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Microscope

Maker:
Zeiss, Carl  Search this
Physical Description:
metal (overall material)
Measurements:
case: 14 3/4 in x 7 1/8 in x 8 1/4 in; 37.465 cm x 18.0975 cm x 20.955 cm
microscope: 12 5/8 in x 3 5/8 in x 5 1/2 in; 32.0675 cm x 9.2075 cm x 13.97 cm
Object Name:
microscope
Place made:
Germany: Thuringia, Jena
Date made:
ca 1890 - 1904
Subject:
Science & Scientific Instruments  Search this
Credit Line:
Transfer from U.S. Department of Health, Education & Welfare. Public Health Service
ID Number:
1980.0349.06
Accession number:
1980.0349
Catalog number:
1980.0349.06
See more items in:
Medicine and Science: Medicine
Microscopes
Health & Medicine
The Antibody Initiative
Antibody Initiative: Infectious Disease, Allergy, and Immunotherapy Collections
Science & Mathematics
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-8197-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_725452
Online Media:

Unapologetically Maya: Ubaldo Sánchez’s Ephemeral Alfombras

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 11 Aug 2023 19:24:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_a0656c2bd5129c1cf2ad97ee4c062f21

The Soul of Tengri Fashion Show: Celebrating and Reviving Kazakh Couture

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 26 Dec 2023 22:41:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_f4c61bee9c052f3ccf6442e50fe6a59a

For a Better Journey: Losang Samten’s Mandala of Medicine for a Healing World

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 05 Feb 2024 05:00:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_0b0a22fc0c9c30dd0b682146db1837f1

Ethel Fisher papers

Creator:
Fisher, Ethel, 1923-  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Brentwood Art Center  Search this
Barnet, Will, 1911-2012  Search this
Boxer, Stanley  Search this
Coleborn, Keith  Search this
Ehrenkranz, Elaine  Search this
Fernandez, Rafael  Search this
Fine, Irving, 1914-1962  Search this
Getz, Ilse, 1917-  Search this
Jones, Keri  Search this
Kitaj, Sandra Fisher  Search this
Kott, Seymour  Search this
Lassaw, Ibram, 1913-2003  Search this
Pearson, Henry, 1914-2006  Search this
Thek, Paul  Search this
Extent:
12.5 Linear feet
0.558 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Travel diaries
Photographs
Sketchbooks
Drawings
Sketches
Watercolors
Transcripts
Interviews
Video recordings
Sound recordings
Date:
1930-2017
Summary:
The papers of California and New York painter Ethel Fisher measure 12.5 linear feet and 0.558 GB and date from 1930 to 2017. Included are biographical materials, correspondence, writings, project files, exhibition files, artists' files, personal business records, printed and digital material, artwork and several sketchbooks, a few sound and video recordings, and photographic material.
Scope and Contents:
The papers of California and New York painter Ethel Fisher measure 12.5 linear feet and 0.558 GB and date from 1930 to 2017. Included are biographical materials, correspondence, writings, project files, exhibition files, artists' files, personal business records, printed and digital material, artwork and several sketchbooks, a few sound and video recordings, and photographic material.

Biographical material includes Art Students League records, address books and business cards, artist statements and resumes, an interview transcript and sound cassette, and other miscellaneous documents.

Correspondence is with family, friends, colleagues, artists, galleries, and museums. The bulk of the correspondence is with daughter Sandra Fisher and husband Seymour Kott. Notable correspondents include Will Barnet, Keith Coleborn, Elaine Ehrenkranz, Rafael Fernandez, Henry Pearson, and others. There are also greeting cards and postcards, inluding numerous illustrated cards from Fisher to her husband Seymour.

Writings mostly consist of annotated appointment calendars and travel diaries along with some writings by others, such as a travel diary by Keith Coleborn and a graduate thesis by Keri Jones.

Project files include correspondence, grant applications, printed and digital material, and publication agreements for art projects, commissions, studio tours, auctions, and speaking engagements. Notable projects include material on the NBC-TV film Family Ties, art loans for the Showtime movie Town of the Eighties, and teaching material from Brentwood Art Center.

Exhibition files contain exhibition announcements, catalogs, publicity, reviews, correspondence, exhibition lists, price lists of artwork, and other material for Ethel Fisher's group and solo shows.

Artists' files include printed material about and limited correspondence with various artists in which Fisher was interested or with whom she was friends, including Stanley Boxer, Irving Fine, Ilse Getz, Ibram Lassaw, and Paul Thek.

