Skip to main content Smithsonian Institution

Search Results

Collections Search Center
8091 documents - page 1 of 405

Edward Fisk papers

Creator:
Fisk, Edward, 1886-1944  Search this
Names:
Davis, Stuart, 1892-1964  Search this
Demuth, Charles, 1883-1935  Search this
O'Neill, Eugene, 1888-1953  Search this
Stein, Gertrude, 1874-1946  Search this
Taggard, Genevieve, 1894-1948  Search this
Extent:
0.2 Linear feet ((on a partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1887-1990
Scope and Contents:
Biographical material, letters, a subject file on Genevieve Taggard, notes and writings, printed material, and photographs.
Two biographical accounts and a membership card for the American Artists' Congress; fourteen letters (1929-1990) include 3 from Stuart Davis (1938-1942), one from Charles Demuth (1929), and letters to family members including descriptions of his sister-in-law's meeting with Gertrude Stein and an account of Eugene O'Neill's house being damaged in a storm. A file, 1928-1938, on Genevieve Taggard contains 4 poems and 4 letters by Taggard, 1 letter from Fisk, and an announcement concerning the publication of Taggard's poems.
A notebook contains lyrical essays about Taggard and art, a 5 p. account of a day's activities, and notes on art history and design. Other notes and writings include two 17 p. short stories, a 1 p. account of prehistoric monuments in Cornwall illustrated with a map, and notes on line drawing and composition. Printed material consists of clippings (1912-1987) and exhibition announcements and catalogs (1922-1985). Photographs show Fisk with family members (1887-1942) and works of art.
Biographical / Historical:
Painter, printmaker. Born in Brooklyn, New York, Fisk studied at the Art Students League and the National Academy of Design. He studied with Robert Henri, and in Paris with Othon Friege and Pierre Laprade. He also studied in Italy and spent 1933-1934 studying and painting in England. In 1930 he married Lucy Young. He taught at the University of Kentucky from 1926-1944.
Provenance:
Lent for microfilming in 1991 by Milton Fisk and Allie Hendricks, Fisk's children.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters  Search this
Poets  Search this
Printmakers  Search this
Topic:
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Identifier:
AAA.fiskedwa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fiskedwa

Totem

Alternate Title:
Wynn Chamberlain, John Giorno and Ruth Kligman
Artist:
Wynn Chamberlain, 19 May 1927 - 27 Nov 2014  Search this
Sitter:
Wynn Chamberlain, 19 May 1927 - 27 Nov 2014  Search this
John Giorno, born 4 Dec 1936  Search this
Ruth Kligman, 25 Jan 1930 - 1 Mar 2010  Search this
Medium:
missing medium/support
Dimensions:
missing dimensions
Type:
Painting
Date:
1963 - 1964
Topic:
Self-portrait  Search this
Ruth Kligman: Female  Search this
Ruth Kligman: Visual Arts\Artist\Painter  Search this
Wynn Chamberlain: Visual Arts\Artist  Search this
Wynn Chamberlain: Male  Search this
Wynn Chamberlain: Visual Arts\Artist\Painter  Search this
Wynn Chamberlain: Performing Arts\Filmmaker  Search this
Wynn Chamberlain: Literature\Writer\Novelist  Search this
Wynn Chamberlain: Performing Arts\Producer\Theater  Search this
John Giorno: Visual Arts\Artist  Search this
John Giorno: Male  Search this
John Giorno: Literature\Writer\Poet  Search this
John Giorno: Performing Arts\Performer\Actor  Search this
Portrait  Search this
Credit Line:
Owner: [UNLOCATED]
Object number:
UNL01075
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4958a6f99-ad21-4338-baf1-e78fdcc266ad
EDAN-URL:
edanmdm:npg_UNL01075

Albert Pike

Artist:
Unidentified Artist  Search this
Sitter:
Albert Pike, 1809 - 1891  Search this
Medium:
Albumen silver print
Dimensions:
Image: 8.2 × 5 cm (3 1/4 × 1 15/16")
Type:
Photograph
Date:
c. 1861-1865 (after earlier photograph)
Topic:
Personal Attribute\Facial Hair\Mustache  Search this
Personal Attribute\Facial Hair\Beard  Search this
Photographic format\Carte-de-visite  Search this
Albert Pike: Male  Search this
Albert Pike: Law and Law Enforcement\Lawyer  Search this
Albert Pike: Literature\Writer  Search this
Albert Pike: Military\Army\Officer\Civil War\Confederate  Search this
Albert Pike: Literature\Writer\Poet  Search this
Albert Pike: Law and Law Enforcement\Judge\Justice\State Supreme Court Justice  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the Totten Family
Object number:
S/NPG.2012.6.41
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4d31d0b73-2835-4e20-8752-f0db5df99d17
EDAN-URL:
edanmdm:npg_S_NPG.2012.6.41

