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School of Scaring, Monsters University

Artist:
Daniel López Muñoz  Search this
Creator:
Pixar Animation Studios  Search this
Medium:
Ink, marker, and pencil on paper
Type:
Exhibitions
Concept art
Object Name:
Concept art
Date:
2013
Credit Line:
Courtesy of Pixar Animation Studios
Accession Number:
Pixar Monsters University 05
Rights:
© Disney/Pixar
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_Pixar_Monsters_University_05

To Achieve These Rights: Discussion with Brookland Elementary School Students

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 video recording (VHS)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Video recordings
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1992
Scope and Contents:
Museum educator Joanna Banks discussed the meaning of prejudice and marching for justice with Brookland Elementary School students. The students visited the museum to view the exhibition 'To Achieve These Rights: The Struggle for Equality and Self Determination in D.C., 1791-1978'
Discussion. Related to exhibition 'To Achieve These Rights: The Struggle for Equality and Self Determination in D.C., 1791-1978.' Dated 19920410.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Prejudices  Search this
Civil rights  Search this
Museum exhibits  Search this
Students  Search this
African American students  Search this
Museums and community  Search this
Genre/Form:
Video recordings
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV002134
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref513

Horse, Plate from Art d'Aujourd'hui

Artist:
Fernand Léger, French, 1881 - 1955  Search this
Medium:
Lithograph on white wove paper
Object Name:
Print
Type:
Print
Made in:
France
Date:
1948
Credit Line:
Gift of Cooper Union Art School Library
Accession Number:
1953-184-3
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1953-184-3

To Achieve These Rights: Docent Training with Dr. Paul Cook

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Cooper, Anna J. (Anna Julia), 1858-1964  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 video recording (VHS)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Video recordings
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1991
Scope and Contents:
In preparation of the exhibition 'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978,' Dr. Paul Cook spoke to docents about racial segregation, integration, and discrimination during the 1940s and 1950s in Washington, D.C., and the civil rights movement. He spoke about his personal experiences, and events he witnessed or participated. Cook began his lecture speaking about Anna J. Cooper, who was an educator at M Street School (later Dunbar High School) in southeast Washington, D.C.
Docent training - lecture. Related to exhibition 'To Achieve These Rights: The Struggle for Equality and Self-Determination in the District of Columbia, 1791-1978.' Dated 19911127.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Segregation  Search this
Race discrimination  Search this
Racism  Search this
Civil rights  Search this
Civil rights leaders  Search this
Civil rights movements  Search this
Activists  Search this
Museum exhibits  Search this
Genre/Form:
Video recordings
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV002125
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref515

To Achieve These Rights Exhibition Display 2: Frederick Douglass narration

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Douglass, Frederick, 1817?-1895  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
2 sound recordings (cartridge, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Sound recordings
Narration
Place:
Washington (D.C.)
United States
Date:
1992
Scope and Contents:
Narration that weaves together excerpts from a speech by Frederick Douglass from April 1883 on the anniversary of Emancipation in Washington, D.C. Douglass speaks about Emancipation, status and future of the negro, and prejudice despite freedom. He also states that negroes should be American citizens to the fullest extent, including the right to a fair trial, vote, serve on a jury, and attend public schools.
Local Numbers:
ACMA AV003340
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
African American abolitionists  Search this
Abolitionists  Search this
Slavery  Search this
Slave trade  Search this
Antislavery movements  Search this
Slavery -- Law and legislation  Search this
Civil rights  Search this
Civil rights leaders  Search this
Activists  Search this
Genre/Form:
Sound recordings
Narration
Collection Citation:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-033, Item ACMA AV003339
See more items in:
To achieve these rights: the struggle for equality and self-determination in the District of Columbia, 1791–1978 exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-033-ref506

Robert Rosenblum Papers

Creator:
Rosenblum, Robert  Search this
Names:
Columbia University -- Faculty  Search this
Harry N. Abrams, Inc.  Search this
Los Angeles County Museum of Art  Search this
Musée d'Orsay  Search this
National Museum of American Art (U.S.)  Search this
New York University -- Faculty  Search this
Princeton University -- Faculty  Search this
Solomon R. Guggenheim Museum  Search this
University of Michigan -- Faculty  Search this
Yale University -- Faculty  Search this
Becraft, Melvin E.  Search this
Ingres, Jean-Auguste-Dominique, 1780-1867  Search this
Kramer, Hilton  Search this
Rockwell, Norman, 1894-1978  Search this
Rosenquist, James, 1933-  Search this
Extent:
38.3 Linear feet
1.17 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Date:
circa 1927-2009
bulk 1950-2006
Summary:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and 1.17 GB and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed and digital material; photographs; and artwork.
Scope and Contents:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and 1.17 GB and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed and digital material; photographs; and artwork.