Personal business records include consignments, price lists, loan agreements, receipts, donations, and sales documentation.

Printed material includes exhibition catalogs, announcements, magazines, and clippings about Ethel Fisher and other artists. There are also books inscribed to Fisher.

The artwork series includes sketchbooks, drawings, watercolors, and loose sketches.

Photographic material consists of photographs, digital photographs, slides, and negatives of Ethel Fisher, her artwork, exhibitions, events, family, friends, artists, studios, and travel. There are also "reference photos" of people, places, and objects which Fisher used for her portraits and paintings.
Arrangement:
The collection is arranged as 10 series.

Missing Title

Series 1: Biographical Material, 1939-2014 (0.3 linear feet; Boxes 1, 13)

Series 2: Correspondence, 1930-2017 (5.4 linear feet; Boxes 1-6, 13, 15)

Series 3: Writings, 1965-2014 (0.8 linear feet; Boxes 6-7, 13)

Series 4: Project Files, 1954-2011 (0.5 linear feet; Boxes 7, 12, 0.128 GB; ER01)

Series 5: Exhibition Files, 1945-2006 (0.6 linear feet; Boxes 7-8)

Series 6: Artists' Files, 1952-2010 (0.4 linear feet; Boxes 8, 12)

Series 7: Personal Business Records, 1959-2017 (0.3 linear feet; Boxes 8, 13)

Series 8: Printed Material, 1940-2016 (1.0 linear feet; Boxes 8-9, 12-13)

Series 9: Artwork and Sketchbooks, 1944-2014 (1.0 linear feet; Boxes 9, 12-15, OV16)

Series 10: Photographic Materials, 1942-2014 (2.2 linear feet;Boxes 9-11, 14, 0.430 GB; ER02)
Biographical / Historical:
Ethel Fisher (1923-2017) was a painter who lived in Pacific Palisades, California.

Ethel Fisher was born in Galveston, Texas in 1923. She studied art at the University of Houston, University of Texas, and Washington University in St. Louis, Missouri. After college, she moved to New York City and attended The Art Students League on scholarship from 1943-1946. In New York, she studied with painter Will Barnet, Morris Kantor, and Robert Beverly Hale, and befriended many people in the art world. She married Gene Fisher and their first daughter Sandra was born. Sandra also became a painter and later married artist R. B. Kitaj.

Fisher and her family moved to Miami in 1948 where her daughter Margaret was born. Upon her divorce, Fisher travelled in Europe for about a year before returning to New York City in the early 1960s, where she continued to paint and maintained 2 studios for her artwork. She married art historian Seymour Kott in 1963.

In 1970, Fisher and her husband moved to Pacific Palisades in Los Angeles, California. Throughout her career as a painter, Ethel Fisher has had solo and group exhibitions at galleries in Havana, Cuba; West Palm Beach, Florida; Atlanta, Georgia; New York City, New York; and San Francisco and Los Angeles, California. She has been the recipient of numerous awards and continues to paint. In 2003, Fisher had solo exhibit of portraits at Platt Gallery in Los Angeles.
Provenance:
The Ethel Fisher papers were donated by Ethel Fisher in two installments in 1997 and 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Travel diaries
Photographs
Sketchbooks
Drawings
Sketches
Watercolors
Transcripts
Interviews
Video recordings
Sound recordings
Citation:
Ethel Fisher papers, 1930-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fishethe
See more items in:
Ethel Fisher papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d7e887a2-bffd-4c8e-ad17-16d3139bc61f
EDAN-URL:
ead_collection:sova-aaa-fishethe
Online Media:

Don Raymond David and Andrée Golbin papers

Creator:
David, Don Raymond, 1906-2006  Search this
Golbin, Andrée, 1923-2006  Search this
Extent:
3.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Diaries
Date:
circa 1920-1980
Summary:
The papers of painters Don Raymond David and Andrée Golbin measure 3.6 linear feet, date from circa 1920-1980, and illustrate their lives and careers through biographical material, correspondence, writings, personal business records, printed and photographic material, and artwork.
Scope and Contents:
The papers of Don Raymond David and Andrée Golbin measure 3.6 linear feet and date from circa 1920-1980. Biographical materials include membership cards to various organizations for both David and Golbin, a graduation certificate for Golbin from the Parsons School of Design, and Andrée Golbin's Who's Who in American Art biographical information. Correspondence is to and from various artists, family members, and organizations and between Golbin and David. Writings consist of various travel diaries, as well as notebooks and lectures for classes taught by David. Personal business records include materials regarding the Creative Artists Public Service Program, dealer contracts, various weekly planners, and price lists for artwork. Printed material consists of exhibition catalogs and announcements, illustrations by Golbin for published works, and prints of sketches. Photographic material includes photographs, slides, and transparencies of Golbin, David, and both artists' artwork. Artwork consists of drawings, sketches, and sketchbooks by both David and Golbin.
Arrangement:
This collection consists of seven series.