Edgar Allan Poe

Artist:
Francis Thomas Sully Darley, 1833 - 22 Aug 1914  Search this
Sitter:
Edgar Allan Poe, 19 Jan 1809 - 7 Oct 1849  Search this
Type:
Painting
Date:
c 1940
Topic:
Costume\Dress Accessory\Tie  Search this
Edgar Allan Poe: Male  Search this
Edgar Allan Poe: Literature\Writer\Poet  Search this
Edgar Allan Poe: Communications\Journalist\Editor\Magazine  Search this
Edgar Allan Poe: Literature\Writer\Novelist  Search this
Edgar Allan Poe: Humanities and Social Sciences\Critic\Literary  Search this
Edgar Allan Poe: Literature\Writer\Detective  Search this
Portrait  Search this
Credit Line:
Owner: [UNLOCATED]
Object number:
UNL00829
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4116fa506-b145-40fd-9aea-2d22a837068d
EDAN-URL:
edanmdm:npg_UNL00829

Diary of Frances Anne Rollin

Written by:
Frances Anne Rollin, American, 1845 - 1901  Search this
Manufactured by:
Taggard & Thompson, American, c. nineteenth century  Search this
Subject of:
Frances Anne Rollin, American, 1845 - 1901  Search this
Martin Robison Delany, American, 1812 - 1885  Search this
William J. Whipper, American, 1834 - 1907  Search this
Medium:
ink on paper with leather and adhesive
Dimensions:
H x W x D (closed): 4 15/16 × 3 1/16 × 11/16 in. (12.5 × 7.8 × 1.8 cm)
Type:
diaries
Place made:
Boston, Suffolk County, Massachusetts, United States, North and Central America
Place used:
Columbia, Richland County, South Carolina, United States, North and Central America
Date:
1868
Topic:
African American  Search this
Activism  Search this
American South  Search this
Domestic life  Search this
Families  Search this
Literature  Search this
Politics (Practical)  Search this
Reconstruction (United States History, 1865-1877)  Search this
Social life and customs  Search this
Suffrage  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Carole Ione Lewis Family Collection
Object number:
2018.101.1
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5a9e1565e-9c5d-48e4-b96f-633bbf4852ff
EDAN-URL:
edanmdm:nmaahc_2018.101.1
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Diary of Frances Anne Rollin digital asset number 1

William J. Eisenlord photographs

Creator:
Eisenlord, William J., 1926-1997  Search this
Names:
City Lights Bookstore (San Francisco, Calif.) -- Photographs  Search this
San Francisco Museum of Art  Search this
Berman, Shirley  Search this
Berman, Wallace, 1926-1976  Search this
Broughton, James  Search this
Castelli, Leo  Search this
Castellón, Rolando  Search this
DeRoux, Kenneth  Search this
Ferlinghetti, Lawrence  Search this
Green, Mark L., 1932-2004  Search this
Herms, George, 1935-  Search this
Hirschman, Jack, 1933-  Search this
Larsen, Michael, 1941-  Search this
LeBlanc, Peter, 1930-  Search this
Linhares, Philip E.  Search this
McClure, Michael  Search this
Micheline, Jack, 1929-1998  Search this
Oldenburg, Claes, 1929- -- Photographs  Search this
Pomada, Elizabeth  Search this
Rexroth, Kenneth, 1905-1982  Search this
Selz, Peter Howard, 1919-  Search this
Stiles, Knute, 1923-  Search this
Photographer:
Nyberg, Ed  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Place:
San Francisco Calif. -- Photographs
Date:
1953-1976
Summary:
The photographs of San Francisco photographer William J. Eisenlord measure 0.3 linear feet and date from 1953-1976. Photographs depict the City Lights Bookstore of San Francisco, California and the exhibition opening of "Poets of the Cities" at the San Francisco Museum of Art in 1976. Also included are photographs of jazz and beat poetry performances taken by Ed Nyberg in 1957.
Scope and Contents note:
The photographs of San Francisco photographer William J. Eisenlord measure 0.3 linear feet and date from 1953-1976. Photographs depict the City Lights Bookstore of San Francisco, California and the exhibition opening of "Poets of the Cities" at the San Francisco Museum of Art in 1976. Also included are photographs of jazz and beat poetry performances taken by Ed Nyberg in 1957.

