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Edwin R. and Emily Dean Photographs

Creator:
Emily Dean  Search this
Edwin R. Dean  Search this
Extent:
117 slides (photographs) (color)
Type:
Collection descriptions
Archival materials
Slides (photographs)
Color slides
Place:
Nigeria
Africa
Date:
1965-1967
Summary:
Slides taken in Nigeria, 1965-67, a few years after independence and at the eve of the Biafra War by Edwin R. and Emily Dean. Emily Dean took most of the photographs. She taught at the St. Louis Secondary School. The images are typical for the time period (note that some of them are half frame images, taken with a type of camera heavily promoted in the 1960s). Geographic locations reflect the Deans' experiences and travel: the University of Ibadan Campus, the Jos Museum, Bida , Zaria, Kano, Lagos, and Abeokuta. Of particular interest is a series of Adire production in Abeokuta, the old palace at Idanre and the Timi of Ede's Shango shrine.
Arrangement note:
organized in one volume; arranged numerically by image number
Biographical/Historical note:
Edwin R. Dean, an Economist, worked at the Nigerian Institute of Social and Economic Research (University of Ibadan), 1965-67.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Edwin and Emily Dean hold copyright. Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Color slides
Identifier:
EEPA.2002-012
See more items in:
Edwin R. and Emily Dean Photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-2002-012
Online Media:

The Dunbar Legacy: Dr. Sterling A. Brown Lecture on Anna J. Cooper

Creator:
Anacostia Neighborhood Museum  Search this
Hutchinson, Louise Daniel  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Dunbar High School (Washington, D.C.)  Search this
Fisk University  Search this
Howard University  Search this
M Street High School (Washington, D.C.)  Search this
Oberlin College  Search this
Preparatory High School for Colored Youth (Washington, D.C.)  Search this
Université de Paris IV: Paris-Sorbonne  Search this
Virginia Theological Seminary and College (Lynchburg, Va.)  Search this
Brown, Sterling A., 1901-1989  Search this
Cooper, Anna J. (Anna Julia), 1858-1964  Search this
Egypt, Ophelia Settle  Search this
Martin-Felton, Zora  Search this
Terrell, Mary Church, 1863-1954  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
2 video recordings (open reel, 1/2 inch)
2 sound recordings (audio cassette)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Sound recordings
Lectures
Poetry
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
Lynchburg (Va.)
United States
Southern States
Date:
1981
Scope and Contents:
Dr. Sterling A. Brown talks about his experiences and teachers, including Anna J. Cooper, at M Street High School (later known as Dunbar High School); and education and segregation, which was fought by Cooper and Mary Church Terrell. He provides a short history and legacy of Cooper, who he considers a role model; and reads prose by Anna J. Cooper which highlights her educational philosophy and her views regarding education and the roles of teachers. Brown talks about his education and academic career; reminiscences his teaching experiences particularly at Virginia Theological Seminary and College, and living in Lynchburg, Virginia; and reads a few of his own poems, which focus on black life experiences in the Southern United States. Ophelia Settle Egypt, a friend of Sterling Brown, reminiscences about her experiences attending Howard University and adventures with Brown and his wife, Daisy: their resentment of Jim Crow and riding on a segregated bus. Mr. Muhammad reads his poems in tribute of Sterling Brown and "for everyone in the struggle of identifying what is what and who is who and what we need to do about it." Zora Martin-Felton introduces the speakers throughout the lecture series.
Lecture, and poetry and prose reading. AV003057 and AV003051: video. AV001053 and AV001353: audio only. Part of Anna J. Cooper: A Voice from the South Audiovisual Records. AV003057, AV003051, and AV001053: undated. AV001353: dated 19810426.
Biographical / Historical:
The collection, Anna J. Cooper: A Voice from the South Audiovisual Records, contains sound and video recordings of exhibit tours, gallery talks, and lectures associated with an exhibition, Anna J. Cooper: A Voice from the South. The exhibition presented the life and times of Washington, D.C. black educator and author Anna Julia Haywood Cooper through historical documents, photographs, memorabilia, and re-creations of her home and classroom settings. It was organized by the Anacostia Neighborhood Museum and held there from February 1981 to September 1982; Louise Daniel Hutchinson served as curator. The exhibition was based on an unpublished manuscript by the late Dr. Leona Gable, Smith College; and titled after Cooper's written work, A Voice from the South: By a Black Woman of the South.;Educator, author, and speaker Anna Julia Haywood Cooper (1858-1964) was born into slavery and educated at Saint Augustine's Normal School and Collegiate Institute in Raleigh, North Carolina. While teaching at St. Augustine's, she married George A. C. Cooper, who died two years later. After her husband's death, Cooper moved to Washington, D.C., attended Oberlin College, taught at Wilberforce College and M Street High School, and later went on to earn her Ph.D. from the University of Paris-Sorbonne. Cooper taught Greek, Latin, geometry, and science; and created a path for African Americans to attend Ivy League schools. Although she taught and served as principal (1902-1906) of the M Street High School (now Dunbar High School) in Washington, D.C., her role and influence extended beyond its boundaries. Cooper was an advocate of human rights who lectured on a broad range of topics that affected blacks and women, including race relations, poverty, and gender inequality; a feminist of her day. She was a contributor to the District of Columbia's Colored Settlement House; served as president of Frelinghuysen University, which offered affordable liberal arts and professional courses for working African Americans; and wrote A Voice from the South by a Black Woman of the South, the first book-length volume of black feminist analysis in the United States.;Professor, poet, and literary critic Dr. Sterling A. Brown (1901-1989) was born and raised in the Washington, D.C area. He grew up on a farm in Howard County, Maryland; and attended Waterford Oaks Elementary, Dunbar High School, Williams College in Massachusetts, and Harvard University. He married Daisy Turnbull in 1927. Brown taught at Howard University, Fisk University, Vassar College, New York University, Atlanta University, Yale University, and Virginia Theological Seminary and College in Lynchburg, Virginia. His studies and poetry focused on black history and culture of the Southern United States.;Originally named Preparatory High School for Colored Youth and later known as M Street High School, Paul Laurence Dunbar High School, located in Washington, D.C., was the first black public high school in the United States. During the first half of the twentieth century, Dunbar was an academically elite public school with many of its teachers holding master and doctorate degrees. By the 1950s, the school was sending 80 percent of its students to college. During the late twentieth century and early twenty-first century, Dunbar struggled to keep its prestigious reputation and high standards. As with many troubled urban public schools, Dunbar standards fell and some students struggle with basic reading and math. The Dunbar Legacy Lecture Series, which was held at the Anacostia Neighborhood Museum in the early 1980s, consisted of lectures by and about people associated with Dunbar High School.
Local Numbers:
ACMA AV003051

