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Bridgewater Family Papers

Creator:
Bridgewater, Herbert Ford, 1908-1970  Search this
Bridgewater, Leon Archibald, 1905-1968  Search this
Harrell, Charles Henry, 1878-1948  Search this
Harrell, Mary Bridgewater, 1893-1981  Search this
Harrell, Arthur Samuel, 1916-1963  Search this
Harrell, Charles Henry, Jr., 1914-1948  Search this
Harrell, Arthur Samuel, Jr., 1948-1981  Search this
Harrell, Mary Trahan, 1927-2000  Search this
Harrell, Cornelius Eckart  Search this
Bridgewater  Search this
Bridgewater, Octavia Marie, 1903-1985  Search this
Harrell, Richard Francis  Search this
Darby, Sophia Bridgewater, 1894-1990  Search this
Bridgewater, Samuel, 1862-1912  Search this
Bridgewater, Mamie Anderson, 1872-1950  Search this
Donor:
Campbell, Janet Harrell  Search this
Harrell, Jules  Search this
Names:
Lincoln School for Nurses -- Geographic subdivision--New York (N.Y.);  Search this
Pleasant Hour Club (Helena, Mont.)  Search this
Society for the Relief of Worthy Aged Indigent Colored Persons  Search this
United States. Army. Army Nurse Corps  Search this
United States. Army. Cavalry, 9th  Search this
Extent:
21 Cubic feet (64 document boxes, one oversize folder)
Type:
Collection descriptions
Archival materials
Baptismal certificates
Scrapbooks
Marriage certificates
Diplomas
Photographs
Place:
Montana
Louisiana
United States -- Race relations
Date:
1880-2017
undated
Summary:
Papers and photographs documenting the lives and descendants of Samuel and Mamie Anderson Bridgewater of Helena, Montana.
Scope and Contents:
The collection documents the lives of the family and descendants of Samuel and Mamie Anderson Bridgwater. The papers primarily belonged to the family and descendants of their daughter Mary Emma (1893-1981), who married Charles H. Harrell (1878-1948), a Pullman porter. The collection includes materials from collateral relatives and from those who married into the Bridgewater and Harrell families. The women of these families were extensively involved in community, religious, and social organizations. The collection contains materials about social and religious life in the relatively small African-American communities surrounding Helena, Montana. It also contains family papers including Samuel and Mamie's marriage certificate from 1892; educational memorabilia and school diplomas; scrapbooks and photogaphs documenting family members, vacations, life events and friends; baptismal records; hand-written birth and death entries; and correspondence between family members and friends living in other states.

The collection includes records of many of Montana's social and religious organizations from the 1890s to the 1950s, including the Colored Women's Clubs of America; the Pleasant Hour Club in Helena; the Helena Negro Chorus; the local chapter of the Society for the Relief of Worthy, Aged, Indigent Colored Persons, Pleasant House Club; and numerous Baptist and Roman Catholic congregations. Generations of women in the Bridgewater and Harrell families were members or officers of these organizations. The collection contains records and photographs relating to several African-American and integrated churches in Helena. Friends and community members, primarily other African-American Montanans, are represented in the collection as well.

Photographs and other documents record the lives of nearby neighbors and friends as well as lives of more distant family members and friends. Subjects covered in the collection are: the formerly enslaved parents of Samuel and Mamie Bridgwater; Samuel Bridgwater and his fellow Buffalo soldiers; Octavia Bridgewater's experiences at the Lincoln School of Nursing in New York City; Octavia Bridgewater's service with a segregated unit of the Army Nurse Corps in World War II while stationed at the Tuskegee Air Base, Alabama and her later life after returning to civilian life in Helena when she worked mostly as a midwife.

Some of the arrangement of the collection was done by family members prior to its donation to the Archives Center. The families had a vigorous and wide ranging network of family and friends in Montana and elsewhere in the United States, and materials related to all family members and friends may be found across multiple series.
Arrangement:
The collection is arranged into five series.

Series 1: Bridgewater Family, 1880-2013, undated

Subseries 1.1: Bridgewater, Samuel, 1880-1908, undated

Subseries 1.2: Bridgewater, Mamie Anderson, 1888-1990, undated

Subseries 1.3: Darby, Sophia Bridgewater, 1911-2005, undated

Subseries 1.4: Bridgewater, Octavia Marie, 1922-2013, undated

Subseries 1.5: Bridgewater, Leon Archibald, 1912-1968, undated

Subseries 1.6, Bridgewater, Herbert Ford, 1925-1970, undated

Subseries 1.7: Photographs, 1920-1955, undated

Subseries 1.8: Family Memorabilia, 1903-2007, undated

Subseries 1.9: Family Friends, 1930-2001, undated

Series 2, Harrell Family, 1914-2005, undated

Subseries 2.1: Harrell, Mary Bridgewater, 1914-1981, undated

Subseries 2.2: Harrell, Charles Henry, 1914-1977, undated

Subseries 2.3: Harrell, Arthur Samuel, 1930-1973, undated

Subseries 2.4: Harrell, Mary Trahan, 1925-2002, undated

Subseries 2.5: Harrell, Arthur Samuel, Jr., 1948-1981, undated

Subseries 2.6: Campbell, Janet Harrell, 1951-2005, undated

Subseries 2.7: Harrell, Jules Parker, 1950-1980, undated

Subseries 2.8: Harrell, Richard Francis, 1960-1996, undated

Subseries 2.9: Harrell, Cornelius Eckart, 1940-2001

Subseries 2.10: Harrell, Jr., Charles Henry, 1925-2005

Subseries 2.11: Family Memorabilia, 1960-1990, undated

Subseries 2.12: Photographs, 1929-1996, undated

Series 3, Trahan Family, 1923-1995, undated

Series 4, Family Friends, 1912-1979, undated

Series 5, Photographs, 1907-1992, undated
Biographical / Historical:
The Bridgewater family is a multi-generation African American family descended from Samuel (1862-1912) and Mamie Anderson Bridgwater (1872-1950) (note: later family members spelled the name with an "e"). The son of slaves, Bridgwater was born in Dixon Springs, Smith County, Tennessee, on February 25, 1862. He later enlisted in the all-Black 24th Infantry Regiment, USCI (United States Colored Infantry), one of the famous "Buffalo Soldier" regiments. The 24th Infantry served in the Department of Texas from 1869-1889, Indian Territory from 1880-1888 and following 1888 in the Department of Arizona. In 1892 he married Mamie E. Anderson the daughter of Levi Anderson and Emma Lucy in Fort Huachuca, in what later became the state of Arizona.

Bridgwater fought in the Philippines during the Spanish-American War, where he was wounded. He retired from the United States Army at Fort Harrison, Montana, after twenty years of service on August 22, 1906. The family remained in Helena, Montana purchasing a home at 502 Peosta Avenue. The 1910 United States Census lists Samuel has having retired from the United States Army and lists Mamie as being a matron in the US Army hospital. They raised five children, three boys and two girls.

Samuel died on June 9, 1912. His widow and family remained in Montana becoming active in community affairs. Their descendants continued their parents' involvement in community and religious affairs as well as their fathers' tradition of military service. Their daughter Octavia served in an all-black unit of the Army Nurse Corps during World War II and then served her community as a nurse-midwife for the rest of her life. Members of the family continued to live in the home at 502 Peosta well into the twentieth century.
Provenance:
Donated to the Archives Center, National Museum of American History, Smithsonian by Janet Harrell Campbell and Jules Harrell, descendants of Samuel and Mamie Anderson Bridgewater, 2016.
Restrictions:
The collection is open for research.

Unrestricted research access on site by appointment. Unprotected photographs must be handled with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Spanish-American War, 1898  Search this
Midwives  Search this
Community activists  Search this
United States Army  Search this
African American families -- Montana  Search this
Churches -- Montana  Search this
African American churches -- Montana  Search this
African Americans -- History -- 20th century -- Montana  Search this
Genre/Form:
Baptismal certificates
Scrapbooks
Marriage certificates
Diplomas
Photographs -- 20th century
Citation:
Bridgewater Family Papers, 1880-2013, undated, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.1385
See more items in:
Bridgewater Family Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1385
Online Media:

N W Ayer Advertising Agency Records

Creator:
Ayer (N W) Incorporated.  Search this
Names:
American Telephone and Telegraph Company -- Advertisements  Search this
Cunningham & Walsh.  Search this
Hixson & Jorgenson  Search this
United Air Lines, Inc. -- Advertisements  Search this
Ayer, Francis Wayland  Search this
De Kooning, Willem, 1904-  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Extent:
270 Cubic feet (1169 boxes )
7 Film reels
Type:
Collection descriptions
Archival materials
Film reels
Business records
Interviews
Oral history
Print advertising
Proof sheets
Proofs (printed matter)
Scrapbooks
Trade literature
Tear sheets
Advertisements
Date:
1817-1851
1869-2006
Summary:
Collection consists of records documenting one of the oldest advertising agencies created in Philadelphia. The company then moves to New York and expanses to international markets. During its history NW Ayer & Sons acquires a number of other advertising agencies and is eventually purchased. The largest portion of the collection is print advertisements but also includes radio and television. NW Ayer is known for some of the slogans created for major American companies.
Scope and Contents:
The collection consists primarily of proof sheets of advertisements created by NW Ayer & Son, Incorporated for their clients. These materials are in series one through thirteen and consist primarily of print advertisements. There are also billboards, radio and television commercials. The advertisements range from consumer to corporate and industrial products. The majority of the advertisements were created for Ayer's New York, Chicago, Los Angeles and international offices. Printed advertisements created by Cunningham & Walsh, Hixson & Jorgensen and Newell-Emmett are also included among these materials. Researchers who are interested in records created by Ayer in the course of operating an advertising agency will find these materials in Series fourteen-nineteen.

Series fourteen consists of advertisements created by NW Ayer & Son to promote their services to potential clients.

Series fifteen are scrapbooks of some of the earliest advertisements created by the company. Series sixteen are publications. Some of the publications were created by Ayer while others were about Ayer or the advertising industry in general. Provides good background materials and puts the company in perspective. Series eighteen are the legal records. Materials relating to employees including photographs, oral histories etc. are found in series nineteen.

Series twenty is one of the smallest amounts of materials and includes information relating to the history of NW Ayer & Son.

The container lists for series one-thirteen are part of a database and are searchable. The list has been printed for the convenience of the researcher and is included in this finding aid. Series fourteen-twenty container lists are also a part of the finding aid but are not in a searchable format.

Series 1, Scrapbooks of Client Advertisements, circa 1870-1920, is arranged into three boxes by chronological date. There are two bound scrapbooks and one box of folders containing loose scrapbook pages. NW Ayer & Son compiled an assortment of their earliest ads and placed them into scrapbooks. Besides the earliest advertisements, the scrapbooks contain requests to run advertisements, reading notices and listings of papers Ayer advertised in. The early advertisements themselves range from medical remedies to jewelry to machines to clothing to education and more. Most of the advertisements in the bound scrapbooks are dated.

Series 2, Proofsheets, circa 1870-1930, NW Ayer was fond of creating scrapbooks containing proofsheets. The series contains proofsheets created between 1892 and 1930, organized into 526 boxes. For convenience of storage, access and arrangement, the scrapbooks were disassembled and the pages placed in original order in flat archival storage boxes. The proofsheets are arranged by book number rather than client name. Usually the boxes contain a listing of the clients and sometimes the dates of the advertisements to be found within the box.

Series 3, Proofsheets, circa 1920-1975, is organized into 532 oversize boxes, and contain proofsheets and tearsheets created between 1920 and 1972. Within this series, materials are arranged alphabetically by company name (occasionally subdivided by brand or product), and thereunder chronologically by date of production. Many major, national advertisers are represented, including American Telephone & Telegraph, Armour Company, Canada Dry, Cannon Mills, Carrier Corporation, Domino Sugar, Caterpillar tractor company, Ford Motor Company, General Electric, Goodyear, Hills Bros. Coffee, Ladies Home Journal, National Dairy, Plymouth (Chrysler Corporation), Steinway, TV Guide, United Airlines and the United States Army. Also contained in this series are three scrapbooks of client advertisements including Canada Dry, Ford Motor, and Victor Talking Machine.

Series 4, 2001 Addendum, circa 1976-2001, is organized into ninety three oversized boxes,one folder and contains proofsheets for select Ayer clients, created between 1975 and 2001. Within this series, materials are arranged alphabetically by client name and there under chronologically by date of production. Major national advertisers represented include American Telephone & Telegraph, Avon, the United States Army, DeBeers Consolidated Diamond Mines, Dupont, TV Guide, Sealtest, Kraft Foods, Gillette, General Motors, Cannon Mills.

Series 5, Billboards, circa 1952-1956, consists of mounted and un-mounted original art/mock-ups. Twenty-two pieces of original art created as mock-ups for Texaco billboards.

Series 6, Film and Video Commercials, 1967-1970,

Series 7, Radio and Television Materials, 1933-1993, undated, is arranged into eight boxes and includes radio scripts, television scripts, and story boards for commercials.

Subseries 7.1, Scripts and storyboards for Radio and Television Commercials, dates Scripts for radio and television commercials includes title, date, length of commercial, advertising agency, client information

NW Ayer's radio and television materials mainly focus on the American Telegraph and Telephone account. Some of Ayer's materials relate to Bell Telephone Hours.

Storyboards are used in television and film to assist the director in working with crew to tell the story. To show the viewer through the use of figures, visual effects and camera angles. When directors first start thinking about their storyboard they create a story in their mind. They think of all the camera angles, visual effects and how the figures will interact in their mind. They try to create an extraordinary story in their head to attract the viewer (YOU) In order for the storyboard to be entirely effective it can't be a passive document. When done properly, a storyboard serves as a central design, meeting the needs of many team members including graphics artists, video personnel and programmers.

Another function of a storyboard is to help the team communicate during the training development process. This communication is very important in working with a large team as in the movie King, produced in 1996. Figures help the director explain to the crew how they are going to record the film and how to present it to the audience. Sometimes the director wants special effects to be added to the film, but his budget might not be that big so the director will have to change the story to fit their budget.

The Visual Effects are an important part in the storyboards it adds a special touch of creativity to your film. Camera angles are an important expects in your film because the camera angles determine where the viewing audience will look. If you want your audience to look at a certain object you must turn their attention to it by focusing on that object and maybe you might try blocking something out. Then you will have your audience's attention and you may do whatever else you have to, it could be scaring them are just surprising them or whatever you do.

Also included is talent information and log sheets relating to the storage of the commercials.

Bell Telephone Hour Program, 1942-[19??], The Bell Telephone Hour, also known as The Telephone Hour, was a five minute musical program which began April 29, 1940 on National Broadcasting Company Radio and was heard on NBC until June 30, 1958. Sponsored by Bell Telephone showcased the best in classical and Broadway music, reaching eight to nine million listeners each week. It continued on television from 1959 to 1968.

Earlier shows featured James Melton and Francia White as soloists. Producer Wallace Magill restructured the format on April 27, 1942 into the "Great Artists Series" of concert and opera performers, beginning with Jascha Heifetz. Records indicate that the list of talents on the program included Marian Anderson, Helen Traubel, Oscar Levant, Lily Pons, Nelson Eddy, Bing Crosby, Margaret Daum, Benny Goodman, José Iturbi, Gladys Swarthout and .The series returned to radio in 1968-1969 as Bell Telephone Hour Encores, also known as Encores from the Bell Telephone Hour, featuring highlights and interviews from the original series.

National Broadcasting television specials sponsored by the Bell System, 1957-1987includes information relating to Science series, Bell system Theshold Series, Bell telephone hour and commercial and public sponsored programs

Series 8, Chicago Office Print Advertisements, 1954-1989, is arranged alphabetically by the name of the client in ninety boxes and six oversize folders. Clients include Illinois Bell Telephone (1955-1989), Microswitch (1969-1989), Teletype (1975-1984), John Deere (1974-1989) and Caterpillar (1966-1972) are particularly well represented. Other clients of interest include Dr. Scholl's shoes (circa 1968-1972), the Girl Scouts (1976-1980), Sunbeam Personal Products Company (1973-1981), Bell and Howell (1974-1983) and Alberto Culver shampoos (1967-1971), Honeywell, Incorporated, Blue Cross and Blue Shield Associations, Kraft, Incorporated, Sears, Roebuck and Company, and YMCA.

Series 9, Los Angeles Office Materials, 1950s-1987, include printed advertisements created by this office and information relating to the employees.

Subseries 9.1, Print Advertisements, 1977-1987, printed advertisements arranged in one box alphabetically by client. There is a sparse sampling of clients from this particular Ayer branch office. The majority of the advertisements contained within this series are from Pizza Hut (1986-1987). Also included are Computer Automation (1977-1978), State of the Art, Incorporated (1982) and Toshiba (1986).

Subseries 9.2, Personnel Files, 1950s-1970s, includes cards of employees who worked in the Los Angeles office. Information on the cards includes name, address, telephone number, birthday, date hired, departure date and why (retired, terminated, resigned, etc) and position. Not all cards have all information. There is also a photograph of the employees on the cards.

Series 10, Foreign Print Advertisements, 1977-1991, undated, NW Ayer maintained partnerships with international companies such as Sloanas Ayer in Argentina, Connaghan & May Paton Ayer in Australia, Moussault Ayer in Belgium, NW Ayer, LTD. in Canada, GMC Ayer in France, Co-Partner Ayer in Germany, Wong Lam Wang in Hong Kong, MacHarman Ayer in New Zealand, Grupo de Diseno Ayer in Spain, Nedeby Ayer in Sweden, and Ayer Barker in United Kingdom. This group of material is a small sampling of advertisements created from these International offices. It is arranged alphabetically by client. There are quite a few automobile advertisements (i.e. Audi, Fiat, General Motors, Mercedes-Benz, and Volkswagen). In addition there are numerous advertisements for various personal items from MacLean's toothpaste to Quick athletic shoes to Labello lip balm, etc. Most of the advertisements have the creator's name printed on the advertisements.

Series 11, Cunningham & Walsh, Incorporated Materials, 1915-1987, undated contains 98 boxes 11 folders materials from the New York advertising agency acquired by NW Ayer in the 1960s. The company began with Newel-Emmett, an agency of nine men which broke up in 1949. Two of the men Fred Walsh and Jack Cunningham formed this agency in bearing their names in 1950. The agency created "let your fingers for the walking campaign for American Telephone & Telegraph, Mother Nature for Chiffon, and Mrs. Olson for Folgers's coffee and let the good times roll for Kawasaki motorcycle. In 1986, NW Ayer Incorporated purchased Cunningham & Walsh Incorporated.

Subseries 11.1, Print Advertisements, 1915-1987, are contained in ninety eight boxes of primarily print advertisements arranged alphabetically by client name. Clients that are particularly well represented are Graybar (electrical implements, circa1926-1937), Johns-Manulle (circa1915-1971), Smith and Corono typewriters (circa 1934-1960), Sunshine Biscuit Company (circa 1925-1961), Texaco Company (circa 1936-1961), Western Electric (circa 1920- 1971) and Yellow Pages (circa 1936-1971). Cunningham and Walsh also represented several travel and tourism industry clients, including Cook Travel Services (circa 1951-1962), Italian Line (circa 1953-1961), Narragansett and Croft (circa 1956-1960) and Northwest Airlines (circa 1946-1955). There are photographs of Texaco advertisements dating from 1913-1962. There is also a scrapbook of advertisements from the Western Electric Company dating from 1920-1922.

Subseries 11.2, Radio and Television Advertisements, 1963-1967, consist of materials created for Western Electric. Materials are arranged in chronological order.

Subseries 11.3, Company Related Materials, 1962-1986, undated include client lists, information relating to NW Ayer purchase and annual report 1962.

Series 12, Hixson & Jorgensen Materials, 1953-1971, a Los Angeles advertising company, merged with Ayer in 1969. This series is housed in one box. Within the box are four scrapbooks and folders with a hodgepodge of materials relating to advertising. Of most interest are the scrapbooks. Two scrapbooks deal with Hixson and Jorgensen's self promotion ad campaign "the right appeal gets action" (1953-1957). The other two scrapbooks contain news clippings about the company and its activities (1959-1971).

Series 13, Newell-Emmet, 1942-1957, founded in 1919 and governed in the 1940s by a partnership of nine men. The partnership broke up in 1949 when the men went their separate ways. The materials consist of print advertisements for one of client, Permutit Company, a water conditioning company. The materials are arranged in one box in chronological order.

Series 14, House Print Advertisements, 1870-1991, 16 boxes consists of advertisements or self-promotion advertisements to campaign for new clients. The series is arranged chronologically by date into fifteen boxes. Within the series are two scrapbooks containing self promotion ads from 1888-1919 and 1892-1895. Numerous house ads relate to Ayer's "Human Contact" campaign. In addition to the self promotion ads, Ayer ran advertisements expounding about particular concepts or themes for example, one month the concept would "understand" while another month would be "teamwork" and yet another would be on "imagination". Some of the self promotion ads target specific groups like Philadelphia businessmen. Other advertisements incorporate the fine arts.

Series 15, Scrapbooks, 1872-1959, relates to company events, records and news clippings about Ayer's history. The six boxes are arranged by chronological date. Two of the boxes focus solely on the death of founder F.W. Ayer (1923). Another box houses a scrapbook that showcases Ayer's annual Typography Exhibition (1931-1959). One box contains a scrapbook that specifically deals with correspondences relating to Ayer's advertising. Yet another box's contents are folders of loose pages from scrapbooks that have newspaper clippings, order forms, correspondences and other company records. In one box, a bound scrapbook houses a variety of materials relating to Ayer and advertising (i.e. newspaper clippings, competitor's advertisements, NW Ayer's advertisements, correspondences for advertisements, clippings regarding the "theory of advertising."

Series 16, Publications, 1849-2006, are housed in thirty four boxes and are arranged into three main categories.

Subseries 16.1, House Publications, 1876-1994, covers diverse topics; some proscriptive works about the Ayer method in advertising, some commemorating people, anniversaries or events in the life of the agency. Materials consist of scattered issues of the employee newsletter The Next Step 1920-1921. The materials are arranged in chronological order by date of publication. Ayer in the News, The Show Windows of an Advertising Agency, 1915, book form of advertisements published on the cover of Printer's Ink, highlighting Ayer's relations with advertisers. The Story of the States, 1916, Reprint in book form of a series of articles published in Printer's Ink for the purpose of adding some pertinent fact, progressive thought and prophetic vision to the Nationalism of Advertising highlights major businesses, manufacturer, natural resources and other qualities or attractions of each state. The Book of the Golden Celebration, 1919, includes welcome address and closing remarks by founder F. Wayland Ayer, The Next Step, 1920 employee newsletter with photographs, employee profiles, in-house jokes, etc., Advertising Advertising: A Series of Fifty-two Advertisements scheduled one time a week. Twenty-seven, thirty and forty inches, a day of the week optional with publisher, 1924

Subseries 16.2, Publications about NW Ayer, 1949-2006, includes a book first published in 1939. Includes articles, documenting events and is arranged chronologically by date of publication.

Subseries 16.3, General Publications about Advertising, 1922-1974, are arranged chronologically by date of publication and relate primarily to the history of advertising.

Subseries 16.4, Publications about Other Subjects, 1948-1964, include four books about the tobacco industry primarily the history of the American Tobacco Company and Lorillard Company from the Cunningham and Walsh library.

Series 17, Business Records, circa 1885-1990s

Subseries 17.1, Contracts, 1885-1908, undated, are arranged alphabetically and span from 1885-1908. The majority of the contracts are with newspaper and magazine publishers from around the country.

Subseries 17.2, General client information, 1911-1999, undated, including active and cancelled lists with dates, client gains, historical client list, (should move this to series 20) Ayer Plan User Guide Strategic Planning for Human Contact, undated

Subseries 17.3, Individual Client Account Information, 1950s-1990s, undated, contain information used by Ayer to create advertisements for some of its clients. American Telephone &Telegraph Corporate Case History, American Telephone &Telegraph Corporate advertisement memo, commissioned artists for DeBeers advertisements, DeBeers information relating to the creative process and photography credits, a case history for DeBeers Consolidated Mines, Ltd., The Diamond Engagement Ring, Managing Communication at all levels, DuPont publications, JC Penny Marketing Communication Plan Recommendation, Leaf, Incorporated, Saturn presentation, and USAREC oral presentation.

Subseries 17.4, Potential Clients, 1993, includes grouping has a questionnaire sent to Ayer by a potential client. Questionnaire response for Prudential Securities, 1993 Prudential Securities advertising account review, 1993.

Subseries 17.5, Financial Records, 1929-1938, includes balance sheet, 1929 May 1 Balance sheet and adjustments Consolidated statement of assets and liabilities, Expenses 191936-37 Business review and expenses, 1937 and 1938 Business review and expenses comparative statement, 1937 and 1938.

Series 18, Legal Records, circa 1911-1982, Ayer's legal records are arranged by twelve subject groupings within four boxes. The twelve groupings are advertising service agreements (circa 1918-1982), bylaws, copyright claims, correspondences, international correspondences, dissolution of trusts, stock information, agreements between partners, incorporation materials, reduction of capital, property information and miscellaneous materials. The bulk of the materials are the advertising service agreements. These agreements are between Ayer and their clients and state the services Ayer will offer and at what cost. The bylaws are Ayer's company bylaws from 1969 and 1972. The copyright claims are certificates stating Ayer's ownership over certain published materials (i.e. "Policy", Media Equalizer Model, and Don Newman's Washington Square Experiment). The correspondences relate to either the voting trust and receipts for agreement or the New York Corporation. The international correspondences are from either Ayer's Canadian office or London office. The dissolutions of trusts contains materials about the dividend trust of Wilfred F. Fry, the investment trust of Winfred W. Fry, the voting trust, and the New York corporation. The stock information has stock certificates and capital stock information. The agreements between partners (1911-1916) specify the terms between F.W. Ayer and his partners. The incorporation materials (circa 1929-1977) deal with Ayer advertising agency becoming incorporated in the state of Delaware. The reduction of capital grouping is a notification that shares of stock have been retired. The property information grouping contains property deeds and insurance policy (circa 1921-1939), a property appraisal (1934), and a bill of sale (1948). The miscellaneous grouping contains a house memo regarding a set of board meeting minutes and a registry of foreign companies in Commonwealth of Pennsylvania (1929-1954).

Subseries 18.1, Advertising Service Agreements, 1918-1982

Subseries 18.2, Bylaw Materials, 1969-1972

Subseries 18.3, Copyright Claims, 1962-1969

Subseries 18.4, Correspondence, 1928-1933

Subseries 18.5, International Office Correspondence, 1947-1948

Subseries 18.6, Dissolution of Trusts, 1934-1937

Subseries 18.7, Stock Information, 1934-1974

Subseries 18.8, Agreements between Partners, 1911-1916

Subseries 18.9, Incorporation Materials, 1929-1977

Subseries 18.10, Certificates of Reduction of Capital, 1937; 1975

Subseries 18.11, Property Information, 1921-1948

Subseries 18.12, Miscellaneous Materials, 1929-1977

Series 19, Personnel Records, circa 1889-2001, are arranged into eight groupings within eight boxes. The groupings are employee card files, photographs, Ayer alumni, biographies, speeches, recollections, oral histories, and miscellaneous. Typed manuscript of book A Copy Writer Speaks by George Cecil, NW Ayer, Incorporated copy head 1920s-1950s

Subseries 19.1, Employee card files, circa 1892-1915; 1929-1963, consists of index cards with the name, age, job title, date and wage increases, date of hire/fire, as well as remarks about the employee's service and/or reasons for seeking or leaving the job. Materials are arranged alphabetically by the last name of the employee within three boxes.

Subseries 19.2, Photographs, circa 1924-1984, undated, are housed in two boxes. The photographs grouped together by subjects i.e. personnel, company events, Ayer buildings, and miscellaneous. This grouping primarily consists of personnel photographs. Includes a glass plate negative dated 1924 of NW Ayer.

Subseries 19.3, Ayer Alumni, circa 1989-98, include employees who have left Ayer. There is a listing of Ayer "graduates" and their current job. Emeritus, Ayer's alumni newsletter 1989-1996, makes up the majority of materials in this grouping. The newsletter keeps the alumni up to date with the happenings of Ayer and what has become of former Ayer employees. Emeritus is a quarterly newsletter devoted to the activities, thoughts and feelings of Ayer alumni a body of people who consists of retirees and former employees.

Subseries 19.4, Biographical Information, circa 1889-1994, undated, prominent members of Ayer's operations had biographical sketches completed of them. This was true for the bio sketches of Robert Ervin, Louis T. Hagopian, and George A. Rink. There is a substantial file on Dorothy Dignam ("Mis Dig"), a leading woman in the advertising world from the 1930s to the 1950s. Also of interest is a video ("The Siano Man") compiled by Ayer employees to commemorate Jerry Siano's retirement from Ayer in 1994. The series is arranged alphabetically by last name.

Subseries 19.5, Speeches, circa 1919-1931; 1975, contains speeches made by Wilfred W. Fry and Neal W. O'Connor. Wilfred W. Fry had various speaking engagements connected with Ayer. Contained in this group is a sampling of his speeches from 1919 to 1931. Neal O'Connor's speech "Advertising: Who Says It's a Young People's Business" was given at the Central Region Convention for the American Association of Advertising Agencies in Chicago on November 6, 1975. The speeches are arranged alphabetically by the speaker's last name.

Subseries 19.6, Recollections, 1954-1984, undated, are arranged alphabetically by last name. These are recollections from Ayer employees about the company and its advertisements. Some recollections are specifically about certain types of advertisements, like farm equipment while others reflect on F. W. Ayer and the company.

Subseries 19.7, Oral History Interview Transcripts, 1983-1985; 1989-1991, include interviews with key NW Ayer personnel, conducted by Ayer alumnae Howard Davis, Brad Lynch and Don Sholl (Vice President creative) for the Oral History Program. The materials are arranged alphabetically by the last name of the interviewee.

Subseries 19.8, Oral History Interview Audio Tapes, 1985-1990, include interviews on audiotape the materials are arranged alphabetically by the last name of the interviewee.

Subseries 19.9, Internal Communications, 1993-1999, includes information sent to employees relating to retirements, management changes, awards won by the company, promotions, potential new accounts, free items, grand opening of Ayer Café, donation events, sponsorship programs, holiday schedules, discounts for employees from clients, Ayer joins MacManus Group.

Subseries 19.10, General Materials, 1940; 1970, includes agency directory entry including a list of the employees, 1970s, annual banquet program for the Curfew Club May 22, 1940 a group formed by the Philadelphia employee in 1938. It sponsored numerous sports, social and educational activities. Groups were formed in public speaking, music appreciation and a series of talks on Monday evenings title the modern woman. The front page was a series of talks for general interest. A list of officers, 1991, Twenty five year club membership, 1973 December 1, List of NW Ayer graduates, 1970, List of Officers, 1991 May 31, Obituary for Leo Lionni, 1999 October 17, List of photographers of advertisements, 2001

Series 20, Background and History Information, 1817-1999, undated includes a chronology, 1817-1990, quick reference timeline, 1848-1923, loose pages from a scrapbook containing examples of correspondence, envelopes, advertisements dating from 1875-1878; slogans coined by NW Ayer & Sons, Incorporated, 1899-1990, history of management, 1909-1923, articles and photographs about the building and art galleries, 1926-1976, publications about the Philadelphia building, 1929, pamphlet relating to memories of NW Ayer & Sons, Incorporated, 1930s-1950s, television history, 1940-1948, Article about the history of the company, 1950 January, pocket guide, 1982, AdWeek reports about standings for advertising agencies, information relating to Human Contact which is NW Ayer's Information relating to Human Contact, undated which is their philosophy on advertising.

Series 21, Materials Created by other Advertising Agencies, 1945-1978, undated, consists of print advertisements collected by Ayer from other major advertising companies. The companies include Doyle Dane Bernback, Incorporated, Leo Burnett Company, Grey Advertising Agency, D'Arcy Ad Agency, Scali, McCabe, Sloves, Incorporated and Erwin Wasey Company. The materials are arranged in alphabetical order by client and include products from Ralston Purina and Van Camp (Chicken of the Sea), Kellogg, American Export Lines and No Nonsense Fashions.

Series 22, 2010 Addendum of Print Advertisements, circa 1879s-1999, undated, includes material given to the Archives Center in 2010. It is organized into seventy one oversized boxes and contains proofsheets of print advertisements for select Ayer clients. These are arranged alphabetically by client name and include substantial quantities of materials from American Telephone &Telegraph (1945-1996), Bahamas Ministry of Tourism (1967-1987), Carrier (1971-1981), Citibank (1973-1991), DeBeers (1940s-1960s and1990s), Electric Companies Advertising Program [ECAP] (1942-1970s), General Motors (1989-1998), J.C. Penney (1983-1986), Newsweek (1966-1975), and Proctor and Gamble (1980s-1890s). There are also numerous other clients represented by smaller quantities of materials.

Subseries 22.1, Print Advertisements, 1930-1990, undated

Subseries 22.2, Print Advertisements on Glass Plate Negatives, 1879-1881, undated, include Cannon towels, Cheny Brothers silks, Cornish & Company organs and pianos, Enterprise Manufacturing Company, 1879 sad iron, an ad from Harper's Weekly 1881 for ladies clothing, Ostermoor & Company mattresses, Pear's soap, Porter's cough balsam, Steinway pianos.

Series 23, Microfilm of Print Advertisements, circa 1908-1985, consists of three boxes of printed advertisements for the American Telephone and Telegraph Company. Some of the same advertisements might also be found in series two, three and four.
Arrangement:
The collection is arranged into twenty-three series.

Series 1: Scrapbooks of Client Print Advertisements, circa 1870-1920

Series 2: Proofsheets, circa 1870-1930

Series 3: Proofsheets, circa 1920-1975

Series 4: 2001 Addendum, circa 1976-2001

Series 5: Billboards, circa 1952-1956

Series 6: Audiovisual Materials

Series 7: Radio and Television Materials, 1933-1993, undated

Series 8: Chicago Office Print Advertisements, 1954-1989

Series 9: Los Angeles Office Materials, 1950s-1987

Subseries 9.1: Printed Advertisements, 1977-1987

Subseries 9.2: Personnel Files, 1950s-1970s

Series 10: Foreign Print Advertisements, 1977-1991, undated

Series 11: Cunningham & Walsh Incorporated Materials, 1915-1987, undated

Subseries 11.1: Printed Advertisements, 1915-1987

Subseries 11.2: Radio and Television Advertisements, 1963-1967

Subseries 11.3: Company Related Materials, 1962-1986, undated

Series 12: Hixson & Jorgensen Materials, 1953-1971, undated

Series 13: Newell-Emmet, 1942-1957

Series 14: House Print Advertisements, 1870-1991

Series 15: Scrapbooks, 1872-1959

Series 16: Publications, 1849-2006

Subseries 16.1: House Publications, 1876-1994

Subseries 16.2: Publications about NW Ayer, 1949-1995

Subseries 16.3: General Publications about Advertising, 1922-2006

Subseries 16.4: Publications about other Subjects, 1948-1964

Series 17, Business Records, circa 1885-1990s

Subseries 17.1: Contracts, 1885-1908, undated

Subseries 17.2: General Client Information, 1911-1999, undated

Subseries 17.3: Individual Client Account Information, 1950s-1990s, undated

Subseries 17.4: Potential Clients, 1993

Subseries 17.5: Financial Records, 1929-1938

Series 18: Legal Records, circa 1911-1984

Subseries 18.1: Advertising Service Agreements, 1918-1982

Subseries 18.2: Bylaw Materials, 1969-1972

Subseries 18.3, Copyright Claims, 1962-1969

Subseries 18.4: Correspondence, 1928-1933

Subseries 18.5: International Office Correspondence, 1947-1948

Subseries 18.6: Dissolution of Trusts, 1934-1937

Subseries 18.7: Stock Information, 1934-1974

Subseries 18.8: Agreements between Partners, 1911-1916

Subseries 18.9: Incorporation Materials, 1929-1977

Subseries 18.10: Certificates of Reduction of Capital, 1937; 1975

Subseries 18.11: Property Information

Subseries 18.12: Miscellaneous Materials, 1929-1977

Series 19: Employee Materials, circa 1889-2001

Subseries 19.1: Employee Card files, circa 1892-1915; 1929-1963

Subseries 19.2: Photographs, circa 1924-1984, undated

Subseries 19.3: Alumni Publications, circa 1989-1998

Subseries 19.4: Biographical Information, circa 1889-1994

Subseries 19.5: Speeches, circa 1919-1931; 1975

Subseries 19.6: Recollections, 1954-1984, undated

Subseries 19.7: Oral History Interview Transcripts, 1983-1985; 1989-1991

Subseries 19.8: Oral History Audiotapes, 1985-1990

Subseries 19.9: Internal Communications, 1993-1999

Subseries 19.1: General Materials, 1940-2001

Series 20: History and Background Information about the Company, 1817-1999, undated

Series 21: Materials Created by other Advertising Agencies, 1945-1978, undated

Series 22: 2010 Addendum of Print Advertisements, circa 1879s-1990s, undated

Subseries 22.1: Print Advertisements, 1930-1990, undated

Subseries 22.2: Print Advertisements on Glass Plate Negatives, 1879-1881, undated

Series 23: Microfilm of Print Advertisements, circa 1908-1985
Biographical / Historical:
Founded in Philadelphia in 1869, NW Ayer & Son is one of the oldest and largest advertising agencies in America. For most of its history, it was the undisputed leader and innovator in the field of advertising. In 1876, NW Ayer & Son pioneered the "open contract", a revolutionary change in the method of billing for advertising which became the industry standard for the next hundred years. NW Ayer pioneered the use of fine art in advertising and established the industry's first art department. It was the first agency to use a full-time copywriter and the first to institute a copy department. The agency relocated to New York City in 1974. During its long history, the agency's clients included many "blue-chip" clients, including American Telephone & Telegraph, DeBeers Consolidated Diamond Mines, Ford Motor Company, Nabisco, R. J. Reynolds and United Airlines. However, in later years, the Ayer's inherent conservatism left the agency vulnerable to the creative revolution of the 1960s and 1970s, the advertising industry restructuring of the 1980s and the economic recession of the early 1990s. The agency was bought out by a Korean investor in 1993. In 1996, NW Ayer merged with another struggling top twenty United States advertising agency, Darcy, Masius, Benton & Bowles, under the umbrella of the McManus Group. Ayer continues to operate as a separate, full-service agency.

Through a series of buyouts and mergers, Ayer traces its lineage to the first advertising agency founded in the United States, a Philadelphia agency begun by Volney Palmer in 1841. Palmer began his career in advertising as a newspaper agent, acting as middleman between newspaper publishers and advertisers across the country. By 1849, Palmer had founded his own newspaper, V. B. Palmer's Register and Spirit of the Press, and had developed a complete system of advertising which included securing advertising space and placing ads in scores of commercial, political, religious, scientific and agricultural journals across the country. Palmer went one step further than the "space jobbers" of the day when he began offering "advertisements carefully drawn for those who have not the time to prepare an original copy." Always an enthusiastic promoter of advertising as an incentive to trade and American economic growth, Palmer promised advertisers that "every dollar paid for advertising in country newspapers will pay back twenty-fold" and encouraged skeptical consumers that "he who wishes to buy cheap should buy of those who advertise." When Palmer died in 1863, the agency was bought by his bookkeeper, John Joy, who joined with another Philadelphia advertising agency to form Joy, Coe & Sharpe. That agency was bought out again in 1868 and renamed Coe, Wetherill & Company. In 1877, Coe, Wetherill and Company was bought out by the newly formed NW Ayer & Son.

Francis Wayland Ayer was an ambitious young schoolteacher with an entrepreneurial streak. Having worked for a year soliciting advertisements on a commission basis for the publisher of the National Baptist weekly, Francis Ayer saw the potential to turn a profit as an advertising agent. In 1869, Ayer persuaded his father, Nathan Wheeler Ayer, to join him in business, and with an initial investment of only $250.00, NW Ayer & Son was born. Notwithstanding a smallpox epidemic in Philadelphia in 1871 and the general economic depression of the early 1870s, the agency flourished. The senior Ayer died in 1873, leaving his interest in the agency to his wife, but Francis W. Ayer bought her out, consolidating his interest in the company's management. In 1877, with Coe, Wetherill & Company (the successor to Palmer's 1841 agency) on the verge of bankruptcy and heavily indebted to Ayer for advertising it had placed in Ayer publications, Ayer assumed ownership of that agency. Thus did NW Ayer lay claim to being the oldest advertising agency in the country.

Both Nathan Wheeler and Francis Wayland Ayer began their careers as schoolteachers, and one of their legacies was a commitment to the cause of education: correspondence schools and institutions of higher learning were historically well-represented among Ayer clients. Just after World War I, the agency was heralded as "co-founder of more schools than any citizen of this country" for its conspicuous efforts to advertise private schools. Well into the 1960s, an "Education Department" at Ayer prepared advertisements for over three hundred private schools, camps and colleges, representing almost half the regional and national advertising done for such institutions. In fact, to its clients Ayer presented advertising itself as being akin to a system of education. In 1886, Ayer began promoting the virtues of the Ayer way advertising with the slogan, "Keeping Everlastingly at It Brings Success."

The agency's goals were simple: "to make advertising pay the advertiser, to spend the advertiser's money as though it were our own, to develop, magnify and dignify advertising as a business." Initially, Ayer's fortunes were tied to newspapers, and the agency began to make a name for itself as compiler and publisher of a widely used American Newspaper Annual. During the first years, Ayer's singular goal was "to get business, place it [in newspapers] and get money for it"; after several years as an independent space broker, however, Francis Ayer resolved "not to be an order taker any longer." This decision led NW Ayer and Son to a change in its mode of conducting business which would revolutionize the advertising industry: in 1876, Ayer pioneered the "open contract" with Diggee & Conard, Philadelphia raised growers and agricultural suppliers. Prior to the open contract, NW Ayer & Sons and most agencies operated as "space-jobbers," independent wholesalers of advertising space, in which the opportunities for graft and corrupt practices were virtually unlimited. In contrast, the open contract, wherein the advertiser paid a fixed commission based on the volume of advertising placed, aligned the advertising agent firmly on the side of the advertiser and gave advertisers access to the actual rates charged by newspapers and religious journals. The open contract with a fixed commission has been hailed by advertising pioneer Albert Lasker as one of the "three great landmarks in advertising history." (The other two were Lasker's own development of "reason-why" advertising copy and J. Walter Thompson's pioneering of sex appeal in an advertisement for Woodbury's soap.) Although the transition to the open contract did not happen overnight, by 1884, nearly three-quarters of Ayer's advertising billings were on an open contract basis. Since Ayer was, by the 1890s, the largest agency in America, the switch to direct payment by advertisers had a significant impact on the advertising industry, as other agencies were forced to respond to Ayer's higher standard. Just as important, the open contract helped to establish N W Ayer's long-standing reputation for "clean ethics and fair dealing" -- a reputation the agency has guarded jealously for over a century. The open contract also helped to establish Ayer as a full service advertising agency and to regularize the production of advertising in-house. From that point forward, Ayer routinely offered advice and service beyond the mere placement of advertisements. Ayer set another milestone for the industry in 1888, when Jarvis Wood was hired as the industry's first full-time copywriter. Wood was joined by a second full time copywriter four years later, and the Copy Department was formally established in 1900. The industry's first Art Department grew out of the Copy Department when Ayer hired its first commercial artist to assist with copy preparation in 1898; twelve years later Ayer became the first agency to offer the services of a full time art director, whose sole responsibility was the design and illustration of ads.

Ayer's leadership in the use of fine art in advertising has roots in this period, but achieved its highest expression under the guidance of legendary art director Charles Coiner. Coiner joined Ayer in 1924, after graduating from the Chicago Academy of Fine Arts. Despite early resistance from some clients, Coiner was adamant that "the use of outstanding palette and original art forms bring a greater return in readership, in impact and prestige for the advertiser." To this end, Coiner marshaled the talents of notable painters, illustrators and photographers, including N.C. Wyeth and Rockwell Kent (Steinway), Georgia O'Keefe (Dole), Leo Lionni (DuPont), Edward Steichen (Steinway, Cannon Mills), Charles Sheeler (Ford), and Irving Penn (DeBeers). Coiner believed that there was a practical side to the use of fine art in advertising, and his success (and Ayer's) lay in the marriage of research and copywriting with fine art, an arrangement Coiner termed "art for business sake." Coiner's efforts won both awards and attention for a series completed in the 1950s for the Container Corporation of America. Titled "Great Ideas of Western Man" the campaign featured abstract and modern paintings and sculpture by leading U.S. and foreign artists, linked with Western philosophical writings in an early example of advertising designed primarily to bolster corporate image. In 1994, Charles Coiner was posthumously named to the American Advertising Federation's Hall of Fame, the first full time art director ever chosen for that honor.

Coiner and fellow art director Paul Darrow also created legendary advertising with the "A Diamond Is Forever" campaign for DeBeers; ads featured the work of Pablo Picasso, Salvador Dali and other modernist painters. The "A Diamond is Forever" tagline was written in 1949 by Frances Gerety, a woman copywriter at Ayer from 1943 to 1970. In 1999, Ad Age magazine cited "A Diamond is Forever" as the most memorable advertising slogan of the twentieth century.

Coiner also earned respect for his volunteer government service during World War II; he designed the armbands for civil defense volunteers and logos for the National Recovery Administration and Community Chest. As a founding member of the Advertising Council in 1945, Ayer has had a long-standing commitment to public service advertising. In the mid-1980s, Ayer became a leading force in the Reagan-era "War on Drugs". Lou Hagopian, Ayer's sixth CEO, brokered the establishment of the Partnership for a Drug-Free America, a media coalition which generated as much as a million dollars a day in donated advertising space and time to prevent the use and abuse of illegal drugs. Famous names appear among NW Ayer's clientele from the very earliest days of the agency. Retailer John Wanamaker, Jay Cooke and Company, and Montgomery Ward's mail-order business were among the first Ayer clients. The agency has represented at least twenty automobile manufacturers, including Cadillac, Chrysler, Ford, General Motors, Plymouth, and Rolls-Royce. Other major, long-term clients through the years have included American Telephone & Telegraph, Canada Dry, Cannon Mills, Hills Bros. Coffee Company, Kellogg's, R. J. Reynolds, Steinway and Sons, United Airlines, and the United States Army. By the time of Ayer's hundredth anniversary in 1969, some of these companies had been Ayer clients for decades if not generations, and the longevity of those relationships was for many years a source of Ayer's strength.

But the advertising industry began to change in the late 1960s and 1970s, due in part to a "creative revolution." Small advertising agencies won attention with provocative copywriting and art direction that more closely resembled art than advertising. Advances in market research allowed clients to more narrowly tailor their advertising messages to distinct groups of consumers, and this led to a rise in targeted marketing which could more readily be doled out to specialized small agencies than to larger, established firms like NW Ayer & Son. The civil rights and anti-war movements also contributed to increasing public skepticism with the values of corporate America, and by extension, with some national advertising campaigns. Older, more conservative firms like Ayer were hard pressed to meet these new challenges.

About 1970, in an effort to meet these challenges and to establish a foothold on the West Coast, Ayer bought out two smaller agencies--Hixson & Jorgenson (Los Angeles) and Frederick E. Baker (Seattle). The agency relocated from Philadelphia to New York City in 1974 in an attempt both to consolidate operations (Ayer had operated a New York office since the 1920s) and to be closer to the historic center of the advertising industry. Riding the wave of mergers that characterized the advertising industry in the late 1980s and 1990s, Ayer continued to grow through the acquisition of Cunningham & Walsh in 1986 and Rink Wells in 19xx.

During this transitional period, Ayer received widespread acclaim for its work for the United States Army, which included the widely recognized slogan "Be All You Can Be". Ayer first acquired the Army recruitment account in 1967 and with help from its direct marketing arm, the agency was widely credited with helping the Army reach its recruitment goals despite an unpopular war and plummeting enlistments after the elimination of the draft in 1973. Ayer held the account for two decades, from the Vietnam War through the Cold War, but lost the account in 1986 amid government charges that an Ayer employee assigned to the account accepted kickbacks from a New York film production house. Despite Ayer's position as the country's 18th largest agency (with billings of $880 million in 1985), the loss of the agency's second largest account hit hard.

NW Ayer made up for the loss of the $100 million dollar a year Army account and made headlines for being on the winning end of the largest account switch in advertising history to date, when fast food giant Burger King moved its $200 million dollar advertising account from arch-rival J. Walter Thompson in 1987. Burger King must have had drive-thru service in mind, however, and Ayer made headlines again when it lost the account just eighteen months later in another record-breaking account switch. Another devastating blow to the agency was the loss of its lead position on the American Telegraph and Telephone account. Ayer pioneered telecommunications advertising in 1908, when the agency was selected to craft advertising for the Bell System's universal telephone service. Despite valiant efforts to keep an account the agency had held for most of the twentieth century, and for which they had written such memorable corporate slogans as American Telephone &Telegraph "The Voice with a Smile" and "Reach Out and Touch Someone", the agency lost the account in 1996.

After a wave of mergers and acquisitions in the late 1980s, the economic recession of the early 1990s hit Madison Avenue hard, and Ayer was particularly vulnerable. Despite the agency's long history and roster of "blue-chip" clients, Ayer was not known for cutting-edge creative work. Moreover, though the agency had offices overseas, Ayer had never built a strong multinational presence, and many of the smaller international offices were sold during the financial turmoil of the 1980s. This left a real void in the new climate of global marketplace consolidation. By about 1990, earnings were declining (although Ayer was still among the top twenty United States agencies in billings), and the agency was suffering from client defections, high management turnover, expensive real estate commitments and deferred executive compensation deals, all fallout of the high-flying 1980s. This was the atmosphere in 1993, when W.Y. Choi, a Korean investor who had already assembled a media and marketing empire in his homeland, began looking for an American partner to form an international advertising network. Jerry Siano, the former creative director who had recently been named Ayer's seventh CEO, was in no position to refuse Choi's offer of $35 million to buy the now floundering agency. The infusion of cash was no magic bullet, however. Choi took a wait-and-see approach, allowing his partner Richard Humphreys to make key decisions about Ayer's future, including the purging of senior executives and the installation of two new CEOs in as many years.

The agency's downward trend continued with the loss of another longtime client, the DeBeers diamond cartel in 1995. Adweek reported that Ayer's billings fell from $892 million in 1990 to less than $850 million in 1995. Several top executives defected abruptly, and the agency failed to attract major new accounts. Ayer was facing the loss not merely of revenue and personnel, but the loss of much of the respect it once commanded. Ayer remained among the twenty largest U.S. agencies, but an aura of uncertainty hung over the agency like a cloud. A new CEO was appointed, and Mary Lou Quinlan became the agency's first woman CEO in 1995. A year later, Ayer and another struggling top twenty agency, D'arcy, Masius, Benton & Bowles, combined as part of the McManus Group of companies. In 1998, the McManus Group had worldwide billings of more than $6.5 billion.

Under the McManus Group, Ayer was able to expand its international operations and begin to rebuild a stronger global presence. Several important new clients were won in 1997 and 1998, including Avon, General Motors, Kitchenaid, several Procter & Gamble brands and, most notably, Continental Airlines worldwide accounts. Born in the nineteenth century, Ayer may be one of a very few advertising agencies to successfully weather the economic and cultural transitions of both the twentieth and twentieth first centuries. Ayer was eventually acquired by the Publicis Groupe based in Paris, France which closed down the N.W. Ayer offices in 2002.
Related Materials:
Materials in the Archives Center

Warshaw Collection of Business Americana (AC0060)

Hills Bros. Coffee Incorporated Records (AC0395)
Provenance:
The collection was donated by N W Ayer ABH International, April 15, 1975 and by Ayer & Partners, October 30, 1996.
Restrictions:
The collection is open for research use.

Physical Access: Researchers must use microfilm copy. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Technical Access: Viewing the film portion of the collection without reference copies requires special appointment, please inquire; listening to audio discs requires special arrangement. Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproduction permission from Archives Center: reproduction fees may apply. Publication and production quality duplication is restricted due to complex copyright, publicity rights, and right to privacy issues. All duplication requests must be reviewed and approved by Archives Center staff. Potential users must receive written permission from appropriate rights holders prior to obtaining high quality copies.
Topic:
Advertising agencies  Search this
advertising  Search this
Genre/Form:
Business records -- 1840-2000
Interviews -- 1980-2000
Oral history -- 1980-1990
Print advertising
Proof sheets
Proofs (printed matter)
Scrapbooks -- 1840-1990
Trade literature
Tear sheets
Advertisements
Citation:
NW Ayer & Sons, incorporated Advertising Agency Records, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0059
See more items in:
N W Ayer Advertising Agency Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0059
Online Media:

Puerto Rico Division of Community Education [DIVEDCO] Poster Collection

Donor:
Archivo General de Puerto Rico  Search this
Collector:
Puerto Rico. Division of Community Education. Department of Education  Search this
Puerto Rico. Division of Community Education. Department of Education  Search this
Extent:
1 Cubic foot (32 folders 378 posters)
Type:
Collection descriptions
Archival materials
Screen prints
Posters
Place:
Puerto Rico -- 20th century
Date:
1955-2005, undated
Summary:
The collection consists of 378 posters documenting important public service issues including education, health and safety, and cultural programs. These posters were widely displayed throughout the island and reflect key trends in the social history of Puerto Rico for nearly fifty years.
Scope and Contents:
The collection consists of 378 posters, the majority of which are approximately 22" x 28" documenting social, cultural and educational issues for Puerto Rico. The posters were widely displayed throughout Puerto Rico and reflect key trends in the social history of Puerto Rico for fifty years. The collection is divided into three series: Series one document events, series two is social services and series three relates to economic and employment issues.
Arrangement:
The collection is divided into three series.

Series 1, Events, 1955-1990; undated

Series 2, Social Services, 1971-2005; undated

Series 3, Economics and Employment, 1987-1989; undated
Biographical / Historical:
add
Provenance:
The posters were donated to the Archives Center, National Museum of American History by the Archivo General de Puerto Rico through Nelly V. Cruz Rodriguez on May 19, 1997.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Puerto Rico in art -- 20th century  Search this
Health attitudes -- 20th century -- Puerto Rico  Search this
Health education -- 1940-1980 -- Puerto Rico  Search this
Social conditions -- 20th century -- Puerto Rico  Search this
Cultural policy -- 20th century -- Puerto Rico  Search this
Modernity and society -- Puerto Rico  Search this
Genre/Form:
Screen prints
Posters -- 20th century
Citation:
Puerto Rico Division of Community Education Poster Collection, 1940-1990, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0615
See more items in:
Puerto Rico Division of Community Education [DIVEDCO] Poster Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0615
Online Media:

Oral history interview with Rosanne Somerson, 2006 August 7 and 2007 June 22

Interviewee:
Somerson, Rosanne, 1954-  Search this
Interviewer:
Michie, Thomas S., 1956-  Search this
Subject:
Osgood, Jere  Search this
Melanson, Gracie  Search this
Szasz, Merlin  Search this
Keck, Hardu  Search this
Cooke, Ned  Search this
Fairbanks, Jonathan L.  Search this
Kranov, James  Search this
Follen, Eck  Search this
Sfirri, Mark  Search this
Dunnigan, John  Search this
Abramson, Ron  Search this
Jackson, Dan  Search this
Maruyama, Wendy  Search this
Joseph, Peter T. (Peter Thomas),  Search this
Frid, Tage  Search this
Capanigro, Paul  Search this
White, Leroy  Search this
Kagan, Richard  Search this
Wolf, Hans  Search this
Callahan, Harry M. (Harry Morey)  Search this
Siskind, Aaron  Search this
Swanson, Charlie  Search this
Mattia, Alphonse  Search this
Haystack Mountain School of Crafts  Search this
Rhode Island School of Design  Search this
Snyderman Gallery  Search this
Richard Kagan Gallery  Search this
Peters Valley (Craft center)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Fine woodworking  Search this
Furniture design  Search this
Educators  Search this
Women artists  Search this
Photography  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)13618
(DSI-AAA_SIRISBib)271125
AAA_collcode_somers06
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_271125
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
de Hauke, César  Search this
Seligmann, Jacques  Search this
Seligmann, René  Search this
Parker, Theresa D.  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Schiff, Mortimer L.  Search this
Haardt, Georges  Search this
La Fresnaye, Roger de  Search this
Seligman, Germain  Search this
Arenberg  Search this
Seligmann, Arnold  Search this
Trevor, Clyfford  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Topic:
Art  Search this
Art, European  Search this
World War, 1939-1945  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art galleries, Commercial  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

Cornell University Department of Art faculty exhibition : Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, September 12 to October 21, 1979

Author:
Cornell University Department of Art  Search this
Herbert F. Johnson Museum of Art  Search this
Physical description:
[22] p. : chiefly ill. ; 22 x 22 cm
Type:
Exhibitions
Place:
New York (State)
Ithaca
Date:
1979
C1979
20th century
Topic:
Art, American  Search this
Artists as teachers  Search this
College teachers as artists  Search this
Call number:
N6530.N7 C814
N6530.N7C814
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_131643

Xavier Gonzalez papers

Creator:
Gonzalez, Xavier, 1898-1993  Search this
Names:
Spanish Institute (New York, N.Y.)  Search this
Adams, Philip Rhys, 1908-1993  Search this
Arpa Perea, José, 1858-1952  Search this
Edwards, Ethel, 1914-1999  Search this
Osver, Arthur, 1912-2006  Search this
Extent:
14.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Travel sketches
Sketchbooks
Sketches
Prints
Place:
Egypt -- description and travel
Date:
1908-1997
Summary:
The papers of Xavier Gonzalez, a New York and Massachusetts painter, sculptor, educator, and owner of the Wellfleet Art Gallery, measure 14.1 linear feet and date from 1908 to 1997. The collection consists of biographical materials, correspondence, writings, project files, business records, printed materials, scrapbooks, photographs, and artwork.
Scope and Contents:
The papers of Xavier Gonzalez, a New York and Massachusetts painter, sculptor, educator, and owner of the Wellfleet Art Gallery, measure 14.1 linear feet and date from 1908 to 1997. The collection consists of biographical materials, correspondence, writings, commission project files, business records, printed materials, scrapbooks, photographs, and artwork.

Biographical materials include an address book and calendars, awards, passports, resumes, student rosters, and legal documents. Correspondence is with family, friends, and colleagues regarding Gonzalez's work and art school in Wellfleet, his uncle and artist Jose Arpa, and other personal and professional activities. Manuscripts for Notes About Painting, unpublished books, and various essays by Gonzalez, along with manuscripts by other authors are in writings.

Commission project files are found for a U.S. Bicentennial monument, murals in New York and Texas, paintings commissioned by the Department of the Interior and Life magazine, and educational aids for the U.S. Navy.

Business records include sales and inventory records for Gonzalez's Wellfleet Art Gallery, The Spanish Institute, and other galleries. Printed materials consist of printed representations of artwork, clippings, exhibition announcements and catalogs, invitations, press releases, and books including He Who Saw Everything, The Epic of Gilgamesh, illustrated by Gonzalez.

The collection also includes 72 numbered scrapbooks that contain sketches, printed materials, project plans, photographs, writings, correspondence, and business records. One of the scrapbooks contains a notebook labeled "Notes of Paris, Visits with Picasso, 1936-1938". Photographs are of Gonzalez, his artwork and studio, his family and friends, Ethel Edwards, student artwork, composer Aaron Copeland, museum director Philip R. Adams, and Art Students League director Stewart Klonis. Artwork includes illustrated notes to Ethel Edwards, folded and cutout paper projects, and pencil and painted sketches.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Materials, 1932-1992 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1930s-1995 (1.0 linear feet; Boxes 1-2)

Series 3: Writings, 1948-1993 (0.5 linear feet; Boxes 2, 14)

Series 4: Project Files, 1942-1987 (0.5 linear feet; Boxes 2-3, OV 22)

Series 5: Business Records, 1949-1997 (0.5 linear feet; Boxes 3, OV 22)

Series 6: Printed Materials, 1928-1990s (1.5 linear feet; Boxes 4-5, OV 22)

Series 7: Scrapbooks, circa 1911-1980s (5.4 linear feet; Boxes 5-9, 14-20, OV 21)

Series 8: Photographs, 1908-1990s (3.5 linear feet; Boxes 9-12, 14)

Series 9: Artwork, circa 1950s-1980s (0.7 linear feet; Boxes 12-14)
Biographical / Historical:
Xavier Gonzalez (1898-1993) was a painter, sculptor, and educator who was active in New York, NY and Wellfleet, Massachusetts.

Gonzalez was born in Almeria, Spain and came to the United States at the age of 19. While working odd jobs in Chicago, he attended the Chicago Art Institute. Throughout his career, Gonzalez completed numerous commissions including murals in Texas and New York, a monument for the 1976 bicentennial celebration in New York, paintings for the Department of the Interior, and paintings of Egypt's Old Kingdom for Life magazine. During World War II, he designed posters and maps for the Navy. After the war, Gonzalez opened the Wellfleet Art Gallery with his wife, artist Ethel Edwards, in Wellfleet, Massachusetts. The gallery served as an exhibition space, studio, and art school where Gonzalez taught summer classes.

Gonzalez died in New York in 1993.
Related Materials:
Also found at the Archives of American Art are the papers of Xavier Gonzalez's wife, Ethel Edwards.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reels N68-113, N69-42, N69-43, and N70-53. Most of this material was included in subsequent gifts, but a comparison of the film and papers was not completed. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
Xavier Gonzalez first loaned the Archives of American Art material for microfilming in 1968, most of which was included in the later 1999 gift. Gonzalez also donated a small amount of papers in 1971. Additional materials were donated by the George Arents Research Library at Syracuse University in 1984 and 1992, and by the estate of Ethel Edwards Gonzalez in 1999.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Xavier Gonzalez papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, Modern -- 20th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Painters -- Massachusetts  Search this
Artists' studios -- Massachusetts -- Wellfleet -- Photographs  Search this
Genre/Form:
Scrapbooks
Photographs
Travel sketches
Sketchbooks
Sketches
Prints
Citation:
Xavier Gonzalez Papers, 1908-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gonzxavi
See more items in:
Xavier Gonzalez papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gonzxavi

Rudolph Schaeffer papers

Creator:
Schaeffer, Rudolph  Search this
Names:
East & West Gallery (San Francisco, Calif.)  Search this
Rudolph Schaeffer School of Design  Search this
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976 -- Photographs  Search this
Frey, Caroline  Search this
Frey, Fred  Search this
Tobey, Mark  Search this
Wright, Frank Lloyd, 1867-1959 -- Photographs  Search this
Extent:
13.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Place:
Japan -- Description and Travel
Date:
1880s-1997
Summary:
The collection measures 13.3 linear feet, dates from the 1880s-1997 and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.
Scope and Content Note:
The collection measures 13.3 linear feet, dates from the 1880s-1997, and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.

