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Meet the Curator: Kenton Kerns

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YouTube Videos
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2020-06-12T21:11:05.000Z
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Golden Lion Tamarin Baby Tries Banana

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National Zoo  Search this
Type:
YouTube Videos
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2018-08-28T18:00:36.000Z
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Pets & Animals  Search this
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Zoology;Animals;Veterinary medicine;Animal health  Search this
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National Zoo
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SmithsonianNZP
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Golden Lion Tamarins Pedro and Gemma

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National Zoo  Search this
Type:
YouTube Videos
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2021-09-17T12:51:32.000Z
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Zoology;Animals;Veterinary medicine;Animal health  Search this
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National Zoo
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SmithsonianNZP
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Golden Lion Tamarins Foraging

Creator:
National Zoo  Search this
Type:
YouTube Videos
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2022-08-02T16:01:05.000Z
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Zoology;Animals;Veterinary medicine;Animal health  Search this
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National Zoo
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Smithsonian 175th Film Fest: Golden Lion Tamarin Conservation

Creator:
Smithsonian Institution Archives  Search this
Type:
YouTube Videos
Uploaded:
2022-04-30T05:04:24.000Z
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Smithsonian's Lions Cubs GoPro Video

Creator:
National Zoo  Search this
Type:
YouTube Videos
Uploaded:
2014-03-07T21:22:09.000Z
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Science & Technology  Search this
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Zoology;Animals;Veterinary medicine;Animal health  Search this
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National Zoo
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SmithsonianNZP
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Brunch with Vlad (a two-toed sloth) and Izzy (a golden lion tamarin)!

Creator:
National Zoo  Search this
Type:
YouTube Videos
Uploaded:
2020-05-19T15:23:37.000Z
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Pets & Animals  Search this
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Zoology;Animals;Veterinary medicine;Animal health  Search this
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National Zoo
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SmithsonianNZP
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Archives Presents: Women's History Month Facebook Live

Creator:
Smithsonian Institution Archives  Search this
Type:
YouTube Videos
Uploaded:
2018-03-19T19:30:01.000Z
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Science & Technology  Search this
Topic:
Museum administration  Search this
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Data Source:
Smithsonian Institution Archives
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SIArchives
EDAN-URL:
edanmdm:yt_Nsp8d_PGiP4

Barrington Hills -- Olsen's Woods Walk

Provenance:
Garden Club of Barrington  Search this
Former owner:
Evans, Evan A.  Search this
Evans, Pauline Hart  Search this
Alexander, Bruce  Search this
Pope, Joan Ferris  Search this
Seno, Guy H.  Search this
Seno, Bette A.  Search this
Theissen, G. Willard  Search this
Theissen, Bonita  Search this
Olsen, Eric E.  Search this
Olsen, Margaret G.  Search this
Architect:
Work, Robert G.  Search this
Consultant:
Keppel, Charlie  Search this
Arborist:
Bode, Eric  Search this
Garden design and maintenance:
Olsen, Liz  Search this
Wolfgram, Andrew  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
United States of America -- Illinois -- Cook County -- Barrington
Olsen's Woods Walk (Barrington Hills, Illinois)
Scope and Contents:
1 folder and 22 digital images.
General:
The red brick Georgian style house was built in 1922 as a country place, gifted along with 60 acres of farmland; in 1991 the house had been restored but the 15-acre property was overgrown with buckthorn and invasive vines. While clearing the land the owners discovered the remains of a 1930's formal garden next to the house and a one-acre spring-fed pond at the perimeter. The first garden they designed and planted, Woods Walk, has meandering paths under a towering canopy of red, bur and white oak, quantities of spring bulbs, part shade flowering shrubs and perennials, fountains, garden art, hidden seating and a tool shed. Long rows of arborvitae and boxwood hedges were planted to create a formal structure for garden rooms that would surround and spread out from the house on ten acres, eventually fenced to keep out deer. There are nine main garden rooms with formal patio gardens outside the house, expansive lawns punctuated with trees, and more casual plantings leading to the woods and the pond. Two massive lion planters anchor the Leo Lion garden that has a flagstone walkway, dwarf evergreens, two weeping birch positioned to form a natural arch, perennials, grasses and ferns. The English Pool garden has a 14-column classical Greek pergola supporting a climbing hydrangea and perennials and annuals chosen for their colorful blossoms. A formal parterre garden terraced beneath one of the patios has red and white roses under a weeping cherry. The garden rooms are entered under arches covered with clematis and other climbing vines; the Gala Garden designed and planted for a hospice benefit is bordered by blue tuteurs with climbing roses and clematis. Other garden structures include an eight-sided gazebo and an ironwork folly with climbing vines.

