This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.
Scope and Contents:
The Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection contains periodicals, ephemera, posters, postcards, advertisements, photographs, organizational records, publications, correspondence, and other materials related to all aspects of the LGBT community and the civil rights issues pertaining thereto. The collection was created by the Archives Center to bring together materials specifically pertaining to the LGBT community. This collection contains material from communities and individuals throughout the United States. The collection is currently strongest in periodicals, newspapers and ephemera and very strong in material from California and New York. The collection continues to add new items and the researcher would be wise to take a broad view in targeting their research topics in the collection.
Arrangement:
The collection is divided into twenty-eight series.
Series 1: Periodicals, 1937-2023
Series 2: Agencies, Associations, and Organizations, 1965-2023, undated
Series 3: Community Life and Subject Files, 1825-2023, undated
Subseries 3.1: Photographs and Slides, 1870-2009, undated
Subseries 3.2: Ephemera and Buttons, 1969-2022, undated
Subseries 3.3: Posters and Prints, 1825-2018, undated
Subseries 3.4: Subject Files, 1958-2023, undated
Subseries 3.5: Pride, 1976-2023, undated
Subseries 3.6: HIV and AIDS, 1987-2020, undated
Subseries 3.7: Gay Games, 1982-2018
Series 4: Advertising, Business, and Publications, 1912-2023, undated
Subseries 4.1: Advertising, 1970-2018, undated
Subseries 4.2: Business, 1986-2021, undated
Subseries 4.3: Television, Theater, and Motion Pictures, 1978-2023, undated
Subseries 4.4: Bar ephemera and advertisement, 1979-2018, undated
Subseries 4.5: Publications, 1912-2023, undated
Series 5: Biren, Joan E. (JEB), 195-2018, undated
Subseries 5.1: Xerographic Copies of Photoprints, 1971-1995, undated.
Subseries 5.2: Posters and Oversize Advertisement, 1973-2018, undated
Series 6: Dietrich, Joseph A., 1992-2010
Series 7: Mattachine Society Records, 1942-1996, undated
Subseries 7.1: Correspondence, 1952-1991, undated
Subseries 7.2: Board of Directors Minutes, 1954-1974, undated
Subseries 7.4: Councils, Chapters, and Committees, 1953-1965, undated
Subseries 7.5: Conventions, 1953-1960, undated
Subseries 7.6: Publications, 1944-1996, undated
Series 8: Rainbow History Community Pioneers, 2003-2012, undated
Series 9: Strub, Sean O., addendum, 1987-2011, undated
Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB, 1990-2014, undated
Series 11: Ros, Silvia, 2009-2011
Series 12: Huebner, David, 2009-2014
Series 13: St. George, Philip, 1945-1955, undated
Series 14: Will & Grace, 1995-2006
Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York, 1910-2014, undated
Subseries 15.1: Photographs, Photographic Negatives, and Slides, 1985-2010, undated
Subseries 15.2: Heritage of Pride (HOP), 1984-2014, undated
Subseries 15.3: Barna, Joseph T., 1910-2013, undated,
Series 16: Becker, John M., 1999-2014, undated
Series 17: Rohrbaugh, Richard, 1972-1986, undated
Series 18: Guest, Michael E., 2001-2009
Series 19: The Fosters, 2013
Series 20: Pride at Work, 1990-2015
Series 21: Sabatino, Michael and Voorheis, Robert, 1980-2016, undated
Subseries 21.1: Archilla, Gustavo A. and Lokkins, Elmer T., 1916-2014, undated
Series 22: Gay Officers Action League (GOAL), 1982-2016, undated
Series 23: Brown, Adele "Del" and Herizon's Bar, 1985-1991, undated
Subseries 1: Changing Herizons, and Herizons Newsletter, 1983-1991
Series 24: Universal Fellowship Metropolitan Community Churches (UFMCC), 1957-2019, undated
Series 25: The Christmas House, Crown Media Family Networks, 2020-2021
Series 26: Cones, Myra L. and Harris, G. Yvonne, 1979-2001, undated
Series 27: Atlantic States Gay Rodeo Association (ASGRA), 1993-2004, undated
Series 28: Hooker, Meryl, 1989-1996, undated
Historical Note:
While the quest for equal rights has been pursued by generations, it is generally acknowledged that the modern day Lesbian, Gay, Bisexual, and Transgender (LGBT) civil rights movement began in New York City in June 1969 with the Stonewall Riots. Prior to this time a number of activists, individuals, and organizations such as The Mattachine Society, Daughters of Bilitis and others, fought to bring recognition of LGBT civil rights to the forefront of American society. While the movement was primarily, and most visably, centered in New York City and San Francisco, periodicals, guide books, and ephemeral material interconnected the larger LGBT community throughout the United States. The increased visibility of the LGBT movement inspired affinity groups at odds with the LGBT community's new found visibility and quest for broader civil rights. The challenge to what was termed "traditional" values encouraged these counter-LGBT groups to define and solidfy their constituency and also become more pro-active. This collection comprises material that is generated by individuals and organizations promoting both points of view.