Series 1: Biographical Material, circa 1940-1975 (.1 Linear feet: Box 1)

Series 2: Correspondence, circa 1946-1980 (.3 Linear feet: Box 1)

Series 3: Writings, circa 1920-1978 (.7 Linear feet: Boxes 1-2)

Series 4: Personal Business Records, circa 1951-1977 (.7 Linear feet: Box 2)

Series 5: Printed Material, circa 1938-1979 (.2 Linear feet: Box 2)

Series 6: Photographic Material, circa 1920-1980 (.3 Linear feet: Box 3)

Series 7: Artwork, circa 1920-1980 (1.3 Linear feet: Boxes 3-4, OV 5, and OV 6)
Biographical / Historical:
Don Raymond David (1906-2006) and Andrée Golbin (1923-2006) were husband and wife artists based in New York, NY.

Andrée Golbin was a painter, graphic artist, and illustrator and was born in Germany to her parents Owsey Golbin and Elsa Rimathe, before immigrating to the United States when she was sixteen. She graduated from the Parsons School of Design in 1943 and served as director for Mademoiselle magazine in the early 1950s. Golbin created artwork for many different clients, including several dance companies, Henri Bendel, and American Cyanamid. Golbin was based in New York City and was a member of the Artists Equity Association of New York, the American Newspaper Guild, which she withdrew from in 1948, and the Museum of Modern Art in New York. In her later years, Golbin taught at the Parsons School of Design.

Don Raymond David was a painter and instructor and was born in Springbrook, Yamhill County, Oregon. In 1927, David began studying at Fresno State College with Alexandra Bradshaw and by the late 1930s was in Los Angeles where he studied with Barse Miller and attended the Chouinard Art Institute and the Art Center School. In the late 1950s, he relocated to New York where he attended the Hans Hofmann School and had frequent solo shows at the Camino Gallery through the 1960s to early 1970s. David was an instructor at the Newark School of Fine and Industrial Arts in New Jersey and continued as a teacher beside his wife at the New York Parsons School of Design. He was a member of the California Watercolor Society and the National Society of Art Directors.

Golbin and David died in 2006 in Newburg, Yamhill County, Oregon at the ages of eighty-three and ninety-nine.
Provenance:
Papers were donated in 1977 by Don Raymond David and in 1981 by Don Raymond David and Andrée Golbin.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Genre/Form:
Drawings
Sketchbooks
Diaries
Citation:
Don Raymond David and Andrée Golbin papers, circa 1920-1980, Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davidon
See more items in:
Don Raymond David and Andrée Golbin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99086f3c9-0410-48d2-9b7a-7a69ee46ad67
EDAN-URL:
ead_collection:sova-aaa-davidon

Ted Stamm slides of works of art and exhibitions

Creator:
Stamm, Ted  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1968-1986, 2018
Summary:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.
Scope and Contents:
Ted Stamm slides of works of art and exhibitions measure 2.2 linear feet and date from circa 1968-1986, and 2018. The collection is comprised primarily of approximately 6450 35mm slides assembled by the painter Ted Stamm between his arrival in New York in 1968 and his death in 1984. The majority of the slides were photographed by Stamm himself, and collectively form a unique and expansive record of artworks and exhibitions on view in New York during that time period, by a variety of artists including Stamm.

The collection includes both exhibition views and individual artworks photographed in situ. In addition to exhibitions in galleries and nonprofit spaces, Stamm also photographed works installed in public spaces, graffiti and street art, and views of the gallery facades and architectural fabric of Lower Manhattan.

Stamm used the slides in his own teaching, and the collection includes a set of slides documenting periods of art history. Additional teaching material includes examples of course descriptions, syllabi, reading lists, and other teaching materials for courses taught by Stamm. Printed material includes an artist book, an exhibition catalog, and a monograph/catalog.
Arrangement:
The collection is arranged as three series.