A Mirror Walk garden is shaded by mature oak with three beds of deciduous azaleas and color coordinated tulips on one side facing beds of shade perennials that include bleeding heart, lobelia, and petasites with banks of hosta around each bed. The Wedding Walk garden has four arches bordered by more casual flower beds chosen to attract butterflies and transition to the natural pond with cattails, Adirondack chairs and a fire pit. A vegetable garden and orchard are located outside the gate cottage or coach house as they were under the original owners. Many of the garden rooms and patio gardens feature planted urns and other containers; even tall columns are topped with flower-filled pots. The voluminous plantings were aided in part by Ball Horticultural Company: from 2004 to 2011 Olsen's Woods Walk was a test garden for as many as 500 flats of perennials and annuals each year that would be evaluated and photographed, with some images appearing in Ball catalogs and other advertisements. Also, the owners hosted many charitable benefits and open days for the Garden Conservancy and other organizations.

Persons associated with the garden include: Evan A. and Pauline Hart Evans (former owners, circa 1922-1950); Bruce Alexander and Joan Ferris Pope (former owners, circa 1959-1971); Guy H. and Bette A. Seno (former owners, circa 1971-1976); G. Willard and Bonita Theissen (former owners, circa 1976-1991); Eric E. and Margaret G. Olsen (former owners, 1991-2018); Robert G. Work (1874-1960) (architect for house and coach house, 1922); Charlie Keppel (tree maintenance, 1991-2018); Eric Bode (arborist, 2007-2018); Liz Olsen and Andrew Wolfgram (garden design and maintenance, 2007-2018).
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Illinois -- Barrington Hills  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File IL185
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Illinois
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb60a88b7e5-2fc9-49d7-bc86-21b2e033b2f4
EDAN-URL:
ead_component:sova-aag-gca-ref32888

The Social and Reproductive Development of the Giant Panda by Dr. Devra Kleiman

Creator:
Smithsonian Institution Archives  Search this
Type:
YouTube Videos
Uploaded:
2012-10-18T10:03:43.000Z
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Devra Kleiman on "Smithsonian World," 1984.

Creator:
Smithsonian Institution Archives  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-06T16:06:11.000Z
YouTube Category:
Education  Search this
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Beer can used on set of All in the Family

User:
O'Connor, Carroll  Search this
Maker:
Anheuser-Busch Companies, Inc.  Search this
Physical Description:
metal, aluminum (overall material)
paper (overall material)
Measurements:
overall: 4 3/4 in x 2 1/2 in; 12.065 cm x 6.35 cm
Object Name:
can, beer
Date made:
1970 - 1978
Related object association proper name:
All in the Family {Television Program}  Search this
General subject association:
Television  Search this
Comedy  Search this
Subject:
Beer  Search this
Credit Line:
Gift of Tandem/TAT Productions
ID Number:
1978.2146.06
Accession number:
1978.2146
Catalog number:
1978.2146.06
See more items in:
Culture and the Arts: Entertainment
Popular Entertainment
Exhibition:
Entertainment Nation
Exhibition Location:
National Museum of American History
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-50b9-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_662469
Online Media:

