The papers of Neil Merton Judd, archeologist and curator in the Smithsonian Institution United States National Museum, were deposited in the National Anthropological Archives at various times during the 1960's and 1970's. Much of Judd's own material was produced as part of his official duties and lie within the public domain. The collection occupies fourteen linear feet of shelf space.
Scope and Contents:
These papers reflect the professional life of Neil Merton Judd (1887-1976), archeologist and curator in the former United States National Museum of the Smithsonian Institution. Included are diaries of expeditions, correspondence, field notes, notes, financial records, copies of historical documents, maps, drawings, photographs, and other documents that cover the period from the 1870s to the 1970s. Most of the material, however, is dated between 1907 and 1965.
Of primary concern is Judd's archeological work in Arizona, New Mexico, and Utah, especially at Pueblo Bonito and other sites in the area of Chaco Canyon, New Mexico, which he carried out for the National Geographic Society between 1920 and 1927. Appreciable material concerns the so-called Beam expeditions of 1923, 1928, and 1929 to locate study of tree-rings. Other documents relate to Judd's work in San Juan country, Utah; at Paragonah and other sites in southern Utah; and on the Walhalla Plateau in Arizona. Some correspondences, which Judd carried on with William B. Marye between 1932 and 1949, concern Indian bridges in Maryland and nearby states.
Several other expeditions of which Judd was a member are documented among the papers solely or primarily through photographs. There is little material that reflects Judd's personal life, daily curatorial duties at the United States National Museum, work at Rito de los Frijoles with Edgar L. Hewett in 1910, expedition to Guatemala in 1914, or aerial surveys of old canals in Arizona during the 1929-30.
Among correspondents whose letters are included among the papers are Glover M. Allen, Monroe Amsden, Bryant Bannister, James F. Breazeale, Harold S. Colton, Kenneth J. Conant, Fredrick V. Coville, Richard E. Dodge, Harold S. Gladwin, Gilbert Grosvernor, Edgar L. Hewett, Frederick Webb Hodge, William H. Jackson, Jean A. Jeancon, John O. La Gorce, Frank McNitt, Sylvanus G. Morley, Earl H. Morris, Nels C. Nelson, Jesse L. Nusbaum, Deric O'Bryan, George H. Pepper, Frederick Wilson Popenoe, Frank H. H. Roberts, Karl Ruppert, Carl S. Scofield, Hugh L. Scott, Harry L. Shapiro, Anna O. Shepard, Alfred M. Tozzer, and Clark Wissler. In addition to his own material, Judd also acquired some material from members of his expeditions, especially from Frans Blom, Karl Ruppert, and Oscar B. Walsh. He also collected historical documents and photographs. Among these are copies of documents relating to southwestern archeological explorations of the naturalist Edward Palmer. He also acquired photographs by Walter Hough made in Arizona between 1904 and 1920., photographs taken on the Hyde Exploring Expedition to Chaco Canyon, and miscellaneous photographs made on expeditions of William H. Jackson, Edgar A. Mearns, and others.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
To a degree, the arrangement of the collection is Judd's own. The series titles in quotation marks are Judd's own.
"Pueblo Bonito File"
Chaco Canyon Notes, Notebooks, and Note Cards
Material Relating to Judd's Bureau of American Ethnology Expeditions between 1915 and 1920
"Utah File"
Material Concerning Edward Palmer
Correspondence with William B. Marye
Miscellaneous Correspondence
Manuscripts of Writings
Miscellany
Cartographic Material
Artwork and Photographic Enlargements
Photographs
Biographical Note:
Note: Biographical data and a bibliography of Judd's writings are in the series of miscellany among his papers. For an obituary, see Waldo R. Wedel, "Neil Merton Judd, 1887-1976." American Antiquity, volume 43, number 3 (July 1978), pages 399-404, and J. O. Brew, "Neil Merton Judd, 1887-1976." American Anthropologist, volume 80, number 2 (June 1978), pages 352-54. An obituary prepared by Judd is among the papers.