Biographical materials include Rosenblum's bibliography and resume materials, various school related ephemera and diplomas, a transcript of an interview with Amy Newman for Artforum, and a digital video recording of a Josef Levi interview. Extensive personal and professional correspondence is with friends, family, colleagues, publishers, museums, and others. Some of the correspondents include Melvin Becraft, the Guggenheim, Harry Abrams, Inc., Hilton Kramer, the Los Angeles County Museum of Art, and the National Museum of American Art. Also found are numerous postcards.

Lectures, writings, and writing project files document Rosenblum's prolific writing and speaking career, and include notes, copies, and manuscript drafts of lectures, articles, catalog essays, and books, as well as additional materials related to the writings and the publication of books, such as as correspondence, editing feedback, photographs, and lists of photographs. There are manuscript, notes, and other materials related to many of Rosenblum's notable books, including Transformations in Late Eighteenth-Century Art, Paintings in the Musee D'Orsay, 19th-Century Art, The Dog in Art, Ingres, Modern Painting and the Northern Tradition, and others. Also found are Rosenblum's dissertation and other student writings. There is also a series containing writings by or about others, such as students and colleagues.

Rosenblum planned and facilitated numerous exhibitions that are well-documented within the exhibition files, including French Painting, 1774-1830: The Age of Revolution (1974), 1900: Art at the Crossroads (2000), Norman Rockwell: Pictures for the American People (2001), Best in Show: Dogs in Art from the Renaissance to the Present (2006), and Citizens and Kings: Portraits in the Age of Revolution, 1760-1830 (2007), among many others. Contents of each exhibition file vary considerably but often include correspondence, lists of artwork, proposals, notes, catalog drafts and outlines (see also series 3), and printed materials. There are a few sound cassettes, including a recorded interview with James Rosenquist with transcripts. Also included are digital photographs of Norman and Irma Braman Collection exhibition.

Research reference files cover a wide variety of art related topics, but are arranged within a separate series because they are not related to specific named projects as are the files in Series 3. These files contain research notes, bibliographies, and syllabi kept by Rosenblum presumably for a variety of publications, research interests, and teaching references.

Teaching files and class notes document Rosenblum's professorial career at Columbia University, New York University, Princeton University, University of Michigan, Yale College, and Yale University, and include a variety of course materials.

Personal business records consist of various financial and legal documents, expense and income records, publishing and speaking contracts, and royalties received.

The papers also include a variety of printed materials, photographs, student sketches by Rosenblum, and an unidentified collage.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, 1927-2006 (0.5 linear feet; Box 1, 1.00 GB; ER02)

Series 2: Correspondence, circa 1927-2006 (4.5 linear feet; Boxes 1-5)

Series 3: Lectures, Writings, and Writing Project Files, 1940-2006 (13.5 linear feet; Boxes 5-16, OV 39-41, 0.063 GB; ER01)

Series 4: Writings by Others, circa 1954-2006 (2.9 linear feet; Boxes 16-19)

Series 5: Exhibition Files, circa 1965-circa 2006 (5.2 linear feet; Boxes 19-24, 0.109 GB; ER03)

Series 6: Research Files, circa 1927-2006 (2.9 linear feet; Boxes 24-27)

Series 7: Teaching Files and Class Notes, 1955-2006 (4.3 linear feet; Boxes 27-31)

Series 8: Personal Business Records, 1951-2009 (4.4 linear feet; Boxes 31-36)

Series 9: Printed Material, 1927-2009 (2.4 linear feet; Boxes 36-38)

Series 10: Photographs, circa 1950s-circa 2000 (0.3 linear feet; Box 38, OV 41)

Series 11: Artwork, circa 1940s-circa 1980s (0.1 linear feet; Box 38)
Biographical / Historical:
Robert Rosenblum (1927-2006) was an art historian, curator, and professor who worked primarily in New York City.

Rosenblum received his B.A. from Queens College, his M.A. from Yale, and his Ph.D. from the Institute of Fine Art at New York University in 1956. He spent a year teaching art at the University of Michigan before becoming an associate professor at Princeton, ultimately accepting a Professor of Fine Arts position at NYU in 1966, where he spent the rest of his professorial career interspersed with visiting professorships at Oxford University and Yale University. Rosenblum was named Henry Ittleson, Jr. Professor of Modern European Art at NYU in 1976, and received the Frank Jewett Mather Award for Distinction in Art Criticism in 1981. After being appointed Stephen and Nan Swid Curator of 20th-Century Art at the Solomon R. Guggenheim Museum in 1996, Rosenblum went on to curate such exhibitions as 1900: Art at the Crossroads (2000) and Norman Rockwell: Pictures for the American People (2001). Prior to this appointment, he was one of the organizers of the Metropolitan Museum of Art's French Painting, 1774-1830: The Age of Revolution (1974). He received a Distinguished Teaching Award from NYU in 2005, and continued to curate, lecture, teach, and write.