Beer can used on set of All in the Family

Manufacturer:
Anheuser-Busch Companies, Inc.  Search this
User:
O'Connor, Carroll  Search this
Maker:
Anheuser-Busch Companies, Inc.  Search this
Physical Description:
metal, aluminum (overall material)
paper (overall material)
ink (overall material)
Measurements:
overall: 4 3/4 in x 2 1/2 in; 12.065 cm x 6.35 cm
Object Name:
Can, Beer
Place made:
United States
Related object association proper name:
All in the Family {Television Program}  Search this
General subject association:
Television  Search this
Subject:
Comedy  Search this
Credit Line:
Gift of Tandem/TAT Productions
ID Number:
1978.2146.07
Accession number:
1978.2146
Catalog number:
1978.2146.07
See more items in:
Culture and the Arts: Entertainment
Popular Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-51cd-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_670102

John Marshall Ju/'hoan Bushman film and video collection

Collaborator:
McElwee, Ross  Search this
Blitz, Daniel  Search this
Bishop, John Melville  Search this
Baker, Peter  Search this
Ritchie, Claire  Search this
Young, Robert  Search this
Terry, John  Search this
Galvin, Frank  Search this
Bestall, Clifford  Search this
Gardner, Robert  Search this
Asch, Timothy, 1932-1994  Search this
Marshall, Lorna  Search this
Creator:
Marshall, John, 1932-2005  Search this
Extent:
2 Boxes (map drawers)
3 Video recordings (published videos or video series)
99 Linear feet (714,405 feet (332 hours) 16mm film, 435 hours video tape, 309 hours audio tape, 21 published film and video titles, 29 unpublished film and video titles, 14 linear feet paper records)
Culture:
San (African people)  Search this
Bushman  Search this
Type:
Collection descriptions
Archival materials
Video recordings
Documentary films
Place:
Namibia
Date:
1950-2000
Summary:
The John Marshall Ju/'hoan Bushman Film and Video Collection contains full film and video projects (outtake material), film production elements and edited films and videos, audio tapes, still photographs, negatives, transparencies, slides, published and unpublished writing by John Marshall and others, study guides for edited films, Nyae Nyae Development Foundation and Advocacy files, maps, and production files that include letters, shot logs, translations, transcriptions, editing logs, treatments, and proposals spanning from 1950-2000. This material comprises Marshall's long-term documentary record of the Ju/'hoansi of the Nyae Nyae region of the Kalahari Desert in northeastern Namibia. A great deal of the film and video footage focuses on one particular extended family, that of Toma Tsamko, whose ancestral home is at /Gautcha, an area with a large salt pan and a permanent waterhole. The life stories of some family members are captured in the footage; appearing as children in the 1950's, middle-aged parents in the 1980's, and pensioners in the final years of visual documentation. The Marshall Collection also documents other Ju/'hoansi living in Nyae Nyae and elsewhere, their relationships with neighboring ethnic groups, and national politics that affected Ju/'hoansi. Marshall also documented the local political body (the Nyae Nyae Farmers' Cooperative, or NNFC), the foundation he started (the Nyae Nyae Development Foundation of Namibia, or NNDFN), and the ways in which both groups worked with and were affected by international development organizations and foreign aid during the 1990's.
Scope and Contents:
The John Marshall Ju/'hoan Bushman Film and Video Collection contains full film and video projects (outtake material), film production elements and edited films and videos, audio tapes, still photographs, negatives, transparencies, slides, published and unpublished writing by John Marshall and others, study guides for edited films, Nyae Nyae Development Foundation and Advocacy files, maps, and production files that include letters, shot logs, translations, transcriptions, editing logs, treatments, and proposals spanning from 1950-2000.

