Skip to main content Smithsonian Institution

Search Results

Collections Search Center
13 documents - page 1 of 1

N W Ayer Advertising Agency Records

Creator:
Ayer (N W) Incorporated.  Search this
Names:
American Telephone and Telegraph Company -- Advertisements  Search this
Cunningham & Walsh.  Search this
Hixson & Jorgenson  Search this
United Air Lines, Inc. -- Advertisements  Search this
Ayer, Francis Wayland  Search this
De Kooning, Willem, 1904-  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Extent:
270 Cubic feet (1169 boxes )
7 Film reels
Type:
Collection descriptions
Archival materials
Film reels
Business records
Interviews
Oral history
Print advertising
Proof sheets
Proofs (printed matter)
Scrapbooks
Trade literature
Tear sheets
Advertisements
Date:
1817-1851
1869-2006
Summary:
Collection consists of records documenting one of the oldest advertising agencies created in Philadelphia. The company then moves to New York and expanses to international markets. During its history NW Ayer & Sons acquires a number of other advertising agencies and is eventually purchased. The largest portion of the collection is print advertisements but also includes radio and television. NW Ayer is known for some of the slogans created for major American companies.
Scope and Contents:
The collection consists primarily of proof sheets of advertisements created by NW Ayer & Son, Incorporated for their clients. These materials are in series one through thirteen and consist primarily of print advertisements. There are also billboards, radio and television commercials. The advertisements range from consumer to corporate and industrial products. The majority of the advertisements were created for Ayer's New York, Chicago, Los Angeles and international offices. Printed advertisements created by Cunningham & Walsh, Hixson & Jorgensen and Newell-Emmett are also included among these materials. Researchers who are interested in records created by Ayer in the course of operating an advertising agency will find these materials in Series fourteen-nineteen.

Series fourteen consists of advertisements created by NW Ayer & Son to promote their services to potential clients.

Series fifteen are scrapbooks of some of the earliest advertisements created by the company. Series sixteen are publications. Some of the publications were created by Ayer while others were about Ayer or the advertising industry in general. Provides good background materials and puts the company in perspective. Series eighteen are the legal records. Materials relating to employees including photographs, oral histories etc. are found in series nineteen.

Series twenty is one of the smallest amounts of materials and includes information relating to the history of NW Ayer & Son.

The container lists for series one-thirteen are part of a database and are searchable. The list has been printed for the convenience of the researcher and is included in this finding aid. Series fourteen-twenty container lists are also a part of the finding aid but are not in a searchable format.

Series 1, Scrapbooks of Client Advertisements, circa 1870-1920, is arranged into three boxes by chronological date. There are two bound scrapbooks and one box of folders containing loose scrapbook pages. NW Ayer & Son compiled an assortment of their earliest ads and placed them into scrapbooks. Besides the earliest advertisements, the scrapbooks contain requests to run advertisements, reading notices and listings of papers Ayer advertised in. The early advertisements themselves range from medical remedies to jewelry to machines to clothing to education and more. Most of the advertisements in the bound scrapbooks are dated.

Series 2, Proofsheets, circa 1870-1930, NW Ayer was fond of creating scrapbooks containing proofsheets. The series contains proofsheets created between 1892 and 1930, organized into 526 boxes. For convenience of storage, access and arrangement, the scrapbooks were disassembled and the pages placed in original order in flat archival storage boxes. The proofsheets are arranged by book number rather than client name. Usually the boxes contain a listing of the clients and sometimes the dates of the advertisements to be found within the box.

Series 3, Proofsheets, circa 1920-1975, is organized into 532 oversize boxes, and contain proofsheets and tearsheets created between 1920 and 1972. Within this series, materials are arranged alphabetically by company name (occasionally subdivided by brand or product), and thereunder chronologically by date of production. Many major, national advertisers are represented, including American Telephone & Telegraph, Armour Company, Canada Dry, Cannon Mills, Carrier Corporation, Domino Sugar, Caterpillar tractor company, Ford Motor Company, General Electric, Goodyear, Hills Bros. Coffee, Ladies Home Journal, National Dairy, Plymouth (Chrysler Corporation), Steinway, TV Guide, United Airlines and the United States Army. Also contained in this series are three scrapbooks of client advertisements including Canada Dry, Ford Motor, and Victor Talking Machine.

Series 4, 2001 Addendum, circa 1976-2001, is organized into ninety three oversized boxes,one folder and contains proofsheets for select Ayer clients, created between 1975 and 2001. Within this series, materials are arranged alphabetically by client name and there under chronologically by date of production. Major national advertisers represented include American Telephone & Telegraph, Avon, the United States Army, DeBeers Consolidated Diamond Mines, Dupont, TV Guide, Sealtest, Kraft Foods, Gillette, General Motors, Cannon Mills.

Series 5, Billboards, circa 1952-1956, consists of mounted and un-mounted original art/mock-ups. Twenty-two pieces of original art created as mock-ups for Texaco billboards.

Series 6, Film and Video Commercials, 1967-1970,

Series 7, Radio and Television Materials, 1933-1993, undated, is arranged into eight boxes and includes radio scripts, television scripts, and story boards for commercials.

Subseries 7.1, Scripts and storyboards for Radio and Television Commercials, dates Scripts for radio and television commercials includes title, date, length of commercial, advertising agency, client information

NW Ayer's radio and television materials mainly focus on the American Telegraph and Telephone account. Some of Ayer's materials relate to Bell Telephone Hours.

Storyboards are used in television and film to assist the director in working with crew to tell the story. To show the viewer through the use of figures, visual effects and camera angles. When directors first start thinking about their storyboard they create a story in their mind. They think of all the camera angles, visual effects and how the figures will interact in their mind. They try to create an extraordinary story in their head to attract the viewer (YOU) In order for the storyboard to be entirely effective it can't be a passive document. When done properly, a storyboard serves as a central design, meeting the needs of many team members including graphics artists, video personnel and programmers.

Another function of a storyboard is to help the team communicate during the training development process. This communication is very important in working with a large team as in the movie King, produced in 1996. Figures help the director explain to the crew how they are going to record the film and how to present it to the audience. Sometimes the director wants special effects to be added to the film, but his budget might not be that big so the director will have to change the story to fit their budget.

The Visual Effects are an important part in the storyboards it adds a special touch of creativity to your film. Camera angles are an important expects in your film because the camera angles determine where the viewing audience will look. If you want your audience to look at a certain object you must turn their attention to it by focusing on that object and maybe you might try blocking something out. Then you will have your audience's attention and you may do whatever else you have to, it could be scaring them are just surprising them or whatever you do.

Also included is talent information and log sheets relating to the storage of the commercials.

Bell Telephone Hour Program, 1942-[19??], The Bell Telephone Hour, also known as The Telephone Hour, was a five minute musical program which began April 29, 1940 on National Broadcasting Company Radio and was heard on NBC until June 30, 1958. Sponsored by Bell Telephone showcased the best in classical and Broadway music, reaching eight to nine million listeners each week. It continued on television from 1959 to 1968.

Earlier shows featured James Melton and Francia White as soloists. Producer Wallace Magill restructured the format on April 27, 1942 into the "Great Artists Series" of concert and opera performers, beginning with Jascha Heifetz. Records indicate that the list of talents on the program included Marian Anderson, Helen Traubel, Oscar Levant, Lily Pons, Nelson Eddy, Bing Crosby, Margaret Daum, Benny Goodman, José Iturbi, Gladys Swarthout and .The series returned to radio in 1968-1969 as Bell Telephone Hour Encores, also known as Encores from the Bell Telephone Hour, featuring highlights and interviews from the original series.

National Broadcasting television specials sponsored by the Bell System, 1957-1987includes information relating to Science series, Bell system Theshold Series, Bell telephone hour and commercial and public sponsored programs

Series 8, Chicago Office Print Advertisements, 1954-1989, is arranged alphabetically by the name of the client in ninety boxes and six oversize folders. Clients include Illinois Bell Telephone (1955-1989), Microswitch (1969-1989), Teletype (1975-1984), John Deere (1974-1989) and Caterpillar (1966-1972) are particularly well represented. Other clients of interest include Dr. Scholl's shoes (circa 1968-1972), the Girl Scouts (1976-1980), Sunbeam Personal Products Company (1973-1981), Bell and Howell (1974-1983) and Alberto Culver shampoos (1967-1971), Honeywell, Incorporated, Blue Cross and Blue Shield Associations, Kraft, Incorporated, Sears, Roebuck and Company, and YMCA.

Series 9, Los Angeles Office Materials, 1950s-1987, include printed advertisements created by this office and information relating to the employees.

Subseries 9.1, Print Advertisements, 1977-1987, printed advertisements arranged in one box alphabetically by client. There is a sparse sampling of clients from this particular Ayer branch office. The majority of the advertisements contained within this series are from Pizza Hut (1986-1987). Also included are Computer Automation (1977-1978), State of the Art, Incorporated (1982) and Toshiba (1986).

Subseries 9.2, Personnel Files, 1950s-1970s, includes cards of employees who worked in the Los Angeles office. Information on the cards includes name, address, telephone number, birthday, date hired, departure date and why (retired, terminated, resigned, etc) and position. Not all cards have all information. There is also a photograph of the employees on the cards.

Series 10, Foreign Print Advertisements, 1977-1991, undated, NW Ayer maintained partnerships with international companies such as Sloanas Ayer in Argentina, Connaghan & May Paton Ayer in Australia, Moussault Ayer in Belgium, NW Ayer, LTD. in Canada, GMC Ayer in France, Co-Partner Ayer in Germany, Wong Lam Wang in Hong Kong, MacHarman Ayer in New Zealand, Grupo de Diseno Ayer in Spain, Nedeby Ayer in Sweden, and Ayer Barker in United Kingdom. This group of material is a small sampling of advertisements created from these International offices. It is arranged alphabetically by client. There are quite a few automobile advertisements (i.e. Audi, Fiat, General Motors, Mercedes-Benz, and Volkswagen). In addition there are numerous advertisements for various personal items from MacLean's toothpaste to Quick athletic shoes to Labello lip balm, etc. Most of the advertisements have the creator's name printed on the advertisements.

Series 11, Cunningham & Walsh, Incorporated Materials, 1915-1987, undated contains 98 boxes 11 folders materials from the New York advertising agency acquired by NW Ayer in the 1960s. The company began with Newel-Emmett, an agency of nine men which broke up in 1949. Two of the men Fred Walsh and Jack Cunningham formed this agency in bearing their names in 1950. The agency created "let your fingers for the walking campaign for American Telephone & Telegraph, Mother Nature for Chiffon, and Mrs. Olson for Folgers's coffee and let the good times roll for Kawasaki motorcycle. In 1986, NW Ayer Incorporated purchased Cunningham & Walsh Incorporated.

Subseries 11.1, Print Advertisements, 1915-1987, are contained in ninety eight boxes of primarily print advertisements arranged alphabetically by client name. Clients that are particularly well represented are Graybar (electrical implements, circa1926-1937), Johns-Manulle (circa1915-1971), Smith and Corono typewriters (circa 1934-1960), Sunshine Biscuit Company (circa 1925-1961), Texaco Company (circa 1936-1961), Western Electric (circa 1920- 1971) and Yellow Pages (circa 1936-1971). Cunningham and Walsh also represented several travel and tourism industry clients, including Cook Travel Services (circa 1951-1962), Italian Line (circa 1953-1961), Narragansett and Croft (circa 1956-1960) and Northwest Airlines (circa 1946-1955). There are photographs of Texaco advertisements dating from 1913-1962. There is also a scrapbook of advertisements from the Western Electric Company dating from 1920-1922.

Subseries 11.2, Radio and Television Advertisements, 1963-1967, consist of materials created for Western Electric. Materials are arranged in chronological order.

Subseries 11.3, Company Related Materials, 1962-1986, undated include client lists, information relating to NW Ayer purchase and annual report 1962.

Series 12, Hixson & Jorgensen Materials, 1953-1971, a Los Angeles advertising company, merged with Ayer in 1969. This series is housed in one box. Within the box are four scrapbooks and folders with a hodgepodge of materials relating to advertising. Of most interest are the scrapbooks. Two scrapbooks deal with Hixson and Jorgensen's self promotion ad campaign "the right appeal gets action" (1953-1957). The other two scrapbooks contain news clippings about the company and its activities (1959-1971).

Series 13, Newell-Emmet, 1942-1957, founded in 1919 and governed in the 1940s by a partnership of nine men. The partnership broke up in 1949 when the men went their separate ways. The materials consist of print advertisements for one of client, Permutit Company, a water conditioning company. The materials are arranged in one box in chronological order.

Series 14, House Print Advertisements, 1870-1991, 16 boxes consists of advertisements or self-promotion advertisements to campaign for new clients. The series is arranged chronologically by date into fifteen boxes. Within the series are two scrapbooks containing self promotion ads from 1888-1919 and 1892-1895. Numerous house ads relate to Ayer's "Human Contact" campaign. In addition to the self promotion ads, Ayer ran advertisements expounding about particular concepts or themes for example, one month the concept would "understand" while another month would be "teamwork" and yet another would be on "imagination". Some of the self promotion ads target specific groups like Philadelphia businessmen. Other advertisements incorporate the fine arts.

Series 15, Scrapbooks, 1872-1959, relates to company events, records and news clippings about Ayer's history. The six boxes are arranged by chronological date. Two of the boxes focus solely on the death of founder F.W. Ayer (1923). Another box houses a scrapbook that showcases Ayer's annual Typography Exhibition (1931-1959). One box contains a scrapbook that specifically deals with correspondences relating to Ayer's advertising. Yet another box's contents are folders of loose pages from scrapbooks that have newspaper clippings, order forms, correspondences and other company records. In one box, a bound scrapbook houses a variety of materials relating to Ayer and advertising (i.e. newspaper clippings, competitor's advertisements, NW Ayer's advertisements, correspondences for advertisements, clippings regarding the "theory of advertising."

Series 16, Publications, 1849-2006, are housed in thirty four boxes and are arranged into three main categories.

Subseries 16.1, House Publications, 1876-1994, covers diverse topics; some proscriptive works about the Ayer method in advertising, some commemorating people, anniversaries or events in the life of the agency. Materials consist of scattered issues of the employee newsletter The Next Step 1920-1921. The materials are arranged in chronological order by date of publication. Ayer in the News, The Show Windows of an Advertising Agency, 1915, book form of advertisements published on the cover of Printer's Ink, highlighting Ayer's relations with advertisers. The Story of the States, 1916, Reprint in book form of a series of articles published in Printer's Ink for the purpose of adding some pertinent fact, progressive thought and prophetic vision to the Nationalism of Advertising highlights major businesses, manufacturer, natural resources and other qualities or attractions of each state. The Book of the Golden Celebration, 1919, includes welcome address and closing remarks by founder F. Wayland Ayer, The Next Step, 1920 employee newsletter with photographs, employee profiles, in-house jokes, etc., Advertising Advertising: A Series of Fifty-two Advertisements scheduled one time a week. Twenty-seven, thirty and forty inches, a day of the week optional with publisher, 1924

Subseries 16.2, Publications about NW Ayer, 1949-2006, includes a book first published in 1939. Includes articles, documenting events and is arranged chronologically by date of publication.

Subseries 16.3, General Publications about Advertising, 1922-1974, are arranged chronologically by date of publication and relate primarily to the history of advertising.

Subseries 16.4, Publications about Other Subjects, 1948-1964, include four books about the tobacco industry primarily the history of the American Tobacco Company and Lorillard Company from the Cunningham and Walsh library.

Series 17, Business Records, circa 1885-1990s

Subseries 17.1, Contracts, 1885-1908, undated, are arranged alphabetically and span from 1885-1908. The majority of the contracts are with newspaper and magazine publishers from around the country.

