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Design for a Stained Glass Window: Grammatica

Artist:
Hans Kaspar Lang the Elder, Swiss, 1571 – 1645  Search this
Medium:
Pen and brown ink, brown wash
Type:
glasswares
Drawing
Object Name:
Drawing
Date:
1606
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1911-28-129
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1911-28-129

[Trade catalogs from Buffalo Forge Co.]

Variant company name:
"Women in advertising"  Search this
Company Name:
Buffalo Forge Co.  Search this
Related companies:
Canadian Blower & Forge Co., Ltd. Kitchener, Ontario  Search this
Notes content:
"0A" Bending Roll : bends, shapes, or forms thousands of manufactured items
Includes:
Trade catalog and photographs
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Buffalo, New York, United States
Date:
1900s
Topic (Romaine term):
Machine tools and metalworking equipment  Search this
Topic:
Machine-tools  Search this
Metal-working machinery  Search this
Record ID:
SILNMAHTL_10153
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10153

[Trade catalogs from Kearney & Trecker Corp.]

Variant company name:
Jane's office, women in advertising  Search this
Company Name:
Kearney & Trecker Corp.  Search this
Notes content:
Modern grinder especially designed for sharpening carbide face mill cutters faster and better
Includes:
Trade catalog and photographs
Black and white images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Milwaukee, Wisconsin, United States
Date:
1900s
Topic (Romaine term):
Machine tools and metalworking equipment  Search this
Topic:
Machine-tools  Search this
Metal-working machinery  Search this
Record ID:
SILNMAHTL_10452
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10452

[Trade catalogs from Kingsbury Machine Tool Corp.]

Variant company name:
Jane's office, women in advertising  Search this
Company Name:
Kingsbury Machine Tool Corp.  Search this
Notes content:
Kingsbury machines perform machining operations on forged brass valves and fittings, and Ledloy cast iron valves and fittings.
Includes:
Trade catalog and photographs
Black and white images
Physical description:
2 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Keene, New Hampshire, United States
Date:
1900s
Topic (Romaine term):
Machine tools and metalworking equipment  Search this
Topic:
Machine-tools  Search this
Metal-working machinery  Search this
Record ID:
SILNMAHTL_10462
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10462

[Trade catalogs from Clark Instrument, Inc.]

Variant company name:
"Women in advertising"  Search this
Company Name:
Clark Instrument, Inc.  Search this
Notes content:
Clark hardness tester for metals ; "Rockwell testing" ; Rockwell test is standard throughout industry and govt.
Includes:
Trade catalog and photographs
Black and white images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Dearborn, Michigan, United States
Date:
1900s
Topic (Romaine term):
Machine tools and metalworking equipment  Search this
Measuring; calculating and testing devices  Search this
Topic:
Calculators  Search this
Machine-tools  Search this
Measuring instruments  Search this
Metal-working machinery  Search this
Weighing instruments  Search this
Record ID:
SILNMAHTL_10161
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10161

[Trade catalogs from Erie Foundry Co.]

Variant company name:
Jane's office, Women in advertising  Search this
Company Name:
Erie Foundry Co.  Search this
Notes content:
hydraulic presses, for elevators, forging presses, drop hammers, trimming presses
Includes:
Trade catalog
Black and white images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Erie, Pennsylvania, United States
Date:
1900s
Topic (Romaine term):
Metalwork products (architectural and ornamental)  Search this
Materials handling equipment (includes barrels; bottling and filling; casters; chains; etc.)  Search this
Topic:
Architectural metal-work  Search this
Art metal-work  Search this
Barrels  Search this
Bottling  Search this
Industrial equipment  Search this
Metal-work  Search this
Record ID:
SILNMAHTL_10224
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10224

[Trade catalogs from High Speed Hammer Co., Inc.]