ACMA AV001053_A

ACMA AV001053_B

ACMA AV001353_A

ACMA AV001353_B
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
African American women  Search this
Freedmen  Search this
African American educators  Search this
African American women educators  Search this
Women  Search this
Educators  Search this
Education  Search this
Segregation  Search this
Race  Search this
Human Rights  Search this
Civil rights  Search this
Women's rights  Search this
Civil rights leaders  Search this
African American authors  Search this
African American women authors  Search this
Authors  Search this
African American poets  Search this
Poets  Search this
Social history  Search this
Slavery  Search this
Genre/Form:
Video recordings
Sound recordings
Lectures
Poetry
Citation:
The Dunbar Legacy: Dr. Sterling A. Brown Lecture on Anna J. Cooper, Exhibition Records AV03-029, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-029, Item ACMA AV003057
See more items in:
Anna J. Cooper: a voice from the South exhibition records
Anna J. Cooper: a voice from the South exhibition records / Series ACMA AV03-029: Anna J. Cooper: a voice from the South audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-029-ref906

The Dunbar Legacy: Dr. Paul Phillips Cooke Lecture

Creator:
Anacostia Neighborhood Museum  Search this
Hutchinson, Louise Daniel  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Dunbar High School (Washington, D.C.)  Search this
Frelinghuysen University (Washington, D.C.).  Search this
M Street High School (Washington, D.C.)  Search this
Miner Teachers College  Search this
Oberlin College  Search this
Preparatory High School for Colored Youth (Washington, D.C.)  Search this
St. Augustine's Normal School and Collegiate Institute  Search this
Université de Paris IV: Paris-Sorbonne  Search this
Wilberforce University  Search this
Cooke, Paul P.  Search this
Cooper, Anna J. (Anna Julia), 1858-1964  Search this
Cooper, George A. C., Reverend  Search this
Du Bois, W. E. B. (William Edward Burghardt), 1868-1963  Search this
Grimké, Francis J. (Francis James), 1850-1937  Search this
Hunt, Ida Gibbs, 1862-1957  Search this
Martin-Felton, Zora  Search this
Terrell, Mary Church, 1863-1954  Search this
Washington, Booker T., 1856-1915  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
2 video recordings (open reel, 1/2 inch)
1 sound recording (audio cassette)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Sound recordings
Lectures
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
Raleigh (N.C.)
United States
Date:
circa 1981
Scope and Contents:
Dr. Paul Phillips Cooke speaks on the subject of Anna J. Cooper: Teacher and Human Being. He talks about Cooper's life and the time in which she lived; and her human and religious influences. Cooke, who assisted with the Cooper exhibition at the Anacostia Neighborhood Museum, provides an overview of Cooper's history and addresses questions from the lecture audience. Cooke also provides an overview of the history of educational institutions and schools, and the education system in Washington, D.C. He discusses civil rights, legislation changes in D.C., and how civil rights legislation affected Cooper, W. E. DuBois, and Booker T. Washington. Zora Martin-Felton introduces Cooke providing a short history of his Anacostian roots.
Lecture. AV003264: Part 1. AV003220: Part 2. Part of Anna J. Cooper: A Voice from the South Audiovisual Records. AV003264 and AV003220: undated. AV001346: dated 19830925, audio only, contains part of (copy of) AV003220 recording.
Biographical / Historical:
The collection, Anna J. Cooper: A Voice from the South Audiovisual Records, contains sound and video recordings of exhibit tours, gallery talks, and lectures associated with an exhibition, Anna J. Cooper: A Voice from the South. The exhibition presented the life and times of Washington, D.C. black educator and author Anna Julia Haywood Cooper through historical documents, photographs, memorabilia, and re-creations of her home and classroom settings. It was organized by the Anacostia Neighborhood Museum and held there from February 1981 to September 1982; Louise Daniel Hutchinson served as curator. The exhibition was based on an unpublished manuscript by the late Dr. Leona Gable, Smith College; and titled after Cooper's written work, A Voice from the South: By a Black Woman of the South.;Educator, author, and speaker Anna Julia Haywood Cooper (1858-1964) was born into slavery and educated at Saint Augustine's Normal School and Collegiate Institute in Raleigh, North Carolina. While teaching at St. Augustine's, she married George A. C. Cooper, who died two years later. After her husband's death, Cooper moved to Washington, D.C., attended Oberlin College, taught at Wilberforce College and M Street High School, and later went on to earn her Ph.D. from the University of Paris-Sorbonne. Cooper taught Greek, Latin, geometry, and science; and created a path for African Americans to attend Ivy League schools. Although she taught and served as principal (1902-1906) of the M Street High School (now Dunbar High School) in Washington, D.C., her role and influence extended beyond its boundaries. Cooper was an advocate of human rights who lectured on a broad range of topics that affected blacks and women, including race relations, poverty, and gender inequality; a feminist of her day. She was a contributor to the District of Columbia's Colored Settlement House; served as president of Frelinghuysen University, which offered affordable liberal arts and professional courses for working African Americans; and wrote A Voice from the South by a Black Woman of the South, the first book-length volume of black feminist analysis in the United States.;Educator, author, statesman, and former president of the District of Columbia Teacher's College Dr. Paul Phillips Cooke (1917-2010) was born in New York City and raised in Washington, D.C. He attended Dunbar High School, Miner Teachers College, New York University, Catholic University of America, and Columbia University, where he received his doctorate. Cooke was married to Rose Cooke for 63 years.;Originally named Preparatory High School for Colored Youth and later known as M Street High School, Paul Laurence Dunbar High School, located in Washington, D.C., was the first black public high school in the United States. During the first half of the twentieth century, Dunbar was an academically elite public school with many of its teachers holding master and doctorate degrees. By the 1950s, the school was sending 80 percent of its students to college. During the late twentieth century and early twenty-first century, Dunbar struggled to keep its prestigious reputation and high standards. As with many troubled urban public schools, Dunbar standards fell and some students struggle with basic reading and math. The Dunbar Legacy Lecture Series, which was held at the Anacostia Neighborhood Museum in the early 1980s, consisted of lectures by and about people associated with Dunbar High School.
Local Numbers:
ACMA AV003220