Rosenblum was a prolific author, and his seminal works include: Cubism and Twentieth-Century Art (1959), Transformations in Late Eighteenth-Century Art (1967), Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko (1975), and 19th-Century Art (co-authored with H.W. Janson, 1984).

Rosenblum married Jane Kaplowitz in 1978. He died in New York City in 2006.
Provenance:
The papers were donated in multiple accessions by Robert Rosenblum between 1986 and 2003, and by his widow, Jane Kaplowitz between 2010 and 2013.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Rights:
The Robert Rosenblum papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art museum curators  Search this
Topic:
Art historians -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Art -- 19th century  Search this
Art -- 18th century  Search this
Painting, Modern  Search this
Portraits  Search this
Dogs in art  Search this
Painting, French  Search this
Photographs  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roserobe
See more items in:
Robert Rosenblum Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roserobe
Online Media:

Harold and May Tabak Rosenberg papers

Creator:
Rosenberg, Harold, 1906-1978  Search this
Names:
Tamarind Lithography Workshop  Search this
Rosenberg, May Tabek, 1910-1993  Search this
Wayne, June, 1918-2011  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1880-1985
bulk 1940s-1970s
Summary:
The papers of New York author, art critic, and teacher Harold Rosenberg, and writer May Tabak Rosenberg, measure 4.0 linear feet and date from circa 1880-1985, with the bulk of the collection dating from the 1940s to the late 1970s. Records primarily document May Rosenberg's writing career and, to a lesser degree, her husband's career, through address books and calendars, letters, writings and notes, scattered business records, printed material, and photographs. Harold Rosenberg is documented most fully in the photographs, which include individual and family portraits, photographs of the Rosenbergs with family and friends, including artists and writers, and photographs taken in Springs, New York, where the Rosenbergs were part of the summer art colony in East Hampton.
Scope and Contents:
The papers of New York author, art critic, and teacher Harold Rosenberg, and writer May Tabak Rosenberg, measure 4.0 linear feet and date from circa 1880-1985, with the bulk of the collection dating from the 1940s to the late 1970s. Records primarily document May Rosenberg's writing career and, to a lesser degree, her husband's career, through address books and calendars, letters, writings and notes, scattered business records, printed material, and photographs. Harold Rosenberg is documented most fully in the photographs, which include individual and family portraits, photographs of the Rosenbergs with family and friends, including artists and writers, and photographs taken in Springs, New York, where the Rosenbergs were part of the summer art colony in East Hampton.

The papers include biographical material consisting of address books, and letters written primarily to May Tabak Rosenberg regarding writing submitted to publishing companies including Russell & Volkening, Inc., MacMillan Publishing Company, and Mc-Graw Hill Book Company. Letters also document Rosenberg's friendship with June Wayne and her involvement, through Wayne, in the Tamarind Lithography Workshop.

Writings and notes consist primarily of manuscript drafts, notes, and published copies of work by May Rosenberg, including articles for Craft Horizons, a 1960 novel But Not For Love, her 1959 children's book A Fish Is Not A Pet, and many other stories, fragments and literary sketches of ideas. The collection also includes a small number of writings by Harold Rosenberg, including seven notebooks and two published articles.

Personal business records are scattered and routine but include a few invoices and records of royalties for both May and Harold Rosenberg, and a will, handwritten by May Rosenberg.

Printed material includes one article each on Harold and May Rosenberg, news clippings on feminism presumably collected by May Rosenberg, and a map of East Hampton which shows the location of the house purchased by the Rosenbergs in Springs, New York, in 1944.

Photographs include multiple portraits of Harold, May, and Patia Rosenberg which date from circa 1930s to the 1980s, many of which were taken by Maurice Berezov. There are also photographs of the Rosenbergs with family and friends including Jackson Pollock and Lee Krasner at their home in Springs, and artists Perle Fine, Francoise Gilot, Barnett Newman, Elaine and Willem de Kooning, Milton Resnick, and others. There are photos of May Rosenberg and June Wayne in June Wayne's studio, and photos of Louise Nevelson working on lithography at the Tamarind Lithography Workshop in 1968.
Arrangement:
The collection is arranged as six series.