October 27, 1887 -- Born in Cedar Rapids, Nebraska
1907-08 -- Public school teacher in Utah
1907 -- Student archeologist on Byron Cummings' reconnaissance of White Canyon, Utah
1908 -- Student archeologist on Cummings' reconnaissance of Montezuma Canyon, Utah, and Segi Valley, Arizona.
1909 -- Student archeologist on Cummings' reconnaissance of Segi Valley, Arizona, and the Cummings- Douglass expedition to Rainbow Natural Bridge.
1910 -- Student assistant to Edgar L. Hewett on the Archeological Institute of America's expedition to El Rito del los Frijoles, New Mexico
1911 -- Bachelor of Arts, University of Utah
1911-1917 -- Aid, Division of Ethnology, United States National Museum, Smithsonian Institution
1913 -- Master of Arts, George Washington University, Washington, D.C.
1914 -- Member, Archeological Institute's Fourth Quirigua Expedition to Guatemala; supervised the fabrication of a reproduction model of ruins for the Pacific-California International Exposition, San Diego
1915 -- Archeological reconnaissance of Indian mounds in and near Willard, Beaver City, Paragonah, St. George, Kanab, and Cottonwood Canyon, Utah, and "Spanish Diggings" flint quarries in Wyoming for the Bureau of American Ethnology
1916 -- Reconnaissance and excavations of Indian mounds near Paragonah and in Willard County, Utah, for the Bureau of American Ethnology
1916-18 -- Treasurer, American Anthropological Association
1917 -- Director, project for partial restoration of Betatakin ruin, Arizona, for the United States Department of the Interior, and the excavations at Paragonah, Utah, for the Smithsonian and University of Utah
1918 -- Archeological reconnaissance of the Walhalla Plateau, Arizona, for the Bureau of American Ethnology
1918-19 -- Assistant Curator, Department of Anthropology, United States National Museum
1919 -- Archeological investigations in Cottonwood Canyon, Utah, for the Bureau of American Ethnology
1919-30 -- Curator, American Archeology, Division of Archeology, Department of Anthropology, United States National Museum
1920 -- Archeological investigations at Toroweap Valley, Mt. Trumbull, Pariah Plateau, House Rock Valley, Bright Angel Creak, Cottonwood Canyon, and Kanab Creek in Utah and Arizona for the Bureau of American Ethnology and reconnaissance of Chaco Canyon, New Mexico, for the National Geographic Society
1920-23 -- Vice President, Anthropological Society of Washington
1921-27 -- Investigations of Pueblo Bonito and nearby ruins in New Mexico for the National Geographic Society
1923 -- Led first Beam expedition to sites in Arizona, New Mexico, and Colorado, and carried out explorations in San Juan County, Utah, for the Smithsonian Institution and the National Geographic Society
1925-27 -- Member, Board of Managers, Washington Academy of Science, and President, Anthropological Society of Washington
1925-28 -- Member, Division of Anthropology and Psychology, National Research Council
1926 -- Archeological Observations North of the Rio Colorado, Bureau of American Ethnology Bulletin 82, 1926
1927-36 -- Trustee, Laboratory of Anthropology, Santa Fe, New Mexico
1928 -- Investigations of Indian burials in rock shelter, Wolf Creek, Russell County, Kentucky, for the Bureau of American Ethnology
1929 -- Led Third Beam Expedition to sites in Arizona for the National Geographic Society and reconnaissance of the prehistoric canals in the Gila River and Salt River valleys for the Bureau of American Ethnology
1930 -- Aerial surveys of ancient canals in the Gila River and Salt River valleys for the Bureau of American Ethnology and the United States Department of War
1930-49 -- Curator, Archeology, United States National Museum
1931 -- Investigations on the Natanes Plateau, Arizona, for the Bureau of American Ethnology
1931-32 -- Member, Division of Anthropology and Psychology, National Research Council (second time)
1935 -- Smithsonian Institution's delegate to the second assembly, Pan-American Institute of Geography and History
1936-48 -- Advisory Board, Laboratory of Anthropology, Santa Fe, New Mexico
1937-39 -- Member, Division of Anthropology and Psychology, National Research Council (third time)
1938 -- Married Anne Sarah MacKay
1938-40 -- Member, Board of Managers, Washington Academy of Science
1939 -- President, Society for American Archaeology, and Vice President and Chairman, Section H, American Association for the Advancement of Science