ACMA AV001346_B
General:
Title transcribed from physical asset.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
African American women  Search this
Freedmen  Search this
African American educators  Search this
African American women educators  Search this
Women  Search this
Educators  Search this
Education  Search this
Religion  Search this
Segregation  Search this
Race  Search this
Human Rights  Search this
Civil rights  Search this
Women's rights  Search this
Civil rights leaders  Search this
African American authors  Search this
African American women authors  Search this
Authors  Search this
Social history  Search this
Slavery  Search this
Genre/Form:
Video recordings
Sound recordings
Lectures
Citation:
The Dunbar Legacy: Dr. Sterling A. Brown Lecture, Exhibition Records AV03-029, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-029, Item ACMA AV003264
See more items in:
Anna J. Cooper: a voice from the South exhibition records
Anna J. Cooper: a voice from the South exhibition records / Series ACMA AV03-029: Anna J. Cooper: a voice from the South audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-029-ref907

Anna J. Cooper Exhibit: Music, Literary Reading, and Sound Effects

Creator:
Anacostia Neighborhood Museum  Search this
Hutchinson, Louise Daniel  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Cooper, Anna J. (Anna Julia), 1858-1964  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 sound recording (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Music
Sound effects recordings
Literary readings (radio programs)
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1981
Scope and Contents:
Components used for exhibition, Anna J. Cooper: A Voice from the South. Recording of song Moonlight Sonata; literary reading of Send Me No Flowers which has religious influences; and ambient sound of children talking (schoolroom sound effect).
Music, literary reading, and sound effects. Part of Anna J. Cooper: A Voice from the South Audiovisual Records. Dated 19810127.
Biographical / Historical:
The collection, Anna J. Cooper: A Voice from the South Audiovisual Records, contains sound and video recordings of exhibit tours, gallery talks, and lectures associated with an exhibition, Anna J. Cooper: A Voice from the South. The exhibition presented the life and times of Washington, D.C. black educator and author Anna Julia Haywood Cooper through historical documents, photographs, memorabilia, and re-creations of her home and classroom settings. It was organized by the Anacostia Neighborhood Museum and held there from February 1981 to September 1982; Louise Daniel Hutchinson served as curator. The exhibition was based on an unpublished manuscript by the late Dr. Leona Gable, Smith College; and titled after Cooper's written work, A Voice from the South: By a Black Woman of the South.;Educator, author, and speaker Anna Julia Haywood Cooper (1858-1964) was born into slavery and educated at Saint Augustine's Normal School and Collegiate Institute in Raleigh, North Carolina. While teaching at St. Augustine's, she married George A. C. Cooper, who died two years later. After her husband's death, Cooper moved to Washington, D.C., attended Oberlin College, taught at Wilberforce College and M Street High School, and later went on to earn her Ph.D. from the University of Paris-Sorbonne. Cooper taught Greek, Latin, geometry, and science; and created a path for African Americans to attend Ivy League schools. Although she taught and served as principal (1902-1906) of the M Street High School (now Dunbar High School) in Washington, D.C., her role and influence extended beyond its boundaries. Cooper was an advocate of human rights who lectured on a broad range of topics that affected blacks and women, including race relations, poverty, and gender inequality; a feminist of her day. She was a contributor to the District of Columbia's Colored Settlement House; served as president of Frelinghuysen University, which offered affordable liberal arts and professional courses for working African Americans; and wrote A Voice from the South by a Black Woman of the South, the first book-length volume of black feminist analysis in the United States.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
African American women  Search this
Freedmen  Search this
African American educators  Search this
African American women educators  Search this
Women  Search this
Educators  Search this
Students  Search this
Children  Search this
Religion  Search this
African American authors  Search this
African American women authors  Search this
Authors  Search this
Genre/Form:
Sound recordings
Music
Sound effects recordings
Literary readings (Radio programs)
Citation:
Anna J. Cooper Exhibit: Music, Literary Reading, and Sound Effects, Exhibition Records AV03-029, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-029, Item ACMA AV003514
See more items in:
Anna J. Cooper: a voice from the South exhibition records
Anna J. Cooper: a voice from the South exhibition records / Series ACMA AV03-029: Anna J. Cooper: a voice from the South audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-029-ref908