Variant company name:
Jane's office, women in advertising  Search this
Company Name:
High Speed Hammer Co., Inc.  Search this
Notes content:
Hammer with the human stroke ; high speed riveting hammer
Includes:
Trade catalog
Black and white images
Physical description:
3 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Rochester, New York, United States
Date:
1900s
Topic (Romaine term):
Metalwork products (architectural and ornamental)  Search this
Machine tools and metalworking equipment  Search this
Topic:
Architectural metal-work  Search this
Art metal-work  Search this
Machine-tools  Search this
Metal-work  Search this
Metal-working machinery  Search this
Record ID:
SILNMAHTL_10235
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10235

Patricia Hills papers

Creator:
Hills, Patricia  Search this
Names:
Women's Caucus for Art  Search this
Lawrence, Jacob, 1917-2000  Search this
Neel, Alice, 1900-1984  Search this
Sargent, John Singer, 1856-1925  Search this
Stevens, May  Search this
Extent:
23.1 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1900-2015
bulk 1968-2009
Summary:
The papers of art historian, curator, and educator Patricia Hills measure 23.1 linear feet and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.
Scope and Contents:
The papers of art historian, curator, and educator Patricia Hills measure 23.1 linear feet and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.
Arrangement:
The collection is arranged as 9 series.

Series 1: Correspondence, circa 1968-2015 (2 Linear Feet; Boxes 1-2)

Series 2: Project Files, circa 1900-2011 (10.5 Linear Feet; Boxes 3-13, OV24)

Series 3: Whitney Museum Files, circa 1900-2015, bulk 1973-1987 (3.6 Linear Feet; Boxes 13-16)

Series 4: Professional Files, circa 1962-2012 (1.9 Linear Feet; Boxes 17-18)

Series 5: Membership and Affiliation Records, circa 1970-2013 (1.8 Linear Feet; Boxes 18-20)

Series 6: Writings, circa 1966-2011 (0.4 Linear Feet; Boxes 20-21)

Series 7: Artist Files, circa 1958-2014 (0.9 Linear Feet; Box 21)

Series 8: Subject Files, circa 1961-2007 (1 Linear Feet; Box 22)

Series 9: Printed Material, circa 1970-2010 (1 Linear Feet; Box 23)
Biographical / Historical:
Patricia Hills (1936-) is an art historian, curator, and Professor Emerita of American Art and African American Art at Boston University. Hills obtained a B.A. from Stanford University in Modern European Literature, an M.A. from Hunter College in 1968, where she was advised by Leo Steinberg, and her PhD. from New York University's Institute of Fine Arts. Hills worked as Associate and later Adjunct Curator of 18th and 19th Century American Art at the Whitney Museum of American Art from 1972 until 1987. During that time she organized exhibitions including John Singer Sargent (1986) while progressively becoming more invested as an educator, with teaching positions at Hunter College and the Institute of Fine Arts. In February 2011 she received the Distinguished Teaching of Art History award from the College Art Association.

Hills served as the Director of the Boston University Art Gallery from 1980-1989, and began her tenure in the art history department as Associate Professor in 1978. She was co-founder of the Boston Chapter of the Women's Caucus for Art and was highly active in the College Art Association and American Studies Association. She has held fellowships at numerous institutions including the W.E.B. DuBois Institute for African and African American Research at Harvard University, the Smithsonian American Art Museum, the Georgia O'Keeffe Museum Research Center, and the Gilder Lehrman Institute of American History.

As a principal author she is responsible for organizing a number of monograph and exhibition catalog publishing efforts including Painting Harlem Modern: The Art of Jacob Lawrence (2010), May Stevens (2005), Eastman Johnson: Painting America (co-authored, 1999), John Singer Sargent (1986), Alice Neel (1983), Social Concern and Urban Realism: American Painting of the 1930s (1983), Turn-of-the-Century America: Paintings, Graphics, Photographs, 1890-1910 (1977), The Painters' America: Rural and Urban Life, 1810-1910 (1974), and The American Frontier: Images and Myths (1973). In addition, Patricia Hills has authored numerous articles for art publications, served as reviewer for College Art Association's CAA Reviews, and has contributed greatly as a peer reviewer and editor. From 1990 to 1999, she served as series editor for six books in the Cambridge Studies in American Visual Culture series, published by Cambridge University Press.
Provenance:
Donated in 2018 by Patricia Hills.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Rights:
The Patricia Hills papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Museum curators -- New York (State) -- New York  Search this
Educators -- Massachusetts  Search this
Art historians -- Massachusetts -- Boston  Search this
Topic:
Women artists  Search this
Art -- Political aspects  Search this
Art, American -- 19th century  Search this
African American artists  Search this
Citation:
Patricia Hills Papers, circa 1950s-2015, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hillspat
See more items in:
Patricia Hills papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hillspat

