-844)

Nov. 3-22, 1947 -- Watercolors by Henry Gasser (NMc4: 846-847)

Nov. 24-Dec. 13, 1947 -- James Lechay (NMc4: 849-850)

Dec. 15, 1947-Jan. 3, 1948 -- Watercolor Exhibition (NMc4: 851)

Jan. 5-24, 1948 -- Clay Bartlett (NMc4: 852-853)

Jan. 26-Feb. 14, 1945 -- Exhibition (NMc4: 854)

Jan. 26-Feb. 14, 1948 -- Oils and Watercolors by Contemporary Artists (NMc4: 854)

Feb. 16-Mar. 6, 1948 -- Herman Maril (NMc4: 855-856)

Mar. 22-Apr. 3, 1948 -- American Art: A Multiple Exhibition arranged by the Associated Dealers in American Art (NMc4: 857-858)

Apr. 5-24, 1948 -- Raphael Gleitsmann (NMc4: 866-867)

Apr. 26-May 15, 1948 -- Oils and Watercolors by John La Farge (NMc4: 864)

May-Sept. 1948 -- Group Exhibitions (NMc4: 867)

Oct. 4-23, 1948 -- Watercolors by Charles Culver (NMc4: 869-870)

Oct. 26-Nov. 13, 1948 -- Ogden M. Pleissner (NMc4: 872)

Nov. 15-Dec. 4, 1948 -- Andrew Wyeth (NMc4: 874-875)

Nov. 21-Dec. 4, 1948 -- Oils and Gouaches by Charles Schucker (NMc4: 332-333)

Dec. 6-31, 1948 -- Watercolors and Drawings by Hermann Gross (NMc4: 877-878)

Jan. 4-22, 1949 -- Electra Bostwick (NMc4: 879, 882)

Jan. 27-Feb. 19, 1949 -- Paintings by Edna Reindel (NMc4: 880-881)

Feb. 28-Mar. 19, 1949 -- Thomas Doughty (NMc4: 885-887)

Mar. 21-Apr. 9, 1949 -- Watercolors by Arthur K. D. Healy (NMc4: 889)

Apr. 12-30, 1949 -- Drawings by Olin Dows (NMc4: 890)

May 1949 -- Group Exhibition (NMc4: 894)

Oct. 10-29, 1949 -- Clay Bartlett: Paintings of North and South America (NMc4: 895-896)

Nov. 1-19, 1949 -- Watercolors by Henry Gasser (NMc4: 897-898)

Scrapbook 20, 1949-1952

Nov. 21-Dec. 10, 1949 -- Oils and Gouaches by Charles Shucker (NMc4: 332-333)

Dec. 1949 -- Watercolor Exhibition (NMc4: 334)

Jan. 3-21, 1950 -- Carl Gaertner (NMc4: 335-356)

Jan. 23-Feb. 11, 1950 -- Constance Richardson (NMc4: 337-338)

Mar. 6-25, 1950 -- John Taylor (NMc4: 339-340)

Apr. 1950 -- Joseph De Martini (NMc4: 341)

May 8-27, 1950 -- Carl Sprinchorn (NMc4: 342-343)

Summer 1950 -- Summer Exhibition (NMc4: 345)

Oct. 9-28, 1950 -- Caseins by James Lechay (NMc4: 345-346)

Oct. 31-Nov. 18, 1950 -- Ogden M. Pleissner: Paris and the Provinces (NMc4: 347-348)

Nov. 21-Dec. 9, 1950 -- Andrew Wyeth (NMc4: 349-350)

Jan. 2-20, 1951 -- Nat Koffman (NMc4: 356-357)

Jan. 22-Feb. 10, 1951 -- Watercolors by Hermann Gross (NMc4: 358)

Feb. 12-Mar. 3, 1951 -- Watercolors (D55:390-391; NMc4: 359)

Mar. 5-24, 1951 -- Paintings by Francis Colburn (NMc4: 360)

Mar. 27-Apr. 14, 1951 -- Paintings by Herman Maril (NMc4: 361)

Apr. 16-May 5, 1951 -- Raphael Gleitsmann (NMc4: 362-363)

Summer 1951 -- Summer Exhibition (NMc4: 364)

July 7-Aug. 4, 1951 -- Paintings and Drawings by Andrew Wyeth (NMc4: 364-381)

Nov. 26-Dec. 15, 1951 -- Watercolors by Arthur K. D. Healy (NMc4: 387)

Feb. 4-Mar. 1, 1952 -- Italian Landscapes by George Inness (NMc4: 388-389)

June-July, Sept. 1952 -- Summer Exhibition (NMc4: 392)

Nov. 6-29, 1952 -- Andrew Wyeth (NMc4: 391-392)
Restrictions:
Fragile original scrapbooks are closed to researchers. For more information, please contact Reference Services.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macbgall, Series 5
See more items in:
Macbeth Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92653096a-424e-4227-a661-9a1b02109acc
EDAN-URL:
ead_component:sova-aaa-macbgall-ref13377

National Arts Club records

Creator:
National Arts Club (New York, N.Y.)  Search this
Names:
Arts Realty  Search this
De Kay, Charles  Search this
Extent:
32.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1898-1960
Summary:
The records of the National Arts Club measure 32.1 linear feet and date from 1898 to 1960. The collection documents the founding of the club, and it's governance, administration, exhibitions, and social activities
Scope and Content Note:
Records of the National Arts Club, spanning the period 1898 to 1960, document the founding of the organization, and its governance, administration, finances, exhibitions, and social activities. There are large gaps in the records and many of those surviving are incomplete, which can be explained by a 1932 resolution of the Board of Governors that "old files and letters and bills in the storeroom prior to 1922 may be destroyed at the discretion of the Secretary and Treasurer."

Minutes and reports of the Board of Governors and Executive Committee are fairly complete through 1949, but sparse thereafter. Records do not exist for all standing and special committees, and those remaining tend to be concentrated in the early twentieth century.

Correspondence of the officers, for the most part, is routine and relates to administrative matters. Financial records cover the period 1917 to 1950, with a large number of gaps.

A small number of records of the Arts Realty Co. (later known as 15 Gramercy Park, Inc.) are extant. These include lists of stockholders, correspondence concerning mortgage bonds, and minutes.

Membership records, arranged alphabetically, are available for the years 1931 to 1959, and there are rosters arranged by membership category, 1940-1952; in addition, printed membership lists were issued circa 1900-1951.

More than four hundred exhibitions are known to have been held in the galleries of the National Arts Club between 1899 and 1960. Catalogs for 124 National Arts Club exhibitions are available at the Archives of American Art; 69 titles are to be found among the Club's records and an additional 55 were microfilmed previously as parts of other collections. Other exhibition documentation includes printed matter such as invitations, entry blanks, publicity, and photographs (see Appendix A). For some exhibitions, supporting documentation such as correspondence with exhibitors and collectors, sales and consignment records, and shipping receipts have survived. These files are mainly confined to Books of the Year exhibitions, Arts and Crafts/Decorative Arts exhibitions, and a smaller number of exhibitions of Living American Etchers, 1928-1957.

General social events, activities sponsored by Arts Club committees, and special commemorative occasions are documented by invitations, programs, publicity, calendars of events, and photographs. The majority of this material is contained in seventeen scrapbooks, 1898-1940. Programs of the Men's Open Table, 1915-1950, are particularly well documented by the Chairman's correspondence and three volumes containing meeting notices with signatures of members in attendance.

In addition to printed matter relating to exhibitions and events, scrapbooks, 1898-1940, contain general publicity, clippings concerning members, and samples of National Arts Club printed matter such as form letters to the general membership, brochures, ballots, house rules, published membership lists, year books, and the like. Loose printed matter augments that preserved in the scrapbooks. These sources combined provide a fairly complete set of the Bulletin, but the number of year books is small, and there are catalogs of only slightly more than a third of the exhibitions identified.

Photographs, in addition to those recording exhibitions and events, include portraits of governors, officers, distinguished visitors, speakers, and performers; views of Gramercy Park and the interior and exterior of the clubhouse; and works of art in the permanent collection.

Miscellaneous material includes information on the National Arts Club's first home on West 34th Street, and the Tilden Mansion, its current clubhouse on Gramercy Park; histories of the organization; unpublished speeches presented at Club occasions; and copies of legal documents, including the Club's charter and act of incorporation.

See Appendix A for an annotated list of National Arts Club exhibitions, 1899-1960
Arrangement:
The records are arranged into the following series:

Missing Title

Series 1: Board of Governors, 1898-1960, undated

Series 2: Administration, 1898-1960, undated

Series 3: Financial Records, 1917-1952

Series 4: Membership, circa 1900-1962

Series 5: Arts Realty Co., 1909-1913, 1945-1956, undated

Series 6: Miscellaneous, 1890-1961, undated

Series 7: Photographs, 1899-1957, undated

Series 8: Printed Matter, 1893-1960, undated

Series 9: Scrapbooks, 1898-1940
Historical Note:
The National Arts Club was founded by Charles de Kay, literary and art critic for the New York Times who believed there was a need for a club uniting all of the arts. In March of 1898, de Kay called together a number of civic leaders and men prominent in the art world who supported the idea, elected the first officers and incorporated the Club in 1899.

As stated in a circular issued by the Club, its specified purposes were: to promote the mutual acquaintance of art lovers and art workers in the United States; to stimulate and guide toward practical and artistic expression the artistic sense of the American people; to maintain in the City of New York a Club House...for social purposes in connection with the arts; to provide proper exhibition facilities for such lines of art, especially applied and industrial art, as shall not be otherwise adequately provided for in the same City; and to encourage the publication and circulation of news, suggestions and discussions relating to the fine arts.

During its initial months, the National Arts Club operated from a temporary office at 156 Fifth Avenue. In the search for a permanent site, considerable care was taken to select an auspicious location and accommodations, and in 1899 the first clubhouse was opened at 37 West 34th Street in leased quarters renovated expressly for the Club. Within a year, the gallery and restaurant required additional space, and there was a desire to provide overnight quarters for members visiting from out of town. In 1901 the Club created a corporation, Arts Realty Co., which issued shares to members and other investors for the purpose of raising funds to purchase the adjacent property (39 West 34th Street). This end was accomplished, and when it was decided to move the Club to another location, proceeds from the sale of the lease on 37 West 34th Street and the lot next door, augmented by additional funds subscribed by members, enabled Arts Realty Co. to acquire the Tilden Mansion at 15 Gramercy Park in 1905. Construction was begun immediately on a connecting studio tower to the rear (119-121 East 19th Street), designed by architect and Club President George B. Post. Upon completion, the Club bought the property from Arts Realty Co., issuing both First and Second Mortgage Bonds to individual subscribers. The Gramercy Park property has been occupied by the Club since 1906.

A show of American gold and silver work in October 1899 was the first exhibition held at the National Arts Club. Decorative arts, crafts, and industrial arts figured prominently in early exhibitions, as did designs for civic improvements. The monthly exhibition schedule emphasized contemporary American art, but also included some historical shows. Members of the public were admitted without charge to the galleries, where they could view such innovative and important exhibitions as Pictorial Photographs presented by the Photo-Secession (1902) and a group exhibition featuring the works of Robert Henri, William Glackens, George Luks, Arthur B. Davies, and Maurice Prendergast (1904). After about 1907, exhibitions grew more conservative, probably reflecting the personal tastes of Art Committee members rather than a formal opposition of the Club to nonrepresentational art. Increasingly, the exhibition schedule was filled by shows of members' work, the Club's permanent collection (mainly works by artist members, usually given in payment for life membership), the Annual Arts and Crafts exhibitions, Books of the Year exhibitions, and shows organized by various art societies.

In addition to exhibitions, the National Arts Club regularly featured a variety of cultural programs such as concerts, lectures, and dramatic presentations for members and guests. Parties, dinner, dances, and other social activities drew members to the Club, too. During its first years, some artist members expressed dissatisfaction with the high priority given social functions; by 1905, J. Carroll Beckwith, Walter Shirlaw, and Stanford White were among those who had resigned for this reason.

Within the National Arts Club there have been some smaller societies. The earliest of these were The Discus, a short lived dining and debating club, and The Vagabonds, a lunch group of writers, editors, printers and illustrators. The Men's Open Table, founded in 1910, met weekly for more than forty years for dinner followed by a talk, given by a fellow member or an outside, often professional, lecturer. A wide range of topics, not necessarily on the arts, were presented and discussed at the Men's Open Table. The American Institute of Graphic Arts is one of the organizations said to have developed from associations formed and discussions held at the Men's Open Table. A Women's Open Table, patterned after the men's, was established later.

The National Arts Club, unlike many other private clubs founded during the same era, admitted women members from its inception. Throughout its history, the Club's membership has been comprised of artists, musicians, writers, and performers, as well as collectors and supporters of the arts drawn from all parts of the country. Membership peaked at around 1,800 in 1920, declining throughout the Depression and again in the mid-1950s, and remaining at about 600 for the next two decades.

Missing Title

1898 -- Founding; occupied temporary office at 156 Fifth Ave.

1899 -- Incorporation; leased clubhouse at 37 West 34th St.; opened first exhibition, American Gold and Silver Work

1900 -- Constitution adopted

1901 -- First donations to permanent collection; Arts Realty Co. formed for the purpose of acquiring and financing the adjacent property (39 West 34th St.)

1905 -- Arts Realty Co. purchased Gramercy Park property (Tilden Mansion) on behalf of NAC; remodeling of clubhouse and construction of studio tower begun

1906 -- Plan for financing new clubhouse approved; second Mortgage Bonds issued; clubhouse and studio tower occupied; First Annual Books of the Year Exhibition

1907 -- Annual Members' Exhibition initiated; Bulletin began publication

1910 -- First meeting of Men's Open Table (established 1909)

1914 -- Essay contest, "A Critical Estimate of the Altman Collection"

1917 -- American Artists War Emergency Fund Committee issues art stamp

1923 -- Junior Artist membership category created

1930-1931 -- Essay contest, "Soul of America"

1940 -- Works by deceased artist life members deaccessioned from permanent collection; fund for refugee artists established

1962 -- Clubhouse designated New York City Landmark

1976 -- Clubhouse designated National Historic Landmark

1987 -- NAC records donated to Archives of American Art
Appendix A: Annotated List of National Arts Club Exhibitions, 1899-1960:
* = photographs included with records of NAC (See pp. 22-23 for reel and frame numbers)

+ = photograph in NAC album (See pp. 24 for reel and frame numbers)

x = catalog, checklist, or printed announcement included with NAC printed matter

s = copy of catalog in NAC scrapbook (volume number noted, see pp. 27-32 for reel and frame numbers of each volume)

Microfilm reel and frame numbers (e.g.: N134:416-419) are cited below for NAC catalogs appearing in other collections within the Archives of American Art.

DateExhibitionOct. 30 *, 1899 -- House Warming, Exhibition of American Gold and Silver Work

Nov. 13-18, 1899 -- Tenth Exhibition of the Woman's Art Club; Reception to Miss Cecilia Beaux (N134:416-419)

Nov. 27-Dec. 10, 1899 -- Art Pottery, American, Oriental, and European (N134:407-415)

Dec. 23-Jan. 8, 1899 -- Exhibition of Small Bronzes (N134:437-443)

Jan. 13, 1900 -- Exhibition of Photographs, works by members of the Society of Mural Painters

Jan. 29, 1900 -- Design for Street Refuge, shown by New York Municipal Art Society

Feb. 5-22, 1900 -- Exhibition of Embroideries and Native Rugs (N134:420-425)

Feb. 24-Mar. 10, 1900 -- John Leslie Breck Memorial Exhibition (N443:703-708; N551:719-724)

Mar. 24-Apr. 14, 1900 -- Pastel Exhibition, American Work

Apr., 1900 -- Old and Modern Japanese Prints

Apr. 14-21, 1900 -- Ernest Tarleton Memorial Exhibition

Apr. 21-May 3, 1900 -- Exhibition of Color Reproductions, American and European

May 10-21, 1900 -- American Art Leatherwork (N134:432-426)

May 24-30, 1900 -- Small Exhibition of Japanese Water Colors

May 31-June 14, 1900 -- William Hamilton Gibson Memorial Exhibition

June, 1900 -- New York Municipal Art Society Competition

Nov. 28-Dec. 19 x, 1900 -- Arts and Crafts (N134:421-431)

Jan., 1901 -- Birds and Beasts in Art

Feb., 1901 -- Art Leatherwork and Objects Relating to the Hearth

Mar., 1901 -- Works by the Society of Mural Painters

Apr., 1901 -- Books and Bookmaking

Apr., 1901 -- Howard Walter, Water Colors Taken in Europe

May, 1901 -- Glass in the Arts

May, 1901 -- Memorial to John A. Fraser, His Paintings

May-Nov., 1901 -- Arts and Crafts in the Liberal Arts Building, Pan-American Pacific Exhibition, Buffalo, N.Y.

June-Sept., 1901 -- Sculpture, Oil Paintings, Pastels, Water Colors, and Objects of Industrial Art by Members of the Club

Oct., 1901 -- Memorial Window for the Ames Family by John La Farge

Nov., 1901 -- Annual Exhibition of Paintings and Sculpture by the Woman's Art Club

Dec., 1901 -- Objects Shown at the Pan-American Pacific Exposition

Jan., 1902 -- Ecclesiastical Art

Feb., 1902 -- Art Objects Relating to Civic Art, under the auspices of the Municipal Art Society

Mar., 1902 -- American Pictorial Photographs, shown by the Photo-Secession

Mar. 26-Apr. 21, 1902 -- Fourth Annual Exhibition of the National Sculpture Society (N551:725-729; N134:446-451)

May, 1902 -- Pictures of "Womanhood"

May, 1902 -- Memorial Window for Baltimore by D. Maitland Armstrong; Memorial Window for Wells College by Mrs. Ella Condie Lamb June Window in Stained Glass, Memorial to Julia Doane, Chicago, by John La Farge

Oct., 1902 -- Collection of Objects in Metal; Artistic Bird Cages lent by A. W. Drake, Esq.

Nov., 1902 -- Annual Exhibition by the Woman's Art Club

Nov., 1902 -- Paintings by Four Western Artists, Messrs. Duveneck, Steele, Meakin and Sharp, through the courtesy of the Cincinnati Museum Association

Dec., 1902 -- Designs Submitted for Competition for the Emblem of the Louisiana Purchase Exposition

Jan. s, 1903 -- Portraits of Napoleon, lent by John Leonard Dudley, Jr., Esq. (volume 4)

Jan., 1903 -- "Autumn," Stained Glass Window for the country residence of William C. Whitney, by John La Farge

Feb., 1903 -- Eskimo and Arctic Objects, with Paintings from the Arctic and Antarctic Circles by Frank Wilbert Stokes

Mar., 1903 -- Objects of Municipal Art

Apr., 1903 -- Examples of Ideal Art by American Artists

May, 1903 -- Sculptures by Rodin, Roche, and Rivere, belonging to Miss Lois Fuller

May, 1903 -- Portraits and other Paintings by American Artists of the Colonial and Early Periods

June-Oct., 1903 -- Summer Exhibition of Paintings, Water Colors, and Sculpture by Members of the Club

Nov., 1903 -- Jewelry and Precious Stones, Modern, Old and Oriental

Dec. 1-14, 1903 -- Thirteenth Annual Exhibition of the Woman's Art Club (N134:452-456)

Dec., 1903 -- Stained Glass Window, designed by Miss Mary E. Tillinghast

Dec., 1903 -- Sketches for the Sculpture at the Louisiana Purchase Exposition, shown by the National Sculpture Society

Jan. 5-16 s, 1904 -- Loan Exhibition of Pictures by Eminent American Painters (N134:426-464, and volume 4)

Jan. 5-16 s, 1904 -- Loan Exhibition of Pictures by Robert Henri, William Glackens, George Luks, Arthur B. Davies, and Maurice Prendergast (volume 4)

Feb., 1904 -- Pictures by Contemporary American Artists

Mar. 2-15, 1904 -- Loan Exhibition of Pictures by American Figure Painters (N50:471-472; N134:460-461)

Mar., 1904 -- Annual Exhibition of Objects of Municipal Art

Apr. 5-15 s, 1904 -- Loan Exhibition of Pictures by Some Boston Artists (N443:713-715, and volume 4)

Apr. 19-30 s, 1904 -- Loan Exhibition of Pictures by Old Masters, lent by the Messrs. Durand-Ruel (N443:711-712; N134:462-464, and volume 4)

May 3-14 s, 1904 -- Oil Paintings, Water Colors, and Drawings by John La Farge, N.A. (volume 4)

May, 1904 -- Photographs of Paintings by Old Italian Masters, under the auspices of the Library Committee

Oct., 1904 -- Work of Holders of the Lazarus and Reinhart Scholarships executed while at the American Academy in Rome

Nov., 1904 -- "The Moral and Divine Law," painting by John La Farge

Nov., 1904 -- Exhibition by Members of the Nippon-Bijitsuin (Japanese Art Academy)

Jan., 1905 -- Exhibition by the Lyme Group of Painters

Feb., 1905 -- "Old Masters" and Aphrodite

Feb., 1905 -- Pictures by Some Boston Artists

Mar., 1905 -- Annual Exhibition of the Municipal Art Society of New York

Apr., 1905 -- Artistic and Commercial Posters, under the Auspices of the Municipal Art Society

Apr., 1905 -- Textiles and Ceramics

Oct., 1905 -- "Out of Doors" as Seen by Various Artists

Nov., 1905 -- Color Prints by S. Arlent-Edwards

Dec., 1905 -- American Indians as Seen by the Artist and the Artist Photographer

Jan., 1906 -- Birds and Beasts in Art

Feb., 1906 -- Miniatures

Mar., 1906 -- Fifth Annual Exhibition of the Municipal Art Society

Mar., 1906 -- Exhibition by the Alumni of Cooper Institute

Apr. 2-14 s, 1906 -- Municipal Art Society Exhibit of Poster Designs (volume 4)

Apr.-May, 1906 -- Exhibition by the Women's Art Club of New York

Nov. 8-18 s, 1906 -- Opening Exhibition [first exhibition in new quarters]: American Paintings from the Collection of Mr. William T. Evans (D45:29-34, and volume 4)

Dec., 1906 -- Books of the Year

Dec. 8-Jan. 1 s, 1906 -- Pictures by Some American Painters (volume 4)

Jan. 12-Feb. 1 s, 1907 -- Modern German Paintings from the Collection of Mr. Hugo Reisinger (N443:716-717, and volume 4)

Feb. s, 1907 -- Exhibition of Wood Engravings by Timothy Cole made for Century Magazine

Feb., 1907 -- Longfellow Memorial

Mar. 13-31, 1907 -- Sixth Annual Exhibition of the Municipal Art Society of New York

Apr., 1907 -- New York Society of Ceramic Artists

Apr., 1907 -- Paintings and Sculpture by Members

May s, 1907 -- Exhibition of Artists' Preliminary Sketches

May-Nov., 1907 -- Sketches by Members

Oct. 16-Nov. 16 s, 1907 -- Fall Exhibition of Sketches by Members (volume 4)

Nov. 20-Dec. 11, 1907 -- Arts and Crafts Exhibition (N29:1001-1026)

Dec., 1907 -- Second Annual Exhibition of the New Books of the Year

Jan. 4-25 s, 1908 -- Contemporary Art (N443:744-746, and volume 5)

Feb., 1908 -- First Annual Exhibition of Advertising Art

Feb. 1-15 s, 1908 -- Contemporary Paintings (volume 5)

Mar., 1908 -- Exhibition of the Municipal Art Society of New York

Apr. 2-25 * s, 1908 -- Special Exhibition of Members' Work (volume 5)

Apr. 15-May 8 s, 1908 -- Members' Spring Exhibition (volume 5)

Apr. 25-May 15 s, 1908 -- Paintings Loaned by C. C. Ruthrauff (volume 5)

May *, 1908 -- Exhibition of Painting, Sculpture, and Illustration under the auspices of the Art Students League of New York

Oct. 21-Nov. 7 s, 1908 -- Members' Fall Sketch Exhibition (volume 5)

Nov. *, 1908 -- Third Annual Exhibition of Books of the Year

Dec., 1908 -- Arts and Crafts Exhibition

Jan., 1909 -- Second Annual Exhibition of Advertising Art

Jan., 1909 -- Small Exhibition of Paintings and Drawings by Contemporary Artists

Feb. 2-20 s, 1909 -- International Exhibition of Pictorial Photography (volume 1)

Feb. 23-Mar. 17 s, 1909 -- John W. Alexander Retrospective Exhibition (volume 5)

Apr., 1909 -- Exhibition of the New York Society of Keramic Arts

May, 1909 -- Spring Exhibition of Members' Work

July, 1909 -- Paintings from the Collection of Mr. and Mrs. William T. Evans

Sept.-Oct., 1909 -- Three Centuries of New York, under the auspices of the Hudson-Fulton Celebration

Nov. 3-26 s, 1909 -- Fourth Annual Exhibition of Books of the Year (volume 5)

Dec., 1909 -- Third Annual Exhibition of Arts and Crafts

Jan., 1910 -- William M. Chase Retrospective Exhibition

Feb., 1910 -- Exhibition of American Landscape Painting

Mar. 2-28 s, 1910 -- Exhibition of Paintings by Louis Mark, of Budapest (volume 5)

Apr. 6-30 s, 1910 -- Exhibition of Paintings by Alfred East, of London (N134:465-469, and volume 5)

May, 1910 -- Exhibition of Household Art, under the auspices of the Domestic Training Department of the Public Schools

May 4-Oct. s, 1910 -- Third Annual Exhibition of the Former Students of the Art Students League (volume 5)

Oct. 20-Nov. 1 s +, 1910 -- Third Annual Exhibition of Advertising Art (volume 5)

Nov.-Dec., 1910 -- Fifth Annual Exhibition of Books of the Year

Dec. * +, 1910 -- Fourth Annual Arts and Crafts Exhibition

Jan. 5-Feb. 3 s +, 1911 -- First Annual Artist Life Members' Exhibition (volume 5)

Feb. +, 1911 -- Exhibition of the New York Society of Keramic Arts

Feb. 11-Mar. 10, 1911 -- Circuit Exhibition of Contemporary Art (D12:437-439; N52:105-107)

Mar. 8-Apr. 5 * s +, 1911 -- Paintings and Drawings by Walter Shirlaw, N.A. (N52:967-973, and volume 5)

Apr., 1911 -- Exhibition of the Municipal Art Society of New York

Apr. 26-May * s +, 1911 -- Group Exhibition of Paintings: William R. Derrick, Reynolds Beal, Frederick J. Waugh (volume 5)

Oct. 25-Nov. 4 * +, 1911 -- Exhibition of Color Schemes and Model Rooms in Miniature

Nov. 8-30 * +, 1911 -- Sixth Annual Exhibition of Books of the Year

Dec. 7-28 * +, 1911 -- Fifth Annual Arts and Crafts Exhibition

Jan. 3-28 s +, 1912 -- First Prize Exhibition of Artist Life Members (N443:754-756, and volume 6)

Jan. 31-Feb. 18 * s +, 1912 -- Otto Walter Beck Exhibition (volume 6)

Feb. 21-Mar. 10 s +, 1912 -- Etchings of E. T. Hurley (volume 6)

Mar. 13-20 s +, 1912 -- National Park Pictures Collected and Exhibited by the Department of the Interior (volume 3)

Apr. 4-21 s +, 1912 -- Paintings, Embroideries, and Tapestries from the Collection of Mr. Emerson McMillan (D45:462-468; N443:757-762, and volume 6)

Apr. 4-Mar. 12 s, 1912 -- Exhibition of Original Dickens and Thackeray Drawings by Harry Furniss (volume 3)

May 8-June 1 * s +, 1912 -- Sculpture Exhibition (volume 6)

June 4-8 +, 1912 -- Exhibition of Industrial Art, under the auspices of The School Art League and the Art Departments of the City High Schools

June-Oct., 1912 -- Summer Exhibition of Painting and Sculpture

Oct. 16-Nov. 12 +, 1912 -- Third Special Exhibition of the Society of Illustrators

Nov. 13-29, 1912 -- Seventh Annual Exhibition of Books of the Year

Dec. 4-28 +, 1912 -- Sixth Annual Exhibition of the National Society of Craftsmen

Jan. 8-Feb. 9 +, 1913 -- Work of the Painter, Sculptor, and Architect Members (N443:763-767; N50:126-130)

Feb. 12-Mar. 9 * +, 1913 -- Exhibition of Works by the Late Frederick Warren Freer

Mar. 12-31 +, 1913 -- The Applied Arts of Germany

Apr. 2-27 +, 1913 -- Small Works by Six Painters: Richard E. Miller, Frederick Carl Frieseke, Charles W. Hawthorne, William Wendt, William Ritschel, and Elise Dodge Pattee

Apr. 30-June 1 +, 1913 -- Small Marbles and Bronzes (N551:732-737)

May-June, 1913 -- Summer Exhibition of Paintings and Sculpture

Oct. 15-Nov. 9, 1913 -- Society of Illustrators

Nov. 12-28, 1913 -- Eighth Annual Exhibition of Books of the Year

Dec. 3-28 * +, 1913 -- Seventh Annual Exhibition of the National Society of Craftsmen

Jan. 8-Feb. 1 +, 1914 -- Work of Painter, Sculptor, and Architect Members

Feb. 4-21, 1914 -- The Pastellists

Feb. 5-Mar. 21 x +, 1914 -- Contemporary Art

Mar. 11-29 * +, 1914 -- Hungarian Peasant Art (N134:470-479)

Apr. 1-May 2 +, 1914 -- Paintings by Eleven Western Artists

May 6-31 * +, 1914 -- Exhibition of Small Sculpture (N551:738-743)

June-Sept., 1914 -- Paintings

Nov. 4-27, 1914 -- Ninth Annual Exhibition of Books of the Year

Dec. 3-28 +, 1914 -- Eighth Annual Exhibition of National Society of Craftsmen

Jan. 7-31 +, 1915 -- Work of Painter Members (N551:744-746)

Feb. 4-25 +, 1915 -- Forty-eighth Annual Exhibition of American Water Color Society

Mar. 3-24 +, 1915 -- Portraits (N551:747-748)

Apr. 7-13 +, 1915 -- Sculpture

May 5-21, 1915 -- Exhibition of Municipal Art Society

June-Oct. *, 1915 -- Work of Painter Members

Oct. 13-30 +, 1915 -- Fifth Special Exhibition of the Society of Illustrators

Nov. 5-13 +, 1915 -- American Wood Engraving, under the auspices of the American Institute of Graphic Arts

Nov. 17-Dec. 3, 1915 -- Tenth Anniversary Exhibition of Books of the Year

Dec. 8-30 +, 1915 -- Ninth Annual Exhibition of the National Society of Craftsmen

Jan. 6-28 +, 1916 -- Work of Painter Members

Feb. 3-27 +, 1916 -- Forty-ninth Annual Exhibition of American Water Color Society

Mar. 2-25 * +, 1916 -- Loan Exhibition of Portraits of Academicians and Associates Selected from the Permanent Collection of the National Academy of Design (N551:749-752; N134:480-483)

Mar. 28-Apr. 14 +, 1916 -- One Hundred American Paintings by the American Institute of Graphic Arts (N443:768-770)

Mar. 28-Apr. 14 +, 1916 -- Exhibition of American Printing

Apr. 19-May 6, 1916 -- Exhibition of the Municipal Art Society

May 10-26, 1916 -- English Posters

June-Aug. +, 1916 -- Members' Summer Sketch Exhibition

Oct. 5-Nov. 3, 1916 -- Photography, under the auspices of the American Institute of Graphic Arts

Nov. 9-30, 1916 -- Eleventh Annual Exhibition of Books of the Year

Dec. 7-29, 1916 -- Tenth Annual Exhibition of the National Society of Craftsmen

Jan. 3-28 +, 1917 -- Annual Exhibition of the Work of Artist Members

Feb. 1-24 +, 1917 -- Fiftieth Annual Exhibition of the American Water Color Society

Feb. 28-Mar. 23 +, 1917 -- Etchings, under the auspices of the American Institute of Graphic Arts

Mar. 29-Apr. 27, 1917 -- Paintings by Boston Artists

May 2-Sept. +, 1917 -- Members' Sketch Exhibition

Oct. 3-31 +, 1917 -- Paintings from the Netherlands Section of the Panama-Pacific Exposition

Oct. 4-31, 1917 -- Illustrations of the Catskill Aqueduct

Nov. 8-30 +, 1917 -- Annual Exhibition of Books of the Year

Dec. 6-29, 1917 -- Eleventh Annual Exhibition of the National Society of Craftsmen

Jan. 3-Feb. 1 +, 1918 -- Annual Exhibition of Paintings by Members

Feb. 7-Mar. 1 +, 1918 -- Fifty-first Annual Exhibition of the American Water Color Society

Mar. 20-Apr. 26, 1918 -- Life Membership Pictures from the Permanent Collection

May, 1918 -- War Posters, under the auspices of the American Society of Graphic Arts

June 2-Oct. 1 +, 1918 -- Sketch Exhibition by Members

Dec. 5-28 +, 1918 -- Twelfth Annual Exhibition of Books of the Year

Jan. 8-31 +, 1919 -- Retrospective Exhibition of the Work of the Artist Life Members

Feb., 1919 -- Fifty-second Annual Exhibition of the American Water Color Society

Mar., 1919 -- Exhibition of War Housing

Apr. 2-May 3 +, 1919 -- Special Exhibition of the Society of Illustrators (N29:873-875)

May-Oct. +, 1919 -- Annual Exhibition of Sketches by Members

Nov., 1919 -- Annual Exhibition of Books of the Year

Jan. 7-30 +, 1920 -- Annual Exhibition of Painter and Sculptor Members (N29:864-866)

Feb., 1920 -- Fifty-third Annual Exhibition of the American Water Color Society

Mar., 1920 -- Drawings from Artists' Portfolios

Mar. 3-27 x +, 1920 -- American Drawings and Sculpture Sketches

Mar. 31-Apr. 16 +, 1920 -- Special Exhibition of the Society of Illustrators (N29:867-869)

May, 1920 -- Printing by the American Institute of Graphic Arts

June-Oct. +, 1920 -- Sketches and Small Sculpture by Members

Nov., 1920 -- Annual Exhibition of Books of the Year

Dec. 1-29 +, 1920 -- Exhibition of Art Expression by Club Members

Jan. 5-27 +, 1921 -- Members' Annual Prize Exhibition

Mar. 2-31 +, 1921 -- Art Directors Club First Annual Exhibition of Drawings and Paintings Used in American Advertising

Apr. 7-30, 1921 -- Exhibition of Old Prints, under the auspices of the American Institute of Graphic Arts (N443:775-778)

May-Oct., 1921 -- Pictures from the Club's Permanent Collection

Nov., 1921 -- Annual Exhibition of Books of the Year

Dec. 7-30 +, 1921 -- Humorists Exhibition

Jan. 5-28 +, 1922 -- Members' Annual Prize Exhibition

Feb., 1922 -- Seventh Annual Exhibition of Contemporary Bookplates, held by the American Bookplate Society

Feb. 15-Mar. 5 +, 1922 -- Exhibition of Paintings by Charles C.Curran, Franklin de Haven, George Glenn Newell, Harry W. Watrous

Mar., 1922 -- Lithographs

Apr. 5-30 +, 1922 -- Loan Exhibition of American Painting and Sculpture Owned by Club Members

May-Oct. +, 1922 -- Summer Exhibition of Artist Members

Nov., 1922 -- Annual Exhibition of Books of the Year

Dec. 6-29 +, 1922 -- Work by Members

Jan. 10-Feb. 10 +, 1923 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 14-Mar. 3 +, 1923 -- Humorists Exhibition

Mar., 1923 -- Craftwork from Berea College, Kentucky

Mar., 1923 -- Group Exhibition: Roy Brown, Oscar Fehrer, Edmund Greacen, Eugene Higgins, Lee Laurie, F. Luis Mora, Carl Rungius, Edward C. Volkert.

Mar. 28-Apr. 20 +, 1923 -- Group Exhibition: Leon Dabo, William R. Derrick, Charles P. Gruppe, Hayley Lever, Charles R. Patterson

Apr., 1923 -- Miniature Garden Exhibition, by the Garden Club of America

May-July, 1923 -- Exhibition Selected from the Permanent Collection

June 5-28 +, 1923 -- Annual Prize Exhibition of Painter and Sculptor Members

Nov., 1923 -- Annual Exhibition of Books of the Year

Dec. 12-29 +, 1923 -- Work of Living American Etchers

Jan. 9-Feb. 2 +, 1924 -- Members' Annual Exhibition of Painting and Sculpture

Mar. 5-29 +, 1924 -- Exhibition of Sculpture

Apr., 1924 -- Selected Paintings from the Permanent Collection

Apr. 30-May 15 +, 1924 -- Exhibition of Books Illustrating the History of Printing

June, 1924 -- Adirondack Mountain Club Exhibition of Photographs

Nov. *, 1924 -- Annual Exhibition of Books of the Year

Dec. 10-27 +, 1924 -- Second Annual Exhibition of Living American Etchers

Jan. 7-31 +, 1925 -- Members' Annual Exhibition of Painting and Sculpture (N552:122-159)

Feb. 23-Mar. 7 +, 1925 -- Autograph Letters with Accompanying Portraits of Authors, Statesmen, Artists, etc.