Related Materials:
Materials in the Archives Center
Michio and Aveline Kushi Macro-Biotics Collection (AC0619)
The Shamrock Bar: Photographs and Interviews (AC0857)
Archives Center Wedding Documentation Collection (AC1131 )
Division of Science, Medicine, and Society HIV/AIDS Reference Collection (AC1134)
John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)
Joan E. Biren (JEB) Queer Film Museum Collection (AC1216)
World AIDS Institute (WAI) Collection (AC1266)
Servicemembers Legal Defense Network (SLDN) Records (AC1282)
Helping Persons with AIDS (HPA) Records (AC1283)
DC Cowboys Dance Company Records (AC1312)
Bil Browning and Jerame Davis Papers (AC1334)
David Hadley Rockwell New York Disco Ephemera Collection (AC1342)
Leonard P. Hirsch Federal Globe Records (AC1357)
Corbett Reynolds Papers (AC1390)
Mark Segal Papers (AC1422)
The Mattachine Society of Washington "Love in Action" Collection (AC1428)
Academy of Washington Records (AC1458)
Matthew Shepard Papers (AC1463)
I'm From Driftwood Records (AC1503)
The Division of Political History holds artifacts related to gay activist Franklin Kameny and a variety of political buttons. They also hold LGBT related artifacts from Joan E. Biren (JEB).
The Division of Medical and Science holds objects donated from Dr. Renee Richards, Sean O. Strub, and Leonard Hirsch.
The Division of Entertainment and the Arts holds objects donated by The Fosters, Will & Grace, and The Christmas House.
Provenance:
This collection was assembled by the Archives Center, National Museum of American History, Smithsonian, beginning in 2004.
Restrictions:
The collection is open for research use.
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Steel; graphite jet vanes, some wooden construction elements in fuselage; aluminum tanks not present.
Dimensions:
Overall: 11 ft. 8 3/8 in. wide x 46 ft. 1 3/16 in. deep x 5 ft. 5 in. diameter x 44 ft. 5 3/16 in. long, 8427.9 lb. (356.6 x 1405.1 x 165.1 x 1354.3cm, 3822.9kg)
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.