1945 -- President, American Anthropological Association
December 31, 1949 -- Retired from the staff of the United States National Museum
January 1, 1950 -- Honorary Associate in Anthropology of the Smithsonian Institution
1953 -- Awarded the Franklin L. Burr Award of the National Geographic Society
1954 -- The Material Culture of Pueblo Bonito, Smithsonian Miscellaneous Collections, volume 125
1958 -- Awarded Certificate of Award of the Smithsonian Institution
1959 -- Pueblo Del Arroyo, Chaco Canyon, New Mexico, Smithsonian Miscellaneous Collections, volume 138, number 1
1962 -- Awarded the Franklin L. Burr Award of the National Geographic Society (second time)
1964 -- The Architecture of Pueblo Bonito, Smithsonian Miscellaneous Collections, volume 147, number 1
1965 -- Awarded the Alfred Vincent Kidder Award of the American Anthropological Association
1966 -- Awarded Special Award of the United States Department of the Interior
1967 -- The Bureau of American Ethnology: A Partial History, University of Oklahoma Press
1968 -- Men met along the Trail: Adventures in Archeology, University of Oklahoma Press
December 19, 1976 -- Died
Related Materials:
Additional material in the National Anthropological Archives that relates to Judd can be found among the correspondence files of the Bureau of American Ethnology; files of the Department of Anthropology of the United States National Museum, especially those of the Division of Archeology; papers of Frank H.H. Roberts; papers of William B. Marye; American Antiquities permits records of the Anthropological Society of Washington; papers of John P. Harrington; papers of Frank M. Setzler; papers of Henry B. Collins; and records of the American Anthropological Association. Additional photographs that relate to the expeditions of which Judd was a member are in the cataloged and the uncataloged photographs. For example, negatives and other photographic material of the aerial surveys of ancient canals in the Gila River and Salt River valleys in Arizona are NAA photographic lot 3.
Restrictions:
The Neil Merton Judd papers are open for research.
Access to the Neil Merton Judd papers requires an appointment.
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.
Scope and Content Note:
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.
Found within the biographical materials are several address books, official travel documents, exhibition price lists, and a biographical sketch.
Correspondence, both personal and business, makes up the bulk of this collection. Dehn maintained long friendships with many fellow artists and his correspondence includes letters from Aaron Bohrod, Federico Castellon, Albert Christ-Janer, Wanda Gág, Gustav Goetsch, George Grosz, Reginald Marsh, Elizabeth Olds, Abraham Rattner, Boardman Robinson, Frederick Shane, William Smith, and Benton Spruance. Additional notable correspondents include print dealer and curator Carl Zigrosser; journalists Max Eastman, Joseph Freeman, Frederick Kuh; editor Scofield Thayer, and his former wife, the Russian dancer Mura Dehn (neé Tsiperovitch). Business correspondence includes letters from art schools, associations, museums, and galleries affiliated with Dehn, including the Weyhe Gallery; Associated American Artists, a gallery that promoted American art to the middle classes; and the Kennedy Gallery, which represented the Dehn estate upon the artist's death. There is also correspondence from companies and organizations that commissioned commercial work from Dehn, such as greeting card publisher, American Artists Group . Finally the correspondence of Virginia Dehn includes letters to and from the University of Missouri Press related to the publication of Adolf Dehn Drawings and condolence cards and letters from friends and associates after the Adolf Dehn's death in May 1968.
Writings include manuscripts for Adolf Dehn's manual on painting technique, Watercolor, Gouache, and Casein Painting (Studio Publications, 1955), as well as his entries on technique and watercolor painting for Encyclopedia Britannica. Writings by others includes the catalog Adolf Dehn Drawings, prepared by his wife Virginia Dehn, and published in 1971 by the University of Missouri Press. There is also a journal with handwritten poems attributed to Eileen Hall Lake.