Subseries 17.2, General client information, 1911-1999, undated, including active and cancelled lists with dates, client gains, historical client list, (should move this to series 20) Ayer Plan User Guide Strategic Planning for Human Contact, undated

Subseries 17.3, Individual Client Account Information, 1950s-1990s, undated, contain information used by Ayer to create advertisements for some of its clients. American Telephone &Telegraph Corporate Case History, American Telephone &Telegraph Corporate advertisement memo, commissioned artists for DeBeers advertisements, DeBeers information relating to the creative process and photography credits, a case history for DeBeers Consolidated Mines, Ltd., The Diamond Engagement Ring, Managing Communication at all levels, DuPont publications, JC Penny Marketing Communication Plan Recommendation, Leaf, Incorporated, Saturn presentation, and USAREC oral presentation.

Subseries 17.4, Potential Clients, 1993, includes grouping has a questionnaire sent to Ayer by a potential client. Questionnaire response for Prudential Securities, 1993 Prudential Securities advertising account review, 1993.

Subseries 17.5, Financial Records, 1929-1938, includes balance sheet, 1929 May 1 Balance sheet and adjustments Consolidated statement of assets and liabilities, Expenses 191936-37 Business review and expenses, 1937 and 1938 Business review and expenses comparative statement, 1937 and 1938.

Series 18, Legal Records, circa 1911-1982, Ayer's legal records are arranged by twelve subject groupings within four boxes. The twelve groupings are advertising service agreements (circa 1918-1982), bylaws, copyright claims, correspondences, international correspondences, dissolution of trusts, stock information, agreements between partners, incorporation materials, reduction of capital, property information and miscellaneous materials. The bulk of the materials are the advertising service agreements. These agreements are between Ayer and their clients and state the services Ayer will offer and at what cost. The bylaws are Ayer's company bylaws from 1969 and 1972. The copyright claims are certificates stating Ayer's ownership over certain published materials (i.e. "Policy", Media Equalizer Model, and Don Newman's Washington Square Experiment). The correspondences relate to either the voting trust and receipts for agreement or the New York Corporation. The international correspondences are from either Ayer's Canadian office or London office. The dissolutions of trusts contains materials about the dividend trust of Wilfred F. Fry, the investment trust of Winfred W. Fry, the voting trust, and the New York corporation. The stock information has stock certificates and capital stock information. The agreements between partners (1911-1916) specify the terms between F.W. Ayer and his partners. The incorporation materials (circa 1929-1977) deal with Ayer advertising agency becoming incorporated in the state of Delaware. The reduction of capital grouping is a notification that shares of stock have been retired. The property information grouping contains property deeds and insurance policy (circa 1921-1939), a property appraisal (1934), and a bill of sale (1948). The miscellaneous grouping contains a house memo regarding a set of board meeting minutes and a registry of foreign companies in Commonwealth of Pennsylvania (1929-1954).

Subseries 18.1, Advertising Service Agreements, 1918-1982

Subseries 18.2, Bylaw Materials, 1969-1972

Subseries 18.3, Copyright Claims, 1962-1969

Subseries 18.4, Correspondence, 1928-1933

Subseries 18.5, International Office Correspondence, 1947-1948

Subseries 18.6, Dissolution of Trusts, 1934-1937

Subseries 18.7, Stock Information, 1934-1974

Subseries 18.8, Agreements between Partners, 1911-1916

Subseries 18.9, Incorporation Materials, 1929-1977

Subseries 18.10, Certificates of Reduction of Capital, 1937; 1975

Subseries 18.11, Property Information, 1921-1948

Subseries 18.12, Miscellaneous Materials, 1929-1977

Series 19, Personnel Records, circa 1889-2001, are arranged into eight groupings within eight boxes. The groupings are employee card files, photographs, Ayer alumni, biographies, speeches, recollections, oral histories, and miscellaneous. Typed manuscript of book A Copy Writer Speaks by George Cecil, NW Ayer, Incorporated copy head 1920s-1950s

Subseries 19.1, Employee card files, circa 1892-1915; 1929-1963, consists of index cards with the name, age, job title, date and wage increases, date of hire/fire, as well as remarks about the employee's service and/or reasons for seeking or leaving the job. Materials are arranged alphabetically by the last name of the employee within three boxes.

Subseries 19.2, Photographs, circa 1924-1984, undated, are housed in two boxes. The photographs grouped together by subjects i.e. personnel, company events, Ayer buildings, and miscellaneous. This grouping primarily consists of personnel photographs. Includes a glass plate negative dated 1924 of NW Ayer.

Subseries 19.3, Ayer Alumni, circa 1989-98, include employees who have left Ayer. There is a listing of Ayer "graduates" and their current job. Emeritus, Ayer's alumni newsletter 1989-1996, makes up the majority of materials in this grouping. The newsletter keeps the alumni up to date with the happenings of Ayer and what has become of former Ayer employees. Emeritus is a quarterly newsletter devoted to the activities, thoughts and feelings of Ayer alumni a body of people who consists of retirees and former employees.

Subseries 19.4, Biographical Information, circa 1889-1994, undated, prominent members of Ayer's operations had biographical sketches completed of them. This was true for the bio sketches of Robert Ervin, Louis T. Hagopian, and George A. Rink. There is a substantial file on Dorothy Dignam ("Mis Dig"), a leading woman in the advertising world from the 1930s to the 1950s. Also of interest is a video ("The Siano Man") compiled by Ayer employees to commemorate Jerry Siano's retirement from Ayer in 1994. The series is arranged alphabetically by last name.

Subseries 19.5, Speeches, circa 1919-1931; 1975, contains speeches made by Wilfred W. Fry and Neal W. O'Connor. Wilfred W. Fry had various speaking engagements connected with Ayer. Contained in this group is a sampling of his speeches from 1919 to 1931. Neal O'Connor's speech "Advertising: Who Says It's a Young People's Business" was given at the Central Region Convention for the American Association of Advertising Agencies in Chicago on November 6, 1975. The speeches are arranged alphabetically by the speaker's last name.

Subseries 19.6, Recollections, 1954-1984, undated, are arranged alphabetically by last name. These are recollections from Ayer employees about the company and its advertisements. Some recollections are specifically about certain types of advertisements, like farm equipment while others reflect on F. W. Ayer and the company.

Subseries 19.7, Oral History Interview Transcripts, 1983-1985; 1989-1991, include interviews with key NW Ayer personnel, conducted by Ayer alumnae Howard Davis, Brad Lynch and Don Sholl (Vice President creative) for the Oral History Program. The materials are arranged alphabetically by the last name of the interviewee.

Subseries 19.8, Oral History Interview Audio Tapes, 1985-1990, include interviews on audiotape the materials are arranged alphabetically by the last name of the interviewee.

Subseries 19.9, Internal Communications, 1993-1999, includes information sent to employees relating to retirements, management changes, awards won by the company, promotions, potential new accounts, free items, grand opening of Ayer Café, donation events, sponsorship programs, holiday schedules, discounts for employees from clients, Ayer joins MacManus Group.

Subseries 19.10, General Materials, 1940; 1970, includes agency directory entry including a list of the employees, 1970s, annual banquet program for the Curfew Club May 22, 1940 a group formed by the Philadelphia employee in 1938. It sponsored numerous sports, social and educational activities. Groups were formed in public speaking, music appreciation and a series of talks on Monday evenings title the modern woman. The front page was a series of talks for general interest. A list of officers, 1991, Twenty five year club membership, 1973 December 1, List of NW Ayer graduates, 1970, List of Officers, 1991 May 31, Obituary for Leo Lionni, 1999 October 17, List of photographers of advertisements, 2001

Series 20, Background and History Information, 1817-1999, undated includes a chronology, 1817-1990, quick reference timeline, 1848-1923, loose pages from a scrapbook containing examples of correspondence, envelopes, advertisements dating from 1875-1878; slogans coined by NW Ayer & Sons, Incorporated, 1899-1990, history of management, 1909-1923, articles and photographs about the building and art galleries, 1926-1976, publications about the Philadelphia building, 1929, pamphlet relating to memories of NW Ayer & Sons, Incorporated, 1930s-1950s, television history, 1940-1948, Article about the history of the company, 1950 January, pocket guide, 1982, AdWeek reports about standings for advertising agencies, information relating to Human Contact which is NW Ayer's Information relating to Human Contact, undated which is their philosophy on advertising.

Series 21, Materials Created by other Advertising Agencies, 1945-1978, undated, consists of print advertisements collected by Ayer from other major advertising companies. The companies include Doyle Dane Bernback, Incorporated, Leo Burnett Company, Grey Advertising Agency, D'Arcy Ad Agency, Scali, McCabe, Sloves, Incorporated and Erwin Wasey Company. The materials are arranged in alphabetical order by client and include products from Ralston Purina and Van Camp (Chicken of the Sea), Kellogg, American Export Lines and No Nonsense Fashions.

Series 22, 2010 Addendum of Print Advertisements, circa 1879s-1999, undated, includes material given to the Archives Center in 2010. It is organized into seventy one oversized boxes and contains proofsheets of print advertisements for select Ayer clients. These are arranged alphabetically by client name and include substantial quantities of materials from American Telephone &Telegraph (1945-1996), Bahamas Ministry of Tourism (1967-1987), Carrier (1971-1981), Citibank (1973-1991), DeBeers (1940s-1960s and1990s), Electric Companies Advertising Program [ECAP] (1942-1970s), General Motors (1989-1998), J.C. Penney (1983-1986), Newsweek (1966-1975), and Proctor and Gamble (1980s-1890s). There are also numerous other clients represented by smaller quantities of materials.

Subseries 22.1, Print Advertisements, 1930-1990, undated

Subseries 22.2, Print Advertisements on Glass Plate Negatives, 1879-1881, undated, include Cannon towels, Cheny Brothers silks, Cornish & Company organs and pianos, Enterprise Manufacturing Company, 1879 sad iron, an ad from Harper's Weekly 1881 for ladies clothing, Ostermoor & Company mattresses, Pear's soap, Porter's cough balsam, Steinway pianos.

Series 23, Microfilm of Print Advertisements, circa 1908-1985, consists of three boxes of printed advertisements for the American Telephone and Telegraph Company. Some of the same advertisements might also be found in series two, three and four.
Arrangement:
The collection is arranged into twenty-three series.

Series 1: Scrapbooks of Client Print Advertisements, circa 1870-1920

Series 2: Proofsheets, circa 1870-1930

Series 3: Proofsheets, circa 1920-1975

Series 4: 2001 Addendum, circa 1976-2001

Series 5: Billboards, circa 1952-1956

Series 6: Audiovisual Materials

Series 7: Radio and Television Materials, 1933-1993, undated

Series 8: Chicago Office Print Advertisements, 1954-1989

Series 9: Los Angeles Office Materials, 1950s-1987

Subseries 9.1: Printed Advertisements, 1977-1987

Subseries 9.2: Personnel Files, 1950s-1970s

Series 10: Foreign Print Advertisements, 1977-1991, undated

Series 11: Cunningham & Walsh Incorporated Materials, 1915-1987, undated

Subseries 11.1: Printed Advertisements, 1915-1987

Subseries 11.2: Radio and Television Advertisements, 1963-1967

Subseries 11.3: Company Related Materials, 1962-1986, undated

Series 12: Hixson & Jorgensen Materials, 1953-1971, undated

Series 13: Newell-Emmet, 1942-1957

Series 14: House Print Advertisements, 1870-1991

Series 15: Scrapbooks, 1872-1959

Series 16: Publications, 1849-2006

Subseries 16.1: House Publications, 1876-1994

Subseries 16.2: Publications about NW Ayer, 1949-1995

Subseries 16.3: General Publications about Advertising, 1922-2006

Subseries 16.4: Publications about other Subjects, 1948-1964

Series 17, Business Records, circa 1885-1990s

Subseries 17.1: Contracts, 1885-1908, undated

Subseries 17.2: General Client Information, 1911-1999, undated

Subseries 17.3: Individual Client Account Information, 1950s-1990s, undated

Subseries 17.4: Potential Clients, 1993

Subseries 17.5: Financial Records, 1929-1938

Series 18: Legal Records, circa 1911-1984

Subseries 18.1: Advertising Service Agreements, 1918-1982

Subseries 18.2: Bylaw Materials, 1969-1972

Subseries 18.3, Copyright Claims, 1962-1969

Subseries 18.4: Correspondence, 1928-1933

Subseries 18.5: International Office Correspondence, 1947-1948

Subseries 18.6: Dissolution of Trusts, 1934-1937

Subseries 18.7: Stock Information, 1934-1974

Subseries 18.8: Agreements between Partners, 1911-1916

Subseries 18.9: Incorporation Materials, 1929-1977

Subseries 18.10: Certificates of Reduction of Capital, 1937; 1975

Subseries 18.11: Property Information

Subseries 18.12: Miscellaneous Materials, 1929-1977

Series 19: Employee Materials, circa 1889-2001

Subseries 19.1: Employee Card files, circa 1892-1915; 1929-1963

Subseries 19.2: Photographs, circa 1924-1984, undated

Subseries 19.3: Alumni Publications, circa 1989-1998

Subseries 19.4: Biographical Information, circa 1889-1994

Subseries 19.5: Speeches, circa 1919-1931; 1975

Subseries 19.6: Recollections, 1954-1984, undated

Subseries 19.7: Oral History Interview Transcripts, 1983-1985; 1989-1991

Subseries 19.8: Oral History Audiotapes, 1985-1990

Subseries 19.9: Internal Communications, 1993-1999

Subseries 19.1: General Materials, 1940-2001

Series 20: History and Background Information about the Company, 1817-1999, undated

Series 21: Materials Created by other Advertising Agencies, 1945-1978, undated

Series 22: 2010 Addendum of Print Advertisements, circa 1879s-1990s, undated

Subseries 22.1: Print Advertisements, 1930-1990, undated

Subseries 22.2: Print Advertisements on Glass Plate Negatives, 1879-1881, undated

Series 23: Microfilm of Print Advertisements, circa 1908-1985
Biographical / Historical:
Founded in Philadelphia in 1869, NW Ayer & Son is one of the oldest and largest advertising agencies in America. For most of its history, it was the undisputed leader and innovator in the field of advertising. In 1876, NW Ayer & Son pioneered the "open contract", a revolutionary change in the method of billing for advertising which became the industry standard for the next hundred years. NW Ayer pioneered the use of fine art in advertising and established the industry's first art department. It was the first agency to use a full-time copywriter and the first to institute a copy department. The agency relocated to New York City in 1974. During its long history, the agency's clients included many "blue-chip" clients, including American Telephone & Telegraph, DeBeers Consolidated Diamond Mines, Ford Motor Company, Nabisco, R. J. Reynolds and United Airlines. However, in later years, the Ayer's inherent conservatism left the agency vulnerable to the creative revolution of the 1960s and 1970s, the advertising industry restructuring of the 1980s and the economic recession of the early 1990s. The agency was bought out by a Korean investor in 1993. In 1996, NW Ayer merged with another struggling top twenty United States advertising agency, Darcy, Masius, Benton & Bowles, under the umbrella of the McManus Group. Ayer continues to operate as a separate, full-service agency.

Through a series of buyouts and mergers, Ayer traces its lineage to the first advertising agency founded in the United States, a Philadelphia agency begun by Volney Palmer in 1841. Palmer began his career in advertising as a newspaper agent, acting as middleman between newspaper publishers and advertisers across the country. By 1849, Palmer had founded his own newspaper, V. B. Palmer's Register and Spirit of the Press, and had developed a complete system of advertising which included securing advertising space and placing ads in scores of commercial, political, religious, scientific and agricultural journals across the country. Palmer went one step further than the "space jobbers" of the day when he began offering "advertisements carefully drawn for those who have not the time to prepare an original copy." Always an enthusiastic promoter of advertising as an incentive to trade and American economic growth, Palmer promised advertisers that "every dollar paid for advertising in country newspapers will pay back twenty-fold" and encouraged skeptical consumers that "he who wishes to buy cheap should buy of those who advertise." When Palmer died in 1863, the agency was bought by his bookkeeper, John Joy, who joined with another Philadelphia advertising agency to form Joy, Coe & Sharpe. That agency was bought out again in 1868 and renamed Coe, Wetherill & Company. In 1877, Coe, Wetherill and Company was bought out by the newly formed NW Ayer & Son.

