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Curt Maury Papers

Creator:
Maury, Curt  Search this
Extent:
12.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Dye coupler transparencies
Place:
Gujarat (India)
Karnataka (India) -- Social life and customs
Kerala (India)
Maharashtra
Rajasthan (India)
India
Date:
1953-circa 1985
Summary:
The Curt Maury papers, dating from 1953 to circa 1985, measure 12.7 linear feet and include writings and notes for planned and published books; travel files and expense ledgers for trips to India; photograph ledgers; and extensive photographs and slides of India.
Scope and Contents:
The Curt Maury papers, dating from 1953 to circa 1985, measure 12.7 linear feet and consist of writings and notes for planned and published books; travel files and expense ledgers for trips to India; photograph ledgers; and extensive photographs and slides of India.

The collection was created by Maury primarily in preparation for an unpublished book to be titled, "India's Folk Tradition as the Mirror of Mankind's Religious History." Materials include manuscript and typescript drafts and notes for this book, as well as for published book, Folk Origins of Indian Art (1969). Travel files include printed maps of India, Maury's sketched map outlines of cities in India, and five travel expense ledgers. Photographic materials consist of black and white prints and slides depicting Indian folk art, including religious artifacts and structures, and Indian cultural activities and surroundings. Nine photograph ledgers describe images and locations of photographs and slides with roll and image number.
Arrangement:
The collection is arranged as 3 series.

Series 1: Writings and Notes, circa 1960s-circa 1970s [3.7 linear feet; Boxes 1-5, 7-11]

Series 2: Travel Files, 1953-1975 [0.4 linear feet; Box 5, 1 OV Folder]

Series 3: Photographic Material, circa 1960-circa 1985 [8.5 linear feet; Boxes 6, 12-44]
Biographical note:
Curt Maury (1909-1989) was a writer, social services administrator, and scholar of Indian art. He was born in Germany, earned a PhD in German Literature from the University of Vienna in 1935, and immigrated to the United States in 1939. While pursuing a literary career through the publication of novels, plays, and poems, Maury developed an interest in India, which he visited many times from the 1950s through the 1970s. He conducted research on Indian folk art, and kept extensive photographic records.
Provenance:
The papers were donated to the Archives after Curt Maury's death in 1989 by his brother, Hans Tischler.
Restrictions:
Collection is open for research. Due to cold storage requirements, digital surrogates are prefered for access. One week's notice is required prior to access originals.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions Department. Please contact the Archives in order to initiate this process.
Topic:
Art, Hindu  Search this
Indian art  Search this
Cave temples  Search this
Taj Mahal (Agra, India)  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white photoprints -- Silver gelatin
Dye coupler transparencies
Citation:
Curt Maury Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Mr. Hans Tischler.
Identifier:
FSA.A1989.05
See more items in:
Curt Maury Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1989-05
Online Media:

Elizabeth Moynihan Collection

Creator:
Moynihan, Elizabeth B.  Search this
Extent:
16 Linear feet
Type:
Collection descriptions
Archival materials
Date:
undated
Scope and Contents:
Elizabeth Moynihan is an architectural historian and author, specializing in the study of Mughal gardens in India. This collection measures 7.13 linear feet and documents Elizabeth Moynihan's research of the Lotus Garden of Dholpur, the Jai Mahal Garden in Jaipur, Mehtab Bagh, and many other Mughal Gardens in India. It includes correspondence; field notebooks; drawings; sketchbooks; photographs; slides; rock specimens; blueprints; maps; and published articles.
Arrangement:
The Elizabeth Moynihan Collection is organized into seven series.