Asch 78s dubs 1. Union Boys with Woody Guthrie "Sally Don't You Grieve" 2. Union Boys with Josh White "Freedom Road" 3. Union Boys with Tom Glazer ""I'm Gonna Put My Name Down" 4. Union Boys "G.I. Joe and the CIO" 5. Union Boys with Tom Glazer "Social Worker's Talking Blues" 6. Union Boys with Josh White "Hold On" 7. Union Boys with Tom Glazer "Hold the Fort" 8. Union Boys with Burl Ives "We Will Not Be Moved" 9. Union Boys with Pete Seeger "UAW-CIO" 10. Union Boys with Tom Glazer "A Dollar Ain't a Dollar" 11. Union Boys with Josh White "Jim Crow" 12. ACT-2408-101 Champion Jack Dupree "Once I Had a Girl" (Solo 78) 13. ACT-2408-202 Champion Jack Dupree "Once I Had a Girl" 14. ACT-3122-101 Champion Jack Dupree "Fine Brown Frame" 15. ACT-3122-102 Champion Jack Dupree "A Woman is Not to Trust" 16. ACT-3948 Josh White "Betty and Dupree" 17. ACT-3950 Josh White "Betty and Dupree" 18. Asch 550-2B Champion Jack Dupree "Too Evil to Cry" 19. Solo 10-014 Champion Jack Dupree "Black Woman" 20. Solo 10-014 Champion Jack Dupree "I Once Had a Girl" BBC Radio Program- Children's Hour with Woody Guthrie 7 July 1944 includes 21. Woody Guthrie "Wabash Cannonball" 22. Woody Guthrie "900 Miles" 23. Woody Guthrie "Stagger Lee" 24. Woody Guthrie "Pretty Boy Floyd" 25. All Things Considered - NPR Broadcast with Jim (Vincent) Longhi about Merchant Marine Service with Woody Guthrie and Cisco Houston in 1944.
Track Information:
101 Sally Don't You Grieve / Union Boys, Cisco Houston, Woody Guthrie. Guitar.
102 Freedom Road / Union Boys, Josh White. Guitar.
103 I'm Gonna Put My Name Down (C.I.O. War Relief Song) / Union Boys, Tom Glazer. Guitar.
104 G.I. Joe and the C.I.O (We've Got a Plan) / Union Boys, Tom Glazer. Guitar.
105 Social Worker's Talking Blues / Union Boys, Tom Glazer. Guitar.
106 Hold On / Union Boys, Josh White. Guitar.
107 Hold the Fort / Union Boys, Tom Glazer. Guitar.
108 We Shall Not Be Moved / Union Boys, Burl Ives. Guitar.
109 U.A.W.-C.I.O / Union Boys, Pete Seeger. Guitar.
110 A Dollar Ain't a Dollar Anymore / Union Boys, Tom Glazer. Guitar.
111 Jim Crow / Union Boys, Josh White. Guitar.
112 Once I Had a Girl (ACT-2408) / Champion Jack Dupree. Piano.
114 Fine Brown Frame (ACT-3122) / Champion Jack Dupree, Brownie McGhee. Piano.
115 Woman is Not to Trust, A (ACT-3122) / Champion Jack Dupree, Brownie McGhee. Piano.
116 Betty and Dupree (ACT-3948) / Josh White. Guitar.
117 Betty and Dupree (ACT-3950) / Josh White. Guitar.
118 Too Evil to Cry / Champion Jack Dupree. Piano.
119 Black Woman / Champion Jack Dupree. Piano.
120 Once I Had a Girl / Champion Jack Dupree. Piano.
121 Wabash Cannonball / Woody Guthrie. Guitar.
122 900 Miles / Woody Guthrie. Guitar.
123 Stagger Lee / Woody Guthrie. Guitar.
124 Pretty Boy Floyd / Woody Guthrie. Guitar.
125 Jim Longhi's Story About Experiences on the Sea Porpoise with Woody and Cisco / Jim Longhi.
Local Numbers:
FP-CDR-0046
Date/Time and Place of an Event Note:
Recorded in: London (England), England, New York, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