Anna J. Cooper Exhibit: Puppet Show

Creator:
Anacostia Neighborhood Museum  Search this
Hutchinson, Louise Daniel  Search this
Anacostia Neighborhood Museum Black Heritage Puppet Theatre  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Dunbar High School (Washington, D.C.)  Search this
Frelinghuysen University (Washington, D.C.).  Search this
M Street High School (Washington, D.C.)  Search this
Oberlin College  Search this
Preparatory High School for Colored Youth (Washington, D.C.)  Search this
Université de Paris IV: Paris-Sorbonne  Search this
Cooper, Anna J. (Anna Julia), 1858-1964  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 video recording (open reel, 1/2 inch)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Music
Puppet plays
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1981
Scope and Contents:
A puppet show, organized by the Anacostia Neighborhood Museum Black Heritage Puppet Theatre, provides school children with an introduction to the exhibition, Anna J. Cooper: A Voice from the South. The main character in the puppet show is a student who needs to present a report on a black woman who lived in Washington, D.C. and who made an outstanding contribution to the lives of black people. The puppet show highlights Cooper's teaching career; her advocacy for education, black students, and civil rights; and the period of time in which she lived. Music played prior to puppet show, and children in the audience sing a rhyme about Cooper's live after puppet show.
Puppet show. Part of Anna J. Cooper: A Voice from the South Audiovisual Records. Dated 19810415.
Biographical / Historical:
The collection, Anna J. Cooper: A Voice from the South Audiovisual Records, contains sound and video recordings of exhibit tours, gallery talks, and lectures associated with an exhibition, Anna J. Cooper: A Voice from the South. The exhibition presented the life and times of Washington, D.C. black educator and author Anna Julia Haywood Cooper through historical documents, photographs, memorabilia, and re-creations of her home and classroom settings. It was organized by the Anacostia Neighborhood Museum and held there from February 1981 to September 1982; Louise Daniel Hutchinson served as curator. The exhibition was based on an unpublished manuscript by the late Dr. Leona Gable, Smith College; and titled after Cooper's written work, A Voice from the South: By a Black Woman of the South.;Educator, author, and speaker Anna Julia Haywood Cooper (1858-1964) was born into slavery and educated at Saint Augustine's Normal School and Collegiate Institute in Raleigh, North Carolina. While teaching at St. Augustine's, she married George A. C. Cooper, who died two years later. After her husband's death, Cooper moved to Washington, D.C., attended Oberlin College, taught at Wilberforce College and M Street High School, and later went on to earn her Ph.D. from the University of Paris-Sorbonne. Cooper taught Greek, Latin, geometry, and science; and created a path for African Americans to attend Ivy League schools. Although she taught and served as principal (1902-1906) of the M Street High School (now Dunbar High School) in Washington, D.C., her role and influence extended beyond its boundaries. Cooper was an advocate of human rights who lectured on a broad range of topics that affected blacks and women, including race relations, poverty, and gender inequality; a feminist of her day. She was a contributor to the District of Columbia's Colored Settlement House; served as president of Frelinghuysen University, which offered affordable liberal arts and professional courses for working African Americans; and wrote A Voice from the South by a Black Woman of the South, the first book-length volume of black feminist analysis in the United States.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
African American women  Search this
Freedmen  Search this
African American educators  Search this
African American women educators  Search this
Women  Search this
Education  Search this
Educators  Search this
Students  Search this
Children  Search this
Segregation  Search this
Race  Search this
Human Rights  Search this
Civil rights  Search this
Genre/Form:
Video recordings
Music
Puppet plays
Citation:
Anna J. Cooper Exhibit: Puppet Show, Exhibition Records AV03-029, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-029, Item ACMA AV003070
See more items in:
Anna J. Cooper: a voice from the South exhibition records
Anna J. Cooper: a voice from the South exhibition records / Series ACMA AV03-029: Anna J. Cooper: a voice from the South audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-029-ref909

Pinpoint Production: Anna Julia Cooper

Creator:
Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Cooper, Anna J. (Anna Julia), 1858-1964  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 video recording (open reel, 1/2 inch)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Drama
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1970s
Scope and Contents:
Pinpoint, an educational theater group, presents a dramatic program about Anna Julia Cooper.
Dramatic performance. Part of ACM Museum Events, PR, and Ceremonies Recordings. Poor audio. Undated.
Biographical / Historical:
Educator, author, and speaker Anna Julia Haywood Cooper (1858-1964) was born into slavery and educated at Saint Augustine's Normal School and Collegiate Institute in Raleigh, North Carolina. While teaching at St. Augustine's, she married George A. C. Cooper, who died two years later. After her husband's death, Cooper moved to Washington, D.C., attended Oberlin College, taught at Wilberforce College and M Street High School, and later went on to earn her Ph.D. from the University of Paris-Sorbonne. Cooper taught Greek, Latin, geometry, and science; and created a path for African Americans to attend Ivy League schools. Although she taught and served as principal (1902-1906) of the M Street High School (now Dunbar High School) in Washington, D.C., her role and influence extended beyond its boundaries. Cooper was an advocate of human rights who lectured on a broad range of topics that affected blacks and women, including race relations, poverty, and gender inequality; a feminist of her day. She was a contributor to the District of Columbia's Colored Settlement House; served as president of Frelinghuysen University, which offered affordable liberal arts and professional courses for working African Americans; and wrote A Voice from the South by a Black Woman of the South, the first book-length volume of black feminist analysis in the United States.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans  Search this
African American women  Search this
Women  Search this
Educators  Search this
African American educators  Search this
Genre/Form:
Video recordings
Drama
Citation:
Pinpoint Production: Anna Julia Cooper, Record Group AV09-023, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-029, Item ACMA AV000814
See more items in:
Anna J. Cooper: a voice from the South exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-029-ref913

Correspondence between Vera Zorn, Lee David Hamilton and Firm of Winer, Neuburger and Sive

Collection Creator:
Studenski, Paul, 1887-1961  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Text
Date:
1971-1975
Collection Restrictions:
No restrictions on access
Collection Rights:
Permissions Requests
Collection Citation:
Paul Studenski Collection, Acc. 1989-0012, National Air and Space Museum, Smithsonian Institution.
See more items in:
Paul Studenski Collection
Paul Studenski Collection / Series 1: Correspondence
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1989-0012-ref22
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Correspondence between Vera Zorn, Lee David Hamilton and Firm of Winer, Neuburger and Sive digital asset number 1

Early Birds of Aviation, Inc.