Printed materials consists of exhibition announcements and catalogs from galleries featuring Dehn's work including the Weyhe Gallery and Associated American Artists; art school brochures and newsletters from programs which Dehn attended or taught; and newspaper and magazine clippings including examples of his editorial cartoons, which appeared in The Liberator, The New Yorker, and Vanity Fair, among other publications as well as clippings of news items related to the artist. This series also includes examples of Dehn's commercial work, such as book covers, calendars, and Christmas cards. Additional similar printed materials can be found in the scrapbooks. Artwork consists of only a few sketches attributed to Dehn, others to Eileen Lake Hall, and an etching by S.W. Hayter.
Dehn is well documented through numerous photographs, both alone and with others, including a portrait by the renowned photographer André Kertész. Additional vintage photographs include Dehn with family members, friends, and a series of photographs taken with his wife, Virginia Dehn at Atelier Desjobert, where he had been making lithographs since the 1920s.
Arrangement:
The collection is arranged into 8 series:
Missing Title
Series 1: Biographical Material, circa 1920-1968 (Box 1; 10 folders)
Series 2: Correspondence, 1919-1982 (Boxes 1-4; 3.75 linear feet)
Series 3: Writings, circa 1920-1971 (Boxes 4-5; 0.25 linear feet)
Series 4: Financial Records, 1936-1965 (Box 5; 0.5 linear feet)
Series 5: Printed Materials, circa 1915-1987 (Boxes 5-6; 1.2 linear feet)
Series 6: Scrapbooks, 1912-1968(Boxes 6-7; 0.5 linear feet)
Series 7: Artwork, circa 1920-1945 (Box 6; 3 folders)
Series 8: Photographs, circa 1912-1961 (Boxes 6 and 8; 7 folders)
Biographical Note:
Adolf Dehn (1895-1968) was well-known for his drawings, lithographs and watercolors which satirically chronicled the social and political milieu of his times, as well as poetic landscapes, many of which depicted the rolling hills and farmlands of his native Midwest. Although he worked mostly in New York, Dehn also spent substantial time traveling and working in Europe, the Middle East, South America, and the American mid-west.
Dehn was born on a farm in Waterville, Minnesota on November 22, 1895, he began his formal art education in 1914 at the Minneapolis School of Art (currently known as the Minneapolis College of Art and Design). As a student, his drawings were featured in the school's humor journal, The Minne-Ha-Ha and by 1917 he had published his first drawing in one of his favorite political journals, The Masses. Later that year he and fellow Minneapolis School of Art student Wanda Gág were among a select group of art students nationwide who won scholarships to the Art Students League of New York. After only eight months in New York, however, Dehn was drafted into the Army to serve in the final months of World War I, but he proclaimed himself as a conscientious objector and was sent to Camp Wadsworth in South Carolina for several months.
Dehn returned to New York, where his friend and mentor Boardman Robinson introduced him to lithography through the master printer George Miller and brought him to the Weyhe Gallery to meet Carl Zigrosser, an avid supporter of American printmakers. However, he soon left New York for Europe in September 1921 where he spent most of the following eight years. There he traveled with his sketchbooks to the cafes and opera houses of Berlin, Paris, and Vienna, as well as on hiking trips in the Alps. He became friends with the poet E.E. Cummings, Scofield Thayer, editor of The Dial, who published many of his drawings, and met the German artist, George Grosz, whose work he so admired. In addition to The Dial, his satirical drawings of jazz-age entertainments and European cafe life also appeared in , The Liberator, Jugend, Vanity Fair, and Simplicissimus. Finally during his stint in Europe, Dehn met and married the Russian dancer Mura Tsiperovitch. They were married in Vienna in 1926, but divorced sometime in the early 1930s.