Writing, "John Sloan's Images of Working-Class Women." Manuscript

Collection Creator:
Hills, Patricia  Search this
Container:
Box 9, Folder 21
Type:
Archival materials
Date:
circa 1979
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Patricia Hills papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Patricia Hills Papers, circa 1950s-2015, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 2: Project Files / John Sloan
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hillspat-ref318

Danforth Foundation Graduate Fellowships for Women

Collection Creator:
Hills, Patricia  Search this
Container:
Box 17, Folder 9
Type:
Archival materials
Date:
circa 1967-1973
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Patricia Hills papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Patricia Hills Papers, circa 1950s-2015, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 4: Professional Files / Grants
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hillspat-ref503

Programming, Boston Women Artists: WCA Invitational (Jun. 1988) A.I.R. Gallery

Collection Creator:
Hills, Patricia  Search this
Container:
Box 20, Folder 10
Type:
Archival materials
Date:
circa 1988
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Patricia Hills papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Patricia Hills Papers, circa 1950s-2015, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 5: Membership and Affiliation Records / Women's Caucus for Art
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hillspat-ref598

"Sighting/Siting/Citing Women: Issues of Identity and Alterity in Contemporary Women's Art and Criticism." Art New England (Feb. 1985)

Collection Creator:
Hills, Patricia  Search this
Container:
Box 21, Folder 5
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Patricia Hills papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Patricia Hills Papers, circa 1950s-2015, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 6: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hillspat-ref625

Women, 19th Century

Collection Creator:
Hills, Patricia  Search this
Container:
Box 22, Folder 22
Type:
Archival materials
Date:
circa 1975-1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Patricia Hills papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Patricia Hills Papers, circa 1950s-2015, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 8: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hillspat-ref674

Women, 20th Century

Collection Creator:
Hills, Patricia  Search this
Container:
Box 22, Folder 23
Type:
Archival materials
Date:
circa 1978-1986
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Patricia Hills papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Patricia Hills Papers, circa 1950s-2015, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 8: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hillspat-ref675

Women Artists

Collection Creator:
Hills, Patricia  Search this
Container:
Box 22, Folder 24
Type:
Archival materials
Date:
circa 1974-1989
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Patricia Hills papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Patricia Hills Papers, circa 1950s-2015, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 8: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hillspat-ref676

Guild Art Gallery records

Creator:
Guild Art Gallery  Search this
Names:
Cincinnati Art Museum  Search this
Corcoran Gallery of Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Baizerman, Saul, 1889-1957  Search this
Barnes, Albert C. (Albert Coombs), 1872-1951  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Feeley, Paul, 1910-1966  Search this
Gorky, Arshile, 1904-1948  Search this
Gross, Chaim, 1904-1991  Search this
Lefranc, Margaret  Search this
Liberte, Jean, 1896-1965  Search this
Ney, Lloyd Raymond, 1893-1964 or 5  Search this
Reisman, Philip, 1904-  Search this
Roszak, Theodore, 1907-1981  Search this
Walinska, Anna  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Drawings
Date:
circa 1933-1937
Summary:
The records of the Guild Art Gallery measure 1.2 linear feet and date from circa 1933-1937. Operating in New York City between 1935-1937, the gallery was founded by artists Margaret Lefranc (also known as Margaret Schoonover) and Anna Walinska. Scattered records of the gallery include correspondence, including some with artists, exhibition files, financial records, a scrapbook and other printed materials, a drawing by Anna Walinska, and photographs of artwork and the gallery.
Scope and Contents:
The records of the Guild Art Gallery measure 1.2 linear feet and date from circa 1933-1937. Operating in New York City between 1935-1937, the gallery was founded by artists Margaret Lefranc (also known as Margaret Schoonover) and Anna Walinska. Scattered records of the gallery include correspondence, including some with artists, exhibition files, financial records, a scrapbook and other printed materials, a drawing by Anna Walinska, and photographs of artwork and the gallery.

Correspondence is with artists, business associates, and museums. Correspondents include Alfred H. Barr, Alfred C. Barnes, Saul Baizerman, Cincinnati Art Museum, Corcoran Gallery of Art, Paul Feeley, Arshile Gorky, Chaim Gross, Jean Liberte, Museum of Modern Art, Lloyd Raymond Ney, Philip Reisman, Theodore Roszak, and the Whitney Museum of American Art. The collection also contains financial materials such as account ledgers, receipt journals, bank records, sales invoices, and insurance forms, as well as printed material consisting of a scrapbook, newspaper and magazine clippings, calendars of art events, and journals. Additionally, there is a pen and ink drawing by Anna Walinska and black and white copy prints of artwork and orignal snphotos of the gallery.
Arrangement:
The collection is arranged as 6 series.