Collection Creator:
Studenski, Paul, 1887-1961  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Permissions Requests
Collection Citation:
Paul Studenski Collection, Acc. 1989-0012, National Air and Space Museum, Smithsonian Institution.
See more items in:
Paul Studenski Collection
Paul Studenski Collection / Series 2: Aviation Career and Activities
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1989-0012-ref23
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Early Birds of Aviation, Inc. digital asset number 1
  • View Early Birds of Aviation, Inc. digital asset number 2

Newspaper Clippings

Collection Creator:
Studenski, Paul, 1887-1961  Search this
Container:
Box 1, Folder 10
Type:
Archival materials
Text
Date:
1912-1961
Collection Restrictions:
No restrictions on access
Collection Rights:
Permissions Requests
Collection Citation:
Paul Studenski Collection, Acc. 1989-0012, National Air and Space Museum, Smithsonian Institution.
See more items in:
Paul Studenski Collection
Paul Studenski Collection / Series 2: Aviation Career and Activities
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1989-0012-ref25
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Newspaper Clippings digital asset number 1

Miscellaneous

Collection Creator:
Studenski, Paul, 1887-1961  Search this
Container:
Box 1, Folder 12
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Permissions Requests
Collection Citation:
Paul Studenski Collection, Acc. 1989-0012, National Air and Space Museum, Smithsonian Institution.
See more items in:
Paul Studenski Collection
Paul Studenski Collection / Series 2: Aviation Career and Activities
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1989-0012-ref27
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Scrapbook, Volume 2 (1 of 2)

Collection Creator:
Studenski, Paul, 1887-1961  Search this
Container:
Box 1, Folder 13
Type:
Archival materials
Text
Date:
1915-1961
Collection Restrictions:
No restrictions on access
Collection Rights:
Permissions Requests
Collection Citation:
Paul Studenski Collection, Acc. 1989-0012, National Air and Space Museum, Smithsonian Institution.
See more items in:
Paul Studenski Collection
Paul Studenski Collection / Series 3: Scrapbooks
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1989-0012-ref28
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  • View Scrapbook, Volume 2 (1 of 2) digital asset number 1
  • View Scrapbook, Volume 2 (1 of 2) digital asset number 2

Scrapbook, Volume 2 (2 of 2)

Collection Creator:
Studenski, Paul, 1887-1961  Search this
Container:
Box 1, Folder 14
Type:
Archival materials
Text
Date:
1915-1961
Collection Restrictions:
No restrictions on access
Collection Rights:
Permissions Requests
Collection Citation:
Paul Studenski Collection, Acc. 1989-0012, National Air and Space Museum, Smithsonian Institution.
See more items in:
Paul Studenski Collection
Paul Studenski Collection / Series 3: Scrapbooks
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1989-0012-ref29
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  • View Scrapbook, Volume 2 (2 of 2) digital asset number 1
  • View Scrapbook, Volume 2 (2 of 2) digital asset number 2

Scrapbook labeled Reminiscences of a Flier: To My Wife for Whom I Discontinued Flying; Paul Studensky

Collection Creator:
Studenski, Paul, 1887-1961  Search this
Container:
Box OS, Item 1
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Permissions Requests
Collection Citation:
Paul Studenski Collection, Acc. 1989-0012, National Air and Space Museum, Smithsonian Institution.
See more items in:
Paul Studenski Collection
Paul Studenski Collection / Series 4: Oversized Materials
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1989-0012-ref30
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Scrapbook labeled Reminiscences of a Flier: To My Wife for Whom I Discontinued Flying; Paul Studensky digital asset number 1
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John White Alexander papers

Creator:
Alexander, John White, 1856-1915  Search this
Names:
MacDowell Club of New York  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Alexander, Elizabeth A., d. 1947  Search this
Carnegie, Andrew, 1835-1919  Search this
Chase, William Merritt, 1849-1916  Search this
Gibson, Charles Dana, 1867-1944  Search this
James McNeill Whistler, 1834-1903  Search this
James, Henry, 1843-1916  Search this
La Farge, John, 1835-1910  Search this
Levy, Florence N. (Florence Nightingale), 1870-1947  Search this
Millet, Francis Davis, 1846-1912  Search this
Remington, Frederic, 1861-1909  Search this
Stevenson, Robert Louis, 1850-1894  Search this
Extent:
11.9 Linear feet
Type:
Collection descriptions
Archival materials
Awards
Interviews
Photographs
Sketchbooks
Scrapbooks
Medals
Date:
1775-1968
bulk 1870-1915
Summary:
The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.
Scope and Contents:
The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.

Biographical Information includes multiple essays related to Alexander, his family, and others in his circle. Also found is an extensive oral history of Alexander's wife Elizabeth conducted in 1928. Correspondence includes letters written by Alexander to his family from New York and Europe at the start of his career, and later letters from fellow artists, art world leaders, and portrait sitters of Alexander's. Significant correspondents include Charles Dana Gibson, Florence Levy, Frederick Remington, Robert Louis Stevenson, Henry James, John La Farge, Francis Davis Millet, and Andrew Carnegie. Correspondence includes some small sketches as enclosures and illustrated letters.