Series 1: Gardens Subseries 1.1: Lotus Garden, Dholpur, India 1978-1985 Subseries 1.2: Jaipur, Jai Mahal Garden Subseries 1.3: Mehtab Bagh "Moonlight Garden" Series 2: Book Research Materials Series 3: Garden Reference Materials Series 4: Slides Series 5: Notebooks Series 6: Rock Specimens Series 7: Oversized Materials
Biographical / Historical:
Elizabeth Moynihan is an architectural historian and author, specializing in the study of Mughal gardens in India. In 1973, while living in India, Ms. Moynihan authored a survey of surviving Mughal gardens, which she published in 1979 titled "Paradise as a Garden in Persia and Moghul India." Ms. Moynihan served on the Indo-U.S. Sub-Commission on Education and Culture. During this tenure, she continued her research on Babur, the founder of the Moghul dynasty, locating and documenting four previously unknown 16th century gardens built by Babur. Ms. Moynihan served on and helped establish many distinguished boards and committees over the course of her career. These include the Raoul Wallenberg Committee, American Schools of Oriental Research, and the State University of New York at Binghamton. A long-time board member of the Smithsonian's Freer Gallery of Art and Arthur M. Sackler Gallery, Ms. Moynihan also served as a trustee of the National Building Museum, the Dumbarton Oaks Research Library, Harvard University, the Preservation League of New York State, and the Leon Levy Foundation, among other educational and cultural institutions. Ms. Moynihan received honorary degrees from the City University of New York and Hartwick College. In 1991, she was nominated by Leon Levy and elected to serve as an independent director of the Oppenheimer Funds, a position in which she served for 12 years. In 1996, Ms. Moynihan directed a joint project for the Archaeological Survey of India and the Arthur M. Sackler Gallery of the Smithsonian Institution, and edited the report published in 2000 as "The Moonlight Garden: New Discoveries at the Taj Mahal." In 2003, Ms. Moynihan was named as a founding trustee of the Leon Levy Foundation. The projects in which she is most engaged are the Leon Levy Native Plant Preserve in Eleuthera, Bahamas, the Native Plant Garden at the New York Botanical Garden, the Water Conservation Project at the Brooklyn Botanic Garden, and the Center for Conservation Studies at Nagaur Fort in Rajastan, India. Married to United States Ambassador and Senator Daniel Patrick Moynihan for 48 years, Ms. Moynihan managed three of his four campaigns for the United States Senate. Ms. Moynihan currently serves as a Distinguished Counsellor to the New York Botanical Garden's Board of Managers; a position she's held since 2013. Scope and Content Note Elizabeth Moynihan is an architectural historian and author, specializing in the study of Mughal gardens in India. This collection measures 7.13 linear feet and documents Elizabeth Moynihan's research of the Lotus Garden of Dholpur, the Jai Mahal Garden in Jaipur, Mehtab Bagh, and many other Mughal Gardens in India. It includes correspondence; field notebooks; drawings; sketchbooks; photographs; slides; rock specimens; blueprints; maps; and published articles.
Provenance:
Gift of Elizabeth Moynihan.
Restrictions:
Collection is open for research.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Citation:
The Elizabeth Moynihan Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Elizabeth Moynihan, 2013.
Identifier:
FSA.A2013.06
See more items in:
Elizabeth Moynihan Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a2013-06
Online Media:

Charles Lang Freer Papers

Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
131 Linear feet (29 architectural drawings)
Type:
Collection descriptions
Archival materials
Diaries
Financial records
Correspondence
Photographs
Place:
China
Syria
Egypt
India
London (England)
Japan
Boston (Mass.)
Detroit (Mich.)
Washington (D.C.)
Kandy (Sri Lanka)
Sri Lanka
Anuradhapura (Sri Lanka)
Date:
1876-1931
Summary:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
Scope Content:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.
Organization of the Papers:
This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs
Biographical Note:
1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Karin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.
Index:
Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert Chrétien Bosch See: Bosch-Reitz, Sigisbert Chrétien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company
Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts
Related Material:
The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.
Provenance:
Gift of the estate of Charles Lang Freer.
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American -- Collectors and collecting  Search this
Art, Asian -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Architecture -- Asia  Search this
Genre/Form:
Diaries
Financial records
Correspondence
Photographs
Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01
See more items in:
Charles Lang Freer Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a-01
Online Media:

Oral history interview with Daniel Varney Thompson, 1974 September 25-1976 November 2

Interviewee:
Thompson, Daniel V. (Daniel Varney), 1902-1980  Search this
Interviewer:
Brown, Robert F.  Search this
Subject:
Warner, Langdon  Search this
Meeks, Everett  Search this
Berenson, Bernard  Search this
Forbes, Edward  Search this
Ivins, William Mills  Search this
Harvard University. Germanic Museum  Search this
Fogg Art Museum  Search this
Courtauld Institute of Art  Search this
Yale University  Search this
Type:
Sound recordings
Interviews
Topic:
China  Search this
Painting  Search this
Cave paintings  Search this
Conservators  Search this
India  Search this
Painting, Medieval  Search this
Art historians  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)13166
(DSI-AAA_SIRISBib)212102
AAA_collcode_thomps74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212102
Online Media:

Oral history interview with Isamu Noguchi, 1973 Nov. 7-Dec. 26

Interviewee:
Noguchi, Isamu, 1904-1988  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Knoll, Hans  Search this
Ward, Eleanor  Search this
Hare, David  Search this
Kline, Franz  Search this
Zorach, William  Search this
Brummer, Joseph  Search this
Stieglitz, Alfred  Search this
Becker, John Bruere  Search this
De Kooning, Willem  Search this
Duchamp, Marcel  Search this
Gorky, Arshile  Search this
Brancusi, Constantin  Search this
Fraser, James Earle  Search this
Levy, Julien  Search this
Ruotolo, Onorio  Search this
Covarrubias, Miguel  Search this
Reynal, Jeanne  Search this
Graham, Martha  Search this
Schoen, Eugene  Search this
Ito, Michio  Search this
Guston, Philip  Search this
Price, Edison A.  Search this
Moore, Henry  Search this
Ruellan, Andrée  Search this
Collier, John  Search this
Hopkins, Harry Lloyd  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Hasegawa, Saburo  Search this
Fuller, R. Buckminster (Richard Buckminster),  Search this
Cahill, Holger  Search this
Rivera, Diego  Search this
Kahn, Louis I.  Search this
LÔeger, Fernand  Search this
Graham, John D. (John Dabrowsky)  Search this
Calder, Sandy  Search this
Breton, André  Search this
Shoji, Sadao  Search this
Raymond, Antonin  Search this
Taniguchi, Yoshiro  Search this
Barnard, George Grey  Search this
Gregory, Peter Ronald  Search this
McMahon, Audrey  Search this
Calder, Alexander Stirling  Search this
Kantor, Morris  Search this
Borglum, Gutzon  Search this
Davis, Stuart  Search this
Egan, Charles  Search this
Artists' Union (New York, N.Y.)  Search this
Brummer Gallery (New York, N.Y.)  Search this
Bollingen Foundation  Search this
Japanese American Citizens' League  Search this
Leonardo da Vinci Art School  Search this
Skidmore, Owings & Merrill  Search this
Unesco  Search this
Type:
Sound recordings
Interviews
Topic:
Italy  Search this
Sculpture, American  Search this
Gardens, Japanese  Search this
Japan  Search this
Egypt  Search this
India  Search this
Sculptors  Search this
Sculpture, Modern  Search this
Asian American artists  Search this
Record number:
(DSI-AAA_CollID)11906
(DSI-AAA_SIRISBib)216546
AAA_collcode_noguch73
Theme:
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216546
Online Media:

Oral history interview with Betty Woodman, 2003 April 22 and 29

Interviewee:
Woodman, Betty, 1930-2018  Search this
Interviewer:
Perreault, John, 1937-  Search this
Subject:
Leach, Bernard  Search this
Serra, Richard  Search this
Kozloff, Joyce  Search this
Brown, Elenita  Search this
Hamada, Sh?ji  Search this
Higby, Wayne  Search this
Kushner, Robert  Search this
Shark, Bud  Search this
Carlson, Cynthia  Search this
Woodman, George  Search this
Voulkos, Peter  Search this
Fabric Workshop  Search this
University of Colorado  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Girl Scouts of the United States of America  Search this
Centre internationale de recherche sur le verre et les arts plastiques (Marseille, France)  Search this
Europees Keramisch Werkcentrum  Search this
Bellagio Study and Conference Center  Search this
Boulder (Colo.).Parks & Recreation Department  Search this
School for American Crafts  Search this
Type:
Sound recordings
Interviews
Topic:
Airplanes  Search this
Screen process printing  Search this
Netherlands  Search this
India  Search this
Ceramicists  Search this
Boulder (Colo.)  Search this
Glass art  Search this
Art  Search this
World War, 1939-1945  Search this
Mexico  Search this
Ceramics  Search this
Handicraft  Search this
Women artists  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)13297
(DSI-AAA_SIRISBib)245771
AAA_collcode_woodma03
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_245771
Online Media:

Oral history interview with Raquel Rabinovich, 2012 September 25 and October 9

Interviewee:
Rabinovich, Raquel, 1929-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Del Giocondo, Lisa  Search this
Pavia, Philip  Search this
Stein, Charles  Search this
Strauss, David Levi  Search this
Mondrian, Piet  Search this
Picasso, Pablo  Search this
Denes, Agnes  Search this
Weintraub, Linda  Search this
Velázquez, Diego  Search this
Zimmer, William  Search this
Farina, Ernesto  Search this
Perón, Juan Domingo  Search this
Borges, Jorge Luis  Search this
Lenin, Vladimir Ilºich  Search this
Kelly, Robert  Search this
Johns, Jasper  Search this
Quasha, George  Search this
Herzberg, Julia P.  Search this
Cézanne, Paul  Search this
Schwabsky, Barry  Search this
Rockburne, Dorothea  Search this
Braque, Georges  Search this
Beethoven, Ludwig van  Search this
Mondolfo, Rodolfo  Search this
Lhote, André  Search this
Martin, Agnes Bernice  Search this
Maggi, Marco  Search this
Hispanic American Arts Center (New York, N.Y.)  Search this
Station Hill Press  Search this
Type:
Sound recordings
Interviews
Topic:
France  Search this
Machu Picchu Site (Peru)  Search this
Sculptors  Search this
Denmark  Search this
India  Search this
Thailand  Search this
Women artists  Search this
Buddhism  Search this
Argentina  Search this
Nepal  Search this
Egypt  Search this
New York (N.Y.)  Search this
Painters  Search this
Minimal art  Search this
Record number:
(DSI-AAA_CollID)16067
(DSI-AAA_SIRISBib)338396
AAA_collcode_rabino12
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_338396

Oral history interview with Glen Kaufman, 2008 January 22-February 23

Interviewee:
Kaufman, Glen, 1932-  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Subject:
Lambert, Ed  Search this
Strengell, Marianne  Search this
Rossbach, Ed  Search this
Thompson, Bill  Search this
Page, Charlene  Search this
Constantine, Mildred  Search this
Larsen, Jack Lenor  Search this
Grotell, Maija  Search this
Allrich, Louise  Search this
Cook, Camille J.  Search this
McCutchen, Earl  Search this
Liebes, Dorothy  Search this
Johnston, Meda Parker  Search this
Cranbrook Academy of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Reserve Officers Training Corps  Search this
Type:
Sound recordings
Interviews
Topic:
Japan  Search this
Textile artists  Search this
Illinois  Search this
Ohio  Search this
Denmark  Search this
India  Search this
Europe  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)16155
(DSI-AAA_SIRISBib)366203
AAA_collcode_kaufma08
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_366203
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
de Hauke, César  Search this
Seligmann, Jacques  Search this
Seligmann, René  Search this
Parker, Theresa D.  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Schiff, Mortimer L.  Search this
Haardt, Georges  Search this
La Fresnaye, Roger de  Search this
Seligman, Germain  Search this
Arenberg  Search this
Seligmann, Arnold  Search this
Trevor, Clyfford  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Topic:
Art  Search this
Art, European  Search this
World War, 1939-1945  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art galleries, Commercial  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
5 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 2
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 3
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 4
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 5
Online Media:

Eliot Candee Clark papers, 1839-1984

Creator:
Clark, Eliot Candee, 1883-1980  Search this
Subject:
Clark, Walter  Search this
Sparks, Leon  Search this
Clark, Margaret W. Fowler  Search this
Wyeth, Andrew  Search this
Type:
Scrapbooks
Sketchbooks
Topic:
India  Search this
Morocco  Search this
United States  Search this
Europe  Search this
Painting, American  Search this
Record number:
(DSI-AAA_CollID)6711
(DSI-AAA_SIRISBib)208836
AAA_collcode_clarelio
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208836
Online Media:

Meissen leaf dish

Maker:
Meissen Manufactory  Search this
Physical Description:
blue underglaze (overall color)
hard-paste porcelain (overall material)
polychrome enamel and gold (overall color)
Kakiemon (overall style)
Measurements:
overall: 9 1/8 in x 13 5/8 in; 23.1775 cm x 34.6075 cm
overall: 2 1/8 in x 13 3/4 in x 9 1/4 in; 5.3975 cm x 34.925 cm x 23.495 cm
Object Name:
tray
Place made:
Germany: Saxony, Meissen
Date made:
ca 1735-1740
1735-1740
Subject:
Manufacturing  Search this
ID Number:
1983.0565.11
Accession number:
1983.0565
Catalog number:
1983.0565.11
Collector/donor number:
159
See more items in:
Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-6f60-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1405965

Meissen plate

Maker:
Meissen Manufactory  Search this
Physical Description:
hard-paste porcelain (overall material)
polychrome enamels and gold (overall color)
Kakiemon (overall style)
blue underglaze (overall color)
Measurements:
overall: 9 1/8 in; 23.1775 cm
overall: 1 1/4 in x 9 5/16 in; 3.175 cm x 23.6855 cm
Object Name:
plate
Object Type:
plate
Place made:
Germany: Saxony, Meissen
Date made:
ca 1725-1730
1725-1730
Subject:
Manufacturing  Search this
ID Number:
1983.0565.41
Accession number:
1983.0565
Catalog number:
1983.0565.41
Collector/donor number:
811
See more items in:
Cultural and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-5cc7-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1405982