Series 1: Slides, circa 1968-circa 1984 (Boxes 1-2; 2 linear feet)

Series 2: Teaching Material, 1977-1982 (Box 3; 0.1 linear feet)

Series 3: Printed Material, 1979-1986, 2018 (Box 3; 0.1 linear feet)
Biographical / Historical:
Ted Stamm (1944-1984) was a multidisciplinary conceptual artist and educator in New York, New York, known for his focused series of paintings, works on paper, and studies. Stamm's studies, such as the Wooster series, were influenced by the shapes, street contours, and intersections he could see from his studio on Wooster Street in SoHo.

Stamm was born in Brooklyn, New York, and attended Hofstra University, graduating with a Bachelor of Fine Arts in 1967. In 1968 he settled in New York City and his early work was included in exhibitions at the Brooklyn Museum Art School in New York and in the alumni show at Hofstra University in 1971.

From 1974 until his death in 1984, Stamm lived and worked on the top floor of 101 Wooster Street in New York City. There he began his iconic group of works titled Woosters, and subsequent series including Dodgers, from the Brooklyn Dodgers baseball team, C-Dodgers influenced by the Concorde planes he observed at John F. Kennedy Airport, and Designators, graffiti Stamm painted on buildings in stages which he would photograph each time he returned to develop the graffiti further.

Stamm's work was exhibited widely throughout his life, both internationally and in the United States. He taught classes at the School of Visual Arts, Hofstra University, and C. W. Post College, and was awarded National Endowment for the Arts and Guggenheim fellowships in 1981 and 1983.

Stamm died of congenital heart disease at the age of 39.
Provenance:
The collection was donated in 2022 by The Ted Stamm Estate via Per Haubro Jensen.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The Ted Stamm Estate donor has retained all intellectual property rights including copyright on all slides taken by Ted Stamm. Please contact the Ted Stamm Estate for copyright permission at tedstammestate.com.
Occupation:
Conceptual artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Citation:
Ted Stamm slides of works of art and exhibitions, circa 1968-1986, 2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stammted
See more items in:
Ted Stamm slides of works of art and exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99f8da07c-9ae9-4ba4-8d0a-f9c157a6ffaa
EDAN-URL:
ead_collection:sova-aaa-stammted
Online Media:

She who tells a story women photographers from Iran and the Arab world Kristen Gresh ; foreword by Michket Krifa

Author:
Gresh, Kristen  Search this
Subject:
El Nemr, Rana  Search this
Physical description:
164 pages illustrations, portraits 23 x 24 cm
Type:
Exhibitions
Expositions
Exhibition catalogues
Catalogues d'exposition
Exhibition catalogs
Place:
Arab countries
Iran
États arabes
Arabische Staaten
Date:
2013
Arab countries
Iran
Topic:
Photography  Search this
Photography--Exhibitions  Search this
Women photographers  Search this
Femmes photographes  Search this
Dokumentarfotografie  Search this
Fotografin  Search this
Porträtfotografie  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1008548

Magiciens de la terre, 1989

Author:
Steeds, Lucy  Search this
Akademie der Bildenden Künste in Wien  Search this
Bard College Center for Curatorial Studies  Search this
Stedelijk Van Abbemuseum  Search this
Subject:
Martin, Jean-Hubert 1944-  Search this
Centre Georges Pompidou Exhibitions  Search this
Magiciens de la Terre (Exhibition) (1989 : Paris, France)  Search this
Physical description:
304 p. : ill. (some col.), plan ; 22 cm
Type:
Exhibitions
Interviews
Date:
2013
20th century
Topic:
Art, Modern  Search this
Art and globalization--Exhibitions  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1012900

Xu Bing Phoenix curated by Joseph Thompson ; copy editing, Jesse Robert Coffino, Delissa Handoko, Paulette Wein, Xuan Sheng

Title:
Phoenix
Artist:
Xu, Bing 1955-  Search this
Translator:
Coffino, Jesse Robert  Search this
Editor:
Handoko, Delissa  Search this
Wein, Paulette  Search this
Xuan Sheng  Search this
Organizer:
Thompson, Joseph 1958-  Search this
Issuing body:
Massachusetts Museum of Contemporary Art  Search this
Subject:
Xu, Bing 1955-  Search this
Physical description:
135 pages illustrations (chiefly color), plans 29 cm
Type:
Exhibitions
Expositions
Catalogues d'exposition
Exhibition catalogs
Place:
Massachusetts
North Adams
Date:
2015
Topic:
Installations (Art)  Search this
Phoenix (Mythical bird) in art  Search this
Phénix (Oiseau fabuleux) dans l'art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1082554