Series 1: Biographical Material, circa 1930s-circa 1980s (0.4 linear feet; Box 1)

Series 2: Letters, 1936-1985 (0.4 linear feet; Box 1)

Series 3: Writings and Notes, circa 1940s-1984 (1.6 linear feet; Boxes 1-3)

Series 4: Personal Business Records, circa 1950-1984 (0.25 linear feet; Box 3)

Series 5: Printed Material, 1918-1982 (0.35 linear feet; Box 3)

Series 6: Photographs, circa 1880s-circa 1981 (1 linear foot; Box 4)
Biographical / Historical:
Author, critic, and teacher, Harold Rosenberg (1906-1978), was one of the leading New York art intellectuals, and one of the most influential art critics of his generation. Author May Tabak Rosenberg (1910-1993) wrote books, articles, and short stories about artists, writers, and musicians.

May Tabak Rosenberg was born in Manhattan and educated at the University of Chicago. She married Harold Rosenberg in 1932, and the couple had a daughter, Patia, in 1943. In 1944, the Rosenbergs became the first people associated with the New York art scene to purchase property in the East Hampton area of Long Island which grew to become a summer art colony in the years after World War II. Friends Lee Krasner and Jackson Pollock bought a house close by to the Rosenberg's Neck Path summer home in Springs, New York, in 1945. May Tabak Rosenberg chose to discontinue her writing after her daughter was born, but she returned to writing short stories and novels in the 1950s. The Long Island artist community provided rich source material for her writing, and her 1960 novel, But Not For Love, is thought to include surrogates for Jackson Pollock, Peggy Guggenheim, and Willem and Elaine de Kooning, among others.

May Tabak Rosenberg wrote several articles for the Tamarind Lithography Workshop established by June Wayne in 1960. She was invited to cover Louise Nevelson's fellowship there in 1968.

During the 1950s Harold Rosenberg was influential in bringing attention to the work of the New York Abstract Expressionists including Pollock, Willem de Kooning, Barnett Newman, and Arshile Gorky. He was credited with coining the term "Action Painting" to describe their work, stating that what they created was "not a picture but an event." Rosenberg was an art critic for the New Yorker from 1966 until his death, commenting on the contemporary art scene. His later criticism revealed his distaste for Pop Art and other art movements of the time.

Harold Rosenberg wrote many books including The Anxious Object: Art Today and Its Audience (1964), Artworks and Packages (1969), The De-Definition of Art: Action to Pop and Earthworks (1972), Discovering the Present: Three Decades in Art, Culture, and Politics (1973), and De Kooning (1974). In addition to authoring books and articles, Rosenberg lectured at the School for Social Research from 1953 to 1954, and taught at the University of Chicago from 1966 until his death in 1978.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Harold Rosenberg, conducted by Paul Cummings in 1970-1973.

The Getty Research Institute is the primary repository of Harold Rosenberg's papers.
Provenance:
The collection was donated in 1999 via the Ridgway Public Library in Ridgway, Colorado. The collection had come to the library from one of its trustees, an acquaintance of the Rosenbergs.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Harold and May Tabak Rosenberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study and scholarship. The collection is subject to all copyright laws.
Topic:
Abstract expressionism -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Authors  Search this
Genre/Form:
Photographs
Citation:
Harold and May Tabak Rosenberg papers, circa 1880-1985, bulk 1940s-1970s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roseharo
See more items in:
Harold and May Tabak Rosenberg papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roseharo

Writings by Others

Collection Creator:
Rosenberg, Harold, 1906-1978  Search this
Type:
Archival materials
Date:
circa 1950s-1981
Scope and Contents:
Writings by others include typescripts of a speech delivered by Hans Hofmann at Dartmouth College in 1962, a lecture delivered by Lee Hall at the Rhode Island School of Design in 1981, and a 1973 essay with a cover letter asking May Rosenberg to look at her essay, by actress and journalist Gaby Rodgers entitled "Where Have All the Husbands Gone? (A New York Saga of Love and Despair)." Rodgers and her husband, lyricist Jerry Lieber, were fellow summer residents of East Hampton.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Harold and May Tabak Rosenberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Harold and May Tabak Rosenberg papers, circa 1880-1985, bulk 1940s-1970s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roseharo, Subseries 3.4
See more items in:
Harold and May Tabak Rosenberg papers
Harold and May Tabak Rosenberg papers / Series 3: Writings and Notes
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roseharo-ref46

Don Reitz Papers

Creator:
Reitz, Don, 1929-2014  Search this
Names:
Autio, Rudy, 1926-2007  Search this
Yamamoto, Yukio  Search this
Extent:
11.6 Linear feet
11.2 Gigabytes
Culture:
Ceramicists--Arizona  Search this
Educators--Arizona  Search this
Sculptors--Arizona  Search this
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Date:
circa 1935-2015
Summary:
The papers of artist and educator Don Reitz measure 11.6 linear feet and date from circa 1935 to 2015. The collection documents Reitz's work as a professional artist and educator through biographical material, correspondence; writings, interviews and lectures; documentation on workshops and performances; studio records; gallery and exhibition files; printed material, photographic material, and artwork.
Scope and Contents:
The papers of artist and educator Don Reitz measure 11.6 linear feet and date from circa 1935 to 2015. The collection documents Reitz's work as a professional artist and educator through biographical material, correspondence; writings, interviews and lectures; documentation on workshops and performances; studio records; gallery and exhibition files; printed material, photographic material, and artwork.