Correspondence documents Schaeffer's personal and professional activities as well as the Rudolph Schaeffer School of Design. Subject files contain various combinations of correspondence, photographs, printed material, and drawings reflecting Schaeffer's activities, projects, and interests. Within the subject files is correspondence with artists, including Mark Tobey. Extensive writings include manuscripts for published and unpublished articles and drafts, notes, and manuscripts of several unpublished books including Collected Lectures of Rudolph Schaeffer on Color and Design, Color and Design, Prismatic Color Theory, and Rhythmo-Chromatics, all undated. Diaries include a volume recording Schaeffer's 1936 trip to Japan. 42 volumes of journals, compiled between 1954 and 1987, contain entries on a wide range of subjects including lists of errands, invitation lists, class notes, drafts of letters, notes including staff assignments and staff meetings, autobiographical notes and reminiscences, and musings on religion and philosophy.

The Artwork series houses artwork by Schaeffer and his students. Found are hand-made Christmas cards, designs, sketches, and sketchbooks. Seven scrapbooks document Rudolph Schaeffer's career, his school and former students, and the San Francisco art scene. They contain printed material, photographs, letters, and a small amount of artwork. Volume 3 is devoted to East West Gallery, and volume 7 documents Rudolph Schaeffer's 90th Birthday and the 50th Anniversary of the Rudolph Schaeffer School of Design.

Most untranscribed sound recordings (audio cassettes and reels) are of lectures by Schaeffer and others delivered at the Rudolph Schaeffer School of Design.

Miscellaneous records includes a series of hand-baticked fabric samples from the Wiener Werkstatte, as well as transcripts of an oral history with Schaeffer and other interviews.

Printed material concerns the career of Rudolph Schaeffer, his school and former students, the San Francisco art scene, and general art topics. Included are articles and a book by Schaeffer, catalogs and other items produced by the Rudolph Schaeffer School of Design, and miscellaneous items about or mentioning Schaeffer and his school. Items of note are announcements of courses taught by Schaeffer in Piedmont and San Francisco prior to the opening of his school, and theatre programs from productions with sets and some costumes designed by Schaeffer in the early 1920s.

Photographs are of artwork, people, places, events, stage designs, and miscellaneous subjects. Artwork includes some designs by Rudolph Schaeffer; people include Schaeffer, his family, friends, and students. Of particular note are a photograph of Frank Lloyd Wright's visit to the Rudolph Schaeffer School of Design, and one of Rudolph Schaeffer and Imogen Cunningham. Places include interior and exterior views of the Rudolph Schaeffer School of Design at its St. Anne Street and Mariposa Street locations. Also included are photographs by Ansel Adams of the home of Ed and Caroline Fey.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Information, 1900-1988 (Box 1; 0.1 linear ft.)

Series 2: Correspondence, 1906-1989 (Box 1, 19; 0.5 linear ft.)

Series 3: Subject Files, 1907-1988 (Boxes 1-2, OV 16; 1.3 linear ft.)

Series 4: Writings, circa 1910-1987 (Boxes 2-6, 15, 19, 21; 4.2 linear ft.)

Series 5: Artwork, 1911-1957 (Boxes 6-15, 19, 21 OV 17; 0.6 linear ft.)

Series 6: Scrapbooks, 1933-1976 (Boxes 6, 14, 19; 0.6 linear ft.)

Series 7: Sound Recordings, 1949-1986 (Boxes 11-13; 1.2 linear ft.)

Series 8: Miscellaneous Records, 1905-1986 (Box 7, 19, 22; 0.8 linear ft.)

Series 9: Printed Material, 1906-1994 (Boxes 7-8, 15, 19, 22; 1.2 linear ft.)

Series 10: Photographs, 1880s-circa 1988 (Boxes 8-10,15, 20, 22, OV 18; 1.8 linear ft.)
Biographical Note:
Rudolph Schaeffer (1886-1988), a proponent of the Arts and Crafts movement, aspired to unite technology, science, and lifestyle in order to live in harmony with nature. An individual with many talents and interests, he was best known for his work in the field of color study and as a teacher and the founder of the Rudolph Schaeffer School of Design in San Francisco.

Born on a farm in Clare, Michigan in 1886, Rudolph Schaeffer displayed musical and artistic talent from a young age. Although he initially wanted to become a professional musician, he began focusing more on art when his musical abilities were compromised by an improperly set broken wrist. Schaeffer received his first formal art training as a high school student and then attended the Thomas Normal Training School in Detroit, where he studied music, art, and design. He continued studying independently, developing interests in calligraphy and metal craft.

In 1907, Schaeffer taught manual training courses in the Columbus, Ohio, public schools. The following summer he traveled to Paris and London. While in London he saw an exhibition of Josef Hoffman's modern interiors that had a great impact on his own design ideas. He then returned to Michigan and taught in schools close to home. In 1909, Schaeffer attended a design course in Minneapolis taught by A. E. Batchelder, director of Throop Polytechnic Institute in Pasadena. Both Batchelder and his course were strong influences on Schaeffer, as was Ralph Johnot, a proponent of Arthur Wesley Dow's design principles. In 1910 Schaeffer joined the faculty of Throop Polytechnic Institute, where he remained for five years.

The U. S. Commission on Education selected Schaeffer to be part of a delegation of twenty-five American teachers sent to Munich for several months in 1914 to investigate the exemplary industrial design curriculum offered in their secondary schools. Schaeffer subsequently expected to begin teaching at the Manual Arts High School in Los Angeles at the start of the 1914 school year, but World War I erupted while he was in Germany and his return to the United States was delayed so long that another teacher had to be hired to fill his place.

In 1915 Schaeffer was a manual training instructor at the California College of Arts and Crafts (formerly the Hopkins School), and taught design and metal crafts at the University of California Berkeley. For a number of years afterwards, he did free lance design work, taught private classes, and ran a small summer school in his Piedmont studio. Schaeffer was a visiting professor at Stanford University in 1918 when he was drafted and sent to drafting and surveying courses by the Army. Between 1917 and 1924 Schaeffer was on the faculty of the California College of Arts and Crafts where he taught design, color, handicrafts, and interior design. During this period he developed a new approach to teaching color and design based on the prismatic color wheel.

During the early 1920s Schaeffer worked as a set designer and as Art Director of Greek Theatre at the University of California at Berkeley, Schaeffer began applying prismatic color theory to set and costume design. He also designed sets for productions in Detroit. In 1925, Schaeffer saw the Paris Exposition and researched interior and stage design while in France.

The Rudolph Schaeffer School of Design which, in its early days was called the Rudolph Schaeffer School of Rhythmo-Chromatic Design, opened on St. Anne Street in San Francisco's Chinatown in 1926. In 1951 the school then moved to Union Street on Telegraph Hill where it remained for nearly a decade. In 1960, the school purchased a former boys' school on Mariposa Street, Portero Hill. Rudolph Schaeffer lived in a small cottage built for him at the rear of the property where he designed and tended a remarkable "Peace Garden."

The Rudolph Schaeffer School of Design was best known for its courses in color and interior design. Schaeffer was the first person in the United States to teach prismatic color theory, is credited with being the first to use the term "interior design" rather than "interior decoration" and the first to incorporate the use of models into interior design coursework. In 1959 the school's courses were expanded from 2 to 3-year programs and a diploma was awarded. Former students include many successful interior designers, textile designers, furniture designers, industrial designers, commercial artists, color consultants, teachers, and master flower arrangers.

In addition to the interior design and color diploma courses, the school offered a summer session, classes for children, a brief lecture series for the general public, and a wide variety of classes including advertising art, architecture and design, art history, art in public schools, calligraphy, color design, color for television, color for weavers, color theory, design, drawing, environmental aesthetics, fashion design, fashion illustration, flower arrangement, industrial design, interior design, Notan, sculpture, space planning, textile design, and weaving. Always struggling financially and sometimes lacking adequate enrollment, the school nevertheless managed to stay open for nearly 60 years. In 1984, the Board of Directors voted to remove Schaeffer from the board and close the school. Two years earlier the board had forced Schaeffer to retire, appointed him Director Emeritus, and brought in a new director charged with making the institution financially solvent, reorganizing the curriculum, and working toward accreditation. Unable to separate himself from the school (though he had done so legally when it was incorporated in 1953), Schaeffer balked and refused to cooperate with plans for revitalizing the institution.

One of the aims of the Rudolph Schaeffer School of Design was to interpret Asian esthetic principles. To this end the East West Gallery was established at the school in 1950. A membership organization, it offered exhibitions, lectures, concerts, and other programs that encouraged cultural integration. Exhibitions alternated between East (Asian art and artifacts from Rudolph Schaeffer's collection or other sources) and West (student work or work of local artists illustrating the influence of the Asian esthetic on contemporary art and design). East West Gallery was a membership organization, the first space of its kind in San Francisco for Asian art and operated in each of the school's locations.

In addition to running the school Schaeffer was involved in many other activities. He wrote several articles about flower arrangement, color, and color theory that were published in popular magazines. In 1935, he published Flower Arrangement Folio I (said to be the first on the subject published in this country) and in 1942 edited and wrote the introduction to Sunset's Flower Arrangement Book by Nell True Welch. Over a period of many years, he worked on several monographs on color, design, and "rhythmo-chromatics." None were ever published.

A sought-after speaker on the subjects of color, interior design, flower arrangement, and myriad other art topics, Schaeffer frequently served as a juror for art exhibitions and flower shows. From the 1930s on, the San Francisco department store Emporium used his services as a color consultant, as did Dutch Boy paints, and numerous textile and clothing manufacturers. Builders also asked Schaeffer to select interior and exterior colors for suburban housing developments.

Schaeffer worked on planning and designing the decorative arts exhibition at the 1939-40 Golden Gate International Exposition. In 1943-44, he participated in the Red Cross's Arts and Skills program, using color therapy with shell-shocked soldiers in a psychiatric unit.

The Rudolph Schaeffer Collection of Asian Art began as a collection of ceramics, both historical and contemporary examples chosen for their form and color, which he used for flower arrangements and in set-ups for still life classes. It soon expanded to include color prints, paintings, screens, and other works of art and portions were exhibited frequently in the East West Gallery. Selections from this collection were exhibited in Kansas City in 1960 and at the Asian Art Museum of San Francisco in 1976.

The City of San Francisco declared June 26, 1986, Schaeffer's 100th birthday, "Rudolph Schaeffer Day" and it was observed with great fanfare. He died at home on March 5, 1988, a few months before his 102nd birthday.
Provenance:
The Rudolph Schaeffer papers were donated in 1991 by Rudolph Schaeffer and the Rudolph Schaeffer School of Design administrator Peter Docili, and in 1999 and 2000 by James Alexander, a friend of both Schaeffer and Docili, who had been storing portions of Docili's estate after his death in 1998, with the assistance of Frances Valesco, a fiber artist and researcher. An addition was received in 2007 by William Woodworth, a close friend and caretaker of Schaeffer's and in 2017 and 2018 by Frances Valesco.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings requires advance notice.
Rights:
The Rudolph Schaeffer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- California -- San Francisco  Search this
Designers -- California -- San Francisco  Search this
Art -- Collectors and collecting -- California -- San Francisco  Search this
Art, Asian  Search this
Art -- Study and teaching  Search this
Art teachers -- California -- San Francisco  Search this
Artists -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Color -- Study and teaching  Search this
Genre/Form:
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Citation:
Rudolph Schaeffer papers, 1880s-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.scharudo
See more items in:
Rudolph Schaeffer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-scharudo

Clay Spohn papers

Creator:
Spohn, Clay Edgar, 1898-1977  Search this
Names:
School of Visual Arts (New York, N.Y.)  Search this
University of California, San Francisco. School of Fine Arts  Search this
Calder, Alexander, 1898-1976  Search this
Corbett, Edward, 1919-  Search this
Corbett, Rosamond Walling Tirana, 1910-1999  Search this
Fryworth, Teressa, 1906-1981  Search this
McChesney, Mary Fuller  Search this
Neininger, Urban  Search this
Reynal, Jeanne, 1903-  Search this
Ribak, Louis, 1902-1979  Search this
Rothko, Mark, 1903-1970  Search this
Sievan, Maurice  Search this
Sihvonen, Oli, 1921-  Search this
Still, Clyfford, 1904-  Search this
Extent:
20.4 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Account books
Ambrotypes
Photographs
Date:
circa 1862-1985
bulk 1890-1985
Summary:
The Clay Spohn papers measure 20.4 linear feet and date from circa 1862 to 1985 with the bulk of the material dating from 1890 to 1985. The collection consists of biographical material, correspondence, business records, notes and writings, art work, printed material, and photographs which reflect the life and career of painter and educator Clay Spohn.
Scope and Content Note:
The Clay Spohn papers measure 20.4 linear feet and date from circa 1862 to 1985 with the bulk of the material dating from 1890 to 1985. The collection consists of biographical material, correspondence, business records, notes and writings, artwork, printed material, and photographs reflecting the life and career of painter and educator Clay Spohn.

Part 1 includes sketchbooks with annotated drawings by Spohn, writings including reminiscensces by Spohn, letters, clippings, and photographs of Spohn's artwork.

Part 2 includes biographical material; correspondence between Spohn and his colleagues; business records such as Spohn's general accounting records; Spohn's notes and writings on a variety of subjects; drawings and sketchbooks; printed material such as exhibition announcements and catalogs; and photographs of subjects such as Spohn, his family and colleagues, his house, and his artwork.
Arrangement:
The collection is arranged into three parts. Part 1 was lent to the Archives of American Art in 1964 by Clay Spohn, and was microfilmed and returned to Spohn. Part 2 was donated to the Archives of American Art by Urban Neininger in 1978 and was partially microfilmed. Because material from part 2 was not processed until over three decades after filming Part 1, the overall organization is inconsistent. In general, material within folders is arranged chronologically.

Part 1: Clay Spohn Papers, 1926-1963

Part 2: Clay Spohn Papers, circa 1862-1985 (boxes 1-22, OV 23, 19.9 linear ft.)

Part 3: Addition to the Clay Spohn Papers, 1958-1977 (box 24; 0.4 linear ft.)
Biographical Note:
Clay Edgar Spohn was born November 24, 1898, in San Francisco, to Lena (Schaefer) and John Henry Spohn. From 1919 to 1921, Spohn studied at the University of California at Berkeley, and from 1922 to 1924, he studied at the Art Students League in New York under Kenneth Hayes Miller, Boardman Robinson, George Luks and Guy Pene Du Bois. He also became acquainted with Alexander Calder at the Art Students League. In 1924, Spohn was employed as an assitant designer to muralist Ezra Winter. From 1926 to 1927 he studied in Paris at the Academie Modern, a school run by Fernand Leger and Orthon Fireze.

Returning to San Francisco in 1927, Spohn became an active member in the Bay Area art scene. The Treasury Department commissioned him, in 1938, to execute a mural for the Montebello, California post office, and in 1939, he completed another mural under the sponsorship of the WPA for Los Gatos Union High School in Los Gatos, California.

In 1942, the San Francisco Museum of Art mounted Spohn's solo exhibition "Fantastic War Machines and Guerragraphs", consisting of a series of drawings inspired by dreams of World War II. From 1945 until his resignation in 1950, Spohn was employed as instructor of drawing and painting at the California School of Fine Arts, where he befriended Clyfford Still and Mark Rothko. In 1949, at the California School, he organized a group exhibition entitled "The Museum of Unknown and Little Known Objects", in which Spohn's extraordinarily-constructed objects were a focal point.

Spohn moved to Taos, New Mexico in 1952, and participated in several national exhibitions. He was Visiting Lecturer at Mount Holyoke College, Massachusetts, in 1958, after which he moved to New York City where he executed a series of paintings under the sponsorship of the collector J. Patrick Lannan. From 1964 to 1969, he taught at the School of Visual Arts in New York.

After a two year move to Taos, Spohn returned to New York in 1971. In 1974, the Oakland Museum sponsored a retrospective of Spohn's work.

Clay Spohn died in New York City on December 19, 1977.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (D169) including sketchbooks, writings, correspondence, and related material. Lent materials were returned to the lender and are described in the first series of the finding aid.
Provenance:
The material on reel D169 was lent for filming by Clay Spohn in 1964. The material on reel 5461-5474 was donated by Spohn's friend and the executor of his estate, Urban Neininger, in 1978. An additional 0.4 linear feet of papers were donated by Spohn's biographer, David Beasley, in 2008.
Restrictions:
The collection is open for research. Use of unfilmed material requires an appointment.
Rights:
Part 1 of the Clay Spohn papers was loaned to the Archives of American Art for microfilming and is subject to all copyright laws. Part 2 is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. Part 2 is subject to all copyright laws.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painting, Abstract -- France -- Paris  Search this
Genre/Form:
Drawings
Sketchbooks
Account books
Ambrotypes
Photographs
Citation:
Clay Spohn Papers, circa 1862-1985, bulk 1890-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.spohclay
See more items in:
Clay Spohn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-spohclay

Maryette Charlton papers

Creator:
Charlton, Maryette  Search this
Names:
American University of Beirut -- Faculty  Search this
Art Institute of Chicago -- Faculty  Search this
Chicago Public School Art Society  Search this
Container Corporation of America  Search this
University of Iowa, Museum of Art  Search this
Andres, Jo  Search this
Bishop, Elizabeth, 1911-1979  Search this
Cage, Xenia  Search this
Calder, Alexander, 1898-1976  Search this
Court, Paula  Search this
Elliott, Leone  Search this
Elliott, Owen  Search this
Fujitomi, Yasuo, 1928-  Search this
Habachy, Nimet  Search this
Hadzi, Dimitri, 1921-2006  Search this
Haskins, Sylvia Shaw Judson, 1897-  Search this
Hoff, Margo  Search this
Kiesler, Frederick  Search this
Kiesler, Lillian, 1910?-2001  Search this
Lubar, Cindy  Search this
MacIver, Loren, 1909-  Search this
Matisse, Pierre, 1900-1989  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Nevelson, Louise, 1899-1988  Search this
Purdy, James  Search this
Reynal, Jeanne, 1903-  Search this
Smith, Kiki, 1954-  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Von Brockdorff, Louise Medbery  Search this
Extent:
80.6 Linear feet
0.34 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Date:
circa 1890-2013
Summary:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.
Scope and Contents:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and 0.34 gigabytes and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and video recordings, motion picture film, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.

Biographical materials consist of material on Maryette Charlton and her family. The subseries on Maryette Charlton includes a biographical chronology, passports, records of her marriage to Hall Winslow, information on studio spaces, school transcripts, and other material. Family files include genealogical charts and files of family members containing correspondence, writings, printed material, sound and video recordings, and photographs. The bulk of the family files are for Charlton's parents, Etna and Shannon, and her husband and son, Hall and Kirk Winslow.

Extensive correspondence is with family, friends, artists, and colleagues. Family correspondence is with her husband and son, parents, and extended family. Personal correspondence is with friends and colleagues, many of whom were famous artists. Named correspondence files and chonological correspondence files contain exchanges with Jo Andres, Elizabeth Bishop, Xenia Cage, Paula Court, Yasuo Fujitomi, Dimitri Hadzi, Margo Hoff, Sylvia Shaw Judson, Lillian Kiesler, Cindy Lubar, Loren MacIver, Pierre Matisse, Nimet (Saba Habachy), Henri Seyrig, Robert Wilson, and many others. There is also correspondence with colleges, museums, and universities.

Writings include academic papers and college class notes, titled essays, a notebook with sketches, and miscellaneous notes. Thirty diaries cover the period 1943 - 2001 and document a wide variety of topics, from film projects to travels to the art world in New York City. Some diaries are illustrated, including one illustrated by Alexander Calder at a party with Maryette, Ellsworth Kelly, and actress Delphine Seyrig. Journals from 1978-1979 tell of Charlton's experiences while appearing in films made by avant-garde director Richard Foreman. There is also one diary of Maryette's mother Etna Barr Charlton.

Teaching files document Charlton's career as an instructor at the Art Institute of Chicago and as the founder of and instructor at the American University of Beirut's art department. Files include appointment calendars, schedules, notes, lectures, news releases, printed material, and photographs.

Professional and project files consist of material related to Maryette Charlton's professional work at the University of Iowa Museum of Art, as a lecturer at the Chicago Public School Art Society, color analyst at the Container Corporation of America, executor of the estate of artist Louise Medbery von Brockdorff, fellowships, conferences, organizations, and the filming industry in general. There are files for the screening of Zen in Ryoko-In. The University of Iowa Museum of Art subseries consists of correspondence with fellow co-founders Leone and Owen Elliott, files on art donations, museum administration, annual reports, printed material, photographs, and sound and video recordings.

Artist research files consist of books, articles, and clippings collected by Charlton for research. Notable artists chronicled include Alexander Calder, James Purdy, Louise Nevelson, Kiki Smith, and Toshiko Takaezu.

Major film project files document Maryette Charlton's films about or with artists Frederick Kiesler (Trienniale, The Universal Theater and Kiesler on Kieseler), Lenore Tawney, Dorothy Miller, Loren MacIver, and Jeanne Reynal. The files for Frederick Kiesler also contain materials about his wife Lillian Kiesler, with whom Charlton had a long relationship and collaborated with on film projects. Individual film project files contain a wide variety of research and production documentation, including correspondence, writings, printed material, research files, exhibition catalogs, photographic materials, sound recordings of interviews and lectures, and Charlton's documentation about the creation and producation of each film, such as contracts, scripts, and distribution information. The film project files for Kiesler and Dorothy Miller are particularly rich, containing substantial amounts of primary source materials not found elsewhere. Sound and video recordings are found throughout the series, as well as 4 film reels.

Files documenting Maryette Charlton's group and solo exhibitions include catalogs and announcements, publicity, printed material, mailing lists, art inventory, sales lists, correspondence, and other material.

Printed materials include other exhibition catalogs, books, posters, magazines, and clippings. There are many books on color theory from Maryette Charlton's job as a color analyst and substanial printed material on Frederick Kiesler. Scrapbooks document Maryette Charlton's personal life from high school, college, and summer camp, as well as exhibitions of her own work, and miscellaneous subjects.

Artwork includes sketches and drawings by Maryette Charlton, some drawings by Lillian Kiesler and others, and mail art created by various artists. There are also 22 sketchbooks filled with pencil, ink, and crayon drawings and sketches, with occasional annotations.

Photographic materials include photographs, slides, negatives, and photograph albums. There are photographs of Maryette Charlton, her travels, family, friends, and artists. Photographs are also found throughout other series.

Sound and video recordings which could not be merged with other series were arranged in an audiovisual series. There are recordings of radio programs and performances Maryette Charlton attended or participated in as well as miscellaneous recordings of artists and events.

The 2014 addition to the Maryette Charlton papers consists of biographical materials, journals, correspondence, subject files, printed materials, and a small number of photographs.
Arrangement:
This collection is arranged as 16 series.

Series 1: Biographical Material, 1896-2005 (3.4 linear feet; Boxes 1-4, 80)

Series 2: Correspondence, 1930-2010 (23.3 linear feet; Boxes 4-27, 80)

Series 3: Writings, 1942-1999 (1 linear feet; Boxes 27-28)

Series 4: Diaries, 1943-2001 (2.1 linear feet; Boxes 28-30)

Series 5: Teaching Files, 1946-1997 (3.6 linear feet; Boxes 30-33, 80)

Series 6: Professional and Project Files, 1923-1998 (7.6 linear feet; Boxes 34-41, 81, OV 87)

Series 7: Artist Research Files, 1949-circa 2000 (1.8 linear feet; Boxes 41-43)

Series 8: Major Film Projects, 1904-2007 (18.8 linear feet, 0.34 GB; Boxes 43-61, 81-82, OV 87, FC 88-91, ER01)

Series 9: Exhibition Files, 1950-2000 (0.8 linear feet; Boxes 61-62)

Series 10: Printed Material, 1924-2000 (3.2 linear feet; Boxes 62-65, 82, OV 87)

Series 11: Scrapbooks, 1939-2010 (0.8 linear feet; Box 65, 82-83)

Series 12: Artwork, 1950-1998 (0.9 linear feet; Boxes 65-66, 84)

Series 13: Sketchbooks, 1949-1996 (0.5 linear feet; Box 66)

Series 14: Photographic Materials, circa 1890-circa 2010 (7.8 linear feet; Boxes 67-74, 84-86)

Series 15: Sound and Video Recordings, circa 1953-2008 (1.2 linear feet; Boxes 74-75, 86)

Series 16: Addition to Maryette Charlton papers, 1951-2013 (3.7 linear feet; Boxes 75-79, 86)
Biographical / Historical:
Maryette Charlton (1924-2013) was a painter, printmaker, photographer, filmmaker and arts advocate based in Chicago, Illinois, and New York, New York.

Maryette Charlton was born in Manchester, Iowa on May 18, 1924. Her parents were Shannon and Etna Charlton and she had 2 siblings. Charlton pursued her undergraduate studies at Monticello College and Northwestern University in Illinois, Antioch College in Ohio, and the University of Colorado before receiving a B.F.A. from Pratt Institute in Brooklyn, New York in 1947. She continued her studies in Chicago, Illinois with Laszlo Moholy-Nagy and Hugo Weber at the Institute of Design and Art Institute of Chicago. From 1948 to 1952, she was a Department of Education lecturer at the Art Institute of Chicago museum galleries and also gave talks at schools for the Chicago Public School Art Society.

Between 1942-1951, Maryette Charlton worked as a color analyst for the Container Corporation of America. In 1952, Charlton founded the Art Department of the American University of Beirut and taught there as an assistant professor until 1956. While in Beirut, Charlton married photographer Hall Winslow in 1953 and their only child Kirk Winslow was born in 1955. Winslow and Charlton later divorced in 1973.

Charlton moved to New York City in 1955. She began a master's program at Columbia University and graduated with a M.F.A in film and printmaking in 1958.

Charlton made numerous documentary films, mostly about American artists including Alexander Calder, e. e. cummings, Jeanne Reynal, Dorothy Miller, Pierre Matisse, Lenore Tawney, and Loren MacIver. She also worked tirelessly to promote the work of sculptor, architect, and set designer Frederick Kiesler. She was the camera woman for Kiesler's Kiesler's Universal Theater which aired on CBS in 1962. She became close friends with Kiesler's widow, Lillian, and they collaborated on the film Kiesler on Kiesler and numerous other film and art projects, supporting the work of young artists. Charlton also worked on commissioned films, including The Mosaics of Jeanne Reynal and Zen in Ryoko-in. Charlton befriended many artists in the visual, literary, and film worlds, including Elizabeth Bishop, Dimitri Hadzi, Margo Hoff, James Purdy, and Delphine Seyrig.

A performer in her own right, Charlton appeared in the works of Richard Foreman, Jo Andres, and others. She also played the part of Helen Keller in the film Ghostlight (2003).

An Iowa native, Charlton founded the University of Iowa Museum of Art together with Leone and Owen Elliott. She maintained a close relationship with the Iowa Museum over many years as a donor and chronicler.

Charlton died in New York City on November 25, 2013.
Related Materials:
The Houghton Library at Harvard University and the University of Iowa Museum of Art also hold papers and artwork by Maryette Charlton. The Museum of Modern Art, New York, houses the film Kiesler on Kiesler, created by Maryette Charlton.

The Archives of American Art also has the papers of Frederick and Lillian Kiesler, a portion of which was donated by Charlton.
Provenance:
The Maryette Charlton papers were donated in multiple accretions from 1998-2011 by Maryette Charlton, and in 2013-2014 by the Maryette Charlton estate via Jo Andres, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Maryette Charlton papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Filmmakers -- Illinois -- Chicago  Search this
Photographers -- Illinois -- Chicago  Search this
Art teachers -- Illinois -- Chicago  Search this
Topic:
Filmmakers -- New York (State) -- New York  Search this
Painters -- Illinois -- Chicago  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Art teachers -- New York (State) -- New York  Search this
Printmakers -- Illinois -- Chicago  Search this
Printmakers -- New York (State) -- New York  Search this
Museums -- Administration  Search this
Color  Search this
Art -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Citation:
Maryette Charlton papers, circa 1890-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.charmary
See more items in:
Maryette Charlton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-charmary
Online Media:

Henry Varnum Poor papers

Creator:
Poor, Henry Varnum, 1887-1970  Search this
Names:
Montross Gallery  Search this
Skowhegan School of Painting and Sculpture  Search this
Benton, William, 1900-1973  Search this
Biddle, George, 1885-1973  Search this
Billing, Jules  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Caniff, Milton Arthur, 1907-1988  Search this
Ciardi, John, 1916-  Search this
Czebotar, Theodore  Search this
Deming, MacDonald  Search this
Dickson, Harold E., 1900-  Search this
Dorn, Marion, 1896-1964  Search this
Duchamp, Marcel, 1887-1968  Search this
Esherick, Wharton  Search this
Evergood, Philip, 1901-1973  Search this
Garrett, Alice Warder  Search this
Houseman, John, 1902-1988  Search this
Marston, Muktuk  Search this
Meredith, Burgess, 1907-1997  Search this
Mumford, Lewis, 1895-1990  Search this
Padro, Isabel  Search this
Poor, Anne, 1918-  Search this
Poor, Bessie Breuer  Search this
Poor, Eva  Search this
Poor, Josephine Graham  Search this
Poor, Josephine Lydia  Search this
Poor, Peter  Search this
Sargent, Elizabeth S.  Search this
Smith, David, 1906-1965  Search this
Steinbeck, John, 1902-1968  Search this
Watson, Ernest William, 1884-1969  Search this
Extent:
12.9 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Motion pictures (visual works)
Diaries
Prints
Photographs
Illustrations
Drawings
Watercolors
Sketchbooks
Date:
1873-2001
bulk 1904-1970
Summary:
The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.
Scope and Content Note:
The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.

Henry Varnum Poor's correspondence documents his personal, family, and professional life. Correspondents include family and friends, among them George Biddle, Charles Burchfield, John Ciardi, Marion V. Dorn (who became his second wife), Philip Evergood, Lewis Mumford, John Steinbeck, David Smith, and Mrs. John Work (Alice) Garrett. Among other correspondents are galleries, museums, schools, organizations, fans, former students, and acquaintances from his military service and travels. Family correspondence consists of Henry's letters to his parents, letters to his parents written by his wife, and letters among other family members.

Among the writings by Henry Varnum Poor are manuscripts of his two published books, An Artist Sees Alaska and A Book of Pottery: From Mud to Immortality. as well as the text of "Painting is Being Talked to Death," published in the first issue of Reality: A Journal of Artists' Opinions, April 1953, and manuscripts of other articles. There are also film scripts, two journals, notes and notebooks, lists, speeches, and writings by others, including M. R. ("Muktuk") Marston's account of Poor rescuing an Eskimo, and Bessie Breuer Poor's recollections of The Montross Gallery.

Subject files include those on the Advisory Committee on Art, American Designers' Gallery, Inc., William Benton, Harold Dickson, Reality: A Journal of Artists' Opinions Sales, and War Posters. There are numerous administrative files for the Skowhegan School of Painting and Sculpture.

Artwork by Henry Varnum Poor consists mainly of loose drawings and sketches and 45 sketchbooks of studies for paintings, murals, and pottery. There is work done in France, 1918-1919, and while working as a war correspondent in Alaska in 1943. There are commissioned illustrations and some intended for his monograph, A Book of Pottery: From Mud to Immortality. Also found are a small number of watercolors and prints. Work by other artists consist of Anne Poor's drawings of her father's hands used for the Lincoln figure in The Land Grant Frescoes and interior views of Crow House by Ernest Watson.

Documentation of Poor's architectural projects consists of drawings and prints relating to houses designed and built for Jules Billing, MacDonald Deming, John Houseman, Burgess Meredith, Isabel Padro, and Elizabeth S. Sargent. Also found is similar material for the new studio Poor built in 1957 on the grounds of Crow House.

Miscellaneous records include family memorabilia and two motion picture films, Painting a True Fresco, and The Land Grant Murals at Pennsylvania State College.

Printed material includes articles about or mentioning Poor, some of his pottery reference books, family history, a catalog of kilns, and the program of a 1949 Pennsylvania State College theater production titled Poor Mr. Varnum. Exhibition catalogs and announcements survive for some of Poor's shows; catalogs of other artists' shows include one for Theodore Czebotar containing an introductory statement by Henry Varnum Poor. Also found is a copy of The Army at War: A Graphic Record by American Artists, for which Poor served as an advisor. There are reproductions of illustrations for An Artist Sees Alaska and Ethan Frome, and two Associated American Artists greeting cards reproducing work by Poor.

Photographs are of Henry Varnum Poor's architectural work, artwork, people, places, and miscellaneous subjects. This series also contains negatives, slides, and transparencies. Images of architectural work include exterior and interior views of many projects; Poor's home, Crow House, predominates. Photographs of artwork by Poor are of drawings, fresco and ceramic tile murals, paintings, pottery and ceramic art. People appearing in photographs include Henry Varnum Poor, family members, friends, clients, juries, students, and various groups. Among the individuals portrayed are Milton Caniff, Marcel Duchamp, Wharton Esherick, M. R. ("Muktuk") Marston, and Burgess Meredith. Among the family members are Bessie Breuer Poor, Marion Dorn Poor, Anne Poor, Eva Poor, Josephine Graham Poor, Josephine Lydia Poor, Peter Poor, and unidentified relatives. Photographs of places include many illustrating village life in Alaska that were taken by Poor during World War II. Other places recorded are French and California landscapes, and family homes in Kansas. Miscellaneous subjects are exhibition installation views, scenes of Kentucky farms, and a photograph of Poor's notes on glazes.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Materials, 1919-1987 (0.2 linear feet; Box 1, OV 18)

Series 2: Correspondence, 1873-1985 (1.5 linear feet; Boxes 1-2)

Series 3: Writings and Notes, circa 1944-1974 (0.6 linear feet; Boxes 2-3)

Series 4: Subject Files, 1928-1975 (0.8 linear feet; Box 3, OV 23)

Series 5: Artwork, circa 1890s-circa 1961 (3.5 linear feet; Boxes 4-6, 9-10, OV 19-22)

Series 6: Architectural Projects, circa 1940-1966 (0.7 linear feet; Box 6, OV 24-26, RD 14-17)

Series 7: Miscellaneous Records, 1882-1967 (Boxes 6, 11, FC 30-31; 0.5 linear ft.)

Series 8: Printed Material, 1881-2001 (1.2 linear feet; Boxes 6-7, 11, OV 27-29)

Series 9: Photographs, 1893-1984 (2.3 linear feet; Boxes 7-8, 12-13)
Biographical Note:
Henry Varnum Poor (1888-1970), best known as a potter, ceramic artist, and a co-founder of the Skowhegan School of Painting and Sculpture, was also an architect, painter, muralist, designer, educator, and writer who lived and worked in New City, New York.

A native of Chapman, Kansas, Henry Varnum Poor moved with his family to Kansas City when his grain merchant father became a member of the Kansas Board of Trade. From a young age he showed artistic talent and spent as much time as possible - including school hours - drawing. When a school supervisor suggested that Henry leave school to study at the Art Institute of Chicago, the family disagreed. Instead, he enrolled in the Kansas City Manual Training High School where he delighted in learning skills such as carpentry, forge work, and mechanical drawing. In 1905, he moved with his older brother and sister to Palo Alto, California and completed high school there. Because Poor was expected to join the family business, he enrolled at Stanford University as an economics major, but much to his father's disappointment and displeasure, soon left the economics department and became an art major.

Immediately after graduation in 1910, Poor and his major professor at Stanford, Arthur B. Clark, took a summer bicycling tour to look at art in London, France, Italy, and Holland. As Poor had saved enough money to remain in London after the summer was over, he enrolled in the Slade School of Art and also studied under Walter Sickert at the London County Council Night School. After seeing an exhibition of Post-Impressionism at the Grafton Galleries in London, Poor was so impressed that he went to Paris and enrolled in the Académie Julian. While in Paris, Poor met Clifford Addams, a former apprentice of Whistler; soon he was working in Addams' studio learning Whistler's palette and techniques.

In the fall of 1911, Poor returned to Stanford University's art department on a one-year teaching assignment. During that academic year, his first one-man show was held at the university's Old Studio gallery. He married Lena Wiltz and moved back to Kansas to manage the family farm and prepare for another exhibition. Their daughter, Josephine Lydia Poor, was born the following year. Poor returned to Stanford in September 1913 as assistant professor of graphic arts, remaining until the department closed three years later. During this period, Poor began to exhibit more frequently in group shows in other areas of the country, and had his first solo exhibition at a commercial gallery (Helgesen Gallery, San Francisco). In 1916, Poor joined the faculty of the San Francisco Art Association. He and his wife separated in 1917 and were divorced the following year. Poor began sharing his San Francisco studio with Marion Dorn.

During World War I, Poor was drafted into the U. S. Army, and in 1918 went to France with the 115th Regiment of Engineers. He spent his spare time drawing; soon officers were commissioning portraits, and Poor was appointed the regimental artist. He also served as an interpreter for his company. Discharged from the Army in early 1919, Poor spent the spring painting in Paris. He then returned to San Francisco and married Marion Dorn.

Once Poor realized that earning a living as a painter would be extremely difficult in California, he and his new wife moved to New York in the autumn of 1919. They were looking for a place to live when influential book and art dealer Mary Mowbray-Clarke of the Sunwise Turn Bookshop in Manhattan suggested New City in Rockland County, New York as good place for artists. In January of 1920, the Poors purchased property on South Mountain Road in New City. The skills he acquired at the Kansas City Manual Training High School were of immediate use as Poor designed and constructed "Crow House" with the assistance of a local teenager. Influenced by the farmhouses he had seen in France, it was made of local sandstone and featured steep gables, rough plaster, chestnut beams and floors, and incorporated many hand-crafted details. Poor designed and built most of their furniture, too. Before the end of the year, he and Marion were able to move into the house, though it remained a work in progress for many years. Additions were constructed. Over time, gardens were designed and planted, and outbuildings - a kiln and pottery, work room, garage, and new studio - appeared on the property.

In 1925, two years after his divorce from Marion Dorn, Poor married Bessie Freedman Breuer (1893-1975), an editor, short story writer, and novelist. Soon after, he adopted her young daughter, Anne (1918-2002), an artist who served as his assistant on many important mural commissions. Their son, Peter (b. 1926) became a television producer. Crow House remained in the family until its sale in 2006. In order to prevent its demolition, Crow House was then purchased by the neighboring town of Ramapo, New York in 2007.

Between 1935 and 1966 Poor designed and oversaw construction of a number of houses, several of them situated not far from Crow House on South Mountain Road. Poor's designs, noted for their simplicity, featured modern materials and incorporated his ceramic tiles. Among his important commissions were houses for Maxwell Anderson, Jules Billig, Milton Caniff, MacDonald Deming, and John Houseman.

Poor's first exhibition of paintings in New York City was at Kevorkian Galleries in 1920, and sales were so disappointing that he turned his attention to ceramics. His first pottery show, held at Bel Maison Gallery in Wanamaker's department store in 1921, was very successful. He quickly developed a wide reputation, participated in shows throughout the country, and won awards. He was a founder of the short-lived American Designers' Gallery, and the tile bathroom he showed at the group's first exposition was critically acclaimed. Poor was represented by Montross Gallery as both a painter and potter. When Montross Gallery closed upon its owner's death in 1932, Poor moved to the Frank K. M. Rehn Gallery.

Even though Poor's pottery and ceramic work was in the forefront, he continued to paint. His work was acquired by a number of museums, and the Limited Editions Club commissioned him to illustrate their republications of Ethan Frome, The Scarlet Letter, and The Call of the Wild.

Poor's first work in true fresco was shown in a 1932 mural exhibition at the Museum of Modern Art. Between 1935 and 1949 he was commissioned to produce several murals in fresco for Section of Fine Arts projects at the Department of Justice and the Department of the Interior, The Land Grant Frescoes at Pennsylvania State College, and a mural for the Louisville Courier-Journal. Ceramic tile mural commissions included: the Klingenstein Pavilion, Mt. Sinai Hospital, New York City; Travelers Insurance Co., Boston; the Fresno Post Office, California; and Hillson Memorial Gallery, Deerfield Academy, Deerfield, Mass.

As a member of the War Artists' Unit, Poor was a "war correspondent" with the rank of major in World War II, and for several months in 1943 was stationed in Alaska. An Artist Sees Alaska, drawing on Poor's observations and experiences, was published in 1945. A Book of Pottery: From Mud to Immortality, his second book, was published in 1958. It remains a standard text on the subject. While on the faculty of Columbia University in the 1950s, Poor and other artists opposed to the growing influence of Abstract Expressionism formed the Reality Group with Poor the head of its editorial committee. Their magazine, Reality: A Journal of Artists' Opinions, first appeared in 1953 featuring "Painting is Being Talked to Death" by Poor as its lead article. Two more issues were published in 1954 and 1955.

Along with Willard Cummings, Sidney Simon, and Charles Cuttler, in 1946 Henry Varnum Poor helped to establish the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. He served as its first president. Poor and his daughter, Anne, were active members of the Board of Trustees and were instructors for many years. The summer of 1961 was Henry Varnum Poor's last as a full-time teacher, though he continued to spend summers at Skowhegan.

Henry Varnum Poor exhibited widely and received many awards, among them prizes at the Carnegie Institute, Syracuse Museum of Fine Arts, Virginia Museum of Fine Arts, Pennsylvania Academy of the Fine Arts, and the Architectural League of New York. Poor was appointed to the United States Commission of Fine Arts by President Roosevelt in 1941 and served a five year term. He was elected a member of the National Institute of Arts and Letters in 1943. The National Academy of Design named him an Associate Artist in 1954 and an Academician in 1963. He became a trustee of the American Craftsman's Council in 1956. The work of Henry Vernum Poor is represented in the permanent collections of many American museums including the Cleveland Museum of Art, Metropolitan Museum of Art, Brooklyn Museum, Addison Gallery of American Art, and Syracuse Museum of Fine Arts.

Henry Varnum Poor died at home in New City, New York, December 8, 1970.
Related Material:
An oral history interview with Henry Varnum Poor was conducted by Harlan Phillips for the Archives of American Art in 1964.
Provenance:
Gift of Henry Varnum Poor's son, Peter V. Poor, in 2007. A smaller portion was loaned to the Archives in 1973 by Anne Poor for microfilming and returned to the lender; this material was included in the 2007 gift.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Henry Varnum Poor papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
War artists  Search this
Topic:
Architects -- New York (State) -- New York  Search this
World War, 1914-1918  Search this
Authors -- New York (State) -- New York  Search this
War posters  Search this
Educators -- New York (State) -- New York  Search this
Pottery -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Ceramicists -- New York (State) -- New York  Search this
Artists' studios  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Motion pictures (visual works)
Diaries
Prints
Photographs
Illustrations
Drawings
Watercolors
Sketchbooks
Citation:
Henry Varnum Poor papers, 1873-2001, bulk 1904-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.poorhenr
See more items in:
Henry Varnum Poor papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-poorhenr
Online Media:

LeRoy Neiman papers

Creator:
Neiman, LeRoy, 1921-2012  Search this
Names:
ABC Sports  Search this
CBS Sports  Search this
Playboy Enterprises  Search this
Ali, Muhammad, 1942-  Search this
Super Bowl  Search this
Extent:
70.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1938-2005
Summary:
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
Scope and Content Note:
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938 to 2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.

Biographical material pertains to the artist's family, military service, education and teaching experience and representing galleries and publishers and includes artist biographies, awards, distinctions, and membership information.

Correspondence includes personal and business correspondence as well as collections of cards and literature on other artists, Neiman's notes and jottings, art work by children, and office records.

Project files document specific projects or art events in which Neiman was involved, including commissions, promotions, collaborations, serigraph printings, and publications.

Printed material includes newspapers, magazines, catalogs, fliers, invitations, brochures, press releases, film scripts and small posters.

Artifacts include three-dimensional items, clothing, souvenirs and LeRoy Neiman paraphernalia.
Arrangement:
The collection is arranged as 5 series:

Series 1: Biographical Material, 1938-2004, undated (Boxes 1-3, 77; 3.3 linear feet)

Series 2: Correspondence, circa 1960s-2004, undated (Boxes 3-19)

Series 3: Project Files, 1949-2005, undated (Boxes 20-39, 78-81)

Series 4: Printed Material, circa 1940s-circa 2005, undated (Boxes 40-61, 82-83, OV 85)

Series 5: Artifacts, 1953-2002, undated (Boxes 69-76, 84)
Biographical Note:
LeRoy Neiman has been described as the most popular living painter in America. While strikingly original, his work reflects the varied influences of Toulouse-Lautrec, Dufy, the New York Social Realists, and the Abstract Expressionists. Probably best known as a portrayer of sporting and social events, he virtually invented the modern genre of sports art and remains its most accomplished and acclaimed practitioner.

Among many other accomplishments, he was the first and only on-camera official artist for ABC-TV at the Olympics in Munich, 1972 and Montreal, 1976, and covered several other winter and summer Olympiads as an official artist. He was the first artist to create live, on-camera computer art while covering the 1978 Super Bowl in New Orleans for CBS-TV. In 1997 he was selected as the first official artist of the Kentucky Derby. But Neiman's interests range far and wide. As a painter, printmaker, and author, his subjects have included Parisian cafés, African safaris, famous bars, five-star restaurants, urban street scenes, the opera, political figures, jazz musicians, entertainers, stage and screen stars, gambling casinos, portraits, international stock exchanges, and much more.

For the past quarter-century, Neiman has created limited-edition serigraphs (silk-screen prints). Published and distributed exclusively by Knoedler Publishing, they are sold in selected galleries throughout the United States. By one estimate, the more than 150,000 Neiman prints that have been purchased to date have an estimated market value exceeding $400 million. Neiman is the author of twelve books: Horses, LeRoy Neiman Posters, Winners, which was also published in Japanese, Big Time Golf, LeRoy Neiman: An American in Paris, LeRoy Neiman on Safari, and LeRoy Neiman: Five Decades, all published by Harry N. Abrams, as well as Art and Life Style, Carnaval, Monte Carlo Chase, Casey at the Bat, and the newly-released limited edition LeRoy Neiman Sketchbook: Liston vs. Clay 1964/ Ali vs. Liston 1965, 2004. Knoedler Publishing has published The Prints of LeRoy Neiman, Volumes I-III, a catalogue raisonnes on Neiman's limited edition prints.

Over the years the artist has donated scores of his artworks to dozens of charitable causes and organizations. Through his work with the Good Tidings Foundation, two LeRoy Neiman Art Centers for Youth have been built in elementary schools in California. In 1995, he gave the School of the Arts at Columbia University in New York City an endowment of $6 million to create the LeRoy Neiman Center for Print Studies, dedicated to the study of fine art printmaking and the development of new methods of printmaking, and including a scholarship program. A 1998 donation led to the creation of the LeRoy Neiman Center for the Study of American Culture and Society at UCLA.

Neiman's work is represented in the Art Institute of Chicago, the Whitney Museum, the Minneapolis Museum of Art, the Hermitage of St. Petersburg and numerous other museums and public and private collections worldwide. A past member of the New York City Advisory Commission for Cultural Affairs, Neiman has received five honorary degrees and, among other honors, an Award of Merit from the American Athletic Union, a Gold Plate Award from the American Academy of Achievement, and a Lifetime Achievement Award from the Muscular Dystrophy Association, in addition to being named Boxing Artist of 1966 by Lonsdale, London.

1921 -- Born June 8 in St. Paul, Minnesota.

1942-46 -- Leaves high school to enlist in the army; serves four years in Europe.

1946 -- Studies at the St. Paul Gallery and School of Art with Clement Haupers.

1946-50 -- Student at the School of the Art Institute of Chicago; studies with Boris Anisfeld; studies liberal arts at University of Illinois and De Paul University, Chicago.

1950-60 -- Member of the Faculty, School of the Art Institute of Chicago, teaching figure drawing and fashion drawing.

1952 -- Exhibits in Twin City Show at Minneapolis Institute of Arts; wins Chicago Art Directors Award.

1953 -- Begins using enamel house paints; develops interest in drawing horse racing at Arlington Park; wins First Prize for painting "Idle Boats", a purchase prize, at Twin City Show, Minneapolis Institute of Art.

1954 -- Begins association with Playboy magazine illustrating Charles Beaumont story, which wins Chicago Art Directors Award; exhibits for first time in Chicago Artists and Vicinity Show, where he continues to show for next six years; wins Second Prize, Minnesota State Show; exhibits at Philadelphia Art Alliance.

1955 -- Instructor of painting at Elmwood Park Art League and North Shore Art League; exhibits at the Carnegie Pittsburgh International Exhibition of Contemporary Painting; creates the "Femlin" symbolic character which appears in Playboy for next 47 years; wins New York Art Directors Award.

1956 -- Included in "New Talent in America in 1956", published in Art in America, February 1956; delves deeper into Chicago sports scene, draws Chicago Bears, Blackhawks and boxing.

1957 -- Exhibits in Corcoran Gallery of Art "American 25th Biennial Exhibition", Washington, D.C.; awarded most popular prize out of 3,000 entries as well as the juried Clark Memorial Prize and Vicinity Show; first television appearance on Art Institute of Chicago TV show, "Artist's Choice"; painting instructor at School of the Art Institute of Chicago Summer Session and for two years at Ox-Bow Summer School, Saugatuck, Michigan teaching landscape painting; marries art student Janet Byrne.

1958 -- Exhibits at the "Society of Contemporary American Art Exhibition", Art Institute of Chicago, for three years; begins extensive travels for Playboy magazine, creating a feature on the high life called "Man at His Leisure", which appears regularly for the next 15 years; wins Municipal Art Award at "Chicago Artist and Vicinity Show", and Hamilton & Graham Cash Prize, Ball State Teachers College Drawing Show, Muncie, Indiana.

1959 -- Holds one-man show of racing scenes at Arlington Park Race Track, Chicago; shows in "Jazz Exhibition" and "Social Observation and Comment in Art Show" in Chicago.

1960 -- Paints at Squaw Valley Winter Olympic Games; travels six months through Europe covering sporting and social events, the Grand National Steeplechase, Epsom Derby, Ascot, and the Oxford-Cambridge boat race in England, Maxim's Tour d'Argent, the Lido and Folies Bergere in Paris, the Cannes Film Festival and St. Tropez, Fiesta de San Isidro bullfights in Madrid, the Grand Prix in Monaco auto race.

1960-1970 -- Executes over one hundred paintings and two murals for eighteen Playboy Clubs.

1961 -- Takes studio in Paris; does studies of Deauville social season and sketches the great restaurants of France; sketches Dublin Horse Show and cricket at Lord's in London; wins gold medal for oil painting at the "Salon d'Art Moderne", Paris.

1962 -- Sketches Bordeaux wine country, Paris fashion shows, racing at Longchamp, and Giraglia Yacht Race on Riviera; paints Regatta of the Gondoliers in Venice; does studies of Fellini directing "8 ½" and sketches at Cine Citta studios in Rome; visits U.S. to work on commission for 12 paintings of the Indianapolis 500.

1963 -- Returns from Paris; establishes a studio in New York; teaches painting at Arts and Crafts, Inc., Winston-Salem, North Carolina; holds first one-man exhibition in New York at Hammer Galleries; travels to Mexico with Shel Silverstein; sketches in Mexico City and Acapulco.

1964 -- Starts series of Muhammad Ali sketches and paintings which spans the next 15 years; sketches America's Cup Challenge at Newport, Rhode Island; returns to England to sketch London night life and Prince Phillip playing polo at Windsor; paints the Tour de France in Paris.

1965 -- Commemorates Sugar Ray Robinson with 8' x 6' portrait "Farewell to Boxing" unveiled at Madison Square Garden ceremony; paints portrait of Mae West and poet Marianne Moore.

1966 -- Sketches Kentucky Derby; in London paints personalities and scenes including the Beatles and Carnaby Street, Kenneth Tynan, Sir Ralph Richardson; paints surfing in California; executes mural for Swedish-Lloyd Ship, S. S. Patricia; creates art for film "Casino Royale"; sketches indoor polo for opening of Houston Astrodome.

1967 -- Sketches and paints leading figures in the arts, sports and entertainment world, including Leonard Bernstein, Joe Louis, Frank Sinatra, Brigitte Bardot and ballerina Suzanne Farrell; paints "24 Hours of LeMans", nudist scenes on the Dalmatian Coast of Yugoslavia, the Fiesta at Pamplona, the dolce vita of Rome.

1968 -- Paints the Kirov and Bolshoi ballets in Russia; is named artist-in-residence from the bench of the New York Jets football team; executes critical sketches of the 1968 Democratic National Convention in Chicago; paints Bobby Hull for Time magazine cover; contributed drawings for Harpers magazine articles on Cassius Clay and on Bobby Kennedy and race relations; initiates art class for Atlanta Poverty Program.

1969 -- Sketches civil rights figures and teaches art in Atlanta Poverty Program; creates poster for Kurt Weill Off-Broadway show and program cover for Oh! Calcutta; sketches New York City Ballet; appears regularly on TV as New York Jets artist-in-residence; collaborates with Dave Anderson on book, Countdown to Super Bowl; covers horse racing at Ascot and Longchamp, camel racing in Morocco.

1970 -- Paints backdrop for Broadway play Borstal Boy and does album cover for Fifth Dimension; exhibits in the Time magazine "Covers Show" at the National Portrait Gallery of the Smithsonian Institution, Washington D.C.; sketches sporting and social events in Dublin, and holds one-man show at the Abbey Theatre; travels with Hugh Hefner in Europe, Greece and Africa; sketches wildlife on safari in Africa; creates poster for Ali-Quarry fight, Ali's return to the ring in Atlanta; paints $100,000 baseball players for book, This Great Game; paints New York Stock Exchange.

1971 -- Has one-man exhibition at Museo de Bellas Artes in Caracas; travels to Monte Carlo, London, Paris and Switzerland; develops interest in printmaking; creates two-part TV program on the art of lithography and produces etchings and lithographs at Atelier Weber in Zurich; creates official poster and draws pre-fight sketches of Ali-Frazier Super Fight I at Madison Square Garden for The New York Times Magazine cover and post-fight sketches for ABC-TV; illustrates Jose Torres' book on Ali, Sting Like a Bee.

1972 -- Covers Fischer-Spasky world champion chess tournament at Reykjavik, Iceland and Munich Olympic Games, both on camera for ABC-TV; covers World Series for NBC-TV; creates serigraph of Knicks-Lakers championship game; paints Super Bowl for Time magazine cover; and cover for Golf Digest.

1973 -- Creates Super Bowl art for CBS-TV; sketches the Masters Golf Tournament for Golf Digest magazine; paints commission for Museum of Jazz; creates serigraph of Triple Crown winner Secretariat; sketches Foreman-Frazier fight in Jamaica; travels on multi-city tour and exhibit of Olympic serigraphs; nineteen serigraphs chosen by the Hermitage Museum, St. Petersburg, for its permanent collection.

1974 -- Has exhibition in Tokyo and sketches sumo, baseball and horse racing for Japanese TV; covers Stanley Cup hockey playoffs for NBC-TV; creates poster for Newport Jazz Festival and for next 5 years; creates poster for Ali-Foreman fight in Kinshasa, Zaire, and for Frank Sinatra concert at Carnegie Hall; Art and Lifestyle is published.

1975 -- Creates official St. Paul Bicentennial poster; given major retrospective at the Minnesota Museum of Art; creates official program cover for World Series; creates poster for Ali-Frazier III and paints cockfights in Manila; creates first of four annual posters for Robert F. Kennedy Pro-Celebrity Tennis Tournament; book The Artist's Limited Edition of Moby Dick is published.

1976 -- Paints mural on camera as ABC-TV Official Artist at Olympic Games, Montreal; paints on French Riviera; holds one-man show at Knoedler Gallery in London; exhibits in national invitational "Watercolor USA Show" at Springfield Art Museum, Missouri, and "Drawings USA Show" at the Minnesota Museum of Art; paints Harlem scene for Jazzmobile poster; paints Chris Evert for Saturday Evening Post cover.

1977 -- Holds one-man shows in Stockholm and Helsinki; works in Paris; paints NBA All-Star game; creates poster for Lacrosse USA.

1978 -- Performs first live execution of computer art for CBS-TV coverage of Super Bowl, New Orleans; creates poster for Bill Bradley senatorial campaign; creates poster for Ali-Spinks II match in New Orleans.

1979 -- Appointed Grand Marshal with Jesse Owens at The Drake Relays in Des Moines, Iowa; paints the Ginza, Kamakura Buddha, Mount Fuji in Japan, Royal Ascot in London, and Pan-Am Games in Puerto Rico, for CBS-TV; book Horses is published.

1980 -- Appointed Official Artist of the 1980 Lake Placid Winter Olympic Games and Official Artist of the Democratic National Convention, New York; paints commission for Caesar's Palace, Las Vegas; sketches Carnaval in Rio de Janeiro; presents painting commemorating signing of Arab-Israeli peace treaty at Camp David to President Carter at the White House; book Posters is published.

1981 -- Holds two-man exhibition with Andy Warhol at Los Angeles Institute of Contemporary Art, California; executes 24' x 16' portrait of Sylvester Stallone for Rocky film; creates art and appears as ring announcer in Rocky films II, III, IV and V; book Carnaval is published.

1982 -- Has one-man exhibition at Harrod's, and paints the "The Stock Exchange, London"; creates poster for Kool Jazz Festival; paints and exhibits in Tokyo.

1983 -- Has one-man exhibitions in Los Angeles, San Francisco and New Orleans; executes billboard, television commercial and program for Lido show at the Tropicana, Las Vegas; book Winners is published.

1984 -- Appointed Official Artist, Winter Olympics, Sarajevo, Yugoslavia and Summer Olympics, Los Angeles.

1985 -- Returns to Brazil to paint Gavea Golf and Country Club in Rio de Janeiro and stock exchange in Sao Paulo; named Honorary Marshal at St. Paul Winter Carnival; Japanese version of Winners is published.

1986 -- Appointed Official Artist, Goodwill Games in Moscow for Turner Broadcasting Network; paints America's Cup commission for the New York Yacht Club.

1987 -- Paints and makes video documentaries of Old St. Andrews in Scotland and the Riviera in France; paints Indianapolis 500 auto race commission; presents "Minute Man" poster to President Reagan at the White House.

1988 -- Holds one-man exhibitions in Japan and Moscow; executes mural for Golden Nugget, Las Vegas; paints commission for the Caribbean Classic at Caliente Racetrack in Tijuana, Mexico; paints and makes video documentary of "Napoleon at Waterloo"; book Monte Carlo Chase is published.

1989 -- Paints Frank Sinatra, Liza Minelli and Sammy Davis, Jr. at Royal Albert Hall, London; sketches the World Series at Candlestick Park in San Francisco during earthquake; does sketches and paintings and video documentary of New York's Central Park, and holds exhibition at the boathouse in the park.

1990 -- Executes commemorative painting for 100th anniversary of Los Angeles Dodgers; holds one-man exhibition for inaugural Grand Prix auto race in Denver; paints the Masters Golf Tournament in Augusta, Georgia; travels and sketches in Rome, Paris and Hong Kong.

1991 -- Executes commissioned paintings for 25th anniversary of Spectrum Stadium, Philadelphia, and 10th anniversary of Miami Grand Prix and of Joe Morgan and Jim Palmer for Baseball Hall of Fame induction; travels to Japan to paint geishas, the Ginza and golf; creates Michael Jordan serigraph and poster; works on sketchbooks and paintings in Paris and Berlin.

1992 -- Paints Tom Seaver for Baseball Hall of Fame induction; paints suite of four famous golf courses in conjunction with publication of Big-Time Golf; works on sketchbooks and paintings in Venice, Milan and Rome; honored by the Art Institute of Chicago as an outstanding alumnus; commissioned to paint Bobby Orr by Polaroid.

1993 -- Paints Reggie Jackson for Baseball Hall of Fame induction, Larry Bird for Boston Garden, and Iroquois Steeplechase, Nashville; creates poster for CBS-TV film Call of the Wild; holds one-man exhibition at the Kentucky Derby Museum; paints Frank Sinatra for cover of "Duets" album.

1994 -- Paints Pebble Beach Golf Clubhouse; creates poster for CBS-TV film The Yearling, attends and paints Super Bowl XXVIII in Atlanta; paints in Monte Carlo and Venice; goes on to paint safari in Kenya; sketches Luciano Pavarotti at Metropolitan Opera; paints Frank Sinatra for "Duets II" album; book An American in Paris is published.

1995 -- Paints Babe Ruth for the Baseball Hall of Fame, U.S. Open at Shinnecock Golf Course, and Rockefeller Center; creates 40-foot mural on Broadway theater for Tommy Tune's musical, Busker Alley; gives 30-year retrospective exhibition at the Kentucky Derby Museum; appointed a member of the New York City Advisory Commission for Cultural Affairs; honored by Playboy for the 40th anniversary of the Femlin character.

1996 -- Commissioned by United Nations to create six postage stamps for the Centennial Olympic Games in Atlanta; paints Super Bowl XXX in Phoenix, Arizona; honored by Boxing Writers and England's Lonsdale Boxing Club; paints "Hall of Famer" for the Baseball Hall of Fame's permanent art exhibition; creates serigraph of "The 3 Tenors", Placido Domingo, Jose Carreras, Luciano Pavarotti.

1997 -- Inauguration of the LeRoy Neiman Center for Print Studies at Columbia University, New York; introduction of LeRoy Neiman Selection Cigar; narrates and appears in film documentary on Cuba and cigars, Rhythm and Smoke; creates poster commemorating 50th anniversary of Jackie Robinson's breaking of racial barrier in Major League Baseball; creates first official Kentucky Derby poster; travels to South Africa to present commissioned portrait of President Nelson Mandela; book LeRoy Neiman on Safari is published.

1998 -- Inaugurates LeRoy Neiman Center for Study of American Culture and Society, UCLA, Los Angeles; unveils baccarat painting for Desert Inn, Las Vegas; exhibits and participates in seminar on Frank Sinatra at Hofstra University; paints and creates serigraph of Joe DiMaggio; creates label for Duval-Leroy champagne; creates official poster for Breeders' Cup, Louisville; cover art for Good Will Games New York official program, and for article in The Nation; honored at Ox-Bow Gala at the Art Institute of Chicago, and by Sportscasters.

1999 -- Creates art for Givenchy perfumes; presents portrait of Mark McGwire and creates serigraph edition commemorating record home run hitter. Paints John Elway and creates serigraph celebrating retirement from football; releases serigraph of Mickey Mantle; participates in Olympic Games seminar on Queen Elizabeth II ocean liner crossing; gambling prints installed in Salle Privée at Paris Casino in Las Vegas; creates poster for Taxicab Chronicles Off-Broadway play; visits Havana to sketch Cuban rhythms. Sketches Army-Navy game in Philadelphia for West Point commission.

2000 -- Creates boxing painting for use as poster for Heavyweight Explosion cable TV program; book The Prints of LeRoy Neiman 1991-2000 is published; releases serigraphs of Mike Piazza and Cal Ripken, Jr.; the first LeRoy Neiman Art Center for Youth is opened in San Francisco; commissioned to create artwork for 125th Preakness Stakes and 2000 PGA Championship Tournament at Valhalla Golf Course.