Francis Wayland Ayer was an ambitious young schoolteacher with an entrepreneurial streak. Having worked for a year soliciting advertisements on a commission basis for the publisher of the National Baptist weekly, Francis Ayer saw the potential to turn a profit as an advertising agent. In 1869, Ayer persuaded his father, Nathan Wheeler Ayer, to join him in business, and with an initial investment of only $250.00, NW Ayer & Son was born. Notwithstanding a smallpox epidemic in Philadelphia in 1871 and the general economic depression of the early 1870s, the agency flourished. The senior Ayer died in 1873, leaving his interest in the agency to his wife, but Francis W. Ayer bought her out, consolidating his interest in the company's management. In 1877, with Coe, Wetherill & Company (the successor to Palmer's 1841 agency) on the verge of bankruptcy and heavily indebted to Ayer for advertising it had placed in Ayer publications, Ayer assumed ownership of that agency. Thus did NW Ayer lay claim to being the oldest advertising agency in the country.

Both Nathan Wheeler and Francis Wayland Ayer began their careers as schoolteachers, and one of their legacies was a commitment to the cause of education: correspondence schools and institutions of higher learning were historically well-represented among Ayer clients. Just after World War I, the agency was heralded as "co-founder of more schools than any citizen of this country" for its conspicuous efforts to advertise private schools. Well into the 1960s, an "Education Department" at Ayer prepared advertisements for over three hundred private schools, camps and colleges, representing almost half the regional and national advertising done for such institutions. In fact, to its clients Ayer presented advertising itself as being akin to a system of education. In 1886, Ayer began promoting the virtues of the Ayer way advertising with the slogan, "Keeping Everlastingly at It Brings Success."

The agency's goals were simple: "to make advertising pay the advertiser, to spend the advertiser's money as though it were our own, to develop, magnify and dignify advertising as a business." Initially, Ayer's fortunes were tied to newspapers, and the agency began to make a name for itself as compiler and publisher of a widely used American Newspaper Annual. During the first years, Ayer's singular goal was "to get business, place it [in newspapers] and get money for it"; after several years as an independent space broker, however, Francis Ayer resolved "not to be an order taker any longer." This decision led NW Ayer and Son to a change in its mode of conducting business which would revolutionize the advertising industry: in 1876, Ayer pioneered the "open contract" with Diggee & Conard, Philadelphia raised growers and agricultural suppliers. Prior to the open contract, NW Ayer & Sons and most agencies operated as "space-jobbers," independent wholesalers of advertising space, in which the opportunities for graft and corrupt practices were virtually unlimited. In contrast, the open contract, wherein the advertiser paid a fixed commission based on the volume of advertising placed, aligned the advertising agent firmly on the side of the advertiser and gave advertisers access to the actual rates charged by newspapers and religious journals. The open contract with a fixed commission has been hailed by advertising pioneer Albert Lasker as one of the "three great landmarks in advertising history." (The other two were Lasker's own development of "reason-why" advertising copy and J. Walter Thompson's pioneering of sex appeal in an advertisement for Woodbury's soap.) Although the transition to the open contract did not happen overnight, by 1884, nearly three-quarters of Ayer's advertising billings were on an open contract basis. Since Ayer was, by the 1890s, the largest agency in America, the switch to direct payment by advertisers had a significant impact on the advertising industry, as other agencies were forced to respond to Ayer's higher standard. Just as important, the open contract helped to establish N W Ayer's long-standing reputation for "clean ethics and fair dealing" -- a reputation the agency has guarded jealously for over a century. The open contract also helped to establish Ayer as a full service advertising agency and to regularize the production of advertising in-house. From that point forward, Ayer routinely offered advice and service beyond the mere placement of advertisements. Ayer set another milestone for the industry in 1888, when Jarvis Wood was hired as the industry's first full-time copywriter. Wood was joined by a second full time copywriter four years later, and the Copy Department was formally established in 1900. The industry's first Art Department grew out of the Copy Department when Ayer hired its first commercial artist to assist with copy preparation in 1898; twelve years later Ayer became the first agency to offer the services of a full time art director, whose sole responsibility was the design and illustration of ads.

Ayer's leadership in the use of fine art in advertising has roots in this period, but achieved its highest expression under the guidance of legendary art director Charles Coiner. Coiner joined Ayer in 1924, after graduating from the Chicago Academy of Fine Arts. Despite early resistance from some clients, Coiner was adamant that "the use of outstanding palette and original art forms bring a greater return in readership, in impact and prestige for the advertiser." To this end, Coiner marshaled the talents of notable painters, illustrators and photographers, including N.C. Wyeth and Rockwell Kent (Steinway), Georgia O'Keefe (Dole), Leo Lionni (DuPont), Edward Steichen (Steinway, Cannon Mills), Charles Sheeler (Ford), and Irving Penn (DeBeers). Coiner believed that there was a practical side to the use of fine art in advertising, and his success (and Ayer's) lay in the marriage of research and copywriting with fine art, an arrangement Coiner termed "art for business sake." Coiner's efforts won both awards and attention for a series completed in the 1950s for the Container Corporation of America. Titled "Great Ideas of Western Man" the campaign featured abstract and modern paintings and sculpture by leading U.S. and foreign artists, linked with Western philosophical writings in an early example of advertising designed primarily to bolster corporate image. In 1994, Charles Coiner was posthumously named to the American Advertising Federation's Hall of Fame, the first full time art director ever chosen for that honor.

Coiner and fellow art director Paul Darrow also created legendary advertising with the "A Diamond Is Forever" campaign for DeBeers; ads featured the work of Pablo Picasso, Salvador Dali and other modernist painters. The "A Diamond is Forever" tagline was written in 1949 by Frances Gerety, a woman copywriter at Ayer from 1943 to 1970. In 1999, Ad Age magazine cited "A Diamond is Forever" as the most memorable advertising slogan of the twentieth century.

Coiner also earned respect for his volunteer government service during World War II; he designed the armbands for civil defense volunteers and logos for the National Recovery Administration and Community Chest. As a founding member of the Advertising Council in 1945, Ayer has had a long-standing commitment to public service advertising. In the mid-1980s, Ayer became a leading force in the Reagan-era "War on Drugs". Lou Hagopian, Ayer's sixth CEO, brokered the establishment of the Partnership for a Drug-Free America, a media coalition which generated as much as a million dollars a day in donated advertising space and time to prevent the use and abuse of illegal drugs. Famous names appear among NW Ayer's clientele from the very earliest days of the agency. Retailer John Wanamaker, Jay Cooke and Company, and Montgomery Ward's mail-order business were among the first Ayer clients. The agency has represented at least twenty automobile manufacturers, including Cadillac, Chrysler, Ford, General Motors, Plymouth, and Rolls-Royce. Other major, long-term clients through the years have included American Telephone & Telegraph, Canada Dry, Cannon Mills, Hills Bros. Coffee Company, Kellogg's, R. J. Reynolds, Steinway and Sons, United Airlines, and the United States Army. By the time of Ayer's hundredth anniversary in 1969, some of these companies had been Ayer clients for decades if not generations, and the longevity of those relationships was for many years a source of Ayer's strength.

But the advertising industry began to change in the late 1960s and 1970s, due in part to a "creative revolution." Small advertising agencies won attention with provocative copywriting and art direction that more closely resembled art than advertising. Advances in market research allowed clients to more narrowly tailor their advertising messages to distinct groups of consumers, and this led to a rise in targeted marketing which could more readily be doled out to specialized small agencies than to larger, established firms like NW Ayer & Son. The civil rights and anti-war movements also contributed to increasing public skepticism with the values of corporate America, and by extension, with some national advertising campaigns. Older, more conservative firms like Ayer were hard pressed to meet these new challenges.

About 1970, in an effort to meet these challenges and to establish a foothold on the West Coast, Ayer bought out two smaller agencies--Hixson & Jorgenson (Los Angeles) and Frederick E. Baker (Seattle). The agency relocated from Philadelphia to New York City in 1974 in an attempt both to consolidate operations (Ayer had operated a New York office since the 1920s) and to be closer to the historic center of the advertising industry. Riding the wave of mergers that characterized the advertising industry in the late 1980s and 1990s, Ayer continued to grow through the acquisition of Cunningham & Walsh in 1986 and Rink Wells in 19xx.

During this transitional period, Ayer received widespread acclaim for its work for the United States Army, which included the widely recognized slogan "Be All You Can Be". Ayer first acquired the Army recruitment account in 1967 and with help from its direct marketing arm, the agency was widely credited with helping the Army reach its recruitment goals despite an unpopular war and plummeting enlistments after the elimination of the draft in 1973. Ayer held the account for two decades, from the Vietnam War through the Cold War, but lost the account in 1986 amid government charges that an Ayer employee assigned to the account accepted kickbacks from a New York film production house. Despite Ayer's position as the country's 18th largest agency (with billings of $880 million in 1985), the loss of the agency's second largest account hit hard.

NW Ayer made up for the loss of the $100 million dollar a year Army account and made headlines for being on the winning end of the largest account switch in advertising history to date, when fast food giant Burger King moved its $200 million dollar advertising account from arch-rival J. Walter Thompson in 1987. Burger King must have had drive-thru service in mind, however, and Ayer made headlines again when it lost the account just eighteen months later in another record-breaking account switch. Another devastating blow to the agency was the loss of its lead position on the American Telegraph and Telephone account. Ayer pioneered telecommunications advertising in 1908, when the agency was selected to craft advertising for the Bell System's universal telephone service. Despite valiant efforts to keep an account the agency had held for most of the twentieth century, and for which they had written such memorable corporate slogans as American Telephone &Telegraph "The Voice with a Smile" and "Reach Out and Touch Someone", the agency lost the account in 1996.

After a wave of mergers and acquisitions in the late 1980s, the economic recession of the early 1990s hit Madison Avenue hard, and Ayer was particularly vulnerable. Despite the agency's long history and roster of "blue-chip" clients, Ayer was not known for cutting-edge creative work. Moreover, though the agency had offices overseas, Ayer had never built a strong multinational presence, and many of the smaller international offices were sold during the financial turmoil of the 1980s. This left a real void in the new climate of global marketplace consolidation. By about 1990, earnings were declining (although Ayer was still among the top twenty United States agencies in billings), and the agency was suffering from client defections, high management turnover, expensive real estate commitments and deferred executive compensation deals, all fallout of the high-flying 1980s. This was the atmosphere in 1993, when W.Y. Choi, a Korean investor who had already assembled a media and marketing empire in his homeland, began looking for an American partner to form an international advertising network. Jerry Siano, the former creative director who had recently been named Ayer's seventh CEO, was in no position to refuse Choi's offer of $35 million to buy the now floundering agency. The infusion of cash was no magic bullet, however. Choi took a wait-and-see approach, allowing his partner Richard Humphreys to make key decisions about Ayer's future, including the purging of senior executives and the installation of two new CEOs in as many years.

The agency's downward trend continued with the loss of another longtime client, the DeBeers diamond cartel in 1995. Adweek reported that Ayer's billings fell from $892 million in 1990 to less than $850 million in 1995. Several top executives defected abruptly, and the agency failed to attract major new accounts. Ayer was facing the loss not merely of revenue and personnel, but the loss of much of the respect it once commanded. Ayer remained among the twenty largest U.S. agencies, but an aura of uncertainty hung over the agency like a cloud. A new CEO was appointed, and Mary Lou Quinlan became the agency's first woman CEO in 1995. A year later, Ayer and another struggling top twenty agency, D'arcy, Masius, Benton & Bowles, combined as part of the McManus Group of companies. In 1998, the McManus Group had worldwide billings of more than $6.5 billion.

Under the McManus Group, Ayer was able to expand its international operations and begin to rebuild a stronger global presence. Several important new clients were won in 1997 and 1998, including Avon, General Motors, Kitchenaid, several Procter & Gamble brands and, most notably, Continental Airlines worldwide accounts. Born in the nineteenth century, Ayer may be one of a very few advertising agencies to successfully weather the economic and cultural transitions of both the twentieth and twentieth first centuries. Ayer was eventually acquired by the Publicis Groupe based in Paris, France which closed down the N.W. Ayer offices in 2002.
Related Materials:
Materials in the Archives Center

Warshaw Collection of Business Americana (AC0060)

Hills Bros. Coffee Incorporated Records (AC0395)
Provenance:
The collection was donated by N W Ayer ABH International, April 15, 1975 and by Ayer & Partners, October 30, 1996.
Restrictions:
The collection is open for research use.

Physical Access: Researchers must use microfilm copy. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Technical Access: Viewing the film portion of the collection without reference copies requires special appointment, please inquire; listening to audio discs requires special arrangement. Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproduction permission from Archives Center: reproduction fees may apply. Publication and production quality duplication is restricted due to complex copyright, publicity rights, and right to privacy issues. All duplication requests must be reviewed and approved by Archives Center staff. Potential users must receive written permission from appropriate rights holders prior to obtaining high quality copies.
Topic:
Advertising agencies  Search this
advertising  Search this
Genre/Form:
Business records -- 1840-2000
Interviews -- 1980-2000
Oral history -- 1980-1990
Print advertising
Proof sheets
Proofs (printed matter)
Scrapbooks -- 1840-1990
Trade literature
Tear sheets
Advertisements
Citation:
NW Ayer & Sons, incorporated Advertising Agency Records, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0059
See more items in:
N W Ayer Advertising Agency Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0059
Online Media:

Scurlock Studio Records

Creator:
Rice, Moses P.  Search this
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
200 Cubic feet
Type:
Collection descriptions
Archival materials
Dye transfer process
Studio portraits
Matrices, color separation
Photographs
Color separation negatives
Place:
Washington (D.C.) -- Small business -- 20th century
Shaw (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
1888-1996
Summary:
The collection includes approximately 250,000 photonegatives, photoprints, color transparencies from the photographic business founded by Addison Scurlock in Washington, D.C. Collection also includes business records and ephemera.
Scope and Contents:
Photographs includes portraits of famous African-American luminaries such as Booker T. Washington, W.E.B. DuBois, and many other artists, intellectuals, educators, entertainers, etc., as well as documentation of Washington, D.C., including both the African-American community and national political life, and important photographs of Howard University; also commercial photography, including color materials.

Color separation materials include sets of black-and-white color-separation negatives, sets of matrices for the Kodak Dye Transfer process (full-color Dye Transfer prints are storied in a different series).

Business records:,The photography studio records and Custom Craft records are in separate subseries, reflecting the fact that they were operated as separate businesses.

The collection includes all forms of photographs produced by the studio, such as prints in black-and-white and color, black-and-white and color negatives, color transparencies, black-and-white dye-transfer matrices, slides, etc.; as well as business documents, studio session ledgers, appointment books, business and personal correspondence, tax documents, and books, catalogs, and other publications. This material documents not only the photographic output of the business, both commercial and artistic, as well as the personal and business side of the enterprise.

Some photographs in the collection were not created by the Scurlocks. Some black-and-white and color prints seem to derive from assignments in the Capitol School of Photography, and are therefore student work. Also Custom Craft, the professional color processing service provided by the studio, made prints for other photographers, and samples for printing reference, as well as studio decor, have been retained in the collection. Custom Craft worked for such diverse photographers as artist Robert Epstein and well-known Washington photographer Fred Maroon, for example.