Correspondence reflects relationships with professional organizations, museums and galleries, friends and family, as well as letters of recommendation from his years as an instructor. Notable correspondence is with fellow artists Rudy Autio and Yukio Yamamoto. Writings include essays and artist statements written by Reitz, as well as articles and essays written about Reitz by others. Lectures and interviews are featured in written form, as well as audio and video, including some digital video recordings. Reitz's notes include sound recordings captured in his car.

Workshop and performance files contain recordings, planning materials, contracts, and other documentation on instructional events led by Reitz. Studio records include technical files on kiln operation, supplies, project plans, and equipment.

Also found are detailed records of gallery and museum exhibitions, as well as commissions including public works and murals, in addition to various studio artwork inventories. Photographic material documents Reitz's participation in workshops and other presentations, and includes photographs of artwork, the Reitz Farm in Wisconsin, the Reitz Ranch in Arizona, as well as his early family life and military career. Photograph formats include snapshots, slides and digital images. Also included are various sketches by the artist as well as some by his niece Sara.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Material, circa 1935-2014 (0.9 linear feet; Box 1)

Series 2: Correspondence, circa 1951-2014 (1.6 linear feet; Boxes 1-3)

Series 3: Writings and Lectures, circa 1970-2012 (2.0 linear feet; Boxes 3-5, 2.85 gigabytes; ER01-ER03)

Series 4: Workshops and Performances, circa 1972-2008 (0.7 linear feet; Box 5-6, 8.21 gigabytes; ER04-ER05)

Series 5: Studio Records, circa 1965-2010 (0.3 linear feet; Box 6)

Series 6: Galleries and Exhibitions, circa 1966-2014 (1.5 linear feet; Boxes 6-7, 0.065 gigabytes; ER06)

Series 7: Printed Material, circa 1950-2014 (1.3 linear feet; Boxes 8-9, 12)

Series 8: Photographic Material, circa 1940-2015 (2.8 linear feet; Boxes 9-13, 0.065 gigabytes; ER07)

Series 9: Artwork, circa 1980-2012 (0.5 linear feet; Boxes 11, 12)
Biographical / Historical:
Don Reitz (1929-2014) was a ceramic artist in Clarkdale, Arizona.

Reitz was born in Sunbury, Pennsylvania, and was raised in Belvidere New Jersey, before serving for four years in the U.S. Navy as a diver. After years working as a butcher and a house painter, Reitz attended Kutztown State Teachers College, where he studied Abstract Expressionism and discovered ceramics in his last year of study. Reitz quickly developed a passion for ceramics, built a kiln in his back yard, and enrolled in graduate school at Alfred University's New York State College of Ceramics. From 1962 to 1988 Reitz led the ceramics department at University of Wisconsin at Madison, while he raised his two children Brent and Donna on a nearby farm, where he also kept livestock and experimented in ceramic firing techniques.

Don Reitz is known for bringing the salt-firing ceramics technique to the United States, in which colorful metallic surfaces are applied to ceramics by throwing salt in the kiln, as opposed to applying paint-like slips on the clay before firing. Reitz is also widely recognized for expanding the traditional medium of ceramics to incorporate abstract and nonfunctional forms like his contemporaries Peter Voulkos and Rudy Autio, as well as incorporating elements of performance art into his demonstrations and workshops. In 1982 Reitz suffered injuries from a serious automobile accident and required years of rehabilitation. During this time Reitz's niece, Sara, was undergoing treatment for cancer. The two were instrumental in each other's recovery and elements of Sara's drawings for Don were incorporated into his work, imbuing a graphic sensibility and a bold use of color, while his ability to physically manipulate clay was impaired.