2001 -- Salutes Muhammad Ali as "Athlete of the Century" with oversized portrait and limited edition serigraphs. Commissioned to paint Mardi Gras official poster for 2002; commissioned to paint Phoenix Suns star Charles Barkley on retirement of uniform number; commissioned to paint UCLA basketball coach John Wooden; holds retrospective drawing exhibition at the Fairfield Public Gallery, Sturgeon Bay, Wisconsin; creates poster for 2001 All-Star Jockey Championship; attends 25th year reunion of ABC-TV coverage of 1976 Munich Olympics. Commissioned by New York City Fire Department to commemorate September 11 terrorist attack for benefit of NYFD Widows and Orphans Fund; creates image of NYFD fireman's helmet and for the first time allows an image to be used and sold on t-shirts; also donates original painting to auction for Widows and Orphans Fund. Honorary Chairman at the annual Bare Walls event at the School of the Art Institute of Chicago; the second LeRoy Neiman Art Center for Youth is opened in Watsonville, California; the largest serigraph yet by artist, "Circus", having image size of 43 ¾" x 65", is completed after 2 years work.

2002 -- Commissioned to paint Wayne Gretzky, Gold Medal winning coach of the Canadian Olympic Hockey Team; commissioned to create official tournament poster for the first U.S. Open to be held at a public golf course, Bethpage on Long Island, New York; illustrates "Casey at the Bat", published as a trade edition by Ecco Press, with Foreword by New York Yankees manager Joe Torre; creates the Tyson/Lewis poster for the boxing heavyweight championship fight in Memphis; creates the official poster and program cover for the Oscar de la Hoya/Fernando Valenzuela championship boxing match in Las Vegas; honored with a tribute dinner at the Friar's Club in New York City; painting of Earvin "Magic" Johnson and Larry Bird is unveiled during Johnson's induction ceremonies at the Basketball Hall of Fame; Gallagher's Steak House in New York City unveils a permanent collection of Neiman artwork portraying the city's greatest athletes; receives Lifetime Achievement Award for contributions to golf and sport art at the Art of Golf Festival at Pinehurst Resort in North Carolina; inducted into the New Jersey Boxing Hall of Fame.

2003 -- Unveiled commissioned painting of the racehorse Funnycide at Saratoga; opens exhibition "LeRoy Neiman on Safari" at the Wildlife Experience museum in Denver, CO; S.T. Dupont releases special edition LeRoy Neiman Golf pen and lighter set; mounts exhibition "LeRoy Neiman in Cuba" at the Pratt Institute; paints the Breeders Cup at Santa Anita; publishes book LeRoy Neiman: Five Decades with Harry N. Abrams.

2004 -- Commissioned to paint poster design for the 2005 Special Olympics in Nagano; paints portrait of Secretariat for the Secretariat Museum; paints program cover design for the Newport Jazz Festival and participates in a group exhibition at the festival; receives Medal of Honor at Ellis Island from NECO; paints portraits of Oscar De La Hoya and Bernard Hopkins for their fight program and presents the paintings to the fighters; completes a set of seven jazz lithographs at Columbia's Neiman Center for Print Studies; films a cameo appearance for Sylvester Stallone's television show "The Contender"; produces a set of five limited edition prints of Martha Graham for the Martha Graham Dance Company; publishes limited edition artist's book LeRoy Neiman Sketchbook: Liston vs. Clay 1964/Ali vs. Liston 1965 with powerHouse Books and Meridian Printing.
Appendices:
Appendix A: Notable Correspondents from Series 2: Correspondence

This appendix is an alphabetical listing of notable correspondents primarily from Series 2, but may include references to other series. The numbers following the entry indicate the series number, subseries number if appropriate, and date where the material is filed. For example: Abrams, Judith Ann - 2.1: 1983, 1991 indicates that the correspondence for that person is found in Series 2.1 in the 1983 and 1991 folders.

ABC Sports (American Broadcasting Company) - 2.2: ABC

Abel, Patty Otis - 2.1: 1998

Abraham, Seth - 2.1: 1989

Abrams, Charles - 2.1: 1982

Abrams, Judith Ann - 2.1: 1983, 1991

Abrams, Richard Irwin - 3.1: Montreal Olympics 1976

The Actors' Fund - 2.1: 2000

Adamonis, Richard - 2.1: 1996

Adams, Cindy - 2.1: 1990, 3.1: Royal Doulton Collectible Plates 1974-78

Addison, Bob and Ruth (Betsy) - 2.1: 1978, 1990, 2004

Affronti, Judge Frank - 2.2: Judge Frank Affronti 1990-1999

Ali, Muhammad - 2.1: 1977

Allyson Louis Gallery - 2.1: 1988, 3.1: Morton's of Chicago 1982-present, 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988

Alzado, Lyle - 2.1: 1984

American Diabetes Association - 2.1: 2001

Andrews, Benny - 2.3

Appel, Marty - 3.1: Thurman Munson 1977-2002

Aretsky, Ken - 2.1: 1989

Arledge, Roone - 2.2: ABC

Arledge, Roone Jr. - 2.1: 2004

Art Aid - 2.1: 1986

Art Institute of Chicago - 2.1: 1990

Ashwood, Donald - 2.1: 1977, 1978, 1979, 1980, 1983

Association du Salon d'Automne - 2.2: Association du Salon d'Automne 1992-99

Athletic Role Model Educational Institute, Inc. - 2.1: 1992

Australia - 2.1: 1981, 1984, 1985

Avers, Jeffrey - 2.1: 2002

BBC Television (British Broadcasting Corporation) - 2.1: 1989

Bailey, Pearl - 2.1: 1990

Baker, Jean -Claude - 3.2.11

Bank of New York - 2.1: 2002

Barletta, Joseph - 2.1: 1993

Baumgartner, Bruce - 2.1: 2001

Baylos, Gene - 2.1: 1991

Behm, Kenneth - 2.1: 1989

Bennet, Chef John - 2.2: Chef John Bennett

Berman, Len - 2.1: Undated 1990s

Bigelow, Vaughn - 2.1: 1984, 1988, see also Chabot Galleries

Bingham, Howard - 2.1: 1993

Binns, James - 2.1: 1989, 2001

Blair, Buckingham - 2.1: undated

Blatnik, Sonny - 2.1: 1986

Blecker, Tom - 2.2: Tom Blecker 1989-99

Bollinger, Lee - 3.1: Columbia University 1995-present

Bowles, Franklin - 1.2: Franklin Bowles Galleries

Boykin - 1.1: Awards, Boxing Writers Association Marvin Kohn "Good Guy Award," 1996

Bradley, Bill - 3.1: Bill Bradley Political Campaigns 1978-2000, 3.2. -- Winners -- , Harry N. Abrams, 1983, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Brown, Keith Henry - 2.1: 2004

Brown, Sally - 2.1: 1997

Buchwald, Art - 3.2: -- Horses -- , 1979, Harry N. Abrams, Correspondence

Bugatti, Charles and Stephanie - 2.1: 1991

Burger King - 2.1: 1976

Bush, President George H. W. and Barbara - 2.1: 1989, 1990

Bush, President George W. - 2.1: 2003, 3.2. 13

Butler Institute of American Art - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991

Byrne, Mayor Jane M. - 2.1: 1981

CBS -TV - see Wolf, Warner

CBS Sports - 2.2: CBS Sports

Caine, Michael - 2.1: 1981

Camber Porter, Melinda - 2.3

Carnesale, Chancellor Albert - 3.2.15

Carousel of Hope - 3.1: Carousel Ball 1982-2002

Carter, President Jimmy and Rosalynn, and family - 2.1: 1989, 3.1: Peace Treaty, 1980

Cass, Hilary Volkman - 2.1: 1992

Chabot Galleries - 2.1: 1983, 1989

Chapin, Dwight ( -- San Francisco Examiner -- ) - 2.1: 1991

Chase, Bob - 3.2. -- Big Time Golf -- , 1992

Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank

The Chicago Board of Trade - 2.1: 1977

Cirillo, John - 1.1: Awards d. Lonsdale International Sporting Club 1996, 2.1: 2001

Cirrincione, Wanda Hightower - 2.1: 1994

Clark, Ed and Jane Forbes - 2.1: 2000

Clinton, Bill - 2.1: 1993, 3.2: -- Big Time Golf -- , 1992

Clough, Charles - 2.1: 1997

Clough, Susan - 3.2. -- Horses -- , 1979, Harry N. Abrams

Cohen, Jason - 2.1: 2004

Conner, Bart - 2.1: 1981

Cooke, Jack Kent - 2.1: 1986

Cooney, Gerry - 2.1: 2000

Cooper, Pat - 2.1: 1992

Cosell, Howard and Mary Edith - 2.1: 1991

Creative Communications - 2.1: 1976

Cremins, Bobby - 2.1: 1990

Culinary Institute of America - 2.1: 2000

Cunningham, Jeffrey - 2.1: 1994

D., E. (unnamed WWII buddy?) - 2.1: 1997

Dahlgren, Doug - 2.1: 1999

Daley, Robert - 2.1: 1999

Daub, Mayor Hal - 2.1: 1997

Davis, Altavise (wife of Sammy) - 2.1: 1989

Davis, Barbara and Marvin - 2.1: 1985, 2001, 3.1: Carousel Ball 1982-present

Davis, Patty - 2.1: 1983

Dawkins, Peter and Judi - 3.1: Senatorial Candidate Pete Dawkins Poster 1988

Dean Day Gallery - 2.1: 1982, 1983, 1989

Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991

DeCinces, Doug - 2.1: 1990

Decker, Bob ( -- New York Post -- ) - 2.1: 1991

DeLaVega, James - 2.1: 1998, 1999, 2001, 2.3

Del Greco, Maria - 2.3

Derek, Bo and John - 2.1: 1998

deVarona, Donna - 2.1: 1991

El Diario la Prensa - 2.1: 1987

Diles, Dave - 2.1: 2001

Dill, Bob Jr. - 2.1: 1997

Diller, Phyllis - 2.1: 1992, 1995, 1996, 1998, 1999

Dillon, Gregory - 2.1: 2003

Dinkins, Mayor David and Joyce - 2.1: 1990

Drinhaus, Helmut - 2.2: Helmut Drinhaus 1988-2000

Dunphy, Don - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Dyansen Gallery - 2.2: Dyansen Gallery 1989-96

Eaton, Roy - 2.1: 1981

Editions Limited - 2.1: 1986

Edward Fields, Inc. - 3.1: Edward Fields, Inc, Carpet Tapestries 1977

Eger, Joseph - 2.1: 1991

Eisele, Albert - 2.1: 2002

Eiteljorg, Harrison and Sonja - 2.2: Harrison and Sonja Eiteljorg

Elayne Galleries - 2.1: 1979, 1989, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarke's, 1978, 3.1: Stadium Tennis Billboard 1981

English, John - 1.1: Military Service

Estefan, Emilio and Gloria - 2.1: 1984

Everson, Cory - 2.1: 1994

Evert, Chris - 2.1: 1999, 2000, 2001

Evert, Colette - 2.1: 1995

Fantasy Productions - see Berman, Len

Feinstein, Mayor Diane - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Felder, Raoul Lionel - 2.1: 1996

Felicie, Inc, - 1.2

Felt, Irving Mitchell and Elaine - 2.1: 1972, 1973, 1974, 1977, 1989

Ferguson, Glenn - 2.1: 1993

Field, Marshall - 2.1: 2004

Fineman, Jodie and Matthew - 2.1: 1999

Fireman, Sheldon - 2.1: 2004

Flynt, Larry - 2.1: 1976

Foley, Ray and Jackie - 2.1: 1995

Folkman, David - 2.1: 1999, 2000

Foot Locker - 2.1: 1990

Foster Harmon Galleries - 2.1: 1975, 1979, 1989, 1992, 1993

Fouch-Roseboro Corporation - 2.1: 1976

Fred Dorfman, Inc. - 2.1: 1978

Freedman, Ann - 2.1: 2001

French, John - 2.1: 1987

Fried, Frank, Harris, Shriver & Jacobson - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys Frito Lay - 2.1: 1991

Fujita family - see Tele Planning International, Tokyo

La Galleria d'Arte - 2.2: La Galleria d'Arte

Galleria Ramona - 3.1: San Francisco Series 1991-93

Gallery Mack - 2.2: Gallery Mack 1975-87, 3.1: Gallery Mack 1974, 3.1: Gaylord Perry 1982

Gallery 100 - 2.1: 1978, 1979

Garnier, Yves - 2.1: 1991

Garvey, Steve and Cyndi - 2.1: 1979, 1981, 1983, 1986, 1989, 3.2. -- Winners -- , 1983, Harry N. Abrams

Gavea Golf Club - 2.1: 1985

Gere-Suson, Gary - 2.1: 1999

Gilbert, Patti - 2.1: 1992

Giorgio Beverly Hills - 2.1: 1985

Gore, Al - 2.1: 1987, 1993, 3.2: -- Big Time Golf -- , 1992

Gottlieb, Paul - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Graham, Martha - 2.1: 1989

Graime, Arlene (US Olympic Committee) - 2.1: 1996

Grasso, Richard - 2.1: 1996

Gray, Joel - 2.1: 2003

Green Hills Farm - 2.1: 1987

Green, Tammie - 2.1: 1993

Greentree Stud, Inc. - 2.1: undated

Greenwich Workshop Gallery - 2.1: 1983

Gregory, Jack - 2.2: Jack Gregory 1993-98

Grenon, Robert - 2.2: Franklin Bowles Galleries

Guest, C. Z. - 2.1: 2003

Gwynne Gallery - 2.1: 1975, 1978

Hackett, Buddy and Sherry - 2.1: 1985, 1989, 1996, 1998

Halvorsen, Robert - 2.1: 1994

Hammer, Armand - 3.2. -- Winners -- , 1983, Harry N. Abrams, 1.2: Knoedler & Hammer Correspondence

Hammer, Michael - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 3.2. -- Casey at the Bat -- , 2000, 1.2: Knoedler & Hammer Correspondence, see also Hammer, Armand Hammer, Victor - see Hammer, Armand

Hanson Art Galleries - 2.2: Hanson Art Galleries 1983-1991, 3.1: Hanson Art Galleries Solo Exhibition, New Orleans 1997, see also exhibitions: Hanson Art Galleries in index for more file references

Harden, Richard - 2.1: 1978, 3.1: Peace Treaty, 1980

Harriman, Ambassador Pamela - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Hartman, David - 2.1: 1981

Harvey, Paul - 2.1: 1987

Haskell, Nikki - 2.1: 1997, 2001, 2002

Harris, Earl - 2.1: 1987

Harris, Franco - 2.1: 1990

Hatton, Pat - 2.1: 1993

Hawkins, Tommy - 3.1: Dodgers Centennial 1990

Healy, Katherine - 2.1: 1986

Hedgecock, Mayor Roger - 3.2. -- Winners -- , 1983, Harry N. Abrams

Hefner, Christie - 2.2: Playboy Enterprises 1980s, 3.1: Playboy's LeRoy Neiman Selection Cigars by Don Diego 1997

Hefner, Hugh - 2.1: 1983, 2.2: Playboy Enterprises, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Hefner, Keith - 2.2: Playboy Enterprises

Heit Galleries - 2.1: 1982, 1987, 1988, 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Hentoff, Nat - 2.1: 1992

Hershiser, Orel - 2.1: 1992

Hesburgh, Theodore - 2.1: 1992

Hiebert, Gary - 2.1: 1994

Hilliard, Kent - see Hilliard Gallery

Hilliard Gallery - 2.1: 1975, 1978, 1985, 1989, IV: 1986, 1992, 2001

Hilton, Barron - 2.1: 1992, 1999, 3.1: Victor Awards 1981 -1985, 3.2.10

Hinds, Bobby - 2.2: Bobby Hinds 1990 -2000

Hoelscher, Lydia (Neiman's mother) - 1.1: Family (Neiman Studio Archive only)

Hoffman, Michael - 2.1: 1983, 1984, 1985, 1986, 1987, 1988, 1989

Holder, Geoffrey - 2.3

Honolulu Symphony Society - 2.1: 1976

Hoover, Tom - 2.1: 1993

Hunt - 2.1: 1981

Hunt, Lamar - 2.1: 1998

Isbin, Sharon - 2.1: 1996

Ivester, M. Douglas - 2.1: 1994

Izenberg, Jerry - 2.1: 2003

Jackson, Michael - 2.1: 1994

Jackson, Reggie - 2.1: 1992, 1993, 2000, 2001

Jacobs, Loraine and Jim - 2.1: 1992

Jimmy the Greek - 2.1: 1974, 1982

JoAnn Perse Gallery - 2.1: 1979, 2.2: JoAnn Perse Gallery 1983-02

Johnson, Bill and Ellenor - 2.1: 1994

Jones, Gene and Jerry - 2.1: 2002

Jones, Tony - 2.1: 1996

Jordan, Mayor Frank - 3.1: San Francisco Series 1991-93

Jordan, Michael - 2.1: 1991

Kalinsky, George - 2.1: 1984, 1986, 1996, 2.3: Imitations and Forgeries

Kaufman, Bart - 2.2: Bart Kaufman 1978-89

Kennedy, Ethel - 3.1: Robert F. Kennedy Pro Celebrity Tennis Tournament 1972-79

Kilroy, Gene - 2.2: Gene Kilroy

King, Don - 2.1: 1978, 1979

King, Congressman Peter - 2.1: 2001

King Graphics - 2.1: 1996, 1997

Kitt, Eartha - 2.1: 1997

Kleiman, Melodie - 2.1: 1991

Knoedler & Co. -

Koch, Mayor Ed - 2.1: 1981, 1989, 3.1: Lady Liberty, 1985

Kosinski, Jerzy - 2.1: 1981

Kravitt, Shirley - 2.1: 1990

Kriendler, Pete - 2.1: 1983, 1991, 1993

Krimstein, Jordie - 2.1: 1997, 2001

Krone, Julie - 2.1: 2003

Kupcinet, Irv "Kup" - 2.1: 1982, 1984, 1992, 1997

Kurzman, Adele - 2.1: 2000

Lake, Cynthia - 2.1: 1994

LaLanne, Jack - 2.1: 1977, 3.2. -- Horses -- , 1979, Harry N. Abrams, Correspondence

Landau, Barry - 2.2: Barry Landau 1993-96

Lang, Jenifer and George - 2.1: 2000, 3.1: "A View from the Table" Solo Exhibition, Hammer Galleries 2003

Larson, Glen and Janet - 2.1: 1983, 1984, 1985, 1987, 2003

La Russa, Tony - 2.1: 1993

Latin Recording Academy - 2.1: 2001

The Learning Annex - 2.1: 1989

Leeds, Eric - 2.1: 1991, 1993

LeRoy, Warner - 2.1: 1990, 1991, 1998, 1999

Liberace - 2.1: 1982

Lieber, Marvin - 2.1: 2004

Lombardi, Vince - 2.1: 1980

Lomonaco, Michael - 2.1: 1996

Lone Ranger Television, Inc. - 2.1: 1977

Lorenzi, Henri - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Los Angeles Dodgers - see Hershiser, Orel

Los Angeles Institute of Contemporary Art (LAICA) - 2.1: 1984, 3.1: Neiman-Warhol 1981

Louie, May - 2.1: 1992

Lownes, Victor and Marilyn - 2.1: 1984, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Lugosi, Bela (Jr. ) - 2.1: 1991

Macalester College - 2.1: 2001

Madison Square Garden - 2.1: 1981

Mahoney, James - 2.1: 1983, 3.1: Pebble Beach Golf 1982-1992

Mann, Perry - 2.1: 1999

Manpower - 2.1: 1977

Manufacturers Hanover Trust - 2.1: 1978, 2.2: Manufacturers Hanover and Chemical Bank

Maples, Marla - 2.2: Trump

March of Dimes - 2.1: 1985

Marketing Communications Magazine - 2.1: 1980

Marlborough Galleries - 3.1: Marlborough Galleries Exhibition, Boston 1987

Marsh, Rita - 2.1: 2000

Maser Fine Art, Maser Galleries - 2.1: 1988, 1989, 3.1: 1983 U.S. Open, Oakmont 1983

Matthias, Bob - 2.1: 1998

McCabe, Charles - 2.1: 1988, 1995, 2.2: Manufacturers Hanover, 2.2: Playboy Enterprises 1980s, 3.2. -- Big Time Golf -- , 1992

McDougal, Little & Company Publishers - 2.1: 1985

McEneaney, Eamon and Bonnie - 2.1: 2001

McGillicuddy, John F. - 2.1: 1989, 3.1: U.S. Savings Bonds Campaign 1987-88

McMullen, John - 2.1: 1998

Mercante, Arthur - 2.1: 1990

Merchant, Larry - 2.1: 2000

Merrill Chase Galleries - 2.2: Merrill Chase Galleries 1974-89

Michael, Gene - 3.1: Gallagher's Steak House, "The Neiman Collection" 2002

Michaels, Walt - 2.1: 1980

Miles, Sylvia - 2.1: 1994

Minotaur Galleries - 2.2: Minotaur Galleries 1984-1994

Mitchell, Mayer - 2.1: 1972, 1976, 1977, 1987

Mize, Johnny - 3.2. -- Big Time Golf -- , 1992

de Monaco, Prince Albert - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Monmouth Park Charity Ball - 2.1: Charities (all files)

Montevecchi, Lilianne - 2.1: 1997

Moreno, Linda - 2.2: Linda Moreno

Morgenstein, Evan - 2.1: 1995

Morita, Joe Hideo - 2.2: Joe Hideo Morita 1988-90

Morris, Gary and Elizabeth - 2.1: 1995, 1996

Murcer, Bobby - 2.1: 1993

Murdock, David and Maria - 2.1: 1995

Murphy, Libby - 2.2: Libby Murphy 1992-98

Museo de Bellas Artes, Caracas - 2.1: 1972, IV: 1972

Museum of Modern Art - 2.1: 2001

Mustang Ranch - 3.1: Mustang Ranch Brothel 1989

Nation -- - 2.1: 1998

Neiman, Earl (Neiman's brother) - 1.1: Family (Neiman Studio Archive only)

Neiman-Marcus - 2.2: Neiman-Marcus 1983-88

Newark Public Library - 2.1: 1995

Newman, Eric - 2.1: 1996

New York Athletic Club (NYAC) - 2.1: 2000

New York Post -- - see Adams, Cindy, or Decker, Bob

New York Racing Association (NYRA) - 2.1: 1978

Niagara University - 2.1: 1976

Nicholson, Jack - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Nicholson, John - 2.1: 2000

Nureyev, Rudolph - 2.1: 1983

Oakland Athletics - see La Russa, Tony

Oakland Symphony - 2.1: 1985

Oesch, Claire - 2.1: 1994, 1995

Ono, Yoko - 3.1: John Lennon Etching 1990

Orr, Bobby - 3.1: Orr for the Defense, 1992

Osti, Nino - 2.1: 1987

O'Sullivan, Thomas (Minnesota Historical Society) - 2.1: 1994

Oxendine, Thomra (Kit) - 1.1: Lynn Quayle

Pallack, Rick - 2.1: 1996, 1999

Palmer, Arnold - 2.1: 1978

Parvin, Al and Phyllis - 2.1: 1991, 1993

Paschke, Ed - 2.3

Patrician Galleries - 2.1: 1987

Payne, Marcus - 2.1: 1982

Pelkey, Joe - 2.2: Joe Pelkey, Editions Limited

Percival Galleries - 2.1: 1972, 1979

Peri-Renneth Gallery, Southampton - 2.1: 1988, 3.1: Peri-Reneth Gallery Solo Exhibition 1986

Perry, Gaylord - 3.2. -- Big Time Golf -- , 1992

Perse, Jo Ann - see Jo Ann Perse Gallery

Petruccio, Joe - 2.1: 2002

Phelps, Digger - 2.1: 1990, 1991

Pick Galleries - 2.1: 1977

Pignatano, Joe - 2.1: 1996

Playboy Enterprizes, Inc. - 2.2: Playboy Enterprises 1980s

Playboy of Brazil - 2.1: 1985

Policy, Carmen - 2.1: 1995

Puck, Wolfgang - 2.1: 1999

Puro Cigar Company - see Sigmond, Aaron

Raphael, James - 2.1: 1991

Reagan, President Ronald and Nancy - 2.1: 1981, 1988, 3.1: U.S. Savings Bonds Campaign 1987-1988

Rechtschaffen, Dr. Joseph - 2.1: 1995

Reed, Rex - 2.1: 1985

Reeve, Christopher - 2.1: 1995

Reid, Senator Harry - 2.1: 1990, 1994

Retton, Mary Lou - 2.1: 1991, 1995

Revelli, Cynthia - 2.1: 1995

Ribbs, Willie T. - 3.2. -- Winners -- , 1983, Harry N. Abrams

Robinson, Sugar Ray and Millie - 2.1: 1989, 1991

Rockwell, Bill - 2.1: 1995

Rooney, Art - 2.1: 1977

Rosen, Leonard - 2.1: 1980, 1981, 1982, 1983, 1984, 1987

Rosenbaum Galleries - 2.1: 1976

Royce Carlton, Inc. - 2.1: 1978

Royer, Victor - 2.1: 1984, 1986

Rudy, Jeanette Cantrell - 2.1: 1993, 1994, 1996, 1998

Safir, Police Commissioner Howard - 3.1: New York City Marathon 1984-2001

Saltman, Sheldon - 2.1: 1976

San Francisco 49ers - 2.1: 1995, 2.2: DeBartolo Corporation and Associated Institutions 1989-1991

Santaniello, Carmine - 2.3

Sassi, Etienne - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Scaffidi, Marie - 2.1: 1980s Undated

Scarpa, William and Cathy - 2.2: William and Cathy Scarpa 1991-99

Schmidt, Mike - 2.1: 1980

Schulberg, Budd - 2.1: 1997, 1999, 2000, 2004

Schuman, Rhoda - 2.1: 1992

Schumsky, Felicie - see Felicie, Inc.

Schuster, Gary and family - 2.1: 2000

Scully, Vin - 2.1: 1990, 2000

Schwartz, Louis O. - 1.1: Boxing Writers Association Marvin Kohn "Good Guy Award," 1996

Schwartz, Richard - 2.1: 2000

Schwarzenegger, Arnold - 2.1: 1990

Segal, Erich - 2.1: 1973

Seidman, Jay - 2.1: 2001

Seitz, Nick - 3.2. -- Big Time Golf -- , 1992

Serline, Ollie - 1.1: Family (Neiman Studio Archive only), 2.1: 1970s

Sharp Electronics Corporation - 2.1: 1988

Sherman, Allie - 2.1: 2002

Shula, Coach Donald - 2.1: 1991

Siering, David - 2.1: 1987

Sigmond, Aaron - 2.1: 1994, 1995, 1997

Silverstein, Shel - 2.2: Shel Silverstein

Sinatra, Barbara - 2.2: Sinatra family

Sinatra, Frank - 2.2: Sinatra family, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Sinatra, Nancy - 2.2: Sinatra family

Skelton, Red - 2.1: 1985

Snyder, Jimmy "the Greek" - 2.1: 1982

Solomone, Mickey - 2.1: 1989

Sony - 2.1: 1978

Sorenson, Jackie - 2.1: 1981

Spectrum, Philadephia - 2.1: 1991

Spectrum Fine Art - 2.1: 1978, 1983

Spitz, Mark - 2.1: 1986

Stack, Edward - 2.1: 1996

Staebler, Tom - 2.2: Playboy Enterprises

Stanley, Melvin - 2.1: 1993

Steffens, John L. - 2.1: 1996

Stein, Bill - 2.1: 1982

Steinbrenner, George - 2.1: 2004

Sterling, Donald - 2.1: 1997, 1998

Sugar, Bert - 2.1: 1977

Swoboda, Ron - 2.1: 2002

Symphony for United Nations - 2.1: 1991

TV Guide -- Magazine - 2.1: 1975, 1990, 1993

Talese, Gay - 2.1: 1992

Tate, Evelyn - 2.1: 1976, 1987

Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98

Tenenbaum, Harold and Judy - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum

Tiefel, William R. - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Tiger Tops Pvt. Ltd. - 2.1: 1982

Tigrett, John and Pat Kerr - 2.1: 1993, 1999, 3.1: Blues Ball 1997 -2001

Torrenzano, Richard - 3.1: Lady Liberty, 1985

Torykian, Richard - 2.1: 1997

Touvell, Audra - 2.1: 2002

Trenchard, Peter - 2.1: 2001

Trovato, Liz - 2.1: 1994

Trump, Donald - 2.2: Trump 1987-96, see also Trump in Index

Twentieth Century Fox Film Corportation - 2.1: 1976

United States Department of State - 2.1: 1984

United States Olympic Committee - 2.1: 1985

Universal Pictures - 2.1: 1991

University of Oklahoma - 2.1: 1982

Upstairs Gallery - 2.2: The Upstairs Gallery 1980-89

Valentine, Bobby and Mary - 2.1: 2002

Vorhaus, Louis - 2.1: 1992

war buddy (unnamed) - 2.1: 1997

Ward, Katherine Lecube - 2.1: 1984, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Warner Brothers Television - 2.1: 1990

Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80

Webster, Jack - 2.1: 1979, 1983, 1990, 1992, 1994, 1995

Wein, George - 2.1: 1991, 1993, 1995, 2000

Weiner, Claire - 2.1: 1970s, 1985, 1987

Weisman, Maria - 2.1: 2002

Welch, Herb and Lisa - 2.1: 1989, 1992

Welzer, Irv - 2.1: 1977

Wenzel, Lee - 2.1: 1985

Whitaker, Jack - 2.1: 1996

The White House - see Harden, Richard or Clough, Susan, or search by name of President

White, Willye - 2.1: 1989

Williams, Ted - 3.1: Williams at Bat, 1980-91

Wilson, Senator Pete - 3.2. -- Winners -- , 1983, Harry N. Abrams

Winer, Jessica - 2.3

Wirin, R. Michael - 2.1: 1998

Wolf, Warner and Sue - 2.1: 2003

Wood, Jan - 2.1: 1997, 1998

Wrather Corporation (the Lone Ranger), Jack and Bonita G. Wrather - 2.1: 1977, 1988

Yarger, Timothy - 2.2: Franklin Bowles

Yellin, Lou - 2.1: 1991, 1992, 1998

Youngman, Henry - 2.1: 1992

Zabrin, Michael - 2.1: 1989, 1991

Zelaya, Jose - 2.1: 1972, 1976, 1977

Zeran, Ken - 2.1: 1990, 1991

Zimmer, Don (Coach, New York Yankees) and Soot - 2.1: 1997

Appendix B: History of LeRoy Neiman's Representation: Felicie Schumsky, Hammer Galleries, and Knoedler & Co.

Hammer Galleries, New York, had its first show of LeRoy Neiman works in 1963 and has represented him ever since.

Armand Hammer was the proprietor of Hammer Galleries, which he founded in 1929 upon returning from the Soviet Union with a load of Czarist art. His brother Victor was in charge of running the gallery.

Armand became the chairman of the Occidental Petroleum Corporation in 1957.

Maury Leibowitz became a partner with the Hammers at the gallery around the same time they began representing Mr. Neiman.

Hammer and O.P.C. bought the respected M.K. Knoedler & Co. gallery in New York in 1971 with Leibowitz as a partner. Knoedler merged with Modarco, a Swiss investment firm, during the 1970s after its purchase by O.P.C.

Knoedler-Modarco now has three divisions: M. Knoedler & Co. (founded in 1846), Knoedler Publishing (created for the sole business of publishing and distributing the prints and posters of LeRoy Neiman), and Hammer Galleries.

Felicie Schumsky was LeRoy Neiman's publisher and distributor before Knoedler. Felicie, Inc. is named alone in advertising until 1973, when ads appear naming FKH Editions as publisher (presumably 'Felicie Knoedler Hammer') and Hammer Galleries as gallery/distributor. This continues until 1975, when ads begin naming Knoedler as publisher and Hammer as gallery.

Hammer Graphics Gallery, a part of Hammer Galleries, was started in 1979 for the sole purpose of distributing and exhibiting the graphic work of LeRoy Neiman.

Victor Hammer died in July 1985, and Armand Hammer died in 1990 at age 92 (less than a year after losing his wife Frances), leaving his son Michael Hammer as the chairman and president of The Armand Hammer Foundation. Maury Leibowitz died in 1992.

Appendix C: A Listing of Major Public Collections of LeRoy Neiman WorksAnchorage Historical and Fine Arts Museum, Anchorage, Alaska

Art Institute of Chicago, Chicago, Illinois

Baltimore Museum of Fine Art, Baltimore, Maryland

Baseball Hall of Fame, Cooperstown, New York

Brooks Memorial Art Gallery, Memphis, Tennessee

Colorado Springs Fine Arts Center, Colorado Springs, Colorado

Delaware Art Museum, Wilmington, Delaware

Duke University Museum of Art, Durham, North Carolina

Eiteljorg Museum of American Indian and Western Art, Indianapolis, Indiana

Football Hall of Fame, Canton, Ohio

Grunwald Center, University of California, Los Angeles, Los Angeles, California

Armand Hammer Collection, Los Angeles, California

Harding Museum, Chicago, Illinois

Hayward Museum, Hayward, California

Hermitage Museum, Leningrad, USSR

Illinois State Museum, Springfield, Illinois

Indianapolis Museum of Art, Indianapolis, Indiana

Joslyn Museum, Omaha, Nebraska

Memorial Art Gallery, Rochester, New York

Meridian Museum of Art, Meridian, Mississippi

Michigan State University, Kesage Art Center Gallery, East Lansing, Michigan

Minneapolis Institute of Arts, Minneapolis, Minnesota

Minnesota Historical Society

Minnesota Museum of Art, St. Paul, Minnesota

Mobile Art Gallery and Museum, Mobile, Alabama

Museo de Bellas Artes, Caracas, Venezuela

National Museum of Sport in Art, New York, New York

Niagara University, Niagara, New York

Portland Museum of Art, Portland, Maine

Springfield Museum of Art, Springfield, Massachusetts

Tennis Hall of Fame, Newport, Rhode Island

Tucson Museum of Art, Tucson, Arizona

Tweed Museum of Art, University of Minnesota, Duluth, Minnesota

University Art Gallery, Binghamton, New York

University of California at Los Angeles, Los Angeles, California

University of Illinois, Champaign, Illinois

University of Oklahoma, Norman, Oklahoma

University of Oregon, Eugene, Oregon

University of South Florida, Tampa, Florida

University of Texas, Austin, Texas

Utah Museum of Fine Arts, University of Utah, Salt Lake City, Utah

Vanderbilt University, Nashville, Tennessee

Wichita State University, Wichita, Kansas

Whitney Museum. New York, New York

Wodham College, Oxford, England

Yuma Fine Arts Association, Yuma, Arizona

Appendix D: A Listing of LeRoy Neiman Serigraph Releases This list corresponds to newspaper and magazine ads in files 3.3: Felicie Inc. - Advertising and 3.3: Knoedler & Co. - Advertising. This is not a complete inventory. DateSerigraphUnknown -- Bar '21' (offset lithograph)

Unknown -- Delacroix Tiger

Unknown -- Elephant Family

Unknown -- Gorilla Family

Unknown -- Kenya Leopard

Unknown -- Lion Pride (offset lithograph)

Unknown -- Lion Couple

Unknown -- Polar Bears

Unknown -- Serengeti Leopard

Unknown -- Zebra Family

Unknown -- The Plaza Square

Unknown -- Stock Market (offset lithograph)

Unknown -- Neiman Montreal '76 (offset lithograph)

Unknown -- Winter Olympic Skier, Lake Placid 1980

Unknown -- P.J. Clark's

Unknown -- Olympic Slalom

Unknown -- Dublin Bar

Unknown -- Le Grand Cuisine

Unknown -- Little Hitter

Unknown -- Little Fielder

1975 -- Le Grand Escalier de l'Opera, 1969

1975 -- Toots Shor Bar

1975 -- Club House Turn

1975 -- Black Panther

1976 -- Sun Serve

1976 -- Satchmo

1976 -- High Seas Sailing

1976 -- Vegas Blackjack

1976 -- Golf Landscape

1976 -- Elephant Stampede

1976 -- Nadia

1976 -- America's Cup

1977 -- Marlin!

1977 -- High Altitude Skiing

1977 -- Basketball Superstars

1977 -- Café aux Deux Magots

1977 -- The Mallet Men

1977 -- Bengal Tiger

1977 -- Giraffe Family

1977 -- Show Jumper

1977 -- Outrigger Canoe Race

1978 -- Metropolitan Opera

1978 -- Moby Dick Portfolio

1978 -- Bucking Bronc

1978 -- The Wildcats

1979 -- Kentucky Derby

1979 -- Chateau Hunt

1979 -- Stretch Stampede

1979 -- Aegean Sailing

1979 -- American Bald Eagle

1980 -- Lake Placid, Eighty, 1980

1981 -- Stenmark

1981 -- The Race of the Year

1981 -- Tour de France

1981 -- Before the Race

1984 -- Rush Street Bar

1984 -- Regents Park

1984 -- Elephant Nocturne

1985 -- Six Golfers, 1984

1985 -- Lady Skier

1985 -- Harry's Wall Street Bar

1986 -- Nob Hill

1986 -- Buena Vista Bar

1986 -- America's Cup, Australia

1987 -- Great Dane

1987 -- Giants - Broncos Classic

1987 -- 24 Hours of Le Mans

1987 -- Bistro Garden

1987 -- Left Bank Café

1988 -- Diamond Head, Hawaii

1988 -- Napoleon at Waterloo

1988 -- Piazza del Popolo - Rome

1988 -- Monte Carlo Suite

1988 -- Harbor at Monaco

1988 -- Salle Prive - Monte Carlo

1988 -- Borzoi

1988 -- In the Pocket

1988 -- Magic (Johnson)

1988 -- Clubhouse at Old St. Andrew's

1989 -- Polo Lounge

1989 -- Superplay

1989 -- President's Birthday Party

1989 -- Chicago Key Club Bar

1990 -- Secretariat II

1990 -- Chicago Options

1990 -- April at Augusta

1990 -- Gaming Table

1990 -- The '21' Club

1991 -- Homage to Ali

1991 -- Ted Williams

1991 -- Café Rive Gauche

1991 -- Cougar

1991 -- The Bordello

1992 -- Hunt Rendezvous

1992 -- Kilimanjaro Bulls

1992 -- Paddock at Chantilly

1993 -- The Maulers

1993 -- Fouquets

Appendix F: A Listing of "Man at His Leisure" Features in Playboy MagazineDateSubject/Pages1958 April -- Painter of the Urban Scene, p. 49-51

1958 December -- The Pump Room, Ambassadors East, Chicago, p. 60-61

1959 January -- Le Café Chambord, p. 52-53

1959 June -- Romanoff's, p. 62-63

1959 December -- Moore County Hounds (Southern Pines), p. 68-72

1960 February -- Hialeah Race Course, p. 52-54

1960 June -- The Colony, p. 74-75

1960 August -- Forest Hills, p. 76-77

1961 January -- Squaw Valley, p. 84-87

1961 March -- Ernie's, p. 94-95

1961 June -- The S.S. United States, p. 60-61

1961 July -- Longchamp - Auteuil, p. 82-85

1961 September -- La Plaza de Toros, p. 109-111

1961 December -- Maxim's, p. 130-131

1962 January -- The French Riviera, p. 103-105

1962 March -- The Grand National Steeplechase, p. 94-95

1962 May -- The Cambridge-Oxford Boat Race, p. 96-97

1962 August -- Las Vegas, p. 86-89

1963 May -- Monte Carlo, p. 122-125

1963 July -- Air France, p. 102-103

1963 September -- Sardi's, World Billiard Championship, p. 150-151

1963 December -- Madison Square Garden, p. 169-171

1964 April -- Epsom Derby, p. 120-121

1964 August -- St. Tropez, p. 62-65

1964 October -- Chantilly, p. 144-147

1964 December -- The Lido, p. 159-193

1965 March -- The New York Playboy Club, p.116-117

1965 August -- The Girallia Yacht Race, p. 110-111

1965 December -- The Plaza, Manhattan, p. ?

1966 July -- The Royal Ascot, p. 110-113

1966 September -- The America's Cup, p. 168-169

1967 January -- Discotheques, p. 180-181

1967 June -- Surfing, p. 112-115

1967 November -- National Horse Show, p. 143-145

1967 Winter -- VIP Magazine, Assignment London

1968 January -- Rosati's, Via Venito, p.?

1969 January -- The Bolshoi Ballet, p. 199-201

1969 June -- Le Mans, p. 124-125

1969 August -- Yugoslavia, p. 126-129

1970 January -- Morocco, p. 203-207

1970 November -- Can-Am Race, p. 179-181

1971 January -- Jamaica, p. 191-193

1972 January -- Sotheby's Auction Room, p. 171-173

1973 January -- Super Bowl, p. 187-189

1973 July -- Summer of '72 - The Hamptons, p. 152-157

Playboy Magazine's "Neiman Sketchbook" Features

DateSubject/Pages1979 December -- Teofilo Stevenson, p. 221

1980 January -- Senator Ted Kennedy, p. 137

1980 February -- Roller Skating, p. 166 -167

1980 March -- Charles Mingus, p. 179

Appendix E: Exhibitions

Below is a chronological list of Neiman exhibitions. See the index for an alphabetical list of exhibitions (listed by name of venue under the item "exhibitions") and reference to locations of pertinent archive files.

DateSolo ExhibitionsOct. 9-Nov. 6, 1959 -- F. Oehlschlaeger Gallery, Chicago

March 3-31, 1961 -- F. Oehlschlaeger Gallery, Chicago

Feb. 9-March 9, 1962 -- F. Oehlschlaeger Gallery, Chicago

March 1962 -- O'Hana Gallery, London

Nov. 27-Dec. 11, 1962 -- Galerie O. Bosc, Paris

Oct. 8-19, 1963 -- Hammer Galleries, New York

January-February, 1965 -- "Vie de France," Astor Tower French Center, Chicago

Nov. 23-Dec. 4, 1965 -- Hammer Galleries, New York

March 5-25, 1966 -- Gallery Richelle, St. Louis

1976 -- "LeRoy Neiman Retrospective 1949-75," Minnesota Museum of Art, St. Paul

Nov. 1967 -- Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art, New York

Sept. 26-Oct. 7, 1967 -- Hammer Galleries, New York

Dec. 26-31, 1968 -- New York Jets Sketches, Hammer Galleries, New York

May 1-June 10, 1969 -- "LeRoy Neiman: Paintings and Drawings," Choate School, Wallingford, CT

May 1969 -- "LeRoy Neiman: Impressions of Atlanta," Heath Gallery, Atlanta, GA

Jan. 20-31, 1970 -- Hammer Galleries, New York

Oct. 19-Nov. 2, 1971 -- "Recent Graphics and Drawings", The Far Gallery, New York

April-May, 1972 -- Museo de Bellas Artes, Caracas

Dec. 1972 -- Circle Gallery, Chicago

Oct. 31-Nov. 11, 1972 -- Hammer Galleries, New York

Nov. 22, 1972-Jan. 7, 1973 -- "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art

Jan.-Feb. 1973 -- Circle Gallery, Los Angeles

1973 -- Circle Gallery, Dallas

March 24, 1973 -- The Hang -Up Gallery Open House

April-May 1973 -- Circle Gallery, New York

June 2-23, 1973 -- Brentano's Gallery, New York

Jan. 24-Feb. 5, 1974 -- "Ali - Frazier," Circle Gallery, New York

Feb. 3-March 17, 1974 -- Springfield Museum of Art

1974 -- Windsor Gallery, Los Angeles

April 30-May 11, 1974 -- Hammer Galleries, New York

June 22-July 6, 1974 -- Gallery Hawaii, International Market Place, Honolulu

Sept. 1974 -- Abercrombie & Fitch

1974 -- Tobu Gallery, Tokyo

Nov. 1974 -- Gilbert Gallery, San Francisco

Nov. 1974 -- Windsor Gallery, New York

Feb. 1975 -- Carol Condit Galleries, White Plains, NY

March 1975 -- Art Gallery -Studio 53 Ltd., New York

April 1975 -- "The Wide World of LeRoy Neiman," Windsor Gallery, Los Angeles

June-July 1975 -- Moby Dick Traveling Exhibition, Peter Foulger Museum, Nantucket

Aug. 1975 -- Moby Dick Traveling Exhibition, Sag Harbor, Long Island

Sept. 1975 -- Moby Dick Traveling Exhibition, Pittsfield, MA

July 1975 -- Waller's Gallery, Tampa, FL

Sept. 1975 -- Hess's Gallery, Allentown, PA

Nov. 1975 -- Meredith Long & Co., Houston

Dec. 4-26, 1975 -- Thomas Ward Galleries, St. Paul

Dec. 4, 1975-Jan. 24, 1976 -- Minnesota Museum of Art, St. Paul

Dec. 10, 1975-Jan. 10, 1976 -- Hammer Galleries, New York

Jan. 21-March 10, 1976 -- Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank

Feb.-May 1976 -- Emerald Art Galleries, Coronado, CA

March 14-28, 1976 -- Jewish Community Center, Bridgeport, CT

June 1976 -- M. Knoedler & Co., London

Aug. 1976 -- Frank Oehlschlaeger Gallery, Chicago

Aug. 28-Sept. 27, 1976 -- Gallery Hawaii, Hyatt Recency

Sept. 12-Oct. 6, 1976 -- Niagara Art Center, Niagara Falls

1976 -- Art Gallery-Studio 53 Ltd., New York

Oct. 1976 -- Heit Galleries, Phoenix, AZ

Nov. 16-Dec. 4, 1976 -- "The Olympic Ring," Hammer Galleries, New York

Dec. 12-19, 1976 -- Fahlnaes Konstsalong, Sweden

March 1977 -- Gallery 100, Mishawaka, IN

March 1977 -- Upstairs Gallery, Beverly Hills

March 1977 -- Galerie Marc, San Francisco

Aug. 31-Sept. 11, 1977 -- Galerie Renee & Victor, Stockholm, Sweden

Sept. 1977 -- Bowles/Hopkins Gallery, San Francisco

Sept. 2-23, 1977 -- Casa Grafica, Helsinki, Finland

Oct.-Nov. 1977 -- St. Lawrence National Bank, Ogdensburg NY

May 1978 -- Meredith Long & Co., Houston

June 1978 -- Merrill Chase Galleries, Chicago

July 1978 -- The Art Exchange, Creve Coeur, MO

Oct. 12-Nov. 12, 1978 -- Elayne Galleries, Minneapolis

Dec. 1978 -- Gallery Mack, Seattle

Jan. 23-Feb. 10, 1979 -- Hammer Graphics Gallery, New York

April 7-May 1, 1979 -- The Art Exchange, Creve Coeur, MO

April 28-May 26, 1979 -- Percival Galleries, Des Moines

May 1979 -- Brentano's Gallery, New York

Dec. 4, 1979-Jan. 5, 1980 -- "Horses," Hammer Galleries, New York

Jan.-Feb. 1980 -- Olympic Benefit Exhibition, Famous -Barr, St. Louis

June 1980 -- Brentano's Gallery, New York

July 1980 -- Nicolas Helion, Paris

July 1-19, 1980 -- Foster Harmon Galleries of American Art, Sarasota, FL

Oct.-Nov. 1980 -- Bowles/Hopkins Gallery, San Francisco

Dec. 1980 -- Horizon Gallery, Waikiki

April 28-May 16, 1981 -- "LeRoy Neiman Drawings: A Retrospective," Hammer Galleries, New York

Summer 1981 -- Exhibition of Graphic Works 1971-81, Hammer Graphics Gallery, New York

July-Aug. 1981 -- Foster Harmon Gallery, Sarasota, FL

July-Aug. 1981 -- Wichita State University, Ulrich Museum of Art

1981 -- "Drawings by LeRoy Neiman: A Retrospective," Oklahoma Art Center Sheets Gallery

Sept. 1981 -- State National Bank, Tiara Gallery

Oct. 1981 -- Bowles/Hopkins Gallery, San Francisco

Nov. 1981 -- Turnberry Isle Yacht and Racquet Club, Miami

1982 -- Turnberry Isle Yacht and Racquet Club, Miami

Feb. 1982 -- Grigsby Galleries One, Scottsdale, AZ

April 1982 -- Merrill Chase Galleries, Chicago

April 8-24, 1982 -- Dean Day Gallery

May 1982 -- Gallery Mack, Seattle

June 1982 -- Nevada County Arts Council

Summer 1982 -- Hammer Galleries, New York

Oct. 4-16, 1982 -- Harrod's Picture Gallery, London

1983 -- Turnberry Isle Yacht and Racquet Club, Miami

July 1983 -- Tokyo, (Gallery?)

Sept. 13-Oct. 1, 1983 -- "LeRoy Neiman: Winners," Hammer Galleries, New York

October-Nov. 1983 -- Bowles/Hopkins Gallery, San Francisco

Oct. 1983 -- "LeRoy Neiman: Winners," Upstairs Gallery, Beverly Hills

Dec. 1983 -- "LeRoy Neiman: Winners," JoAnn Perse Gallery, Little Rock

Dec. 8-24, 1983 -- Dean Day Gallery

Dec. 2, 1983-Jan. 15, 1984 -- Hanson Galleries, New Orleans

Jan.-Feb. 1984 -- Hanson Galleries, Carmel

July 10-Aug. 10, 1984 -- "The Olympics: Past and Present," Hammer Graphics Gallery, New York

Aug.-Sept. 1984 -- "The Olympic Spirit," Bowles/Hopkins Gallery, San Francisco

Nov.-Dec. 1984 -- "LeRoy Neiman Centennial Art Exhibit," Springfield College Babson Library Hastings Gallery, Springfield, MA

Jan. 1985 -- Superbowl XIX Exhibition, Bowles/Hopkins Gallery, San Francisco

Feb. 1985 -- Center Art Galleries, Honolulu

March 1985 -- Lawrence Ross Galleries, Beverly Hills

May 1985 -- The Toy Store, Hartford, CT

Nov. 1985 -- "The LeRoy Neiman Collection," Hammer Galleries, New York

Nov.-Dec. 1985 -- Lawrence Ross Galleries, Beverly Hills

Feb. 1986 -- Nob Hill Premier and Exhibition, Bowles/Hopkins Gallery, San Francisco

May 1986 -- The Toy Store, Hartford, CT

June 1986 -- Peri -Renneth Gallery, Southampton, NY

July 26-Aug. 17, 1986 -- Hanson Art Galleries, La Jolla, CA

Oct. 1986 -- Buena Vista Premier and Exhibition, Bowles/Hopkins Gallery, San Francisco

Oct. 1986 -- Krannert School of Management

Nov. 1986 -- Lawrence Ross Galleries, Beverly Hills

1987 -- Upstairs Gallery, Beverly Hills

March 24-April 11, 1987 -- "LeRoy Neiman in Moscow," Hammer Galleries, New York

April 1987 -- New York Friars Club

May 1987 -- Marlborough Galleries, Boston

June 1987 -- "Neiman's Neimans," Bowles/Sorokko Galleries, San Francisco

Oct. 1987 -- Hanson Art Galleries, San Francisco

Oct.-Nov. 1987 -- Bowles/Sorokko Galleries, Beverly Hills

April-May 1988 -- "Neiman's World" Touring Exhibition, Japan

April-May 1988 -- In the Pocket Superbowl XXII painting premier, Allyson Louis Gallery, Bethesda, MD

May 1988 -- "Monte Carlo Chase," Minotaur Galleries, Las Vegas

Sept. 27-Oct. 4, 1988 -- "Monte Carlo Chase," L'art et l'automobile gallery, New York

1988 -- Tretyakov Museum, Moscow

Oct. 1988 -- Merrill Chase Galleries, Chicago

Nov. 19-Dec. 10, 1988 -- "LeRoy Neiman: Monte Carlo," Bowles/Sorokko Galleries, San Francisco

Jan. 1989 -- Backstage Gallery, Osaka, Japan

Feb. 1989 -- Surf Club, New York

April 1989 -- "Soft Paintings," Hammer Galleries, New York

April 30-May 15, 1989 -- Polo Lounge Debut, Bowles/Sorokko Galleries, Beverly Hills

May-June 1989 -- "Select Works by LeRoy Neiman," Midwest Museum of Art, Elkhart, IN

June-July 1989 -- Steiner & Young Fine Arts Gallery, Atlanta, GA

June 6-Sept. 9, 1989 -- L'art et l'automobile gallery, New York

Sept. 1989 -- Hotrod Vintage Car Museum and Dance Club, New York

Aug. 1989 -- Baja, New York

Sept. 26-Oct. 14, 1989 -- "A Salute to Central Park," Hammer Galleries, New York

Nov. 1989 -- Galerie 224, Laguna Beach, CA

May 1989-Feb. 1990 -- "The Playboy Collection," Dyansen Gallery Traveling Exhibition, New York, Beverly Hills, Atlantic City, San Francisco, Boston, SoHo

April 1990 -- Exhibition at "The Art Spirit" Event, Butler Institute of American Art

May 1990 -- Merv Griffin Resorts Casino Hotel, Atlantic City

May 12-31, 1990 -- Bay Area Baseball Debut, Bowles/Sorokko Galleries, San Francisco

July-Aug. 1990 -- "LeRoy Neiman: A Series of Sport Serigraphs," Springfield Art Association, Springfield, IL

Aug. 1990 -- Gallery One of Writer Square, Denver

Sept.-Oct. 1990 -- Allyson Louis Gallery

Oct. 1990 -- Bowles/Sorokko Gallery, Beverly Hills

Sept. 1990 -- Base Art Collection

Jan. 1991 -- "LeRoy Neiman: Man at his Leisure," Playboy offices, Chicago

May 1991 -- "The Prints of LeRoy Neiman 1980-1990," Bowles/Sorokko Gallery, Beverly Hills

Oct.-Nov. 1991 -- "San Francisco," Bowles/Sorokko Gallery, San Francisco

Feb.-March 1992 -- The Beatles Debut, Dyansen Gallery, Trump Taj Mahal, Atlantic City

Feb. 17-March 13, 1992 -- University of Charleston Art Gallery

March 14-April 12, 1992 -- "LeRoy Neiman: Downtown," Bowles/Sorokko Gallery, SoHo, NY

March 15-April 3, 1992 -- Foster Harmon Galleries of American Art, Sarasota, FL

Oct. 9-24, 1992 -- "Big Time Golf," Hammer Galleries, New York

Oct. 22-Nov. 30, 1992 -- "Big Time Golf," Bowles/Sorokko Galleries, Beverly Hills

Oct. 24-Nov. 30, 1992 -- "Big Time Golf," Bowles/Sorokko Galleries, San Francisco

Nov. 7-Dec. 1, 1992 -- "Big Time Golf," Bowles/Sorokko Galleries, New York

Oct.-Nov. 1992 -- "Big Time Golf," Minotaur Galleries, Las Vegas

Nov. 13-Dec. 13, 1992 -- "Big Time Golf," Merrill Chase Galleries, Chicago

March-April 1993 -- City by the Bay Debut, Bowles/Sorokko Galleries, San Francisco

April-May 1993 -- "An Exhibition of Equine Art," Kentucky Derby Museum

Oct. 7-31, 1993 -- "Un Américain à Paris," Galerie Marcel Bernheim, Paris

Nov. 1993 -- Minotaur's Forum Gallery, Las Vegas

Dec. 1993 -- La Galleria d'Arte, Newport Beach, CA

April 1994 -- Gateway Gallery, Vail, CO

Sept. 1994 -- "LeRoy Neiman: An American in Paris," Hammer Galleries, New York

Sept.-Oct. 1994 -- "LeRoy Neiman: An American in Paris," Bowles/Sorokko Galleries, New York

Oct. 1994 -- "LeRoy Neiman: An American in Paris," Bowles/Sorokko Galleries, Beverly Hills

Oct. 1994 -- "LeRoy Neiman: An American in Paris," Bowles/Sorokko Galleries, San Francisco

Oct. 1994 -- "LeRoy Neiman: An American in Paris," La Galleria d'Arte, Newport Beach, CA

Dec. 1994 -- "LeRoy Neiman: An American in Paris," Merrill Chase Galleries, Chicago and Buffalo Grove

April-June, 1995 -- "Racing Retrospective," Kentucky Derby Museum

March-April 1995 -- Bowles/Sorokko Galleries, San Francisco

Jan.-Feb. 1996 -- "Superbowl XXX," American Fine Art Editions, Scottsdale, AZ

April 1-May 1, 1996 -- Paterson Museum, Paterson, NJ

July 1996 -- Trump Plaza, Atlantic City

Sept.-Oct. 1996 -- "LeRoy Neiman: Portraits of Our Times, 1946 -96" Bowles/Sorokko/Yarger Galleries, Beverly Hills and San Francisco

April-June 1997 -- "The Art of Sport," Kentucky Derby Museum

April 3-May 2, 1997 -- "LeRoy Neiman on Safari," Hammer Galleries, New York

April 1997 -- "LeRoy Neiman on Safari," La Galleria D'Arte, Newport Beach, CA

May 23-June 30, 1997 -- "The Safari Suite," Centaur Sculpture Galleries, Las Vegas

1997 -- Hanson Art Galleries Solo Exhibition, New Orleans

Oct. 1998 -- "Animals: The Wild and the Tame" Solo Exhibition, Bowles Galleries, San Francisco and Beverly Hills

2000 -- "A Decade of Retrospective Works by LeRoy Neiman," Hanson Gallery, New Orleans, LA

2000 -- "A Thirty -Year Retrospective" Solo Exhibition, Timothy Yarger Fine Art

2001 -- "LeRoy Neiman: Works on Paper," National Art Museum of Sport

2001 -- "LeRoy Neiman: Master Printmaker," Franklin Bowles Galleries, San Francisco

2001 -- "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery

2002 -- "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco

2003 -- "LeRoy Neiman on Safari," Solo Exhibition, The Wildlife Experience, Parker, Colorado

Nov. 7-Dec. 11, 2003 -- "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York

DateTwo-Person ExhibitionsOct. 9-Nov. 6, 1959 -- F. Oehlschlaeger Gallery, Chicago

1973 -- Alexander Calder and LeRoy Neiman, Nassau Gallery, Baldwin, NY

1978 -- LeRoy Neiman and Robert Addison, Art Institute of Chicago

1981 -- LeRoy Neiman/Andy Warhol, LAICA, Los Angeles

1988 -- "The Mustache Show," Salvador Dali and LeRoy Neiman, Tunnel Club, New York

DateGroup Exhibitions1948 -- Art Institute of Chicago

Aug. 28-Sept. 6, 1948 -- Minnesota State Fair

1950 -- Student Exhibition, Art Institute of Chicago

1951 -- Student Exhibition, Art Institute of Chicago

Oct. 10-Nov. 9, 1952 -- Local Artists' Exhibition, Minneapolis Institute of Arts

Oct. 14 -Nov. 15, 1953 -- Local Artists' Exhibition, Minneapolis Institute of Arts

1953 -- Annual Exhibit, Art Directors Club of Chicago

1953 -- "Artists of Chicago and Vicinity," Art Institute of Chicago

May 2-30, 1954 -- Exhibitions of Prints and Drawings by Twin City Artists, Minneapolis Institute of Arts

Aug. 28-Sept. 6, 1954 -- Minnesota State Fair

Oct. 29-Nov. 12, 1954 -- Exhibition of Advertising and Editorial Art, Art Directors Club of Chicago

June 2-July 4, 1955 -- Instructors Exhibition, Art Institute of Chicago

1955 -- Carnegie International Exhibition, Carnegie Institute of Art, Pittsburgh

Aug. 27-Sept. 5, 1955 -- Minnesota State Fair

March 8-April 12, 1956 -- "Artists of Chicago and Vicinity," Art Institute of Chicago

April 22-May 11, 1956 -- Chicago Area Show, North Shore Art League

1957 -- Biennial Exhibition of Contemporary American Oil Paintings, Corcoran Gallery of Art, Washington, DC

Jan. 17-March 3, 1957 -- "American Painting and Sculpture," Art Institute of Chicago

Feb. 12-26, 1957 -- Navy Pier Art Show, Chicago

June-July 1957 -- Chicago Art Institute

Sept. 15, 1957 -- Deer Path Art League Annual Fine Arts Festival

Oct. 7-27, 1957 -- Collectors Club Exhibition

1958 -- Chicago Public Library

Jan. 17-26, 1958 -- Art:USA:58

1958 -- Navy Pier Art Show, Chicago

1958 -- "Brotherhood in Art," Marshall Field & Co. Gallery

July 6-Aug. 16, 1958 -- Ravinia Festival

Sept. 1958 -- Chicago Artists, Anna Werbe Gallery, Detroit, MI

Sept. 6-7, 1958 -- Old Orchard Art Festival, North Shore Art League, Skokie, IL

Dec. 1958 -- Frank Oehlschlaeger Gallery, Chicago

June 8, 1959 -- Bal Tabarin Room, Hotel Sherman, Chicago

July 27-Aug. 10, 1959 -- Paintings and Photographs by Playboy Jazz Artists, Sherman Art Gallery

Sept. 12-13, 1959 -- Old Orchard Art Festival, North Shore Art League, Skokie, IL

Nov. 1959 -- Frank Oehlschlaeger Gallery, Chicago

Feb. 1960 -- Anshe Emet Cinema Arts Festival

March 31-May 28, 1961 -- "Artists of Chicago and Vicinity," Art Institute of Chicago

Dec. 13, 1962-Jan. 26, 1963 -- "Mixed Christmas Exhibition," O'Hana Gallery, London

1964 -- North Mississippi Valley Exhibition

1965 -- Frank Oehlschlaeger Gallery, Chicago

March-July 1966 -- Aqueduct Gallery, New York

May 23-Aug. 24, 1969 -- "TIME Portraits of American Newsmakers," National Portrait Gallery Traveling Exhibition

May 27, 1969 -- National Art Museum of Sport

Nov. 1969 -- Frank Oehlschlaeger Gallery, Chicago

1971 -- "Beyond Illustration: The Art of Playboy," Museum of Contemporary Art, Chicago

Spring 1972 -- Odyssey House Art Gallery

Sept.-Oct. 1973 -- Illini Union Art Gallery, Illinois

1974 -- "Group Show of FKH Artists," Hammer Galleries, New York

Dec. 2, 1974-Jan. 4, 1975 -- Holiday Exhibition, Hammer Galleries, New York

Feb. 10-22, 1975 -- "Hammer Galleries Graphics," Hammer Galleries, New York

Sept. 2-Nov. 21, 1975 -- "Drawings USA 75," Minnesota Museum of Art (Traveled Jan. 1976 -Dec. 1977)

May 2-July 4, 1976 -- "Watercolor U.S.A. National Invitational Exhibition," Springfield Art Museum, Springfield, MO

Aug. 2-7, 1976 -- Saratoga Gallery, Saratoga Springs, NY

July 3-Sept. 30, 1977 -- "National Exhibition of Tennis Art," International Tennis Hall of Fame

June-July 1978 -- "National Exhibition of Tennis Art," International Tennis Hall of Fame