Series 1: Correspondence, 1935-1937 (11 folders; Box 1)

Series 2: Exhibition records (2 folders; Box 1)

Series 3: Financial records, 1935-1937 (6 folders; Box 1)

Series 4: Printed Material, 1935-1937 (15 folders, Boxes 1-2)

Series 5: Artwork, circa 1935 (1 folder, Box 2)

Series 6: Photographs, circa 1933-1937 (3 folders; Box 2)
Biographical / Historical:
The Guild Art Gallery was founded in 1935 by artists Anna Walinska and Margaret Lefranc (also known as Margaret Schoonover) and operated at 37 West 57th Street in New York City until 1937. Arshile Gorky held his first New York solo exhibition there. In 1935, the founders were quoted in Art Digest as stating that the new gallery "plans to exhibit, without charge, the work of contemporary artists, whether known or unknown; to develop, through a receptive audience, a better understanding of the creative expression and the problems of creative expression and the problems of contemporary society; and to illustrate the relationship of painting with the other arts." The gallery's opening exhibition featured both Walinska and Lefranc, as well as Boris Aronson, Don Forbes, Henry Major, Rosa Newman, Philip Reisman, Ben-Shmuel, Ary Stillman, and, notably, Arshile Gorky.
Related Materials:
Also found among the holdings of the Archives of American Art are the Anna Walinska papers.
Provenance:
Margaret Lefranc (also known as Margaret Schoonover), co-founder of the Guild Art Gallery, donated the gallery records to the Archives of American Art in 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Guild Art Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Women art dealers -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Drawings
Citation:
Guild Art Gallery records, circa 1933-1937. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.guilart
See more items in:
Guild Art Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-guilart

Lena Gurr papers

Creator:
Gurr, Lena, 1897-1992  Search this
Names:
ACA Galleries  Search this
Art Students League (New York, N.Y.)  Search this
John Reed Club  Search this
New York World's Fair (1939-1940)  Search this
Allen, Mary Cecil, 1893-1962  Search this
Ascher, Mary G. (Mary Goldman), b. 1900  Search this
Baron, Herman, 1892-1961  Search this
Biel, Joseph, 1891-1943  Search this
Block, Dorothy, 1904-1984  Search this
Ehrenreich, Emma, 1906-  Search this
Fabri, Ralph, 1894-  Search this
Force, Juliana, 1876-1948  Search this
Grosz, George, 1893-1959  Search this
Harkavy, Minna, b. 1895  Search this
Jones, Joe, 1909-1963  Search this
Kent, Rockwell, 1882-1971  Search this
Knaths, Karl, 1891-1971  Search this
Lawrence, Jacob, 1917-2000  Search this
Lozowick, Louis, 1892-1973  Search this
Model, Elisabeth D. (Elisabeth Dittmann), 1897-1993  Search this
Norman, Maria  Search this
Soyer, Raphael, 1899-1987  Search this
Von Wicht, John, 1888-1970  Search this
Ward, Lynd, 1905-1985  Search this
Extent:
7 Linear feet
Type:
Collection descriptions
Archival materials
Prints
Photographs
Christmas cards
Interviews
Phonograph records
Sketchbooks
Place:
New York (N.Y.) -- Pictorial works
Date:
1908-1979
Summary:
The Lena Gurr (1897-1992) papers date from 1908 to 1979 and measure 7.0 linear feet. Gurr was a painter and printmaker who studied under John sloan and Maurice Sterne at the Art Students League between 1920-1922. She also studied in France and married painter and photographer Joseph Biel in 1931. The papers document both Gurr and Biel's careers through correspondence, notes, art work, printed material, scrapbooks, and photographs. The collection offers researchers a valuable resource for studying the New York art community of the pre-war era.
Scope and Content Note:
The Lena Gurr papers date from 1908 to 1979 and measure 7.0 linear feet. The collection presents a good overview of Gurr's career as a painter and printmaker, and her relationship with her husband, painter Joseph Biel. Through biographical material, correspondence, notes, an interview with Lena Gurr, original artwork by Gurr and others, scrapbooks, printed material, photographs of Gurr, family, and friends, and photographs of artwork by Gurr and others, the collection offers researchers a valuable resource for studying the New York art community of the pre-war era.
Arrangement:
The collection is arranged into eight series. Material within each series is arranged chronologically.