City Lights Bookstore was a popular meeting ground for many people associated with the Beat literary movement in San Francisco. The collection includes one exterior window photograph of the bookstore taken the year of its founding in 1953, and fifteen interior photographs of the store taken circa 1959. The interior shots include images of bookstore founder Lawrence Ferlinghetti, bookstore manager Shigeyoshi Murao, and various customers browsing the stacks.

The photographs taken at the "Poets of the Cities" exhibition opening on January 30, 1976 at the San Francisco Museum of Art include notable figures Jack Micheline, Claes Oldenburg, James Broughton, Phil Linhares, Mark and Sally Green, Michael Larsen, Elizabeth Pomada, Ken deRoux, Peter and Minette LeBlanc, Jack Hirschman, Rolando Castellon, Knute Stiles, Michael and Joanna McClure, Byron Meyer, Peter Selz, Leo Castelli, George Herms, and Shirley and Wallace Berman.

Also included are ten photographs taken in 1957 by Ed Nyberg at The Jazz Cellar, a popular San Francisco beat nightclub. Notable figures include Kenneth Rexroth, Lawrence Ferlinghetti, Grover Sales Jr., Sonny Wayne, and Bill Weisjahn.
Arrangement note:
The collection is arranged as 2 series:

Series 1: William J. Eisenlord Photographs, 1953-1976 (Box 1; 15 folders)

Series 2: Ed Nyberg Photographs, 1957 (Box 1; 1 folder)
Biographical/Historical note:
William J. Eisenlord (1926-1997) worked as a photographer in San Francisco, California. He was an acquaintance of photographer, poet, and journalist Mark Green. Together with business partner Thayne Riggs, Eisenlord opened the Omnibus Gallery in Sacramento, California in 1980.
Provenance:
The William J. Eisenlord photographs were donated to the Archives of American Art in two installments, in 1976 and 1977, by William J. Eisenlord.
Restrictions:
Use of original papers requires an appointment.
Rights:
The William J. Eisenlord photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Poets -- Exhibitions -- Photographs  Search this
Beat generation -- California -- San Francisco  Search this
Photographers -- California -- San Francisco  Search this
Genre/Form:
Photographs
Citation:
William J. Eisenlord photographs, 1953-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.eisewill
See more items in:
William J. Eisenlord photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-eisewill
Online Media:

Rackstraw Downes research material concerning Fairfield Porter

Creator:
Downes, Rackstraw  Search this
Names:
Porter, Fairfield  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Photographs
Date:
1962-2000
bulk 1970-1979
Summary:
TThe Rackstraw Downes research material concerning Fairfield Porter measure 1.0 linear foot and date from 1962 to 2000, with the bulk of the material dating from 1970-1979. Downes used the material to compile, edit and write the introduction to Fairfield Porter: Art In Its Own Terms - Selected Criticism 1935-1975 published in 1979. Research materials include articles about Porter, exhibition catalogs, photocopies of letters and some original correspondence, theses and manuscripts. Also included are project files for the publication of Art In Its Own Terms.
Scope and Contents:
The Rackstraw Downes research material concerning Fairfield Porter measure 1.0 linear foot and date from 1962 to 2000, with the bulk of the material dating from 1970-1979. Downes used the material to compile, edit and write the introduction to Fairfield Porter: Art In Its Own Terms - Selected Criticism 1935-1975 published in 1979. Research materials include articles about Porter, exhibition catalogs, photocopies of letters and some original correspondence, theses and manuscripts. Also included are project files for the publication of Art In Its Own Terms.
Arrangement:
The collection is arranged into two series:

Series 1: Research Material, 1962-2000 (0.7 linear feet; Box 1)

Series 2: Files on -- Fairfield Porter: Art In Its Own Terms, Selected Criticism 1935-1975 -- , 1973-1992 (0.3 linear feet; Box 1)
Biographical / Historical:
Rackstraw Downes (1939-), a landscape painter and author in New York City, edited and wrote the introduction to Fairfield Porter: Art In It's Own Terms: Selected Criticism 1935-1975. Born in Kent, England, Downes received a B.A. in English literature from Cambridge University in 1961 and earned an M.F.A. from the Yale School of Arts in 1961. Downes was personally acquainted with Porter.