Apr. 8-May 9 +, 1925 -- Exhibition of Lithographs, Wood Blocks, and Linoleum Cuts

Nov., 1925 -- Twentieth Annual Exhibition of Books of the Year

Dec. 3-20, 1925 -- Work of Living American Etchers (N552:1-7)

Jan. 13-Feb. 6 +, 1926 -- Members' Annual Exhibition of Painting and Sculpture (N552:19-21)

Feb. 10-27 +, 1926 -- Group Exhibiton by Members of the National Arts Club

Mar. 3-27 +, 1926 -- Copies of Old Masters

Apr., 1926 -- Architecture, Sculpture, and Decorative Painting

May +, 1926 -- Fifth International Exhibition of the Brooklyn Society of Etchers (N552:34-48)

Summer +, 1926 -- Summer Exhibition

Aug.-Oct. x, 1926 -- The Vollbehr Incunabula Exhibition

Nov., 1926 -- Twenty-first Annual Exhibition of Books of the Year

Dec. 2-22 +, 1926 -- Fourth Annual Exhibition of Works of Living American Etchers (N552:8-12)

Jan. 5-29 +, 1927 -- Annual Exhibition of Painting and Sculpture by Members

Feb. 11-27 +, 1927 -- Exhibition and Auction of Works of Art by Artist Members

Mar. 2-21 +, 1927 -- Invited Exhibition by Distinguished American Painters (NHS4:693-695)

Apr. 6-29 +, 1927 -- Norse Pictorial Weaving--Mrs. Berthea Aske Bergh (N552:66-68)

Nov., 1927 -- Twenty-second Annual Exhibition of Books of the Year

Dec. 7-24 +, 1927 -- Fifth Annual Exhibition of Works of Living American Etchers (N552:13-18)

Jan., 1928 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 8-29 +, 1928 -- Small Paintings

Mar. 8-31 x, 1928 -- Exhibition of Decorative Arts

Apr. 4-20 +, 1928 -- Exhibition by Junior Artist Members of the Club

Nov., 1928 -- Twenty-third Annual Exhibition of Books of the Year

Dec., 1928 -- Small Paintings

Jan. 8-Feb. 8 + -- Members' Annual Exhibition of Painting and Sculpture

Feb. 13-Mar. 8 -- Sixth Annual Exhibition by Living American Etchers

Mar. + -- Richard M. Hurd Loan Exhibition of Italian Primitives

Apr. 3-26 + -- Exhibition by Junior Artist Members of the Club

May 1-Oct. 1 + -- Summer Exhibition by Painter Life Members

Nov. -- Twenty-fourth Annual Exhibition of Books of the Year

Dec. 4-26 * + -- Exhibition of the Decorative Arts

Jan. 8-Feb. 1 +, 1930 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 5-28 x +, 1930 -- Seventh Annual Exhibition of Living American Etchers

Mar. 5-28 +, 1930 -- Junior Artist Members' Exhibition

Apr. 16-Sept. 30 +, 1930 -- Members' Exhibition of Small Paintings (N134:484-490)

Nov., 1930 -- Silver Anniversary Exhibition of Books of the Year

Dec. 3-26 * +, 1930 -- Eighth Annual Exhibition by Living American Etchers

Jan. 7-Feb. 6 +, 1931 -- Members' Annual Exhibition of Painting and Sculpture

Mar. 4-27 +, 1931 -- Exhibition by the Junior Artist Members

Mar. 13-Apr. 15 x, 1931 -- Auction Exhibition and Sale by Artist Members

Apr. 1-25 +, 1931 -- Members' Work of the New York Water Color Club

May 2-24 +, 1931 -- The Story of Gramercy Park in Portraits and Historical Objects of the Period, in connection with Gramercy Park Centenary Celebration

June 3-Oct. 1 +, 1931 -- Members' Exhibition of Small Paintings

Oct. 21-Nov. 20, 1931 -- Twenty-sixth Annual Exhibition of Books of the Year

Nov. 26-Dec. 26, 1931 -- Sixteenth Annual Exhibition by the Society of American Etchers (formerly The Brooklyn Society of Etchers)

Jan. 6-13 +, 1932 -- Members' Annual Exhibition of Painting and Sculpture

Feb. 3-27 +, 1932 -- Exhibition of Drawings by Artist Members

Mar. 2-26 +, 1932 -- Paintings by Junior Artist Members

Mar. 13-Apr. 15 +, 1932 -- Auction Exhibition and Sale by Artist Members

Apr. 20-30 +, 1932 -- Exhibition by a Group of New York Art Schools

May 4-Oct. 1 +, 1932 -- Members' Annual Exhibition of Small Paintings

Jan. 4-27 +, 1933 -- Members' Annual Exhibition of Painting and Sculpture

Mar. 1-31 +, 1933 -- Junior Artist Members

Apr. 5-22 +, 1933 -- Society of Illustrators

May 3-Oct. 1 +, 1933 -- Members' Exhibition of Small Paintings and Sculpture

Jan. 3-27 +, 1934 -- Members' Annual Exhibition

Jan. 31-Mar. 2 +, 1934 -- Memorial Exhibition of a Group of Former Painter and Sculptor Members: Max Bohm, Emil Carlsen, Charles Hawthorne, Robert Henri, Karl Bitter, Solon Borglum, Daniel Chester French, Edmund Quinn

Mar. 7-29 +, 1934 -- Junior Artist Members

Apr. 4-27 +, 1934 -- Society of Illustrators, Thirty-second Annual Exhibition

May 2-June 28 +, 1934 -- Members' Exhibition of Small Paintings and Sculpture (N552:69-71; N134:491-494)

Nov.-Dec., 1934 -- Seventeenth Annual Exhibition of the Society of American Etchers (formerly The Brooklyn Society of Etchers) (N552:49-65)

undated -- Twenty-ninth Annual Exhibition of Fifty Books of the Year

Jan. 9-Feb. 1 +, 1935 -- Members' Exhibition (N552:22-24)

Feb. 6-Mar. 2 +, 1935 -- Members' No Jury Exhibition of Painting and Sculpture (N552:72-74)

Mar. 6-29 +, 1935 -- Junior Artist Members (N552:75-77)

Apr. 3-27 +, 1935 -- Loan Exhibition of Works of Art owned by Artist Members (N552:84-96)

undated -- Thirtieth Annual Exhibition of Books of the Year

undated -- Twentieth Annual Exhibition of the Society of American Etchers

Jan. 8-31 +, 1936 -- Members' Annual Exhibition (M552:25-27)

Mar. 4-27 +, 1936 -- Junior Artist Members (N552:78-80)

Apr. 1-May 1 x +, 1936 -- Exhibition of Neighboring Art Organizations (N552:92-94)

Spring +, 1936 -- First Annual Exhibition of Pictorial Photography by the Pictorial Forum (N552:87-91)

1936 -- Thirty-first Annual Exhibition of Books of the Year

undated -- Twenty-first Annual Exhibition of the Society of American Etchers

Jan. 6-29 +, 1937 -- Members' Annual Exhibition

Mar. 3-26 +, 1937 -- Exhibition by the Younger Artists Group (N134:495-497)

Mar. 31-Apr. 27 +, 1937 -- Second Exhibition of Neighboring Art Organizations (N552:95-97)

Nov. *, 1937 -- Thirty-second Annual Exhibition of Books of the Year

Dec. 8-25 +, 1937 -- Members' Exhibition of Smaller Paintings and Black and Whites (N552:110-112)

Jan. 12-27, 1938 -- Exhibition of Former Painter and Sculptor Members (N552:113-115)

Mar. 14-Apr. 2 +, 1938 -- Third Exhibition of Neighboring Art Organizations (N552:98-100)

Apr. 6-20 +, 1938 -- Younger Artists Group Exhibition (N552:107-109)

Jan. 12-27 x +, 1939 -- Memorial Exhibition of the Work of a Group of Former Painter and Sculptor Members (N134:498-499)

Feb. 1-25 +, 1939 -- Members' Exhibition (N552:28-30)

Mar. 1-31 +, 1939 -- Exhibition of Flower Paintings (N552:116-118; N134:500-502)

Mar. 3-26, 1939 -- Younger Artists Group (N552:104-106)

Apr. 5-21 +, 1939 -- Fourth Annual Exhibition of Neighboring Art Organizations (N552:101-103)

May 10-24 +, 1939 -- Annual Junior Members' Exhibition (N552:81-83; N134:503-505)

June-Oct. +, 1939 -- Selected Works by Deceased Artists from the National Arts Club Permanent Collection (N552:119-121; N134:506-508)

Oct. 18-28 +, 1939 -- Special Exhibition of Paintings by Junior Members

Dec. 4-25 +, 1939 -- Christmas Sale of Paintings, Drawings, Photographs, and Sculpture by Junior Members

Jan. 3-19 +, 1940 -- Members' Annual Exhibition

Jan. 24-Feb. 9 +, 1940 -- Distinguished Exhibition of the Work of Living American Painters, Non-Members

Feb. 14-29 +, 1940 -- Exhibition and Sale of Ceramics (N134:511-513)

Mar. 19-29, 1940 -- Fontainebleau Alumni Exhibition

Apr. 3-19 +, 1940 -- Annual Junior Members' Exhibition

Apr. 24-May 3 +, 1940 -- Flower and Still Life Paintings

May 8-June 1, 1940 -- Special Exhibition of Water Colors, Architectural Renderings, Type Compositions, and Color Reproductions by Edwin Hooper Denby, A.I.A., S.A.D.G. (N443:779-780; N134:509-510)

Dec. +, 1940 -- Twenty-fifth Annual Exhibition of the Society of American Etchers

Feb. 4-Mar. 1, 1942 -- Exhibition of Paintings by Artists of the United Nations (N134:512-518)

June 12-Sept. 30, 1942 -- Members' Summer Exhibition (N134:519)

Dec. 16-Jan. 22, 1942 -- Exhibition of Chinese and Indian Art (N134:520)

Mar. 31-, 1943 -- Exhibition of Junior Members (N134:521)

July 1-Sept. 30, 1943 -- Summer Exhibition of Smaller Paintings by Members (N134:522)

Feb. 17-Mar. 15, 1944 -- Exhibition of Studies by American Masters (N134:523)

Oct. 5-27, 1944 -- Exhibition of Enlarged Photographs of American Patriots as Seen in Sculpture (N134:523)

Jan. 10-Feb. 9 x, 1945 -- Members' Annual Exhibition of Painting and Sculpture

Dec. 22-Jan. 4, 1945 -- Seventh Annual Exhibition of the American Veterans Society of Artists, Inc. (N134:527-540)

May 21-30, 1946 -- The Traphagen School Exhibition of Costume Design, Illustrating the Development of American Fashion (N134:526)

Feb. 20-Mar. 7, 1947 -- Exhibition of Contemporary Chinese Paintings (N134:541)

Apr. 20-May 2, 1947 -- Junior Members' Exhibition

Dec. 10-24, 1947 -- Ninth Annual Exhibition of American Veterans Society of Artists, Inc. (N121:721-733)

Feb. 23-Mar. 6, 1948 -- Forty-seventh Annual Exhibition of the New York Society of Ceramic Arts (N134:543)

Mar. 9-21, 1948 -- Annual Exhibition of Junior Members (N134:543)

Apr. 8-May 30, 1948 -- Fiftieth Anniversary Exhibition of Painting and Sculpture by Members, Past and Present (N134:543)

June 10-Sept., 1948 -- Members' Summer Exhibition (N134:544)

Jan. 19-Feb. 9, 1949 -- Fifty-first Annual Exhibition of Painting and Sculpture by Members and Guest Artists (N134:544)

Mar. 14-31, 1949 -- Exhibition by Members of the Federation of Modern Painters and Sculptors (N134:545)

May 5-Sept. 15, 1949 -- Members' Summer Exhibition (N134:546)

Oct. 15-Nov. 4, 1949 -- Fourth Annual Exhibition of the Photo-Engravers Society

Jan. 4-Feb. 1, 1950 -- Fifty-second Annual Exhibition of Paintings and Sculpture by Members and Guest Artists (N134:546-548 and 550)

Jan. 28-Feb. 19, 1950 -- Eighty-third Annual Exhibition of the American Water Color Society (N134:549)

Feb. 8-23, 1950 -- Exhibition of Creative Art Associates (N134:549)

Mar. 16-Apr. 2, 1950 -- Exhibition of Room Interiors Especially Designed by Members of the American Institute of Decorators, in collaboration with Members of the National Society of Mural Painters (N134:551)

May 7-28, 1950 -- Active Members' Exhibition (N134:551-554)

June 28-Sept. 15, 1950 -- Members' Summer Exhibition (N134:555)

Feb. 26-Mar. 17 x, 1951 -- Paul Mommen

Mar. 24-Apr. 19, 1951 -- Exhibition of Paintings by Non-Members (N134:558-559)

May 5-31, 1951 -- Spring Water Color Exhibition (N134:560)

June 6-, 1951 -- Group Exhibition by Distinguished Artist Members: Gifford Beal, Louis Betts, Charles Clapman, Walter Farndon, Albert Groll, Eugene Higgins, Leon Kroll, Van Dearing Perrine, Keith Shaw Williams

Jan. 6-30, 1952 -- Fifty-fourth Annual Exhibition of Paintings and Sculpture by Members and Guest Artists (D176:917-919; N134:561)

Feb. 9-28, 1952 -- Annual Water Color Exhibition (N134:562)

Mar. 9-27, 1952 -- Exhibition of Oil Paintings by Distinguished American Artists (N134:572)

Jan. 4-18, 1953 -- Fifty-fifth Annual Exhibition by Painter and Sculptor Members and Guest Artists (N134:563)

Jan. 25-Feb. 8, 1953 -- Annual Water Color Exhibition (N134:564)

Feb. 15-Mar. 1, 1953 -- Open Exhibition of Oil Paintings (N134:565-568)

Mar. *, 1953 -- Art of Indonesia

May 3-24, 1953 -- Members' Exhibition of Smaller Paintings in Oil (N134:569-571)

Nov. 1-14, 1954 -- The American Artists Professional League, American Art Week (N121:258-259)

Oct. 2-19, 1955 -- Open Water Color Exhibition

Jan. 8-22 x, 1956 -- Fifty-eighth Annual Exhibition by Painter and Sculptor Members and Guest Artists (N134:573-575)

June 17-Sept. 7 x, 1956 -- Members' Summer Exhibition

Sept. 24-Oct. 8 x, 1956 -- James H. Walsh

Oct. 28-Nov. 10 x, 1956 -- Small Picture Exhibition by Members and Guests

Nov. 16-30 x, 1956 -- August Benziger

Dec. 5-22 *, 1956 -- Fiftieth Anniversary Exhibition of Books of the Year

Jan. 6-27, 1957 -- Fifty-ninth Annual Exhibition of Painting and Sculpture by Members and Guest Artists

Feb. 1-15, 1957 -- Catherine Lorillard Wolfe Art Club Sixtieth Annual Exhibition (N134:576-577)

Sept. * x, 1957 -- International Exhibition of Painting and Sculpture

Jan. 10-24 x, 1958 -- Sixtieth Annual Exhibition of Painting and Sculpture by Members and Guest Artists

May 21-31 x, 1958 -- Water Color and Graphic Arts Exhibition by Members and Non-Members

Oct. 17-31 x, 1958 -- Twelfth Annual Exhibition of the Photo-Engravers Society

Nov. 22-Dec. 3 x, 1958 -- Metropolitan Young Artists Show

Jan. 11-26 x, 1959 -- Sixty-first Annual Exhibition of Painting and Sculpture by Members and Guest Artists

Dec. 9-Jan. 7 x, 1959 -- Metropolitan Young Artists Show

Jan. 15-28 x, 1960 -- Sixty-second Annual Exhibition of Painting and Sculpture by Members and Guest Artists

Apr. 18-May 1, 1960 -- Catherine Lorillard Wolfe Art Club Flower Painting Exhibition and Sale (D176:1128-1129)

June 8-29 x, 1960 -- Summer Exhibition of Painting and Sculpture by Members

undated -- * Arts and Crafts Exhibitions

undated -- * x Annual Exhibitions of Books of the Year

undated -- * Ceramic Art Exhibition

undated -- x Water-Oils by Charles S. Chapman, N.A.

undated -- x Fine Art of the Caribbean

undated -- x Painters of the United States, 1720-1920, from the Permanent Collection of the Fine Arts Department, International Business Machines Corp.

undated -- * Pottery Exhibition

undated -- * Traveling Exhibition of Enlarged Photographs of Sculpture and Spring Exhibition of Small Sculpture by Members of the National Sculpture Society

undated -- * Exhibition of Small Sculpture

undated -- x Modern Tapestries from Vienna

undated -- x Annual Open Water Color Exhibition

undated -- x Catherine Lorillard Wolfe Art Club, Flower Paintings Exhibition and Sale

undated -- * Unidentified exhibition installations
Related Material:
These citations were compiled from Art Index, 1929-1960; The New York Times Index, 1898-1960; Poole's Index to Periodical Literature, 1898-1906; Nineteenth Century Readers' Guide to Periodical Literature, 1898-1899; and Readers' Guide to Periodical Literature, 1900-1960, using the format employed in Art Index. Citations are presented in chronological order, as it is anticipated that most researchers consulting the National Arts Club Records will be interested in a specific event or era in the Club's history, or are apt to be researching artists whose National Arts Club affiliation or exhibition activities were confined to a particular period.

1898

National Art Club. -- Harpers Weekly -- 42:329, April 2.

1899

Club to advance art industries. -- Critic -- 34:349-51, April.

National Arts Club organized. -- New York Times -- (7-2), 29-288-2, April 26.

1909

Position as a factor in the encouragement of the fine arts. G. Teall. -- Craftsman -- 15:604-13, February.

Club officials rule a member may take a process server into club as a guest to serve papers on fellow member, case of R.S. Perrin vs. D. Whipple. -- New York Times -- 7:3, June 29.

1913

Lecture of Prof. Eucken on Art and Morality. -- New York Times -- 9:3, March 1.

Offers prize to member who writes best manuscript on "A Critical Estimate of the Altman Collection." -- New York Times -- 12:7, November 8.

Annual exhibition of Books of the Year; organization of American Institute of Graphic Arts planned. -- New -- York Times 9:3, November 13.

1914

Alexander de Yourevitch has visited Russian political exiles as agent from the Czar; arranges for Russian trade exhibit in New York; National Arts Club has agreed to cooperate. -- New York Times -- 20:2, March 27.

Dinner in honor of Shakespeare celebration, address by Henry Clews. -- New York Times -- 13:2, April 24.

Farewell dinner to Karl Vollmoeller and George Sylvester Viereck at National Arts Club by Alfred Rau. -- New York Times -- III, 7:3, May 7.

Exhibition of Books of the Year (editorial). -- New York Times -- VI, 514:2, November 22.

1915

Awards announced. -- New York Times -- 10:1, January 7.

Paintings exhibition. -- New York Times -- V, 11:13, January 10.

Poster exhibition. -- New York Times -- III, 2:5, March 28.

Thanksgiving dinner to east side waifs. -- New York Times -- 11:1, November 26.

1917

Annual exhibition; Gold Medal and $1000 prize awarded to Ben Foster. -- New York Times -- 10:6, January 4.

Memorial services for W.B. Howland. -- New York Times -- 7:3, March 3.

Offers prizes for best patriotic medal, poem, and song. -- New York Times -- 9:14, April 6.

Offers prizes to promote expression of American patriotism in art. -- New York Times -- IV, 13:2, April 15.

H.A.W. Wood speaks at distribution of prizes. -- New York Times -- 11:3, May 31.

"Road to France," $500 prize offered for appropriate music. -- New York Times -- 13:2, June 9.

American Artists' War Emergency Fund Committee announces that art stamp will be sold to aid artists reduced in circumstances through the war. -- New York Times -- 13:6, July 10.

Offers prize of $500 for best musical setting for D.M. Henderson's "The Road to France." -- New York Times -- VIII, 9:3, August 12.

Prize for music for war song by D.M. Henderson is awarded to Signe Lund. -- New York Times -- 13:3, November 1.

1919

Annual books exhibition. -- New York Times -- VIII, 686:1, November 23.

1921

Comment on suggestion by G. Bellows that proposed members should possess some work by living American artist. -- New York Times -- III, 20:3, February 6.

Elects governors. -- New York Times -- 9:2, April 13.

1922

Awards Agar prize to Christine Herter. -- New York Times -- 16:7, April 7.

Address by Ann Martin. -- New York Times -- 4:3, August 3.

1923

Annual exhibition of books; I. Zangwill speaks; protest by member. -- New York Times -- 6:1, November 8.

1924

Prize winners of annual exhibition. -- New York Times -- 4:15, January 10.

Honors J.G. Agar at dinner. -- New York Times -- 6:2, February 26.

1925

Mural panels of Old NY used for New Year's fete to be put on exhibition. -- New York Times -- 29:1, January 4.

Announces prize winners at Members' Annual Exhibition. -- New York Times -- VIII, 11:2, January 18.

Murals depicting history of NYC, painted for New Years' ball, to be given to Museum of the City of New York. -- New York Times -- 25:4, February 3.

Exhibition of lithographs, woodcuts, and linoleum prints. -- New York Times -- VIII, 11:13, April 12.

1926

Exhibition. -- New York Times -- 4:5, January 14.

Exhibition. -- New York Times -- 17:3, April 8.

Exhibition of photographs of recent buildings. -- New York Times -- VIII, 12:6, April 18.

15th century books brought from Germany by Dr. Otto H.F. Vollbehr on exhibition at the National Arts Club. -- New York Times -- 6:6, August 24.

15th century Book of Hours, worth $15,000, stolen from exhibition at National Arts Club. -- New York Times -- 1:2, August 26.

Feature article on exhibition. -- New York Times -- IV, 15:1, August 29.

Book of Hours mysteriously returned to Vollbehr by E.M. Garlock, attorney, acting for unnamed client who claims to have bought book from stranger. -- New York Times -- 19:1, September 12.

Editorial on return of book. -- New York Times -- 20:4, September 13.

21st annual book exhibit; addresses. -- New York Times -- 28:3, November 4.

History in connection with 20th anniversary celebration. -- New York Times -- VIII,18:6, November 7.

1927

New Year's Eve costume ball. -- New York Times -- 15:3, January 1.

Exhibition of American paintings. -- New York Times -- 25:5, March 3.

Exhibition of etchings. -- New York Times -- IX, 10:4, December 11.

1928

Exhibits. -- New York Times -- 30:2, January 12; -- New York Times -- IX, 13:2, January 29.

Awards in small painting exhibition. -- New York Times -- 27:2, February 10.

Exhibit. -- New York Times -- VIII, 15:3, February 12.

First exhibition of decorative arts. -- New York Times -- 28:4, March 15; -- New York Times -- IX, 15:4, March 18.

Exhibition. -- New York Times -- IX, 15:2, April 15.

1929

J. Lie, P. Manship, and C. Beach win prizes. -- New York Times -- 25:3, January 11.

Annual members' exhibition. -- New York Times -- X, 18:4, January 27.

Exhibition of crafts. -- New York Times -- X, 15:6, December 8.

Prize awarded to D.C. Nisbet. -- New York Times -- 23:5, December 29.

1930

Arts Club prizes announced. -- Art News -- 28:21, January 4.

Annual exhibition of painting and sculpture. -- New York Times -- VIII, 13:3, January 19.

Seventh annual exhibition. -- New York Times -- VIII, 13:1, February 16.

Annual junior art show. -- New York Times -- 3:5, March 15; -- New York Times -- X, 19:3, March 16.

Exhibition of prints by living American etchers. -- New York Times -- X, 18:1, December 14.

1931

New York season; Living American Etchers. -- Art Digest -- 5:14, January 1.

M. Gregg Memorial Prize awarded to I.G. Olinsky; medal to H.W. Watrous. -- New York Times -- 34:6, January 10.

Exhibitions. -- New York Times -- VIII, 12:7, February 22.

Exhibition of Junior Artist Members. -- New York Times -- IX, 13:4, March 15.

Hold exhibition of portraits and other objects relating to history of Gramercy Park. -- New York Times -- II, 1:7 and 18:4, May 3.

Annual exhibition of paintings by members. -- New York Times -- 30:6, June 4.

Awards to R.D. Bowden $3000 prize, offered by J.G. Agar for best book on "The Soul of America." -- New York Times -- 20:6, June 8.

1932

Annual exhibition of work by painter and sculptor members; prizes announced. -- New York Times -- 27:7, January 7.

Art Club prizes. -- Art Digest -- 6:10, January 15.

Forum on development of art talent in young artists. -- New York Times -- 13:8, January 18.

Arts Club prizes. -- Art News -- 30:20, January 23.

Opening. -- New York Times -- 16:7, February 4.

Prizes awarded to junior artists. -- New York Times -- 19:2, March 8.

Art auction totals $600. -- New York Times -- 19:5, April 14.

Members' exhibition of small paintings. -- New York Times -- 16:6, May 5.

National Arts Club book exhibition. E. Yost. -- Publishers Weekly -- 122:2382-3, December 31.

1933

R. Nickerson, new member, wins medal at annual painting and sculpture show; other awards. -- New York Times -- 18:2, January 5.

Annual members' exhibition. -- New York Times -- 13:2, January 13; -- New York Times -- IX, 12:6, January 15.

National Arts club prizes. -- Art Digest -- 7:15, January 15; -- Art News -- 31:7, January 28 Celebrates 119th birthday of S.J. Tilden. -- New York Times -- 17:6, February 8.

Exhibition by junior artist members. -- New York Times -- 15:2, March 2.

1934

Prizes for annual members' show announced. -- New York Times -- IX, 12:3, January 14.

Annual dinner. -- New York Times -- 17:4, January 18.

Prizes. -- Art Digest -- February 1, 8:19; -- Art Digest -- 8:13, May 15.

Memorial exhibition of eight of its deceased painter and sculptor members. -- New York Times -- IX, 12:6, February 4.

Junior members exhibit. -- New York Times -- 17:1, March 8; -- New York Times -- IX, 9:7, March 18; Prizes awarded. -- New York Times -- 22:8, March 22.

Annual members' show. -- New York Times -- 17:2, May 3; Awards, -- New York Times -- 21:1, May 8; -- New York Times -- IX, 7:7, May 13.

Awards given by Arts Club. -- Art News -- 32:4, June 2.

Rare book exhibition planned. -- New York Times -- 19:4, September 18; Exhibition. -- New York Times -- 17:1, September 19.

1935

Annual exhibition of members' work opened. -- New York Times -- 17:5, January 10; -- New York Times -- 9:3, January 14.

Annual dinner; awards. -- New York Times -- 20:7, January 17.

Stag dinner; portrait of Victoria replaces painting of nude. -- New York Times -- 23:4, February 1.

Prizes, annual exhibition of painting and sculpture. -- Art Digest -- 9:21, February 1.

Members' annual exhibition. -- New York Times -- 18:2, February 8; -- New York Times -- VIII, 9:6, February 17.

Annual exhibition by junior artists. -- New York Times -- 18:5, March 9.

Arts Club plans a large bazaar. -- Art News -- 33:10, August 17.

Series of articles on traditions of club being written. -- New York Times -- II, 7:1, October 6.

Plans for annual book week. -- New York Times -- II and III, 8:5, October 13; exhibitors to be entertained by J.R. Gregg, president. -- New York Times -- 19:2, October 30.

To award two trips to Europe for mural decoration. New -- York Times -- 26:7, November 1; -- New York Times -- 19:5, November 14.

To hold "At Home" tea. -- New York Times -- II, 8:2, December 8.

Dinner. -- New York Times -- 14:8, December 11.

1936

Annual members' exhibition. -- New York Times -- 19:6, January 9; -- New York Times -- 13:8, January 11; -- New York Times -- IX, 10:1, January 19.

Exhibition of modern textbooks. -- New York Times -- 17:7, February 6.

Announces winners of trips to Europe. -- New York Times -- 21:2, February 11.

Exhibition by neighboring organizations. -- New York Times -- IX, 8:1, April 12.

Summer exhibit from permanent collection. -- New York Times -- IX, 7:4, June 21.

Exhibition of contemporary books; authors' night. -- New York Times -- VI, 9:2, November 8.

Plans for children's matinee at annual book exhibition. -- New York Times -- VI, 7:2, November 8.

Women's open table plans dinner. -- New York Times -- 16:4, November 23.

Exhibition of Society of American Etchers. -- New York Times -- XII, 9:2, November 29.

1937

Awards at members' exhibit. -- New York Times -- 24:3, January 27.

Exhibitions sponsored by Society of American Etchers. -- New York Times -- 21:3, February 3; -- New York Times -- X, 9:7, February 7.

Women's committee holds drama dinner. -- New York Times -- 13:1, February 15.

R.D. Kohn speaks, -- New York Times -- 25:7, March 11.

Jr. artists group exhibit. -- New York Times -- IX, 10:1, March 14; Awards. -- New York Times -- 23:6, March 25.

Photographic exhibition. -- New York Times -- X, 10:2, May 16.

Officers elected. -- New York Times -- 19:1, May 20.

H. Hamilton exhibit. -- New York Times -- IX, 6:7, September 26.

Book of the year exhibit. -- New York Times -- 23:6, November 4; -- New York Times -- VI, 4:3, November 28.

Mr. H.P. Crine elected life member. -- New York Times -- 9:1, November 28.

Members' exhibit. -- New York Times -- 28:3, December 9.

1938

Women's Open Table plans. -- New York Times -- 11:2, January 17.

Members' annual exhibit. -- New York Times -- , January 18 26:2; -- New York Times -- IX,9:3, January 23; Awards. -- New York Times -- 22:2, January 27.

Members studio receptions planned. -- New York Times -- VI, 2:7, January 30.

Dinner honoring Dr. W. Damrosch. -- New York Times -- 12:5, March 7.

Exhibit by art groups near NYC. -- New York Times -- 20:8, March 28.

Group show. -- New York Times -- X, 8:2, April 17.

Viennese ball. -- New York Times -- 22:6, April 21.

J.F. Talcott elected president; D.E. Waid executive committee chairman. -- New York Times -- 21:6, November 19.

Victorian ball. -- New York Times -- 18:1, December 17.

1939

Members' memorial exhibit. -- New York Times -- 15:1, January 13; -- New York Times -- IX, 9:2, January 22.

Members' painting and sculpture exhibit. -- New York Times -- IX, 9:2, February 5.

Jr. Members' lecture. -- New York Times -- 10:2, February 6.

Painting exhibit. -- New York Times -- 18:1, March 1; -- New York Times -- X, 10:2, March 5.

Jr. Members party planned. -- New York Times -- 50:3, March 5.

Exhibit of neighboring art organizations. -- New York Times -- 13:2, April 17.

Wild West party planned to benefit Jr. Members Scholarship Fund; to close 40th anniversary celebration. -- New York Times -- II, 2:8, April 23; -- New York Times -- II, 3:1, April 30.

Jr. Members plan New Year's Eve Olympian Ball. -- New York Times -- 30:2, December 19; -- New York Times -- II, 1:2, December 31.

1940

Art by deceased life members to be sold. -- New York Times -- 17:2, January 5.

Group show; awards. -- New York Times -- 21:2, January 11.

Group show. -- New York Times -- 24:2, January 24; -- New York Times -- IX, 9:2, January 28.

Non-members exhibition. -- Art News -- 38:15, February 3.

Exhibits: ceramics. -- New York Times -- 17:4, February 16; Ceramics and flowers. -- New York Times -- 15:5, February 19; Ceramics. -- New York Times -- II, 5:2, February 25; Exhibits: Jr. members. -- New York Times -- IX, 10:2, April 14; Group show awards. -- New York Times -- 21: 5, April 25.

Pan-American Ball held. -- New York Times -- 21:5, April 20.

Fund campaign for refugee artists started. -- New York Times -- 8:2, July 31.

Establishes artist refugee fund. -- New York Times -- 19:1, August 1.

Benefit exhibit plans. -- New York Times -- 20:8, October 2; Exhibit. -- New York Times -- IX, 5:4, October 6.

County fair planned. -- New York Times -- II, 3:3, October 6.

Refugee artists show their work. -- Art News -- 39:10, October 12.

Annual book exhibit opens. -- New York Times -- 3:5, November 3.

Testimonial luncheon for foreign authors in U.S. -- New York Times -- 45:2, November 10.

National Arts Club dramatizes books at the 35th annual new books of the year exhibition. -- Publishers Weekly -- 138:2046, November 30.

1941

Annual members' exhibit. -- New York Times -- 24:8, January 10; Comment. -- New York Times -- IX, 9:2, January 12; Awards. -- New York Times -- 24:6, January 23.

Annual prizes. -- Art Digest -- 15:13, February 1.

Benefits concerts planned. -- New York Times -- 39:1, February 23; -- New York Times -- 20:7, March 28.

Annual exhibit awards. -- New York Times -- 28:3, March 11; Comment. -- New York Times -- I, 10:3, March 16.

Group shows. -- New York Times -- IX, 10:1, March 30; -- New York Times -- IX, 8:2, May 25; -- New York Times -- X, 13:5, May 25; -- New York Times -- IX, 7:5, June 15.

Book exhibit. -- New York Times -- 1:6,November 9.

1942

Group show. -- New York Times -- X, 10:1, January 18.

Group show. -- New York Times -- 14:4, February 4; Private preview. -- New York Times -- 15:4, February 5; Comment. -- New York Times -- IX, 9:6, February 8.

Jr. members to honor servicemen at Hallowe'en party. -- New York Times -- 16:3, October 30.

37th annual show of new books. -- Publishers Weekly -- 142:2044, November 14.

To sponsor Chinese and Indian art exhibit in NYC. -- New York Times -- VIII, 9:1, December 13; Exhibit. -- New York Times -- 42:5, December 17.

1945

Holds Xmas fair. -- New York Times -- 13:3, November 16.

1946

Contemporary American painting exhibit planned. -- New York Times -- 23:6, February 20.

Jr. members and young non-members exhibition. -- Art News -- 45:67, May.

Annual book show plans. -- New York Times -- 21:2, November 1; Show, W.L. Laurence speaks. -- New York Times -- 13:1, November 12.

Annual book show. -- Publishers Weekly -- 150:2731, 2718, November 9.

Packaging the book. P. Boswell. -- Art Digest -- 21:3, November 15.

Choosing best book jackets, 41st annual book show. -- Art News -- 45:8, December.

1947

Preview exhibit. -- New York Times -- 21:5, January 9.

Forming symphony orchestra. -- New York Times -- 27:1, September 19.

1948

Ninth annual exhibition of American Veterans Society of Artists. -- Art Digest -- 22:19, January 1.

Conservatives score at the 50th annual exhibition of painting and sculpture. -- Art Digest -- 22:17, February 1.

Fiftieth annual exhibition. -- Art News -- 47:49, March.

Book fair opens in NYC. -- New York Times -- 30:7, December 9.

1949

Summer annual. -- Art Digest -- 23:14, August.

Dinner honors Mrs. F.D. Roosevelt. -- New York Times -- 39:5, October 11.

1950

Fifty-second annual exhibition of oils and sculptures. -- Art Digest -- 24:12, January 15.

Members' summer exhibition. -- Art Digest -- 24:18, August.

Fair plans. -- New York Times -- 44:8, November 1.

1951

Members-guests annual. -- New York Times -- II, 19:1, January 14.

53rd Annual Exhibition. -- Art Digest -- 25:18, January 15; -- Art News -- 49:47, February.

Non-members annual. -- New York Times -- 21:5, March 30.

Open competition for non-members. -- Art Digest -- 25:18, April 15.

Summer painting exhibition series opens. -- New York Times -- 42:8, June 7.

Members work. -- New York Times -- II, 6:4, June 17.

Summer exhibition. -- Art Digest -- 25:19, July.

1952

Fifty-fourth annual exhibition. -- Art Digest -- 26:19, January 15; -- Art News -- 49:47, February.

Members and guests annual. -- New York Times -- 59:2, January 6; Awards. -- New York Times -- 16:2, January 17.

Watercolor annual; awards. -- New York Times -- 14:4, February 8; -- Art News -- 51:56, March.

Non-members painting annual; awards. -- New York Times -- 16:5, March 10; -- New York Times -- 27:3, March 13.

Small pictures by members; awards. -- New York Times -- 25:5, April 9.

Exhibition of small oils. -- Art Digest -- 26:18-19, April 15; -- Art News -- 49:47, February.

1953

Theatre in an art gallery. A. Scheff. -- Theatre Arts -- 37:92, January.

Members-guests annual; awards. -- New York Times -- II, 11:2, January 11.

Non-members painting annual; awards. -- New York Times -- 21:5., February 19.

Members work; awards. -- New York Times -- II, 13:2, May 10; -- New York Times -- II, 8:5, June 21.

1954

Painting and sculpture annual by members and guests. -- New York Times -- 25:5, January 26.

Fifty-sixth annual exhibition. -- Arts Digest -- 28:17, February 1.

Members and non-members annual; contemporary watercolors; awards. -- New York Times -- 27:5, February 11; Review. -- New York Times -- II, 14:2, February 14.

Grand national annual members' competition. -- Art News -- 53:63, May.

1955

Painting and sculpture annual; awards. -- New York Times -- 23:1, January 12.

Fifty-sixth annual exhibition. -- Arts Digest -- 28:17, February 1.

Paintings annual; awards. -- New York Times -- 18:4, March 1.

Annual exhibition of American oil paintings. -- Art Digest -- 29:26, March 15.

Poet P. MacKaye honored on 80th birthday. -- New York Times -- 28:2, March 16.

1957

Arts Club honors Neuman; WNYC. C. Durgin. -- Musical America -- 77:12, April.

Art Clubs of America. -- Artist -- 53:67, June.

1958

At founding [sixtieth anniversary]. -- New York Times -- 49:2, November 27.

First annual metropolitan young artists show; awards. -- New York Times -- 49:2, November 27

1959

Stadium Concerts founder Mrs. C.S. Guggenheimer gets scroll from Mayor Wagner and National Arts Club medal. -- New York Times -- 9:2, March 12.

1960

Tenor competition awards. -- New York Times -- 47:8, November 15.
Provenance:
The National Arts Club donated its records to the Archives of American Art in 1987. Although a limited amount of printed matter was available at various libraries and on microfilm through the Archives of American Art, scholars have not had access to unpublished records of the Club until this time.