Series 1: Biographical Material, 1968, undated (box 1; 1 folder)

Series 2: Correspondence, 1921-1979, undated (boxes 1-4; 3.1 linear ft.)

Series 3: Notes, 1926-1972 (box 4; 4 folders)

Series 4: Interview, 1950 (box 4; 1 folder)

Series 5: Artwork, circa 1908-1951 (box 4; 36 folders)

Series 6: Scrapbooks, 1912-1948 (boxes 4-5, 8-11; 1.45 linear ft.)

Series 7: Printed Material, 1926-1978 (box 5; 21 folders)

Series 8: Photographs, 1912-1978 (boxes 5-7; 1.05 linear ft.)
Biographical Note:
Born October 27, 1897, in Brooklyn, New York, Lena Gurr was the daughter of Hyman and Ida (Gorodnick) Gurr. She attended the Maxwell Training School for Teachers from 1915 to 1917, then turned her energies toward art. She studied painting and printmaking at the Educational Alliance Art School in 1919, and at the Art Students League (1920-1922), where she was a student of John Sloan and Maurice Stern. She also studied art in Paris, Nice, and Mentone, France. Her first solo exhibition was in 1932 at the Brooklyn Museum.

On November 24, 1931, Gurr married painter and photographer Joseph Biel. He was born October 27, 1891 in Russia, studied at the Russian Academy in Paris, and at the Workman's College, Melbourne, Australia. He also established the first Jewish Library in Melbourne. Upon his arrival in the United States, he studied under George Grosz at the Art Students League. Biel died in April 1943 of a heart ailment.
Provenance:
The Lena Gurr papers were donated to the Archives of American Art by Lena Gurr from 1966 to 1979.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Lena Gurr papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Photographers  Search this
Artists' studios -- France -- Paris -- Photographs  Search this
Women artists -- New York (State) -- New York  Search this
Painting, American -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Printmakers  Search this
Painters  Search this
Genre/Form:
Prints
Photographs
Christmas cards
Interviews
Phonograph records
Sketchbooks
Citation:
Lena Gurr papers, 1908-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gurrlena
See more items in:
Lena Gurr papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gurrlena

Constance Glenn papers

Creator:
Glenn, Constance, 1933-  Search this
Names:
California State University, Long Beach  Search this
Extent:
17.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Video recordings
Date:
1960s-2014
Summary:
The papers of writer, art historian, and curator Constance Glenn measure 17.1 linear feet and date from the 1960s to 2014. The material documents Glenn's career through correspondence, writings, book project files, exhibition documentation, professional records, research files, printed material, and some photographs. Also well documented is Glenn's tenure as Museum Director and educator at California State University, Long Beach.
Scope and Contents:
The papers of writer, art historian, curator and museum director Constance Glenn measure 17.1 linear feet and date from the 1960s to 2014. The papers consist of material related to Glenn's writings and book projects, curated exhibitions, professional associations, research, involvement with California State University, Long Beach, and printed material. Exhibition openings, panel discussions, and interviews are present in the format of sound and video recordings. Also included are correspondence, photographs, and a small series related to Glenn's interest and experience in art collecting, including price lists, inventories, and provenance records.
Arrangement:
This collection is arranged as 11 series.

Series 1: Biographical Material, 1983-1993 (Box 1, 7 folders)

Series 2: Correspondence, 1972-2014 (Box 1-2, 0.8 linear feet)

Series 3: Writings, 1981-2011 (Box 2-4, 2 linear feet)

Series 4: Book Projects, 1984-1999 (Box 4-6, 2.5 linear feet)

Series 5: Artist Files, 1976-2005 (Box 6-7, 1 linear feet)

Series 6: Exhibition Files, 1979-2003 (Box 7-10, 2.1 linear feet)

Series 7: Professional Files, 1979-2007 (Box 11-12, 1.3 linear feet)

Series 8: California State University, Long Beach, Files, 1975-2001 (Box 12-13, 1.8 linear feet)