This material comprises Marshall's long-term documentary record of the Ju/'hoansi of the Nyae Nyae region of the Kalahari Desert in northeastern Namibia. A great deal of the film and video footage focuses on one particular extended family, that of Toma Tsamko, whose ancestral home is at /Gautcha, an area with a large salt pan and a permanent waterhole. The life stories of some family members are captured in the footage; appearing as children in the 1950's, middle-aged parents in the 1980's, and pensioners in the final years of visual documentation. Beginning in 1978, Marshall often conducted lengthy and in depth interviews with many family members, in which they reflect on past, present, and future, and often comment on specific film footage from earlier years which was shown to them during the interviews. The collection is not limited to the /Gautcha family, however; it also documents other Ju/'hoansi living in Nyae Nyae and elsewhere, their relationships with neighboring ethnic groups, and national politics that affected Ju/'hoansi. Marshall also documented the local political body (the Nyae Nyae Farmers' Cooperative, or NNFC), the foundation he started (the Nyae Nyae Development Foundation of Namibia, or NNDFN), and the ways in which both groups worked with and were affected by international development organizations and foreign aid during the 1990's. The collection also documents changes to the landscape and wildlife of the Nyae Nyae region.
Arrangement:
This collection is arranged in 13 series: (1) Unedited Film and Video Projects, 1950-1978, 1981-2003; (2) Published Films and Videos, 1952-2002; (3) Unpublished Films and Videos, 1959-1962, circa 1965; (4) Audio, 1950s, 1978-1990; (5) Field Notes, Shot Logs, Translations, 1951-2000; (6) Production Files, 1952-2004; (7) Correspondence, 1968-2003 [bulk 1993-2000]; (8) Nyae Nyae Development Foundation & Advocacy Files, 1975-2003 [bulk 1984-2003]; (9) Published and Unpublished Writing, 1957-1958, 1980-1999, 2007; (10) Study Guides, 1974, 1982; (11) Writings by Others & Press, 1952-1953, 1965-2005; (12) Photographs, 1930s, 1946-2003; (13) Maps, 1872, 1879, 1914, 1933-1989.
Biographical / Historical:
John Marshall, filmmaker and activist, was born on November 12, 1932 in Boston, Massachusetts. He grew up in Cambridge, Massachusetts and on his family's farm in Peterborough, New Hampshire. Marshall first picked up a camera in 1950, at the age of 18, during the first of several expeditions to the Kalahari organized by his father, Laurence Marshall, the founding president of the Raytheon Corporation. The whole Marshall family - including John's mother, Lorna, and sister, Elizabeth Marshall Thomas - became engaged in a multi-disciplinary study of the Ju/'hoansi. Marshall's father assigned him the task of making a documentary film record of Ju/'hoan life and culture. Between 1950 and 1958, he shot over 300,000 feet of 16mm film (157 hours).

Marshall formed a close bond with many of his Ju/'hoan subjects, particularly with Toma "Stumpy" Tsamko, leader of the /Gautcha band. Amongst Ju/'hoansi, Marshall was known as Toma Xhosi, Toma "Longface". Probably because of this close relationship, he was forced to leave South West Africa in 1958 after his visa expired, and was not allowed back for twenty years.

During the 1960's and 1970's, Marshall became well-established as a cinema vérité filmmaker. After leaving the Film Study Center at Harvard, which he had co-directed with Robert Gardner, he worked briefly with Robert Drew and D.A. Pennebaker, and later collaborated with Fredrick Wiseman on Titicut Follies (1967). He forged friendships with leading documentary and ethnographic filmmakers, including Timothy Asch, Ricky Leacock, and Jean Rouch.

Throughout these years, Marshall continued to work with his extensive footage of Ju/'hoansi. He completed 15 short films, as well as the award-winning Bitter Melons. In 1968, Marshall partnered with Tim Asch to found Documentary Educational Resources (DER), to distribute and support the creation of ethnographic and educational film.