One fine day

Author:
T'ae, Hyŏn-sŏn 1968-  Search this
Leeum, Samsŏng Misulgwan  Search this
Rodaeng Kaellŏri (Seoul, Korea)  Search this
Samsŏng Saengmyŏng  Search this
Physical description:
95 pages color illustrations 26 cm
Type:
Pictorial works
Exhibitions
Expositions
Exhibition catalogs
Exhibition, pictorial works
Place:
East Asia
Date:
2007
21st century
21e siècle
Topic:
City and town life  Search this
Quality of life  Search this
Satisfaction in art  Search this
Art, East Asian  Search this
Art extrême-oriental  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1163631

Marion Greenwood

Artist:
Greenwood, Marion 1909-1970  Search this
Writer of essay:
Salpeter, Harry  Search this
Issuing body:
Mint Museum (Charlotte, N.C.)  Search this
Author:
Smithsonian Libraries Art and Artist Files Collection  Search this
Subject:
Greenwood, Marion 1909-1970  Search this
Physical description:
4 unnumbered pages illustrations 22 cm
Type:
Manuscripts
Exhibitions
Artist files
Date:
1960
Call number:
N6537.G77 A4 1960
AAF--Greenwood, Marion
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_746574

América

Artist:
Linda Zamora Lucero, born San Francisco, CA  Search this
Medium:
screenprint on paper
Dimensions:
sheet: 30 in. × 22 1/8 in. (76.2 × 56.2 cm) image: 27 × 20 in. (68.6 × 50.8 cm)
Type:
Graphic Arts-Print
Date:
1986
Topic:
Allegory\place\America  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Gilberto Cárdenas and Dolores García
Copyright:
© 1986, Linda Lucero
Object number:
2019.51.33
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk734727c53-d313-49c2-8acf-6058003642b8
EDAN-URL:
edanmdm:saam_2019.51.33

Abajo con la migra

Artist:
Malaquias Montoya, born Albuquerque, NM 1938  Search this
Medium:
screenprint on paper
Dimensions:
image: 22 3/8 × 16 1/8 in. (56.8 × 41 cm) sheet: 23 in. × 17 5/8 in. (58.4 × 44.8 cm)
Type:
Graphic Arts-Print
Date:
1977
Topic:
Architecture\monument\statue  Search this
Object\weapon\knife  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection
Copyright:
© 1977, Malaquias Montoya
Object number:
2019.52.7
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7f712d8c1-2181-4af0-9df3-646b04dece40
EDAN-URL:
edanmdm:saam_2019.52.7

Bob Bilyeu Camblin papers, 1951-1985

Creator:
Camblin, Bob Bilyeu, 1928-2010  Search this
Subject:
Staley, Earl  Search this
Tate, Joe  Search this
Type:
Sketchbooks
Drawings
Moving images
Citation:
Bob Bilyeu Camblin papers, 1951-1985. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9268
(DSI-AAA_SIRISBib)211463
AAA_collcode_cambbob
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211463

Joseph J. Greenberg papers, 1939-1989

Creator:
Greenberg, Joseph J., 1915-1991  Search this
Type:
Scrapbooks
Citation:
Joseph J. Greenberg papers, 1939-1989. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10784
(DSI-AAA_SIRISBib)214425
AAA_collcode_greejose
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214425

Black Journal: 22; The Black G.I.

Directed by:
Kent Garrett, American, born 1941  Search this
Produced by:
William Greaves, American, 1926 - 2014  Search this
National Educational Television, American, 1954 - 1970  Search this
Subject of:
L. Howard Bennett, American, 1913 - 1993  Search this
Sylvester Bracey Sr., American, ca. 1949 - 2019  Search this
Owned by:
Pearl Bowser, American, 1931 - 2023  Search this
Medium:
acetate film
Dimensions:
Duration: 50 Minutes
Length (Film): 1,800 Feet
Type:
sound films
color films (visual works)
16mm (photographic film size)
Place filmed:
H? Chí Minh, Viet Nam, Asia
Camp Hansen, Okinawa, Japan, Asia
Arlington County, Virginia, United States, North and Central America
Date:
1970
Topic:
African American  Search this
Documentary films  Search this
Film  Search this
Gesture  Search this
Mass media  Search this
Military  Search this
Public television  Search this
Race discrimination  Search this
Race relations  Search this
Vietnam War, 1961-1975  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
Object number:
2012.79.1.51.1a
Restrictions & Rights:
© National Educational Television
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Pearl Bowser Collection
Portfolio/Series:
Black Journal
Classification:
Media Arts-Film and Video
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd52bd1f8e2-5401-4dc0-9984-bb011645927b
EDAN-URL:
edanmdm:nmaahc_2012.79.1.51.1a