115 Yellow Gal / Woody Guthrie, Cisco Houston, Lead Belly. Guitar.
116 Philadelphia Lawyer / Woody Guthrie, Cisco Houston. Guitar.
117 Ida Red / Woody Guthrie. Guitar.
118 On a Monday (ACT-2711) / Lead Belly. Guitar.
119 On a Monday (ACT-3234) / Lead Belly. Guitar.
120 Shorty George (ACT-3234) / Lead Belly. Guitar.
121 Shorty George (ACT-129) / Lead Belly. Guitar.
122 Duncan and Brady (ACT-129) / Lead Belly. Guitar.
123 Duncan and Brady (ACT-258) / Lead Belly. Guitar.
124 Duncan and Brady (ACT-3141) / Lead Belly. Guitar.
125 Old Riley (ACT-3141) / Lead Belly. Guitar.
126 Old Riley (ACT-299) / Lead Belly. Guitar.
127 Old Riley (ACT-129) / Lead Belly. Guitar.
128 Pigmeat (ACT-291) / Lead Belly. Guitar.
129 Pigmeat (ACT-252) / Lead Belly. Guitar.
Local Numbers:
FP-CDR-0053
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
Restrictions:
Restrictions on access. rr.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Grace F. Thorpe Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
This collection consists of photographs, news clippings, and correspondence documenting Thaden's aviation career.
Scope and Contents:
The Louise McPhetridge Thaden Collection contains numerous newspaper and journal articles, personal letters and business correspondence, writings, photographs, and scrapbooks, all relating to her aviation career.
The National Air and Space Museum (NASM), Archives Division also holds additional materials about Louise Thaden. Biographical information can be found in the biographical fiche collection at the NASM Archives/Garber Facility. In the NASM Archives downtown facility, we recommend the Biographical Files which contain additional newspaper and journal articles, letters, memorabilia, and photographs. Please note that these files also contain microfiche.
For additional photographs please see the NASM videodisc files located at the NASM Archives Udvar-Hazy facility. The images can be seen on NASM videodisc 7B-6445 --6491 (Accession # 1989- 0132). Also check NASM videodisc 2B-46705 --46805. In most cases, there are original videodisc prints available in the NASM Archives facility downtown and copy negatives at the Smithsonian Institution, Office of Printing and Photographic Services (OPPS). Please consult a staff member for more details and about ordering procedures
Arrangement:
This collection had little original arrangement, and accordingly, has been divided into six general series according to material types.
Series 1: GENERAL. This series contains mostly journal and newspaper articles, but also includes telegrams, letters, applications, invitations, examples of commercial endorsements, membership certificates, and original race information and itineraries. It is arranged in chronological order. Significant events are highlighted. In some cases, newspaper clippings with handwritten messages have been kept for their inherent value.
Series 2: WRITINGS. This series contains samples of her various writings. It is arranged in chronological order.
Series 3: PHOTOGRAPHS. This series contains photographs. The subject matter ranges from childhood activities to award ceremonies. It is divided by two large subject groupings: first—people (arranged by general categories), second—events (arranged by date). All paperwork directly related to a particular photograph has been kept with that photograph. Please note that Smithsonian Institution negative numbers are written on the back of each photograph when applicable. Sub-topics listed in the finding aid are meant to highlight particular topics in each folder and are not intended to indicate exclusive content. Please review each folder thoroughly.
Series 4: SCRAPBOOKS. This series contains seven scrapbooks of various sizes and content and two Civil Air Patrol award certificates. The inclusive dates are listed next to the individual scrapbook. The content of the scrapbooks date mostly from 1919-1940 and contain photographs, newspaper articles, membership certificates, licenses, contestant ribbons, invitations, business cards, and cartoons about Thaden. Handling notes are listed next to individual scrapbooks in the finding aid. Please follow these notes so that the physical integrity of the object can be preserved.
Series 5: THADEN AIRCRAFT CO. AND RELATED MATERIAL. This series contains information about Thaden Aircraft Company and Herbert von Thaden. Items in this series include: newspaper and journal article, resumes, letters, photographs, and information about the All-Metal aircraft created by Herbert Thaden. This series is the only portion of the collection with any obvious arrangement and was separated into its own series for this reason.
Series 6: MISCELLANEOUS. This series contains all of the materials that do not appear to fit easily into any of the above series. The items here include undated or general journal and newspaper articles, newspapers from University of Arkansas, maps, Who's Who application, musical score, souvenir stamps, travel souvenirs, and resumes.