1977 -- "Ball, Bat, and Glove," Spectrum Fine Art, New York

Sept. 12-16, 1978 -- Spectrum Fine Art, Royal Orleans Hotel

1979 -- "Ringside: The Fine Art of Boxing," Spectrum Fine Art, New York

May 4-July 8, 1979 -- "Panorama of American Art," Midwest Museum of Art, Elkhart, IN

July 15-20, 1979 -- "Treasures of Island Creek," Louisville, KY

Jan. 2-Feb. 2, 1980 -- "Grand Opening Group Exhibition," Foster Harmon Galleries of American Art, Sarasota, FL

April 29-Aug. 31, 1980 -- "That Belmont Look," New -York Historical Society (NYS Museum, Albany, Jan. -March, 1981)

Nov. 1980 -- "Fall Portfolio of International Artists," Calgary Inn, Alberta, Canada

1982 -- "When They Were Very Young," Amherst College Student Art Gallery, Amherst, MA

March 1982 -- Northampton County Area Community College Foundation

March 1983 -- "Showstoppers: Great Moments of the American Musical," Museum of the City of New York

Sept. 25-Oct. 22, 1983 -- "Greenwich Workshop Gallery Miniature Show '83," Greenwich Workshop Gallery

June 1984 -- "Champions: The Olympic Athlete in Art," San Diego Museum of Art

March 1985 -- "Americana," Whitney Museum, New York

April-Aug. 1985 -- "Archives of American Yachting and Boating," Mystic Seaport Museum, Mystic, CT

May 1985 -- "Art," Area Club, New York

Dec. 1985-Jan. 1986 -- "American Masters of the 1940s, 50s, and 60s," Frank Oehlschlaeger Gallery, Chicago

March 15-June 28, 1987 -- "The Horse: Man's Noble Companion," The Monmouth Museum, Lincroft, NJ

April-May 1987 -- "Annual American Masters Exhibition," Foster Harmon Galleries of American Art, Sarasota, FL

April 1987 -- "Athletes and Heroes," Bank One, Youngstown, OH

May 1987 -- Hanson Art Galleries, San Diego, CA

Sept. 1987 -- El Paso Museum of Art

Nov. 23-Dec. 18, 1987 -- "Master Prints of the 19th-20th Century," Hammer Galleries, New York

June 1988 -- Mickey Mantle's Sports Art Gallery, New York

June 9-Sept. 24, 1988 -- L'art et L'automobile, automotive artists group exhibition, New York

Aug. 1988 -- "The Famous Show," China Club, New York

Sept. 1988 -- "New Perspectives on Contemporary Art," Tunnel Club, New York

Oct. 1988 -- "Women in Sports," Springfield College, Springfield, MA

Oct.-Nov. 1988 -- "Annual American Masters Exhibition," Foster Harmon Galleries of American Art, Sarasota, FL

Dec. 1988 -- "The Most Famous Artist Alive," Tunnel Club, New York

Jan. 1989 -- "Art's As Good An Investment as Bonds," Baja Club, New York

March 1989 -- "The Greatest Hits Vol 1 Show," Tunnel Club, New York

July-Aug. 1989 -- "20/20 Exhibition," Steiner& Young Galleries, Marietta, Georgia

June 1990 -- Amnesty International Exhibition, New York

Summer 1990 -- "Director's Choice," Park Shore Gallery, Naples, FL

Sept. 1991 -- "Expose Yourself to Art," University of Southern Florida

May 1-June 10, 1992 -- "Drawing New Conclusions," Art Institute of Chicago

1993 -- "Salon d'Automne," Grand Palais, Paris

1993 -- "Equine Art" Solo Exhibition, Kentucky Derby Museum

1995 -- "Racing Retrospective" Solo Exhibition, Kentucky Derby Museum

1994-1995 -- "Louis Armstrong: A Cultural Legacy," Queens Museum of Art, New York

June 14, 1996 -- Cig Art, National Arts Club Exhibition and Benefit

1996 -- "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries

Oct. 1998 -- "Animals: The Wild and the Tame" Solo Exhibition, Franklin Bowles Gallery, San Francisco

2001 -- "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery

2001 -- "LeRoy Neiman: Master Printmaker," Franklin Bowles Gallery, San Francisco

2002 -- "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco

2003 -- "A View from the Table" Solo Exhibition, Hammer Galleries, New York

2005 -- "LeRoy Neiman: The Art of Boxing," Franklin Bowles Galleries

Appendix F: Index to CollectionA

ABC (American Broadcasting Company) - 2.2: ABC Correspondence, 4.1: 1977

ABC's Wide World of Sports - 4.1: 1987, see also Olympic Games

AIMS (Committee to Aid Multiple Sclerosis) - 4.1: 1977, 1978

ASPCA - 3.1: ASPCA 1986-1988

Aaron, Hank - 4.1: 1972

Abdul-Jabbar, Kareem - see Basketball Superstars, 1975-1976, and Johnson, Earvin Kareem Abdul-Jabbar, 1984 - 3.1: Kareem Abdul-Jabbar, 1984

Abramowitz, A.N. (Avie) - 2.2: A. N. Abramowitz 1974-1978, 3.2.1

Abrams, Harry N. - see 3.2 - Publications files, 4.1: 1999

Abrams, Judith Ann - 2.1: 1983, 1991

Absolut Vodka - see promotions

Academie Internationale des Arts Contemporains, Belgium - 2.1: 1992

accountant - see Jacobs, Jason

Adams, Joey - 1.1: Friars Club

Adamowski, Benjamin - 4.1: 1960

Addams, Charles - 4.1: 2000

Addison, Robert and Ruth (Betsy) - 2.1: 1978, 1990, 4.1: 1985, 1987, 1991 in two-person exhibition with LeRoy Neiman - 4.1: 1978 and ov

Advanced Materials and Processes -- Magazine - 4.1: 1989

Adventurer, between 1971 and 1977 - see Long, Captain Elgen

Adventuress, 1970s - see Earhart, Amelia

aerobics - 2.1: 1984, see also dance: Jacki Sorenson, 1981

Affronti, Judge Frank - 2.2: Judge Frank Affronti 1990-1999

Africa - see LeRoy Neiman On Safari

Afsary, Cyrus - 2.1: 1978

Air France - 4.2: -- Playboy -- 1963, see Appendix E

airlines

American Airlines - 2.1: 1999

Continental Airlines - see Fitzgerald, Ella

Albany, New York - 3.1: Tour de Trump

Alexander Hotel, Miami Beach - see promotions

Ali, Muhammad - see boxing

All - Sports Hall of Fame - 4.1: 1999

Allied Artists Council, Artists and Models Masque Ball, 1985 - 4.1: 1985

Allyson Louis Gallery - 2.1: 1988, 3.1: Morton's of Chicago 1982-present, 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988

Amahl and the Night Visitors, 1978 - 4.1: 1978

Amateur Athletic Association - 4.1: 1998

Amateur Athletic Union - 2.1: 1976

Ambassadors Hotel, East and West, Chicago - 3.1: Ambassadors 1960s, see also restaurants: The Pump Room

America's Cup - see sailing

American Academy of Achievement - see awards

American Beauty Association - 4.1: 1994

American Broadcasting Company - see ABC

American Cancer Society - 4.1: 1986, 1989, 1997, 2004

American Carnival, Japan - 4.1: 1988

American Diabetes Association - 4.1: 1990, see Appendix A

American Embassy, Nairobi, Kenya - 2.1: 1984

American Federation of Television and Radio Artists - 1.1: Name Tags and ID Cards

American Flag, 2002 - 3.1: Good Tidings Foundation 1998

American Fine Art Editions, Inc. - 4.1: 2004, see exhibitions

American Heart Association - 4.1: 1991

American in Paris, An - see -- LeRoy Neiman: An American in Paris

American Sport Art Museum - 2.1: 1989, 4.1: 1989

American Sportscasters Association - 1.1: Awards, 4.1: 1986; Hall of Fame Awards Dinner - 3.1: Long Term Projects

American Stock Exchange - see Stock Market

Amnesty International - see exhibitions, group: Blumhelman Gallery

Ampex Video Art - see television

Anderson, Dave - 4.1: 1983, see also Countdown to Superbowl by Dave Anderson

Anheuser-Busch - see promotions, 3.1: Duran vs. Leonard 1989

animals -- - see exhibitions, horse racing, 3.2.12

Animal Fair Magazine - 2.1: 2000, 4.1: 2000

Polar Bears - 4.1: 1979, 1984, 1993

birds - see also animals: roosters

Arkansas Wild Ducks, 1984 - 3.1: Arkansas Symphony Orchestra and Arkansas Wild Ducks, 1984

Fighting Cocks, Manila, 1976 drawing (watercolor) - 4.1: 1976

Manila Cock -Pit, 1976 drawing (watercolor) - 4.1: 1976

Parrots, 1982 - 4.1: 1984

Studies of Fighting Cocks, 1976 drawing (watercolor) - 4.1: 1976

cheetah

Kilimanjaro Cheetah, 1971 - 4.1: 1993

Portrait of the Cheetah, 2004 - 4.1: 2004

Cougar, 1981 painting and 1993 serigraph - 2.1: 1994, 4.1: 1993

cow - see Cow Parade

dog - 4.1: 1998

Black Labrador, 1977 - 4.1: undated 1990s

Borzoi - see also Pelkey, Joe (serigraph)

dog walkers - VC: 1983

The Great Dane, Hamlet, 1986 - 3.1: ASPCA 1986-1988, 4.1: 1986

Hounds of Chantilly - 2.1: 1980, 4.2: -- Playboy -- 1964, see Appendix E

Moore County Hounds, Southern Pines, North Carolina - 4.1: 1959, 4.2: -- Playboy -- 1960, see Appendix E

eagle, American Bald Eagle, 1978 - 4.1: 1993

elephant

Elephant Charge, 1999 - 4.1: 1999

Elephant Nocturne - 4.1: 1984, 1993

Elephant Stampede - 3.1: Advertising Layouts 1980s, 4.1: 1976, 1989, 1993, 1995 Shikar, 1980 - 4.1: 1982, 1993

giraffe, Giraffe Family - 4.1: 1978, 1993

gorilla, Gorilla Family - 4.1: 1993

horse - see horses

jaguar, Jaguar Family, 1984 - 4.1: 1993

leopard

Kenya Leopard, 1978 - 4.1: 1993

Leopard, 1971 serigraph - 3.1: Circle Gallery 1972, 4.1: 1988 -89, 1993

Serengeti Leopard, 1976 - 4.1: 1993

lion

Lion, 1968 - 4.1: 1993

Lions, date? - 4.1: 1974

Lion Couple - IV: 1984, 1993

Lion Family, 1974 - 2.1: 2004, 4.1: 1993

Lion's Pride II, 1978 - 4.1: 1993

Portrait of the Lion, 2002 - 4.1: 2002

Ocelot - 4.1: 1993

panther, Black Panther, 1975 - 3.1: Hammer Galleries Solo Exhibition 1975 -76, 4.1: 1975

rescue - see ASPCA, Bide-A-Wee, PAWS/LA, Humane Society of New York, Mount Pleasant Animal Shelter

rooster - Studies of Fighting Cocks, 1975 watercolor - 3.1: Hammer Galleries Solo Exhibition 1975-76

safari - 3.1: "LeRoy Neiman on Safari," The Wildlife Experience, Parker, CO, 2003, 3.2.12

tiger

Bengal Tiger - 4.1: 1993

Caspian Tiger, 1985 - 4.1: 1993

Delacroix's Tiger - 4.1: undated, 1993

Tiger, 1985 - 4.1: 1993

Young Tiger - 4.1: 1993

unicorn

The Hunt of The Unicorn, late 1960s mural - 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90, 4.2: Playboy Ephemera 1960s

whale - see Moby Dick

wolf - see Call of the Wild, 1993

zebra, Zebra Family - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79, 4.1: 1984, 1993

zoo - 3.2.12d

Anisfeld, Boris - 2.1: 1988

Anthony, Earl - see bowling

Antonacci, Joe - 4.1: 1982

Apollo Theater - 4.1: undated 1990s, 1998

Area nightclub, New York - 3.1: "Art", Group Exhibition at Area, 1985

arenas - see The Spectrum, Madison Square Garden

Arizona Heart Institute - see The Open Heart, 1982

Arizona Landscape, 1979 - 2.1: 1979

Arkansas - 3.1: Arkansas Symphony Orchestra and Arkansas Wild Ducks, 1984

Arledge, Roone - 2.2: ABC Correspondence, 3.1: Olympics Munich 1972, 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971, 3.1: Olympics, Montreal 1976 Roone Arledge, 1972 drawing - 4.1: 2003

Arliss - 4.1: 1996

Armory Art Fair, Washington DC - 4.1: 1977

Armstrong, Louis - see jazz

Army, U.S., service in - 1.1: Military Service

Army vs. Navy 1946, 2000 - 4.1: 2001

Arnstein, Vera Daphne - 4.1: 1990

Arrow shirts - see promotions

Art Aid - 4.1: 1986

L'art et l'automobile - 3.1: LeRoy Neiman Corvette 1984, 4.1: 1988, 2002, see also exhibitions

Art Brokerage Inc. - see Rose, Donna

Art Collection House Co., Ltd., Japan - 2.1: 1994, 1995

Art Directors Club of Oklahoma City - 4.1: 1967, VII

Art Expo - 4.1: Undated

Art for Education - 4.1: 1998

The Art of Gaming Through the Ages, by Arthur Flowers and Anthony Curtis, foreword by LeRoy Neiman - 3.1: The Art of Gaming Through the Ages, Huntington Press, 2000

Art Institute of Boston - 1.1: Honorary Degrees, 2.1: 1975, 4.1: 1975

Art Institute of Chicago - 1.1: Education and Teaching, 2.1: 1987, 1989, 1996, 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992, 4.1: 1978 ov, 2001, 2002, see also exhibitions

Auxiliary Board - 2.1: 1990

Barewalls, 2001 - 3.1: Art Institute of Chicago Reunion 2001

Art and Lifestyle, 1974 - see LeRoy Neiman: Art and LifeStyle, 1974, 3.2.1

ArtExpo New York - 2.1: 1989, 4.1: 1987, 1998, 2001

Art-o-gram: News of the art world for art dealers only - 4.1: 1977

Arthur Andersen & Co. - 4.1: 1981

Les Arts de France - 2.1: 1988

Arum, Bob and Lovee - 2.1: 1996, 1998, 4.1: 1996

Ascent, 1961 - 4.1: 1961

Ashford, Evelyn - see running

Aspen, CO - 4.1: 1993, 1994

Association for the Help of Retarded Children (AHRC) - 3.1: Thurman Munson and Thurman Munson Awards Dinner 1977-present

Astaire, Fred

Fred Astaire - 3.1: Good Tidings Foundation 1998 -, 4.1: 1985

Athens International Festival - 4.1: 1993

Atlanta, GA - 3.1: Economic Opportunity Atlanta 1968

Atlanta International Film Festival - 4.1: 1974 and ov, V: 1974

Atlanta Magazine - 4.1: 1969, 1975, 1996

Atlanta's Poor People Art School - 4.1: 1969

Atlantic City, New Jersey - see also casinos, promotions, 3.1: Tour de Trump 1989

attorney - see Shaw, Robert

auction - 4.1: 1978, 1997, 1998, 1999

Augusta National Golf Club, The 16th at Augusta, 1992 - 4.1: 1994

auto racing -- - 4.1: 1982, 1983, 1989, 1999

Andretti, Mario - 4.1: 1975, 1992

Andretti, Michael - 4.1: 1992

Brayton, Scott - 4.1: 1996

Beni Hana Grand Prix - 2.1: 1978

Caesar's Palace Grand Prix, 1981 - 3.1: Caesar's Palace Grand Prix 1981-83

Caesar's Palace Grand Prix, 1982 - 3.1: Caesar's Palace Grand Prix 1981-83

Caesar's Palace Grand Prix, 1983 - 3.1: Caesar's Palace Grand Prix 1981-83

Can-Am Race - 4.2: -- Playboy -- 1970, see Appendix E

Dallas Grand Prix, 1984 - 2.2: Neiman-Marcus 1983-88, 3.1: Dallas Grand Prix 1984

Denver Grand Prix, 1990 - 3.1: Denver Grand Prix 1990-1991

Denver Grand Prix, 1991 - 3.1: Denver Grand Prix 1990-1991

Ferrari - 4.1: 1989

Fittipaldi, Emerson

Fittipaldi, 1989 - 3.1: Emerson Fittipaldi 1989, 4.1: 1990

Grand Prix Heart Ball - 3.1: Denver Grand Prix 1990-91

Grand Prix de Monaco - 2.1: 1986, 2.2: Playboy Enterprises Inc. 1980s, 4.2: Playboy Ephemera 1980, Press and Paraphernalia

Grand Prix de Monaco, 1976 - 4.1: 1993, 4.2: Playboy Ephemera 1980, Press and Paraphernalia

Indianapolis 500 - 3.1: Indy 500, 1985-87

Pits at Indy, 1968 - 2.1: 1976

Le Mans - 3.2. -- Winners -- , 1983, Harry N. Abrams Notes on Auto Racing and Basketball, 4.2: -- Playboy -- 1969, 4.2: Playboy Ephemera 2000s, see Appendix E

Miami Grand Prix - 3.1: Miami Grand Prix 1991-92

Toyota Grand Prix of Miami, 1991 (for 1992 race) - 3.1: Miami Grand Prix 1991-92

Penske, Roger - 3.1: Indy 500, 1985-87

Revson, Peter

Peter Revson, Can-Am Race, 1970 drawing - 3.1: Rotonda Superstars 1973-75

Toyota Monterey Grand Prix, 1990 - 4.1: 1990

Laguna Seca Raceway, 1989 - 4.1: 1990

automobiles - 3.1: LeRoy Neiman Corvette 1984, 4.1: 1993, 1999, 2001, see also l'Art et l'Automobile, and auto racing

The Robb Report Magazine - 2.1: 1982, 4.1: 1983, 1987

Rolls-Royce - 3.1: Lawrence Ross Galleries Exhibitions 1985, 4.1: undated, 1983

awards - 1.1: Awards

B

Baden Baden - 2.1: 1997

Baghdad of the Midwest, 1975 - see Saint Paul, Minnesota

Bailey, Jim - see golf: Atlanta National Golf Club

Baker, Dusty - 4.1: 1998

Bal de la Mer - 3.1: Monaco 1994, 4.1: 1994

Baldwin, James, James Baldwin, 1961 and 1964 drawings - 2.1: 2002

ballet -- - 4.1: 1987, V: Kathy Healey, 1981, see also dance

Ballet Arkansas - 2.1: 1990, 4.1: undated 1980s

Ballet: The Daring Project, Joyce Theater, 1996 - 4.1: 1996

Ballet Theater Foundation, Inc. - 4.1: 1976

Baryshnikov, Mikhail, Baryshnikov, 1983 - 3.1: Des Moines Ballet Commissions 1983-1986, 3.2. -- Winners -- , 1983, Harry N. Abrams

Bolshoi Ballet - 4.1: 1968, 4.2: -- Playboy -- 1969

Gregory, Cynthia - 2.1: 1986, 2.1: 1990

Nureyev, Rudolph, Nureyev, 1974 drawing - 3.1: Hammer Galleries Solo Exhibition 1975-76, Nureyev, 1986 - 3.1: Des Moines Ballet Commissions 1983-1986

Prima Ballerina 'Assoluta' - 2.1: 1986, 1989, 4.1: 1989

Ballot, Isabelle - 4.1: 1996, 1998, 2001

Barber, Tiki - 4.1: 2001, 2002

Barclays Bank - 4.1: 1993

Bardot, Brigitte - 4.1: 1961

BareWalls - 1.1: Education and Teaching-Art Institute of Chicago after 1959

Barkley, Charles - 4.1: 1999, 2001, V: Photographs

Charles Barkley, 1997 - V: Photographs

Barnet, Will - 2.2: JoAnn Perse Gallery 1983-02

Barnett, Dick - 4.1: 1990

"Baroque Bravura Today?" undated article by LeRoy Neiman - 4.1: undated

Barrington Enterprises Inc. - see Landau, Barry

bars - see restaurants and bars

Bartender Magazine -- - 2.2: -- Bartender Magazine -- , 4.2: -- Bartender Magazine

Ultimate Cocktail Book, 1990 - 4.2: -- Bartender Magazine

Ultimate Cocktail Book II - 4.2: -- Bartender Magazine

Baryshnikov, Mikhail - see ballet

baseball -- - 3.1: Mickey Mantle 1962-99, 3.1: Leo Durocher 1974 -1994, 3.1: Rusty Staub 1975 -1994, 3.1: Gaylord Perry's 300th win, 3.1: Willie Stargell 1980, 3.1: Nolan Ryan, 1981, 3.1: Skoal Pinch Hitter 1985 -87, 3.1: Dodgers Centennial, 3.1: The Shot Heard 'Round the World, 1991, 3.1: Phil Rizzuto 1994, 3.1: Casey Stengel 1996, 3.1: Jackie Robinson, 1997, 3.1: Mike Piazza 1999, 3.2.13, 4.1: 1992, also search for individual players and coaches by name in Index and Appendix A

All-Stars - 4.1: undated

Baseball Players, 1983 - 4.1: 1983

Baseball Writers Association of America - 4.1: 1990, 1993

Bay Area Baseball, 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990, 4.1: 1991

Boston Red Sox - 4.1: 1975, 1982, 1986

Brooklyn Dodgers - 3.1: The Shot Heard 'Round the World, 1991, 3.1: Jackie Robinson, 1997, see also Los Angeles Dodgers

Chicago Cubs - 3.1: Leo Durocher 1974-94, 3.1: Skoal Pinch Hitter Thad Bosley 1985

Cincinnati Reds - 4.1: 1975, 1986

Cleveland Indians - 4.1: 1975

etchings - 3.1: Circle Gallery 1972

Florida Marlins, 1992 - 2.1: 1992, 4.1: 1992

Hollywood All-Stars - 3.1: Mickey Mantle Paintings 1962-1999

Home Run Blast, 2002 etching - 3.2.13

Japan - 3.1: Hawaii and Japan 1974

Kansas City Royals - 4.1: 1990

Los Angeles Dodgers - 2.1: 1992, 3.1: Jackie Robinson, 1997, 4.1: 1992; Dodgers Centennial, 1990 - 3.1: Dodgers Centennial 1990, 4.1: 1991

National Baseball Hall of Fame and Museum, Cooperstown, NY - 2.1: 1978, 1996, 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 3.1: Casey Stengel 1996, 4.1: 1990, 1993 (yearbook), 1994, 1995

New York Giants - 3.1: The Shot Heard 'Round the World, 1991

New York Mets - 3.1: Rusty Staub 1975-1994, 3.1: Casey Stengel 1996, 4.1: 1979, 1985, 1986, 1990, 1991, 1996, 2001, 2002

New York Yankees - 2.1: 2004, 3.1: Mickey Mantle 1962-99, 3.1: Phil Rizzuto 1994, 4.1: 1977, 2000

Oakland Athletics - 2.1: 1993, 4.1: 1988 -89, 1993

Oklahoma Redhawks (minor league) - 2.1: 1998

Philadelphia Phillies - 4.1: 1993

Pittsburgh Pirates - 3.1: Willie Stargell 1980, 4.1: 1984; Pittsburgh Pirates, 1973 - 4.1: 1973

Saint Louis Cardinals - 4.1: 1999

San Francisco Giants - 4.1: 1988-89

Seattle Mariners - 3.1: Gaylord Perry's 300th Win file

Sliding Home, serigraph - 3.1: Circle Gallery 1972, 4.1: 1978, 1988, 1989; team yearbooks - 3.1: Dodgers Centennial 1990, 4.1: 1973, 1977, 1979, 2001

World Series: 1966 - VII; 1972 - 4.1: 1972; 1975 - 4.1: 1975, 1986; 1976 - 2.1: 1976; 1986 - 4.1: 1986; 1989 - 4.1: 1989

basketball

Basketball, 1972 - 4.1: 1992

Basketball Superstars, 1975-76 - 4.1: 1977, 2001

college basketball - 4.1: 1992, 1994

Indiana University Hoosiers; Hoosier Hoopla, 1975 - 2.1: 1975, 4.1: 1976, 1978, 1989, VII: Pendants

North Carolina Tar Heels - 4.1: 1977

Oregon State University - 4.1: 1977

University of Kentucky Wildcats; The Wildcats, 1978 - 3.1: The Wildcats 1978

University of Nevada, Las Vegas - 4.1: 1983

Naismith Memorial Basketball Hall of Fame - 3.1: Naismith Memorial Basketball Hall of Fame 1978-91

NBA basketball - 3.1: Kareem Abdul-Jabbar, 1984, 3.1: Orlando Magic commission, 1990, 3.1: Larry Bird, 1993, 4.1: 1977, 1979

All-Stars - 4.1: 1977

NBA All -Star Game - 4.1: 1978

Boston Celtics - 3.1: Larry Bird, 1993, 4.1: 1989 ov

Buffalo Braves - 2.1: 1976

Chicago Bulls - 4.1: 1989

Houston Rockets - 4.1: 1975

Los Angeles Clippers - 2.1: 1989

Los Angeles Lakers - 3.1: Kareem Abdul-Jabbar, 1984, 4.1: 1989 ov

Milwaukee Bucks - 4.1: 1977

New York Knicks - 4.1: 1968, 1969, 1974, 1976, 1980, 1989, 1993

Orlando Magic - 3.1: Orlando Magic commission 1990, 4.1: 1989

Philadelphia 76ers - 4.1: 1999

Washington Bullets - 4.1: 1980

Battig, Joseph - 2.1: 1996

Battle of the Bay, serigraph - 4.1: 1989

Baumgartner, Bruce - see wrestling

Beard, James - 3.1: James Beard 1985-2002, 4.1: 1996

The Beatles

The Beatles, 1966, serigraph 1992 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City, and The Beatles serigraph 1992

John Lennon, 1990 etching - 3.1: John Lennon Etching 1990

Beatty, Warren - 3.1: Tyson vs. Spinks 1988

beauty pageants

ITMSA Miss Legs Competition - 2.1: 1983

Miss America - 3.1: Miss America Pageant 1983-1984

Miss Asia - 3.1: Miss Asia Pageant 1986

Miss J.A.P. and Miss Purim Pageants - 4.1: 1982

Miss Legs America - 2.1: 1980, 4.1: 1984

Miss Teen USA - 3.1: Miss Teen USA Pageant 1983

Miss Universe - 3.1: Miss Universe Pageant 1981

Miss USA - 3.1: Miss USA Pageant 1978

Miss World -USA - 3.1: Miss World-USA Beauty Pageant 1975

Mrs. America - 3.1: Mrs. America Pageant 1982

Playboy Bunny of the Year Pageant - 2.2: Playboy Enterprises Inc. 1970s

Beaux Arts, Inc. Award - 1.1: Awards

Begin, Menachem - 3.1: Peace Treaty, 1980

Behan, Brendan - see Borstal Boy

Behm, Kenneth - 2.1: 1989

Bench, Johnny - 4.1: 1972

Bench, The Catcher, 1989 - 3.1: Johnny Bench 1989

Bennett, Chef John - 2.2: Chef John Bennett 1998 -2000, 4.1: 2002, John Bennett, 1988 drawing - 4.1: 1988, 1998

Bennett, Tony - 4.1: 1963, 1973, 1985

Berra, Yogi - 4.1: 1985, 1998

Yogi Berra Museum - 3.1: "Viva el Beisbol!" exhibition, Yogi Berra Museum, 2000

Bernstein, Leonard, Leonard Bernstein, 1972 - 4.1: 1972; Leonard Bernstein, undated drawing - 4.1: 1972; Leonard Bernstein, 1967 drawing - 4.1: 1998

Bethany College - 4.1: 1979

Bethesda Fountain; View of Bethesda Fountain, 1989 - 3.1: A Salute to Central Park Exhibition 1989

Better Boys Foundation - 4.1: 1974

Beverly Hills, California - 2.1: 1985, 1989, see exhibitions: Lawrence Ross Galleries

Beverly Hills Hotel - 2.1: 1989

Bide-A-Wee - 4.1: 1992

Big Time Golf, by LeRoy Neiman - 3.1: Saks Fifth Avenue 1994-1999, 3.2:10

billboard - 3.1: Stadium Tennis Billboard, 1981, 3.1: Caesar's Palace Grand Prix 1981-83, 3.1: Folies Bergere, Tropicana, Las Vegas 1983, VC: 1980s

Billboard Magazine International Billie Awards - 3.1: Billboard Magazine First Annual Billie Awards 1993

billiards -- - 4.2: Billiard World Magazine 1963-65

Billiard World Magazine - 4.2: Billiard World Magazine 1963-65

Pool Game, 1966 - 4.1: 1998

Pool Room, serigraph - 3.1: Circle Gallery 1972

Sardi's World Billiard Championship - 4.2: -- Playboy -- 1963, see Appendix E

Bimini, Bahamas - 2.1: 1977, 1979

Bingo, 1973 - 4.1: 1989

Binns, James - 4.1: 1996, 2000

Bird, Larry, Larry Bird, 1992 - 3.1: Larry Bird, 1993, see also Johnson, Earvin "Magic": Magic

birthday - 4.1: 1999

Black Labrador, 1977 - see animals

Black Panther, 1975 - see animals

Blackwood, Glenn - 4.1: 1993

Bland, Bobby Blue - 3.1: Blues Ball 1997-2004

Blaukmer, Professor Frederika - 4.1: 1979

Blecker, Tom, Kathy, and Barbra - 2.2: Artwork by Children, 2.2: Tom Blecker 1989-99

Bloomberg, Mayor Michael - 1.1: New York Friars Club, 1990s-2000s

Blue Moon Bay Co., Ltd., Japan - 2.1: 1997

bloopers - 4.1: 1978, 1997

Bluebird Café - 3.1: Iroquois Steeplechase, Nashville, TN, 1993

Blues Ball - 3.1: Blues Ball 1997-2004

Blum's - 3.1: Early Fashion Illustration 1949-57

B'nai B'rith - 1.1: Awards

Boathouse Restaurant - see Central Park Boathouse

boats - see sailing, or Showboats International; The Cambridge-Oxford Boat Race - 4.2: -- Playboy -- 1962, see Appendix E

Bochette, Liston - 2.1: 1981, 1984, 1985

bodybuilding -- - 4.1: 1977, 1982, 1990

Everson, Cory - 4.1: 1990

Schwarzenegger, Arnold - see Schwarzenegger, Arnold

Boek, Louis - 1.1: Military Service

Boggs, Bill - 4.1: 2002 ov., 2004

Bonaventure - see St. Bonaventure University

Bond, Julian - 4.1: 1969

Bonds, Barry - Barry Bonds, 2003 pastel - 3.1: Good Tidings Foundation, 1998-present book jacket illustrations - 3.1: folder 1, 3.1: Charlotte Chandler 1978-84, 4.1: 1973, 1982, 1988-89

Book of the Month Club - 3.2.5, 3.2. -- Winners -- , 1983, Harry N. Abrams , Text Drafts

books

by Mr. Neiman - see Publications files in Series 3.2

by others, containing Mr. Neiman's works - see Licensing Art and Design by Cynthia Revelli, Skip Singleton tennis books, see also book jacket illustrations

bookstores - see Publications files in series 3.2 for information on book signings at bookstores

Borg, Bjorn - see tennis

Borstal Boy - 2.1: 1984, 3.1: Borstal Boy 1970

Bosley, Thad - see Skoal Pinch Hitter

Bourgeois, Louise - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

Bourne, Bob - 4.1: 1983

Bowe, Riddick - see boxing

Bowlers Journal - see bowling

Bowles, Franklin - see Bowles Galleries

Bowles Galleries - 1.2: Bowles Galleries, see exhibitions, see also Timothy Yarger Fine Art

bowling -- - 2.1: 1976

Anthony, Earl - 3.1: Million Dollar Strike, 1982

Carter, Don - 3.1: Million Dollar Strike, 1982

Esposito, Frank - 2.1: 1986, 1996, 3.1: Million Dollar Strike, 1982

Million Dollar Strike, 1982 - 3.1: Million Dollar Strike, 1982

Varipapa, Andy - 3.1: Million Dollar Strike, 1982

boxing -- - 3.1: Ali vs. Frazier I, 1971, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 3.1: Ali vs. Spinks 1978, 3.1: Sportsman's Ball 1978, 3.1: Ali vs. Holmes 1980, 3.1: Duran vs. Leonard I, II, III 1980-89, 3.1: Hearns vs. Leonard 1981, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 3.1: Holmes vs. Cooney 1982, 3.1: Hagler vs. Hearns 1985, 3.1: Mike Tyson Portraits 1986-1990s, 3.1: Tyson vs. Spinks 1988, 3.1: McGirt vs. Whitaker 1993, 3.1: Tyson vs. Holyfield 1991-1996, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1971, 1999, 3.1: Lewis vs. Tyson 2002, 3.1: De La Hoya vs. Vargas 2002, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1972, 1976, 1977, 1978, 1979, 1981, 1982, 1983, 1984, 1985, 1987, 1988, 1989, undated 1990s, 1990, 1991, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002

Ali, Muhammad - see Ali vs. Frazier, 3.1: Lewis vs. Tyson 2002, .2.1: 2001, 3.1: GOAT (Greatest of All Time - A Tribute to Muhammad Ali) Book by Taschen, 2004, 3.2.1, 3.2.16, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1974, 1976, 1977, 1978, 1980, 1985 1991, 1994, 1995, 1997, 1998, 1999, 2000, 2001, 4.2: Playboy Ephemera 1960s, 4.2: The Ring Magazine as artist - 2.1: 1979, 4.1: 1966, 1967, 1970 ov, 1979

Muhammad Ali - Athlete of the Century, 2000 - 3.1: Muhammad Ali - Athlete of the Century, 2000-2002

Muhammad Ali - The Greatest Collector's Edition Magazine, 2002 - 4.1: 2002

Ali vs. Foreman, Zaire poster, 1974 - 4.1: 1974, 2000, 2002

Ali vs. Frazier

Ali vs. Frazier I, 1971 - 3.1: Ali vs. Frazier I, 1971

Ali vs. Frazier I, 1971, 1999 - 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 2000

Ali vs. Frazier II etchings, 1974 - 3.1: Ali vs. Frazier I, 1971, 3.1: Circle Gallery 1972, 3.1: Ali vs. Frazier II, 1974, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 1990

Fight of the Century poster, 1971 - 3.1: Ali vs. Frazier I, 1971

Thrilla in Manila poster, 1975 - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 2000

Ali vs. Holmes, 1980 - 3.1: Ali -Holmes 1980, 4.1: 2000

Ali vs. Spinks, 1978 - 3.1: Ali vs. Spinks 1978, 4.1: 2000

Bobrick - 4.1: 1977

Bowe, Riddick - 4.1: 1993, 1995, 1996, 4.2: The Ring Magazine

Boxers Ball - 4.1: 1997

Boxing Beat Magazine - 4.1: 1988

Boxing Illustrated - 4.1: 1993

Boxing at the Ritz - 4.1: 1993

Boxing Writers Association of America - 1.1: Awards, 4.1: 1967, 1985, 2004

Brenner, Teddy - 2.1: 1978, 1979, 4.1: 1978, 4.2: The Ring Magazine

Camacho, Hector - 4.1: 1986, 1997

Chavez, Julio Cesar - 4.1: 1993, 1996

Julio Cesar Chavez, pastel - 4.1: 1996

Julio Cesar Chavez, 1996 drawing - 4.1: 1996

Clay, Cassius - see Muhammad Ali

Coetzee - 4.1: 1984

Cooney, Gerry - see Holmes vs. Cooney, 2.1: 1989, 2000, 4.1: 1981, 1987, 2001, 4.2: The Ring Magazine

De La Hoya, Oscar - 3.1: The Fight of the Millennium, 1999, 3.1: De La Hoya vs. Vargas 2002, 3.1: De La Hoya vs. Hopkins 2004, 4.1: 1995, 1997

Oscar De La Hoya, 1995 - 4.1: 1997

De La Hoya vs. Mosely poster 2000 - 3.1: De La Hoya vs. Mosley 2000

De La Hoya vs. Whitaker, 1997 - 4.1: 1997

Dundee, Angelo - 3.1: Angelo Dundee Tribute 2002

Duran, Roberto - 3.1: Duran vs. Leonard I, II, III 1980 -1989, 4.1: 1980, 1983, 1984, 1994, 1995, 4.2: The Ring Magazine

Ellis, Jimmy - 4.1: 1973 ov

F.I.S.T. - 2.1: 2000, 4.1: 2000, 2001

film, documentary - see Win a Few, Lose a Few, 1972

Foreman, George - see Ali vs. Foreman, 2.1: 1989, 4.1: undated, 1973, 1974, 1976, 1993, 1995, 1999, 4.2: The Ring Magazine

Foreman Frazier Fight - 4.1: undated

Foreman vs. Holmes, 1999 - 4.1: 1999

Frazier, Joe - see Ali vs. Frazier, 2.1: 1975, 4.1: undated, 1969 ov, 1971, 1972, 1973, 1976, 1981, 1992, 1998, 4.2: The Ring Magazine

Golden Gloves Championships - 4.1: 2000, 2001

Golota, Andrew - 4.1: 1996

Grant, Michael - see Lewis vs. Grant, 4.2: The Ring Magazine, 4.1: 2001

Graziano, Rocky - 4.1: 1990, 1991

HBO - 4.1: 2003, 2004

Hagler, Marvin - 3.1: Hagler vs. Hearns 1985, 4.1: 1984, 2000

Hearns, Thomas - 3.1: Hearns vs. Leonard 1981, 3.1: Hagler vs. Hearns 1985, 4.1: 2000, 4.2: The Ring Magazine

Thomas Hearns, 1985 - 4.1: 1985

The Heavyweights, vinyl LP recording 1970 - 4.1: 1970, VII: Box 3

Heavyweight Collision - 4.1: 2003

Heavyweight Explosion, 2000 - 3.1: Heavyweight Explosion 2000

Hinds, Bobby - 2.2: Bobby Hinds 1990-2000

Holmes vs. Coetzee, 1984 - 4.1: 1984

Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000

Holmes, Larry - see Ali vs. Holmes, Holmes vs. Cooney, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.1: 1984, 1999, 2001, 4.2: The Ring Magazine

Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000

Holmes vs. Shavers poster, 1979 - 4.1: 1979, 2000

Holmes vs. Spinks, 1985 poster - 4.1: 1985

Holyfield, Evander - see Tyson vs. Holyfield, 3.1: Holyfield-Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 1996, 2003

Hopkins, Bernard - Bernard Hopkins, 2004 - 3.1: De La Hoya vs. Hopkins 2004 Introduction of the Champions of the Ring, 1964-65 (or Ringside Madison Square Garden) - 4.1: 1965, 1983

Jones, Jr., Roy - 4.1: 1994, 1995, 1996, 2000; Roy Jones, Jr. - 4.1: 2000

King, Don - 4.1: 1977, 2003

Latin Legends - 4.1: 1992

Leonard, Sugar Ray - 3.1: Hearns vs. Leonard 1981, 3.1: Duran vs. Leonard I, II, III 1980-89, 4.1: 1980 ov, 1997, 4.2: The Ring Magazine

Lewis, Lennox - see Lewis vs. Grant, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 2001

Lewis vs. Grant poster, 2000 - 4.1: 2000 and ov

Lewis vs. Tyson poster, 2002 - 3.1: Lewis vs. Tyson 2002

Liston, Sonny - 3.2.16, 4.1: 1964, 1965, 1974 ov, 4.2: Playboy Ephemera 1960s

Louis, Joe - 3.1: Tribute to Joe Louis (Holmes vs. Spinks fight) 1981

Joe Louis, 1983 - 3.1: Kayo Joe Louis Boxing Card 1991, 4.1: 1991

Malave, Chu Chu - 4.1: 1973

Mathis, Buster - 4.1: 1971

The Maulers 1993 lithograph - 4.1: 1993

Mayweather, Floyd - 4.1: 2000

McGirt, James "Buddy" - 3.1: McGirt vs. Whitaker 1993

Morrison, Tommy - 4.1: 1993, 1995

Mosely, Shane - see De La Hoya vs. Mosely

North American Boxing Federation - 4.1: 2000

Norton, Ken - 4.1: 1976, 1981, 4.2: The Ring Magazine

New Jersey Boxing Hall of Fame - 1.1: Awards - Inductions, 4.1: 2000

Olympic boxing - see Olympics

Patterson, Floyd - 4.1: 1972

Quarry, Jerry - 4.1: 1969 ov, 1970, 4.2: The Ring Magazine

Red Boxers, 1973 - 4.1: 1973

Reid, David

David Reid, 1998 - 4.1: 1998

Ring Magazine - 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1966, 4.2: The Ring Magazine

Ringside and Training Principles, by Goodman and Homansky 2001 - 3.1: Ringside and Training Principles by Goodman and Homansky 2001

Robinson, Sugar Ray - 2.1: 1989, 4.1: 1989, 1994; Sugar Ray Robinson, 1969 - 4.1: 1969, 1998

Rocky - see Rocky films

Salute to Boxing Greats Award - 1.1: Awards

Shavers, Earnie - see Holmes vs. Shavers, 4.1: 1973 ov, 1977, 4.2: The Ring Magazine Spinks, Leon - see Ali vs. Spinks, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.2: The Ring Magazine

Spinks, Michael - 3.1: Tyson vs. Spinks 1988, 4.1: 1987, 4.2: The Ring Magazine

Sting Like a Bee by Jose Torres and Bert Sugar - 2.1: 1972

Thornton, Wayne - 4.1: 1966

Toney, James - 4.1: 2003, James Toney, 1994 - 4.1: 2004

Torres, Jose - 4.1: 1966

Trinidad, Felix - 2.1: 1999, 3.1: The Fight of the Millennium, 1999

Tyson, Mike - 3.1: Mike Tyson portraits 1986-90s, 3.1: Tyson vs. Spinks 1988, 3.1: Lewis vs. Tyson 2002, 4.1: 1986, 1988, 1989, 1995, 1996, 1999 portraits - 4.2: The Ring Magazine, 4.1: 1999, 2001

Tyson vs. Holyfield, 1996 - 3.1: Tyson vs. Holyfield 1991-1996

Vargas, Fernando - 3.1: De La Hoya vs. Vargas 2002

Veteran Boxers Association of NY - 4.1: 1993

Whitaker, Pernell "Sweet Pea" - 2.1: 1999, 3.1: McGirt vs. Whitaker 1993, 4.1: 1993, 1995, 1997

Williams, Cleveland - 4.1: 1966, 1967

World Boxing Association Annual Awards Dinner - 4.1: 1994, 1995, 1996, 1997, 1998, 2000

World Boxing League - 4.1: Undated 2000s

Boy Scouts of America - 2.1: 1989, 4.1: 1989 ov

Boys' Athletic League - 4.1: 1974

Boys and Girls Clubs of America - 4.1: 1977, All Sports Hall of Fame Dinner - 4.1: undated 1970s, 1996, 1997, Legends & Fans Dinner - 4.1: 1990

Boys Town of Italy - 4.1: 1987, 1988, 1992

Bradley, Bill - 3.1: Bill Bradley 1978 -2000, 3.1: Women's Basketball Hall of Fame, 1993, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 4.1: 1981, 1999

Branca, Ralph - 3.1: The Shot Heard 'Round the World, 1991, 2.1: 1994, 4.1: 1994

Brayton, Scott - see auto racing

Brazil Stock Exchange, 1985 - 2.1: 1985

Brenner, Teddy - see boxing

Brett, George - 4.1: 1990; George Brett, 1992 - 4.1: 1992

Brice, Bobbie - 4.1: 1982

Bride's Magazine -- - 3.1: Early Fashion Illustration 1949-57

Broadway - see musicals or Times Square, 2001

Brooklyn Bridge, 1995 - 1.1: Honorary Degrees - Saint Francis College, 3.1: Brooklyn Bridge, 1995, 4.1: 1995, 1998

brothel - see Mustang Ranch

Brown, Jim - 3.1: Gridiron Football News 1971-73

Brown, Larry

Larry Brown - 4.1: 1972

Bruce, Lenny - 4.1: 1976

Jeffrey Bryan Fine Art - 4.1: 1989

Bryant, Coach Paul "Bear," Coach Bear Bryant, 1979 - 2.1: 1979, 1983, 1989, 4.1: 1981

Budweiser - see Anheuser-Busch

Buena Vista Bar - 4.2: Bartender Magazine 1987-1992

bull riding - see rodeo

bullfight - 4.1: 1960

Kneeling Matador, 1968 - 2.1: 1976

El Matador, 1965 - 2.1: 1986

Matador, 1967 - 4.1: 1989

La Plaza de Toros - 4.2: -- Playboy -- 1961, see Appendix E

Toreador, 1968 - 4.1: 1984

Burgdorff Cultural Center - 4.1: 1999

Burger King - see promotions

Burns, George - 3.1: Celebrity Night at Spago, 1993

Burr & Associates (Cameron Burr) - 2.1: 1992, 1993, 3.1: The Texas Longhorns, 1985, 3.1: '21' Club, 1990 (photo)

Bush, President George H.W. and Barbara - 1.1: Honorary Degrees c., 2.1: 1989

Bush, President George W. - 2.1: 2003

Bushkin, Joe - 4.1: 1997

Busker Alley - 3.1: "Busker Alley," 1995

Byrams, Gina - 3.1: Hammer Galleries Solo Exhibition 1970

Byrne, Janet - see Neiman, Janet

C

CBS Sports television - 2.1: 1979, 2.2: CBS Sports, 4.1: 1978, 1985

CD ROM - VII

Caesar's Palace - see casinos

Cahill, Very Reverend Joseph - 1.1: Honorary Degrees, St. John's University, Honorary Doctorate, 1980, St. John's University, Gold Medal of Honor, 1985

Caine, Michael - 2.1: 1981

Calder, Alexander - 4.1: 1973 (see exhibitions, two-person)

calendars - 4.1: 1974 ov, 1976, 3.1: Wild Animals and Art of Sport Calendars 1992-94 and ov, 3.1: Golf Courses Calendar 1996

California Cuisine (The Lark Creek Inn), 198? - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 2004

Call of the Wild -- , by Jack London - 3.1: -- Call of the Wild -- 1993

Camacho, Hector - see boxing

Camp David Peace Accords, 1998 - see Carter, President Jimmy

Campbell, Earl - 2.1: 1982

Campbell's Soup - 4.1: 2004

Cannes Film Festival - 3.1: Beauty, the Beach, and the Bizarre 1984

Cape Town, South Africa - 4.1: 1997

Capone, Al, Al Capone - 3.1: Circle Gallery 1972, 4.1: 1972, 1992, 1995

Cappy Productions - 2.1: 2000

Caracas, Venezuela - 2.1: 1972, 1976, 1977, 1980, see exhibitions: Museo de Bellas Artes

"Caring is Fashionable" - 4.1: 1981

Carlson, Bill - see "Neiman's Cuba"

Carnaval, 1981 - 3.2.6, 3.2 ov., see Haskell, Nikki

Carousel, 1958 - 4.1: 1950s

The Carousel of Hope - see also Appendix A, 3.1: Carousel Ball 1982-present

Carpenter, Rob - 4.1: 1982

carpet - see tapestry

Carreras, Jose - 3.1: The Three Tenors, 1996

cars - see automobiles

Carter, Don - see bowling

Carter, Lillian - 3.1: Peace Treaty, 1980, V: 1970s

Carter, President Jimmy -- - 4.1: 1978, 1989

Peace Treaty, 1980 - 3.1: Peace Treaty, 1980

Camp David Peace Accords, 1998 - 4.1: 1998

Casey at the Bat, by Ernest L. Thayer, illustrated by LeRoy Neiman - 3.2.13

casinos and gambling -- - 3.1: Circle Gallery 1972, 4.1: 1984, 1997, 1998, see also The Art of Gaming Through the Ages

Baden Baden, 1988 - 4.1: 1988

Bally's Park Place, Atlantic City - 2.1: 1999

Bally's, Las Vegas - 2.1: 1999

Le Casino de Monte Carlo, 1969 - 4.1: 1984

Caesar's Palace, Las Vegas - 2.1: 1998, 3.1: Caesar's Palace 1980, 3.1: Alan King Caesar's Palace Tennis Classic 1980-83, 3.1: Caesar's Palace Grand Prix 1981-83, 3.1: Holmes-Cooney 1982, 4.1: undated 1970s, 1976, 1979, undated 1980s, 1980, 1981, 1982, 1985, 1987, 1993

Desert Inn - 2.1: 1983, 1984, 1997, 1998, 4.1: 1998

Les Femmes du Caesar's Palace - 4.1: undated 1980s

Chemin de Fer, 1966 (1991 serigraph release) - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.1: 1991, 1998

Craps Kinshasa - 4.1: 1976

Fiesta Casino Hotel - 2.1: 1997

Gambling Times -- Magazine - 4.1: 1984

Gaming Table, 1958 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989

The Golden Nugget, Las Vegas - 3.1: Golden Nugget Casino, Las Vegas 1988

Green Table, 1972 - 4.1: undated, 1984

Harrah's Trump Plaza, Atlantic City - see Trump, Donald

High Stakes, 1974 - 4.1: 1984

The Hustler -- - see -- The Hustler

International Poker, 2004 serigraph of earlier painting - 4.1: 2004

Merv Griffin's Resorts Casino and Hotel, Atlantic City - 3.1: Merv Griffin's Resorts Casino Exhibition 1990

Ocean Club, Atlantic City - see promotions

The Poker Game - 4.1: 1980

Rio Suite Hotel and Casino, Las Vegas - 2.1: 1997

Roulette, 1957 - 4.1: 1950s

Roulette, 1970 - 2.1: 1970, 4.1: 1995

Roulette II, 1996 serigraph - 3.2:11, 4.1: 1996, 1997

Sands Hotel and Casino, Las Vegas - 2.1: 1994, 1997

Slots-change Girl, 1980 - 4.1: 1984

Stud Poker - 4.1: 1984

Tropicana Resort & Casino, Las Vegas - 2.1: 1999, VII: Artifacts

Casino Legends Hall of Fame, LeRoy Neiman Award - 2.1: 1999, 4.1: 1999

Folies Bergere - 3.1: Folies Bergere, Tropicana 1983, 3.1: Folies Bergere Neiman Chips 1999, 4.1: 1999

t.v. commercial - 4.1: 1984

Trump Plaza, Atlantic City - see Trump, Donald

Trump Taj Mahal, Atlantic City - see Trump, Donald

Vegas Blackjack - 4.1: 1984, 1996

catalogue raisonnes - 3.2.5, 3.2.9, 3.2.14

Cavett, Dick - 2.1: 1999

"Celebration 2000" Exhibition - 3.2.14

Celebrity Night at Spago, 1993 - 3.1: Celebrity Night at Spago, 1993

Centaur Galleries, Las Vegas - see exhibitions

Center Art Galleries, Hawaii - 3.1: Center Art Galleries Exhibition, Hawaii 1985, 4.1: 1984, 1987

Central Park Boathouse - see restaurants

cereal box - see Wheaties

Chabot Galleries - 2.1: 1989

Chamberlain, Wilt - see 3.1: Basketball Superstars, 1975 -76, 3.1: Kareem Abdul -Jabbar, 1984, 3.1: Wilt Chamberlain 2000, 4.1: 1981

champagne - 3.1: Duval LeRoy Champagne 1999-2001

Champagne Taittinger - 3.1: 1993

Champagne...Uncorked! by Rosemary Zraly - 3.1: Saks Fifth Avenue 1994-1999, 3.1: Champagne...Uncorked! by Rosemary Zraly 1996

Champions vs. MS - 2.1: 1977

Champs-Elysses

Le Champs- Elysses, 1992 - 4.1: 1996

The Champs-Elysees, la Voie Triomphale, 1994 - 4.1: 1997

Chandler, Charlotte - 3.1: Charlotte Chandler 1978-84, 3.1: March of Dimes' Gourmet Gala 1985

Channel Thirteen, New York - 2.1: 1984, 4.1: 1983

Charismatic - 4.1: 1999

charity - 2.1: Charities (all files), see also AIMS (Committee to Aid Multiple Sclerosis), American Cancer Society, American Diabetes Association, American Heart Association, Association for the Help of Retarded Children (AHRC), Boys & Girls Clubs of America, Boys Town of Italy, Carousel of Hope (Children's Diabetes Foundation), Champions vs. MS, Children's Hearing Institute, Citymeals-on-Wheels, Concern's Charity of Champions, Cystic Fibrosis Foundation, Doodle for Hunger, Good Tidings Foundation, Hope House Ministries, Hospital Relief Fund of the Caribbean, International Heart Foundation, International Sephardic Education Foundation, Jackie Robinson Foundation (under Robinson, Jackie), Jimmy Fund, Juvenile Diabetes Foundation, Leukemia Society of America, Make-a-Wish Foundation, Monmouth Park Charity Ball, Muscular Dystrophy Association, Myasthenia Gravis Foundation, National Multiple Sclerosis Society, North Shore Child and Family Guidance Association, Race to Erase MS, Rock for the Cure, Ronald McDonald House, Special Olympics, United Cerebral Palsy Association, United Way, 4.1: 1981, 1992, 1999; see also animals: rescue

Charlie Cosmetics - see promotions

Chavez, Julio Cesar - see boxing

chef - 3.1: James Beard 1985-87, see also Bennett, Chef John; Clark, Chef Patrick; Kopf, Stefan; Lomonaco, Chef Michael; food; restaurants; Soltner, Chef Andre

Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank, VII: Box 3

Cher - 4.1: 1981

chess - see Fischer, Bobby

Chicago Board of Trade, 1974-75 - 2.1: 1977, 1989, 4.1: 1977

Chicago Public Library - 4.1: 1955-59

Chicago Serigraphic Workshop - 2.1: 1977

children, artwork by - 2.2: Artwork from Children

children, letters from - 2.2: Mrs. Vladimir's Class 1975-85, 2.2: Hutchinson KS, Elementary Schools, 1976-78, 2.2: Mr. Silver's Class 1978-81, see also various letters in 2.1 Fan Mail files

Children at Heart - 4.1: 1996

Childrens Diabetes Foundation - 3.1: Carousel Ball 1982-present

Children's Hearing Institute - 4.1: 1994

China - 2.1: 1983

Chinaglia, Georgio - see soccer

Choate School - 4.1: 1969

Christie's - 4.1: 1978

Christina Galice Gallery - 2.1: 1990

churches -- - 4.1: 1964, 1965; The Organ at St. Paul the Apostle, 1965 - 4.1: 1965

cigars -- - 2.1: 1997, 1998, 4.1: 1996, 1997, 1998

Cigar Aficionado -- Magazine - 2.1: 1995, 4.1: 1995, 1997

Components of Fire by (Aaron Sigmond or Jim Mauro) with Foreword by LeRoy Neiman - 2.1: 1997

Playboy's LeRoy Neiman Selection by Don Diego - 3.1: Playboy's LeRoy Neiman Selection by Don Diego, 1997

Puro Cigar Company - see Sigmond, Aaron

Rhythm and Smoke Cigar Video - 3.1: Rhythm and Smoke Cigar Industry Video 1997-1998

Wine, Women and Cigar, 1996 - 3.1: Playboy's LeRoy Neiman Selection Cigars 1996, 4.1: 1999, 4.2: -- Bartender -- Magazine Cincotti, Peter - 4.1: 2002 ov.

Circle Galleries, Chicago and New York - 2.1: 1979, 1989, 4.1: 1973, 1981, 1989, 1.2: Felicie Correspondence, see exhibitions, solo: Circle Galleries and "Ali-Frazier"

Circus, 2000 - 3.1: Circus 2000, 4.1: 2001

Cirker - Hayes Warehouse - IID: Inventory of Prints Stored in Warehouse 1970s-80s

Cities in Schools - 3.1: Cities in Schools and Harlem Streets, 1981, 4.2: Arts Magazine

City by the Bay, 1993 - see San Francisco

City By The Bay, by Charles Fracchia, cover illustration by LeRoy Neiman - 3.1: San Francisco Series 1991-93

Citymeals-on-Wheels - see Beard, James

Clark, Chef Patrick Dean - 4.1: 1998

Classic Leather - see promotions

Classic Moments Watches - 3.1: Classic Moments LeRoy Neiman Watch Collection 1989

Classico Postcards - 2.1: 1992

Claude-Jobrack, Madeleine - 3.1: '21' Club, 1990 (photo)

Clay, Cassius - see boxing: Ali, Muhammad

Clayton, Derek - 3.1: New York City Marathon 1984-2001

Clemens, Roger, The Rocket - Roger Clemens, 2003 - 3.1: The Rocket - Roger Clemens, 2003

Clemente, Roberto - 4.1: 1992, Roberto Clemente - 4.1: 1973

Clinton, President Bill - 3.2. -- Big Time Golf -- , 1992, 4.1: 1992

clothing - VII

clothing stores - see Marshall Fields, Neiman Marcus, Pallack, Rick, and Saks Fifth Avenue, 4.1: 1958

Clough, Charles - 4.1: 1986

Club El Morocco - 4.1: 1979

Clubhouse Turn, 1975 - see horse racing

Coalition for the Homeless - 4.1: 1986

Coca-Cola Company - 2.1: 1994

Coetzee - see boxing

Coghlan, Eamon - see running

Cohen, Mouli - 3.1: Soft Paintings 1989

collectibles - see promotions

collectors - 4.1: 1969, 1980, 1981, see Wolfson

college sports - see basketball, football

Columbia Space Shuttle - 4.1: Undated ov

Columbia University - School of the Arts - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present; School of General Studies - 2.1: 1977

Comaneci, Nadia - see gymnastics

Comedia dell' Arte - 3.1: Royal Doulton collectible plates 1974-78

comic strips - see -- Doonesbury

commercials - see Promotions

Commodities Magazine - see The Chicago Board of Trade, 1974-75

Concern Foundation

Concern's Charity of Champions - 4.1: 1983

conductors - see Bernstein, Leonard; Slatkin, Leonard

Contemporary University - 4.1: 1980

Cooney, Gerry - see boxing

computer art - 4.1: 1975

Conner, Bart - see gymnastics

Converse - 2.1: 1982

Bill Corum Award - 1.1: Awards

Corvette, Limited Edition Neiman - 3.1: Corvette 1984, V: 1980s, Rendezvous a la Corvette, 1984 - 3.1: Corvette 1984

Cosby, Bill - 4.1: 1991, 1997

Cosell, Howard - 4.1: 1987, 1995, V: 1991

cosmetics - see promotions

Cotton Club - 4.1: undated

Countdown to Superbowl, by Dave Anderson - 3.1: Countdown to Superbowl by Dave Anderson 1969

Country Rambler -- Magazine - 2.1: 1976, 4.1: 1976 ov

Couples - 4.1: 1976

Cow Parade, NYC - 3.1: Cow Parade NYC, 2000

cowboys - see The Lone Ranger, National Cowboy Hall of Fame, rodeo

Creative Communications - 2.1: 1976

cricket - 4.1: 1961

Crosby, Bing - 3.1: 43rd Crosby National Pro-Am, 1984

crossword puzzles - 4.1: 1990, 1991, 1995, 1998, 1999

Crozier, William - V: 1995

Csonka, Larry - 4.1: 1973, 1974; Larry Csonka - 4.1: 1972

Cuba - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003, 4.1: 1979

Cuban Dancers, 1997 - 3.1: Rhythm and Smoke Cigar Video 1997-98

The Culinary Arts exhibition - 3.1: The Culinary Arts exhibition 1998

Culinary Institute of America - 4.1: 2000

Cunningham, Merce - see dance

Current Biography - 4.1: 1996

Curtis, Mike - 3.1: Gridiron Football News 1971-1973

Curtis, Tony - 2.1: 1988

cycling

3.1: Tour de Trump

Boul Mich Bike Rally, 1978 - 2.1: 1983, 4.1: 1978 ov

Indoor Cycling - 4.1: 2000, 2002

Tour de France - 4.1: 1984

Cystic Fibrosis Foundation - 4.1: 1996

D

Daily Double - see Fran Joswick Therapeutic Riding Center

Dalai Lama - 2.1: 2003

Daley, Robert - 4.1: 1966

Daley, Mayor Richard - 4.1: 1968

Dali, Salvador - 4.1: 1977, 1986, 1991, 2002 (mentioned throughout 1980s and 1990s)

Dan's Papers - 2.1: 1998, 1999, 4.1: 1997 ov

dance -- - see also ballet

Cunningham, Merce

Merce Cunningham Studio - 4.1: 2004

"Fringe TOMAR 2000" Festival Internacional de Danca Contemporanea, 2000 - VII

Graham, Martha - 2.1: 1989

Jacki Sorenson, 1981 - 4.1: 1981

Davidson Gallery - 4.1: 1986

Davis, Marvin and Barbara - 2.1: 1985, 3.1: Carousel Ball 1982-present

Davis, Jr. , Sammy - 3.1: Frank Sinatra at Royal Albert Hall 1989, 4.1: 1964, 1981, 1982, 1984, 1991, V: early 1960s, Bojangles, 1984 - 4.1: 1986

Dawkins, Peter - 2.1: 1980, 3.1: Peter Dawkins Poster 1988

De la Hoya, Oscar - see boxing

De La Vega, James - 4.1: 1999

Dean Day Gallery - 2.1: 1982, 1983, 1989, see also exhibitions

Dear Muffo, by Harold Conrad - 4.1: 1982

Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-91

DeBusschere, Dave - 4.1: 1974

The Dedication - 4.1: 1969

Deer Path Art League - 4.1: 1950s

Defiant, 1987 - see sculpture

Degregorio, Ernie - 2.1: 1976

Dekker, Mary - V: 1980s

Del Coronado Petit Galop, 1976 - 4.1: 1976

Del Greco, Maria -2.3: Letters from Artists, 4.1: undated, 1996

Delacroix's Tiger - see animals

Delligatti, Ralph - 4.1: 1992

Denver, CO - see auto racing

Denver, John - 4.1: 1994

Derek, Bo and John - 2.1: 1998, 4.1: 1985

Des Moines, Iowa

Des Moines Ballet - 3.1: Des Moines Ballet Commissions 1983-1986

Des Moines Symphony - 4.1: 1979

Desert Inn, Las Vegas - see casinos: Caesar's

Desert Symphony - see music: classical

designers - 4.1: 1997

Dewar's - 4.1: 1971

Dial-A-Dinner - 4.1: 1994

Diamond, Neil - 4.1: 1984

El Diario la Prensa - 2.1: 1987

A Dictionary of Sporting Artists, by Mary Ann Wingfield - 4.1: 1992

Dill, Bob - 2.1: 1997, 1999

Diller, Phyllis - 2.1: 1995, 1996, 1999

DiMaggio, Joe - 4.1: 1992

Joe DiMaggio: Yankee Clipper, 1998 - 3.1: Joe DiMaggio 1998-1999, 4.1:1998 Joe DiMaggio: Study for "Yankee Clipper", 1998 - 3.1: Joe DiMaggio 1998-1999

DiPietro, Marylou - 2.1: 1979, 3.2.3

diving - see swimming and diving

Dixon, Rod - see running

dog - see animals

Dokes, Michael - 4.1: 1993

Domingo, Placido - 3.1: The Three Tenors, 1996

Doodle for Hunger - 3.1: Doodle for Hunger I, II, III, IV, V, 2000-2004

Doonesbury -- - 4.1: 1981

Door County - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001

Dorfman, Fred - see Fred Dorfman, Inc.