Steel Strike

Maker:
Boyer, Louise MIller  Search this
Measurements:
overall: 22 cm x 15.3 cm; 8 11/16 in x 6 in
Object Name:
drawing
ID Number:
1984.0338.149
Accession number:
1984.0338
Catalog number:
1984.0338.149
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-489b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1391826

tankard

Maker:
Meissen Manufactory  Search this
Physical Description:
porcelain (overall material)
Measurements:
overall: 7 1/2 in; 19.05 cm
overall: 7 5/16 in x 6 in x 4 1/2 in; 18.6055 cm x 15.24 cm x 11.43 cm
Object Name:
tankard
Date made:
ca 1735
1735
Subject:
Manufacturing  Search this
Credit Line:
Dr. Hans Syz
ID Number:
1981.0702.20
Accession number:
1981.0702
Catalog number:
1981.0702.20
Collector/donor number:
963
See more items in:
Home and Community Life: Ceramics and Glass
The Hans C. Syz Collection
Meissen Porcelain: The Hans Syz Collection
Art
Domestic Furnishings
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-adb6-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1405932

Uganda photographs

Creator:
Church Missionary Society. Uganda Mission  Search this
Names:
Aliwonya, Silasi, Reverend  Search this
Chwa II, Daudi, King, 1896 - 1939  Search this
Clayton, Herbert, 1870-1965  Search this
Cook, Albert R., Sir (Albert Ruskin), 1870-1951  Search this
Cook, Katharine Timpson, 1863-1938  Search this
Hattersley, C. W. (Charles W.) (1866-1934)  Search this
Hobart, Claud Vere Cavendish  Search this
Kahaya, Edward Suleiman, Omugabe, 1877-1944  Search this
Kezekia Ndahura II, Edward, Omukama, 1884–1907  Search this
Leakey, Richard H.  Search this
Mbaguta, Nuwa, 1867 - 1944  Search this
Senfuma, Thomas  Search this
Willis, John Jamieson, 1872-1954  Search this
Extent:
22 Photographic prints ((dupe prints), black & white, 8 x 10 in.)
170 Negatives (photographic) ((dupe negs), black & white, 4 x 5 in.)
170 Photographic prints (black & white, 11 x 15 cm. or smaller)
Container:
Box 1
Volume 1
Culture:
Wanika (African people)  Search this
Hima (African people)  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Negatives (photographic)
Place:
Africa
Victoria, Lake
Ankole (Uganda)
Uganda
Mombassa (Kenya)
Frere Town (Kenya)
Kenya
Date:
1897-1903
Scope and Contents:
This collection is comprised of a photographic album, dating from 1897-1903, that includes images of Momabassa, and Frere Town in Kenya and the Ankole, Toro and Mengo regions of Uganda and some locations in between. African peoples depicted include the Waniki and Banma. Subjects include the French Roman Catholic mission station at Budu, Mengo Church, Mengo Hospital, CMS station in Koki, the Koki Roman Catholic station, House and enclosure of the King of Koki, missionaries and their families, and wives and children of chiefs. Some of the figures depicted include Reverend H. Clayton, Reverend W. H. R. Leakey, Reverend Ernest Millar, missionaries, including Miss Walker, Miss Chadwick, and Miss Brown; Sir Apolo Kaggwa; Kamswaga, King of Koki, and Kahara, King of Akole as well as local chiefs, Lieutenant Hobart; A. C. Hattersley, and Archibald Walker.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Missionaries -- Africa  Search this
Genre/Form:
Photographic prints
Identifier:
EEPA.1998-002
See more items in:
Uganda photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7851ef0ab-9c99-4426-ae84-1c91f767c0e1
EDAN-URL:
ead_collection:sova-eepa-1998-002

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