In 1988 Reitz moved to a ranch in Clarksdale, Arizona, where he continued to work after his retirement from teaching, building kilns of various types including wood-fire and Anagama kilns, traveling to conduct workshops, and accepting commissions for large-scale commissions and public works. While in Arizona, Reitz developed a strong friendship with Japanese ceramicist Yukio Yamamoto, who had been teaching in Flagstaff, Arizona. Throughout his career Reitz received numerous accolades including being named Trustee Emeritus of the American Craft Council, and making the Ceramic Monthly Reader's Poll as One of Twelve Greatest Living Ceramic Artists Worldwide in 1988 and 2001. Reitz's works are featured in numerous private and museum collections including the Smithsonian Institution, the Museum of Fine Arts, Houston, and the High Museum of Art. Don Reitz passed in 2014 after suffering from a series of heart attacks and related surgeries.
Don Reitz (1929-2014) was a ceramic artist in Clarkdale, Arizona. Reitz was born in Sunbury, Pennsylvania, and was raised in Belvidere New Jersey, before serving for four years in the U.S. Navy as a diver. After years working as a butcher and a house painter, Reitz attended Kutztown State Teachers College, where he studied Abstract Expressionism and discovered ceramics in his last year of study. Reitz quickly developed a passion for ceramics, built a kiln in his back yard, and enrolled in graduate school at Alfred University's New York State College of Ceramics. From 1962 to 1988 Reitz led the ceramics department at University of Wisconsin at Madison, while he raised his two children Brent and Donna on a nearby farm, where he also kept livestock and experimented in ceramic firing techniques. Don Reitz is known for bringing the salt-firing ceramics technique to the United States, in which colorful metallic surfaces are applied to ceramics by throwing salt in the kiln, as opposed to applying paint-like slips on the clay before firing. Reitz is also widely recognized for expanding the traditional medium of ceramics to incorporate abstract and nonfunctional forms like his contemporaries Peter Voulkos and Rudy Autio, as well as incorporating elements of performance art into his demonstrations and workshops. In 1982 Reitz suffered injuries from a serious automobile accident and required years of rehabilitation. During this time Reitz's niece, Sara, was undergoing treatment for cancer. The two were instrumental in each other's recovery and elements of Sara's drawings for Don were incorporated into his work, imbuing a graphic sensibility and a bold use of color, while his ability to physically manipulate clay was impaired. In 1988 Reitz moved to a ranch in Clarksdale, Arizona, where he continued to work after his retirement from teaching, building kilns of various types including wood-fire and Anagama kilns, traveling to conduct workshops, and accepting commissions for large-scale commissions and public works. While in Arizona, Reitz developed a strong friendship with Japanese ceramicist Yukio Yamamoto, who had been teaching in Flagstaff, Arizona. Throughout his career Reitz received numerous accolades including being named Trustee Emeritus of the American Craft Council, and making the Ceramic Monthly Reader's Poll as One of Twelve Greatest Living Ceramic Artists Worldwide in 1988 and 2001. Reitz's works are featured in numerous private and museum collections including the Smithsonian Institution, the Museum of Fine Arts, Houston, and the High Museum of Art. Don Reitz passed in 2014 after suffering from a series of heart attacks and related surgeries.
Related Materials:
Also found at the Archives of American art is an oral history interview with Don Reitz, 2006 June 6-7, conducted by Mija Riedel.
Provenance:
Donated in 2017 by Brent Reitz, Don Reitz's son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Rights:
The Don Reitz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Ceramics -- Equipment and supplies  Search this
Genre/Form:
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Citation:
Don Reitz papers, circa 1935-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.reitdon
See more items in:
Don Reitz Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-reitdon

Yearbook, Belvidere High School

Collection Creator:
Reitz, Don, 1929-2014  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1947
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Don Reitz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Don Reitz papers, circa 1935-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Don Reitz Papers
Don Reitz Papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-reitdon-ref11

Diploma, Belvidere High School

Collection Creator:
Reitz, Don, 1929-2014  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1948
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Don Reitz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Don Reitz papers, circa 1935-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Don Reitz Papers
Don Reitz Papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-reitdon-ref12

North Posey High School (Feb. 1993)

Collection Creator:
Reitz, Don, 1929-2014  Search this
Container:
Box 5, Folder 27
Type:
Archival materials
Date:
circa 1992-1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Don Reitz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Don Reitz papers, circa 1935-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Don Reitz Papers
Don Reitz Papers / Series 4: Workshops and Performances
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-reitdon-ref121

Belvidere High School

Collection Creator:
Reitz, Don, 1929-2014  Search this
Container:
Box 9, Folder 9
Type:
Archival materials
Date:
circa 1946-1948
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Don Reitz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Don Reitz papers, circa 1935-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Don Reitz Papers
Don Reitz Papers / Series 8: Photographic Material / 8.1: People and Places
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-reitdon-ref229

Wall Mural, School Work (Slides)

Collection Creator:
Reitz, Don, 1929-2014  Search this
Container:
Box 10, Folder 13
Type:
Archival materials
Date:
circa 2001
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Don Reitz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Don Reitz papers, circa 1935-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Don Reitz Papers
Don Reitz Papers / Series 8: Photographic Material / 8.2: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-reitdon-ref248