Biographical/Historical note:
Louise McPhetridge Thaden (1905-1979) was one of the United States foremost female aviators during the late 1920s and 1930s. She received instruction in 1927, soloing and receiving her pilot's license in 1928. In December 1928, Thaden achieved a new altitude record of 20,260 ft. In March 1929, she made a new solo duration record, 22+ hours. A month later she set a new speed record of 156 mph. Thaden was the only woman to hold all three records simultaneously. In August 1929, Thaden won the First Women's National Air Derby, commonly called the Powder Puff Derby. Three years later (August 1932), she, along with Francis Marsalis, set the new refueling duration record of 196 hours. In July 1936, Thaden set the new light plane speed record at 109.58 mph. In the same year, she also won the National Air Race, and was awarded the Bendix Transcontinental Air Race Trophy, becoming the first woman ever to receive this trophy. She set an East-West speed record in 1936, and an inter-city distance speed record and another 109.56 mph speed record in 1937.
Ms. Thaden also distinguished herself in her efforts to promote aviation safety through campaigns to mark airports more effectively. She actively sought ways to promote women in aviation through her work with the U.S. Department of Defense, Advisory Committee on Women in the Services (DACOWITS) 1959-1961 and in her work with the Civil Air Patrol, 1949-1979. She also co-founded the Ninety-Nines, and organization of women pilots. She received numerous awards and honors throughout her life including: Harmon Trophy, Famous Aviators Wall—Mission Inn (Riverside, CA), Arkansas Aviators Hall of Fame, First Flight Society Hall of Fame, Virginia Aviation Hall of Fame, International Aerospace Hall of Fame of the San Diego Aerospace Museum, National Aviation Hall of Fame, Women in Aviation International Pioneer Hall of Fame, and Civil Air Patrol Distinguished Service Award and Meritorious Service Award. She was also an active writer who published an autobiography entitled High, Wide and Frightened and several journal and newspaper articles. In 1928, she married Herbert von Thaden, an aeronautical engineer and designer of several all-metal aircraft. They had two children, William and Patricia, who donated the materials found in the collection.
Personal
1905-11-10 -- Born, Iris Louise McPhetridge, Bentonville Arkansas: Roy Fry and EdnaHobbs McPhetridge
1953-1954 -- Research & Development, Reinforced plastics, Roanoke, Virginia,
1955-1961 -- Thaden Molding Corporation: Vice President, Director, High Point North Carolina,
1961-1969 -- Thaden Engineering Company: Partner
1969-1979 -- Sole Owner, High Point, North Carolina,
Aviation Records and Races
1928-12-07 -- Altitude, First official altitude record for women in the US; 20,260 feet, Hisso180 hp Travel Air
1929-03-16 - 1929-03-17 -- Solo Duration; 22 hrs 3 minutes 28 seconds, Hisso 180 hp Travel Air
1929-04-18 -- Speed 156 mph, Wright J-5 Travel Air
undated -- Only woman ever to hold all 3 records simultaneously (Altitude, Solo Duration, & Speed)
1929-08-18 - 1929-08-18 -- Winner, first National Woman's Air-Derby; 20:02:02, average speed 135.97 mph, Wright J-5 Travel Air; Santa Monica, CA to Cleveland, OH
1932-08-14 - 1932-08-22 -- Refueling Duration, (with Francis Marsalis); 196 hrs, Wright J-6 220 hpCurtiss Thrush, "The Flying Boudoir"
1936-09-04 -- Winner, Bendix Transcontinental Air Race; First woman to win Bendix, Wright 420 hp Beech Staggerwing CI7R; New York to Los Angeles, 14 hrs 55 minutes
1936-09-04 -- East-West Speed; New York to Los Angeles; 165.346 mph, Wright 420 hp Beech Staggerwing CI7R
1937-01-21 -- Inter-City Distance Speed; Wright 420 hp Beech Staggerwing; Detroit to Akron, 40 minutes 43 seconds
1937-05-29 -- 100 km Speed; 197.9 mph, Wright 420 hp Beech Staggerwing D17