In November 2017 an addition to the Officers' Correspondence was donated by Elizabeth G. Knudsen, granddaughter of Edmund Greacen, former Arts Committee Chair.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Photography -- Exhibitions  Search this
Bibliographical exhibitions -- New York (State) -- New York  Search this
Clubhouses -- New York (State) -- New York  Search this
Handicraft  Search this
Decorative arts  Search this
Function:
Arts organizations
Arts organizations -- Taxation
Genre/Form:
Scrapbooks
Citation:
National Arts Club records, 1898-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natiartc
See more items in:
National Arts Club records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw945ac729a-aadb-4fcd-8e02-a05f4a198d34
EDAN-URL:
ead_collection:sova-aaa-natiartc

Rapt at Rappaport's

Artist:
Stuart Davis, American, b. Philadelphia, Pennsylvania, 1892–1964  Search this
Medium:
Oil on canvas
Dimensions:
52 x 40 in. (132.8 x 101.4 cm)
Type:
Painting
Date:
1952
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1165
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Abstraction (Mid-Century)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2250a1435-9d26-4445-a63f-af94692812da
EDAN-URL:
edanmdm:hmsg_66.1165

Queen of Hearts

Artist:
Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997  Search this
Medium:
Oil and charcoal on fiberboard
Dimensions:
46 1/8 x 27 5/8 in. (117 x 70 cm)
Type:
Painting
Date:
1943-1946
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1223
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2b2fe00b0-515f-401c-b0c4-e7c2e0a08a91
EDAN-URL:
edanmdm:hmsg_66.1223

Study for "Portrait of Van Gogh" V

Artist:
Francis Bacon, British, b. Dublin, Ireland, 1909–1992  Search this
Medium:
Oil and sand on canvas
Dimensions:
78 1/8 × 54 1/8 in. (198.7 × 137.5 cm)
Type:
Painting
Date:
(1957)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.187
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
School of London
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2a19d4ea5-a698-41f8-844b-99e187c82c3c
EDAN-URL:
edanmdm:hmsg_66.187

The Golden Days

Artist:
Balthus, French, b. Paris, 1908–2001  Search this
Medium:
Oil on canvas
Dimensions:
58 1/4 x 78 3/8 in. (148.0 x 199.0 cm)
Type:
Painting
Date:
(1944-1946)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.347
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Postwar European
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2f7b4cf25-a951-4fcc-a6d3-86ccb3ae29f1
EDAN-URL:
edanmdm:hmsg_66.347

Water Figure

Artist:
Jackson Pollock, American, b. Cody, Wyoming, 1912–1956  Search this
Medium:
Oil on canvas
Dimensions:
72 x 29 in. (182.7 x 73.7 cm)
Type:
Painting
Date:
(1945)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4087
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py266797cd8-92c1-47b9-8ff7-46d1236a81ee
EDAN-URL:
edanmdm:hmsg_66.4087

Carmine Theater

Artist:
John Sloan, American, b. Lock Haven, Pennsylvania, 1871–1951  Search this
Medium:
Oil on canvas
Dimensions:
26 1/8 X 32 IN. (66.1 X 81.2 CM.)
Type:
Painting
Date:
1912
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.4616
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Realism (Ashcan School)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py23cde1a38-d73c-4602-ad2e-560863059c4e
EDAN-URL:
edanmdm:hmsg_66.4616

Croatian

Artist:
Joseph Stella, American, b. Muro Lucano, Italy, 1877–1946  Search this
Medium:
Pencil on paper
Dimensions:
8 X 5 3/4 IN. IRREG. (20.2 X 14.5 CM.)
Type:
Drawing
Date:
1908
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4764
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Early American Modernism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2961e8ff3-1b3a-4c15-bf74-2694f63daea8
EDAN-URL:
edanmdm:hmsg_66.4764

Study for "New York Interpreted: Brooklyn Bridge"

Artist:
Joseph Stella, American, b. Muro Lucano, Italy, 1877–1946  Search this
Medium:
Watercolor and ink on paper
Dimensions:
13 15/16 X 9 15/16 IN. (33.8 X 25.3 CM.)
Type:
Painting
Date:
(1920-1922)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4775
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Early American Modernism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2aabe1098-c835-45a9-b8ec-4e86a4084a3c
EDAN-URL:
edanmdm:hmsg_66.4775

Study for "Battle Of Lights, Coney Island, Mardi Gras"

Artist:
Joseph Stella, American, b. Muro Lucano, Italy, 1877–1946  Search this
Medium:
Oil on canvas
Dimensions:
9 15/16 X 12 IN. (25.3 X 30.5 CM.)
Type:
Painting
Date:
(1913)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4791
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Early American Modernism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py287db7770-0537-4304-99d4-42fc70e2c1a2
EDAN-URL:
edanmdm:hmsg_66.4791

Asawa, Ruth

Collection Creator:
Ankrum Gallery  Search this
Container:
Box 4, Folder 22
Type:
Archival materials
Date:
1960-1963
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Ankrum Gallery records
Ankrum Gallery records / Series 5: Artists' Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw912de4ff0-e92b-4521-93ca-c9d535ee272e
EDAN-URL:
ead_component:sova-aaa-ankrgall-ref100
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Asawa, Ruth digital asset number 1

Scurlock Studio Records

Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
200 Cubic feet
Type:
Collection descriptions
Archival materials
Dye transfer process
Studio portraits
Matrices, color separation
Photographs
Color separation negatives
Place:
Washington (D.C.) -- Small business -- 20th century
Shaw (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
1888-1996
Summary:
The collection includes approximately 250,000 photonegatives, photoprints, color transparencies from the photographic business founded by Addison Scurlock in Washington, DC. Collection also includes business records and ephemera.
Scope and Contents:
Photographs includes portraits of famous African-American luminaries such as Booker T. Washington, W.E.B. DuBois, and many other artists, intellectuals, educators, entertainers, etc., as well as documentation of Washington, DC, including both the African-American community and national political life, and important photographs of Howard University; also commercial photography, including color materials.

Color separation materials include sets of black-and-white color-separation negatives, sets of matrices for the Kodak Dye Transfer process (full-color Dye Transfer prints are storied in a different series).

Business records: The photography studio records and Custom Craft records are in separate series, reflecting the fact that they were operated as separate businesses.

The collection includes all forms of photographs produced by the studio, such as prints in black-and-white and color, black-and-white and color negatives, color transparencies, black-and-white dye-transfer matrices, slides, etc.; as well as business documents, studio session ledgers, appointment books, business and personal correspondence, tax documents, and books, catalogs, and other publications. This material documents not only the photographic output of the business, both commercial and artistic, as well as the personal and business side of the enterprise.

Some photographs in the collection were not created by the Scurlocks. Some black-and-white and color prints seem to derive from assignments in the Capitol School of Photography, and are therefore student work. Also Custom Craft, the professional color processing service provided by the studio, made prints for other photographers, and samples for printing reference, as well as studio decor, have been retained in the collection. Custom Craft worked for such diverse photographers as artist Robert Epstein and well-known Washington photographer Fred Maroon, for example.

The collection numbers several hundred thousand photographic negatives, prints, and transparencies made by the Scurlocks and other staff photographers of the studio in its various Washington locations. The negatives are estimated at approximately 160,000-200,000 in number, and the prints of all sizes and types at nearly 57,000. The vast majority of the photographs are portraits of individuals, family groups, and organizations, as the primary business of the studio was portrait photography. They date primarily from the 1940s to 1990s. There are also a number of images, made for commercial clients, of building interiors and exteriors, and food. A small group of photojournalistic documentation also exists. The subjects also include architectural and industrial views, scenes in and around Washington, including children and street laborers, political events, social events, and 35mm slides of President Kennedy's funeral, 1964. There are also more personal artistic images, including still lifes with plants and flowers, and a few nudes; Robert's wartime service is also documented by his photographs, including European landscape photographs.

In addition to images taken by the Scurlock studio photographers, there are some prints, especially color, of images by other photographers who were clients, such as Fred Maroon, a prominent Washington photojournalist, and Robert Epstein, a teacher at the Corcoran School of Art. A print of one of Maroon's pictures had been displayed in the studio reception room at the time the studio was closed.

A large group of manuscript items, business documents, ephemera, and office and studio supplies constitutes a separate series from the photographs. An important adjunct to the photographs, a set of ledgers recording and identifying portrait sittings, highlights this group.

Nearly all of the photographs and documents stored in the studio and auxiliary storage locations were accepted for acquisition in order to form a complete history of this family business's production and operations over the better part of a century, whereas a selection of photographic apparatus and studio equipment was acquired by the Photographic History Collection: these items have been inventoried and catalogued separately.

Studio Portraits

The majority of the surviving photographic negatives and proof prints were made in connection with the studio's portrait work for a wide variety of clients. These portraits include images of famous people, such as political figures, entertainers, and noteworthy persons in a variety of fields, including scientists, writers, intellectuals, and academics. The majority of the figures depicted among both the famous and the not so famous are black. The greatest number of studio portraits, most of which are identified and dated, depict a general clientele who visited the studio for portrait sittings. Although the individual images in this vast quantity have limited research value in the usual sense, the aggregate represents a chronology spanning almost ninety years, which may be useful for demographic and genealogical information and as visual evidence of changing styles in clothing, hair, and accessories. It constitutes a panorama of a significant percentage of Washingtonians of the period, especially the black community.

Portraits of famous personages include George Washington Carver, Dr. Martin Luther King, Jr., Duke Ellington, Marian Anderson, Archbishop Desmond Tutu, Sammy Davis, Jr., Sugar Ray Leonard, Muhammad Ali, Mayor Walter Washington, and Presidents Kennedy, Johnson, Nixon, Ford, Reagan, Bush, and Clinton, Mayor Marion Barry, DC Council members, statesmen such as Ralph Bunche, and many other noteworthy figures. Of particular interest is a signed group portrait of the US. Supreme Court with Chief Justice Berger presiding. There are also large- format portraits of Justice Thurgood Marshall and J. Edgar Hoover.

Group portraits include both formal sittings and the informal documentation of banquets, convocations, and similar events. This material includes groups at Howard University; Dunbar High School; the Post Office Clerks' Banquet; the Bishops' Meeting of the AME Church; a YMCA camp, cira 1947 1949; the 23rd annual conference of the NAACP, 1932, etc.

Howard University

Several thousand black and white negatives and prints, 1930s-1960s, depict the people, facilities, and events of Howard University, with which the Scurlocks had a long business relationship. There are various portraits, including Howard University Medical School, represented by 850 negatives and 100 prints. A group of law school and medical school images numbers some 800 negatives and 200 prints. In addition, there are class portraits, as well as images of famous guests speaking at Howard convocations, such as President Herbert Hoover.

Wedding Photography

An important aspect of any portrait studio's output is wedding photography, and the Scurlock studio was no exception. Bridal portraits, group pictures of wedding parties, and the complete documentation of weddings, in both black and white and color, constitute a significant part of the collection. African-American weddings predominate and provide important insights into this aspect of the society.

Exhibitions

The studio's work was shown in special public exhibitions over the years, and several of these are included in toto. The most important was an extensive retrospective display of 121 prints of Addison's work, both vintage and posthumous, prepared by Robert for the Corcoran Gallery of Art in 1976. Others include: (1) a set of 32 black and white images made by Robert at the Ramitelli Air Base, Italy, while he was a major in the US Air Force during World War II; (2) a group of portraits from a Black History Month exhibit at Woodward and Lothrop; and (3) a set of sixteen vintage and modern prints which Robert displayed in an interview on the "Today" television show in the 1980s.

Commercial Work

This category includes architectural and industrial photography for commercial clients, food and still life photographs, etc. Much of this material is comparatively recent and was made in large format color, and includes transparencies and enlargements. It is possible that some of the prints represent Custom Craft work for other photographers rather than the camera work of Robert and George Scurlock. Thus far, prints by artist Robert Epstein have been identified as extra prints of his work from orders which he placed with the firm. At least one image by Fred Maroon has been identified.

A group of color prints constitutes copies of artworks, primarily in the National Portrait Gallery, for which the Scurlocks worked. Prints in 8" x 10", 11" x 14", 16" x 20" and 20" x 24" sizes are included, and undoubtedly negatives and transparencies corresponding to these subjects will be found.

Photojournalism

In addition to the formal studio portraits and pictures documenting formal events, the Scurlocks took candid photographs of the everyday life of their city, as well as extraordinary events of local and national significance, ranging from occasions such as John F. Kennedy's funeral and the 1968 riots to political rallies and demonstrations.

Capitol School of Photography

The collection includes a variety of materials, such as books and ephemera, which document the activities of the Capitol School of Photography, a sideline of the Scurlock business. Some of the photographs apparently represent student work. The most famous student of the school was Jacqueline Bouvier (later Jacqueline Kennedy Onassis), although no documentation of her association with the school has been located thus far. There are 45 photographs, circa 1950s, showing the photography lab, men retouching prints, students with cameras, etc.

Personal Photographs

A few photographs of the Scurlock family are included in the collection in various forms and formats, including enlarged portraits of Addison and Robert. A self portrait of Addison and Mamie Scurlock is included in the Corcoran Gallery of Art exhibition series. Other photographs which represent personal artistic expression, such as a few nude studies and floral and plant still lifes, are included.

Series 6 consists of photographic materials including color transparencies, slides, film, and proofs but occasionally includes notes, forms, and envelopes associated with the orders.
Series 1: Black and White Photographs:
Dates -- 1888-1993

Extent -- 105 boxes

Contents -- Series 1: Black and White Photographs: The materials are almost entirely black and white photographs, but in the subseries of clients, there may also be job envelopes, order materials, and other photographic material types that were included in the overall order. The series is arranged into two subseries, clients and subjects, and both are arranged alphabetically. The subseries clients documents the orders made by clients of the Scurlock Studio and individuals who were or could be identified but may or may not have actually placed an order at the Studio. The majority of the photographs in the clients subseries are formal portrait sittings but there are photographs of events, organizations, and businesses. The subseries subjects are photographs that were grouped into categories because no known client or individual in the image could be identified. The subjects cover a broad array of subjects but the majority of the subjects include unidentified people in formal portrait sittings and groups. In addition, not all photographs in this series were taken by the Scurlock Studio; there are photos by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. 1.1: Clients Black and white photographs1.2: Subjects Black and white photographs
Series 2: Color Photographs:
Dates -- 1930-1995

Extent -- 113 boxes

Contents -- Series 2: Color Photographs: The series color photographs consists of color photographs and hand-colored photographs, but there are also order envelopes and materials, and other photographic material types that were part of the order. The subseries are arranged as clients, subjects, weddings, and hand-colored photographs. Clients are arranged alphabetically by last name or the first word of an organization's name. Not all individuals, organizations, or businesses necessarily represent a client of the Scurlock Studio; if an individual or organization could be identified, the photograph was placed under the identified person or organization even if ther were not a known client of the Studio. The majority of the photographs are individual portrait sittings but also included are family portraits, businesses, organizations, and informal images. The subjects are arranged alphabetically, and document images of non-humans and humans that could not be connected to a known client. Weddings and hand-colored are arranged in alphabetical order with clients preceeding subjects. The were a large subject of the overall collection and the majority of weddings are color photographs but also included in the subseries are black and white and hand-colored photographs of weddings. The hand-colored photographs largely reflect the same subject matter of the subseries clients and subjects. In addition, not all photographs in this subseries were taken by the Scurlock Studio; there are photos by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. 2.1: Clients Color photographs2.2: Subjects Color photographs2.3: Weddings2.4: Hand-colored photographs
Series 3: Framed Prints:
Dates -- circa 1979

Extent -- 3 boxes

Contents -- Series 3: Framed Prints: The series framed prints includes three framed color photographs. The framed prints are arranged by the size, from smallest to largest, of the frame. The photographs are of two important political figures: Washington, D. C., Mayor Marion Barry and Senator Edward Brooke.
Series 4: Black-and-White Silver Gelatin Negatives:
Dates -- 1900-1994

Extent -- 320 boxes

Contents -- Series 4: Black-and-White Silver Gelatin Negatives: The material type of the series is black and white silver gelatin negatives. The negatives are arranged into twelve subseries. The materials document the clients and individuals whose photographs were taken by the Scurlock Studio and a wide variety of subject matters. The subjects represented are individual portrait sittings, organizations, events, businesses, commercial ventures of the Studio, and Washington, D. C. 4.1: Black and white negatives 4.2: Black and white negatives in freezers arranged by job number 4.3: Black and white negatives in freezer storage arranged by client 4.4: Black and white negatives in freezer storage arranged by subject 4.5: Black and white negatives in cold storage arranged by job number 4.6: Black and white negatives in cold storage arranged by client 4.7: Negatives in cold storage arranged by client with index cards 4.8: Negatives in cold storage arranged by subject 4.9: Black and white negatives for publication 4.10: Glass Plate Negatives 4.11: Customcraft Negatives 4.12: Banquet Negatives
Series 5: Color Negatives:
Dates -- 1964-1994

Extent -- 72 boxes

Contents -- Series 5: Color Negatives: The series color negatives primarily of color negatives but it also includes order envelopes and materials. The series is arranged into two subseries: clients and subjects. The subseries clients is arranged by job number, and the materials document the orders placed by clients of the Scurlock Studio and identified persons and organizations. The negatives depict individual portrait sittings, groups, and informal poses. The subseries subjects is arranged in alphabetical order, and the materials document negatives that could not be connected to a client of the studio. The negatives represent subjects such as art, buildings, commercial ventures of the Scurlock Studio, and unidentified people. 5.1: Color negatives arranged by client5.2: Color negatives arranged by subject
Series 6: Color Transparencies, Slides, and Other Formats:
Dates -- 1922-1994

Extent -- 40 boxes

Contents -- Series 6: Color Transparencies, Slides, and Other Formats: The series color transparencies, slides, and other formats consists of black and white and color transparencies, color slides, film, proofs, and order materials. The materials are arranged into four subseries: transparencies, slides, film, and proofs. The subseries are arranged by clients, in alphabetical order by last name, and then subjects, in alphabetical order. The materials document the orders placed at the Scurlock Studio by clients and identified individuals and organizations, and materials that could not be identified and are categorized by subjects. The subjects represented in the materials are primarily individual, family, and group portraits, and events and places. Cut but unmounted slides were typically placed in the subseries transparencies but a small number of cut but unmounted slides are included in the slides. The subseries proofs only contains a form of proof used by the Scurlock Studio that has a fugitive image, and other types of proofs printed on low quality paper or are water-marked and have a lasting image were included in the series Black and White Photographs and Color Photographs if the proof was either black and white or color. 6.1: Transparencies6.2: Slides6.3: Film6.4: Proofs
Series 7: Black-and-White Color Separation Negatives and Matrices:
Dates -- 1955-1957

Extent -- 7 boxes

Contents -- Series 7: Black-and-White Color Separation Negatives and Matrices: The materials in the series are black-and-white color separation negatives and a booklet about how to process black-and-white color separation negatives. The materials are arranged into three subseries: clients, subjects, and the booklet. The materials document orders placed at the Scurlock Studio by clients and individuals and organizations that could be identified but not connected to a specific order. The materials also document negatives categorized by subjects because there was no known client or identifiable individual or organization. The subjects represented are individual portrait sittings and groups, and unidentified people. 7.1: Clients Black-and-White Color Separation Negatives 7.2: Subjects Black-and-White Color Separation Negatives Booklet
Series 8: Scurlock Studio Business Records:
Dates -- 1907-1996

Extent -- 66 boxes

Contents -- Series 8: Scurlock Studio Business Records: The series Scurlock Studio Business Records contains paperwork pertaining to the administration of the business, the financial documentation of the business, the reocrds of sales, the advertising signs and promotions of hte business, the files kept on employees, and other materials kept at the Scurlock Studio. The series is arranged into six subseries: administrative file, financial, sales, advertising and marketing, employee and personnel, and office files. Each subseries is arranged differently according to the types of materials predominantly found in the subseries or in chronological order. The subjects represented in the series are mostly related to the financial records of the Scurlock Studio kept and the invoices of sales records. A wide variety of other subjects relating to the the business records of the Scurlock Studio can also be found including: session registers, construction plans, advertisements for specific holidays, and product information sent to the Studio. Some materials found in this series may be marked Scurlock Studio and Custom Craft, the color division of the Scurlock Studio, and were placed with this series because the Scurlock Studio was the primary business. Other materials with an unclear origin of either the Scurlock Studio or Custom Craft were placed in this series. 8.1: Administrative Files8.2: Financial8.3: Sales8.4: Advertising and Marketing8.5: Employee and Personnel8.6: Office Files
Series 9: Custom Craft Business Records:
Dates -- 1951-1994

Extent -- 57 boxes

Contents -- Series 9: Custom Craft Business Records: The series Custom Craft Business Records consists of paper documents relating to the administrative, financial, sales records, employee and personnel, and other files about the affairs of the Custom Craft business's day-to-day operations. The materials are arranged into five subseries: administrative, financial, sales, employee and personnel, and office files. The materials within a subseries are ordered by types of documents that consisted of a large number of materials listed first and materials with few documents following the grouped materials in chronological order. The materials document the day-to-day business of Custom Craft. The subjects represented are documents relating to the administration of the business, journals kept to document finances, the order invoices, the files kept about employees, product information, and materials accumulated in the office. Some documents may list both the Scurlock Studio and Custom Craft and were kept with the business records of Custom Craft if the materials appeared to fit the activities, color photography, of that business. Other documents relating to the business affairs of Custom Craft may be in the series Scurlock Studio Business Records because these documents did not clearly indicate which business the documents belonged to; in these cases, the materials were put in the series Scurlock Studio Business Records because the business was the primary business of the Scurlocks. There business records seem to indicate that there was not always a clear differentiation between the two businesses. 9.1: Administrative9.2: Financial9.3: Sales9.4: Employee and Personnel9.5: Office files
Series 10: Capitol School of Photography:
Dates -- 1948-1954

Extent -- 4 boxes

Contents -- Series 10: Capitol School of Photography: The series Capitol School of Photography consists of paper documents, photographs, and transparencies. The materials are arranged in chronological order and document the administration of the Capitol School of Photography and the students. The subjects represented are administrative documents, student files, photographs by students, photographs of students and the space used for the School, and transparencies of the same subjects.
Series 11: Washington Stock:
Dates -- 1981-1994

Extent -- 2 boxes

Contents -- Series 11: Washington Stock: The series Washington Stock consists of order materials, orders, and published materials. The materials are arranged chronologically and document the orders placed for Washington Stock and how the materials were used and published. The subjects represented are orders, standard forms used by Washington Stock, and published materials.
Series 12: Background Materials and Publications:
Dates -- 1902-1995

Extent -- 18 boxes

Contents -- Series 12: Background Materials and Publications: The series Background Materials and Publications is composed of paper documents, published materials, and materials from exhibitions. The materials are arranged into four subseries: historical and background information, Scurlock images, reference materials, and exhibition materials. The materials document the Scurlocks, published Scurlock images, published materials lacking Scurlock images, exhibitions of Scurlock images, and other exhibitions of related material. The subjects represented are largely materials related to the Scurlocks' photography and personal interests. Images were placed in the subseries Scurlock images if the photograph was credited to the Scurlocks or was a photograph known to have been taken by the Scurlocks; it is possible that uncredited and less well known images taken by the Scurlocks are present in the subseries reference materials. 12.1: Historical and Background Information12.2: Scurlock Images12.3: Reference Materials12.4: Exhibition Materials
Arrangement:
The collection is divided into 12 series.

This collection was processed with numerous changes in arrangement and numbering of boxes. Original box numbers have been retained in this finding aid for cross-reference purposes and to assist anyone with a record of photographs according to the original box numbers.
Biographical / Historical:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994).

The turn of the twentieth century saw a mass exodus of African Americans from the South to northern cities in search of better employment opportunities and fairer racial treatment. Although many considered Washington to be the northern-most southern city, it still offered opportunities for African Americans leaving seasonal agricultural work and racial oppression in the South. In Washington, African Americans found stable employment with the U.S. government. In addition, Howard University offered African Americans teaching opportunities, college education, and professional training as doctors, dentists, nurses, lawyers, and ministers. By 1900 a substantial African-American middle class existed in Washington. Despite the fact that Washington was a historically and legally segregated city (and would remain so into the 1960s), this middle class population continued to grow and prosper.

After graduation from high school, Addison Scurlock moved from Fayetteville, North Carolina, to Washington, D.C., with his family in 1900. With a keen interest in photography, he sought out an apprenticeship at the white-owned Moses Rice Studio on Pennsylvania Avenue. The Rice brothers (Amos and Moses) had been in Washington working as photographers since the 1860s and had one of the more prominent and better studios in the city. There Addison learned portrait and general photography. In 1904, he left Rice and began his photographic career at his parents' home. By 1911, when he opened the Scurlock Studio, he had already captured the likeness of Booker T. Washington (1910; see Appendix B), most likely his most well-known portrait. Scurlock quickly identified his market: a self-sufficient African-American community which included students, graduates, and educators affiliated with Howard University; poets; writers; intellectuals; musicians and entertainers; politicians; socialites; fraternal and religious organizations and their leaders. The Scurlock Studio, located at 900 U Street, N.W., became a fixture in the midst of the thriving African-American business community. As with his white counterparts on Pennsylvania Avenue and F Street, N.W., Addison Scurlock inspired passers-by with window displays of his photographs of national leaders and local personalities.

During the 1930s, Addison Scurlock's two sons Robert and George apprenticed in the studio. In addition to portrait and general photography, the sons learned the techniques of retouching negatives and photographic prints, hand-coloring, hand-tinting, and mat decoration. George concentrated on the commercial side of the business while Robert concentrated on the portrait side. The Scurlocks' work changed with the times. From the early 1900s until Addison's death in 1964, the Scurlock Studio was the official photographer of Howard University. In the 1930s the studio began a press service and prepared newsreels on African American current events for the Lichtman Theater chain, which offered some of the few non-segregated venues in the city. Their press service supplied the African-American press with newsworthy photographs of current events, personalities, and social, political, and religious life. Clients included the Norfolk Journal and Guide, Amsterdam News, Pittsburgh Courier, Cleveland Call and Post and the Washington Tribune and Afro-American. George and Robert ran the Capitol School of Photography from 1948 to 1952. Included among their students were African-American veterans under the G.I. Bill, Ellsworth Davis, who later worked as a Washington Post photographer and Bernie Boston of the Los Angeles Times. Perhaps their best-known student was the young Jacqueline Bouvier.

In 1952 Robert opened Washington's first custom color lab. Capitalizing on his knowledge of color processing, Robert was asked to take color portraits of both noted and ordinary individuals. In addition, the studio offered color views of important Washington landmarks and monuments. By the 1960s, Robert added magazine photography to his list of talents, publishing images in Life, Look, and Ebony. Robert continued photographing Washingtonians at his studio until his death in 1994.

According to George Scurlock, the Scurlock studio never had substantial competition in the African American community. Some Washington residents remember it differently, however. Dr. Theodore Hudson, a retired Howard University professor, recalled two other black photographers: Sam Courtney and a man named Sorrell. He said Courtney photographed events in the African American community...?

The collection represents the most comprehensive record of any long-lived, let alone African-American, photography studio, in a public institution. Other twentieth century studio collections exist, such as Robinson Studio, Grand Rapids; Hughes Company, Baltimore, Md. Among African American studio collections in public institutions are James Van Der Zee (New York City, 1912-80s), P.H. Polk (Tuskegee), and the Hooks Brothers (Memphis, Tenn., 1910-1975). The Scurlock Collection covers a greater time period and provides greater depth of coverage of African-American events and personages.

A number of articles have been written about the Scurlock family. Jane Freundel Levey, editor of Washington History magazine, believes that the family went beyond the artful use of light, shadow, and composition. She wrote, "Perhaps the most distinctive hallmark of the Scurlock photograph is the dignity, the uplifting quality of the demeanor of every person captured by photographs who clearly saw each subject as above the ordinary."

Constance McLaughlin Green, one of the leading historians of Washington, D.C., talks about African-American Washington as "the Secret City," a separate world with institutions of its own that remained virtually unknown to the white majority. Addison Scurlock and his sons captured that world on film and in doing so, documented that world in the course of running his business and perfecting his art. Steven C. Newsome, director of the Maryland Commission on Afro-American History and Culture stated that The Scurlocks' photograph "Gave us connections. They tell stories. They let us remember."

The collection includes photographs of the nationally famous Booker T. Washington, W.E.B. DuBois, Paul Laurence Dunbar, Mary McLeod Bethune, Mary Church Terrell, Marian Anderson; the locally or regionally important: P.B.S. Pinchback, Judge Miflin Gibbs, Col. Jim Lewis, Ernest Just, Anna J. Cooper; and actors, artists, vaudevillians, and musicians such as Fredi Washington, Madame Lilian Evanti, Oakley & Oakley, and Duke Ellington.

Sources

George Scurlock. Interview conducted by David Haberstich and intern Lora Koehler at Mr. Scurlock's apartment, Aug. 2003.

Theodore Hudson, conversation with David Haberstich in the Archives Center, 2 February 2004.

Jane Freundel Levey, "The Scurlock Studio," Washington History, 1989, p. 44.

Robert S. Scurlock, "An Appreciation of Addison N. Scurlock's Photographic Achievements," The Historic Photographs of Addison N. Scurlock. Washington, D.C.: The Charles Sumner School Museum and Archives, 1986 (exhibition catalog).
Materials at Other Organizations:
The Historical Society of Washington, DC holds Scurlock-related materials.

The Charles Sumner School Museumn and Archives holds Scurlock-related materials.
Materials in the National Museum of American History:
Cameras and other photographic apparatus, studio furniture, and miscellaneous ephemera from the Scurlock studio are in the History of Photography Collection (now Division of Work and Industry). An adding machine from the studio is in the Museum's mathematics collection. See accessions 1997.0293 and 2010.0157.
Provenance:
The Museum purchased the Scurlock Studio Records from the Estate of Robert S. Scurlock, through Judge Marjorie Lawson in 1997. During the period of negotiation between the museum and Robert Scurlock's heirs, his widow Vivian and brother George, the collection was on loan to the Museum and was housed primarily in a closed exhibition area on the second floor. Staff of the Archives Center took physical possession of the collection long before the transfer to the Museum was final. The studio records and photographs were housed principally in the 18th Street studio and in two rental storage facilities. The primary move of the collection to the Museum occurred in September 1995. An additional pickup occurred on February 12, 1996 (on tags). There was probably one additional pickup from the studio by David Haberstich and Caleb Fey on an unrecorded date.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits -- 20th century  Search this
Politicians -- 20th century  Search this
Segregation  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
African Americans -- History -- 20th century  Search this
African American entertainers -- 20th century  Search this
African American photographers  Search this
Genre/Form:
Dye transfer process
Studio portraits
Matrices, color separation
Photographs -- 20th century
Color separation negatives
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep852403536-424e-4026-9305-7c0938436f63
EDAN-URL:
ead_collection:sova-nmah-ac-0618
Online Media:

Correspondence

Collection Creator:
Breuer, Marcel, 1902-  Search this
Extent:
5.3 Linear feet (Boxes 1-6, OV 47; Reels 5708-5717)
Type:
Archival materials
Date:
1923-1986
Scope and Contents note:
Correspondents in this series include a wide range of international architects, designers, and artists who interacted with Breuer. The letters discuss his training and the execution of his hundreds of architectural projects and designs for furnishings. Researchers will find the letters between Breuer and his Bauhaus colleagues, including Josef Albers, Herbert Bayer, Walter Gropius, and László Moholy-Nagy, of particular interest.

Appendix A: List of Notable Correspondents from Series 2: Correspondence
Arrangement note:
The files are arranged chronologically, with the undated letters arranged alphabetically according to the correspondents' surnames.
Appendix A: List of Notable Correspondents from Series 2: Correspondence:
Missing Title

Aalto, Alvar, 1964 (1 invitation): to reception honoring Aalto

Abercrombie, Stan (architect), 1964-1977 (8 letters)

Abramovitz, Max (Harrison & Abramovitz, Architects), 1947 (3 letters) and 1963 invitation from Brandeis University in honor of Abramovitz

Harry N. Abrams, Inc., 1975 (2 letters): from Breuer's office Académie d'Architecture, 1976-1979 (4 letters)

Acme Laboratory Equipment Company, 1950 (1 letter): from Breuer's office ács, Gábor and Anikó, 1956 (1 letter)

Adelaide Festival of Arts, 1959 (1 letter)

Adler, Bruno, 1937 (1 letter) ágasvári, Vilmos, 1957-1958 (2 letters)

Agel, Jerome B. (Agel & Friend), 1959 (1 letter): includes press release

Agostini, Edward (Becker and Becker Associates), 1969 (1 letter): from Breuer's office

Airflow Refrigeration, 1954: (1 letter): from Breuer's office

Alabama Polytechnic Institute, 1947 (1 letter)

Albers, Josef ("Juppy") and Anni (Black Mountain College), 1933-1958 (11 letters): a 1956 letter includes miscellaneous typescripts by Albers and clippings; a 1965 letter to the Phoenix Art Museum from William A. Leonard of the Contemporary Arts Center concerns an Albers exhibition and includes a list of works; a 1967 letter from Breuer to National Institute of Arts and Letters includes a typescript concerning Albers

Albert, Edouard (architect), 1956-1958 (2 letters)

Albright Art Gallery, 1959 (3 letters)

Alexander, H. J. W. (Architectural Association), 1957-1958 (4 letters)

Alpern, Robert, 1964 (letter from Breuer)

B. Altman & Company, 1951 (1 letter)

Aluminum Company of America (ALCOA), 1946-1964 (2 letters)

Aluminum Import Corporation, 1946 (2 letters)

Alvarez, Raúl J., 1968 (1 letter)

American Academy in Rome, 1947-1961 (4 letters): request recommendations for Frederic S. Coolidge, Arthur Myhrum, and Thomas B. Simmons

American Academy of Arts and Letters, 1965-1978 (10 letters): a letter 1967 is a nomination by Walter Gropius for Sigfried Giedion's honorary membership in American Academy of Arts and Letters and National Institute of Arts and Letters; see National Institute of Arts and Letters

American Academy of Arts and Sciences, 1977 (1 letter)

American Academy of Political and Social Science, 1946 (1 letter)

American Arbitration Association, 1960-1968 (52 letters)

American Church in Paris, 1966 (1 letter): from Robert F. Gatje

American Council for Emigres in the Professions, Inc., undated: letter introduces Viola Kondor

American Craftsmen's Council (Mrs. Vanderbilt Webb), 1967 (1 letter)

American Designer's Institute, 1947 (convention schedule)

American Export and Isbrandtsen Lines, 1963 (1 letter)

American Federation of Arts, 1958-1967 (8 letters)

American Field Service, 1956 (1 ): letter from Breuer on behalf of Danielle Eyquem

American Fork & Hoe Company, 1944 (1 letter)

American Hungarian Studies Foundation (August J. Molnár), 1964-1968 (10 letters): a 1967 invitation is to George Washington Awards Dinner in honor of Breuer, Watson Kirkconnel, and Hans Selye

American Institute of Architects, 1946-1976 (45 letters): membership applications for Edward Larrabee Barnes, Landis Gores, John MacL. Johansen, George Sherman Lewis, A. McVoy McIntyre, Robert Hays Rosenberg, Bernard Rudofsky); a 1963 letter from Breuer's office concerns a Skyscraper Architecture survey team from Japan; a 1968 letter concerns the Comité Organizador de Los Juegos de la XIX Olimpiada

American Institute of Architects, College of Fellows, 1976 (1 letter): from Breuer's office

American Institute of Architects, Jury of Fellows, 1960 (3 letters): from Breuer

American Institute of Architects, Library Buildings Award Program, 1967 (1 letter): from Breuer's office

American Institute of Architects, New York Chapter, 1945-1963 (16 letters)

American Institute of Decorators (Richard F. Bach), 1956 (1 letter)

American Institute of Interior Design in Switzerland (Charles D. Gandy and Susan Zimmermann), 1977-1978 (2 letters)

American-Jewish Congress: see Commission on Community Interrelations (CCI)

American Library Association, 1951-1968 (2 letters)

American Planning and Civic Association, undated: membership notice

American Press Institute, 1974-1975 (5 letters): from Breuer

American Radiator and Standard Sanitary Corporation, 1947 (1 letter): from Breuer

American Shakespeare Festival, 1954 (1 letter): from Breuer's office

American Society for Church Architecture, 1965-1966 (4 letters)

American Society for Friendship with Switzerland, 1969 (1 letter)

American Society of Interior Decorators, 1976 (1 letter): from Breuer's office

American Society of Planners and Architects (ASPA), 1945-1947 (12 letters)

Anderson, Lawrence B., 1945-1965 (2 letters): see American Society of Planners and Architects (ASPA)

András, Ivánka, 1957 (1 letter)

Andrews, Robert, 1956 (1 letter)

Aoyagi, Nobuo, 1964 (1 letter)

Aoyagi, Tetsu, 1965 (1 letter)

Arbelaez, Carlos, 1952 (1 letter): from Breuer)

Architects & Engineers Institute, 1959 (1 letter)

Architects' Collaborative, 1946-1959 (3 letters): see McMillan, Louis and Peggy

Architectural Association, London, 1965-1969 (7 letters): see project file for UNESCO for correspondence with Edward J. Carter Architectural Design, 1960 (1 letter): from Ernesto Fuenmayor and Manuel Sayago of Centro Profesional del Este)

Architectural Forum, 1960 (1 letter): from Leonard J. Currie

Architectural Group, (W. D. Wilson), 1947 (1 letter)

Architectural League of New York, 1947-1975: (26 letters and minutes from 6 meetings): see Ketchum, Morris

Architectural Record, 1946-1959 (9 letters)

Architectural Students Association, 1958 (1 letter)

Architecture Formes Fonctions, 1971 (3 letters): includes a typescript "Design Research in Concrete" for July 1971 magazine

Architektur + Wohnwelt, 1975 (3 letters)

Argan, Giulio Carlo, 1955-1957 (6 letters)

Arizona, University of, 1974 (1 letter): from Breuer's office

Arnold, Randolph, undated: illustrated Christmas card

Arp, Hans Jean, 1954-1959 (5 letters): a 1959 letter on Arp's behalf from Marguerite Hagenbach; a 1959 wedding announcement for

Arp and Hagenbach

Arseniev, Milko, 1975 (1 letter)

Art Circus: see Long Beach Art Association, Inc.