Series 9: Art Inventory and Sales Records, circa 1960s-1980s (Box 13-14, 1 linear feet)

Series 10: Printed Material, 1960s-2014 (Box 14-15, 1.8 linear feet)

Series 11: Photographs, circa 1960s-2000s (Box 16-17, 2 linear feet)
Biographical / Historical:
Constance Glenn (1933-) is an art historian, writer, and curator in California. Glenn was the founding director of the University Art Museum at California State University, Long Beach. She received her Bachelor of Fine Art from the University of Kansas in 1955, and completed her Masters of Arts in Fine Art from California State University as she simultaneously founded the University Art Museum at CSULB in 1973. During her career at CSULB, the University Art Museum grew from a small gallery-sized exhibition space to a nationally-celebrated contemporary art museum. Glenn also founded the Graduate Certificate Program in Museum Studies at CSULB, and taught art history and museum studies courses at the university.

Exhibitions curated by Glenn include Frances Benjamin Johnson: Women of Status and Station (1979); Eric Fischl: Scenes Before the Eye (1986-1987); James Rosenquist: Time Dust/The Complete Graphics (1962-1992); The Great America Pop Art Store: Multiples of the Sixties (1997); and Candida Hofer: Architecture of Absence (2004). In addition, Glenn served as a consulting curator for A Happening Place (2003), curated by Cheryl Harper for the Gershman Y in Philadelphia, Pennsylvania.

As an art historian and writer, Glenn participated in lectures and panel discussions as well as published essays, articles, and books. Glenn was an editor and feature writer for Antiques & Fine Art, Angeles Magazine, and Architectural Digest; contributed biographical articles to the Dictionary of Art and Encyclopedia Americana; and was involved with professional associations such as the J. Paul Getty Trust Fund for the Visual Arts, Art/LA, Association of Art Museum Directors, and the Archives of American Art.

Glenn was married to art dealer Jack Glenn (1933-2014).
Provenance:
The collection was donated by Constance Glenn in 2016.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art museum curators -- California  Search this
Authors -- California  Search this
Art historians -- California  Search this
Topic:
Women authors  Search this
Genre/Form:
Interviews
Sound recordings
Video recordings
Citation:
Constance Glenn papers, 1960s-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.glencons
See more items in:
Constance Glenn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-glencons

State of the arts videorecordings

Creator:
Lawrence P. Fraiberg Productions  Search this
Names:
Lawrence P. Fraiberg Productions  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New Museum (New York, N.Y.)  Search this
OK Harris Gallery (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Campoli, Cosmo  Search this
Cavanau, Ted  Search this
Derman, Rick  Search this
Fraiberg, Lawrence P.  Search this
Karp, Ivan C., 1926-2012  Search this
Kovich, Robert  Search this
Nolan, Barry  Search this
Paik, Nam June, 1932-2006  Search this
Phillips, Liz  Search this
Rose, Barbara  Search this
Segal, George, 1924-2000  Search this
Solomon, Holly  Search this
Thorne, Joan, 1943-  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
1979
Summary:
The State of the Arts videorecordings measure 2.4 linear feet and consist of 30 videocassettes (U-matic) and three sets of handwritten notes, all created during the production of a pilot episode for a broadcast television documentary series on contemporary art in 1979. Four stories were produced for the pilot: a staged debate on modern art at the Museum of Modern Art; an investigation into the economics of the contemporary art market, a collaboration between video artist Nam June Paik and sound artist Liz Phillips, and an extended interview with sculptor George Segal on the occasion of his 1979 retrospective exhibition at the Whitney Museum of American Art. Video footage includes raw footage for each segment and edited versions of the economics of art story, the Nam June Paik and Liz Phillips story, and the George Segal story. The reporter and interviewer for the program was Barry Nolan.
Scope and Contents:
The State of the Arts videorecordings measure 2.4 linear feet and consist of 30 videocassettes (U-matic) and three sets of handwritten notes, all created during the production of a pilot episode for a broadcast television documentary series on contemporary art in 1979. Four stories were produced for the pilot: a staged debate on modern art at the Museum of Modern Art; an investigation into the economics of the contemporary art market, a collaboration between video artist Nam June Paik and sound artist Liz Phillips, and an extended interview with sculptor George Segal on the occasion of his 1979 retrospective exhibition at the Whitney Museum of American Art. Video footage includes raw footage for each segment and edited versions of the economics of art story, the Nam June Paik and Liz Phillips story, and the George Segal story. The reporter and interviewer for the program was Barry Nolan.