The collection numbers several hundred thousand photographic negatives, prints, and transparencies made by the Scurlocks and other staff photographers of the studio in its various Washington locations. The negatives are estimated at approximately 160,000-200,000 in number, and the prints of all sizes and types at nearly 57,000. The vast majority of the photographs are portraits of individuals, family groups, and organizations, as the primary business of the studio was portrait photography. They date primarily from the 1940s to 1990s. There are also a number of images, made for commercial clients, of building interiors and exteriors, and food. A small group of photojournalistic documentation also exists. The subjects also include architectural and industrial views, scenes in and around Washington, including children and street laborers, political events, social events, and 35mm slides of President Kennedy's funeral, 1964. There are also more personal artistic images, including still lifes with plants and flowers, and a few nudes; Robert's wartime service is also documented by his photographs, including European landscape photographs.

In addition to images taken by the Scurlock studio photographers, there are some prints, especially color, of images by other photographers who were clients, such as Fred Maroon, a prominent Washington photojournalist, and Robert Epstein, a teacher at the Corcoran School of Art. A print of one of Maroon's pictures had been displayed in the studio reception room at the time the studio was closed.

A large group of manuscript items, business documents, ephemera, and office and studio supplies constitutes a separate series from the photographs. An important adjunct to the photographs, a set of ledgers recording and identifying portrait sittings, highlights this group.

Nearly all of the photographs and documents stored in the studio and auxiliary storage locations were accepted for acquisition in order to form a complete history of this family business's production and operations over the better part of a century, whereas a selection of photographic apparatus and studio equipment was acquired by the Photographic History Collection: these items have been inventoried and catalogued separately.

Studio Portraits

The majority of the surviving photographic negatives and proof prints were made in connection with the studio's portrait work for a wide variety of clients. These portraits include images of famous people, such as political figures, entertainers, and noteworthy persons in a variety of fields, including scientists, writers, intellectuals, and academics. The majority of the figures depicted among both the famous and the not so famous are black. The greatest number of studio portraits, most of which are identified and dated, depict a general clientele who visited the studio for portrait sittings. Although the individual images in this vast quantity have limited research value in the usual sense, the aggregate represents a chronology spanning almost ninety years, which may be useful for demographic and genealogical information and as visual evidence of changing styles in clothing, hair, and accessories. It constitutes a panorama of a significant percentage of Washingtonians of the period, especially the black community.

Portraits of famous personages include George Washington Carver, Dr. Martin Luther King, Jr., Duke Ellington, Marian Anderson, Archbishop Desmond Tutu, Sammy Davis, Jr., Sugar Ray Leonard, Muhammad Ali, Mayor Walter Washington, and Presidents Kennedy, Johnson, Nixon, Ford, Reagan, Bush, and Clinton, Mayor Marion Barry, D.C. Council members, statesmen such as Ralph Bunche, and many other noteworthy figures. Of particular interest is a signed group portrait of the U.S. Supreme Court with Chief Justice Berger presiding. There are also large- format portraits of Justice Thurgood Marshall and J. Edgar Hoover.

Group portraits include both formal sittings and the informal documentation of banquets, convocations, and similar events. This material includes groups at Howard University; Dunbar High School; the Post Office Clerks' Banquet; the Bishops' Meeting of the A.M.E. Church; a Y.M.C.A. camp, ca. 1947 1949; the 23rd annual conference of the N.A.A.C.P., 1932, etc.

Howard University

Several thousand black and white negatives and prints, 1930s-1960s, depict the people, facilities, and events of Howard University, with which the Scurlocks had a long business relationship. There are various portraits, including Howard University Medical School, represented by 850 negatives and 100 prints. A group of law school and medical school images numbers some 800 negatives and 200 prints. In addition, there are class portraits, as well as images of famous guests speaking at Howard convocations, such as President Herbert Hoover.

Wedding Photography

An important aspect of any portrait studio's output is wedding photography, and the Scurlock studio was no exception. Bridal portraits, group pictures of wedding parties, and the complete documentation of weddings, in both black and white and color, constitute a significant part of the collection. African-American weddings predominate and provide important insights into this aspect of the society.

Exhibitions

The studio's work was shown in special public exhibitions over the years, and several of these are included in toto. The most important was an extensive retrospective display of 121 prints of Addison's work, both vintage and posthumous, prepared by Robert for the Corcoran Gallery of Art in 1976. Others include: (1) a set of 32 black and white images made by Robert at the Ramitelli Air Base, Italy, while he was a major in the U.S. Air Force during World War II; (2) a group of portraits from a Black History Month exhibit at Woodward and Lothrop; and (3) a set of sixteen vintage and modern prints which Robert displayed in an interview on the "Today" television show in the 1980s.

Commercial Work

This category includes architectural and industrial photography for commercial clients, food and still life photographs, etc. Much of this material is comparatively recent and was made in large format color, and includes transparencies and enlargements. It is possible that some of the prints represent Custom Craft work for other photographers rather than the camera work of Robert and George Scurlock. Thus far, prints by artist Robert Epstein have been identified as extra prints of his work from orders which he placed with the firm. At least one image by Fred Maroon has been identified.

A group of color prints constitutes copies of artworks, primarily in the National Portrait Gallery, for which the Scurlocks worked. Prints in 8" x 10", 11" x 14", 16" x 20" and 20" x 24" sizes are included, and undoubtedly negatives and transparencies corresponding to these subjects will be found.

Photojournalism

In addition to the formal studio portraits and pictures documenting formal events, the Scurlocks took candid photographs of the everyday life of their city, as well as extraordinary events of local and national significance, ranging from occasions such as John F. Kennedy's funeral and the 1968 riots to political rallies and demonstrations.

Capitol School of Photography

The collection includes a variety of materials, such as books and ephemera, which document the activities of the Capitol School of Photography, a sideline of the Scurlock business. Some of the photographs apparently represent student work. The most famous student of the school was Jacqueline Bouvier (later Jacqueline Kennedy Onassis), although no documentation of her association with the school has been located thus far. There are 45 photographs, ca. 1950s, showing the photography lab, men retouching prints, students with cameras, etc.

Personal Photographs

A few photographs of the Scurlock family are included in the collection in various forms and formats, including enlarged portraits of Addison and Robert. A self portrait of Addison and Mamie Scurlock is included in the Corcoran Gallery of Art exhibition series. Other photographs which represent personal artistic expression, such as a few nude studies and floral and plant still lifes, are included.

Series 6 includes: subseries 1 transparencies, subseries 2 slides, and subseries 3 other formats, which is rolled film of black and white and color negatives, and transparencies.
Series 1: Black and White Photographs:
Dates -- 1888-1993

Extent -- 105 boxes

Contents -- Series 1: Black and White Photographs: The materials are almost entirely black and white photographs, but in the subseries of clients, there may also be job envelopes, order materials, and other photographic material types that were included in the overall order. The series is arranged into two subseries, clients and subjects, and both are arranged alphabetically. The subseries clients documents the orders made by clients of the Scurlock Studio and individuals who were or could be identified but may or may not have actually placed an order at the Studio. The majority of the photographs in the clients subseries are formal portrait sittings but there are photographs of events, organizations, and businesses. The subseries subjects are photographs that were grouped into categories because no known client or individual in the image could be identified. The subjects cover a broad array of subjects but the majority of the subjects include unidentified people in formal portrait sittings and groups. In addition, not all photographs in this series were taken by the Scurlock Studio; there are photos by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. 1.1: Clients Black and white photographs1.2: Subjects Black and white photographs
Series 2: Color Photographs:
Dates -- 1930-1995

Extent -- 113 boxes

Contents -- Series 2: Color Photographs: The series color photographs consists of color photographs and hand-colored photographs, but there are also order envelopes and materials, and other photographic material types that were part of the order. The subseries are arranged as clients, subjects, weddings, and hand-colored photographs. Clients are arranged alphabetically by last name or the first word of an organization's name. Not all individuals, organizations, or businesses necessarily represent a client of the Scurlock Studio; if an individual or organization could be identified, the photograph was placed under the identified person or organization even if ther were not a known client of the Studio. The majority of the photographs are individual portrait sittings but also included are family portraits, businesses, organizations, and informal images. The subjects are arranged alphabetically, and document images of non-humans and humans that could not be connected to a known client. Weddings and hand-colored are arranged in alphabetical order with clients preceeding subjects. The were a large subject of the overall collection and the majority of weddings are color photographs but also included in the subseries are black and white and hand-colored photographs of weddings. The hand-colored photographs largely reflect the same subject matter of the subseries clients and subjects. In addition, not all photographs in this subseries were taken by the Scurlock Studio; there are photos by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. 2.1: Clients Color photographs2.2: Subjects Color photographs2.3: Weddings2.4: Hand-colored photographs
Series 3: Framed Prints:
Dates -- circa 1979

Extent -- 3 boxes

Contents -- Series 3: Framed Prints: The series framed prints includes three framed color photographs. The framed prints are arranged by the size, from smallest to largest, of the frame. The photographs are of two important political figures: Washington, D. C., Mayor Marion Barry and Senator Edward Brooke.
Series 4: Black-and-White Silver Gelatin Negatives:
Dates -- 1900-1994

Extent -- 320 boxes

Contents -- Series 4: Black-and-White Silver Gelatin Negatives: The material type of the series is black and white silver gelatin negatives. The negatives are arranged into twelve subseries. The materials document the clients and individuals whose photographs were taken by the Scurlock Studio and a wide variety of subject matters. The subjects represented are individual portrait sittings, organizations, events, businesses, commercial ventures of the Studio, and Washington, D. C. 4.1: Black and white negatives 4.2: Black and white negatives in freezers arranged by job number 4.3: Black and white negatives in freezer storage arranged by client 4.4: Black and white negatives in freezer storage arranged by subject 4.5: Black and white negatives in cold storage arranged by job number 4.6: Black and white negatives in cold storage arranged by client 4.7: Negatives in cold storage arranged by client with index cards 4.8: Negatives in cold storage arranged by subject 4.9: Black and white negatives for publication 4.10: Glass Plate Negatives 4.11: Customcraft Negatives 4.12: Banquet Negatives
Series 5: Color Negatives:
Dates -- 1964-1994

Extent -- 72 boxes

Contents -- Series 5: Color Negatives: The series color negatives primarily of color negatives but it also includes order envelopes and materials. The series is arranged into two subseries: clients and subjects. The subseries clients is arranged by job number, and the materials document the orders placed by clients of the Scurlock Studio and identified persons and organizations. The negatives depict individual portrait sittings, groups, and informal poses. The subseries subjects is arranged in alphabetical order, and the materials document negatives that could not be connected to a client of the studio. The negatives represent subjects such as art, buildings, commercial ventures of the Scurlock Studio, and unidentified people. 5.1: Color negatives arranged by client5.2: Color negatives arranged by subject
Series 6: Color Transparencies, Slides, and Other Formats:
Dates -- 1922-1994

Extent -- 40 boxes

Contents -- Series 6: Color Transparencies, Slides, and Other Formats: The series color transparencies, slides, and other formats consists of black and white and color transparencies, color slides, film, proofs, and order materials. The materials are arranged into four subseries: transparencies, slides, film, and proofs. The subseries are arranged by clients, in alphabetical order by last name, and then subjects, in alphabetical order. The materials document the orders placed at the Scurlock Studio by clients and identified individuals and organizations, and materials that could not be identified and are categorized by subjects. The subjects represented in the materials are primarily individual, family, and group portraits, and events and places. Cut but unmounted slides were typically placed in the subseries transparencies but a small number of cut but unmounted slides are included in the slides. The subseries proofs only contains a form of proof used by the Scurlock Studio that has a fugitive image, and other types of proofs printed on low quality paper or are water-marked and have a lasting image were included in the series Black and White Photographs and Color Photographs if the proof was either black and white or color. 6.1: Transparencies6.2: Slides6.3: Film6.4: Proofs
Series 7: Black-and-White Color Separation Negatives and Matrices:
Dates -- 1955-1957

Extent -- 7 boxes

Contents -- Series 7: Black-and-White Color Separation Negatives and Matrices: The materials in the series are black-and-white color separation negatives and a booklet about how to process black-and-white color separation negatives. The materials are arranged into three subseries: clients, subjects, and the booklet. The materials document orders placed at the Scurlock Studio by clients and individuals and organizations that could be identified but not connected to a specific order. The materials also document negatives categorized by subjects because there was no known client or identifiable individual or organization. The subjects represented are individual portrait sittings and groups, and unidentified people. 7.1: Clients Black-and-White Color Separation Negatives 7.2: Subjects Black-and-White Color Separation Negatives Booklet
Series 8: Scurlock Studio Business Records:
Dates -- 1907-1996

Extent -- 66 boxes

Contents -- Series 8: Scurlock Studio Business Records: The series Scurlock Studio Business Records contains paperwork pertaining to the administration of the business, the financial documentation of the business, the reocrds of sales, the advertising signs and promotions of hte business, the files kept on employees, and other materials kept at the Scurlock Studio. The series is arranged into six subseries: administrative file, financial, sales, advertising and marketing, employee and personnel, and office files. Each subseries is arranged differently according to the types of materials predominantly found in the subseries or in chronological order. The subjects represented in the series are mostly related to the financial records of the Scurlock Studio kept and the invoices of sales records. A wide variety of other subjects relating to the the business records of the Scurlock Studio can also be found including: session registers, construction plans, advertisements for specific holidays, and product information sent to the Studio. Some materials found in this series may be marked Scurlock Studio and Custom Craft, the color division of the Scurlock Studio, and were placed with this series because the Scurlock Studio was the primary business. Other materials with an unclear origin of either the Scurlock Studio or Custom Craft were placed in this series. 8.1: Administrative Files8.2: Financial8.3: Sales8.4: Advertising and Marketing8.5: Employee and Personnel8.6: Office Files
Series 9: Custom Craft Business Records:
Dates -- 1951-1994

Extent -- 57 boxes

Contents -- Series 9: Custom Craft Business Records: The series Custom Craft Business Records consists of paper documents relating to the administrative, financial, sales records, employee and personnel, and other files about the affairs of the Custom Craft business's day-to-day operations. The materials are arranged into five subseries: administrative, financial, sales, employee and personnel, and office files. The materials within a subseries are ordered by types of documents that consisted of a large number of materials listed first and materials with few documents following the grouped materials in chronological order. The materials document the day-to-day business of Custom Craft. The subjects represented are documents relating to the administration of the business, journals kept to document finances, the order invoices, the files kept about employees, product information, and materials accumulated in the office. Some documents may list both the Scurlock Studio and Custom Craft and were kept with the business records of Custom Craft if the materials appeared to fit the activities, color photography, of that business. Other documents relating to the business affairs of Custom Craft may be in the series Scurlock Studio Business Records because these documents did not clearly indicate which business the documents belonged to; in these cases, the materials were put in the series Scurlock Studio Business Records because the business was the primary business of the Scurlocks. There business records seem to indicate that there was not always a clear differentiation between the two businesses. 9.1: Administrative9.2: Financial9.3: Sales9.4: Employee and Personnel9.5: Office files
Series 10: Capitol School of Photography:
Dates -- 1948-1954

Extent -- 4 boxes

Contents -- Series 10: Capitol School of Photography: The series Capitol School of Photography consists of paper documents, photographs, and transparencies. The materials are arranged in chronological order and document the administration of the Capitol School of Photography and the students. The subjects represented are administrative documents, student files, photographs by students, photographs of students and the space used for the School, and transparencies of the same subjects.
Series 11: Washington Stock:
Dates -- 1981-1994

Extent -- 2 boxes

Contents -- Series 11: Washington Stock: The series Washington Stock consists of order materials, orders, and published materials. The materials are arranged chronologically and document the orders placed for Washington Stock and how the materials were used and published. The subjects represented are orders, standard forms used by Washington Stock, and published materials.
Series 12: Background Materials and Publications:
Dates -- 1902-1995

Extent -- 18 boxes

Contents -- Series 12: Background Materials and Publications: The series Background Materials and Publications is composed of paper documents, published materials, and materials from exhibitions. The materials are arranged into four subseries: historical and background information, Scurlock images, reference materials, and exhibition materials. The materials document the Scurlocks, published Scurlock images, published materials lacking Scurlock images, exhibitions of Scurlock images, and other exhibitions of related material. The subjects represented are largely materials related to the Scurlocks' photography and personal interests. Images were placed in the subseries Scurlock images if the photograph was credited to the Scurlocks or was a photograph known to have been taken by the Scurlocks; it is possible that uncredited and less well known images taken by the Scurlocks are present in the subseries reference materials. 12.1: Historical and Background Information12.2: Scurlock Images12.3: Reference Materials12.4: Exhibition Materials
Arrangement:
The collection is divided into 12 series.