Art Directors Club, Inc., 1975 (5 letters)

Artek-Pascoe (Clifford Pascoe), 1941-1946 (2 letters)

Artigas, Josep Llorens (ceramist colleague of Joan Miró), undated and 1960-1963 (5 letters)

Arts Council of Great Britain, 1962 (4 letters): concern an

Alexander Calder sculpture

Art Squad, Inc. (Ernest Costa), 1952 (1 letter): from Breuer's office

Asfia, H. E. Dr. Safi (Iranian deputy prime minister), 1974 (1 telegram): from Breuer

Ashihara, Yoshinobu ("Yosh"), undated and 1954-1970 (26 letters): a 1955 letter encloses a photograph of Ashihara and a model of his project

Association of Hungarian Students in North America, undated and 1958 (4 letters)

Atelier International, Ltd., 1968 (2 phone messages)

Atkin, William Wilson (Silvermine Publishers), 1965 (1 letter)

Atlanta Central Library, 1975 (1 letter): from Breuer

Atlantic Refining Company, Inc., 1956 (1 letter)

Atlas Tile & Marble Company, 1955 (1 letter): from Breuer's office

Auchincloss, Lily and Douglas, undated and 1963 (5 letters)

Auckland University College, 1945 (2 letters): 1 letter from Walter Gropius

Aufricht, Gustave and Maria, 1955-1970 (4 letters)

Aujame, Roger and Edith (and María Feuyo McVitty), undated (1 letter)

Australian National Gallery, Canberra, 1975 (3 letters): from Breuer

Austrian Consulate General, 1951 (2 letters)

Austrian Institute and Mrs. Schlag, 1964 (invitation to reception)

Auzelle, Robert (architect), 1956 (1 letter): see Académie d'Architecture

Babarovic, Gretchen and John, undated and 1963 (2 letters)

Bacal, Jacob, 1967 (1 letter)

Bachem, Hans Peter (architect), 1950 (1 letter)

Baer, David C. (AIA), 1956 (1 letter): from Breuer

Bak, Joseph, 1950 (1 letter)

Baker, James (Tower Development), 1981 (1 letter): from Breuer's office

Baldes, Jeannette, 1948 (1 letter)

Baldwin, Benjamin, undated (2 letters)

Ballard, Robert F. R., 1975 (1 letter): from Breuer's office

Bard Civic Award Trust Fund: see City Club of New York, Albert S. Bard Civic Award Trust Fund

Bárdos, Tamés, 1947 (1 letter): from Breuer

Barnes, Belva Jane ("B. J."), undated and 1956-1957 (4 letters)

Barnes, Edward Larrabee (architect), 1945-1955 (5 letters)

Barnett, Steven G., 1966 (1 letter)

Barroso, Nicolás Mariscal (VIII Congreso Panamericano de Arquitectos, México), 1952 (2 letters)

Barry, Gerald, 1951 (1 invitation): mentions Barry

Bartholdy & Klein, 1933 (1 letter)

Bartlett, Allan J., 1950 (1 letter): from Robert W. Gumbel

Bartolozzi, Goffredo (Vetro Italiano di Sicurezza, Milan [VIS]), 1959 (1 letter)

Bassetti, Fred (Bassetti & Morse, Architects), 1951 (2 letters)

Bauen + Wohnen, 1974-1975 (5 letters): from Breuer

Baughman, George F. (New York University), 1959 (1 letter)

Bauhaus-Archiv, Bibliothek und Schausammlung, 1972 (1 letter): to Knoll International

Bauhaus Archiv E. V., 1960 (1 letter)

Bayer, Herbert and Joella, undated and 1933-1966 (87 letters)

Beaux Arts Club, 1968 (1 letter)

Beaux-Arts Institute of Design, 1946-1947 (3 letters)

B.E.B. Consultants, 1982 (1 letter): from Robert F. Gatje

Bechtol, Ron (Lance Larcade & Bechtol), 1968-1976 (3 letters)

Beck, Martin (New York University), 1962-1964 (2 letters): from Hamilton Smith

Beckhard, Herbert and Ellie and Susan, undated and 1954-1980 (45 letters)

Bee, Anton, 1957 (1 letter)

Beekman, Rev. Gerardus, 1955 (1 letter): from Breuer

Begrow, Harold J., 1954 (3 letters)

Behar, Esther, 1968 (1 letter): from Breuer

Belgiojoso, Lodovico (Lodovico B. Belgiojoso, Enrico Peressutti, Ernesto N. Rogers, architects), 1950 (1 letter)

Belluschi, Pietro (MIT School of Architecture and Planning), 1954-1968 (3 letters)

Bemis, Frances, 1954 (1 letter)

Bemo Shipping Company, 1954-1956 (2 letters)

Bender, Richard (Harvard University), 1952 (2 letters)

Benesch, Edward M. (Gomprecht & Benesch), 1955 (1 letter)

Benglia, Christine (architect; married architect Alistair Bevington), 1964 (1 letter)

Bennett, Richard M. (Loebl, Schlossman & Bennett), 1958 (1 letter)

Benton & Bowles, Inc., Advertising, 1955 (1 letter)

Beothy, E., undated (1 letter)

Bergen County Cut Stone Company, 1967 (1 letter): from Breuer's office

Bergen, Emiel, 1956 (1 letter)

Berger, Donald (North Dakota Agricultural College), 1953 (1 letter)

Berger, George, 1950 (1 letter)

Berger, Otti, undated and 1934-1937 (7 letters)

Berger, Sanford and Helen (architects), 1945 (1 letter): from

Breuer to László Moholy-Nagy and Ludwig Mies Van der Rohe introducing the Bergers

Berger, Stephen E., 1959 (1 letter)

Berizzi, Sergio, 1959 (4 letters): letters of introduction

Berko, Franz, 1946-1947 (5 letters): including one from László Moholy-Nagy

Berlin Interbau, (International Building Exhibition), 1957 (1 letter): from mayor of Berlin

Berndt, Marianne, 1933 (1 letter)

Berti, Vincent, 1974 (1 letter): from Breuer's office

Better-Philadelphia Exhibition (Richard A. Protheroe, Harry

B. Nason, Hugh B. Sutherland), 1947 (1 letter)

Bevington, Alistair M., 1959 (1 letter): includes résumé

Bevington, Mariette (stained-glass designer), 1967 (1 letter): to Herbert Beckhart

Bharadwaj, Ajaya, 1955 (2 letters)

Biasini, E. J. (French prime minister), 1972 (1 letter)

Biddle, Mrs. Francis, 1962-1968 (3 letters): includes a funeral announcement for her husband)

Biddle, George, 1965 (4 letters): 3 from Breuer

Bier, Justus (University of Louisville), 1938 (3 letters)

Bigeleisen, Jacob (University of Rochester), 1970 (1 letter) Ronald S. Biggins and Associates, 1958 (1 letter)

Bijenkorfbeheer N.V., Amsterdam, 1967-1974 (2 letters): from Breuer

Bill, Alexander H., Jr., undated (1 calling card)

Blake, Peter (architect), undated and 1950-1976 (41 letters): a 1958 letter from Breuer is illustrated with a hand-drawn map by

Blake of Easthampton property

Blanton, John A., 1951 (1 letter)

Blaustein, Morton K., 1963-1965 (2 letters)

Bliss, Douglas P. (Glasgow School of Art), 1947 (1 letter): from Breuer

Bloeme, Sidney, 1963 (1 memorandum): from James S. Plaut

Blum, Kurt (photographer), 1974 (1 letter): from Breuer's office

Bode, Paul (architect), 1956 (1 letter)

Bodri, Ferenc, 1967-1975 (3 letters): 2 1975 letters from Breuer

Boehringer Ingelheim, Ltd., 1975 (1 letter): from Breuer

Bogner, Walter, 1938-1960 (4 letters): see Project File for UNESCO

Boissonnas, Eric and Sylvie, undated and 1960-1978 (20 letters)

Bollingen Foundation, 1964 (1 invitation): to reception in honor of Sigfried Giedion

Bonaparte, Mrs. Robert L., 1955 (1 letter)

Bonomi, Maria, undated and 1958 (2 letters)

Bookman, Mrs. John, 1964 (1 letter)

Borbíró, Virgil (Hungarian architect), 1945-1956 (2 letters): includes Borbíró's obituary

Borglum, Paul, 1950 (1 letter): see Project File for UNESCO

Born, Karl, 1968 (1 letter): from Breuer

Borsódy, István ("Stephen"; historian; Hungarian Legation) and Zsóka, 1946-1965 (5 letters): 1951 letter includes a biographical sketch of Borsódy by Aladár Szegedy-Maszák

Bortfeldt, Hermann (Büro Willy Brandt), 1963 (1 letter)

Bosch, Robert, 1934 (2 letters)

Bosserman, Joseph Norwood, 1963-1967 (2 letters)

Bosshard, J., 1956 (1 letter)

Boston Architectural Center, 1968 (1 letter)

Boston Redevelopment Authority, 1970 (1 letter)

Boston Society of Architects, 1946 (1 letter): from Breuer to John R. Abbott

Botond, Stephen G. ("Pista"; architect), 1958-1960 (2 letters): includes wedding announcement for Botond and Patricia Potter Luce

Bouchet, Maxime, 1953 (5 letters)

Bourget, Inc., 1955 (2 letters): from Breuer's office

Bower, John, 1954 (1 letter)

Bozzola, Vittorio, 1964 (2 letters)

Bradford, Carol (Mrs. Amory H. Bradford), 1951 (1 letter): from Breuer

Brandon-Jones, John, 1958 (1 letter)

Brandstätter, Elsbeth, 1936-1937 (2 letters)

Brassaï, Gyula Halász (Romanian photographer), undated (1 calling card): no signature

Peter Bratti Associates, 1974-1975 (2 letters): from Breuer

Bratti, Peter (A. Tozzini Tile Works, Inc.), 1958 (1 letter)

Braun, Wolfgang, 1968 (1 letter): from Breuer

Braziller, George, 1966 (1 letter)

Bremer, Paul and Nina, 1975 (2 letters)

Breuer, Constance (née Leighton), 1947-1982 (22 letters): from Breuer and Breuer's office; a 1967 letter, 1967, from French filmmaker Gerard Calisti is routed from Robert Osborn; an invitation from M. Knoedler and Company concerns reception for Lina Kandinsky

Breuer, Francesca, undated and 1966-1973 (3 letters): includes a letter of recommendation from Tician Papachristou

Breuer, Hermina, 1950 (1 telegram): from Breuer

Brewer-Cantelmo Company, Inc., 1966 (3 letters): from Breuer's office

Brewer, Joseph, 1965 (1 letter)

Brewster, George W. W., Jr., undated and 1946 (2 letters)

Brey, David M. (architect), 1950 (1 letter)

Breydert, Katherine, 1946 (1 letter)

Brickel/Eppinger, Inc., 1963 (3 letters)

Brigham, Richard C., 1954 (1 letter)

Brion, Maud (secretary to Eric Cercler), 1966-1972 (10 letters)

Brissenden, Norine (Mrs. P. R. Brissenden), 1947 (1 letter)

British Chair Company, 1954 (1 letter): from Breuer's office

Brodovitch, Alexey (Harper's Bazaar), 1954-1961 (16): 13 letters from Breuer's office

Broner, Gisela (wife of Erwin Broner, architect), undated (1 letter)

Brooklyn College Library, 1958 (1 letter)

Brooklyn Museum, 1944 (1 letter)

Brooks, J. H. (Putnam & Company), 1954 (1 letter): from Breuer

Brooks, Kenneth, 1968 (2 letters)

Brown, Elliott, 1951 (4 letters)

Brown, Graham, 1954 (1 letter)

Brown, Helen M., 1958 (1 letter): from Breuer's office

Brown, Jane M. (Mrs. Elliott Brown), 1975 (1 letter): letter is illustrated with drawing of Alexander Calder mobile

Brown, Joseph, 1955 (1 letter): includes transcript of

Brown's lecture at Princeton University

Browne, Robert Bradford (architect), 1968 (1 letter)

Brumwell, Marcus, 1944 (1 letter)

Brun, Jacques D. (architect), 1958 (1 letter)

Bryn Mawr School for Girls, 1981 (1 letter): from Betsy Prioleau

Bryson, Clayton J., 1950 (1 letter)

Budapest Muszaki Egyetem (István Benke), 1970 (1 letter)

W. S. Budworth and Son, Inc., 1963 (1 letter): from Charles H. Sawyer

Builders Publishing Company, 1954 (1 letter): to Rufus Stillman

Building Progress, 1974 (1 letter): from Breuer's office

Bujdosó, Ferenc, 1963 (2 letters)

Bulova, Arthur, 1950 (1 letter): from Breuer's office

Burchard, Charles (architect), 1945-1960 (10 letters)

Burchard, John E., 1967-1971 (2 letters): see American Society of Planners and Architects (ASPA)

Burkland, Howard (Shere Naven Corporation), 1951 (1 letter): from Stamo Papadaki

Burton, Véra, undated (1 letter)

Buyoucos, James V., 1952 (1 letter): from Breuer

Byrd, Dale, 1950-1968 (5 letters)

Cabinet Norbert Guerle, 1953-1954 (10 letters)

Caesar, Harry I. (Leslie Stillman's father, married to sculptor Doris Caesar), 1954-1955 (4 letters): 3 from Breuer's office

Calder, Alexander, 1938-1975 (12 letters): a 1947 letter is illustrated with a map; a 1975 letter contains a typescript about

Calder

Calico Museum of Textiles, India, 1974 (1 letter): from Breuer's office

California Council, AIA, 1960 (5 letters)

California, University of, Berkeley, 1957-1964 (3 letters)

Calisti, Gerard (French filmmaker): see Breuer, Constance

Canaday, John (New York Times), 1959 (1 letter): from Rufus Stillman

Canadian Architect, 1974 (1 letter): from Breuer's office

Canavesi, Schifra, undated and 1935-1957 (8 letters)

Candela, Felix (Cubiertas ALA S.A.) and Dorothy, undated and 1956 (3 letters)

Caplan, Frank (Creative Playthings), 1950 (1 letter)

Cardinal Stritch College, Milwaukee, Wisconsin, 1970 (1 letter)

Cardot, Vera (photographer), 1975 (1 letter): from Breuer's office

Carmel, Moty, 1968 (1 letter): from Breuer

Carpanelli, Franco, 1951 (1 letter)

Carpentier, Jacques H., 1960 (1 letter)

Carré, Louis, 1964 (1 letter and 1 picture postcard): postcard shows map to Maison Carré and house designed by Alvar Aalto

Carreras, Guillermo and Margarita, 1968 (1 letter): from Breuer

Carson, Alice Morgan (Museum of Modern Art), undated and 1943 (3 letters)

Carstensen, William (Carstensen, Inc.), 1954 (1 letter): from Breuer's office

Carter, Edward J. ("Bobby"; librarian, UNESCO): see, Architectural Association, London; see Project File for UNESCO

Carter, Stephen Newhall, 1976 (1 letter)

Cassinello, F. (Instituto Tecnico de la Construcción y de Cemento), 1960 (1 letter)

Catalano, Eduardo Fernando, 1945-1968 (8 letters)

Catan-Rose Institute of Art, 1965 (invitation): to reception at Gracie Mansion

Cavazzuti, Ugo, 1969-1970 (2 letters)

Central Mortgage and Housing Corporation, 1975-1976 (3 letters): from Breuer's office

Central School of Arts and Crafts, London, 1947-1950 (2 letters): includes an invitation to the school's presentation of diplomas by Sir Kenneth Clark

Central State AIA Conference, Omaha, 1976 (1 letter): from Breuer's office

Century Association, 1976 (1 letter)

Century Club, 1974-1976 (3 letters): 2 letters from Breuer's office

Century Lighting Company, 1956 (1 letter): from Breuer's office concerning Torrington, Connecticut factory

Cepero, Carlos Celis (architect), 1965 (1 letter)

Cercle d'études Architecturales, 1953 (1 letter)

Cercler, Eric: see Brion, Maud

Chase Manhattan Bank, 1955-1965 (5 letters): from Breuer's office

Chatfield, Ayla K. (architect), 1975 (2 letters)

Checkman, Louis (photographer), 1955 (1 letter)

Cheever, John, 1967 (1 letter)

Chelsea Association for Planning and Action, 1941 (1 letter)

Cheng, Tzu-tsai, 1968 (1 letter): from Breuer

Chermayeff and Cutting, Architects and Industrial Designers, 1956 (2 letters)

Chermayeff, Ivan, 1957-1975 (2 letters): from Breuer's office; a 1957 letter concerns a 70th birthday greeting for Le Corbusier

Chermayeff, Serge (Erich Mendelsohn & Serge Chermayeff, Architects), 1936-1978 (10 letters)

Cherry, Ned, 1968 (1 letter): from Breuer

Chiang, Helen and Arthur, 1950 (envelope only) and 1970 (1 letter)

Chicago Housing Authority, 1946 (2 letters)

Chien, Alan Shue Shih, 1969 (2 letters)

Children's Recreation Foundation, Inc., 1967 (1 letter): from Breuer's office

Chinoy, Rustam, 1954 (1 letter): from Breuer's office

Churchill, Henry S. (Churchill-Fulmer Associates), 1947 (1 letter): from Breuer

Ciampi, Mario J. (architect), 1968 (1 letter)

Cidor, Ruth, 1971 (1 letter)

Citizens Committee for a Nuclear Test Ban Treaty, 1963 (1 letter): see also Van Doren, Mark

City Club of New York, 1963-1964 (3 letters)

City Club of New York, Albert S. Bard Civic Award Trust Fund, 1968 (6 letters)

Ciudad Universitaria de México, 1952 (1 invitation): to VIII Congreso Panamericano de Arquitectos

Clark, Donald and Dallas (Associated Seed Growers), 1954 (1 letter): see Project File for UNESCO

Clarke, Arundell, 1950 (1 letter)

Clergue, Lucien (photographer), 1966-1967 (5 letters)

Cleveland Museum of Art, 1967 (1 letter): from Breuer's office

Cleveland Trust Company, 1970 (1 letter)

Clyne, Harry, 1947 (1 letter): from Breuer

Cochran, Alexander S. (architect), 1950-1967 (4 letters)

Coderch, J. A. (architect), 1961 (1 greeting card): includes photograph of exhibition

C. Coggeshall Design, 1944 (3 letters)

Cohen, Ken, 1968 (1 letter): from Breuer

Cold Spring Granite Company, 1960-1965 (11 letters): a 1964 letter has a design for a candle holder

Cole, Howard I. (Rutgers University), 1957 (1 letter): from Breuer

Coleman, Albert, 1945 (1 letter)

Colen, Eszter and Bruce, 1963 (2 letters)

Colorado, University of, Boulder, Student Chapter of AIA, 1958 (1 letter)

Columbia Broadcasting System (CBS), 1975 (1 letter): from Breuer's office

Columbia University, 1964-1977 (6 letters): see Project File for UNESCO

Comité Français de l'American Field Service, 1956 (1 letter)

Comité Organizador de Los Juegos de la XIX Olimpiada, 1968 (4 letters)

Commission on Community Interrelations (CCI) of the American-Jewish Congress, 1945 (8 letters)

Compagnie Française de Transports Internationaux, 1954 (1 letter)

Compton, W. Danforth, 1950 (1 letter)

Concha, Gonzales, 1952 (1 letter): from Breuer

Concrete Industry Board, Inc., 1969 (2 letters)

Condé Nast Publications, Inc., 1955 (1 letter)

Congrès Internationaux d'Architecture Moderne (CIAM),

Chapter for Relief and Post-War Planning, 1944-1956 (27 letters)

Congrès Internationaux d'Architecture Moderne, Mars Group (British branch of CIAM), 1946-1947 (5 letters)

Conklin, George W. (architect), 1956 (2 letters)

Connecticut Chapter of AIA, 1963 (2 letters)

Connecticut Public School Building Commission, 1951 (1 letter): from Breuer

Connecticut Society of Architects (Norman L. Raymond), 1963 (1 letter)

Contemporary Arts Association, 1952 (2 letters)

Contemporary Arts Center, 1965 (3 letters): concerning Josef Albers exhibition

Contemporary Authors, 1963 (1 letter)

Contini, Paolo and Jeanne, 1968 (1 letter)

Contreras, Carlos (XVI Congreso Internacional de Planificacion y de la Habitación, México), 1938 (2 letters)

Conway, Harvi, 1968 (1 letter): from Breuer

Cooke, Maymay (Mrs. Francis Cooke), 1947 (1 letter)

Coolidge, Frederic S. and Anne, 1947 (1 letter)

Cooper-Hewitt Museum of Design, 1975 (2 letters): from Breuer

Cooper Union, 1958 (2 letters)

Cooper, Wyatt Emory, undated (1 letter): mentions Eugene J. McCarthy

Corcoran, Kostelanetz, Gladstone & Lowell, 1959 (1 letter)

Cordos, Stephan, undated (1 letter)

Corkran, D. C. (Charles F. Orvis Company), 1944 (5 letters)

Cornigliano S.p.A. ("Società per Azioni"; limited company which installs exhibitions), 1958 (3 letters)

Corson, Richard A., 1950 (1 letter)

Coulson, Anthony J., 1975 (1 letter): from Breuer

County Roofing Company, 1957 (1 letter)

Crampton, Nancy (photographer), 1975 (1 letter)

Creighton, Thomas H., 1950 (1 letter): written with Katherine Morrow Ford

Crohn, Norma and Richard, 1968 (1 letter)

Croll, Jean, 1939 (1 letter)

Cromley, Don, 1968 (1 letter): from Breuer

Crotin, 1934-1935 (5 letters)

Crowther, J. G. (author) and Fransiska, 1936 (2 letters)

Csernyei, Zsuszi, 1939 (1 letter)

Cuevas de Vera, Adela ("Tota"), 1933-1934 (7 letters)

Cunningham, Allen, 1957 (1 letter)

Currie, Leonard (architect), undated and 1944-1978 (29 letters): see Architectural Forum

F. B. Curry Company (Frank B. Curry), 1945 (3 letters)

Cushing, Tom, 1937 (3 letters)

Cutler Farm (Lily C. Johanson), 1951 (1 letter)

Cutler, Robert W., 1968 (1 letter)

Czike, Dr. Gyuláné, 1957 (3 letters)

Dach, Joseph, 1944 (1 letter)

Daidone, Anthony J., 1958 (1 letter)

Damora, Robert (photographer), 1955-1967 (3 letters)

D'Andrea Brothers, Inc., 1957 (1 letter)

Bernard Danenberg Galleries, 1974-1975 (3 letters): from Breuer

Danielsson, Lars (Swedish architect), 1956 (3 letters)

D'Arcy, Frank (architect), 1957 (1 letter)

Dauber, Deanna L., 1975 (2 letters)

Daurel, Paul (architect), 1970 (1 letter)

Davenport, Keith H., 1946 (1 letter)

Daves, L. Joan, 1951 (1 letter)

Davis, Arthur, 1946 (1 letter): from Breuer

Davis, Brody, Chermayeff, Geismar, deHarak, Associates, 1969 (2 letters)

Davis, Columbus, 1946 (1 letter)

Davis, Paul (photographer), 1955 (1 letter): from Breuer

de Bever, Leo J., 1958-1960 (2 letters)

de Bodard, Connie, 1956 (1 letter)

De Carli, Carlo (Politecnico Milano), 1968 (1 letter)

Decima Triennale di Milano, 1954 (1 letter)

Decker, H. Carlton (architect), 1968 (1 letter): concerns Interama

DeCoene, Pierre, 1966-1968 (2 letters)

Dedet, Dr. Jacques (and Mme. Georges Cexier, Mme. Pierre

Dedet, Mme. André Laurenti), undated (1 letter)

De Hausner, Mrs. Djin Lilli S., undated and 1935-1936 (11 letters)

Deimel, Klöckner, Koebel, 1959 (1 letter)

Del Buttero Enzo (Vetro Italiano di Sicurezza [VIS], Milan), 1959 (1 letter)

De Leu Dulles, Mrs. J., undated (1 letter)

Delft Student Debating Society "Vrije Studie," 1957-1958 (6 letters)

DeMars, Vernon (DeMars and Wells), 1967 (1 letter)

Democratic National Committee, 1960 (1 letter)

De Rivera, José, 1946 (1 letter)

Derome, Leon, 1953 (1 letter)

Deschamps, Julio, 1950 (1 letter): includes 4 photographs of a house under construction

design magazine, 1975 (1 letter): from Breuer's office

Design Quarterly, 1976 (1 letter): from Breuer's office

Design Research, 1965 (2 letters)

de Spirlet, André (Cie. Belge de Chemins de Fer et d'Enterprises), 1963 (1 letter)

Dévényi, Iván, undated (1 letter)

De Vries & Company, 1953 (1 letter)

de Waldner, C. (IBM, France), 1970 (1 letter)

Dewey [Thomas E. Dewey], Ballantine, Bushby, Palmer & Wood, 1955-1969 (5 letters)

de Zwart, J., 1957 (1 letter): from Breuer

d'Harnoncourt, René, 1950-1951 (3 letters): see Project File for UNESCO

Diamant-Berger, Renée, 1954 (2 letters): from Evelyn Rocourt

Dicke, Hendrik Adolph (civil engineer), 1976 (1 death announcement)

Dickey, Thomas A., 1954 (1 letter)

Eugene Dietzgen Company, 1956 (1 letter): from Breuer's office

Dodd, Betty, undated (1 letter)

Dodd, Mead & Company (Edward Dodd), 1949-1960 (33 letters)

Doerr, Harold J. (interior decorating), 1975 (1 letter)

Doherty, Neil (photographer), 1974 (1 letter): from Breuer's office

Domela, Cesar (Dutch artist who worked at the Bauhaus), 1961 (2 letters)

Dominick & Dominick, 1936 (1 letter)

Domus magazine, 1947 (1 letter)

Dorner, Alexander (Brown University), 1947 (1 letter)

Drabkin, Murray (Kaler, Worsley, Daniel & Hollman), 1970-1978 (10 letters)

Dreier, Theodore and Barbara, 1956 (1 letter)

Drew, Jane B. (Fry, Drew, Drake & Lasdun), 1958 (1 letter)

Dreyer-Dufer, B., 1953 (1 letter)

Duane, Duane & Cahill, Architects (Franklin J. Duane), 1969 (1 letter)

Fred S. Dubin Associates, 1954-1958 (12 letters): 9 letters from Breuer's office

Dubsky, Caroline (Svoboda & Company), 1968 (1 letter)

Dufau, Pierre, 1963 (2 letters): from Breuer

Duhart, Emile and Raquel, undated (1 illustrated Christmas card)

Dunkel, E., 1934 (1 letter)

Dunn, Frederick, 1955 (1 letter): from Marvin Halverson concerning Commission on Architecture meeting

Dunning, James O., 1969 (1 letter)

DuPont, Henry B., 1958 (1 letter): from Rufus Stillman

Eastern Schokbeton Corporation, 1969 (1 letter)

Edwards, David J. (Georgia Institute of Technology), 1951-1968 (2 letters): see Project File for UNESCO

Egender, Karl, 1947 (1 letter)

Eggington, Geoff, 1968 (1 letter): from Breuer

Eken, Andrew J. (Starrett Brothers and Eken, Inc.), 1952 (1 letter): from Sherley W. Morgan, Princeton University; see Project File for UNESCO

Eldredge, Joseph L., 1948 (1 letter)

Electric Arts Intermix, Inc., 1974 (1 letter): from Breuer's office

Elkington, Robert (architect), 1968 (1 letter)

Elliott, Edward Proctor, 1945 (calling card)

Ellis, W. A., 1936 (1 letter)

Ellwood, Craig, 1966 (1 letter)

Elsbree, E., 1947 (1 letter)

Elsner, Werner, 1968 (1 letter)

Elte, Hans (School of Architecture, University of Toronto), 1950 (2 letters)

Elzas, A. (architect) and Hermine, 1956-1978 (18 letters)

Embru-Werken, 1950 (2 letters)

Emery, P., 1947 (1 letter)

Emslie, Murray Sims, 1954-1964 (20 letters): see Project File for UNESCO

Encyclopaedia Britannica, 1951-1964 (3 letters)

Engel de Janosi, Karl, 1950 (1 letter)

English-Speaking Union, 1951 (1 invitation): to reception in honor of Gerald Barry

Entenza, John D. (Graham Foundation for Advanced Studies in the Fine Arts), 1968 (1 letter)

Epler, Robert E., 1966 (1 letter)

Escoffier, Pierre, 1963 (1 letter)

Escrito Trading Post, New Mexico, 1950 (1 letter): from Breuer's office

European Investment Bank, Luxembourg, 1974-1978 (5 letters): 3 letters from Breuer

Evans, T. Randall (Yorke Rosenberg Mardall, Architects), undated and 1947-1965 (3 letters)

Eyquem, Danielle, 1956 (3 letters)

Fairweather, W. Ross, 1958 (1 letter)

Farkas, Nicholas (Farkas & Barron, consulting engineers), 1955-1969 (3 letters)

Farnsworth, S. W. (Torrington Manufacturing Company), 1956 (1 letter)

Farris, Mary E. (Breuer's secretary), 1964-1968 (13 letters)

Faudon, M. J. (European Investment Bank, Luxembourg), 1974-1975 (4 letters): from Breuer

Fédération Internationale du Film d'Art (FIFA), 1956 (1 letter)

Fehér, Nicolaus, 1966-1967 (4 letters)

Fejér, George (Selection Engineering Company, Ltd.), 1946-1947 (2 letters)

Ferguson, E. S., 1946 (1 letter)

Ferry, W. Hawkins, 1963 (1 letter)

Ficks Reed Furniture Company, 1951 (1 letter)

Fifth Avenue Association, Inc., 1968 (2 letters)

Finger, Sally L. (Mrs. W. L. Finger), 1950 (2 letters)

Finn, Herman L. (Abbe & Finn), 1960 (1 letter): from Breuer

Finn, Michael (from Breuer's office), 1972 (3 letters)

Finsler, Hans (photographer), 1936-1937 (3 letters)

Fintel, Nat, 1976 (1 letter)

Fiocchi, Annibale (architect), 1955 (1 letter)

Firma l.u.c. arnold, 1934 (1 letter)

Firmage, Margaret ("Peg"; Mrs. Charles Firmage; Breuer's secretary), 1947-1964 (48 letters)

First Hanover Corporation, 1967 (1 letter)

Fischer, Edward L., 1943 (1 letter)

Fischer, Eta, 1956 (1 letter): from Breuer

Fischer, John, 1956-1957 (2 letters): from Breuer's office

Fischer, Joseph (Hungarian architect), undated and 1923-1966 (17 letters)

Fischer, Margrit (Mrs. Edward L.; sculptor at Bauhaus), undated and 1934-1950 (5 letters)

Fitzgibbons, Frank, 1968 (1 letter): from Breuer

Fitzhugh, Greene, 1946 (1 letter)

Fjödl, Fjeinrich, 1964 (1 letter)

Flansburgh, Earl F. (Earl F. Flansburgh and Associates), 1976 (1 letter): from Robert F. Gatje

Fletcher, Jean Bodman (architect), 1947 (1 letter)

Flick, Miriam Hilliard (formerly Miriam Flick White), 1950 (1 letter)

Flos, Merano, 1963 (1 letter)

Földes, Dr. István ("Pista"), 1933-1934 (7 letters)

Foote, Elliott and Caroline, 1960-1967 (4 letters)

Forbàt, Alfréd ("Fred"; Hungarian architect), 1938 (2 letters): see Congrès, Les Congrès Internationaux d'Architecture Moderne (CIAM)

Forberg, Kurt, 1975 (1 letter)

Forbes, E. W., undated (1 letter)

Forbes, Marla, 1939 (1 letter)

Forbes, R. E. and Pauline, undated (1 letter)

Ford, Katherine Morrow (Mrs. James Ford), 1950-1951 (2 letters): 1950 letter written with Thomas H. Creighton

Fornells-Pla, Francisco, 1969 (1 letter)

Forrest, Robert E. (Princeton University), 1952 (2 letters)

Forum of Contemporary Arts, 1958 (1 letter)

Foundation for the Arts and Humanities, 1967 (1 letter)

Foundation for the Arts, Religion and Culture, 1963-1965 (4 letters)

Fox, John P. (Murray Hill Assn., Inc.), 1949-1957 (2 letters)

Foyle, Christina, 1947 (1 letter)

France: French Embassy, Washington, D.C. (François De Laboulaye, ambassador), 1978 (1 invitation): to presentation of Médaille d'Or to Breuer

Frank, Oswald, 1947 (1 letter)

Frank, Mrs. Robert J., 1940 (1 letter)

Frantz, Al (Edward Gottlieb & Associates), 1958 (2 letters)

Franzen, Ulrich ("Rickey"; architect), 1956-1968 (2 letters)

Fratelli Salvadori, 1964 (1 letter)

Frazer, Peter M., 1950 (1 letter)

Freck, Byron, 1945 (1 letter)

Freeman, Elizabeth E. (Wellfleet Real Estate), 1947 (1 letter)

Freeth, Evelyn (Royal West of England Academy), 1958 (2 letters)

Frey, Emil (Motorfahrzeuge), 1956 (1 letter): from Breuer

Friedman, B. H. (Bob), 1970 (1 letter)

Friedrich, Clara, 1935 (1 letter)

Frost, Frederick G. (Frederick G. Frost Jr. & Associates, Architects), 1960 (1 letter)

Frost, Henry A. (Harvard University), 1947 (2 letters)

Fry, Louis Edwin (architect), 1945-1946 (3 letters)

Fry, Lynn W. (University of Michigan, Ann Arbor), 1951 (1 letter): see Project File for UNESCO

Fry, Maxwell, 1950 (1 letter): from Breuer

Fuenmayor, Ernesto (Centro Profesional del Este), 1960 (3 letters)

Fulde, Philip, 1965 (1 telegram): from Breuer

Fürbeth, Albrecht, 1974 (1 letter)

Gabetti, Gianluigi, 1969 (1 letter): from Breuer

Gabo, Naum, 1938 (2 letters)

Gábor, László ("Laci"; graphic designer for Kaufmann), undated and 1938 (3 letters)

Gagarin, Andrew (Torrington Manufacturing Company) and Jamie, 1953-1975 (15 letters)

Galhidy, László, undated and 1960-1963 (4 letters)

Gambaro, E. James (architect), 1968 (1 letter)

Gane, Crofton Endres, undated and 1945-1967 (25 letters)

Gantschi, Edith, 1934 (1 letter)

Gardella, Ignazio, 1950 (1 letter): from Breuer

Gardner-Medwin, R. J. (Liverpool School of Architecture), 1957-1959 (5 letters): see also Selwood, Christopher

Gargas, Klára, 1970 (3 letters)

Gastón, Miguel (Gastón y Dominguez, S.A.), 1950-1967 (6 letters): 1951 letter contains 2 floor plans and 7 photographs of Gastón's house

Gatje Papachristou & Smith, 1984-1985 (3 letters)

Gatje, Robert Frederick, undated and 1954-1982 (45 letters): see Project File for UNESCO

Gautschi, Dr. Georg, 1936 (1 letter)

Gavina, Dino (furniture manufacturer), 1962-1976 (111 letters)

Geberta, Victor F., undated (1 letter)

Geisler, Howard, 1968 (1 letter): from Breuer

Gelb, Mr., 1963 (1 letter): from Breuer's office

Gelland, Carolyn (Breuer's secretary), 1972-1974 (8 letters)

Geller, Bert and Phyllis, 1963-1968 (2 letters)

General Electric Appliances, Inc., 1947 (1 letter)

General Electric Company, 1943-1950 (6 letters)

General Fireproofing Company, 1943-1946 (4 letters)

Georges, Alexandre (photographer), 1974-1976 (2 letters): from Breuer's office

Geraghty, Margaret, 1960 (1 letter): from Breuer's office

Gerbman, Joyce, 1968 (1 letter): from Breuer

Giedion-Welcker, Sigfried and Carola, undated and 1932-1976 (62 letters): see Congrès Internationaux d'Architecture Moderne (CIAM; Chapter for Relief and Post-War Planning)

Girsberger, H., 1976 (1 letter): from Breuer

Glazier, Helen, 1946 (1 letter)

Gogolák, Ludwig, 1958 (1 letter)

Goldinger, Harry, 1946 (1 letter)

Goldings, Morris M. (Mahoney, McGrath, Atwood, Piper & Goldings), 1970 (1 letter)

Goldman, Paul (Plymold Corporation), 1945 (2 letters): from Breuer

Goldman Sokolow Copeland, 1984-1985 (3 letters)

Gömöri, Herman Iván, 1956-1957 (2 letters)

Goodman, Mrs. Alvin Malcolm, 1967 (1 letter): from Breuer

Goodman, Charles, 1946 (1 letter): from Breuer

Goodman, Percival, 1968 (1 letter)

B. F. Goodrich Company, 1965 (1 letter)

Goodwin, Philip L. (architect), 1947-1955 (3 letters): see Project File for UNESCO

Gores, Landis, 1947-1951 (2 letters): from Breuer

Gorlich Editore, 1957 (1 letter): from Breuer's office

Gorn, Samuel G. (Gorn Brothers, Inc.), 1956 (1 letter)

Gottscho-Schleisner (photographer), 1955-1956 (2 letters): from Breuer

Goudsmit, Alfred and Gertie, 1963-1970 (2 letters)

Gould, Eleanor J. (Mrs. J. Howard Gould), 1966 (1 letter)

Graber, Rudolf (Wohnbedarf furniture store), undated and 1938-1969 (21 letters): see Project File for UNESCO

Gramling, Hdikó, 1975 (1 letter)

Grand Coulee Dam Project, 1974-1975 (2 letters): from Breuer; see United States Department of the Interior, Bureau of Reclamation

Grant, Barbara, 1968 (1 letter): from Breuer

Grayboff, Ira, 1955 (2 letters)

Green, Lynda, 1968 (1 letter): from Breuer

Grefe, Richard (McDonald & Smart, Inc.), 1976 (1 letter): from Breuer

Grieco, Vito (Grieco Bros., Inc.), 1958-1959 (3 letters)

Griffis, Nixon (Hemphill, Noyes & Company), 1946 (1 letter)

Griffith, J. Neal, undated (1 letter)

Grimball, Henry G. (Harvard University), 1950 (1 letter)

Gropius, Walter ("Pius") and Ise ("Pia"), undated and 1933-1969 (120 letters): see Harvard University, Graduate School of Design; Project File for UNESCO

Grosse Pointe Public Library, 1960 (1 letter)

Grossi, Olindo (Architectural League of New York), 1957 (4 letters): see Pratt Institute; see Project File for UNESCO

Grosswirth, M. (New York University, College of Engineering), 1958 (1 letter)

Gröte, Dr. Andreas and Laura, 1961-1967 (3 letters)

Gröte, Ludwig and Gertrud Maud, 1956-1967 (5 letters)

Groupe Espace, 1952-1954 (5 letters)

Gruber, Gerd, 1965-1967 (2 letters)

Gruber, Richard D. (Independent Oil Company of Connecticut, Inc.), 1970 (1 letter)