In 1978 Marshall was allowed to return to Nyae Nyae to shoot N!ai, the Story of a !Kung Woman. Finding his Ju/'hoan friends beset by illness, poverty, and growing social ills, John turned his attentions to development and advocacy work. Virtually abandoning his filmmaking career, Marshall started a foundation to assist Ju/'hoansi and spent most of the 1980's helping them establish water access, subsistence farming, and a local government. He began using film as an advocacy tool, and released several urgent, issuefocused videos to raise awareness of the Ju/'hoan struggle for self-determination.

Marshall continued his documentary record of Ju/'hoansi, directing his final shoot in 2000. A Kalahari Family (2002), his epic six-hour series, tells the story of the Ju/'hoansi from 1950-2000 and charts Marshall 's evolution from filmmaker to activist. He made his final visit to Nyae Nyae in 2004, and continued his advocacy work right up to his final days. John Marshall died due to complications from lung cancer on April 22, 2005.

John Marshall Chronology

1932 -- Born in Boston, Massachusetts

1950-1958 -- Marshall Family expeditions to study the Ju/'hoansi of Nyae Nyae

1957 -- Awarded B.A. in Anthropology from Harvard University The Hunters released

1958-1960 -- Associate Director (with Robert Gardner) of the Film Study Center, Peabody Museum, Harvard University

1960 -- Awarded G.S.A.S. in Anthropology from Yale University

1960-1963 -- Director, Bushmen Film Unit, Harvard University

1962 -- Sha//ge Curing Ceremony (early version of A Curing Ceremony), A Group of Women and Joking Relationship screened at Flaherty Seminar

1964-1965 -- Cameraman for NBC covering civil war in Cyprus

1966 -- Awarded M.A. in Anthropology from Harvard University

1967 -- Cameraman and Co-Director of Fredrick Wiseman's Titicut Follies

1968 -- Founded Documentary Educational Resources (DER) with Timothy Asch (first known as CDA, Center for Documentary Anthropology)

1968-1969 -- Cameraman and Director of film shoots for the Pittsburgh Police series, produced through the Center for Violence Studies at Brandeis University

1970-1974 -- Edited and released numerous short films, from both Ju/'hoan (!Kung) and Pittsburgh Police series

1972 -- Collaborated with Nicholas England (musicologist) on a film project documenting a family of drummers in Ghana (this film was never completed)

1972-1973 -- Travel to Botswana to film National Geographic's Bushmen of the Kalahari, produced by Wolper Productions

1974 -- If It Fits, documentary on failing shoe industry in Haverhill, MA, released

1976 -- Director and cameraman of film shoots for Smithsonian Festival of American Folklife

1978 -- Film shoot in Nyae Nyae for N!ai, The Story of a !Kung Woman

1980 -- N!ai, The Story of a !Kung Woman released and broadcast on PBS as partof the Odyssey series

1980-1982 -- Conducted genealogical survey in Nyae Nyae with Claire Ritchie

1982 -- Founded the Ju/wa Cattle Fund (later known as the Nyae Nyae Development Foundation of Namibia)

1985 -- Pull Ourselves Up or Die Out, Marshall's first "field report" edited on video, released

1989 -- Returns to Boston after Namibian independence

1991 -- To Hold Our Ground, another "field report" is aired on Namibian television shortly before a national Land Rights Conference

1993 -- The Cinema of John Marshall published

1995 -- Awarded Honorary M.F.A. from Rhode Island School of Design

2000 -- Final video shoot in Nyae Nyae

2002 -- A Kalahari Family premieres at the Margaret Mead Film Festival in New York City; released for general distribution in 2003

2004 -- Makes final visit to Nyae Nyae; presents proposal for water point protections

2005 -- Dies in Boston, Massachusetts
Orthography Note:
Ju/'hoansi are the speakers of the Ju/'hoan language. Various cultural descriptors used over the years include !Kung which is a language group containing three dialect groups, one of which is the Ju/'hoansi; San, which is now regarded by the Ju/'hoansi to have negative connotations; and Bushman, which ironically (given the derogatory history of this term) is now preferred by the Ju/'hoansi as a term of dignity. (Orthography information provided by Dr. Polly Wiessner, University of Utah anthropologist and longtime field worker among and researcher of the Ju/'hoansi.)