Dorset, Tony - 2.1: 1982

Doubletake Gallery - 4.1: 1999

Douglas, Kirk, Kirk Douglas, 1984 - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985

dreams - 3.1: Folies Bergere, Tropicana, Las Vegas 1983

Drinhaus, Helmut - 2.2: Helmut Drinhaus 1988-2000

Driscoll, John (President of Iona College) - 1.1: Honorary Degrees, Iona College, Honorary Doctorate, 1985

Dubai - 2.1: 1988

Dublin Bar "The Stag's Head" - see The Stag's Head Bar, 1961

Dufresne, Isabelle - 4.1: 1988

Duguay, Ron - 4.1: 1982

Dundee, Angelo - see boxing

Duneier, Clyde - 4.1: 1993

Dupont, Andre - 4.1: 1974

Dupont pens - see promotions

Duran, Roberto - see boxing

Durocher, Leo - 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 4.1: 1968, Leo Durocher - 3.1: Leo Durocher 1974-94

Duval LeRoy, Carol - 3.1: Duval LeRoy Champagne, 1999

Dyansen Gallery - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.1: 1990, 1991, 1992, 1996, 1997

Van Dyke, Dick - 3.1: Emerald Art Gallery Solo Exhibition, Coronado, CA 1976

Dylan, Bob, Bob Dylan, 2001 - 4.1: 2001

E

Earhart, Amelia - The Adventuress, 1970s - 4.1: 1982

Eaton, Roy, Roy Eaton, 1980 - 2.1: 1980, 3.1: Roy Eaton, 1980, 1980-1992, 4.1: 1986

Economic Opportunity Atlanta - 3.1: 1968

Editions Limited - see Pelkey, Joe

education - 1.1: Education and Teaching, 4.1: 1980

Egypt - 3.1: Peace Treaty, 1980

Eiffel Tower - 4.1: 1995 4.2: -- Bartender Magazine -- 1997-2002

Eight Nation Athletic Games - 4.1: 1978

Einstein, Albert - Albert Einstein, 1992 drawing - 2.1: 1991

Eiteljorg, Harrison and Sonja - 2.2: Harrison and Sonja Eiteljorg, 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73, 4.1: undated, 1963, 1986, 1994

Elayne Galleries - 2.1: 1979, 1989, 3.1: Elayne Galleries and P.J. Clarke's, 1978, 3.1: Stadium Tennis Billboard, 1981, 4.1: 2001, see also exhibitions

elephant paintings - see animals

Elkins Entertainment - 3.1: Rhythm and Smoke Cigar Video, 1997

Elles & Eux -- Magazine - 4.1: 1961

Ellington, Duke - see jazz

Ellis, Jimmy - 4.1: 1971

Ellis Island Medal of Honor - 1.1: Awards

Elway, John - 3.1: John Elway, 1999

Emerald Art Gallery - 2.1: 1977, 3.1: Emerald Art Gallery Solo Exhibition 1976

English, John - 1.1: Military Service

equestrian - see horses

Erte -- - 4.1: 1990, 1980s and 1990s (mentioned throughout)

Erving, Julius - see Basketball Superstars, 1975-76, Julius Erving, 1975 - 3.1: Julius Erving 1975-76

Esposito, Frank - see bowling

Esposito, Phil - 4.1: 1975

Esquire -- Magazine - 2.1: 1999, 3.1: Dewar's Profile 1970 ov, 4.1: 1999

Estefan, Emilio and Gloria - 2.1: 1984

etchings - 2.1: 1977, 3.1: Malletmen etching Certificate, 1977, 1.2: Bowles Galleries Correspondence 1970s, see also boxing: Ali vs. Frazier II etchings, 1974, and soccer: Soccer, 1989 etching, The Etchings of LeRoy Neiman, 1976 Knoedler booklet - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov)

Eve Models, Ltd. - 4.1: 1971, 1974

Everson, Cory - see bodybuilding

Evert, Chris - see tennis

Ewbank, Weeb - 3.1: Gridiron Football News 1971-1973, 4.1: 1978

exhibitions -- - Note: Solo and group exhibitions are listed alphabetically by the venue name

solo exhibitions

750 Studio, Chicago, 1953 - 3.1: 750 Studio, Chicago, Solo Exhibition 1953

Abercrombie & Fitch, 1974 - 4.1: 1974

Allyson Louis Gallery, Bethesda, MD, 1988 - 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988

Allyson Louis Gallery, Bethesda, MD, 1990 - 4.1: 1990, V: 1990

American Fine Art Editions, Inc., "Superbowl XXX," Jan 1996 - 3.1: Superbowl XXX Exhibition 1996

American Fletcher National Bank - see Indianapolis Museum of Art

l'art et l'automobile gallery, "Monte Carlo Chase," New York 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions

l'art et l'automobile gallery, New York, 1989 - no materials

The Art Exchange, Creve Coeur, MO, 1978 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79

The Art Exchange, Creve Coeur, MO, 1979 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79

Art Gallery-Studio 53 Ltd., New York 1975 - 4.1: 1975

Art Gallery-Studio 53 Ltd., New York 1976 - 4.1: 1976

Astor Tower French Center, Chicago, "Vie de France," 1965 - 3.1: "Vie de France" Solo Exhibition, Astor Tower, Chicago 1965

Backstage Gallery, Osaka, Japan - 4.1: 1989

Baja - 4.1: 1989

Base Art Collection, 1990 - 4.1: 1990

Bowles/Hopkins Gallery, San Francisco, 1977 - 3.1: Bowles Hopkins Solo Exhibition, San Francisco, 1977

Bowles/Hopkins Gallery, San Francisco, 1980 - 2.1: 1980, 4.1: 1980

Bowles/Hopkins Gallery, San Francisco 1981 - 4.1: 1981

Bowles/Hopkins Gallery show celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams

Bowles/Hopkins Gallery, "The Olympic Spirit," San Francisco, 1984 - 3.1: 1984 Olympics

Bowles/Hopkins Gallery show celebrating the Superbowl, 1985 - 4.1: 1985

Bowles/Hopkins Gallery, February 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Bowles/Hopkins Gallery, October 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Bowles/Sorokko Galleries, "Neiman's Neimans: A Retrospective," San Francisco, 1987 - 3.1: Bowles/Sorokko Galleries Solo Exhibitions, San Francisco ("Neiman's Neimans") and Beverly Hills 1987

Bowles/Sorokko Galleries, Beverly Hills 1987 - 3.1: Bowles/Sorokko Galleries Exhibition, Beverly Hills 1987

Bowles/Sorokko Galleries, "LeRoy Neiman: Monte Carlo," San Francisco 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions

Bowles/Sorokko Galleries, Polo Lounge Debut, Beverly Hills, April 1989 - 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Beverly Hills 1989

Bowles/Sorokko Galleries, San Francisco, May 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990

Bowles/Sorokko, Beverly Hills, October 1990 - 4.1: 1990

Bowles/Sorokko Galleries, "The Prints of LeRoy Neiman 1980 -1990," Beverly Hills, 1991 - 3.2. The Prints of LeRoy Neiman, 1980-1990, 1991

Bowles/Sorokko Galleries, "LeRoy Neiman's San Francisco," San Francisco 1991 - 3.1: San Francisco Series 1991-93

Bowles/Sorokko Galleries, "LeRoy Neiman: Downtown," New York 1992 - 4.1: 1992

Bowles/Sorokko Galleries, "Big Time Golf," Beverly Hills, San Francisco, and New York, 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions

Bowles/Sorokko Galleries, City by the Bay Debut, San Francisco, 1993 - 3.1: San Francisco Series, 1991-1993

Bowles/Sorokko Galleries, "An American in Paris," Beverly Hills, San Francisco, and New York, 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

Bowles/Sorokko Galleries, San Francisco, 1995 - 4.1: 1995

Bowles/Sorokko/Yarger Galleries, "Portraits of Our Times 1946-1996", Beverly Hills and San Francisco 1996 - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996

Brentano's Gallery, New York, 1973 - 4.1: 1973

Brentano's Gallery, New York, 1979 - 2.1: 1979, 4.1: 1979

Brentano's Gallery, New York, 1980 - 4.1: 1980

Butler Institute of American Art, Exhibition at "The Art Spirit" Event, April 1990 - 4.1: 1990

Carol Condit Galleries, White Plains, 1975 - 4.1: 1975

Casa Grafica, Helsinki, Finland, 1977 - 3.1: Casa Grafica Solo Exhibition, Helsinki, Finland, 1977

"Celebration 2000," 2000 - 3.2. -- The Prints of LeRoy Neiman -- , 1991-2000, 2001

Centaur Galleries, Las Vegas, 2000 - 4.1: 2000

Centaur Sculpture Galleries, "The Safari Suite," Las Vegas 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Center Art Galleries, Honolulu, Hawaii, 1985 - 3.1: Center Art Galleries Exhibition, Hawaii, 1985

Chabot Galleries, 1984 - 4.1: 1984

Choate School, "LeRoy Neiman: Paintings and Drawings," 1969 - 4.1: 1969

Circle Gallery, Chicago 1972 - 3.1: Circle Gallery Solo Exhibition, Chicago, 1972

Circle Galleries Los Angeles, Dallas, and NYC, 1973 - 3.1: Circle Galleries Los Angeles, Dallas, NYC, 1973

Circle Gallery, New York, "Ali - Frazier," 1974 - 3.1: Ali vs. Frazier I, 1971

Dean Day Gallery, 1983 - 4.1: 1982, 1983

Dyansen Gallery, "The Playboy Collection," 1989-90 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989-90

Dyansen Gallery, Trump Taj Mahal, 1992 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City, and The Beatles serigraph 1992

Elayne Galleries, Minneapolis, MN, 1978 - 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978

Emerald Art Gallery, Coronado, CA, 1976 - 3.1: Emerald Art Gallery Solo Exhibition, Coronado, CA 1976

Fairfield Gallery, "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," 2001 - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001

Fahlnaes Konstsalong, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77

Famous-Barr, St. Louis, MO, 1980 - 3.1: Famous-Barr Olympic Benefit Solo Exhibition, St. Louis 1980

The Far Gallery, "Recent Graphics and Drawings", 1971 - 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971

Fingerhut Gallery, La Jolla, CA, 2003 - 4.1: 2003

Forsyth Gallery, St. Louis, MO, 1970 - 4.1: 1970

Foster Harmon Galleries, Sarasota, 1980 - 4.1: 1980, V: 1980

Foster Harmon Galleries, Sarasota, 1981 - 4.1: 1981

Foster Harmon Galleries, Sarasota, 1986 - 4.1: 1986

Foster Harmon Galleries, Sarasota, 1992 - 4.1: 1992

Franklin Bowles Galleries, "Animals: The Wild and the Tame", 1998 - 3.1: "Animals: The Wild and the Tame" Solo Exhibition, Franklin Bowles Gallery, San Francisco, October 1998

Franklin Bowles Galleries, "LeRoy Neiman: Master Printmaker," 2001 - 3.1: "LeRoy Neiman: Master Printmaker," Franklin Bowles Gallery, San Francisco 2001

Frankin Bowles Galleries, "LeRoy Neiman: Thirty Years in San Francisco," 2002 - 3.1: "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco 2002

Franklin Bowles Galleries, "Looking Back: The Life & Times of America's Artist", Fisherman's Wharf, San Francisco, February 2004 - 4.1: 2004

Franklin Bowles Galleries, "LeRoy Neiman: The Art of Boxing," San Francisco, February 2005 - 3.1: "LeRoy Neiman: The Art of Boxing," Franklin Bowles Galleries 2005

Friars Club, 1987 - see exhibitions: New York Friars Club

Galerie 224, 1989 - 4.1: 1989

Galerie Borjeson, Malmo, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77

Galerie O. Bosc, Paris 1962 - 4.1: 1962

Galerie Marc, San Francisco, 1977 - 4.1: 1977

Galerie Marcel Bernheim, "Un Américain à Paris," Paris 1993 - 3.1: "Un Américain à Paris," Solo Exhibition, Galerie Marcel Bernheim, Paris 1993

Galerie Renee & Victor, Stockholm, Sweden, 1977 - 3.1: Sweden Exhibitions 1976-77

La Galleria d'Arte, Newport Beach, CA, 1993 - 2.2: La Galleria d'Arte, 4.1: 1993, V: 1993

La Galleria d'Arte, "An American in Paris," Newport Beach, CA, 1994 - 2.2: La Galleria d'Arte, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

La Galleria d'Arte, "LeRoy Neiman On Safari," Newport Beach, CA 1996 - 2.2: La Galleria d'Arte, 3.2. LeRoy Neiman On Safari, 1996, Related Exhibitions

Gallery One American Design, Aurora, Colorado, August 1990 - 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990

Gallery One of Writer Square, Denver, August 1990 - 3.1: Emerson Fittipaldi, 1989, 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990

Gallery 36, New York, 1973 - 4.1: 1973

Gallery 100, Mishawaka, IN, 1977 - 4.1: 1977

Gallery Hawaii, International Market Place, 1974 - 3.1: Hawaii and Japan 1974

Gallery Hawaii, Hyatt Regency, 1976 - 4.1: 1976

Gallery Mack, Seattle, 1978 - 3.1: Gallery Mack Solo Exhibition, Seattle 1978

Gallery Mack, "Drawings by LeRoy Neiman: A Retrospective," Seattle, 1981 - 3.1: Neiman/Warhol Exhibition at LAICA 1981-82

Gallery Mack, Seattle, 1982 - 3.1: Gaylord Perry's 300th win 1982

Gallery of Modern Art, Frank Sinatra drawings, New York, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967

Gallery Richelle, 1966 - 4.1: 1966

Gateway Gallery, Vail, CO, 1994 - 4.1: 1994

Gilbert Gallery, San Francisco, 1974 - 4.1: 1974

Grigsby Gallery, Scottsdale, AZ, 1982 - 4.1: 1982

Hammer Galleries, 1963 - 3.1: Hammer Galleries Solo Exhibition 1963

Hammer Galleries, 1965 - 3.1: Hammer Galleries Solo Exhibition 1965

Hammer Galleries, 1967 - 3.1: Hammer Galleries Solo Exhibition 1967

Hammer Galleries Exhibition of New York Jets Drawings, 1968 - 3.1: Hammer Galleries Exhibition of NY Jets Drawings, 1968

Hammer Galleries, 1970 - 3.1: Hammer Galleries Solo Exhibition 1970

Hammer Galleries, 1972 - 3.1: Hammer Galleries Solo Exhibition 1972

Hammer Galleries, 1974 - 4.1: 1974

Hammer Galleries, "LeRoy Neiman: Works on Paper," 1975-76 - 3.1: Hammer Galleries Solo Exhibition 1975-76

Hammer Galleries, "The Olympic Ring," 1976 - 3.1: 1976 Olympics, Montreal

Hammer Galleries, "Horses," 1979-80 - 3.2. Horses, 1979, Harry N. Abrams, Publicity, Reviews, and Related Exhibitions

Hammer Galleries, "Drawings: A Retrospective," 1981 - 3.1: "Drawings" A Retrospective" Solo Exhibition, Hammer Galleries 1981

Hammer Galleries, 1982 - 4.1: 1982

Hammer Galleries, "LeRoy Neiman: Winners," 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions; Photos, Proofs, and BLAD

Hammer Galleries, "The Olympics, Past and Present," 1984 - 3.1: 1984 Olympics, Los Angeles

Hammer Galleries, "The LeRoy Neiman Collection," 1985 - 3.1: "The LeRoy Neiman Collection" Exhibition, Hammer Galleries, 1985

Hammer Galleries, "LeRoy Neiman in Moscow," April 1987 - 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987

Hammer Galleries, "Soft Paintings," April 1989 - 3.1: Soft Paintings 1989

Hammer Galleries, "LeRoy Neiman: A Salute to Central Park," September 1989 - 3.1: "A Salute to Central Park" Solo Exhibition, Hammer Galleries 1989

Hammer Galleries, "Big Time Golf," 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions

Hammer Galleries, "An American in Paris," 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

Hammer Galleries, "LeRoy Neiman On Safari," New York, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Hammer Galleries, "A View from the Table," Solo Exhibition, New York, 2003 - 3.1: "A View from the Table" Solo Exhibition, Hammer Galleries, New York, 2003

Hammer Graphics Gallery, 1979 - 3.1: Hammer Graphics Gallery Solo Exhibition 1979

Hammer Graphics Gallery exhibition of graphic works 1971-81, 1981 - 4.1: 1981

Hanae Mori Building, "Neiman's World - Japan '88," Tokyo, 1988 - 3.1: "Neiman's World" Exhibition, Japan 1988

Hang-Up Gallery, 1973 - 4.1: 1973 and ov

Hanson Art Galleries, New Orleans, 1983-84 - 3.1: Hanson Art Galleries Solo Exhibitions, New Orleans and Carmel, 1983-84

Hanson Art Galleries, Carmel, CA, 1984 - 3.1: Hanson Art Galleries Solo Exhibitions, New Orleans and Carmel, 1983-84

Hanson Art Galleries, La Jolla, 1986 - 3.1: Hanson Art Galleries Solo Exhibition, La Jolla, 1986

Hanson Art Galleries, San Francisco, 1987 - 3.1: Hanson Art Galleries Solo Exhibition, San Francisco Bay Area, 1987

Hanson Art Galleries, New Orleans, 1997 - 3.1: Hanson Art Galleries Solo Exhibition, New Orleans 1997

Hanson Art Galleries, New Orleans, 1998 - 4.1: 1998

Hanson Art Galleries, "A Decade of Retrospective Works by LeRoy Neiman," 2000 - 3.1: "A Decade of Retrospective Works by LeRoy Neiman" 2000

Harrod's, London, 1982 - 3.1: Harrod's Gallery Solo Exhibition, London 1982

Heath Gallery, "LeRoy Neiman: Impressions of Atlanta", Atlanta, GA, 1969 - 4.1: 1969

Heit Galleries, Phoenix, AZ, 1976 - 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Nicholas Helion, Paris, 1980 - 4.1: 1980

Hess's Gallery, Allentown, PA, 1975 - 3.1: Hess's Gallery Solo Exhibition, Allentown, PA, 1975

Hilliard Gallery, Kansas City, October 1989 - V: 1989

Hilliard Gallery, "The Safari Suite," Kansas City, MO, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Horizon Gallery, Kuhio Mall, Waikiki Beach 1980 - 4.1: 1980 and ov

Hotrod Vintage Car Museum and Dance Club, 1989 - 4.1: 1989

Indianapolis Museum of Art, "Sketches of the XXth Olympiad," Miliken Gallery, 1972-73 - 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73

Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank, 1976 - 2.1: 1976, 3.1: Indianapolis Museum of Art Solo Exhibition 1976

Japan - see exhibitions: Backstage Gallery, exhibitions: Hanae Mori Building and exhibitions: Tobu Gallery

Jewish Community Center, Bridgeport, CT, 1976 - 4.1: 1976

JoAnn Perse Gallery, Little Rock, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams

JoAnn Perse Gallery, "Monte Carlo Chase," Little Rock 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions

John Miller Gallery, Carmel, CA 1982 - 4.1: 1982

Kentucky Derby Museum, "An Exhibition of Equine Art," 1993 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Kentucky Derby Museum, "A Racing Retrospective," 1995 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Kentucky Derby Museum, "The Art of Sport," 1997 - 3.1: 123rd Kentucky Derby and Derby Day Paddock 1997

M. Knoedler & Co., Ltd., London, 1976 - 3.1: Knoedler London Solo Exhibition 1976 Krannert School of Management, 1986 - no materials

Lawrence Ross Galleries, Beverly Hills, 1985 - 3.1: Lawrence Ross Galleries 1985-88

Lawrence Ross Galleries, Beverly Hills, 1986 - 3.1: Lawrence Ross Galleries 1985-88

Lincoln College, 1953 - 4.1: 1953

Marlborough Galleries, Boston, 1987 - 3.1: Marlborough Galleries Exhibition, Boston 1987

Mayfair Art Gallery, Saratoga Springs, NY, 1977 - 2.1: 1977

Meredith Long & Company, Houston, 1975 - 4.1: 1975

Meredith Long & Company, Houston, 1978 - 4.1: 1978

Merrill Chase Galleries, Chicago, 1976 - 4.1: 1976

Merrill Chase Galleries, Chicago, 1978 - 4.1: 1978 and ov

Merrill Chase Galleries, Chicago, 1982 - 4.1: 1982

Merrill Chase Galleries, Chicago, 1988 - 4.1: 1988

Merrill Chase Galleries, "Big Time Golf," Chicago 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions

Merrill Chase Galleries, "An American in Paris," Chicago 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

Merrill Chase Galleries, "The Safari Suite," Chicago 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Merv Griffin Resorts International Casino Hotel, Atlantic City, 1990 - 3.1: Merv Griffin's Resorts Casino Exhibition 1990

Midwest Museum of Art, "Selected Works by LeRoy Neiman", 1989 - 3.1: Midwest Museum of Art Exhibition, 1989

Minnesota Museum of Art, "LeRoy Neiman Retrospective," St. Paul, 1975-76 - 3.1: St. Paul Bicentennial 1975-76

Minotaur Galleries, Las Vegas 1983 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1983

Minotaur Galleries, Las Vegas 1984 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1984

Minotaur Galleries, Las Vegas 1985 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1985

Minotaur Galleries, Las Vegas 1988 - 2.2: Minotaur Galleries 1984 -1994, 3.2. -- Monte Carlo Chase -- , 1988, Related Exhibitions, Van Der Marck Editions, Ltd., 4.1: 1988

Minotaur Galleries, "Big Time Golf," Las Vegas 1992 - 3.2. Big Time Golf, 1992, Publicity and Related Exhibitions

Minotaur's Forum Gallery, Las Vegas 1993 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1993

Museo de Bellas Artes, Caracas, 1972 - 2.1: 1972, 4.1: 1972, V: 1970s

Myrtle Todes Gallery, Glencoe, Illinois, 1957 - 3.1: Myrtle Todes Gallery Solo Exhibition, Glencoe, Illinois 1957

National Art Museum of Sport, "LeRoy Neiman: Works on Paper," 2001 - 3.1: "LeRoy Neiman: Works on Paper," National Art Museum of Sport, 2001

Nevada County Arts Council, 1982 - 4.1: 1982

New York Friars Club, 1987 - 3.1: New York Friars Club Solo Exhibition, 1987

Niagara Art Center, Niagara Falls, 1976 - 4.1: 1976

O'Hana Gallery, London, 1962 - 3.1: O'Hana Gallery Solo Exhibition, London 1962

F. Oehlschlaeger Gallery, Chicago 1959 - 3.1: Frank Oehlschlaeger Gallery Solo Exhibition, Chicago 1959

F. Oehlschlaeger Gallery, Chicago, 1961 - 4.1: 1961

F. Oehlschlaeger Gallery, Chicago, 1962 - no material

F. Oehlschlaeger Gallery, Chicago 1976 - 4.1: 1976

Oklahoma Art Center Sheets Gallery, "Drawings by LeRoy Neiman: A Retrospective," 1981 - 3.1: "Drawings by LeRoy Neiman," Oklahoma Art Center 1981

Paterson Museum, Paterson, NJ, 1996 - 2.1: 1989, 4.1: 1996

Percival Galleries, Des Moines, 1979 - 2.1: 1978, 1979, 4.1: 1979

Peri-Renneth Gallery, Southampton, 1986 - 3.1: Peri-Reneth Gallery Solo Exhibition 1986

Peter Foulger Museum, Nantucket, 1975 - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition

Playboy offices, "LeRoy Neiman: Man at his Leisure" 1991 - V: 1991

Pratt Institute, "LeRoy Neiman in Cuba," 2003 - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003

"Profiles: Six Decades of Work" 1996 - 3.1: "Profiles" Exhibition 1996

Purdue University, 1986 - 4.1: 1986

Quinn-Pollak Gallery, "Monte Carlo Chase," San Diego 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions

Richelle Gallery, St. Louis, 1966 - see Gallery Richelle

Rosenbaum Galleries, Palm Beach, 1976 - 2.1: 1976, 4.1: 1976

St. Lawrence National Bank, 1977 - 3.1: St. Lawrence National Bank Solo Exhibition, Ogdensburg, NY, 1977

Sher Gallery, Florida, 1986 - 4.1: 1986

Springfield Art Association, "LeRoy Neiman: A Series of Sport Serigraphs," Springfield, IL, 1990 - 4.1: 1990

Springfield College - 3.1: LeRoy Neiman Centennial Art Exhibition, Springfield, MA, 1984

Springfield Museum of Art, 1974 - 4.1: 1974

State National Bank, El Paso, 1981 - 4.1: 1981

Steiner & Young Fine Arts Galleries, 1989 - 3.1: Steiner & Young Galleries Exhib 1989, 3.1: Soft Paintings 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions

Surf Club, 1989 - 4.1: 1989

Thomas Ward Galleries, St. Paul, 1975 - 4.1: 1975

Timothy Yarger Fine Art, "The Culinary Arts" 1998 - 3.1: "The Culinary Arts" Solo Exhibition, Timothy Yarger Fine Art, Beverly Hills 1998

Timothy Yarger Fine Art, "A Thirty-Year Retrospective Exhibition" - 3.1: Timothy Yarger Fine Art, "A Thirty -Year Retrospective" Exhibition 2000

Timothy Yarger Fine Art, "LeRoy Neiman: A Fifty-Year Retrospective", Beverly Hills, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003

The Toy Store, Hartford, CT, 1985 and 1986 - 3.1: The Toy Store 1985-86

Tobu Gallery, Tokyo, 1974 - 3.1: Hawaii and Japan 1974

Tretyakov Museum, Moscow 1988 - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988

Trump Plaza, Atlantic City, 1996 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence

Turnbery Isle Yacht and Racquet Club Exhibition, 1981, 1982, 1983 - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1981-83

Edwin A. Ulrich Museum of Art, Wichita State University, 1981 - 2.1: 1981

University of Charleston, West Virginia, Art Gallery, 1992 - 4.1: 1992

Upstairs Gallery, Beverly Hills, 1977 - 4.1: 1977

Upstairs Gallery, Beverly Hills, 1981 - 4.1: 1981

Upstairs Gallery, Beverly Hills, Exhibition celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions

Upstairs Gallery, Beverly Hills, 1986 - 4.1: 1986

Upstairs Gallery, Beverly Hills, 1987 - 4.1: 1987

Upstairs Gallery, Beverly Hills, 1988 - 4.1: 1988

Waller's Gallery, Tampa, 1975 - 4.1: 1975

Wichita State University Ulrich Museum of Art Exhibition 1981 - 4.1: 1981

The Wildlife Experience, "LeRoy Neiman on Safari," 2003 - 3.1: "LeRoy Neiman on Safari" Solo Exhibition, The Wildlife Experience, Parker, CO, 2003

Windsor Gallery, Los Angeles, 1974 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75

Windsor Gallery, "The Wide World of LeRoy Neiman," Los Angeles, 1975 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75

two-person exhibitions

LeRoy Neiman and Robert Addison, Art Institute of Chicago, 1978 - 4.1: 1978 and ov

Alexander Calder and LeRoy Neiman, Nassau Gallery, Baldwin, NY 1973 - 4.1: 1973

"The Mustache Show", Salvador Dali and LeRoy Neiman, Tunnel Club, New York, 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

LeRoy Neiman/Andy Warhol, LAICA, Los Angeles 1981 - 3.1: Neiman/ Warhol Exhibition 1981

group exhibitions

Amherst College, "When They Were Very Young," Amherst, MA 1982 - 4.1: 1982

Amnesty International Exhibition and Sale, New York, 1990 - 4.1: 1990

Anna Werbe Gallery, Chicago Artists, Detroit 1958 - 4.1: 1950s

Anshe Emet Cinema Arts Festival, 1960 - 4.1: 1960

Aqueduct Art Gallery, New York, 1966 - 4.1: 1966

Area, "Art," New York, 1985 - 3.1: "Art", Group Exhibition at Area, 1985

L'art et L'automobile, automotive artists group exhibition, 1988 - 4.1: 1988

L'art et l'automobile, Ferrari Collection exhibition, 1989 - 4.1: 1989

Art Directors Club of Chicago, Exhibition of Advertising and Editorial Art, 1955 - 4.1: 1950s

Art Expo - 4.1: Undated

Art Institute of Chicago, Student Exhibition, 1950 - 4.1: 1950s

Art Institute of Chicago, Student Exhibition, 1951 - 4.1: 1950s

Art Institute of Chicago, "Artists of Chicago and Vicinity," 1953 - 4.1: 1950s

Art Institute of Chicago, Instructors Exhibition, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955

Art Institute of Chicago, "Artists of Chicago and Vicinity," 1956 - 4.1: 1950s

Art Institute of Chicago, American Painting and Sculpture, 1957 - 4.1: 1950s

Art Institute of Chicago, Instructors Exhibition, 1957 - 4.1: 1950s

Art Institute of Chicago, "Artists of Chicago and Vicinity," 1961 - 4.1: 1961

Art Institute of Chicago, "Drawing New Conclusions," 1992 - 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992

Baja Club, "Art's As Good An Investment as Bonds," New York, 1989 - 3.1: Baird Jones' Group Exhibitions 1988-89

Bal Tabarin Room, Sherman Hotel, Chicago 1959 - 4.1: 1950s

Bank One, "Athletes and Heroes," Youngstown, Ohio, 1987 - 4.1: 1987

"Beyond Illustration - The Art of Playboy," Traveling Exhibition, 1971-74 - 4.2: Playboy Ephemera 1970s

Blumhelman Gallery and Germans van Eck Gallery, "Artists for Amnesty," New York, 1990 - 4.1: 1990

Butler Institute of American Art, "The Artist at Ringside," 1990 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1990

Calgary Inn, "Fall Portfolio of International Artists," Calgary, Alberta, Canada 1980 - 4.1: 1980

Carnegie Institute of Arts, International Exhibition, Pittsburgh, 1955 - 4.1: 1950s

Chicago Navy Pier, Chicago Artists, 1957 - 4.1: 1957

Chicago Public Library, 1958 - 4.1: 1955-59

China Club, "The Famous Show," New York, 1988 - 4.1: 1988

Cig Art

"Cig Art," National Arts Club, New York, 1996 - 4.1: 1996

"Cig Art 2: The Smoke Continues", National Arts Club, New York, 1997 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

"Cig Art 4: Where There's Smoke", Art Museum of Southern Texas, 2000 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

Collectors Club Exhibition, 1957 - no materials

Corcoran Gallery of Art, Biennial Exhibition of Contemporary American Oil Paintings, Washington, DC, 1957 - 4.1: 1950s

Deer Path Art League Annual Fine Arts Fair, 1957 - 4.1: 1950s

El Paso Museum of Art, 1987 - 4.1: 1987

Foster Harmon Galleries of American Art, "Grand Opening Group Exhibition," Sarasota, 1980 - 4.1: 1980

Foster Harmon Galleries of American Art, "American Masters Exhibition," Sarasota, FL, annual - 4.1: 1981, 1987

Gimbel's, "Playboy's Art of Fashion Exhibition," Milwaukee, Wisconsin, 1979 - 4.2: Grand Palais, "Salon d'Automne," Paris, 1993 - 2.2: Association du Salon d'Automne 1992-99, 4.1: 1993

Greenwich Workshop Gallery, "Greenwich Workshop Gallery Miniature Show '83" - 2.1: 1983, 4.1: 1983

Hammer Galleries, "Group Show of FKH Artists," 1974 - 4.1: 1974

Hammer Galleries, Holiday Exhibitions, New York, 1974 - 4.1: 1974

Hammer Galleries, "Hammer Galleries Graphics," New York, 1975 - 4.1: 1975

Hammer Galleries, "Master Prints of the 19th -20th Century," 1987 - 4.1: 1987, V: 1987

Hanson Art Galleries, San Diego, CA - 4.1: 1987

Harmon Gallery, "20th Century American Masters," Naples, FL, 1979 - 4.1: 1979

Illini Union Art Gallery, Illinois 1973 - 4.1: 1973

International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1977 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78

International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1978 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78

Los Angeles County Fair - see group exhibitions: Millard Sheets Gallery

Marshall Field & Co. Gallery, "Brotherhood in Art," 1958 - 4.1: 1950s

Mickey Mantle's, New York - 4.1: 1988

Midwest Museum of American Art, "Panorama of American Art," Elkhart, IN, 1979 - 4.1: 1979

Millard Sheets Gallery, Fairplex, "Art and the Athlete," Los Angeles County Fair, 1996 - 3.1: "Art and the Athlete" Group Exhibition, Los Angeles County Fair 1996

Minneapolis Institute of Arts, Local Artists' Exhibition, 1952 - 4.1: 1950s

Minneapolis Institute of Arts, Local Artists' Exhibition, 1953 - 4.1: 1950s

Minneapolis Institute of Arts, Local Artists' Exhibition, 1954 - 4.1: 1950s

Minnesota Museum of Art, "TIME Portraits of American Newsmakers," 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969

Minnesota Museum of Art, "Drawings USA 75," St. Paul, 1975 - 4.1: 1975

Minnesota State Fair, 1954 - 4.1: 1950s

Minnesota State Fair, 1955 - 4.1: 1950s

The Monmouth Museum, "The Horse: Man's Noble Companion," Lincroft, NJ 1987 - 4.1: 1987

Museum of the City of New York, "Showstoppers: Great Moments of the American Musical," 1983 - 3.1: Showstoppers Group Exhibition, MCNY 1983

Mystic Seaport Museum, "Archives of American Yachting and Boating," 1985 - 4.1: 1985 National Art Museum of Sport, 1969 - 4.1: 1969

National Portrait Gallery, "TIME Portraits of American Newsmakers," Washington, DC, 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969

Navy Pier Art Show, 1957 - 4.1: 1950s

New Orleans Museum of Art, "Louis Armstrong: A Cultural Legacy," 1994-95 - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995

New-York Historical Society, "That Belmont Look," 1980 - 4.1: 1980

North Mississippi Valley Exhibition, 1964 - 4.1: 1964

North Shore Art League, Chicago Area Show, 1956 - 4.1: 1950s

North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1958 - 4.1: 1950s

North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1959 - 4.1: 1950s ov

Northampton County Area Community College Foundation, 1982 - 4.1: 1982

Odyssey House Art Gallery, New York, 1972 - 4.1: 1972

F. Oehlschlaeger Gallery, Chicago, 1958 - 4.1: 1950s

F. Oehlschlaeger Gallery, Chicago, 1959 - 4.1: 1950s

F. Oehlschlaeger Gallery, Chicago, 1965 - 4.1: 1965

F. Oehlschlaeger Gallery, "Twentieth Anniversary Show," Chicago 1969 - 4.1: 1969

F. Oehlschlaeger Gallery, "American Masters of the 1940s, 50s, and 60s," 1985 - 3.1: "American Masters of the 40s, 50s, and 60s", Frank Oehlschlaeger Gallery, 1985

O'Grady Galleries, "Collectors' Show," 1980 - 4.1: 1980

O'Hana Gallery, "Mixed Christmas Exhibition," London, 1962-63 - 4.1: 1962

Old Orchard Art Festival - see exhibitions: North Shore Art League

Park Shore Gallery, "Director's Choice," Naples, FL, 1990 - 4.1: 1990

Queens Museum of Art, "Louis Armstrong: A Cultural Legacy," 1994-95 - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995

Ravinia Festival, 1958 - 4.1: 1950s

San Diego Museum of Art, "Champions: The Olympic Athlete in Art," 1984 - 4.1: 1984

Saratoga Gallery, Saratoga Springs, New York, 1976 - 4.1: 1976

Sherman Art Gallery, Paintings and Photographs by Playboy Jazz Artists, 1959 - 4.1: 1950s

Sherman Hotel, Chicago, 1959 - see Bal Tabarin

Spectrum Fine Art, "Ball, Bat, and Glove," New York, 1977 - 3.1: "Ball, Bat, and Glove," Spectrum Fine Art, New York, 1977

Spectrum Fine Art, "Ringside: The Fine Art of Boxing," New York, 1979 - 2.1: 1978, 4.1: 1979

Springfield Art Museum, "Watercolor U.S.A. National Invitational Exhibition," Springfield, MO, 1976 - 4.1: 1976

Springfield College, "Women in Sports," 1988 - 4.1: 1988

Steiner & Young Galleries, "20/20 Exhibition," Marietta, Georgia, 1989 - 4.1: 1989

Treasures of Island Creek, Louisville, KY, 1979 - 4.1: 1979

Tunnel Club, "New Perspectives in Contemporary Art," New York, September 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

Tunnel Club, "The Mustache Show", New York, November 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

Tunnel Club, "The Most Famous Artist Alive", New York, December 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

Tunnel Club, "The Greatest Hits Vol 1 Show", New York 1989 - 3.1: Baird Jones' Group Exhibitions 1988-89

University of Southern Florida, "Expose Yourself to Art," 1991 - 4.1: 1991

Whitney Museum, "Americana," New York, 1985 - 4.1: 1985

Yogi Berra Museum, "Viva el Beisbol!" 2000 - 3.1: "Viva el Beisbol!" exhibition, Yogi Berra Museum 2000

Exotic Erotic Halloween Ball - 2.1: 1989, 4.1: 1989, 1996

F

F.I.S.T. - see boxing

F.X. McRory's Whiskey Bar, Seattle, 1980 - see bars

Fairfield Gallery - see exhibitions

Fairmont Hotel - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Falstaff, opera by Verdi - 3.1: Falstaff Opera 1993, 4.1: 2002

fan auction - 4.1: 1992

Far Gallery, New York - 3.1: "Recent Graphics and Drawings", The Far Gallery Solo Exhibition 1971

fashion - 3.1: Early Fashion Illustration 1949-57, 3.1: Fashion Illustration for The Domino Catalog 1950s -60s, 3.1: Fashion Illustration for Marshall Field 1957-59 (Oversize only), 4.1: 1958, 1971, undated 1990s

F.D.N.Y. (Fire Department of New York)

F.D.N.Y. Painting - 3.1: F.D.N.Y. Painting 2002

F.D.N.Y Pipes and Drums - 2.1: 1984

Felicie, Inc. - IID: Price Lists 1970s, 1.2

Felt, Irving Mitchell and Elaine - 2.1: 1977, 3.1: Bill Bradley 1978-2000, see Madison Square Garden

Femlin - see Playboy

Festival Internacioal de Danca Contemporanea - 4.1: 2000

Fields, Edward - see tapestry

The Fifth Dimension - 3.1: Fifth Dimension Album Art 1970-1982

Fight of the Century - see boxing

figure skating -- - 3.1: 1982 U.S. Figure Skating National Championships, V: 1980s, see also Olympic Games

Healey, Kathy - V: Kathy Healey, 1981

Superskates - 2.1: 1981, 4.1: 1981, V: 1980s

United States Figure Skating Association - 2.1: 1984, 3.1: 1982 U.S. Figure Skating National Championships

film -- - 3.1: Beauty, the Beach, and the Bizarre 1984, 3.1: Houston Film Fest 1990, 3.1: Wine Country Film Fest 1990, 4.1: 1972, 1990, see also Screen Actors Guild

"Ali," 2002 film with Will Smith - 2.1: 2001

"American Rider" motorcycle documentary - 2.1: 1991

"Donnie Darko" 2001 film - 2.1: 2000

The Family Man" 2000 film with Nicholas Cage - 2.1: 1999

"The Ice Storm" 1997 film - 2.1: 1996

"Jerry Maguire" 1997 film with Tom Cruise - 2.1: 1996

"The Lone Ranger", 1978 feature film - 3.1: The Lone Ranger, 1977

"Mr. Baseball," Twentieth Century Fox - 2.1: 1991

"My Old Man," 1979 CBS TV movie - 2.1: 1979, 1990

"Quarterback Princess," Twentieth Century Fox - 2.1: 1983, 1992

Rocky films - 3.1: Rocky films 1980-1990

"Rooster," 1981 - 3.1: "Rooster," 1981

1976 documentary, Twentieth Century Fox - 2.1: 1976

finance

Mr. Neiman's own finances - 2.1: 1975, IID: Invoices Paid, see International Management Group, Inc.

represented in art - see investing, Stock Market, Chicago Board of Trade

Finland - IID: Price Lists 1970s, 3.1: Casa Grafica Solo Exhibition, Helsinki, Finland, 1977

Fireman, Shelly - 3.1: Shelly's New York Restaurant 2000

Firestone, Roy - 4.1: 1986

Fischer, Bobby - 4.1: 1972, 1974, 1987

fishing - see Marlin!

Fittipaldi, Emerson - see auto racing

Fitzgerald, Ella - see jazz

Flagg, Special Agent Warren M. - 4.1: 1998

Florida Racing - 4.1: undated

Floyd, Ray - see golf

Flynt, Larry - 2.1: 1976

Focus Midwest Magazine - 4.1: 1964, 1967, 1970, 1980

Foley, Jaclyn - 4.1: 1996, 4.2: Bartender Magazine 1993-2002

Folies Bergere - see casinos

food - 3.1: James Beard 1982-87, 3.1: The Culinary Arts exhibition 1998, 4.1: 1981, 1991, 1993, 1994, 1995

Foot Locker - 2.1: 1990

football -- - search for individual players listed alphabetically

college football

Cross-Town Rivalry, 1967, 1993 - 4.1: 1993

Georgia Tech - 4.1: 1983

Iowa vs. Minnesota, 1982 - 4.1: 1983, 1984

Nebraska Football - 2.1: 1976

Northwestern University - 4.1: 1996

Ohio State Buckeyes, Rivalry, 1975 - 4.1: 2001

Penn State University - 4.1: 1996

Pioneer Bowl - 4.1: 1976, University of California Los Angeles (UCLA)

University of Florida, The Gators, 1995 - 3.1: Florida Gators, 1995

Universities of Iowa - see Iowa vs. Minnesota, 1982

University of Michigan, Rivalry, 1975 - 4.1: 2001

University of Southern California - see football: college: Cross-Town Rivalry, 1967, 1993

University of Texas, The Texas Longhorns, 1985 - 3.1: The Texas Longhorns 1985, 4.1: 1986

University of Minnesota - see Iowa vs. Minnesota, 1982

University of Nebraska, The Devaney Era serigraph suite - 2.1: 1997, 4.1: 1974, 1975, 1988, 1992

Football Game, 1960s - 4.1: 1998

Game of the Century, 1983 - 4.1: 1983

Gridiron Football News - 3.1: Gridiron Football News 1971-73

NFL football - 4.1: 1967, 1968, 1969, 1970, 1972, 1973, 1974, 1975, 1976, 1977 ov, 1978, 1982, 1985, 1988, 1991, 1992, 1996

Buffalo Bills - 3.1: O.J. Simpson, 4.1: 1972, see also football: Superbowl XXVIII

Dallas Cowboys - 2.3: March 1993, 4.1: 1972 and ov, 1976, 1978, 1979, 1982, 1984, 1989, 1994, see also Superbowl XXVIII

Denver Broncos - see Superbowl XXII, 3.1: John Elway, 1999, 4.1: 1972, 1978, 1999

etchings - 4.1: 1976

Giants-Broncos Classic - 4.1: 1988

Green Bay Packers - 4.1: 1992, 1997

In the Pocket, 1988 - see football: Superbowl XXII

Kansas City Chiefs - 4.1: 1997

Legends Magazine - see NFL Alumni

Miami Dolphins - 4.1: 1972 and ov, 1993

Minnesota Vikings - 4.1: 1975, 1977

Mirage Bowl - 4.1: 1978

NFL Alumni - 4.1: 1990, 1991, 1992

Legends Official Magazine of the NFL Alumni - 4.2: Legends NFL Alumni Magazine, 1982-2002

NFL Alumni Player of the Year Awards Dinner - 4.1: 1983, 1984, 1985, 1987

Yearbooks - 4.1: 1980

NFL Players Association - 4.1: 1974

New England Patriots - 4.1: 1997, 2004, 2005

New York Giants - 4.1: 1987, 1998, 1999, 2002, 2003

New York Jets - 2.1: 1980, 3.1: New York Jets 1966 -, 3.1: Hammer Galleries Exhibition of NY Jets Drawings, 1968

Oakland Raiders - 4.1: 1977

Pittsburgh Steelers - 4.1: 1975, 1979

San Francisco 49ers - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 1.2: Bowles Galleries 1991, 4.1: 1982, 1990

Superbowl, general - 3.1: Countdown to Superbowl by Dave Anderson 1969, 4.1: 1997

Superbowl stamps - see stamps or U.S. Postal Service

Superbowl II, 1969 - 4.1: 1969 and ov

Superbowl V, 1972 - 4.1: 1972 and ov

Superbowl VI, 1973 - 4.1: 1973 and ov, 4.2: -- Playboy -- 1973, see Appendix E

Superbowl IX, 1975 - 4.1: 1975 ov

Superbowl X, 1976 - 4.1: 1976

Superbowl XI, 1977 - 4.1: 1977

Superbowl XII, 1978 - 3.1: Superbowl XII, 1978, 4.1: 1983

Superbowl XIX, 1985 - 3.1: Superbowl XIX, 1985

Superbowl XXI, 1987 - 4.1: 1988

Superbowl XXII, In the Pocket, 1988 - 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988, 4.1: 1989 ov

Superbowl XXIII, 1989, Superplay, 1989 - 2.1: 1989, 3.1: Superbowl XXIII painting, Superplay, 1989

Superbowl XXIV, Silverdome Superbowl, 1990 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91

Superbowl XXV, 1991 - 4.1: 1991

Superbowl XXVII, 1993 - 2.1: 1993

Superbowl XXVIII, 1994 - 3.1: Superbowl XXVIII, 1994

Superbowl XXX, 1996 - 2.1: 1997, see exhibitions

Superbowl XXXVIII, 2002 - 4.1: 2002

Superbowl XXXIX, 2003 - 4.1: 2003

Superplay - see football: Superbowl XXIII, 1989

Washington Redskins - 4.1: 1972, see also football: Superbowl XXII

foreign language articles, Finnish - 4.1: 1977, Italian - see auto racing

Foreman, George - see boxing

forgery - 2.3: Imitations and Forgeries, 4.1: 1989, 1994, 1995 ov, see also theft and vandalism

Forrester, Bruce (event photographer) - see photograph files for Bowles/Sorokko Gallery openings

Foster Harmon Gallery of American Art - 2.1: 1975, 1977, 1978, 1979, 1980, 1989, 1992, 1993, 4.1: 1974, see also exhibitions

Fouch-Roseboro Corporation - 2.1: 1976

Fouquet's - see restaurants

Fox, Manheim - 2.1: 1979

Fox, Virgil - 4.1: 1965

Fran Joswick Therapeutic Riding Center - 4.1: 1998

Francis, Emile - 4.1: 1975

Franey Langkop, Dorothy - V: 1990s

Frank, Morris - 4.1: 1975

Franklin Bowles Gallery - see Bowles Galleries

Franklin Pierce College - 1.1: Honorary Degrees

fraud - see forgery

Frazier, Joe - see boxing

Fred Dorfman, Inc. - 2.1: 1978

Freeman, Morgan - 3.1: Celebrity Night at Spago, 1993

Freidman, Joann - 2.1: 1978

French Riviera - 4.2: -- Playboy -- 1962, see Appendix E, see also Monaco

Friars' Club - 1.1: New York Friar's Club

Fried, Frank, Harris, Shriver & Jacobson Attorneys - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys, 1.2: Lawsuit Against Felicie, Inc.

Frito Lay - 2.1: 1991

Frost, David - see golf

Fujita family - 2.2: Tele Planning International, Tokyo 1993-98

G

Gable, Dan - 3.1: American Sportscasters Association Hall of Fame Awards Dinner 1984 -present

Galerie Borjeson, Malmo, Sweden - 3.1: Sweden Exhibitions 1976-77

Galice, Christina - see Christina Galice Gallery

Gallagher's Steak House - see restaurants

La Galleria d'Arte - 2.2: La Galleria d'Arte, see also exhibitions

Gallery 100 - 2.1: 1979

Gallery Mack, Seattle - 2.1: 1979, 1983, 1985, 1987, 4.1: 1974, 1981, see also exhibitions

Gallery One, Denver, Colorado - see exhibitions

Gallo, Bill - 2.1: 1999, 3.1: Gallagher's Steak House - The Neiman Collection 2002, 4.1: 2002

gambling - see casinos

Game of the Century, 1983 - see football

Ganassi, Cara and Chip - 2.1: 1994, 1995

Gardiner, John - 2.1: 1975, 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Garret, Lesly - 4.1: 1982

Garvey, Steve - 2.1: 1979, 1981, 1983, 1986, 1989, 3.2. Big Time Golf, 1992, Publicity and Related Exhibitions, 4.1: undated 1980s, 1980, 1988, 1989, VII: Bags

Gene Michael Fund - 4.1: 1994

General Electric - see promotions

General Mills - 3.1: Wheaties 1997

Gere, Gary - see The Taxicab Chronicles

Germany, Baden Baden - 2.1: 1986, 1987, 1988

Gibson Guitars - 2.1: 1997

"Art of Guitars II" exhibition - 3.1: Gibson "Art of Guitars II" 2000

The Gifts of Music, 1994 - 4.1: 1994

Gilbert, Rod -- - 4.1: 1992

Rod Gilbert, 1968 drawing - 4.1: 1992

Rod Gilbert, 1974 drawing - 4.1: 1974

Rod Gilbert, 1976 - 4.1: 1976, 1992

Giorgio Beverly Hills - 2.1: 1985

Giulianni, Mayor Rudy - 3.1: Mayor Giulianni and NYC Advisory Commission for Cultural Affairs, 1994-2001

Givenchy - 3.1: Givenchy 1999

Gleason, Jackie - see -- The Hustler

Goff, Bill - see Spectrum Fine Art

Gold Glove Award - 4.1: 1992

Goldberg, Whoopie - 3.1: Celebrity Night at Spago, 1993

Golden Apple Awards - 2.1: 1990, 4.1: 1977, 1990, 1995, 1996

Golden Boy - see musicals

golf - 3.1: Jack Nicklaus and Arnold Palmer 1973-74, 4.1: 1973, 1987, 1988-89, 1990, 1993, 1995, 1997, 2000, 3.2. -- Big Time Golf -- , 1992

16th at Cypress, 1983 - 3.1: 43rd Crosby, 1984, 4.1: 1982

An Queens Cup, Japan - 2.1: 1990, 4.1: 1990 and ov

Atlanta National Golf Club

Atlanta National Golf Club California Merlot - 2.1: 1996, 2000, 4.1: 1996

Augusta

The 16th at Augusta, 1992 - 2.1: 1996, 3.1: Saks Fifth Avenue 1994-1999

April at Augusta, 1990 - 4.1: 1990, 1995

Arnold Palmer and Richard Pack, Augusta Clubhouse Bar, 1973 - 4.2: -- Bartender Magazine -- 1993-2002

Bethpage Black, The 18th at Bethpage Black - 3.1: U.S. Open at Bethpage Black 2002, 4.1: 2002

caddies - 4.1: 1976

Crosby National Pro-Am Golf Championship - 3.1: Hanson Galleries New Orleans and Carmel, 1983-84, 3.1: 43rd Crosby National Pro-Am, 1984

Excalibur Classic, Palm Springs - 2.1: 2001, 3.1: Pebble Beach 1982-1995

Floyd, Ray - 4.1: 1987

Frank Sinatra Celebrity Golf Tournament - 4.1: 1998

Frost, David

David Frost Wines - 3.1: David Frost Wines 1998-2003

Gavea Golf and Country Club, Rio de Janeiro

Gavea Golf and Country Club, Rio de Janeiro, 1985 (also appears as International Golf Foursome) - 2.1: 1985, 4.1: 2001

golf bars - 4.2: -- Bartender Magazine -- , 1993-2002

Golf Courses Calendar 1996 - VII: Artifacts 1996

Golf Digest -- Magazine - 2.1: 1972, 1974, 1976, 4.1: 1976, 2000

Golf Winners, 1984 - 3.1: Advertising Layouts 1980s, 4.1: 1984, 1986

Golf's Threesome - 3.1: Advertizing Layouts 1980s, 4.1: 1979

Harbour Town, 18th at Harbour Town - 4.1: 2000

International Golf Foursome, 1985 - see Gavea Golf and Country Club

International Golfer - 4.1: 1994

International Golf Leisure and Lifestyle Magazine - 4.1: 2001

Joe Pagliei Invitational - 4.1: 1985

Masters - 4.1: 1990

Mystic Rock at Nemacolin Woodlands - 4.1: 1995

Natural Golfer -- Magazine - 4.1: 2000

Nicklaus, Jack - 3.1: Jack Nicklaus and Arnold Palmer 1973 -74, 4.1: 1972, 1983, 1990

The Golden Bear, 1992 painting and serigraph - 4.1: 1993, VII

Oakmont, 1983 U.S. Open, Oakmont, 1983 - 3.1: 1983 U.S. Open, Oakmont, 1983, 3.1: Hanson Galleries New Orleans and Carmel, 1983-84

Robert H. Ogle Invitational - 2.1: 2000, 4.1: 1998

Palmer, Arnold - 2.1: 1978, 3.1: Jack Nicklaus and Arnold Palmer 1973-74, 4.1: 1983

Arnie in the Rain, 1973 - 2.1: 1975, 1978, 4.1: 1974

Arnold Palmer and Richard Pack, Augusta Clubhouse Bar, 1973 - 4.2: -- Bartender Magazine -- 1993-2002

Pebble Beach Golf Club

18th at Pebble Beach - 3.1: Pebble Beach 1982-1995, 3.1: Saks Fifth Avenue 1994-1999, 4.2: Bartender Magazine 1997-2002, 4.1: 1984, 2001, 2002

The Lodge at Pebble Beach, 1995 - 3.1: Pebble Beach 1982-1995, 4.1: 1995

pens - see Promotions - S.T. Dupont LeRoy Neiman Golf Pens

Pinehurst - 4.1: 2002

Piping Rock Golf Club - 4.1: 1993, 2002

Player, Gary

Gary Player, 1971 drawing - 3.1: Rotonda Superstars 1973-75

Rodriguez, Chi Chi - 4.1: 1973

Royal Golf - Club de Belgique

Chateau de Ravenstein, 1968 - 4.2: -- Bartender Magazine -- 1993-2002

Sara Lee Classic - 4.1: 1993, 1994

Sarazen, Gene - 3.1: David Frost Wines 1998-2003

Shinnecock Hills - 4.1: 1995

The 18th at Shinnecock or The Home Hole at Shinnecock - 2.1: 2001, 4.1: 1995, 2002

Six Golfers - see Golf Winners

Snead, Sam

Sam Snead - 3.1: David Frost Wines 1998-2001

Southampton U.S.P.G.A. Open - 4.1: 1984, 1986

Spyglass, #1 at Spyglass - 4.1: 1991, 1999

St. Andrews, Scotland - 4.1: 1987

The Clubhouse at Old St. Andrews, 1988 serigraph - 2.1: 1988, 3.1: Steiner & Young Galleries Exhib 1989, 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1995, 1998, 2002

The Jigger Inn Bar - 4.2: -- Bartender Magazine -- 1993-2002 St. Cloud

Clubhouse Bar at St. Cloud, 1990 - 4.2: -- Bartender Magazine -- 1993-2002

U.S. Open - 4.1: 1977, see also golf: Oakmont

Valhalla - 4.1: 2000

Vintage

Vintage Charities - 4.1: undated 1980s

Vintage Invitational - 2.1: 1986, 4.1: 1986, 1988

Vintage Cove

The Cove at Vintage - 2.1: 1988, 3.1: Hanson Art Galleries, 1986, 4.1: undated 1980s, 1989 ov

Vintage Palm Springs, Sam Snead Teeing Off at Vintage Palm Springs - 4.1: 2001

Wall Street Charity Fund Pro-Am Golf Tournament - 4.1: 2002

Westchester - 4.1: 1981, 1989, 1993

Winged Foot Golf Club - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions, 4.1: 1997

The 18th at Winged Foot - 4.1: 2002

Winged Foot, 1996 - 3.1: Saks Fifth Avenue 1994-1999

The Wonderful World of Professional Golf by Mark H. McCormack, cover illustration by LeRoy Neiman - 4.1: 1973 and ov

Woods, Tiger - 4.1: 1997, 1999, -- Playboy -- 1998

Golota, Andrew - 4.1: 1996

Gone with the Wind, 1989 - 3.1: Gone with the Wind perfume promotion 1989, 4.1: 2004

Gonzalez, Jorge Luis - 4.1: 1995

Gonzmart, Cesar - 2.1: 1991, 1992, 4.1: 1992

Good Tidings Foundation - 3.1: Good Tidings Foundation LeRoy Neiman Art Centers, 1998-present, 3.1: Joe DiMaggio 1998

Gooden, Dwight - 4.1: 2001

Goodman, Dr. Margaret - 3.1: Ringside and Training Principles by Goodman and Homansky 2001

Goodwill Games - 2.1: 1989, 3.1: Goodwill Games Moscow 1986, 3.1: Goodwill Games 1998

Gore, Al - 2.1: 1987, 3.2: Big Time Golf, 1992, 4.1: 1992

Gourmet Gala - see March of Dimes

Grady, John - 2.1: 1976

John Grady, Midnight Mass, 1988 drawing - 4.1: 1990

Graham, Martha - see dance

Grand Ballroom, 1987 etching - 4.1: 1987

Le Grand Escalier de L'Opera, 1969 - 1.2: Knoedler: Serigraph Release Ads, 2.1: 1996

grand prix - see auto racing

Grant, Michael - see boxing

Gray, Anthony John - 3.1: Palm Springs Commemorative Coin

Graziano, Rocky - see boxing

Great American Workout - 2.1: 1990

Great Gatsby's Auction House - 4.1: 1998

Great Irish Fair, NY 1982 - 3.1: The Great Irish Fair poster 1982

Green, Rev. Al - 3.1: Blues Ball 1997-2004

Greene, "Mean Joe" - 2.1: 1981

Greenberg, Hank - 4.1: 1968

Greenspan, Bud - 2.1: 2000

Greenwich Workshop Gallery - see exhibitions: group

Gregory, Cynthia - see ballet

Gregory, Jack - 2.2: Jack Gregory 1993-1998

Gretzky, Wayne

The Great Gretzky, 1981 - 3.1: Wayne Gretzky 1981-2002

Wayne Gretzky, 2002 - 3.1: Wayne Gretzky 1981-2002

Gridiron Football News - see football

Griese (Miami Dolphins quarterback 1972) - 4.1: 1972

Griffey, Ken - see Skoal Pinch Hitter

Griffin, Merv - see television

Grosset and Dunlap Inc. Publishers - 3.2. -- LeRoy Neiman Art and Lifestyle -- , 1974, Felicie, Correspondence

Guanzon, Carol - 2.1: 1987, 1988, 1989

Gumbel, Bryant - 4.1: 1997

Gwynne Gallery - 2.1: 1975, 1978

gymnastics

Comaneci, Nadia

Nadia Comaneci, 1976 - 3.1: Advertising Layouts 1980s, 4.1: undated 1970s, 1982, 1984, 1987

Conner, Bart - 2.1: 1981

Retton, Mary Lou - 2.1: 1991, 4.1: 1986

H

HBO - see listing for HBO under boxing

Hagler, Marvin - see boxing

Haifa University - 3.2: 1972 Olympics Munich

Halas, George - 3.1: Gridiron Football News 1971-73, George Halas, Jr. Sports Center - 4.1: 1979

Hall, Jim - 4.1: 1997

Hall of Famer, 1996 - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1998

Halle, David - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present; A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer - IC: A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer, 1990

Halmi, Robert - 3.2.12 and 4.1: undated ov

Hammer Galleries - see exhibitions, and Knoedler & Co.