Gruzen, Barney Sumner, 1956 (1 letter): from Breuer

Gstrein, Kassian, 1936 (1 letter)

Guenther, Carl Frederic, 1958 (1 letter)

Guerrero, Pedro E. (photographer), 1955 (1 letter): from Breuer

Solomon R. Guggenheim Museum, 1964 (1 letter): concerns the loan from Breuer of an Alexander Calder work

Guilford Leather Company, 1950 (1 letter): from Breuer

Gumbel, Robert W., 1950 (1 letter)

Gutheim, Polly (Mrs. Frederick A. Gutheim), 1946 (1 letter)

Haas, Robert (Ram Press), 1954-1957 (8 letters): from Breuer's office

Hächler, W. (architect), 1956 (1 letter): from Breuer

Hack, Lynda, 1968 (1 letter): from Breuer

Hackett, Gabriel D. (photographer), 1963 (1 letter)

Hackley Art Museum, 1977 (3 letters)

Hagenbach, Marguerite: see Arp, Hans Jean

Hagerty, Francis (Hagerty Company), 1945 (2 letters)

Hagerty, John, 1958 (1 letter)

Haggerty, Brian (Sacred Heart Seminary), 1964 (1 letter)

Hagmann, John S. (and Robert A. M. Stern), undated (1 letter)

Hagood, M. Lindsey (Virginia Polytechnic Institute, Architectural Speakers Committee), 1952 (3 letters)

Hahn, Alexander, 1957-1958 (2 letters)

Halász, Dezso (International Union of Local Authorities), 1957-1959 (3 letters)

Halász, Ferenc, 1959 (2 letters)

Halborg, Rev. John E. (Evangelical Lutheran Church of the Advent), 1968 (1 letter)

Hall, John Hughes (Nardin & Radoczy), 1956-1957 (2 letters)

Halprin, Lawrence, 1966-1970 (2 letters)

Halverson, Marvin (National Council of the Churches of Christ in the USA), 1955-1956 (4 letters)

Halvorson, Roy E., 1956-1971 (4 letters)

Hambuechen, Dr. Eva-Dorothee, 1937 (1 letter)

Hamer, R. D. (Aluminium Laboratories Ltd.), 1946 (1 letter)

Hammett, Ralph W., 1975 (1 letter): from Breuer's office

Hancy, L., 1975 (1 letter): from Breuer's office

Hansen, Thomas L. (University of Colorado, Boulder), 1956 (1 letter)

Hanson, B. (Mrs. John Hanson), 1955-1967 (3 letters)

Haraszty, Eszter, undated and 1956 (2 letters)

Harbert, Guido, 1950 (1 letter)

Hardoy, Jorge Ferrari (architect), 1965 (1 letter)

Hardy, Holzmann, Pfeiffer (Christine Donovan), 1974 (1 letter): from Breuer's office

Harkness, Elaine, 1960 (2 letters)

Harnischmacher, Paul and Marianne, undated and 1933-1964 (41 letters)

Harper's Bazaar, 1954-1955 (4 letters)

Harris, James L., 1946 (1 letter)

Harris, S. I. (Keasbey & Mattison Company), 1956 (1 letter)

Harrison, Wallace K. (architect) and Ellen, 1937-1956 (3 letters)

Hars, Anthony, 1964 (1 letter)

Hartgen, Vincent A. (University of Maine, Orono), 1956-1957 (4 letters)

Hartung, Herrn Dipl. Eng. (Staatshochbauamt Dusseldorf), 1976 (1 letter): from Breuer

Harvard Club of New Canaan, Connecticut, 1951 (1 letter)

Harvard Club of New York City, 1946-1950 (6 letters)

Harvard University, Carpenter Center for the Visual Arts, 1966-1970 (10 letters)

Harvard University, Graduate School of Design, 1938-1953 (49 letters)

Harvard University Society of Fellows, 1967-1970 (5 letters)

Harvard-Yenching Library, 1954 (1 letter)

Haskell, Douglas (architect; Architectural Forum), 1958 (1 letter)

Hassenpflug, Gustav (architect), undated and 1933-1955 (20 letters)

Hatje, Gerd (Verlag Gerd Hatje GMBH), 1955-1964 (111 letters): see Kaspar, Karl

Hauf, Harold D. (Edwards Street Laboratory, Yale University) and Dorothy, 1951-1954 (3 letters): see Project File for UNESCO

Haughwout, John L., 1950 (1 letter)

Havinden, Ashley, 1969 (2 letters)

Hayes, Mrs. Alfred Hayes, undated (2 letters)

Hayes, Bartlett H. (Addison Gallery of American Art), 1955 (2 letters)

Hayes, Peggy, 1963 (1 letter)

Hayes, Thom, 1968 (1 letter): from Breuer

Hayoz, Marcel, 1957 (2 letters)

Headquarters First Service Command, 1945 (1 letter)

Healy, Estelle, undated (1 letter)

Hebert, Elmer T., 1951-1974 (3 letters): from Breuer

Heckscher, August, undated and 1962-1970

Hedrich, E. (Hedrich-Blessing Photographers), 1967-1975 (2 letters)

Heinz, H. J. and Drue Maher, undated and 1954 (3 letters)

Heiser, Bruce, 1950 (1 invitation): for luncheon honoring Heiser

Helsel, Marjorie (M. Helsel Interiors), 1966 (1 letter)

Helseth, Glenn, undated (1 letter)

Henderson, Priscilla A. B., 1954 (1 letter)

Hendry, Charles E. ("Chick"; University of Tornoto), 1950 (2 letters): see Commission on Community Interrelations (CCI) of the American Jewish Congress

Henin, Mme. S., 1956 (2 letters)

Henze, Wilfried, 1964 (1 letter)

Herbe, Paul (architect), 1963 (1 letter)

Herford, Julius G., 1945 (1 letter)

Herman, Harold M., undated (1 letter)

Hermanson, Ray T. (Trynor & Hermanson, Architects), 1957 (1 letter)

Herrera, Alberto Rodriguez (El Recreo, Centro Profesional del Este), 1960 (1 letter): from Breuer's office

Herrey, Hermann (architect), 1946-1947 (3 letters)

Herter, Susan and Chris, undated (1 letter)

Hertner, W. (architect), 1939 (1 letter)

Hertzell, Tage (Meningsblad for Unge Arkitekter), 1956 (1 letter)

Hervé, Lucien, 1960 (4 letters): see Project File for UNESCO

Herz, Alexandra, 1965-1967 (2 letters)

Hess, Orvan W., 1976 (1 letter)

Hester, James M. (New York University, Washington Square), 1963-1970 (2 letters)

Hetényi, George, 1954 (1 letter)

Heyer, Paul O., 1965-1970 (11 letters)

Heyman, Marla, undated (1 letter)

Heywood-Wakefield Company (Mr. Greenwood, Mr. Paul Posser), 1944 (6 letters)

Higgins, Ambrose S. (architect), 1947 (1 letter)

Hill, Albert Henry, 1950-1951 (2 letters)

Hill and Knowlton, Inc., 1974 (1 letter): from Breuer's office

Hill, Henry and Heather, 1950-1964 (7 letters): see Project File for UNESCO

Hirschfeld, Ludwig, undated and 1935-1963 (18 letters)

Hirshhorn Museum and Sculpture Garden, 1975 (2 letters): from Breuer

Hitchcock, Henry-Russell, Jr., 1937-1938 (4 letters)

Hobart Manufacturing Company (KitchenAid Home Dishwasher Division), 1950 (1 letter): from Breuer's office

Hockaday Associates, Inc., 1954 (2 letters)

Hödl, Heinrich, 1964 (1 letter)

Hoffman, Mildred, 1966 (1 letter)

Hoffman, Tom, 1968 (1 letter): from Breuer

Hoffmann, Alfred, 1938 (1 letter)

Hofmann, Hans (from Weimar), 1947 (1 letter)

Julius Hoffmann Verlag Stuttgart, 1955-1961 (2 letters): see Project File for UNESCO

Hoffmeyer, Ted (Marcel Breuer and Associates field office), 1963-1970 (3 letters)

Hogan, P. A., 1975 (1 letter): from Breuer's office

Holden, Thomas S. (F. W. Dodge Corporation), 1954-1958 (3 letters)

Holland Shade Company, 1950 (1 letter): from Breuer's office

Holzmann, Philipp, 1975-1977 (2 letters)

Hooper, Edith Ferry, undated and 1963 (2 letters)

Hooper, Elizabeth, 1969 (1 letter)

Hooykaas, J. A. (Nederlandse Natuursteen Importeurs), 1957 (1 letter)

Hopfe, Charles T. (Hop-Mac, Inc.), 1974 (1 letter): from Breuer's office

Horizon, 1970 (1 letter)

Hosei University, 1954 (1 letter)

House & Garden -- , 1970 (1 letter)

House and Home magazine, 1954 (1 letter)

Housing and Urban Development (HUD), Department of, 1968 (1 invitation): to dedication

Houston, University of, Architectural Society, 1953-1955 (4 letters)

Edward F. Howard Company, 1956 (1 letter)

Howard, Herbert Seymour, 1946 (1 letter)

Howe, George (Yale University), 1951 (1 letter): from Breuer

Howland, Mrs. John, 1957 (1 letter): from Breuer's office

Hsin-Yieh Architects & Associates, undated (1 letter)

Hu, Kuang-Yu, 1947 (1 letter): from Breuer

Huber, Karl, 1950 (1 letter): from Breuer

Hudnut, Joseph ("Vi"; Harvard University) and Claire, undated and 1946-1947 (3 letters): see American Society of Planners and Architects (ASPA); Congrès Internationaux d'Architecture Moderne (CIAM), Chapter for Relief and Post-War Planning; Harvard University, Graduate School of Design

Hug, Hattula Moholy-Nagy (daughter of László Moholy-Nagy), 1976 (1 letter)

Hughes, Ella C., 1937 (1 letter)

Hughes, Jennifer, 1964 (2 letters)

Hughes, K. E., undated (1 letter)

Hultberg, Hilary (Rudi Blesh's daughter ?), 1957 (3 letters)

Hungarian Alumni Association, undated (1 letter): includes a hand-drawn map, 8 photographs of Hungarian cityscapes, 4 photographs of city views, and a drawing of the facade of a building

Hunter, Louise, 1947 (1 letter)

Hurley, Jane C., 1947 (1 letter): from Breuer

Hurwitz, Joe, 1968 (1 letter): from Breuer

Hutchhausen, Walther, 1937 (1 letter)

Hutchins, John Jay (Law Offices of S. G. Archibald), 1963-1969 (14 letters): see Project File for UNESCO

Hutton: E. F. Hutton Company, 1946-1951 (7 letters)

Huygens, W., 1957 (1 letter)

Ichban [?], Hans ("Zero"), undated and 1939 (2 letters)

Ikuta, Tsutomu, 1951 (1 letter)

Illinois, University of, Chapter of AIA, 1959 (2 letters)

Illinois, University of, Urbana, 1957-1964 (4 letters)

Ilmanen, J. William, 1955-1956 (2 letters)

Immanuel, M., 1946 (2 letters)

India, ambassador from, 1965 (1 invitation): to Nehru

N.V. Induventa, 1935 (1 letter)

Ingrand, Max, undated (2 letters)

Institute der Schwestern, Baldegg, Switzerland, 1970-1975 (5 letters): 4 from Breuer

Institute for Advanced Study, Princeton University, 1970 (1 letter)

Institute of Contemporary Art, 1954-1956 (3 letters): see Project File for UNESCO

Institute of Contemporary Art, Department of Design in Industry, 1951 (3 notices of meetings)

Institute of Design, Illinois Institute of Technology, 1953-1959 (6 letters)

Institute of International Education, 1960-1961 (4 letters)

Instituto Internazionale di Arte Liturgica, 1970 (1 letter)

Interiors Incorporated, 1975 (1 letter): from Breuer

Interiors International, 1963 (4 letters)

Interiors magazine, 1950 (1 letter)

International Bank for Reconstruction and Development, 1975 (1 letter): from Breuer

International Business Machines Corporation (IBM), 1963-1974 (4 letters): 2 from Breuer

International Business Machines (IBM) Deutschland, 1970 (1 letter)

International Congress for Engineering Education, 1947 (2 letters)

International Congress for Modern Architecture: see Congrès Internationaux d'Architecture Moderne (CIAM)

International Contract Furnishings, Inc., 1975 (1 letter): from Breuer

International Design Conference, Aspen, Colorado, 1953-1955 (4 letters)

International Lighting Review, 1961 (1 letter)

International Rescue Committee, Inc., undated (1 letter)

Iowa State College, 1960 (1 letter): see Myers, John S.

Iran, empress of, 1975 (1 letter): from Breuer

Irving & Casson/A. H. Davenport Company, 1945 (1 letter): see Commission on Community Interrelations (CCI)

Irving, Michael H. (Irving and Jacob), undated and 1968-1971 (4 letters)

Isokon (Lawn Road) Limited, 1936-1966 (2 letters)

Istituto Italiano di Cultura, 1967 (1 letter)

Jackson, Huson (Plan-Tech Associates), 1945-1958 (3 letters)

Jacobs, Robert Allan (Kahn & Jacobs), 1958 (2 letters)

Jacobson, Egbert (Container Corporation of America), 1950 (1 letter)

Janis Gallery (Sidney Janis), 1955-1970 (2 letters): concerning Josef Albers exhibition

Japan Architect Company, Ltd., 1977 (2 letters)

Japan House Gallery, 1975 (1 letter): from Breuer

Japan Society, Inc., 1964-1975 (3 letters)

Jaredat, Nizar and Ellen, 1946-1958 (4 letters)

Jaritz, András, 1934 (1 letter)

Jarrell, Katherine O., 1960 (2 letters)

Jefferson Foundation Medal in Architecture, 1968 (1 letter)

G. A. Jellicoe & Partners, Architects, undated (1 letter)

Georg Jensen, Inc., 1946-1947 (4 letters)

Jewish Community Center of Cleveland, 1965 (3 letters)

Jobco Incorporated, 1980 (1 letter): from Herbert Beckhard

Johansen, John MacL.("Jo") and Mary Ellen, undated and 1947-1970 (7 letters)

Johns Hopkins University, 1981 (2 letters)

Johnson, Dan Rhodes, 1965 (1 letter)

Johnson, Frances, 1950-1951 (2 letters): from Breuer

Johnson, Lyndon Baines, 1965 (1 invitation): to presidential inauguration

Johnson, Marian Willard: see Willard, Marian G.

Johnson, Philip (architect), 1945-1948 (10 letters): 4 letters from Breuer: see Project File for UNESCO

Johnson, Reid B., 1964 (1 letter)

Johnstone, William (Colorado Springs Fine Arts Center), 1949 (1 letter)

Joly, Pierre (photographer), 1975 (1 letter): from Breuer's office

Jomain, Pierre, 1960 (1 letter)

Jones, Adolph (U.S. Embassy, The Hague), 1956 (1 letter): from Breuer

Jones, Cranston and Jean, 1958-1966 (10 letters)

Jones, Cyrus C., 1945 (1 letter): from Breuer

Jones, Douglas (University of Bristol, U.K.), 1967 (1 letter)

Jones, Noel W. (district engineer, OCS), 1968 (1 letter)

Jones, Paul K. (mayor of Shaker Heights, Ohio), 1970 (1 letter)

Jones, Theodore S. (Institute of Contemporary Art), 1950-1951 (2 letters)

Joraschek, Josef (architect), 1965 (1 letter)

Jordi, Beat, 1970-1976 (13 letters): 12 from Breuer

Jordy, William H. (Yale University), 1951 (2 letters)

Jossa, Mario, 1966-1976 (37 letters): 28 from Breuer

Joyce, Nora, 1934 (1 letter)

Junyer, Joan [?]1961 (1 letter)

Kacmarcik, Frank, 1968 (1 letter): from Breuer

Kaffka, Péter (C. E. Pratt & Péter Kaffka, Architects), 1950 (1 letter)

Kahlen, Wolfgang, 1965 (1 letter)

Kahn, Hugo, 1968 (1 letter)

Kahn, Louis I. (Oscar Stonorov and Louis I. Kahn Associated Architects), 1945-1966 (5 letters): see American Society of Planners and Architects (ASPA)

Kalmai, K., 1924 (1 letter)

Kálmán, Timon, 1967 (2 letters)

Kalnay, Ferenc, 1938 (1 letter)

Kamer, Henri A. (Kamer, Inc.), 1964-1966 (2 letters)

Kamphoefner, Henry L. (School of Design, North Carolina State College), 1951-1954 (6 letters)

Kandinsky, Lina, 1969-1976 (mentioned in 2 letters from Constance Breuer)

Kane, Ervin (Viewtone Television), 1946 (2 letters)

Kaneko, Masanori (Kagawa Prefectural Government, Japan), 1970 (1 letter)

Kann, Henry Robert, 1951 (1 letter)

Karajabey, Ayla, 1966 (telegram from Breuer)

Karlock, Michael (Benton & Bowles), 1946 (1 letter): from Breuer

Karsten, Thomas and Marilyn (American Trading Company), 1963-1975 (8 letters)

Kaspar, Karl (Verlag Gerd Hatje GMBH), 1955 (2 letters)

Kass, Gertrud [?], 1939 (1 letter)

Katsuyama, S., undated (1 letter)

Kaufman, Stanley Lloyd, 1950 (1 letter): see Project File for UNESCO

Kaufmann, Edgar J. (Kaufmann Department Store), 1954-1963 (2 letters)

Kazi, Abdul-Rassak, 1966 (2 letters)

Kazin, Alfred, 1971 (1 letter)

W. R. Keating & Company, 1962 (1 letter): concerns shipment of Alexander Calder sculpture

Keller, Dieter, 1965 (2 letters)

Kelly, John Terence (architect), 1964 (1 letter)

Kelly, Virginia Whitmore, 1949 (1 letter)

Kennedy, Edith (Robert Woods Kennedy's mother), 1939 (1 letter)

Kennedy, John Fitzgerald, 1961-1963 (3 letters): from the White House

Kennedy, Robert Woods (first architect in Gropius-Breuer office, Cambridge, Massachusetts), undated and 1950 (3 letters): see American Society of Planners and Architects (ASPA)

Kennerly, Albert (Kennerly Construction Company, Inc.), 1947 (1 letter)

Keogh, Eugene J. (Halpin, Keogh & St. John), 1970 (1 letter)

Kepes, György (architect) and Juliet, undated and 1924-1978 (29 letters)

Kertész, André, 1968 (1 letter): from Breuer

Kertész, Gyula, 1938 (1 letter)

Kessler-Gallacher & Burton, Seagram-Distillers Corporation, 1954-1963 (5 letters)

Ketchum, Morris (Ketchum, Gina & Sharp, Architects), 1957-1963 (25 letters)

Ketchum, Phillips (Ketchum Building Corporation), 1967 (4 letters)

Keyser, William, 1964 (1 letter): from Breuer's office

Kida, Miho, 1975 (2 letters)

Kiley, Dan, 1955 (1 letter)

Kilham, Walter H. (R. B. O'Connor and W. H. Kilham, Architects), 1951-1960 (2 letters)

Kimura, Akira, 1965 (1 letter): includes photograph of family E. & F. King & Company, 1946 (2 letters)

King, Helen (William Morrow & Company, Inc., Publishers), 1951 (1 letter)

Kipnis, Leonid (Leonid Kipnis Gallery), 1954 (1 letter)

Kirkconnell, Watson, 1967 (1 invitation): to George Washington Awards Dinner in honor of Breuer, Kirkconnell, and Hans Selye

Kistler, Daniel, undated and 1964 (2 letters)

Kivett & Myers & McCallum (Architects - Engineers), undated (1 letter)

Kleyer, Bertel and Erwin Kleyer, 1946-1954 (10 letters)

Klöckner (Deimel, Klöckner, Koebel), 1959 (1 letter)

Kniffin, Ogden ("Nif"; inventor of Colorforms) and Kitty, 1950-1960 (5 letters): 3 from Breuer

Knoll, Hans G. and Florence (H. G. Knoll Associates, Inc.), undated and 1945-1961 (12 letters); see Project File for UNESCO

Knoll International, Inc., 1971-1977 (7 letters): see Vidal, Yves

Knox, Sanka (New York Times), 1960 (1 letter): from Breuer's office

Kobler, John (Saturday Evening Post), 1959 (1 letter)

Koch, Alexander, 1948-1961 (2 letters)

Koerfer, Jacques and Christina, undated and 1964-1977 (18 letters)

Kolozsváry-Kiss, árpád, 1957 (2 letters)

Kondor, E. ("Pista"), 1937 (1 letter)

König, Dr. Heinrich, 1954-1959 (3 letters)

Konwiser, Inc., 1954 (1 letter): from Breuer's office

Kootz, Samuel B. (Kootz Art Gallery), 1954-1956 (2 letters)

Koran, Spencer, 1974-1975 (4 letters): from Breuer's office

Korn, Arthur (Architectural Association School of Architecture), 1947-1956 (2 letters)

Kornfeld, Albert, 1956 (1 letter)

Kortan, Enis (Turkish architect), 1956-1960 (3 letters)

Koudela, E. Hugi (Deeter Ritchey Sippel), 1968 (1 letter)

Koyama, Shin (photographer), 1974 (1 letter): from Breuer's office

Kósa, Zoltán, 1962 (1 letter)

Kozlowski, Jean Paul and Shirley, 1960-1972 (2 letters)

Kraemer, Friedrich Wilhelm (architect), 1955 (1 letter)

Kramer, Edwin R., 1950 (1 letter): from Breuer

Krausz, László, 1957-1968 (2 letters)

Krivátsky-Szüts, ádám (Hungarian architect), 1960 (1 letter)

Kri anac, Dr. Matko, 1974 (1 letter)

Ku, Danna Morison, 1968 (1 letter): from Breuer

Kuenzle, Creed (Swiss architect), 1959 (1 letter)

Kuh, Katharine (Art Institute of Chicago), undated and 1951 (2 letters)

Kulkarni, Ashok, 1968 (1 letter): from Breuer

Keith R. Kunhardt Associates, Inc., 1966 (1 letter)

Kunst Kabinett Klihm, Munich, 1956 (1 letter)

Kuwayama, A. (Kuwayama & Company, Inc.), 1945 (1 letter)

Laaff, George, 1960 (1 letter): from Breuer's office

Laboratoires Sarget, 1970 (1 letter)

Lacey, Joseph (Eero Saarinen Associates), 1957 (2 letters)

Ladd, Fred, 1965 (1 letter)

LaFarge, Bancel: see American Institute of Architects

La Joie Par Les Livres, 1964 (1 letter)

Lalonde, Gisele and Jean-Louis, undated and 1955 (2 letters)

Laminated Veneers, Inc., 1948 (2 letters)

Lamson, Jarvis (Functional Furniture, Inc.), 1947-1948 (9 letters): see Noyes, Eliot

Landram, Fred, 1947 (1 letter)

M. Landsberg Stationery Company, 1960 (1 letter): from Breuer's office

Landsberg, William W., 1953-1959 (5 letters)

Lang, George E. (Restaurant & Waldorf Associates, Inc.), 1967-1968 (2 letters)

Lányi, George, 1939-1946 (2 letters)

L'Architecture d'Aujourd'hui, 1954 (3 letters)

La Rinascente Compasso d'Oro, 1955-1965 (43 letters)

Larson, Else M. (Mrs. Arthur W. Larson), 1963 (2 letters)

Laseau, Paul, 1968 (1 letter): from Breuer

László, Carl, 1964 (1 letter)

Lauck, Peter (Morton Sundour Company, Inc.), 1950 (1 letter)

Lauper, Peter (Fraser's), 1955 (1 letter)

Laurenti, André, 1959-1968 (8 letters)

Lautman, Robert C. (photographer), 1973 (1 letter): from Herbert Beckhard

La Verne Originals, 1947 (1 letter): from Breuer

Lavigueur, Gilles (architect), 1967 (1 letter): includes 2 photographs of a chair

Lawrence, John W. (Tulane University), 1953 (1 letter)

Le Corbusier, 1957 (1 letter): from Walter Gropius to friends concerning Le Corbusier's 70th birthday; see also Project File for UNESCO

Lee, Duk, 1968 (1 letter): from Breuer

Lee, Richard C. (mayor of New Haven), 1964 (1 letter): from Breuer

Al Paul Lefton Company, Inc., Advertising, 1949-1950 (2 letters)

Lehigh Furniture Corporation, 1951 (1 letter)

Leibowitz, Matthew, 1946 (1 letter)

Leight, Lillian, 1972 (1 letter)

Leighton, O. S., 1946-1951 (11 letters)

Lemm, H. J. , undated (1 letter)

Lennon, Jacques E., 1975 (1 letter)

Leontieff, Wassily, 1947 (1 letter)

Lercaro, His Eminence Jacques Cardinal, 1969-1970 (2 letters)

Lescaze, William (architect), 1954 (1 letter)

Lever, Lance, 1966 (1 letter)

Levin, Arnold B., 1954 (1 letter)

Levine, Leon, 1971 (1 letter)

Lévy, Vilmos (Hungarian sculptor), undated and 1938 (2 letters)

Lewin, Kurt and G., 1944-1947 (4 letters)

Lewis, George Sherman (architect), 1946-1954 (4 letters): see Project File for UNESCO

Li, Ying, 1947 (1 letter)

Liberman, Tatiana and Alexander, 1969 (1 invitation): for cocktails with Helen Frankenthaler Librairie d'Art Ancien et Moderne, 1962-1963 (2 letters)

Librairie Ernest Flammarion, 1975 (1 letter): from Breuer's office

Lili, S. Braun, 1936-1939 (8 letters)

Lilinthal, Benjamin, 1956 (1 letter)

Limbach, Scott (Limbach Company), 1976 (1 letter): from Breuer's office

Lincoln Warehouse Corporation, 1951 (1 letter)

Lindsay, John V. (mayor of New York) and Mary, 1967-1969 (5 letters)

L'Industria Italiana del Cemento, 1975 (2 letters)

Linke, Siegfried, 1968 (1 letter): from Breuer

Lionni, Leonardo and Nora, 1962 (1 letter): see also International Design Conference, Aspen

Littke, George, 1950 (1 letter)

Liverant, Mrs. M. J., 1960 (1 letter)

Lloyd, Eleanor B. (Mrs. H. Gates Lloyd), 1959 (1 letter)

Lloyd, Miss M. E., 1939 (1 letter)

Lobell, Mimi, 1968 (1 letter): from Breuer

L'Oeil, 1974-1975 (2 letters): from Breuer

Lohse, Richard P. (editor, Bauen + Wohnen), 1950 (1 letter)

Lombard, M. A. (M. A. Lombard & Son, Company, General Contractors), 1966 (1 letter)

Long Beach Art Association, Inc., 1954 (1 letter)

Longmans, Green & Company, Ltd., 1958 (1 letter)

Lortz, R., 1946 (1 letter): from Breuer

Louisiana State University, Department of Architecture, 1964 (1 letter)

Lubroth, I. (Lubroth y Henriquez, Estudio de Arquitectura), 1975 (1 letter)

Ludolf, H. G., 1933-1934 (2 letters)

Lundy, Victor A., 1950-1951 (3 letters)

Lunning, Just, 1956 (1 letter)

Lurie, H. Lee, 1946-1947 (4 letters): see Project File for UNESCO

Lutz, Pierre, 1961-1968 (2 letters): from Breuer Lydakis, George (Precision Metal Model Corporation), 1950-1955 (2 letters)

Lydon, Ken, 1972 (1 letter)

Lyles, Bissett, Carlisle & Wolff, 1955 (2 letters)

Lyman, Bill, 1946 (3 letters)

Lyn, Robert J., 1951 (2 letters)

Lyndon, Maynard (architect), 1965 (1 letter)

Maas, Carl ("Happy"/"Hap"; editor, House Beautiful), 1937-1946 (6 letters)

Maas, Walter, 1947 (1 letter): from Breuer

Macomber, George A. (Cambridge Trust Company), 1947 (2 letters)

Madison, Bob, 1951 (1 letter)

I. Magnin, San Francisco, 1961 (1 letter): from Breuer's office

Magyar Album, 1956 (1 letter)

Magyar épitomuvészek Szövetsége magazine, 1956-1977 (4 letters)

Maki, Fumihiko (Harvard University), 1963 (1 letter) George E. Mallison Importing Company, 1950-1955 (2 letters)

Manders, Dave, 1968 (1 letter): from Breuer

Mandl, Zoltán, 1939 (1 letter)

Manfred, Ernest F., 1966 (1 letter)

Mang, Karl (architect), 1967 (1 letter)

Manitoba, University of, Students' Architectural Society, 1953 (1 letter)

Mantel, H. J., 1951 (1 letter)

Manton, Mr. and Mrs. John, 1967 (1 letter): from Breuer's office

Marbleloid, Inc., 1946 (1 letter)

Marine-Air-Research Corporation, 1946 (1 letter): from Breuer

Maroy, Jean-Paul, 1981 (1 letter): from Robert F. Gatje William L. Marshall, Ltd., 1944-1947 (8 letters)

Marson, Bernard A. (architect), 1968 (1 letter)

Marston, Natalie (Institute of Contemporary Art), 1951 (1 letter)

Martens, Michel (Hedendaagse Kerkelijke Kunst), 1956-1957 (2 letters)

Martignetti, Antonio, 1956 (1 letter)

Martin, J. L. (architect), 1938 (1 letter)

Martin, Leslie and Sadie, undated and 1954 (3 letters)

Mary College and the Annunciation Priory, 1963-1976 (6 letters)

Massachusetts Institute of Technology, Art Committee, 1968 (1 letter)

Massachusetts Institute of Technology, Office of the President, 1961-1965 (2 letters)

Massachusetts Institute of Technology Press, 1975 (1 letter): from Breuer's office

Massachusetts Institute of Technology, School of Architecture and Planning, 1958-1960 (4 letters)

Massachusetts, University of, Amherst, 1968 (1 letter)

Massenot, J. P. (éditions Techniques), 1974 (1 letter): from Breuer's office Master, Dipak C. (Master Sathe and Kothari, Architects), 1968 (1 letter): from Breuer

Mathews, Joseph F., 1956 (1 letter)

Maucher, Helmut, 1976 (1 letter): from Breuer's office

Maurer, Laurie, undated (3 letters)

Mauser Kommandit-Gesellschaft, 1966 (1 letter)

Mayekawa, Kunio, 1963 (1 letter)

McClean-Smith, Betty, 1940 (1 letter)

McComb, Peter K. and Karen, 1954-1956 (4 letters)

McGarry, Ann M., 1947 (1 letter)

McGill University, Montreal, 1967 (1 letter)

McGlynn Associates, Inc., 1956 (1 letter)

McGrath, Raymond (Office of Public Works, Dublin, Ireland), 1937-1969 (9 letters)

McGraw-Hill Publications, 1967 (1 letter)

McGuinness, William J. (Pratt Institute), 1951 (1 letter)

McIntyre, A. McVoy, 1950-1951 (2 letters)

McLaughlin, Peter, 1959 (1 letter)

McMillan, Louis and Peggy (Architects' Collaborative), 1945-1946 (2 letters)

McVitty, John D., 1946 (1 letter)

John O. Meadows Associates, Ltd., 1984-1985 (2 letters)

Medical Economics, 1960 (1 letter)

Meier, Richard Alan, undated and 1957-1967 (5 letters)

Meldrum, Andrew, 1956 (1 letter): from Breuer

Meller, Herbert, 1969-1970 (4 letters)

Mellon, Mary, 1938 (1 letter)

Meng, John J. (Hunter College), 1963 (1 letter)

Menken, Julian (Julian Menken and Associates), 1964 (1 letter)

Merit Studios, Inc., 1965 (1 letter): from Breuer's office

Merle, André (André Merle Associates, Architectural Engineers), 1946 (1 letter)

Merrill and Holmbren, Architects, 1954 (1 letter): concerns Campbell Building Company

Merrill, Ruth P., 1950-1964 (2 letters)

Metropolitan Milwaukee War Memorial, Inc., 1945 (4 letters): 1 to Walter Gropius

Metropolitan Museum of Art, 1944-1975 (8 letters)

Metropolitan Structures, Inc., 1974 (2 letters): from Breuer's office

Metropolitan Washington Board of Trade, 1969 (2 letters)

Meunier, John, 1957 (1 letter)

México, Consulado Honorario de, 1938 (2 letters)

Meyer-Bohe, Walter, 1975 (1 letter): from Breuer's office

Michaëlis, Lorenz S. (Swiss doctor), undated (1 letter)

Michaelis-Lenolt, Ilse, 1937 (1 letter)

Michaud, Marcel (Stylclair), 1950-1951 (3 letters)

Michel, John (General American Transportation Corporation), 1947-1948 (2 letters)

Michelson, Val (architect), 1970 (1 letter)

Michigan, University of, Ann Arbor, 1957-1963 (19 letters)

Middelhauve, Dr. F. G., 1963 (1 letter)

Mies Van der Rohe, Ludwig, 1945 (1 letter): from Breuer introducing Sanford L. and Helen Berger, architects

Mihályfy, Károlyné, 1966 (1 letter)

Millar, L. R., 1935 (1 letter)

Millard, Charles W., 1957 (1 letter)

Miller Company, 1945-1947 (2 letters)

Miller, Flora W. (Mrs. G. MacCulloch Miller), undated (1 letter)

Miller, H. Wisner, 1968-1969 (2 letters)

Herman Miller Furniture Company, 1951-1954 (4 letters): from Breuer

Miller, Rev. John (St. Charles Seminary), 1975 (1 letter): from Breuer

Miller, Richard J., 1955 (1 letter)

Miller, Steve, 1968 (1 letter): from Breuer

Milliken, W. H. (Binney & Smith Company), 1951 (1 letter)

Mills, Mrs. Edward E., 1954 (1 letter): from William W. Landsberg

Mills, Willis N. (Sherwood, Mills and Smith, Architects), 1960-1969 (2 letters)

Ministre d'état Chargé des Affaires Culturelles, 1963 (1 letter): from Breuer

Minnesota Society of Architects, 1958 (1 letter)

Minnesota, State of, Board of Registration, 1954 (2 letters)

Minnesota, University of, 1953 (1 letter)

Miró, Joan, 1959-1963 (2 letters): 1 from Breuer

Mitchell and Ritchey, 1947 (2 letters)

Mitchell, Mary, 1954 (1 letter): from Breuer's office

Miya & Company, 1956 (1 letter): from Breuer's office

Modern Industry, 1947 (1 letter)

Modern Master Tapestries, Inc., 1974-1975 (4 letters): from Breuer's office

Moffett, Toby, 1974 (1 letter)

Moholy, Lucia, 1957-1958 (5 letters)

Moholy-Nagy, László ("Lakci") and Sibyl, 1934-1955 (40 letters): includes a 1946 exhibition catalog for a Walter Gropius exhibition at the School of Design, Chicago; see also Hug, Hattula Moholy-Nagy

Moldcast Products, Inc., 1950 (1 letter): from Breuer's office

Molitor, Joseph W. (photographer), 1955-1975 (5 letters): 4 from Breuer

Molnár, Farkas (Hungarian architect), undated and 1933-1940 (25 letters)

Mongan, Agnes, 1938 (1 letter)

Montague, Harvey, 1968 (1 letter): from Breuer

Montgomery, Elizabeth (Mrs. Wilmot), 1950 (1 letter)

Moore, Henry, 1946-1962 (13 letters): 6 from Breuer

Moore, Joe A., 1945 (2 letters)

Moore, Paul S. (architect), 1966-1967 (3 letters)

Morassutti, Mangiarotti, 1961 (1 letter)

Moretti, Bruno, 1936 (1 letter)

Morgan, Alice, 1939 (1 letter)

Morgan, Sherley W. (Princeton University), 1952 (3 letters)

Móricz, Miklós, 1947 (1 letter)

Morrell, Mrs. Ben, 1965 (1 letter): from Breuer's office

Sydney Morrell & Company, Inc., 1973-1976 (4 letters)

Morris, Walter (Fuller & Smith & Ross, Inc.), 1950 (1 letter)

Morrow, Margot, 1950 (1 letter): from Breuer's office

Mory, Bob, 1968 (1 letter): from Breuer

Moschette, Angela, 1950 (1 letter)

Motherwell, Robert, 1968 (1 letter)

Muguruza Otaño, José María (architect), 1935-1967 (3 letters)

Mulford, Edwin H., 1966 (1 letter): from Breuer's office

Müller-Rehm, Klaus (architect), 1951 (1 letter)

Mundipharma GmbH, Frankfurt, 1975-1976 (4 letters)

Eduard Munz & Company, 1954-1959 (3 letters)

Murray, J. A. (University of Toronto School of Architecture), 1947-1956 (3 letters)

Murrow, Mrs. Edward R., 1961 (1 letter)

Musée des Arts Décoratifs, 1969 (2 letters)

Museu de Arte Moderna do Rio de Janeiro, 1954 (1 letter)

Museu de Arte Moderna do São Paulo, 1956 (1 letter concerning IV Bienal de S. Paulo)

Museum of Contemporary Crafts, 1967 (7 letters)

Museum of Modern Art, New York, 1941-1976 (49 letters)

Museum of Science and Industry, Chicago, 1967 (3 letters)

Museum of the City of New York, 1959 (2 letters)

Muskat, Irving E., 1968 (2 letters)

Mutsu, Masako, 1964-1965 (2 letters): from Breuer

Myers, John S. and Shirlee, 1955-1959 (4 letters)

Myers, Ralph E., 1958 (2 letters)

Myers, Robert L., 1950 (1 letter)

Nadeau, Eleanor Saxe, 1950 (1 letter)

Nader, Fouzieh, 1972 (2 letters)

Nagare, Masayuki, 1963-1965 (6 letters): 5 letters from Breuer

Nagel, Chester (architect), 1968 (1 letter)

Nagy Iván, Dr. Vitéz (Ministry Secretary), undated (1 letter)

Najibullah, Yousof, 1968 (1 letter): from Breuer

Napier, Frieda (Mrs. Ian Napier), undated and 1937 (7 letters)

Nathan, Carl H. (Suncraft), 1945 (1 letter)

National Academy of Sciences/National Research Council, undated (1 letter)

National Citizens for Johnson and Humphrey, 1964 (1 letter)

National Committee of Arts, Letters and Sciences for John F. Kennedy for President, 1960 (2 letters)