Still Prints of Asia: Mausoleum of Prince Etmad-Dowlach, Agra

Creator:
Bourne, Samuel, 1834-1912  Search this
Names:
Ghiyas Beg, Mirza, d. 1627  Search this
Extent:
1 Print (albumen, image 23 x 29 cm., mounted 31 x 40 cm.)
Type:
Collection descriptions
Archival materials
Prints
Photographs
Albumen prints
Place:
Agra (India)
India -- Uttar Pradesh -- Agra
Date:
circa 1860s
Scope and Contents:
One albumen print of the mausoleum of Prince Etmad-Dowlach (Agra, India), circa 1860s. View from top from with a few gentlemen to the side. Signed "Bourne 1232" in the center of the image.
Arrangement:
One folder in one flat box.
Biographical / Historical:
Samuel Bourne (1834-1912) had already begun to earn recognition for his work in England, having exhibited at the London International Exhibition of 1862, when he decided to give up his position in a bank and depart for India to work as a professional photographer. He arrived in Calcutta early in 1863, initially setting up a partnership with William Howard. They moved up to Simla, where they established a new studio Howard & Bourne, to be joined in 1864 by Charles Shepherd, to form Howard, Bourne & Shepherd. By 1866, after the departure of Howard, it became Bourne & Shepherd, the name under which the firm continues to operate to this day. Although Bourne only spent 6 years in India, his time there was extremely productive. He undertook three major expeditions in the Himalayas, creating an impressive body of work which combined the highest technical quality and a keen artistic eye, while working under difficult physical conditions. Bourne left India for good in 1870, selling his interest in Bourne & Shepherd shortly thereafter and abandoning commercial photography.
This photograph depicts the tomb of Mirza Ghiyas Beg, located in Agra, India. An important official of the Mughal empire. Ghiyas Beg served as the chief treasurer during the rule of Emperor Jahangir, and was given the title I'tim�d-ud-Daulah (i.e. Etmad-Dowlach), or Pillar of the State. The tomb, which is considered an architectural predecessor of the Taj Mahal, was commissioned by Nur Jahan, Ghiyas Beg's daughter and the wife of Jahangir.
Local Numbers:
FSA A1999.10
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Mausoleums -- India  Search this
Genre/Form:
Photographs
Albumen prints -- 1860-1880
Identifier:
FSA.A1999.10
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1999-10
Online Media:

Dorothy Shepherd Photographs

Creator:
Shepherd, Dorothy  Search this
Extent:
35 Items (mm color slides 23,500)
Type:
Collection descriptions
Archival materials
Slides (photographs)
Place:
Afghanistan
India
Iran
Date:
undated
Scope and Contents:
Images of Near Eastern art objects, world sites, and architectural sites. The slide collection contains irreplaceable images of textiles, art objects and architectural sites from the Middle East and Iran. Highlights of the collection are the textile, Sasanian metal works and Middle Eastern and Iranian architectural sites.
Biographical / Historical:
Dorothy Shepherd (1916-1992), Curator of Textiles and Near Eastern Art for the Cleveland Museum of Art (CMA, 1954-81), was one of only a few female museum curators in the United States in the 1960s and was internationally known for her scholarship in medieval textiles and ancient Near Eastern and Islamic art. She was born in Welland, Ontario, Canada. A graduate of the University of Michigan, she worked towards a Ph.D. at the Institute of Fine Arts (NYC) and New York University. From 1942-44, Shepherd was assistant curator in decoration for the Cooper Union Museum of Arts (NYC), and during WWII, worked for the Office of War Information in London, Luxembourg, Frankfurt and Berlin. Shepherd came to Cleveland in 1947 as assistant curator of textiles at the CMA. In 1954, the museum designated her as official curator of textiles and Near Eastern Art. She became chief curator of textiles and Islamic Art in 1979, a position she held until retiring. Shepherd married architect Ernst Payer on 22 March 1951. After her husband's death in 1981, Shepherd moved first to Florida then to Asheville, NC, where she died.
Local Numbers:
FSA A2015.12
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Slides (photographs)
Identifier:
FSA.A2015.12
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a2015-12
Online Media:

Thomas Daniell Collection

Creator:
Daniell, Thomas, 1749-1840  Search this
Extent:
1 Item (1 vol., ill., 77 x 59 cm.)
1 Item (pencil and ink wash on paper (73 x 46 cm.))
Type:
Collection descriptions
Archival materials
Aquatints
Drawings
Place:
India
Ellora Caves (India)
India -- Maharashtra -- Ellora Caves
Date:
1803
Scope and Contents:
Collection consists of two items: 1. "Oriental Scenery, Vol. 5. Hindoo Excavations in the Mountain of Ellora, near Aurungabad, in the Decan." Atlas folio, 77 x 59 cm., bound in contemporary quarter roan over marbled boards, with 24 hand-colored aquatints by James Wales under the direction of Thomas Daniell and an engraved aquatint title page. Self-published by Daniell in London, 1808. Depicts images of the rock-cut architecture at the Ellora Caves near Aurangabad. 2. Original pencil and wash sketch by Thomas Daniell, depicting a waterfront scene populated by a group of small figures, some holding umbrellas. Unsigned, undated, 73 x 46 cm, backed with thicker paper.
Arrangement:
2 folders, 3 linear feet
Biographical / Historical:
These aquatints depict the archaeological site known as Ellora, located approximately 19 miles from the city of Aurangabad in the Indian state of Maharashtra. Known for its monumental caves, Ellora is an outstanding example of Indian rock-cut architecture. The 34 "caves" - structures excavated out of the vertical face of the Charanandri hills - are Buddhist, Hindu and Jain rock-cut temples and monasteries, dating from between the 5th century and 10th century. English landscape painter Thomas Daniell (1749-1840), who is best known for his monumental 6-volume work "Oriental Scenery", visited Ellora at some point during his 10 years of travel in India. Coming at a time when there was increased interest on the part of the English elite in the customs, culture and architecture of distant lands, Daniell's work offered a new vision of "exotic" India that would influence both decorative artists and architects.
Local Numbers:
FSA A2001.04
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Rock-cut architecture -- India  Search this
Genre/Form:
Aquatints
Drawings
Identifier:
FSA.A2001.04
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a2001-04
Online Media:

Milo Beach collection, Samuel Bourne Photographs

Creator:
Bourne, Samuel, 1834-1912  Search this
Extent:
1 Print (albumen from wet collodion negative, 24 x 29 cm.)
1 Print (albumen from wet collodion negative, 23 x 29 cm.)
1 Print (albumen from wet collodion negative, 24 x 29 cm.)
Type:
Collection descriptions
Archival materials
Prints
Photographs
Albumen prints
Place:
Ellora Caves (India)
India
Date:
circa 1870
Scope and Contents:
This collection consists of three photographic prints, mounted on board, by Samuel Bourne: I. Albumen print from wet collodion negative, 24 x 29 cm., circa 1870, signed on the plate with the catalog number 1340. Penciled in the lower right corner "Kutab Minar with the Great Arch and From the West - Delhi". Photo depicts the Qutb Minar at Quwwat al-Islam mosque in Delhi. II. Albumen print from wet collodion negative, 23 x 29 cm., circa 1870. Depicts the Jain temple known as the Court of Indra at the Ellora Caves near Aurangabad in the Indian state of Maharashtra. III. Albumen print from wet collodion negative, 24 x 29 cm., circa 1870. Depicts the Bibi Ka Maqbara (Tomb of Rabia Durrani) in Aurangabad.
Arrangement:
Organized in one flat box.
Biographical / Historical:
Samuel Bourne (1834-1912) had already begun to earn recognition for his work in England, having exhibited at the London International Exhibition of 1862, when he decided to give up his position in a bank and depart for India to work as a professional photographer. He arrived in Calcutta early in 1863, initially setting up a partnership with William Howard. They moved up to Simla, where they established a new studio Howard & Bourne, to be joined in 1864 by Charles Shepherd, to form Howard, Bourne & Shepherd. By 1866, after the departure of Howard, it became Bourne & Shepherd, the name under which the firm continues to operate to this day. Although Bourne only spent 6 years in India, his time there was extremely productive. He undertook three major expeditions in the Himalayas, creating an impressive body of work which combined the highest technical quality and a keen artistic eye, while working under difficult physical conditions. Bourne left India for good in 1870, selling his interest in Bourne & Shepherd shortly thereafter and abandoning commercial photography.
The Qutb Minar in Delhi, India, is the world's tallest brick and stone minaret, standing 72.5 meters high. The structure is one of the earliest examples of Indo-Islamic architecture and was commissioned by India's first Muslim ruler, Qutb-ud-din Aibak, marking the beginning of Muslim rule which would end only with the arrival of the British in the 19th century. Ancient Hindu temples located on the site were torn down and the debris was used in the construction.
The archaeological site known as Ellora is located approximately 19 miles from the city of Aurangabad in the Indian state of Maharashtra. Known for its monumental caves, Ellora is an outstanding example of Indian rock-cut architecture. The 34 "caves" - structures excavated out of the vertical face of the Charanandri hills - are Buddhist, Hindu and Jain rock-cut temples and monasteries, dating from between the 5th century and 10th century.
Bibi Ka Maqbara, which translates as "Tomb of the Lady," is a mausoleum near Aurangabad. Modeled after the Taj Mahal, the Bibi Ka Maqbara was built between 1651 and 1661 by Prince Azam Khan Shah, son of the Mugal Emperor Aurangzeb, in honor his mother Rabia Durani, also known as Dilras Banu Begum.
Local Numbers:
FSA A2001.05
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Mausoleums -- India  Search this
Kutb Minar (Delhi, India)  Search this
Temples -- India  Search this
Rock-cut architecture -- India  Search this
Genre/Form:
Photographs
Albumen prints
Identifier:
FSA.A2001.05
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a2001-05
Online Media:

Still Prints of Asia: Street view in Bhoondi, ca. 1900

Creator:
Bourne and Shepherd  Search this
Bourne and Shepherd  Search this
Extent:
1 Print (carbon, 37 x 61 cm.)
Type:
Collection descriptions
Archival materials
Prints
Photographs
Place:
Bundi (India : District)
Date:
undated
Scope and Contents:
One carbon print, circa late 19th or early 20th century, with title, photographers' credit and reference number 2292 in the negative, appearing on the print in white on the lower left and right corners. Depicts a street scene in Bhoondi (probably Bundi), with hills in the background and Indian architecture and people in the foreground.
Arrangement:
One flat box.
Biographical / Historical:
Samuel Bourne and Charles Shepherd were British photographers active in India in the mid-to-late 19th century. Bourne's career began with his arrival in Calcutta in 1863. In Simla, he formed a partnership with two established photographers, Shepherd and Howard (likely William Howard). Howard soon left, and within a few years, Bourne & Shepherd had become the most successful firm in the subcontinent, with their work widely distributed throughout India and in Britain. Two additional studios were opened in Calcutta (1867) and Bombay (1870). Bourne departed in 1870 and was replaced as principal photographer by Colin Murray. Shepherd returned to England in 1879. The firm changed ownership numerous times in the early 20th century and currently operates under the same name in Calcutta -- perhaps the oldest photographic studio still in operation.
Bundi is a district in the state of Rajasthan in northwest India; during the era of British rule, Bundi was a princely state.
Local Numbers:
FSA A1999.31
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Photographs
Identifier:
FSA.A1999.31
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1999-31
Online Media:

Still Prints of Asia: Inside the Secunderabagh, Lucknow

Creator:
Beato, Felice, b. ca. 1825  Search this
Extent:
1 Print (albumen, image 26 x 30 cm., mounted 38 x 41 cm.)
Type:
Collection descriptions
Archival materials
Prints
Photographs
Albumen prints
Place:
Lucknow (India)
Lucknow (India) -- History -- Siege, 1857
Sikandar Garden (Lucknow, India)
India -- Uttar Pradesh -- Lucknow
Date:
circa 1858
Scope and Contents:
One albumen print by Felix Beato, mounted on card, with "Lucknow. Inside the Secunderabagh Shewing [sic] where 2600 Sepoys were Killed" inscribed in black ink below the print. View taken circa 1858 of the interior of the Sikandar Garden, with skeletal remains strewn across the grounds.
Arrangement:
One flat box.
Biographical / Historical:
Although he was born in Greece, Felice Beato worked as a press photographer in England and achieved recognition for his coverage of British political conflicts, photographing the Crimean War of 1855 and, together with his brother-in-law, James Robertson, the 1858 Indian Mutiny in Delhi and Lucknow. After moving to Yokohama in 1863, Beato opened the area's first photography studio and documented the people and culture of Japan for the next twenty years, taking photographs and selling them to tourists. During his travels, Beato was able to gain access to Japanese ports that were open only to diplomats by acting as an official photographer for the British navy.
The Sikandar Garden is a villa and garden complex located on the outskirts of Lucknow, which was the capital of the former state of Oudh (now spelt Awadh, and a region in the state of Uttar Pradesh), in India. The prolonged defense in Lucknow by the British proved to be one of the key episodes in the unsuccessful Indian Rebellion of 1857-1858. During the siege of the city, the Sikandar (or Secundra) Garden was used as a refuge by hundreds of sepoys who were under attack by British troops. On November 16, 1857, the villa was overrun and approximately 2000 sepoys were killed. After the fighting, the British dead were buried in a deep trench but the Indian dead were left to rot. In early 1858 Beato took this well-known photograph, possibly the first photographic depiction of human corpses, although there is some controversy over whether he had some of the corpses disinterred for dramatic effect.
Local Numbers:
FSA A1999.27
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Photographs
Albumen prints
Identifier:
FSA.A1999.27
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1999-27
Online Media:

Still Prints of Asia: The Residency, Lucknow

Creator:
Beato, Felice, b. ca. 1825  Search this
Extent:
1 Print (albumen, image 23 x 29 cm., mounted 38 x 41 cm.)
Type:
Collection descriptions
Archival materials
Prints
Photographs
Albumen prints
Place:
Lucknow (India)
Lucknow (India) -- History -- Siege, 1857
India -- Uttar Pradesh -- Lucknow
Date:
1858
Scope and Contents:
One albumen print by Felix Beato, mounted on card, with "Residency" inscribed in black ink below the print. View of the shelled remains of the Residency in Lucknow, with two men sitting in the foreground, circa 1858.
Arrangement:
One flat box.
Biographical / Historical:
Although he was born in Greece, Felice Beato worked as a press photographer in England and achieved recognition for his coverage of British political conflicts, photographing the Crimean War of 1855 and, together with his brother-in-law, James Robertson, the 1858 Indian Mutiny in Delhi and Lucknow. The images Beato took during this time are thought to be the first to depict actual human corpses on the battlefield. After moving to Yokohama in 1863, Beato opened the area's first photography studio and documented the people and culture of Japan for the next twenty years, taking photographs and selling them to tourists. During his travels, Beato was able to gain access to Japanese ports that were open only to diplomats by acting as an official photographer for the British navy.
Lucknow was the capital of the former state of Oudh (now spelt Awadh, and a region in the state of Uttar Pradesh), in India. The prolonged defense there by the British proved to be one of the key episodes in the unsuccessful Indian Rebellion of 1857-1858.
Local Numbers:
FSA A1999.28
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Photographs
Albumen prints
Identifier:
FSA.A1999.28
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1999-28
Online Media:

Still Prints of Asia: Alumbagh, near Lucknow

Creator:
Beato, Felice, b. ca. 1825  Search this
Extent:
1 Print (albumen, image 24 x 29 cm., mounted 38 x 41 cm.)
Type:
Collection descriptions
Archival materials
Prints
Photographs
Albumen prints
Place:
Lucknow (India)
Lucknow (India) -- History -- Siege, 1857
India -- Uttar Padesh -- Lucknow
Date:
1858
Scope and Contents:
One albumen print by Felix Beato, mounted on card, with "Alumbagh near Lucknow 1857-8" lightly inscribed in pencil below the print. View of the Alumbagh (or Alambagh) palace and surrounding entrenchments, circa 1858.
Arrangement:
One flat box.
Biographical / Historical:
Although he was born in Greece, Felice Beato worked as a press photographer in England and achieved recognition for his coverage of British political conflicts, photographing the Crimean War of 1855 and, together with his brother-in-law, James Robertson, the 1858 Indian Mutiny in Delhi and Lucknow. The images Beato took during this time are thought to be the first to depict actual human corpses on the battlefield. After moving to Yokohama in 1863, Beato opened the area's first photography studio and documented the people and culture of Japan for the next twenty years, taking photographs and selling them to tourists. During his travels, Beato was able to gain access to Japanese ports that were open only to diplomats by acting as an official photographer for the British navy.
Lucknow was the capital of the former state of Oudh (now spelt Awadh, and a region in the state of Uttar Pradesh), in India. The prolonged defense there by the British proved to be one of the key episodes in the unsuccessful Indian Rebellion of 1857-1858. Alumbagh (Alambagh) was a large residence and garden located about 4 miles from Lucknow. It was used as a fort by the rebels and later as the military command for the British.
Local Numbers:
FSA A1999.29
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Photographs
Albumen prints
Identifier:
FSA.A1999.29
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1999-29
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