Fairfield Porter (1907-1975), a painter, art critic and poet, resided in Southampton, New York. Porter was a strong advocate for figure painting. He wrote for ArtNews and The Nation, and eventually became art editor for The Nation.
Provenance:
Donated by Rackstraw Downes in 2012.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Rackstraw Downes research material concerning Fairfield Porter is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art critics -- New York (State) -- Southampton  Search this
Genre/Form:
Photographs
Citation:
The Rackstraw Downes research material concerning Fairfield Porter, 1962-2000, bulk 1970-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.downrack
See more items in:
Rackstraw Downes research material concerning Fairfield Porter
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-downrack

José de Creeft papers

Creator:
De Creeft, José, 1884-1982  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Black Mountain College (Black Mountain, N.C.) -- Faculty  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Norton Gallery and School of Art  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
Stone Mountain Memorial (Ga.)  Search this
Albers, Josef -- Photographs  Search this
Calder, Alexander, 1898-1976  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Campos, Jules  Search this
De Creeft, William  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Diederich, William Hunt, 1884-1953  Search this
Dodd, Lamar  Search this
Escuder, Joseph  Search this
Gropius, Walter, 1883-1969 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Gómez Gil, Alfredo, 1936-  Search this
Lawrence, Gertrude -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lipchitz, Jacques, 1891-1973 -- Photographs  Search this
Neumann, J. B. (Jsrael Ber) -- Photographs  Search this
Nivola, Costantino, 1911-1988  Search this
Rattner, Abraham -- Photographs  Search this
Roszak, Theodore, 1907-1981 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Sweeney, James Johnson, 1900-  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
28.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Date:
1871-2004, bulk 1910s-1980s
bulk 1910-1990
Summary:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.
Scope and Contents:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.

Biographical materials include address books, awards, recorded interviews with and about de Creeft, membership materials, naturalization records, resumes, and travel documents.

Correspondence is primarily professional in nature and concerns exhibitions, de Creeft's involvement in arts organizations, and awards. There are also scattered personal letters from family and friends. Correspondents include Alexander Calder, Nina, Alice, Barbara and William de Creeft, Hunt Diederich, Joseph Escudar, and Gil Gomez, Jacques Lipchitz, Edwin Dickinson, James Johnson Sweeney, Costantino Nivola, Abraham Rattner, and Lamar Dodd, among others.

De Creeft's fifty diaries are nearly complete for the period dating from 1926 to 1981. Some are bound volumes and others are loose pages. The bulk of the diaries are in Spanish and many include sketches. Additional writings, called "escritos varios" by José de Creeft, are mostly in Spanish and consist of typed manuscripts and essays, including "Roosty Was My Friend, 1957, notebooks, an artist's statement, and writings by others, including drafts for The Sculpture of de Creeft by Jules Campos, and a video recording entitled José de Creeft by Bob Hanson. There is one sound recording of Lorrie Goulet reading poetry.

Subject files are varied and include files on de Creeft's teaching positions at the New School for Social Research, Black Mountain College, Skowhegan School of Painting and Sculpture, and the Art Students League. There are files for some of his sculpture projects, inlcuding Alice in Wonderland, Poet, and a proposed model for the Stone Mountain Confederate Memorial in Georgia, as well as compiled information about various art related topics of interest.

De Creeft's business records include appraisals, contracts, leases, price lists, and scattered receipts. Also found are art inventories in the form of three sets of index cards, some of which include photographs.

Printed materials include books, clippings, exhibition announcements and catalogs, exhibition labels, postcards, and posters.

There are loose photographs and twenty-seven photograph albums depicting de Creeft, his family, friends, and works of art. There are photos of Alexander Calder; de Creeft and Goulet with Raphael Soyer, posing with Soyer's portrait of them; Gertrude Lawrence; art juries, which also include images of Chaim Gross, Jacques Lipchitz, Theodore Roszak, and William Zorach; students, friends, and faculties of Black Mountain College, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton School of Art, which also includes images of Joseph Albers, Alexander Calder, Julio De Diego, Walter Gropius, J. B. Neumann, and Abraham Rattner.