Hammer, Armand - 1.2: Knoedler & Co. and Hammer Galleries, 3.1: New York City Marathon 1984-2001, 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988, 3.1: Tokyo exhibition 1988

Hammer, Michael - 1.2: Knoedler & Co. and Hammer Galleries

Hammer, Victor - 1.2: Knoedler & Co. and Hammer Galleries

Hammond, IN - see Mercantile Bank

Hampton, Kym - 4.1: 2000

The Hamptons, New York - 3.1: Hamptons notes 1972, 4.2: -- Playboy -- 1973, see Appendix E handball - see Jacobs, Jim

Hanson Gallery, New Orleans - see exhibitions, 3.1: Rex Proclamation Mardi Gras Painting 2002, 4.1: 1984, 1986, 1998, 2000, 2001, 2002, 2004

Hanson Gallery, San Diego - 4.1: 1987

Harbor Boat House, 1955 - 4.1: 1950s

Hardy, Joseph A. - 1.1: Collectors

Harlem Streets, 1981 - 3.1: Cities in Schools and Harlem Streets, 1981

harlequin

Harlequin, lithograph - 3.1: Circle Gallery 1972, 4.1: 1989

Harlequin and a Nude, 1971 - 4.1: 1991

Harlequin with Sword, lithograph - 3.1: Circle Gallery 1972

Harlequin's Entry into Venice, 1971 mural - 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90

Haring, Keith - 4.1: 1997

Harmon Galleries - see Foster Harmon Galleries

Harper's -- Magazine - 4.1: 1964, 1968

Harrod's, London - 4.1: 1982

Harry, Deborah - 2.1: 1978

Harry's Wall Street Bar - see bars

Hartack, Bill - 2.1: 1977

Harvard University - 4.2: Playboy Parodies - Harvard and Yale

Haskell, Nikki -- - 4.1: 1980, 1981, 1982, 1984, 1985, 1987, 1990, 2002, 2004

Nikki, 1984 (in Carnaval garb) - 4.1: 1985, 1987

Nikki Haskell, 2000 - 4.1: 2000

Nikki Haskell, 2002 - 2.1: 2002, 4.1: 2002

hats - VII

Hawaii - 4.1: 1980 ov

Hayes, Isaac - 3.1: Blues Ball 1997-2004

Healey, Kathy - see figure skating

Hearns, Thomas - see boxing

Heartland Celebrity Cookbook - 4.1: 1991

Heath Gallery, Atlanta, GA - 4.1: 1969

The Heavyweights, vinyl LP recording 1970 - see boxing

Heavyweight Explosion, 2000 - see boxing

Hebner, Richie

Richie Hebner - 4.1: 1973

Hefner, Christie - 2.2: Playboy Enterprises Inc. 1980s, 3.1: Playboy's LeRoy Neiman Selection Cigars 1997

Hefner, Hugh - 1.1: Education and Teaching b., 1.1: Friars ov., 2.1: 1996, 1999, 2.2: Playboy Enterprises Inc. 1980s, 3.1: Playboy Scrapbook 1961-67, 4.1: 1985, V: -- Playboy -- 1961-63, see also -- Playboy -- Magazine

Heiden, Eric - 3.1: Winter Olympics, Lake Placid 1980

Heit Galleries - 2.1: 1987, 1988, see also exhibitions

helicopter - 3.1: WNBC Traffic Helicopter 1981-1995

Hello, I Must Be Going: Groucho & his Friends - see Chandler, Charlotte

Helsinki, Finland - see exhibitions

"Here's Looking at You, Kid," 1990 - see Wine Country Film Festival

Hernandez, Genaro - 4.1: 1995

Hernquist, Lee - 4.1: 2002

Herrick, Norton - 4.1: 1998

Hershiser, Orel - 2.1: 1992

Heyden, Eric - see Knoedler

High Ball Homer, 1962 - see Mantle, Mickey

High Seas Sailing - see sailing

High Seas Sailing II, 1998 - see sailing

high society - see socialites

Hill, Calvin - 3.1: Gridiron Football News 1971-1973, 3.2. -- Winners -- , 1983, Harry N. Abrams, Correspondence, 4.1: 1973, Calvin Hill - 4.1: 1979

Hilliard Gallery - 2.1: 1975, 1977, 1978, 1989, 4.1: 1986, 1992, 2001, see exhibitions

Hilliard, Chet - 4.1: 1995

Hilliard, Kent - 4.1: 1990, see Hilliard Gallery

Hilton Hotels - 2.1: 1991

Hinds, Bobby - see boxing

Hines, Jerome and Lucia - see opera

Hispanic Sports Awards Dinner - 2.1: 1991

"History of Sport in Art" film series - 2.1: 1972

HOBY - 4.1: 1997

hockey -- - search for individual players by name, see also Olympic Games

Choate Prep School hockey - 4.1: 1970

The French Connection, 1976 - 4.1: 1978

Hockey etchings - 3.1: Circle Gallery 1972

Hockey Magazine - 2.1: 1977

NHL hockey - 3.1: Wayne Gretzky portraits 1981-2002, 4.1: 1967

Boston Bruins - see Orr, Bobby

Heisman Trophy - 2.1: 1982

Houston Aeros - 4.1: 1975

NHL Challenge Cup (USA All -Stars vs. USSR National) - 4.1: 1979

New Jersey Devils - 4.1: 1998

New York Rangers - 4.1: 1966, 1967, 1976, 1998, 1999, 2000

Phoenix Coyotes - 3.1: Wayne Gretzky 2002

Ottawa Senators - 3.1: Wayne Gretzky 2002

Stanley Cup - 4.1: 1974

Hoelscher, Lydia (LeRoy's mother) - 1.1: Family (Neiman Studio Archive only)

Hofstra University - 1.1: Honorary Degrees, 3.1: Hofstra Univ. Frank Sinatra Conference and Exhibition 1998, 4.1: 1996

Hogan, Hulk - see wrestling

Hoglund, William - 2.1: 1983

Holder, Geoffrey - 4.1: 1978

holiday, Christmas - 4.1: 1992, 1995, 1997

Hollywood Women's Press Club - see Golden Apple Awards

Holmes, Larry - see boxing

Holyfield, Evander - see boxing

Holzman, Red - 4.1: 1990

Homage to Boucher - 4.1: 1974

Homansky, Dr. Flip - 3.1: Ringside and Training Principles by Goodman and Homansky 2001

Home Remodeling Magazine - 4.1: 1965

Home Run Blast, 2002 etching - see baseball

honorary degrees - 1.1: Honorary degrees

Hope, Bob - 3.1: Celebrity Night at Spago, 1993, 4.1: 1984, Bob Hope (Playing Golf), 1988 - 3.1: Bob Hope portrait, 1988

Hope House Ministries - 4.1: 1995, 1996

Horizon Gallery - 4.1: 1980

Horse of a Different Color, Ltd. - 4.1: 1963

horses -- - see also polo, rodeo, sculpture

Arabians - 4.1: 1978

Arabians Magazine - 4.1: 1982, 1984, 1985, 1986

Bucking Bronco - 4.1: 1984

Carousel, 195? - 2.1: 1975, 4.1: 1950s

Color Horse - 4.1: 1984

Clydesdales - see promotions

Daily Double - 4.1: 1982, 1984

French Hunt, 1965 - V: Early 1960s Photos of Work

Horses, 1979 - 3.2.3

Ladies of the Hunt, 1959 charcoal drawing - 2.1: 1973, 3.1: Knoedler London Exhibition 1976, 4.1: 1950s

horse racing - 4.1: 1997

Aintree - 4.1: 1960

Ascot - see Royal Ascot

Belmont Park - 4.1: 1980, 2003

The Paddock at Belmont - 4.1: 1979

Bellocq, Pierre - 4.1: 1998

The Black Stallion - see television

Breeders' Cup - 2.1: 1989, 4.1: 2003

Breeders' Cup Championship poster, 1998 - 3.1: Breeders' Cup Painting 1998

Caliente Race Track, Tijuana, Mexico - 3.1: Caliente Race Track Exhib. and Painting 1989, 4.1: 1991

Chantilly, Backstretch at Chantilly - 4.1: 1969

The Charging Cavalcade, silkscreen - 4.1: 1980

Charismatic - 4.1: 1999

Churchill Downs - 3.1: 123rd Kentucky Derby 1997, 4.1: 1996, VII: Box 3

Club House Turn, 1975 serigraph - 1.2: Knoedler Serigraph Release Ads, 4.1: 1975, undated 1990s, 1989

Curragh, Ireland, 1976 drawing - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Epsom Derby - 4.1: 1960, 4.2: -- Playboy -- 1964, see Appendix E

Equestrianne - 4.1: 1981, 2000

Equestrian, 1974 watercolor - 3.1: Hammer Galleries Solo Exhibition 1975-76

The Feria in Seville - 4.1: 1982, 1984, 1985

The Finish - 4.1: undated

Florida Derby - 2.1: 1992, 4.1: 1993

Four Acres, serigraph - 3.1: Circle Gallery 1972, 4.1: 1973

Front Runners, 1994 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Funnycide - 4.1: 2003

Grand National Steeplechase, Liverpool - 4.1: 1960 and ov, 4.2: -- Playboy -- 1962, see Appendix E

Grand Prairie, Lone Star Park - 3.1: National All-Star Jockey Championships 2001

Hambletonian - 3.1: Cadillac Hambletonian Harness Race Painting 1995

Hialeah Race Track - 2.1: 1977, 3.1: Hialeah Race Track, 1959, 4.2: -- Playboy -- 1959, see Appendix E

Hong Kong Jockey Club - 4.1: 2004

Hoof Beats Magazine - 4.1: 1975

horse named after LeRoy Neiman - 2.1: 1987

Horse Racing, 1972 watercolor - 4.1: 1998

Horse Racing Suite, 1977 - see sculpture

Horse and Rider, 1971 gouache - 2.1: 1974

Horse Sense: An Inside Look at the Sport of Kings, by Bert Sugar, cover illustration by LeRoy Neiman - 2.1: 2002, 4.1: 2002

In the Stretch, serigraph - 3.1: Circle Gallery 1972

International Horse Show - 4.1: 1973

Iroquois Steeplechase, 1993 - 3.1: Iroquois Steeplechase, Nashville, TN, 1993

jockeys -- - jockeys - see also horse racing, 3.1: "Dress the Jockeys", '21' Club 2001

The Backview of Jockey, 1961 - 4.1: Four Jockeys - 4.1: undated

Hartack, Bill, Bill Hartack, 1959 - 3.1: Hialeah Race Track 1959, 4.1: 1974, 1995

Jockey, serigraph - 3.1: Circle Gallery 1972

Jockey - 4.1: 1961

Krone, Julie - 2.1: 2003

Solomon, Mickey - 2.1: 1989

Kelso, 1968 drawing - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Kentucky Derby - 2.1: 1982, 3.1: 123rd Kentucky Derby 1997, 4.1: 1978, VII: Box 3

Derby Day Paddock, 1997 - 3.1: 123rd Kentucky Derby 1997

Kentucky Derby Museum - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Long Island Equestrienne - 4.1: 1982, 1984

Longchamps - 4.1: 1960

Menlo Charity Horse Show - 4.1: 2003

Mission Valley Pony Club - 4.1: 1990

Monmouth Park - 4.1: 1969

Monmouth Park Centennial, 1970 - 4.1: 1970, 1971, 1975

National All -Star Jockey Championships - 3.1: National All-Star Jockey Championships 2001

National Horse Show - 4.2: -- Playboy -- 1967, see Appendix E

National Showcase, Louisville, KY - 4.1: 1982

New York Racing Association (NYRA) - 2.1: 1978

Paddock, 1957 painting - 2.2: JoAnn Perse Gallery 1984-98

Paddock, serigraph - 3.1: Circle Gallery 1972, 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95 4.1: 1973

Pegasus, 1979 - New Jersey State Opera Ball Paintings 1979-83

polo horses - see polo

Pimlico - 3.1: 125th Preakness Stakes 2000, VII: Box 3

Preakness Stakes - 3.1: 125th Preakness Stakes 2000

The Race, serigraph - 3.1: Circle Gallery 1972, V: 1970s

Race of the Year, 1979 - 3.1: Race of the Year 1979

Racing, 1972 - 4.1: 1972

The Reinsman - 4.1: 1963

The Rider, pre-1966 - 4.1: 1966

Rotz with Windener Coulours, pre-1966 - 4.1: 1966

Royal Ascot - 4.1: 1960, 1961, 4.2: -- Playboy -- 1966, see Appendix E

Ascot Finish - 4.1: 1976

Ascot Paddock - 4.1: undated, 1979

The Queen at Ascot - 3.1: Knoedler London Solo Exhibition 1976, 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Saratoga Harness, 1969, 1974 - 3.1: Saratoga Harness 1969, 1974

Seattle Slew - 2.1: 1977, 4.1: 1975

Secretariat, Secretariat at the Lead, 1974 - 2.1: 1990, 1992, 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95, 4.1: 1975, 1981, 1993 ov, VII: Pendants

Secretariat II - 4.1: 1990

Show Jumper - 4.1: undated 1970s, 1978

Sportsman's Park, Chicago - 3.1: Sportsman's Park Mural, Chicago 1976

Steeplechase, 1974 watercolor - 3.1: Hammer Galleries Solo Exhibition 1975-76

Stretch Stampede, 1975 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Study for Gericault Horse without Rider - 4.1: 1982

Tentam - 4.1: 1973

Thoroughbred Times - 4.1: 1993

T.O.B.A. - 2.1: 2000

Wayne Newton's State of the Art September Sale - 4.1: 1985

Hospital Relief Fund of the Caribbean - 4.1: 1984

Hotel des Artistes - 1.1: Residences - Hotel des Artistes

House Beautiful -- Magazine - 4.1: 1965

Houston Astrodome - 4.1: 1971

Houston International Film Festival - 3.1: Houston Film Fest 1990

Howard, Frank, Frank Howard, 1970s - 4.1: 1998

Howe, Gordie - 4.1: 1975

Gordie Howe, 1975 - 4.1: 1975

Hudson Valley Writers Center - 4.1: 1990

Hull, Bobby - 4.1: 1977

Bobby Hull - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and St. Paul Art Center 1969, 4.1: 1968, 1986

Humane Society of New York - 4.1: 1994, 1995, 1996, 1998

Humphrey, President Hubert, Hubert Humphrey, date unknown - 2.1: 1994

Hunt, Lamar

Lamar Hunt, 1972 - 4.1: 1972

The Hunt for the Unicorn, late 1960s mural - see animals: unicorn

The Hustler -- - 4.1: 1985

Hutscnecker, Dr. Arnold A. - 4.1: 1981

I

I Am Third by Gale Sayers - 4.1: 1970, 1975

Ibis Art Productions - 4.1: 1988

Ice Palace, 1985 - see Saint Paul, Minnesota

Iceland - 4.1: 1972

Idle Boat - 4.1: 1950s

Iglesias, Julio

Julio Iglesias, 1984 - 2.1: 2001, 3.1: Julio Iglesias, 1984, 4.1: 1998, 2001

Illinois Art Education Association - 4.1: 1974

imitators - 2.3: Imitations and Forgeries

In the Pocket, 1988 - see football - Superbowl XXII

income - IID: Invoices Paid

India - 2.1: 1982

Indianapolis 500 - see auto racing

Indianapolis Museum of Art - 2.1: 1976, 4.1: 1977, see also exhibitions

Intelligent Doubles, by Skip Singleton - see tennis

Intelligent Tennis by Skip Singleton - see tennis

International Heart Foundation - see The Open Heart, 1982

International Management Group, Inc. - 2.1: 1977

International Poker, 2004 serigraph and earlier painting - see casinos

International Sephardic Education Foundation - 4.1: 1987

Introduction of the Champions of the Ring, 1964-65 (or Ringside Madison Square Garden) - see boxing

investing, investors - 3.1: L. Roy Papp, 1980, 3.1: Mustang Ranch Brothel 1989

Iona College - 1.1: Honorary Degrees ov., 2.2: Manufacturers Hanover, 3.1: Iona College

Trustee Awards Dinner Dances 1984-95, 4.1: 2000

Irish Fair - see Great Irish Fair

Iron Horse Steak House - 4.1: Undated

Isbin, Sharon - 2.1: 1996, 1997

Israel - 3.1: Peace Treaty, 1980

J

Jackson, Bo - 4.1: 1992

Jackson, Michael - 3.1: Celebrity Night at Spago, 1993

Jackson, Phil - 4.1: 1994

Jackson, Reggie - 2.1: 1992, 2000, 2001, 4.1: 1978

Reggie Jackson, 1993 - 4.1: 1993

Jacobs, Jason, Accountant - 2.1: 1977, 1984

Jacobs, Jim

Jim Jacobs, 1970 - 2.1: 1992, 4.1: 1970, 1992

Jamaica - 4.2: -- Playboy -- 1971, see Appendix E

Japan - 2.1: 1986, 1987, 2.2: CBS Sports Correspondence, 3.1: Hawaii and Japan 1974, 3.1: Japan Trip 1977, 3.1: Tokyo Exhibition 1983, 3.1: Tokyo Exhibition 1988, 3.2. -- Winners -- , 1983, Correspondence, Harry N. Abrams, 4.1: 1984

jazz

Armstrong, Louis - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995, 4.1: undated 1990s

Louis Armstrong, 1963 - 4.1: 1965

Louis Armstrong, 1981 - 4.1: 1981

Louis Armstrong, 1976 - 3.1: Newport Jazz Festival 1975 -2004, 3.1: Kool Jazz Festival 1976, 4.1: 1979

Satch, 1959 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989

Davis, Miles

Miles Davis, 1985 - 4.1: 1985

Ellington, Duke

Duke, 1978 - 3.1: Newport Jazz Festival 1975-2004, 4.1: 1979, 1981

"Duke", 1998 - 3.1: UCLA 1998-present

Fitzgerald, Ella

Ella in Flight, 1983 - 3.1: Ella in Flight, 1983

Gillespie, Dizzy

Bird & Diz, 1973 - 4.1: 1973

Holiday, Billie

"Lady", 1979 - 3.1: Newport Jazz Festival 1975-2004

Jazz Horns, 2004 painting and serigraph - 3.1: Newport Jazz Festival 1975-2004, 4.1: 2004, 2005

Jazzmobile - 2.2: Jazzmobile 1980-84

Jazzmobile, 1975 silkscreen - 2.1: 1975, 3.1: Hammer Galleries Solo Exhibition 1975-76

Kenton, Stan

Stan Kenton, 1976 - 2.1: 1975, 4.1: 1985

Kool Jazz Festival - 3.1: Kool Jazz Festival 1976, 4.1: 1981, 1982, 1985, V: 1980s

Newport Jazz Festival - 3.1: Newport Jazz Festival 1975-2004

Newport Jazz, 2004 - 3.1: Newport Jazz Festival 1975-2004

Newport Jazz Festival Poster, 1974 - 3.1: Newport Jazz Festival 1975-2004

Orchestra - 4.1: 1964

Parker, Charlie - Bird & Diz, 1973 - 4.1: 1973, Charlie 'Bird' Parker - 3.1: Newport Jazz Festival 1975-2004

Playboy Jazz Festival, 1980 - 4.1: 1980

The Jeanie Johnston, 1998 - 4.1: 1999

Jenner, Bruce - see track and field

The Jennifer, 1981 - 4.1: 1981

Jeopardy! -2.1: 1998

Jimmy Fund - 3.1: Ted Williams and Jimmy Fund 1991

JoAnn Perse Gallery -2.2: JoAnn Perse Gallery 1984-98, 3.1: John Lennon Etching 1990

Jock Magazine - 4.1: 1970

jockeys - see horses: horse racing

Johnson, Cecile Ryden - 4.1: 1975

Johnson, Earvin "Magic" - Magic, 1988 - 2.1: 1992, 4.1: 1989 ov, Magic Johnson, 1991 - 2.1: 1996

Jones, Baird - 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: 1987, 1988

Jones, Robert Trent - 4.1: 1995

Jones, Jr., Roy - see boxing

Jones, Tony - 1.1: Education and Teaching b., see AppendixA for correspondence

Jordan, Michael, Michael Jordan - 4.1: undated 1990s, 2000, Michael Jordan, serigraph - 2.1: 1991, 4.1: 1998

Joyner -Kersee, Jackie - see track and field

J.R. Fine Arts - 4.1: 1998

judo - 4.1: 1977, 1987

Juvenile Diabetes Foundation - 4.1: 1990, 1991, 1995

K

Kabl Citizen of the Day Award - 1.1: Awards

Kalinsky, George - 2.1: 1984, 1986, 1996, 2.3: Imitations and Forgeries, George Kalinsky with his Olympus, 1986 drawing - 4.1: 1986

Kaplan, Fred - 2.1: 1960s, 1970s

Kapp, Joe - 3.1: Gridiron Football News 1971-1973, 4.1: 1970

Kaufman, Bart and Judy - 2.2: Bart Kaufman 1978-89, 4.1: 1970s

Kay, Leslie - 3.1: Folies Bergere, Tropicana, Las Vegas 1983

Kelly, Bob - 4.1: 1974

Kennedy Onassis, Jackie, Jackie, 1970 drawing - 4.1: 1970

Kennedy, Robert and Ethel - 3.1: Robert F. Kennedy Pro Celebrity Tennis Tournament 1972-79, 4.1: 1968, 1971, 1972 see also golf, tennis

Ethel Kennedy - 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971

R.F.K., 1968 watercolor - 4.1: 1968

Robert F. Kennedy, 1971 engraving - 3.1: "Recent Graphics and Drawings", The Far Gallery Solo Exhibition 1971, 4.1: 1972, 1974

Kennedy, Ted

Sen. Ted Kennedy, 1981 drawing on napkin - 4.1: 1981

Kenneth Behm Galleries - 2.1: 1989, 4.1: 1987, V: 1991

Kenton, Stan - see jazz

Kentucky Derby - see horse racing

Kerner, Otto - 4.1: 1960

Kershaw, Tom - 4.1: 1995

Key Club Bar, 1956 - 4.2: -- Bartender Magazine -- 1987-1992

Kidd, Billy - 3.1: '21' Club, 1990 (photo)

Kilroy, Gene - 2.2: Gene Kilroy, 3.1: Golden Nugget Casino, Las Vegas 1988

King, Don - 3.1: Sportsman's Ball 1978, 4.1: 1975

King, Larry - 4.1: 1988 (radio), Larry King, 1996 - 3.1: Morton's of Chicago 1982-present

King, Mark - 2.3: Imitations and Forgeries

King's Palace, 1960 drawing - 4.2: -- Bartender Magazine -- 1987-1992

Kitt, Eartha - 4.1: 1994

Knight, Bobby, Bobby Knight, 1979 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, Knoedler & Co. - IID: Price Lists, 1.2: Knoedler & Co. and Hammer Galleries, see also Appendix B, Hammer Galleries - 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987, 3.1: Soft Paintings 1989, 3.1: "A Salute to Central Park" Exhibition 1989, 3.1: Universal Geneve Timepieces Promotion 1995, 3.2. -- Winners -- , 1983, Harry N. Abrams, 1.2: Knoedler & Co. and Hammer Galleries, 4.1: 1972, 1976, 1985, 1989, see also exhibitions

Knoedler Publishing - 3.1: Knoedler London Exhibition 1976, 3.2 Publications, 1.2: Knoedler & Co and Hammer Galleries, 4.1: 1976, 1989

Kohl Galleries - 4.1: 1988

Kool Jazz Festival - see jazz

Koosman, Jerry, Jerry Koosman, 1976 - 4.1: 1977, 2001

Kopf, Chef Stefan - 4.1: 1986

Kozlova, Valentina - V: 1991

Kramer, Paul - 4.1: 1980

Kravtiz, Brenda - 1.1: Friars

Kupcinet, Irv "Kup" - see television, see also Appendix A

Kushner, Cedric - see Heavyweight Explosion

L

La Cuisine Francaise - 3.1: Saks Fifth Avenue 1994 -1999, 3.1: The Culinary Arts 1998, 4.1: 1995, 1998, Le Grand Cuisine, 1977 - 2.1: 2000, 4.2: -- Bartender Magazine -- 1997-2002, 4.1: 1977, 2001

La Nuit de Paris, 1988 - 4.1: 1988, 1989

Lacrosse - 4.1: 1977, 2005, see also McEneaney, Eamon

U.S.A. Lacrosse Team - 4.1: 1978

Ladies of the Hunt, 1959 charcoal - see horses

Lagerfeld, Karl - 4.1: 1992

Lake Tahoe - VC: 1983

LaLanne, Jack - 2.1: 1977, 3.2. -- Horses -- , 1979, Harry N. Abrams, Correspondence

Landau, Barry - 2.2: Barry Landau 1994-96

Landry, Tom - 3.1: Gridiron Football News 1971-1973, Tom Landry, 1984 - 4.1: 1984 ov., 1989

Lanier Business Products, Inc. - see Stock Market, 1976

Largent, Steve - 4.1: 1994

Lark Creek Inn - 4.1: 1990

Larry Harper Company - 4.1: 1998

LaRussa, Tony - 2.1: 1993, Manager of the Year, 1992 - 4.1: 1993

Larson, Glen and Janet - 2.1: 1985, 1987

Lasorda, Tommy - 4.1: 1993

Las Vegas - see casinos, 1.1: Awards, 3.1: Las Vegas Centennial 2005

Las Vegas Celebrity Cookbook - 2.1: 1984

Latin Legends film - 4.1: Undated 1990s

Latin Recording Academy - see Appendix A

law suits -- - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys, 4.1: 1975, see also forgery, theft

against Felicie Schumsky, by LeRoy Neiman, 1976 - 1.2

against Robert Gold d/b/a Gallery Artists, 1976 - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys

against LeRoy Neiman and Knoedler, Inc. by Emerald Art Gallery, 1977 - 2.1: 1977

Lawrence Ross Galleries - 3.1: Lawrence Ross Galleries 1985-88

lawyers - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys

Lazar, Irving "Swifty" - 3.1: Celebrity Night at Spago, 1993

Leahy, Pat - 4.1: 1992

Learning Annex - 2.1: 1989, 4.1: 1989

Lebow, Fred - 3.1: New York City Marathon 1984-2001

lectures - 2.2: Royce Carlton Lecture Agents 1978-86, 4.1: 1989, see also Learning Annex

Leibowitz, Maury - 1.2: Knoedler & Co. and Hammer Galleries

Leifer, Neil - 3.1: Circle Gallery 1972, 3.1: '21' Club, 1990 (photo), 4.1: 2003

Leija, James - 4.1: 1995

LeMieux, Mario, Mario LeMieux, 1989 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91

Lendl, Ivan - see tennis

Lennon, John - 2.1: 1999, 2000, see also The Beatles, and Ono, Yoko

John Lennon, pre 1982 drawing - 4.1: 1982

John Lennon, 1990 etching - 2.2: JoAnn Perse Gallery 1984-98, 3.1: John Lennon Etching 1990, 4.1: 1990, 1992

Leonard, Sugar Ray - see boxing

LeRoy, Minnesota - 4.1: 1978 and ov, V: 1970s

LeRoy Neiman: An American in Paris -- , 1994 - 3.1: Superbowl XXVIII 1994, 3.1: Saks Fifth Avenue 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

LeRoy Neiman: Art and Lifestyle, 1974 - 3.2. -- LeRoy Neiman Art and Lifestyle -- , 1974, Felicie, 1.2: Felicie, Inc. Advertising, 1.2: Lawsuit Against Felicie, Inc.

LeRoy Neiman Center for Print Studies, Columbia University - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present

LeRoy Neiman Center for the Study of American Society and Culture, University of California at Los Angeles - 3.1: UCLA, 1998-present

LeRoy Neiman: Five Decades, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003

LeRoy Neiman Museum of Art, St. Paul, Minnesota - 3.1: LeRoy Neiman Museum of Art, St. Paul, 1997, 4.1: 1997 (ov), 1998

LeRoy Neiman On Safari, 1996 - 1.2: Bowles Galleries 1997-present, 3.2. -- LeRoy Neiman On Safari -- , 1996

LeRoy, Warner - 2.1: 1998, 1999, V: 1991, see also Tavern on the Green

Let's Celebrate - 4.1: undated

Leukemia Society of America - 4.1: 1992

Levin, Meyer - 4.1: 1955-59

Lewis, Carl - see track and field

Lewis, Jerry Lee - 3.1: Blues Ball 1997-2004, The Killer - 3.1: Blues Ball 1997-2004

Lewis, Lennox - see boxing

Liberace - 4.1: 1988

Licensing Art and Design, by Cynthia Revelli - 2.1: 1995

Lido - 4.2: -- Playboy -- 1964, see Appendix E

Lifeline Inc. (fitness equipment) - 2.2: Bobby Hinds 1990-2000

Lifestyle -- Magazine - 4.1: Undated 1980s

Lilly, Bob, Bob Lilly, 1972 - 4.1: 1972

Limbaugh, Rush - 4.1: 1991

Limoges enamels - 2.1: 1988

Lincoln, Abraham, Abraham Lincoln, 1968 - 2.1: 1988, 1989, 4.1: 1968, 1981, 1987

Lindberg, Elayne - 3.1: Stadium Tennis Billboard, 1981 (photo)

Lipofsky, Mary and Steve - 2.1: 1996, 4.1: 1995

Liston, Sonny - see boxing

Little, Floyd - 3.1: Gridiron Football News 1971-73, 4.1: 1973 ov

Floyd Little - 4.1: 1972

The Littlest Clown - 4.1: undated

Liverpool, England - 4.1: 1960 ov

Lollobrigida, Gina - 4.1: 1981

Loma Linda University - 2.1: 1983

Lombardi, Vince, Vince, 1981 - 2.1: 2001, 4.1: 1985

Lomonaco, Chef Michael - 2.1: 1996, 4.1: 1999

London, England - 3.1: O'Hana Gallery Solo Exhibition, London 1962, 3.1: Knoedler London Exhibition 1976, 4.1: 1960 ov, 1961, 1962, 1966, see also Liverpool

The Lone Ranger, 1977 - 2.1: 1988, 3.1: The Lone Ranger, 1977

Long, Captain Elgen, The Adventurer, between 1971 and 1977 - 2.2: Gallery Mack 1975 -87, 4.1: 1982

Lonsdale International Sporting Club - 1.1: Awards

Los Angeles Institute of Contemporary Art (LAICA) - 3.1: Neiman/Warhol Exhibition at LAICA 1981-82

Louganis, Greg - see swimming and diving

Louis, Allyson - see Allyson Louis Gallery

Louis, Joe - see boxing

Lowery, Nick

Nick Lowery, 1992 - 4.1: 1992, 1997

Lubel, William - 2.1: 1973

Lynch, David - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

M

Maccioni, Sirio - 4.1: 2004

Mack, Barbara - see Gallery Mack

Madison Square Garden - 2.1: 1981, 4.1: 1966, 1967, 1968, 1969, 1971, 1987, 1992, 1994, 1999, 4.2: -- Playboy -- 1963, see Appendix E

Madison Square Garden (silkscreen) - 4.1: 1978

Madrid, Spain - 4.1: 1960 ov

A Magic Moment, 1990 - see Orlando Magic under "baseball"

magical creatures - see animals: unicorn

Mahoney, James - 2.1: 1983, 3.1: Pebble Beach Golf 1982-1995

Mailer, Norman - 4.1: 1982

Maitland, Vic - 2.2: NFL Alumni

Make-a-Wish Foundation - 4.1: 2000

Maki, Mary Ann - 2.1: 1993, 1995, 1997

Malave, Chu Chu - see boxing

Malinowski, Mark "Scoop" - 4.1: 2000

Malletmen, 1977 etching - see polo

Manager of the Year, 1992 - see LaRussa, Tony

Mandalay Bay - 3.1: De La Hoya vs. Vargas 2002

Mandela, Nelson - 3.1: Nelson Mandela Tribute 1997

Mangione, Chuck - 4.1: 2004

Manhattan Bride -- Magazine - 4.1: 1999

Manhattan Concert Club - 4.1: 2004

Manhattan Magazine - 1.1: Awards, 2.1: 1989, 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995 - present, 4.1: 1984, 1990, 1997, 1998, 1999 Manila, Phillipines - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975

Mannochia, Adriano - 4.1: 1983

Mantle, Mickey - 2.1: 1998, 3.1: Mickey Mantle Paintings and Serigraphs, 1962-1999, 4.1: 1968

Mickey Mantle (or) High Ball Homer, 1962 - 3.1: Mickey Mantle Paintings and Serigraphs, 1962-1999

Mickey Mantle - Switcher, 1967 - 3.1: Mickey Mantle Paintings and Serigraphs, 1962-1999

Manufacturers Hanover Trust Company - 2.1: 1978, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: New York City Marathon 1984-2001, 3.1: Millrose Games 1986-1995, see also Chemical Bank and McCabe, Charles

marathon - see running

March of Dimes - 2.1: 1981, 1982, 3.1: March of Dimes' Gourmet Gala 1985, 4.1: 1974, 1981, 1983, 1985

Mardi Gras - 3.1: Rex Proclamation Mardi Gras Poster Painting 2002, 4.1: 1987, 2001

Marichal, Juan, Juan Marichal - 4.1: 1995

marionette - 4.1: 1981, 1984

Marketing Communications Magazine - 2.1: 1980, 4.1: 1980

Marlin!, 1977 serigraph - 2.1: 1977, 4.1: 1977 ov

Marmel, David - 3.1: Beauty Pageants 1980-84, 3.1: Victor Awards 1981-85

Marquis Who's Who - 1.1: Who's Who

Marshall Field & Company - 3.1: Fashion Illustration for Marshall Field 1957-59 (Oversize only)

Marshall, Leonard, Leonard Marshall, 1991 - 4.1: 1991, 1992

Martin, Billy, Billy Martin, 1990 drawing - 2.1: 1990

Marx, Groucho - 3.1: Charlotte Chandler 1978-84

Maser Galleries, Maser Fine Arts - 2.1: 1988, 1989, 3.1: 1983 U.S. Open, Oakmont, 1983

Mashburn, Jamal - 4.1: 1990

mask auction - 4.1: 1988

Mason, Jackie - 4.1: 1994

Massachusetts Institute of Technology (MIT) - 1.1: Awards: Citations, 4.1: 1982

matador - see bullfights

Mathis, Buster - see boxing

Matsui, 2004 - 3.1: Special Olympics Nagano Japan 2005

The Maulers -- 1993 lithograph - see boxing

Max, Peter - 4.1: 1994, 1995, 1980s and 1990s (mentioned throughout)

Mayo Clinic - 2.1: 1983

mayoral debate - 4.1: 1989, see also politics

Mays, Willie - 4.1: 1992, Wille Mays - 2.2: 1978, 4.1: 1979, 1982, 2001

Mazeroski, Bill, Bill Mazeroski - 4.1: 1973

Mazzilli, Lee, Lee Mazzilli, 1979 - 2.1: 1979, 2001 4.1: 2001, Lee Mazzilli Celebrity Golf and Tennis Classic - 2.1: 2001, 4.1: 1992, 1994, 1995, 1996, 1997, 2001

McCabe, Charles - 2.1: 1995, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: Iona College Trustee Awards Dinner Dances 1984-95, 4.1: 1987, 1997, see also Chemical Bank

McCormack, Mark H. - see The Wonderful World of Professional Golf by Mark H. McCormack under golf

McDonald, Kitt - 4.1: 1986

McDougal, Little & Company - 2.1: 1985

McEneaney, Eamon - 4.1: 2001, 2005

McEnroe, John - see tennis

McFagan, Helen - 2.1: 1993

McGirt, James "Buddy" - see boxing

McGraw-Hill Publishers - 2.1: 1999

McGuire, Al - 4.1: 1980

McGwire, Mark, Mark McGwire, 1998 - 3.1: Mark McGwire 1998-99, 4.2: -- Bartender Magazine -- 1997-2002, 3.1: Good Tidings Foundation, 1998-2002

McHale, Kevin - see Johnson, Earvin "Magic": Magic

McNeely, Peter - 4.1: 1995

McNichol, Kristy - 2.1: 1980

Mead, Margaret, Margaret Mead, 1972 drawing - 4.1: 1977 ov

Meigs, Kris - 2.1: 1981

Melville, Herman - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition

Memphis Blues Ball - 4.1: 1998

Men, Boats, and the Sea, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955

menus - 4.1: 1977, 1993, 1994, 1995, 1997, 1999, see also food, restaurants

medical - see The Open Heart, 1982

Mercantile Bank, Chicago and Hammond, IN - 3.1: Mercantile Bank Murals 1966

merchandise - see promotions, product and service, and collectible merchandise

Merrill Chase Galleries, Chicago - 2.2: Merrill Chase Galleries 1974-89, 4.1: 1973, 1976, 1980, 1981, 1982 see exhibitions

Metropolitan Museum of Art - 2.1: 1981

Metropolitan Opera - see opera

Mexico - 3.1: Caliente Race Track Exhibition and Painting 1989

MGM Grand Gallery - 4.1: 1999

Miami Sound Machine - see Estefan, Emilio and Gloria

Michael Zabrin Fine Art - 2.1: 1989

Michaels, Walt - 2.1: 1980, see also football: New York Jets

Midwest Museum of American Art - 4.1: 1979, 1989, see also exhibitions

Miles, Sylvia - 3.1: '21' Club, 1990 (photo), 4.1: 1991

Minelli, Liza - 3.1: Frank Sinatra at Royal Albert Hall 1989

miniatures - 4.1: 1983

Minnesota Historical Society - 2.1: 1994

Minnesota Museum of Art - 3.1: St. Paul Bicentennial Painting 1975-76, see also exhibitions

Minotaur Galleries - 2.2: Minotaur Galleries 1984-1994, 4.1: 1986, see also exhibitions

John Miles Bonded Travel Agency - 4.1: undated

military - 1.1: Military Service

Million Dollar Strike, 1982 - see bowling

Millionaire Magazine - 3.1: Joe DiMaggio 1998-99

Millrose Games - 3.1: Millrose Games 1986-1995

Milt Gross Fund - 2.1: 2000, 4.1: 2001

Minuteman, 1987 - 3.1: U.S. Savings Bonds Campaign 1987-88

Mirrer, Louise - IC: A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer, 1990

Mitchell, Mayer - 2.1: 1972, 1976, 1977, 1987

The Mixologist, 1959 - see bars

Moby Dick -- , 1975 - 2.1: 1993, 3.2.2

models - 3.1: Beauty Pageants 1980-84, see also Eve Models, Inc., search for individual models by name

Monaco - see also Bal de la Mer, Monte Carlo, auto racing, French Riviera

Monaco Rendezvous, 1994 - 3.1: Monaco Trip 1994

Monmouth Park Charity Ball - 2.1: Charities (all dates, 1980s, 1990s)

Monroe, Earl, Earl "The Pearl" Monroe, 1976 - 4.1: 1976

Montana, Joe, Joe Montana, 1982 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1982, 1990

Montanez, Willie - 4.1: 1979

Monte Carlo, Monaco - 4.2: -- Playboy -- 1963, see Appendix E, see auto racing, Monaco

Monte Carlo, 1994 - 4.1: 1999

Monte Carlo Chase, 1988 - 2.2: Neiman -Marcus 1983-88, 3.1: Steiner & Young Galleries Solo Exhibition 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Japanese Edition - 2.2: Joe Hideo Morita 1988-90

Moore, Wayland - 2.3: Imitations and Forgeries

Moorer, Michael - 4.1: 1994

Morbelli, Jean - 2.1: 1988

Moreno, Linda "Eva" - 2.2: Linda Moreno

Morgan, Joe, Joe Morgan, 1990 - 4.1: 1990

Morita, Joe Hideo - 2.2: Joe Hideo Morita 1988-90

Morley, Malcolm - 4.1: 1984

Morocco - 4.2: -- Playboy -- 1970, see Appendix E

Morrel Wines - 4.1: 1984

Morris, Gary and Elizabeth - 2.1: 1996, 3.1: Iroquois Steeplechase, Nashville, TN, 1993

Morrison, Tommy - see boxing

Morton's of Chicago - see restaurants

Moscow - 3.1: Goodwill Games Moscow 1986, 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987, V: 1960s

Tretyakov Museum - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988

Mosley, Shane - see boxing

Mount Pleasant Animal Shelter - 4.1: 2000

Mozartfest - 4.1: 1998

Mthembu, Nomusa - 2.1: 1992

Mulloy, Gardner - 4.1: 1998

multiple sclerosis - see National Multiple Sclerosis Society, or Race to Erase MS

Munich, Germany - see Olympic Games

Municipal Art League of Chicago Award - 1.1: Awards

Munson, Thurman - 3.1: Thurman Munson and Thurman Munson Awards 1977-2002, Thurman Munson, 1976 - 3.1: Thurman Munson and Thurman Munson Awards 1977-2002

murals - 3.1: Mercantile Bank Murals 1966, 3.1: Sportsman's Park Mural 1976, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 3.1: Stadium Tennis Billboard 1981, 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90

Murphy Brown - see Warner Brothers Television in Appendix A

Murphy, Dale - 2.1: 1993, 1995, 4.1: 1993

Murphy, Libby - 2.2: Libby Murphy 1992-1998, 3.1: Iroquois Steeplechase, Nashville, TN, 1993

Murphy, Father Terrence - 4.1: 2004

Muscle Builder & Power Magazine - 4.1: 1977

Muscular Dystrophy Associations of America - 4.1: 1971, 1987

Lifetime Achievement Award - 1.1: Awards

Museo de Bellas Artes, Caracas - 2.1: 1972 see also exhibitions

Museum of the City of New York, Theater Collection - 3.1: Showstoppers Group Exhibition, MCNY 1983

music -- - 4.1: 1970, 1981, 1983, 1992, see also Gibson Guitars

blues - 3.1: Blues Ball 1997 -2004, see Paul, Les

classical - 4.1: 1964, 1965, 1998, see also Bernstein, Leonard; Eaton, Roy; Fox, Virgil; Grady, John; Raphael, James

Arkansas Symphony Orchestra - 3.1: Arkansas Symphony Orchestra and Arkansas Wild Ducks, 1984

Desert Symphony - 4.1: 1997

Oakland Symphony - 2.1: 1985

The Organ at St. Paul the Apostle, 1965 - 4.1: 1965, 1967

Symphantasy - 3.1: Symphantasy 1988

Symphony for United Nations, 1991 - 2.1: 1991, 4.1: 1991

country - 4.1: 1994, see Tennessee

jazz - see jazz

opera - see opera

popular - 3.1: Fifth Dimension Album Art 1970-82, 3.1: Billboard Magazine First Annual Billie Awards 1993, 4.1: 1993, see The Beatles; Bennet, Tony; Blues Ball; Davis, Sammy; Iglesias, Julio; Jackson, Michael; Lennon, John; Paul, Les; Sinatra, Frank

musicals - see Times Square, 2001

Angels on Horseback - 4.1: undated 1980s

Golden Boy - 4.1: 1964

My Fair Lady - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983

Oh! Calcutta - 4.1: 1967

Porgy and Bess - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983

West Side Story - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983

Mustang Ranch - 3.1: Mustang Ranch Brothel 1989

Myasthenia Gravis Foundation - 4.1: 1978

Myers, Farlan - 2.1: 1986

Mystic Seaport, CT - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition

Mystic Rock, 1995 - 4.1: 1997

N

NAMTA - 4.1: 1984

NBC - see television

NECO (National Ethnic Coalition of Organizations) - 1.1: Awards, Citations and Miscellaneous Prizes

Nabisco - see promotions

Nahan, Kenneth - 4.1: undated

Naismith Memorial Basketball Hall of Fame - see basketball

Namath, Joe - 3.1: New York Jets 1966-, 4.1: 1968, 1972, 1973, 1982

Napoleon at Waterloo, 1988 serigraph - 4.1: 1988

Nash, Beau - 3.1: The Ambassadors, 1960s

The Nation -- Magazine - 2.1: 1998, 4.1: 1998

National Art Museum of Sport (NAMOS) - 2.1: 1972, 1979, 4.1: 1980, 2003 see also exhibitions

National Arts Club - 4.1: 1994

National Baseball Hall of Fame and Museum, Cooperstown, NY - see baseball

National Bowling Hall of Fame and Museum - see bowling - Million Dollar Strike, 1982

National Cowboy Hall of Fame - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985

National Fitness Classic - 4.1: 1982, 1983

National Multiple Sclerosis Society - 4.1: 1969, 1976, 1980, 1988

National Sports Collectors Convention - 4.1: 1992 ov.

NBA - see basketball

negative press - 2.1: 1980, 4.1: 1978, 1979, 1981, 1983

Neiman, Earl - 1.1: Family (Neiman Studio Archive only)

Neiman, Janet - 1.1: Family, 3.1: Art Institute of Chicago Instructors Exhibition 1955, 4.1: 1985

Neiman News - 3.1: Neiman News 1977-1985

Neiman-Marcus - 2.2: Neiman-Marcus 1983-88, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1983, 1984

Neiman, Robert B - 2.3: Imitations and Forgeries

"Neiman's Cuba" film project - 2.1: 1979, 1982

Neiman's Restaurant & Lounge - see restaurants and bars

Nepal - 2.1: 1982

Nevada County Arts Council - 4.1: 1982

New Jersey State Opera Ball - see opera

New Milford Hospital - 4.1: 1991

New Orleans, Louisiana - 2.1: 1993, 1997, 1998, see also Hanson Art Galleries and Mardi Gras

New School for Social Research, NY - 4.1: 1978

New Times Magazine - 2.1: 1978

New Year's Eve, 1997 - 4.1: 1997 and ov

New York City Marathon - see running

New York Friars Club - 4.1: 1999

New York Giants - see Football

New York and Los Angeles: Politics, Society, and Culture by David Halle - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present

New York Public Library - 4.1: 2002

New York State Governor's Arts Awards - 4.1: 2000

New York Times Magazine -- - 4.1: 1971

The New Yorker -- Magazine - 4.1: 1994, 1999

Newman, Eric - V: 1975

Newman, Paul - 3.1: Celebrity Night at Spago, 1993, see also -- The Hustler

Newport Jazz Festival - 3.1: Newport Jazz Festival 1975-2004

Newsweek -- Magazine - 4.1: 1972, 1992

Newton, Wayne - 4.1: 1988

NFL - see football

NHL - see hockey

Niarchos, Stavros

Stavros Niarchos, 1969 drawing - 4.1: 1969 ov.

Nicholson, Jack - 3.1: Tyson vs. Spinks 1988

Nicklaus, Jack - see golf

Nitschke, Ray - 4.1: 1988

Noah, Yannick - see tennis

Nob Hill, 1986 serigraph - 3.1: Nob Hill and Bowles Hopkins Gallery 1986

Norman, Greg, Greg Norman - 2.1: 1990

North Shore Art League - 1.1: Education and Teaching, Miscellaneous, undated

North Shore Child and Family Guidance Association - 4.1: 1986, 1987

Northern Indiana Art Association - 2.1: 1989, 4.1: 1989

Northwest Orient Magazine - 4.1: 1986

Northwest Paper Company - 3.1: 1972 Olympics

Northwestern University - 2.1: 1978

Norton, Ken - see boxing

Norton Herrick Fine Arts Group - 3.1: LeRoy Neiman Website 1997-present

Norway - 2.1: 1988

Notre Dame - 4.2: -- Bartender Magazine -- 1997-2002

Nureyev, Rudolph - see ballet

O

Ocean Club, Atlantic City - see promotions

Everett Oehlschlaeger Galleries, Chicago - 2.1: 1960s, 4.1: 1973, 1975

Frank Oehlschlaeger Gallery, Sarasota, FL - 3.1: "American Masters of the 40s, 50s, and 60s", Frank Oehlschlaeger Gallery, 1985

Oesch, Claire - 2.1: 1994, 1995

Oh! Calcutta - see musicals

Oklahoma - see Bennett, Chef John, and baseball: Oklahoma Redhawks (minor league)

Olin Corporation - see promotions

Olympic Games -- - 4.1: 1984

1972 Olympics, Munich - 3.1: 1972 Olympics, Munich, 4.1: 1987

1976 Olympics, Montreal - 3.1: 1976 Olympics, Montreal, 4.1: 1987

Games of the XXI Olympiad, 1976 - 3.1: Volvo Masters Painting 1983

Olympic Boxers, 1976 - 3.1: 1976 Olympics, Montreal

1980 Winter Olympics, Lake Placid - 3.1: Winter Olympics, Lake Placid 1980

Olympic Figure Skating, 1978 - 3.1: Winter Olympics, Lake Placid 1980

Winter Olympic Skiing, 1980 - 3.1: Winter Olympics, Lake Placid 1980

1984 Winter Olympics, Sarajevo - 3.1: Sarajevo Winter Olympics 1984

1984 Olympics, Los Angeles - 3.1: 1984 Olympics, Los Angeles, 3.1: Center Art Galleries Exhibition, Hawaii, 1985

American Gold, 1984 - 4.1: 1984

Opening Ceremonies - XXIII Olympiad 1984, 1984 - 4.1: 1984

1988 Olympics, Seoul - 2.1: 1988, 4.1: 1988

1988 Winter Olympics, Calgary - 2.1: 1986, 1987

1992 Olympics, Barcelona - 2.1: 1989

1994 Winter Olympics, Lillehammer - 3.1: 1994 Winter Olympics, Lillehammer

1996 Olympics, Atlanta - 3.1: Atlanta Olympics 1996

2000 Olympics - 3.1: 2000 Olympics

2004 Olympic bid - 2.1: 1989

boxing - 3.1: 2000 Olympics

Olympic Boxing - 4.2: The Ring Magazine

Olympics of Tomorrow - 4.1: 1978

U.S. Olympic Fight Night - 2.1: 1996, 4.1: 1996

Spring Serenade 2004 - 4.1: 2004

OMTI (Opera Music Theatre International) LeRoy Neiman Recital Hall - see opera

On Safari - see LeRoy Neiman On Safari

Onassis, Aristotle, Aristotle Onassis, 1969 drawing - 4.1: 1969 ov.

O'Neal, Shaquille, Shaquille O'Neal, 2000 - 3.1: Shaquille O'Neal, 2000

Ono, Yoko - 2.2: JoAnn Perse Gallery 1984 -98, 3.1: John Lennon Etching 1990

The Open Heart, 1982 - 3.1: The Open Heart, 1982

opera - see also Le Grand Escalier de l'Opera, 1969

Amahl and the Night Visitors, 1978 - 4.1: 1978

Ballroom Scene from 'La Traviata', 1980 - New Jersey State Opera Ball Paintings 1979-83

Falstaff, opera by Verdi - 2.1: 2002, 3.1: Falstaff Opera 1993, 4.1: 2002

Hines, Jerome and Lucia - 3.1: New Jersey State Opera Ball Paintings 1979-83, 3.1: OMTI LeRoy Neiman Opera Lab Theater 1995

Jerome Hines as Boris Godunov, 1988 drawing - 4.1: 1988

Metropolitan Opera - 2.1: 2002

Metropolitan Opera - 2.1: 1980, 3.1: Advertising Layouts 1980s

New Jersey State Opera Ball - 3.1: New Jersey State Opera Ball Paintings 1979-83

A Night at the Opera, drawing - 4.1: 1989

Opera Music Theater International - 3.1: OMTI LeRoy Neiman Opera Lab Theater 1995, 4.1: 1989, 4.1: 1991

Pagliacci, 1982 - 3.1: New Jersey State Opera Ball Paintings 1979-83

The Three Tenors, 1996 serigraph release - 3.1: The Three Tenors, 1996

organists - see Fox, Virgil; Grady, John

Original Print Collectors' Group, Ltd. - 4.1: 1989

Orr, Bobby - 4.1: 1977

Orr for the Defense, 1992 - 2.1: 1992, 3.1: Orr for the Defense, 1992, 4.1: 1992

Oslo, Norway - 2.1: 1988

Our Lady of Mercy Medical Center - 4.1: 1997

Outrigger Canoe Race, 1976 - 4.1: undated 1970s

Owens, Jesse - see track and field

Ox-Bow, the Summer School of Painting, Saugatuck, Michigan - 1.1: Education and Teaching, 2.1: 2001, 3.1: Ox -Bow 1998

Oxendine, Kit - 1.1: Lynn Quayle, V:1990s

P

P.J. Clarke's, New York - see restaurants

P.O.V. Magazine - 4.1: 1998

Pacino, Al - 2.1: 1983

Paige, Satchel - 3.1: Economic Opportunity Atlanta 1968 ov.

Pallack, Rick - 2.1: 1996, 1999, 4.1: 1996

Palm Beach, Florida - V: 1970s

Palm Springs, California - 3.1: Palm Springs Commemorative Coin, 1987-88

Palmer, Arnold - see golf

Palmer, Jim, Jim Palmer, 1990 - 4.1: 1990

Papp, L. Roy - 3.1: L. Roy Papp, 1980

Pappas, Thomas, Thomas A. Pappas, 1969 drawing - 4.1: 1969 ov.

Paris, France - 3.1: "Un Americain à Paris," Solo Exhibition, Galerie Marcel Bernheim, Paris 1993, 4.1: 1963

Paris, 1989 - 3.1: Kentucky Derby 1995-97

Paris Match -- Magazine - 4.1: 1961, 1962

Parker, Charlie - see jazz

Parks Council - 4.1: 1976

Paschke, Ed - 2.1: 1988, 1990, 2.3

Pastorini, Dan - 2.1: 1989

Patrician Galleries - 2.1: 1987

Patrick, John 'Malt Liquor' - 3.1: Economic Opportunity Atlanta 1968 ov.

Paterson Museum, Paterson, NJ - 2.1: 1989, 4.1: 1996

Patterson, Floyd - see boxing

Paul, Les - 2.1: 1997

Pavarotti, Luciano - 3.1: The Three Tenors, 1996

PAWS/LA - 2.1: 1999, 4.1: 2000

Payne, Marcus - 2.1: 1982

Pazienza, Vinny - 4.1: 1995

Peaches and Pits Awards - 4.1: 1987, 2000

Pebble Beach - see golf

Pele - see soccer

Pelkey, Joe - 2.1: 1990, 1993, 2.2: Joe Pelkey, Editions Limited

pendant - VII: Painting pendants, undated

Peninsula Sports Club - 4.1: 1973

Penn, Esther - 3.1: '21' Club, 1990 (photo), 4.1: 1999

Penske, Roger - see auto racing

Penthouse -- Magazine - 2.3: Imitations and Forgeries

Percival Galleries - 2.1: 1979, see also exhibitions

perfume - see promotions

Peri-Renneth Gallery, Southampton - 2.1: 1988, 4.1: 1984

Perkins, Carl - 2.2: Libby Murphy

Perry, Gaylord - 3.1: Gaylord Perry's 300th Win file

Perse, Joanne - 4.1: 1986

PESO - 3.2: LeRoy Neiman Art and Lifestyle 1974

Phelps, Digger - 2.1: 1990

Philadelphia Sports Writers Association - 4.1: 2000

Phillipines - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975

pianists - see Eaton, Roy; Raphael, James, see also music: classical

Piazza, Mike, Mike Piazza, 1999 - 3.1: Mike Piazza 1999

Piazza San Marco, 1990 - 3.1: Piazza San Marco, 1990, 2001-2002

Pierrot, drawing - 4.1: 1975

Pierrot, lithograph - 3.1: Circle Gallery 1972

Pierrot the Juggler, lithograph - 3.1: Circle Gallery 1972

The Pitman Company - 4.1: 1984

Pizza Hut - 2.1: 1991, 4.1: 1992 ov

La Plage de Deauville, 1990 - 2.1: 1990

plates, collectible - see Royal Doulton

Plate Collector Magazine - 2.1: 1980

The Playboy, painting - 4.1: 1990

Playboy Enterprises International - 2.2: Playboy Enterprises Inc. 1980s, 4.1: 2001 art auction - 4.1: 1989, 4.2: Playboy Ephemera 2000s

New York Playboy Club - 4.2: -- Playboy -- 1965, see Appendix E

Playboy Art Collection - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.1: 1975, 4.2: Playboy Ephemera 2000s

Playboy Jazz Festival, 1980 - 4.1: 1980

Playboy -- Magazine and Man at His Leisure - see Appendix E, 2.2: Playboy Enterprises Inc. 1980s, 3.1: 1984 Olympics, Los Angeles, 4.1: 1959, 1966, 1999, 4.2: -- Playboy -- Magazine, V: Playboy Clubs 1961-63

Femlin - 2.1: 1985, 4.1: 1995, 2001, 4.2: -- Playboy -- Magazine, 4.2: -- Playboy -- - Femlin Paraphernalia

Playboy of Brazil - 2.1: 1985

Special Editions, Ltd. - 4.1: 1992

Players Hotel, New Orleans - 2.1: 1984

The Plaza Hotel, New York - 4.2: -- Playboy -- 1965, see Appendix E

The Plaza Square, 1985 - 4.1: 1985, 1986

tapestry - 2.1: 1990

Poland - 2.1: 1976, 1987

Plunkett, Sherman - 4.1: 1967

Police Athletic League - 2.1: 1981

politics - 3.1: Bill Bradley 1978-2000, 3.1: Peace Treaty, 1980, 3.1: Peter Dawkins Poster 1988, 3.1: Rudy Giulianni and Commission on Cultural Affairs 1994-2001, 3.1: Nelson Mandela Tribute 1997, 4.1: 1960, 1968, 1988, 1989, 1992, see also Thurmond, Strom, and The White House

Pollock, Jackson - 4.1: 1984

polo - 4.1: 1966, 1967, 1988

Attack, 1965 - 4.1: 1967

elephant polo - 2.1: 1982

H.R.H. Prince Charles, 1982 - 4.1: 1985

Malletmen, 1977 etching - 3.1: Malletmen Certificate 1977

Polo Player, 1963 - 4.1: 1963

Polo Players, 1964 - 4.1: 1991

Polo Lounge, 1988 - 2.1: 1989, 3.1: Advertising Layouts 1980s, 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Bev Hills 1989, 4.1: 1990, 1995, 1996, 4.2: -- Bartender Magazine -- 1997-2002

The Pope Flies Over New York, detail - 4.1: 1981

Pope, Kerig - 2.2: Playboy Enterprises Inc. 1980s

Porgy and Bess - see musicals

Porter, David - 3.1: Blues Ball 1997-2004

Portola Valley Classic Equestrian Festival - 4.1: 1999

Portrait of the Lion, 2002 - see animals

portraits -- - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996

of LeRoy Neiman, by other artists - 2.1: 1978, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 4.1: 1986 ov

by LeRoy Neiman - search by name of subject

Posner Gallery - 2.1: 1989

posters - 3.2. -- Posters -- , 1980, Harry N. Abrams, 4.1: 1981, 1993

Posters, 1980 - 3.2. -- Posters -- , 1980, Harry N. Abrams, 3.2 ov.

Pratt Institute, New York - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003

Preakness Stakes - see horse racing

Prentice - Hall Publishers - 2.1: 1978

President of the United States - see politics, or search by name of President (Carter, Reagan, Bush, Clinton)

President's Council on Physical Fitness and Sports - 2.1: 1990, 4.1: 1982, 1983

Presley, Elvis - 3.1: Blues Ball 1997-2004, 4.2: -- Playboy -- 1978 (July)

price lists - IID: Price Lists

Prince Charles, 1984 - 4.1: 1984

prints - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov), see also The Prints of LeRoy Neiman below

The Prints of LeRoy Neiman, 1980 - 3.2. -- The Prints of LeRoy Neiman -- , 1980, Knoedler Publishing

The Prints of LeRoy Neiman 1980-1990, 1991 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City 1992, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991

The Prints of LeRoy Neiman 1991-2000, 2001 - 3.2.14

Professional Picture Framers Association - 4.1: 1984

promotions, product and service, and collectible merchandise

AMF Incorporated (soccer equipment) - 3.1: AMF Soccer Equipment Promotion 1979

Absolut Vodka

Absolut Neiman, 1970 - 3.1: Absolut Vodka ad 1991, 4.2: -- Bartender Magazine

Alexander Hotel, Miami Beach, 1985 commercial - 3.1: Alexander Hotel Promotion 1985

Anheuser-Busch - 3.1: Duran vs. Leonard 1989

Clydesdales, 1979 - 4.1: 1979, 1983

World Cup Soccer poster 1990 - 3.1: Anheuser Busch World Cup Soccer poster 1990

Arrow shirts, The Arrow Man, 1986 - 3.1: Arrow shirts promotion 1986

Atomic skis - 2.2: Joe Hideo Morita 1988-90

Burger King - 3.1: Burger King Promotion 1976

Canadian Club Whiskey - 4.1: 1979

Charlie Cosmetics - 3.1: Charlie Cosmetics promotion 1981

Classic Leather, 1978 catalog - 2.1: 1977, 4.1: 1978

Corvette - see Corvette

Dewars Scotch Whiskey - 3.1: Dewar's Profile 1970

S.T. DuPont LeRoy Neiman Golf Pen and Lighter set - 3.1: S.T. Dupont LeRoy Neiman Golf Pen and Lighter Set, 2003

Folger's Instant Coffee - 4.1: undated 1960s

Footwear - 2.1: 1989

Fragrances - 4.1: 1985 see promotions: Givenchy

General Electric Cellular Car Phone - 3.1: General Electric Phone Promotion 1984

Givenchy - 3.1: Givenchy 1999

Gone with the Wind perfume - 3.1: Gone with the Wind perfume promotion 1989

Hager hinges - 4.1: 1988

Hanes Hosiery - 2.1: 1980

Merrill Chase - 2.1: 1978

Miller Brewing Company - 4.1: 1984

Nabisco - 2.1: 1988

Ocean Club, Atlantic City - 3.1: Ocean Club, Atlantic City 1982-1990

Olin Corporation, Olin Skier, 1976 - 4.1: 1976 and ov.