Mel Ramos papers

Creator:
Ramos, Mel, 1935-2018  Search this
Names:
Alloway, Lawrence, 1926-1990  Search this
Lichtenstein, Roy, 1923-1997  Search this
Thiebaud, Wayne  Search this
Wesselmann, Tom, 1931-2004  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Pop art
Works of art
Interviews
Date:
1959-1984
Summary:
The papers of California pop artist and teacher Mel Ramos measure 0.6 linear feet and date from 1959 to 1984. The collection documents Ramos's career as an artist through correspondence with Lawrence Alloway, Dwan Gallery, Roy Lichtenstein, David Stuart, and Tom Wesselman, among others; a few inventories, invoices, and loan agreements; documentation of his work with the San Francisco Art Institute; and exhibition announcements and catalogs. Writings include two manuscripts on Ramos and the Pop Art movement, a one-page interview of Ramos, and poetry by Robin Skelton. Of interest in the collection, are files containing photographs, photo-collages, and clippings used for paintings such as "Elephant Seal," "Virnaburger," and "Manet's Olympia."
Scope and Contents:
The papers of California pop artist and teacher Mel Ramos measure 0.6 linear feet and date from 1959 to 1984. The collection documents Ramos's career as an artist through correspondence with Lawrence Alloway, Dwan Gallery, Roy Lichtenstein, David Stuart, and Tom Wesselman, among others; a few inventories, invoices, and loan agreements; documentation of his work with the San Francisco Art Institute; and exhibition announcements and catalogs. Writings include two manuscripts on Ramos and the Pop Art movement, a one-page interview of Ramos, and poetry by Robin Skelton. Of interest in the collection, are files containing photographs, photo-collages, and clippings used for paintings such as "Elephant Seal," "Virnaburger," and "Manet's Olympia."
Arrangement:
Due to the small size of this collection, the papers are arranged as one series.
Biographical / Historical:
Mel Ramos (1935-2018), born Melvin John Ramos, was a painter, pop artist, and teacher in California. Ramos was born in Sacramento, California. In 1955 he married Leta Helmers, who served as a model for many of his early paintings. Ramos received his M.A. from Sacramento State College in 1958 and taught a Mira Loma High School. In 1963 his work was included in Six More, a major exhibition of Pop Art at the Los Angeles County Museum. One year later he had his first solo show in New York at Bianchini Gallery. In 1965, he began showing his art at David Stuart Gallery in Los Angeles. Ramos also had a long career (1966-1997) as a professor at California State University, East Bay.
Related Materials:
Also found at the Archives of American Art is an interview of Mel Ramos conducted on May 15, 1981, by Paul Karlstrom.
Provenance:
The collection was donated by Mel Ramos in July 1985.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- California -- Oakland  Search this
Topic:
Painting, Modern -- 20th century -- California  Search this
Hispanic American artists  Search this
Genre/Form:
Pop art -- California
Works of art
Interviews
Citation:
Mel Ramos papers, 1959-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ramomel
See more items in:
Mel Ramos papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ramomel

John Milton Ramm papers

Creator:
Ramm, John Milton, 1904-1984  Search this
Names:
Ramm, John Henry, 1879-1948  Search this
Extent:
11 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Photographs
Date:
1900-1992
Summary:
The papers of painter and muralist John Milton Ramm measure 11 linear feet and date from 1900 to 1992. Found within are biographical materials, family correspondence, personal business records, notes and notebooks, travel journals and other writings by Ramm and his father, John Henry Ramm. Art work consists of sketches, sketchbooks, watercolor sketches, mural designs, and other drawings by John Milton Ramm and John Henry Ramm. Also found are numerous photographs of family, friends, travels and voyages, and San Francisco cityscapes, as well as photographs of the 1906 San Francisco earthquake and fires taken by John Henry Ramm.
Scope and Contents note:
The papers of painter and muralist John Milton Ramm measure 11 linear feet and date from 1900 to 1992. Found within are biographical materials, family correspondence, personal business records, notes and notebooks, travel journals and other writings by Ramm and his father, John Henry Ramm. Art work consists of sketches, sketchbooks, watercolor sketches, mural designs, and other drawings by John Milton Ramm and John Henry Ramm. Also found are numerous photographs of family, friends, travels and voyages, and San Francisco cityscapes, as well as photographs of the 1906 San Francisco earthquake and fires taken by John Henry Ramm. The collection reflects the artist's interest in travel and his thorough recording of each voyage through paintings, drawings, photographs, and journals.

The Notes Series (32 folders) consist of notebooks and unbound notes primarily concerning John Milton Ramm's travel and art-related activities.

The Writings Series (1.0 linear feet) consists of travel journals and typescripts based on travel by John Milton Ramm, and scripts and poetry by his father John Henry Ramm. There are also two travel journals written by others.

The Art Works Series (1.3 linear feet) primarily consists of drawings and watercolors by John Milton Ramm depicting scenes from his travels and designs for advertisements and magazine covers. There are also drawings, watercolors, small oil paintings, and prints by his father John Henry Ramm, and bookplates designed by unidentified artists, probably friends of John Milton Ramm.