Seven mixed media scrapbooks document de Creeft's career from 1929 to 1982. Also found are scattered pen and pencil sketches and one sketchbook dating from the 1920s.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Material, 1914-1979 (Boxes 1, 27; 0.9 linear feet)

Series 2: Correspondence, 1910s-1980s (Boxes 1-6; 4.2 linear feet)

Series 3: Diaries, 1926-1981 (Boxes 6-11; 5.4 linear feet)

Series 4: Writings, 1871-1977 (Boxes 11-13, 28; 2.5 linear feet)

Series 5: Subject Files, 1924-1980 (Boxes 13-16, 27; 2.4 linear feet)

Series 6: Personal Business Records, 1909-1980s (Boxes 16-17, 27; 1.0 linear feet)

Series 7: Printed Material, 1921-1980s (Boxes 17-21, 27, 33; 4.7 linear feet)

Series 8: Photographs, 1900-2004 (Boxes 21-25, 29, 31; 5.1 linear feet)

Series 9: Scrapbooks, 1929-1982 (Box 26, 30, 32; 1.8 linear feet)

Series 10: Artwork, 1920s-1930s (Box 26; 2 folders)
Biographical / Historical:
José de Creeft (1908-1982) was a Spanish-born sculptor active in New York City, New York.

José de Creeft was born in Guadalajara, Spain and raised in Barcelona. In 1900, he apprenticed to sculptor Don Augustine Querol and studied drawing with Idalgo de Caviedas. De Creeft moved to Paris in 1905 and began formal art training at the Académie Julianand. He also took a studio in the Batteau Lavoir in Montmartre, where he interacted with Pablo Picasso, Juan Gris, Manolo, and Pablo Gargallo, all of whom also had studios there. During this period, de Creeft became friends with the artist Mateo Hernandez.

In 1915, de Creeft rejected the traditional technique of reproducing sculpture in stone from clay and plaster models and turned to direct carving in wood and stone. He was also one of the first sculptors who practiced assemblage and incorporated found objects into his work. His notable assemblage sculpture El Picador, a large figure on horseback, received worldwide press coverage and was exhibited at the Salon des Artistes Independents in 1926. Between 1919 and 1928, his work was exhibited in various Paris salons. In the late 1920s, he created 200 stone carvings for Roberto Ramonje's Forteleza (fortress) in Mallorca. It was around this time frame when de Creeft met Alexander Calder, who became his student in direct carving. De Creeft encouraged Calder to display his mechanical toys and Calder put his Circus together for the first time in de Creeft's studio.

De Creeft emigrated to the United States in 1929, right after marrying fellow sculptor Alice Robertson Carr. They divorced nine years later.

While in New York, de Creeft began sculpting with lead sheets beaten into three-dimensional forms and established a studio at 1 Washington Square. His first solo exhibition was at the Ferargil Galleries in New York City and included The Portrait of Cesar Vallejo in chased lead and The Silver Fox of found materials.

In 1932, de Creeft accepted a teaching position in sculpture at the New School for Social Research. He also taught courses at Black Mountain College, where he met his second wife, sculptor Lorrie Goulet, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton Gallery and School of Art. In 1946, de Creeft and Goulet purchased a hundred-acre farm in Hoosick Falls, NY where they established a studio and part-time residence.

Perhaps De Creeft's most well-known monumental scuplture is Alice in Wonderland in Central Park, New York City. The 12' x 16' bronze was dedicated during a public event in 1959 and gave de Creeft worldwide recognition. In 1995 a short film about the making of the sculpture was produced by J. D'Alba and narrated by Lorrie Goulet.

De Creeft was as founding member of the American Artist's Congress, the Sculptors Guild, and the Artist's Equity Association. De Creeft was represented by the Georgette Passedoit Gallery from 1936 to 1949. Later, he joined The Contemporaries (gallery) and exhibited there until 1966. Kennedy Galleries represented de Creeft from 1970 until his death in 1982.
Related Materials:
The Archives of American Art also holds an interview of José De Creeft conducted October 1-8, 1968 by Forrest Selvig and the papers of de Creeft's wife Lorrie Goulet.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D150 and 375-378). While most of the items were included in subsequent gifts, material not donated to the Archives remain with the lender and are not described in the collection container inventory.
Provenance:
The José de Creeft papers were first lent for microfilming by the artist in 1963 and 1972. Lorrie Goulet, José de Creeft's widow, donated most of this material along with additional items in 1985 and 2009.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The José de Creeft papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Citation:
José de Creeft papers, 1871-2004, bulk 1910s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.decrjose
See more items in:
José de Creeft papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-decrjose