Although the program never aired, the video shot for the pilot documents significant artists and gallerists of its time, with profiles of O.K. Harris Works of Art and its founder, Ivan Karp, as well as art dealer Holly Solomon and critic Barbara Rose, Marcia Tucker in the early days of the New Museum, and footage of artists like Nam June Paik, Liz Phillips, and George Segal in their studios, describing their work in detail. The sound and video piece created by Paik and Phillips with the dancer Robert Kovich was commissioned by the State of the Arts producers for the pilot program, and the four hours of video documenting their collaboration and its product may therefore be unique.

Interview subjects for the economics of art story include Ivan Karp, Tom Drysdale, Rick Derman, Cosmo Campoli, Joan Thorne, Holly Solomon, Marcia Tucker, and Barbara Rose. The Marcia Tucker interview takes place at the New School, which was at the time the home of the New Museum. Footage also includes a gallery opening at O.K. Harris Works of Art. Extended interviews with Liz Phillips, Nam June Paik, and George Segal are found in the footage of their respective stories.
Arrangement:
The collection is arranged as one series.

Series 1: -- State of the Arts -- Production Video, 1979 (2.4 linear feet; boxes 1-3)
Biographical / Historical:
State of the Arts was planned as a broadcast television magazine program on the subject of contemporary art. The pilot was produced in 1979 by Lawrence P. Fraiberg Productions with funding provided jointly by IBM and the National Endowment for the Arts. Fraiberg and Tom Cavanau served as executive co-producers, Rick Derman as field producer, and Barry Nolan as interviewer. The program never aired.

Lawrence P. Fraiberg was a longtime television documentary veteran when the pilot was produced. He graduated from the University of California in 1949 and began his career at television station KPIX in San Francisco. He became vice president and general manager of WNEW-TV in New York in 1965, and was named president of Metromedia Television in 1977. In 1980 he was appointed president of the Television Station Group for Westinghouse Broadcasting. An active member in community and industry organizations, he is a recipient of an honorary degree (1978) from St. John's University, New York, a Peabody Award for Lifetime Achievement in the Broadcasting Industry (1986), and a Trustees Award from the National Academy of Television Arts and Sciences (1990). He died in 2011.

Barry Nolan, the interviewer for State of the Arts, went on to a career as a television magazine host and producer, with credits including Evening Magazine, Hard Copy, Extra!, and Nitebeat, and in 2012 produced the documentary No Way Out But One with his wife, Garland Waller.
Provenance:
Donated 1979-1980 by Lawrence P. Fraiberg.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The State of the Arts videorecordings are owned by the Archives of American Art, Smithsonian Institution. Video may be used for research, study, and scholarship purposes only and is not to be used in whole or in part for broadcast purposes.
Occupation:
Art museum directors -- New York (State) -- New York -- Interviews  Search this
Artists -- Interviews  Search this
Women sculptors -- Interviews  Search this
Gallery owners -- Interviews  Search this
Sculptors -- New Jersey -- Interviews  Search this
Women museum curators -- New York (State) -- New York -- Interviews  Search this
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- Study and teaching  Search this
Performance art  Search this
Artists' studios  Search this
Video art -- United States  Search this
Sound sculpture -- United States  Search this
Women artists  Search this
Art critics  Search this
Video artists  Search this
Art dealers  Search this
Art -- Economic aspects  Search this
Genre/Form:
Interviews
Video recordings
Citation:
State of the Arts Videorecordings, 1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.frailawr
See more items in:
State of the arts videorecordings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-frailawr

Head of a Woman (circa 1849)

Collection Creator:
Fraad, Rita  Search this
Container:
Box 2, Folder 29
Type:
Archival materials
Date:
1940-1985, undated
Collection Restrictions:
The collection is open for research.
Collection Rights:
The Rita and Daniel Fraad papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Rita and Daniel Fraad papers, 1926-1997. Archives of American Art, Smithsonian Institution.
See more items in:
Rita and Daniel Fraad papers
Rita and Daniel Fraad papers / Series 1: Artwork Documentation Files / Johnson, Eastman
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-fraarita-ref128

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