The orthography of the Ju/'hoan language has changed many times, though an official orthography was agreed upon and accepted by the Namibian government in 1991. The finding aid, cataloging records, and shot logs for the Marshall collection at Human Studies Film Archives continue to use the orthography used by the Marshall family beginning in 1950. These spellings are usually anglicized versions of the official orthography. For example, the name ≠Oma was usually rendered by the Marshalls as Toma; the place name /Aotcha as /Gautcha or Gautscha.

The majority of the footage was shot in a region of Namibia (formerly South West Africa) known as Nyae Nyae. In the 1960's, a portion of the Nyae Nyae area was officially established as a homeland for Ju/'hoansi by the South West African administration. This area, once called Eastern Bushmanland, is now known as Eastern Otjozondjupa, however it is still referred to as Nyae Nyae by Ju/'hoansi and others. The Nyae Nyae Conservancy, which encompasses a large portion of Eastern Otjozondjupa, was established in 1996.
Filmography:
JU/'HOAN BUSHMAN FILM SERIES

1952 -- First Film [also known as !Kung Bushmen of the Kalahari] (by Lorna Marshall)

1957 -- The Hunters

1959 -- A Curing Ceremony

1961 -- A Group Of Women

1962 -- A Joking Relationship

1966 -- !Kung Bushmen Hunting Equipment (directed by Lorna Marshall)

1969 -- N/um Tchai: The Ceremonial Dance of the !Kung Bushmen

1969 -- An Argument About A Marriage

1970 -- The Lion Game

1970 -- The Melon Tossing Game

1971 -- Bitter Melons

1972 -- Debe's Tantrum

1972 -- Men Bathing

1972 -- Playing With Scorpions

1972 -- A Rite of Passage

1972 -- The Wasp Nest

1974 -- Baobab Play

1974 -- Children Throw Toy Assegais

1974 -- The Meat Fight

1974 -- Tug-Of-War

1980 -- N!ai, the Story of a !Kung Woman

1985 -- Pull Ourselves Up Or Die Out

1990 -- To Hold Our Ground: A Field Report

1991 -- Peabody Museum !Kung San Exhibit Video

2002 -- A Kalahari Family

In addition to Marshall's many published films on the Ju/'hoansi, he was also involved in a variety of other film projects. He shot and co-directed Titicut Follies, a film by Fredrick Wiseman. Working in association with the Lemburg Center for Violence Studies at Brandeis University, he shot and directed a series of short films about a police squad in Pittsburgh, PA, known as the Pittsburgh Police series. He also shot and directed If It Fits, a film about the failing shoe industry in Haverhill, MA. Marshall was also the subject of two television programs: Bushmen of the Kalahari, a National Geographic special which aired in the United States, and a Japanese program called Forty Years in the Kalahari, part of the television series, Our Wonderful World. All of these, as well as Marshall's Ju/'hoan films, are included in this filmography.

PITTSBURGH POLICE SERIES

1970 -- Inside/Outside Station 9

1971 -- Three Domestics

1971 -- Vagrant Woman

1972 -- 901/904

1972 -- Investigation of a Hit and Run

1973 -- After the Game

1973 -- The 4th, 5th, & Exclusionary Rule

1973 -- A Forty Dollar Misunderstanding

1973 -- Henry Is Drunk

1973 -- The Informant

1973 -- A Legal Discussion of a Hit and Run

1973 -- Manifold Controversy

1973 -- Nothing Hurt But My Pride

1973 -- Two Brothers

1973 -- $21 or 21 Days

1973 -- Wrong Kid

1973 -- You Wasn't Loitering

OTHER FILMS

1967 -- Titicut Follies (Co-Director, Cinematographer; film by Fredrick Wiseman)

1972 -- Ghana Drumming (uncompleted; collaboration with Nicholas England)