Dorothy Dehner papers

Creator:
Dehner, Dorothy, 1901-1994  Search this
Names:
Philadelphia Art Alliance  Search this
Willard Gallery  Search this
Graham, John, 1887-1961  Search this
Smith, David, 1906-1965  Search this
Extent:
4.5 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Photographs
Date:
1920-1987
bulk 1951-1987
Summary:
The papers of Dorothy Dehner measure approximately 4.5 linear feet and date from 1920 to 1987, with the bulk of the material dating from 1951 to 1987. The collection documents the life and work of the sculptor. Papers include extensive correspondence, business and financial papers, writings, interviews, printed material, photographs, student papers, one item of art work, and scattered personal papers and material relating to David Smith.
Scope and Content Note:
The papers of Dorothy Dehner measure approximately 4.5 linear feet and date from 1920 to 1987, with the bulk of the material dating from 1951 to 1987. The collection documents the life and work of the sculptor. Papers include extensive correspondence, business and financial papers, writings, interviews, printed material, photographs, student papers, one item of art work, and scattered personal papers and material relating to David Smith.

Comprising a series of biographical material are interviews (mostly untranscribed), personal papers such as notes on Dehner's biography and career, list of things taken from Bolton Landing, recipes, and a wedding announcement for her stepdaughter, Abby Mann Thernstrom, and material relating to David Smith such as a copy of his last will and testament, a letter of introduction (dating from their trip to Europe in the mid-1930s), and a chronology of Smith's life.

Correspondence consists of numerous letters and enclosures concerning both professional and personal matters. Correspondents include artists, museums, galleries, art dealers, researchers, curators, friends, and relatives. Correspondence documents Dehner's various personal and professional relationships, the active role she played in promoting and exhibiting her art work, as well as the key role she played in fostering art historical research (on David Smith, herself, and other artists of her era), and her many other creative activities, including her various writing efforts.

Found amongst Dehner's business and financial papers are records relating to various galleries and/or exhibitions, including the Willard Gallery and exhibitions at the Philadelphia Art Alliance and Parsons-Dreyfuss Gallery, and to various projects, such as the Committee for the American Participation in the Triennale and the Great Southwest Industrial Park, as well as scattered records relating to personal business matters and finances, such as lists, tax records, authentication of art works, and sales agreements.

Dehner's writings include poems (including one dated from high school and drafts of ones published in Tracks), various pieces on John Graham (including versions of a memoir, which were published as a foreword to the re-issue of System and Dialectics of Art and as an article in Leonardo) and on David Smith (including articles on their first meeting and on Smith's 1940 work, "Medals for Dishonor"), lectures and speeches, and various pieces on art and other topics. Writings shed light on other aspects of Dehner's creativity and concern. Also included are writings of others, some of which shed light on Dehner's life and work.

Also found amongst Dehner's papers are printed material, including exhibition catalogs, announcements, and clippings (on herself and Smith, and to a limited extent, on other artists); an undated etching by Dehner which seems to have originally belong to Garnett McCoy, former Curator of the Archives; and photographs of Dehner, her second husband, Ferdinand Mann, John Graham, and various works of art, as well as an abstract photograph by David Smith, dating from circa 1934.
Arrangement:
The Dorothy Dehner papers are arranged into 7 series:

Series 1: Biographical Material, 1935-1982 (bulk 1950s-1982) (Box 1; 0.5 linear feet)

Series 2: Correspondence, 1927-1987 (Boxes 1-4; 2.6 linear feet)

Series 3: Business and Financial Papers, 1940-1985 (Box 4; 0.3 linear feet)

Series 4: Writings, 1920, 1951-1987 (Box 4; 0.3 linear feet)

Series 5: Printed Material, 1940-1987 (Boxes 4-5; 0.6 linear feet)

Series 6: Art Work, undated (OV1; 1 item)

Series 7: Photographs, 1930s-1986 (Box 5; 0.1 linear feet)

The collection has not been re-filmed to reflect the above arrangement. In an effort to provide continued access to the existing microfilm, microfilm reel information was gathered from previous box and folder labels and is provided, where possible, in parentheses after folder titles in the container listing below. Unfilmed material has likewise been noted. Researchers should note that reel numbers have not been verified.
Biographical Note:
Dorothy Dehner was born in Cleveland, Ohio in 1901. Her father died when she was about ten and the family moved to Pasadena, California in 1915. After the death of her mother and sister, she was raised by her mother's sister, Aunt Florence. Dehner was exposed to art as a child, receiving instruction in drawing and painting. She studied drama for a year at UCLA in 1922-1923 before moving to New York with the intention of pursuing a theatrical career. In 1925, she traveled alone to Europe, where she visited Italy, Switzerland, and France and where she began to draw seriously.