PuzzleStix - 3.1: PuzzleStix product idea 1999

Royal Doulton - 3.1: Royal Doulton collectible plates 1974-78, 4.1: 1977, 1981, 1986, 2000

Saks Fifth Avenue - see Saks Fifth Avenue

Sharp Color Copier - 3.1: Sharp copier promotion 1986

skis - 2.2: Joe Hideo Morita 1988-90

Skoal chewing tobacco - 3.1: Skoal Pinch Hitter 1985-1987

Sports Commemorative Satinwood whiskey decanters - 3.1: Sports Commemorative Whiskey Decanter 1979

The Toy Store - see exhibitions

Tropicana Hotel and Casino - see casinos

watches - 2.1: 1986, 3.1: Classic Moments LeRoy Neiman Watch Collection 1989, 3.1: Universal Geneve Timepieces Promotion 1995

Wheaties - see Wheaties

publications - Series 3.2

publicists - 2.2: Barry Landau 1994-96, 2.2: Sterling/Winters Company 1983-84

Puck, Wolfgang - 2.1: 1999

Puerto Rico - 2.1: 1979, 1981, 1984, 1985

Pump Room Bar, 1957 - see bars

Punchinello, 1971 lithograph - 3.1: Circle Gallery 1972, 3.1: Royal Doulton collectible plates 1974-78, 4.1: 1973, 1974

Purdue University - 4.1: 1986

puzzles - see promotions, product and service, and collectibles

Q

Quarry, Jerry - see boxing

Quayle, Lynn - 1.1: Lynn Quayle, IIID: Datebooks, 4.1: 1988

Queen Elizabeth of England - 4.1: 1959

The Queen Elizabeth II - 3.1: Queen Elizabeth II Cruise, 1999

R

race car - see auto racing

Race to Erase MS - 2.1: 1993, 1994, 1995, 2000, 2001, 4.1: 2001

>radio -- - 4.1: 1974, 1985, see also American Federation of Television and Radio Artists

King, Larry - see King, Larry

Stern, Howard - 3.1: Howard Stern, 1994

WNBC Radio - 3.1: WNBC Traffic Helicopter 1981

WPRO Radio Providence, RI - 2.1: 1990

Rangers Hockey Magazine - 4.1: 1967

Raphael, James

James Raphael, 1987 - 4.1: 1987

Rattiner, Dan - see Dan's Papers

Rawlings Gold Glove Award - 4.1: 1992

Reagan, President Ronald and Nancy -- - 2.1: 1981, 1988, 3.1: Nolan Ryan, 1981, 3.1: U.S. Savings Bonds Campaign 1987-88

Ronald Reagan, 1988 - 4.1: 1988

real estate - 2.1: 1986

recipe - see Heartland Celebrity Cookbook

Red Square - see Moscow

Redgrave, Vanessa - 4.1: 1994

Regatta of the Gondoliers - 2.1: 1984

Regis & Ann Show - 4.1: 1984

Reiner, Rob - 1.1: Friars

representations of LeRoy Neiman by other artists - 4.1: 1989

restaurants and bars

Al Schacht's Restaurant - 4.1: 1967, 1968 and ov

Alexis Tangier, San Francisco - 4.1: 1958

The Bistro Garden - 3.1: Bowles/Sorokko Galleries Exhibition, Beverly Hills 1987, 4.1: undated

Bruxelles Restaurant - 4.1: 1950s

The Buena Vista Café, San Francisco, 1986 - 3.1: 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986, 4.1: 1987

Le Café Chambord - 4.2: -- Playboy -- 1959, see Appendix E

Café de Flore, Paris, 1964 - 4.1: 1996

Le Café Lautrec, 1963 - 4.1: 1963

Café de la Paix - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

California Cuisine (The Lark Creek Inn), 198? - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 2004

Central Park Boathouse - 3.1: Central Park Boathouse Painting 2002-2003

Chumley's - 4.1: 1968

Le Cirque - 3.1: Circus, 2000, 4.1: 2004

Corona Café, Chicago - 4.1: 2001

Duke's Fish & Grill - 4.1: 1985

Ernie's, San Francisco - 4.1: 1958, 4.2: -- Playboy -- 1961, see Appendix E

F.X. McRory's Whiskey Bar, Seattle, 1979 - 3.1: F.X. McRory's Whiskey Bar 1979-80, 4.2: Bartender Magazine 1987-1992 and 1993-2002, 4.1: 1995

Fouquet's - 2.1: 1993

Fouquet's - 3.1: Saks Fifth Avenue 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions, 4.1: 1996

Fouquet's, 1977 drawing - 4.1: 1996

Gallagher's Steak House, New York - 3.1: Gallagher's Steak House - The Neiman Collection 2002

Le Grand Vefour - 2.1: 1993

Harry's at Hanover Square - 4.1: 1985

Harry's Bar, 1985 - 4.1: 1995

Harry's Wall Street Bar - 4.1: 2002, 4.2: -- Bartender Magazine -- 1987-1992

Iron Horse Restaurant - 4.1: undated

Jak-Nicholas Restaurant - 4.1: 1973

Lark Creek Inn - see California Cuisine

Left Bank Café

London House, Chicago - 4.1: undated

Maxim's de Paris - 4.1: 1963, 4.2: -- Playboy -- 1961, see Appendix E

McSorley's Irish Pub, New York - 4.1: 1980

Mister Kelly's - 4.1: undated

The Mixologist, 1959 - 4.1: 1999

Moose's Restaurant, San Francisco - 4.1: 2003, 2004, 2005

Morton's of Chicago - 3.1: Morton's of Chicago 1982-present, 3.2.12, 4.1: 1997, 1998, 2000

Neil De Vaughn's - 4.1: 1987

Neiman's Restaurant and Lounge, Carlsbad, CA - 3.1: Neiman's Restaurant and Lounge 1980s, VII: Neiman's Restaurant, Carlsbad, CA, 1980s

Nello - 4.1: 1999

P.J. Clarke's, New York, 1978 - 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 4.2: -- Bartender Magazine -- 1987-1992, 4.1: 1978, 1989, 1995

Peppy's Pomme Soufflee - 4.1: 1973

Pierro's on the Park - 4.1: 1994

Polo Bar, Westbury Hotel - 2.1: 1978

Polo Lounge - see Polo Lounge, 1988

Pump Room - 4.1: 1974, 4.2: -- Playboy -- 1958, see Appendix E, see also The Ambassadors Hotel

Pump Room Bar, 1957 - 3.2: LeRoy Neiman Art and Lifestyle 1974, 4.1: 1950s

Rao's - 2.1: 2002

Frank at Rao's, 2005 serigraph of earlier painting - 4.1: 2005

Restaurant Antoine - 4.1: undated

Romanoff's - 4.2: -- Playboy -- 1959, see Appendix E

Rosati's, Via Venito - 4.2: -- Playboy -- 1968, see Appendix E

Rush Street Bar - 4.2: -- Bartender Magazine -- 1987-1992

Sardi's, World Billiard Championship - 4.2: -- Playboy -- 1963, see Appendix E

Shelly's New York - 3.1: Shelly's New York Restaurant 2000

Spago, Los Angeles - 3.1: Celebrity Night at Spago, 1993

The Stag's Head Bar, Dublin, 1961 - 4.2: -- Bartender Magazine -- 1987-1992

Tavern on the Green - 4.1: 1991, 1998

Tavern on the Green, 1990 painting and 1991 serigraph - 2.1: 1990, 1991, 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1991, V: 1991

Carriage at Tavern on the Green, 1997 drawing - 4.1: 1997

Toots Shor Bar - 2.1: 1988, 1.2: Knoedler: Serigraph Release Ads

Tratoria del'Arte - 4.1: 1991

'21' Club - 3.1: Dress the Jockeys at '21' Club, New York, 2001

Bar at 21 - 2.3: Imitations and Forgeries, 4.1: undated

'21' Club (exterior), 1990 - 3.1: '21' Club 1990

Two Bar Men, 1965 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.2: -- Bartender Magazine -- 1987-1992

The Wimbledon - 4.1: 1975

retail prices, list of prints, 1986 - 2.1: 1986

retail stores - see Neiman-Marcus

Revelli, Cynthia - see Licensing Art and Design by Cynthia Revelli

Revlon - 2.1: 1992

Rhino Records - 4.1: 1991

Rhythm & Smoke - see cigars

Rice, Jerry - 4.1: 1995

Riggins, John, John Riggins - 4.1: 1972

Riker, Lyn - V: 1980s

The Ring Magazine - see boxing

Ringside Madison Square Garden, 1964-65 - see boxing - Introduction of the Champions of the Ring, 1964-65

Rivalry, 1975 - see college sports: football: Ohio State Buckeyes

Rivera, Chita - 4.1: 1995

Rizzuto, Phil, The Scooter, 1994 - 3.1: Phil Rizzuto 1994

The Robb Report Magazine - see automobiles

Robinson, Jackie - 3.1: Jackie Robinson, 1997

Jackie Robinson, 1993 - see Jackie Robinson Foundation

Jackie Robinson, 1997 - 3.1: Jackie Robinson, 1997

Jackie Robinson Sliding Home, 1997 - 3.1: Jackie Robinson, 1997

Jackie Robinson Foundation - 3.1: Jackie Robinson Foundation 1993

Robinson, Patrick - 2.1: 1977

Robinson, Sugar Ray - see boxing

Robinson's, Los Angeles - 4.1: undated

Rock for the Cure - 4.1: 2004

Rocky films - 3.1: Rocky films 1980-90

Rocky - 3.1: Advertising Layouts 1980s

rodeo - 4.1: 1977, 2000

Rogers, Kenny - 4.1: 1999

Kenny Rogers, 1982 watercolor - 3.1: Childrens Diabetes Foundation Carousel Ball

Rolling Stone Press - 4.1: 1982

Rolls Royce - see automobiles

Ronald McDonald House - 2.1: 1999, 4.1: 1998, 2000, 2001, 2003

Rooney, Art, Art Rooney, 1972 - 2.1: 1977, 4.1: 1972

Roosevelt University, Chicago - 1.1: Education and Teaching, Miscellaneous, undated

"Rooster," 1981 film - see film

Roques, Karin Adrian v. - 2.1: 1997, 1999

Rose, Donna - 2.2: Donna Rose and Art Brokerage Inc. Correspondence

Rosen, Leonard - 2.1: 1980, 1981, 1982, 1983, 1984, 1987

Rosenbaum Galleries - see exhibitions

Rote, Jr., Kyle - 3.1: Rotonda Superstars 1973-75

Rotonda Superstars - 3.1: Rotonda Superstars 1973-75

Royal Doulton - 3.1: Royal Doulton collectible plates 1974-78, 4.1: 1977, 1981, 1986, 2000

Royce Carlton, Inc. - 2.1: 1978

Royer, Victor - 2.1: 1984, 1986

Rudy, Jeanette Cantrell - 2.1: 1994, 1996, 1998, 4.1: 1994, Jeanette Rudy, 1994 - 2.1: 1994, 4.1: 1996

running -- - see also track and field

Ashford, Evelyn - 4.1: 1987

Barron, Gayle - 2.1: 1983, 1984

Boston Marathon, Boston Marathon, 1979 - 4.1: 1981, 1990

Coghlan, Eamonn, Eamonn Coghlan Winning the 1985 Wanamaker Mile, 1985 - 3.1: Millrose Games 1986-1995

Dixon, Rod - 4.1: 1998

New York City Marathon - 3.1: New York City Marathon 1984-2001

Classic Marathon Finish, 1985 serigraph - 3.1: New York City Marathon 1984-2001

Fred, This Run's For You, 1990 - 3.1: New York City Marathon 1984-2001

New York City Marathon, 1987 - 3.1: New York City Marathon 1984-2001

Runner's World Magazine - 3.1: New York City Marathon 1984-2001

Shorter, Frank - 2.1: 1973

The Year of the Runner TV series, LeRoy Neiman host - see television

Rush, Rick - 4.1: 1999

Rush Street Bar - see bars

Russell, Bill - 4.1: 1968

Ruth, Babe - 4.1: 1973, 1995

Ryan, Nolan

Nolan Ryan, 1981 - 3.1: Nolan Ryan, 1981, 4.1: 1991

S

Sadat, Anwar - 3.1: Peace Treaty, 1980

safari - see LeRoy Neiman On Safari

sailing -- - 4.1: 1950s, 1964, 1985, 1994, America II, 1986 - 3.1: America II, 1986, 4.1: 1986

America's Cup - 4.2: -- Playboy -- 1966, see Appendix E

America's Cup, 1964 - 3.1: Advertising Layouts 1980s, 4.1: undated 1970s, 1978

America's Cup, Australia, 1987 - 2.1: 1986, 4.1: 1986, 1987

America's Cup Stars and Stripes, 1987 - 2.1: 1987

Boat Club, 1956 - 4.1: 1950s

Boats and Boats, 1960 oil on board - 2.1: 1978

Girallia Yacht Race - 4.2: -- Playboy -- 1965, see Appendix E

Harbor Boat House, 1955 - 4.1: 1950s

Hawaiian Sailing - 3.1: Advertising Layouts 1980s, 4.1: 1984

High Seas Sailing - 4.1: 1999

High Seas Sailing II, 1998 - 3.1: Saks Fifth Avenue 1994-1999

Men, Boats, and the Sea, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955

Sail Boats, 1953 - 4.1: 1998

Sailing - 4.1: 1985

Swell Sailing - 4.1: 1983

Turnberry Isle Yacht Club - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1982-83

Yawl Sailing, 2001 - 4.1: 2001

St. Bonaventure University - 1.1: Honorary Degrees: St. Bonaventure University 1999

St. Clare's Hopital and Health Center - 4.1: 1995

St. Francis College, Brooklyn Heights, New York - 1.1: Honorary Degrees (ov), 3.1: Brooklyn Bridge, 1995

St. John's University - 1.1: Honorary Degrees, 2.1: 1978, 4.1: 1985

St. Paul, Minnesota, bicentennial painting, Baghdad of the Midwest, 1975-76 - 3.1: St. Paul Bicentennial Painting, Baghdad of the Midwest, 1975-76

St. Paul Area Chamber of Commerce - 2.1: 1976

St. Paul Museum - 4.1: 1997

Winter Carnival painting, Ice Palace, 1985 - 3.1: Ice Palace 1985-86

St. Tropez - 4.2: -- Playboy -- 1964, see Appendix E

St. Tropez, 1995 - 3.1: Saks Fifth Avenue Catalog 1994-1999

Saks Fifth Avenue - 3.1: Saks Fifth Avenue Catalog 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence

View from Saks, 1995 - 3.1: Saks Fifth Avenue 1994-1999

Saleski, Don - 4.1: 1974

Salon d'Automne - see exhibitions, group: Grand Palais

Saltman, Sheldon - 2.1: 1976

Salvation Army - 2.1: 1999

San Diego Zoo - 2.1: 1977

San Francisco, CA

Bay Area Baseball, 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990

City by the Bay, 1993 - 3.1: San Francisco Series 1991-93

San Francisco by Day, 1991 - 3.1: San Francisco Series 1991-93

San Francisco by Night, 1991 - 3.1: San Francisco Series 1991-93

Washington Square (Moose's), 2002 - 4.1: 2003

Sandburg, Carl - V: -- Playboy -- 1961-63

Sandusky, Joe, Joe Sandusky - 4.1: undated 1990s

Santa Claus - 4.1: 1992

Sapir, Judge Eddie - 2.1: 1978, 1979, 1983, 1988

Satchmo - see Armstrong, Louis

Satinwood Whiskey - see promotions and collectibles

Saugatuck - see Ox-Bow

Saviano, Rudy - 2.1: 1999

savings bonds - see U.S. Savings Bonds

Sayers, Gale - see I Am Third, by Gale Sayers

Scaffidi, Phil - 2.1: 1981

Scarpa, William and Cathy - 2.2: William and Cathy Scarpa 1991-99

Schaefer Brewing Company - 2.1: 1976, 1979, 1980, 1981, 4.1: 1976

Schoenfield, Ed - 4.1: 1986

Schmeling, Max - 4.1: 1989

Schmidt, Michael - 2.1: 1980

The Slugger, 1979 - 2.1: 1980, 4.1: 1990, 1999

Schulberg, Budd, Budd Schulberg, 1970 drawing - 4.1: 2004

Schulz, Axel - 4.1: 1995

Schultz, Charles - 2.2: Playboy Enterprises Inc. 1970s

Schultz, Dave (hockey player) - 4.1: 1974

Schultz, Dave (wrestler) - see wrestling

Schumsky, Felicie - V: 1970s, see also Felicie, Inc.

Screiber, Al - 4.1: 1994

Schwarzenegger, Arnold - 2.1: 1990, 3.1: LongTerm Projects: American Sportscasters Association Hall of Fame Awards Dinners, 4.1: 1977, 1981, Arnold Schwarzenegger, 1977-78, 4.1: 1977, 1985, 2005

The Scooter, 1994 - see Rizzuto, Phil

Scott Foresman & Company Publishers - 2.1: 1985

Screen Actors Guild - 1.1: Name Tags and ID Cards, 3.1: Rocky films 1980-1990, see also American Federation of Television and Radio Artists

sculpture

Horse Racing Suite, 1977 - 3.1: Sculpture 1977-1987, 4.1: 1978

Defiant, 1987 - 2.2: JoAnn Perse Gallery 1984 -98, 3.1: Sculpture 1977-1987 Seaver, Tom

The Franchise, 1992 - 4.1: 1992, 2001

Segal, Erich - 2.1: 1973

Sehorn, Jason - 4.1: 1999

Seitz, Nick - see golf: -- Golf Digest -- Magazine

Self Portrait (at easel) - 4.1: 2000

Self Portrait (close up with cigar and pen), 1997 - 4.1: 1998

Serline, Ollie (LeRoy's aunt) - 1.1: Family (Neiman Studio Archive only), 2.1: 1970s, 4.1: 1972

Sharp color copier - 4.1: 1986

The Sharper Image - 4.1: 1997

Shavers, Earnie - see boxing

Shaw, Robert - 2.1: 1977, 1978

Shelly's New York - 3.1: Shelly's New York 2000

Shenker, Morris A. - 2.1: 1982, 4.1: 1982

Sher Galleries - 4.1: 1987

Sherman, Nettie - 4.1: 1981

Sherry -Lehmann - 2.1: 1997, 1998, 4.1: 1997 and ov

ship - see The Jennifer

shoes - VII

Shore, Dinah - 3.1: Dinah! (Dinah Shore television show) 1974-77

Shorter, Frank - see running

The Shot Heard 'Round the World, 1991 - 3.1: The Shot Heard 'Round the World, 1991

Showboats International - 3.1: Monaco Trip 1994

Shula, Don - 3.1: Gridiron Football News 1971-73

Siegfried & Roy - 2.1: 1998, V: 1999

Sigmond, Aaron - 2.1: 1994, 1995, 1997, 3.1: LeRoy Neiman Selection Cigars 1997

Silverstein, Shel - 2.1: 1973

Silverwood Products - 2.1: 1992

Simon Weisenthal Center - 3.1: Jackie Robinson, 1997

Simpson, O.J. - 4.1: undated 1990s, see football: Cross-Town Rivalry 1967, 1993, O.J. Simpson - 4.1: 1972, 1974

Sinatra, Frank -- - 1.1: New York Friars Club, 2.2: Sinatra Family Correspondence, 3.1: Hammer Galleries Solo Exhibition 1967, 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967, 3.1: Leo Durocher 1974-94, 3.1: Frank Sinatra Portraits for Duets and Duets II Albums 1993-1995, 3.1: Hofstra Univ. Frank Sinatra Conference and Exhibition 1998, 3.1: Frank Sinatra Classic Duets Album Cover 2002, 4.1: 1979, 1983, 1989, 1998, see also golf, 4.2: Playboy Ephemera 1960s

Frank at Rao's, 2005 serigraph - 4.1: 2005

Frank Sinatra, 1993 - 3.1: Frank Sinatra Duets and Duets II Album Covers 1993-1995

Frank Sinatra at Carnegie Hall, 1974 - 3.1: Frank Sinatra at Carnegie Hall Poster 1974

Frank Sinatra as the Detective, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967

Frank Sinatra at Madison Square Garden, 1974 drawing for poster - 4.1: 1974

Frank Sinatra at Royal Albert Hall, 1989 - 3.1: Frank Sinatra at Royal Albert Hall 1989

Singleton, Isaiah - 2.1: 1996

Singleton, Skip - see tennis: Intelligent Doubles and Intelligent Tennis

skating - see figure skating

skiing -- - 4.1: 1983, 1995, see also Olympics: skiing

Lady Skier - 4.1: 1998

Little Skier - 4.1: 1974

The Skier, serigraph - 3.1: Circle Gallery 1972

Skiing, etchings - 3.1: Circle Gallery 1972

Slalom, serigraph - 3.1: Circle Gallery 1972, 4.1: 1973

Squaw Valley - 4.2: -- Playboy -- 1961, V: 1960s, see Appendix E

Vail Race to Erase MS painting, 1994 - 4.1: 1995

Skoal Pinch Hitter of the Year Award - 3.1: Skoal Pinch Hitter 1985-1987

Slatkin, Leonard, Leonard Slatkin, 1980? - 4.1: 1980

Sliding Home - see baseball

slot machine - 4.2: Playboy - Femlin Paraphernalia

The Slugger, 1979 - see Schmidt, Michael

Smith, Charley - 1.1: Military Service

Smith, Emmitt

Emmitt Smith, 1994 - 4.1: 1994

Smith, Liz - 3.1: Doodle for Hunger I, II, III, IV, V, 2000-2004

Smith Jones, Nancy - 2.1: 1978, 1979

Smithsonian Institution, The Smithsonian Associate Magazine - 3.1: Piazza San Marco, 1990, 2001-2002

Smothers, Tom and Dick (The Smothers Brothers) - 1.1: New York Friars Club

Snead, Sam - see golf - Frost, David

Snyder, Jimmy "the Greek" - 2.1: 1974, 1991, Jimmy the Greek - 4.1: 1982

soccer -- - 2.1: 1984, 1985, 4.1: 1977, 1979, 1994

AMF soccer equipment - see promotions

Anheuser Busch World Cup poster, 1990 - 3.1: Anheuser Busch World Cup Soccer poster 1990

Chinaglia, Georgio - 3.1: Cosmos soccer 1977, 4.1: 1979, 1998

Cosmos - 3.1: Cosmos soccer 1977

Fairfax Police Youth Club Tournament poster, 1988 - 3.1: Fairfax Police Youth Club Soccer Tournament Poster 1988

Maradona, Diego - 2.1: 1980, Maradona, 1982 - 3.2. Winners, Harry N. Abrams, 1983, Magazines and Catalogs

Pele - 3.1: Economic Opportunity Atlanta 1968 ov., 3.1: Tampa Bay Rowdies soccer 1975, 3.1: Cosmos soccer 1977, 4.1: 1988

The Black Pearl, 1975 drawing - 3.1: Hammer Galleries Solo Exhibition 1975-76

Pele, 1975 - 3.1: Tokyo Exhibition 1988

Pele, watercolor - 2.1: 1983

Soccer, 1989 etching - 4.1: 1990

Tampa Bay Rowdies: Soccer is a Kick in the Grass, 1975 - 3.1: Tampa Bay Rowdies soccer 1975

socialites - 3.1: Notes on Hamptons high society 1972

Society of Illustrators of Los Angeles - 1.1: Awards: Citations

soft paintings - 3.1: Soft Paintings 1989, 3.1: Steiner & Young Galleries Exhibition 1989

Solange - 4.1: 1973

Soltner, Chef Andre - 3.1: March of Dimes' Gourmet Gala 1985

Sony - 2.1: 1978, 4.1: 1977

The Sopranos - 4.1: 1999

Sosa, Merqui - 4.1: 1996

Sosa, Sammy, Sammy Sosa, 1999 - 3.1: Good Tidings Foundation 1998-99

Sorenson, Jacki - see dance

Sorokko, Serge - see exhibitions: Bowles/Sorokko Galleries

Sotheby's - see Carousel of Hope, 4.1: 1986, 4.2: -- Playboy -- 1972, see Appendix E

souvenirs - see promotions

space shuttle - see Columbia Space Shuttle

Spago - 4.1: 1999

speaking engagements - 4.1: 1977, 1978, 1979, 1980, 1984, 1988

Special Olympics -3.1: Special Olympics Nagano Japan 2005, 4.1: 1986, 1996, Mississippi Special Olympics - 2.1: 1977

The Spectrum, Philadelphia, PA - 2.1: 1991, 1996, 3.1: Philadelphia Spectrum Painting 1991, 4.1: 1992, V: Photographs

Spectrum Fine Art, New York - 3.1: "Ball, Bat, and Glove", Spectrum Fine Art, 1977, 4.1: 1978

Spelling, Aaron - 2.1: 1985

Spinks, Leon - see boxing

Spinks, Michael - see boxing

Spirit Foundation - 2.1: 1999

Spitz, Mark - see swimming and diving

The Sporting Life - 4.1: undated

The Sporting News - 3.1: Iona College Trustee Awards Dinner Dances 1984-95

sports - listed alphabetically by name of sport (i.e. "baseball," "soccer"), with teams listed under heading of appropriate; in some cases college and professional sports are indexed separately. Also search for names of specific athletes.

sports arenas - see Madison Square Garden, Philadelphia Spectrum

sports cards - see trading cards

Sports Collectors Digest - 4.1: 1997

Sports Commemorative Decanters - see promotions and collectibles

sportscasters - see also Cosell, Howard, and Rooney, Art

American Sportscasters Association - 1.1: Awards

Sportsman's Ball - 3.1: Sportsman's Ball 1978

Sportsman's Park, Chicago - 3.1: Sportsman's Park Mural, Chicago 1976

SportsWise Magazine - 2.1: 1980

Springfield Art Association, Illinois - 2.1: 1990

Stadium Tennis, 1981 - see tennis

The Stag's Head Bar, Dublin, 1961 - see bars

Stallone, Sylvester - see Rocky, 4.1: 1987

stamps - 4.1: 1974

"Health in Sports" stamps, 1988 - 3.1: United Nations "Health in Sports" Stamps 1988

"Sport and the Environment" stamps, 1996 - 3.1: United Nations "Sport and the Environment" Stamps 1996

"Superbowl History" Stamps, 1988 - 3.1: U.S. Postal Service Superbowl Stamps 1988

Standard Oil - 4.1: 1974

Stanford University - 3.1: Bill Walsh, 1993

Stanley, Dr. M. Lee - 4.1: undated 1990s, 1996

Stargell, Willie, Willie Stargell, 1980 - 2.1: 1988, 3.1: Willie Stargell 1980, 4.1: 1973, 1987, 1988

Statue of Liberty, Lady Liberty, 1985 - 2.1: 1985, 3.1: Lady Liberty, 1985, 4.1: 1992 Staub, Rusty - 2.2: Manufacturers Hanover

Rusty Staub's Le Grand Orange wine label - 3.1: Rusty Staub 1975-1994, 4.1: 2001 Staubach, Roger - 3.1: Gridiron Football News 1971-73, 3.1: Wheaties 1997, 4.1: 1972, 1973, 1982

Roger Staubach, 1982 - 2.1: 1989, 4.2: -- Bartender Magazine -- 1997-2002, 4.1: 1982

Stengel, Casey, Casey Stengel, 1993 - 3.1: Casey Stengel 1996, 4.1: 2001

Sterling, Donald - 2.1: 1997, 1998

Sterling/Winters Company - 2.2: Sterling/Winters Company 1983-84

Stern, Howard - see radio

Stiller, Jerry - 1.1: Friars

Sting Like a Bee by Jose Torres and Bert Sugar - see boxing

Stock Market

American Stock Exchange, 1986 serigraph - 4.1: 1986

New York Stock Exchange, serigraph - 2.1: 1996, 3.1: Winter Olympics Lake Placid, 1980, 4.1: 1974

Stock Exchange, silk tapestry - 4.1: 1990

Stock Exchange, London - 4.1: 1983

Stock Market, 1976 serigraph - 2.1: 1977, 3.1: Circle Gallery 1972, 4.1: 1976

Stop Cancer - 3.1: New York City Marathon 1984-2001

Stop or My Mom Will Shoot, 1992 film - 2.1: 1991

Strahan, Michael - 4.1: 2002

Strasberg, Lee - 2.1: 1983

Strawberry, Darryl - 4.1: 1990, 2001

Stroh Brewing Company - 2.1: 1988

Stud Poker - see casinos

Studio 54 - 4.1: 1984

Styria Galleries - 4.1: 1988

Sugar, Bert - 2.1: 1972, 1977, 3.1: '21' Club, 1990 (photo), 4.1: 1999, see also boxing: Sting Like a Bee

Summer in Saugatuck, 1960 painting - 2.1: 1987

The Summer School of Painting - see Ox-Bow

sumo - 3.1: Hawaii and Japan 1974

Superbowl - see NFL football

Superstars - see Rotonda Superstars

Supreme Court of the State of New York - 2.1: 1980, 2.2: Judge Frank Affronti 1990 -1999

Supreme Court of the United States - 2.1: 1992

Surfing - 4.2: -- Playboy -- 1967, see Appendix E

The Surfer, 1980 - 4.1: 1980 ov

surgery - see The Open Heart, 1982

Swahn Fine Arts - 4.1: 1989, 1991

Sweden - 3.1: Sweden Exhibitions 1976-77

swimming and diving -- - 4.1: 1987, 3.1: Los Angeles Olympics

Chandler, Jennifer - 4.1: 1987

International Swimming Hall of Fame Museum - 4.1: 1988, 1989

Louganis, Greg - 3.2.9, 4.1: 1987

Olympic Swimmer - 4.1: 1986

Spitz, Mark - 2.1: 1986, 3.1: Munich Olympics 1972, Mark Spitz, 1972 - 3.1: Munich Olympics 1972, 4.1: 1973, 1987

United States Swimming Long Course Championships - 4.1: 1982

Switzerland - 2.1: 1985, 1989

Swoboda, Ron - 2.1: 2002

Symphantasy - see music

T

Takamiyama, Jesse - 3.1: Hawaii and Japan 1974

James Talcott, Inc. - 3.1: James Talcott, Inc. 1975

tapestry - 3.1: Edward Fields, Inc, Carpet Tapestries 1977

Taschen Publishers - 3.1: GOAT (Greatest of All Time - A Tribute to Muhammad Ali) Book by Taschen, 2004

Tavern on the Green - see restaurants

Taxicab Chronicles - 3.1: Taxicab Chronicles 1999, 4.1: 1999

Taylor, Elizabeth - 3.1: Celebrity Night at Spago, 1993

Taylor, Lawrence - 4.1: 1996

television - 2.1: 1970, 1978, 4.1: 1972, 1974, 1975, 1977, 1979, 1980, 1985, 1994, 1995, 3.1: Call of the Wild 1993, see also ABC, CBS, American Federation of Television and Radio Artists, The Lone Ranger

ABC Sports - 2.2: ABC Sports

Ampex Video Art - 3.1: Superbowl XII, 1978, 4.1: 1980

Arlene Herson Show - 4.1: 1989

The Black Stallion television show - 2.1: 1990

CBS Sports - 2.2: CBS Sports, 3.1: Superbowl XII, 1978

Channel 13 - 2.1: 1976

Cityscope - 4.1: 1989

Dinah! (Dinah Shore) - 3.1: Dinah! (Dinah Shore television show) 1974-1977

KCTA -TV St. Paul - 2.1: 1976

Larry King - see King, Larry

Kup's Show (Irv Kupcinet) - 4.1: 1972, 1982

Merv Griffin Show - 2.1: 1976, 1983, 4.1: 1980, 1989

NBC - 3.1: Sculpture 1977-87, 3.1: NBC Peacock Project 1997

"The New Odd Couple," ABC TV - 2.1: 1982

Regis and Kathie Lee - 4.1: 1988, 1996

Shukan T.V. Guide, Japan - 2.1: 1996, 3.1: 1984 Olympics, Los Angeles

TV Food Network - 2.1: 1993

TV Gallery with Ron Parris - 2.1: 1979, 4.1: 1979

T.V. Guide - 2.1: 1975

T.V. Guide Japan - 2.1: 1996, 4.1: 1984

TV Shopper - 2.1: 1979, 4.1: 1973, 1980

Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98

Today Show - 3.1: WNBC Traffic Helicopter 1981-93

WGBH TV Boston - 2.1: Charities 1994, Charities 1996

Wonderama TV Show - 4.1: undated 1970s

The Year of the Runner TV series, LeRoy Neiman host - 4.1: 1979

Tenenbaum, Judy and Harold - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum

Tennessee - 3.1: Women's Basketball Hall of Fame, 1993, 3.1: Iroquois Steeplechase, Nashville, TN, 1993, 3.1: Blues Ball 1997 -2004, see also Gregory, Jack; Morris, Gary and Elizabeth; Murphy, Libby; Perkins, Carl; Rudy, Jeanette Cantrell; Tigrett, John and Pat Kerr

tennis -- - 3.1: Nelson Mandela Tribute 1997, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1975, 1980, 1985, 1988-89, 1997, 1999

Adoption Guild Annual Tennis Tournament, Tennis Country - 3.1: Adoption Guild Tennis Tournament 1980

Alan King Caesar's Palace Tennis Classic - 3.1: Alan King Caesar's Palace Tennis Classic 1980-83

American Airlines Tennis Games - 2.1: 1976

Ashe, Arthur, Arthur Ashe, 1980 - 2.1: 1980, 4.1: 1980, 1984

Association of Tennis Professionals - 4.1: 1984

The Ball is in Your Court - 4.1: 1979

Blanchard, Mike - 4.1: 1975

Blood Tennis, 1980 serigraph - 4.1: 1980

Borg, Bjorn - 4.1: 1977, Bjorn Borg - 3.1: Sweden Exhibitions 1976-77, 4.1: 1980

Casals, Rosey - 4.1: 1975

Center Court, Madison Square Garden - 4.1: 1986

Conner, Bart - see gymnastics

Connors, Jimmy - 4.1: 1977, 1988, 1994

Court, Margaret - 4.1: 1975

Doubles - 4.1: 1973, 1977

Emerson, Roy - 4.1: 1998, see Laver, Rod

Evert, Chris - 4.1: 1976, 1994 and ov, see Appendix A

Back Hand - Chris Evert - 4.1: undated, 1981 ov

Chris, 1973 drawing - 3.1: Hammer Galleries Solo Exhibition 1975-76

Forest Hills - 3.1: RFK Tennis Tournament 1972-1979, 4.2: -- Playboy -- 1960, see Appendix E

Get Shot - 4.1: undated

Gonzales, Richard (Pancho) - 4.1: 1972, 1975, 1977, Pancho Gonzales, 1970 - 4.1: 1970, 1972

I Love New York Pro Celebrity Tennis Tournament - 2.1: Charities 1982, 4.1: 1982

Intelligent Doubles, by Skip Singleton - 3.1: Skip Singleton Tennis Books 1988-89

Intelligent Tennis by Skip Singleton - 3.1: Skip Singleton Tennis Books 1988-89

International Tennis Hall of Fame - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78

Kennedy, Robert F. - see Robert F. Kennedy Pro Celebrity Tennis Tournament

King, Billie Jean - 4.1: 1973 ov

Laver, Rod

Rod Laver at Wimbledon, 1970 drawing - 3.1: Rotonda Superstars 1973-75

Rod Laver, 1980 watercolor - 4.1: 1996

Rod Laver and Roy Emerson, 1980 watercolor - 3.1: Adoption Guild Tennis Tournament 1980, 4.1: 1998

Lendl, Ivan - 4.1: 1989

McEnroe, John - 4.1: 1983, 1989, 1994

Men's Doubles - 4.1: 1977

Mixed Doubles - 3.1: Skip Singleton Tennis Books 1988-89, 4.1: 1978, 1981

Mulloy, Gardner - 4.1: 1977

Net Shot, undated - 4.1: undated

Noah, Yannick - 4.1: 1997

Palm Beach Tennis Masters - 4.1: 1973 ov

Racketeers, 1975 silkscreen - 4.1: 1975

Riggs, Bobby - 4.1: 1973 ov

Robert F. Kennedy Pro Celebrity Tennis Tournament - 3.1: Robert F. Kennedy Pro Celebrity Tennis Tournament 1972-79

Roche, Tony - 4.1: 1973 ov

Rosewall, Ken - 4.1: 1975

Sabatini, Gabriela - 4.1: 1996, 1997

Smash - Stan Smith - 4.1: undated

Stadium Tennis, 1981 - 3.1: Stadium Tennis Billboard, 1981

Tennis - Sudden Death, 1973 - 4.1: 1998

Tennis Magazine - 4.1: 1973, 1975

Tennis Masters (McEnroe and Lendl) - 4.1: 2000

Tennis Players, serigraph - 3.1: Circle Gallery 1972, 3.1: RFK Tennis Tournament 1972-1979

Turnberry Isle Racquet Club - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1982-83

Volvo Masters serigraph, 1983 - 3.1: Volvo Masters Painting 1983, VC: 1983

Washington, Malivai - 4.1: 1997

wheelchair tennis - 2.1: 1980

The Wimbledon Restaurant - see restaurants and bars

Texas Is... - 4.1: 1986

textbook (usage of art in) - 2.1: 1998, 2000, 2002, 4.1: undated, undated 1990s, 1992, 1996

theater - 3.1: Borstal Boy 1970, 3.1: "Busker Alley," 1995, 4.1: 1964, 1969, 1981, 1991, 1999, see also musicals

Inherit the Wind - 4.1: 1956 ov

Theater Collection of the Museum of the City of New York - 4.1: 1983

theft - 2.1: 1980, 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989-90, 4.1: 1973, 1981, 1986, 1987, 1990, see also forgery and vandalism

Thomas, Duane - 3.1: Gridiron Football News 1971-73

Thompson, Bobby - see The Shot Heard 'Round the World, 1991

Thornton, Tony - 4.1: 1995

Thornton, Wayne - see boxing

The Three Tenors - see opera

The Thrill of Victory, by Bert Sugar - 2.1: 1977, 4.1: 1978

Thurmond, Strom - 2.1: 1984, 3.1: Miss U.S.A. Pageant 1978

TIME Magazine - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969

Times Square, 2001 - 4.1: 2003

Tiger Tops Pvt. Ltd. - 2.1: 1982

Tigrett, John and Pat Kerr - 2.1: 1992, 1993, 1999, 3.1: Blues Ball 1997-2004

Time Out New York Magazine - 4.1: 2000

Timothy Yarger Fine Art - see exhibitions

Timoney, John - 4.1: 1996

To, Bobbie - 4.1: 1984

Toney, James - 4.1: 1994

Top Secret! 1984 film - 4.1: 1984

Topps - see trading cards

Torre, Joe - 3.2. -- Casey at the Bat -- , 2000, 4.1: 2002

Torres, Jose - 4.1: 1966

Tour Eiffel, 1993 - 4.1: 1995

Tour de Trump - 3.1: Tour de Trump

Tour de Trump, 1989 - 3.1: Tour de Trump

The Toy Store - see exhibitions

track and field - see also running, 4.1: 1982, 1987, V: Jesse Owens International Trophy Awards 1983-2000s

Dekker, Mary - V: 1980s

Drake Relays - 3.1: Drake Relays 1979

Jenner, Bruce - 2.1 1977, 3.1: Winter Olympics, Lake Placid 1980, 4.1: 1987

Joyner-Kersee, Jackie - 4.1: 1999, V:1990s, Jackie Joyner-Kersee, 1993 - 3.1: Millrose Games 1986-1995

Lewis, Carl - 3.1: Victor Awards 1981-1985

Millrose Games - 3.1: Millrose Games 1986-95

Muhammad Ali Invitational - 4.1: 1977

Off and Running, 1978 - 4.1: undated 1980s

Owens, Jesse -- - 3.1: Drake Relays 1979, 4.1: 1990, 1998, 2000

Jesse Owens, 1983 - 4.1: 1983, 1984, 1986, 2000

Jesse Owens Foundation - 2.2: Jesse Owens Foundation Board of Directors 1990-2000

Jesse Owens International Trophy Awards - 4.1: 1983, 1984, 1986, 1987, 1989, 1992, 2000, V: 1990s

Jesse Owens Track Classic - 4.1: 1990

U.S. Olympic Track and Field Trials - 4.1: 1980

trading cards

Kayo - 3.1: Kayo Joe Louis Boxing Card 1991

Topps - 2.1: 1992, 3.1: Topps Celebrity Trading Cards 1992

Upper Deck - 2.1: 1992

travel agency - 4.1: undated

Tretyakov Museum, Moscow - see exhibitions

Trinidad, Felix - see boxing

Tropicana Resort & Casino - see casinos

Trottier, Bryan - 4.1: 1976

Truax - 3.1: Gridiron Football News 1971-73

Trump, Donald -- - 1.1: New York Friars Club c., 3.1: Tyson vs. Spinks 1988, 3.1: Tour de Trump 1989, 4.1: 1987

Donald Trump, 1986 - 2.2: Trump 1987-96

Trump Plaza - 2.2: Trump 1987-96, 3.1: Tyson vs. Spinks 1988, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence, 4.1: 1996

Harrah's Trump Plaza, Atlantic City - 3.1: Harrah's Trump Plaza Opening, Atlantic City 1984

Baccarat at Harrah's - 3.1: Saks Fifth Avenue Catalog 1994-1999, 4.1: 1984

Harrah's Polo - 2.1: 1988, 4.1: 1988

Trump Polo Club - 4.1: 1985

Trump Taj Mahal, Atlantic City - 2.2: Trump 1987-96

Trump, Ivana - 2.2: Trump

A Tribute to the Movies, 1989 - 3.1: Houston Film Fest

Tulane University - 4.1: 1974

Tunnel Club, New York - 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: 1988

Turkey - 2.1: 1975

Turnberry Isle Yacht and Racquet Clubs - 3.1: Turnberry Isle Yacht and Racquet Club, Exhibitions 1982-83

Turner, Tina - 4.1: 1981

Twentieth Century Fox Film Corportation - 2.1: 1976

'21' Club - see restaurants

Two Bar Men, 1965 - see bars

Tyson, Mike - see boxing

U

UCLA LeRoy Neiman Center for the Study of American Society and Culture - 3.1: UCLA, 1998-present

U.S. Army - 1.1: Military Service, see also Army vs. Navy

U.S. Postal Service - 3.1: U.S. Postal Service Superbowl Stamps 1988, 3.1 ov.

U.S. Savings Bonds - 3.1: U.S. Savings Bonds Campaign 1987-88

Edwin A. Ulrich Museum of Art, Wichita State University - 2.1: 1981

The Ultimate Seduction, by Charlotte Chandler - see Chandler, Charlotte

Ultraviolet - see Dufresne, Isabelle

unicorn - see animals: unicorn

Unitas, Johnny - 3.1: Gridiron Football News 1971-73

Johnny Unitas, 1970 drawing - 3.1: Rotonda Superstars 1973-75

Johnny Unitas, 1997 - 3.1: Wheaties 1997

United Airlines - 4.1: 1983

United Cerebral Palsy Association - 4.1: 1988, 1992

United Nations, U.N. Postal Administration - 3.1: United Nations Stamps 1988-96

United States Sports Academy - 2.1: 1989

United Way - 3.1: The Shot Heard 'Round the World, 1991

Universal Geneve Timepieces - 3.1: Universal Geneve Watch Promotion 1995-96

University of California at Los Angeles - see UCLA

University of Chicago - 1.1: Education and Teaching, Miscellaneous, undated

University of Denver - 2.1: 1979

University of Oklahoma - 2.1: 1982

University of San Francisco - 4.1: 1988

University of Southern California - 3.1: Los Angeles Olympics 1984

University of Texas at Austin - 4.1: 1994

Upstairs Gallery - 2.2: Upstairs Gallery 1980-89, 4.1: 1973, 1985, 1989, see also exhibitions

V

Vail, CO - see skiing

Van Der Marck Editions - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

vandalism - 4.1: 1978, see also theft, forgery

Vanity Fair Magazine - 4.1: 1996

Varga, Alberto - see -- Playboy -- Magazine

Vargas, Fernando - see boxing

Variety Clubs International Distinguished Artist Award - 1.1: Awards

Varipapa, Andy - see bowling

Venice, Italy - 2.2: Helmut Drinhaus 1988-2000

Ventura, Jesse - see wrestling

Vernon, Jackie - 3.1: Economic Opportunity Atlanta 1968 ov.

Versace, Gianni - 4.1: 2001

Via Video - 2.1: 1983

Viagem E Tourismo Magazine - 3.1: Brooklyn Bridge, 1995

Victor Awards - 3.1: Victor Awards 1981-1985, 4.1: 2003

Video Magazine - 2.1: undated

Vienna, Austria - 2.1: 1996

Village Nursing Home - 4.1: 1982

W

WNBC - see helicopter

Wajima - 3.1: Hawaii and Japan 1974

Walker, Doug - 3.1: Soft Paintings 1989

Wall Street Journal -- - 4.1: 1969 ov

Walsh, Coach Bill, Bill Walsh, 1993 - 3.1: Bill Walsh, 1993, 4.1: 1993

Ward, Laura - 4.1: 2004, see also Merce Cunningham Studio under "dance"

Warhol, Andy - 3.1: Neiman/Warhol 1981, 3.1: "Art", Group Exhibition at Area, 1985, 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: undated 1980s, 1986, 1987, 1988

Warwick Hotel - see Players Hotel

Washington, Malivai - see tennis

watch - see Classic Moments Watches or Universal Geneve Timepieces

Watergate hearings - 2.1: 1973

Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80, 4.1: 1979

Wayne, George - 4.1: 1996

Webb, Eugene 'Fat Daddy' - 3.1: Economic Opportunity Atlanta 1968 ov.

Webster, Jack - 2.1: 1990, 1992, 1994, 1995

Weeb - see Ewbank, Weeb

Weiner, Claire - 2.1: 1970s, 1987

Weisberg, Tim - 2.1: 1977

Welles, Orson - 4.1: 1989

Welzer, Irv - 1.1: Friars, 2.1: 1977

Wenzel, Lee - 2.1: 1985

West Side Story - see musicals

Westbury Hotel - 2.1: 1978

Westheimer, Dr. Ruth - 4.1: 1999

Wheaties - 3.1: Wheaties 1997

Whitaker, Pernell "Sweet Pea" - see boxing

White House - 2.1: 1978, 1980, 3.1: Newport Jazz Festival 1975-2004, 4.1: 1978, Easter at the White House - 4.1: 1988

Whitney Museum of American Art, Whitney Biennial - 4.1: 1985, 1989

Who's Who - see Marquis Who's Who

Whores, Wars & Tin Pan Alley - 4.1: 1969

The Wildcats, 1978 - 3.1: The Wildcats, 1978 file

wildlife - see animals, LeRoy Neiman On Safari

The Wildlife Experience - 3.1: "LeRoy Neiman on Safari," The Wildlife Experience, Parker, CO, 2003

Williams, Bernie, Bernie Williams, 2003 - 3.1: Bernie Williams, 2003

Williams, Cleveland - see boxing

Williams, Ted -- - see also television: WGBH

The Splendid Splinter - 3.1: Williams at Bat, 1980-1991, 4.1: 1993, 2002

Williams at Bat, 1980 painting and 1991 serigraph - 3.1: Williams at Bat, 1980-1991, 4.1: 1981, 1991, 2002

Win a Few, Lose a Few, 1972 boxing documentary film - 4.1: 1972

Windsor Gallery - 4.1: undated 1970s

wine -- - 4.1: 1997, see also champagne

labels - 3.1: David Frost Wines 2001, 4.1: 1992, 1996, see also golf: Atlanta National Golf Club California Merlot

Wine Country Film Festival - 3.1: Wine Country Film Festival 1990

Wine, Women, and Cigar, 1996 - see cigars

Winged Foot - see golf

Wingmead - 2.2: JoAnn Perse Gallery 1983-02

Winners, 1983 - 2.2: ABC Correspondence, 2.2: Neiman-Marcus 1983-88, 2.2: Sterling/Winters Company 1983-84, 3.1: Hanson Galleries New Orleans and Carmel, 1983-84, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.2: The Ring Magazine

Wisconsin - 2.2: Bobby Hinds 1990-2000

Wittnauer International - see Universal Geneve

Wolf, Martin B. - 4.1: 1964

Wolfberg, Lee - 4.1: undated 1980s

Wolfson, Mr. and Mrs. Robert L. - 4.1: 1967, 1980

Women of Excellence - 2.1: 1985

Women's Basketball Hall of Fame - 3.1: Women's Basketball Hall of Fame, 1993

Women's Sports Foundation - 2.1: 1983

Wood, Jan - 2.1: 1991, 1997, 1998

Wooden, John, Coach John Wooden, 1975 - 2.1: 1975, 1985, 4.1: 2001

Woods, Tiger - see golf

Word, Rob - 4.1: 1977

World Biographical Hall of Fame - 2.1: 1991

World War II - 1.1: Military Service, 4.1: 1998

world wide web - 3.1: LeRoy Neiman Website 1997-present

wrestling -- - 4.1: 1973, 1992, 1999

Baumgartner, Bruce - 2.1: 2001, 4.1: 1999

Schultz, Dave, Dave Schultz, 1996 - 3.1: Dave Schultz 1996

Ventura, Jesse - 3.1: Jesse Ventura 1999

Wyeth, Andrew - 4.1: 1987

Wyland - 4.1: 1993

X

Y

YMCA - 4.1: 1992

Yale University - 4.2: Playboy Parodies - Harvard and Yale

Yarger, Timothy - see exhibitions: Timothy Yarger Fine Art, also Bowles Galleries

The Yearling, by Marjorie Kinnan Rawlings - 4.1: 1994

Yellin, Lou - 2.1: 1991, 1992, 1998

Young, Trip - 4.1: 1970

Youngman, Henny - 1.1: Friars, 2.1: undated, 1987

Henny Youngman, 1987 - 4.1: 1987

Yugoslavia - 4.2: -- Playboy -- 1969, see Appendix

Z

Zabrin, Michael - see Michael Zabrin Fine Art

Zaire - 4.1: 1974, 2000, 2002

Zelaya, Jose - 2.1: 1972, 1973, 1976, 1977

Zeran, Ken - 2.1: 1990, 1991, 3.1: '21' Club, 1990 (photo)

Ziegenfuss Gallery, Sarasota, FL - 4.1: undated 1990s

zoo - 3.2. -- LeRoy Neiman On Safari -- , 1996, Zoo Tour correspondence
Provenance:
The papers of artist LeRoy Neiman were donated to the Archives of American Art in 2005 by LeRoy Neiman.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility. This collection is publication restricted by the donor.
Rights:
Authorization to quote, publish or reproduce requires written permission from: Leroy Neiman Foundation, One West 67th Street, New York, NY 10023; info@leroyneimanfoundation.org
Topic:
Olympics in art  Search this
Painters -- New York (State) -- New York  Search this
Sports artists  Search this
Art -- Study and teaching  Search this
Printmakers -- New York (State) -- New York  Search this
Citation:
LeRoy Neiman papers, 1938-2005. Archives of American Art, Smithsonian Institution
Identifier:
AAA.neimlero
See more items in:
LeRoy Neiman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neimlero

Dorothy C. Miller papers

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Names:
Betty Parsons Gallery  Search this
Chase Manhattan Bank -- Art collections  Search this
Federal Art Project  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Mark Rothko Foundation  Search this
Municipal Art Exhibition (1st : 1934 : New York, N.Y.)  Search this
PepsiCo, inc  Search this
Port Authority of New York and New Jersey -- Art collections  Search this
Rockefeller University  Search this
Smith College -- Students  Search this
Smith College. Museum of Art  Search this
World Trade Center (New York, N.Y.) -- Art collections  Search this
Asher, Elise, 1914-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bontecou, Lee, 1931-  Search this
Byars, James Lee  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Canady, John  Search this
Charlton, Maryette  Search this
Christo, 1935-  Search this
Chryssa, 1933-  Search this
Coggeshall, Calvert, 1907-1990  Search this
Copley, Alfred L.  Search this
Davis, Stuart, 1892-1964  Search this
DeFeo, Jay, 1929-1989  Search this
Feininger, Lyonel, 1871-1956  Search this
Feitelson, Lorser, 1898-1978  Search this
Gorky, Arshile, 1904-1948  Search this
Guggenheim, Peggy, 1898-  Search this
Hartigan, Grace  Search this
Hicks, Edward, 1780-1849  Search this
Horwitt, Will  Search this
Johns, Jasper, 1930-  Search this
Karpel, Bernard, 1911-1986  Search this
Levy, Julien  Search this
Mather, Eleanore Price, 1910-  Search this
Matisse, Pierre, 1900-1989  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Picasso, Pablo, 1881-1973  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979 -- Art collections  Search this
Rothko, Mark, 1903-1970  Search this
Sage, Kay  Search this
Scharf, William, 1927-  Search this
Sheeler, Charles, 1883-1965  Search this
Sterne, Hedda, 1910-2011  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
34.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Christmas cards
Drawings
Date:
1853-2013
bulk 1920-1996
Summary:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.
Scope and Content Note:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.

Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.

Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.

Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, Art At Work: Chase Manhattan Bank Collection. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art.

Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing Edward Hicks: His Peaceable Kingdom and Other Paintings. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center.

Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.

The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.
Arrangement:
The collection is arranged as 15 series:

Series 1: Biographical Material, 1917-1986 (Box 1; 0.3 linear ft.)

Series 2: Correspondence and Subject Files, circa 1912-1992 (Boxes 1-8, OV 27; 7.2 linear ft.)

Series 3: Rockefeller Family Art Collections, circa 1949-1985 (Boxes 8-12, 25; 3.9 linear ft.)

Series 4: Rockefeller University Collection, 1923-1984 (Boxes 12-13, OV 27; 1.0 linear ft.)

Series 5: Chase Manhattan Bank Collection, 1959-circa 1985 (Boxes 13-14, 26; 1.4 linear ft.)

Series 6: Port Authority of New York and New Jersey Art Committee, circa 1965-1987 (Boxes 14-15, OV 27; 0.8 linear ft.)

Series 7: Other Corporate and Private Clients, 1968-1984 (Boxes 15-16; 1.3 linear ft.)

Series 8: Other Boards, Committees and Commissions, 1925, 1949-1985 (Boxes 16-20; 3.6 linear ft.)

Series 9: Works Project Administration Federal Art Project Files, 1935-1979 (Box 20, OV 27; 0.5 linear ft.)

Series 10: Edward Hicks Catalog, 1934-1984 (Boxes 20-22; 1.5 linear ft.)

Series 11: Research Files, 1930s-1980 (Boxes 22-23; 0.8 linear ft.)

Series 12: Exhibition Files, 1932-1986 (Box 23; 0.6 linear ft.)

Series 13: Works of Art, circa 1924-circa 1982 (Boxes 23-25; 1.5 linear ft.)

Series 14: Photographs, 1926-circa 1970s (Boxes 24-25; 0.3 linear ft.)

Series 15: Addition to the Dorothy C. Miller Papers, 1853-2003, bulk 1920-1996 (Boxes 28-38, OVs 39-41; 9.9 linear ft.)
Biographical Note:
Dorothy Canning Miller (1904-2003) worked in New York City as a highly influential curator of contemporary and folk art at the Museum of Modern Art and as the first curator of the museum. Later, she was the primary art consultant for Nelson A. Rockefeller, the Rockefeller family, Rockefeller University, Chase Manhattan Bank, and the Port Authority of and New Jersey. Dorothy Miller was also married to Holger Cahill, director of the WPA Federal Art Project.

Dorothy C. Miller was born in Hopedale, Massachusetts in 1904 and received her Bachelor of Arts from Smith College in 1925. She was first introduced to modern art through classes at the Newark Museum taught by John Cotton Dana and Holger Cahill. Miller joined the curatorial staff of the Newark Museum in 1926. The museum was one of the first to organize exhibitions of American folk art, American Primitives (1930-1931) and American Folk Sculpture (1931-1932). Miller worked with Cahill and others on the exhibition and developed a life-long interest in folk art.

After four years at the Newark Museum, Miller moved to New York city, hoping to get involved with the newly opened Museum of Modern Art (MoMA), and, likely, to be with Holger Cahill, with whom she lived with on 8th Street prior to their marriage in 1938. Between 1930 and 1932 she took odd jobs and worked with Mrs. Henry Lang cataloging, researching and installing Lang's collection of Native American art Lang donated to the Montclair Art Museum. At the same time, Holger Cahill was serving as Acting Director of the Museum of Modern Art during an absence of Director Alfred H. Barr. In 1932, Cahill asked Miller to assist him with curating the American Painting and Sculpture, 1862-1932 exhibition at MoMA, and together they also curated the First Municipal Art Exhibition, 1934 at the Rockefeller Center.

In 1934, Barr hired Miller as his assistant and one year later appointed her as MoMA's first curator. Miller spent the next 35 years organizing many of this country's most important exhibitions of contemporary art and building personal relationships with new artists and photographers, as well as the collections of MoMA. Miller retired from MOMA in 1969 and focused more on her art consulting work begun in the late 1950s.

Dorothy Miller's most notable client was Nelson A. Rockefeller. She assisted and advised Rockefeller as he acquired a vast personal collection of modern art - some of which was later donated to MoMA. Just prior to her retirement, Miller organized a large exhibition of Rockefeller's collection. The exhibition catalog written by Miller was the basis for the book she worked on with Rockefeller up until and following his death in 1979, ultimately published as The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. In the preface, Rockefeller credited Miller with being one of the four people to whom he was indebted "for the understanding and endless joy I have found in the collecting of modern art in all forms."

Miller also served as the primary art consultant for projects to furnish federal spaces, including Henry Kissinger's State Department office suite, and the official Vice-Presidential residence at the Admiral's House in Washington D.C.

In 1959 Miller was invited to join the art collection committee of the Chase Manhattan Bank and served on the committee until the mid-1980s, contributing her expertise to the development of one of this country's oldest and largest corporate collections of modern and contemporary art.

Miller was also an advisor to other members of the Rockefeller family, including David Rockefeller, and assisted with developing the art collections of Rockefeller Institute/University. From 1960 through the late 1980s Miller was a member of the art committee for the Port Authority of New York and New Jersey (PANJY) and was responsible for selecting much of the artwork for the World Trade Center in the 1970s. She served on numerous boards and commissions, including the Hancock Shaker Village, the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden, the Empire State Plaza in Albany, Smith College Museum of Art, and the Museum of American Folk Art. She also became a member of the Mark Rothko Foundation Board of Directors after the litigation following Rothko's death between Rothko's executors and his daughter.

In the mid-1970s Miller assisted the Whitney Museum of American with planning an exhibition and supporting catalog of the work of folk artist Edward Hicks. Although the exhibition and catalog were only partially realized in 1980, Miller and Eleanore Price Mather compiled and published a book on Hicks, Edward Hicks: His Peaceable Kingdoms and Other Paintings, published in 1983.

In 1982-1983 Miller received the Art Dealers Association Special Award, an honorary degree from Williams College, and the Skowhegan School of Painting and Sculpture governor's award. In 1984 she was named honorary trustee of the Museum of Modern Art. In 1985 the Smith College Museum of Art honored her important contributions to museum connoisseurship with the exhibition Dorothy C. Miller: With An Eye to American Art.

Dorothy Miller died in 2003 at the age of 99 at her home in Greenwich, New York.
Related Material:
The Archives of American Art holds two oral history interviews with Dorothy C. Miller. The first was conducted by Paul Cummings between May 26, 1970 and September 28, 1971, and details Miller's life from childhood up to, and including, her years at the Museum of Modern Art. The second was conducted by Avis Berman on May 14, 1981 and covers Miller's relationships with Mark Rothko and Clyfford Still. Also found among the holdings of the Archives are the papers of Holger Cahill, Dorothy Miller's husband and colleague.

The Museum of Modern Art Achives holds Dorothy Miller's papers related to her curatorial work at the museum.
Provenance:
The collection was donated by Dorothy C. Miller via Wendy Jeffers between 1986 and 1997, and Reid White, Executor of Miller's estate, in 2004. Two subsequent additions were donated by Wendy Jeffers in 2014 and 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Dorothy C. Miller papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- United States  Search this
Art, Modern -- 20th century  Search this
Art historians -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art museum curators -- New York (State) -- New York  Search this
Corporations -- Private collections  Search this
Art -- Private collections  Search this
Folk art  Search this
Genre/Form:
Photographs
Sketches
Christmas cards
Drawings
Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.milldoro
See more items in:
Dorothy C. Miller papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-milldoro
Online Media:

Katharine Kuh papers

Creator:
Kuh, Katharine  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Biennale di Venezia  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Albright, Ivan, 1897-1983  Search this
Archipenko, Alexander, 1887-1964  Search this
Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this
Arensberg, Walter, 1878-1954  Search this
Arp, Jean, 1887-1966  Search this
Barnet, Will, 1911-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Biddle, George, 1885-1973  Search this
Breuer, Marcel, 1902-  Search this
Calder, Alexander, 1898-1976  Search this
Campoli, Cosmo  Search this
Chagall, Marc, 1887-  Search this
Chavez Morado, José, 1909-2002  Search this
Chermayeff, Serge, 1900-  Search this
Cornell, Joseph  Search this
Cox, Richard  Search this
Davis, Stuart, 1892-1964  Search this
Day, Worden, 1916-1986  Search this
De Kooning, Willem, 1904-  Search this
Dickinson, Edwin Walter, 1891-  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Ernst, Jimmy, 1920-1984  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Friendly, Fred W.  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Goto, Joseph, 1920-  Search this
Grabe, Klaus  Search this
Graves, Robert, 1895-1985  Search this
Guggenheim, Peggy, 1898-  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-  Search this
Hare, Denise Browne  Search this
Hayter, Stanley William, 1901-1988  Search this
Hirshhorn, Joseph  Search this
Hofmann, Hans, 1880-1966  Search this
Hélion, Jean, 1904-1987  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Juliet  Search this
Klee, Paul, 1879-1940  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Le Corbusier, 1887-1965  Search this
Lundeberg, Helen, 1908-1999  Search this
Lye, Len, 1901-1980  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Millier, Arthur, 1893-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Motherwell, Robert  Search this
Mérida, Carlos, 1891-1984  Search this
Nutting, Muriel Leone Tyler, b. 1892  Search this
Nutting, Myron Chester, 1890-1972  Search this
O'Higgins, Pablo, 1904-  Search this
Orozco, José Clemente, 1883-1949  Search this
Ozbekhan, Hasan, 1921-2007  Search this
Perkins, Frances  Search this
Picasso, Pablo, 1881-1973  Search this
Putnam, Wallace, 1899-1989  Search this
Ray, Man, 1890-1976  Search this
Rich, Daniel Catton, 1904-1976  Search this
Rothko, Mark, 1903-1970  Search this
Sandberg, Carl  Search this
Seligmann, Kurt, 1900-1962  Search this
Shackelford, Shelby  Search this
Shahn, Ben, 1898-1969  Search this
Spaeth, Otto, d. 1966  Search this
Sterne, Hedda, 1916-  Search this
Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this
Still, Clyfford, 1904-  Search this
Tanning, Dorothea, 1910-2012  Search this
Tobey, Mark  Search this
Winston, Harry Lewis  Search this
Woolf, Olga  Search this
Young, Victor  Search this
Photographer:
Pollack, Peter, 1909-1978  Search this
Extent:
12 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Date:
1875-1994
bulk 1930-1994
Summary:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.
Scope and Content Note:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.

Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and The Saturday Review. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.

There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.

Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.

Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, Technics and Creativity, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.

Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics.

Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.

Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for The Saturday Review, exhibition announcements and catalogs, calendars of events, programs, brochures, books including Poems by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.

Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.

Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.

Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.

Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.

Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
Arrangement:
The collection is arranged as 9 series. Undated correspondence, artwork, and photographs of individual artists are arranged alphabetically. Otherwise, each series is arranged chronologically.

Series 1: Biographical Material, 1945-1992 (Box 1; 16 folders)

Series 2: Correspondence, 1908-1994 (Boxes 1-5, 13-14, OV 15; 4.0 linear feet)

Series 3: Personal Business Records, 1941-1989 (Box 5; 19 folders)

Series 4: Artwork, 1931-1986 (Boxes 5, 13-14, OVs 15-23; 1.7 linear feet)

Series 5: Notes and Writings, 1914-1994 (Boxes 5-7; 1.7 linear feet)

Series 6: Scrapbooks, 1935-1953 (Box 7; 8 folders)

Series 7: Printed Material, 1916-1992 (Boxes 7-10, 13, OV 22; 3.0 linear feet)

Series 8: Photographs, 1875-1993 (Boxes 10-13; 1.2 linear feet)

Series 9: Audio Recordings, 1977 (Box 12; 1 folder)
Biographical Note:
Katharine Kuh (1904-1994) worked primarily in the Chicago area as an modern art historian, dealer, critic, curator, writer, and consultant. She operated the Katharine Kuh Gallery from 1935-1943 and was the first woman curator of European and Art and Sculpture at the Art Institute of Chicago.

Katharine Kuh (née Woolf) was born on July 15, 1904 in St. Louis, Missouri, the youngest of the three daughters of Olga Weiner and Morris Woolf, a silk importer. In 1909, the family moved to Chicago, Illinois. While traveling with her family in Europe in 1914, Katharine contracted polio, causing her to spend the next decade in a body brace. During this time of restricted movement, she developed an interest in art history through the collecting of old master prints.

After her recovery, Katharine Woolf attended Vassar College where one of her professors, Alfred Barr, encouraged her to study modern art. She graduated from Vassar in 1925 and received a master's degree in art history from the University of Chicago in 1929. Later that year, she moved to New York to pursue a Ph.D. in Renaissance and medieval art at New York University.

In 1930, Katharine Woolf returned to Chicago and married businessman George Kuh and began to teach art history courses in the suburbs of Chicago. After divorcing George Kuh in 1935, she opened the Katharine Kuh Gallery, the first gallery devoted to avant-garde art in Chicago. It was also the first gallery to exhibit photography and typographical design as art forms, and featured the work of Ansel Adams, Josef Albers, Alexander Calder, Wassily Kandinsky, Fernand Léger, and Man Ray, among others. From 1938 to1940, Kuh was the Visiting Professor of Art at the University School of Fine Arts, San Miguel, Mexico.

After the Katharine Kuh Gallery closed in 1943, Kuh was hired by museum director Daniel Catton Rich to fill a position in public relations at the Art Institute of Chicago. During the following years, Kuh edited the museum's Quarterly publication, took charge of the museum's Gallery of Interpretive Art, and began a long term relationship with Rich. In 1946, Kuh was sent on a special mission for the U. S. Office of Indian Affairs to make a detailed study of Native American totemic carvings in Alaska.

In 1949, Kuh persuaded Mr. and Mrs. Walter Arensberg of Los Angeles to exhibit their collection of modern art, creating the first post-war exhibition of modern art in Chicago. She published her first book Art Has Many Faces in 1951, and in the following year, she began writing art criticism for The Saturday Review. In 1954, Kuh was appointed the first woman curator of European Art and Sculpture at the Art Institute. She assembled the American contribution for the Venice Biennale in 1956 and during these years, Kuh helped acquire many of the works of modern art currently in the museum's collection.