Aviation History
1927 -- Instruction
1928-02-08 -- Solo
1928-02-28 -- Federation Aeronautique Internationale Aviators Certificate No. 6850 after approximately 5 hrs 15 minutes solo time, signed by Orville Wright
1929 -- Transport pilot License number 1943; 4th woman to earn this rating
Organizations
Delta Delta Delta (Delta Iota Chapter)
Ninety-Nines (International Organization of Women Pilots): -- Founding & Charter Member 1929-1930: First de facto President 1930-1936: National Secretary 1934-1936: Vice President 1960-1961: Amelia Earhart Scholarship Committee
1937-1938: National Aeronautic Association; National Secretary
Veteran Air Pilots
1945-1952: American Red Cross Motor Corps
OX5 Pioneers Club of America
Silver Wings
Aircraft Owners & Pilots Association (AOPA)
1959-1961: US Department of Defense, Advisory Committee on Women in the Services (DACOWITS)
1960-1961: Executive Committee
1960-1961: Information Sub-committee Chairman
Civil Air Patrol 1949-1970
Lieutenant Colonel Command Pilot Search & Rescue Mission Pilot Cadet Squadron Commander Director of Cadets, Virginia Wing Director of Cadets Squadron, Cadets Middle East Region Coordinator for Women, Middle East Region National Commanders Cadet Committee 1959-1963: National Commanders Training Committee Chairman National Scholarships Committee 1970: Retired Status
League of American Pen Women, Honorary Member (Pittsburgh, PA)
Business & Professional Women, 381st (Vincinnes, IN)
Strategic Missile Wing, United States Air Force (Wichita, KS)
Honors and Awards
1936: Harmon Trophy (Aviatrix) Federation Aeronautique Internationale, Champion Aviatrix of the United States
Civil Air Patrol: Distinguished Service Award; Exceptional Service Award; Meritorious ServiceAward with Cluster
OX5 Club of America, Broadwick Award --Outstanding Aviatrix
Citation: The Society of Experimental Test Pilots
Airport: Louise M. Thaden Field, Bentonville, AR
1974: The Louise M. Thaden Office & Library, Staggerwing Museum, Tullahoma, TN
OX5 Pioneer Aviators Hall of Fame
1973: OX5 Silver Wings Achievement Award
1980: Arkansas Aviation Hall of Fame
1988: First Flight Society Aviation Hall of Fame, Kitty Hawk, NC
1989: Virginia Aviation Hall of Fame
1989: Recreation flight, 1929 First Women's Air Derby, 60th Anniversary, Susan Dusenbury, pilot
1991-04-05: Flying helmet taken aboard Atlantis Space Shuttle by Mission Specialist Linda Goodwin, Ph.D., NASA Flight #STS-37
1996-08: Staggerwing Beech Commemorative Tour honoring Louise Thaden, winner of 1936 Bendix Transcontinental Air Race; 60th Anniversary
1997-07: Award of Achievement, The Ninety-Nines, Inc.
1999-04: The International Aerospace Hall of Fame of the San Diego Aerospace Museum
1999-07: National Aviation Hall of Fame, Dayton OH
2003-03: Women in Aviation, International --named as one of the "100 Women Who Made a Difference" in the history of aviation, 14th annual conference
Louise Thaden Woman of the Year Award --Annual presentation by Bentonville/Bella Vista Chamber of Commerce at the NW AR Business Women's Conference, began 2000
2000-03: Women in Aviation, International Pioneer Hall of Fame
Provenance:
William Thaden, gift, 1983, XXXX-0006, NASM
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
New York Airways Collection, Acc. NASM.1992.0052, National Air and Space Museum, Smithsonian Institution.
New York Airways, Inc., "Boeing V-107 Helicopters: Equalized Phase Maintenance Programs (5 phase and 20 phase) and Aircraft Modification Program"
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
New York Airways Collection, Acc. NASM.1992.0052, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
Bendix Air Races Collection, Acc. NASM.1988.0115, National Air and Space Museum, Smithsonian Institution.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.