This collection was processed with numerous changes in arrangement and numbering of boxes. Original box numbers have been retained in this finding aid for cross-reference purposes and to assist anyone with a record of photographs according to the original box numbers.
Biographical / Historical:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994).

The turn of the twentieth century saw a mass exodus of African Americans from the South to northern cities in search of better employment opportunities and fairer racial treatment. Although many considered Washington to be the northern-most southern city, it still offered opportunities for African Americans leaving seasonal agricultural work and racial oppression in the South. In Washington, African Americans found stable employment with the U.S. government. In addition, Howard University offered African Americans teaching opportunities, college education, and professional training as doctors, dentists, nurses, lawyers, and ministers. By 1900 a substantial African-American middle class existed in Washington. Despite the fact that Washington was a historically and legally segregated city (and would remain so into the 1960s), this middle class population continued to grow and prosper.

After graduation from high school, Addison Scurlock moved from Fayetteville, North Carolina, to Washington, D.C., with his family in 1900. With a keen interest in photography, he sought out an apprenticeship at the white-owned Moses Rice Studio on Pennsylvania Avenue. The Rice brothers (Amos and Moses) had been in Washington working as photographers since the 1860s and had one of the more prominent and better studios in the city. There Addison learned portrait and general photography. In 1904, he left Rice and began his photographic career at his parents' home. By 1911, when he opened the Scurlock Studio, he had already captured the likeness of Booker T. Washington (1910; see Appendix B), most likely his most well-known portrait. Scurlock quickly identified his market: a self-sufficient African-American community which included students, graduates, and educators affiliated with Howard University; poets; writers; intellectuals; musicians and entertainers; politicians; socialites; fraternal and religious organizations and their leaders. The Scurlock Studio, located at 900 U Street, N.W., became a fixture in the midst of the thriving African-American business community. As with his white counterparts on Pennsylvania Avenue and F Street, N.W., Addison Scurlock inspired passers-by with window displays of his photographs of national leaders and local personalities.

During the 1930s, Addison Scurlock's two sons Robert and George apprenticed in the studio. In addition to portrait and general photography, the sons learned the techniques of retouching negatives and photographic prints, hand-coloring, hand-tinting, and mat decoration. George concentrated on the commercial side of the business while Robert concentrated on the portrait side. The Scurlocks' work changed with the times. From the early 1900s until Addison's death in 1964, the Scurlock Studio was the official photographer of Howard University. In the 1930s the studio began a press service and prepared newsreels on African American current events for the Lichtman Theater chain, which offered some of the few non-segregated venues in the city. Their press service supplied the African-American press with newsworthy photographs of current events, personalities, and social, political, and religious life. Clients included the Norfolk Journal and Guide, Amsterdam News, Pittsburgh Courier, Cleveland Call and Post and the Washington Tribune and Afro-American. George and Robert ran the Capitol School of Photography from 1948 to 1952. Included among their students were African-American veterans under the G.I. Bill, Ellsworth Davis, who later worked as a Washington Post photographer and Bernie Boston of the Los Angeles Times. Perhaps their best-known student was the young Jacqueline Bouvier.

In 1952 Robert opened Washington's first custom color lab. Capitalizing on his knowledge of color processing, Robert was asked to take color portraits of both noted and ordinary individuals. In addition, the studio offered color views of important Washington landmarks and monuments. By the 1960s, Robert added magazine photography to his list of talents, publishing images in Life, Look, and Ebony. Robert continued photographing Washingtonians at his studio until his death in 1994.

According to George Scurlock, the Scurlock studio never had substantial competition in the African American community. Some Washington residents remember it differently, however. Dr. Theodore Hudson, a retired Howard University professor, recalled two other black photographers: Sam Courtney and a man named Sorrell. He said Courtney photographed events in the African American community...?

The collection represents the most comprehensive record of any long-lived, let alone African-American, photography studio, in a public institution. Other twentieth century studio collections exist, such as Robinson Studio, Grand Rapids; Hughes Company, Baltimore, Md. Among African American studio collections in public institutions are James Van Der Zee (New York City, 1912-80s), P.H. Polk (Tuskegee), and the Hooks Brothers (Memphis, Tenn., 1910-1975). The Scurlock Collection covers a greater time period and provides greater depth of coverage of African-American events and personages.

A number of articles have been written about the Scurlock family. Jane Freundel Levey, editor of Washington History magazine, believes that the family went beyond the artful use of light, shadow, and composition. She wrote, "Perhaps the most distinctive hallmark of the Scurlock photograph is the dignity, the uplifting quality of the demeanor of every person captured by photographs who clearly saw each subject as above the ordinary."

Constance McLaughlin Green, one of the leading historians of Washington, D.C., talks about African-American Washington as "the Secret City," a separate world with institutions of its own that remained virtually unknown to the white majority. Addison Scurlock and his sons captured that world on film and in doing so, documented that world in the course of running his business and perfecting his art. Steven C. Newsome, director of the Maryland Commission on Afro-American History and Culture stated that The Scurlocks' photograph "Gave us connections. They tell stories. They let us remember."

The collection includes photographs of the nationally famous Booker T. Washington, W.E.B. DuBois, Paul Laurence Dunbar, Mary McLeod Bethune, Mary Church Terrell, Marian Anderson; the locally or regionally important: P.B.S. Pinchback, Judge Miflin Gibbs, Col. Jim Lewis, Ernest Just, Anna J. Cooper; and actors, artists, vaudevillians, and musicians such as Fredi Washington, Madame Lilian Evanti, Oakley & Oakley, and Duke Ellington.

Sources

George Scurlock. Interview conducted by David Haberstich and intern Lora Koehler at Mr. Scurlock's apartment, Aug. 2003.

Theodore Hudson, conversation with David Haberstich in the Archives Center, 2 February 2004.

Jane Freundel Levey, "The Scurlock Studio," Washington History, 1989, p. 44.

Robert S. Scurlock, "An Appreciation of Addison N. Scurlock's Photographic Achievements," The Historic Photographs of Addison N. Scurlock. Washington, D.C.: The Charles Sumner School Museum and Archives, 1986 (exhibition catalog).
Materials at Other Organizations:
The Historical Society of Washington, D.C. holds Scurlock-related materials.
Materials in the National Museum of American History:
Cameras and other photographic apparatus, studio furniture, and miscellaneous ephemera from the Scurlock studio are in the History of Photography Collection. An adding machine from the studio is in the Museum's mathematics collection. See accessions 1997.0293 and 2010.0157.
Provenance:
The Museum purchased the Scurlock Studio Records from the Estate of Robert S. Scurlock, through Judge Marjorie Lawson in 1997. During the period of negotiation between the museum and Robert Scurlock's heirs, his widow Vivian and brother George, the collection was on loan to the Museum and was housed primarily in a closed exhibition area on the second floor. Staff of the Archives Center took physical possession of the collection long before the transfer to the Museum was final. The studio records and photographs were housed principally in the 18th Street studio and in two rental storage facilities. The primary move of the collection to the Museum occurred in September 1995. An additional pickup occurred on February 12, 1996 (on tags). There was probably one additional pickup from the studio by David Haberstich and Caleb Fey on an unrecorded date.
Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits -- 20th century  Search this
Politicians -- 20th century  Search this
Segregation  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
African Americans -- History -- 20th century  Search this
African American entertainers -- 20th century  Search this
African American photographers  Search this
Genre/Form:
Dye transfer process
Studio portraits
Matrices, color separation
Photographs -- 20th century
Color separation negatives
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0618
Online Media:

Southern Agriculture Oral History Project Records

Director:
Daniel, Pete  Search this
Interviewee:
Accardo, Paul  Search this
Aguirre, Gloria Olmos  Search this
Allen, David  Search this
Anderson, Adra  Search this
Anderson, Walter  Search this
Andrews, John William  Search this
Ardoin, Leslie  Search this
Bailey, Charles  Search this
Bailey, Howard Taft  Search this
Baird, George E., Jr.  Search this
Baronet, Joe  Search this
Bell, Walter M.  Search this
Bennett, Novella  Search this
Bennett, W.J.  Search this
Benson, Dick  Search this
Benton, Aubrey  Search this
Benton, Ina Belle  Search this
Blackstock, Tom  Search this
Blackstock, Velva  Search this
Blanchard, J.F.  Search this
Booth, Mrs. N.J.  Search this
Booth, N.J.  Search this
Bosselman, Willie  Search this
Bossleman, Norman  Search this
Bowman, Wilbert A.  Search this
Bradford, Nara N.  Search this
Bradford, Norwood)  Search this
Brantley, L.D.  Search this
Breaux, Jessie Al., Sr.  Search this
Brinkley, Johnnie  Search this
Brinkley, Lucile  Search this
Broussard, Sam  Search this
Brown, Gordon  Search this
Brown, Mamie  Search this
Bunting, Benny  Search this
Bunting, Joe  Search this
Burkett, Ben  Search this
Burkett, Bennie F.  Search this
Bush, Miller  Search this
Byers, Ruby  Search this
Byers, Sanford  Search this
Caesar, Clarence  Search this
Carline, Herman C.  Search this
Carnahan, Cotton  Search this
Carter, Ethel H.  Search this
Castleberry, Guy W.  Search this
Caughron, Kermit  Search this
Caughron, Rex  Search this
Caughron, Roy  Search this
Cazer, Garland  Search this
Ceras, Delfino  Search this
Claffery, Clegg, Sr.  Search this
Clapp, Clyde  Search this
Clark, Fletcher Talmadge  Search this
Clayton, WIlliam P.  Search this
Cockerham, Lester  Search this
Cockerham, Marie  Search this
Cole, Buster  Search this
Coleman, Harold  Search this
Coleman, Mrs. Harold  Search this
Colvin, R.C.  Search this
Comeaux, Lewis  Search this
Connell, Alton  Search this
Cromertie, John L.  Search this
Crosby, Ruth  Search this
Crosby, Victor  Search this
Cummins, Mary Lee  Search this
Cummins, W.R.  Search this
Cunningham, Tom  Search this
Daniel, Florentine  Search this
Davies, W. J. K.  Search this
Davis, Fredda  Search this
Davis, Otto  Search this
Davis, Pauline  Search this
Delasbour, Anna  Search this
Derbigney, Durrell  Search this
Dillard, John T.  Search this
Dorminy, Henry Clayton  Search this
Dove, Dorothy  Search this
Ducrest, Jesse  Search this
Dulaney, T.W.  Search this
Elam, Edward  Search this
Feilke, Mabel  Search this
Felknor, Jessie F.  Search this
Finchum, Amos  Search this
Finchum, Eva  Search this
Fleming, Arthur B.  Search this
Fletcher, Mrs. Merle Ford  Search this
Flores, Roque Olmos  Search this
Foster, Jim  Search this
Foster, Vergie  Search this
Friesen, Viola Liechty  Search this
Gardner, C.E.  Search this
Garrich, Carl  Search this
Gay, Andrew  Search this
George, Leler  Search this
Gosney, Jessie  Search this
Gosney, Kenneth  Search this
Gray, Leonard  Search this
Gray, Wardell  Search this
Green, Alone  Search this
Green, Clarence  Search this
Griffin, A.C.  Search this
Griffin, Grace  Search this
Hahn, E.L.  Search this
Hall, Joe  Search this
Haransky, Charlotte  Search this
Harper, Woodrow, Sr.  Search this
Harrington, A.M.  Search this
Harris, Edna  Search this
Harris, John, Rev.  Search this
Harris, Robert B.  Search this
Hawkins, Charlie  Search this
Hemphill, Elvin  Search this
Hemphill, Mattie  Search this
Hill, Frank  Search this
Jefcoat, Laz  Search this
Jensen, Olga B.  Search this
Johnson, Herbert  Search this
Kilby, T.H.  Search this
Knight, Martin  Search this
Koen, Eulah  Search this
Lamson, Alfred Ellis  Search this
Landry, Steve  Search this
Lane, Clyde D.  Search this
Laney, John B.  Search this
Langley, Nellie  Search this
Latoilas, Donald  Search this
Lawrimore, Rufus B.  Search this
Leary, Mrs. Stillman  Search this
Leary, Stillman  Search this
Legnon, Hilton  Search this
Legnon, Lena Porrier  Search this
Lenius, Jane  Search this
Lewis, Bobby  Search this
Lewis, Dorothy  Search this
Lewis, Ralph  Search this
Littlejohn, Andrew  Search this
Loewer, Arthur  Search this
Long, Welchel  Search this
Lowder, Clayton  Search this
Lowder, Kathy R.  Search this
Mangum, O.L.  Search this
Martin, Lillian  Search this
McBrayer, Loomis  Search this
McCarty, Ben  Search this
McGee, Dean  Search this
Mercer, Midi  Search this
Minchew, Edna  Search this
Mire, John  Search this
Mohamed, Ethel Wright  Search this
Moody, Edgar  Search this
Morris, Edward  Search this
Murphree, Leo  Search this
Murray, Lurline S.  Search this
Nacquin, Leo  Search this
Nix, Agnes  Search this
Nix, Joe  Search this
Parker, Jonah  Search this
Patout, William A.  Search this
Patterson, Vanona  Search this
Pender, Bessie  Search this
Petticrew, Donald  Search this
Player, C.B., Jr.  Search this
Porter, Virginia  Search this
Proffitt, Harry, Jr.  Search this
Purvis, Clyde  Search this
Redmond, Virgie  Search this
Reed, Bunice  Search this
Reed, Howard  Search this
Rice, Frank  Search this
Richardson, Rosetta  Search this
Rivers, Marion  Search this
Roberts, Gerti  Search this
Roberts, James  Search this
Rodriguez, Ignacio  Search this
Rountree, G. Emory  Search this
Rucker, William  Search this
Salas, Maria  Search this
Sarten, Della  Search this
Scoggins, Lillie  Search this
Scroggins, Alma M.  Search this
Seidenschwarz, Rosie  Search this
Seidenstricker, L.F.  Search this
Seidenstricker, Laverne  Search this
Serrano, Adolofo  Search this
Serrano, Edith  Search this
Serrano, Lidia  Search this
Shannon, Jack  Search this
Shepherd, Grady  Search this
Sims, Lavana  Search this
Sizemore, Martiel  Search this
Skinner, Annie  Search this
Skinner, Jarvis  Search this
Smith, Ethel  Search this
Smith, George  Search this
Soileau, Rouseb  Search this
Spicer, J.M.  Search this
Spivey, Wayland  Search this
Starke, Granville  Search this
Steen, Albert  Search this
Stowers, J.W.  Search this
Strange, Fred  Search this
Strohl, Carl  Search this
Strohl, Mary  Search this
Sumner, Ruby C.  Search this
Temple, Effie  Search this
Thomas, Lottie  Search this
Thompson, Mioma  Search this
Thresto, Chuck  Search this
Tomlinson, Clifton  Search this
Turner, Mrs. O.C.  Search this
Van Houten, Rosetta  Search this
Van Houten, Rudy  Search this
Vickers, Lloyd  Search this
Vidrine, Levie A.  Search this
Walton, W.W.  Search this
Watson, Mary  Search this
Welborn, S.L.  Search this
Wells, Arnalee  Search this
Wells, Homer, Dr.  Search this
White, Wallace  Search this
Wigley, Mabry  Search this
Willey, Gretchen  Search this
Willey, John F.  Search this
Winskie, Dent  Search this
Woodard, Henry  Search this
Yohe, Alma M.  Search this
Yohe, Perry  Search this
Young, Walter  Search this
Interviewer:
Jones, Lu Ann  Search this
Extent:
25 Cubic feet (79 boxes)
Type:
Collection descriptions
Archival materials
Project files
Questionnaires
Photographs
Place:
Arkansas -- Agriculture
Mississippi -- Agriculture
Georgia -- Agriculture
South Carolina -- Agriculture
Tennessee -- Agriculture
Virginia -- Agriculture
North Carolina -- Agriculture
Louisiana -- Agriculture
Date:
1986-1991
Scope and Contents note:
The collection is divided into four series. Series 1: Oral History Transcripts, 1982-1991 are transcribed versions of the oral interviews. Correspondence and/or notes pertaining to the interviewed individual collected or written by the interviewer are filed in this series following the transcription. The majority of the oral histories were done by Lu Ann Jones between1985-1991. There are a few interviews done by Pete Daniel in the early 1980s and some reference copies of oral histories done elsewhere. This series is divided into eight sub-series: Sub-series 1a: Arkansas, Sub-series 1b: Georgia, Sub-series 1c: Louisiana, Sub-series 1d: Mississippi, Sub-series 1e: North Carolina (including transcripts of the Mexican Workers Project in English and Spanish), Sub-series 1f: South Carolina, Sub-series 1g: Tennessee, and Sub-series 1h: Virginia. Files are arranged alphabetically by state and there under by name; within the file materials are arranged chronologically. Interview files may contain transcribed copies of the oral history interviews and subsequent draft copies with corrections by the interviewer or subject. The file also may contain distillations or edited versions of the interview done by the researcher for possible publication. Correspondence and notes files may include Life History Forms, correspondence, newspaper articles, interviewer's notes, business cards, and paper copies of photographs. Signed releases are on file in the registrar's office, NMAH, with copies in the control file of the Archives Center.