1974 -- Bushmen of the Kalahari (by Wolper Productions for National Geographic)

1975 -- Vermont Kids (series of short films; released in 2007)

1976 -- Festival of American Folklife (uncompleted; shot for Smithsonian Institution)

1978 -- If It Fits

1988 -- Our Wonderful World: Forty Years in the Kalahari (by Nippon A-V Productions)
Related Materials:
The Human Studies Film Archives holds several related collections, including:

• The Nicholas England Collection, which consists of audio recordings from 1951-1961. This collection contains both originals and duplicates of audio tapes recorded during the Marshall Expeditions. (2005.9) • The Journal of Robert Gesteland, kept during the Marshall !Kung Expedition VI, 1957-58. (2007.17) • Master copies of the full film record of Bushmen of the Kalahari (1974), a television program featuring John Marshall's 1973 visit to the /Gwi San of Botswana, produced by Wolper Productions for National Geographic. (2008.12) • Reference copies of the full video record of Our Wonderful World: Forty Years in the Desert, Nippon A-V's 1988 Japanese television program about John Marshall and the Ju/Wa Bushman Development Foundation. (2009.2.1) • Master copies of the videotape "library" kept by John Marshall for reference and stock footage purposes. Compiled from various sources, the videos include news programs, documentaries, and raw footage of Ju/'hoansi and other San peoples from the 1920's --1990's, as well as interviews with John Marshall and his mother, Lorna Marshall. (2009.2) • Additional audio recordings, including interviews with Ju/'hoansi made by John Marshall and others. (2009.3) • Full film record of [Ghana Drumming, 1972], an uncompleted project undertaken by John Marshall and Nicholas England, which documents a family of musicians. (2008.11)

The Papers of Timothy Asch, held at the National Anthropological Archives, contain information on Asch's work with John Marshall at Harvard University from 1959-1963, their collaboration in founding DER, and details on the use of Marshall's Ju/'hoan footage in the development of MACOS (Man, A Course of Study).

There are also several closely related collections held at the Peabody Museum of Archaeology and Ethnology, Harvard University. These collections relate to the 1950's Marshall Expeditions and include: Expeditionary Notebooks and Journals of Lorna and Laurence Marshall; Journal of Elizabeth Marshall Thomas; the Marshall Family Photograph Collection; and the Records of the South West Africa Expeditions, 1950- 1959. The Harvard Film Archive, Harvard University, holds film prints of several of Marshall's published films on the Ju/'hoansi, including The Hunters.
Provenance:
The John Marshall Ju/'hoan Bushman Film and Video Collection was received over several years of accessioning from different parties.
Restrictions:
The John Marshall Ju/'hoan Bushman Film and Video Collection is open for research. Please contact the Archives for availabilty of access copies of audio visual recordings. Original audiovisual material in the Human Studies Film Archives may not be played. Materials relating to Series 6 Production Files are restricted and not available for research until 2048, 2063, 2072. Kinship diagrams in Series 13 are restricted due to privacy concerns. Various copyrights and restrictions on commercial use apply to the reproduction or publication of film, video, audio, photographs, and maps.
Rights:
Contact the repository for terms of use. Information on reproduction and fees available from repository.
Topic:
Anthropology  Search this
Genre/Form:
Documentary films
Citation:
The John Marshall Ju/'hoan Bushman Film and Video Collection, 1950-2000, Human Studies Film Archives, Smithsonian Institution.
Identifier:
HSFA.1983.11
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John Marshall Ju/'hoan Bushman film and video collection
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9837628c2-5993-4cb8-8a98-9d1139f46452
EDAN-URL:
ead_collection:sova-hsfa-1983-11
Online Media:

Audio Log Sheets

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
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Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival / Series 3: Kenya: Mambo Poa / 3.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk51d53dc03-07bf-439d-8971-4c983700886f
EDAN-URL:
ead_component:sova-cfch-sff-2014-ref1052
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Minutes

Extent:
8.70 cu. ft. (9 document boxes) (7 12x17 boxes) (1 16x20 box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1846-1995
Descriptive Entry:
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead. Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from 1907 to 1946 and can be useful.
Historical Note:
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives; two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice since that time.