Upon her return to New York, Dehner enrolled in the Art Students League intending to study sculpture, but, uninspired by the work of William Zorach's sculpture class, ended up studying drawing with Kimon Nicolaides instead. In 1926, she met fellow artist David Smith in the rooming house they shared. At her suggestion, he too enrolled in the Art Students League. In 1927, they were married.

At the League, Dehner and Smith studied with the modernist painter, Jan Matulka, and befriended Weber and Thomas Furlong, through whom they met the Russian painter and theoretician, John Graham. Graham introduced them to the avant-garde art world and ended up having a profound influence on them both and their work. Around this time, they also befriended other young artists, such as Adolph Gottlieb, Mark Rothko, and Edgar and Lucille Corcos Levy. In 1929, after a visit to the Furlong's summer home in upstate New York, Dehner and Smith bought a farm in Bolton Landing, which became their permanent home in 1940 and was later named Terminal Iron Works. They spent eight months in the Virgin Islands, in 1931-1932, where Dehner painted abstract still lifes of shells and marine life. In the fall of 1935, they traveled to Europe, where they met up with Graham in Paris, spent five months in Greece, and toured the Soviet Union, with other stops along the way.

During her years at Bolton Landing (from 1940 to 1950), Dehner progressed in her work, producing a series of paintings titled Life on the Farm and embarking upon a series of abstract geometric drawings in ink and watercolor. In 1943, she had a joint exhibition with Smith at the Albany Institute of History and Art. Three years later, she participated in the annual exhibition of Audubon Artists and was awarded a first prize for drawing; and in 1948, she had her first one-woman show at Skidmore College.

Dehner left Bolton Landing in 1950 (she was divorced from Smith two years later) and returned to school, earning her degree from Skidmore College in 1952. She moved back to New York City, and supported herself over the next several years by teaching at various schools, including the Barnard School for Girls. She had her first solo exhibition in the city at the Rose Fried Gallery, and studied engraving at Stanley William Hayter's Atelier 17. At this point, Dehner started making sculpture, first experimenting in wax and then casting her wax sculptures in bronze. In 1955, she began working at the Sculpture Center, and from this point on, focused mainly on sculpture with occasional forays in drawing and print-making. In addition to works in bronze, she went on to create sculptures in wood (during the 1970s) and steel (during the 1980s).

In 1955, Dehner married the New York publisher, Ferdinand Mann. That same year, she joined the Willard Gallery, run by Marian Willard. She had her first exhibition of drawings there in 1955 (which led to a solo exhibition at the Art Institute of Chicago) and her first sculpture show there in 1957; she continued to show at the Willard Gallery regularly until 1976. Over the next several decades, Dehner's work was frequently exhibited in solo and groups shows at museums and galleries across the country, and was acquired for both public and private collections.

In addition to her art work, Dehner was also a published poet and writer. She wrote the foreword to the 1971 re-issue of John Graham's System and Dialectics of Art, and an essay on David Smith's "Medals for Dishonor," which was published in Art Journal in 1977. And two of her poems, "Past Tense" and "Two Lines," appeared in the journal Tracks in 1977.

Dehner continued to work into her nineties. She passed away in 1994.
Related Material:
Other resources in the Archives relating to Dorothy Dehner include oral history interviews with Dehner, October 1965 and December 1966, and a photograph of Dehner by Dena, 1966.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming on reels D298 (portions), D298A, 1269 (portions) and 1372, including photographs of Dorothy Dehner and David Smith, sketchbooks, correspondence between Dehner and Smith, an inventory, and some printed material. Lent materials were returned to the lender. To aid researchers, an attempt has been made to note the corresponding reel number for each folder in the collection container listing.
Provenance:
The Dorothy Dehner papers were donated 1967-1987 in increments by Dorothy Dehner. She also lent materials for microfilming between 1967 and 1977, some of which was subsequently donated. The art work in the collection most likely belonged to Garnett McCoy originally, and was included in the collection during processing in 2005.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Dorothy Dehner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Women sculptors -- New York (State) -- New York  Search this
Sculpture, Modern -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Art -- Economic aspects  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Dorothy Dehner papers, 1920-1987 (bulk 1951-1987). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dehndoro
See more items in:
Dorothy Dehner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dehndoro
Online Media:

Remembering the 1991 Disturbances in Mt. Pleasant

Creator:
Smithsonian Latino Center  Search this
Type:
Youtube videos
Uploaded:
2018-05-02T21:57:37Z
Topic:
Latinos  Search this
Youtube Category:
Education  Search this
See more by:
TheLatinoCenter
YouTube Channel:
TheLatinoCenter
Data Source:
Smithsonian Latino Center
EDAN-URL:
edanmdm:yt_8VxyNmEZ9pg

Oprah and Will Smith Share Favorite Quotes at the NMAAHC Grand Opening Dedication Ceremony

Creator:
National Museum of African American History and Culture  Search this
Type:
Youtube videos
Uploaded:
2016-09-27T19:38:58Z
Topic:
African Americans  Search this
Youtube Category:
Education  Search this
See more by:
WatchNMAAHC
YouTube Channel:
WatchNMAAHC
Data Source:
National Museum of African American History and Culture
EDAN-URL:
edanmdm:yt_nnz4xSzc9e8

B-Roll: American Bison Exhibit at the Smithsonian's National Zoo

Creator:
National Zoo  Search this
Type:
Youtube videos
Uploaded:
2014-08-27T18:03:42Z
Topic:
Zoology;Animals;Veterinary medicine;Animal health  Search this
Youtube Category:
Science & Technology  Search this
See more by:
SmithsonianNZP
YouTube Channel:
SmithsonianNZP
Data Source:
National Zoo
EDAN-URL:
edanmdm:yt_t6qGqF1p5uk

Dakota–U.S. War of 1862 Symposium | 2 Gwen Westerman

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2015-11-20T20:35:41Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_BR3ujhQpIaQ

Strong Women/Strong Nations 4: Joy Harjo

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2016-03-25T16:26:46Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_HKoTzyIeU_A

Former Poet Laureate Billy Collins Reads "The Unfortunate Traveler"

Creator:
Smithsonian Magazine  Search this
Type:
Youtube videos
Uploaded:
2012-02-21T21:29:15Z
Youtube Category:
Education  Search this
See more by:
SmithsonianMagazine
YouTube Channel:
SmithsonianMagazine
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:yt_ScVRm12mFUg

Dr. Maya Angelou In Conversation with Dr. Johnnetta B. Cole

Creator:
National Portrait Gallery  Search this
Type:
Youtube videos
Uploaded:
2014-05-30T20:24:07Z
Topic:
Portraits  Search this
Youtube Category:
Education  Search this
See more by:
NatlPortraitGallery
YouTube Channel:
NatlPortraitGallery
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:yt_-sHTpGfPe1c

Make I Contact (15 seconds) - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
Youtube videos
Uploaded:
2015-11-16T20:27:17Z
Topic:
Portraits  Search this
Youtube Category:
Education  Search this
See more by:
NatlPortraitGallery
YouTube Channel:
NatlPortraitGallery
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:yt_8tVftwzIl4o

Anne Waldman and Ted Berrigan read their poem "Memorial Day," ca 1973

Creator:
Archives of American Art  Search this
Type:
Youtube videos
Uploaded:
2013-05-30T18:23:05Z
Topic:
Art, American  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianAAA
YouTube Channel:
SmithsonianAAA
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:yt_CjfWeiTTvnw

Portrait in a Minute: Elaine de Kooning

Creator:
National Portrait Gallery  Search this
Type:
Youtube videos
Uploaded:
2015-08-19T18:03:33Z
Topic:
Portraits  Search this
Youtube Category:
Education  Search this
See more by:
NatlPortraitGallery
YouTube Channel:
NatlPortraitGallery
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:yt_HxIA3QE_3Uo

Civil War 150th Anniversary: The Battle of Fredericksburg

Creator:
National Portrait Gallery  Search this
Type:
Youtube videos
Uploaded:
2012-12-13T18:45:53Z
Topic:
Portraits  Search this
Youtube Category:
Education  Search this
See more by:
NatlPortraitGallery
YouTube Channel:
NatlPortraitGallery
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:yt_OJXH4q8x5to

Modify Your Search







or


Narrow By