Certificates and records related to Alexander's career are found in Associations and Memberships, Legal and Financial Records, and Notes and Writings, which contain documentation of Alexander's paintings and exhibitions. Scattered documentation of Alexander's memberships in various arts association exists for the American Academy of Arts and Letters, the American Academy in Rome, the National Academy of Design, the Onteora Club in New York, the Royal Academy of Fine Arts in Munich, Germany, the Ministère de L'Instruction Publique et des Beaux-Arts, the Union Internationale des Beaux Arts et des Lettres, and the Metropolitan Museum of Art. Notes and Writings include speeches written by Alexander, short stories and essays written by his wife, and articles by various authors about Alexander. Extensive documentation of the planning and construction of the Alexander Memorial Studio by the MacDowell Club is found, along with other awards, medals, and memorial resolutions adopted by arts organizations after Alexander's death.

Artwork includes fourteen sketchbooks with sketches related to Alexander's commercial illustration and cartooning, murals, paintings, and travels. Dozens of loose drawings and sketches are also found, along with two volumes and several dozen loose reproductions of artwork, among which are found fine prints by named printmakers. Many sketches are also interspersed throughout the correspondence. Eight Scrapbooks contain mostly clippings, but also scattered letters, exhbition catalogs, announcements, invitations, and photographs related to Alexander's career between 1877 and 1915. Additional Exhibition Catalogs and later clippings, as well as clippings related to the career of his wife and other subjects, are found in Printed Materials.

Photographs include many portraits of Alexander taken by accomplished photographers such as Zaida Ben-Yusuf, Aimé Dupont, Curtis Bell, Elizabeth Buehrmann, and several signed Miss Huggins, who may have been Estelle Huntington Huggins, a New York painter and photographer. Portraits of others include Alexander's friends William Merritt Chase and Edward Austin Abbey. Also found are photographs of groups, juries, family, friends, and studios in New York, Paris, and New Jersey, and a handful of scenic photographs of Polling, Bavaria, where Alexander had an early studio. A large number of photographs of works of art are found, many with annotations. Among the photographs of murals are a small collection of snapshots of the Carnegie Institute murals in progress. Miscellaneous artifacts include a palette, several printing plates, and an inscribed souvenir engraving of a self-portrait caricature of Mark Twain.
Arrangement:
The collection is arranged into 11 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Information, circa 1887-1968 (Box 1, OV 23; 0.1 linear feet)

Series 2: Correspondence, circa 1870-1942 (Box 1; 0.7 linear feet)

Series 3: Associations and Memberships, circa 1897-1918 (Box 1; 2 folders)

Series 4: Legal and Financial Records, 1775, 1896-1923 (Box 1; 5 folders)

Series 5: Notes and Writings, circa 1875-1943 (Boxes 1-2; 0.3 linear feet)

Series 6: Awards and Memorials, circa 1870-1944 (Box 2, OV 24; 0.8 linear feet)

Series 7: Artwork, circa 1875-1915 (Boxes 2-3, 6, 14-16, OV 23; 1.5 linear feet)

Series 8: Scrapbooks, circa 1877-1915 (Boxes 17-22; 1.8 linear feet)

Series 9: Printed Materials, circa 1891-1945 (Boxes 3-4, OV 23; 1.5 linear feet)

Series 10: Photographs, circa 1870-1915 (Boxes 4-8, MGP 1-2, OV 25-43, RD 44-45; 4.2 linear feet)

Series 11: Artifacts, circa 1899-1915 (Box 6, artifact cabinet; 0.4 linear feet)
Biographical / Historical:
John White Alexander was born in 1856 in Allegheny City, Pennsylvania. He was orphaned at age five and taken in by relatives of limited means. When Alexander left school and began working at a telegraph company, the company's vice-president, former civil war Colonel Edward Jay Allen, took an interest in his welfare. Allen became his legal guardian, brought him into the Allen household, and saw that he finished Pittsburgh High School. At eighteen, he moved to New York City and was hired by Harper and Brothers as an office boy in the art department. He was soon promoted to apprentice illustrator under staff artists such as Edwin A. Abbey and Charles Reinhart. During his time at Harpers, Alexander was sent out on assignment to illustrate events such as the Philadelphia Centennial celebration in 1876 and the Pittsburgh Railroad Strike in 1877, which erupted in violence.

Alexander carefully saved money from his illustration work and traveled to Europe in 1877 for further art training. He first enrolled in the Royal Art Academy of Munich, Germany, but soon moved to the village of Polling, where a colony of American artists was at its peak in the late 1870s. Alexander established a painting studio there and stayed for about a year. Despite his absence from the Munich Academy, he won the medal of the drawing class for 1878, the first of many honors. While in Polling, he became acquainted with J. Frank Currier, Frank Duveneck, William Merritt Chase, and other regular visitors to the colony. He later shared a studio and taught a painting class in Florence with Duveneck and traveled to Venice, where he met James Abbott McNeill Whistler.

Alexander returned to New York in 1881 and resumed his commercial artwork for Harpers and Century. Harpers sent him down the Mississippi river to complete a series of sketches. He also began to receive commissions for portraits, and in the 1880s painted Charles Dewitt Bridgman, a daughter of one of the Harper brothers, Parke Godwin, Thurlow Weed, Walt Whitman, and Oliver Wendell Holmes. Alexander met his wife Elizabeth, whose maiden name was also Alexander, through her father, James W. Alexander, who was sometimes mistaken for the artist. Elizabeth and John White Alexander married in 1887 and had a son, James, in 1888.