The Photographs Series (2.4 linear feet) consists of photographs of John Milton Ramm, family members, his house, views of San Francisco, California and other western states, views of his voyages around the world, and of his art work. There are also photographs taken by Ramm's father, John Henry Ramm of San Francisco, most notably views of the 1906 fire and earthquake damage, and photographs of his art work. Miscellaneous photographs by unidentified photographers include views of the Gilbert Islands in 1915.

The Printed Material Series (54 folders) includes clippings, an exhibition announcement for John Milton Ramm, miscellaneous calling cards for individuals and businesses, a school yearbook, published scripts, and miscellaneous booklets and programs.

The Artifacts Series (1 folder) consists of a hand-carved backscratcher and a rubber stamp of a heraldic emblem.
Arrangement note:
The collection has been arranged into nine series.

Series 1: Biographical Material, 1903-1992 (Box 1; 16 folders)

Series 2: Correspondence, 1909-1981, undated (Boxes 1-6, OV 13; 5.0 linear feet)

Series 3: Personal Business Records, 1908-1984, undated (Box 6; 3 folders)

Series 4: Notes, 1922-1976, undated (Box 6; 32 folders)

Series 5: Writings, 1910-1951, undated (Box 6, 7; 1.0 linear feet)

Series 6: Art work, 1900-1951, undated (Boxes 7-8, 12, OV 13-15; 1.3 linear feet)

Series 7: Photographs, 1903-1981, undated (Boxes 8-10, 12, OV 15; 2.4 linear feet)

Series 8: Printed material, 1913-1963 (Boxes 10-12; 54 folders)

Series 9: Artifacts, undated (Box 12; 1 folder)
Biographical/Historical note:
John Milton Ramm was born in San Francisco, California, on October 27, 1904. His parents were Antoinette Ramm and John Henry Ramm (1879-1948), who was also a painter and photographer, most notably recording the damage of the 1906 earthquake and fire. After graduating from Lowell High School in 1921, John Milton Ramm attended the California School of Fine Arts and later continued his art-related studies under his father. Between 1923 and 1938, he sailed on over a dozen merchant ships, traveling around the world performing various shipboard duties in addition to recording his surroundings in letters, drawings, and photographs. From 1928 to 1929, Ramm worked as a commercial artist and painted sets and backdrops for several motion picture studios including United Artists and Warner Brothers. Between 1932 to 1941, he painted murals and decorated the interiors of various business establishments such as restaurants and stores. In 1937, he was an art instructor at the San Francisco Boys' Club and at a W.P.A. Recreation Project Training course. From 1941 to 1945, Ramm was employed as a shipfitter and engineering draftsman aboard various ships. He was married to Hungarian-born Gabriella Vigh.

John Milton Ramm died February 26, 1984 in Alameda, California.
Provenance:
The John Milton Ramm papers were donated in 1994 by Sandra Howard, a family friend who inherited the estate of the artist.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The John Milton Ramm papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Earthquakes -- California -- San Francisco -- Photographs  Search this
Painters -- California -- San Francisco  Search this
Muralists -- California -- San Francisco  Search this
Genre/Form:
Drawings
Sketchbooks
Photographs
Citation:
John Milton Ramm papers, 1900-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rammjohn
See more items in:
John Milton Ramm papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rammjohn

School records for John Milton Ramm

Collection Creator:
Ramm, John Milton, 1904-1984  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
1917-1940
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The John Milton Ramm papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
John Milton Ramm papers, 1900-1992. Archives of American Art, Smithsonian Institution.
See more items in:
John Milton Ramm papers
John Milton Ramm papers / Series 1: Biographical material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-rammjohn-ref16

School yearbook The Lowell

Collection Creator:
Ramm, John Milton, 1904-1984  Search this
Container:
Box 11, Folder 8
Type:
Archival materials
Date:
1921
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The John Milton Ramm papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
John Milton Ramm papers, 1900-1992. Archives of American Art, Smithsonian Institution.
See more items in:
John Milton Ramm papers
John Milton Ramm papers / Series 8: Printed material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-rammjohn-ref501

Booklet, "Bleacher Songs and Yells," Lowell High School

Collection Creator:
Ramm, John Milton, 1904-1984  Search this
Container:
Box 11, Folder 14
Type:
Archival materials
Date:
1921
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The John Milton Ramm papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
John Milton Ramm papers, 1900-1992. Archives of American Art, Smithsonian Institution.
See more items in:
John Milton Ramm papers
John Milton Ramm papers / Series 8: Printed material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-rammjohn-ref507

Rosary College Graduate School of Fine Arts

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 3, Folder 40-41
Type:
Archival materials
Date:
1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Louis Pomerantz papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref135

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