Unfortunately Dehn's return to the United States coincided with the Great Depression of 1929 and sales of his work were slim. However in the 1930s, The New Yorker and Vogue began to publish his work. He continued to work in lithography and returned to Paris to work at the Atelier Desjobert, the print studio with whom he worked most closely throughout his life. In the late 1930s, Dehn began working in watercolors, mostly rural landscapes, and had a one man show of works in his new medium at Weyhe Gallery in 1938. In 1939 Dehn traveled through the Southwest and Mexico on his first Guggenheim Fellowship (he was awarded his second in 1951).
By the 1940s Dehn was an active member of both the American Artists Group and Associated American Artists; both organizations sought to popularize contemporary American Art, primarily through reproductions of fine art prints and commercial use of artists' designs on greeting card, calendars, and even wall paper. Appreciation for his lithographs and watercolors grew, and along with it his recognition. He also taught art classes a few summers; in the late 1930s at Stephens College, Columbia, Missouri where his friend Albert Janner-Christ was head of the art department and in the early 1940s at the Colorado Springs Fine Arts Center, where friend and mentor Boardman Robinson was the director. In 1955 he published Watercolor, Gouache, and Casein Painting, a manual on technique. Throughout the rest of his life he continued to travel, not only returning to Europe, but also visiting Afganistan, Cuba, Haiti, and a trip to Venuzuala on assignment from Standard Oil to document the oil industry there. On many of his later trips, he was accompanied by his wife, fellow artist, Virginia Engleman Dehn, whom he had married in November 1947.
Near the end of his long career, Dehn was elected in 1961 to the National Academy of Design as a full academician. He was later elected to the National Academy of Arts and Letters. After his death in 1968, his wife Virginia worked with the University of Missouri Press on the catalog Adolf Dehn Drawings (Columbia: University of Missouri, 1971).
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 287 contains printed materials, including exhibition announcements, catalogs, magazines, and newspaper and magazine clippings. After filming, these materials were transferred to the Smithsonian American Art Museum/National Portrait Gallery Library. Reels 2938-2939 include 750 letters from Adolf Dehn to various family members. This material was returned to the lender and is not described in the collection container inventory.
Provenance:
The Adolf Dehn papers were donated in several installments from 1966 to 1985 by Adolf Dehn and his wife Virginia. Dehn's sisters, Viola Dehn Tiala and Olivia Dehn Mitchell, separately donated additional materials in 1971 and 1972. Olivia Dehn Mitchell also loaned the Archives letters from Adolf in 1983 for microfilming. Finally in 1989, Lillian Morrison, a friend and editor, donated a published book of Mura Dehn's poetry and a four page draft of a letter signed by Adolf Dehn.
Restrictions:
Use of originals requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Underwood & Underwood Studios. Eric Gugler sketching plans for the White House Executive Office, between 1930 and 1933. Eric Gugler papers, 1889-1977. Archives of American Art, Smithsonian Institution.
Reports on the observations of the total eclipse of the sun, December 21-22, 1889, and of the total eclipse of the moon, July 22, 1888, to which is added a Catalogue of the library, published by the Lick Observatory. Printed by authority of the Regents of the University of California
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
The Zoology of the voyage of H.M.S. Samarang, under the command of Captain Sir Edward Belcher, C.B., F.R.A.S., F.G.S., during the years 1843-1846 / by John Edward Gray, Sir John Richardson, Arthur Adams, Lovell Reeve, and Adam White ; edited by Arthur Adams
Expédition dans les parties centrales de l'Amérique du Sud : de Rio de Janeiro à Lima, et de Lima au Para / exécutée par ordre du gouvernement français pendant les années 1843 à 1847, sous la direction de Francis de Castelnau
An account of the first aërial voyage in England : in a series of letters to his guardian, Chevalier Gherardo Compagni, written under the impressions of the various events that affected the undertaking / by Vincent Lunardi ..
Warren's household physician : enlarged and revised, for the use of physicians, families, mariners, and miners, being a brief description, in plain language, of all the diseases of men, women and children, with the latest and most approved methods of treatment / allopathic department by Ira Warren, revised by William Thorndike ; homœopathic department by A.E. Small, revised by J. Heber Smith ; ill...