Series 2: Project Files and Reference Materials, 1928-2004 contain notes and correspondence kept by Jones in support of the oral history project. This series is divided into four sub-series: Sub-series 2a: State Files, Sub-series 2b: Project and Reference Files, 1985-1991, Sub-series 2c: Reference Publications, Pamphlets and Articles, 1928-2004 and Sub-series 2d: Computer Floppy Disks, 1985 and n.d. This series include bills, receipts, photo orders, travel brochures, reference materials, articles, correspondence, fundraising proposals and materials, USDA Extension Service bulletins, product cookbooks, and ephemera. These materials are valuable in documenting the methodology of the oral history project. They are also valuable in detailing the funding and maintenance of the project over its five year lifespan. There is also a great deal of information on black farmers. This series is arranged alphabetically by state and county or by article/publication title and within the file chronologically.

Series 3: Photographic Prints and Slides, 1987-1991 documenting the individuals interviewed, their homes and businesses, and geographic locations that were studied as part of the oral history project. The series is arranged numerically then chronologically by year. This series is followed by detailed photographic descriptions arranged alphabetically by state then subject. Photograph files contain photographs taken by a Smithsonian photographer or Jones and any copies of photographs supplied by the subject. Most of the photographs are black and white. Series 4: Original Interview Tapes and Reference Compact Discs (CD), 1986-1991 are the original tapes of the individual interviews conducted by Jones. This series is divided into eight sub-series. Reference numbers for CDs matching the original tapes are noted after the tapes. CDs 495-497 are for the Smithsonian Photographer's Show: Sub-series 4a: Arkansas, Sub-series 4b: Georgia, Sub-series 4c: Louisiana, Sub-series 4d: Mississippi, Sub-series 4e: North Carolina (within this sub-series are the transcripts of the Mexican Workers Project there may be an English language transcription as well as one in Spanish), Sub-series 4f: South Carolina, Sub-series 4g: Tennessee and Sub-series 4h: Virginia and Sub-series 4i: Miscellaneous and Duplicates, within the sub-series tapes are arranged alphabetically by subject.

Series 4: Original Oral History Interview Tapes and Reference Compact Discs (CDs) are the original inteview tapes and the accompanying reference copy cds.
Arrangement:
Divided into 4 series: Series 1, Oral History Transcripts; Series 2, Project Files; Series 3, Photographic Prints and Slides, and Series 4, Original Oral History Interview Tapes and Reference Compact Discs (CDs) are the original inteview tapes and the accompanying reference copy cds.
History:
The history of the American South is intricately entwined with the history of agriculture in North America. Until very recently, post 1950, the South was predominately rural and agricultural in both its production and culture. By the 1980s American agriculture, and particularly agriculture in the south, was under attack on various fronts especially cultural, financial, and technological. This assault threatened the very existence of the small and family farm. Many small farming operations went bankrupt and the face of American agriculture was becoming more corporate. It was amidst these troubling times that the Agricultural Division of the Smithsonian's National Museum of American History undertook a massive project to document southern agriculture through oral history.

Through the efforts of NMAH staff, Pete Daniel, curator and project director, LuAnn Jones, researcher, and with countless support from staff photographers and personnel, Jones conducted approximately 159 interviews of individual persons, couples and sometimes small groups, in eight southern states over a five year period, 1986-1991. The project was funded by a series of grants from various sources. Not only were oral histories taken but also substantial documentary photographs and slides of the many interviewees. The interviews ranged from individual farmers to individuals at companies and corporations involved with agriculture. The range of crops discussed included tobacco, cotton and rice. The project interviewed a wide range of subjects: male, female, black, white, and Mexican. The project has contributed to at least two books, Mama Learned Us to Work: Farm Women in the New South by LuAnn Jones and Like a Family: The Making of a Southern Cotton Mill World by Jacquelyn Dowd Hall and others of which Jones was a contributing author.
Related Collections:
#60 Warshaw Collection

#149 Kulp Collection of Account Books, 1755-1904

#475 Robinson and Via Family Papers

#481 William C. Kost Farm Records

#767 Timothy B. Bladen, Southern Maryland Photoprints
Provenance:
A transfer from the Division of History of Technology (Agriculture), NMAH, July 2001
Restrictions:
Collection is open for research. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Farm life -- 20th century  Search this
Farmers -- Arkansas  Search this
Agricultural laborers  Search this
Agriculture -- History  Search this
Periodicals  Search this
Farmers -- Georgia  Search this
Farmers -- Louisiana  Search this
Farmers -- Mexico  Search this
Farmers -- Mississippi  Search this
Farmers -- North Carolina  Search this
Farmers -- South Carolina  Search this
Farmers -- Tennessee  Search this
Farmers -- Virginia  Search this
Genre/Form:
Project files
Questionnaires
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Citation:
Southern Agriculture Oral History Project Records, 1985-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0773
See more items in:
Southern Agriculture Oral History Project Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0773
Online Media:

Oral history interview with Joyce J. Scott, 2009 July 22

Interviewee:
Scott, Joyce J. (Joyce Jane), 1948-  Search this
Interviewer:
Silberman, Robert B. (Robert Bruce),, 1950-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Performance artists  Search this
Educators  Search this
Record number:
(DSI-AAA_CollID)15711
(DSI-AAA_SIRISBib)283571
AAA_collcode_scott09
Theme:
Women
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_283571

Oral history interview with Lowery Stokes Sims, 2010 July 15-22

Interviewee:
Sims, Lowery Stokes, 1949-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Subject:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Topic:
Curators  Search this
Art historians  Search this
Record number:
(DSI-AAA_CollID)15846
(DSI-AAA_SIRISBib)292616
AAA_collcode_sims10
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_292616
Online Media:

Oral history interview with Tage Frid, 1980 June 24-1982 February 22

Interviewee:
Frid, Tage, 1915-2004  Search this
Interviewer:
Brown, Robert F.  Search this
Subject:
Wegner, Hans J.  Search this
Rhode Island School of Design  Search this
School for American Crafts  Search this
Type:
Sound recordings
Interviews
Topic:
Artisans  Search this
Decorative arts  Search this
Design  Search this
Designers  Search this
Educators  Search this
Record number:
(DSI-AAA_CollID)11852
(DSI-AAA_SIRISBib)212052
AAA_collcode_frid80
Theme:
Craft
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212052
Online Media:

The Network

Artist:
Lincoln Schatz, born 9 Dec 1963  Search this
Sitter:
Haley Barbour, born 22 Oct 1974  Search this
Robert B. Barnett, born 26 Aug 1946  Search this
Xavier Becerra, born 26 Jan 1958  Search this
Robert Stephen Bennett, born 2 Aug 1939  Search this
Thomas Hale Boggs Jr., 18 Sept 1940 - 9 Sep 2014  Search this
William Joseph Bratton, born 6 Oct 1947  Search this
Brauchli Marcus Walker, born 19 Jun 1961  Search this
Brownstein Norman, born 23 May 1943  Search this
Eric Ivan Cantor, born 6 Jun 1963  Search this
James Carney, born 22 May 1965  Search this
Stephen M. Case, born 21 Aug 1958  Search this
Vinton Gray Cerf, born 23 Jun 1943  Search this
Peter W. Chiarelli, born 23 Mar 1950  Search this
Aneesh Paul Chopra, born 13 Jul 1972  Search this
Steven Chu, born 28 Feb 1948  Search this
G. Wayne Clough, born 24 Sept 1941  Search this
Francis Collins, born 14 Apr 1950  Search this
Thomas A. Daschle, born 9 Dec 1947  Search this
Dempsey E. Martin, born 1952  Search this
Thomas J. Donohue, born 12 Aug 1938  Search this
Shaun L. Donovan, born 24 Jan 1966  Search this
Beth Dozoretz, born c. 1952  Search this
Regina E. Dugan, born 19 Mar 1963  Search this
Donna F. Edwards, born 28 Jun 1958  Search this
Anthony Stephen Fauci, born 12 Dec 1940  Search this
Michèle A. Flournoy, born 14 Dec 1961  Search this
Barney Frank, born 31 Mar 1940  Search this
Julius Genachowski, born 19 Aug 1962  Search this
David Richmond Gergen, born 9 May 1942  Search this
W. Scott Gould, born 19 Jul 1957  Search this
Lanny Griffith, born 13 Aug 1951  Search this
E. J. Holland Jr., born 19 Apr 1943  Search this
Lisa Perez Jackson, born 8 Feb 1962  Search this
Vernon E. Jordan Jr., born 15 Aug 1935  Search this
Michael M. Kaiser, born 27 Oct 1953  Search this
David A. Keene, born 20 May 1945  Search this
Richard Gil Kerlikowske, born 1949  Search this
Ray H. LaHood, born 6 Dec 1945  Search this
Rocco Landesman, born 20 Jun 1947  Search this
James A. Leach, born 15 Oct 1942  Search this
Theodore Leonsis, born 8 Jan 1965  Search this
Peter L. Levin, born 1961  Search this
Judith L. Lichtman  Search this
Jane Lubchenco, born 4 Dec 1947  Search this
Mohamed Magid, born 1965  Search this
Marcia Kemper McNutt, born 19 Feb 1952  Search this
Ellen S. Miller  Search this
George Miller III, born 17 May 1945  Search this
George Mitchell, born 20 Aug 1933  Search this
Cecilia Muñoz, born 27 Jul 1962  Search this
Janet Ann Napolitano, born 29 Nov 1957  Search this
Thomas R. Nides, born 1958/1959  Search this
Grover Glenn Norquist, born 19 Oct 1956  Search this
Sandra Day O'Connor, born 26 Mar 1930  Search this
Raymond T. Odierno, born 1954  Search this
Farah Anwar Pandith, born 13 Jan 1968  Search this
Nancy Patricia Pelosi, born 26 Mar 1940  Search this
John David Podesta, born 8 Jan 1949  Search this
Stephen W. Porter  Search this
Martha Raddatz, born 14 Feb 1953  Search this
Addison Barry Rand, born 5 Nov 1944  Search this
John Francis Reed, born 12 Nov 1949  Search this
Corinne Boggs Roberts, 27 Dec 1943 - 17 Sep 2019  Search this
Alec Ross, born 30 Nov 1971  Search this
Peter M. Rouse, born 15 Apr 1946  Search this
Karl Christian Rove, born 25 Dec 1950  Search this
Mera Rubell, born 1943  Search this
Stephanie Schriock, born 1973  Search this
Lawrence Schuette  Search this
Kathleen Sebelius, born 15 May 1948  Search this
Sonal Shah, born 20 May 1968  Search this
James H. Shelton III  Search this
Peter Warren Singer, born 1974  Search this
Hilda Lucia Solis, born 20 Oct 1957  Search this
Joe Solmonese  Search this
Gene B. Sperling, born 1958  Search this
Kathy Stack  Search this
John Paul Stevens, born 20 Apr 1920  Search this
Steve Stivers, born 24 Mar 1965  Search this
Geoffrey R. Stone, born 1946  Search this
Dan M. Tangherlini, born 1967  Search this
David Stephen Tatel, born 16 Mar 1942  Search this
Laurence Tribe, born 10 Oct 1941  Search this
Richard Trumka, born 24 Jun 1949  Search this
Denis Van Roekel  Search this
Harold Varmus, born 18 Dec 1939  Search this
Melanie Verveer, born 24 Jun 1944  Search this
Michael G. Vickers, born 1953  Search this
Diane Pamela Wood, born 4 Jul 1950  Search this
Medium:
Digital generative video with sound; screen
Dimensions:
Variable
Type:
Time-Based Media
Place:
United States\District of Columbia\Washington
United States\Illinois\Cook\Chicago
Date:
2011 - 2012
Topic:
Sandra Day O'Connor: Female  Search this
Sandra Day O'Connor: Law and Law Enforcement\Lawyer  Search this
Sandra Day O'Connor: Law and Law Enforcement\Judge\Justice\US Supreme Court Justice  Search this
Sandra Day O'Connor: Education\Administrator\University\Chancellor  Search this
Sandra Day O'Connor: Politics and Government\State Senator\Arizona  Search this
Sandra Day O'Connor: Presidential Medal of Freedom  Search this
John Paul Stevens: Male  Search this
John Paul Stevens: Law and Law Enforcement\Judge\Justice\US Supreme Court Justice  Search this
John Paul Stevens: Military\Navy  Search this
John Paul Stevens: Presidential Medal of Freedom  Search this
David Richmond Gergen: Male  Search this
David Richmond Gergen: Education\Educator\Professor  Search this
David Richmond Gergen: Communications\Journalist  Search this
David Richmond Gergen: Politics and Government\Assistant to US President  Search this
Stephen M. Case: Male  Search this
Stephen M. Case: Society and Social Change\Administrator\Smithsonian Institution\Regent  Search this
Stephen M. Case: Business and Finance\Businessperson\Executive\Information technology  Search this
Harold Varmus: Male  Search this
Harold Varmus: Science and Technology\Scientist\Biologist\Microbiologist  Search this
Harold Varmus: Science and Technology\Scientist\Biologist\Physiologist  Search this
Harold Varmus: Science and Technology\Scientist\Biologist\Virologist  Search this
Harold Varmus: Nobel Prize  Search this
Vernon E. Jordan Jr.: Male  Search this
Vernon E. Jordan Jr.: Society and Social Change\Reformer\Activist\Civil rights activist\Civil rights leader  Search this
Thomas A. Daschle: Male  Search this
Thomas A. Daschle: Politics and Government\US Senator\South Dakota  Search this
Thomas A. Daschle: Politics and Government\US Congressman\South Dakota  Search this
Thomas A. Daschle: Military\Air Force  Search this
George Mitchell: Male  Search this
George Mitchell: Law and Law Enforcement\Lawyer  Search this
George Mitchell: Law and Law Enforcement\Judge  Search this
George Mitchell: Politics and Government\US Attorney  Search this
George Mitchell: Politics and Government\US Senator\Maine  Search this
George Mitchell: Presidential Medal of Freedom  Search this
Francis Collins: Male  Search this
Francis Collins: Health and Medicine\Administrator  Search this
Francis Collins: Science and Technology\Scientist\Biologist\Geneticist  Search this
Francis Collins: Presidential Medal of Freedom  Search this
Barney Frank: Male  Search this
Barney Frank: Politics and Government\US Congressman\Massachusetts  Search this
Barney Frank: Politics and Government\Politician  Search this
Haley Barbour: Male  Search this
Haley Barbour: Politics and Government\Governor\Mississippi  Search this
Robert B. Barnett: Male  Search this
Robert B. Barnett: Law and Law Enforcement\Lawyer  Search this
Xavier Becerra: Male  Search this
Xavier Becerra: Law and Law Enforcement\Lawyer  Search this
Xavier Becerra: Society and Social Change\Administrator\Smithsonian Institution\Regent  Search this
Xavier Becerra: Politics and Government\US Congressman\California  Search this
Robert Stephen Bennett: Male  Search this
Robert Stephen Bennett: Law and Law Enforcement\Lawyer  Search this
Thomas Hale Boggs Jr.: Male  Search this
Thomas Hale Boggs Jr.: Law and Law Enforcement\Lawyer  Search this
Thomas Hale Boggs Jr.: Society and Social Change\Reformer\Lobbyist  Search this
William Joseph Bratton: Male  Search this
William Joseph Bratton: Law and Law Enforcement\Police\Chief  Search this
William Joseph Bratton: Law and Law Enforcement\Police\Commissioner  Search this
William Joseph Bratton: Military\Army  Search this
Brauchli Marcus Walker: Male  Search this
Brauchli Marcus Walker: Communications\Journalist\Editor  Search this
Brownstein Norman: Male  Search this
Brownstein Norman: Law and Law Enforcement\Lawyer  Search this
Eric Ivan Cantor: Male  Search this
Eric Ivan Cantor: Law and Law Enforcement\Lawyer  Search this
Eric Ivan Cantor: Politics and Government\US Congressman\Virginia  Search this
James Carney: Male  Search this
James Carney: Communications\Journalist\Reporter  Search this
James Carney: Politics and Government\Cabinet Member\Press Secretary  Search this
Vinton Gray Cerf: Male  Search this
Vinton Gray Cerf: Science and Technology  Search this
Vinton Gray Cerf: Presidential Medal of Freedom  Search this
Peter W. Chiarelli: Male  Search this
Peter W. Chiarelli: Military\Army  Search this
Aneesh Paul Chopra: Male  Search this
Steven Chu: Male  Search this
Steven Chu: Education\Educator\Professor  Search this
Steven Chu: Nobel Prize  Search this
Steven Chu: Politics and Government\Cabinet Member\Secretary of Energy  Search this
G. Wayne Clough: Male  Search this
G. Wayne Clough: Education\Administrator\University\President  Search this
G. Wayne Clough: Society and Social Change\Administrator\Smithsonian Institution\Secretary  Search this
G. Wayne Clough: Education\Administrator\College\Dean  Search this
G. Wayne Clough: Education\Educator\Professor\Engineering  Search this
Dempsey E. Martin: Male  Search this
Dempsey E. Martin: Military\Joint Chiefs of Staff\Chairman  Search this
Dempsey E. Martin: Military\Army  Search this
Dempsey E. Martin: Distinguished Service Medal  Search this
Thomas J. Donohue: Male  Search this
Thomas J. Donohue: Business and Finance\Businessperson  Search this
Shaun L. Donovan: Male  Search this
Shaun L. Donovan: Politics and Government\Cabinet Member\Secretary of Housing and Urban Development  Search this
Beth Dozoretz: Female  Search this
Regina E. Dugan: Female  Search this
Regina E. Dugan: Science and Technology\Inventor  Search this
Regina E. Dugan: Science and Technology\Engineer\Mechanical  Search this
Regina E. Dugan: Business and Finance\Businessperson\Executive\Computer\Internet  Search this
Donna F. Edwards: Female  Search this
Donna F. Edwards: Law and Law Enforcement\Lawyer  Search this
Donna F. Edwards: Politics and Government\US Congressman\Maryland  Search this
Anthony Stephen Fauci: Male  Search this
Anthony Stephen Fauci: Presidential Medal of Freedom  Search this
Anthony Stephen Fauci: Science and Technology\Scientist\Biologist\Immunologist  Search this
Anthony Stephen Fauci: Health and Medicine\Physician\Allergist  Search this
Michèle A. Flournoy: Female  Search this
Michèle A. Flournoy: Politics and Government\Government Official  Search this
Julius Genachowski: Male  Search this
Julius Genachowski: Law and Law Enforcement\Lawyer  Search this
W. Scott Gould: Male  Search this
W. Scott Gould: Politics and Government\Government Official  Search this
W. Scott Gould: Military\Navy  Search this
Lanny Griffith: Male  Search this
Lanny Griffith: Law and Law Enforcement\Lawyer  Search this
Lanny Griffith: Politics and Government\Assistant to US President  Search this
Lisa Perez Jackson: Female  Search this
Lisa Perez Jackson: Politics and Government\Government Official  Search this
Lisa Perez Jackson: Science and Technology\Engineer\Chemical  Search this
Michael M. Kaiser: Male  Search this
Michael M. Kaiser: Performing Arts  Search this
David A. Keene: Male  Search this
Richard Gil Kerlikowske: Male  Search this
Richard Gil Kerlikowske: Politics and Government\Government Official  Search this
Richard Gil Kerlikowske: Law and Law Enforcement\Police\Chief  Search this
Ray H. LaHood: Male  Search this
Ray H. LaHood: Education\Educator\Teacher  Search this
Ray H. LaHood: Politics and Government\US Congressman\Illinois  Search this
Ray H. LaHood: Politics and Government\Cabinet Member\Secretary of Transportation  Search this
Rocco Landesman: Male  Search this
Rocco Landesman: Politics and Government\Government Official  Search this
Rocco Landesman: Performing Arts\Producer  Search this
Rocco Landesman: Performing Arts\Theater Manager  Search this
James A. Leach: Male  Search this
James A. Leach: Politics and Government\US Congressman\Iowa  Search this
James A. Leach: Education\Educator\Professor\Political Science  Search this
Theodore Leonsis: Male  Search this
Theodore Leonsis: Sports and Recreation\Team Owner  Search this
Theodore Leonsis: Business and Finance\Businessperson\Executive\Information technology  Search this
Peter L. Levin: Male  Search this
Peter L. Levin: Politics and Government\Government Official  Search this
Judith L. Lichtman: Female  Search this
Judith L. Lichtman: Law and Law Enforcement\Lawyer  Search this
Judith L. Lichtman: Politics and Government\Government Official  Search this
Jane Lubchenco: Female  Search this
Jane Lubchenco: Politics and Government\Government Official  Search this
Jane Lubchenco: Science and Technology\Scientist\Ecologist  Search this
Mohamed Magid: Male  Search this
Mohamed Magid: Religion and Spirituality\Religious Leader  Search this
Marcia Kemper McNutt: Female  Search this
Marcia Kemper McNutt: Science and Technology\Scientist\Earth Scientist\Oceanographer  Search this
Ellen S. Miller: Female  Search this
George Miller III: Male  Search this
George Miller III: Law and Law Enforcement\Lawyer  Search this
George Miller III: Politics and Government\US Congressman\California  Search this
Cecilia Muñoz: Female  Search this
Janet Ann Napolitano: Female  Search this
Janet Ann Napolitano: Law and Law Enforcement\Lawyer  Search this
Janet Ann Napolitano: Politics and Government\Governor\Arizona  Search this
Janet Ann Napolitano: Politics and Government\Cabinet Member\Secretary of Homeland Security  Search this
Thomas R. Nides: Male  Search this
Grover Glenn Norquist: Male  Search this
Grover Glenn Norquist: Business and Finance\Economist  Search this
Raymond T. Odierno: Male  Search this
Raymond T. Odierno: Military\Army\Officer\General  Search this
Raymond T. Odierno: Distinguished Service Medal  Search this
Farah Anwar Pandith: Female  Search this
Farah Anwar Pandith: Politics and Government\Government Official  Search this
Nancy Patricia Pelosi: Female  Search this
Nancy Patricia Pelosi: Politics and Government\US Congressman\Speaker of the House  Search this
Nancy Patricia Pelosi: Politics and Government\US Congressman\California  Search this
John David Podesta: Male  Search this
John David Podesta: Law and Law Enforcement\Lawyer  Search this
John David Podesta: Politics and Government\Chief of Staff  Search this
Stephen W. Porter: Male  Search this
Stephen W. Porter: Law and Law Enforcement\Lawyer  Search this
Martha Raddatz: Female  Search this
Martha Raddatz: Communications\Journalist\Correspondent  Search this
Addison Barry Rand: Male  Search this
John Francis Reed: Male  Search this
John Francis Reed: Law and Law Enforcement\Lawyer  Search this
John Francis Reed: Politics and Government\US Senator\Rhode Island  Search this
John Francis Reed: Politics and Government\State Senator\Rhode Island  Search this
John Francis Reed: Military\Army\Officer\Major  Search this
Corinne Boggs Roberts: Female  Search this
Corinne Boggs Roberts: Literature\Writer  Search this
Corinne Boggs Roberts: Communications\Journalist\Correspondent  Search this
Alec Ross: Male  Search this
Alec Ross: Politics and Government\Government Official  Search this
Peter M. Rouse: Male  Search this
Peter M. Rouse: Politics and Government\Government Official  Search this
Karl Christian Rove: Male  Search this
Karl Christian Rove: Politics and Government\Government Official\Presidential Advisor  Search this
Mera Rubell: Female  Search this
Mera Rubell: Visual Arts\Art Collector  Search this
Stephanie Schriock: Female  Search this
Lawrence Schuette: Male  Search this
Kathleen Sebelius: Female  Search this
Kathleen Sebelius: Politics and Government\Governor\Kansas  Search this
Kathleen Sebelius: Politics and Government\Cabinet Member\Secretary of Health and Human Services  Search this
Sonal Shah: Female  Search this
Sonal Shah: Politics and Government\Government Official  Search this
Sonal Shah: Business and Finance\Economist  Search this
James H. Shelton III: Male  Search this
James H. Shelton III: Politics and Government\Government Official  Search this
Peter Warren Singer: Male  Search this
Peter Warren Singer: Literature\Writer  Search this
Peter Warren Singer: Politics and Government\Government Official  Search this
Hilda Lucia Solis: Female  Search this
Hilda Lucia Solis: Politics and Government\Government Official  Search this
Hilda Lucia Solis: Politics and Government\US Congressman\California  Search this
Hilda Lucia Solis: Politics and Government\Cabinet Member\Secretary of Labor  Search this
Joe Solmonese: Male  Search this
Gene B. Sperling: Male  Search this
Gene B. Sperling: Politics and Government\Government Official  Search this
Gene B. Sperling: Business and Finance\Economist  Search this
Kathy Stack: Female  Search this
Kathy Stack: Politics and Government\Government Official  Search this
Steve Stivers: Male  Search this
Steve Stivers: Politics and Government\US Congressman\Ohio  Search this
Steve Stivers: Business and Finance\Economist  Search this
Steve Stivers: Military\Army  Search this
Geoffrey R. Stone: Male  Search this
Geoffrey R. Stone: Law and Law Enforcement\Lawyer  Search this
Geoffrey R. Stone: Literature\Writer  Search this
Geoffrey R. Stone: Education\Administrator\College\Dean  Search this
Dan M. Tangherlini: Male  Search this
Dan M. Tangherlini: Politics and Government\Government Official  Search this
David Stephen Tatel: Male  Search this
David Stephen Tatel: Law and Law Enforcement\Lawyer  Search this
David Stephen Tatel: Law and Law Enforcement\Judge  Search this
Laurence Tribe: Male  Search this
Laurence Tribe: Law and Law Enforcement\Lawyer  Search this
Laurence Tribe: Education\Educator\Professor\Law  Search this
Richard Trumka: Male  Search this
Richard Trumka: Law and Law Enforcement\Lawyer  Search this
Denis Van Roekel: Male  Search this
Denis Van Roekel: Education\Educator\Teacher  Search this
Melanie Verveer: Female  Search this
Melanie Verveer: Politics and Government\Diplomat\Ambassador  Search this
Michael G. Vickers: Male  Search this
Michael G. Vickers: Literature\Writer  Search this
Michael G. Vickers: Politics and Government\Government Official\Intelligence Agent\CIA Officer  Search this
Michael G. Vickers: Military\Army  Search this
Diane Pamela Wood: Female  Search this
Diane Pamela Wood: Law and Law Enforcement\Lawyer  Search this
Diane Pamela Wood: Law and Law Enforcement\Judge  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
C/NPG.2013.124
Restrictions & Rights:
© Lincoln Schatz
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm421e3dd93-d946-4f06-95a7-a87fc408f8dd
EDAN-URL:
edanmdm:npg_C_NPG.2013.124

DNA Sequencing Videohistory Collection 1989-1990

Interviewee:
Kerlavage, Anthony R  Search this
McCombie, W. Richard  Search this
Becker, Kurt  Search this
Schaffer, Marilee  Search this
Connell, Kip  Search this
Hunkapiller, Michael  Search this
Kaiser, Robert J  Search this
Smith, Lloyd M  Search this
Venter, J. Craig  Search this
Gocayne, Jeannine ?-2014  Search this
Hood, Leroy E  Search this
Creator:
Kondratas, Ramunas interviewer  Search this
Subject:
California Institute of Technology  Search this
Applied Biosystems, Incorporated  Search this
DNA Sequencer  Search this
National Institutes of Health (U.S.)  Search this
Physical description:
5 videotapes (Reference copies). 22 digital .wmv files and .rm files (Reference copies)
Type:
Interviews
Collection descriptions
Videotapes
Oral history
Date:
1989
1989-1990
Topic:
History of science and technology  Search this
Molecular biology  Search this
Local number:
SIA RU009549
Restrictions & Rights:
Restricted. Contact SIHistory@si.edu, 202-633-5910 for details
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_217717

Oral history interviews with John Frederick Gates Clarke

Creator::
Clarke, J. F. Gates (John Frederick Gates), 1905-1990 interviewee  Search this
Extent:
16 audiotapes (Reference copies). 25 digital .mp3 files (Reference copies).
Type:
Archival materials
Collection descriptions
Interviews
Audiotapes
Oral history
Date:
1986
Introduction:
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program staff conduct interviews with current and retired Smithsonian staff and others who have made significant contributions to the Institution. There are also interviews conducted by researchers or students on topics related to the history of the Smithsonian or the holdings of the Smithsonian Institution Archives.

Clarke was interviewed for the Oral History Collection because of his distinguished scientific career, contributions as a Smithsonian administrator, and long tenure at the National Museum of Natural History. Additional information about Clarke can be found in the Records of the Department of Entomology, National Museum of Natural History, and John Frederick Gates Clarke Papers, which are also housed in Smithsonian Archives.
Descriptive Entry:
The John Frederick Gates Clarke Interviews were conducted by Smithsonian Archives Historian, Pamela M. Henson, during eleven sessions from February through June 1986. They discuss his youth, education and early interest in natural history; work as a pharmacist; career as an entomologist for the USDA and NMNH; recollections of colleagues and life in the museum; program to develop the national collection of insects; reminiscences of field work; and achievements as an administrator. Box 1 contains transcripts of the interviews. Box 2 contains cassette and digital copies of the original reel-to-reel and digital preservation recordings, which are in security storage.
Historical Note:
John Frederick Gates Clarke (1905-1990) was curator of Lepidoptera in the National Museum of Natural History (NMNH) from 1936-1990. He was born on February 22, 1905, in Victoria, British Columbia, the son of Robert Wilson Clarke and Ida Charlotte Gates Clarke. His early interest in entomology was encouraged by a neighbor, Francis Kermonde, who directed the nearby Provincial Museum. In 1916, his family moved from Canada to Bellingham, Washington. Clarke began his college studies at the University of Washington (UW) in Seattle from 1923 to 1924. He then transferred to Washington State University (WSU) in Pullman and received the Ph.C. in pharmacy in 1926. He returned to WSU in 1929, receiving the B.S. in zoology in 1930 and the M.S. in entomology in 1931. He married Thelma Miesen (Clarke), a teacher, in 1929, and they had two children, John Frederick Gates Clarke, Jr., born in 1934, and Carol C. Clarke, born in 1938.