Alexander and his family sailed for France in 1890, where they became a part of the lively literary and artistic scene in Paris at the time. Among their many contacts there were Puvis de Chavannes, Auguste Rodin, and Whistler, who arrived in Paris shortly thereafter. Alexander absorbed the new aesthetic ideas around him such as those of the symbolists and the decorative style of art nouveau. Critics often note how such ideas are reflected in his boldly composed paintings of women from this period, who titles drew attention to the sensual and natural elements of the paintings. His first exhibition in Paris was three paintings at the Société Nationale des Beaux Arts in 1893, and by 1895 he has become a full member of the Société.

Independent and secession artist societies emerged throughout Europe during this period, and Alexander exhibited with several of them, including the Société Nouvelle in Paris, the Munich Secession, and the Vienna Secession. He was also elected an honorary member of the Royal Society of Belgian Artists and the Royal Society of British Painters in London. His exhibited works sold well, and his influence began to be felt back in the United States. Andrew Carnegie and John Beatty of the Carnegie Institute consulted closely with Alexander in the planning and execution of the first Carnegie International Exhibitions. Alexander also became active in supporting younger American artists who wanted to exhibit in Europe, a stance which resulted in his resignation from the Society of American Artists in Paris, which he felt had become a barrier to younger artists. His promotion of American art became an central aspect of his career for the remainder of his life, most visibly through his presidency of the National Academy of Design from 1909 until shortly before his death in 1915. He also served frequently on juries for high-profile exhibitions, and was a trustee at the Metropolitan Museum of Art, the New York Public Library, and the national Institute of Arts and Letters. Around 1912, he helped to form the School Art League in New York, which provided art instruction to high school students.

Alexander returned to the United States nearly every summer while based in Paris, and among his commissioned paintings were murals for the newly-constructed Library of Congress, completed around 1896. In 1901, the Alexanders returned to New York permanently. The demand for portraits continued, and he had his first solo exhibition at the Durand-Ruel Galleries in 1902. Around 1905 he received a commission for murals at the new Carnegie Institute building in Pittsburgh for the astounding sum of $175,000. He created 48 panels there through 1908. During this period, the Alexanders spent summers in Onteora, New York, where Alexander painted his well-known "Sunlight" paintings. There they became friends and collaborators with the actress Maude Adams, with Alexander designing lighting and stage sets, and Elizabeth Alexander designing costumes for Adams' productions such as Peter Pan, the Maid of Orleans, and Chanticleer. The couple became known for their "theatricals" or tableaux, staged at the MacDowell Club and elsewhere, and Elizabeth Alexander continued her design career when her husband died in 1915.

Alexander left several commissions unfinished upon his death at age 59, including murals in Wisconsin, Ohio, and Harrisburg, Pennsylvania. Elizabeth Alexander held a memorial exhibition at Arden Galleries a few months after his death, and a larger memorial exhibition was held by the Carnegie Institute in 1916. Alexander won dozens of awards for artwork in his lifetime, including the Lippincott Prize at the Pennsylvania Academy of the Fine Arts in 1899, the Gold Medal of Honor at the Paris Exposition Universelle in 1900, the Gold Medal at the Panama Pacific Exposition of 1901, and the Medal of the First Class at the Carnegie Institute International Exhibition in 1911. In 1923, the Alexander Memorial Studio was built at the MacDowell colony in New Hampshire to honor his memory.
Provenance:
Papers were donated in 1978 and 1981 by Irina Reed, Alexander's granddaughter and in 2017 by Elizabeth Reed, Alexander's great grandaughter.
Restrictions:
Use of the original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Rights:
The John White Alexander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Muralists -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Works of art  Search this
Portrait painting -- 20th century  Search this
Portrait painting -- 19th century  Search this
Illustrators -- New York (State) -- New York  Search this
Portrait painting, American  Search this
Genre/Form:
Awards
Interviews
Photographs
Sketchbooks
Scrapbooks
Medals
Citation:
John White Alexander papers, 1775-1968, bulk 1870-1915. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.alexjohn
See more items in:
John White Alexander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-alexjohn
Online Media:

Episode 71

Collection Producer:
Lodge, Arthur  Search this
Arthur Lodge Productions.  Search this
Collection Creator:
National Association of Manufacturers  Search this
Extent:
1 motion picture film
Container:
Box AC0507-OF0071
Type:
Archival materials
Moving Images
Motion picture films
Date:
1952 February 15
Scope and Contents:
Black Diamonds! Manufacturing carborundum and man-made diamonds. Carborundum Co., Niagara Falls, NY. Waste Not, Want Not! Recycled clothes using used wool; textiles.

Unsinkable Boat! Manufacturing an unsinkable boat. Continental Copper & Steel Ind., Perth Amboy, NJ.

Everyday Art! Calendar painting by Norman Rockwell in Arlington, VT. Brown & Bigelow, St. Paul, MN.

Reference video, Box 4
Collection Restrictions:
Collection is open for research. Reference copies must be used. Special arrangements must be made directly with the audiovisual archivist to view episodes for which no reference copy exists.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees will be charged for reproductions.
Collection Citation:
Industry on Parade Film Collection, 1950-1959, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Industry on Parade Film Collection
Industry on Parade Film Collection / Series 1: Motion Picture Films
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0507-ref144

Episode 100

Collection Producer:
Lodge, Arthur  Search this
Arthur Lodge Productions.  Search this
Collection Creator:
National Association of Manufacturers  Search this
Extent:
1 motion picture film
Container:
Reel AC0507-OF0100
Type:
Archival materials
Moving Images
Motion picture films
Date:
1952 August
Scope and Contents:
Scooters Come of Age! Manufacturing motor scooters. Cushman Motor Works, Lincoln, NE.

