Oldman, W. O. (William Ockleford), 1879-1949 Search this
Extent:
899 Digital images
Type:
Archival materials
Digital images
Date:
1902-1916
Collection Restrictions:
Digital access only. For physical access see the Museum of New Zealand Te Papa Tongarewa website. https://collections.tepapa.govt.nz/agent/4913
Collection Rights:
Copyright in the business records is owned by the Estate of W. O. Oldman represented by the Museum of New Zealand Te Papa Tongarewa, permission for commercial use of the digital images may be requested from the Museum of New Zealand Te Papa Tongarewa, Media Licensing, at: mediasalesandlicensing@tepapa.govt.nz.
For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changedand the source of the image is identified as the Museum of New Zealand Te Papa Tongarewa/National Museum of the American Indian, Smithsonian Institution.
Collection Citation:
William Ockleford Oldman Archive research materials, Museum of New Zealand Te Papa Tongarewa and the National Museum of the American Indian, Smithsonian Institution.
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Ledgers (account books)
Place:
Washington (D.C.) -- 20th century
Date:
1922-1927
Scope and Contents:
Job Numbers: 15,000-21,400
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Listing of photo orders.
Subseries Restrictions:
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details..
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Ledgers (account books) -- 20th century
Series Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Ledgers (account books)
Place:
Washington (D.C.) -- 20th century
Date:
1928-1935
Scope and Contents:
Job Numbers: 21,500-27,200
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Listing of photo orders.
Subseries Restrictions:
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details..
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Ledgers (account books) -- 20th century
Series Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