After graduation, Clarke worked as an instructor at WSU until 1935 when he began doctoral studies at Cornell University. He left graduate school in 1936, however, when he was offered a position as Entomologist for the United States Department of Agriculture (USDA) with responsibility for the Lepidoptera collection in the United States National Museum (USNM). During his career at the USDA, Clarke was stationed in the Natural History Building (NHB) where he worked on the systematics of Macrolepidoptera and, later, Microlepidoptera. He served in the U.S. Army in Europe during World War II. After the war, he was detailed to the British Museum (Natural History) to describe the Edward Meyrick Collection of Lepidoptera. While in England, he received the Ph.D. in entomology from the University of London in 1949.

In 1954, Clarke transferred from the USDA to the Smithsonian, and was appointed Head Curator of the Division of Insects, Department of Zoology, NMNH. At his urging, a separate Department of Entomology was created in 1963 and he was appointed its first Chairman. During his tenure as an administrator, he oversaw the growth of staff, collections, and field work. He developed plans for a National Institute for Systematics and arranged for the move of the department to an off-Mall location.

Clarke oversaw the growth of the national collection of Lepidoptera through the acquisition of other collections and an expanded program of field collecting. He was instrumental in acquiring, among others, the Ernest H. Blackmore, Frank Morton Jones, J. Douglas Hood, Adrian Hardy Haworth and Brighton Museum collections. Clarke began collecting insects in his youth and continued an active field program throughout his life, ranging from British Columbia to the Caribbean and Latin America to the South Pacific. Major expeditions included the Smithsonian-Bredin Caribbean Exploration of Dominica in 1958, expeditions to Rapa in 1961 and 1963, a seventeen country trip in 1966, and an expedition to the Marquesas in 1968.

When Clarke retired from administration in 1965, he continued his research on the systematics of Microlepidoptera as Senior Entomologist in the Department of Entomology. After his retirement in 1975, he was appointed Curator Emeritus of Lepidoptera and Research Associate of the department. During the 1970s and 1980s, his field work was concentrated in the Pacific Northwest, Caribbean, and South Pacific, accompanied by Thelma Miesen Clarke until her death in 1988. In 1989, he married Nancy du Pre (Clarke). He continued his active field and research career until his death in 1990.
Topic:
Entomology  Search this
Lepidoptera  Search this
Entomologists  Search this
Museum curators  Search this
Genre/Form:
Interviews
Audiotapes
Oral history
Citation:
Smithsonian Institution Archives, Record Unit 9555, Clarke, J. F. Gates (John Frederick Gates), 1905-1990 interviewee, Oral history interviews with John Frederick Gates Clarke
Identifier:
Record Unit 9555
See more items in:
Oral history interviews with John Frederick Gates Clarke
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru9555
Online Media:

Interview 1: 26 May 1994

Collection Creator::
Adams, Robert McC. (Robert McCormick), 1926-2018, interviewee  Search this
Container:
Box 1 of 1
Type:
Archival materials
Collection Restrictions:
The recordings and transcripts of the Robert McCormick Adams Interviews cannot be used without his permission during his lifetime.
Collection Citation:
Smithsonian Institution Archives, Record Unit 9602, Oral history interviews with Robert McCormick Adams
See more items in:
Oral history interviews with Robert McCormick Adams
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru9602-refidd1e273

DNA Sequencing Interviews

Extent:
files (Reference copies).
Type:
Archival materials
Collection descriptions
Interviews
Videotapes
Oral history
Date:
1989-1990
Introduction:
The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical research when recording people at work in environments, explaining artifacts, demonstrating process, or in group discussion. The experimental program recorded projects that reflected the Institution's concern with the conduct of contemporary science and technology.

Smithsonian historians participated in the program to document visual aspects of their on-going historical research. Projects covered topics in the physical and biological sciences as well as in technological design and manufacture. To capture site, process, and interaction most effectively, projects were taped in offices, factories, quarries, laboratories, observatories, and museums. Resulting footage was duplicated, transcribed, and deposited in the Smithsonian Institution Archives for scholarship, education, and exhibition. The collection is open to qualified researchers.
Descriptive Entry:
Ramunas Kondratas, curator at the Smithsonian's National Museum of American History (NMAH), was interested in documenting the history, development, and applications of the DNA Sequencer. He also explored the commercialization of the instrument, including its testing and marketing, and addressed current and future uses of the ABI 370A model sequencer in medical research. Sessions were recorded at California Institute of Technology in Pasadena, California, on October 19, 1988, at Applied Biosystems, Inc., in Foster City, California, on October 21, 1988, and at the National Institutes of Health (NIH) in Washington, D.C., on March 27, 1990.

Interviewees included scientists and technicians at Cal Tech, ABI, and NIH. Jeannine Gocayne received a M.A. in molecular biology from the State University of New York-Buffalo in 1985 and was appointed a biologist and sequencing supervisor with the Receptor Biochemistry and Molecular Biology Section of the Laboratory of Molecular and Cellular Neurobiology, National Institute of Neurological Disorders and Stroke (NINDS), NIH in 1986.

Several others provided additional information about the sequencer for the three video sessions. These people included: Kurt Becker, DNA Sequencing Product Manager; Kip Connell, research scientist; Marilee Shaffer, products specialist for DNA sequencing, ABI; and Anthony R. Kerlavage and W. Richard McCombie of the Receptor Biochemistry and Molecular Biology Section of the Laboratory of Molecular and Cellular Neurobiology, NINDS, NIH.

Session one took place at the California Institute of Technology with Hood, Sanders, and Kaiser. Interviews focused on the history, design, and development of the sequencer prototype and its operation.

Session Two took place at Applied Biosystems, Inc., with Hunkapiller, Becker, Connell, and Shaffer and dealt with the commercial design, fabrication, and marketing of the sequencer and other related instrumentation. Tours of the assembly and manufacturing areas were included in the session, as well as a demonstration of how the DNA sequencing data is represented graphically on a computer.

Session Three took place at the Receptor Biochemistry and Molecular Biology Section of the Laboratory of Molecular and Cellular Neurobiology, NINDS, NIH, where Venter explained and demonstrated the automated DNA sequencing processes during a tour of the lab. Kerlavage and McCombie assisted during the tour. Finally, Gocayne described the application of new DNA sequencing technology to work in the lab.

This collection consists of three interview sessions, totaling approximately 8:40 hours of recordings, and 176 pages of transcript. There are three generations of tape for each session: originals, dubbing masters, and reference copies. In total, this collection is comprised of 26 original videotapes (26 Beta videotapes), 22 dubbing master videotapes (22 U-matic videotapes), and 5 reference copy videotapes (5 VHS videotapes). The collection has been remastered digitally, with 26 motion jpeg 2000 and 26 mpeg digital files for preservation, and 22 Windows Media Video and 22 Real Media Video digital files for reference.

Restrictions: Ramunas Kondratas must approve before broadcast or public viewing.
Historical Note:
DNA is composed of the four individual nucleotides: adenine (A), thymine (T), cytosine (C), and guanine (G). To decipher a particular piece of DNA, it is necessary to determine the exact sequence of these nucleotides. The sequence of the nucleotides determines the genetic information encoded in a DNA strand. A partial nucleotide sequence for a human gene might look like: GGCACTGACTCTCTC. In 1977, biochemist Fred Sanger developed the enzymatic chain termination procedure that allowed for sequencing of individual strands of DNA. This made mapping and sequencing of genetic material possible.

In 1986, Leroy E. Hood's Laboratory at the California Institute of Technology (Cal Tech) announced its development of a semiautomated machine for sequencing DNA. The machine automated the enzymatic chain termination procedure for DNA sequence analysis developed by Sanger and became a key instrument in mapping and sequencing genetic material. That same year, Applied Biosystems, Inc. (ABI) produced the first commercial instruments for clinical use. Constant improvements in the technology resulted in faster sequencing capacity, which was significant for advanced scientific research in projects such as mapping the human genome.

Leroy E. Hood received his M.D. from The Johns Hopkins School of Medicine in 1964, and a Ph.D. in immunology from Cal Tech in 1968. From 1968 until 1970 he held a postdoctoral fellowship at the National Institutes of Health. In 1970 he was appointed professor of biology at Cal Tech and eventually became chairman of the Division of Biology and the director of its cancer center.

Michael Hunkapiller received a Ph.D. in chemistry from Cal Tech in 1974. He joined ABI as its vice president for research and development in 1983.

Robert J. Kaiser received his Ph.D in chemistry from Cal Tech in 1983, and subsequently joined the Cal Tech staff as a research fellow in biology. Jane Z. Sanders joined the Cal Tech staff in 1984 as an associate biologist and was appointed senior biologist a year later. She took graduate courses in biochemistry in 1971-72 at the Stanford University Medical School.

Lloyd M. Smith received a Ph.D. in biophysics from Stanford University in 1981, and was a senior research fellow in biology at Cal Tech from 1982 until 1987, when he was appointed assistant professor in the Analytical Division of the Department of Chemistry at the University of Wisconsin-Madison.

J. Craig Venter received his Ph.D. in physiology and pharmacology from the University of California, San Diego in 1975. In 1983 he was appointed adjunct professor of biochemical pharmacology at the State University of New York-Buffalo and joined NIH in 1984 as chief of the Receptor Biochemistry and Molecular Biology Section, NINDS. In 1987 he also became co-director of the Laboratory of Molecular and Cellular Neurobiology, NINDS, NIH and was appointed director of the NINDS DNA facility at NIH.
Rights:
Restricted. Contact SIHistory@si.edu, 202-633-5910 for details.
Topic:
History of science and technology  Search this
Molecular biology  Search this
Genre/Form:
Interviews
Videotapes
Oral history
Citation:
Smithsonian Institution Archives, Record Unit 9549, , DNA Sequencing Interviews
Identifier:
Record Unit 9549
See more items in:
DNA Sequencing Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru9549

Glennan-Webb-Seamans Project Interviews

Creator:
Collins, Martin  Search this
Names:
Glennan-Webb-Seamans Project for Research in Space History  Search this
Project Apollo (U.S.)  Search this
Atwood, John Leland, 1904-1999  Search this
Bradshaw, Delmer  Search this
Burnett, James  Search this
Demitriades, Paul  Search this
Doll, Edward  Search this
Downey, Peter  Search this
Duff, Brian.  Search this
Elms, James C., 1916-  Search this
Fletcher, James  Search this
Gilruth, Robert  Search this
Glennan, Thomas Keith, 1905-1995  Search this
Jacobs, Donald  Search this
Mettler, Ruben F., 1924-  Search this
Miller, Mark  Search this
Mueller, G. E. (George Edwin), 1918-  Search this
Phillips, Samuel  Search this
Ramo, Simon  Search this
Seamans, Robert C.  Search this
Shapley, Willis  Search this
Silverstein, Abe  Search this
Soergel, David  Search this
Storms, Harrison A., Jr., 1915-1992  Search this
Webb, James E. (James Edwin), 1906-  Search this
Wilson, Thorton  Search this
York, Herbert F. (Herbert Frank)  Search this
Extent:
3.01 Cubic Feet (16 boxes )
Type:
Archival materials
Collection descriptions
Transcripts
Date:
1985-1990
Summary:
This collection consists of the transcripts for the Glennen-Webb-Seamans Project (GWS), which examines various aspects of NASA management practices during the Apollo program. This project constitutes one of several oral history projects conducted within the Department of Space History, NASM. The principal investigator for the GWS was Martin Collins and the interview set contains 193 hours of interviews with 22 individuals. The central thread of this collection was the problem of configuring new political relations among the space sciences and sponsors. The following individuals were interviewed: J. Leland Atwood; Delmer Bradshaw; James Burnett; Paul Demitriades; Edward Doll; Peter Downey; Brian Duff; James Elms; James Fletcher; Robert Gilruth; T. Keith Glennan; Donald Jacobs; Ruben Mettler; Mark Miller; George Mueller; Samuel Phillips; Simon Ramo; Robert Seamans; Willis Shapley; Abe Silverstein; David Soergel; Harrison Storms; James Webb; Thorton Wilson; and Herbert York.
Scope and Contents:
The Glennan-Webb-Seamans Project Interviews consist of 193 hours of interviews with 26 individuals. The audio cassette tapes of these interviews have yet to be remastered and, due to their fragility, are unavailable to researchers. Transcripts are available to researchers, though there are restrictions placed on a number of them. A NASM staff member will advise the patron which transcripts are available for copying or viewing and how to order copies of transcripts and/or CDs.
Arrangement:
The Glennan-Webb-Seamans (GWS) Project Interviews are arranged alphabetically by interviewee. Boxes 1-11 (Series 1) contain the interviews on audio cassette tapes. These tapes have yet to be remastered and, due to their fragility, are not available to researchers.

Boxes 12-16 (Series 2) contain the transcripts for these cassette tapes. Most of these transcripts are available to researchers, though restrictions are placed on a small number of them. Transcripts with user restrictions are highlighted in bold type.
Biographical / Historical:
This collection contains the interviews of the Glennan-Webb-Seamans Project (GWS). These interviews analyze a variety of facets revolving around NASA management and its handling of contractors during the Apollo program. The individuals listed as part of this collection's name refer to the National Aeronautics and Space Administration's (NASA) first two administrators and the agency's deputy administrator during much of the 1960s. The principal (though, by no means the only) interviewer for this project was Martin Collins and the interview set consists of 193 hours of interviews with 26 individuals. These interview subjects represent some of the most influential decision-makers at NASA, the aerospace industry and academia. The following were interviewed for this project: J. Leland Atwood; Delmer Bradshaw; James Burnett; Paul Demitriades; Edward Doll; Peter Downey; Brian Duff; James Elms; James Fletcher; Robert Gilruth; T. Keith Glennan; Donald Jacobs; Ruben Mettler; Mark Miller; John Moore; George Mueller; Samuel Phillips; Simon Ramo; Robert Seamans; Willis Shapley; Abe Silverstein; David Soergel; Harrison Storms; James Webb; Thornton Wilson and Herbert York. Among the myriad of topics discussed in these interviews is the Apollo 1 [204] fire that killed astronauts Gus Grissom, Ed White and Roger Chaffee on January 27, 1967, during a test at the launch pad at the Kennedy Space Center (KSC), Florida. The GWS Project constitutes one of a number of oral history efforts endeavors conducted by the National Air and Space Museum's (NASM) Department of Space History.
General note:
This collection consists of the interview transcripts, not the tapes.
Provenance:
Department of Space History, Transfer, 1999, 1999-0036, Varies
Restrictions:
Various restrictions apply.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, Please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Astronautics  Search this
Genre/Form:
Transcripts
Citation:
Glennan-Webb-Seamans Project Interviews, Acc. 1999-0036, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1999.0036
See more items in:
Glennan-Webb-Seamans Project Interviews
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1999-0036
Online Media:

Bob Dylan, the essential interviews / edited by Jonathan Cott

Interviewee:
Dylan, Bob 1941-  Search this
Editor:
Cott, Jonathan  Search this
Subject:
Dylan, Bob 1941-  Search this
Physical description:
xvi, 524 pages ; 25 cm
Type:
Interviews
Place:
United States
Date:
2017
Topic:
Singers  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1089327

Modify Your Search







or


Narrow By