The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A. Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A. Wallace, William A. Wheeler, Henry Wilson.

Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White, William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.

Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell, Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin, Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey, Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull, Wallace H. White, Jr., Robert Enoch Withers.

Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth, Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton, Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce, Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R. Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.

Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings, John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley, John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton, Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson, Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.
Topic:
Museums -- Administration  Search this
Museum trustees  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Record Unit 1, Smithsonian Institution, Board of Regents, Minutes
Identifier:
Record Unit 1
See more items in:
Minutes
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru0001
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Marmosets and tamarins systematics, behaviour, and ecology edited by Anthony B. Rylands

Author:
Rylands, Anthony B  Search this
Physical description:
xv, 396 pages illustrations 24 cm
Type:
Congresses
Congrès
Congress
Kongreß
Conference papers and proceedings
Actes de congrès
Place:
Brasília
Date:
1993
1988
Topic:
Marmosets--Classification  Search this
Tamarins--Classification  Search this
Marmosets--Behavior  Search this
Tamarins--Behavior  Search this
Marmosets--Ecology  Search this
Tamarins--Ecology  Search this
Cebidae  Search this
Callitrichinae  Search this
Cebinae  Search this
Saimirinae  Search this
Ouistitis--Classification  Search this
Ouistitis--Mœurs et comportement  Search this
Ouistitis--Écologie  Search this
Cébidés  Search this
Krallenaffen  Search this
Systematik  Search this
Kongress  Search this
Verhalten  Search this
Ökologie  Search this
Tamarins  Search this
Callithricidés--Congrès  Search this
Ouistitis--Moeurs et comportement--Congrès  Search this
Tamarin (Singes)--Moeurs et comportement--Congrès  Search this
Primates  Search this
Call number:
QL737.P92M38 1993X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_444807

Tamarin Tales: The Official Newsletter of the International Committee for the Conservation and Management of Lion Tamarins

Editor:
Ballou, Jonathan D.  Search this
Object Type:
Smithsonian staff publication
Year:
2002
Citation:
Ballou, Jonathan D., editor. 2002. Tamarin Tales: The Official Newsletter of the International Committee for the Conservation and Management of Lion Tamarins. Washington, DC: National Zoological Park.
Identifier:
67493
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_67493

The effective use of flagship species for conservation of biodiversity: The example of lion tamarins in Brazil

Author:
Dietz, James M.  Search this
Dietz, L. A.  Search this
Nagagata, E. Y.  Search this
Editor:
Olney, P. S.  Search this
Mace, G.  Search this
Feistner, A. T.  Search this
Object Type:
Smithsonian staff publication
Year:
1994
Citation:
Dietz, James M., Dietz, L. A., and Nagagata, E. Y. 1994. "The effective use of flagship species for conservation of biodiversity: The example of lion tamarins in Brazil." In Creative Conservation: Interactive Management of Wild and Captive Animals. Olney, P. S., Mace, G., and Feistner, A. T., editors. 32–49. London, UK: Chapman and Hill.
Identifier:
68149
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_68149

Golden lion tamarin conservation program: a community effort for forest conservation, Rio de Janeiro State, Brazil

Author:
Dietz, L. A.  Search this
Nagagata, E. Y.  Search this
Editor:
Jacobson, S. K.  Search this
Object Type:
Smithsonian staff publication
Year:
1995
Citation:
Dietz, L. A. and Nagagata, E. Y. 1995. "Golden lion tamarin conservation program: a community effort for forest conservation, Rio de Janeiro State, Brazil." In Conserving Wildlife: International Education/Communication Approaches. Jacobson, S. K., editor. 95–124. New York, NY: Columbia University Press.
Identifier:
68150
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_68150

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