National Concrete Masonry Association, 1958-1959 (7 letters)

National Council of American Soviet Friendship, Inc., Architects' Committee, 1944-1945 (13 letters)

National Council of American Soviet Friendship, Inc., Building Industry Committee, 1946 (6 letters)

National Council of Architectural Registration Boards, 1946-1959 (5 letters): request recommendations for Jean Bodman Fletcher, I. M. Pei, and Richard G. Stein

National Council of Churches, 1955 (1 letter)

National Council on Schoolhouse Construction, 1951 (1 letter)

National Institute of Arts and Letters, 1965-1968 (47 letters): 1967 letter from Breuer includes typescripts concerning Josef Albers and Constantino Nivola; 1968 encloses a letter from Philip Johnson; see American Academy of Arts and Letters National Society of Interior Designers, Inc., 1958 (1 letter) National Terrazzo & Mosaic Association, 1955 (1 letter from Murray S. Emslie)

National Trust for Historic Preservation, 1975 (2 letters): from Breuer's office

Nedberg, Björn, 1951 (1 letter)

Nederlandsch-Amerikaansche Fundatie, 1957-1958 (2 letters)

Neighbour, Keith, 1955 (1 letter)

Neiman Marcus, Dallas, Texas, 1961 (1 letter)

Nelson, George (architect), undated and 1958 (2 letters)

Nemeny, George (architect), 1945 (2 letters): from Breuer

Nervi, Mario (son of Pier Luigi Nervi), 1975 (1 letter): from Breuer

Nervi, Pier Luigi, undated and 1960-1978 (5 letters): see Project File for UNESCO

Neski, Joe and Barbara, 1957 (1 letter)

Neski, Julian (architect), 1967-1970 (2 letters)

Neufert, Ernst, 1946 (1 letter)

Neumann, J. B., 1950 (1 card): sent jointly with Elsa Schmid

Neumann, Lena, 1951 (1 letter): from Breuer's office

Neumann, Vera (Scarves by Vera), 1970 (1 letter)

Nevendorff, Peter (construction supervisor for Ludwig Mies van der Rohe's Museum of the 20th Century), 1967 (1 office message)

Newark Museum, 1954-1955 (5 letters)

New Canaan Advertiser, 1974 (1 letter)

New Canaan Committee for Shakespearean Festival, undated (1 invitation): from Francis A. Sunderland to meet Sir Cedric and Lady Hardwicke

New Canaan Community Nursery School, Inc., 1955 (1 letter)

New Canaan Country School, 1957 (1 letter): from Breuer

New Haven Festival of Arts, Inc., 1959 (4 letters)

New Hungarian Quarterly, 1967 (1 letter)

Newman, Robert B. (Bolt Beranek and Newman), 1951 (1 letter)

Newport, Charles W. (R. S. Noonan, Inc.), 1945 (2 letters)

Newsome, Carroll V. (Prentice-Hall, Inc.), 1962 (1 letter)

Newsweek, 1955 (1 letter)

New York Association of Consulting Engineers, Inc., 1970 (1 letter)

New York Division of Housing and Community Renewal, 1964 (1 letter)

New Yorker, 1967-1975 (3 letters)

New York Institute of Technology AIA Chapter, 1976 (1 letter)

New York, New Haven & Hartford Railroad Company, 1951-1963 (6 letters)

New York Public Library, 1966 (1 letter)

New York State Council on Architecture, 1975 (1 letter)

New York World's Fair 1964-1965, 1964 (1 invitation): for cocktails at Pavilion of Spain

Nicholson, Christopher (architect), 1946 (2 letters)

Nicholson's Sports Apparel, 1945 (1 letter)

Nivola, Constantine, 1966 (1 letter): from Breuer

Noever, Peter (Svoboda and Company), 1958-1968 (4 letters)

Noirot, Genevieve, 1975 (1 letter): from Breuer's office

Nolen, James A., 1970 (1 letter)

Nolen-Swinburne and Associates, 1970 (1 letter): from Herbert Beckhard concerning Department of Housing and Urban Development

Nordmann, Christian, 1934 (1 letter)

North Dakota Agriculture College, AIA, 1959 (1 letter)

North Dakota State College, 1960 (2 letters)

Northey, Ned H., 1956 (1 letter)

Norton, Clifford, undated (1 letter)

Norton, Noël E. ("Peter"; Lady Clifford Norton), undated and 1933-1965 (36 letters)

Norweb, Emery May (Mrs. R. Henry Norweb), 1970 (1 letter)

Noyes, Eliot Fette (architect), undated and 1946-1974 (13 letters)

N.V. Ingenieurs - Bureau Voor Bouwnijverheid, 1960 (2 letters)

Ochs, Fritz, 1950 (1 letter)

O'Connor, Vincent A. G., 1963 (5 letters)

Oehler, Erma L. (Fuller & Smith & Ross, Inc., Advertising), 1947 (3 letters)

Oestreicher, W. L., 1947 (1 letter)

Ohye, Hiroshi, 1954 (1 letter): of introduction from Hyoe Ouchi

Oklahoma Agricultural and Mechanical College, 1950 (1 letter)

Oklahoma, University of, School of Architecture, 1966 (2 letters)

Okudaira, Kozo, 1954-1955 (6 letters)

Olgyay, Aladár (Hungarian architect; twin brother Viktor Olgyay) and Elizabeth, undated and 1939-1960 (12 letters)

Olivetti, Adriano, 1956 (1 letter)

Olivetti, Dino, 1963 (1 letter)

Olivetti, Roberto, 1970 (1 letter)

Olsen, Don and Helen, 1947 (1 letter)

Olsen, Ralph, 1968 (1 letter): from Breuer

Omega Marble, 1965 (1 letter)

O'Neill, John C. R., and Marvin H. Segner (consulting engineers), undated (1 letter)

On Site, 1975 (2 letters): from Breuer's office

Oppenheim, Dennis, 1968 (1 letter)

Ordre des Architectes, Paris, 1964 (1 letter from Robert F. Gatje)

Originators, The, 1977 (1 letter)

Ortega, Alvaro (Colombian architect, student of Breuer), 1960-1972 (3 letters): 1972 letter from Leonard Currie concerns a recommendation for Ortega

Osborn, Elodie and Robert, undated and 1946-1971 (18 letters)

Osborne, Stafford, 1963 (1 memorandum): from James S. Plaut

Otto, Marguerite, 1946 (1 letter)

Oud, J. J. P. (architect), undated (1 calling card)

Owens-Corning Fiberglas Corporation, 1959 (2 letters)

Owurowa, Saji, 1968 (1 letter): from Breuer

Oxford University Press, Inc., 1954 (1 letter)

Pabst, Robert E. (Mabaco Marine), 1956 (1 letter)

Pach Brothers, 1965 (1 letter): from Breuer

Pack, Isabelle (Breuer's secretary), 1958 (3 letters)

Pack, Nancy (Mrs. Howard Meade Pack), undated and 1953 (2 letters)

Paine Furniture Company, 1946 (1 letter)

Pajor, Zoltán, 1938-1947 (7 letters)

Palestrant, Stephen, 1963 (1 letter)

Palmer Physical Laboratory, Princeton, New Jersey, 1945 (1 letter)

Papachristou, Tician and Judy, undated and 1967-1974 (6 letters)

Papadaki, Stamo, 1945-1951 (14 letters): see Commission on Community Interrelations (CCI) of the American-Jewish Congress; Congrès Internationaux d'Architecture Moderne (CIAM), Chapter for Relief and Post-War Planning

Papadakis, Stanis (architect), 1935-1936 (2 letters)

Papock, Herbert (Wylie F. L. Tuttle Company), 1970 (1 letter)

Papp, Leslie G., 1957 (1 letter)

Paquin, G., 1938 (1 letter)

Parkin, John B., 1950 (1 letter)

Parkinson (Cobb), Eliza, undated (2 letters)

Parkinson, Elizabeth, 1969 (1 letter)

Parsons School of Design, 1956 (1 letter)

Passonneau, Joseph R. (Washington University, St. Louis), 1956-1958 (3 letters)

Paterson State Teachers College, undated and 1954 (7 letters)

Payer, Ernst, undated (1 letter)

Pázmándi, Margó (Hungarian architect), 1974 (1 letter)

Pearman, Charles, 1964 (2 letters)

I. M. Pei & Associates, undated and 1959 (6 letters): 1959 letter is letter of recommendation by Breuer for Pei

Pella Rolscreen Company, 1966 (1 letter)

Pennsylvania State University, 1958 (5 letters)

Pennsylvania, University of, 1958-1959 (2 letters)

Pepper, Eleanor (and Alta Grant Samuels), undated (1 letter)

Peressutti, Enrico (Banfi Belgiojoso Peressutti Rogers, architects), 1949-1959 (4 letters)

Perkins, G. Holmes (Harvard University), 1940-1947 (6 letters): see American Society of Planners and Architects (ASPA)

Perrin, Luis (architect), 1957 (1 letter)

Peter, J. A., 1945 (1 letter)

Peter, John, 1951 (1 letter): from Breuer's office

Peterson, Cynthia, undated (1 letter)

Peterson, G. H., 1975 (1 letter): from Breuer

Philco Corporation, 1950 (1 letter)

Phoenix Art Museum, 1965 (1 letter): concerns a Josef Albers exhibition

Pichler, Albrecht, 1968 (1 letter): from Breuer

Picker, Fred, 1974 (4 letters): from Breuer's office

John B. Pierce Foundation, 1945 (1 letter)

Pignot, Gilbert (architect), 1971 (1 letter)

Pilchik, Ely E. (Congregation B'nai Jeshurun), 1962 (1 letter)

Pilzer, Leopold (Thonet Brothers, Inc.), 1943-1954 (9 letters): see also Project File for UNESCO

Pinkus, Dr. Felix, 1933-1934 (3 letters)

Pinter, Anthony S. (Study Abroad, Inc.), 1950-1951 (2 letters)

Pinter, Margit, 1946 (1 letter)

Pintori, Giovanni (Pubblicità Olivetti), 1956 (1 letter): from Breuer

Pisenti, Oreste, 1956 (1 letter): from Breuer

Pittsburgh Plate Glass Company, 1947 (1 letter): from Breuer

Plaut, James S. (Institute of Contemporary Art) and Mary, 1947-1963 (5 letters)

Polak, Jean and André, 1969-1970 (3 letters)

Polányi, Cecil, 1935 (1 letter)

Polieri, Jacques, 1957-1958 (2 letters)

Pomerance, Ralph, 1968 (1 letter)

Centre Georges Pompidou (P. Hussen), 1976 (1 letter): from Breuer

Ponti, Gio (architect), 1963-1967 (2 letters)

Poon, Sze-chiu, 1958 (3 letters): includes a photograph of Poon

Pope and Evans (consulting engineers), 1956 (1 letter)

Porter, Bernice, 1954 (1 letter): from Breuer's office

Porter, Lucy (Mrs. A. Kingsley Porter), 1950 (1 letter)

Porter, Tom, 1974-1976 (3 letters): from Breuer

Portland Cement Association, 1959 (1 letter): from Breuer

Pospischil, Ernest, 1968 (1 letter): from Breuer

Posse, Ricardo Muratorio, 1956 (1 letter)

Postman, Art, 1968 (1 letter): from Breuer

Potter, Arnold and Selma, undated (1 letter)

Potts, Del G. (Fred H. Towery Equipment Company), 1947 (1 letter)

Pouget, Cl. (Cie. IBM, France), 1961-1970 (2 letters)

Pradelle, T. and D., undated (1 letter)

Praeger, Frederick A. (Frederick A. Praeger, Inc.), 1959-1969 (19 letters): includes a 1959 transcript of Praeger's conversation with Breuer concerning the publication of a book on Breuer's life work

Pratt Institute, 1953-1969 (11 letters)

Présentè, G. M., 1954 (1 letter): see Project File for UNESCO

Prestressed Concrete Institute, 1970 (1 letter)

Price, Thomas M., 1946 (1 letter)

Prichard, Theodore J. (University of Idaho), 1946-1950 (3 letters)

Princeton University, 1954-1959 (12 letters)

Princeton University, Graduate Council, 1954 (1 letter)

Princeton University School of Architecture, 1955-1963 (3 letters)

Pritchard, J. C. ("Jack"; producer of Isokon furniture) and Molly, 1944-1977 (56 letters)

Producers' Council, Inc., 1958-1967 (6 letters)

Progressive Architecture, 1974 (1 letter): from Breuer's office

Pullman Company, 1945-1946 (2 letters)

Pusztai, György, 1963 (2 letters)

Quale, Marcia, 1974 (1 letter): from Breuer's office

Quigley, T. T. (Wallace and Tiernan Company), 1946 (1 letter): from Breuer

Quinn, Robert H. (Attorney General of Massachusetts), 1970 (1 letter)

Raab, Martin D. (MIT School of Architecture), 1954 (2 letters)

Raabe, Sally (Harvard University, School of Design), 1947-1960 (4 letters): from Breuer

Rachlin, Abraham H. (Union Building Company), 1944 (2 letters)

Radcliffe Club of Long Island, 1954 (1 letter)

Radich, Stephen J. (Stephen Radich Gallery), 1967 (1 letter)

Rado, Ladislav L. ("Laco"; architect), 1943-1945 (6 letters)

Radwany, Emery L. and Helen, 1951-1954 (2 letters)

Rafferty, James B. (RCA Communications, Inc.), 1954 (1 letter)

Raffo, Nestor, 1968 (1 letter): from Breuer

Rakatansky, Ira (architect), 1954-1959 (7 letters)

Ram Press, Inc., 1954 (1 letter): from Robert F. Gatje

Rand, Ann, 1951 (1 letter)

Randinsky, Nina, 1963 (1 letter)

Rapson, Ralph (University of Minnesota, School of Architecture), 1954-1959 (5 letters)

Rather, Lillian Townsend (Mrs. James Rather), 1966 (1 letter)

Rauschenback, Esther, 1951 (1 letter)

Read, Sir Herbert, 1955 (3 letters)

Réalitiés, 1964 (1 letter)

Rebay, Baroness, 1936 (1 letter)

Rédèr, J. M., 1956 (1 letter)

Reed & Barton, Silversmiths, 1963-1964 (7 letters)

Reed, Joe, 1958 (1 letter): from Breuer concerning the first tubular steel chair

Reese, Ilse Meissner, 1974 (1 letter): from Breuer's office

Reidy, Affonso Eduardo, 1963 (1 letter)

Reilly, Ambassador (of Great Britain) and Lady, 1965 (1 invitation): to reception for the Fourth Biennale de Paris

Reinwald, Karl, 1969 (1 letter)

Rendy, Lili, undated (1 letter)

Rensselaer Polytechnic Institute, 1950 (1 letter)

Renz, Wilhelm (Wilhelm Renz K G, Moebelfabrik), 1966 (1 letter)

Republic, The, 1975 (1 letter): from Breuer

Residence Lighting Forum (Illuminating Engineering Society), 1953 (1 letter)

Rettaliata, John (Illinois Institute of Technology), 1955 (1 letter)

Rév, Lajos, 1974 (1 letter): from Breuer

Reynolds Metals Company, undated and 1946-1956 (9 letters)

Rhode Island Chapter of AIA, 1959 (1 letter)

Rhode Island School of Design, 1956-1959 (4 letters)

Richards, Jim M. and Peggy, undated and 1936-1939 (5 letters)

Richards, Steve, 1966 (1 letter)

Richlan, Frank, 1968 (1 letter): from Breuer

Richman, Robert (Institute of Contemporary Art), 1952 (2 letters): from Breuer

Richmond, C. R., 1941 (1 letter)

Richmond Radiator Company (A. A. Marks), 1944 (2 letters): from Breuer

Rietkerk, William, 1956 (1 letter)

John and Mable Ringling Museum of Art, 1956 (1 letter)

Ritchey, Dahlen K. (Deeter Ritchey Sippel, Architects), 1968 (1 letter)

Rivers, Shavaun, 1950 (1 letter)

Roberts, Russell (opera singer who bought Breuer's first New Canaan house), 1951-1955 (7 letters): 6 letters from Breuer

Robinson, Frank S., 1969 (2 letters)

Robinson, Mrs. Preston, 1946-1960 (2 letters)

Roche, Mme. Yolande, 1966-1967 (4 letters)

Rockefeller, Blanchette (Mrs. John D. Rockefeller III), 1962 (1 letter)

Rockefeller, John Davison, IV, 1967 (1 wedding announcement): for Rockefeller and Sharon Lee Percy

Rockefeller, Nelson A., undated and 1967 (2 printed invitations)

Rocourt, Evelyn, 1954-1955 (4 letters)

Rodgers, Paul C. (Burton-Rodgers, Inc.), 1946 (13 letters)

Roffman, Edward A. Roffman Associates, 1951 (1 letter): from Breuer's office mentioning György Kepes

Rogers, Ernesto N. (Banfi Belgiojoso Peressutti Rogers, architects), undated and 1938-1950 (6 letters): see Project File for UNESCO

Rombro, Louise, 1950 (1 letter)

Root, Ballantine, Harlan, Bushby & Palmer, 1952 (1 letter)

Rosenberg, E., 1956 (1 letter)

Rosenthal, Julius, 1950 (2 letters)

Rosenthal, Richard Laurence, 1969 (1 letter)

Ross, Janet (Vassar College), 1950 (1 letter)

Rossi, Irving, 1944 (2 letters)

Rossum, Cheryl (photographer), 1974 (1 letter): from Breuer's office

Roth, Alfred (architect), 1933-1963 (9 letters)

Roth, Gordon (builder), 1946-1947 (3 letters)

Roth, Joan, 1968 (1 letter): from Breuer

Rothschild, Sigmund, 1974 (1 letter): from Breuer

Roux, Alina (Photograph Department, UNESCO), 1960 (2 letters): see Project File for UNESCO

Rowe, James (Corcoran, Foley, Youngman & Rowe), 1970 (1 letter)

Royal Society of Arts, 1969 (4 letters)

Rudert, Anton, 1976 (1 letter): from Breuer

Rudofsky, Bernard, 1946-1950 (2 letters)

Russell, Gordon, 1936-1947 (3 letters)

Russell, Véra, 1969 (1 letter)

Rutherford, Eric, 1964-1967 (6 letters)

Rutledge, Dick, 1951 (2 letters): from Breuer's office

Saarinen, Eero, undated and 1946-1954 (5 letters): see Project File for UNESCO

Eero Saarinen & Associates, 1955 (1 letter)

Sackler, Raymond R., 1972 (1 letter)

Ed Sacks Company, 1950 (1 letter)

Saidenberg, Eleanore (Mrs. Daniel Saidenberg), undated (1 letter)

Sailer, John, 1968 (1 letter)

St. Francis de Sales Church, 1965-1966 (2 letters)

St. James Press, Ltd., 1977 (2 letters)

St. John's Abbey, 1953-1978 (9 letters)

Sakakura, Junzo, 1968 (1 letter)

Sakakura, Miho, 1968 (1 letter): from Breuer

Salzano, Baron de Ferraris (Italian Consulate General), 1956 (2 letters): from Breuer

Salzman, Stanley (architect), 1947-1971 (2 letters)

Sampson, Thérèse (Mrs. Richard Sampson), 1954 (1 letter)

Samuely, Felix J. (consulting engineer), 1954 (3 letters)

Sanchez, Sergio, 1968 (1 letter): from Breuer

Sanders & Malsin, Architects, 1949 (1 letter)

Krausz J. Sándor és Jeno, 1933 (1 letter)

San Francisco Redevelopment Agency, 1961 (1 letter): from Breuer's office

Sarabhai, Gera, 1946 (1 letter): from Breuer

Sarah Lawrence College, 1961-1976 (4 letters): 3 from Breuer

Sarton, May, undated (1 letter)

Sato, Chikafusa, 1968 (1 letter): from Breuer

Satterlee, Nicholas, 1965 (1 letter)

Saturday Home Magazine, 1947 (1 letter)

Saxl, Erwin J. (Saxl Instrument Company), 1945 (1 letter)

Sayago, Manuel (Centro Profesional del Este), 1960 (2 letters)

Saybolt, Cleland & Alexander, Inc., 1945-1946 (2 letters)

Schaaf, Miv (Architectural Panel), 1958 (1 letter)

Scharff, Stephen L., 1950 (1 letter): from Breuer

Schawinsky, Xanti and Irene, undated and 1934-1964 (14 letters)

Schecter, Jack H. (architect), 1950 (1 letter)

Schendell, Hal, 1947 (2 letters): to Eliot Noyes

Schickel, William J., 1964 (1 letter)

Schillinger, Emilio F., 1964 (1 letter)

Schleifer, Fritz, 1934 (1 letter)

Schlemmer, Tut (Mrs. Oscar Schlemmer), 1960-1965 (3 letters)

Schlesinger, Alajos, undated (1 letter)

Schmalenbach, Werner (Kunstsammlung Nordrhein-Westfalen), 1976 (2 letters)

Schmid, Elsa, 1950 (1 card): sent jointly with J. B. Neumann

Schmidt, Benno C. (J. H. Whitney & Company), 1970 (1 letter)

Schmidt-Gellerau, Karl, 1934 (3 letters)

Schmieg & Kotzian, 1945 (1 letter)

Architekturbüro Joachim Schmitz, 1974 (1 letter): from Breuer's office

Schnall, Ben (photographer), undated (2 letters) vSchneck, Adolf G. (architect), 1947-1950 (2 letters)

Schneider-Manzell, Toni (Biennale Christlicher Kunst der Gegenwart Salzburg), 1964 (2 letters)

Robert Schoelkopf Gallery, undated (1 invitation): to meet Walker Evans

Schoendorff, Ellen G., 1937 (1 letter)

Schömer, Ervin (architect), 1974-1975 (6 letters)

Schorer, Mark, 1960 (1 letter): from Breuer

Schultz, Lili, 1964 (1 letter)

F. Schumacher & Company, 1954-1964 (2 letters): from Breuer's office

Schuster, Mathias and Gerda (Schuster & Geiger), 1950-1964 (3 letters)

Schweighofer, Dr. Fritz, 1960 (1 letter)

Science Illustrated, 1955 (1 letter): from Breuer

Scitorszky, Hanna, 1966 (1 letter)

Scott, Stuart N. (Dewey, Gallantine, Bushby, Palmer & Wood), 1958 (1 letter)

Seagram-Distillers Corporation: see Kessler-Gallacher & Burton

Sears, Roebuck and Company (Arthur M. Wood), 1974 (1 letter): from Breuer concerning luncheon for Alexander Calder

Segal, Georgette, 1954 (1 letter): from Breuer's office

Seghers, Pierre, 1963 (1 letter)

Segner, Marvin H., and John C. R. O'Neill (consulting engineers), undated (1 letter)

Segre, Mr., 1959 (2 letters): from Breuer

Seidel, Bert (architect), 1955 (2 letters)

Seidler, Harry (architect, Black Mountain College), 1946-1978 (24 letters)

Sekey, Sue, 1968 (1 letter): from Breuer

Selinger, Hans, 1956 (1 letter)

Selwood, Christopher, 1958-1959 (2 letters): see also Gardner-Medwin, R. J.

Selye, Hans, 1967 (1 invitation): to George Washington Awards Dinner in honor of Breuer, Selye, and Watson Kirkconnell

Semrad, Peter H., 1957 (1 letter)

Senix Aerial (Don Preuss), 1947 (1 letter)

Sert, José Luis (architect) and Moncha, 1945-1970 (7 letters): see National Council of American Soviet Friendship, Inc., Architects' Committee; Project File for UNESCO

Setzer, H. O. (Spartan Tire & Recapping Company), 1947 (3 letters)

Sevely, Marvin, 1951 (1 letter): from Breuer's office

Seyton, Mrs., 1954 (1 letter)

Shackleton, Edwin, 1951 (1 letter)

Shand, James (Art and Technics, Ltd.), 1950 (1 letter)

Shankland, Graeme, 1939 (1 letter)

Shannon, Edgar Finley (University of Virginia), 1967 (1 invitation): to Founder's Day Exercises

Sharon Forest Service Company, Inc., 1950 (5 letters)

Shattuck, George, 1946 (1 letter): from Breuer

Shelton Roofing Company, Inc., 1956 (1 letter): from Breuer's office

Shepley, Anna L., undated (2 letters)

Shinoda, Toko, 1964 (2 letters)

Shokokusha Publishing Company, 1961-1964 (10 letters)

Shook, Ken, 1968 (1 letter): from Breuer

Shuster, George N. (University of Notre Dame), 1962 (1 letter)

Sichel, Miss Cuy, 1964 (1 letter): from Breuer concerning Eric Rutherford's artwork

Siepman, Charles, 1956 (1 letter)

Siesel, Harold J. (Harold J. Siesel Company, Advertising), 1947 (1 letter)

Simha, O. Robert (Fulbright scholar), 1958 (1 letter)

Simon, Eva, 1934 (1 letter)

Simon, Steph (Ateliers Jean Prouvé), 1953-1956 (7 letters)

Simonson, Lee, 1955 (1 letter)

Simpson, Robert (Chemical Bank), 1975 (1 letter)

Simpson, William (New York University), 1960 (1 letter): from Robert F. Gatje

Sindicato Nacional de la Construcción (Jorge Fernández de Cuevas, architect), 1976 (1 letter): from Breuer

Sive, André (architect), 1947 (1 letter)

Skidmore College, 1954 (1 letter)

Skidmore, Owings & Merrill, 1959-1965 (3 letters)

Skouras, Odyssia A. and Federico Quadrani, 1964 (1 exhibition announcement): for Francesco Somaini

Slayton, William L. (Urban America, Inc.), 1967-1968 (2 letters)

Sloth, Finn (Milieu Company), 1966-1967 (5 letters)

Smith, Christina, 1963 (2 letters)

Smith, Elbert G. (University of Denver), 1946 (1 letter)

Smith, Hamilton and Caroline, 1954-1978 (34 letters): see Gatje Papachristou & Smith; Project File for UNESCO

Smith, Linus Burr, 1956 (1 letter)

Smithsonian Institution: 1981 (4 letters)

Snyder, J. Rowland, 1968 (1 letter)

Sobelsohn, Jacob (CPA), 1945-1946 (3 letters)

Sociedad de Art Moderno, México, 1944 (1 letter)

Società degli Ingegneri e degli Architetti in Torino, 1960 (3 letters)

Society of Student Architects (Polytechnic, London), 1955 (2 letters)

Somaini, Francesco, 1964 (exhibition announcement)

Somerville, City of, Massachusetts, 1950 (1 letter)

Charles W. Sommer & Bro., Inc. (importers), 1946 (2 letters)

Sonnenberg, Benjamin (and John L. Loeb), undated (1 invitation): to birthday for Armond Eiff [?]

Sorensen, Abel (Von der Lancken, Lundquist and Sorensen), 1954 (1 letter)

Soupault, Ré Philippe, 1946-1950 (2 letters)

Southern California, University of, 1947-1958 (2 letters)

Sovik, Mathre and Madson, Architects, 1966 (1 letter)

Speert, Harry A., 1974 (1 letter): from Breuer's office

Spencer, William A. (New York University), 1960 (2 letters): from Robert F. Gatje

Speyer, Darthea (American Legation), 1950 (1 letter)

Spilman, Raymond, 1955 (1 letter)

Spinelli, Pat, 1968 (1 letter): from Breuer

Spring, Bernard Polmer, 1945 (1 letter)

Stadler-Stölzl, G., 1967 (1 letter)

Staehelin, William R. and Marina, 1959-1977 (11 letters)

Staempfli, George, 1965-1966 (2 letters)

Stanpat Company, 1954 (2 letters): from Breuer's office

Starkey, Mrs. Robert James, 1960 (1 letter): from Breuer

Starr, Polly (Mrs. Donald Starr), 1937-1938 (2 letters)

Stattelman, Richard, 1966 (1 letter)

Stein, Richard G. (architect), undated and 1951 (2 letters)

Steinberg, Saul, 1951-1965 (2 letters): from Breuer

Stendig, Charles (Contract Furniture), 1963-1967 (5 letters)

Stern, Alfred (U.S. Department of Commerce, Office of International Trade Fairs), 1957-1958 (4 letters)

Stern, Andor, 1950 (1 letter)

Stern, Max, 1963 (2 letters)

Sternberg, Charles (International Rescue Committee), 1956 (1 letter): of introduction for ádám Krivátsky-Szüts

Stevens, Edmund, 1960 (2 letters)

Stillman, Edgar and Kate [?] ("B + J"), 1953-1965 (2 letters)

Stillman, Jean, 1965 (1 letter)

Stillman, Kathy, 1965 (1 letter)

Stillman, Rufus C. ("Ruf") and Leslie, undated and 1951-1975 (60 letters): 1954 letter from Breuer's office encloses Stillman's outline for a book

Stockton, Sue, undated and 1964 (2 letters)

Stoddard, Whitney S. (Society of Alumni of Williams College), 1951 (1 letter)

Stoller, Ezra (photographer) and Helen, undated and 1945-1967 (8 letters)

Stonorov, Oskar (architect) and Elizabeth, 1944-1946 (4 letters)

Storch, Samuel (Astorloid Manufacturing Company/Astor-Ramel Manufacturing Company), 1945 (6 letters)

Storrow, Helen (Mrs. James Jackson Storrow), undated (4 letters)

Strenger, József, 1963 (2 letters)

Strettell, Marguerita (Rita), undated (1 letter)

Strohbach, Susi, 1968 (1 letter): from Breuer

Strudwick Board of Trade, 1945 (1 letter)

Strunk, Granville B. (Santa Ana City Schools), 1946 (1 letter)

Stubbins, Hugh A. (architect), 1950-1977 (6 letters)

Stylos, Architectural Students Association at Delft, 1954 (1 letter)

Sugár, Stephen, 1947-1951 (2 letters): from Breuer

Sunderland, Mrs. Francis A., 1954 (1 letter): from Breuer's office

Suter-Moser, Claude, 1956: see Project File for UNESCO

Sutnar, Ladislav, 1951-1965 (2 letters): see Project File for UNESCO

Suzuki, Shizuo, 1975 (1 letter including résumé)

Swan, Robert Andrew, 1960-1963 (2 letters)

Swanson & Brey, Architects, 1961 (1 letter)

Swanson, Dean, 1963 (1 letter): to Charles H. Sawyer

Sweeney, James J., 1938 (2 letters): from Breuer

George J. Switzer Company, 1954-1956 (4 letters): see Project File for UNESCO

Syracuse University Library, 1968 (1 letter)

Syracuse University, School of Architecture, 1959 (8 letters)

Syska and Hennessy, Inc., 1975 (1 letter): from Breuer

Szabó, Albert, 1947-1950 (2 letters)

Szabó, Eva Mary (master weaver), 1966 (1 letter)

Szabó, G. (African Hide Trading Corporation), 1964 (1 letter)

Szak, László, 1957 (2 letters)

Szegedy-Maszák, Aladár (minister of Hungary), 1947 (1 letter)

Székely, Sándor, 1957-1959 (5 letters)

Székely, Tamás István (Wohnbedarf furniture store), 1956-1965 (10 letters): see Project File for UNESCO

Szüle, Peter János, 1975 (2 letters)

Tadashi, Iijima, 1963 (1 letter)

Tange, Kenzo and Toshike, 1960-1968 (3 letters)

Tanier, George (George Tanier, Inc.), 1961 (2 letters)

Tapia, Raúl, 1968 (1 letter): from Breuer

Tate, Allen and Helen, 1966-1967 (2 letters)

Tate, Isabella (Bella), 1963 (1 letter)

Taylor, Harold, 1951-1968 (3 letters)

Tech Reps, Inc., 1966 (1 letter)

Teller, Mrs. Walter M., 1945 (1 letter)

Terminal Radio Corporation, 1951 (1 letter): from Breuer's office

Tesla, S., 1961 (1 letter)

Thames and Hudson, Ltd., 1962-1963 (2 letters)

Theband, Polly, 1964-1965 (3 letters)

Thebond [?], Sacha, 1959 (1 letter)

Thole, Henry G. (Seaboard Surety Company), 1947 (1 letter)

J. Walter Thompson Company, 1956 (1 letter)

Thompson, Marion Gordon (Mrs. A. W. Thompson), 1950 (1 letter): see Project File for UNESCO

Thompson, Rolland, 1955-1969 (3 letters)

Thonet Brothers, Inc., 1966-1968 (3 letters): see also Pilzer, Leopold

Thost, Eberhard, undated and 1934-1937 (4 letters)

Throop, Mortimer, 1959 (1 letter): from Breuer's office

Thun, Ole, 1976 (1 letter): from Breuer's office

Thurman, Marie Christophe de Menil, undated (1 letter)

Thürmer, Ludwig and Marie Luise, 1965-1970 (8 letters)

Tibby, Jack, 1954-1956 (4 letters)

Tice & Lynch, Inc., 1953 (1 letter)

Tieger, Robert M.., 1946 (1 letter)

Tildy, Mrs. Zoltán, 1947 (1 invitation): to her honorary dinner

Tillinger, Jerry D. (Ferendino, Grafton, Spillis, Candela), 1974 (1 letter): from Breuer

Time magazine, 1954-1960 (6 letters): see also Jones, Cranston

Tischler, Julie [?], 1934 (1 letter)

Tizzone [?], Joe, 1967 (1 letter)

Todd, Charles I. (Pittsburgh Plate Glass Company), 1958 (1 letter)

Tolnay, Károly ("Carl"), 1959 (1 letter)

Tompkins, Gilbert Calyer, undated and 1941-1968 (7 letters)

Torin Corporation, 1974-1975 (2 letters): from Breuer's office

Torok, László (engineer), 1933 (1 letter)

Toronto, University of, Architectural Society of, 1958-1960 (7 letters)

Touche, A., 1963 (1 letter): from Breuer

Tourneroche, R. (Comptoir Artisanal du Maroc), 1956 (2 letters)

Towers, Mrs. Henry, 1950 (1 letter): from Breuer

Townsend-Chatterton Company, 1974 (1 letter): from Breuer

Tragseil, Karl (Austrian architect), 1950 (1 letter)

Tralau, Walter (Gerhard Marcks/Wera Mayer-Waldeck/Walter Tralau), 1953 (1 letter): includes a printed statement about Walter Gropius

Treseder, Frank C., 1946 (2 letters)

W. F. Tubbs Company, 1944 (1 letter): from Breuer

Tuchman, Barbara (Mrs. Lester Tuchman), 1970 (1 letter)

Turner, Howard (Turner Construction Company), 1968 (1 letter)

Mark Twain Journal (Cyril Clemens), 1969 (1 letter)

Tyroler, József ("José"), 1938-1940 (2 letters)

Uda, William, 1951 (1 letter)

Ugarte, Federico A. (architect), 1963 (1 letter)

Undicesima Triennale di Milano, 1957 (5 letters)

UNESCO Centrum Nederland, 1954 (1 letter)

UNESCO, Paris, 1958-1961 (4 letters)

Union Carbide Building, 1963 (1 letter): from Breuer's office

Union pour le Recouvrement des Cotisations de Sécurité Sociale et d'Allocations Familiales (URSSAF), 1953 (1 letter): from Breuer

United Nations, New York, 1966 (2 letters)

United States Department of the Interior, Bureau of Reclamation, 1974 (1 letter): from Breuer's office concerning Grand Coulee Dam

United States Department of Justice, Immigration and Naturalization, 1938-1959 (4 letters from Breuer)

United States Department of State, 1946-1974 (4 letters)

United States Embassy, London, 1960-1961 (2 letters): from Breuer concerning Jo Yorke and Jane Susannah Yorke

United States General Services Administration (GSA), 1963-1977 (3 letters)

United States Government Printing Office, 1947 (2 letters): from Breuer

United States Information Agency, 1957-1964 (7 letters)

United States National Commission for UNESCO, 1951 (information for a conference)

United States Plywood Corporation, 1946 (1 letter)

United States Postmaster General, 1955 (1 letter): from Breuer's office

United States Selective Service, 1942 (notice of classification)

United States Social Security Administration, 1956 (1 letter): from Breuer's office

Untermeyer, Louis, 1964 (1 letter)

Urbahn, Max O. (architect), 1965-1975 (2 letters)

Ustinov, Nadie, undated (1 letter)

Vachon, Judy and David, undated and 1964 (2 letters)

Valentin, Kurt (Buchholz Gallery), 1944 (1 letter)

Valle, Tommaso and Gilberto, undated (1 letter)

Van Altena, Edward, 1951 (1 letter): from Breuer's office

Van den Broek, Professor J. H. (architect), undated (1 letter)

van der Straeten, Jean (CBR Cimenteries Bruxelles), 1970 (1 letter)

Van der Wal, Dr. G., undated and 1961-1966 (6 letters)

Van Doren, Mark, 1963 (2 letters): see also Citizens Committee for a Nuclear Test Ban Treaty

van Eesteren, C. (architect), 1951 (1 letter)

van Leer, Oscar, 1970 (1 letter)

van Westen, J. H., 1960 (1 letter)

Varèse, Edgard (composer), 1956 (1 letter)

Vargha, László I., 1967 (2 letters)

Vecchione, Robert, 1964-1970 (2 letters)

Véghelyi, Péter (Acta Paediatrica, Hungarian Science Academy), 1963-1972 (5 letters)

Ventris, Dora (and Michael), undated (1 letter)

Vergun, Alexei, 1975 (1 letter): from Breuer

Verlag Girsberger, 1956 (1 letter): from Breuer

Viasz, Andor Safed ("Bendj"), 1962 (1 letter)

Vidal, Yves, 1956-1971 (7 letters)

Vincent, Mr., 1963 (1 letter): from Breuer's office

Violich, Francis, 1955 (1 letter)

Virág, Csaba (Hungarian architect), 1965-1974 (3 letters)

Virginia Polytechnic Institute, 1960 (2 letters)

Virginia, University of, 1967-1970 (18 letters)

Vissière, A. (architect), undated (1 letter)

Visy, Béla, 1957 (1 letter)

Vitrum magazine (Centro Informazioni e Studi per le Applicazioni del Vetro nell'Edilizia e nell'Arredamento; C.I.S.A.V.), 1955 (1 letter)

Vogel, George S. (Temple Israel, Cortlandt), 1951 (1 letter)

Voigt, James D. (Voigt and Fourré, Architects), 1958 (4 letters)

Volante, Julio C., 1955-1963 (2 letters)

von Debschitz, Irene, 1935 (1 letter)

von Erffa, H., 1951-1968 (2 letters)

von Meyerburg, Henrietta [?], undated (1 letter)

von Moltke, Wilhelm Viggo, 1946-1958 (4 letters)

von Segesser, Beat and Francisca, 1968-1975 (1 letter, plus 4 from Breuer)

Wachsmann, Konrad (architect/designer, General Panel Corporation), 1945-1965 (8 letters): see National Council of American Soviet Friendship, Inc., Architects' Committee

Wadsworth, Suzanne G., 1975 (1 letter): from Breuer's office

Wagner, Martin (Harvard University), 1946 (2 letters)

Senator Wagner Memorial Dinner, 1965 (1 invitation): from mayor of New York

Walker and Company, 1966-1967 (2 letters): includes a typescript about Breuer; see also Heyer, Paul O.