A year following Daniel Catton Rich's 1958 resignation from the Art Institute of Chicago, Kuh also resigned and pursued a career in New York as an art collection advisor, most notably for the First National Bank of Chicago. In 1959, Kuh was made art critic for The Saturday Review, and she continued to publish books, including The Artist's Voice in 1962, Break-Up: The Core of Modern Art in 1965, and The Open Eye: In Pursuit of Art in 1971.

Katharine Kuh died on January 10, 1994 in New York City.
Provenance:
The Katharine Kuh papers were donated in several installments from 1971 to 1989 by Katharine Kuh and in 1994 by her estate. Artwork was donated in 1995 by Kuh's former employer, the Art Institute of Chicago.
Restrictions:
Authorization to quote, publish or reproduce requires written permission until 2019. Contact the Archives of American Art Reference Services department for additional information.
Rights:
The Katharine Kuh papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Abstract -- United States  Search this
Art, American  Search this
Art festivals  Search this
Women museum curators -- Illinois -- Chicago  Search this
Women art critics -- New York (State) -- New York  Search this
Authors -- Illinois -- Chicago  Search this
Art, Modern -- 20th century -- United States  Search this
Art galleries, Commercial -- Illinois -- Chicago  Search this
Women art historians -- Illinois -- Chicago  Search this
Women art dealers -- Illinois -- Chicago  Search this
Women art dealers -- New York (State) -- New York  Search this
Women art critics -- Illinois -- Chicago  Search this
Genre/Form:
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Citation:
Katharine Kuh papers, 1875-1994, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhkath
See more items in:
Katharine Kuh papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuhkath

Robert Bruce Inverarity papers

Creator:
Inverarity, Robert Bruce, 1909-1999  Search this
Names:
Federal Art Project (Calif.)  Search this
Federal Art Project (Ill.)  Search this
Federal Art Project (Iowa)  Search this
Federal Art Project (N.Y.)  Search this
Federal Art Project (Or.)  Search this
Federal Art Project (Utah)  Search this
Federal Art Project (Wash.)  Search this
Museum of International Folk Art (N.M.)  Search this
Deutsch, Hilda, 1911-  Search this
Duchamp, Marcel, 1887-1968 -- Photographs  Search this
Graves, Morris, 1910- -- Photographs  Search this
Morris, Carl, 1911-1993  Search this
Ray, Man, 1890-1976 -- Photographs  Search this
Tobey, Mark  Search this
Extent:
13.8 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sound recordings
Sketchbooks
Interviews
Photographs
Drawings
Place:
United States -- Economic conditions, 1918-1945 -- Washington (State)
Date:
circa 1840s-1997
Summary:
The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 12.7 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs are found within the papers. They document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his other professional work. Nineteenth century material consists of a Japanese print, printed material, and photographs.
Scope and Content Note:
The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 13.8 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs are found within the papers. They document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his other professional work. Nineteenth century material consists of a Japanese print, printed material, and photographs.

Among the biographical information are awards and certificates, biographical and genealogical notes, and educational records. Correspondence concerns Inverarity's activities as Director of the WPA Federal Arts Project in Washington State, 1936-1941. Additional personal and professional correspondence, 1929-1993, documents his activities as a museum director, consultant, collector, and writer. Among the friends and colleagues with whom he corresponded are: Max Ernst and Dorothea Tanning, Rockwell and Sally Kent, Stanton MacDonald-Wright, Wolfgang Palen, Juliet and Man Ray, Mark Tobey, Edward Weston, and various individuals associated with the WPA.

Manuscripts of a few of Inverarity's many articles on topics such as anthropology, museology, and information storage and retrieval are among his writings and notes. Also included are the manuscript of an unpublished book, Tobey Remembered, along with drafts, notes, correspondence, research materials, and photocopies of Tobey's letters to him and others. Other writings consist of book reviews, children's books, a catalog of the Inverarity Collection, and a copy of his 1946 master's thesis, "The Social-Economic Position of the American Artist." Several journals, 1928-1966, survive, including one that records his 1932 trip to study the Haida Indians of the Queen Charlotte Islands.

Subject files include general subjects such as "Folk Art" and "Preservation." Files on the museums where Inverarity was the director contain some official records as well as general information. Art work by Inverarity includes eight volumes of sketch books, 1928-1942, commercial work for Boeing, notes and drawings for book designs. Among the work by other artists are drawings, paintings and prints by friends. Of particular interest are display panels for a small exhibit on airbrush stencil prints produced by the Washington State WPA Federal Art Project. Other noteworthy items are pencil sketches and a watercolor by Mark Tobey, and prints by Hiroshige and Jan Matulka.

Five scrapbooks, 1928-1979, contain newspaper clippings, miscellaneous printed items, and a small number of photographs and letters. Three volumes document his career as an artist and museum director. One consists of biographical information and items designed by Inverarity, and another concerns publication and marketing of his monograph Art of the Northwest Coast Indians.

Sound recordings consist of interviews and conversations. An extensive interview with Inverarity about his life and career was conducted by Craig Gilborn in 1990. Bruce and Jane Inverarity in conversation with former colleague Ernie Johnson and his wife Helen about his departure from the Museum of International Folk Art were recorded in 1980. Also included is a 1981 conversation with Grace T. Stevenson containing references to Mark Tobey and Morris Graves.

Printed material includes many items about or produced by the WPA Federal Art Project. Among the items written by Inverarity are many articles on a wide variety of topics, his book Art of the Northwest Coast Indians, and two published portfolios. Printed material by other authors includes articles, books and reports about or mentioning Inverarity, and books designed or illustrated by him. Among the miscellaneous printed items are catalogs and brochures of the schools where Inverarity taught and studied, and a few ephemeral items designed by him.

Photographs are of art work, people, places, the Washington State WPA Federal Art Project, and miscellaneous subjects. All photographs known to be by Inverarity are clearly marked. Art work includes views of Inverarity's collection of his own work and that of other artists hanging in his home. Photographs of people include artists, friends, colleagues, and various groups. Of special interest are Inverarity's portraits of artists, among them Marcel Duchamp, Max Ernst, Morris Graves, Hilaire Hiler, Rico Le Brun, Stanton Macdonald-Wright, Man Ray, Dorothea Tanning, and Mark Tobey. Photographs of places include the museums where Inverarity was director, places in which he lived, and travel pictures. Of note are a large group of photographs (copy prints) taken in 1932 while studying the Haida Indians in British Columbia. Nineteenth century photographs of family homes, Europe, and South America may have been taken by his father. Photographs of the Washington State WPA Federal Arts Project are of individual works of art, exhibition installations, mosaic procedures and local art centers. Many, probably intended for display, are mounted in groups on large cardboard panels. Miscellaneous subjects include art photographs by Inverarity and the microreader he invented.
Arrangement:
The collection is arranged as nine series. Correspondence is in chronological order, Biographical Information and Subject Files are arranged alphabetically by folder title. Other series have been organized into subseries and arrangement is as described in the Series Descriptions/Container List below. Unless noted otherwise, material within folders is arranged chronologically.

Series 1: Biographical Information, 1934-1997, undated (Box 1, OV 18; 0.25 linear ft.)

Series 2: Correspondence, 1928-1993, undated (Box 1; 0.75 linear ft.)

Series 3: Writings and Notes, 1928-1993, undated, (Boxes 2-3; 1.5 linear ft.)

Series 4: Subject Files, 1938-1990, undated (Boxes 3-6, OV 19-20; 2.5 linear ft.)

Series 5: Art Work, circa 1840s-1969, undated (Boxes 6, 12, 16, OV 21; 1.3 linear ft.)

Series 6: Scrapbooks, 1928-1991, undated (Boxes 7-8; 1.1 linear ft.)

Series 7: Sound Recordings, 1980-1990 (Box 8; 3 folders)

Series 8: Printed Material, 1902-1995, undated (Boxes 8-11, 13, OV 22; 3.4 linear ft.)

Series 9: Photographs, circa 1870s-1990, undated (Boxes 11, 14-17, OV 23; 3.0 linear ft.)
Biographical Note:
Robert Bruce Inverarity (1909-1999) showed artistic leanings as a boy, and from an early age was fascinated by puppetry and Northwest Coast native culture. During much of his youth, Inverarity's family lived in Canada, but returned to their native Seattle when he was a teenager. After graduating from high school, he made a 500 mile journey on foot along the coasts of the Vancouver Islands, collecting Indian artifacts and studying the area's tribal legends.

He studied briefly with Mark Tobey in Seattle, where the two shared a studio; when Tobey departed for Chicago, Inverarity succeeded him as an art teacher at the Cornish School. He spent the next few years in California working as an artist, exhibiting, and occasionally teaching. From there, he moved to Vancouver where he was Director of the School of Creative Art. In 1932, Inverarity made a three month trip to the Queen Charlotte Islands, British Columbia, for the purpose of studying the Haida Indians.

Upon his return to the United States in 1933, Inverarity joined the University of Washington Drama School as a puppetry instructor; in 1938 he published a highly regarded Manual of Puppetry. During 1936-37, he took a leave of absence from the university to assume the position of State Director of the Federal Art Project, where he remained until 1939. He then became State Director of the Art and Crafts Project (1939-1941). The U.S. Navy appointed Inverarity Chief of Design for Camouflage (1941-1943) and he later served as an Official Navy War Artist (1943-1945).

During his early years as a teacher and administrator, Inverarity continued making art and participated in a wide variety of exhibitions. He published a portfolio, 12 Photographs by R. B. Inverarity (1940). In the following year, Movable Masks and Figures of the North Pacific Coast Indians, a portfolio of his watercolors reproduced as silkscreen prints, appeared. Although Inverarity stopped exhibiting in 1941, he continued to produce art; notable work of this period includes photographic portraits of a number of artist friends (Max Ernst, Dorothea Tanning, Marcel Duchamp, and Man Ray).

After World War II, Inverarity completed his formal education. He earned a Bachelor's degree in art and anthropology from the University of Washington (1946), and then studied with Hilaire Hiler at Freemont University in Los Angeles, where he was awarded a Master's degree in fine arts (1947) and a Ph.D. (1948).

Inverarity began his museum career in 1949 when he was appointed the first director of the Museum of International Folk Art in Santa Fe, New Mexico, a position that combined his interest in, and knowledge of, anthropology and art. While in Santa Fe, he published Art of the North West Coast Indians (1950). During his five year tenure as director, the museum participated in a pilot study for coding visual files, a project of the anthropological group, Human Resources Area Files, Inc. When Inverarity was dismissed from the Museum of International Folk Art in 1954, most of the staff resigned in protest, and the American Association of Museums investigated the situation.

Inverarity then became the first director of the Adirondack Museum, Blue Mountain Lake, New York, where he remained for eleven years. In addition to planning the museum's building, and developing collections and programs, Inverarity continued his involvement with the visual files project of the Human Resources Area Files, Inc., studying information storage and retrieval, developing a "microreader," and publishing Visual Files Coding Index (1960). In addition, he published many articles on a variety of topics and was active in organizations for anthropologists and museum professionals.

After his 1965 departure from the Adirondack Museum, Inverarity went to California and worked as an illustrator and book designer at the University of California Press. He returned to the east coast in 1969 to assume the directorship of the Philadelphia Maritime Museum. During this period, he remained active in professional associations and traveled to study museums abroad. He retired in 1976 and moved to La Jolla, California.

Robert Bruce Inverarity died in 1999.
Separated Material:
Originals of most of the drawings and sketches loaned by Mr. Inverarity were returned to him after filming and were not subsequently donated. This material is available on 35 mm microfilm reel D/NDA/I, frames 392-409.
Provenance:
Robert Bruce Inverarity donated his papers to the Archives in several installments between 1965 and 1993. Additional papers were received from his estate in 1999. He also loaned a small number of additional drawings and sketches for microfilming which were returned to him. A few of these drawings were included with the papers he subsequently donated to the Archives of American Art.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Robert Bruce Inverarity papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Puppet theater  Search this
New Deal, 1933-1939 -- Washington (State)  Search this
Works of art  Search this
Arts administrators  Search this
Painters  Search this
Federal aid to the arts -- Washington (State)  Search this
Art and state -- Washington (State)  Search this
Genre/Form:
Scrapbooks
Sound recordings
Sketchbooks
Interviews
Photographs
Drawings
Citation:
Robert Bruce Inverarity papers, circa 1840s-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.inverobe
See more items in:
Robert Bruce Inverarity papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-inverobe
Online Media:

Frederick Hammersley papers

Creator:
Hammersley, Frederick, 1919-2009  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Hoshour Gallery  Search this
L.A. Louver Gallery  Search this
Modernism (Gallery)  Search this
Pomona College (Claremont, Calif.)  Search this
Benjamin, Karl  Search this
Brice, William, 1921-2008  Search this
Chuey, Robert  Search this
Hammersley, Anna Westberg  Search this
Hammersley, Harold  Search this
Lebrun, Rico, 1900-1964  Search this
McLaughlin, John, 1898-  Search this
Nowells, Lu  Search this
Stone, Susie  Search this
Extent:
34.75 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Drawings
Greeting cards
Scrapbooks
Sketches
Interviews
Photographs
Lectures
Prints
Essays
Sketchbooks
Lecture notes
Sound recordings
Video recordings
Designs
Visitors' books
Awards
Place:
Europe -- Description and Travel -- Photographs
Date:
circa 1860-2009
bulk 1940-2009
Summary:
The papers of Los Angeles Abstract Classicist painter and educator Frederick Hammersley measure 34.75 linear feet and date from circa 1860-2009, bulk 1940-2009. The papers contain biographical materials, 32 diaries, family and professional correspondence, personal business and financial records, estate records, writings, graphic design projects, teaching files, printed materials, scrapbooks, photographs, and works of art.
Scope and Contents:
The papers of Los Angeles Abstract Classicist painter and educator Frederick Hammersley measure 34.75 linear feet and date from circa 1860-2009, bulk 1940-2009. The papers contain biographical materials, 32 diaries, family and professional correspondence, personal business and financial records, estate records, writings, graphic design projects, teaching files, printed materials, scrapbooks, photographs, and works of art. 2015 and 2018 additions include a diary possibly written by Hammersley's mother, photograph albums and photographs, sketches and block prints, computer printouts, and hand painted grid color boxes used by Hammersley in teaching color theory.

Biographical materials include resumes and biographies, calendars, military records, family genealogies, school records, high school and college yearbooks, and awards. There are also sound and video recordings of talks, interviews, and television appearances. Scattered materials relating to Hammersley's parents, Anna Westberg Hammersley and Harold Hammersley, are also found in the series.

Correspondence consists of letters from family and close friends as well as business correspondence with collectors and professional art associations. Family correspondents include Hammersley's immediate family and aunts and cousins. Additional noteworthy correspondents include fellow artists Karl Benjamin, William Brice, Robert Chuey, Rico Lebrun, and John McLaughlin, among others.

There are 23 diaries written by Frederick Hammersley dating from 1935-2008, with a gap spanning 1954-1972. Also found are six diaries written by Harold Hammersley dating from 1940-1959 and three by Anna Hammersley from 1909-1965.

Hammersley's writings include college class notes, essays, poetry, lecture notes, grant applications, and proposals. There are also sound recordings of lectures and talks as well as drafts and a final copy of an article published in the journal Leonardo in 1970.

Teaching files consist of class lecture notes, student evaluations, and grade books for classes likely taught at Pomona University and the Chouinard Art Institute.

Graphic design projects contain materials from Hammersley's company Handsome Cards for which he designed greeting and holiday cards. Also included are various freelance designs and draft designs for exhibition catalogs. General financial and business records focus on Hammersley business relationships and transactions with galleries and museums and his efforts to promote his art. Galleries and museums represented in the files include Modernism Gallery (San Francisco), L.A. Louver Gallery (Venice, California), and Hoshour Gallery (Albuquerque). This series also contains tax returns and expense ledgers. Also found are scattered materials from the household of Anna and Harold Hammersley.

Estate records are found for Frederick Hammersley, Susie Hammersley Stone, Anna and Harold Hammersley, Frederick Hammersley Sr., Mrs. E. Hammersley, Maude Eliza Hammersley, Dorothy Hutchinson Hammersley, and Basil Edward Pratt. These files include wills and yearly financial reports.

Printed material consists of newspaper and magazine clippings, exhibition catalogs and announcements, and printed copies of Hammersley's graphic designs. The series is extensive and contains clippings and exhibition material that represents Hammersley's entire career as an artist. Also found are packets of printed materials created by Hammersley to represent the careers of his friends and colleagues.

Scrapbooks consist of eleven "scrapfiles," postcard albums, and clippings scrapbooks created by Frederick Hammersley and Anna Hammersley. Scrapfiles refers to the original title created by the Hammersleys. Frederick's scrapbooks contain clippings of art, criticisms of his work, and news mentions of his career. Anna's scrapbooks contain one postcard album and 4 scrapbooks and scrapfiles of news clippings relating to subjects of her personal interest.

Photographs include snapshots of Hammersley; images of Hammersley with family and friends; travel photographs, many of them taken in Europe during World War II; photographs of exhibitions; and photographs of Hammersley's artwork. Most of the photographs were labeled and dated by Hammersley. There are six photo albums created by Frederick Hammersley and four albums compiled by his parents Harold and Anna Hammersley.

Artwork consists of Hammersley's sketchbooks, drawings, and paintings from high school and college classes, designs for exhibition catalogs, and cards and printouts for his computer drawings series. Also included are geometric color studies on panel and artwork for a bank mural proposal from 1977. Drawings and design work by Susie Stone, Hammersley's sister are also included, as well as two works by Lu Nowels.
Arrangement:
The collection is arranged as 12 series.

Series 1: Biographical Material, 1919-2008 (2.5 linear feet; Box 1-3, 31, 33, 37)

Series 2: Correspondence, circa 1900-2009 (3.1 linear feet; Box 3-6, 37)

Series 3: Diaries, 1909-2008 (2.1 linear feet; Box 6-8, 37)

Series 4: Writings, Lectures, and Notes, circa 1940-2009 (0.6 linear feet; Box 8-9, 37)

Series 5: Teaching Files, circa 1950-1993 (0.2 linear feet; Box 9)

Series 6: Graphic Design Projects, circa 1945-1980 (0.4 linear feet; Box 9-10, 31)

Series 7: Personal Business and Financial Records, 1897-2008 (3.2 linear feet; Box 10-13, 24, 33, 35, 37)

Series 8: Estate Records, 1898-2001 (0.7 linear feet; Box 13, 24, 37)

Series 9: Printed Material, 1945, 2011 (3.6 linear feet; Box 13-17, 31, 37, 42, OV45)

Series 10: Scrapbooks, circa 1890-1960s (3.3 linear feet; Box 17-18, 25-29)

Series 11: Photographs, circa 1860s-2007 (10.7 linear feet; Box 18-23, 29-31, 37-43)

Series 12: Artwork and Artifacts, 1934-2009 (3.2 linear feet; Box 22, 31-32, 35, 38, 42, 44, OV46-56)
Biographical / Historical:
Painter, graphic designer, and educator Frederick Hammersley (1919-2009) spent most of his career in Los Angeles and New Mexico. He is closely associated with the hard-edge abstraction painting style of the Abstract Classicists of Southern California.

Hammersley was born on January 5, 1919 to Anna Westberg and Harold Hammersley in Salt Lake City, where his father worked for the U.S. Department of the Interior. The family lived in Utah and Idaho before finally settling in San Francisco. Hammersley attended the University of Idaho and later enrolled in the Academy of Advertising Art in San Francisco. In 1940, Hammersley began taking classes at the Chouinard Art Institution in Los Angeles.

Hammersley's studies were interrupted by World War II military service from 1942 to 1946. He was stationed first in Paris as a draftsman in the Signal Corp and was eventually promoted to Army sargeant in the Office of Military Government in Berlin. While in Paris, he visited Picasso's studio several times and also took classes at the Ècole des Beaux Arts at the end of the war. When he returned home in 1946, the GI Bill subsidized his final year of study at Chouinard, now the California Institute of Arts, and three years at the Jepson Art Institute in Los Angeles.

Hammersley made his living as an art professor in California for twenty years, where he taught at the Jepson Art Institute and Pomona College in Claremont. He moved to Albuquerque after accepting a teaching position at the University of New Mexico in 1968. In 1971, Hammersley resigned his teaching position and devoted himself to painting.

Hammersley's reputaton as a painter began in 1948 when one of his small paintings was accepted in an annual exhibition at the San Francisco Museum of Modern Art. In 1958, several of his works were included in the seminal exhibition Four Abstract Classicists, organized by Jules Langsner and Peter Selz and shown at the Los Angeles County Museum of Art. Hammersley, and fellow painters Lorser Feitelson, Karl Benjamin, and John McLaughlin, were dubbed the "hard-edged painters," whose style consisted of flat, colored geometric shapes that were a sharp contrast to the more popular Abstract Expressionism. The label stuck and in the mid 1970s, Hammersley submitted several works of art for a show called L.A. Hard Edge, a show that featured art from the 1950s and 1970s.

During the late 1970s and 1980s, Hammersley exhibited in several one-man shows, including at L.A. Louver in Venice, California, the Hoshour Gallery in Albuquerque, and the Corcoran in Washington, D.C. In 2000, the Laguna Art Museum presented a traveling exhibition organized by the Museum of Fine Arts in Sante Fe, and the Pomona College Museum of Art organized a retrospective in 2007. His work is in museum collections across the country, including the Los Angeles County Museum of Art (LACMA), the San Francisco Museum of Modern Art, the Santa Barbara Museum of Art, the Albright-Knox Art Gallery in Buffalo, and the Corcoran Gallery of Art. Hammersley died in 2009 at the age of 90. He was survived by his sister, Susie Hammersley Stone.
Related Materials:
The Archives of American Art also holds the Tamara Webster papers relating to Frederick Hammersley.
Provenance:
Frederick Hammersley donated his papers to the Archives of American Art in nine accessions from 1974 to 2008. The Frederick Hammersley Foundation donated additional papers in 2012, 2015, and 2018 via Executive Director Kathleen Shields.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Frederick Hammersley papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New Mexico  Search this
Color in art  Search this
Painters -- California -- Los Angeles  Search this
Art teachers -- California -- Los Angeles  Search this
Painting, Abstract  Search this
Computer Art  Search this
Art -- Study and teaching  Search this
World War, 1939-1945 -- Photographs  Search this
Genre/Form:
Diaries
Drawings
Greeting cards
Scrapbooks
Sketches
Interviews
Photographs
Lectures
Prints
Essays
Sketchbooks
Lecture notes
Sound recordings
Video recordings
Designs
Visitors' books
Awards
Citation:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hammfred
See more items in:
Frederick Hammersley papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hammfred
Online Media:

Balcomb and Gertrude Greene papers

Creator:
Greene, Balcomb, 1904-1990  Search this
Names:
United States. Works Progress Administration  Search this
Gallatin, A. E. (Albert Eugene), 1881-1952  Search this
Greene, Gertrude, 1904-1956  Search this
Greene, Terryn  Search this
Extent:
9.8 Linear feet
Type:
Collection descriptions
Archival materials
Short stories
Collages
Photographs
Poems
Theses
Articles
Interviews
Lecture notes
Sound recordings
Drawings
Sketchbooks
Video recordings
Date:
circa 1880s-2009
Summary:
The Balcomb and Gertrude Greene papers, circa 1880s-2009, bulk circa 1905-1990, measure 9.8 linear feet. Balcomb Greene's career as a painter, educator, and writer - and to a lesser extent his personal life - is documented by biographical material, letters, subject files,writings, artwork, audio-visual recordings, printed material, and photographs. Documentation about sculptor Gertrude Greene, from 1926 until her death in 1956, consists of printed material, photographs, two letters to her, and a brief handwritten list of paintings and constructions.
Scope and Content Note:
The Balcomb and Gertrude Greene papers, circa 1880s-2009, bulk circa 1905-1990, measure 9.8 linear feet. Balcomb Greene's career as a painter, educator, and writer - and to a lesser extent his personal life - is documented by biographical material, letters, subject files,writings, artwork, audio-visual recordings, printed material, and photographs. Documentation about sculptor Gertrude Greene, from 1926 until her death in 1956, consists of printed material, photographs, two letters to her, and a brief handwritten list of paintings and constructions.

All biographical material relates to Balcomb Greene. Letters are almost exclusively incoming letters; two copies of outgoing letters written by Terryn Greene are included. Those addressed to Balcomb Greene regard articles, his will, an appraisal of a painting by him, and greeting cards with notes from friends. The two letters addressed to Gertrude Greene are photocopies. One from A. E. Gallatin concerns her work selected for the permanent collection of the Museum of Living Art at New York University; the other, a fragment from an unidentified correspondent, is about American Abstract Artists dues and exhibitions. The letters addressed to Terryn Greene concern her husband's career or mention him.

Subject files relate to activities and topics of interest to Greene or aspects of Greene's career; some concern estate matters. Of particular interest are: "Balcomb and Gertrude Greene in the WPA," consisting of Terryn Greene's research correspondence on the subject; and a file documenting a Judith Rothschild Foundation grant for conservation of paintings damaged in the 1996 fire that destroyed Balcomb Greene's studio.

Writings are by Balcomb Greene, Gertrude Greene, and other authors. Balcomb's writings include articles, novels, short stories, poems, journal entries, lecture notes, student writings, and a thesis. Gertrude Greene's writings consist of a handwritten list of paintings and constructions, noting the dimensions, date, and price of each piece. The writings of other authors are about Balcomb and Gertrude Greene. They include notes for an interview, a poem, student papers, and a thesis.

Art work consists of a collage probably by Balcomb Greene, and a sketchbook containing two of his drawings dated January 1976. Another drawing is signed [H?.] R. Balcomb Greene's register of paintings documents each completed painting on a separate sheet containing a small photograph or sketch, title, date of execution, and code or negative number, along with notes relating to exhibitions, loans, and ownership; some sheets bear the notation "destroyed." The register is incomplete, and the surviving portion bears evidence of the 1996 fire that gutted his studio. The least damaged portion documents works from 1941-1948, 1963-1964, and 1980-1982; the remaining part of the register consists of partial pages that are missing titles, dates of execution, or other salient information.

Exhibition catalogs and articles from newspapers and periodicals represent the majority of the printed material about or mentioning Balcomb and Gertrude Greene. In addition, there are articles by Balcomb published in a number of periodicals. Museum publications, annual reports, bulletins and newsletters mention the Greenes. Also found are issues of Art Front, 1934-1938 (Balcomb served on the editorial board and contributed articles), and his well-used copy of Modern Art by Katherine S. Drier.

Audio-visual recordings consist of interviews with Balcomb Greene and a "McCarthy tape" (Balcomb and Terryn helped organize "Montauk's Day for McCarthy"). Among the video recordings is a videocassette of Greene's 1990 memorial service.

Photographs are of art work, events, exhibition installations, miscellaneous subjects, people, and places. Art work of both Balcomb and Gertrude is documented. Among the photographs of people are images of Balcomb Greene, Gertrude Greene, Terryn Greene, family, friends and other individuals (identified and unidentified). Greene family photographs, some surviving from the 19th century, portray three generations. Photographs of events include documentation of the damage caused by the 1996 fire that destroyed Balcomb Greene's studio. Installation photographs document exhibitions that featured Balcomb Greene, the couple, and Gertrude Greene. Of particular interest is a view of Gertrude's contribution to the American Abstract Artists' 1937 show at Squibb Gallery. Miscellaneous subjects are Greene's Rolls Royce and pets. Places recorded include Greene's boyhood homes and churches, the house Balcomb built at Montauk, Gertrude's studio, and travel pictures of Europe and Asia. Also found are a small number of negatives, 35-mm slides, and color transparencies of art work, miscellaneous subjects, and people.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Material, 1926-1981 (Box 1; 0.2 linear ft.)

Series 2: Letters, 1936-2005 (Box 1; 3 folders)

Series 3: Subject Files, 1939-2008 (Box 1; 0.2 linear ft.)

Series 4: Writings, circa 1927-1984 (Boxes 1-3; 2.1 linear ft.)

Series 5: Art Work, 1976 (Box 3; 2 folders)

Series 6: Register of Paintings, undated (Box 3; 0.4 linear ft.)

Series 7: Printed Material, circa 1930-2009 (Boxes 4-7, 11, OV 12; 3.9 linear ft.)

Series 8: Audio-visual Recordings, 1963-1990 (Box 7; 0.3 linear ft.)

Series 9: Photographs, circa 1880s-1996 (Boxes 7-11; 2.6 linear ft.)
Biographical Note:
Balcomb (1904-1990) and his wife Gertrude (1904-1956) were painters in New York, N.Y. John Wesley Greene (known professionally as Balcomb Greene), born May 22, 1904 in Millville, New York, was the youngest child of Reverend Bertram Stillman Greene, a Methodist minister. After his wife died in 1907, Reverend Greene and the children moved several times when he accepted assignments at small town churches in Iowa, South Dakota, and Colorado.

The recipient of a scholarship for sons of Methodist ministers, Greene entered Syracuse University in 1922, intending to become a minister. He studied philosophy, psychology, literature, and art, eventually deciding to pursue a career as a writer. When visiting the Metropolitan Museum during his senior year, Greene was introduced to Gertrude Glass by her cousin. They married soon after his graduation in 1926.

The newlyweds moved to Austria where he had a fellowship to study psychology at the University of Vienna. Greene was very interested in Freud's work and hoped to become his student; although he attended Freud's lectures and met the eminent psychologist once, this ambition was not realized. After returning to New York in 1927, Greene began studying for a master's degree in English literature at Columbia University. He specialized in the novel, and wrote three (none were published). When his thesis about prostitutes as portrayed in seventeenth century literature was submitted, Greene's major professor was on sabbatical; although the subject had been approved, the interim replacement rejected it as unsuitable. Greene left Columbia without obtaining a degree.

Greene then accepted a position at Dartmouth College where he taught literature from 1928-1931. The Greenes spent summers together in the city and visited frequently throughout the academic year. He continued writing and in 1930 began painting. Because there were already two artists named John Green then in New York, Greene soon adopted the name Balcomb (his maternal grandmother's maiden name). Although he was known as Balcomb for the remainder of his life, his name was never changed legally.

Balcomb Greene's first solo exhibition was held at Dartmouth College in 1931. After his resignation from the Dartmouth faculty in 1931, Balcomb and Gertrude spent a year in Paris. She found a studio and set to work. He planned to write, but was distracted by the desire to paint. He began independent study at the Académie de la Grande Chaumière and in 1932 exhibited his work in Paris. Throughout the 1930s and into the 1940s Greene produced very flat geometric abstractions, adding biomorphic and anthropomorphic forms over time. By the mid-1940s, he found himself bored by pure abstraction and introduced figures, focusing on mass and space rather than line.

Greene quickly established himself as an artist, developed a wide circle of friends and was recognized as a leader of the abstract movement. He and Gertrude were both drawn to political causes that affected artists; along with friends they began the Unemployed Artists' Group (which later became the Artists' Union) and staged public demonstrations demanding government assistance so that artists would not be completely dependent on private patronage. He published articles in Art Front, the magazine of the Artist's Union, and served on its editorial board between 1935 and 1936. Balcomb and Gertrude Greene were among the founding members of American Abstract Artists; he served as the group's first chairman.

Like many artists during the Great Depression, Balcomb Greene found it very difficult to maintain a steady income. During this period he held many different jobs, among them: writing for the sensationalist newspapers Broadway Brevities and Graft, serving on the crew of a schooner searching for pirate gold in the South Pacific, and working at the non-profit Emily Francis Contemporary Gallery. Eventually, he secured a teaching position with the Federal Art Project. He later switched to the mural section where assignments included painting murals for the Williamsburg Housing Project in Brooklyn and the Federal Hall of Medicine at the 1939 World's Fair, and designing a stained glass window for a school in the Bronx.

Because he did not want to support his career by teaching painting, in 1940 Balcomb Greene began graduate work in art history at the Institute of Fine Arts, New York University. He earned a master's degree in 1942 and that same year began teaching history of art and culture at Carnegie Institute of Technology, a position he held until 1959. Gertrude set up a studio in their Pittsburgh home, but continued to maintain her New York studio, commuting between the two cities until war conditions made the trip too difficult. They returned to New York each summer, and in 1947 bought property on Long Island at Montauk Point where Balcomb constructed a modern house of cement blocks.

In addition to teaching and painting, Greene continued to write. Several articles about art and philosophy appeared between 1936 and 1950 in publications such as Art Front, College Art Journal, Art News, and Art Journal. He also wrote many poems. During his tenure at Carnegie Tech Balcomb Greene worked on but did not complete a book tentatively titled "The Villain and the School" and formulated ideas for another.

While Gertrude was terminally ill with cancer, and after her death in 1956, Balcomb reduced his teaching commitments, staying in Pittsburgh for only one semester each year. After retiring in 1959, he painted at Montauk and traveled. While in Paris, Greene met journalist Terryn Trimpen, whom he married in 1961.

Balcomb Greene was represented by Bertha Schaefer Gallery, Saidenberg Gallery and ACA Gallery, in New York, and by the Harmon-Meek Gallery in Naples, Florida. He exhibited widely, participating in the annual exhibitions of the Whitney Museum of American Art and Art Institute of Chicago, and in group shows at the Walker Art Center, Brooklyn Museum, and other venues. Solo shows included exhibitions at the Forum Gallery, ACA Gallery, and the Museum of Modern Art in New York; Fairweather-Hardin Gallery, Chicago; and the Oceanographic Institute and Harmon-Meeks Gallery in Florida. Greene's work is in the permanent collections of many museums, among them the Museum of Modern Art, Metropolitan Museum of Art, Whitney Museum of American Art, and the Corcoran Gallery of Art.

During the last five years of his life, Balcomb Greene was in frail health and unable to paint. He died November 12, 1990 at his Montauk Point home.

Gertrude Glass (who worked as an artist using her married name Gertrude Greene) was the daughter of Siegfried and Berta Glass, prosperous Latvian immigrants who owned a Brooklyn department store. At age 18, Gertrude and an older sister left home and organized a pre-school. From 1924 to 1928, Gertrude attended evening sculpture classes at the newly opened Leonardo Da Vinci Art School, a very traditional school in Manhattan that offered free instruction. Although the school itself was conservative, there Gertrude met and identified with a group of fairly radical students who were interested in the abstract art then emerging.

Glass and Greene were married in 1926 and spent the next year in Vienna. Upon returning to New York, she continued to make sculpture. Once they relocated to New Hampshire Gertrude was able to have her own sculpture studio. New Hampshire did not suit her and she gradually drifted back to the art world of New York. After Balcomb resigned from the Dartmouth faculty in 1931, the couple spent a year in Paris. They met many artists and frequented galleries where they saw the latest contemporary art. Gertrude worked on her sculpture and Balcomb, who had planned to write, began concentrating on painting; this was the only time the two shared a studio. When they moved to Pittsburgh, Gertrude kept her New York studio, expecting to commute regularly between the two cities, but war constraints soon made that plan impractical.

Gertrude Greene was active in liberal political causes, especially ones that affected artists and encouraged the formation of WPA programs to help struggling artists. She was an active member of the Federation of Painters and Sculptors, the Artists' Union, and a founding member of American Abstract Artists. As AAA's first paid employee, Gertrude served as gallery attendant. Before moving to Pittsburgh, both Greenes were very active on AAA committees, worked to further acceptance of abstract art, and picketed on many occasions. Typical of AAA actions was a 1937 demonstration against Museum of Modern Art exhibition policies that gave short shrift to abstract work by American artists.

Gertrude Greene was among the very earliest of American artists - quite possibly the first - to produce non-objective relief sculptures in the early 1930s. Over time, she absorbed Cubist tradition and ideas of the Russian Constructivists, synthesizing them into her own work. By the 1940s, she had become interested in Mondrian and Neo-Plasticism, influences that are reflected in her constructions of the period. Her final sculpture was produced in 1946 and for the remainder of her career she focused exclusively on abstract painting.

She participated in many group exhibitions, the first of which was at Wildenstein Gallery in 1945. Grace Borgenicht Gallery presented the first solo exhibition of Gertrude Greene's work in 1952, and another was held at the Bertha Schaefer Gallery in 1955. In 1982, there was a major retrospective of her work at ACA Gallery. Gertrude Greene's work is represented in the permanent collections of the Museum of Modern Art, Philadelphia Museum of Art, and the Berkshire Museum in Pittsfield, Mass.

Gertrude Greene's health began deteriorating in 1956; eventually, cancer was diagnosed. Later that year, on November 25, she died at a New York City hospital.
Related material:
Among the Bertha Schaefer papers and gallery records, 1914-1975, owned by the Archives of American Art are 58 letters from Balcomb Greene about sales and exhibitions (reel 271), and a scrapbook containing printed material about him (reel 42).

The holdings of the Archives of American Art include several interviews with Balcomb Greene. In 1972, he was interviewed by Paul Cummings for the Archives of American Art's oral history program (reel 4210). Greene is included among the Karl E. Fortess taped interviews with artists conducted 1963-1985 (not transcribed). Marian L. Gore's "Art Scene" interviews aired on Los Angeles radio station KPFK, 1962-1964, include one with Balcomb Greene (not transcribed). An interview with Balcomb Greene (transcribed) is among the Brooklyn Museum interviews of artists conducted by Arlene Jacobowitz, circa 1965-1985. The Anne Bowen Parsons collection of interviews on art, 1967-1968, contains an interview with Balcomb Greene (transcribed). Susan C. Larsen's interview with Balcomb Greene is part of oral history interviews relating to the American Abstract Artists Group, 1973-1978 (not transcribed).

Also available at the Archives of American Art is a video recording (VHS videocassette) "Balcomb Greene: 50 Years of Painting, Harmon Gallery," edited and directed by George Mauro, 1982.
Provenance:
Donated in 2009 by Terryn Trimpen Greene, widow of Balcomb Greene.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Balcomb and Gertrude Greene papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Authors -- New York (State) -- New York  Search this
Genre/Form:
Short stories
Collages
Photographs
Poems
Theses
Articles
Interviews
Lecture notes
Sound recordings
Drawings
Sketchbooks
Video recordings
Citation:
Balcomb and Gertrude Greene papers, circa 1880-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.greebalc2
See more items in:
Balcomb and Gertrude Greene papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-greebalc2
Online Media:

Reginald R. Isaacs papers

Creator:
Isaacs, Reginald R., 1911-  Search this
Names:
Bauhaus  Search this
Gropius, Walter, 1883-1969  Search this
Pollock, Jackson, 1912-1956  Search this
Extent:
22.54 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Scrapbooks
Exhibition catalogs
Writings
Photographs
Date:
circa 1842-1991
bulk 1928-1991
Summary:
The papers of Reginald R. Isaacs measure 22.54 linear feet and date from 1842 to 1991, with the bulk of the material from 1928 to 1991. The collection includes Isaacs's personal and professional papers, as well as extensive research material he collected and created for his two-volume biography, Walter Gropius: The Man and His Work.
Scope and Content Note:
The papers of of architect, instructor, writer, and city planner Reginald R. Isaacs (1911-1986) measure 22.54 linear feet and date from 1842 to 1991 with the bulk of the material dating from 1883 to 1985. The collection includes Isaacs's personal and professional papers, as well as extensive research material he collected and created for his two volume two-volume biography of Bauhaus architect, Walter Gropius: Walter Gropius: The Man and His Work. The bulk of Walter Gropius' papers are housed at the Busch Reisinger Museum at Harvard University, and the Bauhaus Archiv in Germany.

Series 1 to 12 contain contain biographical, legal, and financial material; personal and professional correspondence; project and subject files; writings and publications; teaching files; works of art; scrapbooks; printed material; and photographs relating to Isaacs' personal and professional career.

Series 13 forms the bulk of the collection and pertains specifically to the writing and publication of Isaacs' biography of Gropius. It contains research material, correspondence (much of it with Gropius), drafts of the manuscript, publication correspondence, photographs and illustrations, and printed material. Some of the research material, including some of the photographs and illustrations that were used in the biography, appear to have been original documents of Walter Gropius, while large portions of the material are photocopies of the originals, many of them in German.
Arrangement:
The collection is arranged into fourteen series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Material, 1935-1986, undated (Boxes 1, 22; 8 folders)

Series 2: Legal Material, 1976-1984, undated (Box 1; 3 folders)

Series 3: Financial Material, 1945-1969 (Box 1; 2 folders)

Series 4: Correspondence, circa 1891, 1936-1986 (Boxes 1-2; 1.5 linear feet)

Series 5: Project Files, 1948-1980, undated (Box 2, OV 23; 0.5 linear feet)

Series 6: Subject Files, 1961-circa 1982, undated (Box 3; 2 folders)

Series 7: Writings, 1940-1986, undated (Boxes 3-4, 22; 2.0 linear feet)

Series 8: Teaching Files, 1954-1973 (Boxes 4-5; 1.0 linear foot)

Series 9: Works of Art, 1965-1967, undated (Box 5, OV 23; 3 folders)

Series 10: Scrapbooks, 1929-1969 (Box 5; 2 folders)

Series 11: Printed Material, 1842-1844, 1913-1986, undated (Box 5; 0.5 linear feet)

Series 12: Photographs, 1959-1981, undated (Boxes 5, 22; 7 folders)

Series 13: Walter Gropius Biography, circa 1880s-1991, undated (Boxes 6-22, OV 23, MGP 1, MGP 2, MGP 4; 16.0 linear feet)

Series 14: Unprocessed Addition, 1974-1985 (Box 24; 1.0 linear foot)
Biographical Note:
Born in Canada in 1911, Reginald R. Isaacs began working in architectural offices at age 14, later coming under the influence of "Beaux-Arts diplomes" at the University of Minnesota and Harvard and subsequently under that of Walter Gropius at Harvard University. He later studied sociology and planning at the University of Chicago under Louis Wirth and Rexford Guy Tugwell.

Isaacs served on the staffs of city planning commissions in Minneapolis, Syracuse, and Chicago, and in the federal government in the National Youth Agency, Public Housing Authority, and Housing and Home Finance Agency. His architectural practice in Minneapolis, Washington, D.C., Chicago, and other cities included the design of housing, colleges, and hospitals. He was director of planning and development for Michael Reese Hospital in Chicago, 1945-1953, where Walter Gropius, planner Walter Blucher, and sociologist Louis Wirth collaborated with him as consultants. He was a United Nations expert on regional planning in South America, and a planning consultant for the Ford Foundation, the U.S. State Department, Puerto Rico, and the Virgin Islands.

Recommended by Walter Gropius, Isaacs served as the Charles Dyer Norton Professor of Regional Planning at Harvard University from 1953-1978. He was also Chairman of the Graduate School of Design's Departments of City and Regional Planning as well as Landscape Architecture. Throughout his career he lectured at universities throughout the United States and in almost every country of Central and South America and in the Caribbean.

In 1962 Isaacs and Gropius began their collaboration on Walter Gropius: The Man and his Work, until the death of Gropius in 1969. The first volume of the biography was published in German in 1983, with the second volume following in 1984. Isaacs died of a massive heart attack in 1986, never realizing his goal to see an English-language edition which was published posthumously in 1991 by the Estate of Reginald Isaacs.

1911 -- Born in Winnipeg, Manitoba, Canada

1935 -- Received Bachelor of Architecture degree from the University of Minnesota

1939 -- Received Masters of Architecture degree from Harvard University, Graduate School of Design

1947-1950 -- Studied sociology and planning with Louis Wirth and Rexford Guy Tugwell at the University of Chicago

1945-1953 -- Director of planning at Michael Reese Hospital, Chicago, Illinois

1951-1953 -- Guest lecturer at Harvard University's Graduate School of Design with Walter Gropius and also served a two-year term as a member of the Board of Overseers Committee to Visit the Graduate School of Design

1953-1978 -- Named the Charles Dyer Norton Professor of Regional Planning

1953-1964 -- Chairman of the Department of City and Regional Planning

1953-1958 -- Chairman of the Department of Landscape Architecture

1962 -- Began collaboration with Walter Gropius on the biography Walter Gropius - The Man and his Work

1969 -- Walter Gropius dies

1983 -- Walter Gropius, Der Mensch und Sein Werk, Volume 1 published by Gebr. Mann Nerlag, Berlin

1984 -- Walter Gropius, Der Mensch und Sein Werk, Volume 2, published by Gebr. Mann Nerlag, Berlin

1986 -- Isaacs dies

1991 -- Walter Gropius: An Illustrated Biography of the Creator of the Bauhaus, published by the Estate of Reginald Isaacs. The Papers of Reginald R. Isaacs donated to the Archives of American Art by his son, Henry Isaacs.
Provenance:
The collection was donated to the Archives of American Art by Henry Isaacs, son of Reginald Isaacs, in January 1991. An additional 1.0 linear foot was donated by Merry White, daughter of Reginald Isaacs, in 1997.
Restrictions:
This collection is open for research. Use requires an appointment and is restricted to the Washington, D.C. research facility.
Rights:
The papers of Reginald R. Isaacs are owned by the Archives of American Art, Smithsonian Institution. Literary rights, as possessed by the donor, have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Architecture and society  Search this
Schools of architecture  Search this
Architectural writing  Search this
Architecture, Modern  Search this
Architects and community  Search this
Architects and housing developers  Search this
Architects in government  Search this
Architects  Search this
International style (Architecture)  Search this
Authors  Search this
Industrial designers  Search this
City planning  Search this
Architecture, Modern -- 20th century  Search this
City planners  Search this
Educators -- Massachusetts  Search this
Genre/Form:
Sketches
Scrapbooks
Exhibition catalogs
Writings
Photographs
Citation:
Reginald R. Isaacs papers, circa 1842-1991, bulk 1928-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.isaaregi
See more items in:
Reginald R. Isaacs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-isaaregi
Online Media:

Claire Falkenstein papers

Creator:
Falkenstein, Claire, 1908-1997  Search this
Names:
Coos Art Museum  Search this
Fresno Art Museum  Search this
Galerie Anderson-Mayer  Search this
Gallery Stadler  Search this
Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this
John Bolles Gallery (San Francisco, Calif.)  Search this
Los Angeles Museum of Art  Search this
Malvina Miller  Search this
Martha Jackson Gallery  Search this
Merging One Gallery  Search this
Mills College -- Faculty  Search this
Pond Farm Workshop  Search this
San Francisco Museum of Art  Search this
University of California, San Francisco. School of Fine Arts -- Faculty  Search this
Green, Ray, 1908-1997  Search this
Guggenheim, Peggy, 1898-  Search this
Kuh, Katharine  Search this
O'Donnell, May, 1906-2004  Search this
Sawyer, Kenneth B.  Search this
Still, Clyfford, 1904-  Search this
Still, Patricia  Search this
Tapie, Michel  Search this
Temko, Allan  Search this
Tobey, Mark  Search this
Wildenhain, Frans, 1905-1980  Search this
Extent:
42.8 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Motion pictures (visual works)
Scrapbooks
Sketchbooks
Diaries
Photographs
Sketches
Date:
circa 1914-1997
bulk 1940-1990
Summary:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.
Scope and Content Note:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

Biographical material includes appointment calendars, awards and honorary degrees, interview transcripts, passports, resumes, wills, and scrapbooks. Scrapbooks were compiled by Falkenstein and focus primarily on her exhibitions at the Galerie Stadler and Gallery Meyer in 1959 and 1960. Also of interest are the "biography files" created and arranged by Falkenstein. These files contain material that she personally felt was the most important in documenting her activities each year. They include correspondence, exhibition catalogs, printed material, and invitations.

Measuring nine linear feet, correspondence is extensive and comprehensively documents Falkenstein's work, social life, relationships, and other business and personal activities. Correspondence dates from 1941 to 1997 and includes business letters and correspondence with friends and family. Her communications with friends, family, clients, gallery owners, collectors, museums, publishers, foundations, and grant agencies reveal many of her ideas and techniques. Individual correspondents include Ray Green, Peggy Guggenheim, Katharine Kuh, May O'Donnell, Ken Sawyer, Clyfford and Pat Still, Michel Tapie, Allan Temko, Mark Tobey, and Frans Wildenhain. Gallery and museum correspondence is with the San Francisco Museum of Art, Coos Art Museum, Los Angeles Museum of Art, Galerie Stadler (Paris), Gallery Mayer (Paris), Malvina Miller (New York), Martha Jackson Gallery (New York), Jack Rutberg Fine Arts (Los Angeles), Galerie Anderson-Mayer (Paris), and Bolles Gallery. Correspondence is also found in the Commission Files and Exhibition Files.

Personal and business records contain a wide variety of material documenting Falkenstein's business, financial, legal, professional, and personal transactions. Files are found for sales and prices, art inventories, smaller jewelry commissions, her work as a juror, her business with galleries, legal affairs and contracts, expenses, records of arts organizations to which she belonged, conferences, grants and fellowships, studio and house renovations, her Paris studio and Paris expenses, travel, donations, loans and consignments, conservation, art shipping, insurance, and taxes. Oversized visitor's logs contain comments from visitors to Falkenstein's studio in Venice, California.

Falkenstein maintained comprehensive documentation of her exhibitions from her first exhibition in the 1930s to the last one at the Merging One Gallery in 1996. Files include both a chronological record and individual record for nearly all of her exhibitions. Found with the files are correspondence, photographs, loan and shipping records, catalogs, announcements, clippings, articles, and other records. Most of the photographs related to exhibitions are found in the Photographs Series. The files for exhibitions at the Fresno Art Museum, Martha Jackson Gallery and Jack Rutberg Fine Art Gallery are particularly rich.

Commission files document nearly all of Falkenstein's public and private large-scale projects and often contain a visual record of the work, as well as correspondence, design notes, contracts, and expense reports. There is documentation of the St. Basils Church windows in Los Angeles; the Peggy Guggenheim gate in Venice, Italy; and the fountain at the California Savings and Loan, in Los Angeles; and many others. There is also a chronological record of her commissions. The bulk of the photographs of commissions are found in the Photograph series. Also, most of Falkenstein's jewelry design commissions are found in the Personal and Business Records series.

Falkenstein's work as a prolific writer, particularly in the 1940s and 1950s, is well-documented here through her numerous published articles in Arts and Architecture magazine, and the New York Herald-Tribune. Her work for Arts and Architecture was primarily written for the "Art Comments from San Francisco" section. She was living in Paris when she contributed an art news column to the New York Herald-Tribune. Also found here are five diaries and one journal dating from circa 1929-1978. The entries are inconsistent and concern mostly travel. The diaries from 1929 and 1934 are more personal. Falkenstein also maintained extensive notes and notebooks about artwork ideas, observations about art, research, and even drafts of letters. There are also many notes about various topics, including art and class notes. Additional writings are eclectic and cover a wide range of topics, including music, poetry, the script for Falkestein's film entitled Touching the Quick, and drafts of her unpublished book on murals. A handful of writings by others are found, most with annotations by Falkenstein.

Teaching files include Falkenstein's numerous lectures given while teaching at Mills College, Pond Farm Workshops, and California School of Fine Arts, and various symposiums and conferences. Also found are lesson plans, contracts, scattered correspondence, and notes. The files on her tenure at the Pond Farm Workshops are particularly interesting, with notes about her fellow teacher Frans Wildenhain and correspondence with workshop owners, Jane and Gordon Herr.

There are extensive photographs of Falkenstein, her family and friends, colleagues, commissions, exhibitions, and works of art. Included are many images of Falkenstein, of Falkenstien with her art, of Falkentstien working, and of Falkenstein's studio. There are numerous photographs of Falkenstein with friends, family, and colleagues in social or work settings. Also found are photographs of exhibition openings, installation views, and works of art exhibited. Additional photographs document Falkenstein's commissions, including images of her at work. Additional images of commissions may also be found in the Commission Series, but the bulk are filed here. There are numerous photographs of Falkenstein's works of art, including drawings, sculpture, jewelry, murals, lamps, and ceramics.

Falkenstein's papers include a large amount of sketches, sketchbooks, and drawings. Many of the sketches and drawings relate to her ideas about commissions and large sculpture, jewelry designs, and general sketches. Sketches are also found in the Commission Files. Also included are drawings by Mark Tobey and Michel Tapie, and others.

Finally, printed materials include general exhibition catalogs, newspapers clippings, and clippings of articles by and about Falkenstein. Also included are books that have been inscribed and signed by the author.
Arrangement:
The collection is arranged into 9 series:

Series 1: Biographical Materials, 1934-1997 (Box 1-4, 41; 4.3 linear feet)

Series 2: Correspondence, 1931-1997 (Box 5-13; 9 linear feet)

Series 3: Personal and Business Records, 1936-1997 (Box 14-17, 41, 46-49; 4.2 linear feet)

Series 4: Exhibitions, 1930-1996 (Box 18-21, 42, OV 50; 3.3 linear feet)

Series 5. Commissions, 1930-1992 (Box 21-22, OV 50-54 ; 2.0 linear feet)

Series 6: Writings, circa 1929-1993 (Box 22-26, 42, 55; 4.6 linear feet)

Series 7: Teaching Files, 1929-1995 (Box 26; .8 linear feet)

Series 8: Photographs, circa 1917-1997 (Box 27-35, 43, 55-56; 9.5 linear feet)

Series 9: Artwork, circa 1937-1995 (Box 36-37, 44, 57; 2.0 linear feet)

Series 10: Printed Materials, circa 1914-1990 (Box 37-40, 45, 58; 3.9 linear feet)
Biographical Note:
Claire Falkenstein (1908-1997) spent the majority of her life working as an artist, sculptor, jewelry designer, teacher, and writer in California.

Claire Falkenstein was born in 1908 and grew up in Coos Bay, Oregon. In 1920, Falkenstein and her family moved to Berkeley, California, where she attended high school and then college at the University of California at Berkeley, studying philosophy, anthropology, and art. She graduated in 1930. Falkenstein had her first solo show at the East-West Gallery in San Francisco in 1930, the only member of her class to have an exhibition before graduation.

During the early 1930s, Falkenstein studied at Mills College with modernist sculptor Alexander Archipenko. There she also met Bauhaus artists Laszlo Moholy-Nagy and Gyorgy Kepes. Falkenstein married her high school sweetheart, Richard McCarthy in 1936.

In 1944, Falkenstein had her first New York exhibition at the Bonestall Gallery. At that time, Falkenstein's primary mediums were stone and wood. However, she became increasingly experimental with new materials that included sheet aluminum, Cor-Ten steel, glass, plastics, and welded wire rods while maintaining a connection to organic and natural forms. Her work in jewelry design was an outlet for exploring these new materials, forms, and techniques on a small scale. As her work grew physically larger, so did her recognition and it was her work in sculpture that won her a faculty appointment at the California School of Fine Arts from 1947-1949. It was here that she met Patricia and Clyfford Still, Hassel Smith, and Richard Diebenkorn.

In 1948, Falkenstein was invited to exhibit at the Salon des Realites Nouvelle in Paris, her first European show. She eventually moved to Europe in 1950 and had studios in Paris, Venice, and Rome. While in Europe, Falkenstein executed a number of large scale commissions, including the stair screen for Galerie Stadler (1955), grotto gates for Princess Pignatelli's villa in Rome (1957), and the bronze, steel, and the glass gate at the Peggy Guggenheim Museum in Venice (1961). While in Paris, she became acquainted with noted art critic Michel Tapie, with whom she maintained a life-long friendship.

During the 1940s and 1950s Falkenstein was a regular contributor to Arts and Architecture magazine, most often writing the "Art Comments from San Francisco" section. While in Paris, she also wrote a column on art news for the New York Herald Tribune.

Falkenstein returned to the United States in 1962, eventually renovating a studio space in Venice, California. It was here that she conceived her largest commissions. In 1965, Falkenstein received a commission from the California Savings and Loan to create a sculpture for a large fountain at the front of the bank in downtown Los Angeles. The copper tube fountain, entitled "Structure and Flow #2," was the first of many large scale public art commissions that Falkenstein completed during her years in California. Her most important commission in the United States, completed in 1969, was for the doors, rectory gates and grills and stained-glass windows for St. Basil's Church on Wilshire Boulevard in Los Angeles. The eight doors and fifteen rectory screens, including 80 foot high windows in the nave, were an expansion of the "never ending screen" concept that Falkenstein executed with the Pignatelli commission in Rome. She continued to use this motif in her work throughout her career.

Claire Falkenstein worked as an arts instructor, visiting artist, and guest lecturer at many colleges, workshops, and schools in California. Her first position was at Mills College from 1946-1947. Shortly thereafter, she was appointed to the faculty at the California School of Fine Arts and later taught in the Extension Divisions of the University of California, Berkeley. She taught classes at California State Polytechnic University, California State University at Davis, and the Anna Head School. Falkenstein also taught art at the Pond Farm Workshops in California, and lectured at numerous colleges and museums. She served on many juried art shows in Southern California.

Falkenstein was acquainted with many artists, writers, instructors, collectors, gallery owners, and critics. Close friends included Esther and Bob Robles, Clyfford and Patricia Still, Michel Tapie, Allan Temko, Mark Tobey, Frans Wildenhain, and other notable figures in the art world.

Falkenstein continued to complete large scale private and public commissioned sculptures during the 1960s through the 1980s, including work for the University of Southern California, Hyland Biological Laboratory, California State University at Dominquez Hills and the California State Department of Motor Vehicles. Throughout her career, Falkenstein's work was featured in numerous exhibitions across the country. Her sculpture and other artwork can be found in the permanent collections of the Museum of Modern Art, Solomon R. Guggenheim Museum, Smithsonian American Art Museum, Coos Art Museum, Harvard University Art Museum, University of Southern California Fisher Museum of Art, Los Angeles County Museum of Art, and the Tate Gallery.

Falkenstein died in 1997 at the age of 89.
Related Material:
The Archives of American Art also holds two oral history interviews with Claire Falkenstein. The interview on April 13, 1965 was conducted by Betty Hoag and the one on March 2 and 21, 1995 was conducted by Paul Karlstrom.
Provenance:
The Claire Falkenstein papers were donated in 1997 by Steffan Wacholtz and Nancy Kendall, trustees for the Claire Falkenstein Trust.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Claire Falkenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Women artists -- California  Search this
Women artists -- France -- Paris  Search this
Sculptors -- California  Search this
Interviews  Search this
Awards  Search this
Transcripts  Search this
Articles  Search this
Designers -- California  Search this
Drafts (documents)  Search this
Art -- Study and teaching  Search this
Poetry  Search this
Scripts  Search this
Notebooks  Search this
Artists' studios  Search this
Art -- Economic aspects  Search this
Art patronage  Search this
Educators -- California  Search this
Jewelry -- Design  Search this
Painters -- California  Search this
Sculptors -- France -- Paris  Search this
Genre/Form:
Drawings
Motion pictures (visual works)
Scrapbooks
Sketchbooks
Diaries
Photographs
Sketches
Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.falkclai
See more items in:
Claire Falkenstein papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-falkclai
Online Media:

Fred Wiseman Scrapbook

Creator:
Wiseman, Fred, 1875-1961  Search this
Names:
Early Birds of Aviation (Organization).  Search this
Wiseman-Peters (Fred Wiseman and J. W. Peters) (Aircraft manufacturer)  Search this
Extent:
0.59 Cubic feet (1 flatbox)
Type:
Collection descriptions
Archival materials
Photographs
Tickets
Correspondence
Clippings
Date:
1909-1968
bulk [ca. 1910s, 1950s]
Summary:
Fred Wiseman, along with J. W. Peters and D.C. Prentiss, built a biplane named the Wiseman-Peters. During July 1910, both Peters and Wiseman flew the Wiseman-Peters and the following year Wiseman entered the 1911 Aviation Meet at Selfridge Field, Michigan. On February 17, 1911, Wiseman made the first airplane-carried mail flight officially sanctioned by any local U.S. post office and made available to the public when he carried mail, a bundle of newspapers and a sack of groceries from Petaluma, CA, to Santa Rosa, CA. After the 1911 season, Wiseman gave up flying.

This collection consists of a large scrapbook. Inside the scrapbook are newspaper clippings, correspondence, 1st Day Covers, race tickets, and photographs chronicling both Wiseman's automobile and aviation careers.
Scope and Contents:
This collection consists of a large scrapbook. Inside the scrapbook are newspaper clippings, correspondence, 1st Day Covers, race tickets, and photographs chronicling both Wiseman's automobile and aviation careers.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.
Arrangement:
Materials are in the order the donor attached them to the scrapbook. Correspondence is often located within the envelope that is attached to the scrapbook. Some materials are loose and have been left in the arrangement in which they were found, unless a portion of a newspaper article could be matched to its other parts.
Biographical / Historical:
Fred Wiseman (1875-1961) was born in Santa Rosa, California, and after attending local schools he engaged in both the bicycle and automotive businesses. Wiseman won considerable fame racing Stoddard-Dayton cars on the West Coast as well as in the Chicago area. He became interested in aviation after attending the Wright brothers' homecoming celebration in 1909 and the first Los Angeles aviation meet at Dominguez Field in 1910.

After these two events, Wiseman was convinced he wanted to learn to fly and so he returned to his home in Santa Rosa and persuaded Ben Noonan to put up $10,000 to build a plane. Wiseman, along with J. W. Peters and D.C. Prentiss, built a biplane named the Wiseman-Peters. During July 1910, both Peters and Wiseman flew the Wiseman-Peters and the following year Wiseman entered the 1911 Aviation Meet at Selfridge Field, Michigan.

On February 17, 1911, Wiseman made the first airplane-carried mail flight officially sanctioned by any local U.S. post office and made available to the public when he carried mail, a bundle of newspapers and a sack of groceries from Petaluma, CA, to Santa Rosa, CA. (The first air mail flight sanctioned by the U.S. Post Office in Washington, D.C., took place on September 23, 1911, when Earle Ovington carried mail from Garden City, Long Island, to Mineola; and the first continuously scheduled U.S. air mail service began on May 15, 1918, with routes between Washington, Philadelphia, and New York.)

During 1911, Wiseman had an active season of exhibition work, including flying for one week at the California State Fair. However, after this season Wiseman gave up flying because he thought there was no future in it. He sold his plane and returned to the automobile business. He later worked for Standard Oil Company of California. Wiseman was a member of the Early Birds of Aviation, an organization of pilots who flew solo in an aircraft prior to December 17, 1916.

Weldon Cooke, another pioneer aviator from California, bought and modified the Wiseman-Peters aircraft, renaming it the Wiseman-Cooke. Cooke flew the Wiseman-Cooke for exhibition and air mail flights. The Wiseman-Cooke aircraft is currently part of the Smithsonian Institution's collections.
Provenance:
No donor information, Gift?, unknown, XXXX-0618, unknown
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Automobile racing  Search this
Air mail service  Search this
Aeronautics, Commercial  Search this
Aeronautics -- Exhibitions  Search this
Airplane racing  Search this
Aeronautics -- Competitions  Search this
Aeronautics -- 1903-1916  Search this
Aeronautics  Search this
Air pilots  Search this
Wiseman-Peters #2 Biplane (1910)  Search this
Genre/Form:
Photographs
Tickets
Correspondence
Clippings
Citation:
Fred Wiseman Scrapbook, Acc. NASM.XXXX.0618, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0618
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-xxxx-0618
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