Doctors of Design! Design firm designed and furnished a house completely in plastic. Designing for synthetic materials. Lippincott and Margulies, Scarsdale, NY.

Landmarks for Lawyers! Shepherd's citations. Guides to laws and past legal cases. Colorado Springs, CO.

Artists in Glass! Stained glass. Jacoby Art Glass Works, St. Louis.
Collection Restrictions:
Collection is open for research. Reference copies must be used. Special arrangements must be made directly with the audiovisual archivist to view episodes for which no reference copy exists.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees will be charged for reproductions.
Collection Citation:
Industry on Parade Film Collection, 1950-1959, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Industry on Parade Film Collection
Industry on Parade Film Collection / Series 1: Motion Picture Films
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0507-ref200

Episode 102

Collection Producer:
Lodge, Arthur  Search this
Arthur Lodge Productions.  Search this
Collection Creator:
National Association of Manufacturers  Search this
Extent:
1 motion picture film
Container:
Reel AC0507-OF0102
Type:
Archival materials
Moving Images
Motion picture films
Date:
1952 September 22
Scope and Contents:
New Conquests in Communications! Television network relay system. The Bell System.

Rubber Craft! Manufacturing V-belt. Gates Rubber Co., Denver, CO.

Carriage Trade! Manufacturing baby and doll carriages. Children; toys. Welsh Baby Carriage Manufacturing Co., St. Louis, MO.

With This Ring! Manufacturing wedding rings. Matrimony; jewelry. J. R. Wood and Sons Co., New York, NY.
Collection Restrictions:
Collection is open for research. Reference copies must be used. Special arrangements must be made directly with the audiovisual archivist to view episodes for which no reference copy exists.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees will be charged for reproductions.
Collection Citation:
Industry on Parade Film Collection, 1950-1959, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Industry on Parade Film Collection
Industry on Parade Film Collection / Series 1: Motion Picture Films
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0507-ref204

Episode 217

Collection Producer:
Lodge, Arthur  Search this
Arthur Lodge Productions.  Search this
Collection Creator:
National Association of Manufacturers  Search this
Extent:
1 motion picture film
Container:
Box 5, Tape AC0507-MV0217
Reel AC0507-OF0217
Type:
Archival materials
Moving Images
Motion picture films
Date:
1954 December 11
Scope and Contents:
Missouri New home design around central air conditioning by Carrier Corp. Oak Estates, St. Louis, MO.

Connecticut Manufacturing brushes. The Fuller Brush Co., Hartford, CT.

Illinois Watch-making and designing school. Elgin National Watch Co., Elgin, IL.

Washington Dyeing art learned by Mr. and Mrs. G. Barber while teaching in Indian schools; textiles. Barber's Handweaving Shop, Bellingham, WA.

Reference video, Box 9
Collection Restrictions:
Collection is open for research. Reference copies must be used. Special arrangements must be made directly with the audiovisual archivist to view episodes for which no reference copy exists.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees will be charged for reproductions.
Collection Citation:
Industry on Parade Film Collection, 1950-1959, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Industry on Parade Film Collection
Industry on Parade Film Collection / Series 1: Motion Picture Films
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0507-ref416

Episode 223

Collection Producer:
Lodge, Arthur  Search this
Arthur Lodge Productions.  Search this
Collection Creator:
National Association of Manufacturers  Search this
Extent:
1 motion picture film
Container:
Box 5, Tape AC0507-MV0223
Reel AC0507-OF0223
Type:
Archival materials
Moving Images
Motion picture films
Date:
1955 January 22
Scope and Contents:
New York The principle of suspending glass walls; architectural design. Manufacturers Trust Co., New York, NY.

Missouri Cleaning, drying, mixing, and storing grain; agriculture. Elam Grain Elevators, St. Louis, MO.

Ohio Making year round air conditioners. C. A. Olsen Manufacturing Co., Elyria, OH.

Washington Making salmon sausage called Samolony; food industry. Williams Brothers, Bellingham, WA.

Digital reference copy in Smithsonian Institution DAMS
Collection Restrictions:
Collection is open for research. Reference copies must be used. Special arrangements must be made directly with the audiovisual archivist to view episodes for which no reference copy exists.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees will be charged for reproductions.
Collection Citation:
Industry on Parade Film Collection, 1950-1959, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Industry on Parade Film Collection
Industry on Parade Film Collection / Series 1: Motion Picture Films
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0507-ref428

Episode 349

Collection Producer:
Lodge, Arthur  Search this
Arthur Lodge Productions.  Search this
Collection Creator:
National Association of Manufacturers  Search this
Extent:
1 motion picture film
Container:
Reel AC0507-OF0349
Type:
Archival materials
Moving Images
Motion picture films
Date:
1957 June 22
Scope and Contents:
Pennsylvania Manufacturing surgical equipment, including surgical lights, tables, and a sterilizer that uses sound waves to clean instruments. American Sterilizer Co., Erie, PA.

New York Making fishing line in a 140 year old company. B. F. Gladding Co., South Otselic, NY.

New Jersey Mass producing modern plumbing equipment; construction industry. American Standard, Trenton, NJ.

Missouri Protecting buildings and large trees from lightning. Using model homes to see what happens when lightning strikes. National Lightning Protection Co., St. Louis, MO.

Reference copy, Box 13
Collection Restrictions:
Collection is open for research. Reference copies must be used. Special arrangements must be made directly with the audiovisual archivist to view episodes for which no reference copy exists.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees will be charged for reproductions.
Collection Citation:
Industry on Parade Film Collection, 1950-1959, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Industry on Parade Film Collection
Industry on Parade Film Collection / Series 1: Motion Picture Films
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0507-ref673

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