Walker Art Center, Center Arts Council, 1959-1962 (12 letters)

Walker, H. E. L. (Universal Moulded Products Company, Ltd.), 1943 (1 letter)

Walker, Ralph (AIA), 1951 (1 letter): from Walter Gropius

Walker, Vicki, 1968 (1 letter): from Breuer

Ward, Ernest and Priscilla (Sprague Electric Company), 1946 (2 letters)

Washington University, St. Louis, Missouri, 1975 (1 letter): from Breuer

Watson, Arthur K. (U.S. Embassy, Paris), 1970-1972 (2 letters)

Watson, Thomas, 1970 (1 letter)

Wattjes, Professor J. G., 1935 (1 letter)

Webb & Knapp (Canada), Ltd., 1963 (3 letters)

Weidler, Charlotte (Bauhaus Ausstellung), 1968 (1 letter)

Weidlinger, Paul, 1946: see Project File for UNESCO

Weidlinger Associates, 1983-1984 (2 letters)

Weiner, Paul L., 1950-1966 (2 letters)

Weinstein, Jerry, 1945 (1 letter)

William H. Weintraub & Company, Inc., 1943-1947 (3 letters)

Weiz [?], Tiberio, 1939 (1 letter)

Weizenblatt, Sprinza, 1946-1963 (20 letters)

Wenzler, William P. (architect), 1965-1968 (4 letters)

Weren, Edward C., 1946 (1 letter)

Werner, Ingrid, 1963 (3 letters)

Wertz, Mr. (Der Finanzminister des Landes Nordrhein-Westfalen), 1974 (1 letter): from Breuer

West China Development Corporation, 1947 (1 letter)

West Coast Stained Shingle Company, 1950 (1 letter): from Breuer

Westcott and Mapes, Inc. (architects and engineers), 1970 (1 letter)

Western Arts Association, 1959 (4 letters)

Western Reserve University, 1958 (5 letters)

Westport Public Library, 1975 (1 letter): from Breuer

Wetter, Barbara, 1980 (1 letter): concerns traveling exhibition

Wheaton, William L. (Pomona College), 1960 (1 letter)

White, George (architect of the Capitol), 1975 (1 letter): from Breuer

White House (Letitia Baldridge), 1963 (1 letter): mentions Jacqueline Kennedy

White, J. G. (Peerless Flooring Company), 1955 (1 letter)

Whitney, Charles E. (Publications, Inc.), 1954-1956 (2 letters): from Breuer's office

Whitney Museum of American Art, 1968-1976 (19 letters): 1 from Jean Lipman; 14 from Breuer and a typescript about Alexander Calder

Who's Who in America, 1947 (2 letters)

Wieland, Albert, 1963 (1 letter)

Wiener, Paul Lester and Ingebord, 1944-1955 (3 letters)

Wiesenfeld, David, 1957 (1 letter): from Breuer's office

Wieser, U. P. (Wohnbedarf furniture store), 1959-1960 (3 letters)

Wigglesworth, Isabella C., 1946 (1 letter)

Wilcox & Company, 1972 (1 letter)

Wilder, Hugo, 1946 (1 letter): from E. S. Ferguson

Wiley, Chuck, 1950 (1 letter)

Wilhelm, Günter, 1949 (1 letter)

Wilinski, Erich, 1935 (2 letters)

Willard, Marian G. ("Viva Villa"; East River Gallery), undated and 1935-1965 (25 letters)

Williams, Amancio (architect), 1955 (1 letter)

Williams, Daniel, 1974 (1 letter): from Breuer's office

Williams, Peter C., 1956 (1 letter)

Williams, Preston, 1958 (2 letters)

Wilson, Dr. and Mrs. Julius Lane, 1965 (1 letter)

Wilson, June P. (Mrs. Kenneth Wilson), 1968 (1 letter)

Wilson, Marjorie (Mrs. Will Wilson), 1956 (1 letter)

Winde, McCormick & Chapin, 1945 (1 letter)

Wingler, Hans, undated and 1966-1980 (23 letters): 14 from Breuer; see also Bauhaus Archiv E.V.

Winkler, Robert, 1955 (1 letter)

Winsten, Steve, 1968 (1 letter): from Breuer

Winston, E., 1950 (1 letter)

Winter, Edward, 1950-1951 (3 letters)

Wisconsin Chapter of AIA, 1960 (1 letter)

Wisconsin, University of, 1960 (2 letters)

Wisdom Encyclopedia, 1966 (1 letter)

Wogner, Charles, 1951 (2 letters)

Wohlstetter, Albert (Atlas Aircraft Products Corporation), 1944-1946 (7 letters)

Wohlstetter, Marjorie, 1946 (1 letter)

Wolf, Albin, 1933 (5 letters)

Wolf, Ferenc, 1963-1965 (4 letters)

Wolfe, James F. (Ketchum, MacLeod & Grove, Inc.), 1960 (2 letters)

Wolff, Robert Jay, 1956-1975 (3 letters): 1 from Breuer

Wolfson, Sidney, 1954-1955 (2 letters): from Breuer's office; 1975 letter is from Nicholas P. Appy, executor of Sidney Wolfson's will

Wollowick, David P., 1947 (1 letter)

Wong, Andy, 1968 (1 letter): from Breuer

Wong, Tommy (UCLA), 1974 (1 letter)

Worcester Art Museum, 1954 (1 letter)

Working, Jane, undated and 1961 (5 letters)

Wright, Irving S. and Lois, 1963-1968 (2 letters)

Wright, Russell (pottery), 1950-1951 (2 letters): from Breuer's office

Wu, King-lui, 1945-1950 (7 letters): 6 from Breuer

Wunderlich, Carlos Asensio, 1946 (1 letter): from Breuer

Wundrich-Meissen, 1934 (1 letter)

Wurster, William W. (architect) and Catherine, 1946-1960 (6 letters): see American Society of Planners and Architects (ASPA)

X Functie, 1953-1957 (3 letters)

Yale University, 1945-1976 (4 letters)

Yamawaki, Iwao, 1954 (2 letters)

Yasko, Karel, 1968 (1 letter)

Yorke, F. R. S. (Francis Reginald Stevens Yorke; architect), 1944-1962 (31 letters)

Yorke, Thelma and Kay, 1938-1939 (2 letters)

Yoshimura, Junzo (architect), undated (1 letter): to Yoshimura from Pella Rolscreen Company

Yoshioka, Yasugoro, undated (1 letter)

Young, Edward L., 1966 (1 letter)

Young, Hamilton, 1938 (1 letter)

Yu, Jane, 1964-1965 (3 letters)

Yurchenco, Basil ("Chenk"; Goldwater & Yurchenco Associates), 1947-1950 (3 letters)

Zahedi, H. E. Ardeshir (ambassador of Iran), 1974-1975 (4 letters): from Breuer

Zanuso, Marco (architect; Olivetti), 1957 (1 letter): from Breuer

Zechlin, Hans Josef, 1950 (1 letter)

Ziegler, Barbara, 1947 (1 letter)

Ziegler, Frank, 1974 (1 letter): from Breuer

Ziegler, Richard, undated (1 letter)

Zwick, Virgil J., 1959 (1 letter)
Collection Restrictions:
The microfilm for this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcel Breuer papers, 1920-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.breumarc, Series 2
See more items in:
Marcel Breuer papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94269a410-353a-4450-a036-6d5688d6cf20
EDAN-URL:
ead_component:sova-aaa-breumarc-ref54

Sam DeVincent Collection of Illustrated American Sheet Music, Series 4: Songwriters Volumes I and II

Creator:
DeVincent, Sam, 1918-1997  Search this
Extent:
251 Boxes
Type:
Collection descriptions
Archival materials
Date:
1847-1975
Summary:
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age.

Series 4: Songwriters: A "songwriter" for this series is defined as a composer, a lyricist, or both.

An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
Scope and Contents note:
A "songwriter" for this series is defined as a composer, a lyricist, or both. The songwriters included in this online finding aid are arranged alphabetically in the Biography of Songwriters section and alphabetically in the Name and Select Title Index.

The song sheets associated with each songwriter in this series are generally arranged in the following order: General Songs; Ethnic Songs; Armed Conflict Songs or other Topical Headings; Ragtime; Instrumental; Musical Theater Production Songs; Motion Picture Production Songs; Specialized Song Sheets/Editions; Professional/Artist Copy Song Sheets; and Folios/Volumes. Songs of four or more editions (multiple editions) are usually placed in individual folders and listed separately under the appropriate category, i.e., General Songs, Topical songs, etc. Copyright dates listed in the Container List represent the latest date on any given song sheet, i.e., a song originally published in 1906, but copyrighted in 1946, will show the date 1946.

In the Container List the word "Contains" in a descriptive entry identifies a folder that contains only the song sheet titles specified. For example, Subseries 4.1, folder B "contains" three song sheets and only those three are contained in that folder. The word "Includes" in a descriptive entry identifies a folder that holds not only the song sheet title(s) named but also other song sheet title(s) not specified in the Container List. For example, folder E of subseries 4.1 "includes" (or specifies) three song sheets ("Magic Moments," "Sad Sack," and "Warm and Tender"), but, in addition, folder E contains fourteen other song sheets that are not specified.

Variations in the size of the sheet music in this series may indicate its publication date. Large song sheets-approximately 11" x 13"- were superseded in April 1919, when publishers adopted a new "standard" or "regular" size for song sheets-9 1/4" x 12 1/4"-as recommended by the National Association of Sheet Music Dealers. The probable motivation was that smaller song sheets were cheaper to produce--a conservation effort prompted by World War I.

Titles of Musical Theater Production Songs and Motion Picture Production Songs are in capital letters. Individual song titles are within quotation marks. Portraits of the artist or artists that contributed to a song's success are featured on many song sheets. Songs are filed alphabetically, by title, within each folder.

Dates after the songwriter's name in the Biography of Songwriters section of this Register refer to the songwriter's birth and death dates. Dates after a songwriter's name in the Container List of this Register refer to the dates of the song sheets in this collection for that songwriter. Where two or more songwriters were a notable team over an extended period of time, their collaboration is noted in the Biography of Songwriters and included in the Container List.

The dates in the Container List represent the latest copyright year on the song sheets. The dates are not necessarily the same as the year of the productions. Copyright dates in the Container List represent the latest date on any given piece of sheet music, i.e., a song originally published in 1906, but re-copyrighted in 1946, will show the date 1946.
Arrangement note:
Arranged alphabetically

4.1 - 4.217

4.218: Ephemera
Biographies of Song Writers:
4.42 ADAMS, STANLEY -- (8/14/1907-1/27/1994). Lyricist. Former President of ASCAP; was a leader in the successful effort for Congressional revision of copyright law. Best known song is "What a Diff'rence a Day Made."

4.43 AGER, MILTON -- (10/6/1893-5/6/1979). Composer, publishers, pianist, arranger, vaudeville accompanist, stage entertainer for silent movies. First hit was "Everything is Peaches Down in Georgia," sung by Al Jolson.

4.44 AHLERT, FRED E. -- (9/19/1892-10/20/1953). Composer, publisher. Arranger for Fred Waring. One of first songwriters to quit Tin Pan Alley for Hollywood. First hit was "I'll Get By."

4.45 AKST, HARRY -- (8/15/1894-3/31/1963). Composer. Professional pianist as a teenager. Met Berlin at Camp Upton, worked for him as staff pianist. Hits include: and "Baby Face" and "A Smile Will Go a Long, Long Way."

4.46 ALLEN, STEVE -- (12/26/1921- ). Composer, author, pianist, comedian. Toured with parents in vaudeville; worked in radio; founder and first host of NBC-TV's Tonight Show. Composed the theme from PICNIC.

4.47 ARLEN, HAROLD -- (2/15/1905-4/23/1986). Composer, author, pianist, vocalist. Played professionally at age 15. Signed by The Cotton Club to write with Ted Koehler, producing many hits. Also teamed with Yip Harburg. Write "Get Happy," "Stormy Weather," and the score for THE WIZARD OF OZ.

4.48 ARMSTRONG, HARRY W. -- (7/22/1879-2/28/1951). Composer, vocalist, pianist, producer, prize fighter. Hits include "I Love My Wife, But Oh You Kid" and "Sweet Adeline."

4.49 ASH, PAUL -- (2/11/1891-7/13/1958). Composer, author, conductor, pianist. Led his first band in 1910; became very successful bandleader. Wrote "I'm Knee Deep in Daisies."

4.50 AUSTIN, GENE -- (6/24/1900-1/24/1971). Composer, author. Sang in vaudeville, radio, films, and TV. Established as a recording star with "My Blue Heaven." Wrote "When My Sugar Walks Down the Street."

4.1 BACHARACH, BURT F. -- (5/12/1928- ). Composer and pianist. Collaborated with lyricist Hal David on a number of film scores (e.g., BUTCH CASSIDY AND THE SUNDANCE KID) and popular songs, many of which were recorded by Dionne Warwick.

4.51 BALL, ERNEST R. -- (7/21/1878-5/3/1927). Composer, pianist. Began as pianist in vaudeville, performing with his wife Maude Lambert; then worked as a song demonstrator. Successful songs include "Let the Rest of the World Go By"and "Mother Machree."

4.52 BARGY, ROY -- (7/31/1894-1/15/1974). Composer, pianist. Arranger for Paul Whiteman; led several radio show bands. Edited, played, arranged, and composed piano rolls; composed rags. From 1943-1963 was music director for Jimmy Durante.

4.53 BAXTER, PHIL -- (9/5/1896-11/21/1972). Composer, pianist, lyricist, vocalist. Bandleader in 20's and 30's. Wrote "Have a Little Dream on Me" and "I'm a Ding Dong Daddy from Dumas."

4.54 BAYES, NORA -- (1880-3/19/1928). Vocalist, composer, lyricist. Was a top performing star; known as "The Wurzberger Girl" after her first hit. The first edition of Cohan's "Over There" featured Bayes on the cover. Bayes and husband Jack Norworth wrote "Shine on Harvest Moon."

4.55 BERLE, MILTON -- (7/12/1908- ). Comedian, vocalist, lyricist, composer. Began performing in silent movies at age 5; worked in vaudeville; was a MC in clubs and theaters. Was the first big TV star. Wrote "Sam, You Made the Pants Too Long."

4.2 BERLIN, IRVING -- (5/11/1888-9/22/1989). Composer and lyricist. One of the most versatile and popular songwriters of the 20th century. Wrote songs for some of the most successful Broadway musicals and Hollywood films. Best songs were sentimental ballads performed in unique ragtime or popular styles.

4.56 BERNIE, BEN -- (5/30/1891-10/20/1943). Bandleader, composer. Was a monologist in vaudeville; played violin until he formed his own dance band in early 20's. Known as The Old Maestro. Wrote "Sweet Georgia Brown."

4.57 BRAHAM, DAVID -- (1834-4/11/1905). Composer. Born in London; moved to New York at age 18. Was orchestral leader and composer for minstrel shows, Tony Pastor's, Theatre Comique. THE MULLIGAN GUARD was the first of many collaborations with Ned Harrigan.

4.58 BREUER, ERNEST -- (12/6/1886-4/3/1981). Composer, pianist. Born in Germany, moved to US in youth. Vaudeville pianist. WWII interpreter and entertainer. Wrote "Does the Spearmint Lose Its Flavor on the Bedpost Overnight?"

4.59 BROOKS, SHELTON -- (5/4/1886-9/6/1975). Composer. Parents American Indian/African American. Pianist in Detroit cafes; moved to Chicago. Composed rages; worked as a mimic in vaudeville. Wrote "Darktown Strutters' Ball" and "Some of These Days."

4.60 BROWN, A. SEYMOUR -- (5/28/1885-12/22/1947). Author, composer, actor. Worked in vaudeville. Composed "Oh You Beautiful Doll."

4.61 BROWN, GEORGE -- ...

4.3 BROWN, LEW -- (12/10/1893-2/5/1958). Lyricist. Achieved success with a number of songs in collaboration with composer Albert Von Tilzer, and later as member of the Ray Henderson and Buddy DeSylva songwriting team on Broadway.

4.62 BROWN, NACIO HERB -- (2/22/1896-9/28/1964). Composer. First toured as piano accompanist; worked as a tailor and realtor before first successes in early 20's. One of the movies most important composers during early sound years and many years thereafter. Wrote "Singin in the Rain" and "You Are My Lucky Star."

4.63 BROWN, NACIO HERB, JR. -- (2/27/1921- ). Composer, author, publisher. Son of Nacio Herb Brown. Professional manager of publishing firms; manager of music catalogs. Songs include "Who Put That Dream in Your Eyes."

4.64 BUCK, GENE -- (8/8/1885-2/25/1957). Lyricist. Chief aide to Ziegfeld; wrote book for some of his shows. Pioneer designer of sheet music covers. Songs include "Hello Frisco" and "Tulip Time."

4.65 BULLOCK, WALTER -- (5/6/1907-8/19/1953). Lyricist. Wrote screenplays and songs for movies. Hits include "This Is Where I Came In" and "When Did You Leave Heaven?"

4.66 CAESAR, IRVING -- (4/4/1895-12/17/1996). Lyricist, composer. Wrote mostly for New York stage but began working for films in 30's. Wrote message-bearing songs for children. Wrote "Count Your Blessings" and "Tea for Two."

4.4 CAHN, SAMMY -- (6/18/1913- ). Lyricist. Wrote many successful songs for Hollywood films, notably for Frank Sinatra, and in collaboration with Charlie Chaplin, Jimmy Van Heusen, and Jule Styne.

4.67 CALLAHAN, J. WILL -- (3/17/1874-11/15/1946). Vocalist, lyricist. Started as an accountant, then singer of illustrated songs. Wrote "Smiles."

4.5 CARMICHAEL, HOAGY -- (11/22/1899-12/27/1981). Composer, lyricist, bandleader, pianist, and singer. Abandoned law profession to pursue career in songwriting. Contributed songs to a number of very popular motion pictures.

4.68 CARROLL, EARL -- (9/16/1893-6/17/1948). Composer. Produced and directed many revues. Built two theaters in New York and had a restaurant in Hollywood. Produced movies. Hits include "Give Me All of You" and "So Long Letty."

4.69 CARROLL, HARRY -- (11/28/1892-12/26/1962). Composer. Pianist in movie theaters, cafes and vaudeville. Wrote for Winter Garden productions; wrote several Broadway stage scores. Hits include "I'm Always Chasing Rainbows" and "Trail of the Lonesome Pine."

4.70 CHAMINADE, MME. CECILE -- (born in Paris. Pianist, composer. Toured the US in 1908.

4.71 CLARIBEL (CHARLOTTE ALLINGTON BARNARD) -- (1830-1869) Composer, lyricist. English. Enormously popular in her time. Her "Come Back to Erin" is often regarded as an Irish folk song.

4.72 COBB, GEORGE L. -- (8/31/1886-12/25/1942). Composer. Began as composer of rags. Wrote for Melody magazine. First hit was "All Aboard for Dixieland."

4.6 COHAN, GEORGE M. -- (7/4/1878-11/5/1942). Composer, lyricist, actor, playwright, and producer. Best remembered for elaborately choreographed dance music, flag-waving songs, and songs for musical comedies and vaudeville. Best known for his patriotic songs, "Over There" and "Yankee Doodle Dandy."

4.73 COLUMBO, RUSS -- (1908-9/2/1934). Composer; primarily a singer, featured in Gus Arnheims band. Theme song for own band was "You Call It Madness." Also wrote "Too Beautiful for Words."

4.74 CONFREY, ZEZ -- (4/3/1895-11/22/1971). Pianist, bandleader, composer. Cut many piano rolls. Solo piano pieces have become standards: "Dizzy Fingers" and "Kitten on the Keys."

4.75 CONN, CHESTER -- (4/14/1896- 4/4/1973). Composer. Manager of publishing companies before owning own firm of Bregman, Vocco & Conn. Hits include "Don't Mind the Rain."

4.76 CONRAD, CON -- (6/18/1891-9/28/1938). Composer, pianist. Worked as theater pianist and in vaudeville; wrote for stage and movies. Had publishing firm. Wrote "The Continental," first film song awarded an Oscar; also wrote "Ma" and "Margie."

4.77 CONVERSE, CHARLES CROZAT -- (10/7/1832-4/8/1918). Composer. Studied in Europe; practiced law upon return. Composed partriotic overtures and cantatas, vocal quartettes. Wrote on philosophical and philological subjects under pen name Karl Redan. Wrote "What a Friend We Have in Jesus."

4.78 COOTS, J. FRED -- (5/2/1897-4/8/1985). Composer, pianist. Accompanied vaudeville acts; worked as song plugger; composed for Schuberts shows but returned to club dates in composing independently. Wrote "Love Letters in the Sand" and "You Go to My Head."

4.79 COSLOW, SAM -- (12/27/1902). Composer, lyricist, vocalist. Wrote for Broadway and movies; co-partner in music publishing; co-founded Soundies, song-movie shorts for coin machines. Hits include "Cocktails for Two" and "Was It a Dream?"

4.80 COWAN, LYNN -- (6/8/1888- ). Composer, actor, director, vocalist, pianist. Worked in vaudeville and as a film actor. Composed background scores for early sound film, and songs for LADIES MUST LOVE. Manager of Castle Terrace Club in Okinawa. Wrote "Kisses."

4.80 COWAN, RUBEY -- (2/27/1891-7/28/1957). Composer. Pianist in film theaters at age 13. Co-founded publishing company; wrote first show for Paramount Theater in New York; headed NBCs radio talent dept. then Paramounts radio dept. Wrote "You Can Expect Kisses from Me."

4.80 COWAN, STANLEY -- (2/3/1918- 12/13/1991). Composer, author, director, publicist. Wrote special material for orchestras, musicals, films; Produced shows for USAF during WWII. Joined father's (Rubey Cowan) firm, Rogers and Cowan. Wrote "Do I Worry."

4.81 COWARD, NOEL -- (12/16/1899-3/26/1973). Composer, lyricist, actor, playwright, producer. Born in England; began professional career at age 11. Best known of many popular songs are "I'll Follow My Secret Heart" and "I'll See You Again."

4.82 CRUMIT, FRANK -- (9/26/1889-9/7/1943). Composer, author, singer, actor. Vaudeville and stage performer. Had radio series with Julia Sanderson. Known for novelty numbers such as "Abdul Abulbul Amir."

4.83 CUGAT, XAVIER -- (1/1/1900- 10/27/1990). Bandleader, composer. Born in Spain; moved to Cuba when young; studied in Berlin; gave concert tours. Worked as a caricaturist for the LA Times. Led orchestra specializing in Spanish and Latin American music. Wrote "My Shawl," his theme song.

4.84 DANIELS, CHARLES N. -- (4/12/1878-1/21/1943). Composer, publisher. Pseudonym: Neil Moret. One of most significant ragtime entrepreneurs. Wrote first motion picture title song: "Mickey." Other songs include "You Tell Me Your Dream," "Moonlight and Roses," and "Chloe."

4.85 DANKS, HART PEASE -- (4/16/1834-11/20/1903). Composer. Singer and conductor in New York churches and concert stages. Published sacred and choral works; collaborated on three operettas. Best known for popular songs such as "Silver Threads Among the Gold."

4.86 DAVIS, BENNY -- (8/21/1895- 12/20/1979). Lyricist, vocalist. Performed in vaudeville as a child. Toured with Benny Fields as accompanist to Blossom Seeley. Hits include "Baby Face" and "Margie."

4.87 DEKOVEN, REGINALD -- (4/3/1859-1/16/1920). Composer, conductor, music critic. America's first significant composer of operetta: ROBIN HOOD the first American operetta to be performed in London. Founded the Philharmonic Orchestra in Washington, D.C. in 1902. Best known song is "Oh Promise Me."

4.88 DELEATH, VAUGHN -- (9/26/1896-5/28/1943). Vocalist, pianist, composer, lyricist. Reportedly the first woman on radio, sometimes credited with originating crooning. Played vaudeville, performed on Broadway, and recorded frequently. Hits include "At Eventide" and "Ducklings on Parade."

4.89 DEMING, MRS. L. L. -- (may be wife of Legrand L. Deming, born in Connecticut 10/29/1812.

4.7 DeROSE, PETER -- (3/10/1900-4/24/1953). Composer. Formed a radio team, The Sweethearts of the Air, with May Singhi Breen, whom he subsequently married. His most famous piece, "Deep Purple," became a commercial hit when lyrics were added.

4.3 DeSYLVA, BUDDY -- (1/27/1895-7/11/1950). Lyricist. Produced a number of hit songs with George Gershwin and particularly for the singer, Al Jolson. Also worked with Jerome Kern, Victor Herbert, and later as member of the Ray Henderson-Lew Brown songwriting partnership.

4.90 DILLON, HARRY -- (1866- 2/5/1916). Brother of John and Will. Started performing career on minstrel shows.

4.90 DILLON, JOHN -- (12/5/1882-9/2/1953). Brother of Will and Harry. Followed brother Harry into ministrel shows; first vaudeville engagement was at Tony Pastor's; toured. Operated grocery store in hometown, Cortland, NY, after retirement.

4.90 DILLON, WILLIAM AUSTIN -- (11/6/1877-2/10/1966). Composer, author, actor, businessman. Worked in vaudeville, medicine and minstrel shows; toured with Harry Lauder. Successes include "All Alone" and "I Want a Girl Just Like the Girl That Married Dear Old Dad."

4.91 DIXON, HAROLD -- ...

4.8 DONALDSON, WALTER -- (2/15/1893-7/15/1947). Composer. Hired in 1919 as staff writer for Irving Berlin Inc. Wrote songs throughout the 1920s that made him one of the most popular composers of the decade. Had many collaborations, the most successful with Gus Kahn.

4.9 DRESSER, PAUL -- (4/22/1858-1/30/1906). Composer, lyricist, performer and publisher. One of the first American performers to enter the music publishing trade. Wrote songs for burlesque and vaudeville stage shows. Considered the leading American writer of sentimental ballads of the late 19th century. Best-known song: "My Gal Sal."

4.92 DUBIN, AL -- (6/10/1891-2/11/1945). Lyricist. Served overseas in entertainment unit in WWI. Biggest song successes when teamed with Harry Warren. Hits include "I Only Have Eyes for You" and "Tiptoe Through the Tulips."

4.10 EDWARDS, GUS -- (8/18/1879-11/7/1945). Composer, lyricist, impresario, and singer. Collaborated with lyricist Will D. Cobb producing several hit songs introduced in Broadway reviews, notably Ziegfeld's Follies of 1907 and 1910. Best-known songs include "School Days" and "By The Light Of The Silvery Moon."

4.93 EDWARDS, LEO -- (2/22/1886-7/12/1978). Composer, author, producer. Brother of Gus Edwards. Worked in vaudeville; was staff writer for music publishing firms; cabaret producer. Hit songs include "Isle d'Amour," "Inspiration," and the official Boy Scout song "Tomorrow's America."

4.94 EMMET, JOSEPH KLINE -- (3/13/1841-1892). Actor, composer. Performed in a minstrel company using a broken German dialect that made him famous. Several plays starring his 'Fritz' character were written for him. Successful songs were "Emmet's Lullaby" and "Sweet Violets."

4.95 ERDMAN, ERNIE -- (10/23/1879-11/1/1946). Composer. Was pianist in the Original New Orleans Jazz Band. Worked on professional staff of Chicago music publishers. Songs hits include "Nobody's Sweetheart" and "Toot, Toot, Tootsie, Goodbye."

4.96 FAIN, SAMMY -- (6/17/1902- 12/6/1989). Composer, vocalist, pianist. Was a self-taught pianist; began composing songs while in grammar school. Very successful partnership with Irving Kahal writing songs for movies. Hits include "Dear Hearts and Gentle People," "I'll Be Seeing You," and "That Old Feeling." Nominated for the Oscar 10 times; won twice.

4.97 FEIST, FELIX -- (Wrote "Can't You See Im Lonely."

4.97 FEIST, LEO -- (1/3/1869-6/1/1930). Publisher, lyricist. When early songs didnt sell well Feist partnered with Joe Frankenthaler to start what became one of the leading publishing firms. His successes include "Those Lost Happy Days" and "Smokey Mokes."

4.98 FIELD, EUGENE -- (9/3/1950-11/4/1895). Author. Newspaper columnist for Chicago Morning News. His poems were set to music.

4.99 FIELDS, DOROTHY -- (7/15/1905-3/28/1974). Author, lyricist. At age 15 sang in an amateur show by Rodgers and Hart; worked with brother Herbert as co-librettist on several Broadway shows. Most successful collaboration was with Jimmy McHugh. Wrote "I Can't Give You Anything But Love" and "I'm in the Mood for Love." Won an Oscar with Jerome Kern for "The Way You Look Tonight."

4.100 FIORITO, TED -- (12/20/1900-7/22/1971). Composer, conductor, pianist. Began as a song demonstrator. First hit song was "Toot, Toot, Tootsie, Goodbye." Formed band in early 20's and continued to lead an orchestra in the 60's. Other hits include "Alone at Last" and "Charley, My Boy."

4.101 FISHER, FRED -- (9/30/1875-1/14/1942). Composer, lyricist. Immigrated from Germany at age 25 but soon assimilated popular music idioms. Early success was "Come, Josephine, in My Flying Machine." Started composing for films in late 20's. Hits include "Dardanella" and "Your Feets Too Big."

4.11 FOSTER, STEPHEN -- (7/4/1826-1/13/1864). Composer and lyricist of popular household, plantation, and minstrel songs of the 19th century. Produced over 200 songs of two main types: sentimental ballads of hearth and home, and songs for the famous Christy's Minstrels.

4.102 FRANKLIN, DAVE -- (9/28/1895-2/3/1970). Composer, lyricist, pianist. Pianist in publishing house at age 13; vaudeville accompanist; played nightclubs in New York and European cities. Hits include "The Anniversary Waltz" and "When My Dream Boat Comes Home."

4.62 FREED, ARTHUR -- (9/9/1894-4/12/1973). Lyricist, producer. Wrote for vaudeville; managed theater in Los Angeles; produced shows. Began writing for movie musicals in 1929. Many hits include "After Sundown," "All I Do Is Dream of You," and "Singin' in the Rain."

4.103 FRIEDMAN, LEO -- (7/16/1869-3/7/1927). Composer. Studied in Chicago and Berlin. Two biggest hits were "Let Me Call You Sweetheart" and "Meet Me Tonight in Dreamland."

4.104 FRIEND, CLIFF -- (10/1/1893-6/27/74). Composer, lyricist, pianist. Wrote for Broadway and movies; was a pianist for vaudeville performers in US and England. Also worked as a test pilot. Hits include "Give Me a Night in June" and "The Merry-Go-Round Broke Down."

4.12 FRIML, RUDOLF -- (12/7/1879-11/12/1972). Composer and pianist. One of the principal exponents of traditional operetta and early musical comedy in the United States. Collaborated with Oscar Hammerstein II and others to produce the most popular American musicals of the 1920s.

4.105 FROST, JACK -- (11/25/1893-10/21/1959). Composer, lyricist. Writer with Chicago music company; wrote special material for Eva Tanguay and Trixie Friganza; worked in advertising. Hits include "When You and I Were Young Maggie Blues."

4.106 GARBER, JAN -- (11/5/1897-10/4/1977). Violinist, bandleader, composer. Played violin in Philadelphia Symphony Orchestra; formed dance band in early 20's; still conducting into the 60's. Wrote his theme song, "My Dear."

4.107 GAY, BYRON -- (8/28/1886-12/23/1945). Composer, author, explorer. Educated at US Navel Academy and was on 1933 Byrd Expedition. Successful songs include "The Little Ford Rambled Right Along" and "The Vamp."

4.108 GILBERT, L. WOLFE -- (8/31/1886-7/12/1970). Lyricist. Started as a singer in New York clubs, writing parodies of popular songs for entertainers such as Al Jolson. Moved to Hollywood where he wrote for films and the Eddie Cantor radio show. Had his own publishing firm. Hits include "Lucky Lindy" and "Waiting for the Robert E. Lee."

4.13 GERSHWIN, IRA -- (12/6/1896-8/17/1983). Lyricist. Collaborated with various composers throughout his life, at times using pseudonym, Arthur Francis. He collaborated with brother George from 1924 until the latter's death in 1937. Their first musical comedy together was LADY, BE GOOD.

4.13 GERSHWIN, GEORGE -- (9/26/1898-7/11/1937). Composer, conductor, and pianist. Composer of Broadway shows and one of America's most famous composers of popular concert music. Brought jazz and classical styles together in concert pieces, African American folk music and opera, e.g. PORGY AND BESS.

4.109 GILLESPIE, HAVEN -- (2/6/1888-3/14/1975). Lyricist. Left job as journeyman printer and began writing songs in the mid-20's. Wrote for film, theater and radio. Awarded Freedoms Foundation Award for "God's Country." Hits include "Santa Claus Is Comin' to Town" and "You Go to My Head."

4.110 GLOVER, CHARLES W -- (1806-3/23/1863). Composer. English. Violinist in orchestras of Drury Lane and Covent Garden; musical director of Queen's Theatre. "Do They Think of Me at Home" was one of his greatest successes in the USA.

4.111 GLOVER, STEPHEN -- (mid 1812-1870). Composer. English. One of his most popular songs was "What Are the Wild Waves Saying?"

4.112 GOETZ, E. RAY -- (6/12/1886-6/12/1954). Composer, lyricist, producer. Contributed to many Broadway musicals. Hits include "For Me and My Gal" and "Yaaka Hula Hickey Dula."

4.113 GOODHART, AL -- (1/26/1905-11/30/1955). Composer, pianist. Early career as radio announcer, vaudeville pianist, special material writer. With USO during WWII. Hits include "Auf Wiedersehen, My Dear," "I Apologize," and "Who Walks in When I Walk Out?"

4.114 GORDON, MACK -- (6/21/1904-3/1/1959). Lyricist, vocalist. Boy soprano in minstrel shows; comedian and singer in vaudeville. Hits include "Chatanooga Choo-Choo," "Time on My Hands," and "You'll Never Know" which won an Academy Award.

4.115 GREEN, JOHN W. -- (10/10/1908- 5/15/1989 ). Composer, arranger, pianist, ` bandleader. Accompanied various singers; formed own band. On many radio shows in New York then moved to Hollywood. MGM musical director for many years. Scored and conducted three Academy Award films. Hits include "Body and Soul" and "I Cover the Waterfront."

4.116 GUEST, EDGAR -- ( 8/20/1881-8/5/1959). Poet, Newspaperman for Detroit Free Press. Poems Syndicated in nearly 300 papers; 17 volumes of poetry published. Apeared on national radio for many years.

4.117 GUMBLE, ALBERT -- (9/10/1883-11/30/1946). Composer, pianist for publishers. Entertained troops during WWII. Hits include "Are You Sincere?" and "How's Every Little Thing in Dixie?"

4.118 HALL, WENDELL WOODS -- (8/23/1896-4/2/1969). Composer, author, singer, ukelele player. Known as "The Red-Headed Music Maker." Played the ukelele on radio and in vaudeville; made world radio tour in 20's. Worked as advertizing executive. Successful songs include "Underneath the Mellow Moon" and "Whispering Trees."

4.14 HAMMERSTEIN, OSCAR, II -- (7/12/1895-8/23/1960). Lyricist, librettist, producer, and publisher. Produced and wrote some of the most successful Broadway musicals in collaboration with composer Richard Rodgers and Jerome Kern. Many of his works later appeared in Hollywood films.

4.14 HAMMERSTEIN, OSCAR, I -- (5/8/1846-8/1/1919). Composer. An impresario who wrote several works, including orchestral pieces for use before or as intermezzi in his productions, a ballet, MARGUERITE (1896), and the operettas, SANTA MARIA (1896) and THE KOHINOOR (1893).

4.119 HANLEY, JAMES F. -- (2/17/1892-2/8/1942). Composer, pianist. Accompanist in vaudeville. Produced WWI army show TOOT SWEET. Wrote for early sound movie shorts. Hits include "Second Hand Rose" and "Zing! Went the Strings of My Heart."

4.57 HARRIGAN, EDWARD -- ...

4.15 HARRIS, CHARLES K. -- (5/1/1865-12/22/1930). Composer, lyricist, and music publisher. Known principally as a successful publisher of popular music. First publisher to use an illustration of a performer on a song sheet cover. Most successful song: "After the Ball." Cofounder of ASCAP.

4.120 HARRISON, ANNIE FORTESQUE -- (Lady Arthur Hill)(1851-1944). Composer. Best known songs include "In the Gloaming."

4.14 HART, LORENZ -- (5/2/1845-11/22/1913). Lyricist and librettist. Collaborated with composer Richard Rodgers on the scores of several successful Broadway musicals and Hollywood productions.

4.121 HAYS, WILLIAM SHAKESPEARE. -- (7/19/1837-7/22/1907). Began writing songs at age 19. Very popular because of charming melodies, easy execution of music, and lyrics that projected authentic feelings.

4.122 HEMANS, MRS FELICIA DOROTHEA -- (1794-1835). Very prolific and popular English poet. Composer for some of the songs was her younger sister Harriet Mary Browne.

4.3 HENDERSON, RAY -- (12/1/1896-12/31/1970). Composer. Collaborated extensively with lyricists Lew Brown and Buddy DeSylva. Wrote many of the hit tunes of the 1920s and 1930s. Produced music of wide popular appeal performed by Al Jolson and others on stage and in films.

4.16 HERBERT, VICTOR -- (2/1/1859-5/26/1924). Composer, cellist, and conductor. Successful particularly as composer of American operettas, of which forty (40) were written between 1894 and 1924, mostly romantic and having happy endings.

4.123 HILL, DEDETTE LEE -- (11/2/1900-6/5/1950). Collaborated with her husband, Billy Hill, and later with Johnny Marks.

4.123 HILL, BILLY -- (7/14/1899-12/24/1940). Also used nom de plume George Brown. Composer, author, pianist, violinist, conductor. Worked as a cowboy and surveyors assistant in the west. Led first jazz band in Salt Lake City. Best known songs include "In the Chapel in the Moonlight" and "The Last Roundup."

4.124 HILLIARD, BOB -- (1/28/1918-2/1/1971). Lyricist. Wrote scores for Broadway. Successes include "Our Day Will Come" and "They've Got an Awful Lot of Coffee in Brazil."

4.113 HOFFMAN, AL -- (9/25/1902-7/21/1960). Composer, lyricist, drummer. Bandleader in hometown, Seattle; drummer in NY night clubs; songwriter early 30's through 50's. Hits include "Black Coffee" and "Mairzy Doats."

4.125 HOWARD, JOSEPH E. -- (2/12/1878-5/19/1961). Composer, author, actor, singer, producer, director. Boy soprano in vaudeville; wrote Broadway stage scores; also produced and directed on Broadway. Entertainer in night clubs, radio, TV. Hits include "Goodbye, My Lady Love" and "I Wonder Who's Kissing Her Now."

4.126 INGRAHAM, HERBERT -- (7/7/1883-8/24/1910) Music Director of touring theater companies. Led own orchestra. Staff composer for Shapiro Bernstein Publishing Co. Brother of Roy.

4.126 INGRAHAM, ROY -- (12/6/1893-?) Composer, author, singer. First song published at age 17. Had own orchestra; toured in vaudeville. Wrote for several motion pictures; radio broadcaster. Wrote special material for Sophie Tucher and others. Brother of Herbert.

4.17 JACOBS-BOND, CARRIE -- (8/1861-12/1946). Composer, lyricist, and music publisher. Called "the Riley of the Music World," her songs, such as "A Perfect Day," and "I Love You Truly," are beloved by many.

4.127 JENKINS, GORDON -- (5/12/1910-5/1/1984). Composer, author, conductor, arranger. Played organ in movie theater at age 10; quit high school to play piano in speakeasy. Pianist, arranger for leading bands; Broadway radio conductor. Grammy Award for arrangement of "It Was a Very Good Year" as recorded by Frank Sinatra. Hits include "P.S. I Love You" and "When a Woman Loves a Man."

4.128 JENTES, HARRY -- (8/28/1897-1/19/1958). Composer, pianist. Successes include "He May Be Old But He Has Young Ideas" and "Put Me to Sleep with an Old-Fashioned Melody."

4.18 JOHNSON, CHARLES L. -- (12/3/1876-12/28/1950). Composer and ragtime pianist. Known for his most popular ragtime piece, "Dill Pickles" (1906); also, piano pieces that evoked American Indian culture.

4.129 JONES, ISHAM -- (1/31/1894-10/19/1956). Composer, bandleader, pianist. Formed and led outstanding dance band, touring U.S. and Europe. Many radio appearances and recordings. Equally well known as composer. Two standards are "It Had to Be You" and "I'll See You in My Dreams."

4.19 KAHN, GUS -- (11/6/1886-10/8/1941). Lyricist. Writer of lyrical material for vaudeville performances and Hollywood film musicals. Collaborated with such leading composers as Donaldson, Gershwin, Romberg, Whiting, and Van Alstyne.

4.130 KALMAR, BERT -- (2/16/1884-9/18/1947). Lyricist, publisher. Worked in tent shows and vaudeville as a child. Wrote scores for Broadway and songs for movies; wrote screenplays. Hits include "I Wanna Be Loved by You," "Three Little Words," and "Who's Sorry Now?"

4.131 KASSEL, ART -- (1/18/1896-2/3/1965). Composer, author, vocalist, saxophonist, lyricist and bandleader. Early radio and TV appearances as bandleader after service in World War I. Composed his two theme songs, "Doodle Doo Doo" and "Hells Bells."

4.132 KENNEDY, HARRY -- (circa 1800-1894). Minstrel; ventriloquist who used two dummies simultaneously. Brother William H. Kennedy was his publisher and occassional collaborator.

4.133 KENNY, NICK -- (2/3/1895- ? ). Lyricist, newspaper reporter, produced early amateur radio show; radio editor of New York Daily Mirror. Successes include "Love Letters in the Sand" and "Gone Fishin'."

4.133 KENNY, CHARLES -- (6/23/1898- ? ). Composer, violinist, author. Collaborated with brother Nick.

4.20 KERN, JEROME -- (1/27/1885-11/11/1945). Composer. Considered the most prolific composer of Broadway musicals. He extended the popularity of the musical play form by introducing songs and themes, avoiding operatic styles, and using jazz rhythms and chords instead to characterize the dramatic demands of plot.

4.134 KING, ROBERT A. -- (9/20/1862-4/14/1932). Composer. Wrote under several noms de plume including Mary Earl ("Beautiful Ohio"), R. A. Wilson, and Mrs. Ravenhall. Staff composer for music publishers. Appeared in vaudeville. Hits include "I Scream, You Scream, We All Scream for Ice Cream."

4.135 KIPLING, RUDYARD -- (12/30/1865-1/18/1936). Author, poet. Best remembered for his celebrations of British imperialism, his tales and poems of British soldiers in India and Burma, and his children's stories. He won the Nobel Prize for Literature in 1907.

4.136 KLICKMANN, F. HENRI -- (2/4/1885- ? ). Composer, pianist, violinist; arranger for Broadway musicals, music publishers, dance bands, and performers. Professional violinist, pianist, and accordianist. Successes include "Sing Me the Rosary" and "Sweet Hawaiian Moonlight."

4.137 KOEHLER, TED -- (7/14/1894-1/17/1973). Lyricist. Began music career as pianist for nickelodeon, silent film theaters. Wrote for Cotton Club, other stage shows, and films. Most successful collaboration with Harold Arlen ("Stormy Weather"). Also wrote "I Love a Parade" and "I've Got the World on a String."

4.138 KRAMER, ALEX -- (9/13/1893-8/25/1955). Composer, arranger; cellist in theater orchestras; arranger for vaudeville and muscial comedy singers. Compiled and arranged many music folios. Collaborated with wife, Joan Whitney. Hits include "High on a Windy Hill" and "Candy."

4.139 KUMMER, CLARE (Clare Rodman Beecher) -- (1/9/1888-4/21/1958). Composer, playwright. Wrote scores and librettos for Broadway. Successes include "Bluebird."

4.140 LAWNHURST, VEE -- (11/24/1905- 5/16/1992). Pianist, singer, composer. Arranged piano rolls. Original member of Roxy's Radio Gang. Successful songs include "Sunday Go to Meetin' Time."

4.141 LAWRENCE, JACK -- (4/7/1912- ? ). Composer, lyricist. Organized bands for the armed services. Wrote "Tenderly," and English Lyrics for "Ay, Ay, Ay" and "Cielito Lindo."

4.142 LEONARD, EDDIE, -- (10/18/1875-7/29/1941). Composer, author, singer, actor; professional baseball player. Performed in minstrel shows, sang in variety shows. Fought in the Spanish American War. Wrote "Ida, Sweet as Apple Cider."

4.143 LESLIE, EDGAR -- (12/31/1885-1/20/1976). Lyricist, author, publisher. Wrote special material for performers and films. Hits include "For Me and My Gal" and "Moon over Miami."

4.144 LEWIS, AL -- (4/18/1901-4/4/1967). Composer, lyricist; became a music publisher later in career. Hits include "Now's the Time to Fall in Love."

4.145 LEWIS, SAM M. -- (10/25/1885-11/22/1959). Lyricist. Started as runner in a brokerage house. Sang in cafes; wrote material for self and other performers, also for stage and movies. Hits include "Dinah," "Five Foot Two, Eyes of Blue," and "How Ya Gonna Keep' Em Down on the Farm?"

4.146 LIEBER, JERRY -- (4/25/1933- ). Lyricist. Grew up in Baltimore hearing R&B. Struggled with acting in Hollywood when met and teamed with Mike Stoller to write many hits, including "Searching."

4.147 LITTLE, JACK -- (5/28/1900-4/9/1956). Pianist, composer, lyricist, vocalist, bandleader. Had a popular radio porgram in 20's. Led a band in the 30's. Successes include "In a Shanty in Old Shanty Town."

4.148 LOESSER, FRANK -- (6/29/1910-7/28/1969). Composer, lyricist, publisher. Wrote songs for college shows and later for Army shows. Worked as newspaper reporter and caricaturist in vaudeville. Became leading writer for Broadway and Hollywood musicals. Founded own publishing company. Won Oscar and Tony Awards and the Pulitzer Prize. Among many hits are "Two Sleepy People" and "On a Slow Boat to China."

4.149 LOGAN, FREDERICK KNIGHT -- (10/15/1871-6/11/1928). Composer. Wrote sentimental ballads in collaboration with his mother, Viginia. Wrote "Missouri Waltz."

4.149 LOGAN, VIRGINIA K. -- (1800's). Mother of Frederick Knight Logan.

4.150 LOMBARDO, CARMEN -- (7/16/1903-4/17/71). Arranger and composer in brother Guy Lombardo's dance band for forty years. Played sax with heavy vibrato and sang most vocals.

4.151 LYMAN, ABE -- (8/4/1897-10/23/1957). Composer, author, singer. Led own dance orchestra, The Californians.

4.69 MacDONALD, BALLARD -- (10/15/1882-11/17/1935). Lyricist. Began writing material for vaudeville after attending Princeton. Lyricist, librettist for Broadway musicals.

4.152 MANCINI, HENRY -- (4/16/1924-). Composer. Very popular composer of songs and themes for film ("Moon River" and "The Days of Wine and Roses") and TV ("Peter Gunn" and "Mr Lucky"). Began career in Pittsburgh dance bands pre-WWII.

4.153 MARKS, EDWARD B. -- (11/28/1865-12/17/1945). Publisher. Started company with focus on popular music but added the more serious composers. Bought the Cohan Publishing Company; and was the agent for Polish and English companies. His own early song success was "The Little Lost Child."

4.154 MASTERS, FRANKIE -- (4/12/1904- ). Composer, bandleader. Led hotel and ballroom bands in New York and Chicago; on the West Coast circuit in 30's and 40's; TV shows in the 50's. Active in the midwest into the 70's.

4.155 McGLENNON, FELIX -- ...

4.156 McHUGH, JIMMY -- (7/10/1894-5/23/69 ). Composer. Early fame with score for BLACKBIRDS OF 1928. Popular composer for movies during 30's-40's. Important collaboration with many songwriters, especially Dorothy Fields. Hits include "I'm in the Mood for Love" and "When My Sugar Walks Down the Street."

4.157 McKINLEY, MABEL -- (1879?-6/7/1937) Pseudonym: Vivian Grey. Daughter of President McKinley's youngest brother, Abner. Married Dr. Hermanus Baer of Reading, PA.

4.21 MERCER, JOHNNY -- (11/18/1909-6/25/1976). Composer and lyricist with a gift for incorporating southern vernacular speech and images of country settings into songs. Wrote lyrics for Broadway musicals and words and music to many popular songs.

4.158 MERRILL, BLANCHE -- (7/23/1895-10/5/1966). Author, lyricist. Wrote special material for Eva Tanguay, Fanny Brice, and other prominent singers; also wrote for musicals. Successes include "Jazz Baby."

4.159 MERRILL, BOB -- (5/17/1921- 2/17/1998). Composer, lyricist. Leading writer of novelty songs in the 50's, including "How Much Is That Doggie in the Window" and "If I Knew You Were Comin' Id've Baked a Cake."

4.145 MEYER, GEORGE W. -- (1/1/1884-8/28/1959). Composer of many popular songs during the first half of the 20th Century, including "For Me and My Gal," "Tuck Me to Sleep in My Old Tucky Home," and "Sittin in the Corner."

4.160 MILLARD, HARRISON -- (11/27/1829-9/10/1895). Composer. Singer early in career, studied in Italy and toured England and the Continent. Returned to U.S.; wounded in the Civil War. Wrote about 350 songs and many church works. Set UNCLE TOM'S CABIN to music.

4.161 MILLARD, MRS. P. -- ...

4.73 MILLER, NED -- (8/2/1899-1/26/1990)

4.22 MILLS, KERRY -- (2/1/1869-12/5/1948). Composer and music publisher. Specialized in ragtime songs and instrumental pieces. His ragtime cakewalks and the non-ragtime piece, "Meet Me in St. Louis," popularized by Judy Garland, were particularly successful.

4.162 MOHR, HALSEY -- ...

4.163 MOORE, THOMAS -- (6/28/1779-2/26/1852). Irish poet, composer, lyricist, musician.Provided words and music to a selection of Irish songs and did much to kindle an interest in little known Irish tunes. As poet, he appealed to a wide range of tastes.

4.23 MONACO, JAMES V. -- (1/13/1885-12/17/1945). Composer. Earned reputation as a Tin Pan Alley composer playing rag music in cabarets and nightclubs. Contributed several song hits to Broadway and Hollywood musical productions, among which is the song, "You Made Me Love You," made famous by Judy Garland in 1937.

4.164 MORGAN, CAREY -- (12/25/1885-1/6/1960). Composer. Wrote special material for vaudeville and scores for Broadway. Hits include "Rain" and "My Own Iona."

4.165 MORGAN, RUSS -- (4/19/1904-8/8/1969). Bandleader, composer. Arranger for Victor Herbert, Fletcher Henderson, Louis Armstrong, Chick Webb, among many others. Developed muted wha-wha trombone style with Freddy Martin. Wrote songs for Cotton Club Revues. Musical driector for Brunswick Records.

4.166 MORSE, THEODORA -- (7/11/1890-11/10/1953). Lyricist. Wrote under pseudonyms D. A. Esrom, Dorothy Terriss, and Dolly Morse. Most famous songs written in collaboration with husband Theodore Morse: "Three O'Clock in the Morning" and "My Wonderful One."

4.167 MORSE, THEODORE -- (4/13/1873-5/24/1924). Composer. Collaborated with several lyricists including his wife, Theodora. Successes include "M-O-T-H-E-R" and "Blue Bell."

4.168 MUIR, LEWIS F. -- (1884-1/19/1950). Composer. Ragtime pianist. Hits include "Take Me to That Swanee Shore" and "Waiting for the Robert E. Lee."

4.169 NELSON, STEVE -- ( ? ). Hits include "Frosty the Snowman."

4.169 NELSON, EDWARD G. -- (3/18/1885-3/30/1969). Composer, conductor; pianist in nightclubs and cabarets; orchestra leader. Wrote material for vaudeville and songs for movies. Successes include "Peggy O'Neil."

4.169 NELSON, EDWARD G., JR. -- (3/26/1916-). Composer, author. Served with Special Services during WWII.

4.24 NEVIN, ETHELBERT -- (11/25/1862-2/17/1901). Composer. Wrote songs and short piano pieces, sometimes overly sentimental but expressive of gentler and amorous moods.

4.170 NOBLE, RAY -- (12/17/1903- ). Composer, pianist, bandleader. Established as outstanding leader of dance bands in England and then in USA after emigrating. Radio work including Burns & Allen show. Successes include "Good Night Sweetheart" and "The Very Thought of You."

4.54 NORWORTH, JACK -- (1/5/1879-9/1/1959). Vocalist, Composer, lyricist. Entertainer in vaudeville and Broadway; blackface comedian in minstrel shows. Performed and collaborated with wife Nora Bayes. Their most famous song "Shine on Harvest Moon." Wrote lyrics to "Take Me Out to the Ball Game."

4.171 OLMAN, ABE -- (12/20/1888-1/4/1984). Composer, publisher. Started as a song demonstrator; established LaSalle Music Company. Wrote for early movie musicals. Hits include "Oh, Johnny Oh" and "Down Among the Sheltering Palms."

4.172 PALEY, HERMAN -- (5/5/1879-11/4/1955). Composer, publisher, radio executive. Studied music professionally. Worked as staff composer, then executive with music publishing companies. Director of New York Stage Door Canteen shows; talent scout and composer for Fox Films.

4.173 PARISH, MITCHELL -- (7/10/1900-4/2/1993). Lyricist. Attended Columbia and NYU. Staff writer for music publisher; began writing lyrics in 20's. Among the most famous songs are "Deep Purple," "Moonlight Serenade," and "Star Dust."

4.174 PETRIE, H. W. -- (3/4/1857-5/25/1925). Composer, vocalist. Performed in minstrel shows. Successes include "Asleep in the Deep" and "I Dont Want to Play in Your Yard."

4.175 PIANTADOSI, AL -- (7/18/1884-4/8/1955). Composer, pianist; accompanist in vaudeville. Popularized ragtime when touring US, Europe, and Australia. Worked for NY publishing house. Hits include "Pal of My Cradle Days."

4.25 PORTER, COLE A. -- (6/9/1891-10/15/1964). Composer and lyricist. One of the most thoroughly trained popular songwriters, whose theatrically elegant, sophisticated, and musically complex songs contributed to America's most popular music of the 20th century.

4.176 POWELL, W. C. -- (Pseudonym: Polla)

4.114 REVEL, HARRY -- (12/21/1905-11/3/1958). Composer and pianist. Born in London, had early classical piano training. Moved to USA and accompanied Mack Gordon in vaudeville. They started writing for Ziegfeld but were in Hollywood by 1933. The team broke up in 1939. He founded Realm Music Co., a publishing house, in 1949. Successes include "Did You Ever See a Dream Walking?"

4.177 ROBERTS, LEE S. -- (11/12/1884-9/10/1949). Composer, pianist. Worked in piano manufacturing business. Developed QRS artist-recorded music rolls and catalogs. Pianist on radio. Hits include "A Little Birch Canoe and You" and "Patches."

4.178 ROBINSON, J. RUSSEL -- (7/8/1892-9/30/1963). Composer, lyricist, pianist. Began performing and composing as a teenager. Played with Original Dixieland Band; wrote songs for London revues; made piano rolls; accompanied singers. Pianist and vocal coach for radio show CHILDRENS HOUR. Hits include "Margie."

4.179 ROBISON, WILLARD -- (9/18/1894-6/24/1968). Composer, lyricist, pianist, vocalist, bandleader. Radio performer most active in 20's and 30's. Formed Deep River Orchestra; often featured African American folk music and spirituals. Radio shows "Deep River Music" and "Plantation Echoes." Hits include "Cottage for Sale."

4.14 RODGERS, RICHARD -- (6/26/1902-12/30/1979). Composer. Collaborated with Lorenz Hart and Oscar Hammerstein II, whose partnership led to a series of musicals that enjoyed unprecedented artistic, critical, and financial success in both Hollywood and Broadway in the 1930's and 1940's.

4.26 ROMBERG, SIGMUND -- (7/29/1887-11/9/1951). Composer and conductor. Composed musical scores in the traditional style of the operetta of the 1920s. Proved to be more flexible than rival Rudolph Friml in adapting to the new tastes and musical styles emerging in American music of the 1930's.

4.180 ROONEY, PAT -- (7/4/1880-9/9/1962). Composer, vocalist. Dancer-singer in vaudeville and on Broadway, first with sister, then with wife Marion Brent. Successes include "You Be My Ootsie, I'll Be Your Tootsie."

4.27 ROOT, FREDERICK W. -- (6/13/1846-?). Composer and music teacher. He was the son of George Frederick Root. One of the country's most active and successful singing teachers, F. W. Root's School of Singing describes the first of his many singing methods.

4.27 ROOT, GEORGE F. -- (8/30/1820-8/6/1895). Composer and music educator. Pseudonym: G. Friedrich Wurzel. Best known for his songs of sentiment and patriotism published during the Civil War era. Also composed over 30 hymns and gospel songs rivaling Stephen Foster in number and popular success.

4.28 ROSE, BILLY -- (9/6/1899-2/10/1966). Lyricist and producer. Provided the lyrics to some of the most successful popular songs of the 1930's and 1940's. Also produced several Broadway musicals and perhaps known more for his editing, polishing, and promoting of songs than as a lyricist.

4.181 ROSE, VINCENT -- (6/13/1880-5/20/1944). Composer, pianist, vocalist, bandleader. Early training in Italy. Formed orchestra 1904. Successes include "Whispering."

4.182 ROSENFELD, MONROE H. -- (1861-12/13/1918). Pseudonyms: F. Heiser and F. Belasco. Composer, journalist. Credited with coining the term 'Tin Pan Alley.' Wrote more than 1,000 songs.

4.183 ROSSITER, WILL -- (3/15/1867-6/10/1954). Composer, publisher. Pseudonyms: Cleve Williams and W. R. Williams. Immigrated to USA from England in 1881. Appeared at Tony Pastor's. Very successful publisher of popular music; initiated innovative marketing techniques for sheet music. Wrote "I'd Love to Live in Loveland with a Girl Like You."

4.130 RUBY, HARRY -- (1/27/1895-2/23/1974). Composer. Professional pianist at age 16; song plugger for Tin Pan Alley publishers; vaudeville performer. Had many collaborators; partnership with Bert Kalmar produced many hits including score for Marx Brothers' ANIMAL CRACKERS; wrote theme for TV series THE REAL McCOYS.

4.130 RUBY, HERMAN -- (3/15/1891-7/31/1959). Composer. Older brother of Harry Ruby. Hits include "My Sunny Tennessee" and "Cecelia."

4.184 RUSSELL, HENRY -- (12/24/1812-12/8/1900). English. Composer, pianist; sang with children's opera troupe; studied composition in Italy. Came to US, worked as organist and choirmaster, then toured as one of the few major singers of his time to present unassisted entertainment. Wrote "The Old Arm Chair" and "Woodman! Spare That Tree!"

4.185 SANDERS, JOE -- (10/15/1896-5/15/1965). Composer, pianist, vocalist, arranger, bandleader. Co-leader of the Coon-Sanders Orchestra in 20's and 30's. Known as The Old Lefthander from early days as amateur baseball pitcher. Hits include "Got a Great Big Date with a Little Bitta Girl."

4.186 SCHWARTZ, JEAN -- (11/4/1878-11/30/1956). Composer, pianist. Prolific leading composer from turn of century. Pianist in cafes, publishing houses. Teamed with William Jerome on Broadway shows and performed with him in vaudeville. Successes include "Hello Central, Give Me No Man's Land."

4.140 SEYMOUR, TOT -- ( 10/23/1889-8/31/1966). Lyricist of the 30's. Worked for New York publishing house. Wrote special material for Fanny Brice, Belle Baker, Sophie Tucker, Mae West; also songs and scripts for raido shows.

4.187 SHAND, TERRY -- (10/1/1904- 11/11/1988). Composer, lyricist. Pianist in silent movie theaters early in career. Pianist/vocalist in 30's; later had own band. Hits include "Dance with a Dolly."

4.188 SHAY, LARRY -- (10/10/1897- 2/22/1988). Composer, arranger, pianist. WWI military service. Musical director for MGM; program director for NBC radio in New York. Hits include "Get Out and Get Under the Moon."

4.144 SHERMAN, AL -- (9/7/1897-9/15/1973). Composer, lyricst. As pianist provided mood music for silent movies; pianist for publishing house. Successes include "On a Dew-Dew-Dewy Day."

4.144 SILVER, ABNER -- (12/28/1899- 11/24/1966). Composer, lyricist, pianist. Dance band pianist; worked for publishing house. Song publisher. Composed many popular songs from 1920 into 60's, including songs for Elvis Presley movies JAILHOUSE ROCK, KING CREOLE, and G.I. BLUES.

4.189 SIMONS, SEYMOUR B. -- (1/14/1896-2/12/1949). Composer, lyricist, bandleader. Wrote Michigan Union operas while attending the University. In AAF during WWI, and with USO in WWII. Wrote material for revues in London and Paris early 20's, then led dance band in US. Later record company executive. Hits include "Breezin Along with the Breeze" and "All of Me."

4.190 SKYLAR, SUNNY -- (11/11/1913- ). Composer, lyricist, author; band singer with Abe Lyman, Paul Whiteman, and others; also worked as a single act. Wrote band material for Betty Hutton and others. Hits include "Besame Mucho."

4.191 SMITH, HARRY B. -- (12/28/1860-1/2/1936). Lyricist. Librettist-lyricist of Broadway musicals 1887-1932, one of most prolific. Brother of Robert B. Smith. Collaborated with DeKoven on first American comic opera. Music and drama critic for Chicago newspapers. Adaptations of French and German operettas. Successes include "The Sheik of Araby."

4.192 SMITH, LEE OREAN -- (1874-?)

4.191 SMITH, ROBERT B. -- (6/4/1875-11/6/1951). Lyricist. Reporter for Brooklyn Eagle. Publicity for Casino Theater, wrote material for shows there. Collaborated with brother Robert B. Smith in Broadway shows. Adapted some stage shows to musicals. Successes include "All the World Loves a Lover."

4.193 SNYDER, TED -- (8/15/1881-7/16/1965). Composer, lyricst, pianist. Early career pianist in cafes and publishing houses. Hired Irving Berlin as staff pianist for his publishing company; collaborated in early songs; Berlin later became partner. Successes include "Whos Sorry Now?"

4.194 SOLMAN, ALFRED -- (5/6/1868-11/15/1937)

4.29 SOUSA, JOHN PHILIP -- (11/6/1854-3/6/1932). Composer, bandleader, and writer. Known as the "March King" and as the most important figure in the history of American bands and band music. His contributions to band brass instrumentation includes the sousaphone and a bass tuba with bells, built in the 1890's.

4.195 SPENCER, HERBERT -- (5/27/1878-8/26/1944). Composer, arranger, singer. Studied voice with Enrico Caruso. In vaudeville for 12 years. Accompanist and arranger for prominent singers. Successes include "There's Egypt in Your Dreamy Eyes."

4.196 SPINA, HAROLD -- (6/21/1906-7/18/1997). Composer, lyricist. Pianist, arranger for publishing house; wrote special material. Founder-President of Telefilm. Director and producer for record companies. Hits include "Annie Doesnt Live Here Anymore."

4.197 STEPT, SAM -- (9/18/1897-12/1/1964). Composer, lyricist, bandleader. Pianist for publishing house. Vaudevile accompanist for Mae West and Jack Norworth among others. Led dance band in early 20's. Songwriting mainly in 30's and 40's. Hits include "Don't Sit Under the Apple Tree" and "That's My Weakness Now."

4.30 STERLING, ANDREW B. -- (1874-1955). Composer and lyricist. Collaborated extensively with the popular Tin Pan Alley songwriter, Harry Von Tilzer, providing the lyrics to some of the most popular songs, including so-called coon songs of the early 1900's as "One Sunday Afternoon" and "Down Where The Cotton Blossoms Grow."

4.153 STERN, JOSEPH W. -- (1/11/1870-3/31/1934)

4.146 STOLLER, MIKE -- (3/13/1933-). Composer. Early piano lessons in New York. Moved to Los Angeles and met Jerry Lieber. First hits were "Kansas City" and "Hound Dog."

4.198 STRAIGHT, CHARLEY -- (1/16/1891-9/21/ or 10/17/1940). Composer, lyricist, pianist, bandleader. Early career in vaudeville. Leader of band in 30's. Musical director of company producing player-piano rolls. Hits include "Funny, Dear, What Love Can Do."

4.31 STYNE, JULE K. -- (12/31/1905- ). Composer. Collaborated with Sammy Cahn on several Broadway musicals. Became one of the most prolific theatrical composers of the post-WWII era, creating scores for over 20 musicals performed by such artists as Carol Channing, Mary Martin, Ethel Merman, and Barbra Streisand.

4.32 SULLIVAN, SIR ARTHUR S. -- (5/13/1842-11/22/1900). English composer and conductor. Composed comic operas whose music, written to librettos by W.S. Gilbert, represents a peculiarly English style of operetta that achieved exceptional renown in both England and the United States. One of the most widely popular of all British composers.

4.199 TAYLOR, TELL -- ...

4.200 THORNTON, JAMES -- (12/5/1861-7/27/1938). Composer, performer. Worked as a singing waiter, then toured in vaudeville, often performing with wife, Bonnie. Successes include "When You Were Sweet Sixteen."

4.201 TIERNEY, HARRY -- (5/21/1890-3/22/1965). Composer, pianist. Toured US and abroad as concert pianist. Worked for Remick publishing house. Wrote scores for several Broadway shows. Hits include "Alice Blue Gown."

4.202 TOBIAS, CHARLES -- (8/15/1898-7/7/1970). Lyricist, composer, vocalist. Prolific songwriter mid-20's into 50's. Collaborated with brothers Harry and Henry. Early career sang in vaudeville, for publishing houses, and on radio. Formed publishing company in 1923. Hits include "Those Lazy Hazy Crazy Days of Summer."

4.202 TOBIAS, FRED -- (3/25/1928-). Lyricist. Son of Charles Tobias. Wrote special material for Carol Burnett and Julius Monk, among others. Made Broadway debut as co-lyricist of Ellington's POUSSE CAFE. Wrote lyrics for TV specials THE GIFT OF THE MAGI and QUINCY. Songs recorded by Patti Page, Tony Bennett, Steve Lawrence, Elvis Presley and others.

4.202 TOBIAS, HARRY -- (9/11/1895-12/15/1994). Lyricist. Brother Charles among several collaborators; most songwriting in 30's and 40's. Wrote special material for movies. Hits include "It's a Lonesome Old Town."

2.202 TOBIAS, HENRY -- (4/23/1905 - 12/5/1997). Lyricist, composer pianist, vocalist. Wrote for vaudeville and night club performers and for radio. Pianist, singer and disc jockey; TV producer for CBS. Collaborated with brothers Charles and Harry. Directed and produced shows for summer stock and resort hotels. Hits include "What Are You Doing the Rest of Your Life?"

4.33 VAN ALSTYNE, EGBERT -- (3/5/1878-7/9/1951). Composer and lyricist. Best known for his collaboration with lyricist Harry H. Williams, with whom he wrote songs exploiting Indian themes and the popular "In The Shade of the Old Apple Tree." Later joined forces with lyricist Gus Kahn.

4.203 VINCENT, NAT -- (11/6/1889-6/6/1979). Pianist on vaudeville circuit. One of radio's "Happy Chappies." Remained active in later years despite total blindness. Wrote "I'm Forever Blowing Bubbles."

4.34 VON TILZER, ALBERT -- (3/29/1878-10/1/1956). Composer, lyricist, and publisher. Wrote some of the most popular songs of the early 20th century, and contributed songs to a number of films and Broadway productions. Like brother Harry, Albert's songs incorporate dance rhythms and slang idioms typical of Tin Pan Alley that have since become standards.

4.35 VON TILZER, HARRY -- (7/8/1872-1/10/1946). Composer, lyricist, performer, and publisher. Wrote and published over 2,000 of his own songs and other sentimental and moralistic ballads. Also wrote so-called coon songs for blackfaced minstrels and vaudeville acts of the period. Plugged and published many of the Gershwin and Berlin songs that later became famous.

4.204 WALLACE, WILLIAM VINCENT -- (3/11/1812-10/12/1865). Irish composer, pianist, violinist. Debuted as composer at age 22. Moved to Australia, then various North and South American cities; finally settled in London where he had his great success with MARITANA.

4.36 WARREN, HARRY -- (12/24/1893-9/22/1951). Composer, lyricist. Wrote songs for Broadway reviews, including several co-authored and produced with Billy Rose. Considered one of the most successful composers of American films. The wide dissemination of his music through the film medium made him one of the most influential of all 20th-century songwriters.

4.205 WASHINGTON, NED -- (8/15/1901- 12/20/1996). Lyricist. Early career in vaudeville as M.C. and agent, and writing special material. Popular lyricist from late 20's into 60's; wrote for Broadway shows and movies, including title songs. Hits include "High Noo n" and "When You Wish Upon a Star."

4.206 WAYNE, BERNIE -- ( ? ). Composed "There She Is," the Miss America Pageant Theme Song.

4.207 WAYNE, SID -- (1/26/1923-). Composer, author. Wrote songs and comedy material for TV. Popular songs include "Nintey- nine Years" and "Two Different Worlds."

4.208 WEBSTER, JOSEPH PHILBRICK -- (2/18/1819-1/18/1875). Composer and performer. Toured in concerts of popular music. Managed a Connecticut troupe, The Euphonians, and composed many of their successful songs. Public opposition to slavery forced several moves. Published over 400 songs, ballads, patriotic songs and hymns.

4.209 WEBSTER, PAUL FRANCIS -- (12/20/1907- 3/22/1984). Lyricist. After college became seaman, dancing instructor. To Hollywood mid-30's for movie work. In 50's and 60's wrote many movie and title songs; had several Academy Award nominations and awards. Hits include "Giant" and "Love Is a Many Splendored Thing."

4.210 WEIL, KURT -- (3/2/1900-4/3/1950). German. Composer, arranger, pianist. Very successful career in Germany; left in 1933 with wife Lotte Lenya, first to Paris then to US in 1935. Composed many Broadway musicals in the 40's including KNICKERBOCKER HOLIDAY ("September Song") and THE THREEPENNY OPERA, first produced in Germany.

4.37 WENDLING, PETER -- (6/6/1888-4/8/1974). Composer, lyricist, and pianist. Wrote several hit songs of the post-WWII era in partnership with Bert Kalman and Edgar Leslie. Most popular song: "Oh, What a Pal Was Mary."

4.38 WENRICK, PERCY -- (1/23/1887-3/17/1952). Composer, lyricist, pianist, and singer. Best known for his pre-WWII popular songs such as "Put On Your Old Grey Bonnet," "Moonlight Bay," and others, that became favorites of barbershop quartets and sing-alongs. Known in Tin Pan Alley as "The Joplin Kid".

4.39 WHITING, RICHARD A. -- (11/12/1892-2/10/1938). Composer and lyricist. Among the most successful Tin Pan Alley songwriters of the 1920s and 1930s. He was one of the first important Hollywood composers to began writing music for silent film and later for sound productions such as the very successful movie, HOLLYWOOD HOTEL.

4.138 WHITNEY, JOAN -- (6/26/1914-7/12/1990). Composer, lyricist, vocalist. Own radio show; sang in clubs and hotels. Formed publishing firm with husband Alex Kramer. Hits include "Candy" and "High on a Windy Hill."

4.211 WILLIAMS, GUS -- (7/19/1847-1/16/1915). Composer, actor, singer. Performed at Tony Pastor's before playing legitimate leading roles. Toured in vaudeville.

4.212 WOOODBURY, ISAAC BAKER -- (10/23/1819-10/26/1858). Composer. Studied in London, Paris. Taught music; was conductor, editor, writer. Compiled music collections. Popular songs include "Be Kind to the Loved Ones at Home."

4.213 WOODS, HARRY -- (11/4/1896-1/14/1970). Composer, lyricist. Pianist and singer while student at Harvard. Wrote for English movies mid-30's. Hits include "When the Red, Red Red Robin Comes Bob-Bob-Bobbin' Along" and "Side by Side."

4.214 WRUBEL, ALLIE -- (1/15/1905-12/13/1973). Coposer, lyricist, bandleader. Saxman in bands; led own band; theater manager. Wrote for Warner Brothers, then Disney. Hits include "Gone with the Wind" and "Zip-a Dee-Doo-Dah."

4.40 YELLEN, JACK -- (7/6/1892-4/17/1991 ). Lyricist. Permanent lyricist for Tin Pan Alley songwriter, Milton Ager. Also wrote special material for entertainer Sophie Tucker for over 20 years. A famous song by the Yellen/Ager combination was "I Wonder What's Become of Sally." "Happy Days Are Here Again" was another great hit.

4.41 YOUMANS, VINCENT M. -- (9/27/1898-4/5/1946). Composer. Wrote and produced three successful Broadway musicals. Published fewer than 100 songs, but 18 of these were considered standards by ASCAP, including "Tea For Two," "Take A Chance," and "I Want To Be Happy."

4.145 YOUNG, JOE -- ...

4.215 YOUNG, VICTOR -- (b. Chicago, 8/8/1900-11/11/1956). Composer, violinist, conductor. Worked in radio and theater as violinist, arranger, conductor. Wrote over 200 scores for movies, including SHANE. Song hits include "Stella by Starlight" and "Sweet Sue."

4.216 YOUNG, VICTOR -- (b. Bristol, Tennessee, 4/9/1889-9/2/1968). Pianist and composer. Studied and toured in Europe. Accompanist to prominent singers. Music director in Thomas A. Edison's Experimental Laboratory. Composed for about 300 movies including some of the earliest sound productions.

4.217 ZAMECNIK, JOHN S. -- (5/14/1872-6/13/1953). Composer. Classical training included time under Antonin Dvorak. Violinist in Pittsburgh Orchestra under Victor Herbert. Wrote operettas.
Materials in Other Organizations:
Sam DeVincent Collection of American Sheet Music, Lilly Library, Indiana University, Bloomington, Indiana

This collection contains duplicates of materials in the Smithsonian collection, as well as materials acquired by Mr. DeVincent after the donation to the Smithsonian. The phonograph records described above were transferred to the University of Missouri at Kansas City.
Materials in the Archives Center, National Museum of American History:
Donald J. Stubblebine Collection of Musical Theater and Motion Picture Sheet Music and Reference Material, 1843-2010 (AC1211)
Forms Part Of:
Series 4: Songwriters forms part of the Sam DeVincent Collection of Illustrated American Sheet Music .

An ongoing, updated list of DeVincent topical series is available via the Smithsonian finding aid portal.
Provenance:
This collection was purchased by the Smithsonian Institution in 1988 from Sam and Nancy Lee DeVincent.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0300.S04
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 4: Songwriters Volumes I and II
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep870561ae6-a75d-451e-94f2-f77a29336206
EDAN-URL:
ead_collection:sova-nmah-ac-0300-s04
Online Media:

New York Art Calendar

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 73, Folder 1
Type:
Archival materials
Date:
1932-1936
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93fca2913-792d-4854-8708-d405cf38d013
EDAN-URL:
ead_component:sova-aaa-jacqself-ref10730
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View New York Art Calendar digital asset number 1

Modify Your Search







or


Narrow By